All language subtitles for 12 - Mr. Monk and the Lady Next Door

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,970 --> 00:00:05,173 [drill whirring] 2 00:00:08,209 --> 00:00:09,777 [door creaks open] 3 00:00:09,810 --> 00:00:11,379 HELLO? 4 00:00:11,412 --> 00:00:13,414 [door creaks shut] 5 00:00:22,090 --> 00:00:23,557 HELLO? 6 00:00:28,629 --> 00:00:30,364 HELLO? 7 00:00:39,573 --> 00:00:40,774 YOU STAY THERE. DON'T MOVE. 8 00:00:40,808 --> 00:00:42,343 AH, YOU KNOW, 9 00:00:42,376 --> 00:00:44,178 I'VE BEEN CASING THIS JOINT ALL WEEK. 10 00:00:44,212 --> 00:00:46,046 YOU'RE SUPPOSED TO BE ASLEEP BY NOW. 11 00:00:48,282 --> 00:00:49,350 AAH! 12 00:00:49,383 --> 00:00:51,485 [groaning] 13 00:00:51,519 --> 00:00:52,453 [screams] 14 00:00:57,491 --> 00:00:59,393 [groaning] 15 00:01:00,728 --> 00:01:02,630 [screams] 16 00:01:02,663 --> 00:01:04,465 [sighs, grunts] 17 00:01:11,439 --> 00:01:14,675 [Randy Newman ragtime theme] 18 00:01:14,708 --> 00:01:17,145 * IT'S A JUNGLE OUT THERE 19 00:01:17,178 --> 00:01:21,482 * DISORDER AND CONFUSION EVERYWHERE * 20 00:01:21,515 --> 00:01:24,118 * NO ONE SEEMS TO CARE 21 00:01:24,152 --> 00:01:25,186 * WELL, I DO 22 00:01:25,219 --> 00:01:28,289 * HEY, WHO'S IN CHARGE HERE? 23 00:01:28,322 --> 00:01:31,659 * IT'S A JUNGLE OUT THERE 24 00:01:31,692 --> 00:01:34,762 * POISON IN THE VERY AIR WE BREATHE * 25 00:01:34,795 --> 00:01:37,365 * DO YOU KNOW WHAT'S IN THE WATER THAT YOU DRINK? * 26 00:01:37,398 --> 00:01:41,435 * WELL, I DO, AND IT'S A-MA-ZING * 27 00:01:41,469 --> 00:01:44,472 * PEOPLE THINK I'M CRAZY 'CAUSE I WORRY ALL THE TIME * 28 00:01:44,505 --> 00:01:47,808 * IF YOU PAID ATTENTION, YOU'D BE WORRIED TOO * 29 00:01:47,841 --> 00:01:52,246 * YOU'D BETTER PAY ATTENTION OR THIS WORLD WE LOVE SO MUCH * 30 00:01:52,280 --> 00:01:55,849 * MIGHT JUST KILL YOU 31 00:01:55,883 --> 00:01:57,751 * I COULD BE WRONG NOW 32 00:01:57,785 --> 00:02:00,254 * BUT I DON'T THINK SO 33 00:02:00,288 --> 00:02:02,690 * 'CAUSE IT'S A JUNGLE OUT THERE * 34 00:02:02,723 --> 00:02:06,494 * IT'S A JUNGLE OUT THERE * 35 00:02:23,411 --> 00:02:24,945 YOU LIKE MY HAIR. 36 00:02:24,978 --> 00:02:26,947 YEAH. I LIKE YOUR NEW HAIRCUT. 37 00:02:26,980 --> 00:02:28,416 I THINK YOU DID A GOOD JOB. 38 00:02:28,449 --> 00:02:29,817 WHAT'S THE CATCH? 39 00:02:29,850 --> 00:02:31,285 THERE'S NO CATCH. I THINK IT LOOKS GOOD. 40 00:02:31,319 --> 00:02:32,920 [chuckles] YOU'VE BEEN COMPLIMENTING ME ALL DAY. 41 00:02:32,953 --> 00:02:34,722 FIRST YOU THINK I SHOULD WRITE A BOOK. 42 00:02:34,755 --> 00:02:36,757 NOW YOU LIKE MY HAIRCUT?! 43 00:02:36,790 --> 00:02:38,559 WHAT ARE YOU--WHAT-- WHAT ARE YOU AFTER? 44 00:02:38,592 --> 00:02:39,860 I MEAN... 45 00:02:39,893 --> 00:02:41,429 YOU'RE UP TO SOMETHING. 46 00:02:41,462 --> 00:02:42,763 YOU WANT A DAY OFF, IS THAT IT? 47 00:02:42,796 --> 00:02:44,398 YOU WANT TOMORROW OFF. 48 00:02:44,432 --> 00:02:45,733 NO, MAYBE I LIKE YOU. 49 00:02:45,766 --> 00:02:47,468 MAYBE I'M JUST BEING NICE. ISN'T THAT POSSIBLE? 50 00:02:47,501 --> 00:02:49,803 [stammers] YOU'RE UP TO SOMETHING. 51 00:02:49,837 --> 00:02:51,705 YOU KNOW WHAT? I TAKE IT BACK. 52 00:02:51,739 --> 00:02:54,208 I--I THINK YOUR HAIRCUT LOOKS TERRIBLE, OKAY? 53 00:02:54,242 --> 00:02:55,776 JEEZ, MR. MONK, YOU KNOW? 54 00:02:55,809 --> 00:02:57,711 I--I'M JUST BEING NICE. 55 00:02:57,745 --> 00:02:59,780 THERE ISN'T ALWAYS A CATCH. 56 00:02:59,813 --> 00:03:02,516 ALL RIGHT, THE LIGHT IS BROKEN. 57 00:03:02,550 --> 00:03:03,784 I THINK WE SHOULD JUST GO. 58 00:03:03,817 --> 00:03:04,985 NO, IT SAYS, "DON'T WALK." 59 00:03:05,018 --> 00:03:06,520 YEAH, BUT WE'VE BEEN HERE FOR TEN MINUTES. 60 00:03:06,554 --> 00:03:09,257 THE LIGHT'S BROKEN. IT SAYS, "DON'T WALK." 61 00:03:10,458 --> 00:03:11,892 ALL RIGHT, HOW ABOUT THIS? 62 00:03:11,925 --> 00:03:13,894 YOU STAY HERE, I'M GONNA GO PICK UP OUR CHECKS. 63 00:03:13,927 --> 00:03:15,363 I'LL BE BACK IN TEN MINUTES. 64 00:03:15,396 --> 00:03:16,630 [stammers] HOW ABOUT THIS? 65 00:03:16,664 --> 00:03:19,233 WE DON'T DO WHAT YOU SAID, 66 00:03:19,267 --> 00:03:21,001 WE BOTH WAIT HERE, 67 00:03:21,034 --> 00:03:22,536 AND WE GIVE IT A LITTLE MORE TIME. 68 00:03:22,570 --> 00:03:23,904 OKAY. 69 00:03:23,937 --> 00:03:25,939 WHAT ARE YOU DOING? ARE YOU INSANE?! 70 00:03:25,973 --> 00:03:27,275 IT SAYS, "DON'T WALK." 71 00:03:27,308 --> 00:03:28,542 WHAT IS YOUR PROBLEM? 72 00:03:28,576 --> 00:03:30,411 MR. MONK, THERE'S NO TRAFFIC. 73 00:03:30,444 --> 00:03:31,912 THERE ARE NO CARS. 74 00:03:31,945 --> 00:03:33,213 ARE YOU COMING? 75 00:03:34,782 --> 00:03:35,816 ALL RIGHT. YOU STAY HERE. 76 00:03:35,849 --> 00:03:37,585 I'LL BE BACK. 77 00:03:48,028 --> 00:03:49,830 MORNING. 78 00:03:53,734 --> 00:03:55,002 IS THAT THING BROKEN AGAIN? 79 00:03:55,035 --> 00:03:57,505 I DON'T KNOW. 80 00:03:57,538 --> 00:03:59,407 THAT LIGHT IS ALWAYS BREAKING DOWN. 81 00:03:59,440 --> 00:04:02,343 I'VE CALLED THE TRAFFIC BUREAU ABOUT IT TWICE. 82 00:04:02,376 --> 00:04:03,777 THEY DON'T LISTEN TO ME. 83 00:04:03,811 --> 00:04:05,979 TO THEM, I'M JUST A CRAZY OLD COOT. 84 00:04:06,013 --> 00:04:08,749 WELL, I'M GONNA GIVE IT ANOTHER HALF-HOUR. 85 00:04:08,782 --> 00:04:09,817 NONSENSE. 86 00:04:09,850 --> 00:04:11,852 WE'RE CROSSING THIS STREET. 87 00:04:11,885 --> 00:04:13,454 IT SAYS, "DON'T WALK." 88 00:04:13,487 --> 00:04:14,955 OH, IT'S JUST A RULE. 89 00:04:14,988 --> 00:04:16,524 THERE'S NOBODY COMING. 90 00:04:16,557 --> 00:04:18,959 HEY, BE A PIRATE. 91 00:04:18,992 --> 00:04:20,894 IT'S FUN TO BE A PIRATE. 92 00:04:20,928 --> 00:04:22,330 PIRATE? 93 00:04:22,363 --> 00:04:23,631 COME ON. 94 00:04:33,874 --> 00:04:35,409 THERE. 95 00:04:35,443 --> 00:04:36,944 NOW, WASN'T THAT FUN? 96 00:04:38,912 --> 00:04:40,981 CAN I CARRY YOUR BAG? 97 00:04:41,014 --> 00:04:43,651 WELL, SURE. I THANK YOU. 98 00:04:46,987 --> 00:04:48,522 (Disher) UH, SIGN HERE. 99 00:04:48,556 --> 00:04:50,524 AND HERE. 100 00:04:51,692 --> 00:04:53,827 OKAY, THAT'S IT. ALL PAID UP. 101 00:04:53,861 --> 00:04:55,596 ALL RIGHT. 102 00:04:55,629 --> 00:04:57,398 THERE HE IS. YOU MADE IT. 103 00:04:57,431 --> 00:04:58,832 [sighs] 104 00:04:58,866 --> 00:05:01,535 HEY, I HEARD YOU HAD A LITTLE DISAGREEMENT 105 00:05:01,569 --> 00:05:02,970 WITH A "DON'T WALK" SIGN? 106 00:05:03,003 --> 00:05:04,938 BUT HERE YOU ARE. I KNEW YOU COULD DO IT. 107 00:05:04,972 --> 00:05:06,607 ACTUALLY, I HAD A LITTLE HELP. 108 00:05:06,640 --> 00:05:08,642 HEY, DON'T TELL ME-- LITTLE OLD LADY 109 00:05:08,676 --> 00:05:10,644 TOOK YOU BY THE ARM AND HELPED YOU ACROSS THE STREET. 110 00:05:10,678 --> 00:05:11,745 WELL, SHE'S NOT THAT LITTLE. 111 00:05:11,779 --> 00:05:13,414 THAT'S HER OVER THERE. 112 00:05:13,447 --> 00:05:14,815 [chuckling] 113 00:05:14,848 --> 00:05:16,950 THAT'S MARGE. HA! HOW PERFECT IS THAT? 114 00:05:16,984 --> 00:05:17,985 YOU KNOW HER? 115 00:05:18,018 --> 00:05:19,620 KNOW HER? 116 00:05:19,653 --> 00:05:20,954 MONK, EVERY COP IN THE PRECINCT KNOWS HER. 117 00:05:20,988 --> 00:05:21,789 THEY WISH THEY DIDN'T. 118 00:05:21,822 --> 00:05:23,424 SHE'S HERE ALL THE TIME COMPLAINING. 119 00:05:24,825 --> 00:05:26,794 (Marge) HE DOES IT EVERY SINGLE NIGHT. 120 00:05:26,827 --> 00:05:28,362 BOOM, BOOM, BOOM, BOOM. 121 00:05:28,396 --> 00:05:29,630 BOOM, BOOM, BOOM, BOOM. 122 00:05:29,663 --> 00:05:30,864 BOOM--I MEAN, LOUD. 123 00:05:30,898 --> 00:05:32,433 YOU COULD HEAR IT FIVE BLOCKS AWAY. 124 00:05:32,466 --> 00:05:34,835 MARGE. WE'VE WARNED HIM TWICE. 125 00:05:34,868 --> 00:05:36,670 SEE, HE'S ALREADY BEEN CITED. 126 00:05:36,704 --> 00:05:38,806 WELL, BUT WHAT AM I SUPPOSED TO DO? 127 00:05:38,839 --> 00:05:41,442 I CAN'T SLEEP. I CAN'T READ. 128 00:05:41,475 --> 00:05:42,710 IT NEVER ENDS. 129 00:05:42,743 --> 00:05:44,712 HE HAS A COURT DATE. 130 00:05:44,745 --> 00:05:46,146 UH, NOVEMBER 17TH. 131 00:05:46,179 --> 00:05:48,081 IF YOU CAN WAIT UNTIL THEN, 132 00:05:48,115 --> 00:05:50,451 MAYBE THE JUDGE WILL ISSUE AN INJUNCTION. 133 00:05:50,484 --> 00:05:51,819 HI. HI AGAIN. 134 00:05:51,852 --> 00:05:53,921 IT--IT'S ADRIAN MONK, REMEMBER ME? 135 00:05:53,954 --> 00:05:55,723 SURE. YEAH, WHAT'S GOING ON? 136 00:05:55,756 --> 00:05:57,658 DISTURBING THE PEACE. IT'S NO BIG DEAL. 137 00:05:57,691 --> 00:05:59,927 WELL, IT'S A BIG DEAL TO ME. 138 00:05:59,960 --> 00:06:02,596 YOU KNOW, IT'S MY PEACE HE'S DISTURBING. 139 00:06:02,630 --> 00:06:04,932 YEAH, IT'S HER PEACE. IT'S A BIG DEAL TO HER. 140 00:06:04,965 --> 00:06:06,567 YEAH. 141 00:06:06,600 --> 00:06:10,438 WE'RE TALKING ABOUT MY NEXT-DOOR NEIGHBOR, 142 00:06:10,471 --> 00:06:11,872 MR. KEYES. 143 00:06:11,905 --> 00:06:13,507 HE BOUGHT A SET OF DRUMS TWO WEEKS AGO, 144 00:06:13,541 --> 00:06:15,843 AND I--I HAVEN'T SLEPT IN TEN DAYS. 145 00:06:15,876 --> 00:06:16,877 I'M JUST DESPERATE 146 00:06:16,910 --> 00:06:19,480 AND I CAN'T GET ANYBODY TO DO ANYTHING ABOUT IT. 147 00:06:19,513 --> 00:06:20,748 I WAS JUST EXPLAINING 148 00:06:20,781 --> 00:06:21,982 TO MS. JOHNSON HERE 149 00:06:22,015 --> 00:06:24,752 THAT THE DEPARTMENT HAS OTHER PRIORITIES. 150 00:06:24,785 --> 00:06:26,119 WELL, MAYBE THE DEPARTMENT DOES, 151 00:06:26,153 --> 00:06:27,621 BUT I DON'T. 152 00:06:27,655 --> 00:06:30,491 OKAY, IF-- IF THIS HAPPENS AGAIN, 153 00:06:30,524 --> 00:06:32,693 CALL THE DISPATCHER 154 00:06:32,726 --> 00:06:35,162 AND HAVE HIM FORWARD THE CALL TO ME, ADRIAN MONK. 155 00:06:35,195 --> 00:06:36,697 I'LL TAKE CARE OF IT. 156 00:06:36,730 --> 00:06:38,432 REALLY? 157 00:06:38,466 --> 00:06:40,067 SURE. 158 00:06:40,100 --> 00:06:41,602 THANK YOU. 159 00:06:41,635 --> 00:06:42,736 NO, IT-- 160 00:06:42,770 --> 00:06:44,905 YOU ARE SUCH A GOOD BOY. 161 00:06:44,938 --> 00:06:47,174 OH-- 162 00:06:47,207 --> 00:06:49,142 YEAH, YOU ARE. I CAN TELL BY YOUR EYES. 163 00:06:49,176 --> 00:06:50,911 YEP. 164 00:06:50,944 --> 00:06:52,680 I CAN TELL A LOT OF THINGS ABOUT PEOPLE. 165 00:06:52,713 --> 00:06:54,482 I AM-- I AM A GOOD BOY. 166 00:06:54,515 --> 00:06:55,849 YOU ARE. 167 00:06:55,883 --> 00:06:57,184 YOU WANT A PIECE OF CANDY? 168 00:06:57,217 --> 00:06:59,920 UM, YEAH. NO. I--I DON'T, UH-- 169 00:06:59,953 --> 00:07:01,421 TAKE IT. OKAY. 170 00:07:07,928 --> 00:07:09,196 EXCUSE ME. 171 00:07:10,931 --> 00:07:13,166 IS THAT ABSOLUTELY NECESSARY? 172 00:07:14,602 --> 00:07:15,836 IS WHAT NECESSARY? 173 00:07:15,869 --> 00:07:17,204 REMOVING THE BODY. 174 00:07:17,237 --> 00:07:19,773 I'M MILES FRANKLIN. I'M THE CURATOR HERE. 175 00:07:19,807 --> 00:07:21,475 AS YOU CAN SEE, 176 00:07:21,509 --> 00:07:23,911 THIS IS A WORLD-RECORD MUSEUM. 177 00:07:23,944 --> 00:07:25,546 SO I GATHERED. 178 00:07:25,579 --> 00:07:27,848 THERE WAS ALREADY ONE VICTIM ON THE SWORDFISH. 179 00:07:27,881 --> 00:07:30,618 THAT WAS ALREADY PRETTY IMPRESSIVE. 180 00:07:31,885 --> 00:07:33,921 YOU UNDERSTAND, THIS IS LIKE A GODSEND FOR US. 181 00:07:33,954 --> 00:07:35,956 WE PRAY FOR THINGS LIKE THIS. 182 00:07:35,989 --> 00:07:39,059 SIR, THE-- THAT'S A HUMAN BEING. 183 00:07:39,092 --> 00:07:41,795 HE HAD A NAME. HE HAD A FAMILY. 184 00:07:41,829 --> 00:07:43,697 WE PRAY FOR THINGS LIKE THIS. 185 00:07:43,731 --> 00:07:44,965 THIS'LL BE BIGGER 186 00:07:44,998 --> 00:07:45,866 THAN THOSE TWINS ON THE MOTORCYCLES. 187 00:07:45,899 --> 00:07:48,536 WOULD YOU GO STAND OVER THERE, PLEASE? 188 00:07:48,569 --> 00:07:49,903 WHAT IS THAT? 189 00:07:49,937 --> 00:07:51,605 IS THAT CANDY? WHERE DID YOU GET THAT? 190 00:07:51,639 --> 00:07:53,507 A FRIEND. 191 00:07:53,541 --> 00:07:54,908 WHAT FRIEND? 192 00:07:54,942 --> 00:07:57,044 I MADE A FRIEND. IT COULD HAPPEN. 193 00:07:57,077 --> 00:07:58,746 IT'S THAT LADY, ISN'T IT? 194 00:07:58,779 --> 00:08:00,581 THAT SWEET OLD LADY, MARGE. 195 00:08:00,614 --> 00:08:01,915 SHE GAVE YOU CANDY! 196 00:08:01,949 --> 00:08:04,017 THAT IS SO CUTE. YOU'RE EATING HER CANDY. 197 00:08:04,051 --> 00:08:06,987 THAT'S ENOUGH ABOUT THE CANDY. 198 00:08:07,020 --> 00:08:08,689 DOESN'T LOOK LIKE A ROBBERY. 199 00:08:08,722 --> 00:08:09,990 [clears throat] 200 00:08:10,023 --> 00:08:11,224 THERE WAS 250 BUCKS IN THE CASH REGISTER. 201 00:08:11,258 --> 00:08:12,693 HE DIDN'T TOUCH IT. 202 00:08:12,726 --> 00:08:14,828 WHAT ABOUT THE EXHIBITS? ANYTHING MISSING? 203 00:08:14,862 --> 00:08:17,297 WE HAVEN'T DONE A FULL INVENTORY YET, 204 00:08:17,330 --> 00:08:18,832 BUT I HAVEN'T NOTICED ANYTHING. 205 00:08:18,866 --> 00:08:21,769 WHERE'S TOGO? WHERE'S WHO? 206 00:08:21,802 --> 00:08:23,871 (Disher) TOGO THE EGG-EATING ROBOT. HE WAS RIGHT HERE. 207 00:08:27,140 --> 00:08:28,542 HE'S RIGHT. 208 00:08:28,576 --> 00:08:29,777 I DON'T KNOW HOW I MISSED THAT. 209 00:08:29,810 --> 00:08:30,711 TOGO'S BEEN HERE FOR YEARS. 210 00:08:30,744 --> 00:08:32,746 (Franklin) IT'S A MECHANICAL DISPLAY. 211 00:08:32,780 --> 00:08:34,915 GOOD WORK, RANDY. 212 00:08:34,948 --> 00:08:36,183 HOW DID YOU KNOW IT WAS MISSING? 213 00:08:36,216 --> 00:08:37,985 OH, I COME HERE EVERY YEAR ON MY BIRTHDAY. 214 00:08:38,018 --> 00:08:40,554 KIND OF LIKE A FAMILY TRADITION. 215 00:08:40,588 --> 00:08:43,591 WHEN YOU WERE A KID. 216 00:08:45,693 --> 00:08:46,894 YOU MEANT WHEN YOU WERE A KID. 217 00:08:46,927 --> 00:08:49,029 YOU-- 218 00:08:49,062 --> 00:08:50,964 SAY, "YES," RANDY. 219 00:08:50,998 --> 00:08:52,833 YES. 220 00:08:52,866 --> 00:08:54,602 ALL RIGHT, SO THEY BROKE IN, 221 00:08:54,635 --> 00:08:55,903 THEY KILLED A SECURITY GUARD, 222 00:08:55,936 --> 00:08:57,805 AND STOLE AN EGG-EATING ROBOT. 223 00:08:57,838 --> 00:09:00,273 YEAH, COULD THE MACHINE POSSIBLY BE INVOLVED? 224 00:09:00,307 --> 00:09:01,675 WHAT'D YOU SAY? 225 00:09:01,709 --> 00:09:04,011 WELL--WELL, IN SCIENCE FICTION, 226 00:09:04,044 --> 00:09:05,345 THEY SOMETIMES COME ALIVE. 227 00:09:05,378 --> 00:09:06,847 THEY BECOME SENTIENT. 228 00:09:11,051 --> 00:09:12,953 WELL, IF THIS WERE A MOVIE, YOU'D BELIEVE ME. 229 00:09:12,986 --> 00:09:14,254 IF THIS WERE A MOVIE, I COULD WALK OUT, RANDY. 230 00:09:14,287 --> 00:09:16,724 WHAT HAVE YOU GOT? 231 00:09:16,757 --> 00:09:18,025 TIRE TRACKS. 232 00:09:21,261 --> 00:09:22,830 THAT'S HYDRAULIC FLUID. 233 00:09:22,863 --> 00:09:24,898 YEAH. TOGO WAS DRIPPING. 234 00:09:24,932 --> 00:09:27,267 GET A SAMPLE OF THIS. 235 00:09:27,300 --> 00:09:29,002 WELL, WE KNOW WE'RE LOOKING FOR ONE GUY. 236 00:09:29,036 --> 00:09:30,070 HOW DO YOU FIGURE? 237 00:09:30,103 --> 00:09:31,939 WELL, IF IT WERE TWO OR MORE, 238 00:09:31,972 --> 00:09:34,842 THEY WOULD HAVE JUST CARRIED IT OUT. 239 00:09:34,875 --> 00:09:36,376 THIS GUY BROUGHT IN A HAND TRUCK, 240 00:09:36,409 --> 00:09:39,680 AND THIS SIGN LOOKS LIKE NEW-- 241 00:09:39,713 --> 00:09:41,014 NO NICKS OR SCRATCHES. 242 00:09:41,048 --> 00:09:42,282 DIDN'T YOU SAY 243 00:09:42,315 --> 00:09:44,618 THIS DISPLAY HAS BEEN HERE FOR YEARS? 244 00:09:44,652 --> 00:09:46,186 OH, WE HAD TO REPLACE THAT PLAQUE. 245 00:09:46,219 --> 00:09:48,856 ABOUT TWO MONTHS AGO, 246 00:09:48,889 --> 00:09:51,759 SOME NUT FROM BERKELEY SPRAY-PAINTED ALL OVER IT. 247 00:09:51,792 --> 00:09:53,193 HE SAYS THAT HE BROKE THE WORLD RECORD 248 00:09:53,226 --> 00:09:55,195 AND IT SHOULD BE HIM IN THE MUSEUM. 249 00:09:55,228 --> 00:09:57,330 [cell phone rings] A JEALOUS EGG-EATER. 250 00:09:57,364 --> 00:09:59,633 GOD HELP US, WE HAVE A MOTIVE. 251 00:09:59,667 --> 00:10:01,101 (Natalie) HELLO. 252 00:10:01,134 --> 00:10:03,103 YES. YES, HE IS. 253 00:10:03,136 --> 00:10:04,371 HOLD ON ONE MINUTE. 254 00:10:04,404 --> 00:10:05,906 (Natalie) MR. MONK. 255 00:10:05,939 --> 00:10:08,108 IT'S MARGE. 256 00:10:10,043 --> 00:10:11,278 HELLO. 257 00:10:11,311 --> 00:10:12,880 [loud drumming] ADRIAN, THIS IS MARGE. 258 00:10:12,913 --> 00:10:14,915 I'M SORRY TO BOTHER YOU, HONEY, 259 00:10:14,948 --> 00:10:17,284 BUT YOU--YOU DID SAY I COULD CALL YOU ANYTIME. 260 00:10:17,317 --> 00:10:19,820 MARGE, IS THAT YOU? I CAN BARELY HEAR YOU. 261 00:10:19,853 --> 00:10:21,088 (Marge over phone) THAT'S HIM AGAIN! 262 00:10:21,121 --> 00:10:23,256 THAT'S MY NEIGHBOR, I TELL YOU-- 263 00:10:23,290 --> 00:10:24,925 I DON'T KNOW WHAT TO DO. 264 00:10:24,958 --> 00:10:26,326 HE'S JUST DRIVING ME CRAZY. 265 00:10:26,359 --> 00:10:28,095 I AM AT MY WIT'S END. 266 00:10:28,128 --> 00:10:30,063 [loud drumming] 267 00:10:36,436 --> 00:10:39,639 [loud drumming] 268 00:10:42,710 --> 00:10:45,045 [doorbell ringing] 269 00:10:58,759 --> 00:10:59,993 YEAH. 270 00:11:00,027 --> 00:11:01,795 HI. 271 00:11:01,829 --> 00:11:04,464 I WONDER IF YOU COULD KEEP IT DOWN. 272 00:11:04,497 --> 00:11:05,933 YOU'RE DISTURBING THE NEIGHBORS. 273 00:11:05,966 --> 00:11:07,935 I'M PRACTICING. I'M A MUSICIAN. 274 00:11:07,968 --> 00:11:10,904 I UNDERSTAND, BUT IT'S SO LOUD. 275 00:11:10,938 --> 00:11:12,472 AND YOU'VE BEEN PLAYING ALL DAY, 276 00:11:12,505 --> 00:11:13,874 AND--REALLY? 277 00:11:13,907 --> 00:11:15,142 OH. 278 00:11:15,175 --> 00:11:16,744 [scoffs] 279 00:11:16,777 --> 00:11:17,945 I GET IT. 280 00:11:17,978 --> 00:11:19,312 THE CRONE FROM NEXT DOOR SENT YOU. 281 00:11:19,346 --> 00:11:20,848 SHE'S NOT A CRONE. 282 00:11:20,881 --> 00:11:22,115 BUT WHAT ARE YOU, 283 00:11:22,149 --> 00:11:23,450 HER FAVORITE NEPHEW? 284 00:11:23,483 --> 00:11:25,753 LOOK, YOU TELL YOUR AUNTIE THAT I--I'M AN ARTIST 285 00:11:25,786 --> 00:11:27,354 AND I'M EXPRESSING MYSELF. 286 00:11:27,387 --> 00:11:28,822 WHAT, IF--IF PICASSO WAS LIVING NEXT DOOR TO HER, 287 00:11:28,856 --> 00:11:30,090 WOULD SHE BE COMPLAINING ABOUT HIM? 288 00:11:30,123 --> 00:11:32,192 I'M NOT HER NEPHEW. I--I'M WITH THE POLICE. 289 00:11:32,225 --> 00:11:33,460 MORE OR LESS. 290 00:11:33,493 --> 00:11:35,763 MORE OR LESS? 291 00:11:35,796 --> 00:11:37,865 YEAH. 292 00:11:37,898 --> 00:11:39,967 [clears throat] 293 00:11:43,904 --> 00:11:45,138 OKAY. 294 00:11:45,172 --> 00:11:46,840 OKAY WHAT? 295 00:11:46,874 --> 00:11:47,875 NO, I WAS GONNA TAKE A BREAK ANYWAY. 296 00:11:47,908 --> 00:11:49,943 OKAY, THEN. 297 00:11:49,977 --> 00:11:51,979 OKAY. 298 00:11:52,012 --> 00:11:54,014 WELL, HAVE A NICE... 299 00:11:54,047 --> 00:11:55,315 QUIET DAY. 300 00:12:05,859 --> 00:12:07,327 HE STOPPED? YEAH. 301 00:12:07,360 --> 00:12:09,362 WHAT ON EARTH DID YOU SAY TO HIM? 302 00:12:09,396 --> 00:12:12,399 WELL, I TOLD HIM YOU WERE A FRIEND OF MINE 303 00:12:12,432 --> 00:12:14,902 AND, UH, HE GOT THE MESSAGE. 304 00:12:14,935 --> 00:12:16,503 OH, JUST LIKE THAT, HUH? 305 00:12:16,536 --> 00:12:18,271 [snaps fingers] 306 00:12:18,305 --> 00:12:19,773 WELL, I'M IMPRESSED. 307 00:12:19,807 --> 00:12:21,541 YOU'RE A REGULAR JOHN WAYNE. 308 00:12:21,574 --> 00:12:23,977 UH, EXCEPT, YOU KNOW, 309 00:12:24,011 --> 00:12:25,779 HE NEEDED A GUN. 310 00:12:25,813 --> 00:12:27,080 [laughs] 311 00:12:27,114 --> 00:12:28,882 ANYWAY, 312 00:12:28,916 --> 00:12:30,383 I'M GLAD I COULD HELP. 313 00:12:30,417 --> 00:12:31,785 AND, UH, 314 00:12:31,819 --> 00:12:34,154 DON'T RECKON HE'LL BE BOTHERING YOU AGAIN. 315 00:12:34,187 --> 00:12:36,824 [laughs] GUESS I'LL HAVE NATALIE PICK ME UP. 316 00:12:36,857 --> 00:12:38,291 OH, WHERE ARE YOU GOING? 317 00:12:38,325 --> 00:12:39,459 I MEAN, 318 00:12:39,492 --> 00:12:41,028 I GUESS YOU HAVE TO GO SOMEPLACE. 319 00:12:41,061 --> 00:12:43,530 NOT REALLY. 320 00:12:43,563 --> 00:12:45,532 GOOD, GOOD. COME ON IN, THEN. 321 00:12:45,565 --> 00:12:47,500 YEAH, YOU JUST HAVE TO STAY HERE 322 00:12:47,534 --> 00:12:48,936 AND TELL ME ALL ABOUT IT. 323 00:12:48,969 --> 00:12:50,137 [chuckles] OKAY. 324 00:12:50,170 --> 00:12:51,571 (Monk) OH... 325 00:12:51,604 --> 00:12:53,173 I BET YOU'RE HUNGRY, RIGHT? 326 00:12:53,206 --> 00:12:54,842 BOYS ARE ALWAYS HUNGRY. 327 00:12:54,875 --> 00:12:56,944 DID YOU HAVE ANYTHING TO EAT TODAY? 328 00:12:56,977 --> 00:12:59,312 OH, I--I HAD THAT PEPPERMINT YOU GAVE ME. 329 00:12:59,346 --> 00:13:01,348 OH, THAT'S NOT REAL FOOD. 330 00:13:01,381 --> 00:13:02,816 I MEAN, FOOD. 331 00:13:02,850 --> 00:13:04,551 I--I DON'T WANT TO IMPOSE. 332 00:13:04,584 --> 00:13:06,486 [scoffs] I WAS JUST MAKING LUNCH. 333 00:13:06,519 --> 00:13:08,822 I LOVE YOUR HOUSE. 334 00:13:08,856 --> 00:13:10,891 DO YOU? 335 00:13:10,924 --> 00:13:12,159 DID YOU GROW UP IN A PLACE LIKE THIS? 336 00:13:12,192 --> 00:13:14,394 UH, I--I GREW UP 337 00:13:14,427 --> 00:13:16,830 WISHING IT WAS A PLACE LIKE THIS. 338 00:13:20,167 --> 00:13:22,369 IS THIS YOU? 339 00:13:22,402 --> 00:13:23,837 YEAH. 340 00:13:23,871 --> 00:13:26,139 I ALWAYS WANTED TO WRITE A COOKBOOK. 341 00:13:26,173 --> 00:13:29,309 OF COURSE, I LET IT GO TILL I WAS 65, 342 00:13:29,342 --> 00:13:30,844 AND THEN YOU KNOW WHAT MY SISTER SAID? 343 00:13:30,878 --> 00:13:32,312 SHE SAID, 344 00:13:32,345 --> 00:13:34,848 "YOU CAN'T WRITE A COOKBOOK AT 65. 345 00:13:34,882 --> 00:13:36,383 BESIDES, NOBODY COOKS ANYMORE ANYWAY." 346 00:13:36,416 --> 00:13:37,584 [chuckles] 347 00:13:37,617 --> 00:13:39,853 SHE SAID, "YOU'RE 65. YOU RETIRE." 348 00:13:39,887 --> 00:13:41,889 SO YOU TWO AREN'T CLOSE? 349 00:13:41,922 --> 00:13:43,256 OH, WELL, 350 00:13:43,290 --> 00:13:45,125 SHE MEANS WELL. 351 00:13:45,158 --> 00:13:46,426 HMM. 352 00:13:47,660 --> 00:13:49,396 A PIANO. DO YOU PLAY? 353 00:13:49,429 --> 00:13:51,064 JUST ONE SONG. GREENSLEEVES. 354 00:13:51,098 --> 00:13:53,000 MY HUSBAND THEO TAUGHT IT TO ME. 355 00:13:53,033 --> 00:13:54,267 WELL, I'D LOVE TO HEAR IT. 356 00:13:54,301 --> 00:13:55,635 WELL, THAT'S VERY SWEET OF YOU. 357 00:13:55,668 --> 00:13:57,404 BUT I ONLY PLAY IT ONCE A YEAR. 358 00:13:57,437 --> 00:13:58,471 ON HIS BIRTHDAY. 359 00:13:58,505 --> 00:14:00,007 OH. 360 00:14:00,040 --> 00:14:01,508 WHEN DID HE PASS? 361 00:14:01,541 --> 00:14:03,944 12 YEARS AGO. 362 00:14:04,945 --> 00:14:07,280 BY THE CALENDAR, 12 YEARS. 363 00:14:07,314 --> 00:14:09,950 IN HERE, OF COURSE, THE DAY BEFORE YESTERDAY. 364 00:14:11,518 --> 00:14:13,620 [sighs] 365 00:14:16,056 --> 00:14:18,525 YOU HAD A CHILD. 366 00:14:18,558 --> 00:14:21,394 I--I ONLY SEE THE ONE PHOTOGRAPH. 367 00:14:21,428 --> 00:14:23,430 WE LOST HIM, TOO. 368 00:14:24,431 --> 00:14:27,367 PAULIE. HIS NAME WAS PAULIE. 369 00:14:27,400 --> 00:14:29,402 HE WAS JUST THREE YEARS OLD. 370 00:14:30,703 --> 00:14:32,672 HE'D BE ABOUT YOUR AGE. 371 00:14:32,705 --> 00:14:35,042 YEAH, HE WOULD. 372 00:14:35,075 --> 00:14:38,445 OH, THIS--ENOUGH. TIME GOES ON. 373 00:14:40,480 --> 00:14:41,514 I KNOW. 374 00:14:41,548 --> 00:14:43,416 AND IT KEEPS GOING ON. 375 00:14:45,385 --> 00:14:48,088 (Monk) IT'S RELENTLESS. 376 00:14:48,121 --> 00:14:49,356 (Marge) COME ON. 377 00:14:49,389 --> 00:14:50,690 LET'S EAT. 378 00:14:50,723 --> 00:14:52,259 OKAY. 379 00:15:00,500 --> 00:15:01,534 WHAT ARE YOU DOING? 380 00:15:01,568 --> 00:15:03,536 UH, I JUST THOUGHT-- 381 00:15:03,570 --> 00:15:05,438 YOU HAVEN'T EVEN WASHED YOUR HANDS. 382 00:15:05,472 --> 00:15:07,207 WERE YOU BROUGHT UP IN A BARN? 383 00:15:07,240 --> 00:15:10,177 [laughs] 384 00:15:10,210 --> 00:15:11,511 WHAT'S SO FUNNY? 385 00:15:11,544 --> 00:15:14,381 I FORGOT TO WASH MY HANDS. 386 00:15:14,414 --> 00:15:16,349 I'M--I'M USUALLY PRETTY GOOD 387 00:15:16,383 --> 00:15:18,618 ABOUT THAT KIND OF STUFF. 388 00:15:18,651 --> 00:15:20,087 AND USE SOAP. 389 00:15:20,120 --> 00:15:21,521 YES, MA'AM. 390 00:15:25,125 --> 00:15:27,995 WHAT DOES A POLICE CONSULTANT DO, ACTUALLY? 391 00:15:28,028 --> 00:15:31,464 WELL, I DO WHAT ANY REGULAR DETECTIVE DOES 392 00:15:31,498 --> 00:15:35,602 EXCEPT I'M NOT REALLY ON THE TEAM. 393 00:15:35,635 --> 00:15:37,370 REALLY? THAT DOESN'T SOUND FAIR. 394 00:15:37,404 --> 00:15:39,372 THEY HAVE THEIR REASONS. 395 00:15:39,406 --> 00:15:42,009 I'M GONNA WRITE 'EM A LETTER ABOUT IT. 396 00:15:42,042 --> 00:15:43,676 OH, NO, MARGE. YOU DON'T HAVE TO DO THAT. 397 00:15:43,710 --> 00:15:45,445 NO, NO, I-- DON'T WORRY. 398 00:15:45,478 --> 00:15:46,713 I AM JUST GONNA TELL EVERYBODY 399 00:15:46,746 --> 00:15:48,181 WHAT A HELP YOU WERE TO ME 400 00:15:48,215 --> 00:15:50,550 WITH THAT BUDDY RICH NEIGHBOR OF MINE. 401 00:15:50,583 --> 00:15:52,152 [chuckles] 402 00:15:52,185 --> 00:15:53,520 WHAT ARE YOU DOING? 403 00:15:53,553 --> 00:15:56,523 I'M JUST SEPARATING MY... 404 00:15:56,556 --> 00:15:59,526 NO, NO. THESE ARE MIXED VEGETABLES. 405 00:15:59,559 --> 00:16:02,495 THEY'RE SUPPOSED TO BE MIXED LIKE THIS, SEE? 406 00:16:02,529 --> 00:16:04,764 YOU JUST MIX 'EM ALL TOGETHER 407 00:16:04,797 --> 00:16:06,499 AND THEN YOU EAT 'EM ALL TOGETHER. 408 00:16:06,533 --> 00:16:10,203 YOU CAN SEE I REALLY SLAVED OVER THIS LUNCHEON. 409 00:16:10,237 --> 00:16:11,671 SO EAT. 410 00:16:14,541 --> 00:16:16,109 SO WHAT DO YOU THINK 411 00:16:16,143 --> 00:16:18,045 THAT YOUR NEXT PROJECT IS GOING TO BE? 412 00:16:18,078 --> 00:16:20,613 THINK IT'S GONNA BE SOMETHING IMPORTANT? 413 00:16:21,781 --> 00:16:24,517 WELL, IT'S INTERESTING, ACTUALLY. 414 00:16:26,219 --> 00:16:28,788 SOMEBODY KILLED A SECURITY GUARD LAST NIGHT. 415 00:16:28,821 --> 00:16:31,058 KILLED HIM? MM-HMM. 416 00:16:31,091 --> 00:16:32,325 I HAVEN'T FIGURED IT OUT YET. 417 00:16:32,359 --> 00:16:34,394 IT HAPPENED AT THE GUINNESS MUSEUM. 418 00:16:34,427 --> 00:16:36,563 MMM, THE ONLY THING THAT WAS MISSING 419 00:16:36,596 --> 00:16:39,399 WAS ONE DISPLAY-- A MECHANICAL MAN. 420 00:16:39,432 --> 00:16:42,235 IT WAS, UH--IT WAS A ROBOT, ACTUALLY. 421 00:16:42,269 --> 00:16:44,171 A ROBOT? 422 00:16:44,204 --> 00:16:46,706 AN EGG-EATING ROBOT. 423 00:16:46,739 --> 00:16:48,241 OH, MY WORD. 424 00:16:48,275 --> 00:16:51,178 IT'S JUST ONE INSANE THING AFTER ANOTHER, 425 00:16:51,211 --> 00:16:52,579 NOW, ISN'T IT? 426 00:16:52,612 --> 00:16:55,648 YES, MA'AM. DON'T PLAY WITH YOUR FOOD, HONEY. 427 00:16:59,586 --> 00:17:00,720 DID I WRITE 'EM? YEAH. 428 00:17:00,753 --> 00:17:02,589 I'M NOT DENYING IT. 429 00:17:02,622 --> 00:17:04,424 BUT I NEVER HURT ANYBODY. 430 00:17:04,457 --> 00:17:05,558 I'M NOT A MANIAC. 431 00:17:05,592 --> 00:17:07,327 I'M A COMPETITIVE EATER. 432 00:17:07,360 --> 00:17:08,795 (Kasinsky) PROFESSIONAL. 433 00:17:08,828 --> 00:17:10,363 HE'S AN ATHLETE. 434 00:17:10,397 --> 00:17:12,699 YOU SEE ALL THESE TROPHIES? 435 00:17:12,732 --> 00:17:14,267 YES, MA'AM, LOOK-- 436 00:17:14,301 --> 00:17:15,802 THIS ISN'T A MAGAZINE INTERVIEW. 437 00:17:15,835 --> 00:17:17,637 THERE WAS A MURDER LAST NIGHT. 438 00:17:17,670 --> 00:17:18,738 A SECURITY GUARD WAS KILLED 439 00:17:18,771 --> 00:17:20,740 AND THE MAN WHO KILLED HIM STOLE THE TOGO EXHIBIT. 440 00:17:20,773 --> 00:17:22,742 (Disher) YOU CALLED MR. TOGO 441 00:17:22,775 --> 00:17:24,744 A "SHAM," A "DISGRACE," AND A "CHARLATAN." 442 00:17:24,777 --> 00:17:26,213 WHICH HE IS. 443 00:17:26,246 --> 00:17:27,747 IT'S NOT SLANDER IF IT'S TRUE. 444 00:17:27,780 --> 00:17:29,582 (wife) WHEN TOGO BROKE THAT RECORD, HE WAS IN MALAYSIA. 445 00:17:29,616 --> 00:17:31,484 THE EGGS ARE SMALLER THERE. 446 00:17:31,518 --> 00:17:33,120 THEY'RE LIKE 12 CENTIMETERS. 447 00:17:33,153 --> 00:17:34,687 EVERYBODY KNOWS THAT. 448 00:17:34,721 --> 00:17:36,656 RIGHT. THE EGGS ARE SMALLER IN MALAYSIA. 449 00:17:36,689 --> 00:17:40,160 LOOK, IN FEBRUARY, IN BROAD DAYLIGHT, 450 00:17:40,193 --> 00:17:41,528 YOU DEFACED THE PLAQUE 451 00:17:41,561 --> 00:17:43,796 IN FRONT OF THE TOGO EXHIBIT. 452 00:17:43,830 --> 00:17:45,265 I DIDN'T DEFACE IT, OKAY? 453 00:17:45,298 --> 00:17:46,633 I MEAN, I-- I CORRECTED IT. 454 00:17:46,666 --> 00:17:47,800 (wife) THE FACT IS, 455 00:17:47,834 --> 00:17:49,869 MY HUSBAND IS THE TRUE WORLD CHAMPION. 456 00:17:49,902 --> 00:17:52,539 HE BEAT THAT RECORD TWO YEARS AGO 457 00:17:52,572 --> 00:17:54,241 IN MEXICO CITY. 458 00:17:54,274 --> 00:17:59,078 HE ATE 54 EGGS IN SIX MINUTES. 459 00:18:00,780 --> 00:18:02,182 NO KIDDING. 460 00:18:02,215 --> 00:18:04,317 DON'T TOUCH THAT. 461 00:18:04,351 --> 00:18:07,154 BUT THE GUINNESS PEOPLE DIDN'T RECOGNIZE IT. 462 00:18:07,187 --> 00:18:10,223 THEY SAID THAT THE LAST THREE WEREN'T DOWN. 463 00:18:10,257 --> 00:18:12,692 THEY WERE DOWN LONG ENOUGH. 464 00:18:12,725 --> 00:18:14,527 WELL, I'M SORRY I MISSED THAT. 465 00:18:14,561 --> 00:18:17,397 MR. KASINSKY, WHERE WERE YOU LAST NIGHT 466 00:18:17,430 --> 00:18:18,631 BETWEEN 9:00 AND 10:00 P.M.? 467 00:18:18,665 --> 00:18:20,833 LAST NIGHT WE WERE AT THE CHICKEN MEISTER. 468 00:18:20,867 --> 00:18:23,270 THE CHICKEN MEISTER. 469 00:18:23,303 --> 00:18:24,871 (Kasinsky) IT'S A RESTAURANT ON VINTON. 470 00:18:24,904 --> 00:18:26,806 THEY'VE GOT AN ALL-YOU-CAN-EAT BUFFET. 471 00:18:26,839 --> 00:18:28,808 [scoffs] OR SO THEY CLAIM. 472 00:18:28,841 --> 00:18:30,543 DID YOU PAY WITH A CREDIT CARD? 473 00:18:30,577 --> 00:18:33,780 NO, BUT THEY'LL REMEMBER ME. 474 00:18:33,813 --> 00:18:35,615 THEY'LL REMEMBER HIM. 475 00:18:35,648 --> 00:18:37,150 YEAH. TAKE MY WORD FOR IT. 476 00:18:37,184 --> 00:18:38,718 WELL, WE'LL CHECK IT OUT. 477 00:18:38,751 --> 00:18:41,221 OKAY, GO CHECK IT OUT. 478 00:18:44,491 --> 00:18:46,526 LOOK, IT WASN'T ME, OKAY? 479 00:18:46,559 --> 00:18:47,660 I MEAN, I'M NOT ANGRY ANYMORE. 480 00:18:47,694 --> 00:18:48,928 I'M PAST THAT. 481 00:18:48,961 --> 00:18:50,597 NOW, I'M GONNA COMPETE AGAIN. 482 00:18:50,630 --> 00:18:51,864 TWO WEEKS. BOSTON. 483 00:18:51,898 --> 00:18:53,333 THIS TIME THERE'S GONNA BE 484 00:18:53,366 --> 00:18:55,602 NO WONDERING WHO THE TOP DOG IS. 485 00:18:55,635 --> 00:18:56,636 IT'S GONNA BE RIGHT HERE. 486 00:18:56,669 --> 00:18:57,870 HE HAS BEEN TRAINING 487 00:18:57,904 --> 00:18:59,706 ALL YEAR. 488 00:19:00,940 --> 00:19:03,876 HE'S UP TO 80 EGGS IN SIX MINUTES. 489 00:19:03,910 --> 00:19:05,912 REALLY? 490 00:19:08,415 --> 00:19:09,582 Y-YOU DON'T BELIEVE ME? 491 00:19:09,616 --> 00:19:12,219 WELL, I'M SURE YOU'RE VERY TALENTED, 492 00:19:12,252 --> 00:19:13,486 BUT, UM-- 493 00:19:13,520 --> 00:19:14,921 EVAN, GET THE EGGS. 494 00:19:17,824 --> 00:19:19,659 (Kasinsky) WE'LL DO THIS RIGHT NOW. 495 00:19:19,692 --> 00:19:21,361 YOU CAN BE MY WITNESSES, 496 00:19:21,394 --> 00:19:22,662 WHICH IS PERFECT, 'CAUSE YOU'RE COPS. 497 00:19:22,695 --> 00:19:24,231 THEY HAVE TO BELIEVE YOU. 498 00:19:25,898 --> 00:19:27,700 [grunts] MM-HMM. 499 00:19:27,734 --> 00:19:29,602 [exhales loudly] 500 00:19:29,636 --> 00:19:31,204 [sighs, clears throat] 501 00:19:31,238 --> 00:19:32,772 HEY, GOOD BOY. 502 00:19:32,805 --> 00:19:34,607 MWAH. 503 00:19:39,346 --> 00:19:40,647 WELL, THAT'S ONE. 504 00:19:40,680 --> 00:19:42,615 MMM, THAT WAS MY BREAKFAST. THAT DOESN'T COUNT. 505 00:19:42,649 --> 00:19:44,651 HERE WE GO. 506 00:19:44,684 --> 00:19:46,653 ARE YOU READY? 507 00:19:46,686 --> 00:19:48,255 ARE YOU READY? I DON'T THINK SO. 508 00:19:48,288 --> 00:19:49,756 NOT YOU. 509 00:19:49,789 --> 00:19:51,258 GO. [beeps] 510 00:19:51,291 --> 00:19:53,493 THREE. FOUR. 511 00:19:53,526 --> 00:19:54,794 FIVE. 512 00:19:57,330 --> 00:19:58,565 TEN. 513 00:19:58,598 --> 00:19:59,732 11. A WHOLE DOZEN, THERE. 514 00:19:59,766 --> 00:20:02,602 COME IN, IN THROUGH YOUR NOSE. 515 00:20:02,635 --> 00:20:05,272 COME ON. THAT'S 20. 516 00:20:07,574 --> 00:20:08,841 RIGHT ON TEMPO. 517 00:20:18,985 --> 00:20:20,453 [door opens] 518 00:20:23,990 --> 00:20:25,558 HELLO? 519 00:20:25,592 --> 00:20:27,627 GOD. 520 00:20:28,895 --> 00:20:30,029 HEY! I WOULDN'T DO THAT. 521 00:20:30,062 --> 00:20:32,231 MOVE! 522 00:20:35,402 --> 00:20:37,737 STONES IN THE BAG. SURE, NO PROBLEM. 523 00:20:37,770 --> 00:20:40,039 AN--ANYTHING YOU WANT. 524 00:20:40,072 --> 00:20:41,774 AND THE DIAMONDS AND THE EMERALDS, TOO. 525 00:20:41,808 --> 00:20:43,009 FROM THERE. 526 00:20:43,042 --> 00:20:44,611 HOW'D YOU KNOW ABOUT THEM? 527 00:20:45,712 --> 00:20:48,047 JOHN? COME ON, JUST DO IT NOW! 528 00:20:48,080 --> 00:20:49,549 JOHN? WHAT ARE YOU DOING? 529 00:20:49,582 --> 00:20:50,950 [sighing] 530 00:20:50,983 --> 00:20:52,519 THIS IS PROBABLY ALL FOR THE BEST. 531 00:20:52,552 --> 00:20:53,686 I CAN'T BREATHE IN THIS THING ANYWAY. 532 00:20:53,720 --> 00:20:55,455 TAKE EVERYTHING. TAKE--TAKE IT ALL, JOHN. 533 00:20:55,488 --> 00:20:56,723 I SWEAR I-- I WON'T TELL ANYONE. 534 00:21:00,059 --> 00:21:01,728 YOU GOT THAT RIGHT. 535 00:21:11,404 --> 00:21:12,705 DOESN'T THIS LOOK BETTER? 536 00:21:12,739 --> 00:21:14,341 THEY'RE NOT EVEN. 537 00:21:14,374 --> 00:21:16,376 OH, THEY DON'T HAVE TO BE EVEN. 538 00:21:16,409 --> 00:21:18,445 IT'S SO WARM AND COZY. 539 00:21:18,478 --> 00:21:19,846 NOW YOU DON'T HAVE TO SHOUT 540 00:21:19,879 --> 00:21:21,381 ALL THE WAY ACROSS YOUR ROOM 541 00:21:21,414 --> 00:21:22,649 JUST TO TALK TO YOUR FRIENDS. 542 00:21:22,682 --> 00:21:24,551 RIGHT. 543 00:21:24,584 --> 00:21:26,653 WHAT--WHAT FRIENDS ARE THOSE? 544 00:21:26,686 --> 00:21:28,988 OH, YOU HAVE FRIENDS. 545 00:21:29,021 --> 00:21:32,659 AND IF YOU DIDN'T BEFORE, YOU DO NOW. 546 00:21:32,692 --> 00:21:33,893 [door closes] 547 00:21:33,926 --> 00:21:36,062 (Natalie) HELLO! SORRY I'M LATE. 548 00:21:36,095 --> 00:21:37,630 HI, NATALIE. 549 00:21:37,664 --> 00:21:38,898 OH, GOOD MORNING. 550 00:21:38,931 --> 00:21:40,900 OH, YOU LOOK SNAZZY. 551 00:21:40,933 --> 00:21:42,034 I LIKE THAT OUTFIT. 552 00:21:42,068 --> 00:21:43,069 OH, WELL, THANK YOU. 553 00:21:43,102 --> 00:21:45,372 AND MR. MONK, IS THAT NEW? 554 00:21:45,405 --> 00:21:46,673 IT'S HANDMADE. 555 00:21:46,706 --> 00:21:48,841 SHE MADE IT. 556 00:21:48,875 --> 00:21:49,942 YEP, THIS IS GONNA KEEP HIM WARM 557 00:21:49,976 --> 00:21:51,444 ON THOSE STAKEOUTS. 558 00:21:51,478 --> 00:21:53,012 [laughs] A STAKEOUT SCARF. 559 00:21:53,045 --> 00:21:54,947 YEAH. 560 00:21:54,981 --> 00:21:56,749 OH, IT'S LOVELY. SO, UM... 561 00:21:56,783 --> 00:21:58,518 WHAT ARE YOU DOING? 562 00:21:58,551 --> 00:22:00,853 REARRANGING THE LIVING ROOM WAS MARGE'S IDEA. 563 00:22:00,887 --> 00:22:03,055 I CASE, YOU KNOW, I MAKE A FRIEND. 564 00:22:03,089 --> 00:22:05,024 MARGE, HOW DID YOU DO IT? 565 00:22:05,057 --> 00:22:06,559 I'VE BEEN TRYING TO GET HIM 566 00:22:06,593 --> 00:22:07,827 TO MOVE THESE CHAIRS FOR YEARS! 567 00:22:07,860 --> 00:22:09,128 WOW! 568 00:22:09,161 --> 00:22:11,698 OH, MR. MONK, I GOT YOU THE WINDEX 569 00:22:11,731 --> 00:22:13,032 AND THE VACUUM CLEANER BAGS YOU NEEDED. 570 00:22:13,065 --> 00:22:14,501 YEAH, ALREADY DONE. 571 00:22:14,534 --> 00:22:15,702 MARGE AND I WENT SHOPPING LAST NIGHT 572 00:22:15,735 --> 00:22:17,604 AND CLEANED THE WHOLE PLACE THIS MORNING. 573 00:22:17,637 --> 00:22:18,905 OKAY, THEN. 574 00:22:18,938 --> 00:22:21,974 UH, WELL, THEN I'LL JUST MAKE YOU SOME BREAKFAST. 575 00:22:22,008 --> 00:22:24,511 NO, I ALREADY ATE. 576 00:22:24,544 --> 00:22:26,779 MARGE MADE THESE AMAZING CRANBERRY NUT MUFFINS. 577 00:22:26,813 --> 00:22:29,982 HER OWN RECIPE FROM HER COOKBOOK. 578 00:22:30,016 --> 00:22:32,619 NATALIE, SHE WRITES COOKBOOKS. 579 00:22:32,652 --> 00:22:34,120 REALLY? (Monk) YEAH. 580 00:22:34,153 --> 00:22:36,423 THEY WERE DELICIOUS. I ATE THE WHOLE BATCH. 581 00:22:36,456 --> 00:22:38,691 AND GET THIS--THEY WEREN'T JUST SQUARE LIKE YOURS. 582 00:22:38,725 --> 00:22:41,093 NO, THESE MUFFINS WERE CUBED. 583 00:22:41,127 --> 00:22:42,629 CUBE MUFFIN. 584 00:22:42,662 --> 00:22:44,130 LIKE A CUBE SHAPE. CUBE, BASICALLY. 585 00:22:44,163 --> 00:22:45,898 HONEY, ARE YOU HUNGRY? 586 00:22:45,932 --> 00:22:47,667 I COULD MAKE YOU SOMETHING TO EAT EASILY. 587 00:22:47,700 --> 00:22:49,168 YEAH, NO, THANK YOU. 588 00:22:49,201 --> 00:22:50,637 I--I ATE WITH JULIE, MY DAUGHTER. 589 00:22:50,670 --> 00:22:53,105 SHE WAS UP A LITTLE EARLY. SHE HAS A COLD. 590 00:22:53,139 --> 00:22:54,741 OH, AND YOU'RE NOT EVEN THERE WITH HER. 591 00:22:54,774 --> 00:22:56,443 WHAT KIND OF A BOSS ARE YOU? HUH? 592 00:22:56,476 --> 00:22:58,945 YOU GO HOME. TAKE CARE OF YOUR FAMILY. 593 00:22:58,978 --> 00:23:01,047 OH, NO, I COULDN'T. I COULDN'T LEAVE MR. MONK. 594 00:23:01,080 --> 00:23:02,515 YEAH, GO AHEAD. 595 00:23:02,549 --> 00:23:03,950 I'LL BE FINE. 596 00:23:05,084 --> 00:23:06,085 REALLY? 597 00:23:06,118 --> 00:23:07,987 YEAH, MARGE IS HERE. I'M FINE. 598 00:23:08,020 --> 00:23:11,658 YEAH, WE'LL COME OVER LATER AND BRING YOU 599 00:23:11,691 --> 00:23:12,892 SOME OF MY WORLD-FAMOUS TOMATO SOUP. 600 00:23:12,925 --> 00:23:14,060 REALLY? 601 00:23:14,093 --> 00:23:14,961 HEY, WE CAN ALWAYS CALL YOU 602 00:23:14,994 --> 00:23:17,029 IF SOMETHING REALLY HORRIBLE HAPPENS. 603 00:23:17,063 --> 00:23:17,964 YEAH. 604 00:23:17,997 --> 00:23:21,033 LIKE IF ANOTHER CRAZY ROBOT DISAPPEARS. 605 00:23:21,067 --> 00:23:22,469 ALWAYS WITH THE JOKES, MARGE. 606 00:23:22,502 --> 00:23:24,070 UM... 607 00:23:24,103 --> 00:23:26,172 OKAY, THEN. 608 00:23:27,740 --> 00:23:29,108 I'M LEAVING. 609 00:23:29,141 --> 00:23:31,077 OKAY. [Natalie laughs] 610 00:23:31,110 --> 00:23:32,812 ARE YOU SURE? OH, YEAH. 611 00:23:32,845 --> 00:23:34,681 GO. WE'RE FINE, RIGHT? 612 00:23:34,714 --> 00:23:36,649 OKAY. I'M LEAVING. 613 00:23:36,683 --> 00:23:38,084 I AM TAKING THE DAY OFF. 614 00:23:38,117 --> 00:23:39,552 SO GO! 615 00:23:39,586 --> 00:23:40,953 OKAY, I'M REALLY LEAVING. 616 00:23:40,987 --> 00:23:42,088 SEE YOU LATER. 617 00:23:42,121 --> 00:23:44,624 I AM AT THE FRONT DOOR. 618 00:23:45,758 --> 00:23:47,660 BYE. 619 00:23:47,694 --> 00:23:49,996 WOW. 620 00:23:50,029 --> 00:23:51,898 I HAVE GOT SOMETHING FOR YOU. 621 00:23:51,931 --> 00:23:53,032 I DON'T WANT TO FORGET. 622 00:23:53,065 --> 00:23:55,735 (Monk) WHAT--WHAT IS IT? 623 00:23:55,768 --> 00:23:57,970 I CUT THIS OUT OF THE LOCAL PAPER 624 00:23:58,004 --> 00:23:59,138 THIS MORNING. 625 00:24:01,073 --> 00:24:03,142 (Marge) "CONTRIBUTION OF EXPERT CONSULTANTS 626 00:24:03,175 --> 00:24:06,579 SUCH AS ADRIAN MONK." 627 00:24:06,613 --> 00:24:08,515 YOU'RE FAMOUS. 628 00:24:08,548 --> 00:24:09,982 [sighs, mutters] 629 00:24:10,016 --> 00:24:12,885 NOT FAMOUS SO MUCH AS ACCLAIMED, I THINK. 630 00:24:12,919 --> 00:24:14,687 OH, MR. MODEST. 631 00:24:14,721 --> 00:24:17,056 DO YOU HAVE A-- A SCRAPBOOK? 632 00:24:17,089 --> 00:24:18,124 NO. NO. 633 00:24:18,157 --> 00:24:19,659 WELL, I'LL MAKE ONE FOR YOU. 634 00:24:19,692 --> 00:24:21,528 WHAT? YEAH. 635 00:24:21,561 --> 00:24:24,964 MARGE'S PERSONAL CLIPPING SERVICE. 636 00:24:24,997 --> 00:24:26,633 [knocking at door] 637 00:24:26,666 --> 00:24:27,934 KNOCK, KNOCK. 638 00:24:27,967 --> 00:24:29,235 HELLO. 639 00:24:30,837 --> 00:24:32,905 (Disher) OH, UH, SORRY TO INTERRUPT... 640 00:24:32,939 --> 00:24:34,941 WHATEVER IT IS YOU'RE DOING. 641 00:24:34,974 --> 00:24:37,577 WE HAVE BEEN LOOKING FOR YOU ALL MORNING. 642 00:24:37,610 --> 00:24:38,911 WELL, I'VE BEEN HERE ALL DAY. 643 00:24:38,945 --> 00:24:41,180 NOT YOU. ACTUALLY, WE'VE BEEN LOOKING FOR MARGE. 644 00:24:41,213 --> 00:24:42,915 ME? UH, YES, MA'AM. 645 00:24:42,949 --> 00:24:44,784 UH, DO YOU HAVE A MINUTE? 646 00:24:44,817 --> 00:24:46,919 OH, WELL, CERTAINLY. CERTAINLY. 647 00:24:46,953 --> 00:24:48,020 COME IN, SIT DOWN. 648 00:24:48,054 --> 00:24:49,121 (Monk) YEAH, COME ON IN. 649 00:24:49,155 --> 00:24:50,990 SIT DOWN. YEP. 650 00:24:51,023 --> 00:24:53,059 HEY! 651 00:24:53,092 --> 00:24:55,227 WHAT'D YOU DO? YOU MOVE THE FURNITURE? 652 00:24:55,261 --> 00:24:57,697 YEAH, I KIND OF LIKE IT. IT'S COZY. 653 00:24:58,798 --> 00:25:00,667 I LIKE THE SCARF. 654 00:25:00,700 --> 00:25:03,570 YEAH, IT'S, UM-- 655 00:25:03,603 --> 00:25:04,837 A MOTHER'S TOUCH. 656 00:25:04,871 --> 00:25:07,239 I DON'T UNDERSTAND. HAS SOMETHING HAPPENED? 657 00:25:07,273 --> 00:25:10,042 A JEWELRY STORE WAS ROBBED LAST NIGHT, 658 00:25:10,076 --> 00:25:12,078 AND THE MANAGER, A MAN NAMED DAVID ELLIOT, 659 00:25:12,111 --> 00:25:13,312 WAS SHOT AND KILLED, 660 00:25:13,345 --> 00:25:14,747 SO WE REALLY DO NEED TO TALK TO YOU. 661 00:25:14,781 --> 00:25:16,916 YOU SURELY DON'T THINK 662 00:25:16,949 --> 00:25:18,785 I HAD ANYTHING TO DO WITH THAT. 663 00:25:18,818 --> 00:25:20,853 NO, MA'AM. UH, OF COURSE NOT. 664 00:25:20,887 --> 00:25:24,156 BUT WE DO HAVE A PRETTY GOOD IDEA OF WHO IT WAS. 665 00:25:24,190 --> 00:25:26,325 IT WAS A MAN NAMED JOHN KEYES. THAT'S MY NEIGHBOR! 666 00:25:26,358 --> 00:25:27,794 YES, MA'AM, TURNS OUT MR. KEYES 667 00:25:27,827 --> 00:25:28,795 WORKED AT THAT JEWELRY STORE. 668 00:25:28,828 --> 00:25:31,263 HE WAS FIRED LAST SUMMER FOR STEALING A NECKLACE. 669 00:25:31,297 --> 00:25:33,666 YEAH, AND HE HAS A RECORD-- BURGLARY AND ASSAULT. 670 00:25:33,700 --> 00:25:34,867 SO WE BROUGHT HIM IN. SO HOW DOES HE LOOK? 671 00:25:34,901 --> 00:25:36,869 (Stottlemeyer) HE LOOKS GOOD TO ME. HE SMELLS LIKE THE GUY. 672 00:25:36,903 --> 00:25:37,804 BUT-- 673 00:25:37,837 --> 00:25:40,139 BUT HE HAS AN ALIBI. HE SAYS HE WAS HOME. 674 00:25:40,172 --> 00:25:42,208 THAT AT 10:30, AT THE TIME OF THE ROBBERY, 675 00:25:42,241 --> 00:25:43,976 HE WAS PLAYING HIS DRUM SET. 676 00:25:44,010 --> 00:25:45,745 AND IT DOES CHECK OUT. 677 00:25:45,778 --> 00:25:47,046 ACCORDING TO OUR PHONE LOG, 678 00:25:47,079 --> 00:25:48,314 YOU CALLED THE STATION AT 10:35 P.M. 679 00:25:48,347 --> 00:25:50,116 TO COMPLAIN ABOUT THE NOISE. 680 00:25:50,149 --> 00:25:51,584 YES, I DID. 681 00:25:51,618 --> 00:25:52,952 I DIDN'T WANT TO BOTHER YOU AGAIN, YOU KNOW. 682 00:25:52,985 --> 00:25:53,986 SIT UP, DARLING. 683 00:25:54,020 --> 00:25:55,655 UM-- MS. JOHNSON. 684 00:25:55,688 --> 00:25:57,089 MARGE. 685 00:25:57,123 --> 00:25:59,091 MARGE, THIS IS VERY IMPORTANT. 686 00:25:59,125 --> 00:26:01,293 NOW, ARE YOU SURE-- ARE YOU POSITIVE 687 00:26:01,327 --> 00:26:04,897 THAT YOU HEARD MR. KEYES AT 10:30 688 00:26:04,931 --> 00:26:06,232 PLAYING HIS DRUM KIT LAST NIGHT? 689 00:26:06,265 --> 00:26:08,935 YES, I--I NOT ONLY HEARD IT, I SAW HIM. 690 00:26:08,968 --> 00:26:10,269 THE LIGHT WAS ON 691 00:26:10,302 --> 00:26:12,038 AND I COULD LOOK RIGHT THROUGH THE WINDOW AT HIM. 692 00:26:12,071 --> 00:26:14,006 IT--YOU KNOW, IT WAS DEFINITELY HIM. 693 00:26:14,040 --> 00:26:16,976 HELLO, SQUARE ONE. 694 00:26:17,009 --> 00:26:18,711 THANK YOU. 695 00:26:18,745 --> 00:26:20,647 (Stottlemeyer) COME ON. 696 00:26:22,949 --> 00:26:24,851 THEY LIKED THE, UH-- THIS IS GREAT. 697 00:26:24,884 --> 00:26:25,918 [quietly mutters] 698 00:26:25,952 --> 00:26:28,655 A STAKEOUT SCARF? YEAH, SHE KNITS! 699 00:26:28,688 --> 00:26:30,757 SHE COOKS! SHE WRITES! 700 00:26:30,790 --> 00:26:32,024 SHE'S AN AMAZING PERSON. 701 00:26:32,058 --> 00:26:33,860 SHE SOUNDS LIKE IT. [sighing] OH, MY GOD. 702 00:26:33,893 --> 00:26:35,828 I'M GONNA BRING HER TO WORK WITH ME LATER. 703 00:26:35,862 --> 00:26:37,396 THE CAPTAIN SAID I COULD BRING HER ALONG. 704 00:26:37,429 --> 00:26:40,032 THIS WOMAN HAS BECOME VERY IMPORTANT TO YOU. 705 00:26:40,066 --> 00:26:42,635 WELL, YEAH. I THINK IT'S WONDERFUL. 706 00:26:42,669 --> 00:26:44,937 IT'S WHAT WE CALL A "TRANSFORMATIVE RELATIONSHIP." 707 00:26:44,971 --> 00:26:46,773 THAT'S EXACTLY WHAT IT IS. 708 00:26:46,806 --> 00:26:49,008 I--I HAVE BEEN TRANSFORMED. 709 00:26:49,041 --> 00:26:51,010 I FEEL LIKE I'VE FOUND A PIECE OF MYSELF 710 00:26:51,043 --> 00:26:52,078 I DIDN'T EVEN KNOW WAS MISSING. 711 00:26:52,111 --> 00:26:54,781 LOOK--OH, LOOK. 712 00:26:54,814 --> 00:26:57,917 SHE--SHE WRITES ME THESE LITTLE NOTES. 713 00:26:57,950 --> 00:26:59,952 PUTS 'EM IN MY POCKETS. 714 00:26:59,986 --> 00:27:03,255 "ADRIAN, I AM SO HAPPY YOU ARE IN MY LIFE. 715 00:27:03,289 --> 00:27:06,258 LOVE, MARGE." 716 00:27:06,292 --> 00:27:10,029 MY OTHER MOTHER ONLY LEFT ME ONE NOTE EVER, 717 00:27:10,062 --> 00:27:11,297 IN MY WHOLE LIFE. 718 00:27:11,330 --> 00:27:13,365 I FOUND IT IN MY LUNCHBOX. 719 00:27:13,399 --> 00:27:16,102 IT SAID, "YOUR FATHER IS DRIVING ME CRAZY." 720 00:27:16,135 --> 00:27:17,704 [muttering] 721 00:27:17,737 --> 00:27:19,238 YOUR OTHER MOTHER? EXCUSE ME? 722 00:27:19,271 --> 00:27:21,107 YOU JUST CALLED YOUR REAL MOTHER 723 00:27:21,140 --> 00:27:23,309 YOUR "OTHER MOTHER." 724 00:27:25,311 --> 00:27:27,680 YOU'RE RIGHT. SORRY. 725 00:27:27,714 --> 00:27:29,081 WAIT A MINUTE. NO--NO. 726 00:27:29,115 --> 00:27:30,449 NO, I'M NOT. I'M NOT SORRY. 727 00:27:30,482 --> 00:27:32,051 WHY SHOULD I BE SORRY? 728 00:27:32,084 --> 00:27:35,154 MARGE IS A BETTER MOTHER TO ME 729 00:27:35,187 --> 00:27:37,023 THAN THE WOMAN WHO RAISED ME. 730 00:27:37,056 --> 00:27:38,925 SHE SUPPORTS ME. 731 00:27:38,958 --> 00:27:41,093 SHE--SHE'S PROUD OF ME. 732 00:27:41,127 --> 00:27:43,696 SHE LOVES YOU. SHE LOVES ME. 733 00:27:43,730 --> 00:27:46,065 UNCONDITIONALLY. 734 00:27:46,098 --> 00:27:47,133 IT DOESN'T GET BETTER THAN THAT. 735 00:27:47,166 --> 00:27:49,769 NO. NO, IT DOES NOT. 736 00:27:49,802 --> 00:27:50,803 YOU'RE A LUCKY MAN. 737 00:28:02,381 --> 00:28:04,050 ADRIAN? 738 00:28:04,083 --> 00:28:06,753 TALK TO ME. COME ON. 739 00:28:06,786 --> 00:28:09,421 WHAT'S THE CATCH? 740 00:28:09,455 --> 00:28:10,990 WITH WHAT? 741 00:28:11,023 --> 00:28:12,324 WITH MARGE. 742 00:28:12,358 --> 00:28:15,161 WHAT DO YOU SUPPOSE SHE'S AFTER? 743 00:28:15,194 --> 00:28:17,029 ARE--ADRIAN-- 744 00:28:17,063 --> 00:28:19,999 EVERY TIME SOMEBODY WANTS TO BE MY FRIEND, 745 00:28:20,032 --> 00:28:24,170 IT TURNS OUT THEY'RE AFTER SOMETHING. 746 00:28:24,203 --> 00:28:25,504 THEY HAVE AN ANGLE. 747 00:28:25,537 --> 00:28:27,406 NO, NOT NECESSARILY. 748 00:28:27,439 --> 00:28:29,976 HOW COULD SOMEBODY-- HOW COULD ANYBODY 749 00:28:30,009 --> 00:28:33,279 LOVE ME UNCONDITIONALLY? 750 00:28:35,047 --> 00:28:37,784 I MEAN, COME ON. YOU'VE MET ME. 751 00:28:37,817 --> 00:28:38,985 ADRIAN, 752 00:28:39,018 --> 00:28:40,252 I KNOW YOU'VE BEEN BURNED IN THE PAST, 753 00:28:40,286 --> 00:28:43,089 BUT YOU HAVE TO TRUST PEOPLE. 754 00:28:43,122 --> 00:28:45,024 SEE, THERE'S NOT ALWAYS A CATCH. 755 00:28:45,057 --> 00:28:46,993 THEN HOW DO YOU EXPLAIN THIS? 756 00:28:47,026 --> 00:28:51,163 THERE'S ALWAYS A CATCH. 757 00:28:57,203 --> 00:28:59,305 HE'S SO SERIOUS WHEN HE WORKS, ISN'T HE? 758 00:28:59,338 --> 00:29:00,773 (Stottlemeyer) YES, MA'AM. 759 00:29:00,807 --> 00:29:04,543 I THINK HE'S LOOKING FOR THE CLUE. 760 00:29:04,576 --> 00:29:06,779 YES, MA'AM, HE IS. 761 00:29:08,981 --> 00:29:11,150 OH, I THINK HE FOUND ONE. 762 00:29:16,455 --> 00:29:18,825 WE'RE MAKING A SCRAPBOOK. 763 00:29:18,858 --> 00:29:20,092 REALLY? 764 00:29:20,126 --> 00:29:21,994 CAN'T WAIT TO SEE THAT. 765 00:29:22,028 --> 00:29:24,196 THE BODY WAS WHERE? 766 00:29:24,230 --> 00:29:25,497 BEHIND THE DESK. 767 00:29:25,531 --> 00:29:27,166 WE FIGURED THE KILLER CAME IN THE DOOR HERE. 768 00:29:27,199 --> 00:29:29,068 TWO ROUNDS, .45 CALIBER. 769 00:29:34,506 --> 00:29:36,943 OH, I'M SORRY, HONEY. EXCUSE ME. 770 00:29:39,611 --> 00:29:41,480 SO THE VICTIM, DAVID ELLIOT, 771 00:29:41,513 --> 00:29:43,049 WAS WORKING HERE FOR ABOUT A YEAR. 772 00:29:43,082 --> 00:29:45,117 FOUND THIS IN THE CORNER 773 00:29:45,151 --> 00:29:47,053 AND ABOUT 1,000 FINGERPRINTS. 774 00:29:49,956 --> 00:29:52,091 WELL, THEY WON'T BE THE SHOOTER'S. 775 00:29:52,124 --> 00:29:53,926 LOOK AT THAT. 776 00:29:53,960 --> 00:29:55,027 LATEX RUBBER. 777 00:29:55,061 --> 00:29:57,163 HE WORE GLOVES. 778 00:29:57,196 --> 00:29:58,464 OH, THAT'S WONDERFUL. 779 00:29:58,497 --> 00:30:00,833 WE CAN PUT THAT IN OUR SCRAPBOOK. 780 00:30:00,867 --> 00:30:02,234 EXCUSE ME. 781 00:30:02,268 --> 00:30:03,569 WE'RE WORKING HERE. 782 00:30:07,006 --> 00:30:08,875 ALL RIGHT. 783 00:30:08,908 --> 00:30:10,142 IT LOOKS LIKE IT'S AN INSIDE JOB. 784 00:30:10,176 --> 00:30:11,343 SECURITY TAPES ARE MISSING, 785 00:30:11,377 --> 00:30:12,544 AND THE STORE GETS RE-SUPPLIED 786 00:30:12,578 --> 00:30:14,013 THE FIRST TUESDAY OF EVERY MONTH. 787 00:30:14,046 --> 00:30:15,481 AND THAT WAS YESTERDAY, 788 00:30:15,514 --> 00:30:16,916 SO HE WAS PLUGGED IN SOMEHOW. 789 00:30:16,949 --> 00:30:17,984 WE'RE PUTTING TOGETHER SOME NAMES, 790 00:30:18,017 --> 00:30:19,218 GOING BACK TEN YEARS, 791 00:30:19,251 --> 00:30:21,087 EVERYBODY THAT'S EVER WORKED HERE. 792 00:30:21,120 --> 00:30:23,522 YOU DON'T HAVE TO GO BACK TEN YEARS. 793 00:30:23,555 --> 00:30:25,892 (Monk) THE MANAGER ONLY WORKED HERE FOR A YEAR. 794 00:30:25,925 --> 00:30:27,193 THE KILLER WORE A SKI MASK, 795 00:30:27,226 --> 00:30:30,897 ERGO, THE KILLER WAS AFRAID HE'D BE RECOGNIZED, 796 00:30:30,930 --> 00:30:32,264 ERGO, THE KILLER 797 00:30:32,298 --> 00:30:34,133 MUST HAVE WORKED HERE RECENTLY. 798 00:30:34,166 --> 00:30:38,570 "ERGO" THE KILLER? WHAT'S THAT, HUNGARIAN? 799 00:30:38,604 --> 00:30:41,908 HIS NAME ISN'T "ERGO," RANDY. 800 00:30:41,941 --> 00:30:44,076 EXCUSE ME, MARGE. DON'T TOUCH THAT. 801 00:30:44,110 --> 00:30:45,978 THIS IS A CRIME SCENE. I KNOW, I'M SORRY, HONEY. 802 00:30:46,012 --> 00:30:47,046 BUT THIS IS AMAZING. 803 00:30:47,079 --> 00:30:48,915 YOU SEE THIS BROOCH? 804 00:30:48,948 --> 00:30:51,017 I HAVE THIS BROOCH. 805 00:30:51,050 --> 00:30:54,253 MY HUSBAND GAVE IT TO ME ON OUR 10TH ANNIVERSARY. 806 00:30:54,286 --> 00:30:56,088 IT'S IN THIS PICTURE. HERE. 807 00:30:56,122 --> 00:30:58,057 LOOK. 808 00:30:58,090 --> 00:30:59,091 ISN'T THAT THE SAME? 809 00:30:59,125 --> 00:31:01,027 YES, IT IS. [chuckles] 810 00:31:01,060 --> 00:31:03,162 WHO IS THAT? 811 00:31:03,195 --> 00:31:04,997 THAT'S MY HUSBAND. NO. NO, NO, NO, NO, NO. 812 00:31:05,031 --> 00:31:06,265 THE OTHER PICTURE. 813 00:31:06,298 --> 00:31:08,067 THIS ONE. 814 00:31:08,100 --> 00:31:10,202 OH, THAT'S PAULIE. 815 00:31:12,171 --> 00:31:15,274 (Marge) THAT WAS TAKEN JUST BEFORE HIS PASSING. 816 00:31:15,307 --> 00:31:16,909 HE HAS A BIRTHMARK. 817 00:31:16,943 --> 00:31:18,544 I'VE SEEN IT BEFORE. 818 00:31:20,479 --> 00:31:22,114 ON JOHN KEYES. 819 00:31:22,148 --> 00:31:24,516 MR. KEYES? 820 00:31:24,550 --> 00:31:26,385 YEAH. 821 00:31:26,418 --> 00:31:28,154 YOU'RE RIGHT. 822 00:31:28,187 --> 00:31:30,389 YEP, HE HAS A--A MOLE. 823 00:31:30,422 --> 00:31:32,992 RIGHT ON THE SAME CHEEK AS PAULIE. 824 00:31:33,025 --> 00:31:34,994 WHAT DO YOU KNOW? 825 00:31:35,027 --> 00:31:37,029 I'LL TELL YOU WHAT I KNOW. 826 00:31:37,063 --> 00:31:39,131 JOHN KEYES IS YOUR SON. 827 00:31:39,165 --> 00:31:40,933 (Stottlemeyer) WHAT?! 828 00:31:40,967 --> 00:31:43,035 NO, IT MAKES PERFECT SENSE. 829 00:31:43,069 --> 00:31:45,037 THEY'VE BEEN IN IT TOGETHER, 830 00:31:45,071 --> 00:31:48,107 PLANNING IT TOGETHER FROM THE VERY BEGINNING. 831 00:31:48,140 --> 00:31:49,241 HERE'S WHAT HAPPENED-- 832 00:31:49,275 --> 00:31:52,378 (Monk) THEY KNEW THAT ONCE THEY ROBBED THIS STORE, 833 00:31:52,411 --> 00:31:56,015 JOHN WOULD BE THE NUMBER ONE SUSPECT. 834 00:31:56,048 --> 00:31:58,684 HE NEEDED AN AIRTIGHT ALIBI. 835 00:31:58,717 --> 00:32:01,587 THAT'S WHERE YOU CAME IN. 836 00:32:01,620 --> 00:32:04,156 ADRIAN, YOU'RE SCARING ME. MONK. 837 00:32:04,190 --> 00:32:06,625 YOUR SON GOT HIMSELF A PHONY I.D. 838 00:32:06,658 --> 00:32:10,062 AND RENTED THE HOUSE NEXT DOOR. 839 00:32:10,096 --> 00:32:12,598 THEN YOU STARTED COMPLAINING 840 00:32:12,631 --> 00:32:14,300 ABOUT HIS DRUMMING. 841 00:32:14,333 --> 00:32:16,702 OH, YOU WERE THE PERFECT ALIBI. 842 00:32:16,735 --> 00:32:19,405 WHO WOULD EVER QUESTION THE LITTLE OLD LADY 843 00:32:19,438 --> 00:32:21,373 WHO LIVED NEXT DOOR? 844 00:32:21,407 --> 00:32:23,642 AND I WAS YOUR PERFECT PATSY. 845 00:32:23,675 --> 00:32:26,078 YOU BEFRIENDED ME, YOU LED ME ON, 846 00:32:26,112 --> 00:32:27,346 YOU MADE ME LOVE YOU 847 00:32:27,379 --> 00:32:30,082 SO THAT I WOULD VOUCH FOR YOU. 848 00:32:30,116 --> 00:32:32,018 BUDDY, ARE YOU SURE ABOUT THIS? 849 00:32:32,051 --> 00:32:34,486 ADRIAN, I-- I HARDLY KNOW THE MAN. 850 00:32:34,520 --> 00:32:35,754 HE'S A NEIGHBOR. 851 00:32:35,787 --> 00:32:38,190 HE'S YOUR SON. 852 00:32:38,224 --> 00:32:39,691 NO, HE'S MY NEIGHBOR. 853 00:32:39,725 --> 00:32:41,260 HE'S YOUR SON. 854 00:32:41,293 --> 00:32:43,529 HE'S MY NEIGHBOR. 855 00:32:43,562 --> 00:32:45,131 HE'S YOUR NEIGHBOR AND YOUR SON. 856 00:32:47,499 --> 00:32:49,635 OH, WOW. 857 00:32:57,276 --> 00:32:59,111 OKAY, MARGE. 858 00:32:59,145 --> 00:33:00,646 IF THAT IS, IN FACT, YOUR NAME. 859 00:33:00,679 --> 00:33:02,781 LET'S TRY THIS AGAIN. 860 00:33:02,814 --> 00:33:05,517 WHERE ARE THE JEWELS? 861 00:33:05,551 --> 00:33:07,553 I DON'T KNOW. 862 00:33:07,586 --> 00:33:10,589 TELL ME WHERE THEY ARE. 863 00:33:10,622 --> 00:33:12,558 I'LL TALK TO THE D.A. 864 00:33:12,591 --> 00:33:14,260 MAYBE HE'LL CUT YOU A DEAL. 865 00:33:14,293 --> 00:33:17,263 ADRIAN, WHY ARE YOU DOING THIS? 866 00:33:17,296 --> 00:33:18,664 "WHY ARE YOU DOING THIS?" 867 00:33:18,697 --> 00:33:19,565 LOOK, YOUR SON IS JUST DOWN THE HALL. 868 00:33:19,598 --> 00:33:21,767 STOTTLEMEYER AND DISHER ARE WITH HIM NOW. 869 00:33:21,800 --> 00:33:26,105 IT'S JUST A QUESTION OF WHICH ONE OF YOU TALKS FIRST. 870 00:33:26,138 --> 00:33:29,041 DON'T YOU CALL THAT MAN MY SON. 871 00:33:29,075 --> 00:33:31,610 MY SON IS DEAD, AND YOU KNOW IT. 872 00:33:31,643 --> 00:33:34,613 LYING...LIAR! 873 00:33:34,646 --> 00:33:36,582 YOU'RE WORSE THAN MY OWN MOTHER. 874 00:33:36,615 --> 00:33:38,284 AT LEAST SHE NEVER PRETENDED TO LOVE ME. 875 00:33:38,317 --> 00:33:41,087 AND BY THE WAY, 876 00:33:41,120 --> 00:33:42,521 YOUR STUPID SCARF ITCHES. 877 00:33:42,554 --> 00:33:43,789 (Natalie) MR. MONK. NOT NOW! 878 00:33:43,822 --> 00:33:44,723 NOT NOW. 879 00:33:44,756 --> 00:33:46,692 I'LL TELL YOU SOMETHING ELSE-- 880 00:33:46,725 --> 00:33:48,394 YOUR KITCHEN SMELLS. 881 00:33:48,427 --> 00:33:50,196 OKAY, YOUR WHOLE HOUSE SMELLS. 882 00:33:50,229 --> 00:33:51,463 IT SMELLS LIKE MOLD. 883 00:33:51,497 --> 00:33:52,798 AND FOR THE RECORD, 884 00:33:52,831 --> 00:33:55,501 I WAS ONTO YOUR LITTLE ACT FROM THE VERY BEGINNING. 885 00:33:55,534 --> 00:33:57,369 I WAS ACTING, TOO. 886 00:33:57,403 --> 00:33:58,604 JOHN KEYES JUST MADE BAIL. 887 00:33:58,637 --> 00:34:00,472 (Natalie) HE WENT HOME. 888 00:34:00,506 --> 00:34:02,741 HIS MOTHER PICKED HIM UP. 889 00:34:03,709 --> 00:34:06,778 HIS REAL MOTHER. 890 00:34:37,343 --> 00:34:38,644 OKAY. 891 00:34:38,677 --> 00:34:39,845 ALL RIGHT, WELL, THANK YOU. 892 00:34:39,878 --> 00:34:42,114 THAT WAS RANDY. 893 00:34:42,148 --> 00:34:43,615 HE'S AT THE DEPARTMENT OF RECORDS. 894 00:34:43,649 --> 00:34:45,117 HE SAID THEY'RE NOT RELATED AT ALL. 895 00:34:45,151 --> 00:34:46,785 SHE LOST HER SON JUST LIKE SHE SAID. 896 00:34:46,818 --> 00:34:48,787 SO THERE REALLY WAS NO-- 897 00:34:48,820 --> 00:34:51,723 THERE WAS NO CATCH. 898 00:34:51,757 --> 00:34:53,759 WHAT DO I SAY? 899 00:34:53,792 --> 00:34:56,295 JUST SPEAK FROM YOUR HEART, MR. MONK. [rings doorbell] 900 00:34:56,328 --> 00:34:57,796 [quietly] HERE, HERE, HERE. 901 00:34:57,829 --> 00:34:59,831 ANY OTHER IDEAS? QUICK! ANYTHING? 902 00:35:02,668 --> 00:35:03,769 HELLO. 903 00:35:03,802 --> 00:35:05,804 IT'S ME. 904 00:35:05,837 --> 00:35:07,539 ADRIAN MONK. 905 00:35:07,573 --> 00:35:10,809 I AM SO... 906 00:35:10,842 --> 00:35:12,478 SORRY. SORRY. 907 00:35:12,511 --> 00:35:16,715 I--I'M SORRY FOR... 908 00:35:16,748 --> 00:35:18,217 EVERYTHING. EVERYTHING. 909 00:35:18,250 --> 00:35:22,421 I--I ACCUSED YOU OF THINGS, 910 00:35:22,454 --> 00:35:24,256 AND I SAID THINGS... 911 00:35:24,290 --> 00:35:25,924 [stammers] 912 00:35:25,957 --> 00:35:27,626 I THOUGHT THERE WAS A CATCH. 913 00:35:27,659 --> 00:35:30,262 WHENEVER SOMETHING NOT HORRIFIC HAPPENS TO ME, 914 00:35:30,296 --> 00:35:33,199 UH, I DON'T TRUST IT. 915 00:35:33,232 --> 00:35:35,634 AND I-- I BROUGHT YOU THESE. 916 00:35:38,737 --> 00:35:40,706 JUST-- 917 00:35:40,739 --> 00:35:42,541 PUT THEM THERE. 918 00:35:44,976 --> 00:35:47,913 CAN WE JUST GO BACK TO WHAT WE HAD, 919 00:35:47,946 --> 00:35:49,381 MARGE? 920 00:35:49,415 --> 00:35:51,783 I HAVE NO SON. 921 00:35:51,817 --> 00:35:54,253 AGAIN. 922 00:35:57,989 --> 00:35:59,858 [door closes] 923 00:36:03,729 --> 00:36:05,331 "SPEAK FROM YOUR HEART"? 924 00:36:05,364 --> 00:36:06,665 WHAT KIND OF ADVICE IS THAT? 925 00:36:06,698 --> 00:36:07,866 JUST GIVE HER A LITTLE TIME, MR. MONK. 926 00:36:07,899 --> 00:36:09,835 SHE'LL MISS YOU EVENTUALLY. 927 00:36:09,868 --> 00:36:11,237 SHE'LL COME AROUND. 928 00:36:11,270 --> 00:36:13,839 BUT WHY? WH-WHAT WOULD SHE MISS ABOUT ME? 929 00:36:13,872 --> 00:36:16,575 MY ACCUSING HER OF MURDER, 930 00:36:16,608 --> 00:36:18,477 DRAGGING HER TO THE POLICE STATION, 931 00:36:18,510 --> 00:36:19,711 AND INTERROGATING HER? 932 00:36:19,745 --> 00:36:22,314 FOR THE LOVE OF GOD, WHAT IS WRONG WITH ME? 933 00:36:22,348 --> 00:36:24,483 ARE YOU REALLY ASKING, OR IS THAT A RHETORICAL? 934 00:36:24,516 --> 00:36:25,784 RHETORICAL. 935 00:36:27,786 --> 00:36:29,621 IS THIS KEYES' HOUSE? 936 00:36:29,655 --> 00:36:30,722 YEAH. 937 00:36:40,666 --> 00:36:41,967 WHAT IS IT? 938 00:37:00,352 --> 00:37:02,288 CALL THE CAPTAIN. 939 00:37:02,321 --> 00:37:04,556 [tires squealing] 940 00:37:04,590 --> 00:37:06,492 WHERE'S RANDY? 941 00:37:06,525 --> 00:37:08,760 HE'S ON HIS WAY. HE'S MEETING US HERE. 942 00:37:08,794 --> 00:37:09,995 WHAT HAVE YOU GOT? 943 00:37:10,028 --> 00:37:11,497 TAKE A LOOK. 944 00:37:17,769 --> 00:37:19,004 HYDRAULIC FLUID. JUST LIKE-- 945 00:37:19,037 --> 00:37:20,772 JUST LIKE THE MUSEUM. 946 00:37:46,465 --> 00:37:47,833 [Natalie sighs] ALL RIGHT. 947 00:37:47,866 --> 00:37:49,034 SO WHAT ARE WE LOOKING FOR? 948 00:37:58,544 --> 00:37:59,978 WE'RE LOOKING FOR THIS. 949 00:38:01,913 --> 00:38:03,449 WHAT--WHAT IS IT? 950 00:38:11,757 --> 00:38:13,959 [chuckling] 951 00:38:21,800 --> 00:38:23,969 IT'S THE EGG-EATING ROBOT FROM THE MUSEUM. 952 00:38:24,002 --> 00:38:25,704 HE RE-DRESSED IT. 953 00:38:25,737 --> 00:38:27,005 IT'S HIS ALIBI. 954 00:38:27,038 --> 00:38:28,807 HERE'S WHAT HAPPENED-- 955 00:38:28,840 --> 00:38:31,477 I MEAN, HERE'S WHAT REALLY HAPPENED. 956 00:38:31,510 --> 00:38:33,879 WHEN KEYES STARTED PLAYING DRUMS A FEW WEEKS AGO, 957 00:38:33,912 --> 00:38:35,714 HE WANTED THE NEIGHBORS TO GET MAD. 958 00:38:35,747 --> 00:38:37,649 HE WANTED THEM TO COMPLAIN. 959 00:38:37,683 --> 00:38:39,485 THAT WAS THE KEY TO THE WHOLE PLAN. 960 00:38:39,518 --> 00:38:43,855 LAST NIGHT, THE MACHINE MUST HAVE BEEN ON A TIMER. 961 00:38:43,889 --> 00:38:46,792 IT KICKED ON AT 10:30 WHILE KEYES WAS ACROSS TOWN 962 00:38:46,825 --> 00:38:48,694 ROBBING THE JEWELRY STORE. 963 00:38:53,131 --> 00:38:55,367 OFFICER. 964 00:38:55,401 --> 00:38:56,868 IT'S MARGE JOHNSON. 965 00:38:56,902 --> 00:38:58,604 HE'S DOING IT AGAIN. 966 00:38:58,637 --> 00:39:01,072 (Monk) MARGE DIDN'T SEE ANYBODY DRUMMING LAST NIGHT. 967 00:39:01,106 --> 00:39:03,842 WHAT SHE SAW WAS A MACHINE. 968 00:39:03,875 --> 00:39:05,477 VERY CLEVER, MR. MONK. 969 00:39:05,511 --> 00:39:07,813 I'LL TAKE THAT GUN, CAPTAIN. 970 00:39:07,846 --> 00:39:09,881 HEY, KEYES, YOU DON'T WANT TO DO THIS. 971 00:39:09,915 --> 00:39:11,450 YOU DON'T WANT TO KILL A COP. 972 00:39:12,984 --> 00:39:14,453 OR A EX-COP. 973 00:39:14,486 --> 00:39:15,821 OR A EX-COP'S ASSISTANT. 974 00:39:15,854 --> 00:39:17,756 (Keyes) YOU, BLONDIE. 975 00:39:17,789 --> 00:39:19,725 (Keyes) GIMME YOUR CAR KEYS. 976 00:39:19,758 --> 00:39:20,859 COME ON! YOU'RE NOT GONNA NEED 'EM. 977 00:39:22,628 --> 00:39:24,396 ALL RIGHT. 978 00:39:24,430 --> 00:39:25,897 DOWN ON YOUR KNEES. 979 00:39:25,931 --> 00:39:27,165 DO IT! 980 00:39:27,198 --> 00:39:28,634 (Disher) CAPTAIN, GET DOWN! 981 00:39:28,667 --> 00:39:30,436 TOGO! DOWN, NOW! NOW! 982 00:39:30,469 --> 00:39:31,870 NOW! MOVE! 983 00:39:31,903 --> 00:39:33,138 [grunting] 984 00:39:33,171 --> 00:39:34,940 TOGO, DROP IT! 985 00:39:34,973 --> 00:39:36,074 TOGO, NO! 986 00:39:38,644 --> 00:39:40,912 [indistinct yelling, wincing] 987 00:39:43,915 --> 00:39:45,784 I KNEW IT. 988 00:39:45,817 --> 00:39:46,952 I KNEW IT. HE'S SENTIENT. 989 00:39:46,985 --> 00:39:48,454 HE'S ALIVE! 990 00:39:48,487 --> 00:39:49,821 YOU GUYS OKAY? 991 00:39:49,855 --> 00:39:51,122 SCIENCE FICTION, HUH? 992 00:39:51,156 --> 00:39:53,759 YEAH, UH... 993 00:39:53,792 --> 00:39:55,827 THEY WERE IN IT TOGETHER. 994 00:39:55,861 --> 00:39:58,029 HIM AND THE, UH, ROBOT. 995 00:39:58,063 --> 00:40:00,999 WELL, THAT EXPLAINS ALMOST NOTHING. 996 00:40:01,032 --> 00:40:03,201 [panting] 997 00:40:03,234 --> 00:40:04,870 YOU DID WHAT YOU HAD TO DO, LIEUTENANT. 998 00:40:21,219 --> 00:40:23,855 OH, BE CAREFUL WITH THAT, WILL YOU, PLEASE? 999 00:40:23,889 --> 00:40:25,491 THAT WAS A GIFT FROM MY HUSBAND. 1000 00:40:28,226 --> 00:40:30,061 OH, HI. 1001 00:40:30,095 --> 00:40:31,630 MARGE, WE HEARD YOU WERE LEAVING. 1002 00:40:31,663 --> 00:40:32,898 IT'S BECAUSE OF ME, ISN'T IT? 1003 00:40:32,931 --> 00:40:35,734 NO, ADRIAN. PLEASE DON'T THINK THAT. 1004 00:40:35,767 --> 00:40:37,603 I HAVE A SISTER IN SEATTLE. 1005 00:40:37,636 --> 00:40:39,104 WE'RE GONNA BUY A TOWNHOUSE TOGETHER. 1006 00:40:39,137 --> 00:40:40,171 YOUR SISTER? 1007 00:40:40,205 --> 00:40:42,508 SHE'S LONELY, TOO. 1008 00:40:42,541 --> 00:40:45,877 WE'RE JUST GONNA TRY TO BE A LITTLE LESS LONELY. 1009 00:40:45,911 --> 00:40:47,112 LISTEN, MARGE, 1010 00:40:47,145 --> 00:40:50,015 I JUST WANT TO EXPLAIN-- THE THINGS I SAID-- 1011 00:40:50,048 --> 00:40:51,983 I'M SORRY, TOO. 1012 00:40:52,017 --> 00:40:53,985 NOW, LET'S JUST FORGET IT. 1013 00:40:56,722 --> 00:40:58,123 WAIT. 1014 00:41:07,065 --> 00:41:10,669 IT'S A MIGHTY COLD WORLD OUT THERE, ADRIAN. 1015 00:41:12,771 --> 00:41:14,005 YOU STAY WARM. 1016 00:41:14,039 --> 00:41:15,874 YES, MA'AM. 1017 00:41:22,614 --> 00:41:24,149 JUST REMEMBER-- 1018 00:41:24,182 --> 00:41:25,684 YOU'RE A PIRATE. 1019 00:41:25,717 --> 00:41:27,919 YES, MA'AM. 1020 00:41:27,953 --> 00:41:29,755 GOOD-BYE, NATALIE. 1021 00:41:29,788 --> 00:41:31,056 BYE, MARGE. 1022 00:41:32,791 --> 00:41:34,159 THANK YOU. 1023 00:41:36,695 --> 00:41:39,030 [ignition starts] 1024 00:41:40,031 --> 00:41:42,000 PIRATE? YEAH. 1025 00:41:42,033 --> 00:41:44,235 IT'S MORE FUN TO BE A PIRATE. 1026 00:41:44,269 --> 00:41:45,871 YEAH. YEAH. 1027 00:41:45,904 --> 00:41:46,738 THAT'S GOOD ADVICE. 1028 00:41:46,772 --> 00:41:49,274 COME ON, BOSS. I'LL MAKE YOU SOME LUNCH. 1029 00:41:49,307 --> 00:41:50,909 WHAT ARE WE HAVING? 1030 00:41:50,942 --> 00:41:52,878 OOH, CHICKEN POT PIE 1031 00:41:52,911 --> 00:41:55,080 WITH A LITTLE JOLLY ROGER FLAG ON TOP 1032 00:41:55,113 --> 00:41:56,214 AND A BOTTLE OF RUM. 1033 00:41:56,247 --> 00:41:57,949 OKAY, YOU DON'T HAVE TO BEAT IT TO DEATH. 1034 00:41:57,983 --> 00:42:00,118 [chuckling] SHIVER ME TIMBERS, YOU LOOK HUNGRY! 1035 00:42:00,151 --> 00:42:02,120 YEAH, OKAY, HOW IS THAT FUNNY? IT'S FUNNY. 1036 00:42:02,153 --> 00:42:05,156 Captioning by CaptionMax www.captionmax.com 68204

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