All language subtitles for National Treasure Edge of History S01E08 - Prison Break (NetNaija.com)

Jess, you're wanted
for Peter Sadusky's murder.

- But I have her confession on tape.
- It's a fake.

ETHAN: The right word here is "farther."

But that's not what the fake Jess
on your fake tape said.

Do hope your next lead doesn't take you
even further away from home.

ETHAN: Liam's not the bad guy
we thought he was.

I should have known Billie framed him.

MATTY: All these people
are here to see you play.

(mic feedback)

LIAM: You helped her throw me
in the river.

No, no, I... I saved you.

TASHA: But, Jess, if you cross the border,
you can't come back.

Valenzuela's guilty.
We need to get her off the street.

You're the only chance I have
to save Jess.

JESS: Salazar knows where that relic is.

He's not gonna want Billie
to find the treasure either.

I'm Rafael. Your dad.

Dad?

Look, I went to the well in Viesca.

The lapis lazuli's relic was missing.

RAFAEL: I've had 20 years to figure out
where it was hidden.

JESS: "The place where
the first Queen of Spain

and Saint Jerome met and passed notes."

TASHA: Like, musical notes.

JESS: Aztec, Incan, and Mayan.

ETHAN: We finally have all three of them.

JESS: It's like it's written in code.

Your dad probably knows
how to read that map.

Well, look who came back from the dead.

If Billie figures out
it's my father in there,

she's gonna find a way to get him killed.

I'm gonna break my father out of prison.

(ominous music)

Billie.

I knew I wasn't gonna find
the real Salazar here.

But I had no idea
I would find my brother's killer.

What?

No. Is that what Salazar told you?

Well, of course,
that's what Salazar told you.

I didn't kill Sebastian.

Salazar did.

You lied your way into our group, Rafael.

You betrayed us.

Are you expecting me to believe you now?

You have to believe me.

Your brother was pinned under rubble,
begging for his life.

And Salazar stood over him,
called him a liability.

- And then he shot him.
- Enough...

of your stories, Rafael.

Stick to the facts.

You robbed that bank in Viesca
under the name of Salazar,

and you were arrested.

And now,

your daughter has two of the relics.

She has two?

And I'm guessing either you found
the third relic in that well,

or you know where it is.

Either way,
your daughter's going after it.

Tell me where it is...

and I'll spare your daughter.

Well, you can't get to her.

She's long gone.

Oh, we'll see about that.

You're about to find out how it feels
to lose the person you love...

more than anything else in the world.

(suspenseful music)

(phone thuds)

(theme music)

(indistinct chatter)

OREN: Jess, I know he's your dad,
but breaking him out of prison?

That's insane.

He's the only family I've got.

If I don't break him out,
Billie's going to kill him.

Okay, so let's go to the Federales.

The Federales?
What are they supposed to do?

And what do we tell them?
That a prisoner is gonna get killed?

Do you honestly think they'd care?

TASHA: Plus, we have no proof.

Okay, so you do realize
what you're saying, right?

OREN: Breaking into a prison in Mexico.

This isn't an escape room,
this is real life.

OREN: Dude, come on, back me up on this.

Tell her she can't do this.

(suspenseful music)

(sighs)

Oren's right.

That's why I'm not asking any of you
to do this.

You don't have to.

I'm in.

- What?
- And I'm in too.

What?

Oren, Jess is gonna do this either way,
whether we help her or not.

Out of all people, I did not realize
I would be the voice of reason here.

(scoffs)

You guys realize that
this is a next-level felony, right?

- I am begging you not to do this.
- I have to.

(sighs)

(clicks tongue)
Okay. Well...

I'm not just gonna sit around
and watch my best friends

make the biggest mistake of their lives.

JESS: You're right.

I think you should go home.

Because if we get caught...

they'll think you're an accessory.

Yeah.

If something happens to us,

we're gonna need someone stateside
fighting for our extradition.

(thrilling music)

(faint music playing)

- Trackers.
- MYLES: Mm-hm.

Billie tracks everyone.

Even people that work for her.

She was tracking your grandfather
with his SIM chip, too.

But I thought that was your job.

Yeah, she doesn't take any chances.

She's had her eyes on him for ten years

while they were trying to finish
the treasure hunt.

Were you there
when Billie killed my grandpa?

I had the night off.

No witnesses.

Okay, so...

what's the plan?

How do we find Jess?

Okay, we gotta get one of the phones
from Billie's security team.

That'll give us access
to Billie's trackers.

And it'll show us where Jess is.

And how are we supposed to find
the security person's phone?

That...

that's where you come in.

(clinks)

(indistinct chatter)

TASHA: So in 2013,

the prison was upgraded from the old
podular-direct building design

to podular-remote model.

Upgraded surveillances
and less direct interactions

between the inmates and guards.

- Sounds sophisticated.
- TASHA: Yeah, well, not for us.

High tech has more exploits than low tech.

Can you shut the power off
to the building?

And I mean everything.

No lights, no locks,

- none of the security cams?
- Mm-mm.

TASHA: The generators will just kick in.

But what about the cell locks?
Can you open all of them up?

Let all the prisoners out.

Start a riot.
We can get your dad out in the chaos.

ETHAN:
Like in the Mission: Impossible movie.

TASHA: It's a great idea, but...

all of the cells are manually locked.

(phone dings)

- (Ethan groans)
- My taxi's here.

OREN: Here's the keys to my van.

- You gotta--
- Pump the brakes twice.

I know.

And do me a favor?

- Don't turn this on until you--
- Cross the border.

Yes.

You be careful, okay?

You know me better than that.

(sighs deeply)

I hope you guys pull this off
and get back to Baton Rouge.

Thanks, Oren.

(Oren exhales sharply)

(sighs)

You know, I was thinking.
(smacks lips)

In Katrina, when the prisons flooded,
it led to prison reform.

Now a flood leads right into
automatic drainage ducts.

America finally caught up
to the international standard.

Feels very relevant now.

Well, good luck.

Katrina?

What is he talking about?

He just told us how to break
into the prison.

SANTIAGO APOSTOL PENITENTIARY

(indistinct announcement over speaker)

Manuela.

(in Spanish)

(distant chatter)

GUARD 1: Salazar.

(sniffles, exhales)

(guard 1 in Spanish)

(indistinct chatter)

("Todo Pasa" by Carla Morrison playing)

How do I look?

Why don't you let me do this?

I mean, if you get caught,

the consequences are a lot worse for you
than they are for me.

I'm an American citizen.

I have the American government behind me.

You don't.

It's my dad.

My problem.

But seriously, Ethan.

Thanks for being here.

No, thank you.

You learn a lot more about the law
when you're actually breaking it.

(chuckles)

TASHA: My algorithm's working, y'all.

Check out this beauty.

I repurposed it
from a piece of ransomware.

Great, but I didn't think the plan
was to take the prison hostage.

It was developed by pirates to stop oil
from running through American pipelines.

But with a little tweak in the parameters,

I can disrupt
the water run-off system instead.

There's a culvert off the road
outside the prison

that'll lead you
to the main water run-off.

Then I will run my algorithm

and the system will react
to what it thinks is a flood.

The water levels will go down
and you have ten minutes to get in

and get your dad out.

- (grunts)
- (thuds, creaks)

ETHAN: What happens after ten minutes?

TASHA: The whole thing refills.

Flood city. No way out.

(beeps)

Sewer leads to a silo.

It has an iron rung ladder
that leads straight up to the showers

where there are no guards and no cameras.

Once you get past the showers,
your dad's cell is at the end of the hall.

(clatters)

(suspenseful music)

(guard 2 speaks indistinctly)

(gasps)

(guard 2 speaks indistinctly)

(suspenseful music)

(tense music)

- (snoring)
- JESS: How do I unlock his cell?

TASHA: Prison uses standard Worrell
wafer locks on all its cells.

You'll have to pick the lock.

(suspenseful music)

Huh, the door's open.

(whispers)

Rafael.

Rafael.

Hey.

(suspenseful music)

You know, if something happens to her,
we're not leaving, right?

Not a chance.

- (sighs)
- (door lock opens)

- (soft gasp)
- (door closes)

Salazar!

(in Spanish)

Hey!

(choking)

(Rafael grunts)

(groans)

- What are you doing?
- What am I doing? What are you doing?

Billie was gonna kill you.

- I broke in to save you.
- You did?

Yeah.

No.

Billie was gonna kill you.
I was breaking out to save you.

- You were?
- Yes, I was.

What is taking her so long?
She should've been back by now.

The water's filling.

TASHA: She can't come back this way.

Okay, well, do you have a way to get out?

Because I just ran out of time on mine.

Of course, I have a way out.

- Follow me.
- Okay.

(siren wailing)

(engine revs)

They must've caught her.

But that's impossible.

No alarms have gone off.

Yeah. He's coming.

(breathes deeply)

(tense music)

(in Spanish)

Americans?

- (in Spanish) Yes.
- Yeah.

(mouths)

(in English)
Sorry, we got lost.

Mm.

IDs, please.

- Okay.
- Yup.

And here you go.

(suspenseful music)

Okay, once we get out, if we get out,
we have to get the third relic.

- I already got it.
- You did?

That's great.

Then I was right.

So you have all three relics?

Yeah, but not on me.

Never let them out of your sight.

Keep watch.
The guards will do the rounds any minute.

(effort grunt)

(grunting)

- Get a hand?
- I got it.

(strained grunt)

(scraping)

- What is this place?
- It's the old prison wing.

They renovated it around years ago,
and they just sealed it off.

- (Jess gasps)
- (rats squeaking)

RAFAEL: Don't be afraid.

They're just rats.

I'm not afraid.

I had a pet rat as a kid.

No, prison rats are not like that.

- Hope you have all your shots.
- (gasps)

- You just told me not to be afraid.
- I was trying to be a good dad.

It's a little late for that.

(thuds)

(creaks)

Okay. You go first.

(rats squeaking)

(squeaking continues)

How about you go first?

- (thuds)
- (grunts)

It's fine.

I have to tell you something.

I tried to escape many times
but I never made it past this part

because of that sniper tower.

For that, you need two people.

I never trusted anybody until now.

Okay.

You run, you cut the fence.

I'll blind the sniper
when he tries to shoot you.

You'll blind the sniper
as he tries to shoot me?

It's a good plan, no?

OFFICER: Here you go.

I know what you're doing here.

I was young once,
but this is a restricted area.

This is not a place for romance.

You two need to move on.

Oh.

Officer.

Yes, you're... so right.

Honey.
(smooches)

We should go.

- We should go.
- We should go.

- Definitely, honey bear.
- So sorry.

- Mm.
- Yeah, we'll get out of here.

- Yes.
- (soft chuckle)

All right, off we go. Thank you, officer.

(engine sputtering)

(whirring)

(groaning)

(in Spanish)

Your plan's crazy.

You have to trust me.

Trust you? I just met you.

I'm your dad.

We have the same blood.

(sighs)

(prison alarm blaring)

- (blaring continues)
- (prison guards clamoring)

(controller in Spanish on radio)

(in English)
You need to go. Now.

ETHAN: The alarms.

That must mean they know somebody escaped.

But how?

The run-off is flooded. Where did she go?

Come on, come on. Start.

(engine sputtering)

(prison alarm blares)

Run! Go!

(slow suspenseful music)

(wind whooshing)

Run!

(gunshot)

(groans)

(rattling)

(gunshot)

(groans)

(panting)

(rattling)

(gunshot)

(dramatic music)

(mellow music)

(gunshot)

- (gasps)
- (distant chatter)

Cut the fence!

Jessita!

- Cut the fence!
- (grunts)

(prison alarm blaring)

- Hurry.
- (horn honks)

Let's go.

Come on!

TASHA: Go, drive!

(engine revving)

You guys were supposed to leave
if anything went wrong.

Yes, we're still leaving, but with you.

- ETHAN: We heard gunshots.
- What happened, Jess?

- Wait, you didn't shoot the sniper?
- I...

- TASHA: No, what?
- There's a sniper?

Okay, I don't understand.

If you didn't shoot the sniper,
then who did?

- I didn't shoot anybody. I don't know.
- By the way, who are you two?

Rafael, these are my friends,
Tasha and Ethan.

Okay, they helped you break me
out of prison?

- Yes.
- You have good friends.

I'm Jessita's dad.

Yes, we know who you are.

So where are the relics?

- Right here.
- You just broke out of prison.

ETHAN: Is that seriously what you're
thinking about right now?

The treasure
is the only thing that matters.

You know, it's not too late
to take him back, right?

ETHAN: Okay, now what?

They're gonna be searching everywhere
for your dad, a sniper got shot.

This is not how we planned it.

Ethan is right and now the police
and Billie are gonna be after us.

No, the police are only after me.
They didn't see you.

That one guard saw me.

Oh, good point.

No, don't worry.

I know exactly where we need to go.

Turn left up here.

(tires screeching)

(door opens)

(breathes deeply)

(clicking)

(line rings)

TASHA: Hey, if you had the number
to this burner phone,

I guess I gave it to you.

Leave your message, but not your name.

(whispers)
They're listening.

(beeps)

(exhales deeply)

- (phone buzzes, rings)
- Tasha.

(ringing, buzzing)

- (phone clicks)
- (sighs)

Come on, Tash.

I just wanna make sure you guys are safe.

Safe from what?

Who are you?

I'm Agent Ross. FBI.

ROSS: I'm looking for your friends.

The ones you're clearly worried about.

Where are they?

Ah...

I don't know. I've, I've been trying
to get a hold of them.

I was...

at a shoe convention.

A shoe convention?

In Mexico?

It's, it's a... It's a big market.

Look.

Ever since your friends showed up
in my office to report your kidnapping,

it's been a tidal wave of crazy.

I've got a crypto queen,

a murdered FBI agent,

a break-in at Graceland,

a stolen historical journal about a dog,

an incident at the Alamo.

And now a recording of your friend, Jess,
threatening Peter Sadusky has surfaced.

Am I leaving anything out?

(sighs)

It doesn't ring a bell.

Oh, why do you guys keep lying to me?

Jess Valenzuela is in a lot of trouble.

I'm trying to help.

So I'll ask you one last time.

You wanna tell me what crazy thing
might be happening in Mexico?

Like I said, I'm...

shoe convention.

Thanks for your time.

(nervous exhale)

(birds chirping)

(engine rumbling)

Dario, right?

I'm Myles.

I know who you are.
You can tell me what the situation is?

I'm a busy man.

Uh, Liam Sadusky's alive.

It's impossible. Kacey took him out.

Then why is he all over Instagram
playing at Squeaky Pete's the other night?

Then why didn't you call the cleanup crew
to finish the job?

Because we don't know
who he talked to about Billie.

I figured you'd wanna question him.

I've got him tied up inside.

Wait here.

Good work.

(ominous music)

(breathes deeply)

(door closes)

Should've left town
when you had the chance.

But now...

(Liam groans)

(cocks gun)

(grunts)

You're gonna have to answer
a couple of questions.

(muffled grunt)

(groans)

(tense music)

(pants)

He brought a friend, so we gotta hurry.

Here.

Okay. Okay.

You sure you can activate
those tracker things?

Uh-huh.

Wait.

"Cras est Nostrum."

I've seen that before.
You know what that means?

No, no clue. It's like their company motto
or something.

(suspenseful music)

(Liam groans)

(pants)

All right, we're in.

All right, so these dots represent
all the people Billie's tracking.

Oh, that's a hell of a lot of people.

MYLES: Uh-huh.

(beeps)

MYLES: Okay. There's Kacey.

Uh, who's Kacey?

Uh, she's the one who took you out.

Wherever she is, Billie is.

Not Mexico.

There's no way Jess would be there.

I don't see Jess anywhere.

LIAM: All right, well, keep looking.

If they're tracking all these people,
they've got to be tracking her.

(news theme music playing)

You seeing this, Ross?

This world is falling apart.

I have enough stress in my life,
I don't watch the news.

Sir, I think I found Jess Valenzuela.

- Where?
- Mexico City.

- Mexico City?
- Mm-hmm.

She made a run for it.

Maybe she has family down there.

I'll get the extradition papers.

Excellent work.

(phone clicking)

This girl lived her whole life
with a go-bag under her bed.

She didn't take it.

Don't second guess yourself, Ross.

You found Sadusky's killer.

(phone clicks)

(line ringing)

Thanks.

- (insects buzzing)
- (engine rumbling)

You two have gotta get back
across the border ASAP.

The longer you're here, the more chance
you have of getting caught.

You can't be seen with us.

Rafael, you're sure your guy can get you
and Jess back across the States?

Absolutely.

My guy got Manuela and Jessita across
20 years ago.

He's the best.

We'll see you tomorrow.

Take this.

You make a right at the main road.

That's North.

Border's a few hours from there.

We'll see you soon?

(engine starts, revs)

(engine revving)

So, where's your friend?

Patience.

First, we gotta get my book.

Book? What book?

A book that only your mother and I
knew existed.

Come on, it's not that far of a walk.

(phone dings)

(guitar playing)

♪ I can't walk out ♪

♪ Because I love you too much, baby ♪

Who's that guy, huh?

Let's just go get your book.

(in Spanish)

(suspenseful music)

(clicking)

(phone dings)

MYLES: What's it say?

I have no idea.

That's, that's a whole another thing, it's
a whole another alphabet. I don't know.

MYLES: That's Dario's friend outside.
We need to hurry.

(keyboard clacking)

(exhales sharply)

What's taking so long?

(suspenseful music)

(sighs)

I don't see Jess's name anywhere.

Neither do I.

Hold on.

I see mine.

(beeps)

(trilling)

My dad.

They were tracking him for years.

(trilling)

LIAM: That was the day he disappeared.

This is nowhere near the river
he supposedly drowned.

Wait, did Billie kill my dad too?

I don't know. I don't know.

But if she did, she didn't do it herself.

She doesn't get her hands dirty.
Too smart for that.

(engine revving)

Huh.

Dario is in our tracking system
and he just opened the Sadusky file.

That doesn't sound like Dario.

(phone vibrating)

Don't answer. Don't answer it.

BILLIE: Dario? What's going on?

Hey, sorry to disappoint,

but Dario's a little tied up
at the moment.

Liam Sadusky.

I threw him in the river.
He should be dead.

Yeah, well, I'm not.

BILLIE: Did Myles fish you out?

I'm guessing he's with you.

Tell him he's fired.

He'll know what that means.

I know you killed my grandpa,
and I'm pretty sure you killed my dad.

LIAM: And I'm coming for you.

Your father tried that once.

- BILLIE: Didn't turn out so well.
- Yeah?

Hey, hold on, what are you doing?

She can track us.

- (phone beeping)
- Find out where Dario is and send a team.

I told you not to answer it.
Now we got to get out of here, man.

She's gonna rain hellfire on us.

(distant clatter)

(suspenseful music)

(loud thud)

Dario.

(thrilling music)

(panting)

(breathes heavily)

Myles! Hey.

- Myles.
- (groans)

(tires screeching)

(brakes squeal)

MAN 1: Go around the back.
Come on, let's go.

Okay, okay.

- (glass shatters)
- MAN 2: Hey, I heard something over here.

Go, go, go.

MAN 3: Come on, come on.

He's dead.

ROTSKY: Help!

You hear that?

ROTSKY: Help!

- Are you sure?
- It's gotta be here somewhere.

RAFAEL: That tree?

It's hundreds of years old.

It's sacred.

Very important.

It's the tree from my mom's picture.

RAFAEL: What picture?

Of you, me, and Mom when I was a baby.

Your mom kept that picture?

Yeah.

But she kind of folded you out.

At least she kept it.

Did she not tell you about this tree?

No.

It's a religious site.

Used for weddings, funerals.

It's always protected.

Which makes it a perfect place...

(sighs)

...to hide something.

It's my journal.

Years and years of my research
on the treasure.

It's, uh, how I met your mom.

I went to her
because she was an expert on Malinche.

And I showed her my necklace,

which was given to me by my mother,
who was a Daughter of the Plumed Serpent.

I told Manuela the story.

She was the only one
that didn't laugh at me.

She already knew about the Daughters
and the treasure.

(engine revs)

(engine stops)

Made it across the border.

Let's hope Jess does too.

She'll be okay.

It's Jess.
She's the smartest person I know.

No offense.

Yeah, me too.

(tires screech)

FBI AGENT: Freeze!

FBI, hands up!

Hands up!

- Don't move.
- Target located.

Right there.

They were waiting for us.

(indistinct chatter)

OREN: Liam.

Dude, where have you been?

Look, more importantly, where's Jess?

In Mexico.

Mexico.

Why would she be in Mexico?

- Long story.
- It's not good.

- I know.
- No.

- I mean, Billie's in Mexico.
- I know.

I haven't been able
to get a hold of anyone.

I was supposed to hear from them by now.

We gotta get help.

RAFAEL: What are those?

Where are the relics?

The relics were puzzle boxes.

The treasure map was hidden on the inside.

Eighteen total pieces.

RAFAEL: Puzzle boxes.
You figured that out?

Wasn't that hard.

RAFAEL: No, no, no, this one.

This one goes...

Yeah, right where you put it.

No, but this one definitely goes...

Wow, you're really good at this.

I used to be good at puzzles too,
but guess I'm a little rusty now.

I already put it together once.

But I couldn't figure out
what any of it means.

There it is.

- RAFAEL: You did it.
- JESS: Where?

See that tree with an X?

- X marks the spot. I know, but where?
- No.

RAFAEL: No, it does not marks the spot.

X is a Mayan symbol for the sky.

JESS: This isn't a map of the ground.

That's not a river.

This is a map of...

sky.

JESS: The Daughters of the Plumed Serpent

are showing us the locations
of the treasure with the constellations.

The river is the Milky Way,
and all these dots are the stars.

The Big Dipper.

Orion's Belt.

Ursa Minor.

They're reference points.

- Yes.
- (soft chuckle)

The Aztecs, the Mayans, and the Incas.

The one thing they had in common
was their mastery of the stars.

What's that?

It's a star map app.

What's an app?

JESS: It's a GPS triangulation
software application

used to pinpoint the topographic position
on the land

based on the stars in the sky.

Oh, yeah, of course.

An app.

- (beeps)
- (Jess sighs)

It's saying
it needs more reference points.

Why is that star so different?

RAFAEL: Because it's not a star.

It's a planet.

Venus.

Quetzalcoatl was associated with Venus.

"God of the Morning Star."

It was essential for the Daughters
of the Plumed Serpent to navigate.

It's the brightest thing in the sky
besides the sun and the moon.

(Jess chuckles)

It's pointing to a place
called the Devil's Swamp,

off the Mississippi River.

It's only 50 miles
outside of Vicksburg, Mississippi.

Of course,
the Daughters took it up to Mississippi

before the Spanish even knew
that the river existed.

Where in the Devil's Swamp?

Swamps are pretty big.

Don't worry. When we get there...

(engine rumbling)

JESS: Is that your friend?

Jessita. Get the map.

I know him.

- What?
- He attacked me.

He stole all of Sadusky's clues.

- I'm not here to hurt you.
- You work for Salazar.

No, I don't.

Salazar's who I'm trying to stop.

- Wait, you know where Salazar is?
- Yeah. No.

I mean, he's everywhere all the time.

It's not just one man.

BEARDED MAN: The name Salazar is a mantle.

The leader of a group of treasure hunters
over time, dating back to ancient Egypt.

You need to stop searching
for the treasure.

- You're gonna lead them right to it.
- He's lying.

You need to believe me.

Look, I, I came all this way to stop--

(gunshot)

Oh, my god!

(snickers)

(tense music)

- Jessita, we have to go.
- We have to help him!

We can't, he's dead!

- Here, take the map. Go, now!
- No, what about you?

I don't matter! Go!

(thrilling music)

(panting)

- RAFAEL: Hey, hey, hey. Hey!
- BILLIE: Move.

(panting)

- (cocks gun)
- Jess?

Valenzuela!

BILLIE: I have your father here.

So you have two choices.

Come out with that treasure map.

Or live with your father's blood
on your hands.

Jessita, no!
The treasure is more important.

You have to run.
(pained groan)

BILLIE: You think you got out
of that prison by yourself, Jess?

Nope.

BILLIE: I paid off a guard
to turn a blind eye.

And that mysterious gunshot
that took out that sniper?

BILLIE: Well, that was Kacey.

I put a tracker in your father's shoe
and I heard everything.

I know about the Devil's Swamp.

So you have to know by now,
I'm always one step ahead.

(foreboding music)

No, no, no, no.

No, no, no, no.

(frustrated sigh)

Good girl.

(dramatic music)

(closing theme music)