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(rain rushing)
Downloaded from YTS.MX
Official YIFY movies site: YTS.MX
(thunder cracking)
(dramatic music)
(thunder cracking)
(dramatic music)
(Sarah gasps loudly)
(gun clicking)
(Sarah gasping)
You found me.
(dramatic music)
(Sarah moaning and crying)
[Jack] Be still.
(dramatic music) (Sarah crying softly)
I'm a doctor.
(Sarah inhaling and exhaling loudly)
(rain splashing lightly)
(Sarah inhaling and exhaling loudly)
(fire crackling)
(crow squawking)
Ugh!
[Jack] You won't be able to move
about for a few days.
(fire crackling)
- [Sarah] You, you're-
[Jack] You're damn lucky I found you.
(fire crackling)
(birds chirping)
For a moment...
(fire crackling)
Her hair is darker, twice as long.
Most of your things were burned.
Found these clothes here.
(fire crackling)
How did you find me?
(fire crackling)
- That saddled horse running loose, followed
her tracks back to your camp.
(fire crackling)
Who did this?
Apache.
(fire crackling)
That wound needs cleaning.
[Sarah] Let me do it.
I practice medicine.
I know.
You told me last night.
Thank you for saving my life.
[Jack] Rest, you might die if you don't.
(dramatic music)
(Sarah inhaling and exhaling loudly)
(Sarah gasping for air)
(dramatic music)
(Sarah gasping and crying)
(dramatic music)
Oh.
(Sarah gasping for air)
(dramatic music)
(gun clicking)
(Sarah gasping)
(Sarah inhaling and exhaling loudly)
No. (woman crying softly)
Jack!
(Sarah gasping and crying)
(Sarah inhaling and exhaling loudly)
Jack. (gasping)
(birds chirping)
(gun clicking)
(Sarah gasping)
You let it die.
Uh, there's an Indian down at camp.
(Sarah inhaling and exhaling loudly)
I think, he might be an Apache.
Sounds to me like it's the first time
you ever seen one.
He might still be down there.
- Well, even if he is, he don't mean no harm.
If Apaches would've done this,
they'd have taken that scalp.
(birds chirping)
They don't see red hair very often.
(birds chirping)
(Sarah exclaiming loudly)
It's for your wound.
You won't let me do it.
(Sarah screaming and gasping)
Gee.
[Jack] It's all I could catch.
(Sarah inhaling and exhaling loudly)
Ugh.
There's another storm coming in.
Don't look.
[Jack] Rain will soften up the ground.
We'll bury your friends in the morning.
[Sarah] They weren't my friends.
Well, who were they?
Just some party traveling west.
I barely knew them.
Well, I guess,
their lives don't really matter then.
Anyway, I ain't heading west.
I'm heading north, the basin.
There ain't nothing up there.
Well, go your own way then.
It don't matter none to me.
Mm. (wincing)
This woman,
the one you mistook me for,
how long you been looking for her?
A while.
Is she your wife?
Talk about her again,
I'll finish the job they started.
So, I'm leaving in the morning.
As soon as those bodies are buried.
(rain rushing and thunder cracking)
[Jack] Mm, Gail.
Okay, it's won't be long.
It won't be long now.
(rain rushing)
It won't be long now.
(Jack mumbling in his sleep)
(rain rushing)
(Jack mumbling in his sleep)
(rain rushing)
No, it won't be long.
(rain rushing)
(gun clicking)
[Jack] Don't touch me ever!
(rain rushing)
Shoot me.
I know what it's like to be touched
when you don't want it.
(rain rushing)
Just stay away from me.
(rain rushing)
(dramatic music)
(stones rattling)
(dramatic music)
The horses are ready.
You ought be resting.
(dramatic music)
Here, I can help.
(stones rattling)
Once you've seen enough of 'em,
it ain't nothing.
(dramatic music)
Do you think we should pray for them?
We ought be getting on our way.
We won't get very far today.
(dramatic music)
Got any kin?
No, none to speak of.
[Jack] So, neither of these men
was your husband?
(stones rattling)
I had a husband once.
(dramatic music)
It was a long time ago.
We ought to say something for them.
(stones rattling)
Be my guest.
(dramatic music)
(horses hooves clicking)
(horse blowing out air)
(sand crunching)
(horse blowing out air)
(Jack sighing)
We can get another hour, or two out of the day.
(Sarah inhaling and exhaling loudly)
You're just gonna have to ride harder
and longer tomorrow.
- I will. (Sarah inhaling and exhaling)
I'll gather some wood.
(wood crunching)
(birds chirping)
(Sarah singing)
♪ My God they have taken you away ♪
(Sarah singing)
♪ So the young rise in the morn ♪
♪ He hath risen ♪
♪ She had rise waiting ♪
(birds chirping)
(Jack crying)
(dramatic music)
[Sarah] Those leaves you gave me,
they aren't ordinary medicine are they?
(dramatic music) (crickets stridulating)
Where did you learn that?
I was taught to use them,
along with a lot of other things
you don't learn in school.
(dramatic music)
By an Indian?
(dramatic music) (crickets stridulating)
Jack?
How do you know my name?
[Sarah] You said it in your sleep.
(dramatic music) (crickets stridulating)
- [Jack] Well, if you're gonna call me anything,
make it Travers.
And you can call me Sarah.
[Jack] Once we get to Payston,
it won't matter none.
I'll go on my way and you'll go on yours.
(dramatic music) (crickets stridulating)
Do you think we'll have enough food
to get us there?
[Jack] A man can live a long time
without any food.
(dramatic music) (crickets stridulating)
- [Sarah] I'll catch a fish in the morning.
You can catch a fish?
Yes, I've done so many a time before.
(chuckling) My wife...
I tried to teach her, but she never took to it.
I learned.
(dramatic music) (crickets stridulating)
I'll show you in the morning.
(Jack groaning)
(water splashing)
(sticks cracking)
(birds chirping)
(Sarah chuckling)
Mm.
(water burbling)
Morning.
(water burbling)
[Sarah] I'll go catch us another fish,
there ain't much here.
[Male] No need for that.
The boys and I already had our breakfast.
(birds chirping)
Much obliged for the coffee.
[Timmy] It sure does taste good, Ma'am.
Delicious, did you make it yourself?
(birds chirping)
[Male] Is she your wife? Your misses?
Yeah.
(Rube laughing)
[Jack] We'll be moving along soon.
[Male] Which way is that?
Most people head west.
- [Timmy] Rube, you ain't wrong about that.
The best way around these mountains
is that direction.
[Jack] I know where I'm going.
You've been around these parts.
Plenty.
[Male] Funny, I never seen you before,
but I seen you a time or two,
must have been up in Payson.
- I was up around Payson a couple of nights ago.
[Jack] You boys trappers?
[Male] We're looking for gold.
It ain't always the mountains
we're mining in. (laughing)
That's right, we're miners.
You gonna eat that fish, missy?
(birds chirping)
Timmy, now that ain't proper.
You gotta ask her like she's a lady.
- [Sarah] Oh, what's it, I'm not hungry anyhow.
(metal rattling)
Ma'am, the best eating is what you catch
with your own bare hands.
(suspense music)
Jack, I think, it's time
we should go, shouldn't we?
(suspense music)
[Jack] You're right about that.
Much obliged for the conversation.
(suspense music)
- You know, we ain't been up that way in a while.
We'll keep you company.
(suspense music)
If you don't mind.
(suspense music)
(dramatic music)
(fire crackling)
(stones rattling)
[Timmy] Ugh!
(dramatic music)
(wood banging)
She's doing the cooking in the morning.
[Rube] Ugh, Timmy, this here's a lady.
Ain't ya?
(stones rattling)
She may be.
I'll wager this woman's seen
her fair share of hard work.
[Jack] She's been wounded.
Is that so?
She looks alright to me.
(fire crackling)
Someone cut her.
(fire crackling)
I feel better.
I'll fetch some wood in the morning.
And you'll kill us something to eat.
- I ain't much for hunting, animals anyhow.
(fire crackling)
I heard you two talking about Apaches
on the trail.
I run into some a while back,
a few years ago.
(fire crackling)
(Rube laughing)
They just about took my head.
(fire crackling)
But I wasn't feeling so generous that day.
Surprised they didn't take
your scarlet mane there, missy.
(fire crackling)
There's worse things
in these mountains than Apaches.
(Rube laughing)
Oh, yeah? You've seen these things.
I've been them.
(fire crackling)
I'll take first watch.
Nah, you get some rest.
You're gonna need it tomorrow.
(dramatic music)
Go on, go and have a sleep.
When he does, his eyes are half open.
(dramatic music)
(fire crackling)
- If I don't do this, he'll try to lay with you.
(dramatic music)
He already has.
I know.
(dramatic music)
Tell me what happened.
Sarah?
The horses.
(dramatic music)
They were stuck in the mud.
(Sarah crying softly)
Billy, he knew that if we didn't get 'em,
there'd be hell when it died,
but the team wouldn't move.
And then, these men came along
and they drove them out of the mud.
We were so grateful.
(dramatic music)
Mary and I made dinner.
All the men told stories.
We went to bed like every other night.
And when we woke up,
there were guns in her faces.
He shot Martin first,
for no reason that I can think of.
He was just standing there.
(dramatic music)
I think, they wanted us to know
how bad they were.
(dramatic music)
Then they took Mary.
Billy tried to stop him and they shot him.
And then, they took me,
and they took me in the wagon-
That's enough. That's enough.
Why did you want to know?
- Because in the morning, I'm gonna kill 'em all.
(dramatic music)
(Sarah exhaling and inhaling)
Are you cold?
No.
(sighs) Not anymore.
(fire crackling)
(ground crunching)
(water burbling)
(wood cracking)
I guess, I was too much of a gentleman
the other night.
(wood cracking)
I sure didn't think you'd be crawling outta
that wagon alive.
I have to admit Missy, you defy my expectations.
(suspense music)
(gun shot firing)
Ugh! Uh, uh.
(male whimpering)
Uh, you fucking whore!
Ugh, ugh, uh, ugh!
(male crying in pain)
(Sarah inhaling and exhaling loudly)
(dramatic music)
[Timmy] Where is he?
Where is he?
(suspense music)
Where is he gone?
(Sarah inhaling and exhaling loudly)
He shot Rube when he was trying to get away.
(gun shot firing)
(Sarah screaming)
(stones rattling)
(dramatic music)
(Sarah inhaling and exhaling loudly)
Are you injured?
No.
[Jack] Is he dead?
(Sarah inhaling and exhaling)
(male crying out in pain)
(dramatic music)
(male moaning in pain)
(fire sizzling)
(male crying out in pain)
(male moaning in pain)
(dramatic music)
Take it.
I said, take it!
(suspense music)
Kill him for what he did to you.
No.
(dramatic music)
He fucked you and left you for dead!
(suspense music)
[Jack] He's getting away.
(Sarah crying loudly)
Finish him! (gun shot firing)
(suspense music)
Please, Jack! (crying)
I told you not to call me that.
(Sarah inhaling and exhaling)
She called me that.
(dramatic music)
[Sarah] Listen to me, please.
(dramatic music)
Stop! Please!
You're on your own!
(dramatic music)
(horse hooves clicking)
(dramatic music)
(Sarah inhaling and exhaling)
(dramatic music)
(ground and leaves crunching)
(ground and leaves crunching)
Jack?
[White] No one's called me
that since I was a boy.
(dramatic music)
Sergeant, let's get this woman something to eat.
(dramatic music)
(ground crunching)
[Sergeant] How'd you get lost all
the way out here?
(dramatic music)
My traveling companions were killed.
[White] I suppose, that might be
the bodies buried a couple days past,
a few miles north of here.
I don't guess you know anything about
the two that were buried?
From out south, I'd say
they were killed sometime yesterday morning.
[Sergeant] Mr. White's our tracker.
I've been alone since.
I haven't seen anyone.
Ma'am.
Watch obliged.
[Sergeant] That ain't much,
but it ought to fill you up some.
Now, can you recall how many were
in that rating party?
Maybe 10, maybe a dozen.
[Sergeant] That many?
Well, that'd be the biggest pack
we've tracked this far.
He might be with them.
[Sergeant] He might be.
He?
[White] Deserter.
We've been chasing him a few years now.
[Sergeant] You have.
We'll take these savages back to the fort.
I have to go to Payson.
With respect, Ma'am,
you'll die out here just as you would've
if we hadn't come along.
(fire crackling)
I don't think you understand
how lucky you've been this far.
Soldiers!
(dramatic music)
These Apache have no creed.
(dramatic music)
They have no God to speak of.
They just as soon kill a woman as a man,
or cut down a child, or slaughter a hog.
(water burbling)
(dramatic music)
You see any decency in his eyes?
(dramatic music)
(water burbling)
Ma'am, when God created this world,
he made man and woman.
He gave us the animals
and then, he made the Apache
(dramatic music)
to be a thorn in our side,
to be wiped off the face of the earth.
(dramatic music)
(male inhaling and exhaling)
Now, when you're finished eating,
you can gather your things-
I will take her.
(dramatic music)
I'll return when she's been delivered,
should only be a day's delay,
and the road between here
and there will have been scouted.
Sergeant, you have your prisoners.
I'm sure you'll be credited
for this accomplishment back at the fort.
- So be it. (birds chirping)
On up!
God speed, Ma'am, I fear you shall need it.
Mr. White.
Sergeant.
(dramatic music) (ground crunching)
- How long have you been tracking for the army?
Long enough to have known your husband.
Though, I never had the honor
to meet you, it as war time.
I heard about you, though
after his so dishonorable conduct.
(dramatic music)
Don't look so surprised, Abigail,
the reputation of your beauty proceeds you.
(dramatic music)
Though, I didn't expect to see so many scars.
Did he give them to you?
(dramatic music)
You've seen him, haven't you?
You already know the answer to that.
And he's gone to Payson.
(dramatic music)
I don't know where he's gone.
How long have you been looking for him?
Since you left him, and he deserted.
I have no tolerance for deserters.
They only belong one place,
at the end of a rope.
(dramatic music)
I must say, I'm surprised he didn't kill you.
He promised that he would the day he left us.
We better get going
if we wanna make Payson before dark.
(dramatic music)
(horses saddle rattling)
(door creaks open)
[Hotel Keeper] I expect
you'll be wanting a room.
Yes, Ma'am.
[Female] Well, I've got two
and neither is currently taken.
We don't allow her kind in here.
This is a respectable establishment.
If that's what you've got in mind,
there's a place for it down the street.
Ma'am, I have no knowledge
of what you're insinuating.
This lady's in my custody, I'm a military escort.
The room is for her and her alone.
- [Hotel Keeper] Well, I guess, I'll just have
to take your word for it.
(footsteps echoing)
I didn't know you had a sordid history.
You must have turned to those ways
after you left him.
I don't think even Travers would marry
a woman who...
Anyhow, he's as responsible
for your corruption as you are.
I hope to find him and put an end
to this wicked mess.
I'm sure he has already left here.
Don't leave this room till morning.
The stage will be in, and I'll make sure
you're on it.
You have a chance
at redemption, Abigail, take it.
(footsteps echoing)
(door clicks open and closed)
(dramatic music)
(ground crunching)
Miss Scarlet! What's wrong?
Oh, Miss Scarlet, I've missed you.
Come on, gimme one of your sweet kisses.
Be quiet.
Oh, you don't give a damn?
I said, shut up!
(dramatic music)
- You're not Scarlet, not all cut up like that.
(dramatic music)
She probably ran off with that fella.
Who?
Some guy was looking for her.
What guy was looking for her?
(dramatic music)
I'm not too picky.
You look good in my book.
Come on, I'll buy you a drink.
(dramatic music)
Hey, come on, the hooch (indistinct).
(glasses clinking)
(people chattering in the background)
(mumbling) for money, right, honey?
Yeah.
Oh, yeah.
(people chattering in the background)
- What do you know about the man playing poker?
(people chattering in the background)
He was looking for Miss Scarlet,
but I found her.
- I'm busy right now-
How long has he been here?
Well, what are you?
(people chattering in the background)
Let's have a drink.
What did he say?
(people chattering in the background)
Don't yell, nothing like that.
(people chattering in the background)
He was looking for you.
He said you was his wife, but you wasn't here.
(people chattering in the background)
He went to drinking.
I guess, he's got a new wife.
Marky, a little elixir of life, please?
If you wanna take his clothes off,
why don't you take him upstairs?
(people chattering in the background)
By the looks of it, he's winning,
and we ain't got no reason to leave.
Call.
(people chattering in the background)
- [Bartender] I'm busy right now-
(people chattering in the background)
- This table's for gambling, not for whoring.
I'm sick and tired of you confusing the two.
- Maybe if you pay attention to your cards,
you might win for a change.
Shut your cunt mouth.
(people chattering in the background)
Say it to her again.
(people chattering in the background)
We'll play another game,
which you're also likely to lose.
Ugh!
Ugh!
Uh!
(Jack and male groaning)
Ya!
Ugh.
Ya.
Ugh!
Uh.
[Sarah] Jack!
(Sarah inhaling and exhaling)
- I didn't think you'd come looking for me.
I have something to tell you.
Why, girl, it looks like
you've come home to Papa. (chuckles)
I knew you couldn't stay away,
this is where you belong.
Come on, honey. I'll clean you up.
Make you feel real good.
You sure did earn some good loving.
(dramatic music)
- Let me buy you one and we can talk business.
(dramatic music)
(door clicking closed)
- [McCabe] Whisky, a tall one and a small one.
Didn't I warn you about-
- Hey! I'm supposed to buy this lady a drink.
Go right ahead.
That ain't enough.
(people chattering in the background)
(McCabe laughing)
Better be moving along.
(people chattering in the background)
(sighs) As I was saying, I warned you not
to go out on your own, babe,
and look what happened to you.
Got all cut up, didn't you?
Huh, you didn't listen to me
and you paid the price.
(dramatic music)
But out of the generosity of my heart,
I'll take you back.
(dramatic music)
Of course, you'll have to take a cut in pay,
seeing as how you don't look
as good as you used to, and we'll have
to get you out of this garbage into something
a little bit more fitting. (laughs)
[Male] Hey! Look what I found.
- Men, buy this gentleman a drink on the house.
All right, pop, let's go.
(older male mumbling)
(people chattering in the background)
To us, back in business.
(dramatic music)
You know, I'm all yours, Jack.
Why did you call me that?
Well, I don't know, she did.
- You can have as much of me as you'd like.
(dramatic music)
Just leave me alone.
Awe, I didn't mean to upset you,
let me make you feel better.
I said, leave me alone.
But this is my room.
Take the money and get outta here.
(dramatic music)
I'll be around if you need me.
(door creaks open)
Sarah.
(door clicks closed)
I told you to leave me...
Go ahead, I'm ready.
Oh, you're not ready for this.
(suspense music)
Ugh!
What do you say, babe?
You can start tonight if you like.
(female laughs)
I'll be your first customer.
I won't work for you McCabe.
Not tonight, not ever.
(people chattering in the background)
[McCabe] After all I've done for you?
Taking you out of that-
Yes! You did and I was grateful.
(people chattering in the background)
So grateful that I gave you five years
of my life.
(dramatic music)
And I paid you back.
And then I gave you a couple more
just to get on my feet.
(people chattering in the background)
So, I don't owe you a damn thing, McCabe.
(people chattering in the background)
Finish yours and get out
of my town, don't come back.
Even if you ever come to realize
what you are good for.
(people chattering in the background)
Hello, Sarah.
(dramatic music)
You can have your man back.
I sure did wear him out for you.
(drinks clattering)
[Male] Ugh!
She took my hand, so now, I'm gonna take yours.
(suspense music)
[Jack] Ugh!
(suspense music)
(footsteps rattling up the stairs)
Hold it!
(suspense music)
Lay the shotgun on the bed.
(suspense music)
That's the man I want, not you.
(gun shots firing)
(suspense music)
[Jack] Uh, ugh, uh.
(Jack whimpering)
(dramatic music)
Yeah, ugh, ugh.
- [Sergeant] Sure you won't spend the night?
(crickets stridulating)
I can lock him up in the jailhouse.
My wife can make you a bed.
(crickets stridulating)
I appreciate the hospitality,
but I should get started.
They're expecting us back at the fort.
He may bleed out overnight.
[White] You won't, will you, Doc?
(dramatic music)
That isn't the rightful death for a deserter.
(ground crunching)
(dramatic music)
Ugh!
(dramatic music)
Hold it!
Hold it, or I'll shoot!
(dramatic music)
Let's go.
(gun shot firing)
(dramatic music)
(crickets stridulating)
Ugh.
Jack?
Ugh, uh, uh.
You've been shot.
Oh, don't stop, they're coming, uh.
- We have to. - Uh.
You're not gonna make it to the morning.
(dramatic music)
Just leave me.
(Jack wincing in pain)
But just for a moment, wait here.
Uh, ugh.
(crickets stridulating)
(Sarah inhaling and exhaling loudly)
I didn't mean to frighten you.
(door clicks closed)
My friend's been hurt.
We need a place to stay tonight.
(door creaking open)
(Sarah gasping)
We won't hurt you, I promise.
(crickets stridulating)
She can't hear no more.
She's my eyes and I'm her ears.
Where's your friend?
He's down in the wash.
He's been shot.
(crickets stridulating)
[Blind Billy] There's a town
not far from here.
You should go there.
We just came from there.
(crickets stridulating)
[Blind Billy] Our place,
the only place for miles around.
They'll come here, you know?
(crickets stridulating)
There's a place around these parts,
it's often want for a need of a place to hide.
(wood knocks)
She'll show you.
(dramatic music)
Ugh, uh, uh.
Uh, uh, uh.
(dramatic music)
Ugh, ooh!
(dramatic music)
They're coming.
Ugh.
- Ssh! You're gonna have to keep him quiet.
(dramatic music)
I'll make sure of it.
They're coming up the wash.
Gail, is that you?
Ssh, ssh, ssh, you have to be quiet.
Mm.
(footsteps echoing)
[White] What's happening here?
[Blind Billy] Who are you?
You know, we thought you was Apache
and raiding us.
(crickets stridulating)
- [White] A man and a woman came through here,
have you seen them?
[Blind Billy] Mr. I ain't seen a man,
or a woman in 20 something years.
(dramatic music)
[White] And you?
[Blind Billy] She can't hear.
[White] Is that so?
Yes, Mr.
(dramatic music)
Can't hear (mumbling).
Wait, they probably went into
the hills west of here.
That's good cover there.
(crickets stridulating)
[White] You say this woman is deaf?
[Blind Billy] Yes, sir.
(gun shot firing)
[White] Sure seems deaf to me.
The man is a traitor
and the woman not much better.
If you see them, I expect you'll do right
by the law.
(dramatic music) (footsteps echoing)
(crickets stridulating)
(Sarah inhaling and exhaling loudly)
Ooh.
Uh, I can't do it myself.
(Jack inhaling and exhaling)
Ugh!
(Jack wincing in pain)
Uh, uh, ugh.
Keep going.
Uh, ugh.
Oh, God! (Jack wincing in pain)
Ugh. (Jack wincing in pain)
Uh, uh.
(Sarah inhaling and exhaling loudly)
Uh.
Burn it, burn it!
God.
(Jack wincing in pain)
Ugh!
(crickets stridulating)
(Jack crying out in pain)
Thank you.
(crickets stridulating)
The man that was chasing you
is from the army.
I know.
(crickets stridulating)
He mistook me for your wife.
(crickets stridulating)
He called me Abigail.
I called her Gail.
(crickets stridulating)
Like a strong wind.
♪ By a lonely prison wall ♪
♪ I heard a young girl calling ♪
♪ My girl they have taken you away ♪
♪ By a start of her ends gone ♪
♪ So the young might see in the morn ♪
♪ And prison ship lies waiting ♪
♪ In the bay ♪
(crickets stridulating)
(birds chirping)
You best go west, the way they went.
(dramatic music)
I've been that way before.
[Blind Billy] I doubt they'll cover
the same ground twice.
(dramatic music) (birds chirping)
My wife packed you some food
for the trail, enough for a days ride.
(dramatic music)
Two if you're prudent.
(dramatic music)
[Sarah] I can't thank you enough
for all that you've done.
(birds chirping)
Like I said, it's all we got,
(dramatic music)
but you're welcome to it.
Why have you done all of this?
I weren't always blind.
(birds chirping)
I reckon If I'd had me a hiding spot,
hell, I might not be here today.
God, go with you.
(dramatic music) (birds chirping)
(ground crunching)
(gun clicking)
(soft music)
(ground crunching)
(soft music)
Is it White?
No.
Uh.
(soft music)
(water burbling)
(soft music)
(Jack wincing)
(Jack inhaling and exhaling)
Come.
(fire crackling)
I know this man.
Travers?
(fire crackling)
How?
(dramatic music)
(horse's hooves clicking)
(dramatic music)
(stones clicking)
(dramatic music)
(horse's hooves clicking)
He run like Apache.
(dramatic music)
Why?
Mm, a woman, she leave.
(dramatic music)
(fire crackling)
(ground crunching)
(dramatic music)
(ground crunching)
He leave.
(dramatic music)
He give life.
(dramatic music)
He tell of a woman he want to find.
Apache follow. (dramatic music)
Apache always sees.
The Apache at the wagon.
(dramatic music)
[Indian Woman] One day,
he find woman, and Apache no follow.
(dramatic music)
He's been looking a long time.
(dramatic music)
He find her.
He not see her.
He not want to see.
(dramatic music)
Why woman leave?
She'll tell him when it's time.
(birds chirping)
(dramatic music)
Some day.
Will you take me to him?
(dramatic music)
(birds chirping)
(gun shot firing)
(gun clicking)
(gun shot firing)
(Jack sighing)
(gun clicking)
(gun shot firing)
She's gone. She left that.
You should be resting.
I should be ready.
For what?
(gun clicking) (gun shot firing)
Who are you going to kill?
[Jack] Nobody with his hand.
(gun metal ringing)
It doesn't seem to know what to do with a gun.
- I thought you were a doctor once, weren't you?
Where did you learn how to use one?
It came natural.
I followed my heart.
It showed me the way.
(gun shot firing)
- [Sarah] I think, I might know where she is.
When I worked at the saloon...
She was there too.
(dramatic music)
[Sarah] A woman came through,
it might have been her.
(dramatic music)
She told me where she came from,
maybe she went back there when she left.
(dramatic music)
Do you know where this is?
(dramatic music)
Take me there.
(action music)
(horses hooves clicking)
(dramatic music)
What are these men doing here?
(dramatic music)
This is where McCabe found me.
He paid and took me to Payson.
This is where my face was cut
the first time.
(people chattering)
Shit.
- [Tanner's Guard] Stop, that's far enough.
What you come here for?
Found this woman.
She said she was lost,
but I figure maybe she ran off.
Tanner!
(gun clicking)
- [Tanner] That's quite the assumption, traveler.
What makes you think we want a woman around here?
(leaves crunching)
Well, maybe I'm in the wrong place,
but a fellow named McCabe told me
to come this way.
Did he now?
She does look kind of familiar, boys.
(Tanner's guard chuckling)
What you want for her?
[Jack] The going rate plus my turn
with the best of your stock.
[Tanner] The best, huh?
Well, you best come take a look.
(dramatic music)
Get down there and get 'em.
(dramatic music)
You look real (indistinct)
and real good, all right?
(dramatic music)
- I'm not finding what I'm looking for here.
(dramatic music)
Well, take two of 'em if you want.
- I'll just take her and I'll be on my way.
(spurs ringing)
Hey?
(dramatic music)
What happened to your hand?
(dramatic music)
Bitch bit me while I was trying
to hold her down.
[Tanner's Guard] As I remember,
she was a fighter one. (chuckles)
(dramatic music)
Well, devil woman, welcome back to hell.
(gun shot firing)
(stones rattling)
(gun shot firing)
(gun clicking)
Are you okay?
(Sarah inhaling and exhaling)
(dramatic music)
Yeah, yes.
(Sarah inhaling and exhaling)
(women exclaiming loudly)
(dramatic music)
(crickets stridulating)
(gun clicking)
He's not one of them.
You came back.
She's not here.
Who are you looking for?
(crickets stridulating)
My wife, Gail.
[Sarah] Most of these women
aren't from around here,
but some of them are.
I know another place she might be.
(crickets stridulating)
(ground crunching)
Will you go home?
Home.
(crickets stridulating)
We'll find our way.
(water splashing)
Who is that man?
(door clicks closed)
At first light, I'm gonna go see him.
You don't need to take your gun.
That man will do you no harm.
(ground crunching)
(fire crackling)
Do you know why she left?
(fire crackling)
Here.
(fire crackling)
Read it to me.
(dramatic music)
(fire crackling)
Jack, when this reaches you,
I will no longer be here,
and I will no longer be your wife.
(dramatic music)
I have found the telegram
from the physician in Dallas.
(dramatic music)
I know that it is not my body, but yours
that hinders us from having a family.
(dramatic music)
Why did you keep this from me?
You know that I have spent these months
at war with my own body
wanting one little one with you.
Now, I will leave you to your own war.
(dramatic music)
Like the one that has taken you away from me.
I will no longer be without
what I want so dearly
and what with you, I have lived without.
The love we once shared will be no more.
(dramatic music)
It will only be memories.
Abigail.
(dramatic music)
Burn it.
I've carried it long enough.
(dramatic music)
(fire crackling)
(dramatic music)
I didn't know how to tell you, I was ashamed.
(dramatic music)
- There's something else I have to tell you.
You must go tomorrow.
I know you have to.
And I know after I may not see you again.
(dramatic music)
Will you sleep by my side tonight?
(fire crackling)
Yes.
(dramatic music)
(wood bangs)
If you came here for water, take what
you need and be on your way.
Do you know a woman named Abigail?
- [Man] She lived with me here for a while.
She left not long after...
[Jack] After what?
I can't.
Up on the hill you'll find
what you're looking for.
(dramatic music)
(horse's hooves clicking)
(dramatic music)
(birds chirping)
(ground crunching)
(dramatic music)
(horse's hooves clicking)
(dramatic music)
(ground crunching)
[Jack] Gail?
(dramatic music)
Let's leave this place.
(dramatic music)
(water burbling)
(horse's hooves clicking)
Jack, I never should have left.
Well, if you hadn't,
I never would've found you.
(gun shot firing)
Get down!
(gun shot firing)
[White] Travers!
(Sarah inhaling and exhaling loudly)
(gun shot firing)
Travers, you hear me?
It's White.
[White] You're not gonna get away
this time, Travers.
Your gun.
I left it on the grave.
Your rifle's on the horse.
(Sarah inhaling and exhaling loudly)
[White] I'm taking you back
to the fort, Travers.
(Sarah inhaling and exhaling loudly)
Do you hear me?
(Sarah inhaling and exhaling loudly)
Wait here.
(ground crunching)
Jack!
Travers!
(water burbling)
(suspense music)
Give yourself up!
(water splashing)
(suspense music)
Ugh!
Uh.
(suspense music)
Ugh!
Oh.
(suspense music)
Oh.
White, let him go.
(suspense music)
(Jack spluttering)
He's a deserter.
(suspense music)
[Gail] If you let us leave,
I promise we'll never hurt another soul
as long as we live.
He doesn't deserve to live.
(gun shot firing)
[Jack] Ugh uh.
(water burbling)
(Jack coughing)
(dramatic music)
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