Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:34,325 --> 00:00:36,742
SO, MAIA, WHAT DO YOU
THINK OF THE SCENERY?
2
00:00:36,742 --> 00:00:40,450
THE LANDSCAPE, I MEAN.
NOT THE WOMAN PISSING
IN A FIELD.
3
00:00:40,450 --> 00:00:43,200
IT’S LOVELY.
4
00:00:43,200 --> 00:00:47,033
IT’S ALL RIGHT. A BIT OF
SUNSHINE WOULDN’T GO AMISS.
5
00:00:54,908 --> 00:00:57,075
[MUSIC PLAYS]
6
00:01:57,575 --> 00:01:58,658
YOU KNOW, MISS ALLMAN--
7
00:01:58,658 --> 00:02:00,492
OH, CALL ME FRANKIE.
8
00:02:00,492 --> 00:02:04,033
FRANCESCA AND MISS ALLMAN
MAKES ME FEEL REALLY OLD.
9
00:02:04,033 --> 00:02:05,575
FRANKIE. I JUST WANTED
TO SAY THANK YOU
10
00:02:05,575 --> 00:02:08,325
FOR AGREEING TO THIS
AT SUCH SHORT NOTICE.
11
00:02:08,325 --> 00:02:11,033
IT’S NOT A PROBLEM.
IT’S AN ABSOLUTE PLEASURE.
12
00:02:11,033 --> 00:02:15,617
BARBARA SHOWED ME
THE PHOTOS OF THE SHOOT
YOU DID IN 2009.
13
00:02:15,617 --> 00:02:17,242
I WAS THOROUGHLY IMPRESSED.
14
00:02:17,242 --> 00:02:18,783
THANK YOU.
15
00:02:18,783 --> 00:02:23,658
SHE SAID THAT WAS
THE LAST TIME YOU MODELED.
16
00:02:26,783 --> 00:02:29,492
THIS LAKE. IT’S BEAUTIFUL.
17
00:02:31,742 --> 00:02:34,075
INDEED.
18
00:04:02,367 --> 00:04:03,450
LET ME TAKE THAT.
19
00:04:03,450 --> 00:04:04,825
DON’T BE SILLY!
20
00:04:04,825 --> 00:04:08,117
YOU’RE MY GUEST.
RELAX. ENJOY.
21
00:04:08,117 --> 00:04:10,908
I DON’T THINK THERE’LL
BE ANY TROUBLE THERE.
22
00:04:16,908 --> 00:04:18,825
SO, DO YOU
LIVE HERE ALONE?
23
00:04:18,825 --> 00:04:20,367
MMM-HMM.
24
00:04:25,200 --> 00:04:28,325
AND DO YOU DO ALL OF
YOUR WORK FROM HERE?
25
00:04:28,325 --> 00:04:30,950
MOST OF THE TIME.
26
00:04:49,658 --> 00:04:53,367
SO, DO YOU HAVE
A PARTNER?
27
00:04:53,367 --> 00:04:56,658
PARTNER? HOW
POLITICALLY
CORRECT OF YOU.
28
00:04:56,658 --> 00:04:58,033
SORRY, I--
29
00:04:58,033 --> 00:05:00,825
DON’T WORRY.
I’M ONLY TEASING.
30
00:05:00,825 --> 00:05:02,533
TO BE HONEST,
31
00:05:02,533 --> 00:05:05,908
IT’S A LITTLE
BIT COMPLICATED
AT THE MOMENT.
32
00:05:05,908 --> 00:05:08,242
BUT WHEN ISN’T IT?
33
00:05:32,658 --> 00:05:35,492
I HEAR YOU’RE MARRIED.
34
00:05:58,783 --> 00:06:01,075
MAIA?
35
00:06:01,075 --> 00:06:02,950
HMM?
36
00:06:04,367 --> 00:06:06,783
MARRIED?
37
00:06:07,783 --> 00:06:11,408
OH. YEAH.
38
00:06:13,533 --> 00:06:15,783
YOU HAVE TO CHECK?
39
00:06:17,617 --> 00:06:19,950
IT’S AN AMAZING HOUSE.
40
00:06:22,492 --> 00:06:24,075
LET’S GO INTO THE DRAWING ROOM.
41
00:06:53,908 --> 00:06:56,575
YOUR PHOTOS PAY FOR ALL OF THIS?
42
00:06:56,575 --> 00:06:59,367
HA HA. WOULDN’T THAT BE NICE?
43
00:06:59,367 --> 00:07:02,242
NO. THE HOUSE
KIND OF PAYS FOR ITSELF.
44
00:07:02,242 --> 00:07:04,575
WHAT DO YOU MEAN?
45
00:07:04,575 --> 00:07:08,575
WELL, I LIVE HERE ALONE
OUT OF SEASON,
46
00:07:08,575 --> 00:07:10,492
AND THE REST OF THE
YEAR I HAVE COMPANY.
47
00:07:10,492 --> 00:07:12,533
I RENT IT AS A HOLIDAY HOME.
48
00:07:12,533 --> 00:07:15,117
I’VE HAD A FEW NAMES.
49
00:07:15,117 --> 00:07:17,367
EVEN ROYALTY.
50
00:07:17,367 --> 00:07:18,533
REALLY?
51
00:07:18,533 --> 00:07:22,533
MM-HMM. I WON’T NAME NAMES,
52
00:07:22,533 --> 00:07:27,117
BUT LET’S JUST SAY
THIS HOUSE HAS SEEN
A FEW THINGS.
53
00:07:27,117 --> 00:07:29,367
IT GIVES THEM THE PRIVACY
THEY NEED,
54
00:07:29,367 --> 00:07:32,658
WHICH GIVES ME AN EXCUSE TO
KEEP THE HOUSE LOOKING GREAT.
55
00:07:59,658 --> 00:08:04,533
IT’S SO QUIET.
THERE’S SO MUCH SPACE.
56
00:08:04,533 --> 00:08:09,408
[FRANCESCA]
NOBODY AROUND FOR MILES.
57
00:08:23,658 --> 00:08:25,492
[FRANCESCA]
YOU LIKE READING?
58
00:08:25,492 --> 00:08:28,242
WELL, I TRY. THERE’S
JUST SO MUCH OUT THERE.
59
00:08:28,242 --> 00:08:29,575
[FRANCESCA]
HMM.
60
00:09:03,992 --> 00:09:06,158
ALL OF THESE
YOUR PHOTOS?
61
00:09:09,242 --> 00:09:10,867
MMM-HMM.
62
00:09:18,992 --> 00:09:21,408
LOTS OF PEOPLE
ARE DRAWN TO THAT ONE.
63
00:09:21,408 --> 00:09:26,450
IT’S FUNNY HOW IT HAPPENED.
SHE WAS A FRIEND OF MINE.
64
00:09:26,450 --> 00:09:30,450
CAME TO ME STRAIGHT AFTER
HER BROTHER’S FUNERAL.
65
00:09:30,450 --> 00:09:32,533
SHE WAS ABSOLUTELY
DISTRAUGHT.
66
00:09:32,533 --> 00:09:38,283
SHE WAS SO VULNERABLE,
AND YET SO ELEGANT,
67
00:09:38,283 --> 00:09:41,450
SO I ASKED IF I COULD
TAKE A PHOTO.
68
00:09:41,450 --> 00:09:43,117
WHAT DID SHE SAY?
69
00:09:43,117 --> 00:09:46,700
SHE STARED AT ME
FOR A FEW MOMENTS
70
00:09:46,700 --> 00:09:48,533
AND THEN SAID,
71
00:09:48,533 --> 00:09:53,283
"I DON’T GIVE A FUCK."
72
00:09:55,408 --> 00:09:56,700
SO RAW.
73
00:10:00,367 --> 00:10:03,408
IT’S BEAUTIFUL.
74
00:10:03,408 --> 00:10:05,867
I COULDN’T AGREE MORE.
75
00:10:07,950 --> 00:10:10,117
USE THIS AS
YOUR DRESSING ROOM.
76
00:10:14,283 --> 00:10:16,117
STUNNING.
77
00:10:20,533 --> 00:10:22,033
AND IF YOU WANT
TO FRESHEN UP--
78
00:10:22,033 --> 00:10:23,742
THANK YOU.
79
00:10:27,117 --> 00:10:29,158
I’LL MAKE US SOME LUNCH
80
00:10:29,158 --> 00:10:30,742
AND THEN WE CAN TAKE
SOME PHOTOS AFTERWARDS.
81
00:10:30,742 --> 00:10:31,867
DO YOU NEED A HAND?
82
00:10:31,867 --> 00:10:35,033
NO. YOU’VE HAD A LONG JOURNEY.
83
00:10:35,033 --> 00:10:38,367
RELAX, UNPACK YOUR OUTFITS.
84
00:10:40,658 --> 00:10:42,242
THANK YOU.
85
00:10:42,242 --> 00:10:45,117
TREAT THIS PLACE LIKE YOUR OWN.
86
00:10:48,158 --> 00:10:50,992
I’LL CALL YOU WHEN IT’S READY.
87
00:12:25,700 --> 00:12:27,867
ARE YOU HAPPY WITH
YOUR TIMELINE, ADRIAN?
88
00:12:29,325 --> 00:12:31,408
YES.
89
00:12:33,450 --> 00:12:36,158
DO YOU REALIZE
THAT THIS TIMELINE IS
COMPLETELY DIFFERENT
90
00:12:36,158 --> 00:12:37,617
FROM THE ONE YOU DID
THE FIRST TIME?
91
00:12:37,617 --> 00:12:38,992
WHAT DO YOU MEAN?
92
00:12:38,992 --> 00:12:41,617
WHEN YOU CAME IN
FOR YOUR FIRST SESSION
93
00:12:41,617 --> 00:12:45,408
I ASKED YOU FOR YOUR
FIRST HAPPY MEMORY.
94
00:12:45,408 --> 00:12:48,742
TODAY, YOU WROTE
YOUR FIRST HAPPY MEMORY
95
00:12:48,742 --> 00:12:51,450
WAS THE DAY YOU PASSED
YOUR DRIVING TEST,
96
00:12:51,450 --> 00:12:54,450
WHICH OCCURRED
AT THE AGE OF 18.
97
00:12:54,450 --> 00:12:56,825
YES.
98
00:12:58,700 --> 00:13:01,700
DO YOU REMEMBER WHAT
YOU WROTE LAST TIME?
99
00:13:01,700 --> 00:13:04,158
IT’S DIFFERENT?
100
00:13:04,158 --> 00:13:05,450
YES.
101
00:13:05,450 --> 00:13:08,700
UH--
102
00:13:12,158 --> 00:13:14,325
I DON’T UNDERSTAND.
103
00:13:16,992 --> 00:13:22,908
SO, HOW DO YOU FEEL
ABOUT BEING HERE?
104
00:13:22,908 --> 00:13:25,992
STUPID.
105
00:13:28,575 --> 00:13:32,325
EMBARRASSED. ASHAMED.
106
00:13:32,325 --> 00:13:33,867
YOU FEEL
ALL THOSE THINGS?
107
00:13:33,867 --> 00:13:35,867
YES.
108
00:13:35,867 --> 00:13:38,283
WHY?
109
00:13:38,283 --> 00:13:40,742
BECAUSE NOW I CAN SEE
WHAT I DID WRONG.
110
00:13:42,742 --> 00:13:47,450
I CAN SEE THINGS SO CLEARLY
WHEN I’M IN THE RIGHT
FRAME OF MIND,
111
00:13:47,450 --> 00:13:50,700
BUT WHEN I’M WOUND UP, I--
112
00:13:54,158 --> 00:13:56,450
WHAT DO YOU STRUGGLE WITH?
113
00:13:58,992 --> 00:14:03,283
WHAT DOES ANYBODY
STRUGGLE WITH WHEN
THEY’RE WOUND UP?
114
00:14:09,408 --> 00:14:12,742
WHAT DO YOU WANT FROM ME?
115
00:14:12,742 --> 00:14:15,825
WHY DO YOU HAVE TO QUESTION
EVERYTHING?
116
00:14:18,408 --> 00:14:23,033
I SEE RED. I FEEL
PISSED OFF. ANGRY.
117
00:14:24,117 --> 00:14:25,908
AND YOU’RE ANGRY NOW?
118
00:14:25,908 --> 00:14:29,700
OF COURSE I’M FUCKING ANGRY.
YOU CAN SEE I’M FUCKING ANGRY.
119
00:14:32,867 --> 00:14:36,742
AND WHAT DID WE SAY TO DO
WHEN YOU’RE ANGRY?
120
00:14:36,742 --> 00:14:40,742
DON’T TELL ME.
121
00:14:40,742 --> 00:14:43,783
RELAX.
122
00:14:43,783 --> 00:14:48,867
STAY CALM.
123
00:14:48,867 --> 00:14:51,325
DEEP BREATHS.
124
00:15:02,908 --> 00:15:05,117
IT MIGHT WORK WHEN
I’M IN THE OFFICE,
125
00:15:05,117 --> 00:15:07,492
BUT WHAT ABOUT OUTSIDE?
WHAT ABOUT IN THE REAL WORLD?
126
00:15:07,492 --> 00:15:10,283
I’M NOT IN HERE FOR
PUNCHING A PSYCHIATRIST.
127
00:15:17,575 --> 00:15:19,867
THAT’S GOOD, ADRIAN.
128
00:15:19,867 --> 00:15:22,742
WHAT IS?
129
00:15:22,742 --> 00:15:28,283
THIS IS THE FIRST TIME
YOU HAVE BEEN SO HONEST
ABOUT YOUR VULNERABILITY.
130
00:15:33,742 --> 00:15:38,158
OF COURSE, IT DOES MEAN
THAT I WON’T BE ABLE TO
SIGN YOU OFF TODAY.
131
00:16:07,783 --> 00:16:10,992
OKAY. WHAT’S THE MAIN PURPOSE
OF THE VISIT?
132
00:16:12,200 --> 00:16:13,325
WHAT DO YOU MEAN?
133
00:16:13,325 --> 00:16:14,617
WHAT DO YOU WANT ME TO DO?
134
00:16:14,617 --> 00:16:17,033
WELL, YOU KNOW,
135
00:16:17,033 --> 00:16:19,283
IT’S JUST IT’S BEEN
A LONG TIME, YOU KNOW?
136
00:16:22,617 --> 00:16:26,367
MAIA,
137
00:16:26,367 --> 00:16:29,908
IF YOU WANT ME TO DO
SOMETHING SPECIFIC FOR YOU,
138
00:16:29,908 --> 00:16:33,908
THEN YOU HAVE TO LET ME KNOW
WHAT WE’RE AIMING FOR.
139
00:16:36,325 --> 00:16:39,200
OTHERWISE, YOU WILL
LEAVE UNHAPPY,
140
00:16:39,200 --> 00:16:43,325
AND NONE OF MY CLIENTS
EVER LEAVE UNHAPPY.
141
00:16:45,617 --> 00:16:47,867
THAT’S QUITE A STATEMENT.
142
00:16:47,867 --> 00:16:49,325
I NEED AN ANSWER.
143
00:16:54,867 --> 00:16:59,200
WHEN I SEE THOSE PHOTOS,
I DON’T RECOGNIZE MYSELF.
144
00:16:59,200 --> 00:17:01,075
THAT WAS A DIFFERENT TIME.
145
00:17:01,075 --> 00:17:04,033
THAT WOMAN IS NOT
ME ANYMORE.
146
00:17:06,992 --> 00:17:10,492
SO, WHAT WE’RE TALKING ABOUT
147
00:17:10,492 --> 00:17:13,617
IS REINVENTING YOURSELF.
148
00:17:13,617 --> 00:17:16,283
I GUESS SO, YEAH.
149
00:17:17,908 --> 00:17:20,575
WELL IN THAT CASE,
150
00:17:20,575 --> 00:17:23,492
IT WAS FATE
THAT BROUGHT YOU HERE.
151
00:17:48,658 --> 00:17:51,200
THE THINNESS OF THIS MATERIAL
152
00:17:51,200 --> 00:17:56,325
WILL REALLY PICK UP
YOUR BEAUTIFUL CONTOURS,
153
00:17:56,325 --> 00:18:00,783
MAKE REALLY BEAUTIFUL
SILHOUETTES.
154
00:18:00,783 --> 00:18:04,325
DO YOU THINK MY HIPS
LOOK TOO BIG IN THIS?
155
00:18:12,200 --> 00:18:14,492
IT’S PERFECT.
156
00:18:22,200 --> 00:18:24,783
DO YOU WANT ME
TO GET CHANGED NOW?
157
00:18:24,783 --> 00:18:26,617
YEAH.
158
00:19:23,033 --> 00:19:24,783
OKAY.
159
00:20:03,658 --> 00:20:05,117
OKAY.
160
00:20:05,117 --> 00:20:09,367
UM, LET’S
CHANGE POSITION.
161
00:20:10,908 --> 00:20:12,367
LOOK AT ME.
162
00:20:15,075 --> 00:20:16,908
HEAD DOWN SLIGHTLY.
163
00:20:20,658 --> 00:20:22,742
MORE.
164
00:20:30,742 --> 00:20:31,783
LOOK INTO THE MIRROR.
165
00:20:39,117 --> 00:20:42,200
LOOK AT YOURSELF.
166
00:20:42,200 --> 00:20:45,950
WHAT ARE YOU
THINKING ABOUT, MAIA?
167
00:20:47,033 --> 00:20:49,325
DO YOU LIKE WHAT YOU SEE?
168
00:20:50,950 --> 00:20:52,658
[CAMERA CLICKS]
169
00:20:56,783 --> 00:20:58,950
WHAT ABOUT YOUR HUSBAND?
170
00:20:58,950 --> 00:21:00,242
WHAT?
171
00:21:02,367 --> 00:21:06,075
WHEN’S THE LAST TIME
HE HELD YOU? MADE LOVE
TO YOU?
172
00:21:06,075 --> 00:21:08,325
WHAT DOES THAT HAVE
TO DO WITH ANYTHING?
173
00:21:08,325 --> 00:21:12,950
NOTHING. YOU’RE NOT ANSWERING
THESE QUESTIONS, REMEMBER.
174
00:21:12,950 --> 00:21:15,075
STILL, I’D RATHER NOT
TALK ABOUT IT.
175
00:21:16,075 --> 00:21:17,825
THAT BAD, HUH?
176
00:21:17,825 --> 00:21:19,742
PLEASE CHANGE THE SUBJECT.
177
00:21:22,617 --> 00:21:23,950
WHAT HAPPENED?
178
00:21:23,950 --> 00:21:25,617
I SAID STOP.
179
00:21:25,617 --> 00:21:27,825
WHOSE FAULT WAS IT?
YOURS OR HIS?
180
00:21:27,825 --> 00:21:29,200
FRANKIE, PLEASE!
181
00:21:32,658 --> 00:21:34,658
EXCELLENT.
182
00:21:34,658 --> 00:21:38,075
YOU’RE GONNA
LOVE THOSE.
183
00:21:38,075 --> 00:21:40,117
GET CHANGED INTO
YOUR NEXT OUTFIT
184
00:21:40,117 --> 00:21:42,075
AND I’LL GET US
SOME WATER.
185
00:21:43,492 --> 00:21:45,075
NICE.
186
00:21:45,075 --> 00:21:47,367
CARRY ON.
187
00:21:52,242 --> 00:21:54,075
WHERE DID YOU DO IT?
188
00:21:56,533 --> 00:21:59,075
THAT’S IT. DON’T LAUGH.
BE SERIOUS.
189
00:21:59,075 --> 00:22:01,492
SCARY.
190
00:22:01,492 --> 00:22:03,033
NO!
191
00:22:04,950 --> 00:22:06,658
CARRY ON.
192
00:22:10,200 --> 00:22:12,533
NICE.
193
00:22:14,367 --> 00:22:15,992
BIT MORE OF THE VIXEN.
194
00:22:15,992 --> 00:22:17,408
VIXEN?
VIXEN.
195
00:22:17,408 --> 00:22:19,075
LOVELY.
196
00:22:37,658 --> 00:22:40,325
DON’T YOU THINK
THEY’RE BEAUTIFUL?
197
00:22:40,325 --> 00:22:41,700
THE DAFFODILS.
198
00:22:42,950 --> 00:22:44,533
NEW LIFE.
199
00:22:54,992 --> 00:22:57,075
NICE. CARRY ON.
200
00:23:01,950 --> 00:23:04,908
AS IF YOU WISH
SOMEONE WERE KISSING YOU.
201
00:23:22,825 --> 00:23:24,658
IS EVERYTHING ALL RIGHT?
202
00:23:27,992 --> 00:23:29,492
ON THE BED.
203
00:23:31,117 --> 00:23:33,533
GOOD.
204
00:23:36,367 --> 00:23:41,200
AND-- TAKE YOUR SHIRT OFF.
205
00:23:42,908 --> 00:23:43,950
WHAT?
206
00:23:43,950 --> 00:23:46,367
TAKE YOUR SHIRT OFF.
207
00:23:49,117 --> 00:23:50,950
WHAT’S THE BIG DEAL?
208
00:23:50,950 --> 00:23:53,533
IT’S JUST-- I’VE NEVER
DONE TOPLESS BEFORE.
209
00:23:53,533 --> 00:23:57,575
IT’S NOT REALLY
GOING TO BE TOPLESS.
210
00:23:59,783 --> 00:24:01,658
TRUST ME.
211
00:24:05,700 --> 00:24:08,242
MMM-HMM. RIGHT.
212
00:24:08,242 --> 00:24:09,825
WHAT ARE YOU DOING?
213
00:24:09,825 --> 00:24:12,367
IF THIS IS THE ONLY WAY
214
00:24:12,367 --> 00:24:13,950
TO MAKE YOU FEEL COMFORTABLE,
215
00:24:13,950 --> 00:24:16,200
THEN SO BE IT.
216
00:24:16,200 --> 00:24:18,825
[MAIA] I’M NOT ENTIRELY
SURE THAT IT WILL.
217
00:24:19,700 --> 00:24:24,408
THIS IS THE HUMAN BODY!
218
00:24:24,408 --> 00:24:25,867
THIS IS MY HUMAN BODY.
219
00:24:25,867 --> 00:24:27,408
YOU MAY NOT FIND IT
ON A MAGAZINE,
220
00:24:27,408 --> 00:24:33,408
BUT IT’S MINE,
AND IT’S ALL I HAVE.
221
00:24:33,408 --> 00:24:38,117
AND IN THIS WORLD,
IF SOMEBODY LIKE ME ISN’T SHY,
222
00:24:38,117 --> 00:24:41,075
THEN SOMEBODY LIKE YOU
REALLY SHOULDN’T BE.
223
00:24:49,533 --> 00:24:51,825
[FRANCESCA] I SEE VULNERABLE.
224
00:24:57,700 --> 00:24:59,492
I SEE A REAL WOMAN.
225
00:25:03,408 --> 00:25:06,492
I SEE YOU.
226
00:25:16,408 --> 00:25:18,950
ARE YOU ALL RIGHT NOW?
227
00:25:23,533 --> 00:25:26,408
ADRIAN, WHEN YOU
FIRST CAME HERE,
228
00:25:26,408 --> 00:25:28,700
I ASKED YOU FOR YOUR
EARLIEST HAPPY MEMORY.
229
00:25:28,700 --> 00:25:31,075
YOU SAID IT WAS WHEN
YOU MET YOUR PARTNER.
230
00:25:32,783 --> 00:25:35,075
TODAY, YOUR HAPPY MEMORY
IS YEARS EARLIER,
231
00:25:35,075 --> 00:25:37,283
WHEN YOU PASSED
YOUR DRIVING TEST.
232
00:25:39,367 --> 00:25:44,533
ALREADY, YOUR MIND HAS
CHANGED. YOU’VE CHANGED.
233
00:25:47,158 --> 00:25:49,700
NOTHING IS PRE-DESTINED.
234
00:25:49,700 --> 00:25:54,408
YOU CAN CHOOSE TO BE
WHATEVER YOU WANT TO BE.
235
00:26:00,825 --> 00:26:03,992
NOW, IF YOU HAD TO CHOOSE
A WORD TO DESCRIBE HOW YOU FEEL,
236
00:26:03,992 --> 00:26:06,117
NOT NECESSARILY RIGHT NOW,
237
00:26:06,117 --> 00:26:10,242
BUT GENERALLY, RECENTLY,
238
00:26:10,242 --> 00:26:12,700
WHAT WOULD IT BE?
239
00:26:14,575 --> 00:26:17,533
ISOLATION.
240
00:26:25,408 --> 00:26:26,992
GO ON.
241
00:26:31,575 --> 00:26:37,075
QUITE OFTEN. VERY OFTEN,
242
00:26:38,950 --> 00:26:43,825
I DON’T WANT IT TO BE, BUT--
243
00:26:43,825 --> 00:26:49,950
AT TIMES I FEEL THAT
SECLUSION IS THE BEST
THING FOR ME, YOU KNOW?
244
00:26:49,950 --> 00:26:55,867
I TRY SO HARD WITH
THE THE DAY-TO-DAY THINGS.
245
00:26:57,533 --> 00:27:01,033
I GO TO WORK.
I COMMUNICATE WITH PEOPLE,
246
00:27:01,033 --> 00:27:04,533
I EVEN FORCE A SMILE
IF I HAVE TO.
247
00:27:06,117 --> 00:27:09,117
BUT EVEN THEN,
248
00:27:09,117 --> 00:27:11,992
I’M NOT THERE. NOT REALLY.
249
00:27:15,658 --> 00:27:19,283
SO WHY DO YOU DO IT?
250
00:27:19,283 --> 00:27:22,825
GO THROUGH
THE MOTIONS, I MEAN.
251
00:27:22,825 --> 00:27:25,700
WELL, WHAT ELSE IS THERE?
252
00:27:31,992 --> 00:27:35,158
ADRIAN, WHAT IS IT THAT YOU
FEEL THAT YOU’RE MISSING?
253
00:27:40,658 --> 00:27:43,408
LOVE.
254
00:27:43,408 --> 00:27:45,158
LOVE?
255
00:27:47,158 --> 00:27:50,533
WHAT DOES LOVE
MEAN TO YOU?
256
00:27:51,575 --> 00:27:54,325
I THINK ABOUT THE WOMAN
I LOVE.
257
00:28:21,867 --> 00:28:23,408
TA-DA.
258
00:28:23,408 --> 00:28:26,283
OOH. THANKS.
259
00:28:27,867 --> 00:28:29,742
YOU KNOW, I CAN’T
BELIEVE THAT IN A DAY
260
00:28:29,742 --> 00:28:31,325
I FEEL SO MUCH BETTER.
261
00:28:31,325 --> 00:28:34,992
IT’S LIKE I CAN REALLY
BREATHE HERE.
262
00:28:34,992 --> 00:28:37,283
CHEERS. CHEERS.
263
00:28:40,617 --> 00:28:44,450
LISTEN. I’M NOT DOING
ANYTHING THIS WEEKEND.
264
00:28:44,450 --> 00:28:47,825
WHY DON’T YOU STAY AND
I CAN SHOW YOU THE COASTLINE?
265
00:28:47,825 --> 00:28:50,533
IT’S REALLY STUNNING.
266
00:28:52,033 --> 00:28:53,325
SORRY.
267
00:28:53,325 --> 00:28:55,158
NO. IT’S NOT THAT.
I’D LOVE TO STAY.
268
00:28:55,158 --> 00:28:58,117
IT’S JUST, MY HUSBAND
AND I HAVE PLANS THIS--
269
00:28:58,117 --> 00:29:00,242
WELL, LOOK,
THE OFFER’S THERE.
270
00:29:00,242 --> 00:29:02,158
I’M JUST GOING TO
RELAX,
271
00:29:02,158 --> 00:29:04,450
GET SOME FRESH AIR,
272
00:29:04,450 --> 00:29:07,158
AND IT WOULD BE
REALLY LOVELY HAVING
YOU YOU.
273
00:29:07,158 --> 00:29:08,908
THAT’S ALL.
274
00:29:35,283 --> 00:29:39,700
HI, HONEY. UM, NO.
275
00:29:39,700 --> 00:29:41,742
UMM, NO, ACTUALLY.
276
00:29:41,742 --> 00:29:43,533
I-- THAT’S WHAT
I WAS CALLING FOR.
277
00:29:43,533 --> 00:29:45,200
I JUST WANTED TO
SPEAK TO YOU.
278
00:29:45,200 --> 00:29:46,992
UM--
279
00:29:46,992 --> 00:29:48,867
IT’S ABSOLUTELY
BEAUTIFUL HERE
280
00:29:48,867 --> 00:29:51,992
AND THE PHOTOGRAPHER THAT
I’VE BEEN WORKING WITH
281
00:29:51,992 --> 00:29:55,450
ASKED IF I WANTED TO STAY
FOR THE WEEKEND, AND I SAID--
282
00:29:58,450 --> 00:30:03,200
NO. I SAID YES, BECAUSE--
283
00:30:06,992 --> 00:30:09,533
IF YOU COULD
JUST SEE IT HERE,
284
00:30:09,533 --> 00:30:12,200
IT IS SO BEAUTIFUL, AND--
285
00:30:16,325 --> 00:30:18,992
OH, MY GOD. I’M NOT--
286
00:30:18,992 --> 00:30:21,200
I’M NOT COMING HOME TONIGHT.
287
00:30:21,200 --> 00:30:23,033
I’M STAYING FOR THE WEEKEND.
288
00:30:26,867 --> 00:30:28,158
IT’S NOT ABOUT
THE SHOOT ANYMORE.
289
00:30:28,158 --> 00:30:30,325
I JUST WANT TO STAY
FOR THE WEEKEND.
290
00:30:30,325 --> 00:30:32,450
I’M GOING TO STAY.
291
00:30:32,450 --> 00:30:36,033
IT’S ABOUT ME
NEEDING THE SPACE!
292
00:30:42,283 --> 00:30:44,867
I’M STAYING AND
I’LL SEE YOU ON SUNDAY.
293
00:30:58,158 --> 00:31:00,408
[LAUGHING]
294
00:31:00,408 --> 00:31:02,617
IS THERE SOMETHING
WRONG WITH YOUR FOOD?
295
00:31:02,617 --> 00:31:05,867
NO, IT’S LOVELY,
THERE WAS JUST SO MUCH!
296
00:31:05,867 --> 00:31:09,325
I THOUGHT YOU MIGHT HAVE
WORKED UP AN APPETITE.
297
00:31:10,408 --> 00:31:13,325
OH, TREAT YOURSELF.
298
00:31:13,325 --> 00:31:16,158
I SUPPOSE YOU’RE RIGHT.
299
00:31:16,158 --> 00:31:19,117
YOU KNOW, I’VE HAD SUCH
A GOOD DAY. THANK YOU,
FRANKIE.
300
00:31:19,117 --> 00:31:23,867
DON’T BE SILLY.
YOU WERE FANTASTIC.
301
00:31:23,867 --> 00:31:25,325
THAT WASN’T ME.
302
00:31:25,325 --> 00:31:27,575
I’VE NEVER BEEN DIRECTED
LIKE THAT BEFORE.
303
00:31:27,575 --> 00:31:30,575
BARBARA DIDN’T WARN ME
YOU WERE QUITE SO--
304
00:31:30,575 --> 00:31:31,700
DIRECT.
305
00:31:31,700 --> 00:31:33,992
THAT’S AS GOOD A WORD
AS ANY.
306
00:31:33,992 --> 00:31:36,575
I ALWAYS TELL HER NOT TO.
307
00:31:36,575 --> 00:31:39,700
THE ELEMENT OF SURPRISE
IS CRUCIAL TO MY WORK.
308
00:31:39,700 --> 00:31:41,408
I WAS DEFINITELY SURPRISED.
309
00:31:41,408 --> 00:31:43,408
ESPECIALLY WHEN WE BOTH
ENDED UP HALF NAKED.
310
00:31:43,408 --> 00:31:44,867
I DID NOT SEE THAT COMING.
311
00:31:44,867 --> 00:31:47,450
[BOTH LAUGHING]
312
00:31:47,450 --> 00:31:48,575
I DID.
313
00:31:50,908 --> 00:31:53,033
LET ME SEE THE PHOTOS?
314
00:31:54,408 --> 00:31:56,700
I NEVER SHOW MY WORK
UNTIL IT’S READY.
315
00:32:03,033 --> 00:32:05,450
I’M GOING TO GET ANOTHER
BOTTLE OF WINE,
316
00:32:05,450 --> 00:32:10,200
AND YOU GO INTO
THE DRAWING ROOM AND
MAKE YOURSELF COZY.
317
00:32:18,033 --> 00:32:20,075
DRAWING ROOM?
318
00:33:10,658 --> 00:33:12,617
WHAT?
319
00:33:14,617 --> 00:33:17,200
I THOUGHT I JUST
SAW SOMETHING OUTSIDE.
320
00:33:21,033 --> 00:33:25,742
MAYBE IT WAS A CRAZED FARMER.
321
00:33:25,742 --> 00:33:28,158
WHAT CRAZED FARMER?
322
00:33:28,158 --> 00:33:33,075
YOU KNOW PERCY BYSSHE SHELLEY
USED TO LIVE HERE?
323
00:33:33,075 --> 00:33:35,325
THE POET?
324
00:33:35,325 --> 00:33:36,908
YOU KNOW HIM?
325
00:33:36,908 --> 00:33:39,158
BY NAME.
326
00:33:39,158 --> 00:33:44,908
WELL, YOU KNOW HE WAS
THE HUSBAND OF MARY SHELLEY?
327
00:33:44,908 --> 00:33:48,908
AS IN, THE CREATOR
OF "FRANKENSTEIN"?
328
00:33:48,908 --> 00:33:52,325
THE VERY SAME.
329
00:33:52,325 --> 00:33:54,492
AND THIS IS THE VERY SAME HOUSE
330
00:33:54,492 --> 00:33:59,158
WHERE THE STORY OF
"FRANKENSTEIN"
WAS CONCEIVED.
331
00:34:00,742 --> 00:34:03,950
AND YOU DECIDE TO TELL ME
THIS STORY NOW?
332
00:34:05,492 --> 00:34:08,908
ONE NIGHT, A CRAZED FARMER
WITH A SHOTGUN
333
00:34:08,908 --> 00:34:13,742
CAME TO THE HOUSE AND
SHOT AT PERCY THREE TIMES.
334
00:34:13,742 --> 00:34:15,908
REALLY?
335
00:34:15,908 --> 00:34:17,950
WHY?
336
00:34:17,950 --> 00:34:21,033
NOBODY KNOWS,
337
00:34:21,033 --> 00:34:24,325
AND THAT’S PRECISELY
WHAT LED MARY SHELLEY
338
00:34:24,325 --> 00:34:26,908
TO WONDER THE SAME THING.
339
00:34:26,908 --> 00:34:32,033
WHAT MOTIVATES A MONSTER
TO DO SUCH THINGS?
340
00:34:33,325 --> 00:34:39,033
ALAS, THE IDEA
OF FRANKENSTEIN WAS BORN.
341
00:34:41,450 --> 00:34:43,033
HERE?
342
00:34:43,033 --> 00:34:47,158
RIGHT THROUGH THAT WINDOW.
343
00:34:55,200 --> 00:34:57,950
SO, DID IT KILL HIM?
344
00:34:58,950 --> 00:35:04,075
NO. HE DROWNED IN ITALY.
345
00:35:09,908 --> 00:35:12,908
NOT THE LUCKIEST MAN
TO HAVE LIVED, WAS HE?
346
00:35:19,658 --> 00:35:22,325
DESCRIBE HER TO ME.
347
00:35:22,325 --> 00:35:24,617
WHAT DO YOU MEAN?
348
00:35:24,617 --> 00:35:27,325
WELL, DO YOU FIND HER
ATTRACTIVE?
349
00:35:27,325 --> 00:35:31,450
OF COURSE. IF ANYTHING,
SHE’S TOO ATTRACTIVE.
350
00:35:31,450 --> 00:35:33,867
TOO ATTRACTIVE?
351
00:35:33,867 --> 00:35:35,658
YEAH.
352
00:35:35,658 --> 00:35:36,742
HOW SO?
353
00:35:43,200 --> 00:35:45,492
SOMETIMES SHE GETS LOOKS
354
00:35:45,492 --> 00:35:48,658
AND REMARKS OFF SCUMBAG
STRANGERS.
355
00:35:50,075 --> 00:35:53,492
PEOPLE HAVE EVEN COME ON
TO HER IN FRONT OF ME.
356
00:35:53,492 --> 00:35:54,825
AND DOES THAT
MAKE YOU ANGRY?
357
00:35:54,825 --> 00:35:57,325
WELL WHAT DO YOU THINK?
358
00:35:57,325 --> 00:36:00,200
IT’S JUST SO GODDAMN
FUCKING RUDE
359
00:36:00,200 --> 00:36:02,742
AND PEOPLE SHOULD
HAVE MORE RESPECT!
360
00:36:02,742 --> 00:36:04,242
CALM DOWN.
361
00:36:50,200 --> 00:36:52,367
DO YOU TRUST HER?
362
00:36:56,367 --> 00:36:58,492
I DON’T TRUST ANYONE.
363
00:37:00,492 --> 00:37:01,825
[KNOCK ON DOOR]
364
00:37:01,825 --> 00:37:03,325
JUST A MINUTE.
365
00:37:07,367 --> 00:37:08,492
COME IN.
366
00:37:09,908 --> 00:37:11,908
JUST CHECKING
EVERYTHING’S ALL RIGHT.
367
00:37:11,908 --> 00:37:15,325
EVERYTHING’S
PERFECT, FRANKIE.
THANK YOU.
368
00:37:16,658 --> 00:37:18,075
RIGHT.
369
00:37:18,075 --> 00:37:21,367
WELL, I’M JUST DOWN
THE HALL IF YOU WANT
ANYTHING.
370
00:37:21,367 --> 00:37:22,950
OKAY.
371
00:37:22,950 --> 00:37:26,533
GIVE ME A SHOUT
IF YOU NEED ME.
372
00:37:26,533 --> 00:37:28,033
WILL DO.
373
00:37:41,492 --> 00:37:45,658
SHE’S SO INDEPENDENT,
374
00:37:47,408 --> 00:37:50,825
AND ALTHOUGH THAT’S
ONE OF THE THINGS
I LOVE ABOUT HER,
375
00:37:50,825 --> 00:37:53,200
I ALSO HATE IT.
376
00:37:56,617 --> 00:38:00,075
THERE ARE MOMENTS
377
00:38:00,075 --> 00:38:03,908
WHEN I WANT HER TO NEED ME.
378
00:38:05,408 --> 00:38:08,242
WHAT, YOU NEED TO FEEL VALUED?
379
00:38:08,242 --> 00:38:11,242
YOU WANT ATTENTION
AND AFFECTION?
380
00:38:11,242 --> 00:38:12,950
YES.
381
00:38:12,950 --> 00:38:16,325
WELL, THAT’S LIKE ANYBODY.
THAT’S NOT UNCOMMON.
382
00:38:16,325 --> 00:38:17,492
IT’S NOT?
383
00:38:17,492 --> 00:38:19,033
ABSOLUTELY NOT.
384
00:38:19,033 --> 00:38:20,950
IT’S PERFECTLY NATURAL.
385
00:38:26,325 --> 00:38:32,033
SOMETIMES I JUST WATCH HER.
386
00:38:32,033 --> 00:38:35,658
AND TO LOOK AT HER
WHEN SHE DOESN’T KNOW,
387
00:38:39,367 --> 00:38:42,950
I CAN REALLY SEE
HER VULNERABILITY.
388
00:38:52,950 --> 00:38:54,783
[KNOCK ON DOOR]
389
00:39:13,783 --> 00:39:16,367
FRANKIE?
390
00:39:16,367 --> 00:39:19,950
FRANKIE, IS THAT YOU?
391
00:39:42,367 --> 00:39:44,658
THEY’RE THE MOMENTS
I ENJOY THE MOST.
392
00:39:44,658 --> 00:39:48,367
I’M NOT SURE
OF YOUR MEANING.
393
00:39:48,367 --> 00:39:51,367
WHAT MEANING?
394
00:39:51,367 --> 00:39:54,992
ARE YOU TELLING ME
THAT YOU’VE NEVER
LOOKED OR WATCHED
395
00:39:54,992 --> 00:39:58,950
A LOVED ONE
WHEN THEY’RE BUSY
396
00:39:58,950 --> 00:40:02,075
OR WHEN THEY’RE ASLEEP?
397
00:40:03,992 --> 00:40:08,200
IT’S SO PEACEFUL.
398
00:40:08,200 --> 00:40:10,242
AND IN THESE MOMENTS,
399
00:40:10,242 --> 00:40:14,367
THEY DON’T EVEN KNOW
400
00:40:14,367 --> 00:40:17,658
THEY’RE YOUR WHOLE WORLD.
401
00:41:50,575 --> 00:41:52,950
I’M GOING TO BREAK
ONE OF MY RULES.
402
00:41:52,950 --> 00:41:54,867
OKAY.
403
00:41:55,825 --> 00:41:57,700
SERIOUSLY?
404
00:41:57,700 --> 00:41:59,242
I THINK YOU NEED
TO SEE SOME OF THESE.
405
00:41:59,242 --> 00:42:00,117
OOH!
406
00:42:00,117 --> 00:42:01,867
ONLY A FEW, MIND.
407
00:42:01,867 --> 00:42:03,242
OKAY.
408
00:42:04,783 --> 00:42:05,950
CLICK LEFT TO SCROLL.
409
00:42:05,950 --> 00:42:07,283
MMM-HMM.
410
00:42:12,408 --> 00:42:14,992
WHAT IS THIS?
411
00:42:14,992 --> 00:42:18,658
IT’S YOU AND A LITTLE GIRL
CALLED CHLOE.
412
00:42:18,658 --> 00:42:21,158
DON’T SAY THAT NAME.
413
00:42:25,117 --> 00:42:26,658
WHO’S CHLOE?
414
00:42:26,658 --> 00:42:28,283
I SAID DON’T!
415
00:42:28,283 --> 00:42:30,700
YOU DON’T HAVE THE RIGHT
TO DO THIS!
416
00:42:31,950 --> 00:42:35,450
I’M SORRY, MAIA.
417
00:42:35,450 --> 00:42:38,992
IT’S JUST I’VE NEVER
SEEN ANYTHING LIKE THAT.
418
00:42:38,992 --> 00:42:40,992
I DIDN’T MEAN TO HURT YOU.
419
00:42:40,992 --> 00:42:45,117
I JUST SAW SUCH BEAUTY
IN THAT MOMENT.
420
00:42:48,408 --> 00:42:51,742
ANYWAY, IT’S YOUR
PRIVATE BUSINESS,
421
00:42:51,742 --> 00:42:53,117
SO YOU SHOULDN’T HAVE
TO TALK ABOUT IT
422
00:42:53,117 --> 00:42:54,700
IF YOU DON’T WANT TO.
423
00:42:56,283 --> 00:42:59,700
I PROMISED TO
SHOW YOU AROUND.
424
00:42:59,700 --> 00:43:02,367
IT’S REALLY PEACEFUL HERE.
425
00:43:02,367 --> 00:43:04,533
IT COULD BE JUST WHAT YOU NEED.
426
00:43:25,742 --> 00:43:28,408
I REMEMBER THE FIRST TIME
I CAME OUT HERE.
427
00:43:28,408 --> 00:43:32,283
I WAS ABSOLUTELY PETRIFIED.
428
00:43:32,283 --> 00:43:35,117
THE BOAT ROCKS SO BLOODY MUCH,
DOESN’T IT?
429
00:43:39,408 --> 00:43:42,950
I’M TAKING YOU TO
A REALLY SECLUDED BEACH.
430
00:43:42,950 --> 00:43:45,992
IT’S SO QUIET.
431
00:43:45,992 --> 00:43:49,742
I COULD GO AND COME BACK
WITHOUT SEEING ANYBODY.
432
00:43:49,742 --> 00:43:53,825
ONE OR TWO PEOPLE--
THAT IS A BUSY DAY.
433
00:43:55,825 --> 00:43:59,117
IT’S THE CLOSEST THING WE’VE
GOT ROUND HERE TO PARADISE.
434
00:44:01,825 --> 00:44:04,700
FREEZING, ISN’T IT?
435
00:44:12,408 --> 00:44:16,992
[MAIA] ISN’T IT STRANGE
HOW SOMETIMES YOU
CAN FORGET TO FEEL?
436
00:44:19,158 --> 00:44:22,825
WE TRIED SO HARD,
MY HUSBAND AND I.
437
00:44:24,867 --> 00:44:29,117
FOR YEARS WE DID
EVERYTHING BY THE BOOK.
438
00:44:31,575 --> 00:44:33,742
WE WERE DESPERATE
TO START A FAMILY,
439
00:44:33,742 --> 00:44:39,117
AND THE DAY I FELT PREGNANT,
I KNEW. I JUST KNEW.
440
00:44:42,158 --> 00:44:45,033
AND THE TEST
CAME BACK POSITIVE,
441
00:44:45,033 --> 00:44:48,742
OH, YOU SHOULD HAVE SEEN
THE LOOK ON HIS FACE.
442
00:44:48,742 --> 00:44:53,700
HE PICKED ME UP IN HIS ARMS
AND WE MADE LOVE FOR HOURS.
443
00:44:53,700 --> 00:44:57,158
I’D NEVER KNOWN HIM
TO BE SO TENDER.
444
00:44:58,742 --> 00:45:01,867
HE INSISTED WE GO OUT
FOR DINNER TO CELEBRATE
445
00:45:01,867 --> 00:45:06,283
AND ANNOUNCED THE PREGNANCY
TO THE WHOLE RESTAURANT,
446
00:45:06,283 --> 00:45:10,158
AND THEY CHEERED
AND CONGRATULATED US.
447
00:45:11,617 --> 00:45:14,575
IT WAS SURREAL,
448
00:45:14,575 --> 00:45:15,867
TO FEEL SO IMPORTANT,
449
00:45:15,867 --> 00:45:20,575
LIKE SOMETHING
OUT OF A MOVIE.
450
00:45:22,700 --> 00:45:25,450
IT WAS THE BEST
NIGHT OF MY LIFE.
451
00:45:30,325 --> 00:45:33,158
HOW DO YOU FEEL RIGHT NOW?
452
00:45:34,575 --> 00:45:36,158
IF YOU HAD TO CHOOSE
ONE WORD,
453
00:45:36,158 --> 00:45:39,033
ONE OVERRIDING EMOTION,
WHAT WOULD IT BE?
454
00:45:40,575 --> 00:45:43,033
LOSS.
455
00:45:43,033 --> 00:45:45,533
UNBEARABLE LOSS.
456
00:45:50,700 --> 00:45:52,575
WE’VE LOST QUITE A LOT.
457
00:45:55,825 --> 00:45:58,325
WE’VE LOST OUR WORLD,
458
00:45:58,325 --> 00:46:02,158
AND I’M SO DESPERATELY
TRYING TO GET IT BACK.
459
00:46:04,158 --> 00:46:06,908
I’VE JUST NO IDEA WHAT TO DO,
460
00:46:06,908 --> 00:46:08,867
AND EVERYTHING I DO DO
461
00:46:08,867 --> 00:46:11,408
JUST PUSHES HER FURTHER AWAY,
462
00:46:15,158 --> 00:46:17,450
AND I DON’T KNOW WHAT TO DO.
463
00:46:19,450 --> 00:46:23,617
WHEN I ASKED YOU ABOUT YOUR
HAPPIEST MEMORY TOGETHER,
464
00:46:23,617 --> 00:46:26,867
DO YOU REMEMBER
WHAT YOU SAID?
465
00:46:28,325 --> 00:46:30,617
YES.
466
00:46:30,617 --> 00:46:34,325
I SPOKE ABOUT
WHEN WE FIRST MET.
467
00:46:34,325 --> 00:46:38,575
IT WAS SO NATURAL,
SO EXCITING.
468
00:46:38,575 --> 00:46:41,617
THE FIRST TOUCH.
OUR FIRST KISS.
469
00:46:46,533 --> 00:46:50,325
MY STOMACH WAS IN KNOTS,
470
00:46:50,325 --> 00:46:55,158
BUT THEN WHEN I FELT
HER HEART BEAT SO WILDLY,
471
00:46:55,158 --> 00:46:58,575
I KNEW SHE FELT THE SAME AND--
472
00:46:58,575 --> 00:47:01,450
I KNEW EVERYTHING
WOULD BE OKAY.
473
00:47:05,033 --> 00:47:10,200
EVERYTHING WAS FINE UNTIL
MY BODY STARTED TO CHANGE.
474
00:47:10,200 --> 00:47:12,867
I PANICKED.
475
00:47:12,867 --> 00:47:16,408
ALL THOSE YEARS OF
DIETING AND EXERCISE,
476
00:47:16,408 --> 00:47:18,117
AND THEN SUDDENLY
I HAD NO REGIME.
477
00:47:20,992 --> 00:47:23,200
EVEN WHEN I TRIED,
478
00:47:23,200 --> 00:47:26,867
I COULDN’T
KEEP THE WEIGHT OFF.
479
00:47:26,867 --> 00:47:31,158
I WORRIED THAT MY BODY WOULD
NEVER BE THE SAME AGAIN.
480
00:47:33,575 --> 00:47:37,908
I STARTED TO IGNORE ALL THE
ADVICE THAT OUR DOCTOR GAVE ME
481
00:47:37,908 --> 00:47:43,325
AND SUDDENLY,
I JUST HATED THE PREGNANCY
482
00:47:43,325 --> 00:47:46,325
AND I WISHED THAT THE BABY
WOULD COME OUT OF ME.
483
00:47:48,325 --> 00:47:50,867
IN THE END, SHE DID.
484
00:47:53,033 --> 00:47:55,117
IT WAS ME THAT KILLED HER,
485
00:47:55,117 --> 00:47:59,450
AND MY HUSBAND KNOWS IT,
AND NOW I HAVE NOTHING.
486
00:47:59,450 --> 00:48:04,867
HEY, HEY, HEY.
487
00:48:04,867 --> 00:48:08,450
ME AND MY HUSBAND,
WE’RE GOOD PEOPLE.
488
00:48:08,450 --> 00:48:11,200
WE WANTED NOTHING MORE
THAN TO HAVE THAT BABY.
489
00:48:11,200 --> 00:48:16,742
AND YOU’RE ANGRY
BECAUSE YOU FEEL CHEATED?
490
00:48:16,742 --> 00:48:18,867
CHEATED?
491
00:48:18,867 --> 00:48:24,283
NO. THAT DOESN’T EVEN
BEGIN TO COVER IT.
492
00:48:26,325 --> 00:48:27,617
TO LOSE A BABY IS ONE THING,
493
00:48:27,617 --> 00:48:30,325
BUT TO COMPLETE A PREGNANCY,
494
00:48:30,325 --> 00:48:33,283
AND THEY TELL YOU THAT THERE’S
NOTHING THEY CAN DO--
495
00:48:35,200 --> 00:48:38,492
WHEN YOU HAVE TO
GIVE BIRTH TO YOUR BABY
496
00:48:38,492 --> 00:48:40,908
AND THERE’S
NOTHING BUT SILENCE,
497
00:48:43,617 --> 00:48:47,033
AND YOUR CHILD’S THERE
TO LOOK AT,
498
00:48:47,033 --> 00:48:50,908
AND SHE’S THERE
FOR YOU TO HOLD
499
00:48:50,908 --> 00:48:52,325
BUT YOU KNOW YOU
CAN’T TAKE HER HOME.
500
00:48:52,325 --> 00:48:56,325
TO KNOW THAT YOU’VE
GONE THAT FAR,
501
00:48:56,325 --> 00:48:59,367
AND YOU’LL NEVER GET TO
KNOW HER, IS JUST--
502
00:48:59,367 --> 00:49:03,283
HEY.
503
00:49:10,200 --> 00:49:14,742
WHAT YOU HAD
TO GO THROUGH,
IT’S NOT FAIR,
504
00:49:16,742 --> 00:49:19,700
BUT COME ON.
505
00:49:19,700 --> 00:49:21,325
YOU THINK YOU’RE
THE ONLY WOMAN
506
00:49:21,325 --> 00:49:25,283
THAT TRIES TO KEEP IN SHAPE
WHILE SHE’S PREGNANT?
507
00:49:25,283 --> 00:49:28,033
I’VE BEEN AROUND MODELS
ALL MY LIFE,
508
00:49:28,033 --> 00:49:32,742
AND BELIEVE ME MAIA, YOU’RE
NOT THE ONE WITH PROBLEMS.
509
00:49:32,742 --> 00:49:35,075
IT WASN’T YOU FAULT.
510
00:49:35,075 --> 00:49:37,700
MY HUSBAND DOESN’T
EVEN LOOK AT ME IN
THE SAME WAY ANYMORE.
511
00:49:37,700 --> 00:49:42,075
I THINK WE’RE OVER.
512
00:49:42,075 --> 00:49:47,325
WELL, SHAME ON HIM.
513
00:49:47,325 --> 00:49:51,908
AND IF WHAT YOU SAY IS TRUE
THEN DARE I SAY IT,
514
00:49:51,908 --> 00:49:53,450
MAYBE IT WASN’T
SUCH A BAD THING.
515
00:49:53,450 --> 00:49:57,492
NO, HE’S A GOOD MAN.
516
00:49:57,492 --> 00:50:00,033
NO MEN ARE GOOD, MAIA.
517
00:50:00,033 --> 00:50:03,158
WHY DO YOU THINK
I’M THE WAY I AM?
518
00:50:05,617 --> 00:50:07,367
TRUST ME,
519
00:50:07,367 --> 00:50:12,450
YOU HAVE ABSOLUTELY
NOTHING TO WORRY ABOUT.
520
00:50:12,450 --> 00:50:17,450
EVERYTHING WILL FALL
INTO PLACE, YOU’LL SEE.
521
00:50:20,325 --> 00:50:22,908
I WISH I COULD--
522
00:50:22,908 --> 00:50:23,950
WHAT?
523
00:50:23,950 --> 00:50:27,492
I DON’T KNOW, BE MORE FREE,
524
00:50:27,492 --> 00:50:32,450
SELF-ASSURED, COMFORTABLE
WITH WHO I AM, LIKE YOU.
525
00:50:34,658 --> 00:50:36,617
LIKE ME?
526
00:50:36,617 --> 00:50:37,908
YEAH.
527
00:50:37,908 --> 00:50:42,450
YOU’RE SO TOGETHER
AND HAPPY.
528
00:50:42,450 --> 00:50:45,033
YOU KNOW WHAT YOU WANT
AND DON’T CARE WHAT YOU SAY,
529
00:50:45,033 --> 00:50:46,783
YOU JUST DO IT ANYWAY.
530
00:50:46,783 --> 00:50:50,742
YOU’RE IN COMPLETE CONTROL
OF YOU LIFE AND IT’S ADMIRABLE.
531
00:50:53,033 --> 00:50:55,200
IS THAT WHAT
YOU THINK OF ME?
532
00:50:55,200 --> 00:50:57,325
OF COURSE.
533
00:51:04,617 --> 00:51:06,908
THE BEACH IS
JUST OVER THERE.
534
00:51:08,783 --> 00:51:10,617
LET’S BRING HER IN.
535
00:51:41,658 --> 00:51:44,033
DO YOU HAVE ANY FAMILY?
536
00:51:44,033 --> 00:51:46,742
UMM, JUST
MY PARENTS.
537
00:51:46,742 --> 00:51:48,492
NO BROTHERS
OR SISTERS.
538
00:51:48,492 --> 00:51:50,325
ONE AUNT.
539
00:51:50,325 --> 00:51:52,783
MY LAST REMAINING
GRANDPARENT DIED
LAST YEAR.
540
00:51:52,783 --> 00:51:55,492
MY GRANDMA WAS ONE
OF THE FEW PEOPLE
I COULD TALK TO,
541
00:51:55,492 --> 00:52:00,200
SO LAST YEAR WAS
DEFINITELY ONE
TO FORGET.
542
00:52:00,200 --> 00:52:01,742
WHAT ABOUT HOBBIES?
543
00:52:01,742 --> 00:52:03,325
WHAT ABOUT THEM?
544
00:52:03,325 --> 00:52:05,158
DO YOU HAVE ANY?
545
00:52:05,158 --> 00:52:07,492
UMM, NO.
546
00:52:07,492 --> 00:52:09,158
THERE MUST BE SOMETHING.
547
00:52:09,158 --> 00:52:11,908
DOES WALLOWING
IN SELF-PITY COUNT?
548
00:52:11,908 --> 00:52:14,450
[LAUGHS]
549
00:52:14,450 --> 00:52:16,742
I’M GLAD
THAT AMUSES YOU.
550
00:52:33,783 --> 00:52:38,158
I NEVER REALIZED
THIS PLACE WAS SO VAST.
551
00:52:38,158 --> 00:52:40,200
I WISH I LIVED HERE.
552
00:52:40,200 --> 00:52:41,825
WHAT’S WRONG
WITH LONDON?
553
00:52:41,825 --> 00:52:45,742
IT’S TOO CROWDED.
TOO CLAUSTROPHOBIC.
554
00:52:45,742 --> 00:52:49,492
SOMETIMES IT GETS SO MUCH
I FEEL LIKE I CAN’T BREATHE.
555
00:53:09,367 --> 00:53:14,367
[FRANCESCA] NAME
YOUR FAVORITE ANIMAL
AND THREE REASONS WHY.
556
00:53:14,367 --> 00:53:16,033
[MAIA] WHAT IS THIS?
557
00:53:16,033 --> 00:53:17,783
[FRANCESCA]
I’M ANALYZING YOU.
558
00:53:17,783 --> 00:53:19,117
[MAIA] OH.
559
00:53:19,117 --> 00:53:20,617
[FRANCESCA] AND,
ONLY ONE-WORD ANSWERS.
560
00:53:20,617 --> 00:53:21,658
[MAIA] REALLY?
561
00:53:21,658 --> 00:53:23,117
[FRANCESCA] REALLY.
562
00:53:23,117 --> 00:53:24,492
[MAIA] UM, A CAT,
563
00:53:24,492 --> 00:53:28,075
BECAUSE THEY ARE LOVING,
LOYAL AND PRETTY.
564
00:53:28,075 --> 00:53:29,950
MMM, OKAY.
565
00:53:29,950 --> 00:53:34,117
NOW YOUR FAVORITE
WILD ANIMAL, AND
THREE REASONS WHY.
566
00:53:34,117 --> 00:53:35,825
OOH. WILD ANIMAL?
567
00:53:35,825 --> 00:53:39,492
UM, A TIGER, BECAUSE
THEY ARE DANGEROUS,
568
00:53:39,492 --> 00:53:42,908
POWERFUL AND
FEROCIOUSLY STUNNING.
569
00:53:42,908 --> 00:53:46,533
OKAY.
THAT MAKES SENSE.
570
00:53:46,533 --> 00:53:49,325
OH GOD, IS THIS WHERE
YOU TELL ME I’M IN DENIAL
571
00:53:49,325 --> 00:53:51,908
BECAUSE ON
BOTH OCCASIONS
I CHOSE A PUSSY?
572
00:53:51,908 --> 00:53:54,075
[LAUGHS]
573
00:53:54,075 --> 00:53:56,617
NO!
574
00:53:56,617 --> 00:54:00,658
THE DOMESTIC ANIMAL
IS HOW PEOPLE SEE YOU.
575
00:54:00,658 --> 00:54:04,658
THE WILD ANIMAL IS HOW
YOU WISH TO BE SEEN.
576
00:54:04,658 --> 00:54:07,117
AH.
577
00:54:26,533 --> 00:54:31,783
SO, DOES NOTHING ELSE
EXCITE YOU
578
00:54:31,783 --> 00:54:34,408
OTHER THAN MODELING?
579
00:54:34,408 --> 00:54:38,200
HONESTLY? NO.
580
00:54:38,200 --> 00:54:40,033
IT SOUNDS SO DESPERATE
WHEN I SAY IT,
581
00:54:40,033 --> 00:54:42,658
BUT IT’S TRULY THE
ONLY THING I’M GOOD AT.
582
00:54:44,408 --> 00:54:47,325
THERE’S REALLY
NOTHING ELSE TO ME.
583
00:54:50,617 --> 00:54:52,950
I WOULDN’T SAY THAT.
584
00:55:07,325 --> 00:55:09,325
[GURGLING]
585
00:55:11,325 --> 00:55:14,075
IT’S OKAY. YOU’RE OKAY.
586
00:55:36,658 --> 00:55:38,783
[BAR PATRONS LAUGHING]
587
00:55:42,700 --> 00:55:46,492
♪ ...I’M TOUCHED
BY AN ANGEL ♪
588
00:56:00,825 --> 00:56:05,242
♪ SO BE IT, I’M HERE ♪
589
00:56:05,242 --> 00:56:08,200
♪ I’M YOURS NOW ♪
590
00:56:08,200 --> 00:56:10,075
♪ TO KEEP ♪
591
00:56:11,617 --> 00:56:15,825
♪ ’CAUSE WITHOUT YOU
I STUMBLE, I FALL ♪
592
00:56:15,825 --> 00:56:21,075
♪ AND TONIGHT
YOU’RE IN MY DREAMS ♪
593
00:56:21,075 --> 00:56:26,075
♪ WHEN I SLEEP ♪
594
00:56:28,408 --> 00:56:32,533
♪ WITHOUT YOU I AM WEAK ♪
595
00:56:32,533 --> 00:56:37,533
♪ I AM WEAK ♪
596
00:56:39,658 --> 00:56:43,200
♪ WITHOUT YOU I AM WEAK ♪
597
00:56:44,700 --> 00:56:49,950
♪ SO COME BACK TO ME
TODAY ♪
598
00:56:51,367 --> 00:56:56,533
♪ I’M WITH YOU, MY DEAR. ♪
599
00:57:07,492 --> 00:57:09,533
[APPLAUSE]
600
00:57:16,867 --> 00:57:18,658
WHAT?
601
00:57:18,658 --> 00:57:20,992
YOU’VE ONLY
BEEN HERE ONE DAY
602
00:57:20,992 --> 00:57:25,242
AND ALREADY PROVIDED ME
WITH THE MOST INCREDIBLE
STORY.
603
00:57:26,950 --> 00:57:29,117
YOU SAVED A LIFE TODAY.
604
00:57:29,117 --> 00:57:31,950
OH, MY GOD. I HADN’T
THOUGHT ABOUT IT
LIKE THAT.
605
00:57:31,950 --> 00:57:34,825
[LAUGHS]
WHAT OTHER WAY IS THERE
TO THINK ABOUT IT?
606
00:57:34,825 --> 00:57:37,200
I DON’T KNOW. I JUST
PULLED A MAN OUT OF
THE WATER, I GUESS.
607
00:57:37,200 --> 00:57:38,408
BOLLOCKS.
608
00:57:38,408 --> 00:57:39,658
OH, DON’T BE SILLY.
609
00:57:39,658 --> 00:57:42,533
ANYONE WOULD HAVE
DONE THE SAME THING.
610
00:57:42,533 --> 00:57:43,783
CHEERS.
611
00:57:48,533 --> 00:57:50,408
[LAUGHING]
612
00:57:59,367 --> 00:58:02,533
HEY, LOVE? LOVE?
KNOW ANY K.D. LANG?
613
00:58:11,825 --> 00:58:13,408
I NEED A PISS.
614
00:58:13,408 --> 00:58:15,658
THANKS FOR THAT.
615
00:58:15,658 --> 00:58:17,533
GET THEM IN, BOYS.
616
00:58:17,533 --> 00:58:22,283
♪ SHE ONLY GOT
AWAY FROM IT ALL ♪
617
00:58:22,283 --> 00:58:27,408
♪ FOR JUST ONE DAY
TO FEEL FREE ♪
618
00:58:27,408 --> 00:58:29,533
♪ TO OPEN UP
AND MOVE ♪
619
00:58:29,533 --> 00:58:32,783
♪ IN HER OWN WAY... ♪
620
00:58:46,283 --> 00:58:48,242
YOU ALL RIGHT, SEXY?
621
00:58:49,825 --> 00:58:53,117
GONNA PUT ON A BIT
OF A SHOW FOR US LATER?
622
00:58:53,117 --> 00:58:55,783
KEEP YOUR
KNICKERS ON, LOVE.
623
00:59:20,700 --> 00:59:25,700
ONE MORE COMMENT AND I WILL
SLICE YOUR FUCKING BALLS.
624
00:59:45,242 --> 00:59:47,117
WE’RE GOING HOME.
625
00:59:57,075 --> 00:59:58,867
FRANKIE. FRANKIE,
HANG ON A SECOND.
626
00:59:58,867 --> 01:00:00,117
ARE YOU ALL RIGHT?
627
01:00:00,117 --> 01:00:02,867
WHAT HAPPENED IN THERE?
628
01:00:02,867 --> 01:00:05,825
FRANKIE--
629
01:00:12,158 --> 01:00:15,408
I CAN’T STAND
OBNOXIOUS PEOPLE.
630
01:00:15,408 --> 01:00:17,867
I JUST TOLD HIM TO STOP
BEING SUCH A PIG.
631
01:00:17,867 --> 01:00:20,408
OH, YEAH, AND I’M SURE
HE LISTENED TO THAT.
632
01:00:20,408 --> 01:00:24,117
COME ON, TELL ME.
WHAT HAPPENED IN THERE?
633
01:00:24,117 --> 01:00:28,158
LET’S JUST SAY HE WON’T HAVE
THE BALLS TO SAY ANYTHING
LIKE THAT TO YOU AGAIN.
634
01:00:28,158 --> 01:00:32,117
REALLY? YOU STOOD UP FOR ME.
635
01:00:33,992 --> 01:00:37,450
I NEVER LET ANYBODY
SHAKE UP MY GIRL.
636
01:00:37,450 --> 01:00:38,867
LET’S GO HOME.
637
01:00:58,408 --> 01:01:00,700
[SIGHING]
638
01:01:07,825 --> 01:01:09,283
MM-HMM.
639
01:04:15,408 --> 01:04:17,200
COME IN.
640
01:04:21,283 --> 01:04:24,783
I BROUGHT YOU
SOME FRESH TOWELS.
641
01:04:24,783 --> 01:04:26,575
WHICH I’VE ALREADY DONE.
642
01:04:28,117 --> 01:04:31,117
I COMPLETELY FORGOT. SORRY.
643
01:04:31,117 --> 01:04:34,450
FRANKIE, WAIT.
644
01:04:34,450 --> 01:04:38,908
THANK YOU. YOU KNOW,
FOR WHAT YOU DID
FOR ME TONIGHT.
645
01:04:40,450 --> 01:04:42,033
THAT’S ALL RIGHT.
646
01:04:47,450 --> 01:04:52,408
I JUST FEEL
THE NEED TO PROTECT
YOU, THAT’S ALL.
647
01:06:03,158 --> 01:06:06,283
AND WHEN YOU PICTURE HER
WITH SOMEONE ELSE?
648
01:06:09,450 --> 01:06:11,783
WHY WOULD YOU SAY THAT?
649
01:06:13,450 --> 01:06:15,575
WHY WOULD YOU PUT THAT VIVID,
650
01:06:15,575 --> 01:06:18,200
SICK IMAGE IN MY HEAD?
651
01:06:18,200 --> 01:06:20,450
STAY CALM.
652
01:06:20,450 --> 01:06:23,492
I AM CALM.
653
01:06:25,575 --> 01:06:27,450
I’M SIMPLY ASKING.
654
01:06:27,450 --> 01:06:31,742
YOU SAID YOU
DIDN’T TRUST ANYONE,
655
01:06:31,742 --> 01:06:35,742
SO PRESUMABLY YOU’VE
PICTURED HER WITH OTHER PEOPLE.
656
01:06:39,158 --> 01:06:41,033
YES.
657
01:06:41,033 --> 01:06:44,158
AND HOW DOES IT
MAKE YOU FEEL?
658
01:06:44,158 --> 01:06:46,158
JEALOUS.
659
01:06:48,075 --> 01:06:53,033
I SEE RED. I HAVE THOUGHTS
OF HURTING THAT PERSON.
660
01:06:53,033 --> 01:06:55,908
YOU HAVE VIOLENT THOUGHTS?
661
01:06:55,908 --> 01:06:57,492
YES.
662
01:06:57,492 --> 01:06:59,742
WOULD YOU SAY THAT YOU’RE
A VIOLENT PERSON?
663
01:06:59,742 --> 01:07:01,658
COME ON! YOU’VE SEEN
WHAT I’VE DONE.
664
01:07:01,658 --> 01:07:04,200
YES, BUT I’M NOT HERE
TO JUDGE YOU.
665
01:07:04,200 --> 01:07:07,950
THIS IS JUST A PIECE
OF PAPER, WHEREAS YOU
ARE A PERSON.
666
01:07:10,075 --> 01:07:13,367
I WANT TO KNOW IF YOU
SEE YOURSELF AS VIOLENT.
667
01:07:25,200 --> 01:07:27,158
NO.
668
01:08:21,783 --> 01:08:24,200
[GASPS]
669
01:08:24,200 --> 01:08:25,617
WHAT IS IT?
670
01:08:25,617 --> 01:08:27,242
THERE’S SOMEONE THERE.
671
01:08:27,242 --> 01:08:29,367
THERE’S NO ONE
AROUND FOR MILES.
672
01:08:29,367 --> 01:08:31,075
NO. THERE’S
SOMEONE THERE
673
01:08:31,075 --> 01:08:32,158
AND I SAW THE SAME
THING LAST NIGHT
674
01:08:32,158 --> 01:08:33,617
OUTSIDE MY ROOM.
675
01:08:33,617 --> 01:08:35,075
LAST NIGHT?
YOU DIDN’T
SAY ANYTHING.
676
01:08:35,075 --> 01:08:36,325
I THOUGHT IT WAS YOU,
677
01:08:36,325 --> 01:08:37,617
AND THEN I WOKE UP
AND I FORGOT.
678
01:08:37,617 --> 01:08:39,783
LOOK, THERE’S SOMEONE
OUT THERE.
679
01:08:39,783 --> 01:08:43,617
HELLO? IS THERE
ANYBODY ANYBODY THERE?
680
01:08:43,617 --> 01:08:45,325
THEY MUST HAVE MOVED.
681
01:09:02,908 --> 01:09:05,492
I JUST WANT
TO CHECK OUTSIDE.
682
01:09:25,617 --> 01:09:30,367
SO, THERE’S NOBODY
INSIDE THE HOUSE,
683
01:09:30,367 --> 01:09:33,450
AND--
684
01:09:33,450 --> 01:09:36,492
THERE’S NOBODY
OUTSIDE THE HOUSE.
685
01:09:36,492 --> 01:09:38,075
I SAW SOMEONE.
686
01:09:38,075 --> 01:09:39,825
I DON’T KNOW WHAT
TO TELL YA, BABE.
687
01:09:39,825 --> 01:09:42,367
I’VE LIVED HERE
EIGHT YEARS AND NEVER
HAD ANY PROBLEMS.
688
01:09:42,367 --> 01:09:44,658
BUT THAT’S
THE SECOND TIME NOW.
689
01:09:44,658 --> 01:09:47,825
SO YOU SAY--
690
01:09:47,825 --> 01:09:52,200
BUT THE ONLY PERSON I FOUND
WALKING AROUND THE HOUSE
LAST NIGHT WAS YOU.
691
01:09:52,200 --> 01:09:54,033
WHAT ARE YOU SAYING?
692
01:09:54,033 --> 01:09:58,742
NOTHING. IT’S JUST
BEEN A LONG WEEKEND.
YOU’RE TIRED--
693
01:09:58,742 --> 01:10:00,825
ARE YOU SAYING
I’M MAKING THIS UP?
694
01:10:00,825 --> 01:10:02,908
NOT ON PURPOSE.
BUT, THAT’S TWICE--
695
01:10:02,908 --> 01:10:06,783
MAIA, WHERE IS
THE EVIDENCE
696
01:10:06,783 --> 01:10:10,742
THAT THERE’S BEEN
ANYBODY ELSE IN THIS
HOUSE OTHER THAN US?
697
01:10:22,950 --> 01:10:26,950
WHY DON’T WE GO
AND LOCK UP
698
01:10:26,950 --> 01:10:30,367
EVERY SINGLE DOOR
AND WINDOW
699
01:10:30,367 --> 01:10:32,658
AND CARRY ON FROM
WHERE WE LEFT OFF?
700
01:10:32,658 --> 01:10:34,492
NO. IT JUST DOESN’T
FEEL RIGHT.
701
01:10:34,492 --> 01:10:37,908
ALL RIGHT. THEN I’LL
COME AND TUCK YOU UP
702
01:10:37,908 --> 01:10:39,825
AND MAKE SURE
THE BOOGEYMAN DOESN’T
COME AND GET YOU.
703
01:10:39,825 --> 01:10:43,117
NO. NOT ABOUT THAT.
ABOUT US.
704
01:10:47,492 --> 01:10:49,117
OH.
705
01:10:57,617 --> 01:10:59,200
NOT TO WORRY.
706
01:11:06,117 --> 01:11:08,658
YOU GO UP AND--
707
01:11:08,658 --> 01:11:12,908
I’LL LOCK UP DOWN HERE
AND I WILL CALL YOU
IN THE MORNING.
708
01:11:14,533 --> 01:11:17,075
I’M REALLY S-
GO TO BED, MAIA.
709
01:12:54,533 --> 01:12:56,908
ARE YOU THINKING OF HER?
710
01:12:59,367 --> 01:13:01,492
ALWAYS.
711
01:13:02,908 --> 01:13:04,992
I ADORE HER.
712
01:13:06,825 --> 01:13:09,117
AND WHAT IS IT YOU MOST MISS?
713
01:13:10,950 --> 01:13:13,658
I MISS--
714
01:13:14,658 --> 01:13:16,408
LAYING NEXT TO HER.
715
01:13:23,533 --> 01:13:27,117
[ADRIAN]
I MISS THE TOUCH OF HER SKIN.
716
01:13:31,117 --> 01:13:33,575
THE SMELL OF HER HAIR.
717
01:13:40,283 --> 01:13:42,075
SHE KEEPS ME WARM.
718
01:13:42,075 --> 01:13:44,825
SHE MAKES ME FEEL WARM.
719
01:13:50,783 --> 01:13:54,242
THAT’S WHAT ALLOWS ME
TO REMEMBER.
720
01:14:02,783 --> 01:14:04,783
NO, STOP IT!
GET OFF!
721
01:14:04,783 --> 01:14:07,200
WHAT’S WRONG?
722
01:14:08,825 --> 01:14:11,075
MAIA, WHAT THE FUCK
IS WRONG?
723
01:14:11,075 --> 01:14:13,533
WHAT ARE YOU DOING?
724
01:14:13,533 --> 01:14:15,658
I THOUGHT THAT’D BE
PRETTY OBVIOUS.
725
01:14:15,658 --> 01:14:17,283
I WAS ASLEEP!
726
01:14:18,825 --> 01:14:24,117
MAIA, YOU’RE THE ONE
THAT CAME IN HERE.
727
01:14:26,533 --> 01:14:29,700
YOU KNOW WHAT?
728
01:14:29,700 --> 01:14:31,367
JUST GO BACK TO YOUR ROOM.
729
01:14:31,367 --> 01:14:32,950
BUT FRANKIE, I--
730
01:14:32,950 --> 01:14:35,117
SHHH. I HONESTLY THOUGHT
731
01:14:35,117 --> 01:14:39,825
THAT I’D HAD MY FAIR SHARE
OF WHACK JOBS RECENTLY,
BUT YOU--
732
01:14:42,075 --> 01:14:43,492
FRANKIE, LET ME EXPLAIN.
733
01:14:43,492 --> 01:14:47,783
NO! I’VE HAD ENOUGH OF THIS!
734
01:14:49,825 --> 01:14:53,992
I GUESS WE CAN RULE OUT
AN INTRUDER IN THE HOUSE
735
01:14:53,992 --> 01:14:58,242
BECAUSE YOU ARE FUCKING CRAZY!
736
01:14:59,533 --> 01:15:01,408
JUST GET OUT!
737
01:15:16,533 --> 01:15:19,117
AND WHAT DO YOU REMEMBER?
738
01:15:21,242 --> 01:15:23,450
THAT WE’LL SURVIVE.
739
01:15:26,075 --> 01:15:28,783
THAT WE’LL BE OKAY.
740
01:15:35,825 --> 01:15:38,658
BUT THERE’S JUST ONE PROBLEM.
741
01:15:42,658 --> 01:15:44,158
WHICH IS?
742
01:15:45,533 --> 01:15:49,158
I THINK SHE’S
HAVING AN AFFAIR.
743
01:17:49,408 --> 01:17:51,700
[CLANGING]
744
01:18:05,325 --> 01:18:07,825
[CLANGING]
745
01:18:07,825 --> 01:18:10,117
[CLANGING]
746
01:18:53,867 --> 01:18:56,117
OH, FOR GOD’S SAKE, MAIA.
PUT SOME CLOTHES ON.
747
01:18:57,283 --> 01:18:58,867
I’M SORRY.
I JUST LITERALLY--
748
01:18:58,867 --> 01:19:00,158
WHAT DO YOU WANT
FOR BREAKFAST?
749
01:19:00,158 --> 01:19:01,867
UM--
750
01:19:03,033 --> 01:19:05,283
ARE YOU REALLY NOT
GOING BACK TO BED?
751
01:19:07,617 --> 01:19:09,117
I CAN’T SLEEP.
752
01:19:09,117 --> 01:19:11,575
BUT IT’S SO EARLY.
753
01:19:13,575 --> 01:19:16,200
WELL, I THOUGHT
IF WE GOT UP EARLY
754
01:19:16,200 --> 01:19:17,617
THEN WE COULD DO
WHAT WE PLANNED
755
01:19:17,617 --> 01:19:20,117
AND YOU CAN GET
AN EARLY TRAIN BACK.
756
01:19:20,117 --> 01:19:24,908
MAYBE I SHOULD
JUST GO STRAIGHT
TO THE STATION NOW.
757
01:19:27,742 --> 01:19:32,742
NO, NO. WE MADE PLANS.
758
01:19:32,742 --> 01:19:34,908
IT WON’T TAKE US LONG
TO DO THEM.
759
01:19:36,450 --> 01:19:38,575
EGGS, BACON AND TOAST.
760
01:19:40,742 --> 01:19:42,575
YEAH. THAT SOUNDS GREAT.
THANKS.
761
01:19:44,283 --> 01:19:46,325
GET YOURSELF WASHED.
762
01:19:46,325 --> 01:19:48,283
BE READY IN 20 MINUTES.
763
01:21:51,908 --> 01:21:53,575
I WANT TO
SHOW YOU SOMETHING.
764
01:22:28,200 --> 01:22:29,700
FRANKIE.
765
01:22:29,700 --> 01:22:33,200
FRANKIE.
OH, WHAT IS IT NOW?
766
01:22:36,700 --> 01:22:38,325
ARE YOU STUCK?
767
01:22:38,325 --> 01:22:41,325
SOMEHOW, YES I AM.
768
01:22:45,783 --> 01:22:48,908
FRANKIE, WHAT ARE YOU
DOING? HELP ME UP.
769
01:22:48,908 --> 01:22:52,492
YOU KNOW, I WAS ABOUT TO,
770
01:22:52,492 --> 01:22:53,992
BUT MAYBE THIS
IS THE PERFECT TIME
771
01:22:53,992 --> 01:22:55,200
TO GET A FEW THINGS
OFF MY CHEST.
772
01:22:55,200 --> 01:22:57,325
YOU’RE KIDDING ME, RIGHT?
773
01:22:57,325 --> 01:23:02,325
NO, MAIA. NO, I’M NOT.
774
01:23:04,492 --> 01:23:10,075
WHAT DOES IT FEEL LIKE, MAIA,
TO KNOW WHAT YOU WANT?
775
01:23:10,075 --> 01:23:12,367
TO BE SO CLOSE
TO ACHIEVING IT,
776
01:23:12,367 --> 01:23:15,492
TO PHYSICALLY SEE
WHAT IT IS THAT YOU WANT,
777
01:23:15,492 --> 01:23:20,200
AND THEN TO BE TOLD NO
RIGHT AT THE LAST SECOND?
778
01:23:20,200 --> 01:23:22,992
PRETTY FRUSTRATING, HUH?
779
01:23:24,742 --> 01:23:28,325
WELL, I GUESS
THIS IS WHAT HAPPENS
780
01:23:28,325 --> 01:23:31,742
WHEN YOU START
LETTING YOURSELF GO.
781
01:23:31,742 --> 01:23:35,617
THE LAST COUPLE OF DAYS
EATING LIKE A LITTLE FAT PIG
782
01:23:35,617 --> 01:23:37,742
SEEM TO HAVE CAUGHT UP
WITH YOU.
783
01:23:37,742 --> 01:23:40,325
STOP IT, FRANKIE!
784
01:23:40,325 --> 01:23:44,867
IT’S A SHAME YOU DIDN’T EAT
LIKE THAT WHEN YOU WERE
CARRYING CHLOE.
785
01:23:46,950 --> 01:23:49,742
HOW COULD YOU BE SO SPITEFUL?
786
01:23:49,742 --> 01:23:51,033
HELP ME UP!
787
01:23:51,033 --> 01:23:54,950
DID YOU JUST TELL ME
WHAT TO DO?
788
01:23:57,200 --> 01:23:59,742
HAVE YOU EVEN GRASPED
THE SITUATION?
789
01:23:59,742 --> 01:24:03,325
I MEAN, I KNOW YOU ARE NOT
THE SHARPEST TOOL IN THE SHED,
790
01:24:03,325 --> 01:24:06,200
BUT YOU DO REALIZE THAT
YOU ARE IN NO POSITION
791
01:24:06,200 --> 01:24:07,742
TO BE MAKING DEMANDS
RIGHT NOW?
792
01:24:07,742 --> 01:24:09,783
I’M NOT KIDDING. I--
793
01:24:09,783 --> 01:24:12,783
I DON’T THINK I CAN BREATHE.
794
01:24:14,950 --> 01:24:20,617
OH, BUT YOU CAN, YOU SEE?
795
01:24:20,617 --> 01:24:22,325
THAT’S THE BEAUTY OF IT.
796
01:24:22,325 --> 01:24:24,742
THERE’S ABSOLUTELY
NOTHING WRONG WITH YOU.
797
01:24:24,742 --> 01:24:27,325
IT’S JUST THAT YOU’VE
LOST CONTROL, A LITTLE BIT,
798
01:24:27,325 --> 01:24:32,200
LIKE LAST NIGHT. MAYBE IT’S
A MENTAL, PSYCHOTIC TICK
THAT YOU HAVE.
799
01:24:32,200 --> 01:24:36,200
[SOBBING]
800
01:24:42,367 --> 01:24:44,033
SHHH!
801
01:24:45,033 --> 01:24:47,617
CAN YOU HEAR THAT?
802
01:24:47,617 --> 01:24:51,158
MAIA, CAN YOU HEAR THAT?
803
01:24:51,158 --> 01:24:55,242
THAT IS THE SOUND
OF NOBODY CARING.
804
01:24:55,242 --> 01:24:58,658
SOUND FAMILIAR? BITCH!
805
01:24:58,658 --> 01:25:02,867
YOUR FUCKING HUSBAND
HAD A LUCKY ESCAPE.
806
01:25:02,867 --> 01:25:04,950
HE’S BEEN DISCOVERING
ALL WEEKEND
807
01:25:04,950 --> 01:25:07,783
HOW FUCKING BETTER
HIS LIFE IS WITHOUT YOU.
808
01:25:07,783 --> 01:25:11,742
HE’S PROBABLY BEEN FUCKING
SOME LITTLE WHORE EVERY NIGHT,
809
01:25:11,742 --> 01:25:15,242
WHILE YOU’VE BEEN HERE
TRYING TO FUCK WITH MY HEAD!
810
01:25:15,242 --> 01:25:19,075
[SCREAMING, SOBBING]
811
01:25:31,742 --> 01:25:34,492
[MAIA SOBBING]
812
01:25:38,200 --> 01:25:40,783
OH, ARE YOU SAD, PRINCESS?
813
01:25:40,783 --> 01:25:43,492
HAS SOMETHING HAPPENED
TO UPSET YOU?
814
01:25:43,492 --> 01:25:45,742
WELL, GOOD.
815
01:25:45,742 --> 01:25:48,783
MAYBE NOW YOU’LL UNDERSTAND.
816
01:25:48,783 --> 01:25:53,533
COMING HERE, TREATING ME
LIKE AN EXPERIMENT
817
01:25:53,533 --> 01:25:55,200
FOR A CONFIDENCE BOOST.
818
01:25:55,200 --> 01:25:57,908
AND DID YOU EVER
THINK ABOUT ME?
819
01:25:57,908 --> 01:26:01,742
ASK ABOUT MY LIFE?
MY PROBLEMS? NO!
820
01:26:01,742 --> 01:26:05,075
BECAUSE YOUR LIFE IS
SO FUCKING IMPORTANT!
821
01:26:05,075 --> 01:26:07,492
WELL, NEVER MIND.
822
01:26:07,492 --> 01:26:10,367
LOOKS AS THOUGH YOU’RE
GETTING YOUR COMEUPPANCE
NOW, DOESN’T IT?
823
01:26:10,367 --> 01:26:13,658
YOU SELF-OBSESSED,
824
01:26:13,658 --> 01:26:15,200
MIND-GAME PLAYING,
825
01:26:15,200 --> 01:26:18,783
ATTENTION-SEEKING
LITTLE CUNT!
826
01:26:37,200 --> 01:26:38,908
STOP IT!
827
01:26:41,367 --> 01:26:43,908
STOP IT, FRANKIE!
828
01:26:46,617 --> 01:26:49,033
STOP IT, FRANKIE!
829
01:26:50,367 --> 01:26:51,408
STOP IT!
830
01:26:51,408 --> 01:26:53,950
OOP.
831
01:26:53,950 --> 01:26:56,242
STOP IT! STOP IT!
832
01:26:56,242 --> 01:26:58,617
OOH.
833
01:27:04,783 --> 01:27:10,075
OOH. THAT IS NOT
A GOOD LOOK.
834
01:27:10,075 --> 01:27:14,075
I SEE UGLY.
835
01:27:21,367 --> 01:27:23,658
JUST SAY PLEASE, MAIA.
836
01:27:23,658 --> 01:27:29,117
PLEASE. PLEASE.
837
01:27:30,658 --> 01:27:32,242
I COULDN’T HEAR THAT.
838
01:27:33,367 --> 01:27:35,367
PLEASE!
839
01:27:36,700 --> 01:27:39,033
JUST A LITTLE LOUDER.
840
01:27:39,033 --> 01:27:41,325
PLEASE!
841
01:27:43,908 --> 01:27:45,783
ALL RIGHT.
842
01:27:45,783 --> 01:27:48,533
SEEING AS YOU
ASKED SO NICELY.
843
01:28:20,825 --> 01:28:24,200
[FRANCESCA] I’M SORRY. MAIA.
844
01:28:24,200 --> 01:28:26,908
I JUST WANT TO GO HOME!
845
01:28:26,908 --> 01:28:28,533
NO, NOT LIKE THIS.
846
01:28:28,533 --> 01:28:31,117
YOU CAN STAY ANOTHER NIGHT,
AND I’LL TAKE YOU HOME TOMORROW.
847
01:28:31,117 --> 01:28:33,950
I WANT TO GO HOME.
848
01:28:33,950 --> 01:28:36,408
WELL, YOU CAN’T,
SO WHY DON’T YOU STOP
BEING SO SELFISH
849
01:28:36,408 --> 01:28:38,950
AND TRY AND REPAIR
SOME OF THE DAMAGE
THAT YOU’VE JUST DONE?
850
01:28:38,950 --> 01:28:41,950
THE DAMAGE THAT I’VE DONE?
851
01:28:41,950 --> 01:28:44,367
WHAT THE FUCK
IS WRONG WITH YOU?
852
01:28:44,367 --> 01:28:46,408
WHAT DO YOU MEAN?
853
01:28:46,408 --> 01:28:50,992
YOU CAN’T MAKE SOMEONE
LOVE YOU.
854
01:28:50,992 --> 01:28:52,492
YOU’RE FUCKING CRAZY.
855
01:28:52,492 --> 01:28:54,700
LIKE, WHY WOULD I WANT
TO SPEND ANY MORE TIME
856
01:28:54,700 --> 01:28:57,075
WITH YOU EVER AGAIN?
HOW COULD I?
857
01:28:57,075 --> 01:28:58,950
WE HAVE SOMETHING SPECIAL.
858
01:28:58,950 --> 01:29:00,533
SPECIAL? I HATE YOU!
859
01:29:00,533 --> 01:29:02,658
THE WAY YOU MADE ME FEEL
LAST NIGHT.
860
01:29:02,658 --> 01:29:04,700
YOU SAID THAT YOU LOVED IT.
861
01:29:04,700 --> 01:29:06,533
THE WAY YOU MADE ME
FEEL IN THERE?
862
01:29:06,533 --> 01:29:08,783
WHEN I WAS TRAPPED AND SCARED,
863
01:29:08,783 --> 01:29:10,533
AND THE THINGS THAT YOU SAID,
864
01:29:10,533 --> 01:29:13,658
THAT’S THE WORST
THAT I’VE EVER FELT!
865
01:29:13,658 --> 01:29:16,200
DO YOU UNDERSTAND?
866
01:29:22,658 --> 01:29:25,075
FINE.
867
01:29:37,367 --> 01:29:40,950
NOW TRY GETTING HOME,
YOU LITTLE FUCKING TEASE.
868
01:29:40,950 --> 01:29:44,492
PLEASE MAIA. PLEASE DON’T.
PLEASE STAY STAY STAY, PLEASE!
869
01:29:44,492 --> 01:29:47,783
GET OFF ME!
I’M SO SORRY! PLEASE STAY!
870
01:29:47,783 --> 01:29:48,950
NO!!!
871
01:30:01,825 --> 01:30:03,575
[SCREAMS]
872
01:30:57,242 --> 01:30:59,492
[END MUSIC PLAYING]
873
01:34:02,992 --> 01:34:05,283
[MUSIC FADES]
56719
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish (Latin American)
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof