All language subtitles for The_Fall.2x05.HDTV_x264-FoV

I'm pretty sure that you
referred to Spector by name.

- Are you certain?
- If you did, he knows that we're on to him.

I was due to see Mr Spector,
but is he the target?

A hairdresser's booked to see Annie, today.

She's been cancelled, too.

But you let me come all the way
in here before turning me away?

- We have a problem.
- What?

We have a collapsed ceiling.

What is that?

A body has been found. A female.

- Where?
- The Belfast Hills.

It's not her. It's not Rose.

Well, she's unidentified as yet.

Perhaps I can use her for 12 hours?

Do you know a detective
called Tom Anderson?

Detective Sergeant, West Belfast.

I thought he might make a
useful addition to our team.

Nurture your envy, Katie.

Your anger. It's the way forward.

What is it you want me to do?

♪ Mama, bring me my walking cane. ♪

♪ I said Mama, ♪

♪ bring me my walking cane. ♪

♪ I'm leaving on that midnight train. ♪

Control. X-ray One update.

From X-Ray One, no movement.

Nothing to report.

No sign of any builders,
plumbers at the house?

No, Ma'am.

The target appears to
be playing loud music.

You'll find in front
of you a target profile

on Peter Paul Spector.

There's no date and time,

and the precise wording of the
arrest is yet to be formalized.

I'll do that with the officer nominated

and briefed to make the arrest.

I personally like the arresting
officer to be the first

interviewing officer, if possible.

Do you have someone in mind?

- I do.
- I've made some enquiries.

- That seems like it might work.
- Good.

So far, we've found no
official record for Paul Spector

further back than his
marriage to Sally-Ann Goodall.

We're still waiting on John Paul Spector's

army records, but one thing we do now know

is that Paul Spector is not Jewish.

His father was born John Paul Marshall.

Marshall was adopted by the Spectors,

who were indeed a Jewish couple.

They devoted most of their lives
to adopting and fostering children,

regardless of their race, colour or creed.

Thoroughly good people, it seems.

- Where was this?
- North London.

Is John Paul Spector
still alive, do we know?

He's alive and in prison.

- Where?
- Canada.

In prison for?

Murder.

- A female victim?
- Male.

I'm not sure if you remember me? Jim Burns.

Of course I remember you.

I've followed your
career with some interest.

If I may, I'll get straight to the point.

I want to know if you remember

this boy from your time
at Gortnacul Orphanage.

I believe he was there
from the age of 10 to 13,

from 1989 to 1992.

Is this to do with the recent
spate of sexual murders?

Why do you ask that?

It must be something of
pressing importance to bring

the Assistant Chief Constable
all the way out here to see me.

Is this your man?

What can you tell me about him?

He was a very pretty boy.

I've been following the
progress of the case,

in the newspapers, on the news,
with considerable interest.

All those poor murdered girls.

There's a great deal of consternation

- among the general public.
- I'm well aware of that.

- I'd like to help.
- You can.

By telling me what you
remember about that boy.

- Would you call me Father?
- You've been defrocked,

dismissed from the clerical state.

- You are no longer a priest.
- Do you know what is sung

at a priest's ordination?

"You are a priest forever,
like Melchizedek of old."

A priest acts on Earth as an alter Christus

that is, as another Christ!

I know one of your victims
believed that he was being

touched by the hand of God
while you were molesting him,

because that's what you told him.

All of those boys were
willing participants.

Everyone of them consented. I
never forced myself on anyone.

They wanted to learn about sex...

... explore their sexual identities.

They enjoyed it.

If they deny that now, it's because
they can't face their real natures.

A child's consent does not count.

What you were doing had nothing to
do with exploring their sexuality

and everything to do with
misusing power and abusing trust.

- I never hurt a boy physically.
- And that's a source of pride? Is it?

Mm.

- Do you feel no shame? No guilt?
- Why should I?

Shame for who you are.

Guilt at what you've done.

I was showing children
love, expressing affection.

By performing oral sex on 12-year-olds?

How many of those boys still
have faith in the Catholic church,

still have faith in God, do you think?

It's a disgrace that I'm
thought of as a common criminal

and all the good work I did over
almost 30 years is forgotten.

Even in this place, I continue my vocation.

A man dying on the floor of his
cell begged me for the last rites.

What would you have me
do? Turn away from him?

Refuse to confer absolution?

I was obliged to dispense the sacraments,

because an indelible priestly
character remains on my soul.

I absolved sin.

One word from my lips
transformed mere bread

and wine into divine flesh and blood.

That power can never be taken away from me.

This was a mistake.

I shouldn't have come here.

- Give me the photograph.
- You're an important man.

You could let it be known that

I will lead the community in
sincere prayer for the apprehension

of this individual.

Say, say tomorrow at noon.

Men, women, children.

It could be a mighty force.

I'm sure there are plenty
of priests who could lead

the community in prayer.

Priests who aren't pederasts
serving a 20 year prison sentence.

I can perform any religious
ritual that is permitted to any lay

person and no-one can stop me.

- Let me have the photograph.
- Father. Call me Father.

No.

Then I won't tell you
what I know about this boy.

'I don't think I can.'

'I don't know what's going to happen.'

- 'I don't... '
- 'I don't... '

'I had an early night myself.'

'It's a beautiful night'

- '... night.'
- '... night.'

The first example is the
known recording of Spector's

voice from his interview with DCI Brink.

The second, the call
from Rose Stagg's phone.

'I don't think I can.' 'I don't
know what's going to happen.'

- 'I don't... '
- 'I don't... '

'I had an early night myself.'

'It's a beautiful night.'

- '... night.'
- '... night.'

Normally, 20 or more different

words are needed for a
meaningful comparison.

Comparing two voice samples
of less than 20 words results

in a less conclusive opinion.
Possibly instead of probably.

The call from Rose Stagg's phone was
very possibly made by Paul Spector.

It has been four days
since Rose went missing.

Delaying the arrest in the hope
that the suspect leads us to her

runs a number of very
clear and obvious risks.

Risks that I think we have to take.

'Hey, this is Katie. Can't
come to the phone right now.'

'Leave a message and I'll call you back.'

Hi. Er, it's me. I'm outside.

'Have you left already?'

'I can't really wait, so...
I'll see you at school. Bye.'

These are the thermal images
from last night, ma'am.

The only heat signatures are livestock.

Is that all Goodall land?

Yeah, there's the farmhouse.

- What's that?
- That's your derelict building.

Perhaps it's on the list.
We'll take a look later.

No sign of Rose Stagg's car?

No, ma'am. We'll extend the
search further south today.

We need to find that car, Jed.

'From Three. That's the
Benedetto girl into the bank,

on Waring Street. I no longer have.'

From Three. That's the Benedetto
girl into the bank, Waring Street.

Three no longer has, running
loose. Five, can you cover?

'From Five. Entering the bank.'

'Message from Control, ma'am.
The Benedetto girl has cut school.'

She's on the move.

'From Five, I now have.'

Where is she?

In a bank on Waring
Street, ma'am. Five now has.

'From Five.

She's making a cash withdrawal.
Looks like a large amount.'

From Five. That's the Benedetto

girl out of the bank on Waring Street,

'walking briskly towards the river.'

What's the word on Spector?

Sitting tight, ma'am.

'From Five. The Benedetto girl is
on the footbridge at Lagan Weir.'

From Four. She's fixed a lock to the fence

and thrown away the key.

'A padlock that says "Katie
and Paul" with today's date.'

A love lock?

'From Four. The target is heading
back towards Custom House Square.'

'From X-ray One, stand by, stand by.'

'That's the target out of the house.'

Blue and grey hooded top. Black
track suit bottoms. On foot.

Left, left towards the
Lisburn Road. Now running.

'He's running. Repeat, he's running loose.'

'Left, left towards
Lisburn Road. Unsighted.'

Out for a run or making a run for it?

'From X-ray One, target
is wearing a back pack.'

Oh, Jesus!

From X-ray One. That's the
target out of the house.

Left, left towards the Lisburn
Road. Now running unsighted.

All call signs respond.

'It's Gibson. Is the surveillance blown?'

'From Delta, not possible to say.'

'Have eyes on target running loose,

Ulsterville Avenue
approaching Lisburn Road.'

'Arrest strategy not yet in
place. Follow. Do not lose.'

'Target now crossing Lisburn Road.
repeat, crossing Lisburn Road.'

'Control. From Delta. Target
crossing Lisburn Road.'

'From Delta.

Target is along College Gardens
heading towards Malone Road.

One-way street, unable to pursue.'

From Delta, that's the target
crossing the Lisburn Road

into College Gardens heading
towards the Malone Road.

Call signs that can back Delta, come in.

'Golf, I can.'

Eyes on target, crossing Malone
Road. Repeat, crossing Malone Road.

'Control. From Golf, target
crossing Malone Road.'

'From Golf. Target
entering Botanic Gardens.'

'Main gates closed to vehicles, running loose.'

'All call signs.' I need
cars blocking all exits.

Golf and Delta drop two men
on foot to cover the gardens.

'From Golf. SO7 entering park at
Botanic Avenue entrance on foot.'

'From Eight. In Botanic
Gardens on Stranmillis.'

'From Bravo.'

Turning left Bridgeway Street
heading to university exit.

'From Seven. Eastern edge of Botanic.'

'No visual on the target.'

From Bravo. Crossing Ormeau Road,

'turning left onto Annadale
Embankment. No visual.'

'From Eight. South West of
gardens. No sign of target.'

Control. From eight. No sign
of target southwest of gardens.

'From Three. Benedetto girl
has turned into Bleecker Street.

Four has.'

From Four.

The Benedetto girl has entered
the Bleecker Street Hotel

'on Bleecker Street, running loose.'

From four. The Benedetto girl has

entered the Bleecker
Street Hotel. Running loose.

What's happening?

- We lost him.
- What?!

We think he's somewhere
in the Botanic Gardens.

We have cars covering every exit.

All available surveillance
operatives are in the gardens on foot.

'From Four. I'm in the lobby
of the Bleecker Street Hotel.

Room 12 is registered in
the name of Paul Spector.'

Call in the uniforms.
Spector's room is a crime scene.

It needs to be treated accordingly.

Get down on your knees.
Get down on your knees!

This is my hotel! It's my hotel!

Drop what you're holding!

On your feet.

What? I can't walk the
corridors of me own hotel?

Police.

Open the door!

Police! Open up!

Open the door!

Police, open the door!

Katie, calm down. You are under arrest.

- Get off!
- Just stop moving!

Get off!

'Alpha Papa One Two to Uniform.'

We have the Benedetto girl.

We believe the girl has attempted
to destroy vital evidence.

It might be necessary to
conduct a strip search.

Assign Hagstrom
responsibility for her care.

We need to provide access
to an appropriate adult

and put her in a detention
room, not in a... not in a cell.

'Understood.'

Thanks.

'From Bravo. No sign of target.'

Spector's juvenile criminal record.

'From Delta. No sign of target.'

From the south?

I went to see Father Jensen,

the pederast who ran
the orphanage at Gotnacul

where Spector was when he was
a boy. He remembered him well.

- Peter Baldwin?
- PB.

Was he abused by Jensen?

Jensen says not.

At 13 he was moved to Ballyvale,
it's a home in Dundalk.

It was there that it seems
his criminal behaviour began.

And you were right, breaking
and entering, ignoring valuables,

taking underwear.

And he kept a journal too, it
seems. Voyeur's map of the town.

Days of the week, times of
the day and night, places where

women could be observed, notes
about their appearance, age, habits.

- Has prison changed Jensen?
- No.

He's just as arrogant,
just as narcissistic.

- He's unrepentant.
- 'From Seven, no sign of target.'

Oh, where the fuck is he?

Will you look who it is?

Stop that! Stop that!

Move back. Go! Move!

Get down on your knees!

Get down on your knees!

Get down on your knees!

Where's my wife?

What?

Liz? Where is she?

I don't know, Jimmy.

Tell me, or so help me I'll
blow your fucking brains out!

I swear to you, Jimmy, I
don't know where she is.

Find out.

How?

Make some calls. Now.

Find out where she is.

I don't have my phone.

Make some calls.

Gibson.

'Responding to an emergency call,
ma'am. The back of Elmwood Mews.'

Elmwood Mews?

'The person who phoned it in
described two men in bomber jackets,'

jeans and the third in dark running gear.

It made me think of the CCTV
footage of Spector running.

- 'How far away are you?'
- Minutes.

All right, stay on the line.

It's just, er, I need to
follow up, for my case notes.

I really need to see her in person.

Elizabeth Tyler.

Paul Spector.

She was in therapy because
of the death of her son,

not because of domestic abuse.

That therapy was interrupted.

Obviously, I'll treat any
information as confidential.

She's asking her superior.

My knees are hurting. Can I get up?

You fucking can't get up!

It's lovely music.

What?

They got me on hold.

What's in your bag?

What?

Give me your bag. Give me it.

'Danny? Danny?'

What the fuck!

Put the gun down! Nobody move, nobody move!

Keep your hands in the air! Keep
your hands where I can see them!

Argh!

Stay where you are! Don't move!

For fuck's sake!

'Danny. can you hear me?'

You OK?

'Danny?'

Er, sorry, ma'am. We've had a contact.

Were you hit?

'Yeah.' One in the flack jacket.

'And Spector? Is it Spector?'

Yes, ma'am.

One moment.

The suspect has fled the scene
in a White City Clampers Van.

He's er, six foot two,
dark jeans, dark jacket.

He's bleeding from his face.
He's taken my partner's gun!

Establish an outer cordon!

'Danny?'

- Sorry, ma'am.
- Is Spector still there?

Yes, ma'am.

'Any injuries? Head injuries?'

No, ma'am. He's er... I think
he's bleeding from the... nose.

OK. Don't let them take
him to the hospital.

Danny, do you hear me?

'Just keep him at the scene.'

Yes, ma'am.

I've told the Custody Sergeant
at the Serious Crime Suite

that you're on your way. Can I help?

Yes, you can.

From X-ray One. Stand by.

That's the target's wife arriving
at the house in the Volvo.

'Control. Target's wife arriving
at house. X-ray One, wait out.'

That man was on his back,
more or less as he's lying now.

Then he made a move, raised his gun.

That's when the male officer
fired again. Two more shots.

Now just bring the wrist up.
Don't let me push it forward.

Don't let me push it back. Thank you.

Just don't let me push down.

Burns.

Understood, yeah.

Mr Spector.

Thank you for your statements.
We have your number and address.

We'll be in touch if we
need anything more from you.

This is Paul Spector. He's not
worn any protective clothing.

Sign him out.

Paul Spector. Detective Sergeant Anderson.

I am arresting you for the
unlawful imprisonment of Rose Stagg.

You do not have to say anything

but it may harm your
defence if you do not mention

when questioned something
you later rely on in court.

Anything you do say may be given
in evidence. Do you understand?

Police officers!

- Sally-Ann Spector?
- Yes?

- DC Glen Martin, DC McNally.
- What's happened?

Sally-Ann Spector, I am arresting
you on suspicion of perverting

- the course of justice.
- What?!

You do not have to say anything,
but it may harm your defence

if you do not mention when questioned

something you later rely on in court.

Anything you do say may
be given in evidence.

Your mother's here to see you.

I don't want to see her.

Katie, you are a juvenile.

The law requires an appropriate adult

- to be present during your custody.
- Not her.

Not her.

They came to the house and arrested me

and they've bought me to the
Down, er, Serious Crime Unit.

- 'Slow down, Sally.'
- I'm sorry.

'Why have you been arrested?'

Perverting the course of justice.

'In what way?'

They suspect that I lied
when they asked me about Paul.

'What about Paul?'

Where he was the night that girl died.

- 'What girl?'
- The one in the park.

'Did you lie?'

Yes.

- 'Is this your one phone call?'
- Yes.

'Sally!'

'I'm not a criminal solicitor.'

'I should contact a colleague.'

'It's important you don't
incriminate yourself.'

I'm pregnant, Steve. Please, help me.

Please remove your top layer, sir.

Shoes.

Both the Benedetto girl and Spector

have mobile devices
with video files on them.

Should we prioritise Spector's?

Yeah. Definitely.

Downloading now, ma'am.

I must advise you this
interview is being recorded.

I am Detective Constable Glen Martin.

Detective Constable Gail
McNally is also present.

The suspect's name is Sally-Ann Spector.

Also present is the suspect's
solicitor, Stephen Jennings.

It is 22 hundred hours on
Monday, May the seventh.

This interview is taking place
in the Down Serious Crime Suite.

I'd like each person here to identify themselves
on tape for voice identification purposes.

DC Gail McNally.

Steve Jennings, solicitor.

Sally?

Sally-Ann Spector.

Just to make it clear, Sally...

The offence you're
being investigated for is

perverting the course of justice.

What I'm going to do, is ask you
to give an account of the answers

you gave me when I telephoned
you on Saturday 21st of April,

and asked you to give an account
of your husband, Paul Spector's

movements on a series of specific dates.

I believe the account you gave me was false

and amounted to an attempt to
pervert the course of justice.

Do you understand?

Yes.

Tell me in your own words how
you came to give me that account.

I lied.

I lied to you.

Er, he called me before he
went into the police station.

He said the police would
probably come round to see me

and ask me to confirm what
he was about to tell them.

He asked me to lie and say that
I'd been with him that night...

... that we were at home together.

What reason did he give, Sally?

When he called, he didn't give a reason.

So you just did what he asked?

Yes.

Did he ever give a reason?

Er... Yes, when he came
back from the station.

Tell them, Sally.

Paul worked on a suicide
help line, as a volunteer,

every Friday night, all night,
and some other nights as well.

Or at least that's where I thought he was.

When he came back, he told me
that he hadn't actually gone

to work for the last three months.

That he'd been having an affair.

Take your time.

He was having an affair
with our baby-sitter.

She was 15 at the time.

I didn't know what to do.

He said that if I told the
police that he'd be put on the

sex offender's list,

that he'd go to prison, that
I might even lose my job.

Is that what all of this is about?

You understand that you're under a caution?

I should also remind you
that you have a right to free

and independent legal advice...

... and that you can talk to
a solicitor on the telephone

if you so wish.

That light indicates the
interview is being monitored.

You've been arrested because
we believe that on the night

of Thursday May 3rd, you abducted
Rose Veronica Stagg from her home.

We also believe that you
have unlawfully imprisoned

Rose Stagg...

... that you're holding her
somewhere against her will.

You may know Rose Stagg
better as Rose McGill.

Your wife has been arrested.

Your home is being searched.

Katie Benedetto has been arrested.

The hotel room you were
staying in, is being searched.

Things could get out of control
for you very quickly, Paul.

Are you sure you don't want to speak?

All the files have downloaded
from Spector's phone.

There are some videos you should see.

My wrists are sore. Can
you untie me, please?

Peter, can you unloosen these, please?

I'm thirsty.

Can you untie me, please!

- Please.
- Please, can you untie me?

Please, take me home.

Please, take me home. My
babies will be missing me.

They're only little, they're
young, they need me, Peter,

they need me, Peter.

I'm sorry.

You were right. I did go to the police.

Go to the police.

I never will again, if you untie me now,

I won't tell anybody what's happened.

Please, Peter.

Please, Peter, would you talk to me?

I miss what we had, I do.

Tom, he's not like you.

You. No-one's like you.

Untie me and we can have what we had again.

It can be better.

I know it's wrong, but I'm so turned on.

Are you?

Are you?

Peter?

You fucking disgust me, you fucking
piece of shit, you fucking worm!

I know it's you, you pervert.

You fucking pervert, you
dickless piece of shit.

You're a monster, you're a monster,

you're a monster, you're
a fucking aberration!

Fuck you, fuck you!

Peter, please take me home.

You must have had a terrible
childhood to do this to me.

I feel sorry for you, I really do.

You must have had a terrible
childhood. I feel sorry for you.

I don't want to die here, Peter, please!

You want to be noticed.

You want to be paid
attention to, make your mark?

Fine. Hurt me, do whatever you want to me,

go ahead, do your worst.

Nothing you can do will ever take
away how much I love my husband,

how much I love my children.

Nothing you can do can make
me devalue my life in any way.

I will celebrate life.

I love and I am loved and nothing
that you can do can take that away!

Do you know that?!

Do you know that?!

Why the fuck are you
watching this? You sick shit?

What the fuck is wrong with you?

I think it's time for a special warning.

See if we can't make it
that a court draws an adverse

inference from Spector's
refusal to answer questions.

I'll pass it on.

I want you to listen carefully
to what I'm about to say, Paul.

I'm now going to ask you
to account for a fact.

The reason I'm asking you to do this...

... is because I believe this fact
shows that you're responsible,

for the abduction and unlawful
imprisonment of Rose Stagg.

I must warn you that a record
is being made of this interview

and may be given in evidence
if you're brought to trial.

And that the court may draw
proper inference from your silence

if you fail or refuse to
account for the fact about which

you're being questioned. Do you understand?

I'm asking you to account for
the presence on your phone,

the phone found in your possession
at the time of your arrest,

of a number of video files
featuring the image of Rose Stagg

and the sound of her voice.

And images of you.

What is your explanation for those
files being found on your phone?

Granny!

They've finished questioning
your daughter, Mrs Goodall,

and they're keeping her in custody.

Will you be seeing her again tonight?

I won't, unfortunately, but I will
see her first thing in the morning.

- Give her my love.
- Granny!

I will. You try not to worry.

Granny, is that Daddy on the phone?!

- Gibson.
- It's Christine Larkin, Ma'am.

- Yes?
- Some new results from the FSNI.

Tell me.

They've managed to type
mitochondrial DNA from the degraded

blood sample found on the scissors
that ties them to the crime scene.

It's Joe Brawley's blood.

He's entitled to eight hours
uninterrupted rest, ma'am.

If we wake him, I have to reset
the clock and you lose two hours.

Fetch the gaoler.

Yes, Ma'am?

May I?

There's something I'd like you to do.

I'm DC Gail McNally.

Paul Spector, I am further
arresting you for the murder

of Joseph Brawley and the
attempted murder of Anne Brawley.

You do not have to say anything,

but it may harm your
defence if you do not mention

when questioned something
you later rely on in court.

Anything you do say may
be given in evidence.

Do you understand?

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