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These are the user uploaded subtitles that are being translated: 0 00:00:00,080 --> 00:00:03,520 hey there i'm mike ragnetta this is 1 00:00:01,839 --> 00:00:05,120 crash course mythology and today we're 2 00:00:03,520 --> 00:00:08,080 going to shift just slightly from our 3 00:00:05,120 --> 00:00:11,200 discussion of monsters to talk about 4 00:00:08,080 --> 00:00:13,759 monstrous humans monstrous human women 5 00:00:11,200 --> 00:00:17,039 to be exact we're discussing witches and 6 00:00:13,759 --> 00:00:18,800 hags many scary magical ladies you know 7 00:00:17,039 --> 00:00:21,039 what's scariest about them it's their 8 00:00:18,800 --> 00:00:23,039 giant gross moles just kidding it's 9 00:00:21,039 --> 00:00:26,519 their habit of turning people into stone 10 00:00:23,039 --> 00:00:26,519 tote no 11 00:00:28,340 --> 00:00:32,340 [Music] 12 00:00:34,239 --> 00:00:37,760 before we start a quick reminder that 13 00:00:35,840 --> 00:00:39,680 many cultures which created these myths 14 00:00:37,760 --> 00:00:41,120 are patriarchal and many of the stories 15 00:00:39,680 --> 00:00:43,520 we're going to look at are more than a 16 00:00:41,120 --> 00:00:46,079 little misogynistic devoting an episode 17 00:00:43,520 --> 00:00:48,559 to terrifying women doesn't mean we're 18 00:00:46,079 --> 00:00:50,640 endorsing the idea that women especially 19 00:00:48,559 --> 00:00:52,800 older wiser women 20 00:00:50,640 --> 00:00:54,559 are horrible and actually in many 21 00:00:52,800 --> 00:00:57,039 stories it's not even clear whether 22 00:00:54,559 --> 00:00:58,879 these women are really so horrible they 23 00:00:57,039 --> 00:01:01,199 may just be trying to protect themselves 24 00:00:58,879 --> 00:01:03,520 and their place in the social or 25 00:01:01,199 --> 00:01:05,840 metaphysical order really one myth's 26 00:01:03,520 --> 00:01:07,920 forest hag might be another's fairy 27 00:01:05,840 --> 00:01:09,920 godmother after just a little shift in 28 00:01:07,920 --> 00:01:11,840 perspective anyway just something to 29 00:01:09,920 --> 00:01:14,240 keep in mind while we're dissing on all 30 00:01:11,840 --> 00:01:16,479 these hags so when i say witch there's 31 00:01:14,240 --> 00:01:18,400 almost certainly an image that comes to 32 00:01:16,479 --> 00:01:20,560 mind many myths especially folk and 33 00:01:18,400 --> 00:01:23,040 fairy tales feature old women described 34 00:01:20,560 --> 00:01:25,040 as ugly or misshapen and with 35 00:01:23,040 --> 00:01:27,040 frightening magical powers there are a 36 00:01:25,040 --> 00:01:29,280 few exceptions but most witches use 37 00:01:27,040 --> 00:01:31,759 their powers for evil depending upon the 38 00:01:29,280 --> 00:01:35,040 tradition which is synonymous with or 39 00:01:31,759 --> 00:01:37,200 akin to hag in many myths hags are 40 00:01:35,040 --> 00:01:40,240 magical old women who are responsible 41 00:01:37,200 --> 00:01:42,720 for giving people bad dreams some hags 42 00:01:40,240 --> 00:01:45,520 even sit on the chest of their sleeping 43 00:01:42,720 --> 00:01:48,000 victims sprinkling bad images into their 44 00:01:45,520 --> 00:01:50,960 minds in norse mythology the hag is 45 00:01:48,000 --> 00:01:53,680 called a mare or mara and they come in 46 00:01:50,960 --> 00:01:56,560 the night to torment you a mayor at 47 00:01:53,680 --> 00:01:58,479 night a nightmare get it that's a thing 48 00:01:56,560 --> 00:02:00,640 a nightmare in celtic mythology there's 49 00:01:58,479 --> 00:02:02,640 a hag called the kalakh who often 50 00:02:00,640 --> 00:02:05,119 appears with a staff and likes to make 51 00:02:02,640 --> 00:02:06,799 everybody cold and miserable in one 52 00:02:05,119 --> 00:02:09,039 scottish tradition she comes down from 53 00:02:06,799 --> 00:02:11,280 her mountain home on november 1st beats 54 00:02:09,039 --> 00:02:13,760 her staff on the ground and ushers in 55 00:02:11,280 --> 00:02:16,560 winter but not all kylocks manifest such 56 00:02:13,760 --> 00:02:18,800 awesome power in one story the kalakh is 57 00:02:16,560 --> 00:02:20,640 basically just a petty thief the story 58 00:02:18,800 --> 00:02:22,319 begins long ago in the parish of kirk 59 00:02:20,640 --> 00:02:24,560 lonen where the widow inay mccarron 60 00:02:22,319 --> 00:02:27,040 lives with her three daughters calibreed 61 00:02:24,560 --> 00:02:29,599 khalifani and calivara their father 62 00:02:27,040 --> 00:02:32,720 having died years ago left behind a 63 00:02:29,599 --> 00:02:34,720 leather bag full of gold coins that ine 64 00:02:32,720 --> 00:02:36,879 keeps under the hearthstone in front of 65 00:02:34,720 --> 00:02:39,680 the fire the gold coins are how she 66 00:02:36,879 --> 00:02:42,239 provides for the family one day an old 67 00:02:39,680 --> 00:02:44,640 hag comes knocking at the door spoiler 68 00:02:42,239 --> 00:02:47,440 alert she's the caller and she's a 69 00:02:44,640 --> 00:02:48,959 hungry cow look at that innae just sees 70 00:02:47,440 --> 00:02:50,879 an old woman though and she doesn't like 71 00:02:48,959 --> 00:02:53,280 to turn a beggar away so she invites the 72 00:02:50,879 --> 00:02:55,360 kalak in for soup when she returns with 73 00:02:53,280 --> 00:02:57,519 a shawl to comfort the shivering old 74 00:02:55,360 --> 00:02:59,360 woman the kailakh is gone 75 00:02:57,519 --> 00:03:01,760 and so is the mccarran stash without 76 00:02:59,360 --> 00:03:04,159 their gold the family is hungry and 77 00:03:01,760 --> 00:03:05,840 desperate eventually colibri the oldest 78 00:03:04,159 --> 00:03:07,840 tells her mother that she's leaving to 79 00:03:05,840 --> 00:03:09,840 make her fortune and that if she doesn't 80 00:03:07,840 --> 00:03:11,519 return in a year they can assume that 81 00:03:09,840 --> 00:03:13,360 she's made it big innae bakes her 82 00:03:11,519 --> 00:03:15,680 daughter an oat cake for her journey but 83 00:03:13,360 --> 00:03:18,239 before sending her off innae asks for 84 00:03:15,680 --> 00:03:20,480 one piece of it in exchange for a 85 00:03:18,239 --> 00:03:22,720 blessing but calibri doesn't know when 86 00:03:20,480 --> 00:03:24,640 she's gonna have her next meal so she 87 00:03:22,720 --> 00:03:26,640 refuses her mother early in her journey 88 00:03:24,640 --> 00:03:28,640 colibri finds a house and 89 00:03:26,640 --> 00:03:31,599 surprise the kylock lives there the 90 00:03:28,640 --> 00:03:33,840 kalak offers calibri a job as her maid 91 00:03:31,599 --> 00:03:37,599 but only on one condition 92 00:03:33,840 --> 00:03:39,840 never clean the chimney calibri agrees 93 00:03:37,599 --> 00:03:42,080 and goes to sleep the next day calibri 94 00:03:39,840 --> 00:03:44,799 definitely looks in the chimney where lo 95 00:03:42,080 --> 00:03:47,360 and behold she finds her family's lost 96 00:03:44,799 --> 00:03:49,040 bag of gold without thinking twice she 97 00:03:47,360 --> 00:03:51,200 sets out for home so let's see what 98 00:03:49,040 --> 00:03:53,120 happens next in the thought bubble on 99 00:03:51,200 --> 00:03:55,280 her way home calibri passes a horse who 100 00:03:53,120 --> 00:03:57,439 asks her to rub him down calibreed 101 00:03:55,280 --> 00:04:00,480 refuses later she passes a sheep who 102 00:03:57,439 --> 00:04:03,599 asks her to shear him again she refuses 103 00:04:00,480 --> 00:04:06,959 then she passes a goat a lime kiln a cow 104 00:04:03,599 --> 00:04:09,360 and finally a mill refuses them all at 105 00:04:06,959 --> 00:04:11,280 this point she's so tired that she goes 106 00:04:09,360 --> 00:04:13,280 inside the mill and falls asleep in the 107 00:04:11,280 --> 00:04:15,439 meantime the kallak returns home to find 108 00:04:13,280 --> 00:04:17,840 that the bag of gold is missing running 109 00:04:15,439 --> 00:04:21,040 outside she finds a horse have you seen 110 00:04:17,840 --> 00:04:23,520 a girl pass this way i have says the 111 00:04:21,040 --> 00:04:26,320 horse the same with the sheep the goat 112 00:04:23,520 --> 00:04:29,360 the lime kiln the cow and the mill who 113 00:04:26,320 --> 00:04:32,400 says i've got her sleeping inside me 114 00:04:29,360 --> 00:04:34,000 right now the kala creeps inside and 115 00:04:32,400 --> 00:04:37,360 touches cali breed's shoulder with a 116 00:04:34,000 --> 00:04:38,960 hazel wand turning her into stone a year 117 00:04:37,360 --> 00:04:41,120 and a day later the second daughter 118 00:04:38,960 --> 00:04:43,360 khalifani decides it's her turn to go 119 00:04:41,120 --> 00:04:45,919 fortune seeking and it's the same deal 120 00:04:43,360 --> 00:04:49,120 oat cake no blessing made job chimney 121 00:04:45,919 --> 00:04:51,840 bag grab horse sheep goat kiln cow mill 122 00:04:49,120 --> 00:04:53,680 refusal falling asleep and yep turned to 123 00:04:51,840 --> 00:04:55,919 stone another year and a day later it's 124 00:04:53,680 --> 00:04:57,840 calivaro's turn unlike her greedy 125 00:04:55,919 --> 00:04:59,680 sisters she gives a piece of the oat 126 00:04:57,840 --> 00:05:02,320 cake to her mother she takes the job 127 00:04:59,680 --> 00:05:04,400 steals the gold gets on her way but when 128 00:05:02,320 --> 00:05:06,479 she comes across the horse she rubs it 129 00:05:04,400 --> 00:05:08,880 down she shears the sheep and changes 130 00:05:06,479 --> 00:05:11,600 the goat's tether cleans the lime kiln 131 00:05:08,880 --> 00:05:14,240 and milks the cow she turns the mill and 132 00:05:11,600 --> 00:05:16,639 after all her hard work she falls asleep 133 00:05:14,240 --> 00:05:18,400 on a sack of flour presumably not 134 00:05:16,639 --> 00:05:20,240 noticing the stone statues of her 135 00:05:18,400 --> 00:05:22,560 sisters when the collock rushes off to 136 00:05:20,240 --> 00:05:24,320 find calivara she asks the animals and 137 00:05:22,560 --> 00:05:26,800 the kiln if they've seen her and each 138 00:05:24,320 --> 00:05:29,039 one says no when she gets to the mill 139 00:05:26,800 --> 00:05:31,520 and asks if it saw the girl the mill 140 00:05:29,039 --> 00:05:33,280 catches the kalak in its cogs and grinds 141 00:05:31,520 --> 00:05:35,680 her up thanks that bubble the calyx 142 00:05:33,280 --> 00:05:37,919 screams wake calivara and the helpful 143 00:05:35,680 --> 00:05:40,000 mill tells her to pick up the wand and 144 00:05:37,919 --> 00:05:42,080 touch the stones in the corner as soon 145 00:05:40,000 --> 00:05:44,880 as the wand touches them they turn back 146 00:05:42,080 --> 00:05:46,639 into her very surprised sisters the mill 147 00:05:44,880 --> 00:05:48,479 then tells calivaro to touch the wand to 148 00:05:46,639 --> 00:05:51,360 the leather bag and it will never be 149 00:05:48,479 --> 00:05:54,320 empty and then to burn the wand so it 150 00:05:51,360 --> 00:05:56,240 can never harm anyone again the girls do 151 00:05:54,320 --> 00:05:58,080 as they're told and return home to their 152 00:05:56,240 --> 00:06:00,080 mother with the leather bag this story 153 00:05:58,080 --> 00:06:03,039 contains a lot of familiar tropes of the 154 00:06:00,080 --> 00:06:04,479 dangerous and devious witch she looks 155 00:06:03,039 --> 00:06:06,400 like an old woman she shows up on 156 00:06:04,479 --> 00:06:08,479 someone's doorstep she has a house in 157 00:06:06,400 --> 00:06:11,039 the woods and she has a magic wand that 158 00:06:08,479 --> 00:06:12,800 she uses for nefarious purposes and like 159 00:06:11,039 --> 00:06:15,280 monsters and other mythical creatures 160 00:06:12,800 --> 00:06:17,199 she's notable for her ugly wrinkly 161 00:06:15,280 --> 00:06:19,759 appearance it's kind of a bummer that 162 00:06:17,199 --> 00:06:22,080 old age is used as a sign of evil so 163 00:06:19,759 --> 00:06:24,800 often i mean i've met a ton of old folks 164 00:06:22,080 --> 00:06:26,560 and only like six of them tops were 165 00:06:24,800 --> 00:06:28,319 probably magical villains another 166 00:06:26,560 --> 00:06:30,720 hideous old woman who is more than she 167 00:06:28,319 --> 00:06:32,400 seems is baba yaga i know this story is 168 00:06:30,720 --> 00:06:35,120 not about john wick it's about the hag 169 00:06:32,400 --> 00:06:37,199 of russia and eastern europe but she's 170 00:06:35,120 --> 00:06:39,039 just as terrifying if you cross her with 171 00:06:37,199 --> 00:06:41,759 bulging eyes that can turn people to 172 00:06:39,039 --> 00:06:44,400 stone apparently stoning people is like 173 00:06:41,759 --> 00:06:46,240 the go-to spell for old magical ladies 174 00:06:44,400 --> 00:06:48,960 anyway she lives alone in a birch forest 175 00:06:46,240 --> 00:06:51,440 in a hut that sits atop a pair of 176 00:06:48,960 --> 00:06:53,680 chicken legs the hut is surrounded by 177 00:06:51,440 --> 00:06:56,240 human skulls and each day the hut is 178 00:06:53,680 --> 00:06:58,720 visited by three ghostly riders one 179 00:06:56,240 --> 00:07:01,199 dressed in white one in red and one in 180 00:06:58,720 --> 00:07:03,360 black these riders represent the passage 181 00:07:01,199 --> 00:07:05,759 of time baba yaga flies through the 182 00:07:03,360 --> 00:07:08,639 night sky on a giant mortar that she 183 00:07:05,759 --> 00:07:10,800 rows with a giant pestle she wipes away 184 00:07:08,639 --> 00:07:13,120 her tracks with a birch broom and like 185 00:07:10,800 --> 00:07:14,960 the windigo she's a cannibal with a 186 00:07:13,120 --> 00:07:17,440 penchant for luring princesses to her 187 00:07:14,960 --> 00:07:19,120 hut for 188 00:07:17,440 --> 00:07:20,720 dinner according to brenda rosen some 189 00:07:19,120 --> 00:07:24,000 scholars believe that originally baba 190 00:07:20,720 --> 00:07:26,880 yaga was a potent female nature spirit a 191 00:07:24,000 --> 00:07:28,960 provider of healing protection and 192 00:07:26,880 --> 00:07:30,479 guidance in this respect she's similar 193 00:07:28,960 --> 00:07:32,639 to another terrifying female creature 194 00:07:30,479 --> 00:07:34,639 from greek mythology the gorgon medusa 195 00:07:32,639 --> 00:07:36,800 this snake-headed stone-making lady may 196 00:07:34,639 --> 00:07:38,960 not seem to be much of a protector or a 197 00:07:36,800 --> 00:07:41,120 guide but there's one myth that says 198 00:07:38,960 --> 00:07:43,840 blood from the right side of a gorgon 199 00:07:41,120 --> 00:07:46,400 can bring a corpse back to life while 200 00:07:43,840 --> 00:07:48,639 blood from the left side is deadly 201 00:07:46,400 --> 00:07:50,639 poison turns out also the name medusa is 202 00:07:48,639 --> 00:07:53,199 related to the ancient greek word for 203 00:07:50,639 --> 00:07:55,280 protect and can be translated as 204 00:07:53,199 --> 00:07:57,840 guardian so maybe she just has a bad 205 00:07:55,280 --> 00:08:00,160 reputation because of mean old perseus 206 00:07:57,840 --> 00:08:01,680 and of course her petrifying visage 207 00:08:00,160 --> 00:08:03,520 these three different frightening 208 00:08:01,680 --> 00:08:05,199 females are from different times and 209 00:08:03,520 --> 00:08:07,759 places but they have a number of things 210 00:08:05,199 --> 00:08:09,759 in common they're hideous ancient and 211 00:08:07,759 --> 00:08:11,440 dangerous one wrong move you get turned 212 00:08:09,759 --> 00:08:13,520 to stone hags are seen as monstrous 213 00:08:11,440 --> 00:08:16,400 because of their ability to transform 214 00:08:13,520 --> 00:08:18,720 themselves and others and their tricky 215 00:08:16,400 --> 00:08:21,840 conniving ways but perhaps they also 216 00:08:18,720 --> 00:08:24,240 reflect a societal discomfort with old 217 00:08:21,840 --> 00:08:26,720 age which works its own transformations 218 00:08:24,240 --> 00:08:30,000 on the body in cultures that valorize 219 00:08:26,720 --> 00:08:32,080 youth that old age can seem terrifying 220 00:08:30,000 --> 00:08:34,560 especially when it comes to women but 221 00:08:32,080 --> 00:08:36,000 old age is also very powerful especially 222 00:08:34,560 --> 00:08:38,000 when you have a hazel wand or a snake 223 00:08:36,000 --> 00:08:40,399 hairdo to swing around next time we 224 00:08:38,000 --> 00:08:42,479 start our two two-episode wrap-up of the 225 00:08:40,399 --> 00:08:44,399 whole series i know i'm gonna miss you 226 00:08:42,479 --> 00:08:46,320 too tote i'm also gonna miss you guys 227 00:08:44,399 --> 00:08:48,000 we're gonna talk about freud and young 228 00:08:46,320 --> 00:08:50,000 and the psychological aspects of 229 00:08:48,000 --> 00:08:52,880 mythology thanks for watching we'll see 230 00:08:50,000 --> 00:08:54,640 you soon unless baba yaga sees you first 231 00:08:52,880 --> 00:08:57,600 check out our crash course mythology 232 00:08:54,640 --> 00:09:00,640 tote tote bag and poster available now 233 00:08:57,600 --> 00:09:02,320 at dftba.com 234 00:09:00,640 --> 00:09:04,480 crash course mythology is filmed in the 235 00:09:02,320 --> 00:09:06,399 chad and stacy emigos studio in 236 00:09:04,480 --> 00:09:08,800 indianapolis indiana and is produced 237 00:09:06,399 --> 00:09:10,880 with the help of all of these very nice 238 00:09:08,800 --> 00:09:13,279 people our animation team is thought 239 00:09:10,880 --> 00:09:15,519 cafe crash course exists thanks to the 240 00:09:13,279 --> 00:09:17,920 generous support of our patrons at 241 00:09:15,519 --> 00:09:19,279 patreon patreon is a voluntary 242 00:09:17,920 --> 00:09:21,120 subscription service where you can 243 00:09:19,279 --> 00:09:23,360 support the content you love through a 244 00:09:21,120 --> 00:09:26,480 monthly donation and help keep crash 245 00:09:23,360 --> 00:09:28,800 course free for everyone forever crash 246 00:09:26,480 --> 00:09:30,480 course is made with adobe creative cloud 247 00:09:28,800 --> 00:09:32,720 check the description for a link to a 248 00:09:30,480 --> 00:09:34,240 free trial thanks for watching and your 249 00:09:32,720 --> 00:09:36,640 grandparents might be old but that 250 00:09:34,240 --> 00:09:38,240 annual sweat suit they gift you is not 251 00:09:36,640 --> 00:09:41,880 a curse 252 00:09:38,240 --> 00:09:41,880 or maybe it is 19209

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