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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:18,268 --> 00:00:23,357 24 Hour Party People Biography Comedy 2002 Subtitles English 2 00:00:28,985 --> 00:00:31,024 (Wind Whistles) 3 00:00:32,739 --> 00:00:34,778 Is it a bird? Is it a plane? 4 00:00:34,866 --> 00:00:38,733 No, it's the latest craze sweeping the Pennines. 5 00:00:38,828 --> 00:00:42,244 To be honest, I'd rather be sweeping the Pennines right now. 6 00:00:42,331 --> 00:00:44,620 You're supposed to have three weeks' training for this. 7 00:00:44,709 --> 00:00:46,748 Granada Reports don't have that kind of money... 8 00:00:46,836 --> 00:00:50,501 so I'm just going to literally launch myself off this mountain. 9 00:00:50,590 --> 00:00:55,382 This is very possibly the late Tony Wilson, for Granada Reports. 10 00:00:55,470 --> 00:00:57,509 Wish me luck. 11 00:00:59,515 --> 00:01:02,089 Just pull the bar in to get control back again. 12 00:01:02,185 --> 00:01:04,889 Hear it flapping, it's OK. If it stops flapping, I'm in trouble. 13 00:01:04,979 --> 00:01:06,806 Pull it in till it's flapping again. 14 00:01:06,898 --> 00:01:08,937 One, two, three, go. 15 00:01:09,025 --> 00:01:11,314 (♪ Wagner: Ride Of The Valkyries) 16 00:01:12,361 --> 00:01:13,772 Whoa! 17 00:01:14,489 --> 00:01:16,149 Whoo! 18 00:01:16,240 --> 00:01:17,651 (laughs) 19 00:01:18,701 --> 00:01:20,658 I'm flying! 20 00:01:20,745 --> 00:01:23,497 This is a physical... high. 21 00:01:24,290 --> 00:01:27,042 A physical, legal high. 22 00:01:37,178 --> 00:01:40,843 This is the most amazing feeling, better than sex. 23 00:01:42,600 --> 00:01:44,557 Ooh. 24 00:01:44,644 --> 00:01:47,349 Forward, forward... Whoa! 25 00:01:48,481 --> 00:01:49,892 Whoa! 26 00:01:50,441 --> 00:01:52,233 Whoo! 27 00:01:52,318 --> 00:01:53,729 He-hey! 28 00:01:54,404 --> 00:01:55,814 Oof! 29 00:01:55,905 --> 00:01:59,072 Help. There's a barbed-wire fence! 30 00:01:59,158 --> 00:02:01,365 There's... There's a barbed-wire fence. 31 00:02:01,452 --> 00:02:02,863 No! 32 00:02:04,580 --> 00:02:06,407 Ohh. 33 00:02:06,499 --> 00:02:07,910 Shit. 34 00:02:11,462 --> 00:02:12,873 Whoa! 35 00:02:13,756 --> 00:02:15,915 Aah! Fucking hell! 36 00:02:17,176 --> 00:02:19,584 Well, I'm battered... 37 00:02:19,679 --> 00:02:21,470 I'm bruised... 38 00:02:21,556 --> 00:02:24,806 I've done something unfortunate to my coccyx, I'm slightly upset... 39 00:02:24,892 --> 00:02:26,932 and I'm utterly elated. 40 00:02:27,228 --> 00:02:29,600 I'll definitely be doing it again. 41 00:02:29,689 --> 00:02:34,018 This is Tony Wilson, a shadow of his former self, for Granada Reports. 42 00:02:34,110 --> 00:02:35,687 Back to the studio. 43 00:02:35,778 --> 00:02:39,562 Take care. I'm sure I'll be in touch. So exciting, I'd love to do it again. 44 00:02:39,657 --> 00:02:42,575 - No problem. - OK, cheerio. 45 00:02:44,954 --> 00:02:46,413 (sighs) 46 00:02:49,709 --> 00:02:53,078 You're, er, gonna be seeing a lot more of that sort of thing in the film. 47 00:02:53,171 --> 00:02:55,044 All of that actually did happen. 48 00:02:55,131 --> 00:02:57,669 Obviously it's symbolic, it works on both levels. 49 00:02:57,759 --> 00:03:00,380 I don't wanna tell you too much, don't wanna spoil the film... 50 00:03:00,470 --> 00:03:02,546 er, but I'll just say "Icarus". 51 00:03:02,638 --> 00:03:06,138 If you don't know what I mean, OK. But you should probably read more. 52 00:03:09,145 --> 00:03:11,345 (♪ Happy Mondays: 24 Hour Party People.' Jon Carter Mix) 53 00:03:26,954 --> 00:03:29,410 ♪ How old are you? 54 00:03:29,499 --> 00:03:31,491 ♪ Are you old enough? 55 00:03:34,128 --> 00:03:39,668 ♪ Should you be in here watching that? 56 00:03:42,470 --> 00:03:45,257 ♪ And how old are you? 57 00:03:45,348 --> 00:03:47,803 ♪ Are you old enough? 58 00:03:49,769 --> 00:03:55,772 ♪ Should you be in here with 59 00:03:58,820 --> 00:04:02,438 ♪ 24 hour party people 60 00:04:02,532 --> 00:04:05,983 ♪ Plastic face, can't smile The white-out 61 00:04:06,077 --> 00:04:10,454 ♪ With the 24 hour party people 62 00:04:10,540 --> 00:04:13,576 ♪ Plastic face, can't smile The white-out 63 00:04:13,668 --> 00:04:16,538 ♪ You can't beat 'em 64 00:04:16,629 --> 00:04:20,579 ♪ So why don't you join in? 65 00:04:21,717 --> 00:04:23,757 ♪ You cannot beat 'em 66 00:04:24,887 --> 00:04:29,265 ♪ So why don't you join in with 67 00:04:30,393 --> 00:04:34,011 ♪ 24 hour party people 68 00:04:34,105 --> 00:04:37,640 ♪ Plastic face, can't smile The white-out 69 00:04:37,734 --> 00:04:41,862 ♪ With the 24 hour party people 70 00:04:41,946 --> 00:04:45,362 ♪ Plastic face, can't smile The white-out ♪ 71 00:04:57,587 --> 00:04:59,579 - How's the Bird man of Derbyshire?! - Not... Not bad. 72 00:04:59,672 --> 00:05:01,581 Loved the hang-gliding! 73 00:05:01,674 --> 00:05:03,465 See? What are you complaining about? 74 00:05:03,551 --> 00:05:06,007 He doesn't have to deal with the consequences of... 75 00:05:06,095 --> 00:05:07,506 The consequences? 76 00:05:07,597 --> 00:05:10,763 - The possibility of death. - You're insured. 77 00:05:10,850 --> 00:05:13,602 How's that supposed to be of any comfort to me? 78 00:05:13,686 --> 00:05:16,094 I realise the danger involved... 79 00:05:16,189 --> 00:05:19,973 Well, let me tell you, I am not doing any more kamikaze stuff. That's it. 80 00:05:20,068 --> 00:05:21,396 - Hello, Tony. - Hello. Hi. 81 00:05:21,486 --> 00:05:23,277 - Ooh, Alan... - Tony, I've got the tickets. 82 00:05:23,362 --> 00:05:26,150 Alan, did you see the hang-gliding article the other night? 83 00:05:26,240 --> 00:05:29,075 - Oh, I did, yeah. - We had people phoning in. 84 00:05:29,160 --> 00:05:31,616 - I know people phoned in. - It's what the public want! 85 00:05:31,704 --> 00:05:35,453 I know, but the public, let me tell you, like public executions. 86 00:05:35,541 --> 00:05:37,830 I went to Cambridge University, Charles. 87 00:05:37,919 --> 00:05:40,244 I'm a serious... Hello, love. ..fucking journalist... 88 00:05:40,338 --> 00:05:43,339 in one of the most important fucking times of human history. 89 00:05:43,424 --> 00:05:46,544 - There's no need to swear. - I mean it. 90 00:05:46,636 --> 00:05:50,052 The Buzzcocks can't play cos we're not ready. 91 00:05:50,139 --> 00:05:52,179 So it's just the Sex Pistols. 92 00:05:54,727 --> 00:05:56,221 (♪ No Fun) 93 00:06:23,673 --> 00:06:26,876 ♪ No fun, my babe 94 00:06:26,968 --> 00:06:30,052 ♪ No fun 95 00:06:30,513 --> 00:06:33,799 ♪ No fun, my babe 96 00:06:33,891 --> 00:06:36,465 ♪ No fun 97 00:06:38,062 --> 00:06:40,933 ♪ No fun to be alone 98 00:06:41,190 --> 00:06:43,860 ♪ Alone and by myself 99 00:06:44,444 --> 00:06:47,647 ♪ No fun to be alone 100 00:06:47,947 --> 00:06:49,110 ♪ in love 101 00:06:50,408 --> 00:06:53,362 ♪ With nobody else ♪ 102 00:06:56,122 --> 00:07:00,914 June 4th 1976. The Sex Pistols play Manchester for the very first time. 103 00:07:01,002 --> 00:07:03,575 There are only 42 people in the audience... 104 00:07:03,671 --> 00:07:07,918 but every single one is feeding on a power, an energy and a magic. 105 00:07:08,009 --> 00:07:11,841 Inspired, they will go out and perform wondrous deeds. 106 00:07:11,929 --> 00:07:16,426 For instance, Howard Devoto, at the front, Pete Shelley, at the back. 107 00:07:16,517 --> 00:07:18,011 They organised this gig. 108 00:07:18,102 --> 00:07:20,142 They're way ahead of everyone in Manchester. 109 00:07:20,229 --> 00:07:21,688 They're already the Buzzcocks. 110 00:07:21,773 --> 00:07:24,524 ♪ Ever fallen in love? In love with someone? 111 00:07:24,609 --> 00:07:26,019 ♪ Ever fallen in love? ♪ 112 00:07:26,110 --> 00:07:28,435 Howard later sleeps with my wife. 113 00:07:28,529 --> 00:07:30,569 Behind me are Stiff Kittens... 114 00:07:30,656 --> 00:07:34,156 soon to become Warsaw, later to become Joy Division... 115 00:07:34,243 --> 00:07:35,363 finally to become New Order. 116 00:07:35,453 --> 00:07:38,703 - (♪ World in Motion) - ♪ We're playing for England 117 00:07:38,790 --> 00:07:41,577 - (crowd) ♪ in-ger-land. - ♪ We're singing this song ♪ 118 00:07:41,667 --> 00:07:45,001 Ginger nut: Mick Hucknall. 119 00:07:45,088 --> 00:07:49,037 ♪ I can't even qualify for my pension ♪ 120 00:07:50,176 --> 00:07:52,334 That's John the Postman. 121 00:07:52,428 --> 00:07:54,919 He's... a postman. 122 00:07:56,057 --> 00:07:59,508 And that guy dancing at the front, that's Martin Hannett... 123 00:07:59,602 --> 00:08:02,936 the only bona fide genius in this story. 124 00:08:04,440 --> 00:08:08,390 Well, one of the only two bona fide geniuses in this story. 125 00:08:08,486 --> 00:08:10,775 He will later try to kill me. 126 00:08:18,246 --> 00:08:20,119 ♪ No fun 127 00:08:20,206 --> 00:08:21,831 ♪ My babe 128 00:08:21,916 --> 00:08:24,454 ♪ No fun 129 00:08:25,586 --> 00:08:28,256 ♪ No fun, my babe 130 00:08:28,339 --> 00:08:31,838 ♪ No fun 131 00:08:32,969 --> 00:08:35,376 ♪ No fun to be alone 132 00:08:36,514 --> 00:08:39,301 ♪ Alone and by myself 133 00:08:39,392 --> 00:08:43,224 ♪ No fun to be alone 134 00:08:43,312 --> 00:08:44,771 ♪ in love 135 00:08:45,898 --> 00:08:49,766 ♪ With nobody else ♪ 136 00:08:49,861 --> 00:08:52,316 Goodnight, Manchester. 137 00:08:53,740 --> 00:08:55,779 Thanks for your bullshit. 138 00:08:59,704 --> 00:09:01,531 ♪ Louie, Louie 139 00:09:01,622 --> 00:09:03,330 ♪ Whoa 140 00:09:03,416 --> 00:09:05,076 ♪ We gotta go 141 00:09:05,168 --> 00:09:06,994 ♪ Yeah 142 00:09:07,086 --> 00:09:09,126 ♪ Louie, Louie 143 00:09:09,213 --> 00:09:11,883 ♪ Whoa, they know, they know ♪ 144 00:09:15,094 --> 00:09:16,838 Must go. 145 00:09:18,139 --> 00:09:20,178 Oh, no, not David. No. 146 00:09:21,100 --> 00:09:22,725 He goes. 147 00:09:25,271 --> 00:09:27,844 - (sighs) - What's wrong? 148 00:09:27,940 --> 00:09:31,890 These jeans, they sort of, er... they go right up me crotch. 149 00:09:31,986 --> 00:09:33,646 - (♪ John Martyn: SolidAir) - Too tight for you. 150 00:09:33,738 --> 00:09:37,071 I'm telling you, they cut... they cut straight between my balls. 151 00:09:37,158 --> 00:09:40,859 You're not a regular shape, though, are you? 152 00:09:41,370 --> 00:09:44,206 - Pardon? - For jeans. 153 00:09:44,290 --> 00:09:46,959 - What do you mean? - You've got big hips. 154 00:09:47,335 --> 00:09:50,122 (laughs) I have not got big hips. 155 00:09:50,213 --> 00:09:53,083 Yeah, you have. You've got huge hips for a man. 156 00:09:53,174 --> 00:09:55,795 That's fucking ridiculous... Lindsay, I've not got big hips. 157 00:09:55,885 --> 00:09:58,921 - You've got bigger hips than me. - That's fucking bullshit. 158 00:09:59,013 --> 00:10:01,587 It's really good stuff, isn't it? 159 00:10:01,682 --> 00:10:04,518 Yeah, this is good. Where... Where'd you get it from? 160 00:10:04,602 --> 00:10:08,469 Mate of mine brought it back from his holidays. 161 00:10:08,564 --> 00:10:10,687 What, Caribbean? 162 00:10:10,775 --> 00:10:13,396 Rhyl. The Sun Centre in Rhyl. 163 00:10:16,280 --> 00:10:17,691 Right. 164 00:10:19,409 --> 00:10:20,867 Right. 165 00:10:21,994 --> 00:10:24,034 I would describe it as history. 166 00:10:24,122 --> 00:10:26,992 How could it be history? There were only 42 people at the gig. 167 00:10:27,083 --> 00:10:29,643 What difference does that make? How many were at the Last Supper? 168 00:10:29,669 --> 00:10:31,080 Er, 12. 169 00:10:31,170 --> 00:10:33,210 Well, er, 13 including Jesus. 170 00:10:33,297 --> 00:10:36,548 - Hi, Tony. Have you recovered? - It's not historically documented. 171 00:10:36,634 --> 00:10:40,133 In other words, not many. How many were at the murder of Julius Caesar? 172 00:10:40,221 --> 00:10:44,432 - I don't know, Tony, you tell me. - Five. So shut up, then. 173 00:10:44,809 --> 00:10:47,845 I'm Tony Wilson. Here we are, as we are, So It Goes. 174 00:10:47,937 --> 00:10:51,057 On tonight's show I'll be talking to Alice Cooper, live at the Apollo. 175 00:10:51,149 --> 00:10:54,518 Apparently he'll be hanging a dwarf live on stage. 176 00:10:54,610 --> 00:10:57,777 But, first, two minutes of the most important music... 177 00:10:57,864 --> 00:11:00,900 since Elvis walked into the Sun Studios in Memphis. 178 00:11:00,992 --> 00:11:03,613 The Sex Pistols and Anarchy in The UK. 179 00:11:03,703 --> 00:11:05,530 ♪ And I am an anarchist 180 00:11:08,207 --> 00:11:10,414 ♪ Don't know what I want but I know how to get it 181 00:11:10,501 --> 00:11:13,419 ♪ I wanna destroy the passer-by 182 00:11:13,504 --> 00:11:15,746 ♪ Cos I 183 00:11:16,883 --> 00:11:20,334 ♪ I wanna be... ♪ 184 00:11:20,428 --> 00:11:25,006 In 1976 two or three people controlled all the music on television. 185 00:11:25,099 --> 00:11:27,341 And they didn't like punk. 186 00:11:27,435 --> 00:11:28,977 So, for a year... 187 00:11:29,061 --> 00:11:31,932 if you wanted to see the most exciting bands in the world... 188 00:11:32,023 --> 00:11:34,774 they were on a regional show coming out of Manchester. 189 00:11:36,110 --> 00:11:38,150 My show. 190 00:11:38,237 --> 00:11:41,902 - (♪ Make Up 2 Break Up) - ..when foundation's on my face 191 00:11:41,991 --> 00:11:44,280 ♪ Foundation on my face Eye! Eye! Eye! 192 00:11:44,368 --> 00:11:47,619 ♪ Shadow on the cheekbones 193 00:11:47,705 --> 00:11:49,532 ♪ Hides the gaze of death's face 194 00:11:49,624 --> 00:11:52,957 ♪ A death's-head thrown across me 195 00:11:53,044 --> 00:11:56,709 ♪ Sitting, sitting, sitting out of place 196 00:11:56,798 --> 00:11:58,921 ♪ Sitting out of place ♪ 197 00:11:59,008 --> 00:12:00,882 (♪ The Passenger) 198 00:12:00,968 --> 00:12:03,506 ♪ What does he see? 199 00:12:04,639 --> 00:12:07,474 ♪ He sees the bright and hollow sky 200 00:12:08,935 --> 00:12:11,556 ♪ He sees the stars come out tonight 201 00:12:11,646 --> 00:12:14,397 ♪ He sees the city's ripped backsides 202 00:12:15,942 --> 00:12:18,812 ♪ And all the winding ocean drive 203 00:12:18,903 --> 00:12:21,572 ♪ And everything was made for you and me 204 00:12:23,116 --> 00:12:25,867 ♪ All of it was made for you and me 205 00:12:25,952 --> 00:12:29,700 ♪ It just belongs to you and me 206 00:12:29,789 --> 00:12:32,031 ♪ Let's take a ride... ♪ 207 00:12:32,125 --> 00:12:35,291 - (♪ In The City) - ♪ You make me look a fool 208 00:12:35,378 --> 00:12:36,789 ♪ I wanna say 209 00:12:37,922 --> 00:12:40,460 ♪ I wanna tell you 210 00:12:40,550 --> 00:12:42,957 ♪ About the young ideas 211 00:12:43,052 --> 00:12:46,670 ♪ You'd better listen now you've said your bit 212 00:12:46,764 --> 00:12:49,967 - (♪ No More Heroes) - ♪ Whatever happened to 213 00:12:50,059 --> 00:12:51,304 ♪ Dear old Lenny? 214 00:12:53,312 --> 00:12:55,601 ♪ The great Elmyra?... ♪ 215 00:12:56,566 --> 00:12:58,605 The Stranglers. Amazing. 216 00:12:58,693 --> 00:13:00,732 - Class act, that. - They're shit. 217 00:13:00,820 --> 00:13:04,153 - They're a bunch of wankers. - Hey. Language. 218 00:13:04,240 --> 00:13:06,280 (♪ Karl Denver: Wimoweh) 219 00:13:06,367 --> 00:13:08,656 - This is better. - (imitates) 220 00:13:08,745 --> 00:13:11,070 Now, this guy... 221 00:13:11,164 --> 00:13:13,785 I fuckin' love this guy. This guy is fantastic. 222 00:13:13,875 --> 00:13:15,333 Listen to that voice. 223 00:13:15,418 --> 00:13:19,831 ♪ Ah-woo ee-oo-ee-oo woo-woo-aaaayy ♪ 224 00:13:19,922 --> 00:13:22,757 - Listen to him. - Looks a bit... homo, with that... 225 00:13:22,842 --> 00:13:25,415 Nah, man, that's part of it, the big drop-handle moustache. 226 00:13:25,511 --> 00:13:27,551 - Oh, no, I don't know about that. - Brilliant. 227 00:13:27,638 --> 00:13:30,343 ♪ (yodels) ♪ 228 00:13:31,434 --> 00:13:34,518 Guy with the handlebar moustache, that is Karl Denver. 229 00:13:34,604 --> 00:13:37,723 This is Shaun Ryder and that one is Paul. 230 00:13:37,815 --> 00:13:41,101 Later they become the Happy Mondays and get Karl Denver to sing with them. 231 00:13:41,194 --> 00:13:45,061 - (♪ Lazyitis) - ♪ Somebody who just loves to run 232 00:13:45,156 --> 00:13:48,821 ♪ One child grows up to be... ♪ 233 00:13:48,910 --> 00:13:51,365 We'll be hearing more from the Happy Mondays later... 234 00:13:51,454 --> 00:13:55,202 but right now I'm getting tired of just putting bands on television... 235 00:13:55,291 --> 00:13:59,289 so I'm about to open a live-music venue. 236 00:13:59,378 --> 00:14:01,003 It's, er... 237 00:14:01,089 --> 00:14:03,461 - It's a bit of a dump, isn't it? - Not Las Vegas, is it? 238 00:14:03,549 --> 00:14:07,214 - Go round to the left, Tony. - Dog shite everywhere. Disgusting. 239 00:14:07,303 --> 00:14:10,886 Yeah, well, it's urban, it's exciting. It's exactly the place we should be. 240 00:14:10,973 --> 00:14:12,254 (dogs bark) 241 00:14:12,350 --> 00:14:14,639 You don't think those kids will nick the car? 242 00:14:14,727 --> 00:14:18,096 - They're not gonna nick the car. - Are you sure? 243 00:14:18,189 --> 00:14:20,858 - Right, the reason we're here... - Margaret? 244 00:14:20,942 --> 00:14:23,978 Because of the explosion of music with New Wave... 245 00:14:24,070 --> 00:14:26,359 there's lots of exciting bands happening... 246 00:14:26,447 --> 00:14:29,407 and I just think that, culturally, Manchester's slightly lagging behind. 247 00:14:29,450 --> 00:14:32,902 Yeah, to get into a nightclub you have to dress like a hairdresser. 248 00:14:32,995 --> 00:14:35,284 - Yeah. - The wife's a hairdresser. 249 00:14:35,373 --> 00:14:36,950 Well, that's great... 250 00:14:37,041 --> 00:14:40,161 but some people aren't, and they've got a right to dance and party. 251 00:14:40,253 --> 00:14:42,708 - I'm Tonay. - Hi. Nice to meet you. 252 00:14:42,797 --> 00:14:43,828 Sorry, this is Tony. 253 00:14:43,923 --> 00:14:46,841 Tonay doesn't believe in, er, television. 254 00:14:46,926 --> 00:14:50,093 I was just saying, cos it's funny cos, erm... Tony's on the telly. 255 00:14:50,179 --> 00:14:53,679 You know what I call television? The idiot box. 256 00:14:53,766 --> 00:14:56,388 - Idiot box. - Yeah, there's a lot of rubbish on. 257 00:14:56,477 --> 00:14:58,304 We split the door 60/40 to me. 258 00:14:58,396 --> 00:15:01,266 The band, they get a crate of ale. You can have Fridays. All right? 259 00:15:01,357 --> 00:15:03,433 - OK. - Look round while I do the till. 260 00:15:03,526 --> 00:15:05,020 OK. Thank you. 261 00:15:05,111 --> 00:15:06,771 Linds. Come on. 262 00:15:10,324 --> 00:15:13,409 - It stinks in here. - Erm, there's a problem. 263 00:15:13,828 --> 00:15:16,117 You never told me he was called Tony. 264 00:15:16,205 --> 00:15:18,032 - Who? - What's up? 265 00:15:18,124 --> 00:15:20,282 Tony. There's two Tonys. 266 00:15:20,376 --> 00:15:22,001 Yeah? 267 00:15:22,086 --> 00:15:25,704 Well, that... that... that... Straight away that's a... that's... 268 00:15:25,798 --> 00:15:28,206 Can you not see how that's a potential problem? 269 00:15:28,301 --> 00:15:32,168 He's in charge of the club, I'm in charge of whatever it is we're doing. 270 00:15:32,263 --> 00:15:34,719 There's two Tonys on equal pegging, there's a confrontation. 271 00:15:34,807 --> 00:15:37,345 - Who's Tony one, who's Tony two? - For fuck's sake, Tony. 272 00:15:37,435 --> 00:15:41,267 - We'll need some differentiation. - Yeah, but he's not called Tony. 273 00:15:41,355 --> 00:15:44,807 He's called Tonay. You know, Don... Tonay. 274 00:15:44,901 --> 00:15:47,024 It's his fucking surname, Tone. 275 00:15:47,111 --> 00:15:48,938 - Is it? - Yeah. 276 00:15:49,030 --> 00:15:50,654 It's a bit grubby. 277 00:15:50,740 --> 00:15:53,445 Yeah, I know, but we can get it cleaned up for the nights we're in. 278 00:15:53,534 --> 00:15:56,156 - Use your scrubbers to clean it up. - That's worse. 279 00:15:56,245 --> 00:15:58,321 What is worse, Tony? 280 00:15:58,414 --> 00:16:00,206 Well... 281 00:16:00,291 --> 00:16:04,620 Sorry to harp on about this, but that makes him Mr Tonay and I'm just Tony. 282 00:16:04,712 --> 00:16:06,752 - (laughs) - What's wrong with that, Tony? 283 00:16:06,839 --> 00:16:09,876 Well, there's a hierarchy there straight away: Mister. 284 00:16:09,967 --> 00:16:12,340 "Mr Tonay is more important than Tony. 'hello, Mr Tonay." 285 00:16:12,428 --> 00:16:15,678 'yes, Mister. No, Mister." And plain old Tony. "Tony, me mate." 286 00:16:15,765 --> 00:16:17,639 I've got to have some credibility. 287 00:16:17,725 --> 00:16:20,216 Why don't you just call him Don? How about that? 288 00:16:20,311 --> 00:16:22,767 See if he goes for that. Call him Don. 289 00:16:24,148 --> 00:16:26,390 - Don... - We're trying to set up a club. 290 00:16:26,484 --> 00:16:29,520 - (dogs bark) - What kind of music you bringing in? 291 00:16:29,612 --> 00:16:31,937 Erm, sort of, er... New Wave. 292 00:16:32,031 --> 00:16:33,442 Kinda indie. 293 00:16:33,533 --> 00:16:35,157 - Indian?! - No, indie. 294 00:16:35,243 --> 00:16:38,113 (spits) Don't want any of that. Don't like that ska. 295 00:16:38,204 --> 00:16:40,031 - OK. - Don't want any of that. 296 00:16:40,123 --> 00:16:42,614 A notion. I'll leave you with this: Heavy metal. 297 00:16:42,708 --> 00:16:46,623 Get one of them bands in here. They drink like the fuckin' Queen Mother. 298 00:16:46,712 --> 00:16:48,871 - Leave you with that. - Nice car, Don. 299 00:16:48,965 --> 00:16:51,716 - She's thirsty. - See you, Don! 300 00:16:53,636 --> 00:16:56,720 - I think the name thing went OK. - He heard you that time. 301 00:16:56,806 --> 00:16:58,845 - I was gonna be a don. - (car horn) 302 00:16:58,933 --> 00:17:02,017 I was gonna be a Virgil till me mum lost her bottle at the last minute. 303 00:17:02,103 --> 00:17:05,020 - No, he means he was gonna be a don. - I went to Cambridge. 304 00:17:05,106 --> 00:17:07,597 What about a name for the club? 305 00:17:07,817 --> 00:17:11,945 Call it Factory. I like that. Bit Andy Warhol. 306 00:17:12,029 --> 00:17:13,572 Bit LS Lowry. 307 00:17:13,656 --> 00:17:16,859 I just saw a sign on the wall, said "Factory closing"... 308 00:17:16,951 --> 00:17:19,620 and I thought we can have one going "Factory opening". 309 00:17:22,290 --> 00:17:24,791 - (♪ The Clash: Janie Jones) - ♪ And he's just like me and you 310 00:17:24,792 --> 00:17:26,832 Mal, when you come down to me... 311 00:17:26,919 --> 00:17:30,039 can you just make sure you just get a glimpse of my boot? 312 00:17:30,131 --> 00:17:32,752 Just... OK, if it gets on screen I get a clothing allowance. 313 00:17:32,842 --> 00:17:34,122 - OK. - Yeah. OK. 314 00:17:34,218 --> 00:17:35,962 ♪ He's in love with Janie Jones, whoa... 315 00:17:36,053 --> 00:17:38,627 That is the Clash, this was So It Goes... 316 00:17:38,723 --> 00:17:41,344 and, as it goes, so it went. It's all over. 317 00:17:41,434 --> 00:17:44,518 If you wanna hear good music from now on, get off the couch... 318 00:17:44,604 --> 00:17:49,230 and go down to the Factory night at the Russell Club every Friday. 319 00:17:49,317 --> 00:17:51,808 Go forth and preach the gospel. Good night. 320 00:17:51,903 --> 00:17:54,310 ♪ ..How he feels 321 00:17:54,405 --> 00:17:56,445 ♪ Pretty bad ♪ 322 00:17:57,575 --> 00:17:59,615 There's quite a few. 323 00:17:59,702 --> 00:18:02,110 If they've started letting them in, that's a good crowd. 324 00:18:02,205 --> 00:18:04,411 - Fucking cock! - Wanker. 325 00:18:04,499 --> 00:18:06,906 - That's original. - I like your hair(!) 326 00:18:07,001 --> 00:18:08,745 - Oh, fuck you. - Why does he let people say that? 327 00:18:08,836 --> 00:18:12,834 He doesn't care what they say as long as they're talking about him. 328 00:18:12,924 --> 00:18:14,334 You know that, Alan. 329 00:18:14,425 --> 00:18:16,632 - Someone who likes me. Hi. - I love you. Will you sign this? 330 00:18:16,719 --> 00:18:19,506 - Yeah. What's your name? - John. 331 00:18:21,015 --> 00:18:23,636 - Oh, hello, Mark. - Hi, Tony. All right? 332 00:18:24,811 --> 00:18:28,226 Tony, I really miss your programme so I thought, to get it back on telly... 333 00:18:28,314 --> 00:18:31,268 Oi, oi. He don't want it to come back. 334 00:18:31,359 --> 00:18:35,403 He wants it to be gone forever so it can become a legend. Don't ya? 335 00:18:35,488 --> 00:18:38,691 A man with a grasp of semiotics. There's your answer, sweetheart. 336 00:18:38,783 --> 00:18:41,700 - Can I get you half a lager? - You can get me a pint. 337 00:18:41,786 --> 00:18:43,825 Right, OK. Right. 338 00:18:45,665 --> 00:18:48,749 - Wilson, you fucking cunt! - That's original. 339 00:18:48,960 --> 00:18:50,584 Your drink's coming. 340 00:18:51,379 --> 00:18:54,463 - Is he a friend of yours? - Yeah, he's our singer. 341 00:18:54,549 --> 00:18:56,790 Out the way, Steve. 342 00:18:56,884 --> 00:18:59,802 Hi, Tony Wilson. Pleased to meet you. 343 00:19:02,306 --> 00:19:03,717 Is he gonna hit me? 344 00:19:03,808 --> 00:19:06,928 - You're quite close to me there. - Yeah, I know. I wanna be. 345 00:19:07,019 --> 00:19:08,430 Why? 346 00:19:08,521 --> 00:19:12,139 - Cos you're a cunt, mate. - I know, I heard you the first time. 347 00:19:13,276 --> 00:19:16,645 - (♪ You've Heard It Before) - ♪ Your smile breaking my heart 348 00:19:16,738 --> 00:19:18,896 ♪ Taking some time out 349 00:19:18,990 --> 00:19:19,990 ♪ Away from the places 350 00:19:21,534 --> 00:19:24,072 Got to stop him singing, Tony. 351 00:19:24,162 --> 00:19:27,862 It's avant-garde. You wouldn't understand it. 352 00:19:27,957 --> 00:19:30,413 It's very poor. Very poor. 353 00:19:32,628 --> 00:19:34,668 - Try and dance to that... - It's provocative. 354 00:19:34,756 --> 00:19:36,878 Provocatively poor. 355 00:19:36,966 --> 00:19:38,674 Appallingly poor. 356 00:19:38,760 --> 00:19:40,882 ♪ Oh, you've heard it before ♪ 357 00:19:40,970 --> 00:19:44,671 They're not calling you the new George Epstein, you know. 358 00:19:44,766 --> 00:19:48,099 - It's Brian Epstein. - George Epstein, Beatles manager. 359 00:19:48,186 --> 00:19:50,346 - That's Brian Epstein, you dickhead. - George Epstein. 360 00:19:50,438 --> 00:19:52,727 - It's fucking Brian Epstein. - It's Brian Martin. 361 00:19:52,815 --> 00:19:54,226 It's George Martin, you knob. 362 00:19:54,317 --> 00:19:56,986 Brian Martin the producer, George Epstein the, er... manager. 363 00:19:57,070 --> 00:19:59,109 - Come on, let's sit down. - You're just fucking wrong. 364 00:19:59,197 --> 00:20:00,607 (♪ Digital) 365 00:20:10,124 --> 00:20:12,580 The introduction's not usually this long. 366 00:20:12,668 --> 00:20:15,373 I think the singer's in the toilet. 367 00:20:21,803 --> 00:20:24,258 Where've you been, you twat?! 368 00:20:32,438 --> 00:20:34,395 ♪ Feel it closing in 369 00:20:35,525 --> 00:20:37,980 ♪ Feel it closing in 370 00:20:38,069 --> 00:20:40,145 ♪ A fear of whom I call 371 00:20:41,906 --> 00:20:43,484 ♪ Hearing someone call 372 00:20:43,574 --> 00:20:46,112 ♪ I feel it closing in 373 00:20:46,327 --> 00:20:49,198 ♪ I feel it closing in 374 00:20:49,288 --> 00:20:50,368 ♪ Day in, day out 375 00:20:50,581 --> 00:20:51,779 ♪ Day in, day out 376 00:20:51,999 --> 00:20:52,999 ♪ Day in, day out 377 00:20:53,167 --> 00:20:54,959 ♪ Day in, day out 378 00:20:55,169 --> 00:20:56,367 ♪ Day in, day out 379 00:20:56,587 --> 00:20:58,082 ♪ Day in, day out 380 00:21:14,355 --> 00:21:16,514 ♪ I feel it closing in 381 00:21:17,108 --> 00:21:18,436 ♪ As patterns seem to form 382 00:21:19,861 --> 00:21:21,485 ♪ I feel it cold and warm 383 00:21:22,613 --> 00:21:24,653 ♪ As shadows start to fall 384 00:21:25,783 --> 00:21:27,657 ♪ I feel it closing in 385 00:21:28,786 --> 00:21:31,075 ♪ Feel it closing in 386 00:21:31,164 --> 00:21:32,539 ♪ Day in, day out 387 00:21:32,749 --> 00:21:33,863 ♪ Day in, day out 388 00:21:34,000 --> 00:21:35,459 ♪ Day in, day out 389 00:21:35,626 --> 00:21:37,121 ♪ Day in, day out 390 00:21:37,295 --> 00:21:39,287 ♪ Day in, day out ♪ 391 00:21:52,143 --> 00:21:54,100 (crowd roars) 392 00:22:00,651 --> 00:22:03,818 ♪ Louie, Louie Whoa ♪ 393 00:22:07,158 --> 00:22:09,197 - 60/40 to you, we said. - Smashing. 394 00:22:09,285 --> 00:22:12,986 There's a pound, get yourself a drink. Come with me. Follow Uncle Tonay. 395 00:22:13,081 --> 00:22:16,247 Yeah. Well... Well... I'm not... I'm not... I don't do any coke. 396 00:22:16,334 --> 00:22:17,662 Where are we going? 397 00:22:17,752 --> 00:22:20,836 Cos... you know, it's just that I've got, er... 398 00:22:20,922 --> 00:22:23,294 - Shh. Come on. - What are we doing? 399 00:22:23,382 --> 00:22:25,624 Let's have a nosh to seal the bargain. 400 00:22:25,718 --> 00:22:29,383 - I've eaten, actually... Don. - Oh, we won't be eating, my friend. 401 00:22:29,472 --> 00:22:31,714 When the Don's hungry, the Don eats. 402 00:22:31,808 --> 00:22:33,218 Wahey! 403 00:22:33,309 --> 00:22:35,847 Hello, girls! Your Uncle Don's here. 404 00:22:35,937 --> 00:22:37,976 - Come on. Jump in, Tony. - How's about a tit-wank? 405 00:22:38,064 --> 00:22:40,816 - Don't be shy. Come on. - Yes, please. Is that all right? 406 00:22:40,900 --> 00:22:43,818 - On your knees and eat! - (laughs) Careful! 407 00:22:48,074 --> 00:22:49,983 Alan, where is he? 408 00:22:50,076 --> 00:22:52,282 - Where's who, babe? - Tony. I can't find him. 409 00:22:52,370 --> 00:22:56,498 I think he went out... Aah! I think he went outside with Don. 410 00:22:58,543 --> 00:23:00,582 - Do you mind if I just... - Take it all off. 411 00:23:00,670 --> 00:23:03,042 I... You don't mind if I just poke it through the side? 412 00:23:03,131 --> 00:23:04,589 - (laughs) - No! 413 00:23:04,674 --> 00:23:07,342 - Well, that's what I normally do. - I think it's too big for that. 414 00:23:07,343 --> 00:23:09,170 Come on, Tony, don't be shy! 415 00:23:09,262 --> 00:23:11,420 - Is that what you do at home? - Yes. 416 00:23:11,514 --> 00:23:15,512 - (gasps) Feel that. Just have a feel. - Oh, that's nice, that, innit? 417 00:23:15,601 --> 00:23:16,431 Oh, aye, yeah. 418 00:23:16,519 --> 00:23:19,057 (groans) Do you mind if I touch your tits while you're doing it? 419 00:23:19,147 --> 00:23:21,519 - Mm-mm. - Thank you. 420 00:23:21,607 --> 00:23:24,941 Go on, Tony. Put that on your TV show. 421 00:23:30,533 --> 00:23:31,944 Tony? 422 00:23:32,034 --> 00:23:33,445 (laughter) 423 00:23:37,039 --> 00:23:38,284 Tony. 424 00:23:38,374 --> 00:23:40,746 - 'Ey, shut the fuckin' door. - 'Ey, 'ey, 'ey! 425 00:23:40,835 --> 00:23:42,911 - It's not how it looks, love. - Come in, love! 426 00:23:43,004 --> 00:23:44,712 What are you doing, Tony? 427 00:23:44,797 --> 00:23:47,419 - Come on in, love! Join the party. - It's not how it looks. 428 00:23:47,508 --> 00:23:49,880 - Don put me up to it. He made me. - Coming in? 429 00:23:49,969 --> 00:23:51,463 - (girl giggles) - Yeah? 430 00:23:51,554 --> 00:23:53,796 - It's not how it seems, right? - Are you coming in, or what? 431 00:23:53,890 --> 00:23:56,048 - If you're not coming in, fuck off. - Leave it, that's my wife. 432 00:23:56,142 --> 00:23:58,135 - Go on! - That's my wife... Tonay? 433 00:23:58,227 --> 00:24:01,014 - What you doing, Tony? - Go on. 434 00:24:01,105 --> 00:24:03,264 That's my wife. Listen, I... I love you. 435 00:24:03,357 --> 00:24:05,599 - I love you. - (laughter) 436 00:24:07,904 --> 00:24:10,359 Can you... Can you finish me off? 437 00:24:29,884 --> 00:24:31,924 - God bless. - See ya. 438 00:24:39,936 --> 00:24:42,771 - Hello. - Ah, posters, Tony. 439 00:24:42,855 --> 00:24:45,560 You've got the posters?! This is the fucking gig. 440 00:24:45,650 --> 00:24:47,726 Yeah, I know. Took ages to get the right yellow. 441 00:24:47,819 --> 00:24:50,226 - The gig's over. - I know. 442 00:24:53,658 --> 00:24:55,734 That's fucking great... actually. 443 00:24:55,910 --> 00:24:57,950 Yeah, it's really nice. 444 00:24:58,037 --> 00:25:01,905 It's beautiful. But useless. And as William Morris once said... 445 00:25:01,999 --> 00:25:04,407 "Nothing useless can be truly beautiful." 446 00:25:07,463 --> 00:25:09,207 - You know what? - All right, Tone. 447 00:25:09,298 --> 00:25:10,757 Yeah. 448 00:25:10,842 --> 00:25:14,258 - Heather, this is Tony Wilson. - All right, love. 449 00:25:14,345 --> 00:25:16,587 You seen Lindsay? 450 00:25:16,681 --> 00:25:18,804 She went off with Howard. 451 00:25:20,768 --> 00:25:22,013 She, er... 452 00:25:22,103 --> 00:25:26,183 She just caught me getting a blow job off a hooker in the back of a van. 453 00:25:29,277 --> 00:25:31,850 Better go and get her. 454 00:25:35,783 --> 00:25:38,357 - (water runs) - (woman laughs) 455 00:25:40,830 --> 00:25:43,119 (man and woman pant) 456 00:25:47,587 --> 00:25:48,785 (clears throat) 457 00:25:48,880 --> 00:25:50,290 Excuse me. 458 00:25:51,340 --> 00:25:52,835 (Lindsay moans) 459 00:25:52,925 --> 00:25:54,965 - Hi, Tony. - Hi. 460 00:25:56,846 --> 00:25:59,302 Erm... have you got the car keys? 461 00:26:00,057 --> 00:26:02,679 - In me bag. - Thanks. 462 00:26:02,769 --> 00:26:04,595 (moaning) 463 00:26:05,229 --> 00:26:08,100 I only got a blow job. That's full penetration. 464 00:26:08,191 --> 00:26:11,394 - (louder moaning) - See you, Howard. 465 00:26:11,486 --> 00:26:13,525 See ya, Tony. 466 00:26:14,489 --> 00:26:15,568 All right? 467 00:26:15,656 --> 00:26:17,815 (moaning) 468 00:26:17,909 --> 00:26:20,660 I definitely don't remember this happening. 469 00:26:20,745 --> 00:26:23,366 This is the real Howard Devoto. 470 00:26:23,456 --> 00:26:26,623 He and Lindsay insisted we made clear that this never happened. 471 00:26:26,709 --> 00:26:28,749 But I agree with John Ford. 472 00:26:28,836 --> 00:26:32,086 When you have to choose between truth and legend, print the legend. 473 00:26:34,759 --> 00:26:36,633 I thought their name was Warsaw. 474 00:26:36,719 --> 00:26:40,218 You can't have a band called Warsaw. You can't put that on a poster. 475 00:26:40,306 --> 00:26:42,678 People would think it was a holiday advert. 476 00:26:42,767 --> 00:26:45,970 Joy Division: Do you know what that is, Mr Wilson? 477 00:26:46,062 --> 00:26:49,810 It's when the Nazis, er... picked out racially pure women... 478 00:26:49,899 --> 00:26:51,274 and, er, had sex with them. 479 00:26:51,359 --> 00:26:54,360 Yeah, well, Joy Division, that's us, eh? 480 00:26:54,445 --> 00:26:56,817 - Well, it's a very Nazi name. - So? 481 00:26:56,906 --> 00:26:59,479 Yeah, but it's quite... cheery, as well. 482 00:26:59,575 --> 00:27:01,568 - You know: "joy". - Yeah. 483 00:27:01,661 --> 00:27:04,152 Like a... division of joy or something. 484 00:27:04,247 --> 00:27:06,405 - Joy. - Joy... Division. 485 00:27:06,499 --> 00:27:08,871 Let's all say that together. One, two, three... 486 00:27:08,960 --> 00:27:11,533 - Joy. - Joy. 487 00:27:11,629 --> 00:27:14,085 Look at that flat-bottomed valley. 488 00:27:15,049 --> 00:27:17,967 It wasn't always crazy between me and Lindsay. 489 00:27:18,052 --> 00:27:20,508 Most days we were just another young couple... 490 00:27:20,596 --> 00:27:23,266 who wanted all the things young couples want. 491 00:27:23,349 --> 00:27:26,303 Nice house, nice car and a couple of kids. 492 00:27:26,394 --> 00:27:29,763 Enjoy the walk, cos it's just you and me. 493 00:27:31,482 --> 00:27:34,483 Would you like a little Tony and a little Lindsay walking around? 494 00:27:34,569 --> 00:27:36,894 No, it'd be a nightmare. 495 00:27:36,988 --> 00:27:38,447 - I like to be free. - OK. 496 00:27:38,531 --> 00:27:41,532 OK. All right, that's the last... last word I'll say on the subject. 497 00:27:41,617 --> 00:27:44,821 Two words: Body clock. OK? Body clock. 498 00:27:44,912 --> 00:27:47,368 - How are you doing? - All right? 499 00:27:47,457 --> 00:27:50,244 - Hello, I'm here. - All right, Tone? 500 00:27:50,334 --> 00:27:52,374 That's us. That's us. 501 00:27:53,463 --> 00:27:57,330 The majors are the Status Quo and we're not, we're the anarchists. 502 00:27:57,425 --> 00:28:00,758 It's gonna be like a co-op, we're all gonna share in the proceeds. 503 00:28:00,845 --> 00:28:03,514 We pay for the costs and everything and the rest of it is 50/50. 504 00:28:03,598 --> 00:28:06,053 50 Factory, 50 per cent goes to the artist. 505 00:28:06,142 --> 00:28:08,181 Alan's gonna be head of business affairs. 506 00:28:08,269 --> 00:28:10,725 It's Red Leb, that. Have you smelt it? Smell that. 507 00:28:10,813 --> 00:28:12,094 Smell that. 508 00:28:12,190 --> 00:28:15,440 I'm giving you total creative freedom. Right? 509 00:28:15,526 --> 00:28:16,855 It's dead fucking simple. 510 00:28:16,944 --> 00:28:19,151 You don't like us, you fuck off. I don't like you, I fuck off. 511 00:28:19,238 --> 00:28:22,607 I'll write you a contract saying there's no contract in me own blood. 512 00:28:22,700 --> 00:28:25,238 - I'll do it if you want. - Not in his own blood! 513 00:28:25,328 --> 00:28:27,036 - Here you are. - I'll do it. 514 00:28:27,121 --> 00:28:29,493 - You write it... in your own blood. - No, don't give him the dirty knife. 515 00:28:29,582 --> 00:28:33,081 In the wo... in the words of the great prophet, "I dares do owt." 516 00:28:33,169 --> 00:28:36,170 - Oh, it ain't legal, this. - Come on. 517 00:28:36,255 --> 00:28:39,209 - Oh, he's done it, he's done it! - There you go. Real blood. 518 00:28:39,300 --> 00:28:40,842 "L..." 519 00:28:41,969 --> 00:28:43,796 "Tony..." 520 00:28:44,347 --> 00:28:46,386 How can you read that? 521 00:28:46,474 --> 00:28:48,513 I'm not sure that'd stand up in court! 522 00:28:48,601 --> 00:28:51,201 What more do you want? He's written the contract in his own blood! 523 00:29:06,077 --> 00:29:07,904 Martin?! 524 00:29:08,621 --> 00:29:10,448 What you doing?! 525 00:29:10,540 --> 00:29:12,579 (coughs) Recording... 526 00:29:13,126 --> 00:29:14,536 silence. 527 00:29:15,461 --> 00:29:17,668 You're recording silence?! 528 00:29:19,674 --> 00:29:22,129 Now I'm recording Tony fucking Wilson. 529 00:29:24,929 --> 00:29:27,681 Erm, we want you to produce a band for us. 530 00:29:28,850 --> 00:29:29,929 Who's us? 531 00:29:30,017 --> 00:29:31,891 Er, Factory Records. 532 00:29:31,978 --> 00:29:34,136 Right, 50 quid an hour. 533 00:29:34,230 --> 00:29:37,350 Plus I wanna be a partner in the company. 534 00:29:37,442 --> 00:29:39,481 See ya. (Coughs) 535 00:29:40,445 --> 00:29:42,852 - See ya. - (coughs) 536 00:29:50,246 --> 00:29:53,829 Stop, stop, stop. Stop that horrible fucking racket, please. 537 00:29:53,916 --> 00:29:55,992 What's wrong with it? 538 00:29:56,085 --> 00:29:57,793 Nothing was wrong with the drumming as such... 539 00:29:57,879 --> 00:30:00,037 it's just that, erm... 540 00:30:00,882 --> 00:30:03,799 people have been playing like that for about... 20,000 years... 541 00:30:03,885 --> 00:30:06,755 and quite frankly, erm... it's boring the arse off me. 542 00:30:06,846 --> 00:30:10,974 Now, let's just try something... a lot simpler, OK? 543 00:30:11,559 --> 00:30:14,394 Faster but slower. 544 00:30:14,812 --> 00:30:16,852 There's logic there somewhere. 545 00:30:16,939 --> 00:30:18,979 - (drumming) - I know what he means. 546 00:30:28,534 --> 00:30:31,488 Right, stop. We got... We got a rattle. 547 00:30:31,579 --> 00:30:33,739 We're going to have to dismantle the whole fucking kit. 548 00:30:33,790 --> 00:30:35,498 You what? 549 00:30:35,583 --> 00:30:37,492 How long's that gonna fucking take? 550 00:30:37,585 --> 00:30:40,705 I don't fucking know. As long as it takes. 551 00:30:41,255 --> 00:30:42,666 Is, er... 552 00:30:42,757 --> 00:30:44,963 ls this still costing us 50 pounds an hour? 553 00:30:45,051 --> 00:30:46,842 We're still working, aren't we? 554 00:30:51,808 --> 00:30:53,931 What I'd like... 555 00:30:54,227 --> 00:30:56,718 is to rebuild it on the roof. 556 00:30:58,231 --> 00:31:00,022 On the roof? 557 00:31:00,108 --> 00:31:02,314 - Yeah. - On the actual roof of the studio? 558 00:31:08,116 --> 00:31:10,108 Bloody hell. 559 00:31:10,201 --> 00:31:12,443 (siren) 560 00:31:14,664 --> 00:31:16,241 Start playing. 561 00:31:16,332 --> 00:31:17,495 How will I know when to stop? 562 00:31:17,583 --> 00:31:21,795 Don't worry about stopping. I'll send someone out when it's time to stop. 563 00:31:21,879 --> 00:31:25,580 (plays drum intro from She's Lost Control) 564 00:31:38,104 --> 00:31:39,515 Sorry. 565 00:31:39,605 --> 00:31:43,306 (softly) Just remember, Tony Wilson's money. 566 00:31:43,401 --> 00:31:47,529 (♪ Bass intro from She's Lost Control) 567 00:31:48,698 --> 00:31:50,737 Right, stop, stop. 568 00:31:50,825 --> 00:31:51,825 Hey. 569 00:31:51,868 --> 00:31:53,030 Stop! 570 00:31:53,119 --> 00:31:55,527 (shouts) Stop! 571 00:31:55,621 --> 00:31:57,661 Fucking retard! 572 00:32:00,877 --> 00:32:03,664 - You... You wear it very well. - What?! 573 00:32:03,755 --> 00:32:07,088 You wear it very well, now play like a fucking musician. 574 00:32:09,051 --> 00:32:11,091 Fucking prick. 575 00:32:12,388 --> 00:32:15,093 - Listen to it in the car. - It'll sound rubbish in the car. 576 00:32:15,183 --> 00:32:18,053 We've got to see what it sounds like on a transistor radio. 577 00:32:24,567 --> 00:32:26,560 (♪ She's Lost Control) 578 00:32:30,698 --> 00:32:33,735 ♪ Confusion in her eyes that says it all 579 00:32:34,243 --> 00:32:36,283 ♪ She's lost control 580 00:32:37,413 --> 00:32:38,907 ♪ And she's clinging to the nearest passer-by 581 00:32:38,998 --> 00:32:41,240 I sound like Bowie. 582 00:32:41,334 --> 00:32:43,540 - That's good. You like Bowie. - I hate fucking Bowie. 583 00:32:43,628 --> 00:32:46,913 In All The Young Dudes he sings about how you should die when you're 25. 584 00:32:47,006 --> 00:32:48,584 Do you know how old he is? 585 00:32:48,674 --> 00:32:50,881 He's 30, 29, something. He's a liar. 586 00:32:50,968 --> 00:32:51,968 Look, it doesn't matter. 587 00:32:52,053 --> 00:32:54,378 A lot of great artists produce their best work when they're... older. 588 00:32:54,472 --> 00:32:56,844 - You know, WB Yeats... - I've never heard of him, mate. 589 00:32:56,933 --> 00:33:00,633 Yeats is the greatest poet since Dante. If he'd have died at 25... 590 00:33:00,728 --> 00:33:02,602 - I would have heard of him, Tony. - Hang on. 591 00:33:03,815 --> 00:33:05,854 Listen to it. This is... This is great. 592 00:33:05,942 --> 00:33:07,187 This is fucking excellent. 593 00:33:07,276 --> 00:33:09,850 - Are you listening to it? It's great. - It's brilliant. 594 00:33:09,946 --> 00:33:12,318 It is. It's very good. 595 00:33:13,574 --> 00:33:16,445 There's nothing else out there that sounds like it. 596 00:33:16,536 --> 00:33:18,824 - That's the best thing about it. - It's wonderful. 597 00:33:18,913 --> 00:33:20,241 - You like it? - I do. 598 00:33:20,331 --> 00:33:21,811 I love what he's done with the drums. 599 00:33:22,583 --> 00:33:23,583 Yeah? 600 00:33:24,085 --> 00:33:27,370 ♪ And how I'll never know just why or understand 601 00:33:27,463 --> 00:33:29,539 ♪ She said "I've lost control again" 602 00:33:30,716 --> 00:33:33,124 ♪ And she screamed out kicking on her side 603 00:33:33,219 --> 00:33:36,173 ♪ And said "I've lost control again" ♪ 604 00:33:37,640 --> 00:33:41,638 Joy Division were a great band but they were Rob's band. 605 00:33:41,727 --> 00:33:44,183 I wanted a band of my own. 606 00:33:44,272 --> 00:33:47,937 A Certain Ratio had all the talent and energy of Joy Division... 607 00:33:48,025 --> 00:33:50,314 but better clothes. 608 00:33:50,403 --> 00:33:52,858 - You look absolutely fantastic. - You reckon? 609 00:33:52,947 --> 00:33:55,948 - It's great. - We look like the Hitler Youth. 610 00:33:56,033 --> 00:33:59,034 - You don't say that to Mr Wilson. - I think you look more like Scouts. 611 00:33:59,120 --> 00:34:02,453 Have you seen our legs? They're like fucking milk bottles. 612 00:34:03,416 --> 00:34:05,574 I wouldn't worry about it, although, that... that reminds me... 613 00:34:05,668 --> 00:34:08,503 I must get some chicken drumsticks on the way home. 614 00:34:09,630 --> 00:34:11,919 All right... No, it's all right, I've got it covered. 615 00:34:12,008 --> 00:34:14,166 Instant tan: "Tanfastic". 616 00:34:14,260 --> 00:34:16,087 It's hedonism, it's shorts... 617 00:34:16,179 --> 00:34:18,420 it's... it's funk... 618 00:34:18,514 --> 00:34:19,795 it's... tans. 619 00:34:19,891 --> 00:34:21,717 - It's sexy. - Ah, it's cold, man. 620 00:34:21,809 --> 00:34:23,849 (♪ Flight) 621 00:34:29,942 --> 00:34:33,774 ♪ Has this passed? Is that the time? 622 00:34:33,863 --> 00:34:37,481 ♪ We need flight to stay in line 623 00:34:37,575 --> 00:34:39,318 ♪ Take your time 624 00:34:39,410 --> 00:34:42,993 ♪ We'll give our minds to you 625 00:34:43,081 --> 00:34:45,702 I like the haircuts, Barney. 626 00:34:45,792 --> 00:34:47,202 - No, they look good, don't they? - ♪ Take your time 627 00:34:47,293 --> 00:34:49,914 ♪ We'll give our minds to you ♪ 628 00:34:50,004 --> 00:34:52,329 - Crap, though. - Fucking shit. 629 00:34:55,343 --> 00:34:57,252 (♪ Love Will Tear Us Apart) 630 00:34:57,345 --> 00:35:00,299 ♪ All my failings exposed 631 00:35:00,389 --> 00:35:03,390 ♪ There's a taste in my mouth 632 00:35:03,476 --> 00:35:06,596 ♪ As desperation takes hold 633 00:35:06,687 --> 00:35:09,558 ♪ ls it something so good 634 00:35:09,649 --> 00:35:13,100 ♪ Just can't function no more? 635 00:35:13,194 --> 00:35:14,736 ♪ Love 636 00:35:14,821 --> 00:35:18,272 ♪ Love will tear us apart again 637 00:35:19,367 --> 00:35:20,944 ♪ Love 638 00:35:21,035 --> 00:35:23,906 ♪ Love will tear us apart 639 00:35:23,996 --> 00:35:25,277 ♪ Again 640 00:35:25,373 --> 00:35:27,282 ♪ Love 641 00:35:27,375 --> 00:35:30,376 ♪ Love will tear us apart 642 00:35:30,461 --> 00:35:31,920 ♪ Again 643 00:35:32,004 --> 00:35:33,004 ♪ Love 644 00:35:33,548 --> 00:35:36,383 ♪ Love will tear us apart 645 00:35:36,467 --> 00:35:37,582 ♪ Again ♪ 646 00:35:39,679 --> 00:35:41,802 (crowd roars) 647 00:35:54,569 --> 00:35:57,772 What's the worst band name you've ever heard? 648 00:35:57,864 --> 00:35:59,488 - Worst? - Skinny Monkey. 649 00:35:59,574 --> 00:36:02,824 The worst one I heard was, a mate of mine had a band called, er, Barabbas. 650 00:36:02,910 --> 00:36:04,784 - (laughs) - Fucking Barabbas! 651 00:36:04,871 --> 00:36:06,614 'Who do you want?" "Barabbas!" 652 00:36:06,706 --> 00:36:08,995 - (♪ Transmission) - ♪ Radio 653 00:36:09,083 --> 00:36:11,123 ♪ Live transmission 654 00:36:12,754 --> 00:36:14,212 ♪ Radio 655 00:36:15,339 --> 00:36:17,628 ♪ Live transmission 656 00:36:31,898 --> 00:36:34,436 The National Front took to the streets of Manchester today... 657 00:36:34,525 --> 00:36:38,475 in the biggest demonstration ofneo-fascists since the '30s. 658 00:36:38,571 --> 00:36:42,106 ♪ We would have a fine time living in the night 659 00:36:42,200 --> 00:36:43,610 ♪ Left to blind destruction 660 00:36:43,701 --> 00:36:49,537 ♪ Waiting for a sign 661 00:36:52,752 --> 00:36:54,211 The Transport and General Workers' Union... 662 00:36:54,295 --> 00:36:57,664 tightened their stranglehold on the nation's petrol supplies... 663 00:36:57,757 --> 00:37:00,082 bringing the country to a grinding halt. 664 00:37:00,176 --> 00:37:02,334 Thousands of motorists queue all day... 665 00:37:02,428 --> 00:37:06,212 amid rumors of fuel rationing and a return to the three-day week. 666 00:37:07,225 --> 00:37:09,513 ♪ Touching from a distance further all the time 667 00:37:16,692 --> 00:37:18,851 More chaos in the public services... 668 00:37:18,945 --> 00:37:21,981 as mountains of rubbish fill London's West End... 669 00:37:22,073 --> 00:37:25,109 and nurses bring the hospitals close to collapse. 670 00:37:25,201 --> 00:37:28,202 Now grave diggers in Liverpool refuse to bury the dead. 671 00:37:34,752 --> 00:37:37,919 ♪ Dance, dance, dance, dance, dance to the radio 672 00:37:40,925 --> 00:37:45,053 ♪ Dance, dance, dance, dance, dance to the radio 673 00:37:47,098 --> 00:37:51,309 ♪ Dance, dance, dance, dance, dance to the radio ♪ 674 00:37:58,526 --> 00:37:59,526 Ian! 675 00:38:00,319 --> 00:38:01,730 - (bellowing) - Ian! 676 00:38:01,821 --> 00:38:04,573 - What the hell's the matter with him? - Fuck knows. I dunno. 677 00:38:07,702 --> 00:38:09,529 Oh, fuckin' hell! Ian? Ian! 678 00:38:09,620 --> 00:38:11,696 Fucking come on, then! 679 00:38:12,206 --> 00:38:14,282 What you doing? Fuck this. 680 00:38:14,375 --> 00:38:17,625 Rob. What the fuck are you doing, you cunt? 681 00:38:18,254 --> 00:38:20,626 Come on! Come on, then! 682 00:38:22,216 --> 00:38:24,090 - Right, watch his head. - (slurs) 683 00:38:24,177 --> 00:38:26,335 - (slurs) - All right, mate. 684 00:38:26,429 --> 00:38:29,596 Ah, fucking hell. His fucking mouth's bleeding. 685 00:38:29,682 --> 00:38:31,473 Has someone got a doctor?! 686 00:38:31,559 --> 00:38:34,476 - I've just dropped two skinheads. - Come on, mate, come on. 687 00:38:34,562 --> 00:38:37,231 - What you doing? - He's got me fags. 688 00:38:37,315 --> 00:38:40,399 Oh, you fucking twat! He's fucking bleeding here! 689 00:38:40,485 --> 00:38:42,477 - And I need a cigarette. - (splutters) 690 00:38:42,570 --> 00:38:43,898 Where's Rob?! 691 00:38:43,988 --> 00:38:47,487 - (groans) - Can you get a fucking doctor?! 692 00:38:47,575 --> 00:38:49,318 He's fucking bleeding here! 693 00:38:49,410 --> 00:38:51,866 Tony Wilson, how do you answer the charge that you're a fascist? 694 00:38:51,954 --> 00:38:52,784 What? 695 00:38:52,872 --> 00:38:54,829 Your band, Joy Division, named after women... 696 00:38:54,916 --> 00:38:58,249 captured by the SS for the breeding of perfect Aryans. Isn't that sick? 697 00:38:58,336 --> 00:39:00,791 Have you never heard of situationism or postmodernism? 698 00:39:00,880 --> 00:39:02,125 We need a doctor in here! 699 00:39:02,215 --> 00:39:04,622 Do you know nothing about the free play of signs and signifiers? 700 00:39:04,717 --> 00:39:06,259 Yes, we've got a band called Joy Division. 701 00:39:06,344 --> 00:39:07,803 We've also got a band called Durutti Column. 702 00:39:07,887 --> 00:39:10,378 I'm sure I don't need to point out the irony there. 703 00:39:10,473 --> 00:39:11,801 What the fuck's going on? 704 00:39:11,891 --> 00:39:14,263 We need a doctor. I don't know. He's had a fit or summat. 705 00:39:14,352 --> 00:39:15,846 Oi. Fuck off. 706 00:39:16,729 --> 00:39:18,010 Fuck off or I'll lay one on you. 707 00:39:18,106 --> 00:39:21,060 - He will. I've seen him do it. - Will someone ring a fucking doctor? 708 00:39:21,150 --> 00:39:24,068 - I'll get a doctor. - Calm down, Barney. 709 00:39:24,153 --> 00:39:27,653 Don't fucking tell me to calm down! You fucking calm down! 710 00:39:27,740 --> 00:39:30,492 - (chuckles) Fine! - For fuck's sake. 711 00:39:32,912 --> 00:39:35,450 You all right there, Ian? 712 00:39:35,540 --> 00:39:38,244 - Yeah, I'm fine, mate. - Are you sure? 713 00:39:38,334 --> 00:39:40,825 I said I'm fine, Rob, yeah? Just shut up. 714 00:39:40,920 --> 00:39:44,254 All right, then, all right. Fair enough. 715 00:39:44,674 --> 00:39:47,343 Not even to tell you that we're gonna tour America? 716 00:39:47,427 --> 00:39:48,885 - Fuck off. - Fuck off. 717 00:39:48,970 --> 00:39:51,508 I'm telling you now, straight up, we're gonna tour America. 718 00:39:51,597 --> 00:39:54,053 - Nice one. - Are you serious? 719 00:39:54,142 --> 00:39:57,226 I've just told you, straight up, we're gonna tour America. 720 00:39:57,311 --> 00:39:59,885 - Oh, come on! - Fucking hell, boys! 721 00:39:59,981 --> 00:40:03,017 Fucking cheers. We're going to the US of A. 722 00:40:03,109 --> 00:40:04,022 Cheers. 723 00:40:04,110 --> 00:40:05,901 Can't fucking believe it. 724 00:40:05,987 --> 00:40:07,611 I thought you'd like that, boys. 725 00:40:07,697 --> 00:40:09,986 Are we gonna be staying in, like, top-class hotels and... 726 00:40:10,074 --> 00:40:12,482 You're in knocking shops and I'm in five-star hotels. 727 00:40:12,577 --> 00:40:14,984 - (laughs) - Suits me fine! 728 00:40:15,079 --> 00:40:16,657 I think we did better there, mate. 729 00:40:16,748 --> 00:40:19,867 - I think I'd better rework that. - (laughter) 730 00:40:21,002 --> 00:40:22,413 Around! 731 00:40:25,131 --> 00:40:26,329 (whistles) 732 00:40:26,424 --> 00:40:29,460 Go left! Go left! 733 00:40:29,552 --> 00:40:30,552 (whistles) 734 00:40:32,013 --> 00:40:33,804 (whistles) Go left! 735 00:40:33,973 --> 00:40:37,140 (whistles) Come by! (Whistles) 736 00:40:37,226 --> 00:40:39,978 - (whistles) - Peter, I won't interrupt your flow. 737 00:40:40,062 --> 00:40:42,304 (whistles) Go left. 738 00:40:42,398 --> 00:40:43,643 I am doing, obviously. 739 00:40:43,733 --> 00:40:46,022 - No, you're all right. - Right. Why a duck? 740 00:40:46,110 --> 00:40:50,108 He just started, you know, er... ..and he just started, er... 741 00:40:50,198 --> 00:40:53,282 Ooh, he was... he was... he was biting ankles. 742 00:40:53,367 --> 00:40:56,368 Er, but it... it don't harm 'em, not like if a dog did it, you know. 743 00:40:56,454 --> 00:40:58,447 Right, yeah. Extraordinary. 744 00:40:58,539 --> 00:41:00,947 - Unbelievable. - Right. 745 00:41:01,042 --> 00:41:02,584 - Have a go. - Right, OK. 746 00:41:02,668 --> 00:41:06,797 - What do I do? What do I say? - "Well, 'go left." 747 00:41:06,881 --> 00:41:09,502 - And then do what? - Just shout. 748 00:41:09,592 --> 00:41:10,457 Shout what? 749 00:41:10,551 --> 00:41:12,627 - "Go left." - Oh, shout "Go left." 750 00:41:12,720 --> 00:41:15,674 Go left! Go left! 751 00:41:16,349 --> 00:41:18,306 - See? - That's remarkable. 752 00:41:18,392 --> 00:41:20,515 I've not quite got the command of the, er... 753 00:41:20,603 --> 00:41:22,145 Whistle. 754 00:41:22,230 --> 00:41:23,973 (whistles feebly) 755 00:41:24,065 --> 00:41:26,104 Aye. (Whistles) 756 00:41:26,192 --> 00:41:29,109 - Can't do it that well. Go on, then. - Go left! 757 00:41:29,195 --> 00:41:32,896 Stick to what you're good at. Unless you're a duck, then branch out. 758 00:41:36,702 --> 00:41:38,742 (knock at door) 759 00:41:46,587 --> 00:41:48,165 Ian. 760 00:41:48,548 --> 00:41:50,587 - How are you? - All right. 761 00:41:51,759 --> 00:41:54,796 - Is he in? - No, no, he's at Granada. 762 00:41:54,887 --> 00:41:58,091 I've got a spliff going. Gonna come in? 763 00:41:58,182 --> 00:42:00,969 Nah. I can't. Gotta get back. 764 00:42:01,936 --> 00:42:03,099 Cheers. 765 00:42:03,187 --> 00:42:05,310 That's fantastic news about America. 766 00:42:05,398 --> 00:42:07,687 Yeah, it's good. I'm looking forward to it. 767 00:42:07,775 --> 00:42:09,056 I'm really chuffed. 768 00:42:09,152 --> 00:42:13,196 I'm bored. You could stay with me for a little while. 769 00:42:15,616 --> 00:42:18,072 No, I've gotta go. I'll catch him later. 770 00:42:18,161 --> 00:42:20,237 All right. I'll tell him you called. 771 00:42:23,958 --> 00:42:25,369 Er... 772 00:42:25,585 --> 00:42:28,669 - send you a postcard, yeah? - Yeah, do, that'd be great. 773 00:42:28,755 --> 00:42:30,581 "'Wish you were here." 774 00:42:38,055 --> 00:42:39,633 Debbie? 775 00:43:00,703 --> 00:43:02,660 (TV.' Werner Herzog's Stroszek) So... 776 00:43:02,747 --> 00:43:04,989 your car's kaput. 777 00:43:06,626 --> 00:43:08,868 And your girlfriend is gone. 778 00:43:09,879 --> 00:43:12,251 When thine house they have sold... 779 00:43:17,887 --> 00:43:20,045 Aber wirklich nicht. 780 00:43:20,389 --> 00:43:21,884 Prost. 781 00:43:22,475 --> 00:43:24,017 Prost. 782 00:43:45,790 --> 00:43:47,201 (♪ Harmonica) 783 00:43:51,003 --> 00:43:53,079 (♪ whooping) 784 00:44:03,641 --> 00:44:05,361 - All the buildings or whatever. - Mm-hm. 785 00:44:05,393 --> 00:44:08,726 What I'll do is, apart from asking you any anecdotes about town criers... 786 00:44:08,813 --> 00:44:10,687 "I'll say 'how is it relevant today..." 787 00:44:10,773 --> 00:44:13,098 - Tony. - And not just being for tourists... 788 00:44:13,192 --> 00:44:14,686 - Can I just have a word? - Yes. 789 00:44:14,777 --> 00:44:17,066 - The office have just called. - Right? 790 00:44:17,155 --> 00:44:19,194 Ian Curtis has died. 791 00:44:20,491 --> 00:44:24,192 - What d'you... What d'you mean? - He's hanged himself. 792 00:44:24,287 --> 00:44:27,074 He was found at his home this morning. 793 00:44:27,165 --> 00:44:29,406 - Are you joking? - No. 794 00:44:30,501 --> 00:44:32,708 - I'm sorry. - Well... 795 00:44:34,422 --> 00:44:36,498 He's dead? 796 00:44:36,632 --> 00:44:37,877 Yeah. 797 00:44:40,678 --> 00:44:43,134 What a stupid bloody bugger. 798 00:44:48,561 --> 00:44:50,767 Sorry about this, mate. 799 00:44:53,983 --> 00:44:56,474 It's a... friend of mine. 800 00:44:58,696 --> 00:45:00,736 Ian Curtis... 801 00:45:00,823 --> 00:45:02,448 lead singer... 802 00:45:02,533 --> 00:45:05,320 of Joy Division... 803 00:45:05,411 --> 00:45:08,496 has died... today! 804 00:45:11,167 --> 00:45:13,160 Oyez/ 805 00:45:13,252 --> 00:45:15,411 (rings bell) Oyez/. 806 00:45:15,505 --> 00:45:18,506 - It's really beautiful. - (rings bell) 807 00:45:18,591 --> 00:45:21,164 Oyez/ 808 00:45:21,260 --> 00:45:23,668 Ian Curtis... 809 00:45:23,763 --> 00:45:25,340 writer of... 810 00:45:25,431 --> 00:45:28,931 Love Will Tear Us Apart... 811 00:45:29,018 --> 00:45:31,343 has died today/ - I like it. 812 00:45:31,437 --> 00:45:33,430 - Do you? - Yeah, I do. 813 00:45:34,982 --> 00:45:37,652 Oyez/ 814 00:45:37,735 --> 00:45:41,069 if you listen to Ian's music and you know he killed himself... 815 00:45:41,155 --> 00:45:45,319 then you probably imagine some very dark, depressive figure. 816 00:45:45,410 --> 00:45:48,364 A... prophet of urban decay and alienation. 817 00:45:48,454 --> 00:45:51,289 But I have some wonderful memories of him... 818 00:45:51,374 --> 00:45:55,158 such as the very last Factory night at the Russell Club. 819 00:45:55,962 --> 00:45:57,622 ♪ Louie, Louie 820 00:45:57,713 --> 00:45:59,753 ♪ Whoa 821 00:45:59,841 --> 00:46:01,216 ♪ We gotta go 822 00:46:01,300 --> 00:46:03,756 ♪ Yeah, yeah, yeah, yeah 823 00:46:03,845 --> 00:46:05,387 ♪ Louie, Louie 824 00:46:06,055 --> 00:46:07,597 ♪ Whoa 825 00:46:07,682 --> 00:46:08,713 ♪ We gotta go 826 00:46:09,851 --> 00:46:11,226 ♪ Yeah, yeah, yeah, yeah 827 00:46:11,310 --> 00:46:14,015 Pogo like a bastard! 828 00:46:24,615 --> 00:46:26,074 (crowd roars) 829 00:46:31,539 --> 00:46:33,247 ♪ Louie, Louie 830 00:46:33,332 --> 00:46:34,613 ♪ Whoa 831 00:46:34,709 --> 00:46:36,951 ♪ We gotta go 832 00:46:37,044 --> 00:46:39,084 ♪ Yeah, yeah, yeah, yeah 833 00:46:39,172 --> 00:46:41,081 ♪ Louie, Louie 834 00:46:41,549 --> 00:46:42,549 ♪ Whoa 835 00:46:42,592 --> 00:46:44,999 ♪ We gotta go 836 00:46:45,094 --> 00:46:46,505 ♪ Yeah, yeah, yeah, yeah 837 00:46:47,054 --> 00:46:49,296 ♪ (bellows) 838 00:46:51,184 --> 00:46:52,184 ♪ (bellows) 839 00:46:56,272 --> 00:46:57,731 ♪ Louie, Louie 840 00:47:00,485 --> 00:47:02,524 ♪ We gotta go 841 00:47:02,612 --> 00:47:03,726 ♪ Yeah, yeah, yeah, yeah ♪ 842 00:47:03,821 --> 00:47:05,481 Fuck off! 843 00:47:21,089 --> 00:47:23,165 Mr Wilson. 844 00:47:23,257 --> 00:47:26,294 Tony, hi. I know this isn't a very good time... 845 00:47:26,385 --> 00:47:29,589 but I've made a tape of me singing Joy Division songs. 846 00:47:29,680 --> 00:47:32,634 - You probably need a singer... - Don't hang about, do you? 847 00:47:32,725 --> 00:47:36,390 - Tony. Can you give this to him? - I've been practising the dance... 848 00:47:36,479 --> 00:47:39,764 - I'll make sure he gets that. - Yeah, but... he meant a lot to us. 849 00:47:39,857 --> 00:47:41,316 - All right, mate. - Mr Wilson! 850 00:47:41,401 --> 00:47:44,485 It's not the time for autographs but thanks for coming... 851 00:47:44,570 --> 00:47:46,314 Tony. Tony. 852 00:47:46,406 --> 00:47:47,781 Michael. Michael, what are you doing here? 853 00:47:47,865 --> 00:47:51,151 I'm not here as a journalist, I'm just... I'm mourning. I'm gutted. 854 00:47:51,244 --> 00:47:53,367 Well, you... You are gonna write about it, though? 855 00:47:53,454 --> 00:47:55,661 - Oh, I don't think I can. - Yes, you must. You have to. 856 00:47:55,748 --> 00:47:58,156 - Come in. It's good that you're here. - Is that all right? 857 00:47:58,292 --> 00:48:00,119 Aye, well... 858 00:48:00,461 --> 00:48:01,872 (sighs) 859 00:48:02,130 --> 00:48:03,754 It's good that you're here. 860 00:48:03,840 --> 00:48:05,583 (grizzles) 861 00:48:06,717 --> 00:48:08,425 How you doing? 862 00:48:08,511 --> 00:48:10,883 Hello. All right, mate. 863 00:48:11,973 --> 00:48:14,843 - How you doing, darling? - (whispers) Can't believe it. 864 00:48:15,768 --> 00:48:17,808 Good to see you. 865 00:48:18,646 --> 00:48:21,054 - I want you to write the book. - Whoa! 866 00:48:21,149 --> 00:48:23,474 You're the right person in the right place. You should do it. 867 00:48:23,568 --> 00:48:27,186 - It's just so soon, Tony, it's sad. - It's historic. It's historic. 868 00:48:27,280 --> 00:48:29,356 Come on, this is... this is where your book should start. 869 00:48:29,449 --> 00:48:31,358 - Right. - Where it should start. 870 00:48:31,451 --> 00:48:33,194 All right? 871 00:48:33,286 --> 00:48:37,200 - Didn't realise you were here. - Hi, Tony. How you doing? 872 00:48:37,457 --> 00:48:40,660 Er... this is Ian's gran. 873 00:48:41,043 --> 00:48:42,751 - Oh. - Tony Wilson. 874 00:48:42,837 --> 00:48:45,293 Thanks for all you did. 875 00:48:45,381 --> 00:48:48,548 I've seen you on the telly. You always look so smart. 876 00:48:48,634 --> 00:48:50,674 Come on, let's go and get a cup of tea, shall we? 877 00:48:58,519 --> 00:49:02,387 That is the musical equivalent of Che Guevara. 878 00:49:07,695 --> 00:49:09,735 I'm gonna go. 879 00:49:10,364 --> 00:49:13,899 - Why? - I just don't feel, you know... 880 00:49:13,993 --> 00:49:17,362 I'll, erm... I'll speak to you. Bye. 881 00:49:17,455 --> 00:49:20,076 - Take it all in. - Yeah. 882 00:49:20,249 --> 00:49:21,957 - (♪ Atmosphere) - ♪ ..find it easy 883 00:49:23,669 --> 00:49:26,374 ♪ Aching to see 884 00:49:28,049 --> 00:49:30,540 ♪ Walking on air 885 00:49:34,222 --> 00:49:37,804 ♪ Hunting by the rivers, through the streets, every corner 886 00:49:37,892 --> 00:49:39,635 Bye, son. 887 00:49:40,269 --> 00:49:43,389 ♪ Abandoned too soon 888 00:49:44,273 --> 00:49:47,393 ♪ Set down with due care 889 00:49:49,112 --> 00:49:51,863 ♪ Don't walk away 890 00:49:53,491 --> 00:49:55,780 ♪ in silence 891 00:49:57,328 --> 00:50:00,033 ♪ Don't walk away ♪ 892 00:50:42,999 --> 00:50:44,991 Don't beat about the bush, Lindsay. 893 00:50:45,084 --> 00:50:48,334 I'm gonna ask you a straight question and I want a straight answer. Right? 894 00:50:48,421 --> 00:50:50,579 Give me the dignity of that. 895 00:50:50,673 --> 00:50:52,998 Are you leaving me? 896 00:50:53,092 --> 00:50:54,503 Yes. 897 00:50:55,386 --> 00:50:57,426 - (car horn) - Bad energy around here now. 898 00:50:57,513 --> 00:51:01,297 Well, what does that mean, bad energy? What the fuck does that...? 899 00:51:01,392 --> 00:51:03,599 Energy? You don't know what energy is. 900 00:51:03,686 --> 00:51:06,722 - That is late 20th-century hokum... - Don't say another word. 901 00:51:06,814 --> 00:51:09,899 - Masquerading... as spirituality. - Shut up. Shut up. 902 00:51:12,653 --> 00:51:16,105 Don't... Don't... Don't touch me. 903 00:51:16,240 --> 00:51:18,399 That is the last time you will ever touch me. 904 00:51:18,493 --> 00:51:20,734 - All right. - Ever. 905 00:51:21,496 --> 00:51:25,789 No... All right, that is the last time you will ever touch me. 906 00:51:28,669 --> 00:51:31,125 I'm asking you really nicely. 907 00:51:31,964 --> 00:51:33,375 Please... 908 00:51:34,634 --> 00:51:36,507 Please don't leave me. 909 00:51:42,475 --> 00:51:45,144 Oh, just fuck off. Go. Don't... 910 00:51:49,232 --> 00:51:52,102 - Don't. - Don't leave me. 911 00:52:00,785 --> 00:52:02,409 (car horns) 912 00:52:04,247 --> 00:52:05,657 (sighs) 913 00:52:08,126 --> 00:52:10,284 Right. OK. 914 00:52:10,378 --> 00:52:13,047 - Right, thank you, yes. - (car horn) 915 00:52:13,131 --> 00:52:14,957 Fuck off. 916 00:52:15,049 --> 00:52:17,089 (tyres skid) 917 00:52:20,346 --> 00:52:22,802 This is a low point for me, obviously... 918 00:52:22,890 --> 00:52:24,135 but, er... 919 00:52:24,225 --> 00:52:27,594 I think it was Scott Fitzgerald who said... 920 00:52:27,687 --> 00:52:29,929 "American lives don't have second acts." 921 00:52:30,022 --> 00:52:32,513 Well... this is Manchester. 922 00:52:32,608 --> 00:52:34,981 We do things differently here. 923 00:52:37,905 --> 00:52:40,194 This is the second act. 924 00:52:43,286 --> 00:52:45,859 (both make bird noises) 925 00:52:53,171 --> 00:52:56,088 Two lickle dicky birds sitting on a wall... 926 00:52:56,174 --> 00:52:58,166 one called Peter and one called Paul. 927 00:52:58,259 --> 00:53:00,299 Just like you, Louby-Lou... 928 00:53:00,386 --> 00:53:02,178 Turkey-Lurkey... 929 00:53:02,263 --> 00:53:05,513 Goosey-Loosey, Henny-Penny. D'you know what I mean? 930 00:53:05,600 --> 00:53:07,260 No. 931 00:53:07,351 --> 00:53:08,351 (whoops) 932 00:53:08,394 --> 00:53:10,019 (howls) 933 00:53:10,104 --> 00:53:13,022 (yelps, whoops) 934 00:53:13,107 --> 00:53:15,978 (♪ Wagner: Ride Of The Valkyries) 935 00:53:19,739 --> 00:53:22,989 The history of popular music is like a double helix, OK? 936 00:53:23,076 --> 00:53:25,115 That's two waves that intertwine. 937 00:53:25,203 --> 00:53:28,903 So one wave... goes like this... the other one goes like that... 938 00:53:28,998 --> 00:53:31,406 so you've got two... 939 00:53:31,501 --> 00:53:33,540 waves doing that, OK? 940 00:53:33,628 --> 00:53:35,916 Like, one like that and one like that. 941 00:53:36,005 --> 00:53:38,710 Basically, when one musical movement's in the descendant... 942 00:53:38,800 --> 00:53:40,160 another one is in the ascendant. 943 00:53:40,218 --> 00:53:43,966 Right now we're in a kind of a criss-cross, a kind of a hiatus... 944 00:53:44,055 --> 00:53:46,462 but the two guys that are gonna be on the crest of the next wave... 945 00:53:46,557 --> 00:53:49,227 are Paul and Shaun Ryder. 946 00:53:49,310 --> 00:53:51,101 This is a true incident... 947 00:53:51,187 --> 00:53:53,907 a bit like the hang-gliding, which, remember, works on two levels. 948 00:53:53,981 --> 00:53:56,270 This takes place in 1980... 949 00:53:56,359 --> 00:53:59,028 when Shaun and Paul put rat poison into some bread... 950 00:53:59,112 --> 00:54:01,982 - and fed it to 3,000 pigeons. - Rassam, rassam, rassam... 951 00:54:02,073 --> 00:54:04,398 - Rick Rastardly, wing-ding... - (squawks) 952 00:54:04,492 --> 00:54:06,698 forever and ever, amen. 953 00:54:06,786 --> 00:54:08,245 Ohhh! Here you go! 954 00:54:08,329 --> 00:54:11,034 - Catch it! - It's down! Ohh! 955 00:54:11,124 --> 00:54:12,452 Ahhh! 956 00:54:13,793 --> 00:54:16,165 - (pigeons squawk) - Whoo! 957 00:54:16,254 --> 00:54:17,368 Hi-yah! 958 00:54:17,463 --> 00:54:19,456 Obviously it's a reconstruction. 959 00:54:19,549 --> 00:54:23,048 No... pigeons were harmed in the making of this film. 960 00:54:23,511 --> 00:54:26,631 Although there are those that say they're pests. 961 00:54:26,722 --> 00:54:28,549 Rats with wings. 962 00:54:28,641 --> 00:54:31,013 - (sound of machine-gun) - Die! 963 00:54:33,729 --> 00:54:35,852 (machine-gun) 964 00:54:37,775 --> 00:54:39,435 (shouts) 965 00:54:54,417 --> 00:54:57,620 Fac 51, aka the Hacienda. 966 00:55:00,047 --> 00:55:03,463 Buildings create synergy. They're a focus for creativity. 967 00:55:03,551 --> 00:55:07,928 When the Victorians built railways, they didn't just put up Portakabins. 968 00:55:08,014 --> 00:55:10,469 - Jesus Christ. - They went to town. 969 00:55:10,850 --> 00:55:13,175 Listen to the reverberations. Lovely, isn't it? 970 00:55:13,269 --> 00:55:15,641 Sound of... The sound of my voice. 971 00:55:16,773 --> 00:55:19,394 Buildings change... the way people think. 972 00:55:19,484 --> 00:55:21,324 That's how it happened in Renaissance Florence. 973 00:55:21,402 --> 00:55:23,359 Yeah, but this isn't Renaissance Florence... 974 00:55:23,446 --> 00:55:26,316 this is... Dark Ages Manchester. 975 00:55:26,407 --> 00:55:28,898 It's like a fuckin' abattoir. 976 00:55:28,993 --> 00:55:30,368 Tony. 977 00:55:31,496 --> 00:55:33,654 Tickets for tonight. 978 00:55:34,791 --> 00:55:38,206 - Right. Er... - What fuckin' good are they now? 979 00:55:39,337 --> 00:55:41,376 I'm sorry they're a bit late, erm... 980 00:55:41,464 --> 00:55:43,872 thought we might use them as a souvenir or something. 981 00:55:43,966 --> 00:55:46,718 Yeah. That's... Yeah. That's all right. 982 00:55:46,803 --> 00:55:49,128 It's OK, it doesn't matter. We don't... You know. 983 00:55:49,222 --> 00:55:51,463 This will be the number-one invitation. 984 00:55:51,557 --> 00:55:53,846 They didn't hand out tickets for the Sermon on the Mount. 985 00:55:53,935 --> 00:55:56,889 People just turned up. They knew it was a good gig. 986 00:55:56,979 --> 00:56:00,431 So how much has come out in total from our music budget? 987 00:56:00,525 --> 00:56:02,233 700 grand. 988 00:56:02,318 --> 00:56:03,978 (chuckles) 989 00:56:05,113 --> 00:56:07,782 Well, goodbye. We obviously have nothing in common. 990 00:56:08,658 --> 00:56:12,786 I'm a genius, you're fucking wankers. You'll never see me again. 991 00:56:12,870 --> 00:56:15,278 You don't deserve to see me again. 992 00:56:17,375 --> 00:56:18,786 Martin? 993 00:56:22,588 --> 00:56:26,289 - Nice, though, isn't it? - Fantastic, mate. 994 00:56:28,177 --> 00:56:29,837 - (♪ A Certain Ratio: Skipscada) - ♪ A da da da da 995 00:56:29,929 --> 00:56:32,135 ♪ Ra da da da da... ♪ 996 00:56:32,223 --> 00:56:36,766 May 21st 1982. The night the Hacienda opened. 997 00:56:36,853 --> 00:56:38,596 Everyone wanted to play.' 998 00:56:38,688 --> 00:56:41,179 Bowie, Queen, the Stones. 999 00:56:41,274 --> 00:56:44,524 I chose A Certain Ratio because they were my band. 1000 00:56:44,610 --> 00:56:46,650 And that was the point of the Hacienda. 1001 00:56:46,738 --> 00:56:50,320 It was a place for people we knew, people we could trust. 1002 00:56:50,408 --> 00:56:54,192 I can't believe this. They have totally betrayed us here. 1003 00:56:54,287 --> 00:56:56,445 What a fucking joke! 1004 00:56:57,707 --> 00:57:01,076 Oh, I dunno, Rob. You know... it might work. 1005 00:57:01,169 --> 00:57:03,327 Has there ever been a Wythenshawe jazz band? 1006 00:57:03,421 --> 00:57:05,793 - No, there hasn't, thank fucking God. - No, let me tell you, right. 1007 00:57:05,882 --> 00:57:08,918 Jazz is the last refuge of the untalented. 1008 00:57:09,010 --> 00:57:13,304 Jazz musicians enjoy themselves far more than anyone listening to 'em. 1009 00:57:13,389 --> 00:57:15,133 It's like theatre. 1010 00:57:15,224 --> 00:57:17,762 It's what you do when you can't get a gig. 1011 00:57:17,852 --> 00:57:19,845 It's one down from Celebrity Squares. 1012 00:57:24,901 --> 00:57:27,439 Excellent, well done. Very good, very good. 1013 00:57:27,528 --> 00:57:30,363 - So where... So where is everyone? - There you go. 1014 00:57:30,448 --> 00:57:32,239 - Erm... - We had 100 on the guest list. 1015 00:57:32,325 --> 00:57:35,160 You were at the Sex Pistols gig. How many people were in the audience? 1016 00:57:35,244 --> 00:57:37,914 - There was about 40. - Right. And it was history. 1017 00:57:37,997 --> 00:57:40,915 Yeah, but there's only 30 here tonight. 1018 00:57:41,000 --> 00:57:43,123 Exactly, exactly. 1019 00:57:43,211 --> 00:57:45,369 The smaller the attendance, the bigger the history. 1020 00:57:45,463 --> 00:57:48,001 There were 12 people at the Last Supper... 1021 00:57:48,091 --> 00:57:50,498 half a dozen at Kitty Hawk. 1022 00:57:50,593 --> 00:57:53,428 Archimedes was on his own in the bath. 1023 00:57:53,513 --> 00:57:54,923 (trumpets) 1024 00:57:55,014 --> 00:57:57,054 (♪ Tchaikovsky: Dance Of The Sugarplum Fairy) 1025 00:58:00,478 --> 00:58:03,562 Pick on someone your own size/ Or maybe not. 1026 00:58:03,648 --> 00:58:05,272 We're here at Chester Zoo... 1027 00:58:05,358 --> 00:58:08,275 to see a bath-time version of David and Goliath. 1028 00:58:11,864 --> 00:58:13,489 (trumpets) 1029 00:58:16,244 --> 00:58:18,817 It's, er, a bit of a mammoth task... 1030 00:58:18,913 --> 00:58:21,867 for, erm... a young chap like yourself. 1031 00:58:21,958 --> 00:58:23,701 - Yeah. - Is, erm... 1032 00:58:23,793 --> 00:58:26,960 ls this, er... Now, this isn't your normal job, is it? 1033 00:58:27,046 --> 00:58:29,086 No, I'm an entertainer. 1034 00:58:29,173 --> 00:58:32,673 Right, OK. And, er... I saw there's a little baby elephant. 1035 00:58:32,760 --> 00:58:34,753 Watch yourself there. 1036 00:58:34,846 --> 00:58:38,511 There's a... There's a baby elephant. Hello. How do you do? 1037 00:58:38,599 --> 00:58:41,684 (chuckles) There's people like that I work with at Granada. 1038 00:58:41,769 --> 00:58:45,055 Er... except that... he's a little bit more attractive. 1039 00:58:45,148 --> 00:58:49,608 This morning, I was doing a feature on an elephant being washed by a midget. 1040 00:58:49,694 --> 00:58:51,402 He was... He was a dwarf. 1041 00:58:51,487 --> 00:58:53,147 - It doesn't matter. - Well, it matters to him. 1042 00:58:53,239 --> 00:58:56,026 It's... I... Look, I'm a serious journalist, I've got a degree... 1043 00:58:56,117 --> 00:58:58,904 get me a proper gig or let's forget we ever met. 1044 00:58:58,995 --> 00:59:00,454 Tony, listen. 1045 00:59:00,538 --> 00:59:03,111 ♪ Shy, shy Hush, hush, eye to eye ♪ 1046 00:59:03,207 --> 00:59:04,666 - What d'you reckon? - Very good, very good. 1047 00:59:04,751 --> 00:59:06,494 I'll make you a big star. 1048 00:59:06,586 --> 00:59:09,207 - Catch you later! - Right. (Softly) Don't call me... 1049 00:59:09,297 --> 00:59:12,713 You know your problem? You take yourself too seriously. 1050 00:59:12,800 --> 00:59:17,094 Yeah. Yes, I do. I take myself very fucking seriously. 1051 00:59:17,930 --> 00:59:20,504 All right, what about a feature on Northwest's tallest man? 1052 00:59:20,600 --> 00:59:21,600 Fuck off! 1053 00:59:24,103 --> 00:59:25,266 (♪ Blue Monday) 1054 00:59:25,354 --> 00:59:28,723 ♪ How does it feel To treat me like you do? 1055 00:59:29,358 --> 00:59:32,525 ♪ When you've laid your hands upon me 1056 00:59:33,196 --> 00:59:35,865 ♪ Told me who you are 1057 00:59:36,616 --> 00:59:39,367 ♪ I thought I was mistaken 1058 00:59:39,452 --> 00:59:43,402 No band ever survives the death of their lead singer. 1059 00:59:43,498 --> 00:59:46,285 So when Joy Division became New Order... 1060 00:59:46,375 --> 00:59:49,293 no-one expected them to succeed. 1061 00:59:49,378 --> 00:59:53,708 As you've no visual imagination, I've done you a mock-up. 1062 00:59:53,800 --> 00:59:55,839 - It's like a floppy disk. - Floppy disk. 1063 00:59:55,927 --> 00:59:57,421 It's fucking brilliant. 1064 00:59:57,512 --> 01:00:00,429 - It's pure, workmanlike, poetic. - It's expensive. 1065 01:00:00,515 --> 01:00:03,350 Four-colour printing... cut-out gate fold. 1066 01:00:03,434 --> 01:00:05,059 Well, it's fucking beautiful. 1067 01:00:05,144 --> 01:00:07,552 I never count the cost of beauty. You should know that. 1068 01:00:07,647 --> 01:00:10,601 ♪ To say what I need to say 1069 01:00:10,691 --> 01:00:14,025 - Talk to you about these sleeves? - Yeah, sure. 1070 01:00:14,112 --> 01:00:16,863 Have you costed it? Cos I have. 1071 01:00:16,948 --> 01:00:21,028 We lose five pence on every single one of these records that we sell. 1072 01:00:21,119 --> 01:00:23,870 We're gonna sell fuck-all so... it doesn't matter. 1073 01:00:23,955 --> 01:00:26,790 ♪ And I thought I told you to leave me 1074 01:00:27,500 --> 01:00:30,584 ♪ While I walked out to the beach 1075 01:00:31,129 --> 01:00:34,747 ♪ Tell me, how does it feel 1076 01:00:34,841 --> 01:00:36,216 ♪ When your heart grows... ♪ 1077 01:00:36,300 --> 01:00:39,752 Blue Monday became the biggest-selling 12-inch single ever... 1078 01:00:39,846 --> 01:00:42,550 which made loads of money for New Order. 1079 01:00:43,307 --> 01:00:46,095 Not that they saw any of it. 1080 01:00:46,185 --> 01:00:47,644 Because every penny they earned... 1081 01:00:47,728 --> 01:00:50,682 was swallowed up by the debts of the Hacienda. 1082 01:00:50,773 --> 01:00:53,858 (♪ Durutti Column: Jacqueline) 1083 01:01:02,326 --> 01:01:03,869 Thank you. 1084 01:01:03,953 --> 01:01:05,364 Bravo. 1085 01:01:06,873 --> 01:01:08,367 (whistles) 1086 01:01:09,375 --> 01:01:11,035 Vini... 1087 01:01:11,127 --> 01:01:13,166 - (exhales) - What do you want? 1088 01:01:13,755 --> 01:01:16,874 Erm... I'll... I'll have a Coke, please. Thank you. 1089 01:01:16,966 --> 01:01:19,422 Coke, and a... gin and tonic. 1090 01:01:20,803 --> 01:01:24,504 - How was that? - It was great. It was wonderful. 1091 01:01:24,599 --> 01:01:26,757 It's great, it's just... 1092 01:01:26,851 --> 01:01:28,890 I love it, I love it. 1093 01:01:29,687 --> 01:01:31,514 - Tuesday night. - Yeah. 1094 01:01:32,690 --> 01:01:35,561 We need to have a rethink of our strategy. 1095 01:01:35,651 --> 01:01:37,893 You know, what... whatever... Whatever we achieve... 1096 01:01:37,987 --> 01:01:41,023 the important thing to remember is that you... 1097 01:01:41,115 --> 01:01:44,282 you know, you make... wonderful music. 1098 01:01:44,368 --> 01:01:46,112 Great. 1099 01:01:47,538 --> 01:01:48,949 (sighs) 1100 01:01:51,042 --> 01:01:54,625 Spare 20 pence, mate, please? Cup of tea. 1101 01:01:55,797 --> 01:01:57,172 There you go. Keep that. 1102 01:01:57,256 --> 01:01:58,256 Ta, mate. 1103 01:01:58,299 --> 01:02:00,707 I'm Boethius, author of The Consolation of Philosophy. 1104 01:02:01,761 --> 01:02:05,130 It's my belief that history is a wheel. 1105 01:02:05,807 --> 01:02:08,380 'Inconstancy is my very essence" says the wheel. 1106 01:02:08,476 --> 01:02:10,599 'Rise up on my spokes if you like... 1107 01:02:10,686 --> 01:02:14,518 "but don't complain when you're cast back down into the depths." 1108 01:02:14,607 --> 01:02:18,058 "'good times pass away but then so do the bad." 1109 01:02:18,152 --> 01:02:22,731 "'mutability is our tragedy but it's also our hope." 1110 01:02:22,949 --> 01:02:27,527 "'the worst of times, like the best, are always passing away." 1111 01:02:29,831 --> 01:02:31,241 I know. 1112 01:02:32,208 --> 01:02:33,786 I know. 1113 01:02:34,502 --> 01:02:36,993 And finally, there were sightings last night... 1114 01:02:37,088 --> 01:02:39,127 of an unidentified flying object... 1115 01:02:39,215 --> 01:02:41,753 over the Little Hulton district of Manchester. 1116 01:02:41,843 --> 01:02:45,212 Apparently the aliens flew low over the district and then disappeared... 1117 01:02:45,304 --> 01:02:47,344 which is... kind of understandable. 1118 01:02:47,432 --> 01:02:51,132 If you're listening, spacemen, next time you might wanna try Marple. 1119 01:02:51,227 --> 01:02:53,765 Just don't land on my house. Good night. 1120 01:03:07,535 --> 01:03:09,409 Fuckin' hell! 1121 01:03:09,495 --> 01:03:11,055 (♪ Handel's Messiah.' Hallelujah Chorus) 1122 01:03:11,748 --> 01:03:13,158 ♪ Hallelujah 1123 01:03:13,708 --> 01:03:15,866 ♪ Hallelujah, hallelujah 1124 01:03:15,960 --> 01:03:17,953 ♪ Hallelujah - (laughs) 1125 01:03:18,045 --> 01:03:20,204 ♪ Hallelujah 1126 01:03:20,673 --> 01:03:22,500 ♪ Hallelujah 1127 01:03:22,592 --> 01:03:24,999 ♪ Hallelujah, hallelujah Hallelujah ♪ 1128 01:03:29,599 --> 01:03:32,884 Every great band needs its own special chemistry... 1129 01:03:32,977 --> 01:03:35,100 and Bez was a great chemist. 1130 01:03:35,188 --> 01:03:39,137 Could I offer anybody, like, the best drug experience they've ever had? 1131 01:03:39,859 --> 01:03:42,730 His favourite chemical was ecstasy. 1132 01:03:42,820 --> 01:03:45,857 ♪ 24 hour party people 1133 01:03:46,991 --> 01:03:50,360 ♪ Plastic face, can't smile The white-out 1134 01:03:50,453 --> 01:03:52,778 ♪ With the 24 hour party people 1135 01:03:53,915 --> 01:03:56,702 ♪ Plastic face, can't smile The white-out 1136 01:03:56,793 --> 01:03:57,907 ♪ You cannot beat 'em ♪ 1137 01:03:58,002 --> 01:03:59,911 Whoa! Stop! Stop! 1138 01:04:00,004 --> 01:04:02,127 Shut the fuck... 1139 01:04:03,257 --> 01:04:06,507 I first saw them at the Battle of the Bands at the Hacienda. 1140 01:04:06,594 --> 01:04:09,678 They came last but I signed them anyway. 1141 01:04:09,764 --> 01:04:12,599 - All right, lads. - I'm getting in the front. 1142 01:04:12,683 --> 01:04:13,798 No, you're not. 1143 01:04:13,893 --> 01:04:16,013 Here y'are, get the... get the gear in the back first. 1144 01:04:16,062 --> 01:04:19,727 It's dance music and it's rock music. It's got that kind of, er... 1145 01:04:19,816 --> 01:04:23,019 It's got that indie sound, that indie guitar sound... 1146 01:04:23,111 --> 01:04:25,862 and it's got the kind of "whacka-whacka" wah-wah thing. 1147 01:04:25,947 --> 01:04:28,023 - Yeah. - It's soulful and it's rocky. 1148 01:04:28,116 --> 01:04:31,781 It's got the rawness of rock and it's got this soulful feel to it. 1149 01:04:31,869 --> 01:04:35,155 Give him an example of your lyrics. Listen to this. Go on. Just anything. 1150 01:04:35,248 --> 01:04:36,742 Good, good, good. 1151 01:04:36,833 --> 01:04:38,327 Good, good, double good. 1152 01:04:39,085 --> 01:04:41,161 That is fucking horrible. 1153 01:04:41,254 --> 01:04:43,377 Shaun's lyrics on a good day... 1154 01:04:43,464 --> 01:04:48,210 are on... par with... WB Yeats on... on an average day. 1155 01:04:49,262 --> 01:04:52,216 I've got some sweet and sour over there you can have. 1156 01:04:52,306 --> 01:04:53,849 Shall we do a song, then? 1157 01:04:53,933 --> 01:04:56,638 - Let's do it, man. Come on, Horse. - What, now? 1158 01:04:56,727 --> 01:04:59,479 We've gotta go. Come on, Bez. Coming in? 1159 01:04:59,564 --> 01:05:02,730 - No, stay here. What's the point? - He adds to the fuckin' vibe. 1160 01:05:02,817 --> 01:05:04,395 He's not in the fucking band. 1161 01:05:04,485 --> 01:05:06,063 - (♪ Freaky Dancing) - ♪ You don't want that face 1162 01:05:06,154 --> 01:05:08,905 ♪ Because the bones stick out 1163 01:05:08,990 --> 01:05:11,279 It's... I think it's top. 1164 01:05:11,367 --> 01:05:13,823 Someone's out of tune. 1165 01:05:13,995 --> 01:05:17,115 ♪ My freaky dancing's just cooling us in ♪ 1166 01:05:19,125 --> 01:05:22,410 - Can you stop? - What you fuckin' stopping for?! 1167 01:05:22,503 --> 01:05:25,670 - Somebody's outta tune. - Who's outta tune? 1168 01:05:25,757 --> 01:05:28,294 - Fuckin' not me. - Barney's outta tune. 1169 01:05:28,384 --> 01:05:30,756 - Mark, can you give me an E? - Yeah, yeah, Bez is your man, mate. 1170 01:05:30,845 --> 01:05:33,301 He'll sort you out! (Cackles) 1171 01:05:34,056 --> 01:05:36,049 He wants an E. 1172 01:05:36,142 --> 01:05:39,890 - Yeah, that'll tune you in, Barney. - That'll take you right in, mate. 1173 01:05:39,979 --> 01:05:43,015 - (♪ Tart Tart) - The stage, Bez! 1174 01:05:43,107 --> 01:05:44,107 Come on, Bez! 1175 01:05:45,359 --> 01:05:46,770 What you fuckin' doing? 1176 01:05:46,861 --> 01:05:48,818 That is dance music. To me, that is dance music. 1177 01:05:48,905 --> 01:05:50,648 Well, no-one's dancing. 1178 01:05:50,740 --> 01:05:53,112 - Bez, come on, man. - (softly) Twat. 1179 01:05:54,285 --> 01:05:55,660 What the fuck you doing, man? 1180 01:05:55,745 --> 01:05:57,903 Shut up, fucking Horse. Play your banjo, man. 1181 01:05:57,997 --> 01:06:00,832 - This is Bez. - (crowd roars) 1182 01:06:04,420 --> 01:06:08,038 ♪ When he came out of the lock-up 1183 01:06:08,132 --> 01:06:10,540 "♪ Said 'doing looking for something better" 1184 01:06:12,261 --> 01:06:14,883 ♪ And he made his shock announcement 1185 01:06:14,972 --> 01:06:19,017 4,000 years ago, the Egyptians built the very first canal. 1186 01:06:19,102 --> 01:06:22,019 ♪ ..Backed down, backed off 1187 01:06:24,816 --> 01:06:27,603 The first canal in Britain was built by the Romans: 1188 01:06:27,693 --> 01:06:29,188 The Fosse Dyke in Lincoln. 1189 01:06:29,278 --> 01:06:32,813 ♪ He said "I'm wealthy enough not to do this no more" 1190 01:06:32,907 --> 01:06:34,781 ♪ And he made it all known 1191 01:06:34,867 --> 01:06:37,987 This is the Rochdale Canal, built in 1804... 1192 01:06:38,079 --> 01:06:40,652 when Manchester was the greatest industrial city in the world. 1193 01:06:40,748 --> 01:06:42,907 ♪ ..Palm out 1194 01:06:45,670 --> 01:06:48,671 "♪ And she said 'don't know if I should" 1195 01:06:48,756 --> 01:06:54,510 And their neglect mirrors the decline of post-war industrial Britain. 1196 01:06:54,595 --> 01:06:57,265 ♪ ..At first it was a yes 1197 01:06:57,348 --> 01:07:00,931 ♪ And then a no, then yes ♪ 1198 01:07:06,941 --> 01:07:09,479 Suddenly, everything came together.' 1199 01:07:09,569 --> 01:07:10,944 the music, the dancing... 1200 01:07:11,028 --> 01:07:13,519 the drugs, the venue, the city. 1201 01:07:14,657 --> 01:07:19,118 I was proved right.' Manchester was like Renaissance Florence. 1202 01:07:19,203 --> 01:07:21,990 Mike Pickering was right.' you don't need bands in a club. 1203 01:07:22,081 --> 01:07:24,453 Shaun Ryder was right. New Order were right. 1204 01:07:24,542 --> 01:07:26,950 We all came together. 1205 01:07:27,044 --> 01:07:29,084 Everyone came to the Hacienda. 1206 01:07:29,172 --> 01:07:30,286 It was our cathedral. 1207 01:07:30,381 --> 01:07:33,833 ♪ He wears a sleeping bag as his vest 1208 01:07:33,926 --> 01:07:37,093 ♪ And he's getting too bothered 1209 01:07:38,389 --> 01:07:41,972 ♪ About the spots on his chest 1210 01:07:42,059 --> 01:07:44,136 ♪ Chest, chest... ♪ 1211 01:07:44,228 --> 01:07:47,597 Manchester.' birthplace to the railways... 1212 01:07:47,690 --> 01:07:48,971 computer... 1213 01:07:49,066 --> 01:07:51,106 the bouncing bomb. 1214 01:07:52,445 --> 01:07:56,443 And tonight something equally as epoch-making is taking place. 1215 01:07:56,532 --> 01:07:59,533 - See? - (crowd roars) 1216 01:07:59,619 --> 01:08:02,157 (♪ A Guy Called Gerald: Voodoo Ray) 1217 01:08:03,289 --> 01:08:06,290 They're applauding... the DJ. 1218 01:08:06,375 --> 01:08:09,910 Not the music, not the musician, not the creator... 1219 01:08:10,004 --> 01:08:12,044 but... the medium. 1220 01:08:13,174 --> 01:08:14,585 This is it. 1221 01:08:14,675 --> 01:08:17,166 The birth of rave culture. 1222 01:08:17,261 --> 01:08:19,301 The beatification of the beat. 1223 01:08:19,388 --> 01:08:20,799 The dance age. 1224 01:08:20,890 --> 01:08:24,389 This is the moment when even the white man starts dancing. 1225 01:08:24,477 --> 01:08:26,516 Welcome to Madchester. 1226 01:08:26,938 --> 01:08:29,310 A Guy Called Gerald: Voodoo Ray 1227 01:08:45,873 --> 01:08:49,289 I have with me a very special new friend of mine... 1228 01:08:49,377 --> 01:08:50,919 Mr Peter Duff... 1229 01:08:51,003 --> 01:08:53,043 who worked on the canals not just in this century... 1230 01:08:53,131 --> 01:08:55,622 but, can you believe it, in the last one. 1231 01:08:55,716 --> 01:08:57,709 - Peter... - Mm-hm? 1232 01:08:57,802 --> 01:08:59,925 The canals. How many years ago is that... 1233 01:09:00,012 --> 01:09:04,259 What... What year was it that you started working on the canals? 1234 01:09:04,350 --> 01:09:06,094 1900. 1235 01:09:06,185 --> 01:09:07,929 - 1900, right. - Yeah. 1236 01:09:08,020 --> 01:09:10,974 On the cusp... the cusp of a new... a new age. 1237 01:09:11,065 --> 01:09:12,065 Mm-hm. 1238 01:09:12,108 --> 01:09:15,358 What do you remember about, er, the canals in those days? 1239 01:09:15,445 --> 01:09:17,686 Very little. 1240 01:09:17,780 --> 01:09:19,654 - Very little? - Yeah. 1241 01:09:19,741 --> 01:09:21,116 Peaceful. 1242 01:09:21,200 --> 01:09:22,659 - Peaceful? - Yes. 1243 01:09:22,744 --> 01:09:25,780 I don't think... I don't think we're gonna be able to use much of that. 1244 01:09:25,872 --> 01:09:27,034 D'you want... I mean... 1245 01:09:27,123 --> 01:09:30,539 The chap's... barely standing. D'you... 1246 01:09:30,626 --> 01:09:34,042 (♪ Brian and Michael: Matchstalk Men And Matchstalk Cats And Dogs) 1247 01:09:34,130 --> 01:09:36,455 ♪ But Lowry didn't care much anyway 1248 01:09:36,549 --> 01:09:38,589 - All right, Tony? - OK? 1249 01:09:40,011 --> 01:09:43,177 ♪ They said he just paints cats and dogs 1250 01:09:43,264 --> 01:09:46,598 ♪ And matchstalk men in boots and clogs 1251 01:09:46,684 --> 01:09:50,349 ♪ And Lowry said that's just the way they'll stay 1252 01:09:51,814 --> 01:09:53,937 ♪ And he painted matchstalk men... 1253 01:09:54,025 --> 01:09:55,934 - You all right, Tony? How's it going? - Great. Wonderful. 1254 01:09:56,027 --> 01:09:57,189 Thought we'd get the kids in... 1255 01:09:57,278 --> 01:09:58,606 This is in the Mondays' video? 1256 01:09:58,696 --> 01:10:01,483 - Yeah, yeah, this is gonna be it. - But that's Brian and Michael. 1257 01:10:01,574 --> 01:10:03,365 Yeah, I know, but they've not actually finished the single yet. 1258 01:10:03,451 --> 01:10:05,574 The single was supposed to be done two weeks ago. 1259 01:10:05,661 --> 01:10:08,579 Yeah, but you know what he's like, he's always a bit slow, the producer. 1260 01:10:08,664 --> 01:10:10,289 Why, who... who's producing this? 1261 01:10:10,374 --> 01:10:11,917 Martin Hannett. 1262 01:10:12,001 --> 01:10:14,243 Oh, for fuck's sake! 1263 01:10:14,337 --> 01:10:16,413 Did you not know? 1264 01:10:16,506 --> 01:10:18,794 No, I didn't know. 1265 01:10:18,883 --> 01:10:21,089 Well, anyway, must crack on, get these rehearsals done. 1266 01:10:21,177 --> 01:10:23,086 These are great, the kids are great. 1267 01:10:23,179 --> 01:10:24,757 - Hello. - ♪ So come on down 1268 01:10:24,847 --> 01:10:27,599 ♪ And wear the old flat cap 1269 01:10:29,519 --> 01:10:33,101 "♪ They said 'tell us all about your ways" 1270 01:10:33,189 --> 01:10:34,189 ♪ 'and all about... " ♪ 1271 01:10:34,273 --> 01:10:37,440 The last time I'd seen Martin was five years earlier. 1272 01:10:37,527 --> 01:10:40,231 The Hacienda was costing New Order 10,000 pounds a month. 1273 01:10:40,321 --> 01:10:42,148 None of us had a clue what to do. 1274 01:10:42,240 --> 01:10:44,066 You know broccoli? 1275 01:10:44,158 --> 01:10:46,234 Broccoli, the vegetable? 1276 01:10:46,327 --> 01:10:47,987 Yeah. 1277 01:10:48,079 --> 01:10:50,118 That was, er... 1278 01:10:53,751 --> 01:10:58,247 That was invented by Cubby Broccoli, producer of the James Bond films. 1279 01:10:58,339 --> 01:11:00,913 - (laughs) - Little-known fact. It's true. 1280 01:11:01,008 --> 01:11:02,668 (coughs) 1281 01:11:10,017 --> 01:11:11,927 It's a cross-bred vegetable. 1282 01:11:12,019 --> 01:11:13,899 - It's half... cauliflower... - (knock at door) 1283 01:11:13,938 --> 01:11:15,432 - half... - What? 1284 01:11:15,523 --> 01:11:17,350 Half, er... something... a green... 1285 01:11:17,442 --> 01:11:19,648 Half... gr... a... a green thing. 1286 01:11:19,736 --> 01:11:23,484 Half a green thing that I don't know, half a cauliflower. 1287 01:11:23,573 --> 01:11:26,146 And the Broccoli... Cubby Broccoli's family... 1288 01:11:26,242 --> 01:11:30,287 Was inventing... vegetables before they started making movies(?) 1289 01:11:30,371 --> 01:11:32,451 That's... That was... That bankrolled the Bond films. 1290 01:11:32,540 --> 01:11:34,948 - I don't believe you, Tony. - It's a... That is a fact. 1291 01:11:35,042 --> 01:11:36,241 I don't believe you. 1292 01:11:36,335 --> 01:11:38,743 It's a fact. Look it up, er... Encyclopaedia Britannica. 1293 01:11:38,838 --> 01:11:42,005 - Where am I gonna look that up? - It's absolute fact, that. 1294 01:11:43,551 --> 01:11:45,378 Jesus! 1295 01:11:45,470 --> 01:11:47,509 (laughs wheezily) 1296 01:11:48,347 --> 01:11:50,055 Thanks, Martin. 1297 01:11:52,769 --> 01:11:54,179 (microphone) I'm still waiting. 1298 01:11:54,270 --> 01:11:56,310 - So are we. - Hi, guys. 1299 01:11:56,397 --> 01:11:58,639 - All right, Tone? - Where is the mad professor? 1300 01:11:58,733 --> 01:12:01,438 - Try a bit? - Fuckin' crying in there. 1301 01:12:02,320 --> 01:12:04,645 - Fucking hell. - We can't get fuck-all done. 1302 01:12:04,739 --> 01:12:07,859 - (microphone) I'm still waiting... - He's fucking enormous. 1303 01:12:07,950 --> 01:12:10,572 (microphone) ..and it's very fucking boring. 1304 01:12:10,661 --> 01:12:12,369 - He's a mess. He's a fuck... - He's been like this all day. 1305 01:12:12,455 --> 01:12:15,242 (microphone) I'm gonna stick Bez's maracas up me fucking jacksie. 1306 01:12:15,333 --> 01:12:17,788 He's back in his closet. 1307 01:12:19,462 --> 01:12:22,131 Hello, Hannett, you wanker. 1308 01:12:23,549 --> 01:12:26,669 - Awesome... - Hello, Wilson, wanker! 1309 01:12:27,845 --> 01:12:32,424 I'm trying to get these shower of cunts that masquerade as a band... 1310 01:12:32,517 --> 01:12:34,758 to play some fuckin' music... 1311 01:12:34,852 --> 01:12:37,723 which seems to be the greatest, most difficult thing... 1312 01:12:37,814 --> 01:12:40,020 I've ever had to do in my fucking life. 1313 01:12:40,108 --> 01:12:41,685 Take it down, Mart, sorry, come on. 1314 01:12:41,776 --> 01:12:45,275 He's calmed down a lot since I last worked with him(!) 1315 01:12:46,114 --> 01:12:47,524 - Martin... - Fuck off! 1316 01:12:47,615 --> 01:12:49,904 Kicking off, man. Fuck off... 1317 01:12:49,992 --> 01:12:52,365 You can't threaten me any more, Martin. 1318 01:12:52,453 --> 01:12:54,612 You're a big man but you're out of shape. 1319 01:12:54,705 --> 01:12:57,078 Although you could sit on me. 1320 01:12:57,166 --> 01:12:59,622 I've got something for you. 1321 01:13:00,586 --> 01:13:03,160 (laughter) 1322 01:13:05,425 --> 01:13:07,547 - (♪ Wrote For Luck) - ♪ And you were wet 1323 01:13:07,635 --> 01:13:10,007 ♪ But you're getting dryer 1324 01:13:10,096 --> 01:13:13,429 ♪ You used to speak the truth but now you're liar 1325 01:13:15,518 --> 01:13:19,136 ♪ You used to speak the truth but now you're clever 1326 01:13:20,398 --> 01:13:22,687 ♪ Ah-ah-ah 1327 01:13:22,775 --> 01:13:23,775 ♪ Ah-ah 1328 01:13:25,111 --> 01:13:27,483 ♪ Ah-ah-ah 1329 01:13:27,572 --> 01:13:29,611 ♪ Ah-ah 1330 01:13:29,699 --> 01:13:32,071 ♪ Ah-ah-ah 1331 01:13:32,160 --> 01:13:33,488 ♪ Ah-ah 1332 01:13:33,578 --> 01:13:35,784 ♪ And I wrote for luck 1333 01:13:35,872 --> 01:13:37,911 ♪ And they sent me you 1334 01:13:37,999 --> 01:13:40,157 ♪ And I sent for juice 1335 01:13:40,251 --> 01:13:43,287 ♪ You give me poison 1336 01:13:43,379 --> 01:13:45,372 ♪ I ordered a line 1337 01:13:45,465 --> 01:13:47,504 ♪ You formed a queue 1338 01:13:48,301 --> 01:13:51,586 ♪ You try anything hard There's nothing else you can do 1339 01:13:52,096 --> 01:13:53,096 ♪ And you were wet 1340 01:13:53,181 --> 01:13:56,715 Turn that porn off. We've got a lady on the bus. 1341 01:13:56,809 --> 01:13:58,185 No, leave it on. 1342 01:13:58,269 --> 01:14:00,392 - I think I'm in this one. - (laughter) 1343 01:14:00,480 --> 01:14:02,140 Go on, Roe! 1344 01:14:02,231 --> 01:14:06,774 ♪ You used to speak the truth but now you're clever 1345 01:14:06,861 --> 01:14:08,818 ♪ And when it's hot 1346 01:14:08,905 --> 01:14:10,981 ♪ You start to melt 1347 01:14:12,116 --> 01:14:15,532 ♪ Cos you're not made of cheese You're made of chocolate 1348 01:14:15,620 --> 01:14:19,071 Hey! Pull those curtains to! 1349 01:14:19,165 --> 01:14:21,454 ♪ You tend to crack 1350 01:14:21,542 --> 01:14:24,911 ♪ You keep on piling out not putting back ♪ 1351 01:14:25,004 --> 01:14:28,171 What's up with you? What are you looking at me like that for? 1352 01:14:28,257 --> 01:14:30,464 - I'm not looking at you. - Yes, you are, you're looking at me. 1353 01:14:30,551 --> 01:14:32,544 I was looking at Bez. 1354 01:14:32,637 --> 01:14:35,210 You are looking at me. What's up with you, are you jealous? 1355 01:14:35,306 --> 01:14:36,551 Jealous of what? I'm not jealous. 1356 01:14:36,641 --> 01:14:38,883 If I wanted you, I could have you right now. 1357 01:14:38,976 --> 01:14:40,803 - (laughter) - I'm not jealous of nothing. 1358 01:14:44,357 --> 01:14:46,314 Tony! Sir Anthony, sir! 1359 01:14:46,401 --> 01:14:48,393 Can I interest you in some Charleston, sir? 1360 01:14:48,486 --> 01:14:52,021 No, I think cocaine's a suit's drug, it's a destroyer of talent. 1361 01:14:52,115 --> 01:14:53,115 No, thank you. 1362 01:14:53,199 --> 01:14:55,156 We haven't got any fuckin' talent. Roe, chop one out. 1363 01:14:55,243 --> 01:14:57,568 - That's why it's fine for you. - Come on, Tony! 1364 01:14:58,246 --> 01:15:01,033 - You're a very giving person, sir. - Come on, Tone. 1365 01:15:01,124 --> 01:15:02,203 One of us! 1366 01:15:15,054 --> 01:15:18,719 Never judge a book by its cover. You've got a nice cover, by the way. 1367 01:15:18,808 --> 01:15:20,468 First edition, very collectable. 1368 01:15:20,560 --> 01:15:21,722 - (laughs) Thank you. - Hi, Tony! 1369 01:15:21,811 --> 01:15:23,804 - Hello, love. All right? - Yeah. 1370 01:15:23,896 --> 01:15:27,063 This is Yvette. She's actually Miss United Kingdom... 1371 01:15:27,150 --> 01:15:29,189 but that's not what attracted me to her. 1372 01:15:29,277 --> 01:15:34,022 Where they do Stars in Their Eyes, erm, interiors of Coronation Street. 1373 01:15:34,115 --> 01:15:36,107 - Hello, love. You all right? - Hi, Tony. 1374 01:15:36,200 --> 01:15:38,359 - Nice to see you. - And you, as ever. 1375 01:15:38,453 --> 01:15:40,741 - And what do you do? - How do you mean? 1376 01:15:40,830 --> 01:15:43,535 Well... You know, your job... here. 1377 01:15:43,624 --> 01:15:45,783 Well, I'm... I'm Tony Wilson. 1378 01:15:46,919 --> 01:15:49,754 - It's a bit chilly. - Pop this... Have this. 1379 01:15:49,839 --> 01:15:51,796 - Put that on. - Oh, thank you. 1380 01:15:51,883 --> 01:15:53,792 You can keep it. It's cashmere. 1381 01:15:53,885 --> 01:15:56,886 - Are you sure? - Course. Least I can do for Miss UK. 1382 01:15:56,971 --> 01:15:59,379 I haven't got a tiara so you'll have to make do with that, sweetheart. 1383 01:15:59,474 --> 01:16:02,178 So, I mean, Granada really is just sort of my hobby. 1384 01:16:02,268 --> 01:16:04,640 Erm, my proper job... Have you heard of the Happy Mondays? 1385 01:16:04,729 --> 01:16:06,556 - Yeah, I love 'em. - I look after them. Factory Records. 1386 01:16:06,647 --> 01:16:09,317 - Really? - Yeah. Yeah, that's my... my label. 1387 01:16:09,400 --> 01:16:11,523 - Er... New Order? Heard of them? - Yeah. 1388 01:16:11,611 --> 01:16:13,853 Sometimes see them at the Hacienda. Do you know the Hacienda? 1389 01:16:13,946 --> 01:16:15,441 It's fantastic, yeah. 1390 01:16:15,531 --> 01:16:16,851 - I own that nightclub. - Really?! 1391 01:16:16,908 --> 01:16:19,577 Part-owner. If you ever want reduced admission, come and see me. 1392 01:16:19,660 --> 01:16:21,902 Better still, you get in free if you escort me. 1393 01:16:21,996 --> 01:16:23,636 - (laughs) OK. - I'm flirting, by the way. 1394 01:16:23,706 --> 01:16:25,117 You are, yes. 1395 01:16:25,208 --> 01:16:26,951 - It's that obvious? - (laughs) 1396 01:16:27,043 --> 01:16:30,163 Don't judge. Piety is a very unattractive quality. 1397 01:16:30,254 --> 01:16:32,212 Flirting is a very natural process... 1398 01:16:32,298 --> 01:16:34,338 she's aware of it, I'm being post-modern... 1399 01:16:34,425 --> 01:16:36,667 before it was fashionable. 1400 01:16:41,140 --> 01:16:43,631 - 'Ey up, Tony. - Hi. 1401 01:16:44,769 --> 01:16:46,180 Hi. 1402 01:16:47,855 --> 01:16:50,525 (♪ Marshall Jefferson: Move Your Body) 1403 01:17:04,997 --> 01:17:06,540 (crowd roars) 1404 01:17:06,624 --> 01:17:08,035 (whistles) 1405 01:17:09,460 --> 01:17:13,125 Being at the Hacienda was like being at the French Revolution. 1406 01:17:13,214 --> 01:17:16,298 Bliss it was that dawn to be alive. 1407 01:17:16,384 --> 01:17:18,839 But to be young was very heaven. 1408 01:17:22,807 --> 01:17:25,761 OK, so I was nearly 40, which isn't really young... 1409 01:17:25,852 --> 01:17:27,891 but these days it isn't that old either... 1410 01:17:27,979 --> 01:17:30,849 and Yvette said the age difference didn't bother her. 1411 01:17:32,191 --> 01:17:35,525 ♪ Gotta have house music 1412 01:17:35,611 --> 01:17:37,651 ♪ All night long ♪ 1413 01:17:39,240 --> 01:17:40,900 (cork pops) 1414 01:17:40,992 --> 01:17:44,028 - (champagne splashes) - Oh, story of my life. 1415 01:17:44,120 --> 01:17:46,658 And, by the way, we're still together. 1416 01:17:46,748 --> 01:17:50,117 So, whatever you're thinking, you're wrong. 1417 01:17:51,502 --> 01:17:54,836 D'you know, I think that Shaun Ryder is... 1418 01:17:54,922 --> 01:17:58,790 on par with WB Yeats... as a... as a poet. 1419 01:17:59,552 --> 01:18:02,125 - Really? - Ab... Absolutely. Totally. 1420 01:18:02,221 --> 01:18:03,799 Everyone else thinks he's an idiot. 1421 01:18:06,476 --> 01:18:07,341 Shaun! Where the fuck are ya? 1422 01:18:07,435 --> 01:18:09,724 We can't do anything without the fuckin' singer! 1423 01:18:09,812 --> 01:18:13,596 Listen, one of you fuckers is gonna have to do it. Get busy, man. 1424 01:18:13,691 --> 01:18:15,980 - I'll sing. - Horse, man, step in, mate. 1425 01:18:16,069 --> 01:18:18,441 - Come on, you're gonna have to do it. - All right, I'll do it. 1426 01:18:18,529 --> 01:18:20,569 - (♪ Loose Fit) - ♪ Won't be no misfit 1427 01:18:20,656 --> 01:18:23,444 ♪ in my household today 1428 01:18:23,534 --> 01:18:27,912 ♪ Pick him all up and send him on his way 1429 01:18:28,706 --> 01:18:30,746 ♪ Do what you're doing 1430 01:18:30,833 --> 01:18:33,159 ♪ Say what you're saying 1431 01:18:33,711 --> 01:18:36,036 ♪ Go where you're going 1432 01:18:36,130 --> 01:18:37,130 ♪ Think what you think 1433 01:18:37,173 --> 01:18:39,794 ♪ Sounds good to me ♪ 1434 01:18:42,804 --> 01:18:44,843 Factory believes in artistic freedom. 1435 01:18:45,723 --> 01:18:48,926 And Shaun is an artist but he's also an addict. 1436 01:18:49,018 --> 01:18:52,054 I knew then that choosing Nathan as the new manager of the Mondays... 1437 01:18:52,146 --> 01:18:54,856 was not necessarily a good idea. 1438 01:18:54,857 --> 01:18:57,348 Nathan's gonna be our new manager. 1439 01:18:57,443 --> 01:19:00,017 - I'm gonna look after them. - And he does it very well. 1440 01:19:00,113 --> 01:19:03,067 But I wanted Shaun to be happy so I indulged him. 1441 01:19:04,200 --> 01:19:06,406 - What you doing? What you doing? - (laughter) 1442 01:19:06,494 --> 01:19:09,329 Oh, God, you're not that out of it, are you? 1443 01:19:09,414 --> 01:19:11,987 - I am not a lump of hash. - (chuckles) 1444 01:19:12,083 --> 01:19:15,666 I'm in charge of Factory Records... I think. 1445 01:19:16,504 --> 01:19:18,995 They're living legends. Here we go! 1446 01:19:19,090 --> 01:19:21,497 (♪ Kinky Afro) 1447 01:19:27,807 --> 01:19:29,598 ♪ None of it 1448 01:19:29,684 --> 01:19:31,344 ♪ Got a little bit 1449 01:19:31,436 --> 01:19:33,642 ♪ Are you full of shit? 1450 01:19:35,731 --> 01:19:38,187 ♪ Son, I am 30 1451 01:19:39,360 --> 01:19:41,898 ♪ I only went with your mother cos she's dirty 1452 01:19:43,573 --> 01:19:46,408 ♪ And I don't have a decent bone in me 1453 01:19:47,535 --> 01:19:51,200 ♪ What you get is just what you see, yeah 1454 01:19:51,289 --> 01:19:54,622 It's an adventure. It's the Magical Mystery Tour, the Merry Pranksters. 1455 01:19:54,709 --> 01:19:57,793 It's like Scooby Doo, innit? Cos they had a bus, didn't they? 1456 01:19:57,879 --> 01:19:59,670 It is a little bit like Scooby Doo. 1457 01:20:01,758 --> 01:20:04,509 Manchester became the centre of the universe.' 1458 01:20:04,594 --> 01:20:06,717 the best drugs, the best clothes... 1459 01:20:06,804 --> 01:20:09,046 the best women, the best music... 1460 01:20:09,140 --> 01:20:11,631 the best bands, the best club. 1461 01:20:12,560 --> 01:20:15,727 Suddenly everyone wanted to be from Manchester... 1462 01:20:15,813 --> 01:20:18,933 and if you were a Manc, everyone wanted a part of you. 1463 01:20:19,025 --> 01:20:21,812 Tone? Tone? Come in the back for a wabosh, mate? Come on. 1464 01:20:21,903 --> 01:20:23,812 It's all right, I've eaten, thanks. 1465 01:20:24,697 --> 01:20:26,904 - You're looking very beautiful. - He owns the Hacienda. 1466 01:20:26,991 --> 01:20:28,900 - I'm the big guy. - He's the big boss. 1467 01:20:28,993 --> 01:20:32,077 - Oh, yeah? - Well, metaphorically speaking. 1468 01:20:32,580 --> 01:20:35,249 It was like being on a fantastic fairground ride... 1469 01:20:35,333 --> 01:20:38,417 centrifugal forces throwing us wider and wider... 1470 01:20:38,503 --> 01:20:41,919 and it's all right because there's a brilliant machine at the centre... 1471 01:20:42,006 --> 01:20:43,500 to bring us back to earth. 1472 01:20:43,591 --> 01:20:46,711 That was Manchester. That was the Hacienda. 1473 01:20:46,928 --> 01:20:49,051 Now, imagine the machine breaks. 1474 01:20:49,138 --> 01:20:51,594 For a while it's even better because you're really flying... 1475 01:20:51,682 --> 01:20:53,758 but then... you're fucked... 1476 01:20:53,851 --> 01:20:56,177 because nobody beats gravity. 1477 01:20:56,687 --> 01:20:59,558 ♪ You take ten feet back and then stab it 1478 01:20:59,649 --> 01:21:00,977 I'm back! 1479 01:21:01,067 --> 01:21:05,065 What you doing here? I thought you were in... glamorous fuckin' London. 1480 01:21:05,154 --> 01:21:07,396 ♪ So sack all the needy 1481 01:21:07,490 --> 01:21:09,779 I went to interview Sir Keith Joseph. 1482 01:21:09,909 --> 01:21:12,614 It's very important. He likes to be called Sir Keith. 1483 01:21:12,703 --> 01:21:14,162 His knighthood's important to him. 1484 01:21:15,248 --> 01:21:18,332 They call him the Mad Monk. That's important at the end of the story. 1485 01:21:18,418 --> 01:21:19,738 ♪ I had to crucify somebody today 1486 01:21:19,794 --> 01:21:22,463 I was supposed to get the train, right? 1487 01:21:22,547 --> 01:21:24,041 But I didn't, I drove. OK? 1488 01:21:24,132 --> 01:21:26,255 So I'm driving along, driving really well... 1489 01:21:26,342 --> 01:21:30,755 er, and I end up on this fucking Pennine. 1490 01:21:31,222 --> 01:21:33,891 There you go: A mobile phone. Do you know how to work one? 1491 01:21:33,975 --> 01:21:35,802 Yeah. I've used 'em before. 1492 01:21:35,893 --> 01:21:38,598 And I... I make a phone call on this mobile-phone thing. 1493 01:21:39,939 --> 01:21:43,189 It's like listening to a fucking headache. 1494 01:21:48,114 --> 01:21:50,949 And then... I was walking along a railway line... 1495 01:21:51,033 --> 01:21:53,441 and a train goes roaring past. 1496 01:21:56,539 --> 01:21:58,413 And I climbed... onto the train. 1497 01:21:58,499 --> 01:22:01,334 Whoa, whoa! You can't come in here, son. No, no, whoa. 1498 01:22:01,419 --> 01:22:02,534 (tyres screech) 1499 01:22:02,628 --> 01:22:05,795 Er... I... Er... Sorry, do you know who I am? 1500 01:22:05,882 --> 01:22:08,717 Ernie, we've got one here don't know who he is! 1501 01:22:08,801 --> 01:22:10,545 Only kidding you. Go on, Tony. Sorry. Go on. 1502 01:22:10,636 --> 01:22:13,092 ♪ Yippee yippee iy-iy ay-ay-ay ♪ 1503 01:22:14,891 --> 01:22:18,260 Anyway, it was meant to be. Comes the hour, comes the man. 1504 01:22:18,352 --> 01:22:21,472 God, fate, events conspired... 1505 01:22:21,564 --> 01:22:25,063 to transport me to London cos I was gonna bring down the Government. 1506 01:22:25,151 --> 01:22:28,686 OK, I was late, but it didn't matter cos I had dynamite in my pockets. 1507 01:22:28,780 --> 01:22:30,155 I knew what I was gonna do. 1508 01:22:30,239 --> 01:22:32,777 I was gonna be nice as pie to him, call him Sir Keith... 1509 01:22:32,867 --> 01:22:35,275 ask him about the latest Government policy initiative... 1510 01:22:35,369 --> 01:22:36,780 and he was gonna fall apart. 1511 01:22:36,871 --> 01:22:38,449 - (car horn) - (screams) 1512 01:22:39,540 --> 01:22:43,538 Hi. Sir Keith Joseph, my humble apologies. 1513 01:22:43,628 --> 01:22:46,545 I'm Anthony, by the way. 1514 01:22:46,631 --> 01:22:49,300 (chuckles) Anth-ony. 1515 01:22:49,383 --> 01:22:52,503 Er, medieval rather than classical. 1516 01:22:52,595 --> 01:22:56,759 Yes, Anthony of Pa... Padua. That's who I'm named after. 1517 01:22:56,849 --> 01:22:58,391 - Saint... Saint Anthony. - Mm-hm. 1518 01:22:58,476 --> 01:23:00,634 Er, Saint Anthony. Yes, er... 1519 01:23:00,728 --> 01:23:03,017 He was a monk, funnily enough. 1520 01:23:03,106 --> 01:23:04,932 Funny? 1521 01:23:05,024 --> 01:23:07,266 In what way, funny? 1522 01:23:07,360 --> 01:23:08,854 Well, you know... 1523 01:23:08,945 --> 01:23:10,688 "Brother Keith." 1524 01:23:10,780 --> 01:23:11,859 You must know. 1525 01:23:12,532 --> 01:23:16,066 - (pants) - Brother? (Chuckles) 1526 01:23:16,661 --> 01:23:19,496 I'm not a trade unionist, Mr Wilson. 1527 01:23:19,580 --> 01:23:22,332 No, no... No, but, you know, the whole monk thing... 1528 01:23:22,417 --> 01:23:24,243 (pants) 1529 01:23:24,335 --> 01:23:27,786 The Mad Monk. That's... That's what they call you, isn't it? 1530 01:23:27,880 --> 01:23:30,003 Well, you are a mad bastard. 1531 01:23:30,091 --> 01:23:32,380 Did I say that out loud? 1532 01:23:32,468 --> 01:23:34,377 You know your trouble... Tony? 1533 01:23:35,263 --> 01:23:37,302 You don't know what you are. 1534 01:23:38,599 --> 01:23:43,178 I fucking know what you are but you don't know what you are. 1535 01:23:43,271 --> 01:23:45,940 My curiosity's got the better of me, Rob... 1536 01:23:46,023 --> 01:23:48,063 tell me, what am I? 1537 01:23:49,068 --> 01:23:50,646 You're a cunt. 1538 01:23:50,737 --> 01:23:52,314 (chuckles) 1539 01:23:52,405 --> 01:23:55,608 Well, I... I knew that, you see. That was something I did know. 1540 01:23:55,700 --> 01:23:57,111 (helicopter blades) 1541 01:23:57,201 --> 01:23:58,945 Timing is everything. 1542 01:23:59,036 --> 01:24:01,741 When we built the Hacienda, it was too soon. 1543 01:24:01,831 --> 01:24:04,583 When we built the Factory office, it was too late. 1544 01:24:04,667 --> 01:24:08,451 It did, however, have a zinc roof, which was very, very cool. 1545 01:24:08,546 --> 01:24:11,547 Even though you could only see it if you were in a helicopter. 1546 01:24:12,216 --> 01:24:16,677 At last, Factory has... a proper office. 1547 01:24:21,392 --> 01:24:22,934 It's MDF. 1548 01:24:23,019 --> 01:24:24,762 (laughs) It's made of MDF. 1549 01:24:24,854 --> 01:24:27,310 What are all these about? 1550 01:24:27,398 --> 01:24:28,892 How much was it? 1551 01:24:28,983 --> 01:24:31,272 - It's not the materials, Hooky... - That's brilliant. 1552 01:24:31,360 --> 01:24:33,400 You're paying for design. 1553 01:24:33,488 --> 01:24:36,654 Er, I didn't ask about the material, I asked how much it was. 1554 01:24:36,741 --> 01:24:38,698 It was 30 grand... but, er... 1555 01:24:38,785 --> 01:24:41,026 - Did you pick the shape? - It was what? 1556 01:24:41,120 --> 01:24:43,243 No, the shape... the shape is something that... 1557 01:24:43,331 --> 01:24:45,656 - 30 grand? - 30 grand? 1558 01:24:45,750 --> 01:24:47,577 The point is... if you go to any London... 1559 01:24:47,668 --> 01:24:49,661 - For a fucking table? - Any London record company... 1560 01:24:49,754 --> 01:24:51,746 For a fucking table? 1561 01:24:51,839 --> 01:24:53,962 - 30 grand for a fucking table?! - Rob! Rob! 1562 01:24:54,050 --> 01:24:55,924 Are you outta your mind, you dozy... 1563 01:24:56,010 --> 01:24:59,296 Shall we let go of him and shall we not fuckin' do that?! 1564 01:24:59,388 --> 01:25:01,595 - 30 grand for a fuckin' table! - All right, sweetheart? 1565 01:25:01,682 --> 01:25:04,886 - Are you OK? - Yeah, no, no, I'm absolutely fine. 1566 01:25:04,977 --> 01:25:06,258 Rob, sit down. 1567 01:25:06,354 --> 01:25:07,896 - Rob, Rob, Rob... - No, I'm all right. 1568 01:25:07,980 --> 01:25:09,854 Come on! Rob! 1569 01:25:09,941 --> 01:25:14,021 30 grand for a fucking table, you... cunt! 1570 01:25:14,112 --> 01:25:17,315 (shouts) Will you stop?! For God's sake! 1571 01:25:20,368 --> 01:25:24,366 There was a problem with the Hacienda. It never made any money. 1572 01:25:24,455 --> 01:25:27,658 There were huge crowds and a great atmosphere... 1573 01:25:27,750 --> 01:25:30,075 but it was all fuelled by ecstasy, not alcohol. 1574 01:25:30,795 --> 01:25:32,622 And we didn't sell E at the bar. 1575 01:25:32,713 --> 01:25:34,790 Although we did talk about it. 1576 01:25:34,882 --> 01:25:36,792 We were spending money on the building... 1577 01:25:36,884 --> 01:25:40,088 the staff, the DJs, the sound system... 1578 01:25:40,179 --> 01:25:43,180 but most of the money went to the drug dealers. 1579 01:25:43,266 --> 01:25:46,350 And guess what? They didn't give the money to us. 1580 01:25:46,436 --> 01:25:50,101 They spent it on clothes, or cars, or restaurants, or houses... 1581 01:25:50,189 --> 01:25:52,229 or girls, or guns. 1582 01:25:53,025 --> 01:25:55,065 Especially guns. 1583 01:25:56,070 --> 01:25:58,110 (helicopter blades) 1584 01:26:08,666 --> 01:26:10,706 All right, man? 1585 01:26:11,961 --> 01:26:13,289 (gunshots) 1586 01:26:14,797 --> 01:26:17,122 Drug dealers are like any other businessmen. 1587 01:26:17,216 --> 01:26:19,542 They like to increase their market share. 1588 01:26:19,635 --> 01:26:22,506 Oi, you little fuckin' pricks, tell your mum I give you this! 1589 01:26:22,597 --> 01:26:24,257 (gunshots) 1590 01:26:24,348 --> 01:26:27,468 Only suppliers don't tend to undercut each other on prices... 1591 01:26:27,560 --> 01:26:29,600 they just try and get rid of the competition. 1592 01:26:29,979 --> 01:26:32,019 (police radio) 1593 01:26:36,402 --> 01:26:38,561 - (groans) - (laughter) 1594 01:26:40,907 --> 01:26:43,777 Soon the violence spread to the Hacienda. 1595 01:26:43,868 --> 01:26:45,493 All right, big fella. 1596 01:26:45,578 --> 01:26:49,029 - Everybody pays, even gang members. - Give him a slap. 1597 01:26:49,123 --> 01:26:52,326 - (gunshot) - He shot him, he shot him! 1598 01:26:53,086 --> 01:26:56,252 Now, this is bad in itself but it's also bad for business. 1599 01:26:56,339 --> 01:26:59,340 When you know someone's carrying a gun it's hard to turn them away... 1600 01:26:59,425 --> 01:27:02,675 so soon there's shootings in the club... 1601 01:27:02,762 --> 01:27:05,217 as well as on the door. 1602 01:27:05,306 --> 01:27:07,512 (♪ Mantronix: King Of The Beats) 1603 01:27:07,600 --> 01:27:09,260 (gunshot) 1604 01:27:11,896 --> 01:27:14,980 if you've got a lot of drugs and guns in your club... 1605 01:27:15,066 --> 01:27:19,194 you're gonna get shut down, so you had to try and control it. 1606 01:27:19,362 --> 01:27:22,731 I took advice from Plutarch's Life Of Caesar... 1607 01:27:22,824 --> 01:27:26,442 "where it says 'keep your friends close but your enemies closer." 1608 01:27:26,536 --> 01:27:29,869 The problem is often the solution in a different set of clothes. 1609 01:27:29,956 --> 01:27:31,995 - Tony. - Hiya. Hi. 1610 01:27:32,083 --> 01:27:33,910 (♪ Orbital: Belfast) 1611 01:27:34,043 --> 01:27:38,171 in this case we gave the drug dealers the doorman's uniform... 1612 01:27:38,256 --> 01:27:41,541 so now we didn't control the door or the drugs. 1613 01:27:41,634 --> 01:27:45,050 - And you as well, love. Come on. - Oh, come on... No, come on, mate. 1614 01:27:45,138 --> 01:27:48,838 - It's not your scene. Come on. - I pay your fuckin' wages, mate. 1615 01:27:48,933 --> 01:27:51,768 - You're on a wind-up, aren't you? - Just fuckin' do one. 1616 01:27:51,853 --> 01:27:53,561 According to William Blake... 1617 01:27:53,646 --> 01:27:56,682 "The road of excess leads to the Palace of Wisdom." 1618 01:27:57,567 --> 01:28:00,900 I was on my way there... in a Jag. 1619 01:28:07,201 --> 01:28:08,446 Hello. 1620 01:28:08,536 --> 01:28:10,659 - Hiya. - Hi. 1621 01:28:10,747 --> 01:28:13,202 - Hello. All right, lad? - Hiya. 1622 01:28:13,291 --> 01:28:14,951 Kiss. 1623 01:28:16,377 --> 01:28:18,286 There's some very unspectacular flowers... 1624 01:28:18,379 --> 01:28:20,455 and, er... grapes. 1625 01:28:21,174 --> 01:28:23,213 - Thanks. - Er... 1626 01:28:27,513 --> 01:28:29,839 Nice views. 1627 01:28:30,099 --> 01:28:31,843 Yeah. 1628 01:28:32,560 --> 01:28:34,683 Beautiful. 1629 01:28:36,689 --> 01:28:38,646 Trolls! 1630 01:28:38,733 --> 01:28:40,939 I used to have Trolls when I was little. 1631 01:28:41,027 --> 01:28:44,443 - Do they still call them Trolls? - Yeah. 1632 01:28:44,530 --> 01:28:47,448 - I've got you... a mobile phone. - Thanks. 1633 01:28:47,533 --> 01:28:50,653 Mum... Mummy's got a phone and I've got one too, see... 1634 01:28:50,745 --> 01:28:52,322 so it's like a... 1635 01:28:52,413 --> 01:28:54,655 It's like tin cans with string. 1636 01:28:54,749 --> 01:28:57,287 Remem... Remember when we made tin cans with string? 1637 01:28:57,376 --> 01:28:59,001 - Yeah. - Yeah? 1638 01:29:00,004 --> 01:29:02,044 Talk down the end of it. 1639 01:29:02,757 --> 01:29:05,793 Got to go to Martin Hannett's... 1640 01:29:05,885 --> 01:29:08,210 - funeral. - Who? 1641 01:29:08,304 --> 01:29:10,344 Martin Hannett. 1642 01:29:10,431 --> 01:29:12,471 Had a heart attack. 1643 01:29:13,559 --> 01:29:15,018 OK. 1644 01:29:15,103 --> 01:29:17,309 (sighs) I should have found time to tell you earlier... 1645 01:29:17,396 --> 01:29:20,765 I did have children with my second wife, Hilary... 1646 01:29:20,858 --> 01:29:23,978 and there was a time when I was with Lindsay when that was all I wanted... 1647 01:29:24,070 --> 01:29:26,905 and, no, I've not been the best father in the world... 1648 01:29:26,989 --> 01:29:29,659 yes, I could have been there more than I have... 1649 01:29:29,742 --> 01:29:31,402 and obviously I've got regrets. 1650 01:29:31,494 --> 01:29:33,700 But this is not a film about me. 1651 01:29:33,788 --> 01:29:35,781 I am not Prince Hamlet, nor was meant to be. 1652 01:29:35,873 --> 01:29:38,199 I'm a minor character in my own story. 1653 01:29:38,292 --> 01:29:41,377 This... is a film about the music. 1654 01:29:41,462 --> 01:29:44,333 And the people who made the music. 1655 01:29:44,424 --> 01:29:46,250 Ian Curtis... 1656 01:29:46,342 --> 01:29:47,421 Shaun Ryder... 1657 01:29:48,428 --> 01:29:50,301 and Martin Hannett. 1658 01:29:50,388 --> 01:29:51,965 (♪ Organ) 1659 01:29:53,558 --> 01:29:55,965 Take your time, gentlemen, it's very heavy. 1660 01:29:57,270 --> 01:30:01,184 This coffin's not going to go down so we're going to leave it on top. 1661 01:30:01,274 --> 01:30:04,939 - Yes, we'd better leave it on top. - OK? Leave it on top. 1662 01:30:05,027 --> 01:30:07,981 OK. Gentlemen, leave the straps, please. 1663 01:30:08,072 --> 01:30:09,981 Thank you... very much. 1664 01:30:10,825 --> 01:30:12,948 Death puts things in perspective. 1665 01:30:13,619 --> 01:30:15,861 We're all equal in the grave. 1666 01:30:15,955 --> 01:30:18,576 Except Martin, obviously, who was a huge character. 1667 01:30:18,666 --> 01:30:22,000 So huge, his coffin wouldn't fit in his grave. 1668 01:30:22,086 --> 01:30:25,751 I remember thinking "Martin Hannett.' too big for death." 1669 01:30:25,840 --> 01:30:28,378 strengthen the hope of resurrection... 1670 01:30:28,468 --> 01:30:31,967 in those whose bodies are subject to decay. 1671 01:30:32,054 --> 01:30:34,724 We'd been running on empty for months. 1672 01:30:34,807 --> 01:30:37,761 We survived by shuffling cash from the club to the record company... 1673 01:30:37,852 --> 01:30:39,132 and back again. 1674 01:30:39,228 --> 01:30:40,639 Tony. 1675 01:30:40,730 --> 01:30:42,105 - How are you doing? - Good, good. 1676 01:30:42,190 --> 01:30:44,941 - What can I get you? - No, I'm right, thanks. 1677 01:30:45,818 --> 01:30:48,653 You know, we do have to... to restock the bar occasionally. 1678 01:30:48,738 --> 01:30:50,861 - Mm. - You might wanna pass that to your... 1679 01:30:50,948 --> 01:30:53,356 - Mm. - ..to the guys. 1680 01:30:53,451 --> 01:30:55,776 Mm, yeah, yeah, yeah. 1681 01:30:55,870 --> 01:30:57,661 We're actually thinking of having a temperance night. 1682 01:30:57,747 --> 01:30:59,289 That's lovely. 1683 01:30:59,373 --> 01:31:01,450 And I'll see you next week, then. 1684 01:31:01,542 --> 01:31:04,496 We had to make some money, so we had to release records. 1685 01:31:07,173 --> 01:31:11,123 - New Order want to record an album. - Thank Christ for that. 1686 01:31:12,261 --> 01:31:14,468 In Ibiza. 1687 01:31:14,555 --> 01:31:16,714 Why... Why Ibiza? 1688 01:31:16,808 --> 01:31:18,136 Why not Ibiza? 1689 01:31:18,226 --> 01:31:21,262 It's gonna be monsoon season by the time we get there. 1690 01:31:21,354 --> 01:31:23,311 Well, it... it's sunny, actually. 1691 01:31:23,397 --> 01:31:28,106 New Order went off to Ibiza and took two fucking years to make the album. 1692 01:31:28,194 --> 01:31:30,352 The Mondays wanna make another album. 1693 01:31:30,446 --> 01:31:32,902 That's fantastic news. 1694 01:31:32,990 --> 01:31:34,485 And the great thing is, we can do it in Manchester. 1695 01:31:34,575 --> 01:31:36,948 - Enjoy. - You know Shaun's had some trouble... 1696 01:31:37,036 --> 01:31:39,112 - with, er... - Yeah. 1697 01:31:39,205 --> 01:31:42,325 - Like, heroin recently. - Yeah. 1698 01:31:42,417 --> 01:31:45,916 I've tried to get him off smack onto methadone but now he's doing both. 1699 01:31:46,003 --> 01:31:47,830 Both barrels. 1700 01:31:47,922 --> 01:31:52,216 So I've been reading about this place where there isn't any. It's an island. 1701 01:31:52,301 --> 01:31:55,053 Wouldn't be the Isle of Man, would it(?) 1702 01:31:55,138 --> 01:31:57,629 No, Tony. Barbados. 1703 01:31:57,723 --> 01:31:59,134 (chuckles) 1704 01:32:00,893 --> 01:32:02,803 (♪ DSK: What Would We Do) 1705 01:32:02,895 --> 01:32:05,600 Look, they're all mine, they're all in my name. 1706 01:32:05,690 --> 01:32:08,975 It's my bag, it's my methadone. I need it, I'm a sick man. 1707 01:32:09,610 --> 01:32:11,318 Nathan had supplied enough methadone... 1708 01:32:11,404 --> 01:32:13,811 to keep Shaun going for four weeks. 1709 01:32:13,906 --> 01:32:16,576 That's how long they were supposed to stay in Barbados. 1710 01:32:16,659 --> 01:32:19,446 - (shouting) - Oh, you fuckin' wankers! 1711 01:32:19,537 --> 01:32:21,031 Sorry, man. 1712 01:32:21,122 --> 01:32:23,198 It's fuckin' coming out of your wages, you fuckin'... wankers! 1713 01:32:23,291 --> 01:32:24,536 It was just bad luck... 1714 01:32:24,625 --> 01:32:27,033 that the methadone didn't even make it onto the plane. 1715 01:32:27,128 --> 01:32:28,752 X, just snort it, man. 1716 01:32:28,838 --> 01:32:30,213 Nathan! 1717 01:32:30,298 --> 01:32:33,631 - Nathan! - Here y'are, get it off your fingers. 1718 01:32:35,303 --> 01:32:38,469 There was no heroin on the island. But there was plenty of crack. 1719 01:32:39,682 --> 01:32:43,217 Every week, we sent over all the cash we had to pay for the studio... 1720 01:32:43,311 --> 01:32:46,181 and Nathan used it for drugs instead. 1721 01:32:46,272 --> 01:32:48,810 When the cash ran out, the stole the recording gear... 1722 01:32:48,900 --> 01:32:50,300 then they stole the furniture... 1723 01:32:51,235 --> 01:32:53,809 and then they sold their clothes. 1724 01:32:53,905 --> 01:32:56,443 (♪ City Of Prague Orchestra: Robinson Crusoe) 1725 01:32:57,283 --> 01:32:59,821 (Shaun) I was stranded on a desert island... 1726 01:32:59,911 --> 01:33:02,615 with no shelter nor companionship. 1727 01:33:03,372 --> 01:33:05,745 Every day I kept watch for rescue... 1728 01:33:05,833 --> 01:33:08,289 but no-one came. 1729 01:33:08,377 --> 01:33:12,755 My only distraction was to write lyrics for my forthcoming album. 1730 01:33:12,840 --> 01:33:14,880 But then I thought... 1731 01:33:14,967 --> 01:33:16,960 why the fuck should I?/. 1732 01:33:19,639 --> 01:33:21,631 Very good. Very good. 1733 01:33:22,683 --> 01:33:26,764 So, Nathan... the tape, the music, where is it? 1734 01:33:26,854 --> 01:33:28,432 Shaun's kidnapped it. 1735 01:33:28,523 --> 01:33:30,599 Come again? 1736 01:33:30,691 --> 01:33:32,649 Shaun's kidnapped the tape. 1737 01:33:32,735 --> 01:33:34,146 (chuckles) 1738 01:33:34,237 --> 01:33:35,565 (grunts) 1739 01:33:35,655 --> 01:33:37,363 Rob, Rob, what you doing? 1740 01:33:37,448 --> 01:33:40,449 - It's nothing to do with me. - We spent £200,000 on that recording. 1741 01:33:40,535 --> 01:33:43,738 - Yeah, yeah. - At least. That's before we mixed it. 1742 01:33:43,830 --> 01:33:45,906 And now Shaun wants you to buy it off us. 1743 01:33:45,998 --> 01:33:48,038 - You cheeky... - Wait, wait... No, wait... 1744 01:33:48,126 --> 01:33:50,165 Don't! Rob... Rob! 1745 01:33:50,253 --> 01:33:52,245 He's a fucking kid! 1746 01:33:52,338 --> 01:33:53,998 Calm down. How do we buy it off him? 1747 01:33:54,090 --> 01:33:56,497 He wants you to meet him tomorrow. 1748 01:33:56,592 --> 01:33:58,799 Dry Bar, ten o'clock. 1749 01:33:58,886 --> 01:34:00,926 This is your fuckin' fault for letting 'em go out there in the first place. 1750 01:34:01,013 --> 01:34:04,133 Why is it my fault? Well, don't... you know... 1751 01:34:05,309 --> 01:34:08,227 But what if he... what if he asks for, like... 100 grand? 1752 01:34:08,312 --> 01:34:10,685 If he says 100 grand, he won't back down. 1753 01:34:10,773 --> 01:34:13,644 If we mention a figure, we'll... we'll be all right. 1754 01:34:13,735 --> 01:34:16,404 - He just wants a gesture. - All right, Tone, how are ya? 1755 01:34:16,487 --> 01:34:19,856 - All right, mate. How you doing? - Jesus Christ! 1756 01:34:19,949 --> 01:34:23,448 - What the fuck are you doing?! - What are you doing?! Fuck's sake! 1757 01:34:24,537 --> 01:34:26,162 Shit! 1758 01:34:26,247 --> 01:34:28,916 Fuck! Really ought to be careful with that, Shaun. 1759 01:34:29,000 --> 01:34:30,909 You could... You could take someone's eye out. 1760 01:34:31,002 --> 01:34:32,994 - Have you got a new toy, mate? - I have, yeah. 1761 01:34:33,087 --> 01:34:33,953 Are you man enough for that? 1762 01:34:34,046 --> 01:34:35,589 - It's great to see you. - You, too, yeah. 1763 01:34:35,673 --> 01:34:38,342 It's great to see you, despite... that incident. 1764 01:34:38,426 --> 01:34:40,584 Erm... Right, I've got... 1765 01:34:41,471 --> 01:34:44,222 I'm gonna make you an offer. Glad you came. 1766 01:34:44,307 --> 01:34:47,510 In my wallet... The sum total of my wallet... 1767 01:34:47,602 --> 01:34:48,762 is, if I'm not mistaken... 1768 01:34:48,811 --> 01:34:50,092 40... 1769 01:34:50,188 --> 01:34:52,857 That's 50 quid, that's all I've got. 1770 01:34:52,940 --> 01:34:55,562 - Nice, Tone. There you go. - Yeah. 1771 01:34:55,651 --> 01:34:59,020 - Master tapes and DATs. - Pleasure doing business with you. 1772 01:34:59,113 --> 01:35:00,857 Put that away. 1773 01:35:00,948 --> 01:35:03,321 - Seven years' bad luck, that. - I know. 1774 01:35:03,409 --> 01:35:06,079 - Fuck off. - Come on, fucking get out of here. 1775 01:35:06,162 --> 01:35:07,953 - Don't talk to any strange men. - (cackles) 1776 01:35:08,039 --> 01:35:10,446 - What you laughing at? - Twats. 1777 01:35:10,541 --> 01:35:13,957 Fucking Tony Wilson... Martin Hannett revisited! 1778 01:35:14,045 --> 01:35:16,417 50 pounds. That's, er... 1779 01:35:16,881 --> 01:35:19,372 You wouldn't get that in the January sales. 1780 01:35:20,009 --> 01:35:22,465 I have in my hand... a DAT. 1781 01:35:24,472 --> 01:35:26,429 Which my beautiful assistant Yvette is gonna put on. 1782 01:35:26,516 --> 01:35:30,300 - The Mondays. It's here, it's here. - Hope it was fuckin' worth it. 1783 01:35:30,394 --> 01:35:32,767 A total fuckin' nightmare. 1784 01:35:32,855 --> 01:35:34,895 A total nightmare. 1785 01:35:36,567 --> 01:35:38,607 Thank you, Barney. 1786 01:35:39,487 --> 01:35:40,862 (♪ Sunshine And Love) 1787 01:35:40,947 --> 01:35:44,647 At least there's something on the fuckin' thing, anyway. 1788 01:35:52,500 --> 01:35:54,825 So far, so-so. 1789 01:35:54,919 --> 01:35:57,837 It's good. It's got a good groove. 1790 01:36:06,681 --> 01:36:10,180 When are the vocals gonna kick in on it? 1791 01:36:17,150 --> 01:36:18,692 Next break. 1792 01:36:21,821 --> 01:36:24,775 - (music stops) - (exhales) 1793 01:36:24,866 --> 01:36:26,905 (music starts) 1794 01:36:30,288 --> 01:36:32,364 There's no fuckin' vocals on it, is there? 1795 01:36:32,457 --> 01:36:34,745 - Apparently not. - Ohh... 1796 01:36:34,834 --> 01:36:37,586 So does that mean you'll have to go back into the studio? 1797 01:36:37,670 --> 01:36:39,330 No, it fucking doesn't mean we're going back in the studio. 1798 01:36:39,422 --> 01:36:41,995 - All right. - No, we've got no money. 1799 01:36:42,091 --> 01:36:43,087 And we can't get any credit... 1800 01:36:43,176 --> 01:36:45,382 and we are shelling out... bucket loads... 1801 01:36:45,470 --> 01:36:48,839 thousands... on this stupid... this stupid office. 1802 01:36:48,931 --> 01:36:51,422 We have to... 1803 01:36:51,517 --> 01:36:53,593 release a record. We have to release a record. 1804 01:36:53,686 --> 01:36:56,177 New Order, with respect, have done fuck-all... 1805 01:36:56,272 --> 01:36:57,850 so we'll have to finish the Mondays. 1806 01:36:57,940 --> 01:37:02,852 We just... need someone to... ..dist... to pay for the studio... 1807 01:37:02,945 --> 01:37:05,021 - distribute the record... - Who? 1808 01:37:05,114 --> 01:37:07,023 - And we'll share in the profits. - Who's gonna do that? Who? Who? 1809 01:37:07,116 --> 01:37:09,323 - It's the Mondays. Lots of people. - Who? 1810 01:37:09,410 --> 01:37:11,330 - Who's gonna pay for that? - A number of people. 1811 01:37:12,538 --> 01:37:14,531 - Who? - Princ... Principally London Records. 1812 01:37:14,624 --> 01:37:16,996 - Fucking... - What's wrong with London Records? 1813 01:37:17,085 --> 01:37:18,247 The name, for a start. 1814 01:37:18,336 --> 01:37:20,625 Oh... It's just a fucking name, Rob. 1815 01:37:20,713 --> 01:37:23,287 - You've dropped a bollock, ain't you? - Yeah, I've dropped a bollock. 1816 01:37:23,382 --> 01:37:26,218 - Yeah, I don't mind, I've... - You've dropped one massive bollock. 1817 01:37:26,302 --> 01:37:28,544 Yes, I've dropped a big, fucking, massive, hairy bollock. 1818 01:37:29,680 --> 01:37:31,091 (sighs) 1819 01:37:32,892 --> 01:37:35,134 Wheel Of Fortune/ 1820 01:37:35,228 --> 01:37:37,054 (audience cheers) 1821 01:37:39,273 --> 01:37:41,480 With... Anthony Wilson... 1822 01:37:41,567 --> 01:37:43,726 and... Teri Seymour/. 1823 01:37:48,825 --> 01:37:52,028 Welcome to the Wheel of Fortune. 1824 01:37:52,120 --> 01:37:54,492 There it is, the wheel... 1825 01:37:54,580 --> 01:37:56,940 that throughout the centuries has been used as a symbol... 1826 01:37:56,999 --> 01:37:59,372 for the vicissitudes of life. 1827 01:37:59,460 --> 01:38:02,545 Boethius himself, in his great work The Consolation Of Philosophy... 1828 01:38:02,630 --> 01:38:04,753 compares history to a great wheel... 1829 01:38:04,841 --> 01:38:07,414 hoisting us up, then dropping us down again. 1830 01:38:07,510 --> 01:38:12,338 'Inconsistency is my very essence" says the wheel. 1831 01:38:12,432 --> 01:38:14,720 'Raise yourself up on my spokes if you wish... 1832 01:38:14,809 --> 01:38:17,679 "but don't complain when you're plunged back down." 1833 01:38:17,770 --> 01:38:19,015 Let's spin the wheel. 1834 01:38:19,105 --> 01:38:21,394 What a load of bullshit. We'll remove that in the editing. 1835 01:38:21,482 --> 01:38:25,729 Just go straight from 'wheel of Fortune ", cut to 'spin the wheel." 1836 01:38:25,820 --> 01:38:27,563 The guy over there playing the director... 1837 01:38:27,655 --> 01:38:29,813 that's the real Tony Wilson, OK? The real me. 1838 01:38:29,907 --> 01:38:33,407 There's plenty of other real people in the film. There's Paul Ryder... 1839 01:38:33,494 --> 01:38:34,609 Tony. 1840 01:38:34,704 --> 01:38:36,115 - How you doing? - Good. 1841 01:38:36,205 --> 01:38:39,824 - Mark E Smith from the Fall. - Are you opening this club or what? 1842 01:38:39,917 --> 01:38:43,084 - Mani from the Stone Roses. - Where's Shaun? 1843 01:38:43,171 --> 01:38:45,744 Inspiral Carpets: What's his name? Clint Boon. 1844 01:38:45,840 --> 01:38:47,382 That's one with a table. 1845 01:38:47,467 --> 01:38:49,258 Mike Pickering. 1846 01:38:49,343 --> 01:38:51,135 Dave Haslam. 1847 01:38:51,220 --> 01:38:53,546 And, er, Vini Reilly. 1848 01:38:54,974 --> 01:38:58,841 Although this scene didn't actually make it to the final cut. 1849 01:38:58,936 --> 01:39:01,890 I'm sure it'll be on the DVD. 1850 01:39:01,981 --> 01:39:06,193 I'm in security now, Tone. And repossession. 1851 01:39:06,611 --> 01:39:08,650 That's where the money is. 1852 01:39:08,738 --> 01:39:10,777 Are you still keeping the pub going? 1853 01:39:10,865 --> 01:39:12,905 Oh, yeah. You got to. 1854 01:39:12,992 --> 01:39:15,032 (claps) Boys! 1855 01:39:15,119 --> 01:39:17,575 Hi, Tony? Have a listen to this. 1856 01:39:18,039 --> 01:39:19,866 ♪ You know that love 1857 01:39:20,792 --> 01:39:23,283 ♪ Love will tear us apart 1858 01:39:23,377 --> 01:39:24,788 ♪ Again - Yeah? 1859 01:39:24,879 --> 01:39:26,706 ♪ You know that love 1860 01:39:26,798 --> 01:39:29,882 It's an old Joy Division song with a soul slant. 1861 01:39:30,134 --> 01:39:32,174 - Yeah. - I know what it is. 1862 01:39:34,514 --> 01:39:38,642 I've got a big repossession number next week. Next Tuesday. 1863 01:39:38,726 --> 01:39:40,553 Massive. 1864 01:39:43,606 --> 01:39:46,227 Whitworth Street. Hacienda. 1865 01:39:47,693 --> 01:39:49,733 I'm saying fuck all. 1866 01:39:49,821 --> 01:39:51,647 ♪ You know that love 1867 01:39:51,739 --> 01:39:53,946 - Yeah. - ♪ Love will tear us apart 1868 01:39:54,033 --> 01:39:56,073 Can you tell them I've had enough? 1869 01:39:56,160 --> 01:39:57,358 Yeah. Whoa! 1870 01:39:57,453 --> 01:40:01,237 Great. Well done, lads. Fantastic. I'll... I'll call you. 1871 01:40:05,711 --> 01:40:07,870 What's the crack with this spread, Tony? 1872 01:40:07,964 --> 01:40:10,633 This is sophisticated food for... Londoners. 1873 01:40:10,716 --> 01:40:12,756 - It's fuckin' leaves! - For Londoners?! 1874 01:40:12,844 --> 01:40:15,845 It's stuffed vine leaves, they're very nice. 1875 01:40:15,930 --> 01:40:18,717 - Is this what they eat down there? - Broaden your horizons. 1876 01:40:18,808 --> 01:40:21,381 Fuckin' southern food for southern cunts! 1877 01:40:21,477 --> 01:40:23,968 Roger. Is it Roger? Very pleased to meet you. 1878 01:40:24,063 --> 01:40:26,305 Tony, this is Terry. 1879 01:40:26,399 --> 01:40:28,226 Nice to meet you. 1880 01:40:28,317 --> 01:40:30,357 - Can I just... see the band? - These are the guys. 1881 01:40:30,445 --> 01:40:32,770 Roger Ames, London Records. 1882 01:40:32,864 --> 01:40:35,189 - How you doing? OK? - No, that's Roger. 1883 01:40:35,283 --> 01:40:37,655 What you've done, I think it's brilliant, and, erm... 1884 01:40:37,744 --> 01:40:40,744 if you don't mind me saying, what a table! 1885 01:40:40,830 --> 01:40:43,831 And there's food on it, too, if you'd like to help yourselves. 1886 01:40:43,916 --> 01:40:46,205 I wouldn't fuckin' eat it if I were you, it's rabbit food. 1887 01:40:46,294 --> 01:40:49,295 We like shagging like 'em but we don't wanna eat like 'em. 1888 01:40:49,380 --> 01:40:52,630 If music be the food of deals, why don't we, erm, eat that? 1889 01:40:52,717 --> 01:40:55,884 Absolutely. Yvette, do you wanna do the honours? 1890 01:40:55,970 --> 01:40:58,010 Terry, have you met Tony? 1891 01:40:58,097 --> 01:41:00,173 - Yeah, we said hello. - OK, fine. 1892 01:41:00,266 --> 01:41:02,306 - (♪ Sunshine And Love) - What's the tune called? 1893 01:41:02,393 --> 01:41:03,591 Nice to meet you. 1894 01:41:03,686 --> 01:41:06,557 We're gonna do a cover of Silence is Golden. 1895 01:41:07,231 --> 01:41:09,271 Terry, Terry. 1896 01:41:09,358 --> 01:41:11,684 - Turn it up! - This is brilliant. 1897 01:41:11,778 --> 01:41:13,901 - Turn it up! - Turn it up! 1898 01:41:13,988 --> 01:41:15,815 I like that! 1899 01:41:20,995 --> 01:41:23,035 - This is... That... - (music stops) 1900 01:41:23,122 --> 01:41:25,364 - I was really into that. - Play some more! 1901 01:41:25,458 --> 01:41:27,285 Let's hear some lyrics. 1902 01:41:27,376 --> 01:41:30,330 You'll hear the vocals, Roger, when we hear the offer. 1903 01:41:30,421 --> 01:41:32,461 That's the way we do things at Factory. 1904 01:41:32,548 --> 01:41:34,043 Shaun, where you going? 1905 01:41:34,133 --> 01:41:37,051 I'm not eating fuckin' bunny rabbit food, I'm going for a Kentucky. 1906 01:41:37,136 --> 01:41:39,378 - Are you coming? - See you later. 1907 01:41:39,472 --> 01:41:41,548 - We'll get you a Kentucky. - See you later, Tone. 1908 01:41:41,641 --> 01:41:43,883 All right, mate, see you later. 1909 01:41:43,976 --> 01:41:46,183 Yvette? Just keep an eye on them. 1910 01:41:46,270 --> 01:41:50,434 So, Tony, why don't we listen to the tune while they're out? 1911 01:41:51,067 --> 01:41:52,478 Erm... 1912 01:41:52,902 --> 01:41:54,942 Hey, Tony, come on. 1913 01:41:55,029 --> 01:41:58,730 I do understand that Shaun can be... a bit of a handful. 1914 01:42:00,618 --> 01:42:03,785 Mm, yeah. He's a genius, though. 1915 01:42:04,038 --> 01:42:06,363 Yeah, you're right, he is a genius. 1916 01:42:06,457 --> 01:42:09,577 And I've got to say, if I owned a record label... 1917 01:42:09,669 --> 01:42:11,911 and I had signed Shaun to it... 1918 01:42:13,214 --> 01:42:16,049 then I would not be selling him on for a fee. 1919 01:42:16,134 --> 01:42:19,300 (makes chicken noises) 1920 01:42:20,138 --> 01:42:23,222 I'm going to make you an offer. Can I lean on this? 1921 01:42:23,307 --> 01:42:25,763 Erm, yes. You've got to be a bit... It's fine. 1922 01:42:25,852 --> 01:42:28,971 I'm gonna make you an offer for the whole company. 1923 01:42:29,063 --> 01:42:30,641 OK. 1924 01:42:32,734 --> 01:42:34,810 Five million. 1925 01:42:34,902 --> 01:42:36,942 What do you want for that? 1926 01:42:37,029 --> 01:42:39,069 - What do I want? - Yeah. 1927 01:42:39,157 --> 01:42:41,196 I want everything. 1928 01:42:41,284 --> 01:42:46,574 I want everything: The back catalogue, this table, this food, these windows. 1929 01:42:46,664 --> 01:42:48,573 - OK. - You want Factory? 1930 01:42:48,666 --> 01:42:50,160 Quite right. 1931 01:42:50,251 --> 01:42:54,165 (clears throat) OK. We're very, very flattered, Roger... 1932 01:42:54,255 --> 01:42:57,624 terribly flattered that you think we're worth such a princely sum... 1933 01:42:57,717 --> 01:43:01,845 however, what you're... what I have to explain to you is... 1934 01:43:01,929 --> 01:43:04,599 Factory Records are not actually a company. 1935 01:43:04,682 --> 01:43:07,220 We are an experiment in human nature. 1936 01:43:07,310 --> 01:43:10,595 You're labouring under the misapprehension... 1937 01:43:10,688 --> 01:43:13,974 that we actually have... a deal... 1938 01:43:14,817 --> 01:43:17,308 with, er... with our bands... 1939 01:43:17,403 --> 01:43:20,570 that we have any kind of a contract at all. 1940 01:43:20,656 --> 01:43:23,361 And I'm afraid we... we don't. 1941 01:43:25,036 --> 01:43:27,705 Because that's the sum total of the paperwork... 1942 01:43:27,789 --> 01:43:32,664 to do with Factory Records' deal with their various bands. 1943 01:43:32,752 --> 01:43:37,295 "The artists own all their own work, the label owns nothing." 1944 01:43:37,381 --> 01:43:39,919 "'our bands have the freedom." 1945 01:43:40,009 --> 01:43:42,049 "'to fuck off." 1946 01:43:42,136 --> 01:43:44,176 Oh, yeah. Quite right. 1947 01:43:44,263 --> 01:43:46,470 "The freedom to fuck off." 1948 01:43:47,391 --> 01:43:50,476 (chuckles) I don't have to deal with you at all. 1949 01:43:50,561 --> 01:43:54,891 Correct. But my epitaph will be... 1950 01:43:54,982 --> 01:43:59,111 that I... never literally nor metaphorically... 1951 01:43:59,862 --> 01:44:01,902 sold out. 1952 01:44:01,989 --> 01:44:04,860 I protected myself from ever having to have the... 1953 01:44:04,951 --> 01:44:06,990 dilemma of having to sell out... 1954 01:44:07,078 --> 01:44:09,830 by having nothing to sell out. 1955 01:44:12,250 --> 01:44:14,289 (clears throat) 1956 01:44:15,711 --> 01:44:17,751 Tony, you're fucking mad. 1957 01:44:17,839 --> 01:44:19,878 That's a point of view. 1958 01:44:22,635 --> 01:44:25,589 - (♪ Happy Mondays: Hallelujah) - ♪ Hallelujah 1959 01:44:26,305 --> 01:44:28,132 ♪ Hallelujah 1960 01:44:28,224 --> 01:44:30,797 Most of all, I love Manchester.' 1961 01:44:30,893 --> 01:44:34,345 the crumbling warehouses, the railway arches... 1962 01:44:34,439 --> 01:44:36,727 the cheap, abundant drugs. 1963 01:44:36,816 --> 01:44:38,855 That's what did it in the end.' 1964 01:44:38,943 --> 01:44:42,442 not the money, not the music, not even the guns. 1965 01:44:42,530 --> 01:44:46,943 That is my heroic flaw.' my excess of civic pride. 1966 01:44:50,705 --> 01:44:52,532 (Tony) Ryan! 1967 01:44:52,623 --> 01:44:55,411 Tony Wilson, is it true the Hacienda is closing down? 1968 01:44:55,501 --> 01:44:56,501 Yes, it is. 1969 01:44:56,586 --> 01:44:58,625 How does it feel now it's fucked up in your face? 1970 01:44:58,713 --> 01:45:01,833 Glorious. The Hacienda is dead, it will never grow old. 1971 01:45:01,924 --> 01:45:03,964 Unlike your good self, Tony. 1972 01:45:04,051 --> 01:45:06,377 I feel like a big dandelion cock... 1973 01:45:06,471 --> 01:45:07,929 - What? - Clock. 1974 01:45:08,014 --> 01:45:11,465 Cock or clock, it doesn't matter, whose seed is catching the wind... 1975 01:45:11,559 --> 01:45:14,643 it's gonna fly off, land, take root and spawn... 1976 01:45:14,729 --> 01:45:17,932 dozens, thousands of little baby dandelions... 1977 01:45:18,024 --> 01:45:20,182 like the biggest ever fuck. 1978 01:45:20,276 --> 01:45:22,648 And now she wants one so I've gotta go. 1979 01:45:23,738 --> 01:45:26,063 Come on. I've got the horn, Ryan. 1980 01:45:26,157 --> 01:45:28,565 - (horn toots) - I've got the horn. 1981 01:45:33,414 --> 01:45:35,241 - Tony! - All right, love? 1982 01:45:35,333 --> 01:45:37,372 - Tony! - Hello, mate. How you doing? 1983 01:45:37,460 --> 01:45:39,287 Thanks for coming. 1984 01:45:39,378 --> 01:45:41,418 Vini! All right, mate. Go on in. 1985 01:45:41,506 --> 01:45:44,257 - OK, love. - Vini... Let him in. 1986 01:45:44,342 --> 01:45:47,462 (♪ Happy Mondays: Hallelujah) 1987 01:45:54,268 --> 01:45:56,095 ♪ Hallelujah 1988 01:45:56,604 --> 01:45:57,802 ♪ Hallelujah 1989 01:45:59,190 --> 01:46:00,601 ♪ Hallelujah 1990 01:46:14,831 --> 01:46:19,243 ♪ Hal-le-Lu-jah 1991 01:46:19,544 --> 01:46:23,672 ♪ Hal-le-Lu-jah 1992 01:46:23,965 --> 01:46:26,041 ♪ Hallelujah, hallelujah 1993 01:46:27,051 --> 01:46:29,258 ♪ We're here to pull ya 1994 01:46:29,345 --> 01:46:32,963 ♪ Back in to do it all the same 1995 01:46:33,891 --> 01:46:36,133 ♪ Hallelujah, hallelujah 1996 01:46:36,769 --> 01:46:39,307 ♪ Not sent to save ya 1997 01:46:39,397 --> 01:46:42,813 ♪ Just here to spank ya, play some games 1998 01:46:43,693 --> 01:46:46,065 ♪ Do it long, long Doing it long 1999 01:46:46,154 --> 01:46:48,277 ♪ Do fine, fine Doing it fine 2000 01:46:48,364 --> 01:46:52,148 ♪ Go in, out Going in, not out 2001 01:46:53,494 --> 01:46:56,365 ♪ Hallelujah, hallelujah 2002 01:46:56,456 --> 01:46:58,781 ♪ Not here to praise ya 2003 01:46:58,875 --> 01:47:02,409 ♪ Just here to raise ya Fill you full of maize 2004 01:47:03,671 --> 01:47:05,415 ♪ Hallelujah 2005 01:47:05,965 --> 01:47:07,376 ♪ Hallelujah 2006 01:47:07,633 --> 01:47:09,044 ♪ Hallelujah 2007 01:47:13,431 --> 01:47:17,429 ♪ Hal-le-Lu-jah 2008 01:47:18,394 --> 01:47:20,434 ♪ Hallelujah, hallelujah 2009 01:47:21,022 --> 01:47:23,180 ♪ We're Mr Bitter 2010 01:47:23,274 --> 01:47:26,441 ♪ We'll take a bit of this and that 2011 01:47:27,862 --> 01:47:29,689 ♪ Hallelujah, hallelujah 2012 01:47:29,781 --> 01:47:32,188 ♪ When Shaun William Ryder 2013 01:47:32,283 --> 01:47:36,150 ♪ Will lie down beside ya Fill you full of junk 2014 01:47:37,622 --> 01:47:38,950 ♪ Hallelujah 2015 01:47:39,415 --> 01:47:41,159 ♪ Hallelujah 2016 01:47:42,293 --> 01:47:43,871 ♪ Hallelujah 2017 01:48:17,412 --> 01:48:20,116 You couldn't just give us ten minutes, could you? 2018 01:48:20,206 --> 01:48:22,329 - Fuckin' hell! I'm full of flu! - Just ten. 2019 01:48:22,417 --> 01:48:24,658 (♪ Hallelujah continues) 2020 01:48:37,098 --> 01:48:39,137 - (music stops) - (whistling, cheering) 2021 01:48:39,225 --> 01:48:43,139 Ladies and gentlemen, the hour is upon us. 2022 01:48:44,313 --> 01:48:48,477 I'd like now to ask you to leave in a disorderly fashion. 2023 01:48:48,568 --> 01:48:50,441 (whistling, cheering) 2024 01:48:52,655 --> 01:48:54,695 Before you do... 2025 01:48:54,991 --> 01:48:56,948 Before you do... 2026 01:48:57,034 --> 01:49:02,788 I want you to invade the offices, which are over there in the corner... 2027 01:49:02,874 --> 01:49:06,373 through that door, and as far as you can, loot them. 2028 01:49:06,461 --> 01:49:08,702 (whistling, applause) 2029 01:49:11,299 --> 01:49:14,881 Office equipment, computers, musical equipment... 2030 01:49:14,969 --> 01:49:17,970 take it all, use it wisely... 2031 01:49:18,055 --> 01:49:21,140 let a thousand Mancunians bloom. 2032 01:49:21,225 --> 01:49:23,265 Good night, God bless. 2033 01:49:23,352 --> 01:49:25,392 (cheering) 2034 01:49:28,983 --> 01:49:31,023 (music resumes) 2035 01:49:44,540 --> 01:49:46,580 (sighs) 2036 01:49:47,126 --> 01:49:48,953 Morning. 2037 01:49:49,420 --> 01:49:51,745 All right, Tone, how you doing, mate? 2038 01:49:51,839 --> 01:49:54,128 - Good, very good. - Great, T. 2039 01:49:54,217 --> 01:49:57,004 I'm really sorry about what happened, d'you know what I mean? 2040 01:49:57,095 --> 01:50:00,012 - It just fuckin'... - Don't worry about it, mate. 2041 01:50:01,516 --> 01:50:03,555 It's just... you know... 2042 01:50:11,526 --> 01:50:15,226 This is fuckin' great, this is. This is brilliant stuff. 2043 01:50:15,321 --> 01:50:18,571 Yeah, Shaun brought it back from Barbados. 2044 01:50:18,699 --> 01:50:21,451 - Well done, Shaun. - Don't mention it. 2045 01:50:21,536 --> 01:50:24,240 So it wasn't a complete waste of time? 2046 01:50:24,330 --> 01:50:27,699 No, I had a great time, what I can remember. Know what I mean? 2047 01:50:38,761 --> 01:50:40,801 (whooshing) 2048 01:50:43,266 --> 01:50:45,839 (Tony's voice) Tony, you did a good job. 2049 01:50:45,935 --> 01:50:48,058 Basically, you were right: 2050 01:50:48,146 --> 01:50:50,601 Shaun is the greatest poet since Yeats. 2051 01:50:50,690 --> 01:50:53,810 This is amazing. Can I have it in writing? 2052 01:50:53,901 --> 01:50:58,148 It is already written in the sinews of history and the hearts of men. 2053 01:50:58,239 --> 01:51:00,730 It's a pity you didn't sign the Smiths... 2054 01:51:00,825 --> 01:51:02,864 but you were right about Mick Hucknall. 2055 01:51:02,952 --> 01:51:04,992 His music's rubbish and he's a ginger. 2056 01:51:05,872 --> 01:51:07,911 Vini Reilly, by the way... 2057 01:51:07,999 --> 01:51:10,038 is way overdue a revival. 2058 01:51:10,126 --> 01:51:12,284 You might think about a greatest hits. 2059 01:51:12,378 --> 01:51:14,667 It's a good idea. 2060 01:51:14,756 --> 01:51:17,543 It's good music to chill out to. 2061 01:51:18,009 --> 01:51:20,085 Yeah, you're right. 2062 01:51:20,178 --> 01:51:22,301 I usually am. 2063 01:51:25,016 --> 01:51:27,055 (whooshing) 2064 01:51:27,143 --> 01:51:29,895 Are you all right, there, Tony? 2065 01:51:30,688 --> 01:51:32,728 Yeah, I've just seen God. 2066 01:51:32,815 --> 01:51:35,140 - You did what? - I've just seen God. 2067 01:51:35,234 --> 01:51:37,274 - Did you? - Yeah. 2068 01:51:37,361 --> 01:51:39,401 What did he look like? 2069 01:51:39,655 --> 01:51:41,695 He looked like me. 2070 01:51:42,533 --> 01:51:44,573 How d'you mean? 2071 01:51:44,660 --> 01:51:46,700 He was the double of me. 2072 01:51:49,707 --> 01:51:51,747 It's written in the Bible, isn't it? 2073 01:51:52,085 --> 01:51:54,410 God made man in his own image. 2074 01:51:55,671 --> 01:51:57,913 Yeah, but not a specific man. 2075 01:51:59,717 --> 01:52:01,757 No, but... 2076 01:52:02,136 --> 01:52:05,386 if you'd have spoken to him, he would a looked like you. 2077 01:52:05,473 --> 01:52:07,798 But you didn't. I did. 2078 01:52:09,060 --> 01:52:11,099 And he looked like me. 2079 01:52:13,564 --> 01:52:15,604 It's fucking top gear, man. 2080 01:52:18,277 --> 01:52:20,685 (♪ Joy Division: Love Will Tear Us Apart) 2081 01:52:41,551 --> 01:52:44,338 ♪ When routine bites hard 2082 01:52:44,637 --> 01:52:47,093 ♪ And ambitions are low 2083 01:52:47,849 --> 01:52:50,636 ♪ And resentment rides high 2084 01:52:50,935 --> 01:52:53,556 ♪ But emotions won't grow 2085 01:52:54,230 --> 01:52:56,851 ♪ And we're changing our ways 2086 01:52:57,191 --> 01:52:59,729 ♪ Taking different roads 2087 01:53:00,570 --> 01:53:01,768 ♪ Love 2088 01:53:02,113 --> 01:53:05,945 ♪ Love will tear us apart again 2089 01:53:06,743 --> 01:53:07,941 ♪ Love 2090 01:53:08,536 --> 01:53:12,486 ♪ Love will tear us apart again ♪ 2091 01:53:14,459 --> 01:53:16,831 (♪ New Order: Here to Stay) 2092 01:53:32,477 --> 01:53:34,516 ♪ Who is this man 2093 01:53:36,272 --> 01:53:38,312 ♪ That follows me? 2094 01:53:40,109 --> 01:53:42,232 ♪ This blue-eyed boy 2095 01:53:43,654 --> 01:53:45,980 ♪ Who wants to be 2096 01:53:47,784 --> 01:53:50,072 ♪ This worthy cause 2097 01:53:51,287 --> 01:53:53,576 ♪ Of human kind 2098 01:53:54,916 --> 01:53:59,578 ♪ This all set up by time 2099 01:54:01,881 --> 01:54:05,167 ♪ Like a bright light on the horizon 2100 01:54:05,593 --> 01:54:08,962 ♪ Shining so bright He'll get you flying 2101 01:54:09,263 --> 01:54:12,549 ♪ He'll drive you away He'll drive you insane 2102 01:54:12,642 --> 01:54:16,474 ♪ But down on your move Honour your pain 2103 01:54:16,938 --> 01:54:19,939 ♪ Like a bright light on the horizon 2104 01:54:20,274 --> 01:54:23,809 ♪ Shining so bright He'll get you flying 2105 01:54:24,028 --> 01:54:25,820 ♪ He'll get you flying 2106 01:54:25,988 --> 01:54:27,648 ♪ He'll get you flying 2107 01:54:27,824 --> 01:54:29,366 ♪ He'll get you flying 2108 01:54:29,742 --> 01:54:31,735 ♪ Flying, flying 2109 01:54:32,537 --> 01:54:34,576 ♪ This open book 2110 01:54:35,832 --> 01:54:37,871 ♪ Yet to be read 2111 01:54:39,544 --> 01:54:41,583 ♪ This second look 2112 01:54:43,297 --> 01:54:45,337 ♪ This leap ahead 2113 01:54:47,218 --> 01:54:52,010 ♪ The hope I held inside 2114 01:54:54,517 --> 01:54:59,594 ♪ With you was kept alive 2115 01:55:01,399 --> 01:55:04,898 ♪ Like a bright light on the horizon 2116 01:55:05,194 --> 01:55:08,563 ♪ Shining so bright He'll get you flying 2117 01:55:08,990 --> 01:55:12,323 ♪ He'll drive you away He'll drive you insane 2118 01:55:12,618 --> 01:55:16,319 ♪ But down on your move Honour your pain 2119 01:55:16,581 --> 01:55:19,914 ♪ Like a bright light on the horizon 2120 01:55:20,168 --> 01:55:23,619 ♪ Shining so bright He'll get you flying 2121 01:55:23,755 --> 01:55:25,498 ♪ He'll get you flying 2122 01:55:25,715 --> 01:55:27,423 ♪ He'll get you flying 2123 01:55:27,592 --> 01:55:29,252 ♪ He'll get you flying 2124 01:55:29,427 --> 01:55:31,170 ♪ Flying, flying 2125 01:56:01,125 --> 01:56:03,332 ♪ We're here to stay 2126 01:56:04,837 --> 01:56:07,209 ♪ We're here to stay 2127 01:56:08,424 --> 01:56:10,631 ♪ We're here to stay 2128 01:56:12,095 --> 01:56:14,217 ♪ We're here to stay 2129 01:56:16,015 --> 01:56:18,138 ♪ We're here to stay 2130 01:56:19,894 --> 01:56:22,017 ♪ We're here to stay 2131 01:56:23,481 --> 01:56:25,604 ♪ We're here to stay 2132 01:56:27,235 --> 01:56:29,358 ♪ We're here to stay 2133 01:56:31,489 --> 01:56:34,573 ♪ Like a bright light on the horizon 2134 01:56:34,909 --> 01:56:38,325 ♪ Shining so bright He'll get you flying 2135 01:56:38,413 --> 01:56:40,037 ♪ He'll get you flying 2136 01:56:40,248 --> 01:56:41,908 ♪ He'll get you flying 2137 01:56:42,208 --> 01:56:43,868 ♪ He'll get you flying 2138 01:56:43,960 --> 01:56:45,584 ♪ Flying, flying ♪ 163781

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