All language subtitles for The Old Cut

[horse neighing]

[insect chirping]

[Walter McCallister
breathing quickly]

[Walter McCallister's
frightened breathing]

[Clark] When we take it upon
ourselves

to act against
our best interests.

[Walter McCallister's
frightened breathing]

[Clark] And the best interests
of our community,

we have to understand

that there are consequences
for those actions.

And we must respect
the hierarchy of power

as it is handed down to us
from God.

I did not ask
for this responsibility.

I did rise to power
under my own volition,

but the drive to do so

was placed inside of me
by a higher power.

Jimmy.

- [sniffles]
- [Clark] It's God's will

that I stand here today

take a hard look
at your lives, people.

You believe
that anything happens

without the will of God?

If it were God's will
that he wanted

one of you to be in charge...

Hey, Briggs.

Keep a sharp eye out
for the brother.

Boss thinks
he might try something.

[Clark] He did not.

God blessed me with the means
and the mental fortitude

to grow my interests
in this community.

Not only was I able to open up
Clark's Mercantile and Trade,

but I was able to
lure in the railroad.

Now I know that many of you
do not agree

with my methods.

Let me assure you
Mr. McCallister here's

had every opportunity

to do right by this community,
but he's flat out refused.

Jimmy, you go on home, now.

Don't stay here and watch this.

You hear me, son?

You go on home!

Go!

[window creaks]

"James," is it?

Do you understand
what's happening here today?

Well, your father is
teaching you a valuable lesson.

Go home. Go!

Know your place.

He stole from me.

Yes, he did.
Yes, he did!

He stole from
all these good people.

That makes him a sinner.

You know where in the world
sinners go?

I can tell you.

Sure as hell ain't Wyoming.

[horse neighing]

Let him hang.

[rapid gunfire]

[man] Shoot the wagon driver.

[horse neighing]

[gun fired]

[Young Jimmy] Pa!

Get him, Briggs!

[rapid gunfire]

[guns cocking]

[rapid gunfire]

[Bobby grunting]

[Young Jimmy] Please help me!

[horse galloping]

[metal clanks]

- [coughing]
- Dad, you okay?

[Clark gasping for air]

[gasping for air]
Help... help me.

Get the doc.

[wheezing]

You owe me more.

[footsteps]

[door creaks]

- You okay?
- Yeah.

[panting]

Bobby.

Oh, god, no.

Paid in full.

- You killed my brother,
you son of a--!

[gun fired]

[body thuds]

[horse snorts]

[♪♪♪]

[uplifting music]

[birds chirping]

Get these hung early

so they have a chance to dry
before the wind gets up.

Are you gonna help me
or just keep watching?

[Briggs] I like watching you.

- Yeah? You like
watching me hang laundry?

[giggles]

- I like watching you
do most things.

- Most things I do,
I do for you.

That's true.

- Suppose that might be
why you like watching me?

- I reckon I'd enjoy
watching you do other things.

Not just things for me.

- Like when I do things
for our daughter?

- Yes.
You're a good mother.

Anyone can see that.

Thank you.

Now, I need you to be
a good father today

and walk our daughter to school.

- Oh, no. She's old enough
to walk herself.

She needs you.

I need you.

And I can't walk her today

since the wind is
probably gonna get up

and I need to finish
hanging this laundry.

I have to open the store.

- [soft chuckle] Then the two
of you had best get going

so you're not late.

Brooke!

You need to hurry.

Your father's walking you
to school today.

Why can't you walk me?

Brooke.

Yes, sir?

Listen to your mother.

Thank you.

Brooke, I have too many chores
to get done this morning.

So no arguing.

Grab your school books and scoot
before you're both late.

I think you and your father
could use

a little walk together,
anyway.

Go on.

[perky music]

- We should have
taken the horse.

No.

There wasn't time
to saddle the horse

and walk you to school
and be back at the store

on time to open.

- Wouldn't we be faster
on the horse?

Undoubtedly.

- Then wouldn't the time
we save by being faster

have made up for the time
it would have taken

to saddle the horse?

No.

[perky music continues]

[distant horse neighing]

- "No classes today, as
Miss Valerie has taken ill."

What do you think
she's ill with?

Pox?

It's probably pox.

- You need to walk home now.
I have to open the store.

- Mama says I'm not
allowed to walk home alone.

That's nonsense.

- You say I should
listen to Mother.

This is different.

- Mama wouldn't like it
if you made me walk home alone.

[♪♪♪]

[horse neighing]

- Sit there
and finish your studies.

I have finished my studies.

The teacher
needs to assign new ones.

- Then sit there
and read a book.

[door opens]

Good morning, Mr. Jeffries.

- [door closes]
- Good morning, Mr. Briggs!

How's your day?

- Very well.
How can I help you?

- Well, I'll tell you,
Mr. Briggs.

My mother done got it
in her head yesterday

that she wanted to bake a cake

for the church potluck
this weekend.

Now, last year,
she made a pie,

but the apples she used grew
on Mr. Johnson's apple tree,

you know, the one out back
by the outhouse.

And wouldn't you know it,

them apples tasted
plum-like shit

and made anybody who eat 'em
sick to their gut.

I tell ya, I think the shit
from that outhouse

has soaked down to the root

and changed the way
a basic apple can taste.

But Mr. Johnson says
that's a bunch of hooey,

and because of that,

he won't let Mama have no more
apples for her apple pie,

which, as far as
I'm concerned,

is fine by me and Mama
because as I mentioned before,

the apples taste like shit
anyhow.

[exhales]

Well, that left
a dilemma for Mama.

She's not going to bake pie
for this week's potluck.

What could she possibly make?

A cake.

- Exactly. Mama's gonna
bake a cake.

Bring it to the church potluck
after church on Sunday.

- Was there something
that you needed

from the store,
Mr. Jeffries?

- There I go, blundering on
around about Mama.

I done forgot
you don't know why I'm here.

Mama needs some flour.

The sack she has
is full of weevils

and she don't think she can
sift them all out this time.

How many pounds?

- Just a 20-pound bag will do.

[distant footsteps]

[jar unlocks, squeaks]

[jar squeaks]

I didn't, uh,
I didn't see you there.

I wasn't really gonna steal 'em.

This is a game
I play with your daddy.

[footsteps descending stairs]

Twenty pounds of flour.

That'll be one dollar
and a nickel.

[cash register pings]

- Yeah, could you apply it
to my mother's account?

[Briggs] Of course.

Thank you, Mr. Briggs.

Hope to see you
at the luncheon on Sunday.

Madame.

[door opens]

Have you finished

- reading your book?
- [door closes]

- He tried to steal
some jelly beans.

What?

That man.

Mr. Jeffries.

I caught him taking
some jelly beans

and he put them back.

He put them back?

He did.

- I'll discuss this with him
next time he's in my store.

You want one?

No.

Then what do you want?

His hands were dirty.

[soft music playing]

[soft music playing]

[birds chirping]

[Ruth gasps in fear]

Pardon me, Ma'am.

I didn't mean to frighten you.

We weren't sure
if anyone was home.

Someone is home. Me.

How can I help you?

Yes, ma'am.

First, let me apologize for
the rudeness of my introduction.

My name is James McCallister,

and me and my companions
have been on the road

for several days now.

We're plum tired and
we're more than a little lost.

Companions?

Yes, ma'am.

That's Boots there
out by the road.

He didn't want to ride up
to the house and frighten folks.

Being polite.

And behind you,
well, that's Big Mike.

Thousand pardons, miss.

I was just around back
checking to see

if there's anybody
in your garden.

Was there?

Nope.

- You gentlemen
should have just knocked.

Well, we did knock, ma'am.

Hm, that's true.

I saw Big Mike step up
to that door and give it a rap.

Most definitely witnessed that
with mine own.

- Must not have
knocked too loud.

I certainly didn't
hear it in the house.

- [laughs]
Nevertheless.

- Well, if you gentlemen
will just allow me a moment

to put the laundry down,
I will happily point you

in the direction of town.

It's about a half hour's walk
up the road.

And they've got
hotels and saloons,

and a hot bath house
with a brand new shower.

- Well, that would be
an act of kindness, ma'am.

We'd be much obliged.

- My husband
will be along any minute,

so he might even be able to
show you the way himself.

Your husband?

Yes, sir. My husband.

He should be along any moment.

- Would your husband
happen to have been that feller

we saw walking
down the road earlier?

Walking with a little girl?

- Yes, he was walking
our daughter to school.

[laughing]

Oh, ain't that somethin'.

A grown man walking
a little girl to school.

We certainly live in a new age.

Sure does seem like it.

[McCallister] It sure does.

You said town's about a half
an hour walk up the road?

That's right.

Hm.

Well, your man
sure been gone a long time

if he was walking your daughter
to school and back.

Sure hope nothin' happened
to hold him up.

[Big Mike groans]

[screams]

[Eustice groans]

[Eustice screaming in pain]

Go help him.

- [Eustice grunting]
- You all right?

- [out of breath] The bitch
kicked me in the balls.

- Just got your ass whooped
by an unarmed woman

doing her laundry.

- Yeah.
- You sure you have balls?

[suspenseful music playing]

- [knocks on door]
- Open up, missy.

I'm coming in,
one way or another.

Might as well not piss us off
in the meantime.

- Madame, I think
you got the wrong idea

about me and the fellas.

Ain't no sense
runnin' off and hidin'.

We don't want to hurt nobody.

[Eustice] We need to quit
peckerin' around

and get back on the trail.

That marshal can't be
too far behind.

A day, day and a half at most.

We need to keep moving

unless you fools want to
end up back in jail.

- Eustice,
shut your damn mouth.

- Now I know you're scared
and you're hiding.

But if you just
poke your head out,

you'll see
we don't got any guns.

We just want to talk.

[horse neighing]

[horse galloping]

[gun fired]

[horse neighs in pain]

Oh, shit.

Go on. Go get her.

Bring her back.

[horse groans]

[screaming]

[breathing heavily]

- You gon' live?
- Yeah.

[♪♪♪]

Bring her over!

Quickly now!

[Ruth groans]

Her arm's all busted up.

That's fine. That's fine.

- [Ruth groans]
- I feel like we got off

- to a bad start.
- [Ruth groans]

- And I'm going to
put that on you.

Now, when we first met,
I introduced myself, did I not?

I said my name,
loud and clear.

You did not do me
the same honor. Did ya?

I said, did ya?

- You'll get
no honor from me.

Tell me this then, huh?

Is this your husband? Hm?

Is he the man we saw walking
down the street this morning?

Is your husband
the 'Colton Briggs?'

- Heard of my husband,
have you?

- [laughs] Oh, I've certainly
heard of your husband.

We're like family,
me and him.

Good.

That saves me the trouble
of explaining it to you.

You boys are in a world of hurt.

- Who the shit
is Colton Briggs?

- Are you serious?
Colton Briggs?

This is Colton Briggs' place?

Eustice, quiet.

That's right.

And I'm his wife.

And you hit me

in the face with your gun.

Broke my arm.

Shot his horse.

You boys have
woke up the devil.

[ominous laugh]

[Eustice] Goddamn it, Jimmy.

You bringing hell down on us!

- I absolutely know
your husband, hm.

We go way back.

In fact, I owe him a debt.

- That'll do.
It's time to head home.

- Mama didn't come
to get me from school.

- You weren't at school.
You were here.

- Yes, but wouldn't she
come here to find me

if I wasn't at school?

[door opens]

[soft music]

- [distant horse neighs]
- [Mark] Hey, Marshal!

You better come on out here.

Who are those men?

[Marshal Jarrett] What do we
got here? The family?

- Maybe looks like
the father and daughter

from that picture
on the mantle in there.

[Marshal Jarrett]
Must've been away

when those fellas came through.

Thank god they're okay.

A little bit of luck, finally.

Lucky, indeed.

Tell the others
to come outside.

We shouldn't be making
ourselves comfortable

in these folks' home.

[door creaks open]

- Hey, you guys,
family's here.

They still alive?

Yup.

Oh, shit.

- [horse neighs]
- This you folks' home?

I want to apologize for my men.

We, uh, we didn't realize
that no one was home and--

My wife was home.

- Yes, sir.
I... I apologize again.

My name is U.S. Marshal
Franklin Jarrett.

I know who you are.

Where's Ruth?

- I'm afraid
you have me at a loss, sir.

Do I know you?

Briggs?

Holy shit, man.

I...

I apologize, little lady.

That language
is not appropriate.

You have a family?

Well, that is a good thing.

A man needs a family.
It grounds him.

Evens him out.
That is--this is good.

Marshal.

- I'm sorry, Briggs,
but we need to talk.

[inhales] Somewhere private,
preferably.

[crickets chirping]

Why don't you boys go
help him dig that hole?

Says he don't want our help.

Says we should've been
better at our jobs.

[Marshal Jarrett]
He ain't wrong.

Go get them horses ready.

[shovel hitting dirt]

Little lady.

I had Smiley heat up
some of that condensed milk

and put a little
brown sugar in it.

It's good.
Make you feel better.

I never knew your mama.

But I know
she was a good woman.

But I did know your daddy.

Years and years ago.

You meet a lot of people
in this business,

and the faces,
a lot of times,

just disappear
over the years.

But not your daddy.

[chuckles] No, sir.
Not him.

Your daddy was about the meanest
son of a bitch I ever met.

Pardon my language, but...
I never met anybody like him.

Just the way
he would look at you, just...

like he was looking
through you.

Like you were nothing.

And I don't say this lightly,

but y-your daddy
was a violent man.

I seen him shoot
three cowboys one time.

Now, it was a fair fight,

but I don't think
his blood raised an ounce.

I can't say he was a criminal.

I don't know that,
but I can say that he

was not what I would call
a "good man."

Not back then.

Why are you telling me this?

Hm.

I guess I just want you
to understand

how good a woman your mama was.

She took the coldest killer
that I've ever met,

and she turned him
into a family man.

Minding the store.

Raising a little lady.

That was a good thing
your mama done.

- My father
used to kill people?

- Yeah,
but that was years ago.

- I haven't even seen
my father hold a gun.

- And that's because
he's a good man now.

Because of what
your mama done.

- You carry a gun.
Are you a good man?

I try to be.

My mama's dead now.

Is my father
still a good man?

[emotional music playing]

- Would you like for me
to say a few words?

You said plenty of words.

None of them helped.

[hammering cross into ground]

- There's something
you should know.

Um, them fellas
left a mess in your barn.

Not something
your little girl should see.

You'll wanna clean that up
before you let her go in there.

I reckon we'll be
hitting the trail.

I figured we're only
a few hours behind 'em.

And I think I've got a pretty
good idea where they're going.

- Tell me the names
of the men who did this.

Tell me where they're going.

- No, sir.
I don't think I can do that.

I reckon it's been a few years

since the world has seen
the old Colton Briggs,

and I think the world
is probably pretty happy

leaving that
just right where it is.

Tell me the names of the men

responsible for
the death of my wife.

[Marshal Jarrett]
Briggs, listen to yourself.

You see that little girl
over there?

She just lost her mama.
She needs her father now.

Whatever changes happened to you
that that woman gave you,

don't let 'em die with her.

That little girl needs the man
that she knows and loves.

You know, ever since
we were granted statehood,

this here land is now
part of a new country.

We got laws.
We got due process.

Folks just don't go around
killin' other folks.

That ain't the world anymore.

Keep right by your daughter.
Keep right by God.

I will find those murderous
sons of bitches.

I will catch 'em.

We will take them to trial,
and they will hang.

I promise that to you.

Take care of your daughter.

As long as
that little girl is alive,

there's no room for
vengeance in your life.

[horse snorts]

What do we do now?

[Briggs] Go to bed.

[footsteps receding]

[horses snorting]

[emotional music playing]

[cries]

[Ruth] [voice-over]
I need you.

[foreboding music playing]

[clattering]

[emotional music playing]

[cries]

[intense music playing]

"As long as she's alive."

- Mama wouldn't like you
pointing that gun at me.

[un-cocks pistol]

[emotional music playing]

[footsteps receding]

[groaning]

Get dressed.

Those are pants. No dresses.

We leave in 15 minutes.

- [lantern breaks]
- [fire crackling]

That's Mama's horse.

Yeah. They killed mine.

We'll have to travel light.

- She can't run
with both of us.

If we're gonna catch up
with those men,

we're gonna need another horse.

- Yeah. We'll find one
along the way.

- [lantern breaks]
- [fire crackling]

[horse neighs, gallops]

[birds chirping]

[Brooke] This is a good time
for us to do this.

My teacher at school is sick.

If it's pox,
she could be sick for days.

She could die.

They'll get a new teacher.

I forgot my school books.

I think they burned up
in the fire.

[Briggs] We'll get new books.

[Brooke] What about my clothes?

We'll get new clothes.

- Why did we burn
the old ones?

- [impatiently] Because
we're not going back.

We're not going back.

As soon as I finish
what I have to do,

we'll find a new place

and we'll replace
everything you lost.

'Cept Mama.

[♪♪♪]

[birds chirping]

Give me the belt.

You gonna whoop me?

Take that.

Over there by that tree.
Off the path.

You can sleep for 30 minutes,
not longer.

Then we'll eat,
and we'll get back on trail.

We'll do that every four hours
until we catch 'em.

- Aren't those men
getting further away?

- They're only men.
They need sleep, as well.

They'll wait for us.

- But if we keep going,
we can be there sooner.

Before anything...

- Won't do us any good
if we get there dead tired.

Or if our horse dies
from exhaustion.

It's not enough
that we find these men.

We need to be ready
to kill 'em.

Because they'll be
meaning to kill us.

[grunts]

[♪♪♪]

[upbeat music playing]

- Did it seem
strange to you?

That little girl last night?

How do you mean?

Her mama had just been killed.

She was sittin' there
right next to the body.

Not a tear on her face.

Hell, I never even
met the woman.

I cried more about it
than her own daughter.

- Well, she's probably
just shocked from the news.

I mean, her mama
was just killed.

She ain't never coming back.

Gotta be hard for any youngster
to understand.

I suppose so.

[gun fired]

[horse neighs]

Holy shit!

[gun fired]

Come on. Come on.

Come on.
[rapid gunfire]

[man] Argh!

[body thuds]

Holy shit, son.

How'd you do that?

[gun fired]

- [groans]
My leg is busted.

- [gun fired]
- Ahh.

[rapid gunfire]

[gun cocks]

That one's a shooter, shit.

It's that marshal.

You didn't shoot the marshal?

[gun fired]

[gun cocks, fired]

Goddamn it!

That asshole started the ambush
before we were in position!

[horse neighs]

[horses neigh]

What do we do?

Do you see Briggs?

- Shit, boss, I don't know
what he looks like.

- Oh, you'll know
when you see him.

I promise you that.

[gunfire]

[Marshal Jarrett]
Get down, Smiley!

Oh.

Dumbass.

- Let's see how far
them bastards get now.

[gunfire]

Boss is pulling out.

Next reload,
let's get up that hill.

[rapid gunfire]

I'm out of here.

[gun cocking]

God help us.

[gun fired]

[birds chirping]

[branch breaks]

[panting]

Is it time to leave?

- I heard gunshots coming
from across the canyon.

- When?
- Ten minutes ago.

Why didn't you wake me?

No reason to hurry.

Gunshots might have a way
of speeding some folks up,

but they have
a nasty habit of...

slowing other folks down.

We'll find out what happened
soon enough.

Either way.

[McCallister]
I can't believe it.

You want to tell me
what the hell just happened?

- Huh?
- What the hell, boss?

Those guys up front,

they were about to go
behind the hill.

I wouldn't have seen 'em
if I waited.

- You were supposed to shoot
the marshal first. Huh?

Instead, genius here decides to
shoot the first guy he sees,

chasing everybody,
including the marshal,

into cover. You know...

I go to enormous pains to invite
Colton Briggs to come find me.

You go ahead and leave

a perfectly healthy lawman
between us.

It's like you're
trying to work against me.

Is that what's happening here?
Huh?

You're working against me?

Nah, boss.

I'm with you.

I just messed up. That's all.

I certainly hope so.

Because if that lawman
stops Briggs

before he can get to me...
there will be hell to pay.

Mm.

[Eustice]
It don't matter for nothing.

- You got somethin' to say,
old man?

- If Colton Briggs
decides he's coming,

you might as well set
an extra plate at the table

because Colton Briggs is coming.

What's going on?

There's a rider coming.

- One of the men
who killed Mama?

Maybe one of the men
from the posse.

- Either way,
we need his horse.

- Are you gonna kill him?
- I'm gonna take his horse.

Chances are, he won't
like me doing that.

- I don't think Mama'd like you
killin' no lawman.

- I don't know
if he is a lawman.

Chances are he won't stop
and give me time to ask.

- Can't you think of
another way to stop him?

- He'll be coming
from that direction.

You stand there
and get him to stop.

How?

- Cry.
Make him feel sorry for you.

I don't know how.

[exhales]

What did you just say?

I don't know how to cry.

Now, you listen to me.

People in this world
expect you to act like they do.

They expect you to laugh
at their jokes,

and sigh at their babies,
and cry at their funerals.

And if you can't learn
to do those things,

they won't accept you.
They'll push you out.

Now, do you wanna make it
in this world?

Answer me!
Do you wanna fit in?

Then you're going to
have to figure out

how to act like them.

You remember last summer
when the parson's daughter died?

You remember
how his wife cried?

"Wahhhhhhhh!
Wahhhhhhhhh!"

Wah! Wah!

- A little louder.
Wahhhh! Wahhhh!

"My baby! My baby!"

- Wahhhhhhhh!
Wahhhhhhhhh!

My baby! My baby!

- That'll have to do.
Keep it up.

Wahhhhh! Wahhhhh!

Wahhh!
Wahhh!

Wahhh!
Wahhh!

You okay, little girl?

- Waaaahh!
My baby! My baby!

- Wahhhhhh!
- Baby? What baby?

- What? What are you getting at?
- Wahhh! Wahhh!

- [gun cocks]
- You're gettin' off that horse.

[horse snorts]

- You should have gone.
Mark, he looked pretty bad.

What?

Leave you two here
without protection?

I ain't helpless.

[Mark] Don't shoot.
Don't shoot.

It's me.

Shit, Mark.

You scared the hell out of us.

- The hell
are you doing back here?

Where's your horse?

Ask them.

What the hell!

I'm sorry, guys.

- Now, Briggs,
I know you're upset.

Hell, I don't blame you.

But whatever you think
you're doing,

you need to let these boys go.

- Fetch that Rossi
and bring it here.

My father wants your shotgun.

Do what she says, Greg.

- I will blow
this little girl's brains

all over this valley.

Do you hear me?

I said I will blow her brains
all over this valley.

I'll pull the trigger right now.

Aahhh!

[grunting]

He cries pretty good.

I'm gonna try and do it
like him next time.

- Both of you put your hands
behind your back.

[knife scraping]

Is this enough wood?

- That wood's too green.
It needs to burn hotter.

See the tip of that?
Should burn so hot it glows red.

Fetch dry wood.

It burns hotter.
It burns faster.

[knife scraping continues]

Listen to me, Briggs.

Just listen to me.

Up till now, you haven't
committed any crimes

that you can't walk away from.

I understand that you're
under a lot of pressure,

pain of losing your wife.

I can't imagine it.

Any man might have done
the same thing.

Made some of the same decisions
that you've made.

But you are about to
cross a line

that you can't get back from.

Assaulting a US Marshal,
murdering a US Marshal,

that is trouble that you
have not encountered before.

Are you sure about that?

- What about
your daughter, Briggs?

You're making her an accessory.

These men here
need medical attention

and you are preventing them
from getting it.

No. You are.

By not telling me
what I want to know.

I'm a federal marshal.

You're asking me
to participate in murder.

You're protecting a killer.

From another killer.

Correct.

Is this dry enough?

- Good.
Put it on the fire.

We'll be ready to start soon.

- If anything happens to my men,
I swear to God,

I will hunt you down
and I will kill you myself.

- Like you hunted down the man
who killed my wife?

The man who killed your men?

The man responsible for
everything happening right now?

I'll take my chances.

Rip his shirt.

Don't you touch me!

- Give him the stick
like I showed you.

[Mark] Please... don't.

- James McCallister!
- [Mark] Aahh!

Name's James McCallister.

He rides with three men,
Michael Orleans

and Boots Miller
and Eustice Bedford.

They're all hardened criminals.

Word is, he promised them

a share of a lockbox
he's got stashed somewhere

if they'd bust him out of
the prison in Powell County.

And they're headed to Colorado.

Somebody told me he's got
a little Mexican girl down there

in a town he likes
called Santa Rosa.

The trail I was on meant
that he was headed that way.

And that's all I know about it.
I swear it.

Hold him.

[Mark] No, no.

- Oh, you son of a bitch!
- Aaah!

- I will kill you,
you son of a bitch!

[screaming in pain]

Bring me the iron.

Pinch the flesh
on either side of the wound

and push it together.

We have to burn it with the iron
or he'll bleed out soon.

- Smells like
Mama's rabbit chops.

Mm, that's the whiskey.

Makes me hungry.

- Mm-hm.

[pan clanks]

The bullet was poisoning him.

He's got a chance now.

But these men are not
walking out of this canyon.

If I get to Santa Rosa

and there's no
James McCallister,

no Mexican girl,
no gang of four,

I will come back here
and I will kill these two men

before you can return with help.

And then, I will wait for you.

And no matter how many men
you bring back with you,

I will kill you first.

I will kill you
before you even see me.

Do you understand?

We're taking your guns
and your horse.

- You gotta leave me
a horse, Briggs!

You can't take my horse!

Take your mother's horse.

This one suits me fine.

Damn it, don't question me.

You've got more experience
with your mother's horse.

She knows you.
Fewer surprises.

Now get up.

[horse snorts]

I'll leave your horse
tied up in Santa Rosa.

I'm no horse thief.

- Justice is going to
find you, Briggs.

Hyah!

- You hear me?
God damn you.

Justice will catch you.

[sedate music]

[tense music]

- There. Just like
I told you boys.

[Eustice] Let's crack her open
and see what we got.

[box hinges squeak]

Oh, lordy.

[laughing] Whoo! Whoo!

"El Banco Londres Y Mexico"?

- What the hell?
- Now settle down.

What the hell, boss?

Where's the money, boss?

- Now, if I was crossing you,
I would have killed you already.

But I didn't.

Nothing but a dirty rat.

- You ain't too bright now,
is you?

But that's okay.
That's why you got me.

I got brains.

And my brains know that
since we busted out of jail,

we're gonna have to
lay low for a while.

At least a year or so.

Any of you boys got any idea

what kind of money they spend
down in old Mexico? Hm?

Right there,

that's enough dinero
for each of us

to live like kings
for as long as we need.

Each of you
get an equal share, hm,

as long as you stick with me.

Or, we can split it up here
and part ways as friends.

But I will tell you this.

That money, well...

ain't worth a nickel
this side of the border.

Not unless you know
where to spend it.

And boys, I do.

What about this Briggs fella?

- Yeah, we're gonna
have to figure that out

and figure it out fast.

It's all part of the plan.

- Should we wait for him
and set a ambush

like we did for the Marshal?

- We don't know how far behind us
Briggs might be.

We could be sittin'
in the bush for days.

And two, Briggs
ain't the type of man

to walk into an ambush
unprepared.

Then how do we hunt him down?

I thought I made myself clear.

We ain't huntin' nobody.

Briggs is huntin' us.

[laughs]

What do we need that for?

It's good firewood.

It was on someone's grave.

So?

It belongs to someone.

Nothing belongs to the dead

because the dead
don't need anything.

Only the living
need to possess things.

The living need food,
water, shelter,

clothes, family,
money and land.

But the dead, the dead've
already been tended to.

Once they're put in the ground,
they have all they need.

They're not selfish.

I like the dead.

[horses neighing,
hooves clip-clopping]

[Eustice] I don't like this.
There's a Sheriff.

- Well, the Sheriff's in Denver.
Two days away.

We cut the telegraph lines
coming into town,

which means it'll be
upwards of four days

before any sheriff can get
the news that we're here

and show up and do anything
about it.

That office is where
they keep the bad folks

until the lawman
can come pick 'em up.

[horses neighing]

- Still, feelin' mighty exposed
ridin' into town like this.

- You gonna question
my every call?

Now, I need you boys
to set a guard

at the edge of town, all right.

Anyone rides in,
you let me know.

And rotate every couple hours.

You all look like dog shit.

I need you rested
for when Briggs gets here

or you're of no use to me.
Understand?

And ladies, I assume
you're well rested.

I am in need of your services.

- You heard him.
Who wants first watch?

Well, I'll take first watch,

but you better come
and relieve me in four hours.

[Big Mike] You want to give me
a hand with this? [grunts]

[crickets chirping]

- That marshal said
you used to kill people.

- That marshal
should guard his words

when speaking to children.

Ahh.

Is it true?

Yes.

He said you gave it up.

He said you gave it up
for Mama.

Is that true?

He said Mama changed you.

- My entire life,
even as a boy, I knew.

I knew I was different.

My mother always said
I didn't cry as a baby.

I didn't laugh.

When my mother died,
I was very young,

but I didn't shed a tear
at her funeral.

Lots of folks did,
but I didn't.

Growing up, the other kids
would play games

and joke with each other,
and they would cry

if they got hurt
or if they were scared.

And I'd watch them.
I got pretty good at pretending.

Good enough, anyway.

Pretending I was like
the other kids.

Pretending I was... normal.

But that's when I realized
I had never known fear.

My whole life, I'd seen fear

in the eyes of every man
I ever met.

Come to expect it.

Grown men, terrified
when they had no reason to be.

I remember this one man
who was looking for me

because I had shot
a couple of his friends.

He caught up with me
in a bathhouse.

My pistol's lying out of reach,
next to my clothes.

And I remember
seeing this man

holding a gun
on a cold naked man

sitting in a tub, and yet,
he was the one shaking.

[scoffs] Too scared to move.

So, I stood up from my bath,

and I quietly walked over
to the man

and I took his pistol away.

And then
I shot him dead with it.

He didn't even beg for his life.

And even though I could
recognize fear in men,

even to a point where
I could use it against them,

I can honestly say
I had no idea

what it actually felt like.

It was as if...

I'd been born dead inside.

But I didn't care.
'Cuz I was dead inside.

[liquid sloshing]

Ahh.

How did Mama change that?

- When I met your mother,
there was no introduction.

There was no getting
to know each other.

And in that first moment
I saw her, I...

I felt something.

Something I'd never felt before.

Love?

Fear.

Fear she wouldn't talk to me.
Fear she wouldn't love me.

Fear I couldn't
make her my wife.

[sobbing]

Fear of losing her.

She was the only thing
I ever feared

and the only thing
I ever loved.

[somber music]

- When they told me
Mama was dead,

I didn't know how to feel.

- She was your mother.
You feel sad. You feel loss.

Is that how you felt?

I felt pain.

Like a part of me
was killed with her.

Do you still feel like that?

When Mama died,
I didn't feel anything.

It was as if I died.

[in low tone]
Like I was lost.

I was lying in my bed,
in my room.

In our house.

But it felt like I would
never find my way back

to those things again.

You will.

- Do you know the man
who killed Mama?

The man the Marshal
told us about?

James McCallister?

Tomorrow,
after the sun comes up...

can you teach me how to shoot?

Good.

I think I'd like that.

[uplifting music]

Ohh! Son of a bitch.

Oh. Oh, dammit.

[♪♪♪]

- Now remember,
keep your left eye closed.

Let the barrel drift
right above your target.

When you're ready,

gently breathe all the air
out of your lungs

and let the barrel fall.

Time it so your breath ends
just as you line up your shot.

At the bottom of your breath,
squeeze the trigger,

don't pull, squeeze
with your whole hand.

[gun fired]

Were you aiming for the hat?

- Just below it.
I was aiming for his chest.

- You pulled.
You didn't squeeze.

Let's try it again.

[sighs]

What's wrong?

Can I try the pistol?

[Briggs] Hyah! Hit!

Remember to squeeze.

Don't pull.

[upbeat music]

- [horse neighing]
- [door opens]

Morning, Eustice.

Those turkey bungholes

never relieved me of duty
last night.

Left me sittin' out there
all night!

Is that so?

Boys? Come on down.

[Big Mike] What is it, boss?

Eustice here has a grievance

he would like to air
with the rest of the gang.

Go ahead.

[Eustice] You two!

You were supposed to relieve me
in my post, after four hours.

And that didn't happen.

And that's bullshit!

- Eustice, please accept
my sincerest apologies

on behalf of
the rest of the gang.

We sure are sorry,
ain't we, boys?

- And why didn't you
just come get us?

What?

- If we were supposed
to relieve you,

why didn't you just come get
one of us to take your place?

- Eustice? Why didn't you just
come get one of the boys?

- Well, I-I didn't want
to leave my post, you know?

I... Briggs is a dangerous man.

And if he would've seen
there was no guard,

he might have snuck in here
and got us.

- You didn't...
fall asleep, did you?

No, boss.

- Eustice... you wouldn't be
lying to me, would you?

- No, boss.
I mean, I-I might've--

I might've shut my eyes
for a second or two as I--

you know, I was so tired.

It was--it was a long ride

- and I-I--
- [McCallister] Eustice, shh.

[stammers]

- Falling asleep on guard duty
is a terrible thing to do.

What if Briggs had shown up
and you'd been asleep?

[Big Mike] Yeah.

Yeah, he might have snuck in
and got us, like you said.

- No!
I would have seen him.

- [screams in pain]
- [bones crack]

Shh! Shh!

Now, I did you a favor.

All right.

Next time you're on watch,
you get a little sleepy,

you just give that broken
finger a squeeze,

and you'll perk right back up.

[birds chirping]

[Brooke] What's wrong?

There's only one way into town.

If they're down there,

they'll be watching
everyone who comes in.

They left a message in the barn.

It felt familiar.
Like it was meant for me.

What'd it say?

I don't like walking in,

not knowing
who I'm looking for.

If they know me,
it'll give them the edge.

They'll see me coming.

I won't see them.

Do you think they'll know me?

[Briggs] [VO] Now you ride
into town casually.

You've been sent on an errand

from your parents' farm
up the road.

Keep your head up,
and look at everyone carefully.

Head straight
for the mercantile.

Go inside and ask the man
to buy something.

And then casually ask if any
riders had come through town.

Whatever he tells you,

you bring that information
straight back to me.

Can I help you, young lady?

- Young lady?
- [horse neighs in the distance]

Pardon my manners.

You must have caught me
daydreaming.

I almost forgot
why I came in here.

My mama got it in her head
yesterday

that she had to bake a cake

for the church pot luck
this weekend.

Last year, she made a pie,
but the apples she used

grew on Mr. Johnson's
apple tree,

the one back by his outhouse.

And wouldn't you know it,

those apples tasted
plum like shit

and made anyone who ate 'em
sick to their gut.

I tell ya, I think
that shit in the outhouse

sunk down into the roots
and changed the way

a basic apple can taste.

But Mr. Johnson says
that's a bunch of hooey,

and because of that,
he won't let Mama

have any more apples
for her apple pie,

which, as far as I'm concerned,
is fine by me and my Mama

'cuz like I mentioned before,

those apples
taste like shit anyhow.

Who the hell is Mr. Johnson?

- Is this the little girl
you seen, Boots?

- It is the little girl we saw
the other morning.

[McCallister]
Hello there, little miss.

That's a fine horse
you're riding.

Couldn't help but notice
the saddle.

Wouldn't mind telling me
how you got it, would you?

Better yet...

why don't you just tell me
where your daddy is?

[footsteps]

[cork pops]

Maria. Well, this here
is my little sister.

Buenos dias.

[chuckles]

[Boots] Still no sign of him.

[McCallister] Hm.

He'll be around
soon enough, I 'spect.

- This one
hasn't touched her food.

- I 'spect
she's too scared to eat.

Right, little sister?
You too scared to eat?

No.

[McCallister] Of course not.

'Spect daughter
of Colton Briggs

ain't scared of nothin.'

You boys hang that sign
outside like I asked?

- Red paint.
Just like you asked.

- Good.
Where's Big Mike?

- He's got a good angle
at the road into town.

Ah, well.

One of you set up
at the other end of town.

The other across the street.

Yes, sir.

And, boys.

Stay out of sight, all right?

It's important he gets
to the middle of town

and sees our invitation

before we throw him
his little surprise party.

- Boss, if we get
a chance to put a bullet

in Colton Briggs,
we ought to do it.

It ain't smart playing games
with a fella like that.

- Sounds like
he's the one who's scared.

[laughs]

Sure does, doesn't it?

You hear what
little sister said?

You scared?

- I'll take
the other end of town.

[door opens and closes]

[distant horse neighing]

Boss is expecting Briggs
anytime.

Might wanna wake your ass up.

I'm awake.

[Eustice] Good.
Keep it that way.

We're supposed to let him get
into town before we kill him.

Wants him to see that we got
his daughter or something.

- Makes sense.
- [gun cocks]

- You do yourself
and all of us a favor.

You see that son of a bitch,
you put a bullet in him.

Hi-ya!

Go back right there...

- If you ain't
too scared to eat,

why ain't you touched
your food yet?

It's probably poison.

- So you is scared.
Scared of poison.

- You don't have to be scared
to not eat poison.

Just not stupid.

[McCallister] You see this?

No poison.

I couldn't poison
even if I wanted to.

Reckon it's some kind of sin
to poison your kin.

Stop saying that.

Stop sayin' what?

Stop calling me your sister.

We ain't kin.

[McCallister] You and I
are most certainly kin

in almost all respects.

The, uh, fruits
of your father's labors,

[chuckles]
sure as shootin'.

You're a liar.

- I'm not saying that
your daddy knocked my mama up

and they made a baby.

No, no, no.

There was another man who had
the honors of my physical birth.

But he's not around no more.

On account of the day
I like to call my...

"spiritual birth."

You see, it was on that day

that your daddy...

Well, he decided
I didn't need mine anymore.

He took him away from me.
Right there in front of me.

I watched him die.

Watched the life
leave his eyes.

It was right then
that I stared into the eyes

of the man who killed him.

And you know
what your daddy did?

He stared right back at me.

Then he... he got on his horse
and he rode away.

But not all of him. No.

See, he... he left a tiny
little piece of himself

buried deep inside of me.
Like a seed.

[tense music playing]

Workin' on a little
insurance policy.

We don't need those boys
gettin' any ideas

about running off
with the money.

[chuckles]

It used to be
I couldn't find nothing

around these parts
except tequila.

Finding whiskey in Santa Rosa?

It's progress.

You see,
the problem with progress

is that something's gotta go.

In with the new,
out with the old.

That's the way of the world.

But this transition...

oh, it's rarely a peaceful one.

No, ma'am.

Transition of power
is one of violence.

Necessary violence.

Which is why we're here today.

You see, I got a monster
inside of me.

The devil himself.

That devil can't get out

while there's another
devil out there in the world.

Both these devils
can't exist at the same time.

Oh, I get it.

You're crazy.

But don't worry,
my father will be here soon.

He'll fix that.

[McCallister]
Hmm, you know,

I'm glad we had
this time together.

Get to know each other
as siblings.

'Cuz after tonight,
after your father gets here...

well, I'm gonna be
your new daddy.

And we'll see
what needs fixin'.

[box cover squeaks, thuds]

[♪♪♪]

- [grunting]
- [door crashes open]

[Big Mike grunting]

Eustice!

Agh, he's here.

Eustice!

He's here!

Help!

He's here.

[groans]

Don't, mister, please,
don't kill--

[knife slashes]

[body thuds]

[Boots] Holy shit.

[rapid gunfire]

He's here!
He done killed Big Mike,

and got one of them
Mexican cowboys!

[gunfire]

- The devil
does not disappoint.

Let's go see Pa.

[gun cocks]

Walk.

[dramatic music]

[horse neighs]

- He went down that alley
behind these buildings.

Go around and flush him out.

Christ Almighty.

- Eustice, did you hear
what I said?

Go!

[horse neighs]

[♪♪♪]

I got you, pendejo.

You see him?

- He must've circled back.
[door opens]

[guns fired]

[Briggs grunts in pain]

[horse snorts]

[horse neighs]

I got him!

He got Boots,
but I shot him!

Is he dead?

[Eustice] No. I only winged him.

But I got a bullet in him,
sure as shit.

He's holed up in that building
over there by the alley.

You sure about that?

He seem like the type of fella
to just hole up

and wait for us
to come get him?

Guess we'll see.

[McCallister] You two,
you see that mercantile.

Now, the villain that killed
your buddy is inside.

Why don't you go in there
and get him?

I'll double your pay
if you bring him out alive.

Be careful now.
He's a snake.

[Eustice] He may be a snake
but he ain't a goddamn wizard.

Eustice.

[grunting in pain]

[door opens]

[McCallister] I need you
to just trust me.

Can you do that?

Shame to have to let you go
so close to the end.

[groans]

[rapid gunfire]

[McCallister] Briggs!

I'm calling you out.

Ain't that what
you boys used to do?

Call each other out.

Settle your differences
in the street.

Let's do this the old way!

[tense music]

[grunts]

Holster that pistol, mister.

I swear to God
I'll kill this little girl.

[heavy footsteps]

Hello, handsome.

Remember me?

No.

[Eustice] Get your hands up.

Both of 'em.

It's busted.

[Eustice] You got him, boss.
What are we gonna do?

You really don't remember me.

I gotta say,
hurts my feelings.

But I guess
it's not too surprising.

I was just a little whooper
last time you saw me.

The important thing is,
I remember you.

Don't worry. I'm okay.

- I definitely remember you,
Colton Briggs.

Every time I close my eyes,

I see your face,
staring me down.

I smell the smoke
from your guns,

hear the noises my daddy made
as he died.

And that's why we're here.

You, me... your little girl.

She never would
tell me her name,

but it don't matter none.

We're just one big happy family.

[laughs]

You see, we're gonna
have a showdown, you and me.

And you get the opportunity
to put a bullet in my head

just like you did my daddy.

And if you do that,

Eustice here, he's gonna blow
your little girl's head off.

[Eustice] Boss, just kill him.

[McCallister] Shut up.

Now...

you kill me,

and watch your little girl die.

Or save your daughter,
and watch me take your place.

Brooke.

I have all I need.

See that I'm tended to.

No.

And I love you.

[rapid gunfire]

- [groans]
- No!

Holy shit.

I did it. [laughs]

I killed him!

I'm so sorry, Daddy.

I love you so much.

- [McCallister] I did it!
- I'm so sorry.

[breathing heavily]

I killed Colton Briggs.

I killed him.

- You hear that, Daddy?
- [gun cocks]

I killed him.

[gun fired]

It's...
[panting]

[gun cocks]

It's you.

You're the monster.

[gun fired]

[body thuds]

You're no kin.

Brooke...

your mother.

She'll tell you what to do.

[breathing heavily]

[sobbing]

[emotional music playing]

[Marshal Jarrett]
You alive?

- Found another body
in the back alley back there.

That makes four of 'em.

[Marshal Jarrett] More or less
what I expected.

Round up the bodies
and let's get 'em back.

[horse snorts]

Will they bring him home?

Yeah, I suppose they will.

Thank you.

Marshal?

What are you going to tell them?

I thought I might bring you in
for what you and your daddy did.

Tell them how you captured us
and tortured us

and left us to die
out in the desert.

But I suppose
the judge would just say

that you were following
your daddy's orders

and blind with rage
over your mama's murder--

even though you and I both know
that ain't quite true.

And in that case,

your daddy would be buried
as a criminal.

And you would go home
to try to figure out

what to do with
your daddy's store.

- Found a strongbox
in the saloon, Marshal.

- Good work, Corporal.
That'll be all.

And then I considered
telling them

that you and your daddy
came along,

and you saved my deputy's life

by performing field surgery
on his shoulder.

Then you proceeded to track down
your mother's murderers

and then he was killed in the
process of their apprehension

in which case
you would still go home.

So I figure
since the outcomes

in both those scenarios
are the same,

I prefer the story
that doesn't involve me

getting captured
by a 12-year-old girl.

And maybe in that version,

we can forget all about
that strong box too.

In that version...

my daddy gets to be a hero?

[sighs deeply]

In exchange for
your discretion... Yes.

- I believe
that sounds about right.

Well then, it's decided.

Marshal?

Did you find your horse?

Tied up at the edge of town.

- [sobbing]
Just like he said.

You get on home, little Briggs.

Take care of your daddy's store.

Ya!

You hear that, Daddy?

You're gonna be a hero.

Mama would be so proud.

[somber music]

Maria, isn't it?

Si, Senorita.

- Why don't you fetch me
my brother's saddlebag

from inside the saloon?

I best be getting on home.

[♪♪♪]

[ending music theme]

[♪♪♪]