Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
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WHITNEY:\N{\i1}♪ Free ♪{\i0}
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{\i1}♪ Free ♪{\i0}
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{\i1}[WHITNEY CLEARS THROAT,{\i0}\N{\i1}TRILLS LIPS]{\i0}
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{\i1}♪ Tell me, will you stay ♪{\i0}
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{\i1}♪ Hm ♪{\i0}
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{\i1}♪ Just all that you are ♪{\i0}
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{\i1}♪ And everything that you do ♪{\i0}
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♪ Away ♪
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♪ Away ♪
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WOMAN 1:\N{\i1}Coming back in five.{\i0}
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WOMAN 2:\N{\i1}Does anyone have eyes{\i0}\N{\i1}on Whitney?{\i0}
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MAN:\N{\i1}I've got eyes on Ms. Houston.{\i0}
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WOMAN 1:\N{\i1}Tighten up on four.{\i0}
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WOMAN 2:\N{\i1}Three, two, switching{\i0}\N{\i1}to channel four.{\i0}
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MAN:\N{\i1}Lights 25, stand by.{\i0}
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WOMAN 1:\N{\i1}We are live in five,{\i0}\N{\i1}four, three, two...{\i0}
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MAN:\N{\i1}Lights 25, go.{\i0}
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[AUDIENCE CHEERING, CLAPPING]
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Whitney!
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WHITNEY:\NWe're gonna do a medley\Nfor you.
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It's about love.
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{\i1}The things we do to get it,{\i0}
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{\i1}and the things we do{\i0}\N{\i1}to keep it.{\i0}
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♪ Guide me ♪
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♪ O Thou great Jehovah ♪
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♪ Pilgrim through\NThis barren land ♪
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♪ I am weak ♪
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♪ But Thou are mighty ♪
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♪ Hold me\NWith thy powerful hand ♪
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♪ Bread of heaven ♪
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♪ Bread of heaven ♪
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♪ Feed me till I want ♪
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♪ No more ♪
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♪ Bread of heaven ♪
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♪ Bread of heaven ♪
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♪ Feed me till I want no... ♪
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[CONGREGATION SHOUTING\NINDISTINCTLY]
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♪ ...more ♪
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[CONGREGATION CLAPPING]
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[GIGGLES][CONGREGATION EXCLAIMING]
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♪ Guide me, O Thou... ♪
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Stop.
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Mommy.Again.
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Mom!Again.
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God gives you a gift,\Nyou gotta use it right.
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♪ Guide me\NO Thou great Jehovah ♪
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You have to learn the melody.
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Once you learn it,\Nthen you can play around,
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do your little\Nflourishes.
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Now, do it again.
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♪ Guide me\NO Thou great Jehovah ♪
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Know the melody\Nbackward and forward.
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♪ Pilgrim through... ♪
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And enunciate.
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♪ ...this barren land ♪
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Pay attention to the words.
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Complete every word.
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♪ I am weak\NBut Thou are mighty ♪
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Every song is a story.
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If it's not a story,\Nit's not a song.
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♪ Hold me\NWith thy powerful hand ♪
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Great singing comes from\Nthree places.
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♪ Bread of heaven ♪
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The head, the heart...
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♪ Bread of heaven ♪
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...and the gut.
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And get your eyes off\Nthat damn door, girl.
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You know what, I quit.No, you don't quit.
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You gave that up when you told\Nme that you wanted to do this.
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Mommy, I just wanna sing.Again.
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♪ Guide me, O Thou... ♪
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You will honor\Nyour commitment to this, Nippy.
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♪ ...great Jehovah ♪
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Your idea, you see it through.
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♪ Pilgrim through this... ♪
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Pride.
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♪ ...barren land ♪
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You're a Houston.
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♪ Bread of heaven ♪
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♪ Bread of heaven ♪
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Love you, Mommy.
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[SCOFFS]
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All right.
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METEOROLOGIST:\N{\i1}Variably cloudy skies at 5,{\i0}
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{\i1}10 to 15% chance of a...{\i0}
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REPORTER 1:\N{\i1}President Reagan will also {\i0}{\i1} {\i0}\N{\i1}consider curbing some benefits.{\i0}
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REPORTER 2: {\i1} {\i0}\N{\i1}A note of optimism this morning{\i0}{\i1} {\i0}\N{\i1}in East Orange, New Jersey.{\i0}
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ROBYN:\NI'll see y'all Saturday, okay?
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Hey. See you Saturday? At 10.
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See you Saturday. Okay.Thank you.
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{\i1}♪ Baby, just suppose ♪{\i0}
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{\i1}♪ I should happen{\i0}\N{\i1}To cross your mind ♪{\i0}
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Hey.\N{\i1}♪ And by some chance{\i0}\N{\i1}A boy like me ♪{\i0}
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{\i1}♪ You've really{\i0}\N{\i1}Been trying... ♪{\i0}
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What?I just said "hey."
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Hey.
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[CHUCKLES]
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And you are?
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Whitney Elizabeth Houston.
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Whitney Elizabeth Houston.
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You always say\Nyour middle name?
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All right.
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Well, I'm Robyn Crawford.
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You from 'round here?Mm-hm.
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East Orange.Word?
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Yeah.Where you go to school?
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Mount Saint Dominic Academy.
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Oh. Catholic schoolgirl.
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White Catholic schoolgirl.
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[BOTH LAUGHING]
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You?College.
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Yep.
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Wait a minute.\NSo, Cissy Houston is your mom?
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Uh-huh.The singer?
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Yep.Heh.
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You know, Dionne Warwick\Nis my first cousin.
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Dionne Warwick?\NNah, you shitting me.
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No damn way.Yeah.
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Girl, Aretha Franklin's\Nlike my godmother.
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Okay, now, Whitney Elizabeth\NHouston...
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...you dreaming.
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No. No, my dream...
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No, it's crazy-- Is to be\Na professional singer like them.
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But the bar is way,\Nway too high, so...
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...I'm happy to just sing\Nmy little
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"shoop-shoop, diddy-dum,\Ndiddy-doos,"
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backing my mom.
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Mm.
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Let me hear you.
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Sing.Uh-uh.
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Aw...
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No.
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Nah, I showed you\Nmy three-point shot.
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Come on, sing.
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You know what?
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You know, you should come\Nto Sweetwater's.
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Yeah, you can see me sing\Nchorus for my ma.
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Mm-hm.Mm-hm.
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All right,\NWhitney Elizabeth Houston.
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I'mma come see you.Mm-hm.
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But you better\Nknow how to sing.
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[AUDIENCE CLAPPING]
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♪ I'll be there ♪
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♪ When all your dreams\NAre broken ♪
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♪ To answer ♪
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♪ Your unspoken prayer ♪
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♪ Yeah ♪
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♪ Deep down in my heart\NI'm gonna miss you ♪
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♪ And in my dreams\NI'll kiss you ♪
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♪ Ooh ♪
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♪ And I'll even wish you luck ♪
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♪ On your new affair\NOh, yes, I will ♪
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♪ But remember, baby ♪
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♪ If you need me ♪
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♪ All you got to do is call me ♪
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♪ And don't worry ♪♪ Don't worry, baby ♪
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♪ Don't you worry ♪
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♪ I'll be there ♪
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♪ I'll be there ♪
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{\i1}♪ Oh, yes, I will ♪{\i0}
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CISSY:\NAll these years,\Nall these years...
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JOHN:\NThat's it.
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CISSY:\N...I had to look\Nthe other way...
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JOHN:\NJust change the subject.
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CISSY:\N...pretend I don't know\Nwhat's going on.
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That's what you do\Nevery time.
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You're out there doing\Neverything you big enough to do.
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And I'm out there, on the road,\Nbusting my ass!
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On the road busting your ass,\Nhuh?
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So what are you,\Nthe savior?
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Sole breadwinner! That's right.\NSole breadwinner. For years.
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I swear to God,\NI'll walk out that goddamn door!
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Do it! Finally be doing\Nsomething!
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I've been looking\Nafter these kids.
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Out on the road\Nbusting my ass.
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Yeah, "busting your ass"!\NDoing what?
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Yeah, you work now!\NYou work now!
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JOHN:\NSo you've been working\Nall this time?
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How do you think I'm\Nwalking out these...
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Sup, Nippy?
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Yeah, I said I'll sit here--Singing my ass off.
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[JOHN & CISSY CONTINUE\NINDISTINCTLY]
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Hey. Don't even worry about it.
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[GLASS SHATTERING]
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CISSY:\NDo it!
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[♪♪♪]
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[BOTH LAUGHING]
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Look at that.
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Hey!
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[CHAKA KHAN'S\N"PAPILLON" PLAYING]
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Okay.
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♪ You took my breath away ♪
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This is so great.
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This will be forever.
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Nippy. I need you\Nto listen now.
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Mommy.
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I love you.
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That's great.
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♪ Chanson papillon ♪
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[SIGHS]\NMm.
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Check us out.
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♪ Just begun to fly ♪
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Clive!
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Hey.
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Clive, thanks for coming.Thank you.
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So, she sings backup\Nfor her mother.\NUh-huh.
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But wait till you see\Nthis girl.
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I'm telling you,\Ntotal knockout.
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Model looks, right?\NBut the voice--
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Oh, my God, the voice.\NShe's just-- It's really--
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All right, calm down.\NI'm here, aren't I?
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Come on.Yeah.
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How're you doing?Good evening.
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Evening, sir.
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CISSY:\N{\i1}I don't know who the hell{\i0}
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{\i1}you think you talking to!{\i0}
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Think you're so damn grown!
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Well, I know what I want!
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You think you know\Nwhat you want!
220
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GARY:\NClive Davis!
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CLIVE:\NHi, Gary, how are you?\NA pleasure.
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Hey, Gerry.
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[COUGHING, CLEARING THROAT]
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My voice.What?
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My voice.
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It's gone.
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[WHISPERING]\NI need you to do\Nthe opening solo.
228
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What?
229
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Mama, you were shouting\Nat me a second ago.
230
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Well, maybe that's\Nwhat done it!
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And I need some time\Nto get it back,
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so you start the show\Ntonight.
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I'm your mother,\Nno talking back.
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Yeah, Mommy, I just--Look...
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I need you to help me now.
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Start the show.
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Sing "The Greatest Love of All."\NNot another word.
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[NORMALLY]\NDon't make me whup your ass.
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[COUGHS]
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"Greatest Love of All."\NAll right?
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Gerry.
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Cissy.Clive.
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How are you?Good to see you.
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Nice to see you too.
245
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[AUDIENCE CLAPPING]
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♪ I believe the children\NAre our future ♪
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♪ Teach them well\NAnd let them lead the way ♪
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♪ Show them all the beauty\NThey possess inside ♪
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♪ Give them a sense of pride ♪
250
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♪ To make it easier ♪
251
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♪ Let the children's laughter ♪
252
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♪ Remind us\NHow we used to be ♪
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♪ Everybody\NSearching for a hero ♪
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00:14:06,290 --> 00:14:09,570
♪ People need someone\NTo look up to ♪
255
00:14:09,770 --> 00:14:15,360
♪ I never found anyone\NWho fulfilled my needs ♪
256
00:14:15,560 --> 00:14:19,580
♪ A lonely place to be ♪
257
00:14:19,780 --> 00:14:23,980
♪ And so I learned\NTo depend on me ♪
258
00:14:24,180 --> 00:14:27,330
♪ I decided long ago ♪
259
00:14:27,530 --> 00:14:31,810
♪ Never to walk\NIn anyone's shadows ♪
260
00:14:32,010 --> 00:14:34,860
♪ If I fail, if I succeed ♪
261
00:14:35,060 --> 00:14:38,290
♪ At least I lived\NAs I believe ♪
262
00:14:38,490 --> 00:14:42,170
♪ No matter\NWhat they take from me ♪
263
00:14:42,370 --> 00:14:46,430
♪ They can't take away\NMy dignity ♪
264
00:14:46,630 --> 00:14:50,580
[AUDIENCE CHEERING, CLAPPING]♪ Because the greatest ♪
265
00:14:51,710 --> 00:14:53,350
♪ Love of all ♪
266
00:14:53,550 --> 00:14:58,590
♪ Is happening to me ♪
267
00:15:00,550 --> 00:15:06,410
♪ I found the greatest ♪
268
00:15:06,610 --> 00:15:11,890
♪ Love of all inside of me ♪
269
00:15:12,090 --> 00:15:18,900
♪ The greatest love of all ♪[AUDIENCE CHEERING]
270
00:15:19,100 --> 00:15:25,910
♪ Is easy to achieve ♪
271
00:15:26,110 --> 00:15:31,560
♪ Learning to love yourself ♪
272
00:15:31,760 --> 00:15:37,440
♪ Is the greatest love of all ♪
273
00:15:37,640 --> 00:15:43,630
♪ And if, by chance\NThat special place ♪
274
00:15:45,240 --> 00:15:51,250
♪ That you've been dreaming of ♪
275
00:15:52,860 --> 00:15:58,070
♪ Leads you to a lonely place ♪
276
00:15:58,270 --> 00:16:00,720
♪ Find your strength ♪
277
00:16:00,920 --> 00:16:07,430
♪ In love ♪
278
00:16:07,630 --> 00:16:08,910
[AUDIENCE CLAPPING, CHEERING]
279
00:16:09,110 --> 00:16:10,140
She's incredible.
280
00:16:18,840 --> 00:16:20,400
CLIVE:\NOkay.
281
00:16:20,600 --> 00:16:21,480
Just okay?
282
00:16:21,680 --> 00:16:24,620
I think I might have just heard
283
00:16:24,820 --> 00:16:27,460
the greatest voice\Nof her generation.
284
00:16:29,160 --> 00:16:31,280
Yeah. Yeah.\NThat kind of "okay."
285
00:16:31,480 --> 00:16:33,710
Gerry, my "okay" is different\Nthan your "okay."
286
00:16:33,910 --> 00:16:35,450
Mom.CLIVE: My "okay"
287
00:16:35,650 --> 00:16:38,240
comes with investment\Nand legal obligations.
288
00:16:38,440 --> 00:16:40,550
Yours comes\Nwith a side of fries.
289
00:16:40,750 --> 00:16:42,210
[CHUCKLES]
290
00:16:45,000 --> 00:16:47,080
That's my baby girl.
291
00:16:47,280 --> 00:16:48,700
Whitney Elizabeth Houston.
292
00:16:52,570 --> 00:16:54,260
WHITNEY:\N"And distribution rights\Nfor all albums
293
00:16:54,460 --> 00:16:56,740
created by Whitney\NHouston... Heh.
294
00:16:56,940 --> 00:16:59,960
...or Arista during the term\Nof this agreement...
295
00:17:00,160 --> 00:17:03,740
...in perpetuity throughout\Nthe universe"?
296
00:17:03,940 --> 00:17:05,619
It means a damn long time.
297
00:17:05,819 --> 00:17:07,880
Everywhere.
298
00:17:08,079 --> 00:17:09,710
Wait.
299
00:17:09,910 --> 00:17:11,930
Daddy, what?She's coming here for you.
300
00:17:12,130 --> 00:17:13,619
CLIVE:\NMm-hm.
301
00:17:13,819 --> 00:17:16,760
If you move on, you take her\Nwith you when you go.
302
00:17:16,960 --> 00:17:19,760
Mr. Davis, you are not\Nmy first record exec.
303
00:17:19,960 --> 00:17:21,500
I'm just trying\Nto protect my family.
304
00:17:21,700 --> 00:17:23,460
No, no, no. I understand.
305
00:17:23,660 --> 00:17:26,520
Well, we have never given\Nthat right to any artist.
306
00:17:27,690 --> 00:17:29,300
Um...
307
00:17:31,220 --> 00:17:34,050
But I believe in you.
308
00:17:35,220 --> 00:17:36,090
So...
309
00:17:37,750 --> 00:17:39,080
Best efforts.
310
00:17:39,280 --> 00:17:41,000
Okay.CLIVE: Okay?
311
00:17:41,200 --> 00:17:42,190
JOHN:Mm-hm.
312
00:17:46,100 --> 00:17:48,180
Here, let's take a picture.Okay.
313
00:17:48,380 --> 00:17:49,830
All right.\NReady for the shot?
314
00:17:50,030 --> 00:17:52,360
[♪♪♪]
315
00:17:52,560 --> 00:17:55,010
Congratulations.\NWelcome to Arista.
316
00:17:55,210 --> 00:17:57,010
[LAUGHS]
317
00:17:57,210 --> 00:17:59,360
Thank you.CLIVE: Thank you.
318
00:17:59,560 --> 00:18:01,580
Cissy. Thank you.Thank you, Clive.
319
00:18:01,780 --> 00:18:04,110
John.Thank you. Thank you very much.
320
00:18:04,310 --> 00:18:05,200
Congratulations.
321
00:18:05,400 --> 00:18:06,680
Now, if you don't mind,
322
00:18:06,880 --> 00:18:08,680
I want to get acquainted\Nwith my new artist
323
00:18:08,880 --> 00:18:10,810
and learn about\Nher musical tastes.
324
00:18:11,010 --> 00:18:12,350
Okay.
325
00:18:17,220 --> 00:18:18,990
Alone would be great.
326
00:18:19,190 --> 00:18:21,560
It's what I was trying to--
327
00:18:21,760 --> 00:18:23,050
Okay.Yeah.
328
00:18:24,840 --> 00:18:26,800
CLIVE:\NSo, do you write songs?
329
00:18:28,710 --> 00:18:30,180
No.
330
00:18:30,380 --> 00:18:32,440
Have you ever tried?Mm-mm.
331
00:18:32,640 --> 00:18:34,530
Is that okay?Yeah.
332
00:18:34,730 --> 00:18:37,050
We'll just get people\Nto write them for you.
333
00:18:37,250 --> 00:18:39,190
Now, what kind of songs\Ndo you like?
334
00:18:39,390 --> 00:18:41,200
[BREATHING DEEPLY]\NHm.
335
00:18:44,940 --> 00:18:46,630
Great big songs.
336
00:18:46,830 --> 00:18:48,240
"Great big songs"?
337
00:18:48,440 --> 00:18:50,200
[BOTH CHUCKLE]
338
00:18:50,400 --> 00:18:52,770
Yeah.All right, great big songs.
339
00:18:52,970 --> 00:18:56,380
Yeah, that you almost\Ncan't wrap your arms around.
340
00:18:56,580 --> 00:18:58,900
Songs that are like\Nclimbing a mountain,
341
00:18:59,100 --> 00:19:01,340
that'll stretch me\Nvocally, that--
342
00:19:01,540 --> 00:19:03,690
I really gotta sing\Nmy raggedy ass off to sell.
343
00:19:03,890 --> 00:19:06,820
Gospel? Country? Black? White?
344
00:19:07,020 --> 00:19:08,260
All the above.
345
00:19:08,460 --> 00:19:09,780
All the above?Mm-hm.
346
00:19:09,980 --> 00:19:11,260
All of them.
347
00:19:11,460 --> 00:19:14,240
A great song is a great song.
348
00:19:15,800 --> 00:19:18,140
And you are 100% correct\Non that.
349
00:19:18,340 --> 00:19:20,270
Okay. So, then,\Nwhat we're gonna do
350
00:19:20,470 --> 00:19:25,410
is we're gonna hire the finest\Nsongwriters in America--
351
00:19:25,610 --> 00:19:27,450
In the world,
352
00:19:27,650 --> 00:19:31,280
to write a great big\Nvocally-ambitious song
353
00:19:31,480 --> 00:19:34,500
for a great new\Nvocally-ambitious star.
354
00:19:34,700 --> 00:19:35,300
What do you think?
355
00:19:37,210 --> 00:19:38,860
Believe they'd do that for me?No.
356
00:19:39,060 --> 00:19:40,030
But they'll do it for us.
357
00:19:40,230 --> 00:19:41,730
[CHUCKLES]
358
00:19:41,930 --> 00:19:44,250
Okay, so--Can I--
359
00:19:44,450 --> 00:19:46,650
Can I ask you something?Yeah, you can ask me anything.
360
00:19:46,850 --> 00:19:48,600
I'm an open book, Whitney,\Njust so you know.
361
00:19:48,800 --> 00:19:50,260
Even though people say
362
00:19:50,460 --> 00:19:51,910
that the text size is so small
363
00:19:52,110 --> 00:19:54,040
that you need\Nvery strong glasses.
364
00:19:54,240 --> 00:19:55,410
[LAUGHS]What do you wanna know?
365
00:19:57,450 --> 00:19:58,880
You went to Harvard?
366
00:19:59,080 --> 00:20:01,100
Law, yeah.
367
00:20:01,290 --> 00:20:02,360
What was that like?
368
00:20:02,560 --> 00:20:04,320
Well, stressful.
369
00:20:04,520 --> 00:20:06,670
Actually, anxiety attacks.\NI had--
370
00:20:06,870 --> 00:20:09,450
Right here, darling.Sure.
371
00:20:09,650 --> 00:20:11,450
Thank you so much. Thank you.You're welcome.
372
00:20:11,650 --> 00:20:13,670
But, you know, you work through\Nit. I worked through it.
373
00:20:13,870 --> 00:20:15,980
How?Uh, how?
374
00:20:16,180 --> 00:20:19,240
Exercises. Breathing exercises.
375
00:20:19,440 --> 00:20:23,510
[BREATHES DEEPLY]
376
00:20:23,710 --> 00:20:25,820
[LAUGHS]\NI do that too.
377
00:20:26,020 --> 00:20:27,560
Yeah, but I did it, of course,
378
00:20:27,760 --> 00:20:29,380
you know, away from\Neveryone because--
379
00:20:29,580 --> 00:20:32,130
You know, you have to remember\Nthat in those days,
380
00:20:32,330 --> 00:20:34,390
and this was a long time ago--
381
00:20:34,590 --> 00:20:38,350
In those days,\Nyou couldn't admit
382
00:20:38,550 --> 00:20:40,320
that there was ever\Nanything wrong with you.
383
00:20:41,410 --> 00:20:42,500
And can you now?
384
00:20:46,410 --> 00:20:50,320
I want to tell you one thing,\Ndear Whitney, before we begin.
385
00:20:50,520 --> 00:20:54,760
I never get involved in the\Npersonal lives of my artists.
386
00:20:54,960 --> 00:20:57,190
I am not a babysitter,
387
00:20:57,390 --> 00:20:59,690
I'm not a camp counselor,\NI'm not a rabbi.
388
00:21:01,300 --> 00:21:03,160
I know music.
389
00:21:03,360 --> 00:21:05,860
I have an ear,\Nand I have an instinct.
390
00:21:06,060 --> 00:21:08,780
And in this respect,\NI can serve you.
391
00:21:10,660 --> 00:21:13,310
And I will be there for you\Nat any hour.
392
00:21:16,050 --> 00:21:18,170
Okay?Okay.
393
00:21:18,370 --> 00:21:20,740
To you. Congratulations.
394
00:21:20,940 --> 00:21:21,490
Thank you.
395
00:21:24,580 --> 00:21:26,090
Mm.
396
00:21:26,290 --> 00:21:27,800
Okay. Let's test that ear.
397
00:21:29,500 --> 00:21:31,140
He said he can get me on TV,
398
00:21:31,340 --> 00:21:33,270
and we drank champagne.
399
00:21:33,470 --> 00:21:36,550
And, Mommy, he called me\N"vocally ambitious."
400
00:21:39,340 --> 00:21:41,540
You let her come out\Nlooking like this?
401
00:21:41,740 --> 00:21:42,940
She ain't got a dress?
402
00:21:43,140 --> 00:21:44,420
She needs to start\Nwearing a dress.
403
00:21:44,620 --> 00:21:46,210
I told her to dress up.Why?
404
00:21:47,610 --> 00:21:49,510
These are my nice jeans.
405
00:21:49,710 --> 00:21:51,290
[IN UNISON]\NNice jeans?
406
00:21:51,490 --> 00:21:53,820
Yeah, well, it's just me.
407
00:21:54,020 --> 00:21:56,820
Yeah, well,\Nthey don't wanna see "just you,"
408
00:21:57,020 --> 00:21:58,600
and being Nippy\Nain't gonna get it.
409
00:21:58,800 --> 00:22:00,430
And you need to take her\Nwig shopping.
410
00:22:00,630 --> 00:22:02,040
If she's gonna go all the way,
411
00:22:02,240 --> 00:22:03,800
hair short as mine\Nis not going to get it done.
412
00:22:05,540 --> 00:22:06,660
You're a princess.
413
00:22:06,860 --> 00:22:08,830
With that voice\Nand the looks,
414
00:22:09,030 --> 00:22:11,140
you could be\NAmerica's princess.
415
00:22:11,340 --> 00:22:12,850
Start looking like one.
416
00:22:14,330 --> 00:22:16,800
Tough business, baby, I know.
417
00:22:17,000 --> 00:22:17,850
I'm just gonna sing.
418
00:22:22,470 --> 00:22:25,370
{\i1}My next guest{\i0}\N{\i1}has nurtured such superstars{\i0}
419
00:22:25,570 --> 00:22:27,680
{\i1}as Barry Manilow,{\i0}\N{\i1}Melissa Manchester,{\i0}
420
00:22:27,880 --> 00:22:29,720
{\i1}Chicago,{\i0}\N{\i1}Simon and Garfunkel,{\i0}
421
00:22:29,920 --> 00:22:33,030
Janis Joplin--\NAnd the list is endless.
422
00:22:33,230 --> 00:22:35,250
{\i1}Today, he's brought {\i0}{\i1} {\i0}\N{\i1}his latest discovery with him,{\i0}
423
00:22:35,450 --> 00:22:39,470
{\i1}and she is, in two words,{\i0}\N{\i1}simply breathtaking.{\i0}
424
00:22:39,670 --> 00:22:42,470
Oh, God, I think\NI'm gonna throw up.
425
00:22:42,670 --> 00:22:44,520
No, no, no, no.
426
00:22:44,720 --> 00:22:46,040
You got this in the bag,\Nprincess.
427
00:22:46,240 --> 00:22:47,570
Come on now. Come on.\NStand up.
428
00:22:47,770 --> 00:22:49,000
Baby, get her something\Nto drink.
429
00:22:49,200 --> 00:22:50,530
Some ginger ale,\Nsome soda pop--
430
00:22:50,730 --> 00:22:51,410
Something like that.All right.
431
00:22:53,410 --> 00:22:54,400
Hey. Hey.Mommy.
432
00:22:54,600 --> 00:22:55,880
You're gonna be fine.
433
00:22:56,080 --> 00:22:58,320
Just pretend you're singing\Nin the shower.
434
00:22:58,520 --> 00:23:01,010
[EXHALES SHARPLY]\NYou want me to imagine\NI'm singing butt naked
435
00:23:01,210 --> 00:23:02,360
in front of Merv Griffin?[LAUGHS]
436
00:23:02,560 --> 00:23:04,450
Come on. It's not helping.
437
00:23:04,650 --> 00:23:06,280
Remember...
438
00:23:06,480 --> 00:23:10,280
Head, heart, gut. Right?
439
00:23:10,480 --> 00:23:11,340
Yeah.
440
00:23:13,390 --> 00:23:14,560
You're my princess.
441
00:23:17,610 --> 00:23:19,860
All right? All right. Come on.CLIVE: {\i1}You know.{\i0}
442
00:23:20,060 --> 00:23:22,640
{\i1}You just know {\i0}{\i1} {\i0}\N{\i1}that you're in the presence...{\i0}
443
00:23:22,840 --> 00:23:25,120
You know what to do. {\i1}...of somebody special.{\i0}
444
00:23:25,320 --> 00:23:27,260
MERV: {\i1}She's got it.{\i0}CLIVE: {\i1}She's got it.{\i0}
445
00:23:27,460 --> 00:23:29,870
MERV:\N{\i1}Wait till you hear her.{\i0}\N{\i1}Here's Whitney Houston.{\i0}
446
00:23:30,070 --> 00:23:32,390
[AUDIENCE CLAPPING]
447
00:23:32,590 --> 00:23:34,580
[BAND PLAYING "HOME"]
448
00:23:48,120 --> 00:23:51,210
♪ When I think of home ♪
449
00:23:52,730 --> 00:23:54,690
♪ I think of a place ♪
450
00:23:56,950 --> 00:24:02,000
♪ Where there's love\NOverflowing ♪
451
00:24:03,650 --> 00:24:06,530
♪ I wish I was home ♪
452
00:24:07,960 --> 00:24:09,660
♪ I wish I was back there ♪
453
00:24:11,920 --> 00:24:15,390
♪ With the things ♪
454
00:24:15,590 --> 00:24:17,890
♪ I've been knowing ♪
455
00:24:19,980 --> 00:24:22,490
{\i1}♪ Wind that makes{\i0}\N{\i1}The tall grass ♪{\i0}
456
00:24:22,690 --> 00:24:25,180
It's too slow.No, he's fine.
457
00:24:25,380 --> 00:24:27,060
{\i1}♪ Bend into leaning ♪{\i0}
458
00:24:27,260 --> 00:24:31,370
{\i1}♪ And suddenly{\i0}\N{\i1}The raindrops that fall ♪{\i0}
459
00:24:31,560 --> 00:24:32,410
Her skin tone is off.
460
00:24:32,610 --> 00:24:34,150
{\i1}♪ They have a meaning ♪{\i0}
461
00:24:34,350 --> 00:24:36,410
They're not lighting her right.It's fine, Cissy.
462
00:24:36,610 --> 00:24:38,760
{\i1}♪ Sprinkling... ♪{\i0}
463
00:24:38,960 --> 00:24:41,330
It's too slow.\NIt's too slow. It's too slow.
464
00:24:41,530 --> 00:24:42,460
Cissy.
465
00:24:42,660 --> 00:24:44,380
Cissy. Cissy.
466
00:24:44,580 --> 00:24:47,470
Let's pick it up. Pick it up.
467
00:24:47,670 --> 00:24:50,660
{\i1}♪ Clean ♪{\i0}
468
00:24:52,960 --> 00:24:55,950
{\i1}♪ And suddenly my world ♪{\i0}
469
00:24:56,150 --> 00:25:00,260
♪ Is gonna change its face ♪
470
00:25:00,460 --> 00:25:02,270
♪ But I know ♪
471
00:25:02,470 --> 00:25:07,230
♪ I know where I'm going ♪
472
00:25:07,430 --> 00:25:10,400
Whoo! {\i1}♪ And I have had my mind ♪{\i0}
473
00:25:10,600 --> 00:25:13,970
♪ Spun around\NAnd around in space ♪
474
00:25:14,170 --> 00:25:20,850
♪ Yet I've watched it growing ♪
475
00:25:21,050 --> 00:25:25,110
♪ I know you're listening\NLord ♪
476
00:25:25,310 --> 00:25:30,250
♪ So won't you please\NTry not to make it hard ♪
477
00:25:30,450 --> 00:25:33,040
♪ To know I shouldn't believe\NEverything ♪
478
00:25:33,240 --> 00:25:36,210
♪ Everything that I see ♪
479
00:25:36,410 --> 00:25:37,870
♪ Tell me ♪
480
00:25:38,070 --> 00:25:40,260
♪ Should I try and stay ♪
481
00:25:40,460 --> 00:25:44,610
♪ Or maybe I should run away ♪
482
00:25:44,810 --> 00:25:47,010
♪ Would it be better ♪
483
00:25:47,210 --> 00:25:49,400
♪ Better, better, better ♪
484
00:25:49,600 --> 00:25:51,710
♪ Just to let things be? ♪
485
00:25:51,910 --> 00:25:58,100
♪ Living here\NIn my brand-new world ♪
486
00:25:58,300 --> 00:26:03,890
♪ It might be a fantasy, yes ♪
487
00:26:04,090 --> 00:26:06,330
♪ Yeah, it could be ♪
488
00:26:06,530 --> 00:26:12,290
♪ But it taught me to love ♪
489
00:26:12,490 --> 00:26:15,250
♪ So I know that it's real ♪
490
00:26:15,450 --> 00:26:16,820
♪ It's real ♪
491
00:26:17,020 --> 00:26:20,910
♪ It's real to me ♪
492
00:26:21,110 --> 00:26:24,040
♪ And I've learned\NThat we must ♪
493
00:26:24,240 --> 00:26:28,610
♪ Look inside our hearts ♪
494
00:26:28,810 --> 00:26:32,310
{\i1}♪ To find ♪{\i0}
495
00:26:32,510 --> 00:26:34,720
♪ Yeah, we gotta find ♪
496
00:26:36,290 --> 00:26:41,580
♪ A world full of love ♪
497
00:26:41,780 --> 00:26:43,320
♪ Like yours, like ♪
498
00:26:43,520 --> 00:26:49,110
♪ Like mine ♪
499
00:26:49,310 --> 00:26:56,120
♪ Like home ♪
500
00:26:56,320 --> 00:27:01,730
♪ Home ♪
501
00:27:01,930 --> 00:27:04,840
[AUDIENCE CHEERING, CLAPPING]
502
00:27:14,540 --> 00:27:16,310
Yeah, yeah. Yeah, baby.
503
00:27:16,510 --> 00:27:19,360
MERV:\NYou won't forget that name.\NWhitney Houston.
504
00:27:19,560 --> 00:27:22,360
[♪♪♪]
505
00:27:22,560 --> 00:27:25,710
[UPBEAT SONG PLAYING]
506
00:27:25,910 --> 00:27:26,730
CLIVE:\NWhat do you think?
507
00:27:30,120 --> 00:27:31,040
No.
508
00:27:38,560 --> 00:27:40,900
No.I agree.
509
00:27:41,100 --> 00:27:43,430
MAN:\NOkay, this is Whitney Houston.\NTake one.
510
00:27:43,630 --> 00:27:46,860
♪ A few stolen moments ♪
511
00:27:47,060 --> 00:27:49,920
♪ Is all that we shared ♪
512
00:27:55,020 --> 00:27:56,790
No.MAN: This is Whitney Houston.
513
00:27:56,990 --> 00:28:02,050
♪ Oh, where do\NBroken hearts go? ♪
514
00:28:02,250 --> 00:28:05,490
♪ Can they find\NTheir way home? ♪
515
00:28:05,690 --> 00:28:08,120
Let's try this one.
516
00:28:13,990 --> 00:28:15,590
MAN: And cut it there.Is that better?
517
00:28:15,790 --> 00:28:17,630
Yeah, that's one word for it.
518
00:28:17,830 --> 00:28:18,870
[CHUCKLES]
519
00:28:22,260 --> 00:28:23,070
MAN:\NGo again.
520
00:28:23,270 --> 00:28:24,290
♪ So I'm saving ♪
521
00:28:24,490 --> 00:28:29,300
♪ All my love for you ♪
522
00:28:29,500 --> 00:28:30,820
[LAUGHING]
523
00:28:31,020 --> 00:28:32,740
What? What? What happened?
524
00:28:32,940 --> 00:28:34,430
It's the lyrics. They're just--
525
00:28:34,630 --> 00:28:37,050
It was beautiful.All right. Let's do it again.
526
00:28:37,250 --> 00:28:38,450
Okay.Okay, I'm serious.
527
00:28:39,970 --> 00:28:42,850
["HOW WILL I KNOW" PLAYING]
528
00:28:46,720 --> 00:28:50,200
{\i1}♪ How will I know{\i0}\N{\i1}If he's thinking of me? ♪{\i0}
529
00:28:52,680 --> 00:28:56,240
Maybe.Maybe? Why?
530
00:28:56,440 --> 00:29:00,900
♪ How will I know\NIf he really loves me? ♪
531
00:29:01,100 --> 00:29:04,830
♪ I say a prayer\NWith every heartbeat ♪
532
00:29:06,610 --> 00:29:07,730
You know?
533
00:29:07,930 --> 00:29:09,080
I could do something\Nwith the chorus.
534
00:29:09,280 --> 00:29:10,430
Go up a key,\Nget more out of it.
535
00:29:10,630 --> 00:29:13,430
Yeah, but that's not a reason\Nto do a song.
536
00:29:13,630 --> 00:29:15,210
It's got to have a hook.
537
00:29:15,410 --> 00:29:16,650
A hook?Yeah.
538
00:29:16,850 --> 00:29:18,520
[SCOFFS]\NI'll give it a hook.
539
00:29:18,720 --> 00:29:21,280
[WHITNEY HOUSTON'S\N"HOW WILL I KNOW" PLAYING]
540
00:29:50,220 --> 00:29:52,210
♪ There's a boy ♪
541
00:29:52,410 --> 00:29:53,470
♪ I know ♪
542
00:29:53,670 --> 00:29:55,790
♪ He's the one I dream of ♪
543
00:29:58,180 --> 00:29:59,230
♪ Looks into ♪
544
00:30:00,620 --> 00:30:01,780
♪ My eyes ♪
545
00:30:01,980 --> 00:30:03,870
♪ Takes me to the clouds above ♪
546
00:30:04,070 --> 00:30:06,130
♪ Mm-hm ♪
547
00:30:06,330 --> 00:30:09,960
♪ Ooh, I lose control ♪
548
00:30:10,160 --> 00:30:12,230
♪ Can't seem to get enough ♪
549
00:30:12,430 --> 00:30:14,230
♪ Uh-huh ♪
550
00:30:14,430 --> 00:30:17,750
♪ When I wake from dreaming ♪
551
00:30:17,950 --> 00:30:20,470
♪ Tell me, is it really love? ♪
552
00:30:22,030 --> 00:30:23,930
WHITNEY:\N{\i1}So? How do I look?{\i0}
553
00:30:24,130 --> 00:30:27,080
Ridiculous.I do not. Do I?
554
00:30:29,260 --> 00:30:30,350
This is the look they want.
555
00:30:31,960 --> 00:30:33,090
America's sweetheart.
556
00:30:34,310 --> 00:30:35,950
And you're gonna\Ngive it to 'em.
557
00:30:36,150 --> 00:30:37,510
Just watch me.
558
00:30:37,710 --> 00:30:39,430
{\i1}♪ How will I know? ♪{\i0}
559
00:30:39,630 --> 00:30:43,560
♪ How will I know\NIf he really loves me? ♪
560
00:30:43,760 --> 00:30:47,390
♪ I say a prayer\NWith every heartbeat ♪
561
00:30:47,590 --> 00:30:51,660
♪ I fall in love\NWhenever we meet ♪
562
00:30:51,860 --> 00:30:55,530
♪ I'm asking you 'cause you\NKnow about these things ♪
563
00:30:55,730 --> 00:30:58,980
♪ How will I know\NIf he's thinking of me? ♪
564
00:31:02,730 --> 00:31:05,670
[WHITNEY HOUSTON'S "YOU GIVE\NGOOD LOVE" PLAYING ON RADIO]
565
00:31:05,870 --> 00:31:07,760
[GASPS]
566
00:31:07,960 --> 00:31:09,150
Holy shit! Holy shit.
567
00:31:09,350 --> 00:31:10,940
Nip! Nip! Wake up!
568
00:31:11,140 --> 00:31:12,590
Nip, wake the hell up!\NWake up, Nip!
569
00:31:12,790 --> 00:31:14,290
What?Nip, it's on! Listen!
570
00:31:14,490 --> 00:31:17,380
[BOTH SCREAMING]
571
00:31:17,580 --> 00:31:18,550
Oh, my God!Wait, wait, wait!
572
00:31:18,750 --> 00:31:19,640
This is big, right?
573
00:31:19,840 --> 00:31:21,510
Big? What? This is huge.
574
00:31:21,710 --> 00:31:25,560
Try huge! Oh, my God.Hey. Hey, come work for me.
575
00:31:25,760 --> 00:31:27,390
Huh?Full-time.
576
00:31:27,590 --> 00:31:32,130
Handle bookings,\Nwardrobe, travel.
577
00:31:32,330 --> 00:31:34,000
I don't know?\NFind me a box of Fruity Pebbles
578
00:31:34,200 --> 00:31:36,440
or a Cap'n Crunch\Nat 1 a.m. in the morning.
579
00:31:36,640 --> 00:31:38,620
If you say "1 a.m.," you don't\Nneed to say "in the morning."
580
00:31:38,820 --> 00:31:39,980
That's why I need you.
581
00:31:41,810 --> 00:31:44,280
I want someone\NI can trust completely.
582
00:31:44,480 --> 00:31:45,420
You're the only one.
583
00:31:47,860 --> 00:31:51,370
Yeah, well, you could trust me,\Nbut you can't afford me.
584
00:31:51,570 --> 00:31:53,240
Well, okay, yeah.You can't afford me.
585
00:31:53,440 --> 00:31:55,030
Well, I'm getting you cheap,\Nbitch.\NYeah?
586
00:31:55,230 --> 00:31:56,080
Yeah.Okay. Okay.
587
00:32:03,530 --> 00:32:05,180
Do your parents know?\NHave you talked to them?
588
00:32:08,400 --> 00:32:10,620
Your mom won't be happy.\NShe hates me.
589
00:32:12,190 --> 00:32:13,400
We'll go see Daddy.
590
00:32:15,410 --> 00:32:18,920
[PEOPLE CHATTERING INDISTINCTLY]
591
00:32:19,120 --> 00:32:20,190
Hey.Hi.
592
00:32:24,680 --> 00:32:25,810
Hi.Hello.
593
00:32:34,210 --> 00:32:36,410
[EXHALES DEEPLY]
594
00:32:36,610 --> 00:32:37,340
It's gonna be okay.
595
00:32:39,170 --> 00:32:40,460
JOHN:\NJust booked us a couple's table.
596
00:32:40,660 --> 00:32:42,810
Just me and you\Nand a nice bottle of--
597
00:32:43,010 --> 00:32:44,130
Let's pick this up later on.
598
00:32:47,310 --> 00:32:49,250
Nippy. You know better than\Nto come charging into a room
599
00:32:49,450 --> 00:32:50,010
without knocking.
600
00:32:51,830 --> 00:32:53,210
How do you do?
601
00:32:53,410 --> 00:32:54,610
Barbara, this is my daughter,\NWhitney.
602
00:32:54,810 --> 00:32:56,350
Congratulations.
603
00:32:56,550 --> 00:32:58,870
Your dad's told me\Na great deal about you.
604
00:32:59,070 --> 00:33:00,020
So pretty.
605
00:33:00,970 --> 00:33:01,840
Bye.
606
00:33:04,060 --> 00:33:05,460
Bye, Nippy.Uh--
607
00:33:07,110 --> 00:33:08,840
[DOOR OPENS, CLOSES]
608
00:33:09,040 --> 00:33:10,710
JOHN:\NWhat's this about?
609
00:33:10,910 --> 00:33:12,890
[CLEARS THROAT]
610
00:33:13,090 --> 00:33:15,550
Well, Rob's gonna\Ncome work for me full-time,
611
00:33:17,160 --> 00:33:18,330
as my creative assistant.
612
00:33:18,530 --> 00:33:20,850
Creative assistant?Mm-hm.
613
00:33:21,050 --> 00:33:22,460
Nice title.
614
00:33:22,660 --> 00:33:24,510
You two have been spending\Na lot of time together.
615
00:33:24,710 --> 00:33:27,290
Sharing an apartment,\Nthick as thieves,
616
00:33:27,490 --> 00:33:30,340
out everywhere, arm in arm.
617
00:33:30,540 --> 00:33:33,270
And now you want\Nto officially work together.
618
00:33:34,790 --> 00:33:36,490
Side by side,\Nin the public eye.
619
00:33:41,140 --> 00:33:42,570
You always wear your hair\Nso short?
620
00:33:42,770 --> 00:33:44,350
Uh...
621
00:33:44,550 --> 00:33:45,240
Easier to manage.
622
00:33:47,980 --> 00:33:49,110
"Easier to manage."
623
00:33:51,890 --> 00:33:53,190
Miss Crawford,\Nlet me tell you something.
624
00:33:53,390 --> 00:33:55,490
Whitney is Daddy's girl.
625
00:33:55,690 --> 00:33:57,930
Always was, always will be.
626
00:33:58,130 --> 00:34:01,060
Nothing comes between us,\Nyou understand?
627
00:34:01,260 --> 00:34:02,150
Yeah. Yes, sir.
628
00:34:02,350 --> 00:34:04,110
She's my princess,
629
00:34:04,310 --> 00:34:06,030
and we're building\Nsomething here.
630
00:34:06,230 --> 00:34:08,250
Something that you\Nwill have no part in.
631
00:34:08,449 --> 00:34:10,389
Now, here's what I want.\NYou want my blessing?
632
00:34:11,570 --> 00:34:12,900
Hmm?
633
00:34:13,100 --> 00:34:15,040
Go out on dates.
634
00:34:15,239 --> 00:34:16,300
With young men.
635
00:34:16,500 --> 00:34:17,949
Daddy, with boys?
636
00:34:18,150 --> 00:34:23,219
Be seen in public\Nand photographed with young men.
637
00:34:23,420 --> 00:34:25,130
Wait, Mr. Houston,\Nare you serious?
638
00:34:25,330 --> 00:34:28,920
You don't ever have to ask me\Nthat question again.
639
00:34:29,120 --> 00:34:31,460
Well...\NI'm not gonna do that, so...
640
00:34:34,550 --> 00:34:35,110
Well...
641
00:34:37,420 --> 00:34:39,280
...that tells me\Njust about everything
642
00:34:39,480 --> 00:34:40,889
I need to know now then,\Ndoesn't it?
643
00:34:41,090 --> 00:34:42,370
Daddy...
644
00:34:42,570 --> 00:34:44,800
You want me to approve\Nof you hiring this girl,
645
00:34:45,000 --> 00:34:49,810
who has no experience\Nin management whatsoever? Hmm?
646
00:34:50,010 --> 00:34:52,679
Do you have any experience\Nin personal management?
647
00:34:52,880 --> 00:34:54,810
No.
648
00:34:55,010 --> 00:34:56,469
Well then, you get out there,\Nbaby girl.
649
00:34:56,670 --> 00:34:59,600
You get out there,\Nand be seen with young men.
650
00:34:59,800 --> 00:35:02,100
You hear? Go on.
651
00:35:08,750 --> 00:35:10,610
JERMAINE:\N♪ If you say ♪
652
00:35:10,810 --> 00:35:15,360
♪ My eyes are beautiful ♪
653
00:35:15,560 --> 00:35:17,360
♪ If you say ♪
654
00:35:17,560 --> 00:35:22,800
♪ My eyes are beautiful ♪
655
00:35:23,000 --> 00:35:25,580
♪ If you say my eyes ♪
656
00:35:25,780 --> 00:35:29,890
♪ My eyes are beautiful ♪
657
00:35:30,090 --> 00:35:31,980
♪ It's because ♪
658
00:35:32,180 --> 00:35:33,040
♪ It's because ♪
659
00:35:34,300 --> 00:35:37,470
♪ They're looking ♪
660
00:35:37,670 --> 00:35:38,730
Chemistry with Jermaine.
661
00:35:38,930 --> 00:35:40,820
♪ At you ♪
662
00:35:41,020 --> 00:35:41,870
Watch your needles.
663
00:35:48,010 --> 00:35:49,390
ROBYN:\N{\i1}You slept with{\i0}\N{\i1}Jermaine Jackson.{\i0}
664
00:35:49,590 --> 00:35:50,910
You're just gonna sit here\Nand tell me
665
00:35:51,110 --> 00:35:52,390
you slept\Nwith Jermaine Jackson?
666
00:35:52,590 --> 00:35:54,480
Rob!Huh?
667
00:35:54,680 --> 00:35:56,610
Rob, it's just a guy.What, it's just a--
668
00:35:56,810 --> 00:35:58,570
It's just a guy?
669
00:35:58,770 --> 00:36:00,360
You know what, I don't know what\Nyou're so upset about.
670
00:36:00,560 --> 00:36:01,880
Just a guy!We agreed we had to see guys.
671
00:36:02,080 --> 00:36:03,930
We didn't agree to screw them!Rob!
672
00:36:04,130 --> 00:36:05,280
[SHATTERING]
673
00:36:05,480 --> 00:36:07,030
Do you love him?
674
00:36:09,250 --> 00:36:11,240
Do you?
675
00:36:11,440 --> 00:36:12,380
He loves me, but I'm not sure.
676
00:36:14,470 --> 00:36:16,240
Rob.That's what it is?
677
00:36:16,440 --> 00:36:18,420
I'm sorry.It took you no damn time!
678
00:36:18,620 --> 00:36:21,380
Rob, I'm not cleaning\Nthis shit up. Robyn!
679
00:36:21,580 --> 00:36:22,990
You know what? Fine.\NSmash everything.
680
00:36:23,190 --> 00:36:24,510
It's all crap anyway.
681
00:36:24,710 --> 00:36:26,380
I hate you so much right now!
682
00:36:26,580 --> 00:36:28,440
Yeah? Speak up,\NRob, I can't hear you.
683
00:36:30,490 --> 00:36:32,170
And you know what?\NYou know what?
684
00:36:32,370 --> 00:36:34,090
Hey, not the vacuum cleaner!\NAre you crazy?
685
00:36:34,290 --> 00:36:36,440
Yo, think about it. How are we\Ngonna clean this place up?
686
00:36:36,640 --> 00:36:38,700
Shit, you crazy, Robyn.
687
00:36:38,900 --> 00:36:39,840
You crazy.Yeah?
688
00:36:41,930 --> 00:36:43,270
So that's it?
689
00:36:43,470 --> 00:36:45,320
Just like that?
690
00:36:45,520 --> 00:36:46,370
I want a family.
691
00:36:48,980 --> 00:36:51,020
A husband. Kids.
692
00:36:51,220 --> 00:36:51,900
Faith and family.
693
00:36:56,210 --> 00:36:58,110
I love you.
694
00:36:58,310 --> 00:37:00,870
We love each other. Right?
695
00:37:02,520 --> 00:37:04,330
Huh?And the Bible says--
696
00:37:04,530 --> 00:37:06,900
Oh, my God. The Bible!No, no, no.
697
00:37:07,100 --> 00:37:09,250
Leviticus-- You know, we can go\Nto hell for this kind of shit.
698
00:37:09,450 --> 00:37:10,730
I don't want to go to hell.
699
00:37:10,930 --> 00:37:12,340
Yeah, I'm not\Nin such a hurry myself.
700
00:37:12,540 --> 00:37:13,700
Yeah, well, look it up.
701
00:37:15,050 --> 00:37:15,620
Look that up.
702
00:37:22,930 --> 00:37:25,500
[ROBYN BREATHING SHAKILY]
703
00:37:37,900 --> 00:37:38,470
Hey.
704
00:37:42,910 --> 00:37:43,690
I love you.
705
00:37:46,480 --> 00:37:49,480
In perpetuity,\Nthroughout the universe.
706
00:37:56,530 --> 00:37:58,610
[♪♪♪]
707
00:37:58,810 --> 00:38:00,010
I need my best friend.
708
00:38:05,020 --> 00:38:06,190
Rob, please.
709
00:38:09,020 --> 00:38:09,930
Please.
710
00:38:24,430 --> 00:38:27,720
[PEOPLE CHATTERING INDISTINCTLY]
711
00:38:27,920 --> 00:38:32,250
[OVER SPEAKERS]\N{\i1}♪ It's the light of day{\i0}\N{\i1}That shows me how ♪{\i0}
712
00:38:32,450 --> 00:38:38,910
{\i1}♪ 'Cause when the night falls{\i0}\N{\i1}Loneliness calls ♪{\i0}
713
00:38:39,110 --> 00:38:41,260
{\i1}♪ Oh, I wanna dance{\i0}\N{\i1}With somebody ♪{\i0}
714
00:38:41,460 --> 00:38:42,910
{\i1}♪ Somebody ♪{\i0}
715
00:38:43,110 --> 00:38:45,260
{\i1}♪ I wanna feel the heat{\i0}\N{\i1}With somebody ♪{\i0}
716
00:38:45,460 --> 00:38:47,000
{\i1}♪ Somebody ♪{\i0}
717
00:38:47,200 --> 00:38:51,050
{\i1}♪ Yeah, I wanna dance{\i0}\N{\i1}With somebody ♪{\i0}
718
00:38:51,250 --> 00:38:54,710
{\i1}♪ With somebody who loves me ♪{\i0}
719
00:38:54,910 --> 00:38:56,930
{\i1}♪ Oh, I wanna dance{\i0}\N{\i1}With somebody ♪{\i0}
720
00:38:57,130 --> 00:38:58,320
{\i1}♪ Somebody ♪{\i0}
721
00:38:58,520 --> 00:39:00,890
Yeah. Yeah, I want it.
722
00:39:01,090 --> 00:39:03,540
You want it?Yes. It's about--
723
00:39:03,740 --> 00:39:06,150
It's about wanting to dance\Nwith somebody really bad.
724
00:39:06,350 --> 00:39:08,500
Yeah.I mean, really...
725
00:39:08,700 --> 00:39:10,500
...really, really, really,\Nreally bad.
726
00:39:10,700 --> 00:39:13,260
And for whatever reason...
727
00:39:15,650 --> 00:39:16,570
...for whatever reason,\Nyou can't.
728
00:39:21,530 --> 00:39:23,210
Okay. Good.Mm-hm.
729
00:39:23,410 --> 00:39:25,620
CLIVE:\NWell, I can't wait\Nto see what you do with it.
730
00:39:28,490 --> 00:39:30,920
[WHITNEY HOUSTON'S "I WANNA\NDANCE WITH SOMEBODY" PLAYING]
731
00:39:31,120 --> 00:39:33,150
[CROWD CHEERING AND CLAPPING]
732
00:39:36,850 --> 00:39:40,490
♪ Oh, I wanna dance\NWith somebody ♪
733
00:39:40,690 --> 00:39:43,710
♪ I wanna feel the heat\NWith somebody ♪
734
00:39:43,910 --> 00:39:46,810
♪ Yeah, I wanna dance\NWith somebody ♪
735
00:39:48,340 --> 00:39:51,080
♪ With somebody who loves me ♪
736
00:39:54,260 --> 00:39:55,430
♪ Ooh, yeah ♪
737
00:39:57,480 --> 00:39:59,120
♪ Ooh, yeah ♪
738
00:39:59,320 --> 00:40:01,210
♪ Uh-huh ♪
739
00:40:01,410 --> 00:40:02,400
♪ Yeah, come on ♪
740
00:40:04,750 --> 00:40:06,270
♪ Don't you wanna dance? ♪
741
00:40:10,010 --> 00:40:12,700
♪ The clock strikes\NUpon the hour ♪
742
00:40:12,900 --> 00:40:15,280
♪ And the sun begins to fade ♪
743
00:40:17,320 --> 00:40:19,960
♪ There's still enough time\NTo figure out ♪
744
00:40:20,160 --> 00:40:24,320
♪ How to chase my blues away ♪
745
00:40:24,520 --> 00:40:27,800
♪ I've done all right\NUp till now ♪
746
00:40:28,000 --> 00:40:31,370
♪ It's the light of day\NThat shows me how ♪
747
00:40:31,570 --> 00:40:34,280
♪ And when the night falls ♪
748
00:40:34,480 --> 00:40:37,900
♪ My loneliness calls ♪
749
00:40:38,100 --> 00:40:40,430
♪ Oh, I wanna dance\NWith somebody ♪
750
00:40:42,300 --> 00:40:44,050
♪ I wanna feel the heat\NWith somebody ♪
751
00:40:45,960 --> 00:40:48,470
♪ Yeah, I wanna dance\NWith somebody ♪
752
00:40:48,670 --> 00:40:49,690
♪ Oh, yeah ♪
753
00:40:49,890 --> 00:40:52,480
♪ With somebody who loves me ♪
754
00:40:52,680 --> 00:40:53,780
{\i1}♪ Oh, I wanna dance... ♪{\i0}
755
00:40:53,980 --> 00:40:57,790
You also get a bottle\Nof Dom Pérignon from me
756
00:40:57,990 --> 00:40:59,220
every time one of your\Nsingles...Clive?
757
00:40:59,420 --> 00:41:00,890
...reaches number one\Non the charts.
758
00:41:03,590 --> 00:41:04,850
Number one?Congratulations.
759
00:41:06,810 --> 00:41:08,330
[SQUEALING]\NNumber one!
760
00:41:11,640 --> 00:41:14,800
♪ I've been in love, y'all\NAnd lost my senses ♪
761
00:41:15,000 --> 00:41:17,540
♪ Spinning through the town ♪
762
00:41:17,740 --> 00:41:18,720
♪ Well ♪
763
00:41:18,920 --> 00:41:19,980
REPORTER::\N{\i1}Her debut album{\i0}
764
00:41:20,180 --> 00:41:21,110
{\i1}was the most successful{\i0}
765
00:41:21,310 --> 00:41:23,250
{\i1}debut solo album in history,{\i0}
766
00:41:23,450 --> 00:41:25,770
{\i1}sweeping the American Music{\i0}\N{\i1}Awards, winning a Grammy.{\i0}
767
00:41:25,970 --> 00:41:28,860
{\i1}Her eagerly awaited second {\i0}{\i1} {\i0}\N{\i1}album is about to be released.{\i0}
768
00:41:29,060 --> 00:41:31,560
{\i1}Will she be able to live up{\i0}\N{\i1}to the world's expectations?{\i0}
769
00:41:31,760 --> 00:41:33,560
♪ ...hot enough to last ♪
770
00:41:33,760 --> 00:41:36,210
♪ So when the night falls ♪
771
00:41:36,410 --> 00:41:39,100
♪ My lonely heart calls ♪
772
00:41:40,620 --> 00:41:41,570
WHITNEY:\NI wanna make a toast
773
00:41:41,770 --> 00:41:43,440
to my brothers\NGary and Michael,
774
00:41:43,640 --> 00:41:45,220
Gary's new girlfriend Pat,
775
00:41:45,420 --> 00:41:46,960
and my best friend Robyn.
776
00:41:47,160 --> 00:41:48,620
Mwah. Love you, girl.Girl, I love you.
777
00:41:48,820 --> 00:41:51,200
To Italy!ALL: To Italy!
778
00:41:52,510 --> 00:41:53,800
Gary, take a picture of us!
779
00:41:54,000 --> 00:41:55,900
Okay. Come on.Cheese!
780
00:41:57,470 --> 00:41:58,150
Oh, my God!
781
00:41:58,350 --> 00:42:01,500
Wow! That is crazy!
782
00:42:01,700 --> 00:42:03,020
{\i1}♪ Oh, somebody ♪{\i0} {\i1}♪ Who ♪{\i0}
783
00:42:03,220 --> 00:42:06,110
♪ Lord, somebody ♪♪ Who ♪
784
00:42:06,310 --> 00:42:09,640
♪ To hold me in his arms, oh ♪
785
00:42:09,840 --> 00:42:11,770
REPORTER 1:\N{\i1}It's incredible, Susan.{\i0}\N{\i1}The name on everyone's lips{\i0}
786
00:42:11,970 --> 00:42:13,340
{\i1}is Whitney Houston.{\i0}ROBYN: Go, Nip, go!
787
00:42:13,540 --> 00:42:17,820
{\i1} {\i0}{\i1}Whitney Houston transcends{\i0}{\i1} {\i0}\N{\i1}age, race, lifestyle.{\i0}
788
00:42:18,020 --> 00:42:19,950
REPORTER 2:\N{\i1}That show sold out,{\i0}\N{\i1}so this one had to be added.{\i0}
789
00:42:20,150 --> 00:42:23,610
{\i1}At 23, she is {\i0}{\i1} {\i0}\N{\i1}the true heartbeat of America.{\i0}
790
00:42:23,810 --> 00:42:25,660
♪ Oh, I wanna dance\NWith somebody ♪\N♪ Come on ♪
791
00:42:25,860 --> 00:42:27,270
♪ Don't you wanna\NDance with me? ♪
792
00:42:27,470 --> 00:42:30,400
♪ I wanna feel the heat ♪♪ Heat! ♪
793
00:42:30,600 --> 00:42:33,660
{\i1}♪ Yeah, I wanna dance{\i0}\N{\i1}With somebody ♪{\i0}
794
00:42:33,860 --> 00:42:38,230
{\i1}♪ Yeah. Somebody, somebody ♪ {\i0}{\i1} {\i0}{\i1}♪ With somebody who loves me ♪{\i0}
795
00:42:38,430 --> 00:42:40,240
{\i1} {\i0}{\i1}♪ Oh, I wanna dance{\i0}{\i1} {\i0}\N{\i1}With somebody ♪{\i0}
796
00:42:40,440 --> 00:42:42,240
♪ I know you wanna\NDance with me ♪
797
00:42:42,440 --> 00:42:43,980
♪ I wanna feel the heat\NWith somebody ♪
798
00:42:44,180 --> 00:42:45,630
♪ Yeah, yeah ♪
799
00:42:45,830 --> 00:42:47,420
♪ Yeah, I wanna dance\NWith somebody ♪
800
00:42:47,620 --> 00:42:48,980
♪ Said don't you ♪
801
00:42:49,180 --> 00:42:52,390
♪ Whoa ♪♪ With somebody who loves me ♪
802
00:42:53,740 --> 00:42:55,290
Are you pinching yourself yet?
803
00:42:55,490 --> 00:42:58,470
One more, and you'll\Nhave beat the Beatles
804
00:42:58,670 --> 00:43:01,560
for the most consecutive\Nnumber ones in history.
805
00:43:01,760 --> 00:43:04,740
♪ I wanna dance with somebody ♪♪ Yeah, yeah, yeah, yeah, yeah ♪
806
00:43:04,940 --> 00:43:07,840
♪ With somebody who loves me ♪♪ Come on, come on ♪
807
00:43:12,450 --> 00:43:13,700
♪ I wanna dance ♪
808
00:43:13,900 --> 00:43:15,460
[CROWD CHEERING AND CLAPPING]
809
00:43:17,720 --> 00:43:18,630
Thank you much!
810
00:43:20,550 --> 00:43:21,250
And good night!
811
00:43:26,560 --> 00:43:29,890
DJ:\NWell, it's a criticism I\Nincreasingly hear from callers.
812
00:43:30,090 --> 00:43:31,070
WHITNEY:\NThat I'm not Black enough?
813
00:43:31,270 --> 00:43:33,610
No, your music.\NYour music isn't Black enough.
814
00:43:35,870 --> 00:43:36,900
What would you like me to say?
815
00:43:37,100 --> 00:43:38,600
The truth.\NAren't you selling out?
816
00:43:38,800 --> 00:43:41,380
Whew.
817
00:43:41,580 --> 00:43:43,730
WHITNEY:\NYou've got a lot of nerve\Nasking me that.
818
00:43:43,930 --> 00:43:45,390
That's what my mother tells me.
819
00:43:45,590 --> 00:43:47,390
It's a valid question.
820
00:43:47,590 --> 00:43:50,260
A common criticism of you\Nand your music.
821
00:43:50,460 --> 00:43:52,390
That you're a sellout.
822
00:43:52,590 --> 00:43:53,840
That you're not\Na real Black artist.
823
00:43:57,720 --> 00:44:00,360
You're about to walk out,\Naren't you?\NNo.
824
00:44:00,560 --> 00:44:02,580
You'll be walking out\Nbefore I will.
825
00:44:02,780 --> 00:44:03,900
How do you respond?
826
00:44:06,550 --> 00:44:08,060
If I'm not a Black artist,\Nwhat am I?
827
00:44:08,260 --> 00:44:09,850
You tell me.
828
00:44:10,050 --> 00:44:11,110
Look, I don't know\Nhow to sing Black,
829
00:44:11,310 --> 00:44:12,980
and I don't know how\Nto sing white either.
830
00:44:13,180 --> 00:44:15,110
I know how to sing.
831
00:44:15,310 --> 00:44:17,390
Music is not a color to me.\NIt has no boundaries.
832
00:44:19,520 --> 00:44:21,250
Why somebody gotta say\Nsomething dumbass like that?
833
00:44:21,450 --> 00:44:23,860
I mean, who said that?\NThat's just bull.
834
00:44:24,060 --> 00:44:27,430
And it makes me angry, actually.\NIt's hateful and uninformed.
835
00:44:27,630 --> 00:44:29,740
Why I gotta be what someone\Nwants me to be anyway?
836
00:44:29,940 --> 00:44:31,830
Sing what I want to sing.\NBe how I want to be.
837
00:44:32,030 --> 00:44:33,130
Reach as big an audience\Nas I can.
838
00:44:33,330 --> 00:44:34,650
Isn't that what art's\Nmeant to do?
839
00:44:34,850 --> 00:44:36,180
My whole life,\N"She ain't Black enough.
840
00:44:36,380 --> 00:44:37,570
She ain't white enough."\NWell, how about,
841
00:44:37,770 --> 00:44:39,660
"She's not obedient enough"?
842
00:44:39,860 --> 00:44:41,460
How about,\N"She ain't fearful enough"?
843
00:44:42,200 --> 00:44:43,050
Hm.
844
00:44:43,250 --> 00:44:44,290
Hm.
845
00:44:46,940 --> 00:44:49,590
Well, you heard it from Whitney\Nherself, ladies and gentlemen.
846
00:44:54,210 --> 00:44:56,200
Was that too much?Hell no.
847
00:44:56,400 --> 00:44:57,200
All right.
848
00:44:57,400 --> 00:44:59,600
[♪♪♪]
849
00:45:02,610 --> 00:45:05,000
[MOVERS CHATTERING INDISTINCTLY]
850
00:45:32,730 --> 00:45:33,630
Morning, Max.
851
00:45:33,830 --> 00:45:34,810
Mr. Houston.
852
00:45:38,990 --> 00:45:40,780
[CHUCKLES]
853
00:45:44,480 --> 00:45:45,090
Look at this.
854
00:45:47,440 --> 00:45:48,830
Here you are. Good morning.
855
00:45:50,050 --> 00:45:51,510
Thank you.
856
00:45:51,710 --> 00:45:53,170
Use it wisely.
857
00:45:53,370 --> 00:45:54,220
Anna.
858
00:45:56,750 --> 00:45:58,560
INTERVIEWER:\N{\i1}Are you a businesswoman?{\i0}
859
00:45:58,760 --> 00:45:59,840
Yes, I think so.
860
00:46:02,100 --> 00:46:04,700
What does\Na businesswoman do?
861
00:46:04,900 --> 00:46:06,800
Well, what does\Na businesswoman do?
862
00:46:08,200 --> 00:46:10,750
She says what she doesn't want.
863
00:46:10,950 --> 00:46:12,800
Good morning.WHITNEY: {\i1}And she knows,{\i0}
864
00:46:13,000 --> 00:46:14,060
{\i1}primarily, what she wants.{\i0}
865
00:46:14,260 --> 00:46:15,670
{\i1}That's a pretty tough thing{\i0}
866
00:46:15,870 --> 00:46:17,710
{\i1} {\i0}{\i1}to have to determine sometimes,{\i0}{\i1} {\i0}\N{\i1}you know?{\i0}
867
00:46:17,910 --> 00:46:20,280
{\i1}Most of the people{\i0}\N{\i1}that work with me,{\i0}
868
00:46:20,480 --> 00:46:22,720
{\i1}the people I have known{\i0}\N{\i1}for many years,{\i0}
869
00:46:22,920 --> 00:46:24,550
you know, they're people,\Ncompetent people
870
00:46:24,750 --> 00:46:28,160
I can trust to look out for me\Nand to do their job well.
871
00:46:28,360 --> 00:46:31,210
{\i1}But it's hard sometimes{\i0}\N{\i1}to make the transition{\i0}
872
00:46:31,410 --> 00:46:32,770
{\i1}from being the friend{\i0}\N{\i1}to the boss{\i0}
873
00:46:32,970 --> 00:46:34,470
or from the boss\Nto the friend.
874
00:46:34,670 --> 00:46:37,430
Or from the daughter to the boss\Nor the boss to the daughter.
875
00:46:37,630 --> 00:46:39,820
You know, you have to wear\Ndifferent hats at times.
876
00:46:40,020 --> 00:46:41,560
So, you are a tough cookie?
877
00:46:41,760 --> 00:46:43,130
Sometimes.
878
00:46:43,330 --> 00:46:45,260
Always?Not always, no. Sometimes.
879
00:46:45,460 --> 00:46:47,410
That means sometimes.
880
00:46:50,060 --> 00:46:50,850
Daddy, what is it?
881
00:46:53,280 --> 00:46:55,060
I want you to fire her.
882
00:46:55,260 --> 00:46:57,010
Robyn is a nobody.
883
00:46:57,210 --> 00:46:59,630
The Bible tells us,\N"Do not be misled.
884
00:46:59,820 --> 00:47:01,320
Bad company corrupts\Ngood character.
885
00:47:01,520 --> 00:47:03,280
Walk with God, not the devil."
886
00:47:03,480 --> 00:47:04,760
Daddy...I need her gone.
887
00:47:04,960 --> 00:47:06,370
Daddy, there is nothing\Ngoing on.
888
00:47:06,570 --> 00:47:08,420
She is a bad influence.
889
00:47:08,620 --> 00:47:12,380
And the press\Nis talking too much trash.
890
00:47:12,580 --> 00:47:14,860
It's damaging the brand.\NDo you understand?
891
00:47:15,060 --> 00:47:15,920
Since when--
892
00:47:22,490 --> 00:47:24,950
[DOOR CLOSES]Since when did your little girl
893
00:47:25,150 --> 00:47:26,300
become "the brand"?\NI missed that.
894
00:47:26,500 --> 00:47:28,610
Your mama would have killed\Nto become a brand.
895
00:47:28,810 --> 00:47:30,260
We just couldn't get her there.
896
00:47:30,460 --> 00:47:31,540
I'm not firing Robyn.
897
00:47:33,540 --> 00:47:35,620
I need her. I need somebody\NI can trust 100%.
898
00:47:35,820 --> 00:47:36,850
You can trust me 100%.
899
00:47:38,550 --> 00:47:40,270
Or you better damn do.
900
00:47:40,470 --> 00:47:41,880
Now you go do as I tell you.
901
00:47:42,080 --> 00:47:43,360
I'm the manager here.
902
00:47:43,560 --> 00:47:46,340
I know you are. You work for me.
903
00:47:50,730 --> 00:47:52,080
You don't say.
904
00:47:53,430 --> 00:47:54,300
Daddy...
905
00:47:56,740 --> 00:47:57,650
...I do.
906
00:48:00,350 --> 00:48:03,820
How is that, to become the boss\Nof your own family?
907
00:48:04,020 --> 00:48:06,560
Of your brothers\Nand their wives?
908
00:48:06,760 --> 00:48:09,000
Of your own father and mother?
909
00:48:09,200 --> 00:48:13,280
Or are you still\Nthe "little girl" sometimes?
910
00:48:15,150 --> 00:48:16,060
Sometimes.
911
00:48:20,460 --> 00:48:22,400
MARTIN:\N{\i1}Now, look here,{\i0}\N{\i1}you stupid, little broad.{\i0}
912
00:48:22,600 --> 00:48:24,930
{\i1}Don't you talk{\i0}\N{\i1}to me like that.{\i0}
913
00:48:25,130 --> 00:48:26,840
{\i1}I'll talk to you{\i0}\N{\i1}any way I like.{\i0}
914
00:48:27,040 --> 00:48:28,670
{\i1}You know who I am?{\i0}
915
00:48:28,870 --> 00:48:30,410
{\i1}You think I let dames{\i0}\N{\i1}get away with anything?{\i0}
916
00:48:30,610 --> 00:48:33,680
CLIVE [OVER PHONE]: {\i1}Yes?{\i0}Clive, I wanna do a movie.
917
00:48:33,880 --> 00:48:34,760
{\i1}What?{\i0}
918
00:48:34,960 --> 00:48:35,980
A movie.
919
00:48:36,180 --> 00:48:37,040
{\i1}Why?{\i0}
920
00:48:38,520 --> 00:48:40,250
{\i1}We'll find you a movie. Sure.{\i0}
921
00:48:40,450 --> 00:48:44,290
Okay. Night.
922
00:48:44,490 --> 00:48:47,690
MARTIN:\N{\i1}You didn't ask but you wanted. {\i0}{\i1} {\i0}\N{\i1}I did my share. What about you?{\i0}
923
00:48:47,890 --> 00:48:49,260
{\i1}Who do you think you are,{\i0}\N{\i1}you can be so particular?{\i0}
924
00:48:49,460 --> 00:48:51,480
{\i1}You're nothing.{\i0}\N{\i1}You get funny with me,{\i0}
925
00:48:51,680 --> 00:48:52,740
{\i1}and I'll throw you right back{\i0}\N{\i1}to that crummy dance joint{\i0}
926
00:48:52,940 --> 00:48:53,780
{\i1}where I found you.{\i0}
927
00:48:53,980 --> 00:48:56,710
[CAMERA SHUTTERS CLICKING]
928
00:48:58,540 --> 00:49:00,850
How are you feeling?Here she comes.
929
00:49:02,110 --> 00:49:03,200
Whitney!
930
00:49:04,590 --> 00:49:05,150
There she is.
931
00:49:07,240 --> 00:49:09,450
Whitney "Whitey" Houston!\NWhitney "Whitey" Houston!
932
00:49:09,650 --> 00:49:10,970
Pay no attention.Come on.
933
00:49:11,170 --> 00:49:13,930
Shame on you!\NShame on you!
934
00:49:14,130 --> 00:49:17,150
Whitney "Whitey" Houston!\NWhitney "Whitey" Houston!
935
00:49:17,350 --> 00:49:19,110
Who was that?I don't know. Come on.
936
00:49:19,310 --> 00:49:21,070
No, I don't wanna talk\Nto nobody.
937
00:49:21,270 --> 00:49:23,330
Mrs. Houston!Just stay focused.
938
00:49:23,530 --> 00:49:24,120
Keep it together.What's going on?
939
00:49:24,320 --> 00:49:25,250
ANNOUNCER:\N{\i1}Give it up{\i0}
940
00:49:25,450 --> 00:49:27,160
{\i1}for Bobby Brown, everybody!{\i0}
941
00:49:27,360 --> 00:49:28,400
BOBBY:\N{\i1}♪ Yeah, do it like this ♪{\i0}
942
00:49:39,800 --> 00:49:41,830
Is this an awards show?
943
00:49:42,030 --> 00:49:43,370
♪ Yeah, get busy ♪
944
00:49:46,370 --> 00:49:47,110
My God.
945
00:49:50,720 --> 00:49:52,330
[CROWD CHEERING AND CLAPPING]
946
00:49:54,460 --> 00:49:56,500
The amazing Bobby Brown,\Nladies and gentlemen.
947
00:49:56,700 --> 00:49:57,900
BOBBY:\NThank you. Thank you.
948
00:50:02,470 --> 00:50:04,510
WOMAN [OVER PA]:\N{\i1}Ladies and gentlemen,{\i0}\N{\i1}please take your seats.{\i0}
949
00:50:04,710 --> 00:50:06,330
{\i1}The show will be back on{\i0}\N{\i1}in five minutes.{\i0}
950
00:50:06,530 --> 00:50:08,030
WHITNEY:\NGirl, I swear to God.
951
00:50:08,230 --> 00:50:09,340
Right there. Yeah!Right there?
952
00:50:09,540 --> 00:50:10,600
And I'mma do it again.
953
00:50:10,800 --> 00:50:11,820
Oh.
954
00:50:12,020 --> 00:50:12,870
Hey!
955
00:50:15,010 --> 00:50:15,950
Girl, I swear to God.
956
00:50:16,150 --> 00:50:17,740
What the--?
957
00:50:17,940 --> 00:50:19,040
What are you doing?
958
00:50:19,240 --> 00:50:20,040
Yo, I'm not even\Nplaying around, man.
959
00:50:20,240 --> 00:50:21,780
You better chill.I'm not.
960
00:50:21,980 --> 00:50:24,350
Hey, hey, hey. What's up?[LAUGHS]
961
00:50:24,550 --> 00:50:26,500
Oh, no. I'm so sorry.\NI'm really sorry.
962
00:50:28,020 --> 00:50:29,020
You're Bobby Brown, right?
963
00:50:30,940 --> 00:50:33,930
Yeah. Yeah. What about it?
964
00:50:34,130 --> 00:50:34,980
I got a question for you.
965
00:50:36,990 --> 00:50:37,890
And what's that?
966
00:50:38,090 --> 00:50:39,250
How old are you?
967
00:50:42,770 --> 00:50:43,640
Old enough.
968
00:50:47,260 --> 00:50:48,130
He's old enough.
969
00:50:51,740 --> 00:50:53,730
He's old enough, you know.\NHe's old enough.
970
00:50:53,930 --> 00:50:54,900
ANNOUNCER:\N{\i1}Ladies and gentlemen,{\i0}
971
00:50:55,100 --> 00:50:57,180
{\i1}our host, Anita Baker.{\i0}
972
00:50:59,880 --> 00:51:01,480
She looks so good.So good.
973
00:51:01,680 --> 00:51:05,610
The nominees\Nfor the best music video are...
974
00:51:05,810 --> 00:51:08,570
Janet Jackson, "Control,"
975
00:51:08,770 --> 00:51:11,020
Michael Jackson,\N"The Way You Make Me Feel,"
976
00:51:13,850 --> 00:51:15,920
Whitney Houston,\N"I Wanna Dance With Somebody,"
977
00:51:16,120 --> 00:51:18,880
Whoo![AUDIENCE BOOING]
978
00:51:19,080 --> 00:51:20,990
Jody Watley,\N"Looking For A New Love."
979
00:51:23,510 --> 00:51:25,160
Are they booing me?And the winner is...
980
00:51:27,250 --> 00:51:29,690
The winner is Janet Jackson,\N"Control."
981
00:51:31,520 --> 00:51:32,130
Keep it together.
982
00:51:36,310 --> 00:51:39,600
Hey, hey. Don't even worry\Nabout it.
983
00:51:39,800 --> 00:51:41,730
You're Whitney Houston.\NAll right?
984
00:51:41,930 --> 00:51:43,490
They dogs.
985
00:51:49,750 --> 00:51:51,190
Give me a pen\Nand a business card.
986
00:51:55,980 --> 00:51:58,200
[♪♪♪]
987
00:52:02,200 --> 00:52:04,250
[JANET SPEAKING INDISTINCTLY]
988
00:52:17,830 --> 00:52:19,680
JOHN:\N{\i1}You got to be prepared.{\i0}
989
00:52:19,880 --> 00:52:23,300
You know, the kind of success\Nthat you're enjoying,
990
00:52:23,500 --> 00:52:25,520
that the Black stations\Nain't got no control over
991
00:52:25,720 --> 00:52:28,080
and they don't own,\Nit drives 'em crazy.
992
00:52:28,280 --> 00:52:30,740
Oreo. They calling me an Oreo.
993
00:52:30,940 --> 00:52:32,520
If they wanna see Black,\NI'll show 'em Black.
994
00:52:32,720 --> 00:52:34,660
No, you don't.\NDon't you go changing nothing.
995
00:52:34,860 --> 00:52:36,310
You keep on doing\Nwhat you doing,
996
00:52:36,510 --> 00:52:38,270
'cause what you doing\Nain't nobody ever done before.
997
00:52:38,470 --> 00:52:40,360
The first one over the hill\Nalways gets whupped.
998
00:52:40,560 --> 00:52:42,450
And you are the first,\Nprincess.
999
00:52:42,650 --> 00:52:43,840
No one is like you.
1000
00:52:44,040 --> 00:52:44,930
Look at me.That's right.
1001
00:52:45,130 --> 00:52:46,280
No one is like you.
1002
00:52:46,480 --> 00:52:49,670
You got class. You can sing.
1003
00:52:49,870 --> 00:52:52,020
Mommy, I never wanna\Nshow my face again.
1004
00:52:52,220 --> 00:52:54,680
What? Oh, no, no, no, no, no.
1005
00:52:54,880 --> 00:52:57,080
You will show it again.\NYou gonna show it even more now.
1006
00:53:00,780 --> 00:53:02,160
JOHN: To Nippy.To Nippy.
1007
00:53:02,360 --> 00:53:04,250
To Nippy.To Nippy.
1008
00:53:04,450 --> 00:53:06,860
{\i1}Nelson Mandela{\i0}\N{\i1}to be released tomorrow.{\i0}
1009
00:53:07,060 --> 00:53:08,910
{\i1}And as you might expect,{\i0}\N{\i1}that is a moment{\i0}
1010
00:53:09,110 --> 00:53:11,050
{\i1}that this country{\i0}\N{\i1}will not soon forget.{\i0}
1011
00:53:13,270 --> 00:53:15,440
WHITNEY:\NI've been thinking\Nwe should get new writers.
1012
00:53:15,640 --> 00:53:16,580
A new sound.
1013
00:53:19,190 --> 00:53:20,370
R & B.
1014
00:53:21,670 --> 00:53:22,240
Yeah.
1015
00:53:23,930 --> 00:53:24,920
You know,
1016
00:53:25,120 --> 00:53:27,930
L.A. Reid and Babyface
1017
00:53:28,130 --> 00:53:31,760
are doing some really\Ninteresting stuff right now.
1018
00:53:31,960 --> 00:53:34,470
And they might be right\Nto produce your next album.
1019
00:53:36,640 --> 00:53:38,810
We can look into that.\NYou want to?
1020
00:53:39,010 --> 00:53:40,030
Okay.
1021
00:53:40,220 --> 00:53:41,520
Don't be sad. Come on.
1022
00:53:43,740 --> 00:53:44,990
That's better.
1023
00:53:45,190 --> 00:53:46,350
Now get out of my chair.
1024
00:53:48,310 --> 00:53:49,430
REPORTER:\N{\i1}And here they are,{\i0}
1025
00:53:49,630 --> 00:53:50,210
{\i1}Whitney Houston{\i0}\N{\i1}and Bobby Brown.{\i0}
1026
00:53:50,410 --> 00:53:51,780
{\i1}They're just arriving here{\i0}
1027
00:53:51,980 --> 00:53:53,650
{\i1}at the Billboard Music Awards.{\i0}
1028
00:53:53,850 --> 00:53:56,000
{\i1}She's nominated{\i0}\N{\i1}for four awards tonight,{\i0}
1029
00:53:56,200 --> 00:53:57,690
{\i1}including top R & B album{\i0}\N{\i1}and top R & B artist.{\i0}
1030
00:53:57,890 --> 00:53:58,490
Do you want a hug?
1031
00:54:00,970 --> 00:54:03,530
It's okay, baby. It's okay.\NThank you so much.
1032
00:54:03,730 --> 00:54:05,880
Hi, Whitney. You and Bobby are\Nthe king and queen of R & B.
1033
00:54:06,080 --> 00:54:07,750
How does that feel?
1034
00:54:07,950 --> 00:54:09,320
It feels very good.\NIt feels very good.
1035
00:54:09,520 --> 00:54:11,190
Y'all wanna see a kiss?
1036
00:54:11,390 --> 00:54:12,580
Baby, you look so good.
1037
00:54:12,780 --> 00:54:14,840
Beautiful. Beautiful, Whitney.
1038
00:54:15,040 --> 00:54:16,800
Just one more.Beautiful.
1039
00:54:17,000 --> 00:54:18,500
Look this way.Here, Whitney.
1040
00:54:18,700 --> 00:54:20,280
One more. One more time.Whitney, here.
1041
00:54:20,480 --> 00:54:22,070
Whitney, turn around.I love it.
1042
00:54:22,270 --> 00:54:23,810
All right. All right.
1043
00:54:24,010 --> 00:54:26,290
Everybody, back up.\NEverybody back up, all right?
1044
00:54:26,490 --> 00:54:28,120
Yeah, back up.Back up. Back up. Back up.
1045
00:54:28,320 --> 00:54:30,440
All right?Back up!
1046
00:54:32,740 --> 00:54:33,310
Back up!
1047
00:54:35,790 --> 00:54:37,260
Come on. All right.That's it, all right?
1048
00:54:37,460 --> 00:54:39,040
We done. Thank you.Thank you.
1049
00:54:39,240 --> 00:54:43,390
{\i1}♪ ...hurts so bad{\i0}\N{\i1}Yes, it does, yes, it does ♪{\i0}
1050
00:54:43,590 --> 00:54:45,440
Oh, God, no.
1051
00:54:45,640 --> 00:54:48,270
"Why does it hurt so bad"?It's a great song.
1052
00:54:48,470 --> 00:54:49,790
"Why do I feel so sad?
1053
00:54:49,990 --> 00:54:52,360
Thought I was over you,\Nbut I keep crying,
1054
00:54:52,560 --> 00:54:54,970
'cause when I don't love you,"\Nblah, blah, blah.
1055
00:54:55,170 --> 00:54:58,190
Why?\NI have to believe in\Nwhat the song is saying
1056
00:54:58,390 --> 00:54:59,450
if I'm gonna sing it right.
1057
00:54:59,650 --> 00:55:00,980
Right?Yeah. No, I understand that.
1058
00:55:01,180 --> 00:55:03,630
Right, so no man could have\Nthat effect on me.
1059
00:55:03,830 --> 00:55:05,300
I would drop him first.
1060
00:55:07,600 --> 00:55:08,940
What?
1061
00:55:09,140 --> 00:55:12,810
These are completely\Nuniversal human emotions.
1062
00:55:13,010 --> 00:55:15,180
[CHUCKLES]\NI just think you're very young.
1063
00:55:16,530 --> 00:55:18,600
No?No.
1064
00:55:18,800 --> 00:55:20,430
All right.Next.
1065
00:55:20,630 --> 00:55:24,350
Then let's find a song\Nthat isn't about love.
1066
00:55:24,550 --> 00:55:26,360
Oh, there aren't any.[LAUGHS]
1067
00:55:29,630 --> 00:55:30,660
Hear me out.\NThat's all I'm trying to--
1068
00:55:30,860 --> 00:55:31,830
All right, I'm listening.
1069
00:55:32,030 --> 00:55:33,270
What do you want?Do you trust me?
1070
00:55:33,470 --> 00:55:34,360
Yes, I trust you.All right,
1071
00:55:34,560 --> 00:55:35,580
so hear me out\Nwhen I say...
1072
00:55:35,780 --> 00:55:38,100
...Bobby ain't the one.\NBobby a ho.
1073
00:55:38,300 --> 00:55:39,450
He a ho. He got a baby\Nby some chick.
1074
00:55:39,650 --> 00:55:40,800
You call my man a ho?
1075
00:55:41,000 --> 00:55:42,800
I'm just saying.Uh-uh, no. Relax. Relax.
1076
00:55:43,000 --> 00:55:44,280
Bobby's got a reputation.
1077
00:55:44,480 --> 00:55:45,630
I know.
1078
00:55:45,830 --> 00:55:47,370
You like that bad boy shit?
1079
00:55:47,570 --> 00:55:48,890
Yeah. I do.You ill.
1080
00:55:49,090 --> 00:55:51,240
[BOTH LAUGHING]
1081
00:55:51,440 --> 00:55:54,510
No, man. He gets me.\NHe makes me laugh.
1082
00:55:54,710 --> 00:55:56,570
And, you know, I'm tired\Nof being the good girl.
1083
00:55:58,830 --> 00:56:01,430
My career\Ncasts a lot of shadow.
1084
00:56:01,630 --> 00:56:03,400
He's famous enough to get\Nwith that, so I'm good.
1085
00:56:06,450 --> 00:56:08,190
All right. Well,\Nif you like him then...
1086
00:56:10,540 --> 00:56:12,000
...I'll tolerate him.[PHONE RINGING]
1087
00:56:12,200 --> 00:56:13,660
Thank you.
1088
00:56:13,860 --> 00:56:14,630
Hold on one second.
1089
00:56:17,980 --> 00:56:19,750
Hello?
1090
00:56:19,950 --> 00:56:22,140
Like I tolerate what's-her-name?What's up? Shh.
1091
00:56:22,340 --> 00:56:23,880
My bad. Look, I'm at work.What's her name?
1092
00:56:24,080 --> 00:56:25,320
Can I call you back?Girl, tell me her name.
1093
00:56:25,520 --> 00:56:27,190
Her name is Natalie.
1094
00:56:27,390 --> 00:56:28,850
Natalie, I'mma call\Nyou back, okay?\NHi, Natalie!
1095
00:56:29,050 --> 00:56:30,410
I'll talk to you.\NHave a good day.\NYeah, bye.
1096
00:56:30,610 --> 00:56:33,110
Really? Why would you do that?Have a good day! Goodbye!
1097
00:56:33,310 --> 00:56:34,550
Because. You're rude.
1098
00:56:34,750 --> 00:56:37,290
At least she ain't\Nno Jermaine Jackson. Yeah.
1099
00:56:37,490 --> 00:56:39,290
Why you gotta be like that?You went from Jermaine to Bobby.
1100
00:56:39,490 --> 00:56:41,730
Why you gotta be like that?I'm just saying.
1101
00:56:41,930 --> 00:56:44,990
You sure know how to pick 'em.What? Relax. Relax, man.
1102
00:56:45,190 --> 00:56:46,650
It ain't like we getting\Nmarried or something like that.
1103
00:56:46,850 --> 00:56:48,700
[WHITNEY HOUSTON'S "FAR ENOUGH"\NPLAYING ON RADIO]
1104
00:56:59,190 --> 00:57:00,090
What is it?
1105
00:57:00,290 --> 00:57:01,440
Hold up, girl.
1106
00:57:01,640 --> 00:57:03,620
Hold up. Hey. Hey.
1107
00:57:03,820 --> 00:57:06,140
Hold up, hold up, hold on.What?
1108
00:57:06,340 --> 00:57:07,290
What? What are you doing?
1109
00:57:11,420 --> 00:57:12,290
Marry me.
1110
00:57:16,080 --> 00:57:16,990
Well?
1111
00:57:18,600 --> 00:57:20,420
Oh, my God, Bobby.
1112
00:57:20,620 --> 00:57:21,900
Yeah.Yeah?
1113
00:57:22,100 --> 00:57:23,480
Yeah. Yeah.Yeah?
1114
00:57:26,790 --> 00:57:29,820
Take a look.Oh, my God. Oh, my God!
1115
00:57:30,020 --> 00:57:32,910
Baby, it's so beautiful.\NThank you, baby.
1116
00:57:33,110 --> 00:57:33,750
Let me see.
1117
00:57:36,320 --> 00:57:38,180
Hey? Hey?
1118
00:57:38,380 --> 00:57:39,280
What?
1119
00:57:40,450 --> 00:57:41,920
Can I trust you?
1120
00:57:42,120 --> 00:57:43,140
Can you trust me?
1121
00:57:43,340 --> 00:57:45,360
Yeah.Yeah, of course you can.
1122
00:57:45,560 --> 00:57:46,580
Yeah?Yeah.
1123
00:57:46,780 --> 00:57:48,100
Will you tell me everything?
1124
00:57:48,300 --> 00:57:49,840
Everything.
1125
00:57:50,040 --> 00:57:52,060
You want that?Yeah.
1126
00:57:52,260 --> 00:57:53,810
You got it. Absolutely.
1127
00:57:56,380 --> 00:57:56,950
It's just, uh...
1128
00:57:59,250 --> 00:58:00,470
It's just one thing.
1129
00:58:04,260 --> 00:58:05,170
Kim is pregnant.
1130
00:58:07,390 --> 00:58:10,120
Besides that, we cool.
1131
00:58:10,320 --> 00:58:13,530
Just wanted to let you know\Nthat so we-- We're good. Right?
1132
00:58:15,140 --> 00:58:15,970
Honesty all the way.
1133
00:58:18,140 --> 00:58:20,780
Man, I love you so much, baby.\NI knew you'd understand.
1134
00:58:20,980 --> 00:58:22,580
Yeah. Hoo.
1135
00:58:23,970 --> 00:58:26,960
[SIGHS]\NThat's a fucking load off.
1136
00:58:27,160 --> 00:58:30,180
I've been holding on to that\Nfor months now.
1137
00:58:30,380 --> 00:58:31,320
The hell you just say?
1138
00:58:31,520 --> 00:58:32,840
I just had to be honest\Nwith you.
1139
00:58:33,040 --> 00:58:34,010
You messing with me.
1140
00:58:34,210 --> 00:58:36,060
I had to tell you\Nthat one thing.
1141
00:58:36,260 --> 00:58:37,710
You messing with me. Bobby,\Nyou better be messing with me.
1142
00:58:37,910 --> 00:58:38,850
Besides that, we're cool.Kim?
1143
00:58:39,050 --> 00:58:39,890
Yes, Kim.
1144
00:58:40,090 --> 00:58:41,280
Kim is pregnant?Yes.
1145
00:58:41,480 --> 00:58:43,590
Look, it was alcohol.\NLots of it.
1146
00:58:43,790 --> 00:58:45,240
It kind of just happened,\Nbaby.
1147
00:58:45,440 --> 00:58:46,200
No. Stop the car.
1148
00:58:46,400 --> 00:58:48,720
Stop the car!
1149
00:58:48,920 --> 00:58:50,600
Hey, driver, don't stop the car.That's bullshit.
1150
00:58:50,800 --> 00:58:52,550
Hey. Stay right here.Bullshit.
1151
00:58:52,750 --> 00:58:54,380
That's bullshit.Whitney!
1152
00:58:54,580 --> 00:58:56,380
Whitney!
1153
00:58:56,580 --> 00:58:58,470
Hey! Stop!Whitney!
1154
00:58:58,670 --> 00:59:00,350
Will you stop?Goddamn it.
1155
00:59:00,540 --> 00:59:01,960
And this happened after we\Nstarted seeing each other?
1156
00:59:02,160 --> 00:59:04,090
No, it was in\Nthe transition phase, baby.
1157
00:59:04,290 --> 00:59:05,870
Look, I was over her.
1158
00:59:06,070 --> 00:59:08,310
Not so finished you weren't\Nstill banging her, you mean.
1159
00:59:08,510 --> 00:59:09,700
Hey, look.[HONKING]
1160
00:59:09,900 --> 00:59:11,360
We're walking here! We're walk--Idiot!
1161
00:59:11,560 --> 00:59:13,270
Baby! Baby!
1162
00:59:13,470 --> 00:59:14,840
So let me get this straight,\NBobby Brown.
1163
00:59:15,040 --> 00:59:16,670
You ask me to marry you,\Nwait till I say yes,
1164
00:59:16,870 --> 00:59:17,840
and tell me\Nyour goddamn ex-girlfriend
1165
00:59:18,040 --> 00:59:18,840
is goddamn pregnant?
1166
00:59:19,040 --> 00:59:20,030
Hey, look, I love you.
1167
00:59:22,470 --> 00:59:24,060
All right?
1168
00:59:24,260 --> 00:59:26,120
I wanna spend\Nthe rest of my life with you.
1169
00:59:27,380 --> 00:59:28,760
No one else.
1170
00:59:28,960 --> 00:59:30,650
I didn't know that then,\Nbut I do now.
1171
00:59:32,740 --> 00:59:35,510
See, me and you,\Nwe from the same place.
1172
00:59:35,710 --> 00:59:37,180
We from the 'hood.
1173
00:59:38,440 --> 00:59:39,400
Yeah, I know you.
1174
00:59:41,220 --> 00:59:42,820
You don't, for one second,
1175
00:59:43,020 --> 00:59:45,270
gotta be Whitney Houston\Naround me.
1176
00:59:47,320 --> 00:59:48,090
Not for a second.
1177
00:59:48,290 --> 00:59:49,700
[SCOFFS]
1178
00:59:49,900 --> 00:59:51,310
Hey, look, look.
1179
00:59:51,510 --> 00:59:53,830
It's us...FAN: Whitney!
1180
00:59:54,030 --> 00:59:55,660
...against the world, baby.
1181
00:59:55,860 --> 00:59:58,460
[♪♪♪]
1182
01:00:00,810 --> 01:00:02,160
So, are we doing this, or what?
1183
01:00:07,210 --> 01:00:08,330
Yeah.
1184
01:00:08,530 --> 01:00:09,170
Hey, good.
1185
01:00:11,650 --> 01:00:13,720
You had me worried there\Nfor a sec, Nip.\NHm.
1186
01:00:13,920 --> 01:00:15,250
I had you worried?Yeah.
1187
01:00:15,450 --> 01:00:17,290
Hey! Bring the car around!
1188
01:00:17,490 --> 01:00:19,690
Hey, yo, yeah!\NBring that car around, homey.
1189
01:00:19,890 --> 01:00:21,730
Shut up, Bobby!
1190
01:00:21,930 --> 01:00:22,860
What?
1191
01:00:23,060 --> 01:00:24,950
[LIQUID POURING]
1192
01:00:25,150 --> 01:00:26,650
[DOOR OPENS]
1193
01:00:26,850 --> 01:00:27,660
ROBYN:\NHey, Nip.
1194
01:00:29,360 --> 01:00:30,570
I got some news.
1195
01:00:30,770 --> 01:00:32,650
BOBBY:\NSo do we.\NYou're right on time.
1196
01:00:32,850 --> 01:00:34,670
Word? What's going on?
1197
01:00:38,630 --> 01:00:39,880
BOBBY:\NCheck it out.
1198
01:00:40,080 --> 01:00:40,970
Congratulations.
1199
01:00:41,170 --> 01:00:42,580
BOBBY:\NYeah.
1200
01:00:42,780 --> 01:00:43,880
WHITNEY:\NThank you, girl.
1201
01:00:44,080 --> 01:00:45,450
Bobby.Hey, thanks, Robyn.
1202
01:00:45,650 --> 01:00:46,860
Appreciate that.Mm-hm.
1203
01:00:49,250 --> 01:00:51,240
BOBBY:\NSo, what brings you\Nall the way over here?
1204
01:00:51,440 --> 01:00:52,640
You said you had some news,\Nright?
1205
01:00:54,520 --> 01:00:55,590
What is it?
1206
01:00:55,790 --> 01:00:56,980
Oh.
1207
01:00:57,180 --> 01:00:59,030
You ready?WHITNEY: Uh-huh.
1208
01:00:59,230 --> 01:01:01,520
They want you to sing\Nthe national anthem...
1209
01:01:02,870 --> 01:01:04,210
...at the Super Bowl.
1210
01:01:04,410 --> 01:01:05,950
Wait. Hold up.
1211
01:01:06,150 --> 01:01:07,730
BOBBY: Like, the--WHITNEY: What, like--
1212
01:01:07,930 --> 01:01:09,740
Super Bowl, Super Bowl?Super Bowl, Super Bowl?
1213
01:01:09,940 --> 01:01:11,740
PILOT:\N{\i1}Captain, we are airborne.{\i0}
1214
01:01:11,940 --> 01:01:14,740
{\i1}Twenty-six thousand to push{\i0}\N{\i1}point. How are we looking?{\i0}
1215
01:01:14,940 --> 01:01:18,130
{\i1}...coordinates 3016{\i0}\N{\i1}for uncorrected{\i0}
1216
01:01:18,330 --> 01:01:20,240
{\i1}Super Bowl elevation{\i0}\N{\i1}of 35 meters.{\i0}
1217
01:01:22,630 --> 01:01:25,620
COMMENTATOR:\NAlmost ready then\Nfor Super Bowl XXV,
1218
01:01:25,820 --> 01:01:28,840
where the Giants get ready\Nto take on the Buffalo Bills
1219
01:01:29,040 --> 01:01:30,550
for the ultimate prize\Nin football.
1220
01:01:35,210 --> 01:01:35,770
No.
1221
01:01:37,170 --> 01:01:38,820
Slower, Rickey. Please.
1222
01:01:40,040 --> 01:01:41,850
What?It's the national anthem.
1223
01:01:42,050 --> 01:01:43,550
I think the NFL's\Ngonna want it fast.
1224
01:01:43,750 --> 01:01:45,510
I want it slow.
1225
01:01:45,710 --> 01:01:46,570
Just do it.
1226
01:02:15,550 --> 01:02:17,720
I have a range of different\Nlooks here to choose from.
1227
01:02:17,920 --> 01:02:20,340
Nuh-uh. No dresses.
1228
01:02:22,260 --> 01:02:24,640
[CHUCKLES] Okay.Girl, this is the Super Bowl.
1229
01:02:24,840 --> 01:02:25,950
Can't I just be me for once?
1230
01:02:29,830 --> 01:02:31,430
[EXHALES SHARPLY]
1231
01:02:31,630 --> 01:02:33,480
[PRESS CLAMORING]
1232
01:02:38,620 --> 01:02:40,040
Two and three should widen out.\NLet's pull back.
1233
01:02:40,240 --> 01:02:41,930
Oh, yeah!
1234
01:02:44,410 --> 01:02:46,920
Where she from?Yeah, yeah. New Jersey.
1235
01:02:47,120 --> 01:02:49,590
So, Whitney was number one\Non the Billboards.
1236
01:02:58,290 --> 01:03:04,330
♪ O'er the ramparts\NWe watch'd ♪
1237
01:03:04,530 --> 01:03:10,900
♪ Were so gallantly streaming? ♪
1238
01:03:11,100 --> 01:03:16,990
♪ And the rocket's red glare ♪
1239
01:03:17,190 --> 01:03:18,730
♪ The bombs bursting... ♪
1240
01:03:18,930 --> 01:03:20,820
Yeah. Yeah, hit that.\NYeah, hit that.
1241
01:03:21,020 --> 01:03:23,260
♪ ...in air ♪
1242
01:03:23,460 --> 01:03:30,090
♪ Gave proof through the night ♪
1243
01:03:30,290 --> 01:03:36,660
♪ That our flag\NWas still there ♪
1244
01:03:36,860 --> 01:03:39,580
♪ O say ♪
1245
01:03:39,780 --> 01:03:44,500
♪ Does that star-spangled ♪
1246
01:03:44,700 --> 01:03:47,330
{\i1}♪ Banner ♪{\i0}
1247
01:03:47,530 --> 01:03:53,120
♪ Yet wave ♪
1248
01:03:53,320 --> 01:03:59,870
♪ O'er the land of the free ♪
1249
01:04:01,400 --> 01:04:08,010
♪ And the home of the brave? ♪
1250
01:04:28,730 --> 01:04:30,760
WHITNEY:\N{\i1}Mommy. How'd I do?{\i0}
1251
01:04:30,960 --> 01:04:32,200
Are you kidding me, Nippy?
1252
01:04:32,400 --> 01:04:34,720
You were fantastic.
1253
01:04:34,920 --> 01:04:37,330
If you never do anything else\Nin your life,
1254
01:04:37,530 --> 01:04:39,910
you did that\Nhow it was supposed to be done.
1255
01:04:46,530 --> 01:04:48,000
Hello.Hey.
1256
01:04:48,200 --> 01:04:49,050
Okay.
1257
01:04:51,010 --> 01:04:54,350
Do you think that you can\Npostpone your wedding...
1258
01:04:54,550 --> 01:04:57,570
...for this movie?Why would I do that?
1259
01:04:57,770 --> 01:05:01,050
From Nicole. She thinks\Nit's a wonderful role for you.
1260
01:05:01,250 --> 01:05:02,500
I have my concerns.
1261
01:05:04,810 --> 01:05:06,060
{\i1}The Bodyguard?{\i0}
1262
01:05:06,260 --> 01:05:08,800
It's about a world-famous\Nsinging star
1263
01:05:09,000 --> 01:05:11,030
and her difficult relationship\Nwith her bodyguard.
1264
01:05:13,210 --> 01:05:14,120
Nope.
1265
01:05:17,000 --> 01:05:18,460
Who's the bodyguard?
1266
01:05:18,660 --> 01:05:19,300
Kevin Costner.
1267
01:05:22,570 --> 01:05:23,950
Did I say no?
1268
01:05:24,150 --> 01:05:25,560
'Cause I meant yes.
1269
01:05:25,760 --> 01:05:26,950
[BOTH CHUCKLE]
1270
01:05:27,150 --> 01:05:30,010
Well, he wants you.
1271
01:05:31,790 --> 01:05:33,780
He wants me?Yes, he wants you.
1272
01:05:33,980 --> 01:05:34,910
Do you wanna think about it?
1273
01:05:35,110 --> 01:05:36,750
Shit, Clive,\Nit's only a wedding.
1274
01:05:38,630 --> 01:05:40,800
Get your priorities in order.\NThank you.
1275
01:05:43,110 --> 01:05:45,680
[WHITNEY HOUSTON'S "RUN TO YOU\N[FILM VERSION]" PLAYING]
1276
01:05:50,940 --> 01:05:52,370
You done back there?
1277
01:05:52,570 --> 01:05:53,420
Yeah.
1278
01:06:17,490 --> 01:06:18,960
[GASPS]
1279
01:06:19,160 --> 01:06:20,180
Cut.
1280
01:06:20,380 --> 01:06:21,230
Whitney.
1281
01:06:29,630 --> 01:06:30,200
BOBBY:\NHey.
1282
01:06:32,290 --> 01:06:33,460
We're gonna have\Na lot more babies.
1283
01:06:35,380 --> 01:06:36,250
All right?
1284
01:06:39,640 --> 01:06:40,560
I love you.
1285
01:06:41,820 --> 01:06:42,690
I love you.
1286
01:06:49,570 --> 01:06:51,050
I don't know if I can do this\Nanymore.
1287
01:06:53,000 --> 01:06:54,010
What you mean by that?
1288
01:06:55,530 --> 01:06:56,440
Be everything.
1289
01:06:57,880 --> 01:06:58,920
To everyone.
1290
01:07:02,140 --> 01:07:03,450
Well, you can't stop now.
1291
01:07:11,630 --> 01:07:12,550
Right?
1292
01:07:18,730 --> 01:07:20,030
Hey, I've got you.
1293
01:07:27,340 --> 01:07:29,300
[BREATHES DEEPLY]
1294
01:07:46,010 --> 01:07:47,740
I want you to listen\Nto something.
1295
01:07:47,940 --> 01:07:49,870
We have a minute here, right?Yes.
1296
01:07:50,070 --> 01:07:51,020
Okay.
1297
01:07:53,060 --> 01:07:58,580
So, I don't feel\Nthat they're allowing you
1298
01:07:58,780 --> 01:08:01,800
to sing strongly enough\Nin this picture
1299
01:08:02,000 --> 01:08:04,800
so that we understand why your\Ncharacter is such a huge star.
1300
01:08:05,000 --> 01:08:06,540
Right.Okay?
1301
01:08:06,740 --> 01:08:08,150
Do you understand\Nwhat I'm saying?\NI do. I do.
1302
01:08:08,350 --> 01:08:10,460
The songs have to be great
1303
01:08:10,660 --> 01:08:12,770
in order for the character\Nto be great.
1304
01:08:12,970 --> 01:08:15,070
So Kevin...
1305
01:08:15,270 --> 01:08:16,859
...your new best friend,\Nfound this.
1306
01:08:17,060 --> 01:08:18,310
Here.Okay.
1307
01:08:21,399 --> 01:08:23,220
This is Dolly Parton.
1308
01:08:25,490 --> 01:08:32,090
[OVER HEADPHONES]\N{\i1}♪ And I will always ♪{\i0}
1309
01:08:32,290 --> 01:08:34,090
{\i1}♪ Love you ♪{\i0}
1310
01:08:34,290 --> 01:08:35,310
What?
1311
01:08:35,510 --> 01:08:36,660
{\i1}♪ I will always love you ♪{\i0}
1312
01:08:36,859 --> 01:08:37,720
I like it.
1313
01:08:39,200 --> 01:08:40,529
I like it.
1314
01:08:40,729 --> 01:08:47,290
♪ If I should stay ♪
1315
01:08:50,380 --> 01:08:55,460
♪ I would only be in ♪
1316
01:08:55,660 --> 01:09:00,380
♪ Your way ♪
1317
01:09:00,580 --> 01:09:06,090
♪ So I'll go, but I know ♪
1318
01:09:08,310 --> 01:09:13,520
♪ I'll think of you\NEvery step of ♪
1319
01:09:13,720 --> 01:09:19,880
♪ The way ♪
1320
01:09:20,080 --> 01:09:23,050
[VOCALIZES]
1321
01:09:23,250 --> 01:09:24,810
[AUDIENCE CHEERING WILDLY]
1322
01:09:30,640 --> 01:09:32,859
Whitney! We love you!We love you!
1323
01:09:35,689 --> 01:09:36,990
We love you!We love you, Whitney!
1324
01:09:41,870 --> 01:09:43,859
[CHEERING GROWS LOUDER]
1325
01:09:44,060 --> 01:09:45,050
[CHUCKLES SOFTLY]
1326
01:09:49,700 --> 01:09:54,870
♪ And I ♪
1327
01:09:55,070 --> 01:09:56,360
♪ Ooh, I... ♪
1328
01:09:58,060 --> 01:10:04,330
♪ Will always love you ♪
1329
01:10:06,980 --> 01:10:13,600
♪ Will always love you ♪
1330
01:10:17,340 --> 01:10:22,470
{\i1}♪ You, my darling, you ♪{\i0}
1331
01:10:27,520 --> 01:10:31,510
{\i1}♪ Bittersweet memories ♪{\i0}
1332
01:10:31,710 --> 01:10:32,270
What?
1333
01:10:35,570 --> 01:10:36,620
You think I'm making a mistake.
1334
01:10:42,410 --> 01:10:43,360
This is happening, Robyn.
1335
01:10:47,850 --> 01:10:48,590
It's what I want.
1336
01:10:50,550 --> 01:10:51,460
Okay?Okay.
1337
01:10:53,720 --> 01:10:54,290
All right.
1338
01:10:56,120 --> 01:11:01,590
{\i1}♪ And I ♪{\i0}
1339
01:11:01,790 --> 01:11:06,810
{\i1}♪ Will always love you ♪{\i0}
1340
01:11:07,010 --> 01:11:12,820
{\i1}♪ I will always love you ♪{\i0}
1341
01:11:13,020 --> 01:11:15,640
{\i1}♪ And you and you{\i0}\N{\i1}And you and you ♪{\i0}
1342
01:11:15,840 --> 01:11:18,360
{\i1}♪ And you and you and you ♪{\i0}
1343
01:11:23,490 --> 01:11:24,930
{\i1}♪ Oh, yes, I will ♪{\i0}
1344
01:11:27,710 --> 01:11:28,930
You look beautiful.
1345
01:11:48,340 --> 01:11:54,680
♪ I hope life treats you kind ♪
1346
01:11:54,880 --> 01:11:59,210
♪ And I hope you have\NAll you've ♪
1347
01:11:59,410 --> 01:12:02,740
♪ Dreamed of ♪
1348
01:12:02,940 --> 01:12:08,390
♪ And I wish you so much joy\NAnd happiness ♪
1349
01:12:08,590 --> 01:12:12,050
♪ But above all this ♪
1350
01:12:12,250 --> 01:12:18,810
♪ I wish you love ♪
1351
01:12:22,640 --> 01:12:28,460
♪ And I ♪
1352
01:12:28,660 --> 01:12:32,200
♪ Will always love you ♪
1353
01:12:32,400 --> 01:12:37,680
♪ I will always love ♪
1354
01:12:37,880 --> 01:12:40,960
♪ You ♪
1355
01:12:42,830 --> 01:12:46,210
♪ I will always love you ♪
1356
01:12:46,410 --> 01:12:49,350
Hey, baby girl. Hey. Hey.
1357
01:12:49,550 --> 01:12:50,780
She's gorgeous, baby.She's beautiful.
1358
01:12:50,980 --> 01:12:52,700
I love you.I love you too.
1359
01:12:52,900 --> 01:12:55,840
♪ I will always love... ♪
1360
01:12:57,590 --> 01:13:00,280
[CROWD CHEERING]
1361
01:13:11,160 --> 01:13:12,860
♪ Know I'll always ♪
1362
01:13:15,520 --> 01:13:20,430
♪ I'll always love ♪
1363
01:13:23,090 --> 01:13:29,740
♪ You ♪
1364
01:13:29,940 --> 01:13:33,170
♪ You ♪
1365
01:13:33,370 --> 01:13:39,800
♪ You ♪
1366
01:13:51,900 --> 01:13:53,060
You're so silly, girl.
1367
01:13:53,260 --> 01:13:54,720
Oh, my gosh.
1368
01:13:54,920 --> 01:13:57,200
[KNOCKING]
1369
01:13:57,400 --> 01:13:59,200
No, no.\NI don't wanna see nobody.
1370
01:13:59,400 --> 01:14:00,680
I got you, baby.Okay.
1371
01:14:00,880 --> 01:14:02,030
You ain't gotta see nobody,\Nall right?
1372
01:14:02,230 --> 01:14:03,900
Nip.BOBBY: You so silly, girl.
1373
01:14:04,100 --> 01:14:05,990
What's going on? Great show.Hi.
1374
01:14:06,190 --> 01:14:08,990
Okay, you did that.\NYou did that.
1375
01:14:09,190 --> 01:14:10,730
Thank you, girl. Thank you.
1376
01:14:10,930 --> 01:14:12,950
So listen--\NJust give me\Na second, all right?
1377
01:14:13,150 --> 01:14:14,260
Sure.\NLet me talk to you\Nfor a sec, Rob.
1378
01:14:14,460 --> 01:14:16,130
Yeah, yeah. What's up?
1379
01:14:16,330 --> 01:14:19,320
Hey, so, I don't think\NNip wanna see nobody tonight.
1380
01:14:20,800 --> 01:14:23,140
Yeah, but I'm not nobody.\NAll right?
1381
01:14:23,340 --> 01:14:24,830
Listen, Oprah needs an answer
1382
01:14:25,030 --> 01:14:26,570
about you doing\Nan interview with her.
1383
01:14:26,770 --> 01:14:28,710
Word?Word. So we gotta get back.
1384
01:14:28,910 --> 01:14:31,360
Yeah. No, I'm good.Hey, hey, hey.
1385
01:14:31,560 --> 01:14:33,490
I got this.\NOkay, here you go, baby.
1386
01:14:33,690 --> 01:14:35,100
No, Bobby.I got this.
1387
01:14:35,300 --> 01:14:38,370
No. I got this.So, what you saying?
1388
01:14:38,570 --> 01:14:40,760
What I'm saying is\NI'm creative director.
1389
01:14:40,960 --> 01:14:43,600
This is my job.\NI got this. It's simple.
1390
01:14:45,170 --> 01:14:46,810
I'm the husband.
1391
01:14:47,010 --> 01:14:48,730
I win.Bobby.
1392
01:14:48,930 --> 01:14:49,480
All right?
1393
01:14:50,960 --> 01:14:51,990
[LAUGHS]
1394
01:14:52,190 --> 01:14:53,140
Whit, what's up?
1395
01:14:54,920 --> 01:14:55,490
What's going--
1396
01:14:57,440 --> 01:14:59,270
I mean, you gotta listen\Nto my husband, Rob.
1397
01:15:01,620 --> 01:15:03,740
What? That's it?That's it.
1398
01:15:03,940 --> 01:15:04,830
Yeah, but, Bobby--Me?
1399
01:15:05,030 --> 01:15:06,050
I gotta listen\Nto your husband?
1400
01:15:06,250 --> 01:15:07,400
Bobby, be nice, all right?
1401
01:15:07,600 --> 01:15:09,010
Robyn's my best friend. Okay?
1402
01:15:09,210 --> 01:15:10,230
Your best friend?
1403
01:15:10,430 --> 01:15:11,400
Yeah, you heard her.\NHer best friend.
1404
01:15:11,600 --> 01:15:12,320
I thought I was that, baby?
1405
01:15:12,520 --> 01:15:14,410
No, I need you both.
1406
01:15:14,600 --> 01:15:16,100
Okay?
1407
01:15:16,300 --> 01:15:17,500
Yeah, all right.
1408
01:15:17,700 --> 01:15:19,060
You funny.I married her.
1409
01:15:19,260 --> 01:15:21,630
Whatever. I'm going to my hotel.I'm her husband, Robyn.
1410
01:15:21,830 --> 01:15:23,340
[PLAYING PIANO]
1411
01:15:29,650 --> 01:15:30,600
Hey, Whit.
1412
01:15:30,800 --> 01:15:32,420
[SOFTLY]\NGet ready.
1413
01:15:32,620 --> 01:15:35,160
[NORMALLY] How's the voice?Fine, Rickey. How's yours?
1414
01:15:35,360 --> 01:15:38,170
I've been working on something\Nnew to finish your show.
1415
01:15:38,370 --> 01:15:39,230
But it's big.
1416
01:15:41,440 --> 01:15:43,000
I got a show\Nfull of big already.
1417
01:15:43,200 --> 01:15:46,610
Mm-mm. Not big like this.What is it?
1418
01:15:46,810 --> 01:15:48,740
It's a three-song medley\Nsung straight through.
1419
01:15:48,940 --> 01:15:50,960
Starting with\N"I Loves You, Porgy."
1420
01:15:51,160 --> 01:15:53,180
Moving on to\N"And I Am Telling You."
1421
01:15:53,380 --> 01:15:54,970
No, don't do that.\NDon't do that.
1422
01:15:55,170 --> 01:15:56,840
And finishing with\N"I Have Nothing."
1423
01:15:57,040 --> 01:16:00,410
[SIGHS] Rickey...Yeah?
1424
01:16:00,610 --> 01:16:01,970
What goes through\Nyour thick head
1425
01:16:02,170 --> 01:16:03,190
when you're bringing me\Nthis shit?
1426
01:16:03,390 --> 01:16:04,800
What?
1427
01:16:05,000 --> 01:16:06,890
Those three songs together,
1428
01:16:07,090 --> 01:16:09,500
they're almost unsingable\Non their own.
1429
01:16:09,700 --> 01:16:13,120
Together that's like\Nclimbing Mount Everest.
1430
01:16:13,320 --> 01:16:14,510
Without oxygen.
1431
01:16:14,710 --> 01:16:16,900
And you're the only singer\Non the planet
1432
01:16:17,100 --> 01:16:18,600
that could pull this off.
1433
01:16:18,800 --> 01:16:19,950
That's why I'm suggesting it.
1434
01:16:20,150 --> 01:16:22,340
This could be very special.
1435
01:16:22,540 --> 01:16:25,300
But, you know,\Nif it's too hard, I mean--
1436
01:16:25,500 --> 01:16:26,050
Let me see.
1437
01:16:31,280 --> 01:16:32,740
Come on. You know this stuff.
1438
01:16:32,940 --> 01:16:35,620
It's about heartbreak\Nand the people we need.
1439
01:16:35,820 --> 01:16:36,940
Fighting to hold onto them.
1440
01:16:41,460 --> 01:16:43,450
What's that?The key change?
1441
01:16:43,650 --> 01:16:45,280
It's just a key change.It's just a key change?
1442
01:16:45,480 --> 01:16:46,680
For your big finish.
1443
01:16:48,030 --> 01:16:50,280
♪ Nothing... ♪
1444
01:16:50,480 --> 01:16:51,430
Count of 12.
1445
01:16:58,090 --> 01:17:01,950
♪ ...don't... ♪Six more.
1446
01:17:02,150 --> 01:17:05,560
♪ ...make... ♪Another count of six.
1447
01:17:05,760 --> 01:17:07,210
♪ ...me... ♪That's only four.
1448
01:17:07,410 --> 01:17:08,530
That's a count of 28.
1449
01:17:10,270 --> 01:17:13,000
And then you want me to go up?Half a step.
1450
01:17:13,200 --> 01:17:14,440
You can take a quick breath\Nafter the "me."
1451
01:17:14,640 --> 01:17:15,790
I can take a quick breath?
1452
01:17:15,990 --> 01:17:17,530
Try it.
1453
01:17:17,730 --> 01:17:19,750
Take me to measure 124.
1454
01:17:19,950 --> 01:17:21,810
[PIANO PLAYING]
1455
01:17:25,070 --> 01:17:28,500
♪ Don't... ♪
1456
01:17:28,700 --> 01:17:31,460
♪ Make... ♪
1457
01:17:31,650 --> 01:17:34,070
♪ Me ♪
1458
01:17:34,270 --> 01:17:38,590
♪ Close one more door ♪It's not even hard.
1459
01:17:38,790 --> 01:17:43,730
♪ I don't wanna hurt anymore\NStay in ♪
1460
01:17:43,930 --> 01:17:45,430
Mm-mm. Ha!
1461
01:17:45,630 --> 01:17:47,650
I'm not doing that shit.\NNo, you crazy.
1462
01:17:47,850 --> 01:17:50,390
You were right there.No.
1463
01:17:50,590 --> 01:17:52,210
You're gonna do it\Nand you're gonna like it.
1464
01:17:52,410 --> 01:17:53,430
No, I'm not.
1465
01:17:53,630 --> 01:17:54,190
Yes, you are.
1466
01:17:56,540 --> 01:17:58,760
[♪♪♪]
1467
01:18:10,070 --> 01:18:11,900
[FANS CLAMORING]
1468
01:18:14,210 --> 01:18:15,820
Whitney. Whitney, please.
1469
01:18:17,990 --> 01:18:18,980
Whitney.
1470
01:18:19,180 --> 01:18:20,460
Can I have your autograph?
1471
01:18:20,660 --> 01:18:21,460
I'm your biggest fan.\NPlease, Whitney.
1472
01:18:21,660 --> 01:18:23,120
Whitney, please.
1473
01:18:23,320 --> 01:18:24,090
Can I have your autograph,\Nplease?
1474
01:18:25,870 --> 01:18:26,910
Thank you so much, Whitney.
1475
01:18:28,700 --> 01:18:30,380
Thank you.
1476
01:18:30,580 --> 01:18:32,400
BODYGUARD:\NHey, keep back, please.\NKeep back.
1477
01:18:51,160 --> 01:18:52,410
Ma'am.Thank you.
1478
01:18:52,610 --> 01:18:53,160
Thank you.
1479
01:18:55,030 --> 01:18:57,280
Well, Miss Houston.\NWe'll see you tomorrow.
1480
01:18:57,480 --> 01:18:59,460
Change of plans. Please be\Nready to leave tonight.
1481
01:18:59,660 --> 01:19:00,810
We don't have approvals.
1482
01:19:01,010 --> 01:19:02,420
We'd have to bring in\Nanother crew.
1483
01:19:02,620 --> 01:19:05,240
You have my approval, honey.\NWhose else do you need?
1484
01:19:05,440 --> 01:19:06,390
Your father's, ma'am.
1485
01:19:09,570 --> 01:19:11,250
Bring in another crew.\NI don't care what it costs.
1486
01:19:11,450 --> 01:19:13,210
I'm sleeping in my own\Ndamn bed tonight.
1487
01:19:13,410 --> 01:19:14,170
Next to my husband.
1488
01:19:14,370 --> 01:19:16,340
Yes, ma'am.
1489
01:19:16,540 --> 01:19:18,130
Since when did Daddy get\Napproval over everything?
1490
01:19:18,330 --> 01:19:21,260
Girl, try day one.\NYou just now noticed?
1491
01:19:21,460 --> 01:19:23,870
That's my damn jet.Company's jet.
1492
01:19:24,070 --> 01:19:25,630
Everything's in\Nthe company's name now.
1493
01:19:28,410 --> 01:19:29,360
I wanna see the company\Nreports, Pat.
1494
01:19:29,560 --> 01:19:30,360
You got it.
1495
01:19:30,560 --> 01:19:33,420
[♪♪♪]
1496
01:19:45,560 --> 01:19:46,430
Ma'am.
1497
01:19:48,650 --> 01:19:49,520
Good night.
1498
01:20:43,010 --> 01:20:44,100
[SIGHS]
1499
01:21:24,000 --> 01:21:24,920
Damn.
1500
01:21:26,530 --> 01:21:28,490
Hey, baby? Is that you?
1501
01:21:31,580 --> 01:21:32,190
Shit.
1502
01:21:35,840 --> 01:21:37,530
Wasn't expecting you home\Nso soon, baby.
1503
01:21:37,730 --> 01:21:39,700
Don't touch me.
1504
01:21:39,900 --> 01:21:41,280
What? What is all that?
1505
01:21:44,590 --> 01:21:46,230
What?
1506
01:21:46,430 --> 01:21:47,810
Yeah, you got something\Nyou wanna say?
1507
01:21:49,250 --> 01:21:50,160
About what?
1508
01:21:51,990 --> 01:21:53,460
Damn, Whit.
1509
01:21:53,660 --> 01:21:54,850
What, I was out?
1510
01:21:55,050 --> 01:21:57,370
Yeah. Yeah, I went out.
1511
01:21:57,570 --> 01:21:59,240
You bringing dirt into my home.
1512
01:21:59,440 --> 01:22:00,300
[SUCKS TEETH]
1513
01:22:02,220 --> 01:22:02,960
I checked.
1514
01:22:04,920 --> 01:22:05,820
I don't know\Nwhat you talking about.
1515
01:22:06,020 --> 01:22:07,820
I checked.
1516
01:22:08,020 --> 01:22:09,790
You out here with other women\Nwith my credit card?
1517
01:22:11,440 --> 01:22:12,750
I got a problem with that.
1518
01:22:14,930 --> 01:22:16,100
So get out of my house.
1519
01:22:17,710 --> 01:22:18,610
Nah.
1520
01:22:18,810 --> 01:22:20,150
I ain't going nowhere.
1521
01:22:22,190 --> 01:22:23,110
I ain't going nowhere.Bobby...
1522
01:22:24,720 --> 01:22:27,840
It's my house.
1523
01:22:28,040 --> 01:22:30,100
We man and wife, all right?
1524
01:22:30,300 --> 01:22:32,100
I'm not going nowhere.\NNeither are you, all right?
1525
01:22:32,300 --> 01:22:33,710
Get out of my house.\NYou know what?
1526
01:22:33,910 --> 01:22:35,670
Maybe I get the police over\Nhere. You want that again?
1527
01:22:35,870 --> 01:22:36,850
Oh, yeah?Yeah.
1528
01:22:37,050 --> 01:22:38,460
Or maybe I should get a gun.Yeah?
1529
01:22:38,660 --> 01:22:39,720
Yeah, I'm gonna get a gun.You gonna get a gun?
1530
01:22:39,920 --> 01:22:40,630
Yeah, smoke your ass.
1531
01:22:40,830 --> 01:22:41,810
You would do that?
1532
01:22:42,010 --> 01:22:43,520
Yes, I would do that.
1533
01:22:45,350 --> 01:22:47,350
You'll get a gun.\NWe gonna see about that.
1534
01:22:49,260 --> 01:22:50,090
You wanna mess with me?
1535
01:22:51,350 --> 01:22:52,650
Huh?
1536
01:22:52,850 --> 01:22:54,600
You wanna mess with Bobby Brown?Yes, I do.
1537
01:22:54,800 --> 01:22:57,040
Yeah? Mrs. Brown?Yeah.
1538
01:22:57,240 --> 01:22:59,390
Don't you ever talk to me\Nlike that again, Whit.
1539
01:22:59,590 --> 01:23:01,700
All right?Get your finger out of my face.
1540
01:23:01,900 --> 01:23:03,700
Mrs. Brown, right?Don't touch my face.
1541
01:23:03,900 --> 01:23:05,180
You wanna mess with me,\NMrs. Brown?
1542
01:23:05,380 --> 01:23:06,960
Don't touch me like that.\NGet off me.
1543
01:23:07,160 --> 01:23:10,850
Hey. Don't you ever,\Never disrespect me.
1544
01:23:14,110 --> 01:23:15,410
I ain't to be messed with,\Nbaby.
1545
01:23:15,610 --> 01:23:17,860
[CHUCKLES]\NBaby, neither am I.
1546
01:23:19,640 --> 01:23:20,510
Get out.
1547
01:23:22,430 --> 01:23:24,460
Don't you dare.\NDon't you dare.
1548
01:23:24,660 --> 01:23:25,820
Get out of my house, Bobby.
1549
01:23:27,000 --> 01:23:28,070
Oh, man.
1550
01:23:28,270 --> 01:23:30,510
Hey, all right.\NAll right, baby.
1551
01:23:30,710 --> 01:23:31,680
But check this.
1552
01:23:31,880 --> 01:23:33,470
You crazy!
1553
01:23:33,670 --> 01:23:34,600
You wanna see crazy?Yeah, yeah, you crazy.
1554
01:23:34,800 --> 01:23:36,170
You wanna see crazy?
1555
01:23:36,370 --> 01:23:37,120
There's something wrong\Nup there.
1556
01:23:37,320 --> 01:23:38,390
Get out of my house,\NBobby!
1557
01:23:38,590 --> 01:23:40,000
Get out of my house![BABY CRYING]
1558
01:23:40,200 --> 01:23:41,170
We don't want you here!I ain't going nowhere!
1559
01:23:41,370 --> 01:23:42,060
Get out of my house!
1560
01:23:45,230 --> 01:23:46,920
Give me my baby.This is my house too!
1561
01:23:47,120 --> 01:23:47,920
Give me my baby.Yes, ma'am.
1562
01:23:48,120 --> 01:23:49,700
I'm not going nowhere.
1563
01:23:49,900 --> 01:23:50,920
Tripping.
1564
01:23:51,120 --> 01:23:52,760
Hi. I'm sorry.
1565
01:23:56,370 --> 01:23:59,730
♪ Jesus loves me, this I know ♪
1566
01:24:01,380 --> 01:24:03,340
♪ For the Bible tells me so ♪
1567
01:24:04,990 --> 01:24:06,860
♪ Little ones to him belong ♪
1568
01:24:09,690 --> 01:24:11,780
♪ They are weak\NBut he is strong ♪
1569
01:24:13,960 --> 01:24:15,090
{\i1}I love you, baby.{\i0}
1570
01:24:18,050 --> 01:24:18,920
I'm ready.
1571
01:24:21,830 --> 01:24:26,530
♪ Why does it hurt so bad ♪
1572
01:24:28,230 --> 01:24:33,150
♪ Why do I feel so sad ♪
1573
01:24:34,370 --> 01:24:38,490
♪ Thought I was over you ♪
1574
01:24:38,690 --> 01:24:44,200
♪ But I keep crying\NWhen I don't love you ♪
1575
01:24:46,380 --> 01:24:52,430
♪ So, why does it hurt so bad ♪
1576
01:24:54,210 --> 01:24:56,550
It's been eight years,\Nduring which we've--
1577
01:24:56,750 --> 01:24:57,860
I've.
1578
01:24:58,060 --> 01:25:02,300
You have only released\Nseven pop songs...
1579
01:25:02,500 --> 01:25:04,220
...but not a single album.
1580
01:25:05,700 --> 01:25:07,080
I've been acting.
1581
01:25:07,280 --> 01:25:09,000
I know.\NThree wonderful pictures.
1582
01:25:09,200 --> 01:25:11,350
And performing. And tours.But I'm just pointing out--
1583
01:25:11,550 --> 01:25:15,440
Yes. See, you smoking,\Nthat's like--
1584
01:25:15,640 --> 01:25:18,230
For me, that's like leaving\Na Stradivarius out in the rain.
1585
01:25:18,430 --> 01:25:21,050
Well, you have everything,\NClive.\NWhat?
1586
01:25:21,250 --> 01:25:23,140
Children, wife.Ex-wife.
1587
01:25:23,340 --> 01:25:24,770
Servants, houses.
1588
01:25:26,250 --> 01:25:28,150
Oh, it's so hard.I know.
1589
01:25:28,350 --> 01:25:31,060
I'm carrying everyone, Clive.\NThe press is always on me.
1590
01:25:31,260 --> 01:25:33,150
It's exhausting.Are you exhausted?
1591
01:25:33,350 --> 01:25:35,820
Yes, I'm exhausted.\NAll Black women are exhausted.
1592
01:25:40,700 --> 01:25:41,950
It's just most of the time,
1593
01:25:42,140 --> 01:25:43,900
all this princess\Nbe dreaming about
1594
01:25:44,100 --> 01:25:45,830
is being at home with my baby\Non the couch.
1595
01:25:48,530 --> 01:25:51,320
I need my daughter\Nto have the home she deserves.
1596
01:25:53,100 --> 01:25:55,960
How can she when her father\Nis Bobby Brown
1597
01:25:56,160 --> 01:25:57,100
and her mother is me?
1598
01:25:59,450 --> 01:26:01,970
Well, family is the most\Nimportant thing.
1599
01:26:02,160 --> 01:26:03,710
But that's why it's good,\Nyou know,
1600
01:26:03,910 --> 01:26:05,890
when you travel, you take\NBobbi Kristina with you.
1601
01:26:07,510 --> 01:26:08,640
I'm not so sure.
1602
01:26:10,070 --> 01:26:10,990
What do you mean?
1603
01:26:13,380 --> 01:26:14,250
She sees everything.
1604
01:26:18,950 --> 01:26:19,820
Everything.
1605
01:26:22,300 --> 01:26:23,700
The road is no place\Nfor a child.
1606
01:26:27,570 --> 01:26:28,440
Oh, God.
1607
01:26:31,090 --> 01:26:31,790
Here.Thank you.
1608
01:26:40,280 --> 01:26:41,280
Do you remember that song?
1609
01:26:43,150 --> 01:26:44,190
The one I turned down.
1610
01:26:45,370 --> 01:26:46,790
[HUMMING TUNE]
1611
01:26:46,990 --> 01:26:49,140
Yes, yes.
1612
01:26:49,340 --> 01:26:50,400
Yeah, I think I get it now.
1613
01:26:50,600 --> 01:26:54,470
♪ Bad ♪
1614
01:26:57,210 --> 01:26:58,120
How about that?
1615
01:27:15,750 --> 01:27:17,390
JOHN:\NAnd the other one says,\N"Well, yeah, well,
1616
01:27:17,590 --> 01:27:20,220
that's what my sister does,\Nand she owns all of those cars."
1617
01:27:20,420 --> 01:27:22,620
[MEN LAUGHING]
1618
01:27:24,800 --> 01:27:26,310
Whitney.
1619
01:27:26,510 --> 01:27:27,530
Can I speak to you, please?
1620
01:27:27,730 --> 01:27:29,050
Sure, have a seat.\NI would like you to--
1621
01:27:29,250 --> 01:27:30,920
Daddy, alone.
1622
01:27:31,120 --> 01:27:33,400
Do you mind? Thank you.
1623
01:27:33,600 --> 01:27:34,940
MAN:\NCertainly, Miss Houston.
1624
01:27:37,600 --> 01:27:38,470
My daughter loved\N{\i1}Cinderella.{\i0}
1625
01:27:42,900 --> 01:27:43,910
JOHN:\NWhat is it, princess?
1626
01:27:45,080 --> 01:27:45,980
Sit down.
1627
01:27:46,180 --> 01:27:47,080
Daddy...
1628
01:27:48,740 --> 01:27:49,650
My money.
1629
01:27:53,050 --> 01:27:54,210
I trusted you.
1630
01:27:54,410 --> 01:27:55,300
Look, there's more coming,
1631
01:27:55,500 --> 01:27:56,640
and I'm taking care of it.
1632
01:27:56,840 --> 01:27:58,430
Oh, you taking care of it?
1633
01:27:58,630 --> 01:28:00,080
You taking care of it\Npretty good.
1634
01:28:00,280 --> 01:28:01,870
I earned millions.
1635
01:28:02,070 --> 01:28:04,400
Tens of millions!\NDo you even know what's left?
1636
01:28:05,750 --> 01:28:07,830
Now, you just watch your tone.
1637
01:28:08,030 --> 01:28:10,580
And sit your ass down.
1638
01:28:13,150 --> 01:28:13,940
Sit down!
1639
01:28:18,380 --> 01:28:19,380
The mink coats...
1640
01:28:21,030 --> 01:28:22,280
...the cars...
1641
01:28:22,480 --> 01:28:24,410
...the private jets\Nfor everybody,
1642
01:28:24,610 --> 01:28:27,330
the credit cards, condos.
1643
01:28:27,530 --> 01:28:29,630
Everyone is using me\Nlike an ATM.
1644
01:28:29,830 --> 01:28:32,070
Daddy, you were meant\Nto look out for me.
1645
01:28:32,270 --> 01:28:33,690
That's exactly what I'm doing.
1646
01:28:35,220 --> 01:28:36,600
No. No, Daddy.
1647
01:28:36,800 --> 01:28:38,820
You put me\Nin a really bad situation.
1648
01:28:39,020 --> 01:28:41,560
I don't know\Nhow I'm gonna fix this.
1649
01:28:41,760 --> 01:28:42,780
I'm fixing it.
1650
01:28:42,980 --> 01:28:44,560
No. No, you're not.
1651
01:28:44,760 --> 01:28:45,780
I don't trust you.
1652
01:28:45,980 --> 01:28:48,170
You see those men over there?\NHmm?
1653
01:28:48,370 --> 01:28:50,870
That's Arista Records.
1654
01:28:51,070 --> 01:28:55,050
Now, I'm working on a real big\Ndeal, so you just keep singing,
1655
01:28:55,250 --> 01:28:57,240
and I'll take care\Nof the money.
1656
01:28:58,850 --> 01:29:00,670
I'm gonna have to go\Non a world tour.
1657
01:29:00,870 --> 01:29:03,410
A huge-ass world tour.
1658
01:29:03,610 --> 01:29:05,890
Your voice can handle it.
1659
01:29:06,090 --> 01:29:08,630
I'll cut this deal,\Nand we'll be fine.
1660
01:29:08,830 --> 01:29:11,380
So you just keep singing,\Nall right?
1661
01:29:13,300 --> 01:29:14,770
When I land this thing,\Nyou'll see.
1662
01:29:14,970 --> 01:29:15,740
I'm still the boss.
1663
01:29:18,170 --> 01:29:19,220
I don't have a boss.
1664
01:29:21,870 --> 01:29:23,570
But I do have a vacancy\Nfor a father.
1665
01:29:24,880 --> 01:29:25,990
Maybe you wanna apply for that.
1666
01:29:26,190 --> 01:29:27,620
Whitney, can we get a picture?No.
1667
01:29:32,320 --> 01:29:34,050
[KNOCKING]
1668
01:29:34,250 --> 01:29:35,410
WHITNEY: Clive?Uh...
1669
01:29:39,020 --> 01:29:40,490
Who is it?WHITNEY: Come on.
1670
01:29:40,690 --> 01:29:41,630
You know it's me.\NCome on.
1671
01:29:44,030 --> 01:29:44,900
What--?
1672
01:29:47,860 --> 01:29:49,410
Hi.Hi.
1673
01:29:49,610 --> 01:29:50,680
Hello.What are you--?
1674
01:29:52,210 --> 01:29:53,110
I couldn't sleep.
1675
01:29:53,310 --> 01:29:54,680
Yeah, obviously.
1676
01:29:54,880 --> 01:29:56,500
And I knew you would be up.
1677
01:29:56,700 --> 01:29:58,300
So I was wondering\Nif you had any.
1678
01:29:59,740 --> 01:30:00,860
Any...?
1679
01:30:01,060 --> 01:30:03,030
Songs. You know?
1680
01:30:03,230 --> 01:30:04,770
Oh, songs.
1681
01:30:04,970 --> 01:30:06,250
Empowering songs.\NSomething I can--
1682
01:30:06,450 --> 01:30:07,860
Yes, all right.
1683
01:30:08,060 --> 01:30:09,910
Well, yeah, a few came through.
1684
01:30:10,110 --> 01:30:11,780
Yeah?
1685
01:30:11,980 --> 01:30:13,740
You know, if you can't sleep...Yeah, yeah.
1686
01:30:13,940 --> 01:30:16,130
...you might as well be\Nworking, right?True.
1687
01:30:16,330 --> 01:30:17,570
So, you have any?
1688
01:30:17,770 --> 01:30:18,790
Do you need anything?
1689
01:30:18,990 --> 01:30:19,890
I was just, you know--
1690
01:30:21,930 --> 01:30:23,010
I was just wondering\Nif you had any, you know?
1691
01:30:23,210 --> 01:30:24,840
Something I could--
1692
01:30:25,040 --> 01:30:28,100
All right. Yeah, well,\NI did hear a few today.
1693
01:30:28,300 --> 01:30:29,930
That I thought were good.
1694
01:30:30,130 --> 01:30:31,890
All right. Well, great.
1695
01:30:32,090 --> 01:30:33,890
Okay, well, play me\Nthe best one.
1696
01:30:34,090 --> 01:30:35,500
The best one?Yes, the best one.
1697
01:30:35,700 --> 01:30:37,110
Okay.Is it empowering?
1698
01:30:37,310 --> 01:30:40,070
Well, I thought it was.
1699
01:30:40,270 --> 01:30:41,770
But you be the judge.
1700
01:30:41,970 --> 01:30:44,130
Okay. Here we go.
1701
01:30:50,050 --> 01:30:51,650
{\i1}♪ Friday night ♪{\i0}
1702
01:30:51,850 --> 01:30:53,620
{\i1}♪ You and your boys{\i0}\N{\i1}Went out to eat ♪{\i0}
1703
01:30:55,840 --> 01:30:57,010
{\i1}Do you wanna hear it again?{\i0}
1704
01:30:59,490 --> 01:31:00,360
Okay.
1705
01:31:06,500 --> 01:31:08,100
{\i1}♪ Friday night ♪{\i0}
1706
01:31:08,300 --> 01:31:10,010
{\i1}♪ You and your boys{\i0}\N{\i1}Went out to eat ♪{\i0}
1707
01:31:10,210 --> 01:31:12,800
[BOTH CHUCKLING]
1708
01:31:13,000 --> 01:31:14,890
Okay, let's play it\Na few more times.
1709
01:31:15,090 --> 01:31:16,930
No, I don't need that.
1710
01:31:17,130 --> 01:31:18,850
I got it.
1711
01:31:19,050 --> 01:31:21,340
What do you mean, you got it?I got it, Clive.
1712
01:31:23,600 --> 01:31:25,690
Unbelievable.\NYou're unbelievable.
1713
01:31:28,870 --> 01:31:30,160
♪ Friday night ♪
1714
01:31:30,360 --> 01:31:32,700
♪ You and your boys\NWent out to eat ♪
1715
01:31:36,750 --> 01:31:39,000
♪ Then they hung out ♪
1716
01:31:39,200 --> 01:31:41,670
♪ But you came home around 3\NYes, you did ♪
1717
01:31:44,020 --> 01:31:45,760
♪ If six of y'all went out... ♪
1718
01:31:48,240 --> 01:31:51,880
♪ Then four of you\NWere really cheap, yeah ♪
1719
01:31:52,080 --> 01:31:53,710
♪ 'Cause only two of you\NHad dinner ♪
1720
01:31:53,910 --> 01:31:56,800
♪ I found your\NCredit card receipt ♪
1721
01:31:57,000 --> 01:32:00,240
♪ It's not right\NBut it's okay ♪
1722
01:32:00,440 --> 01:32:03,760
♪ I'm gonna make it anyway ♪
1723
01:32:03,960 --> 01:32:08,070
♪ Pack your bags up\NAnd leave ♪
1724
01:32:08,270 --> 01:32:11,730
♪ Don't you dare\NCome running back to me ♪
1725
01:32:11,930 --> 01:32:15,080
♪ It's not right\NBut it's okay ♪
1726
01:32:15,280 --> 01:32:19,120
♪ I'm gonna make it anyway ♪
1727
01:32:19,320 --> 01:32:22,780
♪ Close the door behind you\NLeave your key ♪
1728
01:32:22,980 --> 01:32:26,930
♪ I'd rather be alone\NThan unhappy, yeah ♪
1729
01:32:29,890 --> 01:32:32,270
There you go. Good!Oh, my God! Beautiful!
1730
01:32:32,470 --> 01:32:34,230
Okay, then, new album?Beautiful!
1731
01:32:34,430 --> 01:32:35,360
I don't see why not.
1732
01:32:35,560 --> 01:32:37,100
Okay.I don't see why not.
1733
01:32:37,300 --> 01:32:39,770
Oh, um, and Daddy wants me\Nto do a world tour.
1734
01:32:41,680 --> 01:32:43,630
What?Yeah. Seventy dates.
1735
01:32:43,830 --> 01:32:46,190
Seventy? No. Whitney, no.
1736
01:32:46,390 --> 01:32:48,200
Your voice. No.
1737
01:32:48,400 --> 01:32:50,460
Clive, I miss it.\NAnd Daddy said I can do it.
1738
01:32:50,660 --> 01:32:52,210
Well, I'm gonna talk to Daddy.
1739
01:32:54,090 --> 01:32:55,290
"Let your light shine\Nbefore others
1740
01:32:55,490 --> 01:32:56,860
that they may see\Nyour good deeds
1741
01:32:57,060 --> 01:32:59,030
and glorify your Father\Nin heaven."
1742
01:32:59,230 --> 01:33:01,340
Gospel of Matthew,\Nchapter five.
1743
01:33:01,540 --> 01:33:02,950
"Don't push your luck,
1744
01:33:03,150 --> 01:33:05,340
or you might fall\Nand break your tuchus."
1745
01:33:05,540 --> 01:33:08,350
That's the gospel of Clive,\Nchapter one.
1746
01:33:08,550 --> 01:33:10,650
Clive, you're Jewish.
1747
01:33:10,850 --> 01:33:11,800
So was Jesus.
1748
01:33:13,840 --> 01:33:15,440
At least on his mother's side.
1749
01:33:15,640 --> 01:33:17,140
[DOOR CLOSES]
1750
01:33:17,340 --> 01:33:20,580
[WHITNEY HOUSTON'S\N"I'M EVERY WOMAN" PLAYING]
1751
01:33:20,780 --> 01:33:22,810
[WHITNEY VOCALIZING]
1752
01:33:29,690 --> 01:33:31,500
♪ I ain't bragging ♪
1753
01:33:31,700 --> 01:33:33,460
♪ 'Cause I'm the one ♪
1754
01:33:33,660 --> 01:33:35,160
♪ Just ask me ♪
1755
01:33:35,360 --> 01:33:37,860
♪ Ooh, and it shall be done ♪
1756
01:33:38,060 --> 01:33:39,640
♪ And don't bother ♪
1757
01:33:39,840 --> 01:33:41,340
♪ To compare ♪
1758
01:33:41,540 --> 01:33:43,300
♪ I've got it ♪
1759
01:33:43,500 --> 01:33:46,430
♪ Oh, yes ♪
1760
01:33:46,630 --> 01:33:48,300
♪ Oh, yeah ♪
1761
01:33:48,500 --> 01:33:52,130
♪ I've got it, got it\NGot it, yeah ♪
1762
01:33:52,330 --> 01:33:53,880
[VOCALIZING]
1763
01:34:01,280 --> 01:34:03,660
♪ I'm every woman ♪
1764
01:34:03,860 --> 01:34:05,010
♪ I'm every woman ♪
1765
01:34:05,210 --> 01:34:07,620
♪ I'm every woman ♪
1766
01:34:07,820 --> 01:34:09,410
♪ Every need, baby ♪
1767
01:34:09,610 --> 01:34:11,890
♪ I'm every woman ♪
1768
01:34:12,090 --> 01:34:13,370
♪ Oh, I want you to know now\NBaby ♪
1769
01:34:13,570 --> 01:34:15,680
♪ I'm every woman ♪
1770
01:34:15,880 --> 01:34:18,330
♪ I'm not in no hurry ♪
1771
01:34:18,530 --> 01:34:20,160
♪ We can fly all night, baby ♪
1772
01:34:20,360 --> 01:34:22,600
♪ It's your move, so baby ♪
1773
01:34:22,800 --> 01:34:24,030
♪ Baby, let's fly ♪
1774
01:34:24,230 --> 01:34:26,430
♪ Whatever you want from me ♪
1775
01:34:26,630 --> 01:34:28,910
♪ I'm giving you everything ♪♪ Everything ♪
1776
01:34:29,110 --> 01:34:31,910
♪ I'm your baby tonight ♪
1777
01:34:32,110 --> 01:34:34,130
{\i1}♪ You've given me ecstasy ♪{\i0}
1778
01:34:34,330 --> 01:34:35,570
Who is it?
1779
01:34:35,760 --> 01:34:38,570
Baby. Baby. I missed you.
1780
01:34:38,770 --> 01:34:40,000
I missed you too.Oh, my God.
1781
01:34:40,200 --> 01:34:41,580
♪ I'm your baby ♪
1782
01:34:43,240 --> 01:34:45,310
REPORTER 1: {\i1} {\i0}\N{\i1}Bobby Brown arrested yesterday.{\i0}
1783
01:34:45,510 --> 01:34:47,530
REPORTER 2:\N{\i1}On the heels of winning{\i0}\N{\i1}her sixth Grammy,{\i0}
1784
01:34:47,730 --> 01:34:50,100
{\i1}Whitney Houston stood by her{\i0}\N{\i1}husband in court today,{\i0}
1785
01:34:50,300 --> 01:34:52,020
{\i1}who was arrested{\i0}\N{\i1}for violating probation.{\i0}
1786
01:34:52,220 --> 01:34:53,670
{\i1}Despite all the problems{\i0}
1787
01:34:53,870 --> 01:34:54,980
{\i1}Houston and Brown{\i0}\N{\i1}have encountered,{\i0}
1788
01:34:55,180 --> 01:34:56,850
{\i1}his stint at a rehab clinic{\i0}
1789
01:34:57,050 --> 01:34:58,810
{\i1}and rumors of his{\i0}\N{\i1}entertaining other women,{\i0}
1790
01:34:59,010 --> 01:35:01,240
{\i1}the couple insists they are{\i0}\N{\i1}still very much in love.{\i0}
1791
01:35:01,440 --> 01:35:04,160
Well, this is Cissy Houston.\NTell Nippy, Whitney,
1792
01:35:04,360 --> 01:35:07,470
Ms. Houston to call her mother.
1793
01:35:07,670 --> 01:35:09,290
{\i1}Behind her closely{\i0}\N{\i1}guarded facade,{\i0}
1794
01:35:09,490 --> 01:35:11,400
{\i1}the wholesome singer's life{\i0}\N{\i1}is in turmoil.{\i0}
1795
01:35:16,970 --> 01:35:18,480
ASSISTANT: {\i1} {\i0}\N{\i1}Hey, Robyn. Whitney's a little{\i0}{\i1} {\i0}\N{\i1}tied up right now,{\i0}
1796
01:35:18,680 --> 01:35:20,130
{\i1}but she says she'll see you{\i0}
1797
01:35:20,330 --> 01:35:21,490
{\i1}when she comes back{\i0}\N{\i1}from the tour.{\i0}
1798
01:35:37,770 --> 01:35:41,760
♪ I get so emotional ♪
1799
01:35:41,960 --> 01:35:44,940
♪ Every time, every time ♪
1800
01:35:45,140 --> 01:35:46,290
♪ Think of you, babe ♪
1801
01:35:46,490 --> 01:35:48,090
[MUSIC MUFFLED]
1802
01:35:51,780 --> 01:35:53,560
♪ Love can do ♪
1803
01:35:53,760 --> 01:35:57,080
♪ Ain't it shocking\NWhat love can do ♪
1804
01:35:57,280 --> 01:36:01,660
♪ Tell me, ain't it shocking\NWhat love can do ♪
1805
01:36:09,110 --> 01:36:10,020
FANS:\NWhitney!
1806
01:36:11,720 --> 01:36:12,940
Everybody get back.
1807
01:36:33,000 --> 01:36:35,340
Why'd you cancel the show,\NWhitney?
1808
01:36:35,540 --> 01:36:38,120
Are you high right now?Have you lost your voice?
1809
01:36:38,320 --> 01:36:40,270
What happened to your voice?Hey, Whitney. Are you high?
1810
01:36:54,540 --> 01:36:55,490
Hello.
1811
01:36:55,690 --> 01:36:57,140
Come on.
1812
01:36:57,340 --> 01:36:58,530
Hey.Hello.
1813
01:36:58,730 --> 01:37:00,070
Hi.Hi.
1814
01:37:01,900 --> 01:37:03,360
Hi.Hello. How you doing?
1815
01:37:03,560 --> 01:37:05,280
I'm okay.
1816
01:37:05,480 --> 01:37:06,500
I'm okay.Nice to see you.
1817
01:37:06,700 --> 01:37:07,850
Hello, sweetheart.
1818
01:37:08,050 --> 01:37:10,630
How are you? Come on in.Good.
1819
01:37:10,830 --> 01:37:11,900
Come on in.
1820
01:37:12,100 --> 01:37:13,720
How was the trip?It was good.
1821
01:37:13,920 --> 01:37:15,160
Was it? Good.Yeah.
1822
01:37:15,360 --> 01:37:16,460
Where's the dog?
1823
01:37:16,660 --> 01:37:18,160
What dog?The dog.
1824
01:37:18,360 --> 01:37:20,250
She's been talking about\Nyour dog for the longest time.
1825
01:37:20,450 --> 01:37:22,080
I don't have a dog.
1826
01:37:22,280 --> 01:37:23,730
You don't?[LAUGHS]
1827
01:37:23,930 --> 01:37:25,690
Hey, Marble.Look what he's got.
1828
01:37:25,890 --> 01:37:27,780
Come on, Marble.\NGo get the dog, Marble.
1829
01:37:27,980 --> 01:37:29,700
Go get it. There you go.\NThere you go.
1830
01:37:29,900 --> 01:37:30,870
BOBBI:\NMarble, come back! Come back!
1831
01:37:31,070 --> 01:37:32,310
Cute guy.
1832
01:37:32,510 --> 01:37:33,060
Who is he?
1833
01:37:43,160 --> 01:37:44,490
I'm an open book, Whitney.
1834
01:37:44,690 --> 01:37:46,410
Yeah. Mm-hm.
1835
01:37:46,610 --> 01:37:48,680
Yeah, that you need\Ndamn strong glasses to read.
1836
01:37:50,730 --> 01:37:52,980
Boy. I did not see that coming.
1837
01:37:53,180 --> 01:37:55,850
Well, that makes two of us.
1838
01:37:56,050 --> 01:37:56,820
Come here and sit with me.
1839
01:38:00,960 --> 01:38:03,770
And I want you to be happy too,\Nmy dear friend.
1840
01:38:03,970 --> 01:38:04,920
Okay?Yes.
1841
01:38:08,620 --> 01:38:12,060
So the real reason that\NI asked you to come up here.
1842
01:38:17,450 --> 01:38:19,890
Dear Whitney, the time has come\Nfor me to tell you...Mm-hm.
1843
01:38:23,590 --> 01:38:24,810
...that you need rehab.
1844
01:38:26,200 --> 01:38:27,070
Okay?
1845
01:38:29,070 --> 01:38:31,500
The number of problems\Nthat are arising
1846
01:38:31,700 --> 01:38:35,460
indicate that you're not\Ngonna win this battle.
1847
01:38:35,660 --> 01:38:39,080
And that you're underestimating\Nthe lethal power of drugs.
1848
01:38:42,220 --> 01:38:43,420
[SNIFFLES]
1849
01:38:43,620 --> 01:38:44,520
Do you hear me?
1850
01:38:46,050 --> 01:38:47,250
I thought you didn't meddle
1851
01:38:47,450 --> 01:38:48,300
in the personal lives\Nof your artists.
1852
01:38:48,500 --> 01:38:50,170
Before you, in entertainment,
1853
01:38:50,370 --> 01:38:53,230
whether you're a Judy Garland\Nor you're a Janis...
1854
01:38:55,270 --> 01:38:57,220
...they end up losing.
1855
01:38:57,420 --> 01:38:58,620
You can't do it yourself.
1856
01:39:00,230 --> 01:39:01,150
You can't.
1857
01:39:03,110 --> 01:39:04,590
And how sad, I mean...
1858
01:39:06,760 --> 01:39:08,850
For you to affect your voice...
1859
01:39:10,550 --> 01:39:11,640
...to affect everything.
1860
01:39:12,990 --> 01:39:14,420
It's criminal.I'm fine.
1861
01:39:16,820 --> 01:39:20,890
Really, I am. You know,\NI got it under control.\NMm-hm.
1862
01:39:21,090 --> 01:39:23,560
I just need to let my hair down\Nsometimes. Can't I do that?
1863
01:39:25,960 --> 01:39:26,870
You see these?
1864
01:39:28,440 --> 01:39:31,030
You're on the cover\Nof every one of them.
1865
01:39:31,230 --> 01:39:33,010
And no longer for your music.I beat the Beatles.
1866
01:39:34,920 --> 01:39:35,970
I beat Elvis.
1867
01:39:38,360 --> 01:39:40,430
I was the first Black,\Nall-American,
1868
01:39:40,630 --> 01:39:41,410
white-friendly girl.
1869
01:39:43,230 --> 01:39:43,970
But that ain't me.
1870
01:39:46,060 --> 01:39:48,750
Clive, I gave up a lot.
1871
01:39:48,950 --> 01:39:51,270
I know. I know.
1872
01:39:51,470 --> 01:39:54,110
But... I can't leave it\Nthis way.
1873
01:40:00,730 --> 01:40:02,080
This is a matter\Nof life and death.
1874
01:40:03,690 --> 01:40:08,080
You need to let me help you.
1875
01:40:09,820 --> 01:40:10,700
Meddling.
1876
01:40:13,000 --> 01:40:15,090
Deal with it. Now.
1877
01:40:18,270 --> 01:40:19,140
You know...
1878
01:40:21,010 --> 01:40:23,190
...some of your favorite\Nperformances of mine...
1879
01:40:25,280 --> 01:40:26,020
...I needed help.
1880
01:40:28,970 --> 01:40:31,190
To sing with the gods,\Nsometimes you need a ladder.
1881
01:40:32,460 --> 01:40:33,070
No, Whitney.
1882
01:40:36,110 --> 01:40:37,640
From the first time\Nthat I saw you...
1883
01:40:39,380 --> 01:40:40,900
...I knew you didn't need\Na ladder.
1884
01:40:43,160 --> 01:40:44,420
The gods were already there.
1885
01:40:46,120 --> 01:40:48,420
Mommy.\NI want a dog, Mommy.
1886
01:40:48,620 --> 01:40:51,510
Hey. You want a dog?
1887
01:40:51,710 --> 01:40:53,870
You want a dog? You can have\Nanything you want, baby.
1888
01:40:54,910 --> 01:40:56,090
Anything you want.
1889
01:40:59,740 --> 01:41:00,510
Whitney.
1890
01:41:00,710 --> 01:41:01,620
Clive.
1891
01:41:04,660 --> 01:41:08,480
♪ When all of my dreams ♪
1892
01:41:08,680 --> 01:41:11,740
♪ Are a heartbeat away ♪
1893
01:41:11,940 --> 01:41:16,620
♪ And the answers\NAre all up to me ♪
1894
01:41:16,820 --> 01:41:18,530
♪ Just give me ♪
1895
01:41:18,730 --> 01:41:20,270
♪ Give me one ♪
1896
01:41:20,470 --> 01:41:23,160
♪ One moment in time ♪
1897
01:41:25,420 --> 01:41:31,890
♪ When I'm racing with destiny ♪
1898
01:41:32,090 --> 01:41:33,720
♪ Then ♪
1899
01:41:33,920 --> 01:41:38,770
♪ In that one moment of time ♪
1900
01:41:38,970 --> 01:41:40,860
♪ I will feel ♪
1901
01:41:41,060 --> 01:41:44,210
♪ I will feel ♪
1902
01:41:44,410 --> 01:41:50,520
♪ I will be free ♪
1903
01:41:50,720 --> 01:41:53,130
[VOCALIZES]
1904
01:41:53,330 --> 01:41:56,400
♪ I will be ♪
1905
01:41:56,600 --> 01:42:02,330
♪ Free ♪
1906
01:42:06,330 --> 01:42:07,630
ROBYN:\N{\i1}Your show's over.{\i0}
1907
01:42:07,830 --> 01:42:09,280
BOBBY:\N{\i1}It's finished. You hear me?{\i0}
1908
01:42:09,480 --> 01:42:11,590
You see what you did?No. This is what you did.
1909
01:42:11,790 --> 01:42:13,670
She's not doing well, Bobby,\Nand needs to go home.
1910
01:42:13,870 --> 01:42:15,500
No, she don't.\NI'm running shit here.
1911
01:42:15,700 --> 01:42:17,110
Oh, yeah?That's it.
1912
01:42:17,310 --> 01:42:18,160
I'm tired of your shit, Robyn.
1913
01:42:18,360 --> 01:42:19,380
Bobby, it's clear to everybody
1914
01:42:19,580 --> 01:42:21,200
she's not well\Nand needs to go home.
1915
01:42:21,400 --> 01:42:23,030
Come on. Let's get her home.
1916
01:42:23,230 --> 01:42:24,690
Yeah?Yeah.
1917
01:42:24,890 --> 01:42:27,250
That's what's best.All right. All right. Okay.
1918
01:42:27,450 --> 01:42:29,430
We should--\NWe should ask her, right?
1919
01:42:29,630 --> 01:42:30,560
Let's ask her.Talk to her.
1920
01:42:30,760 --> 01:42:32,220
Baby. Baby.
1921
01:42:32,420 --> 01:42:33,610
Yeah?
1922
01:42:33,810 --> 01:42:35,570
You wanna go home?
1923
01:42:35,770 --> 01:42:37,790
'Cause we can. You know\Nwe can do that if we want.
1924
01:42:37,990 --> 01:42:39,410
We can always do that.
1925
01:42:42,630 --> 01:42:43,800
Do you want to go home, baby?
1926
01:42:46,020 --> 01:42:47,710
No.
1927
01:42:47,910 --> 01:42:50,450
No.No, I don't wanna go.
1928
01:42:50,650 --> 01:42:53,320
Yeah. See?\NI'm taking care of her.
1929
01:42:53,520 --> 01:42:54,890
That's it?That's it. Yeah.
1930
01:42:55,090 --> 01:42:56,110
Is that what you're doing?
1931
01:42:56,310 --> 01:42:57,150
Is this what you're doing?
1932
01:42:57,350 --> 01:42:58,500
Taking care of her with this?
1933
01:42:58,700 --> 01:42:59,460
Is this how\Nyou taking care of her?
1934
01:42:59,660 --> 01:43:01,070
You better watch that tone,\NRobyn.
1935
01:43:01,270 --> 01:43:02,770
I'mma keep my tone.All right.
1936
01:43:02,970 --> 01:43:05,940
Listen, Nip. I will not\Nsit around and watch this...
1937
01:43:06,140 --> 01:43:07,900
...anymore.
1938
01:43:08,100 --> 01:43:09,600
I'm tired of this, man.Yeah.
1939
01:43:09,800 --> 01:43:11,380
Yeah.No, I'm not doing this now.
1940
01:43:11,580 --> 01:43:13,080
I'll deal with this later.
1941
01:43:13,280 --> 01:43:14,520
Why do I gotta deal\Nwith everyone else's shit?
1942
01:43:14,720 --> 01:43:15,740
You right, baby.
1943
01:43:15,940 --> 01:43:16,840
You gotta get to that\Nvenue anyway.
1944
01:43:18,360 --> 01:43:20,870
Yo. I'm sick of you, Robyn.
1945
01:43:21,070 --> 01:43:22,830
And I'm sick of you.
1946
01:43:23,030 --> 01:43:25,400
Yo, Nip. He doesn't deserve\Nyou, okay? He never has.
1947
01:43:25,600 --> 01:43:26,830
This man never deserved you.
1948
01:43:27,030 --> 01:43:29,100
Hey, look. Look. Look.\NThis is through.
1949
01:43:29,300 --> 01:43:31,190
It's through, Robyn. Done.
1950
01:43:31,390 --> 01:43:32,590
And your dad's\Nin the hospital.
1951
01:43:35,510 --> 01:43:36,420
What?
1952
01:43:39,030 --> 01:43:40,200
Daddy?
1953
01:43:40,400 --> 01:43:41,940
BOBBY: Yeah.Yeah. He in the hospital.
1954
01:43:42,140 --> 01:43:43,720
Yeah, baby.\NI was gonna tell you.
1955
01:43:43,920 --> 01:43:45,210
I was gonna tell you\Nafter the show.
1956
01:43:47,300 --> 01:43:49,130
After the show.
1957
01:43:52,090 --> 01:43:55,120
Yeah. Whatever.\NI'm done with this shit.
1958
01:43:55,320 --> 01:43:56,310
No.Nip, I'm done.
1959
01:43:57,530 --> 01:43:59,520
BOBBY: Yeah.Rob? Robyn.
1960
01:43:59,720 --> 01:44:02,000
[DOOR SLAMS]
1961
01:44:02,200 --> 01:44:04,090
NURSE [OVER PA]:\N{\i1}Lawrence, regarding{\i0}\N{\i1}a patient on line two.{\i0}
1962
01:44:04,290 --> 01:44:05,500
{\i1}Lawrence to line two.{\i0}
1963
01:44:11,720 --> 01:44:12,280
Whitney.
1964
01:44:14,770 --> 01:44:16,230
Hey.
1965
01:44:16,430 --> 01:44:18,250
Hey.Hey, Daddy.
1966
01:44:21,470 --> 01:44:23,340
You can just leave us.
1967
01:44:34,390 --> 01:44:37,730
I'll be out of here\Nin a day or two. You'll see.
1968
01:44:37,930 --> 01:44:38,990
No.
1969
01:44:39,190 --> 01:44:41,260
No.
1970
01:44:41,460 --> 01:44:44,650
No. Not until the doctors\Nsay you can.
1971
01:44:44,850 --> 01:44:46,310
Daddy, you're gonna get\Nthe best care in the world.
1972
01:44:46,510 --> 01:44:49,090
I got to get out of here.
1973
01:44:49,290 --> 01:44:50,670
Take care of business.
1974
01:44:53,020 --> 01:44:53,720
No, you don't.
1975
01:44:55,110 --> 01:44:56,420
Not anymore.
1976
01:44:58,590 --> 01:45:00,330
Pat's handling everything now.
1977
01:45:01,940 --> 01:45:04,380
So you can just relax\Nand get better.
1978
01:45:05,770 --> 01:45:07,410
What are you talking about?\NPat?
1979
01:45:07,610 --> 01:45:08,600
It's okay.
1980
01:45:10,560 --> 01:45:12,200
Pat's managing me now.
1981
01:45:12,400 --> 01:45:14,940
You've lost your mind,\Nlittle girl.
1982
01:45:15,140 --> 01:45:18,380
I've been taking care of\Neverything. Your whole life.
1983
01:45:18,580 --> 01:45:19,990
Who do you think\Nwas looking after you
1984
01:45:20,190 --> 01:45:22,860
when your mama was\Ngoing off on them tours?
1985
01:45:23,060 --> 01:45:24,910
Changing your diapers?
1986
01:45:25,110 --> 01:45:25,970
Me.
1987
01:45:27,360 --> 01:45:29,960
So, you ain't taking over shit.
1988
01:45:30,160 --> 01:45:31,020
It's done.
1989
01:45:33,800 --> 01:45:35,010
It's over.
1990
01:45:35,210 --> 01:45:38,790
Yeah? What about\Nthe millions you spent?
1991
01:45:38,990 --> 01:45:41,060
You blew on Bobby.
1992
01:45:41,260 --> 01:45:44,540
Court cases, lawyers,\Nyour private jets.
1993
01:45:44,740 --> 01:45:47,190
My private jets,\Nmy money, Daddy.
1994
01:45:47,390 --> 01:45:48,340
My mind's made up.
1995
01:45:50,210 --> 01:45:52,110
Let's go forward.
1996
01:45:52,310 --> 01:45:55,370
Then you better get yourself\Na good lawyer.
1997
01:45:55,570 --> 01:45:57,680
You hear me?Daddy.
1998
01:45:57,880 --> 01:46:01,690
And you better pay me\Nall the money you owe me.
1999
01:46:01,890 --> 01:46:03,430
Daddy, what money?
2000
01:46:03,630 --> 01:46:06,730
My piece\Nfrom that new record deal
2001
01:46:06,930 --> 01:46:09,350
that I negotiated for you\Nwith Arista.
2002
01:46:09,550 --> 01:46:11,350
I negotiated that.
2003
01:46:11,550 --> 01:46:13,090
I took care of it.
2004
01:46:13,290 --> 01:46:14,870
Okay, like you're taking care\Nof your new wife
2005
01:46:15,070 --> 01:46:16,660
by coming after me?
2006
01:46:16,860 --> 01:46:18,890
One hundred million dollars.
2007
01:46:21,500 --> 01:46:22,550
There's no one hundred million.
2008
01:46:25,370 --> 01:46:27,770
They pay by the album, and I\Nhaven't done any new albums yet.
2009
01:46:30,250 --> 01:46:32,210
As of right now,\Nit's almost all gone.
2010
01:46:35,080 --> 01:46:36,430
You let me down, Daddy.
2011
01:46:38,130 --> 01:46:40,720
And now you're breaking\Nmy heart.
2012
01:46:40,920 --> 01:46:43,990
I know you and Bobby\Nare hiding it.
2013
01:46:44,190 --> 01:46:46,210
You get me my money, princess.
2014
01:46:46,410 --> 01:46:49,300
No. No. I'm not your princess.
2015
01:46:49,500 --> 01:46:50,910
I'm not your princess no more.
2016
01:46:51,110 --> 01:46:52,430
Yeah?\NNo more.
2017
01:46:52,630 --> 01:46:53,480
Yeah.
2018
01:46:53,680 --> 01:46:55,040
[COUGHING]
2019
01:46:55,240 --> 01:46:58,100
[♪♪♪]
2020
01:47:01,980 --> 01:47:03,310
PASTOR:\N{\i1}We return to the earth...{\i0}
2021
01:47:03,510 --> 01:47:06,590
...the body of our brother\NJohn Houston.
2022
01:47:38,970 --> 01:47:41,260
How long has it been like this?
2023
01:47:41,460 --> 01:47:42,320
Mommy.
2024
01:47:43,670 --> 01:47:44,710
[SIREN WAILS]
2025
01:47:49,200 --> 01:47:51,620
Hey, baby. Hey, gorgeous.
2026
01:47:51,820 --> 01:47:54,710
Everything's fine.\NEverything's gonna be fine.
2027
01:47:54,910 --> 01:47:55,810
OFFICER:\NWatch your head.
2028
01:47:59,770 --> 01:48:02,110
Hey. Hey, baby?
2029
01:48:02,310 --> 01:48:03,340
I love you.
2030
01:48:05,690 --> 01:48:06,560
I love you.
2031
01:48:11,960 --> 01:48:13,390
JAMES:\NWe're all slowly dying...
2032
01:48:15,310 --> 01:48:17,260
...but you don't have to\Nparticipate so enthusiastically
2033
01:48:17,460 --> 01:48:18,230
in the process.
2034
01:48:20,050 --> 01:48:22,090
You've hurt yourself\Nalong the way.
2035
01:48:22,290 --> 01:48:23,520
Physical damage.
2036
01:48:23,720 --> 01:48:26,260
One slipup, Whitney.
2037
01:48:26,460 --> 01:48:28,580
Never get a vacation,\Nyou find ways to take one.
2038
01:48:32,070 --> 01:48:33,230
Four months.
2039
01:48:33,430 --> 01:48:34,840
{\i1}A private, secure residence.{\i0}
2040
01:48:35,040 --> 01:48:36,320
{\i1}You'll be closely monitored.{\i0}
2041
01:48:36,520 --> 01:48:39,380
[♪♪♪]
2042
01:49:17,110 --> 01:49:18,720
[VEHICLE APPROACHING]
2043
01:49:20,770 --> 01:49:22,020
Baby!
2044
01:49:22,220 --> 01:49:23,450
Hi, Mommy!Oh, baby.
2045
01:49:23,650 --> 01:49:24,770
Oh, my God!
2046
01:49:26,510 --> 01:49:27,560
{\i1}Come on. We gotta kick.{\i0}
2047
01:49:30,860 --> 01:49:31,810
Come on.
2048
01:49:32,010 --> 01:49:33,260
Come on. One more time!
2049
01:49:34,430 --> 01:49:36,550
Hang on, Mom!
2050
01:49:36,750 --> 01:49:38,160
Come on! We gotta get\Nto the wall.
2051
01:49:38,360 --> 01:49:39,900
Right. Come on.
2052
01:49:40,100 --> 01:49:41,470
Whoo!
2053
01:49:41,670 --> 01:49:43,040
We made it!
2054
01:49:43,240 --> 01:49:44,570
We made it!
2055
01:49:45,310 --> 01:49:47,350
Whoo!
2056
01:49:47,550 --> 01:49:49,090
BOBBI:\N{\i1}♪ When I think of home ♪{\i0}
2057
01:49:49,290 --> 01:49:51,740
♪ I think of a place ♪♪ A place ♪
2058
01:49:51,940 --> 01:49:55,610
♪ Where there's love\NOverflowing ♪
2059
01:49:55,810 --> 01:49:57,830
♪ I wish I was home ♪
2060
01:49:58,030 --> 01:50:01,010
♪ I wish I was back there ♪
2061
01:50:01,210 --> 01:50:04,290
♪ With the things\NI've been knowing ♪
2062
01:50:07,900 --> 01:50:08,990
I'm proud of you,\NMommy.
2063
01:50:15,430 --> 01:50:16,430
I love you, baby.
2064
01:50:21,910 --> 01:50:22,650
Lord...
2065
01:50:25,350 --> 01:50:26,660
...give me the strength.
2066
01:50:33,620 --> 01:50:34,710
Grant me the strength.
2067
01:50:38,630 --> 01:50:39,540
Give me the strength.
2068
01:50:51,200 --> 01:50:52,820
Oh, my God,\Nthat's Whitney Houston.
2069
01:50:57,860 --> 01:50:58,650
WHITNEY:\N{\i1}I don't blame you, Bobby.{\i0}
2070
01:51:00,300 --> 01:51:01,680
I don't.
2071
01:51:01,880 --> 01:51:04,340
The drugs were there\Nbefore you came along.
2072
01:51:04,540 --> 01:51:07,250
We didn't help each other,\Nbut I don't blame you for that.
2073
01:51:07,450 --> 01:51:08,860
Yeah, shit. I mean,
2074
01:51:09,060 --> 01:51:10,830
I wish somebody\Nwould tell the media that.
2075
01:51:13,790 --> 01:51:14,920
See...
2076
01:51:16,970 --> 01:51:18,410
What I looked for in you\Nwasn't there.
2077
01:51:20,760 --> 01:51:21,630
A home.
2078
01:51:23,240 --> 01:51:25,530
Outside of my music,\Nthat's all I ever wanted.
2079
01:51:25,730 --> 01:51:26,500
But you broke that.
2080
01:51:28,420 --> 01:51:30,010
And I watched my parents\Ndo that to each other
2081
01:51:30,210 --> 01:51:31,320
and I promised myself...
2082
01:51:31,520 --> 01:51:32,800
Uh-uh.
2083
01:51:33,000 --> 01:51:34,030
...that's not gonna be me.
2084
01:51:36,420 --> 01:51:38,110
All right.
2085
01:51:38,310 --> 01:51:39,590
All right.
2086
01:51:39,790 --> 01:51:41,630
Look, I-- I hear you.
2087
01:51:41,830 --> 01:51:43,810
But I still got you, Nip.
2088
01:51:44,010 --> 01:51:45,350
I still got you. Look, hey...
2089
01:51:49,220 --> 01:51:51,340
We can talk this out. Right?
2090
01:51:51,540 --> 01:51:53,690
Yeah.Yeah?
2091
01:51:53,890 --> 01:51:54,700
That's what we're doing.
2092
01:51:56,970 --> 01:51:57,920
We're talking it out.
2093
01:52:08,370 --> 01:52:08,930
I, uh--
2094
01:52:11,110 --> 01:52:13,670
Goodbye, Bobby. Be well.
2095
01:52:13,870 --> 01:52:15,580
Wait.Your daughter needs you.
2096
01:52:15,780 --> 01:52:17,070
Wait, Nip? Nip?
2097
01:52:19,680 --> 01:52:21,500
Hey, Whitney? Baby?
2098
01:52:21,700 --> 01:52:24,300
[♪♪♪]
2099
01:52:37,790 --> 01:52:39,470
How's your mama look?
2100
01:52:39,670 --> 01:52:40,650
Awesome.Yeah.
2101
01:52:40,850 --> 01:52:41,710
Go get 'em.
2102
01:52:44,880 --> 01:52:47,000
I hope I remember how to sing.
2103
01:52:47,200 --> 01:52:49,190
Me too.\NIt's Oprah.
2104
01:52:50,890 --> 01:52:52,230
I talked\Nto the musical director.
2105
01:52:52,430 --> 01:52:53,630
I told him\Nto follow your lead.
2106
01:52:55,550 --> 01:52:57,370
It's your first time back.\NYou set the pace.
2107
01:52:58,900 --> 01:52:59,900
Thank you, Mommy.
2108
01:53:02,640 --> 01:53:03,640
[EXHALES DEEPLY]
2109
01:53:05,470 --> 01:53:07,500
All right.CISSY: You got this.
2110
01:53:07,700 --> 01:53:09,070
You got this, Nippy.
2111
01:53:09,270 --> 01:53:10,680
Remember.
2112
01:53:10,880 --> 01:53:12,000
You're my princess.
2113
01:53:14,220 --> 01:53:16,160
Mommy...
2114
01:53:16,360 --> 01:53:17,830
You know, I think\NI'm just gonna be me.
2115
01:53:23,360 --> 01:53:25,960
{\i1}Ladies and gentlemen, {\i0}{\i1} {\i0}\N{\i1}please welcome Whitney Houston!{\i0}
2116
01:53:26,160 --> 01:53:28,880
[CROWD CHEERING, CLAPPING]
2117
01:54:00,130 --> 01:54:01,870
♪ Lost touch with my soul ♪
2118
01:54:04,010 --> 01:54:06,040
♪ I had nowhere to run ♪
2119
01:54:06,240 --> 01:54:07,880
♪ I had nowhere to go ♪
2120
01:54:09,100 --> 01:54:11,830
♪ Lost sight of my dream ♪
2121
01:54:12,030 --> 01:54:16,090
♪ Thought it would be\NThe end of me ♪
2122
01:54:16,290 --> 01:54:18,050
♪ I... ♪
2123
01:54:18,250 --> 01:54:22,320
♪ I thought I'd never\NMake it through ♪
2124
01:54:22,520 --> 01:54:24,620
♪ I had no one to hold on to ♪
2125
01:54:24,820 --> 01:54:26,490
♪ I... ♪
2126
01:54:26,690 --> 01:54:29,250
♪ I thought I might break ♪
2127
01:54:31,030 --> 01:54:32,980
♪ I didn't know\NMy own strength ♪
2128
01:54:33,180 --> 01:54:35,630
♪ And I crashed down ♪
2129
01:54:35,830 --> 01:54:37,770
♪ I crumbled ♪
2130
01:54:37,970 --> 01:54:39,170
♪ But I did not ♪
2131
01:54:40,740 --> 01:54:42,810
♪ Crumble ♪
2132
01:54:43,010 --> 01:54:46,120
♪ I was not built to break ♪
2133
01:54:46,320 --> 01:54:50,750
♪ I didn't know\NMy own strength ♪
2134
01:54:53,360 --> 01:54:57,260
♪ Found hope in my heart ♪
2135
01:54:57,460 --> 01:54:59,480
♪ I found the light to light ♪
2136
01:54:59,680 --> 01:55:02,440
♪ My way out of the dark ♪
2137
01:55:02,640 --> 01:55:05,790
♪ Found all that I needed\NLord ♪
2138
01:55:05,990 --> 01:55:08,100
♪ Here inside of me ♪
2139
01:55:08,300 --> 01:55:09,810
♪ Here inside of me, yes ♪
2140
01:55:11,250 --> 01:55:15,720
♪ I thought I'd never\NFind my way ♪
2141
01:55:15,920 --> 01:55:18,280
♪ I thought I'd never\NLift that weight ♪
2142
01:55:18,480 --> 01:55:20,070
♪ I... ♪
2143
01:55:20,270 --> 01:55:22,780
♪ I thought I might break ♪
2144
01:55:24,220 --> 01:55:26,380
♪ Didn't know my own strength ♪
2145
01:55:26,580 --> 01:55:28,470
♪ There were so many times I ♪
2146
01:55:28,670 --> 01:55:30,430
♪ Wondered how I'd get through\NThe night ♪
2147
01:55:30,630 --> 01:55:35,740
♪ I thought I took\NAll that I could take ♪
2148
01:55:35,940 --> 01:55:38,830
Hold on! Hold!
2149
01:55:39,030 --> 01:55:41,610
♪ I didn't know\NMy own strength ♪
2150
01:55:41,810 --> 01:55:43,830
♪ Survived the darkest hour ♪♪ Yes, I did ♪
2151
01:55:44,030 --> 01:55:45,790
♪ Kept me alive ♪♪ Yes, I did ♪
2152
01:55:45,990 --> 01:55:47,050
♪ Get myself back up ♪
2153
01:55:47,250 --> 01:55:49,930
♪ I hold my head up high ♪
2154
01:55:50,130 --> 01:55:55,230
♪ I got through all the pain ♪
2155
01:55:55,430 --> 01:55:56,340
♪ Let me tell you ♪
2156
01:55:58,250 --> 01:55:59,080
♪ I didn't know ♪
2157
01:56:01,600 --> 01:56:03,590
♪ I didn't know ♪
2158
01:56:03,790 --> 01:56:06,200
♪ My mama said\NI was not built to break ♪
2159
01:56:06,400 --> 01:56:08,170
[CROWD CHEERING, CLAPPING]
2160
01:56:12,220 --> 01:56:14,090
♪ Dionne said\NI was not built to break ♪
2161
01:56:18,360 --> 01:56:19,960
♪ Clive said\N"Come on back and sing ♪
2162
01:56:20,160 --> 01:56:21,100
♪ You're not built to break" ♪
2163
01:56:23,580 --> 01:56:24,760
♪ Your love said-- ♪
2164
01:56:30,020 --> 01:56:31,270
♪ Your love said ♪
2165
01:56:31,470 --> 01:56:38,120
♪ I was not built to break ♪
2166
01:56:39,290 --> 01:56:41,370
♪ Oprah said... ♪
2167
01:56:41,570 --> 01:56:44,080
♪ "Girl, do you know\NYou're loved?" ♪
2168
01:56:45,860 --> 01:56:47,720
♪ Now I know my ♪
2169
01:56:47,920 --> 01:56:48,810
♪ Own ♪
2170
01:56:49,010 --> 01:56:54,050
♪ Strength ♪
2171
01:56:55,570 --> 01:56:56,270
Yeah.
2172
01:57:06,360 --> 01:57:07,280
Darling.
2173
01:57:08,890 --> 01:57:10,180
How was I?
2174
01:57:10,380 --> 01:57:12,110
Great.\NYou're always great.
2175
01:57:13,980 --> 01:57:15,710
Always.\NWe'll talk on Monday.
2176
01:57:15,910 --> 01:57:17,190
They still love me.
2177
01:57:17,390 --> 01:57:18,850
[CLEARS THROAT]
2178
01:57:21,250 --> 01:57:22,290
Clive, it's my first\Nof the day.
2179
01:57:24,290 --> 01:57:26,540
Okay.So...
2180
01:57:26,740 --> 01:57:28,200
...I wanna do another tour.
2181
01:57:28,400 --> 01:57:30,860
I'm a singer. I need to sing.
2182
01:57:33,040 --> 01:57:33,910
Well?
2183
01:57:36,960 --> 01:57:37,650
Get some rest.
2184
01:57:41,570 --> 01:57:44,180
[♪♪♪]
2185
01:57:51,760 --> 01:57:53,270
REPORTER: {\i1} {\i0}\N{\i1}Whitney Houston's comeback tour{\i0}
2186
01:57:53,470 --> 01:57:56,090
{\i1}is not faring well{\i0}\N{\i1}for the iconic singer.{\i0}
2187
01:57:56,290 --> 01:57:59,140
{\i1} {\i0}{\i1}Her latest show in Denmark left{\i0}{\i1} {\i0}\N{\i1}hundreds of fans walking out{\i0}
2188
01:57:59,340 --> 01:58:00,790
{\i1}and asking{\i0}\N{\i1}for their money back.{\i0}
2189
01:58:00,990 --> 01:58:02,930
WOMAN:\N{\i1}It was obvious.{\i0}
2190
01:58:03,130 --> 01:58:05,970
{\i1}It was quickly obvious that{\i0}\N{\i1}there was a major problem.{\i0}
2191
01:58:06,170 --> 01:58:09,500
{\i1}Her vocal range{\i0}\N{\i1}was seriously diminished.{\i0}
2192
01:58:09,700 --> 01:58:11,590
{\i1}She was fine{\i0}\N{\i1}within a certain limit.{\i0}
2193
01:58:11,790 --> 01:58:14,110
{\i1}But when she ventured{\i0}\N{\i1}from that safety zone,{\i0}
2194
01:58:14,310 --> 01:58:15,850
{\i1}she was in trouble.{\i0}
2195
01:58:16,050 --> 01:58:17,940
{\i1}And Whitney has always been{\i0}
2196
01:58:18,140 --> 01:58:20,130
{\i1}distinguished{\i0}\N{\i1}by her range of notes.{\i0}
2197
01:58:26,880 --> 01:58:29,000
REPORTER:\N{\i1}Houston is one of{\i0}\N{\i1}the top-selling artists{\i0}
2198
01:58:29,200 --> 01:58:31,520
{\i1}of all time, with six Grammys{\i0}
2199
01:58:31,720 --> 01:58:35,570
{\i1} {\i0}{\i1}and a mezzo-soprano that earned{\i0}{\i1} {\i0}\N{\i1}her the nickname "The Voice."{\i0}
2200
01:58:35,770 --> 01:58:37,370
{\i1}Whitney now needs{\i0}\N{\i1}more than her...{\i0}
2201
01:58:48,590 --> 01:58:49,670
Go for a shot.
2202
01:58:49,870 --> 01:58:50,600
Okay.
2203
01:59:01,650 --> 01:59:04,340
REPORTER:\NAnd Whitney Houston just\Narrived at the Beverly Hilton.
2204
01:59:04,540 --> 01:59:06,470
Lots of speculation\Nthat she will also perform
2205
01:59:06,670 --> 01:59:09,170
at Clive Davis's Grammy party\Nlater this evening.
2206
01:59:09,370 --> 01:59:10,750
PAPARAZZO:\NMs. Houston, this way!
2207
01:59:15,230 --> 01:59:16,620
Are you going back to rehab?
2208
01:59:21,800 --> 01:59:22,880
WHITNEY:\N{\i1}Hey, get them ready{\i0}\N{\i1}to do "Home."{\i0}
2209
01:59:23,080 --> 01:59:24,310
RICKEY:\N{\i1}Does Clive know?{\i0}
2210
01:59:24,510 --> 01:59:25,270
WHITNEY:\N{\i1}Yeah, I'm singing tonight.{\i0}
2211
01:59:25,470 --> 01:59:27,400
I don't think\Nthat's a good idea.
2212
01:59:27,600 --> 01:59:28,670
It's not what Clive wants,
2213
01:59:28,870 --> 01:59:30,280
and it's not\Nwhat I want for you.
2214
01:59:30,480 --> 01:59:32,360
Did you see me sing on {\i1}Oprah?{\i0}
2215
01:59:32,560 --> 01:59:33,470
Yeah, I saw you on {\i1}Oprah.{\i0}Okay.
2216
01:59:36,380 --> 01:59:38,110
I saw you in Copenhagen too.
2217
01:59:38,310 --> 01:59:39,330
People wanna see\NWhitney Houston.
2218
01:59:39,530 --> 01:59:40,810
You set that standard.
2219
01:59:41,010 --> 01:59:41,870
I know.
2220
01:59:44,560 --> 01:59:46,170
I know I'm not\Nwhere I used to be.
2221
01:59:47,830 --> 01:59:49,050
But I know how to get there.
2222
01:59:51,000 --> 01:59:52,910
I'm not going away.\NI can't lose this.
2223
01:59:53,110 --> 01:59:55,080
This? This one night?
2224
01:59:55,280 --> 01:59:57,170
Yes, yes. This one night.
2225
01:59:57,370 --> 01:59:58,530
Me singing for them.
2226
02:00:00,710 --> 02:00:02,830
I can't live without it.
2227
02:00:03,030 --> 02:00:04,610
I'm gonna be ready.
2228
02:00:04,810 --> 02:00:05,960
You need to be.
2229
02:00:06,160 --> 02:00:07,490
If you're ready,\NI'm there for you, Whit.
2230
02:00:07,690 --> 02:00:08,970
I always am, but--\NIf you're not ready though--
2231
02:00:09,170 --> 02:00:10,020
Rickey?
2232
02:00:11,200 --> 02:00:13,320
Just get ready to do "Home."
2233
02:00:13,520 --> 02:00:15,450
I'm gonna sing it...
2234
02:00:15,650 --> 02:00:16,770
...and you're gonna like it.
2235
02:00:24,820 --> 02:00:26,390
[HUMMING]
2236
02:00:31,570 --> 02:00:32,990
Do you think this carpet\Nneeds a vacuum?
2237
02:00:33,190 --> 02:00:35,380
[PHONE BUZZING]
2238
02:00:35,580 --> 02:00:37,860
Mom, are you nervous?No.
2239
02:00:38,060 --> 02:00:40,320
No. No, I'm excited.\NI'm so excited.
2240
02:00:45,450 --> 02:00:46,960
You know what?
2241
02:00:47,160 --> 02:00:49,010
I gotta go downstairs\Nand get some more honey.
2242
02:00:49,210 --> 02:00:51,270
Why don't you go to your room?
2243
02:00:51,470 --> 02:00:52,760
I'm gonna get ready\Nfor tonight, okay?
2244
02:00:55,240 --> 02:00:56,680
I'm gonna make you so proud.
2245
02:00:59,250 --> 02:01:01,290
I love you in perpetuity.
2246
02:01:02,900 --> 02:01:04,940
BOTH:\NThroughout the universe.
2247
02:01:05,140 --> 02:01:06,890
Yeah, that's it.\NYou got it, baby.
2248
02:01:07,090 --> 02:01:08,080
Okay.
2249
02:01:21,700 --> 02:01:22,780
Whitney, can we get\Na picture, please?
2250
02:01:22,980 --> 02:01:24,480
Miss Houston!
2251
02:01:24,680 --> 02:01:26,300
Can we take a picture with you?Sure.
2252
02:01:26,500 --> 02:01:28,180
All right.
2253
02:01:28,380 --> 02:01:30,130
Oh, my gosh. Thank you so much!Okay. Sure.
2254
02:01:30,330 --> 02:01:31,610
Whitney.
2255
02:01:31,810 --> 02:01:33,540
Do you think I could have\Nyour autograph?
2256
02:01:35,980 --> 02:01:36,890
Yeah.
2257
02:01:47,730 --> 02:01:48,940
Thank you, Whitney.
2258
02:01:49,140 --> 02:01:49,940
Thank you.
2259
02:01:50,140 --> 02:01:52,520
[♪♪♪]
2260
02:02:06,050 --> 02:02:07,450
WHITNEY:\N{\i1}Can I get a tea, please?{\i0}
2261
02:02:10,410 --> 02:02:11,610
Thank you.
2262
02:02:11,810 --> 02:02:12,360
With pleasure.
2263
02:02:15,370 --> 02:02:16,880
Would you?
2264
02:02:17,080 --> 02:02:17,930
Super, massive fan.
2265
02:02:19,070 --> 02:02:20,810
Sure. Ahem.
2266
02:02:22,630 --> 02:02:24,160
Oh. Don't worry, I got one.
2267
02:02:29,420 --> 02:02:30,990
Spencer.Spencer.
2268
02:02:32,380 --> 02:02:33,850
So it's true?
2269
02:02:34,050 --> 02:02:36,200
You're performing tonight\Nat that pre-Grammy party?
2270
02:02:36,400 --> 02:02:37,290
You heard that?
2271
02:02:37,490 --> 02:02:40,070
It's out there.\NEverybody knows.
2272
02:02:40,270 --> 02:02:42,690
There's gonna be\Na whole lineup of huge stars,
2273
02:02:42,890 --> 02:02:45,270
but you're gonna outshine them\Nall. You always do.
2274
02:02:46,530 --> 02:02:47,960
Thank you.Thank you.
2275
02:02:51,010 --> 02:02:53,230
Girl, can I tell you something?
2276
02:02:54,360 --> 02:02:55,480
Yeah.
2277
02:02:55,680 --> 02:02:58,270
I saw you live once, in '94.
2278
02:02:58,470 --> 02:03:00,270
The American Music Awards.Yeah.
2279
02:03:00,470 --> 02:03:02,490
I was a seat filler.
2280
02:03:02,690 --> 02:03:04,750
Girl, you did\Nthat medley of songs.
2281
02:03:04,950 --> 02:03:06,670
Yeah.Goddamn.
2282
02:03:06,870 --> 02:03:10,190
[LAUGHS]
2283
02:03:10,390 --> 02:03:11,760
You liked it?
2284
02:03:11,960 --> 02:03:13,850
That's the greatest performance\NI've ever seen.
2285
02:03:14,050 --> 02:03:15,760
Thank you.As far as I'm concerned,
2286
02:03:15,960 --> 02:03:17,290
you're the greatest\Nof all time.
2287
02:03:17,480 --> 02:03:20,130
I really appreciate that.\NI do. Thank you.
2288
02:03:24,170 --> 02:03:26,050
[INAUDIBLE]
2289
02:03:28,480 --> 02:03:29,440
But it was...
2290
02:03:31,660 --> 02:03:32,620
It was 18 years ago.
2291
02:03:33,970 --> 02:03:35,560
So...
2292
02:03:35,760 --> 02:03:37,870
You are just as beautiful\Nas you've ever been.
2293
02:03:38,070 --> 02:03:39,620
And I'm sure you're singing\Njust as good too.
2294
02:03:41,930 --> 02:03:42,500
It's on the house.
2295
02:03:50,640 --> 02:03:52,760
{\i1}[PRESS CLAMORING]{\i0}
2296
02:03:52,960 --> 02:03:55,550
[♪♪♪]
2297
02:04:31,850 --> 02:04:35,810
♪ When I think of home ♪
2298
02:04:37,600 --> 02:04:39,820
♪ I think of a place ♪
2299
02:04:41,430 --> 02:04:43,240
♪ Where there's ♪
2300
02:04:43,440 --> 02:04:46,260
♪ Love overflowing ♪
2301
02:04:49,740 --> 02:04:51,910
♪ I wish I was home ♪
2302
02:04:53,610 --> 02:04:55,400
♪ I wish I was back there ♪
2303
02:04:57,270 --> 02:04:59,620
♪ With the things ♪
2304
02:05:01,660 --> 02:05:03,450
♪ I've been knowing ♪
2305
02:05:32,390 --> 02:05:36,650
♪ Maybe there's a chance ♪
2306
02:05:37,960 --> 02:05:41,010
♪ For me to go back ♪
2307
02:05:44,880 --> 02:05:47,840
♪ And it sure would be nice ♪
2308
02:05:49,490 --> 02:05:51,630
♪ To be back home ♪
2309
02:05:53,410 --> 02:05:54,720
♪ Where there's... ♪
2310
02:05:56,760 --> 02:05:59,630
[CROWD CHEERING AND CLAPPING]
2311
02:06:05,730 --> 02:06:07,380
♪ And just maybe ♪
2312
02:06:09,640 --> 02:06:11,910
♪ I can convince time ♪
2313
02:06:15,300 --> 02:06:16,220
♪ To slow up ♪
2314
02:06:19,610 --> 02:06:20,660
♪ Giving me ♪
2315
02:06:22,270 --> 02:06:24,180
♪ Enough time in my life ♪
2316
02:06:26,790 --> 02:06:28,840
♪ To grow up ♪
2317
02:06:31,970 --> 02:06:33,060
♪ Time ♪
2318
02:06:36,980 --> 02:06:39,760
♪ Please stay, my friend ♪
2319
02:06:42,330 --> 02:06:44,420
♪ And let me start ♪
2320
02:06:46,290 --> 02:06:48,730
♪ Again ♪
2321
02:06:51,600 --> 02:06:53,470
[CROWD CLAPPING]
2322
02:07:16,540 --> 02:07:18,870
WHITNEY:\N{\i1}We're gonna do a medley{\i0}\N{\i1}for you.{\i0}
2323
02:07:19,070 --> 02:07:20,280
We've never done that before.
2324
02:07:23,500 --> 02:07:24,680
It's about love.
2325
02:07:27,850 --> 02:07:31,940
The things we do to get it,\Nand the things we do to keep it.
2326
02:07:34,160 --> 02:07:37,040
So I'm gonna sing for you.
2327
02:07:38,990 --> 02:07:42,870
With thanks for all the love\Nyou've given me.
2328
02:07:44,610 --> 02:07:47,160
And the great,\Ngreat joy I've had
2329
02:07:47,360 --> 02:07:48,870
in trying to repay that love.
2330
02:07:56,190 --> 02:07:58,750
[BAND PLAYING\N"I LOVES YOU PORGY"]
2331
02:08:08,550 --> 02:08:13,280
♪ I loves you ♪
2332
02:08:13,480 --> 02:08:19,080
♪ Porgy ♪
2333
02:08:20,730 --> 02:08:23,170
♪ Don't let him take me ♪
2334
02:08:26,170 --> 02:08:30,770
♪ Don't let him handle me ♪
2335
02:08:30,970 --> 02:08:35,120
♪ And drive me mad ♪
2336
02:08:35,320 --> 02:08:37,470
♪ If you can ♪
2337
02:08:37,670 --> 02:08:39,820
♪ Keep me ♪
2338
02:08:40,020 --> 02:08:44,580
♪ I wants to stay here ♪
2339
02:08:45,890 --> 02:08:50,440
♪ With you forever ♪
2340
02:08:50,640 --> 02:08:53,330
♪ And I'll be glad ♪
2341
02:08:57,770 --> 02:09:00,060
♪ Someday I know ♪
2342
02:09:00,260 --> 02:09:01,510
♪ He's coming back ♪
2343
02:09:02,820 --> 02:09:05,430
♪ To call on me ♪
2344
02:09:07,470 --> 02:09:12,420
♪ He's gonna handle me\NAnd hold me ♪
2345
02:09:12,620 --> 02:09:15,080
♪ So... ♪
2346
02:09:15,280 --> 02:09:18,910
♪ It's gonna be like dying\NPorgy ♪
2347
02:09:19,110 --> 02:09:24,220
♪ Deep inside me ♪
2348
02:09:24,420 --> 02:09:27,310
♪ But when he calls ♪
2349
02:09:27,510 --> 02:09:32,800
♪ I know I have to go ♪
2350
02:09:34,500 --> 02:09:39,580
♪ Porgy, I is your woman now ♪
2351
02:09:39,780 --> 02:09:41,490
♪ I is ♪
2352
02:09:41,690 --> 02:09:44,860
♪ I is ♪
2353
02:09:46,860 --> 02:09:49,460
♪ And I ain't never going\NNowhere ♪
2354
02:09:49,660 --> 02:09:55,480
♪ Unless you shares the fun ♪
2355
02:10:04,360 --> 02:10:06,840
♪ And I am telling you ♪
2356
02:10:09,190 --> 02:10:11,150
♪ I am not going ♪
2357
02:10:13,320 --> 02:10:17,570
♪ See, you're the best man\NI'll ever know ♪
2358
02:10:17,770 --> 02:10:20,800
♪ There's no way\NI can ever go ♪
2359
02:10:21,000 --> 02:10:23,930
♪ No, no, no, no way ♪
2360
02:10:24,130 --> 02:10:25,930
♪ No, no, no, no way ♪
2361
02:10:26,130 --> 02:10:29,670
♪ I'm living without you ♪
2362
02:10:29,870 --> 02:10:32,040
♪ I'm not living without you ♪
2363
02:10:33,950 --> 02:10:37,900
♪ I don't wanna be free ♪
2364
02:10:38,100 --> 02:10:42,030
♪ See, I'm staying\NI am staying ♪
2365
02:10:42,230 --> 02:10:44,950
♪ And you, and you, and you ♪
2366
02:10:45,150 --> 02:10:48,100
♪ You're gonna love me ♪
2367
02:10:53,540 --> 02:10:56,450
♪ You're gonna love me\NOh, yes ♪
2368
02:11:01,670 --> 02:11:04,240
♪ And I am telling you ♪
2369
02:11:05,940 --> 02:11:09,020
♪ I am not going ♪
2370
02:11:09,220 --> 02:11:12,800
♪ Even though the rough times\NAre showing ♪
2371
02:11:13,000 --> 02:11:15,680
♪ See, there is just no way ♪
2372
02:11:15,880 --> 02:11:19,070
♪ There's no way ♪
2373
02:11:19,270 --> 02:11:20,330
♪ Tear down the mountains ♪
2374
02:11:20,530 --> 02:11:21,990
♪ Yell, scream and shout ♪
2375
02:11:22,190 --> 02:11:23,730
♪ Well, you can say\NWhat you want ♪
2376
02:11:23,930 --> 02:11:24,920
♪ I'm not walking out ♪
2377
02:11:27,090 --> 02:11:28,170
♪ Hold back the river ♪
2378
02:11:28,370 --> 02:11:30,170
♪ Push, strike and kill ♪
2379
02:11:30,370 --> 02:11:32,040
♪ I'm not gonna leave you ♪
2380
02:11:32,240 --> 02:11:34,390
♪ There's no way I will ♪
2381
02:11:34,590 --> 02:11:40,830
♪ And ♪
2382
02:11:41,030 --> 02:11:43,490
♪ I ♪
2383
02:11:43,690 --> 02:11:46,790
♪ Am ♪
2384
02:11:46,990 --> 02:11:48,550
♪ Telling you ♪
2385
02:11:51,030 --> 02:11:52,940
♪ I am not going ♪
2386
02:11:55,030 --> 02:11:58,370
♪ See, you're the best man\NI'll ever know ♪
2387
02:11:58,570 --> 02:12:02,680
♪ See, there's no way\NI can ever, ever go ♪
2388
02:12:02,880 --> 02:12:05,600
♪ No, no, no, no way ♪
2389
02:12:05,800 --> 02:12:07,380
♪ No, no, no, no way ♪
2390
02:12:07,580 --> 02:12:10,380
♪ I'm living without you ♪
2391
02:12:10,580 --> 02:12:12,950
♪ I, I'm not living\NWithout you ♪
2392
02:12:13,150 --> 02:12:15,130
♪ Not living without you ♪
2393
02:12:15,330 --> 02:12:19,040
♪ I, I don't wanna be free ♪
2394
02:12:19,240 --> 02:12:20,920
♪ That's right, I'm staying\NI'm staying ♪
2395
02:12:21,120 --> 02:12:22,830
♪ I'm staying, I'm staying ♪
2396
02:12:23,030 --> 02:12:26,700
♪ And you, and you, and you ♪
2397
02:12:26,900 --> 02:12:28,570
♪ You're gonna love me ♪
2398
02:12:28,770 --> 02:12:30,840
♪ Oh, yes\NOh, yes, you are ♪
2399
02:12:31,040 --> 02:12:32,360
♪ Oh, yes, you are ♪
2400
02:12:32,560 --> 02:12:33,970
♪ Hey, hey, hey ♪
2401
02:12:34,170 --> 02:12:35,630
♪ You're gonna love me ♪
2402
02:12:35,830 --> 02:12:36,970
♪ Love me ♪
2403
02:12:37,170 --> 02:12:38,850
♪ Love me ♪
2404
02:12:39,050 --> 02:12:40,820
♪ Love me, love me ♪
2405
02:12:44,820 --> 02:12:47,040
[CROWD CHEERING]
2406
02:12:52,130 --> 02:12:56,470
♪ Share my life ♪
2407
02:12:56,670 --> 02:13:02,480
♪ Take me for what I am ♪
2408
02:13:02,680 --> 02:13:04,100
♪ I'll never change ♪
2409
02:13:05,710 --> 02:13:07,450
♪ All my colors for you ♪
2410
02:13:10,850 --> 02:13:14,970
♪ I said take my love ♪
2411
02:13:15,170 --> 02:13:19,070
♪ I'll never ask for too much ♪
2412
02:13:20,290 --> 02:13:22,380
♪ Just all that you are ♪
2413
02:13:24,340 --> 02:13:26,250
♪ Everything that you do ♪
2414
02:13:29,690 --> 02:13:32,030
♪ I don't really need to look ♪
2415
02:13:32,230 --> 02:13:34,160
♪ Very much further ♪Come on, Nippy.
2416
02:13:34,360 --> 02:13:36,560
♪ I don't wanna have to go ♪
2417
02:13:36,760 --> 02:13:38,910
♪ Where you don't follow ♪
2418
02:13:39,110 --> 02:13:40,340
♪ I won't hold it back again ♪
2419
02:13:40,540 --> 02:13:42,910
♪ This passion inside ♪
2420
02:13:43,110 --> 02:13:45,390
♪ Can't run from myself ♪
2421
02:13:45,590 --> 02:13:49,260
♪ There's nowhere to hide ♪
2422
02:13:49,460 --> 02:13:51,610
♪ But your love, I remember ♪
2423
02:13:51,810 --> 02:13:54,970
♪ Forever ♪
2424
02:13:55,170 --> 02:13:57,970
♪ Don't make me close ♪
2425
02:13:58,170 --> 02:14:00,140
♪ One more door ♪
2426
02:14:00,340 --> 02:14:04,410
♪ I don't wanna hurt anymore ♪
2427
02:14:04,610 --> 02:14:06,980
♪ Stay in my arms ♪
2428
02:14:07,180 --> 02:14:09,240
♪ If you dare ♪
2429
02:14:09,440 --> 02:14:13,810
♪ Must I imagine you there? ♪
2430
02:14:14,010 --> 02:14:18,770
♪ Don't walk away from me ♪
2431
02:14:18,970 --> 02:14:20,600
♪ I have nothing ♪
2432
02:14:20,800 --> 02:14:21,770
♪ Nothing ♪
2433
02:14:21,970 --> 02:14:26,820
♪ Nothing ♪
2434
02:14:27,020 --> 02:14:28,100
♪ Don't ♪
2435
02:14:29,970 --> 02:14:31,830
♪ Make ♪
2436
02:14:32,030 --> 02:14:33,090
♪ Me ♪
2437
02:14:33,290 --> 02:14:37,180
♪ Close one more door ♪
2438
02:14:37,380 --> 02:14:41,010
♪ I don't wanna hurt anymore ♪
2439
02:14:41,210 --> 02:14:43,710
♪ Stay in my arms ♪
2440
02:14:43,910 --> 02:14:45,710
♪ If you dare ♪
2441
02:14:45,910 --> 02:14:50,280
♪ Must I imagine you there ♪
2442
02:14:50,480 --> 02:14:53,810
♪ Don't walk away from me ♪
2443
02:14:54,010 --> 02:14:55,030
♪ No ♪
2444
02:14:55,230 --> 02:14:58,380
♪ Don't walk away from me ♪
2445
02:14:58,580 --> 02:15:00,070
♪ Don't you dare ♪
2446
02:15:00,270 --> 02:15:02,950
♪ Walk away from me ♪
2447
02:15:03,150 --> 02:15:04,300
♪ I... ♪
2448
02:15:04,500 --> 02:15:05,990
♪ I have nothing ♪
2449
02:15:06,190 --> 02:15:07,340
♪ Nothing ♪
2450
02:15:07,540 --> 02:15:12,880
♪ Nothing ♪
2451
02:15:19,850 --> 02:15:21,280
♪ If ♪
2452
02:15:22,760 --> 02:15:25,060
♪ I ♪
2453
02:15:25,260 --> 02:15:28,290
♪ Don't have ♪
2454
02:15:29,640 --> 02:15:36,120
♪ You ♪
2455
02:15:39,600 --> 02:15:41,080
♪ You ♪
2456
02:15:43,300 --> 02:15:44,740
♪ If I don't have you ♪
2457
02:15:46,350 --> 02:15:48,820
♪ Yeah, hey, hey ♪
2458
02:15:49,020 --> 02:15:55,580
♪ If I don't have you ♪
2459
02:16:12,420 --> 02:16:13,200
Thank you.
2460
02:16:33,660 --> 02:16:36,230
[♪♪♪]
2461
02:16:42,010 --> 02:16:44,059
[INAUDIBLE]
2462
02:17:54,780 --> 02:17:56,350
[WHITNEY HOUSTON'S\N"HIGHER LOVE" PLAYING]
2463
02:18:02,920 --> 02:18:05,000
{\i1}♪ Think about it ♪{\i0}
2464
02:18:05,200 --> 02:18:07,870
{\i1}♪ There must be a higher love ♪{\i0}
2465
02:18:08,070 --> 02:18:09,610
{\i1}♪ Down in the heart ♪{\i0}
2466
02:18:09,809 --> 02:18:12,090
{\i1}♪ Or hidden{\i0}\N{\i1}In the stars above ♪{\i0}
2467
02:18:12,290 --> 02:18:17,010
{\i1}♪ Without it{\i0}\N{\i1}Life is wasted time ♪{\i0}
2468
02:18:17,209 --> 02:18:18,969
{\i1}♪ Look inside your heart ♪{\i0}
2469
02:18:19,170 --> 02:18:21,799
{\i1}♪ And I'll look inside mine ♪{\i0}
2470
02:18:22,000 --> 02:18:26,370
{\i1}♪ Things look so bad{\i0}\N{\i1}Everywhere ♪{\i0}
2471
02:18:26,570 --> 02:18:28,850
{\i1}♪ In this whole world ♪{\i0}
2472
02:18:29,049 --> 02:18:31,290
{\i1}♪ What is fair? ♪{\i0}
2473
02:18:31,490 --> 02:18:35,850
{\i1}♪ We walk the line{\i0}\N{\i1}And try to see ♪{\i0}
2474
02:18:36,049 --> 02:18:40,379
{\i1}♪ Falling behind{\i0}\N{\i1}In what could be, oh ♪{\i0}
2475
02:18:40,580 --> 02:18:44,690
{\i1}♪ Bring me a higher love ♪{\i0}
2476
02:18:44,889 --> 02:18:49,559
{\i1}♪ Bring me a higher love, oh ♪{\i0}
2477
02:18:49,760 --> 02:18:53,520
{\i1}♪ Bring me a higher love ♪{\i0}
2478
02:18:53,719 --> 02:18:55,660
{\i1}♪ Where's that higher love ♪{\i0}
2479
02:18:55,860 --> 02:18:58,370
{\i1}♪ I keep thinking of? ♪{\i0}
2480
02:19:00,940 --> 02:19:03,370
{\i1}♪ Bring me higher love, love ♪{\i0}
2481
02:19:05,510 --> 02:19:07,680
{\i1}♪ Bring me higher love, oh ♪{\i0}
2482
02:19:10,290 --> 02:19:12,889
{\i1}♪ Bring me higher love, love ♪{\i0}
2483
02:19:13,090 --> 02:19:14,420
{\i1}♪ A higher love ♪{\i0}
2484
02:19:14,620 --> 02:19:17,459
{\i1}♪ I keep thinking of ♪{\i0}
2485
02:19:17,660 --> 02:19:21,340
{\i1}♪ Bring me a higher love ♪{\i0}
2486
02:19:21,540 --> 02:19:26,120
{\i1}♪ Bring me a higher love, oh ♪{\i0}
2487
02:19:26,320 --> 02:19:28,299
[WHITNEY HOUSTON'S\N"DON'T CRY" PLAYING]
2488
02:19:28,500 --> 02:19:33,450
{\i1}♪ Here we are again ♪{\i0}
2489
02:19:35,709 --> 02:19:41,629
{\i1}♪ That old familiar place ♪{\i0}
2490
02:19:44,459 --> 02:19:49,070
{\i1}♪ Where the winds will blow ♪{\i0}
2491
02:19:50,680 --> 02:19:53,110
{\i1}♪ No one ever knows ♪{\i0}
2492
02:19:53,310 --> 02:19:56,540
{\i1}♪ The time or space ♪{\i0}
2493
02:19:56,740 --> 02:20:00,690
{\i1}♪ Don't cry for me ♪{\i0}
2494
02:20:02,780 --> 02:20:06,160
{\i1}♪ Don't shed a tear ♪{\i0}
2495
02:20:06,360 --> 02:20:08,860
{\i1}♪ The time I shared with you ♪{\i0}
2496
02:20:09,060 --> 02:20:11,400
{\i1}♪ Will always be ♪{\i0}
2497
02:20:12,920 --> 02:20:16,960
{\i1}♪ And when I'm gone ♪{\i0}
2498
02:20:17,160 --> 02:20:21,280
{\i1}♪ Please carry on ♪{\i0}
2499
02:20:23,580 --> 02:20:30,200
{\i1}♪ Don't cry for me ♪{\i0}
2500
02:20:39,560 --> 02:20:44,820
{\i1}♪ See, no one is to blame{\i0}\N{\i1}No, no ♪{\i0}
2501
02:20:47,350 --> 02:20:52,260
{\i1}♪ My death was meant to be ♪{\i0}
2502
02:20:53,830 --> 02:20:59,220
{\i1}♪ Don't carry guilt nor shame ♪{\i0}
2503
02:20:59,420 --> 02:21:06,220
{\i1}♪ The reason why I came{\i0}\N{\i1}Soon you're gonna see ♪{\i0}
2504
02:21:06,420 --> 02:21:11,360
{\i1}♪ So don't cry about me ♪{\i0}
2505
02:21:11,560 --> 02:21:15,880
{\i1}♪ Don't shed a tear ♪{\i0}
2506
02:21:16,080 --> 02:21:22,460
{\i1}♪ The time I shared with you{\i0}\N{\i1}Will always be ♪{\i0}
2507
02:21:22,660 --> 02:21:26,500
{\i1}♪ And when I'm gone ♪{\i0}
2508
02:21:26,700 --> 02:21:33,380
{\i1}♪ Please carry on ♪{\i0}
2509
02:21:33,580 --> 02:21:38,430
{\i1}♪ Don't cry for me ♪{\i0}
2510
02:21:38,630 --> 02:21:40,340
{\i1}♪ Oh, no ♪{\i0}
2511
02:21:40,540 --> 02:21:43,350
{\i1}♪ Don't cry ♪{\i0}
2512
02:21:43,550 --> 02:21:48,830
{\i1}♪ When life{\i0}\N{\i1}Is not the joy it should be ♪{\i0}
2513
02:21:49,030 --> 02:21:54,680
{\i1}♪ With life comes pain ♪{\i0}
2514
02:21:56,200 --> 02:21:58,410
{\i1}♪ Soon time ♪{\i0}
2515
02:21:58,600 --> 02:22:02,670
{\i1}♪ Will end{\i0}\N{\i1}This course appointed ♪{\i0}
2516
02:22:02,870 --> 02:22:06,540
{\i1}♪ And you will be rewarded ♪{\i0}
2517
02:22:06,740 --> 02:22:09,590
{\i1}♪ And all this world will see ♪{\i0}
2518
02:22:09,790 --> 02:22:16,600
{\i1}♪ Don't cry ♪{\i0}
2519
02:22:16,800 --> 02:22:21,180
{\i1}♪ For ♪{\i0}
2520
02:22:22,440 --> 02:22:24,740
{\i1}♪ Me ♪{\i0}
2521
02:22:24,940 --> 02:22:29,650
{\i1}♪ So don't{\i0}\N{\i1}Don't shed a tear ♪{\i0}
2522
02:22:29,850 --> 02:22:35,400
{\i1}♪ The time I shared with you{\i0}\N{\i1}Will always be ♪{\i0}
2523
02:22:35,600 --> 02:22:40,320
{\i1}♪ And when I am gone ♪{\i0}
2524
02:22:40,520 --> 02:22:44,840
{\i1}♪ Life still{\i0}\N{\i1}Life still carries on ♪{\i0}
2525
02:22:45,040 --> 02:22:46,630
{\i1}♪ Oh, yes ♪{\i0}
2526
02:22:46,830 --> 02:22:51,460
{\i1}♪ Don't cry for me ♪{\i0}
2527
02:22:51,660 --> 02:22:54,780
{\i1}♪ We'll always be ♪{\i0}
2528
02:22:56,690 --> 02:22:57,690
{\i1}♪ Don't cry ♪{\i0}
2529
02:23:00,390 --> 02:23:02,470
{\i1}♪ Don't cry ♪{\i0}
2530
02:23:02,670 --> 02:23:04,990
{\i1}♪ For ♪{\i0}
2531
02:23:05,190 --> 02:23:07,270
{\i1}♪ Ooh ♪{\i0}
2532
02:23:08,400 --> 02:23:12,970
{\i1}♪ Me ♪{\i0}
2533
02:23:17,890 --> 02:23:20,800
[♪♪♪]
168191
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