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1
00:00:03,133 --> 00:00:04,700
MAN: ♪ I'M TELLIN' YOU
2
00:00:04,743 --> 00:00:09,183
♪ BOY, YOU'RE BRINGIN' HOME
ANOTHER GIRL IN DISTRESS ♪
3
00:00:09,226 --> 00:00:12,186
♪ YOU'RE GOIN' ON ABOUT IT
THE WORST WAY ♪
4
00:00:12,229 --> 00:00:15,493
♪ AND DON'T YOUR MAMA
KNOW YOU BEST? ♪
5
00:00:15,537 --> 00:00:17,191
♪ DON'T YOUR MAMA
KNOW YOU BE-- ♪
6
00:01:37,836 --> 00:01:40,839
[FOOTSTEPS FADE;
DOOR OPENS]
7
00:01:48,847 --> 00:01:53,243
HEY, THAT'S A LOT OF READING,
EVEN FOR YOU, SPENCE.
8
00:01:53,287 --> 00:01:54,810
CLASS STARTS THE
BEGINNING OF NEXT WEEK,
9
00:01:54,853 --> 00:01:57,029
AND PRENTISS IS MAKING IT
SO I CAN TAKE A SABBATICAL.
10
00:01:57,073 --> 00:01:58,814
NICE.
WHAT ARE YOU TEACHING?
11
00:01:58,857 --> 00:02:01,208
A SYMPOSIUM ON MEDIEVAL
VIOLENCE AND CRIMINOLOGY.
12
00:02:01,251 --> 00:02:04,298
SO ONE MIGHT SAY
THAT I AM STOKED.
13
00:02:04,341 --> 00:02:06,735
SO, HOW MUCH OVERLAP
IS THERE BETWEEN, UH--
14
00:02:06,778 --> 00:02:09,346
MMM, NO, YOU DON'T WANNA--
15
00:02:09,390 --> 00:02:11,653
FOR STARTERS,
THE SPECTACLE ELEMENT
IN MEDIEVAL VIOLENCE
16
00:02:11,696 --> 00:02:14,308
CAN HELP US DECODE
THE MOTIVELESSNESS
IN TODAY'S CRIMES.
17
00:02:14,351 --> 00:02:15,961
CAN I ASK YOU GUYS
A SERIOUS QUESTION?
18
00:02:16,005 --> 00:02:18,312
DO YOU GUYS THINK MAYBE
I SHOULD BE PROVIDING
MORE VISUAL AIDS
19
00:02:18,355 --> 00:02:19,835
IN TERMS OF WEAPONS?
20
00:02:19,878 --> 00:02:23,186
LIKE A KATANA, PLUMBATA,
"THE WAR CART
OF CONRAD KEYSER."
21
00:02:23,230 --> 00:02:26,624
MMM, YOU KNOW, I NEED
TO GET SOME COFFEE.
22
00:02:26,668 --> 00:02:29,975
OH, YOU WORKING?
GET COMFY.
23
00:02:30,019 --> 00:02:32,978
ESSENTIALLY, "THE WAR
CART OF CONRAD KEYSER"
IS A WICKER BASKET.
24
00:02:33,022 --> 00:02:34,328
YOU PUT SOMEONE'S
FOOT INSIDE...
25
00:02:34,371 --> 00:02:35,851
YOU WANTED TO SEE ME?
26
00:02:35,894 --> 00:02:39,855
I DID. EVEN THOUGH YOU
HAVE BEEN ON SUPERVISORY
PROBATION
27
00:02:39,898 --> 00:02:41,335
FOR THE PAST MONTH,
28
00:02:41,378 --> 00:02:43,859
I WROTE IN MY REPORT
ON OUR LAST CASE
29
00:02:43,902 --> 00:02:46,209
THAT YOU PERFORMED WELL
IN THE FIELD.
30
00:02:46,253 --> 00:02:48,864
YOU FOLLOWED ORDERS
AND YOU PLAYED
AN INTEGRAL ROLE
31
00:02:48,907 --> 00:02:50,518
IN CLOSING THAT CASE.
32
00:02:50,561 --> 00:02:52,041
SO I'M OUT
OF THE DOG HOUSE?
33
00:02:52,084 --> 00:02:53,999
I'VE PUT IN THE FORMAL
REQUEST
34
00:02:54,043 --> 00:02:56,350
TO HAVE YOU REINSTATED
TO FULL SSA STATUS,
35
00:02:56,393 --> 00:02:58,656
BUT THE PROCESS
TAKES TIME.
36
00:02:58,700 --> 00:03:00,876
SO YOU'RE GONNA WORK OUR
NEXT CASE WITH GARCIA.
37
00:03:00,919 --> 00:03:03,357
I UNDERSTAND. DO WE
HAVE OUR NEXT CASE?
38
00:03:03,400 --> 00:03:04,793
I'M WAITING FOR
DETAILS NOW.
39
00:03:04,836 --> 00:03:07,535
GARCIA: OH, MY GOD,
WHERE IS HE?
40
00:03:07,578 --> 00:03:09,363
SPEAK OF THE DEVIL.
41
00:03:09,406 --> 00:03:11,887
SO, I HEAR YOU
AND I ARE GONNA BE
LAB PARTNERS.
42
00:03:11,930 --> 00:03:14,890
UGH! BLERG! FLEH! WHATEVER.
IF I MUST. WHERE IS HE?
43
00:03:14,933 --> 00:03:16,413
WHERE IS WHO?
44
00:03:19,416 --> 00:03:21,113
THANKS.
45
00:03:21,157 --> 00:03:24,639
IT WAS NICE, SPENDING
THE MORNING WITH YOU.
46
00:03:24,682 --> 00:03:27,729
I SHOULD LOCK MYSELF OUT
OF YOUR HOUSE MORE OFTEN.
47
00:03:27,772 --> 00:03:29,252
YOU KNOW, YOU DON'T
HAVE TO GO.
48
00:03:29,296 --> 00:03:31,385
YOU'RE WELCOME TO
STAY, HANG OUT,
49
00:03:31,428 --> 00:03:33,735
HELP US CATCH SOME BAD GUYS.
50
00:03:33,778 --> 00:03:36,477
BAD GUYS.
THAT'S YOUR THING.
51
00:03:36,520 --> 00:03:38,783
I'VE GOT A FULL DAY.
52
00:03:38,827 --> 00:03:40,481
GARCIA:
YOU GOT A RING?
53
00:03:40,524 --> 00:03:42,831
YOU BOUGHT A RING, AND I
HAD TO HEAR IT FROM
PORTIA AND NOT YOU?
54
00:03:42,874 --> 00:03:44,049
PENELOPE...
55
00:03:44,093 --> 00:03:45,268
LOOK, I KNOW I'M NOT
YOUR DAUGHTER
56
00:03:45,312 --> 00:03:46,356
AND PORTIA'S GONNA BE
YOUR DAUGHTER
57
00:03:46,400 --> 00:03:47,879
THANKS TO
YOUR PENDING NUPTIALS.
58
00:03:47,923 --> 00:03:51,970
BUT I'M KIND OF LIKE
YOUR DAUGHTER, SO--PENELOPE, UM...
59
00:03:54,321 --> 00:03:55,887
K-KRYSTALL'S BEHIND
THAT DOOR RIGHT NOW,
60
00:03:55,931 --> 00:03:57,933
WHICH MEANS SHE KNOWS
THAT YOU GOT HER...
61
00:03:57,976 --> 00:03:59,935
AN ENGAGEMENT RING.
62
00:03:59,978 --> 00:04:02,546
HI, PENELOPE.
IT'S GOOD TO SEE YOU.
63
00:04:02,590 --> 00:04:04,940
OH...
64
00:04:04,983 --> 00:04:07,725
THERE'S NO WAY I CAN
UN
65
00:04:07,769 --> 00:04:11,033
OH, THAT CAT IS SO
FAR OUT OF THE BAG.
66
00:04:11,076 --> 00:04:12,948
UH, I DON'T LIKE CATS
BEING IN BAGS USUALLY,
67
00:04:12,991 --> 00:04:15,298
BUT RIGHT NOW,
I'M VERY SORRY, SIR.
68
00:04:15,342 --> 00:04:17,474
I'M SORRY, KRYSTALL.
69
00:04:19,955 --> 00:04:21,478
I'M GONNA GO.
70
00:04:28,137 --> 00:04:33,447
OH, DAVID.
I ALREADY TOLD YOU,
I DON'T NEED A RING.
71
00:04:33,490 --> 00:04:36,319
I--I DON'T NEED
ANYTHING.
72
00:04:36,363 --> 00:04:38,974
YOU DO NEED A RING.
I WANT THIS --
73
00:04:39,017 --> 00:04:42,325
I WANT US TO BE PERFECT
AND SPECIAL.
74
00:04:42,369 --> 00:04:47,374
IT IS PERFECT AND SPECIAL.
75
00:04:47,417 --> 00:04:51,943
BESIDES, THE LAST TIME
THAT YOU PROPOSED TO ME
76
00:04:51,987 --> 00:04:57,122
AND MARRIED ME, IT WAS
IN FRONT OF AN ELVIS
IMPERSONATOR.
77
00:04:57,166 --> 00:05:00,169
COME ON.
SLIDING SCALE.
78
00:05:03,085 --> 00:05:05,000
SORRY TO INTERRUPT.
WE HAVE A CASE.
79
00:05:07,045 --> 00:05:10,005
GO CATCH SOME BAD GUYS.
80
00:05:10,048 --> 00:05:15,619
OH, AND SEE IF THAT JEWELRY
STORE HAS A RETURN POLICY.
81
00:05:19,406 --> 00:05:23,018
PRENTISS: THE POLICE CHIEF
IN PLYMOUTH, NEW HAMPSHIRE
HAS ASKED FOR ASSISTANCE.
82
00:05:23,061 --> 00:05:26,630
GRACE AND KELLAN BUTLER
WERE SHOT AND KILLED IN
THEIR HOME LAST NIGHT.
83
00:05:26,674 --> 00:05:27,718
WHAT'S THE
WORKING THEORY?
84
00:05:27,762 --> 00:05:29,503
ROBBERY, HOMICIDE,
HOME INVASION.
85
00:05:29,546 --> 00:05:30,721
EXCEPT THERE'S
A WRINKLE TO THAT.
86
00:05:30,765 --> 00:05:33,202
THE BUTLERS HAD
A LITTLE GIRL--RUBY.
87
00:05:33,245 --> 00:05:34,943
LOOKS AS THOUGH SHE'S
BEEN ABDUCTED.
88
00:05:34,986 --> 00:05:37,511
HAS THE CHILD ABDUCTION
RAPID DEPLOYMENT TEAM
BEEN ACTIVATED YET?
89
00:05:37,554 --> 00:05:39,774
THEY'LL MEET US ON THE
GROUND IN NEW HAMPSHIRE.
90
00:05:39,817 --> 00:05:42,516
REID: STATISTICALLY, MOST CHILD
ABDUCTIONS ARE PERPETRATED
BY SOMEONE CLOSE TO THE FAMILY.
91
00:05:42,559 --> 00:05:44,518
IT'S MOST LIKELY
A FRIEND OR A RELATIVE.
92
00:05:44,561 --> 00:05:46,563
PLYMOUTH PD ARE COLLECTING
THOSE NAMES AS WE SPEAK.
93
00:05:46,607 --> 00:05:48,609
JAREAU: AN 8-YEAR-OLD
IS A LOT OF WORK.
94
00:05:48,652 --> 00:05:50,437
SHE'D FIGHT BACK,
SHE'D CRY.
95
00:05:50,480 --> 00:05:53,396
IF HE HAS SOME FANTASY
ABOUT RUBY AND SHE DOESN'T
LIVE UP TO IT...
96
00:05:53,440 --> 00:05:55,398
RUBY WOULD BE
IN GRAVE DANGER.
97
00:05:55,442 --> 00:05:59,271
ROSSI: WHEN IT COMES TO MISSING
KIDS, THE FIRST 24 HOURS
ARE THE ONLY 24 HOURS.
98
00:05:59,315 --> 00:06:01,273
PRENTISS: THIS UNSUB IS
ORGANIZED, METHODICAL.
99
00:06:01,317 --> 00:06:03,537
HE GOT INTO THE HOUSE,
KILLED TWO PEOPLE AND WALKED OUT
100
00:06:03,580 --> 00:06:05,234
WITH A LITTLE GIRL
WITHOUT DETECTION.
101
00:06:05,277 --> 00:06:07,279
IF HE DOES KILL RUBY,
102
00:06:07,323 --> 00:06:10,152
HE'S GONNA MAKE SURE WE
DON'T FIND HER, AND WE
CAN'T LET THAT HAPPEN.
103
00:06:10,195 --> 00:06:12,110
WHEELS UP.
NOT IN 20. NOW.
104
00:06:29,998 --> 00:06:32,130
[CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.]
105
00:07:01,943 --> 00:07:05,294
ROSSI: "WHEN YOU HAVE A CHILD,
THE WORLD HAS A HOSTAGE."
106
00:07:05,337 --> 00:07:07,252
ERNEST HEMINGWAY.
107
00:07:07,296 --> 00:07:09,298
WHERE ARE WE ON
FRIENDS-AND-FAMILY
INTERVIEWS?
108
00:07:09,341 --> 00:07:11,648
PRENTISS:
BUTLERS HAD NO FAMILY
IN THE AREA,
109
00:07:11,692 --> 00:07:14,259
AND EVERYONE WHO KNEW
THEM VOLUNTEERED TO COME IN.
110
00:07:14,303 --> 00:07:17,654
WE'VE ASKED THE LOCAL
POLICE TO ADMINISTER A
POLYGRAPH TO ALL INTERVIEWEES.
111
00:07:17,698 --> 00:07:19,656
STANDARD OPERATING
PROCEDURE IN ALL CHILD
ABDUCTION CASES.
112
00:07:19,700 --> 00:07:22,920
ANYONE WHO SAYS "NO"
STANDS OUT. WHO SAID NO?
113
00:07:22,964 --> 00:07:25,793
PRENTISS: NOBODY. WE'LL VET
THE INTERVIEWEES WHEN WE LAND,
114
00:07:25,836 --> 00:07:27,621
BUT FOR NOW, LET'S CONSIDER
OTHER THEORIES.
115
00:07:27,664 --> 00:07:30,319
WELL, NO SIGN OF A BREAK-IN.
NOTHING WAS TAKEN.
116
00:07:30,362 --> 00:07:33,801
SO...WE CAN TAKE
ROBBERY-HOMICIDE OFF THE TABLE.
117
00:07:33,844 --> 00:07:35,324
AS WELL AS RANSOM.
IF HE TOOK RUBY FOR MONEY,
118
00:07:35,367 --> 00:07:37,544
HE WOULD HAVE LEFT ONE OF
HER PARENTS ALIVE TO PAY FOR IT.
119
00:07:37,587 --> 00:07:40,329
COULD BE REVENGE. THE DAD
WAS A PUBLIC DEFENDER.
120
00:07:40,372 --> 00:07:42,200
COULD HAVE PISSED OFF
THE WRONG CLIENT.
121
00:07:42,244 --> 00:07:45,247
HE WOULD HAVE NO REASON TO
TAKE A LITTLE GIRL, THOUGH.
122
00:07:45,290 --> 00:07:47,249
WE SHOULD CHECK THE SEX
OFFENDER REGISTRY, RULE OUT
123
00:07:47,292 --> 00:07:48,772
ANY PEDOPHILES IN
THE AREA.
124
00:07:48,816 --> 00:07:50,165
SOMEONE IN THE
NEIGHBORHOOD COULD HAVE
BEEN WATCHING HER.
125
00:07:50,208 --> 00:07:51,819
REID: YOU KNOW, WE
ABSOLUTELY CAN AND SHOULD.
126
00:07:51,862 --> 00:07:54,343
BUT IT DOESN'T REALLY
FIT THE PROFILE OF A
PEDOPHILE.
127
00:07:54,386 --> 00:07:56,171
THEY TEND TO BE
INTROVERTED COWARDS
128
00:07:56,214 --> 00:07:58,652
THAT WOULDN'T HAVE THE
GUMPTION TO BREAK INTO A
HOUSE AND KILL PARENTS.
129
00:07:58,695 --> 00:08:00,697
THEY PICK KIDS OFF
WHEN THEY'RE ALONE.
130
00:08:00,741 --> 00:08:02,873
TARA, J.J., YOU'LL TAKE
THE INTERVIEWS.
131
00:08:02,917 --> 00:08:04,658
DAVE, REID, GO TO
THE MEs OFFICE.
132
00:08:04,701 --> 00:08:06,355
MATT AND I WILL
WALK THE CRIME SCENE.
133
00:08:06,398 --> 00:08:09,401
FOR NOW, LET'S FOCUS
ON EVERYONE WHO KNEW
THE BUTLERS.
134
00:08:12,187 --> 00:08:16,365
WOMAN: KELLAN BUTLER.
SINGLE GUNSHOT WOUND
TO THE FOREHEAD.
135
00:08:16,408 --> 00:08:19,368
FIRED AT CLOSE RANGE,
BASED ON THE ENTRY WOUND.
136
00:08:19,411 --> 00:08:22,850
TAKE OUT THE FATHER
FIRST, ELIMINATE THE
GREATEST THREAT.
137
00:08:22,893 --> 00:08:24,678
SHOOTING THE FATHER WOULD
WAKE THE WHOLE HOUSE.
138
00:08:24,721 --> 00:08:26,854
HOW MUCH CONTROL DID HE
LOSE KILLING THE MOTHER?
139
00:08:26,897 --> 00:08:28,159
DR. BRENTWOOD?
140
00:08:28,203 --> 00:08:29,857
CAN WE SEE
GRACE BUTLER, PLEASE?
141
00:08:29,900 --> 00:08:37,908
UH...GRACE WAS SHOT 3 TIMES
ON THE RIGHT SIDE OF HER BODY.
142
00:08:39,431 --> 00:08:40,998
ROSSI: WELL, LET'S
WALK THROUGH THIS.
143
00:08:41,042 --> 00:08:45,873
MOM WAKES UP, TRIES TO
GET AWAY FROM THE UNSUB,
TAKES 3 SHOTS.
144
00:08:52,183 --> 00:08:54,882
THIS GUY'S EVEN COLDER
THAN WE THOUGHT.
145
00:08:54,925 --> 00:08:57,275
COLDER
146
00:08:57,319 --> 00:08:59,669
REID: IT IS,
BUT IF OUR UNSUB IS
FAMILIAR WITH THE FAMILY,
147
00:08:59,713 --> 00:09:01,323
WHICH IS
OUR CURRENT THEORY,
148
00:09:01,366 --> 00:09:03,891
THEN IT WOULD BE DIFFICULT
FOR HIM TO PULL THE TRIGGER.
149
00:09:03,934 --> 00:09:07,416
PERHAPS HIS AIM IS WIDER.
HE COVERS THE BODIES
AS A SIGN OF REMORSE.
150
00:09:07,459 --> 00:09:10,898
BUT HE HAD NO PROBLEM.
HE WATCHED THEM SLEEP
151
00:09:10,941 --> 00:09:13,248
AND THEN PULLED THE
TRIGGER WITHOUT HESITATING.
152
00:09:13,291 --> 00:09:18,470
HE KNEW EXACTLY WHAT HE
WANTED, AND THAT WAS RUBY.
153
00:09:45,933 --> 00:09:48,979
HEY, PRENTISS?
TAKE A LOOK AT THIS?
154
00:09:51,503 --> 00:09:53,810
SO I LOOKED AT
THE REST OF THE HOUSE.
155
00:09:53,854 --> 00:09:55,464
SOMETHING WASN'T RIGHT.
156
00:09:55,507 --> 00:09:58,946
TARA TOLD ME THAT
GRACE HAD SOME ISSUES--
157
00:09:58,989 --> 00:10:01,513
MONEY ISSUES,
SPECIFICALLY.
158
00:10:02,950 --> 00:10:07,171
SHE COULDN'T STOP
HITTING THE "PLACE
ORDER NOW" BUTTON.
159
00:10:07,215 --> 00:10:11,306
ONIOMANIA--COMPULSIVE
SHOPPING DISORDER.
160
00:10:11,349 --> 00:10:13,961
THIS DRESS ALONE IS WORTH
HALF MY SALARY.
161
00:10:14,004 --> 00:10:16,877
WELL, WE CONSIDERED
THAT THE DAD MIGHT
HAVE HAD ENEMIES.
162
00:10:16,920 --> 00:10:18,487
MAYBE WE'RE LOOKING
AT THE WRONG PARENT.
163
00:10:18,530 --> 00:10:20,968
MAYBE THIS PLAYED
A ROLE IN THE UNSUB
TAKING RUBY.
164
00:10:21,011 --> 00:10:22,970
YEAH, BUT WE'RE STILL
HITTING THE SAME WALL.
165
00:10:23,013 --> 00:10:24,493
WHY TAKE RUBY
OVER THIS?
166
00:10:24,536 --> 00:10:26,974
WELL, IT DEPENDS ON
HOW BAD THEIR DEBT WAS.
167
00:10:27,017 --> 00:10:28,540
SO HOW BAD DID IT GET?
168
00:10:31,021 --> 00:10:32,501
OK, GUYS,
SO IT LOOKS LIKE--
169
00:10:32,544 --> 00:10:35,330
AH-AH-AH-AHEM.
170
00:10:35,373 --> 00:10:38,986
LIKE GARCIA HAS SOME
THINGS SHE WANTS TO
TELL YOU.
171
00:10:39,029 --> 00:10:41,684
MM-HMM. I'M ABOUT TO
SAY THE SAME THING
AS LUKE WAS GOING TO,
172
00:10:41,728 --> 00:10:45,296
BUT WITH FAR MORE CHUTZPAH,
WIT, AND ELOQUENCE.
173
00:10:45,340 --> 00:10:47,995
SO, GRACE BUTLER CERTAINLY
DID HAVE A PROBLEM.
174
00:10:48,038 --> 00:10:49,518
I DON'T KNOW WHEN
SHE HAD TIME TO EAT,
175
00:10:49,561 --> 00:10:50,824
LET ALONE NEED MONEY TO EAT.
176
00:10:50,867 --> 00:10:52,390
THESE VALENTINO GARAVANI
SHOES SHE BOUGHT--
177
00:10:52,434 --> 00:10:54,001
HOLY CANNOLI!
NOT CHEAP.
178
00:10:54,044 --> 00:10:55,524
THEY WERE ON THEIR
THIRD MORTGAGE,
179
00:10:55,567 --> 00:10:57,613
AND THEY CLEANED OUT
KELLAN'S 401.
180
00:10:57,657 --> 00:10:59,833
WELL, MAYBE THE BUTLERS
BORROWED MONEY FROM THE
WRONG PEOPLE
181
00:10:59,876 --> 00:11:01,356
AND THAT GOT THEM KILLED.
182
00:11:01,399 --> 00:11:02,705
ALVEZ: WE DOUBLE-CHECKED
THAT.
183
00:11:02,749 --> 00:11:05,403
THE LOANS THEY TOOK OUT
WERE ALL ABOVE-BOARD.
184
00:11:05,447 --> 00:11:07,536
THE BANKS MIGHT HAVE
SHREDDED THE BUTLERS'
CREDIT RATING,
185
00:11:07,579 --> 00:11:09,016
BUT THAT'S IT.
186
00:11:09,059 --> 00:11:10,539
AND J.J. AND I
DOUBLE-CHECKED
THE INTERVIEWS
187
00:11:10,582 --> 00:11:12,019
OF EVERY PERSON
IN THIS TOWN.
188
00:11:12,062 --> 00:11:14,543
NO ONE HAD THE MEANS,
MOTIVE, OR OPPORTUNITY
FOR THIS.
189
00:11:14,586 --> 00:11:16,110
PRENTISS: OK, THEN, WE'RE
GETTING AHEAD OF OURSELVES.
190
00:11:16,153 --> 00:11:18,982
LET'S RETHINK THIS CASE
THROUGH THE PROFILE
OF A STRANGER.
191
00:11:19,026 --> 00:11:21,028
FIRST PRINCIPLE--
HOW DOES HE DO IT?
192
00:11:21,071 --> 00:11:23,378
NO FORCED ENTRY,
SO HE DIDN'T BREAK IN.
193
00:11:23,421 --> 00:11:26,033
MAYBE HE HAD A KEY,
OR HE KNEW WHICH WINDOW
WAS VULNERABLE.
194
00:11:26,076 --> 00:11:29,645
BUT HE KNEW EXACTLY
WHERE KELLAN, GRACE,
AND RUBY WERE IN THE HOUSE.
195
00:11:29,689 --> 00:11:32,039
ROSSI:
HIS AGENDA WAS PRECISE.
196
00:11:32,082 --> 00:11:34,345
THAT'S RIGHT. SO, WHAT
DOES THIS UNSUB DO?
197
00:11:34,389 --> 00:11:37,784
BEFORE HE KILLS,
BEFORE HE ABDUCTS,
WHAT DOES HE DO?
198
00:11:37,827 --> 00:11:39,350
HE WATCHES.
199
00:11:39,394 --> 00:11:41,570
PRENTISS: THAT'S RIGHT.
HE WATCHES, HE STUDIES,
HE WAITS.
200
00:11:41,613 --> 00:11:45,052
NEXT PRINCIPLE--
WHILE HE'S WATCHING,
WHAT DOES HE SEE?
201
00:11:45,095 --> 00:11:47,054
SIMMONS: BOXES...
COMING TO THE HOUSE.
202
00:11:47,097 --> 00:11:49,056
PROBABLY THE HUSBAND
AND WIFE FIGHTING
OVER THEM.
203
00:11:49,099 --> 00:11:51,058
YEAH, SO MAYBE THAT'S
WHY HE TOOK RUBY.
204
00:11:51,101 --> 00:11:53,016
HE THINKS HE'S
SAVING HER.
205
00:11:53,060 --> 00:11:55,062
LEWIS: BUT THEN HE
WOULDN'T JUST WATCH FROM
OUTSIDE THE HOUSE.
206
00:11:55,105 --> 00:11:57,064
I MEAN, HE WOULD SURVEIL
THEIR ENTIRE LIVES.
207
00:11:57,107 --> 00:12:00,502
HE WOULD BUILD A CASE
TO JUSTIFY GOING
TO THIS EXTREME.
208
00:12:00,545 --> 00:12:02,722
PRENTISS: AND HE DID.
WE NEED TO DO THE
SAME THING.
209
00:12:02,765 --> 00:12:05,594
I WANT A FULL BREAKDOWN
OF THIS FAMILY'S HABITS
AND ROUTINES,
210
00:12:05,637 --> 00:12:08,640
BECAUSE EVERYWHERE
THEY WENT, THIS
UNSUB WENT, TOO.
211
00:12:12,644 --> 00:12:14,211
CAN I HELP YOU?
212
00:12:14,255 --> 00:12:16,823
AGENTS PRENTISS
AND ROSSI WITH THE FBI.
ARE YOU THE MANAGER?
213
00:12:16,866 --> 00:12:19,869
I AM. IS THIS
ABOUT THE BUTLERS?
214
00:12:19,913 --> 00:12:22,611
YES, IT IS. WE'VE
BEEN GOING THROUGH THEIR
CREDIT CARD HISTORY,
215
00:12:22,654 --> 00:12:24,091
AND IT LOOKS AS THOUGH
THEY CAME HERE A LOT?
216
00:12:24,134 --> 00:12:26,615
THEY DID.
WELL, GRACE DID.
217
00:12:26,658 --> 00:12:28,748
SHE'D COME HERE
ABOUT 3 TIMES A WEEK.
218
00:12:28,791 --> 00:12:32,708
SHE'D GET A CUP OF COFFEE
AND SOMETIMES A GINGERBREAD MAN
TO TAKE FOR HER DAUGHTER.
219
00:12:32,752 --> 00:12:35,624
WERE THERE OTHER CUSTOMERS
WHO WOULD COME IN
AT THE SAME TIME?
220
00:12:35,667 --> 00:12:39,933
I MEAN, I'D HAVE TO GO
THROUGH MY RECEIPTS,
BUT MAYBE.
221
00:12:39,976 --> 00:12:42,936
GIRL, CRYING: EXCUSE ME?
222
00:12:42,979 --> 00:12:44,285
RUBY?
223
00:12:44,328 --> 00:12:47,941
HE SAYS YOU'RE
MY MOMMY NOW.
224
00:12:47,984 --> 00:12:49,638
PRENTISS: RUBY.
OHH!
225
00:12:49,681 --> 00:12:51,814
DAVE, OUTSIDE!
CAN YOU TAKE HER?
226
00:13:00,301 --> 00:13:01,911
PRENTISS:
WE JUST RECOVERED
RUBY BUTLER.
227
00:13:01,955 --> 00:13:04,740
I NEED A LOCKDOWN
FOR A 1-MILE RADIUS.
HE JUST DROPPED HER OFF.
228
00:13:04,784 --> 00:13:07,047
NOTHING. NO ONE
OUT OF THE ORDINARY.
HE'S GONE.
229
00:13:07,090 --> 00:13:08,483
OF COURSE HE IS.
230
00:13:08,526 --> 00:13:10,833
HE MADE SURE SHE WAS SAFE,
AND THEN HE JUST TOOK OFF
231
00:13:10,877 --> 00:13:13,270
BECAUSE HE PLANNED
FOR THIS, TOO.
232
00:13:18,710 --> 00:13:20,712
LEWIS IS MEETING
THE AMBULANCE
AT THE HOSPITAL.
233
00:13:20,756 --> 00:13:22,410
SHE'LL LET US KNOW
IF RUBY WAKES UP.
234
00:13:22,453 --> 00:13:24,673
POOR KID DOESN'T EVEN
HAVE HER PARENTS TO
SIT BY HER BED.
235
00:13:24,716 --> 00:13:26,022
AT LEAST SHE'S GOT TARA.
236
00:13:26,066 --> 00:13:27,676
NO PHYSICAL
OR SEXUAL TRAUMA.
237
00:13:27,719 --> 00:13:29,809
IT'S WHAT SHE SURVIVED
THAT OVERWHELMED HER.
238
00:13:29,852 --> 00:13:31,158
AND YOU WERE RIGHT
ABOUT THE UNSUB.
239
00:13:31,201 --> 00:13:32,855
HE THINKS HE'S
SAVING HER.
240
00:13:32,899 --> 00:13:34,683
W-WHAT DID HE
MAKE HER SAY?
241
00:13:34,726 --> 00:13:36,424
YOU'RE MY MOMMY NOW.
242
00:13:36,467 --> 00:13:39,166
HE DEEMED THE BUTLERS
AS UNWORTHY, AND THEN
PUT RUBY WITH SOMEONE
243
00:13:39,209 --> 00:13:43,170
HE THINKS DESERVES HER,
LIKE HER.
244
00:13:43,213 --> 00:13:45,694
SHE'S LOOKING TO SEE
IF ANY OF HER CUSTOMERS
MIGHT BE THE UNSUB, BUT--
245
00:13:45,737 --> 00:13:47,391
OH, WE WON'T BE
THAT LUCKY.
246
00:13:47,435 --> 00:13:49,698
HE PAID WITH CASH.
247
00:13:49,741 --> 00:13:51,352
WE'RE IN TROUBLE.
248
00:13:51,395 --> 00:13:53,397
YEAH, I KNOW.
249
00:13:53,441 --> 00:13:54,921
HE'S ON A MISSION.
250
00:13:54,964 --> 00:13:58,576
HE'S NOT DRIVEN BY
URGES OR COMPULSIONS,
251
00:13:58,620 --> 00:14:00,970
AND THE PROFILE TELLS US
THAT MEN LIKE THIS...
252
00:14:01,014 --> 00:14:02,711
THEY DON'T HAVE
A COOLING-OFF PERIOD.
253
00:14:02,754 --> 00:14:04,408
HE MIGHT STOP WITH RUBY.
254
00:14:04,452 --> 00:14:08,369
HE MIGHT, EXCEPT HE DID
EVERYTHING HE WANTED
AND GOT AWAY CLEAN.
255
00:14:08,412 --> 00:14:10,588
MY GUT SAYS HE'S
WATCHING OTHER FAMILIES.
256
00:14:10,632 --> 00:14:14,201
AND GOD HELP THEM
IF HE THINKS THEY'RE
FAILING THEIR KIDS.
257
00:14:25,821 --> 00:14:28,563
NAOMI...RUN!
258
00:14:57,461 --> 00:15:00,464
WOMAN, OVER P.A.: DR. HOUSTON...
259
00:15:00,508 --> 00:15:02,031
HE KILLED ANOTHER COUPLE?
260
00:15:02,075 --> 00:15:03,859
PRENTISS: LAST NIGHT.
CARTER AND JULIE SHAW.
261
00:15:03,903 --> 00:15:05,382
WERE ANY KIDS TAKEN?
262
00:15:05,426 --> 00:15:08,168
THEIR DAUGHTER NAOMI.
SAME AGE AS RUBY.
263
00:15:08,211 --> 00:15:10,387
WELL, IF HE STICKS
TO PATTERN,
264
00:15:10,431 --> 00:15:13,347
HE'S PROBABLY GONNA TRY
TO REHOME HER, LIKE HE
DID WITH JAYNE.
265
00:15:13,390 --> 00:15:16,002
BUT WHY JAYNE? I MEAN,
HOW DOES HE MAKE
THAT DECISION?
266
00:15:16,045 --> 00:15:19,048
HE LIKES TO WATCH.
HE WATCHED JAYNE
TAKE CARE OF PEOPLE
267
00:15:19,092 --> 00:15:20,528
AT HER CAFE.
268
00:15:20,571 --> 00:15:22,704
TO OUR UNSUB, SHE'S
A MORE DESERVING MOM.
269
00:15:22,747 --> 00:15:26,360
SPEAKING OF WHICH,
JAYNE WANTED TO COME
DOWN AND CHECK ON RUBY,
270
00:15:26,403 --> 00:15:30,712
AND I HAD KIND OF
AN UNUSUAL IDEA ABOUT HOW
SHE MIGHT BE ABLE TO HELP.
271
00:15:30,755 --> 00:15:33,367
OK, KEEP ME POSTED,
BUT WE NEED TO RESET
THE CLOCK ON NAOMI.
272
00:15:33,410 --> 00:15:34,759
SHE HAS TO BE
OUR FOCUS NOW.
273
00:15:34,803 --> 00:15:36,761
YEAH. WILL DO.
274
00:15:43,768 --> 00:15:45,945
[WOMAN SPEAKING
INDISTINCTLY OVER P.A.]
275
00:15:57,086 --> 00:15:59,262
WHY WOULD
SOMEBODY DO THIS?
276
00:15:59,306 --> 00:16:02,439
TO A LITTLE GIRL?
277
00:16:04,093 --> 00:16:06,356
YOU GUYS SAID THIS MAN
CAME INTO MY SHOP,
278
00:16:06,400 --> 00:16:08,924
AND I HAVE BEEN RACKING
MY BRAIN TRYING TO
FIGURE OUT WHO IT IS,
279
00:16:08,968 --> 00:16:10,926
BUT I DON'T KNOW.
280
00:16:10,970 --> 00:16:14,060
ALL MY REGULARS--
THEY'RE NICE.
281
00:16:14,103 --> 00:16:18,412
THIS IS A NICE TOWN,
AND WE ARE NICE PEOPLE.
282
00:16:18,455 --> 00:16:20,980
WE DON'T DO THINGS
LIKE THIS HERE.
283
00:16:23,460 --> 00:16:25,027
DID YOU BRING
WHAT I ASKED?
284
00:16:25,071 --> 00:16:26,986
I DID.
285
00:16:28,291 --> 00:16:31,120
I DON'T GET IT,
BUT...
286
00:16:31,164 --> 00:16:35,429
I KNOW IT SOUNDS STRANGE,
BUT OF ALL OF THE 5 SENSES,
287
00:16:35,472 --> 00:16:37,431
THE SENSE OF SMELL
IS THE MOST POWERFUL,
288
00:16:37,474 --> 00:16:39,433
ESPECIALLY WHEN
IT COMES TO MEMORIES.
289
00:16:39,476 --> 00:16:43,437
IT CAN AWAKEN THE SUBCONSCIOUS
AND, IN CERTAIN RARE CASES,
290
00:16:43,480 --> 00:16:46,483
EVEN AWAKEN THE UNCONSCIOUS.
291
00:16:46,527 --> 00:16:48,311
LET'S GIVE IT A SHOT.
292
00:16:48,355 --> 00:16:50,009
YEAH.
293
00:16:52,011 --> 00:16:54,448
OH! THAT'S STILL WARM.
294
00:16:54,491 --> 00:16:58,452
THEY WERE HER FAVORITE,
HER MOM SAID.
295
00:16:58,495 --> 00:17:02,456
SO, WHAT HAPPENS NOW?
296
00:17:02,499 --> 00:17:04,023
WE WAIT.
297
00:17:08,766 --> 00:17:11,030
UHH...
298
00:17:14,033 --> 00:17:16,687
LEWIS: HEY, RUBY,
YOU SMELL THAT?
299
00:17:19,690 --> 00:17:22,650
HI.
300
00:17:22,693 --> 00:17:24,086
YOU'RE SAFE.
301
00:17:25,522 --> 00:17:27,655
WHERE'S MOMMY?
302
00:17:31,050 --> 00:17:33,008
REID: WE'VE BEEN LOOKING
SO HARD AT THE FAMILIES,
303
00:17:33,052 --> 00:17:35,837
THAT WE MISSED THE MOST
OBVIOUS CONNECTION--
GENETICS.
304
00:17:35,880 --> 00:17:37,491
BUT THE FAMILIES
AREN'T RELATED.
305
00:17:37,534 --> 00:17:39,493
YOU'VE NO IDEA
HOW RIGHT YOU ARE.
306
00:17:39,536 --> 00:17:41,016
TAKE KELLAN
AND GRACE BUTLER.
307
00:17:41,060 --> 00:17:42,844
BOTH OF RUBY'S PARENTS
HAVE GREEN EYES.
308
00:17:42,887 --> 00:17:46,456
RUBY ALSO HAS GREEN EYES,
BUT ONE OF HER EYES HAS
SOME SHADINGS TO IT.
309
00:17:46,500 --> 00:17:48,502
IT'S A RESULT OF A CONDITION
CALLED HETEROCHROMIA.
310
00:17:48,545 --> 00:17:50,504
IT'S GENETIC, AND NEITHER
PARENT SHARES IT.
311
00:17:50,547 --> 00:17:53,507
SO I KEPT DIGGING,
AND THE SHAW FAMILY
TELLS A SIMILAR STORY.
312
00:17:53,550 --> 00:17:56,379
SPECIFICALLY,
THE DAUGHTER'S BLOOD TYPE
MATCHES NEITHER PARENT.
313
00:17:56,423 --> 00:17:59,513
BUT THAT'S IMPOSSIBLE.
THE BLOOD TYPES WOULD
HAVE TO BE SHARED UNLESS...
314
00:17:59,556 --> 00:18:01,167
UNLESS THEY'RE NOT RELATED.
315
00:18:01,210 --> 00:18:03,517
THE MOST LIKELY EXPLANATION
IS THAT BOTH THE
GIRLS ARE ADOPTED.
316
00:18:03,560 --> 00:18:05,040
ROSSI: WHY DIDN'T
GARCIA FIND THIS?
317
00:18:05,084 --> 00:18:06,868
SHE DIDN'T KNOW
TO LOOK FOR IT.
IT'S A SMALL TOWN.
318
00:18:06,911 --> 00:18:09,349
PERHAPS THE PARENTS
DON'T WANT THE DAUGHTERS
TO FEEL LIKE OUTSIDERS.
319
00:18:09,392 --> 00:18:11,568
BUT SOMEHOW THIS
UNSUB KNEW THIS.
320
00:18:11,612 --> 00:18:14,528
THAT'S THE COMPULSION
THAT'S DRIVING HIM.
321
00:18:14,571 --> 00:18:17,357
HE'S SAVING ADOPTED
8-YEAR-OLD GIRLS.
322
00:18:17,400 --> 00:18:20,186
WE NEED TO DELIVER
THE PROFILE.
323
00:18:20,229 --> 00:18:23,624
WE'RE LOOKING FOR A MALE
IN HIS LATE 20s TO EARLY 30s.
324
00:18:23,667 --> 00:18:26,061
HE'S INTELLIGENT,
PHYSICALLY FIT, AND METICULOUS,
325
00:18:26,105 --> 00:18:28,063
BORDERING ON
OBSESSIVE-COMPULSIVE.
326
00:18:28,107 --> 00:18:30,544
WE BELIEVE THIS UNSUB
IS ABDUCTING 8-YEAR-OLD
ADOPTED GIRLS
327
00:18:30,587 --> 00:18:32,198
IN AN EFFORT
TO REHOME THEM.
328
00:18:32,241 --> 00:18:35,070
NOW, AN AGENDA
THIS SPECIFIC TELLS US
SOME THINGS ABOUT HIM.
329
00:18:35,114 --> 00:18:38,204
FIRST, WE BELIEVE
THE UNSUB WAS CLOSELY
AND NEGATIVELY AFFECTED
330
00:18:38,247 --> 00:18:40,380
BY THE ADOPTION SYSTEM.
331
00:18:40,423 --> 00:18:42,382
IT'S POSSIBLE HE HIMSELF
WAS ADOPTED.
332
00:18:42,425 --> 00:18:45,559
AT LAST COUNT,
16% OF ALL SERIAL KILLERS
INTERVIEWED BY THE BAU
333
00:18:45,602 --> 00:18:46,821
WERE ADOPTED.
334
00:18:46,864 --> 00:18:49,215
BUT CONSIDERING THE
COMPASSION HE SHOWED RUBY,
335
00:18:49,258 --> 00:18:53,175
WE THINK IT'S MORE LIKELY
HE PUT A CHILD UP
FOR ADOPTION HIMSELF.
336
00:18:53,219 --> 00:18:55,569
ROSSI: HIS DAUGHTER WAS SUBJECT
TO REAL OR PERCEIVED HARM
337
00:18:55,612 --> 00:18:58,615
AT THE HANDS OF
HER ADOPTIVE PARENTS.
338
00:19:00,574 --> 00:19:02,750
IN ORDER TO TARGET
RUBY AND NAOMI,
339
00:19:02,793 --> 00:19:06,580
WE THINK THE UNSUB IS
WORKING INSIDE THE
ADOPTION SYSTEM,
340
00:19:06,623 --> 00:19:09,409
SO THIS IS THE FIRST SUSPECT
POOL WE NEED TO RULE OUT.
341
00:19:09,452 --> 00:19:11,585
REID: IF OUR UNSUB STICKS
TO HIS MISSION-ORIENTED PLAN,
342
00:19:11,628 --> 00:19:13,195
HE WILL ATTEMPT TO
REHOME NAOMI,
343
00:19:13,239 --> 00:19:16,111
MOST LIKELY WITH SOMEONE
THAT'S FAMILIAR
TO THE SHAW FAMILY.
344
00:19:16,155 --> 00:19:20,594
IF WE CAN IDENTIFY
THIS FRIEND, FAMILY, OR
STRANGER HE CHOOSES FOR NAOMI,
345
00:19:20,637 --> 00:19:22,117
WE CAN GET AHEAD OF HIM.
346
00:19:22,161 --> 00:19:24,119
PRENTISS: WE WOULD LIKE
TO KEEP THE MEDIA STRATEGY
347
00:19:24,163 --> 00:19:26,121
AS TIGHTLY CONTROLLED
AS POSSIBLE.
348
00:19:26,165 --> 00:19:27,949
REID: UNFORTUNATELY, WHEN
INFORMATION WAS RELEASED
349
00:19:27,992 --> 00:19:29,777
ABOUT THE GREEN RIVER
KILLER'S DUMP SITES,
350
00:19:29,820 --> 00:19:32,127
THE KILLER SAW
THE NEWS COVERAGE,
CHANGED HIS M.O.,
351
00:19:32,171 --> 00:19:34,129
AND IT SET THE
INVESTIGATION BACK WEEKS.
352
00:19:34,173 --> 00:19:36,958
OUR BEST BET TO SAVE NAOMI
AND CAPTURE THE UNSUB
353
00:19:37,001 --> 00:19:39,221
IS TO MAKE SURE
HE STICKS TO PLAN.
354
00:19:39,265 --> 00:19:41,136
THANK YOU, EVERYONE.
355
00:19:44,183 --> 00:19:45,619
EVERYTHING GOOD?
356
00:19:45,662 --> 00:19:48,709
BETTER THAN THAT.
RUBY'S TALKING.
357
00:19:48,752 --> 00:19:52,060
SO YOU DON'T RECOGNIZE
THE MAN WHO TOOK YOU, BUT...
358
00:19:52,103 --> 00:19:54,715
YOU SAID HE WAS KIND OF TALL?
359
00:19:54,758 --> 00:19:56,630
ALL RIGHT.
360
00:19:56,673 --> 00:19:58,545
DO YOU REMEMBER
WHAT HE SAID TO YOU?
361
00:19:58,588 --> 00:20:02,157
HE SAID I HAD TO
WEAR THE DRESS.
362
00:20:02,201 --> 00:20:06,640
I COULDN'T GET IT DIRTY
OR TAKE IT OFF.
363
00:20:06,683 --> 00:20:09,164
AND I HAD TO
SAY THAT THING.
364
00:20:10,513 --> 00:20:13,516
"YOU'RE MY MOMMY NOW"?
THAT THING?
365
00:20:15,039 --> 00:20:19,653
OK. WELL, THE POLICE
HAVE THE DRESS NOW.
366
00:20:19,696 --> 00:20:22,612
AND, RUBY, EVERYTHING
YOU TOLD ME...
367
00:20:22,656 --> 00:20:24,353
IS REALLY HELPFUL.
368
00:20:24,397 --> 00:20:26,137
IS IT MY FAULT?
369
00:20:26,181 --> 00:20:29,663
OH. OH, SWEETIE, NO.
370
00:20:29,706 --> 00:20:31,969
NO. LISTEN...
371
00:20:32,013 --> 00:20:34,189
NONE OF THIS IS YOUR FAULT.
372
00:20:34,233 --> 00:20:37,192
YOU'RE A LITTLE GIRL,
AND YOU'RE PERFECT.
373
00:20:37,236 --> 00:20:39,673
YOU DID EVERYTHING RIGHT.
374
00:20:39,716 --> 00:20:42,328
THE MAN WHO DID THIS--
IT'S HIS FAULT.
375
00:20:42,371 --> 00:20:44,199
ALL OF IT.
376
00:20:44,243 --> 00:20:48,464
SO NOW, YOUR ONLY JOB
IS TO GET BETTER
377
00:20:48,508 --> 00:20:51,989
AND NOT TO WORRY,
BECAUSE IT'S MY JOB
TO PROTECT YOU.
378
00:20:52,033 --> 00:20:56,603
AND I PROMISE I WON'T
LET ANYTHING HAPPEN TO YOU
379
00:20:56,646 --> 00:21:00,215
TILL YOUR GRAMMY AND GRANDPA
ARRIVE FROM FLORIDA.
380
00:21:00,259 --> 00:21:01,695
OK?
381
00:21:01,738 --> 00:21:03,262
OK.
382
00:21:04,567 --> 00:21:09,224
WILL YOU STAY WITH ME
UNTIL THEY COME?
383
00:21:09,268 --> 00:21:10,747
OF COURSE.
384
00:21:18,277 --> 00:21:20,844
I DON'T UNDERSTAND
HOW THIS COULD
HAVE HAPPENED.
385
00:21:20,888 --> 00:21:22,716
YEAH. NEITHER DO WE,
MR. KRANUM.
386
00:21:22,759 --> 00:21:25,545
THAT'S WHY WE ASKED YOU
TO COME DOWN HERE.
387
00:21:25,588 --> 00:21:28,374
YOU EXAMINED THE SHAWS,
IS THAT RIGHT?
388
00:21:28,417 --> 00:21:31,551
YES. I MEAN,
THAT'S MY JOB
AS A SOCIAL WORKER.
389
00:21:31,594 --> 00:21:33,335
I MAKE SURE
EVERYTHING IS SAFE
390
00:21:33,379 --> 00:21:35,032
AND APPROPRIATE
FOR A CHILD,
391
00:21:35,076 --> 00:21:38,558
AND THEN I MAKE
A RECOMMENDATION
FOR ADOPTION PLACEMENT,
392
00:21:38,601 --> 00:21:40,690
AND THE SHAWS
CHECKED EVERY BOX.
393
00:21:40,734 --> 00:21:43,214
THEY WERE WONDERFUL
PROSPECTIVE PARENTS.
394
00:21:43,258 --> 00:21:46,348
THE MAN WHO'S KILLING
THESE FAMILIES,
395
00:21:46,392 --> 00:21:49,525
HE KNOWS THE KIND
OF INTIMATE DETAILS
396
00:21:49,569 --> 00:21:52,267
YOU WOULD UNCOVER
AS PART OF YOUR JOB.
397
00:21:52,311 --> 00:21:54,356
CAN YOU THINK OF ANYONE
IN YOUR FIELD
398
00:21:54,400 --> 00:21:55,662
WHO WOULD TAKE
ADVANTAGE OF THAT?
399
00:21:55,705 --> 00:21:57,446
NO. ABSOLUTELY NOT.
400
00:21:57,490 --> 00:21:59,840
WE'RE THE FIRST
AND LAST LINE
OF DEFENSE.
401
00:21:59,883 --> 00:22:02,233
THESE KIDS DEPEND
ON US.
402
00:22:02,277 --> 00:22:04,105
WELL, THANK YOU
FOR YOUR TIME.
403
00:22:06,063 --> 00:22:07,630
ALL RIGHT.
SO THE FIRST TIME
404
00:22:07,674 --> 00:22:10,938
THAT WE WALKED THIS,
WE THOUGHT DAD FELL
ASLEEP ON THE COUCH,
405
00:22:10,981 --> 00:22:12,809
WATCHING "SPORTSCENTER"
OR SOMETHING,
406
00:22:12,853 --> 00:22:14,376
AND MOM WENT TO BED.
407
00:22:14,420 --> 00:22:16,900
YEAH, WHICH IS
OFF PATTERN
FOR OUR UNSUB.
408
00:22:16,944 --> 00:22:19,294
HE SHOULD HAVE WAITED
TILL THEY WERE TOGETHER
IN BED ASLEEP.
409
00:22:19,338 --> 00:22:20,904
HE'D HAVE MORE CONTROL.
410
00:22:20,948 --> 00:22:23,167
WELL, I THINKING THAT
HE DIDN'T WAIT
BECAUSE HE COULDN'T.
411
00:22:23,211 --> 00:22:24,952
TAKE A LOOK AT THIS.
412
00:22:24,995 --> 00:22:28,129
CHANGE OF CLOTHES,
SUIT AND TIE.
413
00:22:28,172 --> 00:22:29,957
THERE'S A TOOTHBRUSH
AND TOOTHPASTE
414
00:22:30,000 --> 00:22:31,785
IN THE GUEST BATHROOM.
415
00:22:31,828 --> 00:22:36,093
NOW I'VE HAD FRIENDS
WHO HAVE BEEN KICKED OUT
OF BED ENOUGH TIMES
416
00:22:36,137 --> 00:22:38,269
TO KNOW WHAT
THAT LOOKS LIKE.
417
00:22:38,313 --> 00:22:40,881
I THINK THAT CARTER SHAW
WAS RIDING THE COUCH.
418
00:22:40,924 --> 00:22:45,146
OK. SO THE SHAWS WERE
HAVING MARITAL PROBLEMS.
419
00:22:45,189 --> 00:22:47,670
THAT'S WHY HE HAD TO
RESCUE NAOMI.
420
00:22:47,714 --> 00:22:50,151
RIGHT, AND THAT'S WHY
THIS MAKES OUR PROFILE
EVEN MORE COMPLICATED,
421
00:22:50,194 --> 00:22:52,632
AND THE GUY--
THE HOME INSPECTOR
YOU JUST TALKED TO--
422
00:22:52,675 --> 00:22:55,852
HE WOULDN'T KNOW THIS
OR SHOPPING ADDICTION.
423
00:22:55,896 --> 00:23:00,030
SO MAYBE THE UNSUB's
JOB IN THE ADOPTION
SYSTEM IS JUST
424
00:23:00,074 --> 00:23:01,945
HIS WAY IN,
425
00:23:01,989 --> 00:23:04,426
BUT WHEN HE PICKS
A FAMILY,
426
00:23:04,470 --> 00:23:06,602
HE DOESN'T STOP
UNTIL HE FEELS
JUSTIFIED
427
00:23:06,646 --> 00:23:07,995
IN KILLING THEM.
428
00:23:08,038 --> 00:23:09,649
HEY. WE'VE GONE THROUGH
ALL THE SOCIAL WORKERS.
429
00:23:09,692 --> 00:23:11,694
THEY'RE CLEAN.
WHAT OTHER LEADS
DO WE HAVE
430
00:23:11,738 --> 00:23:13,174
INSIDE THE ADOPTION
SYSTEM?
431
00:23:13,217 --> 00:23:14,958
GARCIA: IT'S KIND OF A SLOG.
THERE IS A LOT
432
00:23:15,002 --> 00:23:16,307
OF STUFF TO CONSIDER.
433
00:23:16,351 --> 00:23:17,570
LIKE, FOR INSTANCE,
DID YOU KNOW THAT
434
00:23:17,613 --> 00:23:19,963
THERE IS A HOME DECORATOR
FOR POTENTIAL PARENTS?
435
00:23:20,007 --> 00:23:21,922
THAT IS A THING.
IT'S NOT A THING
436
00:23:21,965 --> 00:23:23,445
WE NEED TO LOOK INTO
RIGHT NOW, I DON'T THINK,
437
00:23:23,489 --> 00:23:24,707
BUT IT'S A THING.
438
00:23:24,751 --> 00:23:26,056
I KNOW YOU'VE GOT
A FULL PLATE,
439
00:23:26,100 --> 00:23:27,623
BUT THERE'S ONE
OTHER SEARCH
WE NEED.
440
00:23:27,667 --> 00:23:29,059
OH, NO. PUT ALL
THE THINGS ON THE PLATE.
441
00:23:29,103 --> 00:23:30,931
I DO WAY BETTER WHEN I'M
OVERWHELMED. HIT ME.
442
00:23:30,974 --> 00:23:32,759
THE SHAWS
AND THE BUTLERS
MIGHT NOT HAVE BEEN
443
00:23:32,802 --> 00:23:34,108
HIS FIRST VICTIMS.
444
00:23:34,151 --> 00:23:35,936
THE UNSUB MIGHT
HAVE KILLED THE PARENTS
445
00:23:35,979 --> 00:23:38,591
WHO ADOPTED HIS OWN
DAUGHTER FIRST.
446
00:23:38,634 --> 00:23:40,288
SIR, I THINK OUR MINDS
MAY HAVE MELDED
447
00:23:40,331 --> 00:23:41,768
BECAUSE I ALREADY
LOOKED INTO THAT,
448
00:23:41,811 --> 00:23:43,465
AND THERE'S NO VIOLENCE
IN ANY OF THE ADOPTION FILES
449
00:23:43,509 --> 00:23:45,075
THAT I PULLED IN STATE.
450
00:23:45,119 --> 00:23:46,337
WELL, IT WAS WORTH
A SHOT.
451
00:23:46,381 --> 00:23:48,601
IT STILL COULD BE.
MAYBE HE DID IT IN A WAY
452
00:23:48,644 --> 00:23:49,906
THAT DIDN'T LOOK LIKE
THE OTHER MURDERS.
453
00:23:49,950 --> 00:23:52,126
YOU MEAN, LIKE
AN ACCIDENT?
454
00:23:52,169 --> 00:23:53,736
YOU THINK OF ALL THE THINGS,
EMILY PRENTISS.
455
00:23:53,780 --> 00:23:54,998
THIS IS WHY.
YOU'RE A BOSS LADY.
456
00:23:55,042 --> 00:23:56,217
I WILL HIT YOU
RIGHT BA--
457
00:23:57,871 --> 00:23:59,307
PRENTISS: GARCIA?
458
00:23:59,350 --> 00:24:00,917
SITTING OUTSIDE
OF KALDI COFFEE...
459
00:24:00,961 --> 00:24:02,484
GARCIA: TURN ON THE TV.
460
00:24:02,528 --> 00:24:04,878
UH, PLYMOUTH LOCAL NEWS.
461
00:24:04,921 --> 00:24:06,314
REPORTER: A MS. JAYNE ARCHER.
462
00:24:06,357 --> 00:24:07,358
WE'LL SEE IF SHE'S
AVAILABLE TODAY--
463
00:24:07,402 --> 00:24:08,751
MAN: THERE SHE IS!
464
00:24:08,795 --> 00:24:10,057
JAYNE ARCHER, WHY DID
THE KILLER LEAVE
465
00:24:10,100 --> 00:24:11,624
RUBY BUTLER WITH YOU?
466
00:24:11,667 --> 00:24:13,016
REPORTER TWO: WE
HEARD RUBY'S STILL
IN THE HOSPITAL
467
00:24:13,060 --> 00:24:14,191
AND THAT THE FBI's
INVOLVED IN THE CASE.
468
00:24:14,235 --> 00:24:15,802
ARE YOU GONNA VISIT HER?
469
00:24:15,845 --> 00:24:17,064
MS. ARCHER,
DO YOU KNOW
THE SECOND GIRL
470
00:24:17,107 --> 00:24:18,718
WHO'S BEEN TAKEN--
NAOMI SHAW?
471
00:24:18,761 --> 00:24:20,023
JAYNE: NO. PLEASE JUST--
472
00:24:20,067 --> 00:24:22,156
THEY JUST REVEALED
THAT JAYNE DOESN'T
HAVE RUBY
473
00:24:22,199 --> 00:24:23,505
LIKE HE PLANNED.
474
00:24:23,549 --> 00:24:25,333
IF THE UNSUB
SEES THIS,
HE'LL DEVOLVE.
475
00:24:25,376 --> 00:24:28,336
THEY MIGHT HAVE JUST
GOTTEN NAOMI KILLED.
476
00:24:28,379 --> 00:24:29,468
ALL RIGHT.
SO THERE YOU HAVE IT.
477
00:24:29,511 --> 00:24:31,339
JAYNE ARCHER IS
NOT BUDGING--
478
00:24:40,566 --> 00:24:43,264
NO, NO, NO!
479
00:24:54,275 --> 00:24:58,497
HEY.
OH. HEY.
480
00:24:58,540 --> 00:25:02,239
I'VE SEEN THAT
THOUSAND-YARD
STARE BEFORE.
481
00:25:02,283 --> 00:25:04,764
WELL, ALL THIS WORK,
IT ALL GOES
DOWN THE TOILET
482
00:25:04,807 --> 00:25:07,897
ONCE WE'RE
ON THE 6:00 NEWS.
483
00:25:07,941 --> 00:25:11,074
YEAH. I HEARD
SOMEONE HAD THEIR
WEDDING PROPOSAL
484
00:25:11,118 --> 00:25:12,728
SHOT TO HELL.
485
00:25:12,772 --> 00:25:15,862
YEAH. THAT DIDN'T GO
QUITE ACCORDING TO PLAN.
486
00:25:15,905 --> 00:25:18,038
SORRY.
487
00:25:18,081 --> 00:25:21,563
I'M JUST TRYING
TO CHEER YOU UP.
488
00:25:21,607 --> 00:25:24,392
GO AHEAD. I KNOW
YOU WANT TO SAY IT.
489
00:25:24,435 --> 00:25:28,657
OH. SO IF YOU MARRY
YOUR THIRD WIFE
FOR THE SECOND TIME,
490
00:25:28,701 --> 00:25:30,790
WHAT COLOR IS
THE DRESS FOR THAT?
491
00:25:30,833 --> 00:25:33,923
HEH. I ADMIT I'VE
BEEN WONDERING
THAT MYSELF.
492
00:25:33,967 --> 00:25:37,753
HEH HEH. SO HOW ARE
YOU GONNA PROPOSE?
493
00:25:37,797 --> 00:25:39,886
I DON'T KNOW.
494
00:25:39,929 --> 00:25:42,584
I JUST WANT IT
TO BE PERFECT.
495
00:25:42,628 --> 00:25:44,194
WELL, DON'T WAIT
TOO LONG.
496
00:25:44,238 --> 00:25:46,066
YOU KNOW
THAT OLD SAYING--
497
00:25:46,109 --> 00:25:49,112
MAN PLANS,
SERIAL KILLERS LAUGH.
498
00:25:50,984 --> 00:25:52,551
HEY, GUYS.
WE GOT SOMETHING.
499
00:25:56,816 --> 00:25:59,645
GARCIA GOT A HIT
ON A ROBERT
AND ALICE CARSON
500
00:25:59,688 --> 00:26:01,081
MURDERED 2 1/2
WEEKS AGO,
501
00:26:01,124 --> 00:26:02,735
SHOT IN THEIR CAR
AND ACROSS
STATE LINES.
502
00:26:02,778 --> 00:26:04,606
DIFFERENT M.O.,
DIFFERENT JURISDICTION.
503
00:26:04,650 --> 00:26:05,955
HOW DO WE KNOW THEY'RE
TIED TO THIS CASE.
504
00:26:05,999 --> 00:26:07,609
BECAUSE THERE'S
A SOCIAL MEDIA PHOTO
505
00:26:07,653 --> 00:26:09,045
OF THEIR ADOPTED
DAUGHTER
506
00:26:09,089 --> 00:26:12,483
WEARING THE EXACT DRESS
THAT RUBY WORE.
507
00:26:12,527 --> 00:26:14,790
THIS IS ASHLEY CARSON,
8 YEARS OLD.
508
00:26:14,834 --> 00:26:17,619
RUBY AND NAOMI
MUST BE SURROGATES
FOR THIS LITTLE GIRL.
509
00:26:17,663 --> 00:26:18,881
WHAT HAPPENED TO ASHLEY?
510
00:26:18,925 --> 00:26:21,318
ASHLEY DIED LAST YEAR.
CONGENITAL HEART DEFECT.
511
00:26:21,362 --> 00:26:22,755
SHE COLLAPSED AT HOME.
512
00:26:22,798 --> 00:26:24,757
THERE WAS NO WAY
ANYONE COULD
HAVE KNOWN.
513
00:26:24,800 --> 00:26:26,106
BUT THAT WOULDN'T MATTER
TO OUR UNSUB.
514
00:26:26,149 --> 00:26:27,542
HE'D HOLD THE PARENTS
ACCOUNTABLE ANYWAY.
515
00:26:27,586 --> 00:26:29,239
WE NEED THAT
BIRTH FATHER'S NAME.
516
00:26:29,283 --> 00:26:30,632
GARCIA'S SEARCHING
FOR THAT RIGHT NOW,
517
00:26:30,676 --> 00:26:32,503
BUT THERE WAS NOTHING
IN THE ADOPTION RECORD.
518
00:26:32,547 --> 00:26:33,940
WELL, THERE MUST BE
A REASON FOR THAT.
519
00:26:33,983 --> 00:26:36,072
WHO FACILITATED
THE ADOPTION?
520
00:26:36,116 --> 00:26:37,900
UH, FRIENDS AND FAMILIES
ADOPTION CENTER.
521
00:26:37,944 --> 00:26:40,381
THEIR OWN SCOTT TRUMAN,
HE'S ON HIS WAY HERE NOW.
522
00:26:44,777 --> 00:26:47,257
WHERE ARE WE GOING?
523
00:26:47,301 --> 00:26:52,567
HOME. WE'RE GOING
HOME, ASHLEY.
524
00:26:52,611 --> 00:26:54,395
CAN YOU GIVE ME
SOMETHING TO EAT, DADDY?
525
00:26:54,438 --> 00:26:56,658
I'M HUNGRY.
526
00:26:56,702 --> 00:27:00,183
NAOMI: PLEASE, MISTER.
I'M REALLY HUNGRY.
527
00:27:12,500 --> 00:27:14,067
THANKS.
528
00:27:35,610 --> 00:27:37,220
UNSUB: YOU WANT PEANUTS
OR ALMONDS?
529
00:27:37,264 --> 00:27:39,092
NAOMI: I'M ALLERGIC.
530
00:27:39,135 --> 00:27:41,137
NO, YOU'RE NOT.
YES, I AM.
531
00:27:41,181 --> 00:27:42,748
YOU'RE HURTING ME.
532
00:27:47,622 --> 00:27:49,668
UNSUB: AHEM. HEY.
533
00:28:03,333 --> 00:28:05,509
HEY. DID THE CELTICS
WIN TODAY?
534
00:28:05,553 --> 00:28:07,163
YEAH. WE MISSED THE GAME.
535
00:28:11,777 --> 00:28:14,823
UH, YEAH, BY, UH,
18 POINTS, I THINK.
536
00:28:20,524 --> 00:28:23,440
CELTICS DIDN'T PLAY TODAY.
537
00:28:23,484 --> 00:28:24,833
ASHLEY, GO WAIT
IN THE CAR.
538
00:28:24,877 --> 00:28:26,966
MY NAME'S NOT--GET IN THE CAR, ASHLEY!
539
00:28:30,796 --> 00:28:32,362
HEY, MAN.
540
00:28:43,286 --> 00:28:44,940
I TOLD YOU TO GET
IN THE CAR.
541
00:28:53,122 --> 00:28:54,863
ROBERT AND ALICE CARSON?
542
00:28:54,907 --> 00:28:57,605
THEY WERE SHOT
IN THEIR CAR
TWO WEEKS AGO.
543
00:28:57,648 --> 00:29:01,000
SO YOU REMEMBER THEM?
544
00:29:01,043 --> 00:29:03,567
OF COURSE.
545
00:29:03,611 --> 00:29:06,745
I HELPED PLACE
ASHLEY WITH THEM.
546
00:29:06,788 --> 00:29:08,964
THEN WHEN ASHLEY DIED,
I WENT TO HER FUNERAL.
547
00:29:11,053 --> 00:29:14,709
THEY HAD ONE
OF THOSE VIDEOS
OF HER LIFE, YOU KNOW?
548
00:29:14,753 --> 00:29:15,971
THEY STILL HAVE
THE WEB SITE UP
549
00:29:16,015 --> 00:29:18,582
SO NOBODY WOULD
FORGET HER. AHEM.
550
00:29:18,626 --> 00:29:20,802
WHO WERE ASHLEY'S
BIRTH PARENTS?
551
00:29:20,846 --> 00:29:23,762
THE FATHER'S A SUSPECT
IN A SERIES OF MURDERS.
552
00:29:23,805 --> 00:29:25,502
ASHLEY WAS VOLUNTARILY
SURRENDERED TO THE HOSPITAL
553
00:29:25,546 --> 00:29:27,504
BY HER MOTHER.
554
00:29:27,548 --> 00:29:29,289
SHE CLAIMED THE FATHER
WAS DEAD
555
00:29:29,332 --> 00:29:31,726
AND SPECIFICALLY ASKED
THAT ALL DETAILS BE
KEPT CONFIDENTIAL.
556
00:29:34,381 --> 00:29:37,471
YOU CAN CHECK
WITH THE HOSPITAL, BUT--
557
00:29:37,514 --> 00:29:41,301
ALL RIGHT.
I'M ON IT.
558
00:29:41,344 --> 00:29:43,520
THERE'S ANOTHER THEORY
THAT WE'RE PURSUING.
559
00:29:43,564 --> 00:29:45,261
IS THERE ANYONE
IN YOUR COMPANY
THAT COULD ACCESS
560
00:29:45,305 --> 00:29:47,786
THE ADOPTION RECORDS,
SPECIFICALLY THE LIVES
561
00:29:47,829 --> 00:29:49,352
OF THE FAMILIES
WHO ADOPT?
562
00:29:49,396 --> 00:29:53,226
WELL, NO,
BUT...WHEN YOU CALLED
563
00:29:53,269 --> 00:29:56,707
ABOUT THE CARSONS,
I BROUGHT THEIR
ADOPTION APPLICATION.
564
00:29:56,751 --> 00:30:00,189
I DON'T KNOW IF
IT HELPS, BUT...
565
00:30:00,233 --> 00:30:01,625
WHAT IS THIS?
566
00:30:01,669 --> 00:30:03,366
IT'S CALLED
A LOOK BOOK.
567
00:30:03,410 --> 00:30:05,064
IT'S, FOR LACK
OF A BETTER WORD,
A SALES TOOL
568
00:30:05,107 --> 00:30:07,457
SO PROSPECTIVE PARENTS
CAN LOOK APPEALING
TO BIRTH MOMS.
569
00:30:07,501 --> 00:30:08,763
THE CARSONS PUT
THEIR WHOLE HOUSE ON HERE,
570
00:30:08,807 --> 00:30:10,460
THEIR FRONT YARD,
THEIR BACKYARD,
571
00:30:10,504 --> 00:30:12,027
DOORS, WINDOWS,
EVERYTHING.
572
00:30:12,071 --> 00:30:13,724
IS THAT IMPORTANT?
573
00:30:13,768 --> 00:30:15,030
THE UNSUB STALKS
HIS VICTIMS.
574
00:30:15,074 --> 00:30:17,859
I THINK HE USES THIS
AS THE ROADMAP TO DO IT.
575
00:30:17,903 --> 00:30:20,688
OK. SO THE BUTLERS
AND THE SHAWS EACH USED
576
00:30:20,731 --> 00:30:22,733
DIFFERENT ADOPTION
COMPANIES,
577
00:30:22,777 --> 00:30:24,866
BUT THOSE COMPANIES
FREELANCED OUT
THE LOOK BOOKS.
578
00:30:24,910 --> 00:30:26,346
YEAH, AND WOULDN'T
YOU KNOW IT?
579
00:30:26,389 --> 00:30:28,870
THE SAME INDEPENDENT
CONTRACTOR JORDAN HALLORAN
580
00:30:28,914 --> 00:30:30,219
MADE BOTH LOOK BOOKS.
581
00:30:30,263 --> 00:30:32,221
PRENTISS: WE NEED HIS HOME
AND WORK ADDRESS.
582
00:30:32,265 --> 00:30:34,093
OH, OH. HOLD UP.
HE'S NOT GONNA BE
AT EITHER PLACE.
583
00:30:34,136 --> 00:30:35,746
HE'S ON THE MOVE.
584
00:30:35,790 --> 00:30:36,878
JUST GOT A REPORT
OF A MURDER
AT A CONVENIENCE STORE
585
00:30:36,922 --> 00:30:38,227
OUTSIDE OF CAMPTON.
586
00:30:38,271 --> 00:30:39,402
THE GUNMAN HAS
THAT LITTLE GIRL WITH HIM.
587
00:30:39,446 --> 00:30:40,882
REID: THAT'S
DEFINITELY NAOMI.
588
00:30:40,926 --> 00:30:42,405
HE CHANGED HER HAIR
AND PUT HER
IN THE DRESS.
589
00:30:42,449 --> 00:30:43,885
HE'S NOT TRYING TO
REHOME HER ANYMORE.
590
00:30:43,929 --> 00:30:45,539
HE'S TRYING TO
REMAKE HER
INTO ASHLEY.
591
00:30:45,582 --> 00:30:47,933
HIS DEVOLUTION COULD BE
A DISSOCIATIVE BREAK.
592
00:30:47,976 --> 00:30:49,238
AND CAMPTON ISN'T
NEAR HIM.
593
00:30:49,282 --> 00:30:50,631
WHERE'S HE HEADED?
594
00:30:50,674 --> 00:30:51,719
OK. LET'S GO BACK
TO THE BEGINNING
595
00:30:51,762 --> 00:30:53,242
THROUGH HIS POINT
OF VIEW.
596
00:30:53,286 --> 00:30:56,289
ASHLEY WAS A SURRENDER
AT THE HOSPITAL
AGAINST HIS WILL,
597
00:30:56,332 --> 00:30:59,248
SO HE GOT INTO
THE ADOPTION SYSTEM.
598
00:30:59,292 --> 00:31:01,294
JAREAU: MADE THE LOOK BOOKS
IN ORDER TO HUNT
599
00:31:01,337 --> 00:31:02,556
FOR HIS OWN DAUGHTER.
600
00:31:02,599 --> 00:31:03,774
THE LOOK BOOKS LED
HIM TO THE CARSONS,
601
00:31:03,818 --> 00:31:05,341
THE BUTLERS,
AND THE SHAWS.
602
00:31:05,385 --> 00:31:06,690
THEY ALL HAD
LITTLE GIRLS THAT
COULD BE HIS DAUGHTER.
603
00:31:06,734 --> 00:31:08,040
SIMMONS: WHEN ASHLEY DIES,
THAT SETS HIM OFF.
604
00:31:08,083 --> 00:31:09,519
HE HAS TO RESCUE
THE OTHERS.
605
00:31:09,563 --> 00:31:12,000
THAT PLAN'S NOT
WORKING ANYMORE
THANKS TO THE MEDIA.
606
00:31:12,044 --> 00:31:15,090
NOW HE SEES NAOMI
AS ASHLEY.
607
00:31:15,134 --> 00:31:17,136
HE WANTS HIS DAUGHTER BACK,
BUT IT'S MORE THAN THAT.
608
00:31:17,179 --> 00:31:19,442
HE WANTS
HIS OLD LIFE BACK,
609
00:31:19,486 --> 00:31:22,445
THE LIFE HE WASN'T ABLE
TO LEAD WHEN SHE WAS BORN.
610
00:31:22,489 --> 00:31:25,796
THE WHITE PICKET FENCE,
THE LOVING WIFE,
THE FAMILY UNIT.
611
00:31:25,840 --> 00:31:27,798
THE BIRTH MOTHER.
THAT'S THE MISSING PIECE.
612
00:31:27,842 --> 00:31:29,888
JAREAU: I JUST GOT THAT
INFORMATION FROM THE HOSPITAL.
613
00:31:29,931 --> 00:31:31,063
PRENTISS: THAT'S WHERE
HE'S HEADING NEXT.
614
00:31:31,106 --> 00:31:32,934
HE'S EITHER GONNA
IDEALIZE HER
615
00:31:32,978 --> 00:31:35,545
AND MAKE HER
THE MOTHER HE WANTS,
OR HE'S GONNA KILL HER.
616
00:31:35,589 --> 00:31:36,938
OK. BECKY HUGHES.
SHE'S THE MOM.
617
00:31:36,982 --> 00:31:38,461
OK. WE NEED TO GET
TO HER BEFORE HE DOES.
618
00:31:43,989 --> 00:31:46,382
HELLO?
619
00:31:46,426 --> 00:31:48,645
HI, MOMMY.
620
00:31:48,689 --> 00:31:52,954
WHAT
621
00:31:52,998 --> 00:31:55,739
THAT'S WHAT HE TOLD
ME TO SAY.
622
00:31:55,783 --> 00:31:59,700
WHO? WHO TOLD YOU
TO SAY?
623
00:31:59,743 --> 00:32:01,310
HI, BECKY.
624
00:32:01,354 --> 00:32:03,312
JORDAN?
625
00:32:03,356 --> 00:32:05,836
WHAT ARE YOU--
626
00:32:05,880 --> 00:32:07,360
WHAT ARE YOU
DOING HERE?
627
00:32:07,403 --> 00:32:09,797
WHAT DO YOU MEAN
WHAT AM I DOING HERE?
628
00:32:09,840 --> 00:32:11,320
THIS IS OUR HOME NOW.
629
00:32:11,364 --> 00:32:12,974
WHAT?!
630
00:32:13,018 --> 00:32:15,977
YOU, ME, AND ASHLEY.
631
00:32:16,021 --> 00:32:17,979
WE'RE GONNA BE
ONE HAPPY FAMILY.
632
00:32:28,990 --> 00:32:30,470
PRENTISS: GO AHEAD,
GARCIA.
633
00:32:30,513 --> 00:32:32,037
GARCIA: OK. I HAVE PINGED
JORDAN HALLORAN
634
00:32:32,080 --> 00:32:33,690
AND BECKY HUGHES' PHONE,
AND THEY ARE ON TOP
OF EACH OTHER.
635
00:32:33,734 --> 00:32:35,214
THEY ARE BOTH
AT HER HOUSE.
636
00:32:35,257 --> 00:32:36,911
WHAT DO WE KNOW
ABOUT THEIR PRIOR
COMMUNICATION?
637
00:32:36,955 --> 00:32:38,347
DID THEY STAY
IN TOUCH?
638
00:32:38,391 --> 00:32:39,783
GARCIA: NO, NO.
SHE CUT OFF COMMUNICATION
639
00:32:39,827 --> 00:32:41,307
8 YEARS AGO FOLLOWING
THE VOLUNTARY SURRENDER.
640
00:32:41,350 --> 00:32:43,613
THERE'S BEEN NO CELL,
NO SOCIAL MEDIA CONTACT, NONE.
641
00:32:43,657 --> 00:32:46,007
ROSSI: HE'S IN FULL
FLIGHT FROM REALITY,
BUT SHE'S NOT.
642
00:32:46,051 --> 00:32:48,357
THAT'S NOT GONNA BE
GOOD IF SHE DOESN'T
PLAY ALONG.
643
00:32:48,401 --> 00:32:49,968
MAYBE WE CAN USE THAT
TO OUR ADVANTAGE.
644
00:32:50,011 --> 00:32:52,971
GARCIA, DOES BECKY HUGHES
HAVE A SMART TV?
645
00:32:53,014 --> 00:32:54,407
TV? UH, OK.
I DON'T KNOW.
646
00:32:54,450 --> 00:32:55,799
I'LL GET BACK TO YOU
ON THAT.
647
00:32:55,843 --> 00:32:57,018
ROSSI: WHAT ARE YOU
THINKING, EMILY?
648
00:32:57,062 --> 00:32:58,933
HE WANTS ASHLEY BACK.
LET'S GIVE HER TO HIM.
649
00:32:58,977 --> 00:33:01,153
I'M GONNA NEED YOU TO STAY
ON WITH ME, GARCIA.
650
00:33:02,589 --> 00:33:04,373
NOW YOU SIT HERE.
651
00:33:06,854 --> 00:33:10,336
OK. WHERE'D YOU SAY
THE CARDS WERE?
652
00:33:14,079 --> 00:33:16,081
DOES OLD MAID
SOUND GOOD?
653
00:33:16,124 --> 00:33:19,345
I LOVE OLD MAID.
654
00:33:19,388 --> 00:33:22,391
HEY. I'VE BEEN
WAITING FOR YOU
TO BE OLD ENOUGH
655
00:33:22,435 --> 00:33:24,263
TO TEACH YOU THIS,
ASHLEY.
656
00:33:24,306 --> 00:33:26,787
JORDAN, THAT'S NOT ASHLEY.
657
00:33:28,615 --> 00:33:32,271
I--I'M SORRY,
BUT SHE'S NOT.
658
00:33:32,314 --> 00:33:35,796
WE WEREN'T WORKING,
YOU AND ME.
659
00:33:35,839 --> 00:33:38,842
YOU WERE GETTING MEANER.
660
00:33:38,886 --> 00:33:41,454
I KNOW I HURT YOU
NOT TELLING YOU
ABOUT ASHLEY,
661
00:33:41,497 --> 00:33:43,108
BUT THAT DOESN'T MEAN
YOU CAN--
662
00:33:56,164 --> 00:33:59,080
PARENTS FIGHT.
THAT'S WHY KIDS
663
00:33:59,124 --> 00:34:00,821
NEED TO SEE THAT
THEY ALSO FORGIVE
EACH OTHER.
664
00:34:03,389 --> 00:34:04,738
I FORGIVE YOU.
665
00:34:10,874 --> 00:34:14,052
HERE'S HOW YOU PLAY.
666
00:34:14,095 --> 00:34:16,880
I'M GONNA DEAL
THE CARDS OUT.
667
00:34:16,924 --> 00:34:18,926
2, 2, 3.
668
00:34:38,206 --> 00:34:39,903
BECKY: AAH! AAH!
669
00:34:39,947 --> 00:34:41,166
GET DOWN!
670
00:34:44,473 --> 00:34:46,171
SIMMONS: PUT THE GUN
DOWN, JORDAN.
671
00:34:46,214 --> 00:34:48,651
JORDAN: NO! NO ONE'S
GONNA TAKE MY FAMILY!
672
00:34:48,695 --> 00:34:50,305
PRENTISS: YOU DON'T WANT
TO DO THIS, JORDAN.
673
00:34:50,349 --> 00:34:52,612
THIS ISN'T GONNA END
THE WAY YOU WANT,
I PROMISE.
674
00:34:52,655 --> 00:34:54,918
JUST SHUT UP! CAN YOU
PLEASE GET OUT OF HERE?
675
00:34:54,962 --> 00:34:56,181
ROSSI: HEY, JORDAN.
676
00:34:56,224 --> 00:34:58,183
EYES HERE.
677
00:34:58,226 --> 00:34:59,749
LET'S JUST TALK
FOR A SECOND.
678
00:34:59,793 --> 00:35:01,273
NO, I'M NOT TALKING
ABOUT ANYTHING.
679
00:35:01,316 --> 00:35:04,754
NO ONE'S GONNA TAKE
ASHLEY AWAY FROM ME AGAIN.
680
00:35:04,798 --> 00:35:07,714
DO ME A FAVOR,
JORDAN.
681
00:35:07,757 --> 00:35:10,804
LOOK AT THE TV.
682
00:35:10,847 --> 00:35:12,719
THIS IS A TRICK.
683
00:35:12,762 --> 00:35:15,113
IT'S NO TRICK.
684
00:35:15,156 --> 00:35:16,201
JUST TAKE A LOOK.
685
00:35:16,244 --> 00:35:17,724
PRENTISS: GO, GARCIA.
686
00:35:20,944 --> 00:35:23,991
[ACOUSTIC GUITAR PLAYING
ON TV]
687
00:35:28,430 --> 00:35:29,823
OH, MY GOD.
688
00:35:33,783 --> 00:35:35,350
SHE'S BEAUTIFUL.
689
00:35:38,875 --> 00:35:41,574
LILY KERSHAW:
♪ WE WERE IN THE SUN
690
00:35:41,617 --> 00:35:43,663
♪ WE WERE ALIVE THEN
691
00:35:43,706 --> 00:35:45,273
ASHLEY.
692
00:35:45,317 --> 00:35:47,536
♪ THE LAST LIGHT WAS...
693
00:35:47,580 --> 00:35:52,193
LOOK HOW HAPPY
ASHLEY WAS, JORDAN.
694
00:35:52,237 --> 00:35:55,065
♪ HAD I A MONTH THEN?
695
00:35:55,109 --> 00:35:57,372
♪ WE WERE JUST DREAMING
696
00:35:57,416 --> 00:36:01,507
ROSSI: SHE LIVED
A WONDERFUL LIFE,
697
00:36:01,550 --> 00:36:04,901
BUT SHE HAD
A HEART DEFECT,
698
00:36:04,945 --> 00:36:11,169
SO NOW YOU HAVE TO
LET HER GO.
699
00:36:11,212 --> 00:36:13,997
SHE'S GONE.
700
00:36:14,041 --> 00:36:18,219
SHE'S GONE! OHH!
701
00:36:18,263 --> 00:36:21,309
ASHLEY'S GONE.
702
00:36:21,353 --> 00:36:23,006
I THOUGHT I WAS
SAVING HER.
703
00:36:23,050 --> 00:36:24,182
OUTSIDE. OK.
704
00:36:24,225 --> 00:36:26,227
JORDAN! OH, GOD!
705
00:36:26,271 --> 00:36:28,534
I THOUGHT I WAS
SAVING ALL OF THEM!
706
00:36:31,232 --> 00:36:32,929
OHH!
707
00:36:32,973 --> 00:36:37,934
KERSHAW: ♪ IT'D ONLY TAKE
A FEW MINUTES ♪
708
00:36:37,978 --> 00:36:40,110
I'M SORRY!
709
00:36:40,154 --> 00:36:43,766
♪ CAN CHANGE OUR LIVES
710
00:36:43,810 --> 00:36:45,246
OH, GOD!
711
00:36:46,856 --> 00:36:49,076
OH, NO.
712
00:36:49,119 --> 00:36:50,817
WHAT HAVE I DONE?
713
00:36:50,860 --> 00:36:53,994
KERSHAW: ♪ MY MIND
714
00:36:54,037 --> 00:36:56,083
♪ DO YOU REMEMBER
715
00:36:56,126 --> 00:36:58,825
♪ ALL THE THINGS
716
00:36:58,868 --> 00:37:02,568
♪ THAT YOU THOUGHT
YOU COULD BE? ♪
717
00:37:02,611 --> 00:37:04,439
BECKY.
718
00:37:04,483 --> 00:37:06,485
♪ DO YOU REMEMBER
719
00:37:06,528 --> 00:37:09,270
♪ HOW YOU USED TO DREAM OF ME?
720
00:37:09,314 --> 00:37:11,054
OK.
721
00:37:11,098 --> 00:37:12,534
COME ON. HERE WE GO.
722
00:37:14,928 --> 00:37:17,539
♪ HERE WERE ARE NOW
723
00:37:17,583 --> 00:37:19,237
♪ WE'VE GOT NO TIME
724
00:37:19,280 --> 00:37:22,196
IT CAN'T EVER BE
PERFECT, CAN IT?
725
00:37:22,240 --> 00:37:27,984
NO. THAT'S WHY
GOOD ENOUGH IS
GOOD ENOUGH.
726
00:37:28,028 --> 00:37:31,771
♪ IN A TWILIGHT SLEEP
727
00:37:31,814 --> 00:37:34,774
♪ I AM STILL YOUR GIRL
728
00:37:34,817 --> 00:37:38,081
I NEED TO DO SOMETHING
BACK AT QUANTICO.
729
00:37:38,125 --> 00:37:44,610
IT--IT--IT MAY NOT
QUITE FOLLOW PROTOCOL.
730
00:37:44,653 --> 00:37:48,004
♪ IN THE DARKEST NIGHT
731
00:37:48,048 --> 00:37:50,833
♪ ALL WE WITNESSED
732
00:37:50,877 --> 00:37:55,229
♪ A LAST LIGHT
733
00:38:01,583 --> 00:38:03,542
DO YOU WANT TO KNOW
WHAT I THINK?
734
00:38:03,585 --> 00:38:05,326
NOPE.
735
00:38:05,370 --> 00:38:07,720
I THINK WE WRECKED
HOUSE ON THIS
CASE TOGETHER.
736
00:38:07,763 --> 00:38:11,289
I MEAN, I THINK WE'RE
THE DYNAMIC DUO.
737
00:38:11,332 --> 00:38:13,334
COME ON. HIT ME.
738
00:38:13,378 --> 00:38:17,643
OH, PUH-LEASE.
WE WILL NEVER BE A "DUO."
739
00:38:17,686 --> 00:38:19,906
UH-UH.
740
00:38:19,949 --> 00:38:22,561
WELL, COME ON.
ADMIT IT. I HELPED.
741
00:38:22,604 --> 00:38:24,519
OH! HEH! YOU'D HAVE
TO TORTURE ME.
742
00:38:24,563 --> 00:38:26,216
YOU'D HAVE TO FORCE ME
TO WEAR BEIGE,
743
00:38:26,260 --> 00:38:29,394
DENY ME OF ALL THINGS
UNICORN FOR ME
TO EVER ADMIT
744
00:38:29,437 --> 00:38:31,613
THAT YOU HELPED.
745
00:38:32,832 --> 00:38:35,748
EXCUSE ME.
746
00:38:35,791 --> 00:38:36,966
I HELPED.
747
00:38:37,010 --> 00:38:38,490
I HATE HUBRIS.
748
00:38:40,927 --> 00:38:42,363
I NEED YOUR HELP.
749
00:38:48,282 --> 00:38:51,459
OH, YOU DIDN'T HAVE TO
COME DOWN TO MEET ME.
750
00:38:51,503 --> 00:38:52,982
YES, I DID.
751
00:39:06,996 --> 00:39:09,434
HEH.
752
00:39:09,477 --> 00:39:12,219
HMM. WHAT ARE
YOU DOING?
753
00:39:12,262 --> 00:39:14,264
DO YOU REMEMBER
WHAT ELVIS SAID
754
00:39:14,308 --> 00:39:16,049
WHEN HE MARRIED US?
755
00:39:16,092 --> 00:39:17,137
HEH.
756
00:39:17,180 --> 00:39:18,443
HE SAID, UM...
757
00:39:18,486 --> 00:39:19,400
"DO YOU TAKE THIS WOMAN
758
00:39:19,444 --> 00:39:20,532
"IN SICKNESS AND HEALTH
759
00:39:20,575 --> 00:39:21,663
"FOR RICHER OR POORER
760
00:39:21,707 --> 00:39:23,143
AS LONG AS YOU
BOTH SHALL LIVE?"
761
00:39:23,186 --> 00:39:24,405
HA HA HA!
762
00:39:24,449 --> 00:39:26,451
AND THEN FOR SOME REASON,
YOU STARTED GIGGLING.
763
00:39:26,494 --> 00:39:30,324
YEAH, BECAUSE AFTER
YOU SAID, "I DO,"
HE SAID...
764
00:39:30,368 --> 00:39:32,065
"THANK YOU.
THANK YOU VERY MUCH."
765
00:39:32,108 --> 00:39:33,980
HA HA HA!
766
00:39:34,023 --> 00:39:35,938
I LOVE THAT IT WAS
FUNNY FOR US THEN.
767
00:39:35,982 --> 00:39:37,549
IT'S FUNNY FOR ME NOW.
768
00:39:40,378 --> 00:39:43,250
BUT I WANT TO HAVE
A SECOND CHANCE,
769
00:39:43,293 --> 00:39:46,253
AND THIS TIME,
NO BLACKJACK, NO BOOZE,
770
00:39:46,296 --> 00:39:47,515
NO ELVIS.
771
00:39:48,951 --> 00:39:52,346
I WANT TO SAY THOSE VOWS
AND MEAN THEM.
772
00:39:52,390 --> 00:39:56,002
IT DOESN'T MATTER
WHERE OR HOW
773
00:39:56,045 --> 00:39:59,527
AS LONG AS I CAN SPEND
THE REST OF MY LIFE
774
00:39:59,571 --> 00:40:02,356
LIVING THEM WITH YOU.
775
00:40:07,230 --> 00:40:09,972
WILL YOU GIVE ME
THAT CHANCE, KRYSTALL?
776
00:40:17,502 --> 00:40:18,981
WILL YOU MARRY ME?
777
00:40:23,508 --> 00:40:26,032
YES.
778
00:40:26,075 --> 00:40:27,599
YES, I'LL MARRY YOU.
779
00:40:35,868 --> 00:40:37,913
ROSSI: SHE SAID YES!
780
00:40:54,626 --> 00:40:57,455
ROSSI, VOICE-OVER: "THE ACHE
FOR HOME LIVES IN ALL OF US,
781
00:40:57,498 --> 00:41:00,109
"THE SAFE PLACE WE CAN GO
AS WE ARE
782
00:41:00,153 --> 00:41:01,894
AND NOT BE QUESTIONED."
783
00:41:01,937 --> 00:41:03,417
DR. MAYA ANGELOU.
784
00:41:03,461 --> 00:41:06,333
CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.
785
00:41:06,376 --> 00:41:08,378
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--WWW.NCICAP.ORG--
59776
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