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Resync By Chuck :O
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( ♪ Vet for the Insane
- Fields of the Nephilim ♪ )
3
00:00:36,350 --> 00:00:38,841
[Crowd Whooping]
4
00:00:41,322 --> 00:00:44,623
The very next moment of this film...
5
00:00:44,648 --> 00:00:48,593
will change your mind forever...
6
00:00:48,618 --> 00:00:52,164
about art and pornography,
my friends.
7
00:00:52,233 --> 00:00:54,565
[Cheering]
8
00:00:59,073 --> 00:01:02,167
You've heard all the rumors.
9
00:01:02,243 --> 00:01:05,440
Now, before you see the truth,
10
00:01:05,513 --> 00:01:08,107
the 11th Annual Continental...
11
00:01:08,182 --> 00:01:11,192
Erotic Film Critics Festival...
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00:01:11,217 --> 00:01:16,644
introduces the creator
of Death and the Lady,
13
00:01:16,669 --> 00:01:21,256
first-prize winner Milton Glantz!
14
00:01:21,329 --> 00:01:23,820
[Cheering Continues]
15
00:01:43,017 --> 00:01:45,349
[Crowd Chanting, Indistinct]
16
00:01:46,821 --> 00:01:48,948
[Crowd]
Glantz, Glantz, Glantz, Glantz!
17
00:01:49,023 --> 00:01:51,651
Glantz, Glands, Glantz, Glantz!
18
00:01:56,364 --> 00:02:00,104
How do other erotic filmmakers
feel about your entry into their field?
19
00:02:00,129 --> 00:02:02,448
I think it gives them
something to aim at.
20
00:02:02,473 --> 00:02:04,411
Glantz!
21
00:02:04,436 --> 00:02:08,584
Glantz! You murderer!
You're gonna pay!
22
00:02:08,609 --> 00:02:11,305
[Gina]
Out of the way. Police officers.
It's not just a movie!
23
00:02:11,378 --> 00:02:14,006
It's real! Murderer!
24
00:02:14,081 --> 00:02:17,856
Come on.
Let's calm down.
It's not just a movie!
25
00:02:17,881 --> 00:02:21,848
Come on.
You killed her, Glantz!
You're gonna pay!
26
00:02:21,922 --> 00:02:26,154
You murderer! Murderer!
[Echoing]
27
00:03:28,029 --> 00:03:32,307
Look, he killed her.
Milton Glantz killed that girl
in a film. I was there.
28
00:03:32,332 --> 00:03:37,473
We don't hear anybody else sayin' anything
except that it was a skin flick with a fake murder.
A real murder.
29
00:03:38,000 --> 00:03:42,432
At first, sure, yeah.
We faked it all day, over and over.
30
00:03:42,502 --> 00:03:46,302
This guy Glantz was directing,
and he was never satisfied.
31
00:03:46,372 --> 00:03:50,672
Hard-core—
Erotic films don't usually go like that.
32
00:03:51,071 --> 00:03:53,062
They're quick and cheap.
33
00:03:54,365 --> 00:03:56,856
Yeah, you'd know somethin'
about that, I guess.
34
00:03:57,950 --> 00:04:03,547
Says here you've made
36 peep-show reels,
seven porn features,
35
00:04:03,623 --> 00:04:06,751
and he's got 14
obscenity-related arrests.
36
00:04:06,826 --> 00:04:11,160
Did six months in Dade County
Correctional Institute...
37
00:04:11,230 --> 00:04:13,221
for the last one.
38
00:04:13,299 --> 00:04:16,063
Then you were released on parole.
39
00:04:17,069 --> 00:04:19,815
July 26 you reported a murder.
40
00:04:19,840 --> 00:04:24,136
Uniforms found signs
of moviemaking—
makeup blood— no murder.
41
00:04:24,210 --> 00:04:28,044
You said snuff porn.
But even if it was just regular porn,
you're riskin' your parole.
42
00:04:28,114 --> 00:04:31,242
I know.
You're lucky that they didn't
lock you up again back in July!
43
00:04:31,317 --> 00:04:33,512
I know!
I thought maybe that—
44
00:04:33,586 --> 00:04:35,645
What?
That we'd help you?
45
00:04:35,721 --> 00:04:39,054
You got nothin'.
You got nothin' here.
46
00:04:39,125 --> 00:04:42,356
You made a public threat.
Look, what do you got
against this director?
47
00:04:42,428 --> 00:04:47,759
Nothin'! I didn't even know his name
until I saw his picture in the Herald
about this erotic film festival.
48
00:04:47,784 --> 00:04:52,603
That's how I finally tracked him down.
Then you rehearsed the murder—
the fake murder— all day long?
49
00:04:52,628 --> 00:04:54,955
- Yeah... Yes!
- All day long?
50
00:04:54,980 --> 00:04:59,404
It was me and a lighting guy
in this wolf's head.
51
00:04:59,478 --> 00:05:02,208
Look, Glantz had called
a wrap about 5:00,
and everybody took off.
52
00:05:02,281 --> 00:05:05,944
I'm headin' toward the door
when here comes Blondie
and another guy in a wolf's head,
53
00:05:06,018 --> 00:05:08,248
and he says
that we're gonna do it again.
54
00:05:08,321 --> 00:05:10,380
You said another guy
in a wolf's head.
55
00:05:10,456 --> 00:05:12,447
Who was it?
56
00:05:12,525 --> 00:05:14,516
I didn't see it off him.
57
00:05:15,528 --> 00:05:18,496
Blondie gets back in bed,
and we run through the snuff
just like before.
58
00:05:18,521 --> 00:05:21,767
Except for this time,
the guy in the wolf's head really kills her.
59
00:05:21,834 --> 00:05:25,746
Sorry, pal. Nobody snuffs anybody
with an entire film crew as witnesses.
60
00:05:25,771 --> 00:05:28,808
I told you. He'd wrapped the crew.
It was just the three of us!
61
00:05:28,833 --> 00:05:31,943
- And you couldn't stop it, huh?
- He had a knife.
62
00:05:32,011 --> 00:05:35,276
Maybe Glantz didn't do it,
but it was his film!
63
00:05:35,348 --> 00:05:41,014
It was a setup.
This guy Glantz put Knox up to it
so he could sell more tickets.
64
00:05:41,087 --> 00:05:43,681
[Tubbs] He doesn't even know
who was in the wolf's head.
Wolf's head?
65
00:05:43,756 --> 00:05:46,623
Ooh, did you see the flick?
What was the rating?
66
00:05:46,692 --> 00:05:50,856
On a Deep Throat scale
of violence to women?
About an 11.
67
00:05:50,930 --> 00:05:56,095
Other parts of it are a mild turn-on.
Glantz has a nice touch.
68
00:05:56,168 --> 00:05:58,329
Gina.
I saw the film this morning.
69
00:05:58,404 --> 00:06:03,137
Forget about this bogus guy.
We've got better things to do than
chase around after guys in raincoats.
70
00:06:03,209 --> 00:06:05,837
If they wanna look at that stuff,
so what?
71
00:06:05,911 --> 00:06:11,508
And what's this?
Uhh, that's evidence from
the crack house bust we made last night...
72
00:06:11,584 --> 00:06:13,779
while you and Cinderella
were at the sleaze ball.
73
00:06:13,853 --> 00:06:15,878
Could you log it in, please?
74
00:06:15,955 --> 00:06:19,891
Listen, Glantz has a fat bio in
this Dictionary of American Artists.
75
00:06:19,959 --> 00:06:22,393
He was born in Chicopee,
Massachusetts.
76
00:06:22,461 --> 00:06:24,588
He attended the Rhode Island
School of Design...
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00:06:24,664 --> 00:06:28,100
and shows at the best galleries
like Sonnabend and Burgess.
78
00:06:28,167 --> 00:06:30,897
So what's a classy guy like that
doin' makin' X-rated films?
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00:06:30,970 --> 00:06:33,530
"His work bridges fine arts
and popular media,
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00:06:33,606 --> 00:06:36,939
redeeming images of suffering
with technical precision."
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00:06:37,009 --> 00:06:39,204
"Technical precision"!
82
00:06:39,278 --> 00:06:42,076
[Laughs]
I'd call this stuff "dirty movies."
83
00:06:42,148 --> 00:06:44,139
But then,
what the hell do I know?
84
00:06:44,216 --> 00:06:46,844
Can someone help me out over here?
85
00:06:46,919 --> 00:06:49,410
Yeah, could you
help her out over here?
[Tubbs] Yeah, right.
86
00:06:49,488 --> 00:06:52,946
You know, in his speech last night,
Glantz said that what he's doing now...
87
00:06:53,025 --> 00:06:56,182
is called '"erotic performance art."
88
00:06:56,207 --> 00:07:00,727
You know, some of it's not bad.
I mean, he's won enough awards.
Yeah. What about that guy Knox?
89
00:07:00,800 --> 00:07:03,530
He's a chump.
I still can't understand
what makes him tick.
90
00:07:03,602 --> 00:07:06,935
Physically or mentally?
Well, maybe he likes
the rehearsals.
91
00:07:07,006 --> 00:07:09,702
Tulane Knox.
He's in and out of prison.
92
00:07:09,775 --> 00:07:13,267
Day laborer with odd jobs.
He's a regular in the porno loops.
93
00:07:13,346 --> 00:07:18,340
And he also poses for those
stills in the stroke books.
94
00:07:18,417 --> 00:07:21,250
And live sex shows
in San Francisco.
95
00:07:21,320 --> 00:07:24,756
You mean, dead sex shows in Miami,
according to him.
Hmm.
96
00:07:24,824 --> 00:07:26,951
Whoa!
What?
97
00:07:27,026 --> 00:07:29,290
What's in here?
[Crockett]
What?
98
00:07:29,362 --> 00:07:33,298
You found some rat's nest, huh?
Maybe one of'em stowed away.
99
00:07:33,366 --> 00:07:37,803
Oh, yeah? Well, swell. Here.
Come on. It's your evidence. You look.
100
00:07:37,870 --> 00:07:43,467
For goodness sake.
A nice police officer like you.
Hmm!
101
00:07:43,542 --> 00:07:46,670
Aww!
I wonder how that got there.
102
00:07:46,746 --> 00:07:49,977
Hmm? Well.
103
00:07:50,049 --> 00:07:52,609
Ohh!
Probably followed
one of those rats, huh?
104
00:07:54,586 --> 00:07:56,577
Didn't you lose a kitty?
105
00:07:56,655 --> 00:08:00,887
Go on. Get 'im outta here.
Go feed the little monster.
[Giggles]
106
00:08:00,959 --> 00:08:05,105
Now maybe we won't have
to listen to her complain
about the lost cat.
107
00:08:05,147 --> 00:08:07,377
What about Death and the Lady?
108
00:08:07,450 --> 00:08:09,577
I say we forget it.
I don't think so.
109
00:08:09,652 --> 00:08:12,450
You know, I don't think
it was a publicity stunt.
110
00:08:12,521 --> 00:08:17,686
If Knox is on parole,
why would he squawk on Glantz
a second time without proof?
111
00:08:17,760 --> 00:08:20,729
He'd just wind up bein' sent
right back up to the slammer.
112
00:08:22,164 --> 00:08:25,847
Are we entertaining the idea here
that we got a murder investigation?
113
00:08:26,602 --> 00:08:29,158
We got a two-bit porno actor...
114
00:08:29,183 --> 00:08:33,136
who says a world-famous director
killed a girl then made a film about it.
115
00:08:33,209 --> 00:08:36,474
Now he's chargin' 8.50 for a seat.
Is that right?
116
00:08:36,545 --> 00:08:39,309
That's the ticket.
117
00:08:39,382 --> 00:08:43,751
We got a murder allegation,
and we got it in the press.
118
00:08:45,094 --> 00:08:47,824
I'm putting Knox on the street
and notifying Corrections.
119
00:08:47,890 --> 00:08:51,053
Maybe they wanna pull him in
on his parole.
120
00:08:51,126 --> 00:08:55,062
But don't close the file. I wanna keep it open
until we've got the whole story.
121
00:08:55,130 --> 00:08:57,792
You know somethin' we don't?
122
00:08:58,941 --> 00:09:03,367
No, except that it says
in the news here that, uh,
123
00:09:03,439 --> 00:09:07,808
the mayor has six paintings
by Milton Glantz,
124
00:09:07,876 --> 00:09:11,312
including, uh,
the giant contact lens.
125
00:09:13,916 --> 00:09:16,885
If he calls,
I wanna have the whole goods.
What's that doing here?
126
00:09:17,913 --> 00:09:19,879
Evidence.
127
00:09:22,057 --> 00:09:24,048
[Meows]
128
00:09:27,363 --> 00:09:29,354
[Chuckles]
129
00:09:29,431 --> 00:09:31,763
[Chattering]
130
00:09:32,881 --> 00:09:40,383
( ♪ Never Let Me Down Again
(Aggro Mix) - Depeche Mode ♪ )
131
00:09:51,020 --> 00:09:53,818
[Man]
Hey, you're gonna like it!
132
00:10:02,131 --> 00:10:04,895
Put big wrapping. Wrap.
133
00:10:04,967 --> 00:10:07,162
Wrap. Okay. Look at me.
134
00:10:07,236 --> 00:10:09,295
Look at me. Good. Wrap.
135
00:10:09,371 --> 00:10:12,636
See, part of my art
lies in engaging the illicit.
136
00:10:12,708 --> 00:10:16,701
Probing the truth of
all human experience,
even the dark, violent side.
137
00:10:16,779 --> 00:10:20,215
Keep wrapping, John.
Chan, wrap his chest.
Well, rumor has it that, uh,
138
00:10:20,282 --> 00:10:25,720
you might've gotten a little overzealous
in your probing of the dark, violent side.
139
00:10:25,788 --> 00:10:27,722
Well—
140
00:10:27,790 --> 00:10:32,227
Well, I try to be realistic,
not real.
[Laughs]
141
00:10:32,294 --> 00:10:37,197
Look.
Yeah, meanwhile, nobody's seen
the star of your movie around anywhere.
142
00:10:37,266 --> 00:10:40,463
Well, she's, uh, no doubt
around the festival promoting herself.
143
00:10:40,536 --> 00:10:43,369
You know.
[Giggles]
Who isn't?
144
00:10:43,439 --> 00:10:47,307
Leave these plastic rolls right in here.
Leave the rolls right in here.
145
00:10:47,376 --> 00:10:51,244
I noticed that you didn't even
give her a— a credit in your movie.
146
00:10:51,313 --> 00:10:54,009
Stand back.
Walk away, walk away.
147
00:10:54,989 --> 00:10:57,004
What's her name, anyway?
148
00:11:00,389 --> 00:11:02,516
We called her Blondie.
149
00:11:03,592 --> 00:11:07,119
But... I think her name was...
150
00:11:07,196 --> 00:11:09,187
Lori.
151
00:11:14,149 --> 00:11:16,140
Um, Swann.
152
00:11:17,239 --> 00:11:19,434
Swann, I think.
153
00:11:21,210 --> 00:11:23,974
Um, come back.
Step in, step in.
154
00:11:24,046 --> 00:11:27,140
Two faces, right here.
I want a shot of this.
Two faces right next—
155
00:11:27,216 --> 00:11:29,878
That's it.
And then continue wrapping.
156
00:11:31,053 --> 00:11:32,770
Lori Swann, huh?
157
00:11:32,795 --> 00:11:34,786
Yeah.
158
00:11:47,703 --> 00:11:51,161
You know,
when you started asking questions,
I assumed you were with the press.
159
00:11:51,240 --> 00:11:54,539
But now, I, uh—
I don't recall your credentials.
160
00:11:54,610 --> 00:11:57,238
Well, now,
there's a good reason for that.
161
00:11:57,312 --> 00:11:59,303
I didn't show 'em to ya.
162
00:12:02,395 --> 00:12:05,085
Oh, how elegant.
163
00:12:05,154 --> 00:12:07,145
Miami Vice.
164
00:12:07,222 --> 00:12:10,157
Uh, Detective Crockett, is it?
Yep.
165
00:12:10,225 --> 00:12:15,663
Are you fascinated with art,
or did you take an art course in college,
or, uh, did you go to college?
166
00:12:15,731 --> 00:12:17,722
I mean, why are you here?
[Chuckles]
167
00:12:17,800 --> 00:12:20,394
Hmm?
Well, I'll tell ya.
168
00:12:20,469 --> 00:12:24,906
Now, personally, I don't give a damn
if you wanna make dirty movies all day...
169
00:12:24,973 --> 00:12:27,703
and you show 'em
to a bunch of mouth breathers.
170
00:12:27,776 --> 00:12:29,937
That's entirely up to you.
171
00:12:30,012 --> 00:12:33,345
But I am gonna find that girl.
172
00:12:33,415 --> 00:12:35,883
[Sighs]
Do you know where she lives?
173
00:12:35,951 --> 00:12:39,785
Hmm. Yes, where do
women like that live?
174
00:12:39,855 --> 00:12:41,846
Where did you find her?
175
00:12:41,924 --> 00:12:47,487
A high-class modeling agency that recruits in,
uh, low-class establishments.
176
00:12:47,563 --> 00:12:50,293
Uh, peep shows,
I believe they're called.
177
00:12:52,868 --> 00:12:55,200
Almost finished. Hmm?
178
00:12:56,705 --> 00:12:58,935
Almost finished, huh?
Yeah.
179
00:13:00,475 --> 00:13:02,966
Yes, almost. Yes.
180
00:13:04,446 --> 00:13:06,437
You see, movies—
[Can Thuds]
181
00:13:06,515 --> 00:13:07,902
Are just an illusion.
182
00:13:07,927 --> 00:13:12,850
If people wanna believe they're real,
they'll have a more satisfying
artistic encounter.
183
00:13:13,625 --> 00:13:16,916
And if they spend more money—
184
00:13:18,861 --> 00:13:20,852
[Chuckles]
Yeah.
185
00:13:20,929 --> 00:13:24,160
I mean, if they wanna believe they're real,
what difference does it make?
186
00:13:24,233 --> 00:13:26,258
Oh, it makes a lot of difference—
187
00:13:27,269 --> 00:13:29,464
to the girl.
188
00:13:33,976 --> 00:13:37,571
Do you have a light?
No, gave it up.
189
00:13:37,646 --> 00:13:39,944
Oh, here we go. Here's one.
190
00:13:41,366 --> 00:13:43,357
[Match Strikes]
191
00:13:58,125 --> 00:14:01,026
I want some Polaroids of this.
192
00:14:05,224 --> 00:14:07,215
[Creaking]
193
00:14:07,292 --> 00:14:11,490
It was a one-day shoot.
Easy lighting. Paid in cash.
194
00:14:11,563 --> 00:14:13,895
I wish all my gigs were that easy.
195
00:14:15,617 --> 00:14:19,383
So what about the murder scene?
Look, that's what
the bonus was for.
196
00:14:19,454 --> 00:14:22,150
Glantz said,
"Anyone asks, say the snuff was real."
197
00:14:22,224 --> 00:14:24,886
He wanted some ink on goin' for realism.
It's bull.
198
00:14:24,960 --> 00:14:30,227
It's something.
So, you just, uh, left the lights on
and went for a drink?
199
00:14:30,299 --> 00:14:35,999
Yeah. We got it all, then left the gear there
and went for a pop— me, Glantz, Sam,
the cameraman and the girl.
200
00:14:36,071 --> 00:14:38,437
The guy was too loaded.
201
00:14:39,508 --> 00:14:42,534
Death and the Lady.
I was on that shoot.
202
00:14:42,611 --> 00:14:46,411
Did anything unusual happen?
Yeah. We got paid.
203
00:14:46,481 --> 00:14:49,507
Now, did anyone get killed?
Course not.
204
00:14:49,584 --> 00:14:53,452
I shot every foot of it,
14 rolls in all.
205
00:14:53,522 --> 00:14:57,424
Every frame a work of art.
You're pretty proud of it, huh?
206
00:14:57,492 --> 00:14:59,517
Ah, it's a living.
Uh-huh.
207
00:14:59,594 --> 00:15:01,824
Maybe I'll get an award for it.
208
00:15:01,897 --> 00:15:05,731
Now look, just for the record,
um, did you shoot the whole film?
209
00:15:05,801 --> 00:15:08,929
That's not the whole film,
just the snuff part.
210
00:15:09,004 --> 00:15:13,065
Glantz shot some in Nassau.
Shot some pickups in New York.
The knife going in, for instance?
211
00:15:13,141 --> 00:15:18,340
Yeah.
Well, I knew that wasn't my bit the moment
I saw it. I told him, it's not my style.
212
00:15:18,413 --> 00:15:21,507
He laughed.
He said I caught him.
[Laughs]
213
00:15:21,583 --> 00:15:25,953
He respects me,
but he wouldn't tell me
where he got it.
214
00:15:25,978 --> 00:15:28,189
Yeah, thanks.
Not him.
See you later.
215
00:15:28,256 --> 00:15:30,247
All right. Thanks a lot.
Yeah.
216
00:15:35,605 --> 00:15:41,965
( ♪ The Story Never Ends - Naked Prey ♪ )
217
00:15:42,037 --> 00:15:44,597
[Man #2]
And how fast are you?
218
00:15:44,673 --> 00:15:47,836
[Woman]
Fast as you want me to be.
219
00:15:50,679 --> 00:15:52,977
[Continues, Indistinct]
220
00:15:53,048 --> 00:15:57,178
Remind me again what we're doin'.
Investigating a murder
that took place in a movie.
221
00:15:57,252 --> 00:15:59,447
Mm-hmm.
I was afraid of that.
222
00:15:59,521 --> 00:16:03,150
You know, sometimes they say
that, uh, modeling agencies
recruit women in here.
223
00:16:03,225 --> 00:16:07,127
Well, beauty is where you find it, pal.
Yeah, I heard that.
224
00:16:08,830 --> 00:16:10,821
[Chattering]
225
00:16:11,833 --> 00:16:13,824
[Laughing]
226
00:16:14,836 --> 00:16:18,533
Excuse me, I'm looking for
a young lady, name of Lori.
227
00:16:21,443 --> 00:16:25,004
Mmm. Ask her.
228
00:16:26,915 --> 00:16:28,906
Thanks.
229
00:16:31,480 --> 00:16:34,616
About so tall. Her name's Lori.
230
00:16:41,129 --> 00:16:43,120
Hey, you wanna party?
231
00:16:44,633 --> 00:16:49,502
I wanna talk.
Baby, you know
I only talk in here.
232
00:17:03,999 --> 00:17:05,511
[Bell Dings]
233
00:17:07,556 --> 00:17:11,151
I'm looking for a girl named Lori.
How about a little tip, baby?
234
00:17:20,535 --> 00:17:23,561
Oh, baby. Only two dollars?
235
00:17:24,873 --> 00:17:27,899
She's a blonde. Her name is Lori.
[Bell Dings]
236
00:17:30,145 --> 00:17:32,136
[Groans]
237
00:17:37,152 --> 00:17:39,313
[Bell Dings]
238
00:17:39,387 --> 00:17:41,947
She's about, uh, 22, 23,
239
00:17:43,558 --> 00:17:45,549
5' 8", 5' 9",
240
00:17:46,995 --> 00:17:48,986
long blonde hair.
241
00:17:51,236 --> 00:17:53,227
Maybe.
242
00:17:55,276 --> 00:17:57,608
You know where I can find her?
[Bell Dings]
243
00:18:04,146 --> 00:18:06,137
[Bell Dings]
244
00:18:07,282 --> 00:18:09,273
Hi.
245
00:18:18,093 --> 00:18:20,823
[Man, Woman Arguing In Spanish]
246
00:18:25,417 --> 00:18:28,648
We already talked to Glantz
and the electrician,
and nobody says it happened.
247
00:18:28,721 --> 00:18:32,919
I was there.
I talked to Lori— Blondie—you know,
the girl you said that was dead.
248
00:18:32,991 --> 00:18:36,722
You're wasting our time with this stunt.
We don't like nobody
to waste our time!
249
00:18:36,795 --> 00:18:40,253
I saw her!
He ripped her open!
250
00:18:40,332 --> 00:18:44,530
I dream about it,
and I dream about it!
251
00:18:44,603 --> 00:18:47,265
[Sobbing]
What's the use, huh?
252
00:18:47,339 --> 00:18:49,330
He's a big "Who-do", right?
253
00:18:49,408 --> 00:18:54,141
Well, you cops—You always let
those guys get away with murder!
254
00:19:01,484 --> 00:19:03,577
[TV]
255
00:19:03,653 --> 00:19:06,087
[Tubbs]
Nobody says there was a murder.
Except Knox.
256
00:19:06,156 --> 00:19:10,354
It's his word against
the word of a famous artist
who kids study at college.
257
00:19:10,426 --> 00:19:13,190
And against everybody else
who worked on the film.
258
00:19:13,263 --> 00:19:16,391
Including the woman
who claimed she was killed.
259
00:19:16,466 --> 00:19:18,957
Well, the D.A. Wants an update.
So where are we?
260
00:19:19,035 --> 00:19:21,401
We have nothing.
Find the original negative?
261
00:19:21,471 --> 00:19:24,201
[Switek]
It's at Regal Lab.
We checked it. It's the negative.
262
00:19:24,274 --> 00:19:27,505
No help.
[Hughes]
So I can tell the D.A. It's all showbiz, right?
263
00:19:27,577 --> 00:19:31,138
[Tubbs]
Maybe. This guy Glantz sure has a way
of finally getting your attention.
264
00:19:31,214 --> 00:19:33,944
[Hughes]
Hold it, hold it. Where's the crime?
265
00:19:34,017 --> 00:19:36,315
You said you talked to the woman,
and she's alive.
266
00:19:36,386 --> 00:19:40,789
Look at her eyes. They're dead.
267
00:19:46,476 --> 00:19:49,428
There are the files
on everyone in the industry—
268
00:19:49,499 --> 00:19:52,161
porno films, magazines—
269
00:19:52,235 --> 00:19:54,863
everyone and everything.
270
00:19:54,938 --> 00:19:56,929
Hey, you see that?
271
00:19:57,006 --> 00:20:00,464
Pornographic graffiti
from the ruins of Pompeii.
272
00:20:00,543 --> 00:20:03,034
And this—
this is Hinda Wassau.
273
00:20:03,112 --> 00:20:06,275
The first stripper to ever
caress her own body in her act,
huh?
274
00:20:06,349 --> 00:20:09,250
John Henry Kurtz's
pornographic photographs.
Do you know what?
275
00:20:09,319 --> 00:20:13,593
He sold these in the Civil War
to the Union armies.
276
00:20:13,618 --> 00:20:17,279
Listen, I've got a file on a tape
that you would really enjoy.
277
00:20:17,304 --> 00:20:20,223
Lori Swann, two N's.
278
00:20:20,296 --> 00:20:24,255
She's been in the business a while.
Peep show grind artist, part-time.
279
00:20:24,334 --> 00:20:27,030
Yeah, I'll look.
280
00:20:27,103 --> 00:20:29,333
Lori Swann.
[Typing]
281
00:20:31,241 --> 00:20:33,607
Ah. Born Lauren Swann Hunter.
282
00:20:33,676 --> 00:20:35,974
Huh. Quite a career.
283
00:20:36,045 --> 00:20:40,789
It's too bad these people don't make royalties
on their tape rentals, huh?
[Laughs]
284
00:20:40,814 --> 00:20:46,265
- Is that Death and the Lady?
- Mm-hmm, yeah.
Too fussy for my book though. Self-conscious.
285
00:20:47,423 --> 00:20:50,551
Second one she's made,
though, for the artist.
286
00:20:50,627 --> 00:20:52,465
Talkin' about Glantz?
Mmm.
287
00:20:52,490 --> 00:20:54,325
What's the other one?
[Taps Key]
288
00:20:54,731 --> 00:21:00,030
Twins, last year. Hey, you know,
I've got stills from that here somewhere.
289
00:21:01,938 --> 00:21:04,429
Yeah. Yeah.
290
00:21:05,442 --> 00:21:07,433
[Chuckles]
291
00:21:14,784 --> 00:21:16,775
Twins is right.
292
00:21:19,720 --> 00:21:21,337
( ♪ Rock ♪ )
293
00:21:22,125 --> 00:21:24,116
Hit the bricks, sport.
294
00:21:24,194 --> 00:21:26,185
Go on! Beat it.
295
00:21:27,630 --> 00:21:29,962
Seen any good movies lately?
296
00:21:30,033 --> 00:21:32,160
I just saw a classic.
297
00:21:32,235 --> 00:21:34,726
It was called Twins.
Yeah?
298
00:21:34,804 --> 00:21:36,999
Turn you on big time?
299
00:21:37,073 --> 00:21:39,166
[Gasps]
300
00:21:39,242 --> 00:21:43,083
Who was the other woman?
Hey, no big deal.
We just called her Blaize.
301
00:21:43,108 --> 00:21:46,370
You know where I can find her?
We—We model at art school.
302
00:21:46,599 --> 00:21:50,729
I sometimes pick up some extra.
It's— It's a straight place.
303
00:21:50,803 --> 00:21:53,135
Nude poses, but single only.
No— No doubles.
304
00:21:53,206 --> 00:21:56,073
I'll give you the address.
Thank you.
305
00:22:11,925 --> 00:22:16,794
[Trudy]
Excuse me. Can you tell me
where Mr. Lifton is?
306
00:22:16,863 --> 00:22:19,991
Mr. Lifton?
Sir, we'd like to talk to you, please.
307
00:22:21,634 --> 00:22:25,627
[Gina]
Hi. We're tryin' to locate a model
by the name of Blaize.
308
00:22:25,705 --> 00:22:27,696
Blaize?
Pretty, blonde, medium height.
309
00:22:27,774 --> 00:22:31,767
Ah, well, we get so many
street kids modelin'.
Oh, how about these two?
310
00:22:32,711 --> 00:22:37,273
Sure.
That's, uh, Lori Swann on the right.
311
00:22:37,483 --> 00:22:39,815
The other girl is...
312
00:22:40,820 --> 00:22:43,015
Amy Ryder.
313
00:22:43,089 --> 00:22:45,080
Mm-hmm.
That's her name.
314
00:22:45,158 --> 00:22:47,524
[Chuckles]
I can never remember.
315
00:22:47,594 --> 00:22:51,092
Of course, I haven't seen Amy
in some time— they come, they go.
316
00:22:51,117 --> 00:22:54,791
Amy, um, models here
in exchange for lessons.
317
00:22:54,867 --> 00:22:59,861
Yeah.
No talent, but a real serious worker—
when she shows up.
318
00:23:01,274 --> 00:23:04,471
Some of the students
keep things here—
319
00:23:04,544 --> 00:23:08,412
you know, works in progress,
stuff like that.
320
00:23:08,481 --> 00:23:10,779
This is hers.
321
00:23:10,850 --> 00:23:13,580
Amy's sketchbook.
322
00:23:13,926 --> 00:23:16,759
She was proud of some of this.
323
00:23:17,490 --> 00:23:19,958
Must've figured she was comin' back.
324
00:23:21,461 --> 00:23:23,827
I guess I oughta send it on to her.
325
00:23:32,238 --> 00:23:36,232
You're not Amy Ryder.
Do I have the right apartment?
Uh, no. I'm Jill, her sister.
326
00:23:36,257 --> 00:23:37,981
Oh.
How can I help you?
327
00:23:38,006 --> 00:23:43,915
I'm Sonny Burnett. I take some classes
at the art school that Amy goes to.
I was cleaning out my locker.
328
00:23:43,983 --> 00:23:48,579
I found her sketch pad.
I don't know how the hell it got in there,
but I thought maybe she might want it.
329
00:23:48,655 --> 00:23:53,718
She hasn't been around much since she,
uh, went to make that movie.
I don't know anything about that.
330
00:23:53,793 --> 00:23:56,523
Do you know where she's been?
Oh, she just went out.
331
00:23:56,596 --> 00:24:00,760
Just now?
I mean, she hasn't been out of town?
332
00:24:00,833 --> 00:24:03,666
[Phone Ringing]
No, why would she be?
333
00:24:03,736 --> 00:24:06,398
[Man]
Jillie?
Oh, uh, I gotta go.
334
00:24:06,472 --> 00:24:09,066
Sorry.
335
00:24:09,142 --> 00:24:11,736
[Crowd Chattering]
336
00:24:16,316 --> 00:24:23,097
( ♪ Pleasure, Little Treasure
- Depeche Mode ♪ )
337
00:24:38,237 --> 00:24:40,967
Ah, Mr. Crockett.
Mr. Tubbs.
338
00:24:41,040 --> 00:24:43,270
Have you located my star?
Lori Swann?
339
00:24:43,343 --> 00:24:46,779
Ah, that's her name.
That's not who we're looking for.
340
00:24:46,846 --> 00:24:49,007
We'd like to have a word with you.
341
00:24:50,550 --> 00:24:52,643
Excuse me.
342
00:24:52,719 --> 00:24:55,745
[Continues, Indistinct]
343
00:24:55,822 --> 00:25:00,555
Who are you looking for? [Chuckles]
Her look-alike— the woman
who could've been killed in her place.
344
00:25:00,626 --> 00:25:03,857
Oh, this is wild.
Who is Lori Swann's look-alike,
hmm?
345
00:25:03,930 --> 00:25:05,955
[Laughs]
Come on, Mr. Glantz.
346
00:25:06,032 --> 00:25:09,627
You worked with her before.
The woman in the close-up.
347
00:25:09,702 --> 00:25:14,002
The woman who was killed.
Mr. Crockett,
you're fixated on dead people.
348
00:25:14,073 --> 00:25:16,598
Are you a necrophiliac?
Come on.
[Chuckling]
349
00:25:19,509 --> 00:25:22,472
No. No, not yet,
but I'm workin' on it.
350
00:25:22,548 --> 00:25:25,278
You know, you're a man
motivated by curiosity.
351
00:25:25,351 --> 00:25:27,342
So am I.
352
00:25:27,420 --> 00:25:28,861
It's fascinating.
353
00:25:28,895 --> 00:25:31,408
We're the same kind of person.
354
00:25:32,325 --> 00:25:34,316
No, we're not.
355
00:25:36,796 --> 00:25:39,026
I think this is dirty business,
356
00:25:40,743 --> 00:25:42,734
and you think it's art.
357
00:25:46,018 --> 00:25:48,769
Hmm.
Your cameraman, Sam Asch,
358
00:25:48,841 --> 00:25:51,969
said that he wasn't present
when you shot the murder inserts.
359
00:25:52,044 --> 00:25:55,741
No, he wasn't.
You'd like to meet the woman
I used for the inserts?
360
00:25:55,815 --> 00:25:58,079
Amy Ryder?
Who?
361
00:25:58,150 --> 00:26:00,619
Amy Ryder.
Lori's double.
362
00:26:00,644 --> 00:26:02,807
Oh, of course, Amy Ryder.
363
00:26:02,832 --> 00:26:08,016
But I thought you meant the double
I used in Death and the Lady—
Margot Frank.
364
00:26:13,549 --> 00:26:17,299
Margot is the unacknowledged star
of a number of my films.
365
00:26:17,324 --> 00:26:19,383
[Both Chuckle]
366
00:26:19,689 --> 00:26:24,126
In New York we did the pickup scenes—
you know, the close-ups
and the special effects.
367
00:26:24,193 --> 00:26:29,559
- When?
- Umm, six weeks after we finished
filming here and in the Bahamas.
368
00:26:29,584 --> 00:26:32,144
I can get the exact dates
if you like.
369
00:26:35,304 --> 00:26:37,966
Margot also...
370
00:26:38,617 --> 00:26:40,608
did the dead eyes.
371
00:26:57,526 --> 00:27:00,791
So drop by when I have more time,
372
00:27:00,863 --> 00:27:04,765
and I'll give you a course on
how much more real art is than life.
373
00:27:05,901 --> 00:27:10,031
But now I have this dumb party to attend to,
so if you'll excuse me—
374
00:27:13,542 --> 00:27:15,533
Something wrong?
375
00:27:17,947 --> 00:27:20,074
Tell me.
376
00:27:20,149 --> 00:27:23,744
What was it like playing a woman
that gets raped and then murdered?
377
00:27:23,819 --> 00:27:26,219
It was fun.
378
00:27:26,288 --> 00:27:28,950
I've done—
[Laughs]
379
00:27:29,025 --> 00:27:31,016
Lots of things.
380
00:27:43,205 --> 00:27:46,140
My film must've convinced you.
Hmm?
381
00:27:46,449 --> 00:27:51,113
And I didn't even have to go through
the trouble of really killing someone.
Aah!
382
00:27:52,381 --> 00:27:54,941
Yeah, it bein' so messy and all.
383
00:27:59,355 --> 00:28:01,880
[Crowd Cheering]
384
00:28:14,168 --> 00:28:16,762
[Woman On TV]
And now, this week's
"Spotlight On Show Business."
385
00:28:16,838 --> 00:28:20,968
Entertainment reporter Robert Selnik
comes to us with a very different look...
386
00:28:21,042 --> 00:28:24,307
into the often steamy world
of X-rated films.
387
00:28:24,379 --> 00:28:26,870
[Selnik]
The press for years created a wall...
388
00:28:26,948 --> 00:28:30,406
separating those people within
the business of pornography...
389
00:28:30,485 --> 00:28:33,010
from the rest of the industry.
390
00:28:33,087 --> 00:28:36,648
At this point it's time to introduce you
to some of the controversy...
391
00:28:36,724 --> 00:28:40,717
surrounding the Continental Erotic Art Awards
that are going on in Miami right now.
392
00:28:40,795 --> 00:28:44,754
One of the people who has brought down
the house, so to speak, is Milton Glantz.
393
00:28:44,832 --> 00:28:46,823
Milton, welcome.
394
00:28:46,901 --> 00:28:48,892
Let me start by asking:
395
00:28:48,970 --> 00:28:53,270
Do you use erotic violence in your movies
to titillate your audience?
396
00:28:53,341 --> 00:28:57,573
I try to bring out the element
of violence and danger.
397
00:28:57,645 --> 00:28:59,636
[Laughs]
And...
398
00:29:01,015 --> 00:29:06,612
that exists only when illusion
and reality have a very fine line.
399
00:29:06,688 --> 00:29:11,819
[Selnik]
Well, the audience is, after all,
sitting in a theater. They know this isn't real.
400
00:29:11,893 --> 00:29:13,986
[Glantz]
Well, I think the audience...
401
00:29:15,296 --> 00:29:17,287
has an appetite...
402
00:29:17,365 --> 00:29:19,799
for violence...
403
00:29:19,867 --> 00:29:21,858
that is primal—
404
00:29:23,071 --> 00:29:25,733
that releases in them...
405
00:29:26,741 --> 00:29:30,734
an awareness in
an unconscious level that, uh—
406
00:29:30,812 --> 00:29:32,803
that is very frightening.
407
00:29:32,880 --> 00:29:37,078
And I am just a facilitator of that.
408
00:29:37,151 --> 00:29:39,142
I am just—
409
00:29:53,434 --> 00:29:55,425
[Tubbs]
Sonny.
410
00:29:56,804 --> 00:29:58,795
You all right?
411
00:29:59,807 --> 00:30:01,798
Yeah.
412
00:30:04,212 --> 00:30:06,373
You want somethin' particular, Rico?
413
00:30:10,017 --> 00:30:12,008
Just dropped by.
414
00:30:16,257 --> 00:30:18,817
It's a beautiful night.
415
00:30:18,893 --> 00:30:21,259
Moon over Miami.
416
00:30:29,771 --> 00:30:31,762
[Bottle Thuds]
417
00:30:34,375 --> 00:30:37,606
I was thinking about somethin'
that happened when I was in high school.
418
00:30:39,670 --> 00:30:41,604
Yeah?
419
00:30:42,438 --> 00:30:44,372
What?
420
00:30:49,257 --> 00:30:51,248
There was this girl.
421
00:30:53,694 --> 00:30:56,686
She was no beauty,
but she was nice.
422
00:31:01,069 --> 00:31:05,506
She got drunk one night at a victory party
after one of our games, and...
423
00:31:08,242 --> 00:31:11,040
went off with a bunch
of the guys from the team.
424
00:31:12,980 --> 00:31:14,971
This happened,
425
00:31:15,049 --> 00:31:17,040
that happened.
426
00:31:19,520 --> 00:31:22,080
One of the guys took
a Polaroid picture of her.
427
00:31:24,759 --> 00:31:26,750
The next day he...
428
00:31:28,907 --> 00:31:31,068
put it up in the locker room.
429
00:31:31,093 --> 00:31:34,085
It was pretty raw stuff, you know?
430
00:31:39,107 --> 00:31:41,098
She never knew about it.
431
00:31:43,251 --> 00:31:45,412
Yeah?
But that's not the point.
432
00:31:46,903 --> 00:31:50,093
It didn't matter that she
didn't know about it.
433
00:31:50,118 --> 00:31:55,454
It wasn't any of my business.
I didn't have anything to do with it.
But I f— I felt like I sh—
434
00:31:58,326 --> 00:32:00,851
[Sighs]
I should've ripped that picture down.
435
00:32:10,369 --> 00:32:12,360
But I never did.
436
00:32:21,983 --> 00:32:23,974
[Sighs]
437
00:32:26,821 --> 00:32:31,554
This is the insert that Glantz says
he shot of his model Margot in New York...
438
00:32:31,626 --> 00:32:35,687
six weeks after
he'd filmed Lori here.
439
00:32:35,763 --> 00:32:39,074
I got Regal Lab to print this
up from the original negative.
440
00:32:39,099 --> 00:32:42,000
Look at the edge numbers.
The lab numbers?
What about 'em?
441
00:32:42,069 --> 00:32:44,299
These are frames...
442
00:32:44,371 --> 00:32:46,729
of the film with Lori,
443
00:32:46,757 --> 00:32:49,248
before the murder insert.
444
00:32:49,327 --> 00:32:52,421
Now look at these edge numbers.
Hmm.
445
00:32:52,496 --> 00:32:57,763
They're in a slightly different sequence,
but they're close to the others.
446
00:33:01,639 --> 00:33:04,767
- This case really got to you, didn't it?
- Case?
447
00:33:06,010 --> 00:33:08,069
What damn case?
448
00:33:08,145 --> 00:33:11,205
We don't have a damn case.
Right.
449
00:33:12,197 --> 00:33:14,274
The D.A. Said we didn't have a case.
450
00:33:14,352 --> 00:33:17,253
Because Lori Swann is alive, right?
Right.
451
00:33:18,522 --> 00:33:22,083
And because
her look-alike Amy Ryder...
452
00:33:22,159 --> 00:33:24,593
was at home with her sister
this afternoon, right?
453
00:33:24,662 --> 00:33:29,031
Yeah.
And Glantz says he shot the murder
close-up in New York...
454
00:33:29,100 --> 00:33:31,193
with a Margot someone.
455
00:33:31,268 --> 00:33:33,793
But the numbers
on the murder close-up...
456
00:33:33,871 --> 00:33:36,965
and the numbers
of the scenes with Lori...
457
00:33:37,041 --> 00:33:39,032
are damn near the same.
458
00:33:39,110 --> 00:33:42,307
Similar numbers means Glantz lied.
459
00:33:42,380 --> 00:33:45,474
Three possible doubles
and they're all alive, huh?
460
00:33:45,549 --> 00:33:50,953
Now you and me and Castillo,
we got how many years
of experience between us?
461
00:33:51,021 --> 00:33:53,990
Forty, 45.
Somethin' like that.
462
00:33:54,058 --> 00:33:57,494
- Hmm. And we're wrong?
- Right.
463
00:33:57,561 --> 00:34:00,223
- You believe that?
- Hell, no.
464
00:34:02,233 --> 00:34:04,047
Let's go.
465
00:34:04,072 --> 00:34:07,429
[Man]
Jillie, who is it? Who's calling at this hour?
Go back to bed, Dad.
466
00:34:07,505 --> 00:34:10,668
Who—Who is it, Jillie?
It's me, sir.
Sonny Burnett.
467
00:34:10,741 --> 00:34:13,904
I just stopped by to askJill
a couple of questions about her sister.
468
00:34:13,978 --> 00:34:17,175
Oh, she don't have a sister.
I only got one daughter.
469
00:34:17,248 --> 00:34:19,307
Just one.
Don't have another.
470
00:34:19,383 --> 00:34:21,851
Okay, Dad. Go to bed.
471
00:34:21,919 --> 00:34:26,288
Dad doesn't approve of Amy's
modeling at the art school.
What else doesn't he approve of?
472
00:34:26,357 --> 00:34:31,818
She got mixed up with that guy
Glantz, didn't she?
I've never heard of him. It's late.
473
00:34:31,896 --> 00:34:35,457
When I was here before,
you lied when you said that Amy just left.
474
00:34:35,533 --> 00:34:38,001
Why? Where is she?
475
00:34:38,068 --> 00:34:41,367
She moved out
a couple of months ago.
To do that movie with Glantz,
476
00:34:41,439 --> 00:34:46,706
Death and the Lady, right?
No. No movies. I haven't seen her
since she left. Please go.
477
00:34:49,747 --> 00:34:52,113
I don't want my Dad
to find out.
478
00:34:52,183 --> 00:34:54,174
She said she was,
but that's all I know.
479
00:34:54,251 --> 00:34:57,186
Did she tell you what
she was gonna do in that film?
480
00:34:57,254 --> 00:35:00,189
No, really, that's all I know.
That's all she told me.
481
00:35:02,092 --> 00:35:04,083
Jill—
482
00:35:07,465 --> 00:35:09,456
That's enough.
483
00:35:21,445 --> 00:35:26,576
In the time frame you're looking at,
there were six female Caucasians
age 20 to 30...
484
00:35:26,650 --> 00:35:30,518
who turned up as
Jane Doe, deceased, in Florida.
485
00:35:30,588 --> 00:35:33,489
We've got two of'em in
theJackson Memorial Morgue.
486
00:35:33,557 --> 00:35:37,323
One of'em was interesting.
Some kind of a voodoo—
487
00:35:37,394 --> 00:35:39,385
Anybody with knife wounds?
488
00:35:40,564 --> 00:35:43,658
Five. Knives are
the weapons of choice
these days, you know.
489
00:35:43,734 --> 00:35:48,694
Yes, I know.
Look, why don't you pull the records?
We'll see if we can come up with a match.
490
00:35:48,772 --> 00:35:51,832
Well, they'll have to come
from Tallahassee in the morning.
491
00:35:51,909 --> 00:35:54,969
It must be something special.
492
00:35:55,045 --> 00:35:57,036
What?
The case—
493
00:35:57,114 --> 00:36:01,073
to drag me out of bed.
It's a work of art.
494
00:36:01,151 --> 00:36:04,951
You lied to me about seeing your sister,
and you're lying to me about Glantz.
495
00:36:05,022 --> 00:36:09,356
You weren't telling me the truth.
And I think you're
tryin' to protect him.
496
00:36:09,426 --> 00:36:12,418
No, I've never even met him.
Well, you should.
497
00:36:13,430 --> 00:36:16,058
He killed your sister.
498
00:36:16,133 --> 00:36:18,294
And I think you know that too.
499
00:36:18,369 --> 00:36:21,338
Just talk to us, Jill.
Please leave me alone.
500
00:36:21,405 --> 00:36:24,133
What was it, blackmail?
Did Glantz threaten you?
501
00:36:24,158 --> 00:36:28,336
I wanna go.
You know,
I can't get this film outta my head.
502
00:36:28,412 --> 00:36:32,371
I can't get it outta my head,
and she's not even my sister.
Have you seen it?
503
00:36:32,449 --> 00:36:35,907
I'll bet you haven't even seen it.
Take a look at this.
No, I don't—
504
00:36:35,986 --> 00:36:40,389
Take a look at it. You take a look at that,
and then tell me you wanna protect Glantz.
505
00:36:40,457 --> 00:36:42,448
Go ahead.
Take a look at that.
506
00:36:42,526 --> 00:36:44,406
Hmm?
Please—
507
00:36:44,445 --> 00:36:47,903
- Look at that. Take a look at that.
That guy killed her!
- That's not my—
508
00:36:47,982 --> 00:36:50,951
- Look at it. Look at it!
- Tell him!
- You look at her!
509
00:36:51,018 --> 00:36:53,248
Not me, you!
510
00:36:53,320 --> 00:36:55,788
I know what she went through—
511
00:36:55,856 --> 00:36:58,882
not the snuff film, before.
512
00:36:58,959 --> 00:37:03,020
She let Glantz do that to her!
She let him!
513
00:37:05,065 --> 00:37:09,126
[Sobs]
She was so snowed out, she wasn't there.
514
00:37:13,441 --> 00:37:15,432
[Crying]
515
00:37:17,000 --> 00:37:18,991
She was dying.
516
00:37:21,015 --> 00:37:23,711
She had two, three weeks to live.
517
00:37:26,253 --> 00:37:28,483
She had thoracic cancer.
518
00:37:32,993 --> 00:37:35,928
Glantz paid her a lot—
519
00:37:39,667 --> 00:37:43,398
money she gave to Dad
for his treatments.
520
00:37:49,944 --> 00:37:52,640
She said it was Glantz's money.
521
00:37:53,205 --> 00:37:55,400
It was cash.
522
00:37:55,916 --> 00:37:58,316
There's no record.
523
00:38:18,038 --> 00:38:22,532
Ah, Mr. Crockett, Mr. Tubbs.
Doing a little late-night collecting?
I'm afraid the gallery is—
524
00:38:22,610 --> 00:38:24,601
[Crockett]
You have the right to remain silent.
525
00:38:24,678 --> 00:38:28,409
Anything you say can and will be used
against you in a court of law.
526
00:38:28,482 --> 00:38:34,011
You have the right to an attorney.
If you cannot afford one,
one will be appointed for you.
527
00:38:38,523 --> 00:38:41,321
Yeah, Glantz wasn't even there
when they filmed her death.
528
00:38:41,392 --> 00:38:44,623
He hired a guy who could be
anywhere in the world right now.
529
00:38:44,696 --> 00:38:50,134
I'll get the F.B.I. To run a trace.
See if they can come up with any
mechanics that were here during July.
530
00:38:50,201 --> 00:38:54,969
Yeah? Tell 'em we're lookin' for a guy
in a wolf's head who did something
a little stronger than euthanasia.
531
00:38:54,994 --> 00:38:57,485
And don't hold your breath
while we're waitin'.
532
00:38:58,734 --> 00:39:02,534
The fingerprints from
theJane Doe, deceased,
that the coroner came up with—
533
00:39:02,547 --> 00:39:05,948
They do match Amy Ryder's.
534
00:39:06,017 --> 00:39:10,716
They found her 11 days
after the murder in an alley in Tampa.
"Homeless" was the designation.
535
00:39:10,789 --> 00:39:12,125
[Footsteps Approaching]
536
00:39:12,150 --> 00:39:17,890
There were knife wounds where we'd expect,
but the medical examiner cannot identify them
as the immediate cause of death.
537
00:39:18,863 --> 00:39:21,423
He says it could have
been the cancer.
538
00:39:21,499 --> 00:39:25,401
Amy Ryder has been missing
since this film was shot.
[Meowing]
539
00:39:25,470 --> 00:39:30,100
Glantz lied about when and where
he shot the insert of the murder.
540
00:39:30,175 --> 00:39:33,201
Now, have you ever heard
of a murderer before...
541
00:39:33,278 --> 00:39:38,238
making a film about the act,
and then showing it to thousands of people?
542
00:39:39,517 --> 00:39:42,850
He killed her,
and now he's flauntin' it.
543
00:39:43,922 --> 00:39:47,380
His lawyer could start a jury
thinkin' that maybe he did her a favor.
544
00:39:47,459 --> 00:39:50,087
Work on their compassion.
You know what I mean?
545
00:39:51,296 --> 00:39:53,821
It's still murder.
546
00:39:53,898 --> 00:39:55,889
This is no mercy killing.
547
00:39:55,967 --> 00:39:59,403
It is bloodless,
brutal exploitation.
548
00:39:59,471 --> 00:40:04,033
Even if she wanted it,
she was his victim.
549
00:40:04,109 --> 00:40:07,272
Look, I'm 60% with you, Crockett.
550
00:40:07,345 --> 00:40:11,008
I just— I can't sell what we've got to a jury.
It's all circumstantial.
551
00:40:11,082 --> 00:40:13,765
Come on. Edge numbers?
Body doubles?
552
00:40:13,790 --> 00:40:17,677
You can't even prove that the money
Amy left her father came from Glantz!
553
00:40:23,027 --> 00:40:25,461
Let's spend our time
on somebody we can nail.
554
00:40:27,999 --> 00:40:30,058
What was it that Glantz said?
555
00:40:31,069 --> 00:40:33,060
"This wasn't a murder.
556
00:40:33,989 --> 00:40:37,550
[Meows]
It was erotic performance art."
557
00:40:38,826 --> 00:40:41,420
[Tubbs]
This has got to be
a new legal record, Hughes.
558
00:40:41,496 --> 00:40:45,432
[Bell Dings]
Guy walks on murder one in six hours
and 11 minutes by my watch.
559
00:40:45,500 --> 00:40:49,437
[Hughes] I tried to tell you, there's no case.
You should've reviewed the evidence with me
before you busted him.
560
00:40:49,462 --> 00:40:54,547
We got an eyewitness to the murder.
The sister said she made the movie.
I caught Glantz in a lie. What else do you want?
561
00:40:54,572 --> 00:41:00,195
I got too much. I got three blondes. I got
20 witnesses who put Glantz a mile away.
What'll get 'im?
562
00:41:00,220 --> 00:41:02,396
Proof of murder would be nice.
563
00:41:15,771 --> 00:41:19,577
Tell me, Mr. Crockett.
When I go back to work,
do you intend to arrest me again?
564
00:41:19,650 --> 00:41:22,710
Perhaps on
a more substantial charge?
565
00:41:23,326 --> 00:41:25,371
My friends, who,
by the way, include...
566
00:41:25,396 --> 00:41:29,332
nearly a dozen major
museums and contributors,
567
00:41:29,444 --> 00:41:31,435
are quite concerned...
568
00:41:31,513 --> 00:41:34,482
about your efforts
to limit my artistic freedom.
569
00:41:36,418 --> 00:41:41,720
You weren't being censored, Milt baby.
You were being arrested for murder.
570
00:41:42,991 --> 00:41:46,256
Yes, assuming someone was murdered
during the filming of my movie,
571
00:41:46,328 --> 00:41:50,890
and assuming that I wasn't miles away
at a bar with witnesses when it happened,
572
00:41:50,966 --> 00:41:55,630
and assuming that you can prove
that I had planned it.
573
00:41:56,838 --> 00:41:59,500
Perhaps it was just the psychotic act...
574
00:41:59,574 --> 00:42:03,874
of a porn star who went crazy
when the cameras were running.
575
00:42:04,655 --> 00:42:07,351
But that's not what happened.
576
00:42:07,980 --> 00:42:09,971
Is it?
577
00:42:10,919 --> 00:42:13,080
Merely hypothetical.
578
00:42:13,154 --> 00:42:16,681
But it might make an interesting
defense if I ever need one.
579
00:42:28,937 --> 00:42:30,928
Another day, Detective.
580
00:42:41,883 --> 00:42:48,595
( ♪ The Edge of Town - The Truth ♪ )
581
00:44:15,110 --> 00:44:17,442
[Glantz]
Detective Crockett.
582
00:44:17,512 --> 00:44:21,243
Have you come...
to wish me bon voyage?
583
00:44:21,316 --> 00:44:23,307
[Inhales Deeply]
584
00:44:23,384 --> 00:44:26,945
This is nice.
Very nice, Glantz.
585
00:44:30,892 --> 00:44:33,258
Powerful, powerful picture.
586
00:44:39,701 --> 00:44:42,499
And it's—
587
00:44:42,570 --> 00:44:44,697
it's all okay.
588
00:44:44,772 --> 00:44:46,763
Isn't it?
589
00:44:49,978 --> 00:44:52,412
Because you didn't kill her.
590
00:44:52,480 --> 00:44:54,471
Right?
591
00:44:56,851 --> 00:44:59,217
You were—
592
00:44:59,287 --> 00:45:03,280
You were in a bar...
with witnesses when it happened.
593
00:45:03,358 --> 00:45:05,349
Right?
594
00:45:08,796 --> 00:45:11,526
Yeah. Eh!
595
00:45:12,534 --> 00:45:14,525
She would've died anyway.
596
00:45:20,975 --> 00:45:22,966
So you got away with it.
597
00:45:24,179 --> 00:45:26,739
The perfect murder—
598
00:45:30,875 --> 00:45:32,866
all in the name of art.
599
00:45:33,655 --> 00:45:35,646
Right?
600
00:45:39,794 --> 00:45:41,785
Wrong.
601
00:45:48,236 --> 00:45:51,501
You think violence is attractive?
602
00:45:52,807 --> 00:45:57,403
You think violence is chic and artistic?
603
00:45:59,914 --> 00:46:02,474
You think violence is fun?
604
00:46:04,553 --> 00:46:06,851
Do you wanna know what violence is?
605
00:46:12,427 --> 00:46:15,123
This is violence.
[Grunts]
606
00:46:17,602 --> 00:46:20,372
[Groans]
Is that attractive?
607
00:46:20,635 --> 00:46:22,626
That excite you, huh?
608
00:46:24,205 --> 00:46:26,366
That titillate you? Did it?
609
00:46:27,709 --> 00:46:30,075
Was that chic? Huh?
610
00:46:30,144 --> 00:46:32,578
Did you like that?
611
00:46:32,647 --> 00:46:35,445
Get over here.
Stop.
612
00:46:35,516 --> 00:46:37,507
[Groaning]
613
00:46:49,430 --> 00:46:51,421
[Panting]
614
00:46:57,405 --> 00:47:00,135
[Door Opens]
615
00:47:00,208 --> 00:47:02,836
[Door Closes]
[Siren Wailing In Distance]
616
00:47:18,012 --> 00:47:25,247
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