All language subtitles for tres01x13

Well, ma'am,

I noticed you sitting with them
couple of fellas last couple of nights out.

Call themselves Smith and Jones.

Call themselves?

I know for a fact that
ain't their names, ma'am.

Not when I was up in
Denver two years ago.

Go on.

They called themselves something
other, some name, something like

Barton and Slattery
or something like that.

And they wasn't no cowboy neither,
ma'am. They was traveling salesmen.

But nobody could figure
out what they was selling.

And after a couple of
days they up and disappear.

Now, I don't know what
they were doing up in Denver,

and I don't know what
they're doing here.

But I got me a hunch, it
ain't what they say it is.

NARRATOR: Hannibal
Heyes and Kid Curry,

the two most successful
outlaws in the history of the West.

And in all the trains
and banks they robbed,

they never shot anyone.

This made our two latter-day
Robin Hoods very popular

with everyone but the
railroads and the banks.

CURRY: There's one
thing we gotta get, Heyes.

HEYES: What's that?

CURRY: Out of this business.

LOM: The governor can't come
flat out and give you amnesty now.

First, you gotta
prove you deserve it.

Ah, so all we have to do
is just stay out of trouble

till the governor figures
we deserve amnesty.

But in the meantime,
we'll still be wanted.

LOM: Well, that's true.

Till then, only you, me and
the governor will know about it.

It'll be our secret.

CURRY: I sure wish the governor
would let a few more people

in on our secret.

NARRATOR: Alias Smith and Jones,

starring Pete Duel
and Ben Murphy.

(CURRY AND HEYES MARSHALLING)

Now, don't go getting proddy.

You better get an
interpreter, Heyes.

I mean, after all,
he is a Mexican bull.

It's not what you say,
it's your tone of voice.

(COW MOOING)

(GREETING IN SPANISH)

Hello, there.

We have been
watching you, señores.

We've been watching
you watching us.

You señores are doing
something with these beef cattles?

Yeah. We're rounding them up.

But they do not belong to you.

We heard they're mavericks.
Don't belong to anybody.

That may be so,
but we know a man

who thinks they belong to him.

We asked around
before we came out here.

These cows belong to
anybody who rounds them up.

Why do you round them up?

Well, we figured we get a
few hundred head of 'em,

drive 'em up north,
sell 'em in Arizona.

A few hundred?

Yeah.

(SCOFFS)

That is much hard work.

You could maybe
die before your time.

I feel all right.
You feel all right?

Oh, wonderful.

We don't even
mind the hard work.

It's good for us.

This may be not so
good for you as you think.

Vamonos.

Real likeable fellas.

In a lethal sort of way.

Move along now.
Easy. Not too fast.

Come on, in you go. Yeah.

(WHISTLING)

There you go.

All right.

Can you see men doing
this kind of work all their lives?

I'm having a little trouble
seeing me do it for another week.

It's not only hard
work, it's dangerous.

Well, I'll remind you, Kid,

we're not rounding
up cattle for a living.

We're doing it to
give ourselves a cover

without which things could
get a lot more dangerous.

CURRY: I still think we could have
found a cover that isn't such hard work.

I'll get the gear.

(WOMAN SCREAMING)

What is it? I don't know,
but it sure sounds wild.

(SPEAKING FRENCH)

(SHUSHING)

Want to start a stampede?

It's another foreigner.

Who are you? Are you American?

We're the owners of the chuck
wagon you just moved into.

Who are you?

Oh. This is your wagon?

I'm sorry. I should have known
somebody would come sooner or later.

She doesn't look Mexican.

Nope.

She doesn't sound Mexican. Nope.

I'm not Mexican,
I'm an American.

Nope, you're not that either.

I am an American.
I'm from New Orleans.

My family has been
there for three generations,

and I bet that I'm more
American than you and than you.

Well, that may or
may not be true,

but you're also a long way from
New Orleans, and you're in our wagon.

Now, how'd you manage
to get way out here?

I walked.

Well, I didn't walk
from New Orleans.

Just from a small seaport town
about two miles down the road.

That's where we're
headed, to the hotel there.

That's where most
people stay, in a hotel.

Unless, of course, they're
hiding from somebody.

I'm not hiding from anybody. I
don't have any money, that's all.

I'm hiding.

From Captain McTavish.

Police captain?

Ship.

I got stranded in Corpus Christi

and he said I could have
a free passage home.

Only, when we got
to sea I realized that

it was not going to
be so free after all.

We get the picture.

So when we got to
San Juan, I jumped ship.

But you can't stay here.

Why not?

Well, it's not too safe
around here, ma'am.

The local bandits would make your
friend McTavish look like a missionary.

Look, I was not lying to you. I
really don't have any money.

How about if we lend you
enough for a couple of days?

Would that help you out?

You would do that?

Sure.

Let's just say we kind of
like people from back home.

Even if they do look
and sound a little French.

Especially if they look
and sound a little French.

Thank you. You're welcome.

(PEOPLE CHATTERING IN SPANISH)

DEALER: Number five
wins. The red pays...

Take a look.

DEALER: Place your bets.

You see Captain
McRavish in there?

McTavish, you mean.

DEALER: The bets are down.

Oh, you were
making a small joke.

Smaller than I figured.

No, I don't see him.

DEALER: Eight wins.

Well, you're all set.

Carlos here will show
you up to your room.

MICHELLE: I really don't
know how to thank you.

Well, I'll tell you
one way you can.

How about joining
us for dinner tonight?

I was afraid you were
not going to ask me.

We'll be waiting for you in
there whenever you're ready.

This way, Señorita.

DEALER: Place your
bets, ladies and gentlemen.

No...

Now, Heyes, I was only thinking.

I know what you
were only thinking.

I was only thinking
about our cover.

Well, now you got to admit

that it's only a substantial type
citizen who'd help the needy

with nothing in it for
himself personally.

Hmm. Well, it's just lucky for the
needy that she happens to be pretty

or she'd be spending tonight on a
bed of cactus instead of feathers, huh?

Oh, Heyes,

my intentions are strictly
aboveboard and forthright.

Hmm, that's the point.
They shouldn't be.

Or have you forgotten
why we're here?

CURRY: I haven't forgotten.

DEALER: Sixteen, 1-6.

(GREETING IN SPANISH)

(PEOPLE CHATTERING)

Señores. Yes.

Could you change this
American currency for us, please?

DEALER: Place your
bets. Bets are down, please.

And number 20...

Twenty, 2-0. For you.

Another win.

Your money, Señor...
Smith. Joshua Smith.

This is my associate,
Thaddeus Jones.

Welcome to San Juan, gentlemen.

I'm Blanche Graham.

You run this casino?

Yes, I run the casino
and I own the hotel.

Anything I can do to
make you comfortable?

You've already done
that, just being here.

DEALER: Place your bets. Place
your bets, ladies and gentlemen.

Bets are down.

Number eight. Eight!

(PEOPLE CHEERING)

I think we've done enough
gambling for one evening.

This whole trip is
gonna be a gamble.

But we're gonna make it pay off.

Excuse me.

Beg your pardon, Miss Graham.

Yes?

My friend and I find ourselves
with a guest for supper,

and it seems a little out of
balance, one woman, two men.

I wonder if you'd do us
the honor of joining us?

To even the odds, you might say.

Well, I usually make it a rule

never to socialize
with the hotel guests.

But in your case,

I think I'll make an exception.

Glad you could join
us, Miss Graham.

Nice to be asked, and
my friends call me Blanche.

If I remember, you
are Thaddeus Jones

and Joshua Smith?

And you, I'll bet
you're the young lady

a certain sea captain's
been looking for all day.

Is he still looking for me?

Well, he was. His ship
sailed two hours ago.

Oh, thank goodness.

Look, I don't know
what he told you,

but the truth is that
he promised me...

Ah, free passage home?

It's happened before?

Well, with McTavish it has.

How'd you get mixed up
with him in the first place?

I was traveling
with a tent show.

Our manager abandoned us

and he took all the
money and the tent.

You're an entertainer?

Well, I do a little
bit of dancing,

and some people, like my mother,

well, she thinks I
have a nice voice.

You couldn't use a one-girl
musical in your casino, could you?

Well, I'd really
like to help you,

but my overhead is so high

and mariachis
play just for tips.

Oh, I would sing for tips.

Sounds like a pretty
good idea, Blanche.

Pretty girl to throw pesos at.

Could bring in a few more
customers to the gambling tables.

You haven't got much to lose.

Do you think they would
throw gold nuggets at me

like they did with Lola Montez?

Sorry, honey. It's a
silver strike, no nuggets.

All right.

Do you think you want to try?

Oh, I'll do better than that.

I may not be as good
as my mother thinks,

but I'm much
better than I think.

And I need the money.

Well, here's to you then.

Michelle Monet, an
American chanteuse in Mexico.

And to you, Blanche, the beautiful
and generous lady who made it possible.

I don't believe you two
are ordinary cowpokes.

Well, I never said
we were ordinary.

If you were, you wouldn't be
trying to round up those wild cattle.

What do you plan
to do with them?

Drive 'em north and
sell 'em in Arizona.

We're here already.

Well, I could take you back
downstairs and we could come up again.

Hasn't anybody told you
what else is up on that mesa

besides maverick cows?

Maverick bulls?

(CHUCKLING)

All right, somebody
has told you,

and you think you
can laugh him off.

I admire your courage,

trying to take El Clavo's
beef right from under his nose.

I also think you could get
yourselves killed rather suddenly.

You know what, you've
restored my faith in man.

Thank you.

You don't have to thank me.

I liked helping you.

Well, I like trying
to thank you.

(KEYS JINGLING)

Pleasant dreams, Michelle.

El Clavo. He's the
local bandido chief, huh?

He thinks those
mavericks belong to him.

They're his food supply.

You know the old
saying, Blanche,

"Nothing worthwhile
ever comes easy."

Beef prices are pretty
high right now in the States.

You and your friend are
putting your lives on the line.

Are beef prices that high?

Vamonos.

(ALL SHOUTING)

(MEN LAUGHING)

(MEN CHATTERING)

I heard you came in shot up.

How bad is it?

Hardly even nicked me.

Stopped bleeding
before I got my shirt off.

Well, I thought you
could use a drink.

One thing we do
appreciate, Blanche,

you didn't come in here
and say, "I told you so."

I was just getting
to it. I told you so.

Now we know better, huh?

And just in time.

So tomorrow we'll try
the other side of the mesa.

Well, you're both long on nerve,

and I can't help
admiring you for that.

It's a shame you're so
short on good sense.

She's right, you know.

And as much as I like you,

both of you,

I don't think I want anymore to do with
someone who's trying to get himself killed.

You and the needy folk seem
to be getting along just fine.

All right.

So I made a mistake.

But you're doing real fine with
Blanche. All according to plan.

McKendricks said we had to get her
across the border without using force.

Yeah, I know.

Warming her up a little bit
with your charm, that's one thing,

but getting her to cross
the border into the States,

that's another.

It's a beginning.

Uh-huh.

Those guards of hers find
out, it's gonna be the end.

I think you're pressing our
luck coming back out here.

Now look, you just stop worrying
and let me do the thinking.

I can handle El Clavo.

Like I said, Heyes, we should
have come up with a safer cover-up.

Now's your chance
to handle him, Heyes.

Morning.

Are you the gentleman
they call El Clavo?

I have been called that.

Well, Señor Clavo,

I think it's about time we get
down to business, don't you?

I'm willing to make
you a proposition.

Get down.

Now, why do you
do this foolish thing?

To trust your lives
to a man of my

small mercy.

And how's your shoulder?

Oh, it's fine, fine.

It's a pretty neat trick,
grazing me like that.

A moving target at
400 yards is pretty good.

No. It was not so neat.

I was aiming for your cabeza.

Here.

Oh.

But fortunately
for you, I missed.

So, why you come?

We came about the cattle,
ones we've been rounding up.

The cattle you have
taken is my cattle.

All right, can we
make a deal with you?

A deal? For my cattle?

That's right.

Cattle prices are way
up in the United States.

You'd be surprised how much those
scrawny beasts of yours would bring.

All you gotta do is
let us round 'em up,

drive 'em north, sell 'em,

and we'll split 50-50 with you.

That cattle is food for my men.

Food for my men is much more
important than a few gringo dollars.

No deal?

No deal.

See, I'm talking
about real money.

I mean, those cattle of yours,
they'll bring at least $30 a head.

Oh, no. $30 American?

That's right. It's a
seller's market up there.

$30 American,

for each of my scrawny beasts?

Uh-huh.

$30 a head, that's
the going price.

How many cattle will you...

How many cattle will we sell?

I figure our buyer
can handle 500 head.

Now, remember, my partner
and me, we'd get half of that.

That's for roundin' 'em
up and drivin' 'em up there,

and lining up the
buyer in the first place.

Naturally, naturally.
Half for you, half for me.

Me and my men.

Yeah.

It comes to 7,500
American dollars for you

and 7,500 American
dollars for me.

And your men. Yeah.

Yeah, that's right,
that's the figure.

Señores,

you have a deal with El Clavo.

You have a deal with El Clavo?

Well, he's coming in as
kind of a silent partner.

Anyway, he'll
stay silent I guess

until he finds out the real
price of beef in Arizona.

Why? What is beef selling for?

$20 a head.

And for scrub cattle like his,

$8 a head, tops.

And that isn't
what you told him?

No, no. I told him what I needed
to, in order to get him on our side.

Temporarily.

You know something, Joshua,

you're the kind of man I was
beginning to think I'd never meet.

I mean it.

Anybody who can ride
into El Clavo's camp

and come back with his head on,

let alone a cattle deal,

well, you're something special.

So are you.

Señorita, could I see
you for a moment?

It is most important.

The perils of
running a business.

We'll try again
later, all right?

Very much all right.

Good luck, Michelle. Thank you.

(PEOPLE CHATTERING)

We're doing fine.

Mmm-hmm, I noticed.

Michelle's dedicating her next
love song to you and Blanche.

Well, that's good, isn't it?

Unless you get
careless in the clinches.

Kid, nobody has to tell me how
to handle myself in the clinches.

Well, you might just
keep just one thing in mind.

The last man who thought he
could handle Blanche is dead now.

(MICHELLE PLAYING GUITAR)

(SINGING IN FRENCH)

This gentleman has been
playing faro with unfortunate luck.

He asked for credit,
which of course I told him

was against the
rules of the house.

That's right, friend. No credit.

But didn't he tell you I had some
information you'd want to hear?

I thought maybe you want
to hear what he has to say

because of your orders that
you want to be told anything

having to do with Americanos
who come to San Juan.

I'll listen, but I'm not
making any promises.

Well, ma'am,

I noticed you sitting with them
couple of fellas last couple of nights out.

Call themselves Smith and Jones.

Call themselves?

I know for a fact that
ain't their names, ma'am.

Not when I was up in
Denver two years ago.

Go on.

They called themselves something
other, some name, something like

Barton and Slattery
or something like that.

And they wasn't no cowboys neither,
ma'am. They was traveling salesmen.

But nobody could figure
out what they was selling.

And after a couple of
days they up and disappear.

Now, I don't know what
they were doing up in Denver,

and I don't know what
they're doing here.

But I got me a hunch, it
ain't what they say it is.

(MICHELLE SINGING IN FRENCH)

(INAUDIBLE)

(PLAYING PIANO)

(SINGING) He
takes me out walking

every Saturday night

We spend our time talking

The moon is yellow and bright

Somehow we never
quite reach the place

we're supposed to go

We turn around and sit down

and then before you
know ALL: That's why I

do like I do, like I
do, like I do, like I do

like I do, do, do

Do like I do, like I
do, like I do, like I do

like I do, do, do That's why I

do like I do, like I
do, like I do, like I do

like I do, do, do

Do like I do,
like I do, like I do

when I'm out with you

He meets me in the parlor

when all the folks are gone

The lights have all been lowered

the curtains slightly drawn

He leads me to the sofa

Says that's where we belong

There's no excuse,
I should refuse

I'm too weak to be
strong That's why I

ALL: do like I do, like
I do, like I do, like I do

like I do, do, do

Do like I do, like I
do, like I do, like I do

like I do, do, do That's why I

do like I do, like I
do, like I do, like I do

like I do, do, do

Do like I do,
like I do, like I do

when I'm out with you

(KNOCKING ON DOOR)

Come in.

Michelle,

how's it going in the casino?

You getting your passage
money as fast as you'd hoped?

Well, now that
you mention it, no.

Well, I could
have told you that.

Gamblers are the
worst tippers in the world.

Oh, they'll tip the dealer
because they're superstitious

or because they think
he might let them win

but a singer, no.

They figure they've
already paid for you.

I'm afraid you're right.

Michelle, how would you like
to earn everything you want?

First class passage
to New Orleans

plus a new wardrobe
plus, oh, $200 pin money?

That would be wonderful. How?

I'll give you all that

in return for one
little favor to me.

(SINGING IN FRENCH)

Michelle?

I've been looking
all over for you.

Is something wrong?

I don't know.

Is something wrong?

You're asking me?

Blanche offered me
everything I wanted.

My passage home, money, clothes.

All I have to do is find out

who you and Josh really are,

and why you're in San Juan.

I see.

She said you've been lying

about who you are and
what you're doing here.

She tell you why
she thought that?

No.

Is it true?

Michelle, there are a lot
of things I just can't tell you.

I'm sorry. Wish I could.

I'll tell Blanche I couldn't
get anything out of you

if that's what you
want me to tell her.

And give up your
passage for New Orleans?

New Orleans will
always be there.

I'm not so sure about you.

I knew it. I knew it.

The minute I walked
into this room, I knew it.

I had a feeling
something was wrong.

I knew this room
had been searched.

What could've happened?

I don't know what happened, but
something sure tipped Blanche off.

If she suspects anything
at all, the plan won't work.

So we'd better just pack
up and get out of here.

Forget about Blanche?

We got to, Heyes.

Look, if she's suspicious,
we're not gonna be able

to get her across the
border of her own free will.

And if we have to use
force, it ain't gonna work.

Not to mention the fact that
we're not gonna get paid the $5,000

for bringing her in.

So, come on, let's pack
up and get out of here.

Wait a minute. Wait a minute.

There's another way.

It's a different kind of
bait, but it still works!

A different kind of what?

Bait.

And the bait is us.

You and I are worth
$10,000 reward each.

And it's collectable
in the US of A.

Now that's a language
that Blanche understands.

You mean, you're gonna
tell Blanche who we are?

No, Michelle is.

Kid Curry and Hannibal Heyes?

Shh.

Yeah, that's right. Have you
ever heard of them before?

Of course I've heard of them.

They are notorious
outlaws, bank robbers.

Well, I want you to tell
Blanche in the morning

that you did what she wanted.

You got me drunk,

and I told you that we
were Heyes and Curry

and we were hiding out down here

until things got cooler
for us in the States.

Why would she believe
such a ridiculous story?

They way our luck's
running, she'll believe it.

She'll not only believe
it, she'll eat it up

and she'll sell our scalps to
the first lawman she can find.

Why, she couldn't do that.

I mean, you're not
really Curry and Heyes.

Are you?

Michelle,

how could you believe that
we were a pair of such bad,

rotten, dishonest men like that?

But then how can I
make her believe it?

And why do you want her to?

Because she killed her husband,

who happens to
be the son of a man

that we know and like very much.

And the only way we can get
her across the border to face trial

is for you to tell her a story

exactly the way I'm
gonna tell it to you.

And she'll believe it like
it was carved in stone

and handed down from a mountain.

Curry and Heyes!

Of course they're
not Curry and Heyes!

Well, that's what I thought
when he first told me.

He had been drinking so much.

I encouraged him to
drink just like you said.

And like you I thought
he was very drunk,

and he was trying to
impress me or something.

That's exactly what it was.

Until this morning.

That's when I started to
think that maybe it was true.

Why?

Well, he came into
my room very early,

Mr. Jones,

and he looked
kind of frightened.

He asked me if he had
been drunk last night,

and I said, "Yes, quite drunk."

And he wanted to know if
he had said anything funny.

And I said yes, that he told me

that he was Kid Curry and that
Mr. Smith was Hannibal Heyes.

So he started to laugh,
only it was not really a laugh.

It was kind of scary,

you know, like somebody trying
to laugh who really wants to cry.

And he said he was
doing that all the time,

getting drunk and telling
some innocent girl lies.

That he was sorry if
he'd frightened me.

That he was not Kid Curry

and that Mr. Smith
was not Hannibal Heyes.

I said I knew that all the time.

That does make it sound
a little different, doesn't it?

Have I earned my passage home?

Let's wait until I've had a chance
to do a little checking myself.

But don't worry,
if you're right,

you'll get everything
I said you would.

Maybe even a bonus.

(SPEAKING SPANISH)

(CLACKING)

(GASPING)

$20,000!

Hello, Blanche, Carlos. Hi.

Howdy, Blanche.

Well, haven't seen you around
the hotel the last several days.

I was wondering if
you were mad at me.

No, not at all.

We were up to our
necks in wild cows.

We just thought we'd better
start sleeping out there with 'em.

I've missed you.

That's nice to hear, Blanche.

I thought about you, too. A lot.

Michelle says she
misses Thaddeus.

(CHUCKLING)

I don't think she'll be
seeing much of him anymore.

Michelle seems to bring
out the worst in Thaddeus.

You know, the rainy
season's coming,

and if you don't start
your drive pretty soon,

you can forget about
it until next spring.

Either turn the beasts
loose or feed 'em all

and lose all our
profit. Don't remind me.

I was wondering, Josh,

could you use some help?

You bet we could.

Well, I have a
proposition for you.

Enough men to finish your
round-up in three or four days

and stay with you on
the drive to Arizona.

Fine, what do I pay 'em with?

Oh, you don't. I pay them.

And you cut me in for
a third of your money

when the herd is sold.

That sounds fair enough to me.

Better to give up a third
than to lose everything.

I'll talk it over
with my partner.

Oh, one other thing.

If we make a deal, I
come along for the drive.

What's wrong? Don't
you trust us, Blanche?

Well, of course I do.

No, it's that I have some
business to attend to in the States.

We can bring Michelle along,

for appearance's sake.

She can take the train home,

and it'll give us a chance

to get better acquainted.

Blanche, I like the
way you do things.

Wait here. I'll put it up
to Thaddeus right now.

Look serious. We're dickering
to cut her in on the herd.

The trap just went snap.

You sure it wasn't our
necks it just went snap on?

Okay, that's enough
dickering. Nod your neck.

Your head.

Blanche, you just became

the prettiest
partner I've ever had.

(MEN MARSHALLING)

(CATTLE MOOING)

What you looking at?

Trouble.

El Clavo?

Yeah.

He wants to be sure he gets
his full share of that $30 a head.

Well, we'll just have to tell
him the price went down.

Ah, I hope that "we" I
just heard was a mistake.

'Cause I don't wanna be around

when you have to tell him that his
$7,500 American came up $5,500 shy.

(CATTLE MOOING)

Are you saying goodbye to me?

Well,

we do cross the border tomorrow.

Well, then what happens to us?

To you and me?

Well, we put you on a stage

and it takes you to the train for
New Orleans, just like you wanted.

Just like I used to want.

You know it's not
what I want now.

Michelle,

what you ought to
do is find yourself

some nice fellow who
works in a bank or something.

It's too late.

I found myself a nice fellow
with a silly name like Thaddeus.

Only, it isn't Thaddeus, is it?

When you get home, you're
gonna forget all about me.

No.

Maybe I'll get over the
way I feel about you,

but I won't forget you.

(CATTLE MOOING)

Come on, now.

(URGING CATTLE)

CURRY: Come on, move!

HAYES: Move along there!

What's going on?

Doesn't look like they're gonna
be hanging back there much longer.

See what I mean?

Who's he?

Looks like somebody El Clavo
sent ahead to check on cattle prices.

Clavo is just about to get
hit by a major depression.

And I think he's
gonna take it poorly.

(SPEAKING SPANISH)

Hold, hold. Is something wrong?

Yeah.

El Clavo is coming
with blood in his eye!

(MARSHALLING)

Come on! Move on there!

(MARSHALLING)

You'll have to do
better than that!

Can you ladies ride?

BLANCHE: Sidesaddle.

MICHELLE: I've never
been on a horse in my life.

Come on, you heard
me, stampede 'em!

(YELLING)

(GUN FIRING)

No herd?

Yeah. No more herd.

Most of 'em will probably end
up back on El Clavo's range.

Drovers went on home, too.

Why don't we do the same thing?

Go back to San Juan?

Oh, no, Blanche. Home
is where the heart is.

Right now, mine's about three
miles north in the good old US of A.

Howdy.

Howdy. Howdy.

You folks from San Juan, Mexico?

Yes, sir, we are.

Are you Miss Blanche Graham?

Yes, Marshal.

I'm the one who sent you
the telegraph from San Juan

about these two men.

Yep, I got it.

Then arrest them. They're
Kid Curry and Hannibal Heyes.

And I claim the
reward on both of them.

Curry and Heyes, huh?

Well, which one of you
answers to Joshua Smith?

That's me. I sent you
the telegraph after hers.

Yep, I got that one, too.

Mr. McKendricks.

That's her, Marshal.

All right, Jay.

Ma'am, you're under arrest.

The charge is murder.

And what about them?

I swear to you they're
Curry and Heyes.

No, they're not. They just
asked me to tell her that.

It was a trick.

Yes, I know, Miss.

Mr. McKendricks
already told me all about it.

McKENDRlCKS: Come on in, boys.

I want to thank you
for what you've done.

It'll be a great pleasure
to settle for services

faithfully rendered.

There's still a lot of a
little boy in you, isn't there?

Is that why they call you Kid?

Who says they call me Kid?

I do.

I know for certain
who you are now.

How do you know?

Because of the other night.

Thaddeus Jones could have
asked me to stay with him.

I think he might have, but

Kid Curry can't.

He had to say goodbye.
He doesn't have any choice.

That's why, isn't it?

Michelle,

right now I am wishing that I
hadn't used up those other choices.

Goodbye,

Thaddeus.

Goodbye, Michelle.

Feeling all right?

Wonderful.

Maybe someday we'll
get to New Orleans.

Yeah. Maybe someday we will.