Original subtitles

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- He good.

That's my homie.

- Think you a hustler?

- Yeah.

- What?

- I can be.

- You better be.

- Oh, hey.

Rasheed.

- What you got for me?

Huh?

Huh?

- Hey!

Come on!

- Go, go!

Get him!

- Go. Go!

- Whoa!

The fuck are you doin'?

- What up, tho?

- What's up man?

- We got a problem.

- Is that right?

- Sheed, bro.

- Breeze?

What about y'all?

So y'all scared of that bitch, Breeze.

- Y'all too pretty to get down, huh?

- They was hidin'?

Was they late?

- Hung the little dude out to dry.

- You runnin' point, right?

You runnin' point, right?

Lay down.

Put your head up, nigga.

Put your head up.

Right there.

Yeah, right there.

Yeah, right!

Mm-hm. Mm-hm.

Yeah.

- I tried to get my money.

- Huh? Huh?

fuck with you.

Take your position and handle my business.

Man up.

- Mr. Preston, you got a minute?

- Rasheed, uh, not really, no.

Hey, how's the 12th Street thing comin'?

- It's gettin' there.

- Good, keep it up.

* I'm ballin' out I'm a champ

* Yeah

* Hand look too good, they can't stand

* Gold round my neck it be gleamin'

* Yeah

* I'm givin' no pass

* Come on

* They know my game is no talk

* Yeah

* We eatin' y'all niggas starve

* Yeah

* Fuck with these bitches like whores

* I'm way above average

* What

- Jesus Christ, Holder.

What the hell are you talkin' about?

We're talkin' Breeze and Sheed in the same place.

Same time.

This place?

- My informant's good.

- All right.

* In a league of

* I'm way above average

* When the game start and I'm smashed

* Superstar bitch ain't no accident

- No, not now.

No, no, no, wait, wait.

Whoa, whoa, sit down.

Here, sit down.

* In the room with your bitch I want passion

* Hittin' the gas I'm in Nascar

* I'm lightin' the kush while she's givin' me head

- He hit our boy, Sheed.

- Cal, we got it.

Relax.

- Move. Get the fuck outta my way.

This is where I gotta come find you?

Where were you last night?

Who the fuck are these bitches?

Who are you?

Hello.

Where were you?

Damn it, answer me.

Why didn't you text me back?

Get off of me.

- Get a drink.

* They know our game isn't talk

* Yeah

* We eat and y'all niggas starve

* All these bitches like

- Rasheed, where were you?

I was lookin' for you.

* Into the I go coast to coast

* Whoa

* In a league of my own

* Yeah, yeah

* I'm givin' no pass

* Into the flow I go coast to coast

* Give to the rich I go coast to coast

* In a league of my own

* Yeah, yeah, yeah

* I'm way above them

- Whoo!

Some hoes in here.

Hey man, you see all them hoes?

- My man was 14.

- What?

* I'm YSL

* I'm YSL

* You're young and slick

* Livin' rich

* Got your own film

* I don't fuck with

- I said my little man was 14.

- Don't send a boy to do a man's jo--

- There, bitch ass.

Wild, huh?

* Can't you tell

* I'm like the

- Yeah!

Bitch ass. What?

Get yo bitch ass up.

I ain't no fuckin' kid.

Whoa, whoa.

Oh yeah?

Yeah, come on.

Come on, come on, nigga.

Come on! Come on.

Come on.

Get yo ass up.

* My shoes they made the white sale

* Tap, tap, tap

* Can't, can't you tell

* I'm slick, young, and rich

- Breeze?

* I'm YSL

* I'm YSL

- Breeze.

Breeze.

Come on, get up dog.

Breeze, get up.

- Well, I guess...

- You doin'?

You doin' it again, Sheed.

All right, lookin' at me like...

I ain't had no choice.

Hey, you know me.

- It's why I know you be on that wild shit.

- Wild shit that you knew about,

that you need me to do.

That helped us get here with all this shit.

- Either way, you started a war, man.

- Nigga, he hit our boy.

He started the fuckin' war!

- Look at me.

Look, this is messy, sloppy.

This, all this.

It all can go fuckin' down, man.

And you ain't fuckin' this up.

Look, nigga, do you understand what I'm sayin'?

- I hear you.

- Yeah.

- So what now?

- They're weak and it's our time.

It's our fuckin' time.

- Yeah.

See, that's what I'm talkin' 'bout.

That's what I'm talkin' 'bout!

Yeah, we comin' for y'all!

- You know, your Mom's so proud.

Hey, come on, baby.

Smile. Smile.

Aww.

Finish eatin'.

Look, they've been givin' these out all week.

Somethin' about renovation.

- Who?

- Some company.

Calvin still over at the mayor's office?

Why don't you ask him?

You're my little boy.

Always first in my heart.

Hey, baby.

- What's goin' on?

- How ya doin'?

- Took a stack for you, two for the center.

Get 'em coats, boots, and all that shit.

It's cold outside.

- Okay.

- You makin' friends or what?

- Nah.

They're way too bougie for me over here.

- Is that right?

It's cold out here, go in the house.

Gotta run.

- What you up to now?

Hm?

- Go in the house, Ma.

I'll call you later.

- You don't get into any trouble now, ya hear me?

- Naw, never that.

- I love you.

- This is where all of our associates sit.

Our interns are over here.

our main consultants sit in the back corner.

Requests for proposals, you know pretty much

everything that you could need in terms, yeah?

- This kid right here, is he new?

- Oh, Rasheed? - Yeah.

- Rasheed is, uh, he's been with us for a little while now.

Into the meeting?

- Yes, please. - Sure.

Hey. Hey.

- Now, I believe most of you know me

and the founder of Holder Group

certainly needs no introduction.

What I wanna talk to you about today is the--

- Howard Roark.

Everybody knows who that is, right?

Of course ya do, you're architects.

What we're looking for is our very own Howard Roark.

We have a very unique project on our hands

with the Brewster Homes redevelopment.

What we need is the best of this new breed of architect

that your boss here claims to have.

- Hey everybody.

Hey, thank you so much for bein' here.

Nice to see you.

Nice to see you, Jim.

The only way we will return to the greatness

that we once had, is workin' together.

- Yes.

- We can change this city.

We're already there.

We just need to go one step further.

- Mayor lookin' like a goddamn hustler.

- Jim, you're the big bear, I'm the little bear.

You gotta help the little bear.

You gonna have to help the little bear, Scott.

Okay, 'cause I'm countin' on y'all.

Okay, thank you so much.

Thank you.

- Beautiful, Mayor.

Excuse me, guys.

- Who's your boy?

- Some clown.

Election's comin' up.

You know how that is.

They gon' come, they gon' go.

- This guy a friend of yours?

- Oh yeah, best friend.

- Let me know when you finish adding up

all the money we made today.

The mayor and I would really appreciate that.

- You got it.

- All right, buddy.

- All right, now.

- All right.

What was that, Calvin?

- Some shit.

- Hey, how's it goin'?

Thank you guys for havin' me.

I just wanna say that, um, I have the vision

and hunger central to the Holder ethos.

Right here is my latest rendering.

A design that exceeds platinum lead certification.

- I'm sorry, but why would a building

ever need to exceed platinum?

Silver is more than sufficient for, what,

99% of most contractors' needs?

- Well, with platinum you can be--

- Seems a bit excessive, no?

- No, that's good, son.

What else do you have?

- I'm workin' on a mall right now.

- I thought Anderson had the MacMillan contract.

- It's on 12th Street.

- You mean a strip mall?

- Yes, a strip mall.

- Thank you for your time, Rasheed.

Appreciate it.

- I'm sorry, can I take a look at that one?

In the book?

What is this?

Go ahead.

- It's a design at the community center

down at the Brewster Projects.

I used to walk through there when I was a kid.

I used to imagine what it would be like one day

just to make things better there.

Fix it up, ya know?

- Thanks.

What were you doin' down in that neighborhood as a kid?

Just curious.

- I'm from there.

The Brewster Projects.

- Mack and Bewick, 2nd and MLK, 6 Mile and Woodward,

that strip club right there?

Then there's Grand River and Beck.

- Good, good.

- Hey man, you wastin' your time.

My numbers are good.

- Cal, what's this?

- What?

- Right here.

Right here.

Right here, look.

What's this?

- Come on, Sheed.

- A couple months?

- How long we known Old Duke?

- He's makin' us look bad.

Not now, bro.

- It's Mr. Davis.

- Yo, Sheed.

Hey, what's up?

Yo, y'all doin' that again at Christmas?

- Buy Christmas gifts for your kids

while y'all out here pissin' cash on this dice, right man?

- Aww, come on, man.

- You seen Mr. Davis?

You seen Mr. Davis, bro?

Shit.

Hey, girl.

Hey, hey, come here when I'm talkin' to you.

- Hey, yeah, yo.

- Who the hell?

- Relax, dude.

Hey, Maya.

Maya.

What you doin' here, hm?

- I'm goin' home.

- Home?

Maya!

What's this?

- I'm in school now.

- I'm lookin' for your Daddy.

- Of course you are.

- You stayin' with him?

- He stays with me.

When he stays.

- And then I want you to start

with the first question.

What are your favorite foods to eat and why?

For the teacher you know you can put

my name there, Mr. Davis.

- Mr. Davis.

Mr. Davis, look at me.

- Come here, boy.

Come here.

How you doin'?

- Hey, man.

- I thought you forgot about us.

- No, of course not.

What you got goin' on here?

- Yeah, I just came back from takin' the kids

to the Arab World Festival.

And they were bored for a minute there,

then the belly dancers came out and started shakin'

and then the boys just lit up.

Look at you.

- Though they hadn't got my attention.

- Shut up, boy, what's up?

- Hey. Hey!

Since when's customer service part of your stees?

You seein' if they're satisfied?

You two know each other, right?

- Y'all know each other?

- Rasheed.

- Thomas.

I think I've seen him around.

- Don't be stupid now.

Tell me that this is your boss.

- I've never seen him.

- You ever been locked up?

- Juvie.

It ain't shit.

- Juvie.

On this wrap you start off in juvie.

You transfer to state at 18.

- Girls, school, sports, prom, fun.

You won't have any of it.

- I never seen him.

- I guess he wants to go for a ride.

You're one hell of a role model.

It's only a matter of time.

Somebody's gonna break.

- That badge can break, too.

You done?

- It's a beautiful place, man.

It's kinda hard to keep it together,

but I'm glad we're doin' it.

- I miss you, man.

- I miss you, too.

I'm glad you came back.

- Maya. Hey.

- Hey. - What's up?

- How are you?

- I'm good. - Good.

I love this music.

- For real?

- Oh, my God, yeah.

- Classical Spanish guitars, it's the best.

- Yeah.

- Calvin.

What's up, boy.

- What's up, man? - What's up, boy?

- Hey, baby. - Hey.

- Lookin' good.

- Dance with me.

- Not right now, baby.

Not to this.

All right? - Okay.

- Well, it looks like things done changed.

- You still in there, Calvin.

At least you didn't get killed on your interview like I did.

- Was it that bad?

- Worse.

- He ain't talk, did he?

- He's 14.

- So?

Got his ass whooped, doin' a little bit.

That's part of the game.

That boy earnin' his stripes.

- And that New Jack City crackhead center,

what part of the game is that, Cal?

- Those are our best customers.

- My mama doin' charity work at that place, man.

- Hey, man.

I thought we agreed you was gonna lay low

until Holder was off your ass.

All right, let me handle this day to day shit.

- Then handle it, Cal.

- I got this.

You need to tell me what's goin' on.

- I saw Maya.

What's up with her?

- Here.

- I feel like I'm in a movie.

Will Smith, huh?

I Am Legend.

Ah, look.

Breeze is gone

and the heat is pointing towards you.

Means the streets are talking.

- And we are the fuckin' streets.

- Take it easy, firecracker.

- Hold up, Cal, hold on.

- Too much, gun powder, man.

You might explode. Pow!

- Cal, let him breathe, man.

Let's see what he gotta say.

- Not a good time to make a new deal.

You see crack is black.

Bills, methamphetamines, it's a whole new game.

International.

So stick to what you know.

- Hey, everybody.

Today, it's a historic day because this represents

a new time, a new destiny in this city.

We're all tied together in a single garment

of mutual destiny, which means that my future's

inextricably linked with his and yours and yours and yours.

And together we're making a new Detroit.

When I talk about the new Detroit,

this is what I think about.

I think about projects and developments like this.

And I think about this young man here.

- Thank you, thank you.

Yes, yes, this project is very special to the company.

But no more special to anyone in this room

than the person that we are naming as lead architect.

The vision behind the new Brewster Homes,

a man from the place himself, Mr. Rasheed Smith.

Come on up here, Rasheed, come on.

Congratulations. Congratulations.

Let's get a picture together.

- Step back.

No, no, no, step back.

- Giselle Porter from the Detroit Press.

- Hey, I'm Rasheed.

- I know, hi.

So, land this job, represent your old neighborhood,

how does it feel?

- It feels good.

- And are you aware of--

- That's right.

As it should.

Hey, Giselle.

I'm surprised they let you in.

So, how'd it go?

You wrote the mayor was singing for tips?

- It turns out I was right.

I mean you've certainly been makin' it rain for a while.

- That's gonna have to be all, Giselle.

Come on, Rasheed.

We've got a lot of important people to talk to tonight.

- Arturo, do you see these buildings right here?

Yeah, that one.

This whole fuckin' block, man, look around.

One year, new condos.

Lost all of 'em.

- Okay, so what has that got to do with me, huh?

- You said stick to what I know, right?

So I'm tellin' you what I know.

Cal, you good with numbers, right?

- Mm-hm.

- How many of these spots is filled here downtown?

- 98%.

- And 90% of 'em?

- Young and white.

- And what's young and white 90% mean?

- A new heron user.

- Yeah. - Meth?

80%.

Molly, X, I don't know,

75, 85. - Okay, cha cha cha.

Sounds like a fiesta.

So, what are we doing?

- Well, the demand is here and the supply's going.

And whether we get the supply from you

or from somewhere else means you better make a decision.

- I like your style, Sheed.

21 days we meet again.

- Y'all got a mariachi band playin'

in that bitch or somethin'?

- Sheed.

Estero's Mariachi is one of the classics .

Spanish guitar, listen to it.

Maybe someday I'll teach you something, Sheed.

Until then, .

- Yeah, one day.

- Vamanos.

- I swear to God, I'm gonna kill

this nigga one of these days.

- Not now, man.

It's our fuckin' time.

- Shit.

- Night clubs now, after hours,

which means we gotta be more careful.

Not just the undercovers, customers, everybody.

Molly, X, that should make 'em happy.

Party all night.

Heron?

Put 'em to sleep.

This shit right here, make 'em lose they goddamn mind.

I'm talkin' crazy, stupid, insane shit.

This is coke times 20.

Be up for a week, mind gone.

End up playin' catch with they kids

because the baby ass remind 'em of a goddamn football.

But we know our dope...

- This is what I was thinkin'.

Right there, see?

- Pretty damn good, actually.

- You did this in a week?

- It's impressive.

Great, Rasheed.

Although I wish you coulda held off

until we had this meeting.

Ethan and Kyle here, they're gonna help you along

as you conceptualize.

You've got vision, son.

We want to nurture it, right?

- Right.

- Wanna give you all the resources that you need.

- Well, you alive.

- What's up, Calvin?

- What's goin' on?

- They brought in this company to help conceptualize.

Feels like my ideas are gettin' lost, man.

- What company?

- Creative Concepts.

- Shit.

That's what this is.

- What is?

- The mayor's office just got

a big donation from this Creative Concepts.

- And?

- When a donation like that comes in you do some research.

I did the research.

The last big project they worked on?

Was the Rockwell Homes, man.

Look, the Creative Concepts money

and the Holder contributions,

there's a huge difference between a donation

and a straight payoff, my brother.

These are the neighborhood killers.

This them.

Rasheed, I know you been bustin' your ass

and this supposed to be your joint, then take it--

- And now I know, Calvin.

- You plan on, you tryin' to tell me

you gonna go through with this?

Are you kidding me?

Have you not seen the Rockwell Homes?

- Look, we're not sure the Rockwell Homes is even--

- No, no, if Holder and Creative Concepts

are workin' together, we are sure what this is.

What's left to figure out?

- Listen to you, Calvin.

I've been in the system since I was a boy.

I went down for that shit.

I covered for yo ass, man.

Even after I got out I worked all these years

to get all the way here, man.

And now you think I can't deal with this shit?

- This is a different game, brother.

This is big business.

It's a major corporation and you on the wrong side.

- I can make this work.

It's my design and my face is fuckin' on it.

- Yes and a fuckin' face is all you are to these people.

- Mm, you.

Who told you I was here?

- You did.

- That's right.

Fuck.

Thanks.

Go ahead.

- Nah.

- Come on, what do you got?

Woo! Yeah!

All right.

- Cecil Fielder.

- All right, Cecil Fielder.

Get a hit of that, Cecil.

I always loved that game.

I coulda been damn good, too.

- It was football for me.

Coulda been a beast, man.

- You know, you shouldn't have seen me like that.

- Oh, it's fine.

Although, it was kinda funny

when you fell on your ass.

So, I was thinkin', if I'm gonna do this

there's a few things I need.

I need full disclosure, more control of what's--

- Pause right there.

Since we're on full disclosure.

I got a question for you.

Why didn't you play?

Football, you were gonna be a beast, right?

Why weren't you?

- I just didn't have the chance, man.

- Rasheed, why didn't you play?

Was there no football team in juvie?

Conspiracy to distribute a controlled substance,

resisting arrest, assaulting an officer?

It'd be a shame if a dirty little secret like that

made its way into the world.

- My record was expunged

at 21, Dylan. - I mean, forget

this job, man.

I'm talkin' about your whole career.

The Holder name goes a long way.

Listen, what we're doin' here is good for everyone.

The city, your mom, you.

- My record

was expunged, man.

Don't go there, bro.

- Don't worry about it, bro.

Your secret's safe with me.

- Do you wanna take me home, hm?

Baby, come on.

Come dance with me.

Let's get this dress off.

Hm?

Come on, come dance with me.

* Be like the models in the magazines

- Or take me home.

- Hold this, I'll be back.

* Everybody got a different story

* On the other side I know the one who's waitin' for me

* On the other side I know, I know

* I gotta get it

- You're here.

- Yeah.

My friends, "All you do is school and that boy."

- Boy?

- I, um...

- Oh, you got a little boo thing in there, huh?

- What?

Yeah, yeah, I got a boo thing,

but I see you got a boo thing in there, too, so.

- Oh, she...

I see you watchin' me.

- I wasn't watchin' you.

- You just left.

Look, I never heard from you, Maya.

You didn't call or nothin'.

We-- - We were kids.

And you were in the game.

You still are.

You coulda been anything.

You coulda been an artist.

- So you remember?

, right?

- Uh, I don't know, maybe.

- I could still be an artist.

You know I can...

Hold on.

- Sheed, it's fine.

- Oh.

- Sheed, please.

- Go back in. - Please. What?

- He owes me money, go inside.

- He owes you?

- Go inside, I'll be back!

- And I'll be gone.

- Yo! - Yo.

You better back the fuck up off of me.

- Look, it's me, Sheed.

- Sheed?

Oh, Sheed.

Hey man, where's your fine ass mama at, man?

- The fuck you just say to me?

- Naw, it's just that I ain't seen her in a while, man.

You know, I just-- - The fuck you just

say to me?

- 'Cause we had this thing.

We was tryin' to get together

and if I could get to see her

I could just talk to her and see what's goin' on.

She good?

- You're lucky Maya didn't see your ass.

- Yeah, Maya's in there.

- What you doin' out here, Mr. Davis?

- I'm travelin'.

I'm tryin' to get out, baby.

Tryin' to get out and see the world.

You should open your eyes, open your mind, baby.

Look, look, look, look, man, can you believe,

can believe, man, that somebody

threw these motherfuckin' albums away, bro?

This is good music.

This is real vinyl, man.

Classics, man.

Just threw this away.

You gonna get left behind, man.

Not me.

Not me, baby.

Not me.

- Mr. Davis.

What happened to you, man?

Have you talked to Cal?

- I'ma have your damn money, man.

I'ma have your money.

I'ma have your money.

- Good, 'cause you know what's gonna happen if you don't.

- What?

- Get on.

Get your ass on.

It's how he looked at me.

- Man, we was his suppliers, man.

- He needed an escape and I gave it to him.

He took it too far!

Now you got somethin' to say.

- Yeah, I got somethin' to say.

And you could stop frontin'

with all this Mr. Davis bullshit, okay,

because I know when you're lyin'.

I know when you're lying.

You leave the club, she leaves the club.

- Give me this damn necklace.

Get that shit outta here.

- Take that shit!

- Gimme this.

Gimme this fuckin' bracelet, too.

You done?

The clothes is next. Try me.

- Yo, Sheed, chill.

- No, you chill, bro.

- Stupid shit.

Touch me.

Don't you touch me.

- You got all that shit 'cause I'm out here

gettin' this bread.

Don't you ever question me about that shit.

You got that?

You got me fucked up.

- Real talk?

You took that shit too far, man.

I'll drive.

I just wanna talk, man.

Come on.

- What you showin' me?

I got somewhere to be, Calvin.

- Just look, man.

Look at it.

Recognize it?

That's where the Rockwell Homes used to be.

This what you wanna have happen?

These was people's houses, dog.

Our people used to live here.

Look at it.

- I'm out, Calvin.

- No, look at it.

No, no, no, look. - All right, Calvin.

I'm out.

Calvin, I'm out! - No, no.

Check it out, man.

These was people's houses, man!

Now there ain't nothin'.

Where these people supposed to go?

- Don't bring me out here to see this shit, man!

- This is what's gon' happen!

This is what's gon' happen.

- I'm out!

I gotta go. - This what you wanna

be a part of?

Come on, man.

Rasheed.

Rasheed!

You ain't gotta do this, man!

Rasheed!

- So...

I wanna give you this.

- Jahari, how many times I gotta tell ya

to take your keys?

Sheed.

- I talked to your pops.

Look, I wanted to come by--

- You can't be here right now.

- Nobody tell me what I can't do, Maya, you know that.

- Okay, Sheed, can you just

come inside? - Why, what's goin' on?

- Can you come inside, please?

- Whoa, hold up, hold up now. - Can you get inside?

Jesus.

Hey, sweetie.

- Hey, Ma. - Hey.

Hey, how was school?

- Good. - Good.

- Hey, um, I was thinkin' that maybe you and Jamal

could go see a movie?

- For real?

- Yeah. - Is everything okay?

- Yeah, everything's fine.

- I don't think we have money for the movies.

- Jahari, just take it.

- No, but we-- - Jahari.

Call me. Be safe.

- You think he's workin' through the mom?

The kid?

- Let's follow the kid.

- Can you go, please?

Sheed, go.

- You, out.

- But I thought--

- New policy.

Too young. Get out.

- But they told me I could be the...

- Get the fuck out!

- And then the amount of germs and bacteria

that the patient is susceptible to

if we don't take the necessary precautions...

Is really...

Hi, yes, can we help you?

Excuse me, sir, this is a private class.

Can I help you?

Are you looking for a particular room?

Maya?

Are you o...

- Hey!

Hey.

- Are you crazy?

You can't just come in here when you want to.

- Why you didn't tell me?

- You can't just decide when you wanna step back

into my life.

- Why you didn't tell me, Maya?

Huh? Why!

Why the fuck you didn't tell me?

- Because I didn't want him to turn out like you!

Every man I've ever loved has either been dead,

locked up, or on that shit.

Not him.

Ya hear me?

You hear me? Not him!

- Maybe I woulda left the game, Maya.

- Well, we couldn't take that chance.

Look at you.

- Yeah, look at me.

I'm a fuckin' lion, that's what I am.

Survivin' out here in this fuckin' wild.

Look at me!

- Sheed.

Sheed!

You look at me.

You're not a lion.

- What?

- Is there a problem here? - What?

Get the fuck outta my face, man.

Take your motherfuckin' hands off me!

Take your fuckin' hands off me.

You want it?

Huh? I'll kill

your fuckin' ass. - Hey, hey, hey.

- Get the fuck outta here.

Mama!

Mom, what's wrong with you?

- Don't be talkin' to your mama like that.

- Why you actin' like

a fuckin' junkie? - Oh shit.

Oh, you still lookin' for me?

- Go back inside, babe.

- No, no, I paid.

I paid, I paid, baby.

I paid and I taught your ass a lesson.

Shit, you should be payin' me.

April, come on back in, baby.

- Go back inside.

- Mom, what the hell he doin' in my house?

- He's on hard times, he needs some help.

He needed a place to stay.

I'm helpin' him.

I'm helpin' him out.

- You helpin' him out?

You helpin' him out.

Let me see.

Let me see your arm, Ma.

Let me... - Ow!

- What's that?

- Get your hands off me!

Stay out of it.

- Ma, Mom...

Look at me.

Look at me.

You know I woulda gave you anything.

Huh?

Ma!

The money I've givin' you you're fuckin' drinkin' off!

You drink it off, Ma!

- Boy, what's wrong with you?

I'm still your mama!

Think 'cause you bought me this house

you can just come.

I don't want the damn house!

I got no friends over here.

I belong in the hood anyway.

Gimme back my spot, damn it!

You can have the house.

You hear me? - Mom, Mom, Mama.

- You can have the house.

- Mama, come here, Ma.

I didn't wanna...

Ma, talk to me!

Ma, come here!

Get yo ass out here right now!

Ma, I didn't mean to put my hands on you, Ma!

- If you wasn't so pretty

I wouldn't let you win.

- You keep talkin' like that.

Ah, it's Rasheed.

There ya are, baby.

How ya doin'?

- Hey, Ma.

- Oh, you sound tired puttin' in all that work.

- Look, what if I can get you outta there.

Somewhere nicer, better.

- Well, as long as I could come back and see my friends.

- What if they have to go, too?

- Where would they go?

- Look, I'm sorry, Ma.

- I know you said that I'm too young

but my birthday's comin' up soon.

Listen man, I'm about to turn 13.

- Shut up!

- Tay.

- Get the fuck on!

- Nigga, we gon' roll out?

- Right now we wait.

- I see you around here again that's yo ass.

- Good afternoon everyone.

Mayor Jones sends his deepest apologies

for his absence today, so he wants you to know

that he is supporting you at every turn

and he knows he's gonna have your support on voting day.

- Developing this project has been a great experience

so I am proud to announce that we only have

one more resident who has to sign their paperwork

in order to cut this ribbon.

Why don't you come on up here, Mrs. Smith.

- Mom, don't go through with this.

You can't do it.

- It's him.

I was gettin' worried about you, cuz.

Sheed.

- Deal is off, man.

- What?

- Cal, listen.

The deal is off. I'll be there.

- Yo, Sheed.

All right.

All right, I'll see you there.

Let's go.

- Look at this place, huh?

Like a fucking concentration camp.

Ah.

Buenos dias, firecracker.

- What up, tho?

- So.

Where's your boss?

- Boss?

Hey yo, that bread is my boss.

Where the dope?

- So where is Sheed?

- I'm not putting my people out.

- Those people out there,

they've already signed the agreements.

You're in here worrying about their honor?

I promise you all they're worried about is their stipend.

So, I'm gonna say it again.

Take a moment, a brief moment,

and then come on back out and let's finish this.

Got it?

- Dad.

- Stay outta this, Dylan, please.

- Rasheed-- - No!

Look, I'm a part of this.

I'm not gonna let you--

- Goddamn it, I said stay outta this.

And you, you go on back out there

and do your goddamn job or I'll bury you, boy.

- Told you he was comin'.

- Sheed, buenos dias.

- The fuck did it tell you, huh?

- Sheed, .

- Hold up.

We need to fuckin' talk.

Kill everybody in this motherfucker.

Man, I said the deal was off, Cal.

- Naw, nigga, we here.

It's goin' down.

- Play your motherfuckin' position, nigga.

- Nigga, I listen to you all the goddamn time.

Where the fuck you been?

Runnin' around town with some bitch?

Where you been?

- Stay in your fuckin' lane, man.

- Sheed, get it on, man.

, Sheed.

- Come on, we sell dope.

- Where the money?

Give it here.

- Get the fuck off. - Hey, Sheed!

- Ain't no change of hearts, nigga.

Ain't no change of hearts.

Ain't no change of hearts, nigga.

- Back the fuck up, nigga.

You... - Go ahead.

It's what the fuck we do.

All right then.

Listen, listen.

Things have changed.

- There go your money.

- What the fuck was that?

- No, no, no, no, no!

Put the fuckin' gun down.

- What the fuck is your goddamn problem?

How many fuckin' times I gotta tell you?

- Put the fucking gun down.

Put it down.

- Now look what you did. - Whoa, whoa, whoa, whoa.

No, let him outta here.

Let me get him. - What the fuck, man?

- No, no, no.

- Put the gun down, .

- This shit is over.

- What's over? - All this is over.

All right?

- You're gonna get outta this alive, okay?

- Naw, naw, nigga, this shit ain't over.

This ain't over.

- Get down, get down.

Get down, get down. - Naw, naw, nigga.

Hell no.

Hey, hey, nigga, we doin' this deal, come on.

- Make this fucking deal. - Sheed.

Sheed!

- Ain't no fuckin' deal. - Hey, get the fuck

over here, we doin' this deal.

- Open the gate.

- Where's my fuckin' dope?

- Fuck your deal, man.

- Where's my dope?

Where the fuck is my dope?

- Fuck you. - Take your money.

- Fuck your deal. - Fuckin' take it.

Sheed!

Sheed!

Where's my dope?

- I don't want your fuckin' money.

- Nigga, we doin' this deal, come on.

Give me my goddamn dope.

Yo, Sheed!

- Who the fuck is that?

- Shut the fuck up!

Back up! - Oh shit!

- Back the fuck up!

- Put the fuckin' weapon down.

Put the fuckin' gun down. - Sheed!

Gimme the dope.

Yo! Yo!

- Back up!

- They're tryin' to put you out.

And I was a part of that plan.

Don't go through with this.

Now, all of you who signed over your places,

you've got 30 days to withdraw the agreements.

It's not too late to stop what happened to Rockwell

from happening here.

So please, withdraw your forms

and take back what's yours!

- Freeze!

- Ha, ha. Yeah.

- I guess I started listenin' to the music.

- Yeah.

- Love ya, partner. - We'll see ya later.

- I know what you're tryin' to do.

I didn't mean to mess up the deal.

- Boy, what you doin'?

- Rasheed.

What's up now?

- Whoa, whoa, whoa.

- Rasheed.

- Look, take what you want.

- I know what you're tryin' to do.

- Boy, gimme that damn gun.

- I didn't mean to mess up your deal.

- Look, that's enough.

Look boy. - Stop.

- Hold up, man.

What you want?

- Now, gimme that damn gun, Jahari,

I'm your fa--

Come here.

Shit!

Come here.

- No, it is considered missing.

No, because he's 12 and he's been gone since four o'clock.

It's getting late.

Jahari?

Get over here.

Get away from him.

Are you okay?

Are you all right?

Why didn't you call me?

Why didn't you call me, Jahari, huh?

Why are you here?

What do you want, huh?

- Protectin' mine.

Like lions do.

- Oh my...

Oh God.

Okay.

All right, you're gonna be okay, okay?

Okay.

You stay right here, okay?

You understand?

- Are you dying?

- I'm comin' alive.

- Sheed!

Rasheed.

* Yeah

* Nowadays you ain't hot

* If you ain't talkin' 'bout beef

* Boy you better be a beast

* If you talkin' 'bout me

* I got my head in the clouds

* Even though I'm in the streets

* And I stand my ground by plantin' my feet

* I walk a hundred miles just to get my need

* I'll lose a hundred pounds just to get money

* I'm scared I can't tell you what's wrong with me

* I'm scared I might fail if I lose my lead

* Just gotta push it to the max

* I crawl to the finish

* In the middle of a match

* Burn all competition

* I look into the mirror I don't see myself

* No, I think I'm goin' crazy

* I gotta get help

* Don't worry 'bout my team

* You will never beat us

* If I see a stop sign

* What we do is speed up

* I never look back

* All I'ma see is haters

* And I keep it in my mind

* I'm destined for somethin' greater

* I'm goin' out with a bang

* I'm goin' out with a bang

* I'm goin' out with a bang

* I know that times seem hard

* And the music gon' change

* I promise to stay the same

* In this game I'm goin' out with a bang

* Goin' out with a bang

* I'm goin' out with a bang

* Goin' out with a bang

* I know that times seem hard

* And the music gon' change

* I promise to stay the same

* In this game I'm goin' out with a bang

* I'm goin' out with a bang

* I'm goin' out with a bang

* I'm goin' out with a bang

* I know that times seem hard

* And the music gon' change

* I promise to stay the same

* In this game I'm goin' out with a bang

* Titanic

* Lightheaded

* Slight famished but I managed

* To stay above these lows

* I got high standards

* Lynxx you changin' the game

* What you gon' do next, kid

* I heard you spellin' your name now with two X-es

* New reference

* New methods

* New checklist

* I'll play to Moses and oceans

* I got a new message

* So homie we can care less about your new necklace

* If you still stretchin' how you doin' flexin'

* Stay focused

* Swim good

* No Frank Ocean

* Your ship sank

* We can't faint

* This boat's floatin'

* Never faint because God told me it's best to pray

* Just check the hate

* They study tryin' to investigate

* My vocal movement

* Findin' ways to improve it

* Tow it, give me the go

* I might lose it

* Man I just hope this ship don't sink

* I'm tryin' to maintain

* Either way I'm goin' out with a bang

* I'm goin' out with a bang

* I'm goin' out with a bang

* I know that times seem hard

* And the music gon' change

* I promise to stay the same

* In this game I'm going out with a bang

* I'm goin' out with a bang

* I'm goin' out with a bang

* I'm goin' out with a bang

* Yeah, I know that times seem hard

* And the music gon' change

* I promise to stay the same

* In this game I'm goin' out with a bang

* I'm goin' out with a bang

* I'm goin' out with a bang

* I'm goin' out with a bang

* I know that times seem hard

* And the music gon' change

* I promise to stay the same

* In this game I'm goin' out with a bang

* Bang, bang, bang