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1
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Couldn't sleep a wink last night
2
00:00:04,760 --> 00:00:07,440
Oh, how I'd love to hold you tight
3
00:00:09,040 --> 00:00:11,640
They say you have a secret life
4
00:00:11,640 --> 00:00:15,280
Made sacrifice your key
to paradise
5
00:00:16,920 --> 00:00:19,360
Take a sweet girl just like you
6
00:00:19,360 --> 00:00:23,800
How nice if only we could
bill and coo...
7
00:00:46,040 --> 00:00:47,800
I couldn't go wrong with anything
8
00:00:47,800 --> 00:00:49,640
Bryan Ferry's ever done,
or the Roxy.
9
00:00:49,640 --> 00:00:52,000
The whole Roxy thing
is just really cool.
10
00:00:52,000 --> 00:00:56,680
It was really an enormous
influence on Heaven 17's music.
11
00:00:56,680 --> 00:00:59,560
I remember on the inside of
the first album cover it said,
12
00:00:59,560 --> 00:01:01,760
"Hair colour: blue-black."
13
00:01:01,760 --> 00:01:05,360
There are few bands that can
cross a period of decades,
14
00:01:05,360 --> 00:01:08,840
always be innovative
and always be ahead of the curve.
15
00:01:08,840 --> 00:01:10,960
And yeah, Roxy Music
are one of them.
16
00:01:10,960 --> 00:01:12,760
People still name check them now.
17
00:01:12,760 --> 00:01:14,880
People go back and listen
to the albums now.
18
00:01:14,880 --> 00:01:16,960
They oddly don't sound dated.
19
00:01:16,960 --> 00:01:19,680
They are such an amalgam
of past, present and future.
20
00:01:19,680 --> 00:01:21,720
Virginia Plain, their first single,
21
00:01:21,720 --> 00:01:25,400
wasn't even on their first album,
which is quite interesting.
22
00:01:25,400 --> 00:01:27,840
When it was played on the radio,
when it was on TV,
23
00:01:27,840 --> 00:01:30,240
it was just, I think, mind-blowing
24
00:01:30,240 --> 00:01:33,080
and made everybody sit up and think,
who is this band?
25
00:01:34,920 --> 00:01:38,000
Make me a deal
and make it straight
26
00:01:38,000 --> 00:01:40,000
All signed and sealed
27
00:01:40,000 --> 00:01:41,560
I'll take it
28
00:01:41,560 --> 00:01:44,440
To Robert E Lee I'll show it
29
00:01:45,720 --> 00:01:48,520
I hope and pray
he don't blow it cos
30
00:01:48,520 --> 00:01:51,800
We've been around a long time
31
00:01:51,800 --> 00:01:53,800
Just try to try
32
00:01:53,800 --> 00:01:56,000
Trying to make the big time
33
00:01:56,000 --> 00:01:59,240
Take me on a roller-coaster
34
00:01:59,240 --> 00:02:02,520
Take me for an airplane ride
35
00:02:02,520 --> 00:02:06,960
Take me for a six day wonder
but don't you
36
00:02:06,960 --> 00:02:10,320
Don't you throw my pride
aside besides
37
00:02:10,320 --> 00:02:13,320
What's real and make believe
38
00:02:13,320 --> 00:02:15,760
Baby Jane's in Acapulco
39
00:02:15,760 --> 00:02:18,120
We are flying down to Rio... #
40
00:02:27,520 --> 00:02:29,920
There's something
I really like about this.
41
00:02:29,920 --> 00:02:32,000
He's almost not singing in tune.
42
00:02:32,000 --> 00:02:34,800
It sounds at odds with
the melody underneath.
43
00:02:34,800 --> 00:02:36,840
And that sounds incredibly modern.
44
00:02:36,840 --> 00:02:40,200
There's something about that sounds
really punky as well,
before its time.
45
00:02:40,200 --> 00:02:43,760
Throw me a line, I'm sinking fast
46
00:02:43,760 --> 00:02:45,800
Clutching at straws
47
00:02:45,800 --> 00:02:47,440
Can't make it
48
00:02:47,440 --> 00:02:50,720
Havana sound, we're trying
49
00:02:50,720 --> 00:02:54,120
A hard edge, the hipster jiving
50
00:02:54,120 --> 00:02:57,520
Last picture shows
down the drive-in
51
00:02:57,520 --> 00:02:59,160
You're so sheer
52
00:02:59,160 --> 00:03:00,880
You're so chic
53
00:03:00,880 --> 00:03:02,800
Teenage rebel of the week
54
00:03:02,800 --> 00:03:05,480
Flavours of
the mountain streamline
55
00:03:05,480 --> 00:03:08,720
Midnight blue casino floors
56
00:03:10,120 --> 00:03:12,640
Dance the cha-cha
through till sunrise
57
00:03:12,640 --> 00:03:14,880
Opens up exclusive doors...
58
00:03:14,880 --> 00:03:16,880
I've become slightly entranced
59
00:03:16,880 --> 00:03:19,520
by the whole thing of seeing
what everyone's wearing.
60
00:03:19,520 --> 00:03:22,120
You can see the glitter eyeshadow.
61
00:03:22,120 --> 00:03:25,120
It's amazing to see rock stars
dressed like that.
62
00:03:26,520 --> 00:03:29,480
Roxy and Bowie actually
both pioneered
63
00:03:29,480 --> 00:03:31,680
the glam rock look and the sound.
64
00:03:31,680 --> 00:03:33,360
They invented it.
65
00:03:33,360 --> 00:03:35,360
It didn't exist before them
66
00:03:35,360 --> 00:03:38,360
and they were real forerunners
in a whole movement there.
67
00:03:40,360 --> 00:03:42,080
I remember it so well.
68
00:03:42,080 --> 00:03:45,120
I remember especially a friend
of mine called Nick Dawson,
69
00:03:45,120 --> 00:03:48,760
he would dress completely camply
and we'd go to nightclubs
70
00:03:48,760 --> 00:03:52,080
and he would just wait for that
one moment when this came on.
71
00:03:52,080 --> 00:03:54,880
What's her name?
Virginia Plain. #
72
00:03:54,880 --> 00:03:58,040
Far beyond the pale horizon
73
00:03:58,040 --> 00:04:01,520
Some place near the desert strand
74
00:04:01,520 --> 00:04:05,040
Where my Studebaker takes me
75
00:04:05,040 --> 00:04:08,480
That's where I'll make my stand
76
00:04:08,480 --> 00:04:11,840
Can't you see that Holzer mane?
77
00:04:11,840 --> 00:04:14,720
What's her name? Virginia Plain.
78
00:04:14,720 --> 00:04:17,920
Because of the age I was as well,
you know,
79
00:04:17,920 --> 00:04:20,480
I'm, like, ten, nine, ten...
Yeah, yeah.
80
00:04:20,480 --> 00:04:24,840
And when I first saw Bryan Ferry
on Top Of The Pops
81
00:04:24,840 --> 00:04:27,640
it was like, we're all watching
Top Of The Pops
82
00:04:27,640 --> 00:04:29,880
and he looked like my mam,
Bryan Ferry.
83
00:04:29,880 --> 00:04:32,920
He had the same haircut
and he just looked like my mam.
84
00:04:32,920 --> 00:04:37,000
But with us it was, again, that
Roxy, Bowie sort of thing. Yeah.
85
00:04:37,000 --> 00:04:38,920
Roxy were amazing.
86
00:04:38,920 --> 00:04:40,840
They were the future.
87
00:04:40,840 --> 00:04:43,200
Yeah. Getting glam. Yeah. So glam.
88
00:04:43,200 --> 00:04:45,200
The record sounded great.
89
00:04:45,200 --> 00:04:47,560
To me it was just one up on glam.
90
00:04:47,560 --> 00:04:51,480
Do you know I mean? Yeah, it was.
It was beyond glam.
91
00:04:51,480 --> 00:04:53,960
On Ladytron you get the...
92
00:04:53,960 --> 00:04:57,880
You really see the beginnings
of Eno's genius, don't you?
93
00:04:57,880 --> 00:05:01,320
Yeah, yeah, yeah.
You can kind of hear a foreshadowing
94
00:05:01,320 --> 00:05:04,360
of Here Come The Warm Jets,
Music For Airports and all of that.
95
00:05:04,360 --> 00:05:06,600
It's very soundscapey, isn't it?
Definitely.
96
00:05:06,600 --> 00:05:10,040
You've got me, girl,
on the run around, run around
97
00:05:10,040 --> 00:05:12,600
You've got me all around town
98
00:05:12,600 --> 00:05:15,640
You've got me, girl,
on the run around
99
00:05:15,640 --> 00:05:19,560
And it's getting me down
Getting me down
100
00:05:22,080 --> 00:05:27,080
Lady, if you want to find a lover
101
00:05:27,080 --> 00:05:30,280
Then you look no further
102
00:05:30,280 --> 00:05:33,600
For I'm going to be your only
103
00:05:34,560 --> 00:05:36,520
Searching
104
00:05:36,520 --> 00:05:39,840
At the start of the season
105
00:05:39,840 --> 00:05:43,080
And my only reason
106
00:05:43,080 --> 00:05:46,360
Is that I'll get to you...
107
00:05:46,360 --> 00:05:50,600
The early band, almost as if it's
a mini war going on between them,
108
00:05:50,600 --> 00:05:52,600
there are so many disparate elements
109
00:05:52,600 --> 00:05:54,720
and they're all jostling
for attention.
110
00:05:54,720 --> 00:05:57,880
You've got Andy Mackay on oboe,
and how often do you hear an oboe
111
00:05:57,880 --> 00:06:00,360
in a rock record?
Especially a glam rock record.
112
00:06:00,360 --> 00:06:03,640
And you've got Brian Eno making
the squiggly sounds with the synths
113
00:06:03,640 --> 00:06:06,880
and then the drumming is very solid,
very traditional in that way,
114
00:06:06,880 --> 00:06:09,840
and somehow it works, but I think
the tensions in the band,
115
00:06:09,840 --> 00:06:13,040
the things almost shattering it,
are keeping it together.
116
00:06:13,040 --> 00:06:15,280
I'll find some
117
00:06:15,280 --> 00:06:17,840
Way of connection
118
00:06:17,840 --> 00:06:21,040
Hiding my intention
119
00:06:21,040 --> 00:06:26,040
Then I'll move up close to you
120
00:06:26,040 --> 00:06:28,040
I'll use you
121
00:06:28,040 --> 00:06:31,080
And I'll confuse you
122
00:06:32,040 --> 00:06:34,320
And then I'll lose you
123
00:06:34,320 --> 00:06:37,040
Still you won't suspect me...
124
00:06:51,600 --> 00:06:54,560
It's amazing to think that
Virginia Plain and Ladytron
125
00:06:54,560 --> 00:06:56,480
were of the same moment.
126
00:06:56,480 --> 00:06:58,280
They're so different.
127
00:06:58,280 --> 00:07:02,080
Of course, there's still the huge
inspiration and the glam rock look,
128
00:07:02,080 --> 00:07:05,080
Ferry's got a completely
different image.
129
00:07:05,080 --> 00:07:07,880
His hair's grown,
he's a little bit more...
130
00:07:07,880 --> 00:07:10,320
I mean, it's much more
out there as a song.
131
00:07:10,320 --> 00:07:13,040
But what's interesting
is the different textures
132
00:07:13,040 --> 00:07:16,040
of everyone in the band.
They have their own little image.
133
00:07:16,040 --> 00:07:20,440
What makes it so special is how
everybody complements each other.
134
00:07:21,480 --> 00:07:24,520
MUSIC: Ladytron
by Roxy Music
135
00:08:05,000 --> 00:08:07,920
Listen to all this stuff.
Come on. It's fantastic.
136
00:08:07,920 --> 00:08:11,280
I loved the fly glasses.
Whoever sourced them... Such a look.
137
00:08:11,280 --> 00:08:13,280
A stylist would.
138
00:08:13,280 --> 00:08:14,880
Really.
139
00:08:14,880 --> 00:08:19,320
And, of course, Eno, you know,
he's solely responsible for me
140
00:08:19,320 --> 00:08:21,360
wanting to buy a synth.
141
00:08:21,360 --> 00:08:25,080
Wow. I wasn't bothered about buying
a synth to play tunes on,
142
00:08:25,080 --> 00:08:27,880
I just wanted one
that had a joystick. OK.
143
00:08:27,880 --> 00:08:30,840
It looked so cool with
the Lurex gloves. Mm-hm.
144
00:08:32,120 --> 00:08:35,560
This is like this amazing,
mad-scientist alien.
145
00:08:35,560 --> 00:08:37,000
Yeah, yeah.
146
00:08:38,080 --> 00:08:41,120
MUSIC: Ladytron
by Roxy Music
147
00:08:48,360 --> 00:08:53,440
Eno was kind of the futuristic bit,
really.
148
00:08:53,520 --> 00:08:55,880
What Eno's... What is Eno doing?
149
00:08:55,880 --> 00:08:59,160
Look, look. What's that?!
What's that he's doing there?
150
00:09:01,160 --> 00:09:03,880
Some of the tracks
on the Roxy Music album
151
00:09:03,880 --> 00:09:06,040
are meant to sound like
space landscapes.
152
00:09:06,040 --> 00:09:08,120
Bryan Ferry would ask Brian Eno,
153
00:09:08,120 --> 00:09:12,600
"I want you to create something that
sounds like the surface of Mars."
154
00:09:12,600 --> 00:09:15,600
They would be very interested
in those sorts of concepts,
155
00:09:15,600 --> 00:09:18,680
of sight, sound, taste and touch
all fusing together.
156
00:09:18,680 --> 00:09:21,480
And they also say they were
surprised that they sold records.
157
00:09:21,480 --> 00:09:23,960
They thought they were going to be
really niche,
158
00:09:23,960 --> 00:09:26,800
and suddenly the popularity comes
and they embrace it.
159
00:09:27,840 --> 00:09:30,840
MUSIC: Ladytron
by Roxy Music
160
00:09:37,840 --> 00:09:40,600
I think the reason that I loved
Roxy Music
161
00:09:40,600 --> 00:09:43,880
was the glamness of it all, because
162
00:09:43,880 --> 00:09:47,840
Sheffield was in fact
quite a dour place at the time.
163
00:09:47,840 --> 00:09:52,280
The steelworks were on the edge of,
you know, working and not working,
164
00:09:52,280 --> 00:09:57,320
but the people of Sheffield loved to
dress up Friday and Saturday night
165
00:09:57,640 --> 00:10:01,120
and Roxy Music kind of took that
to the next level.
166
00:10:01,120 --> 00:10:04,600
You know, that kind of dressing up
and craziness,
167
00:10:04,600 --> 00:10:09,640
which was almost unattainable
but just about attainable enough,
168
00:10:09,640 --> 00:10:12,600
if you were willing to wear
some ladies' clothes,
169
00:10:12,600 --> 00:10:14,880
which we were at that time.
170
00:10:14,880 --> 00:10:17,160
I remember meeting Martyn Ware
one day.
171
00:10:17,160 --> 00:10:22,040
We were going to see a band at
the Student Union in Sheffield
172
00:10:22,040 --> 00:10:24,320
and Martyn lived on the flats,
173
00:10:24,320 --> 00:10:27,360
a slightly dodgy area
that you might not like,
174
00:10:27,360 --> 00:10:30,840
and I'd gone up to meet him
and he came out of the house
175
00:10:30,840 --> 00:10:35,840
and he was wearing white trousers
and girls' silver platform boots
176
00:10:36,280 --> 00:10:39,600
and a Fun Fair green jacket,
177
00:10:39,600 --> 00:10:43,880
completely luminous, kind of,
frog, Kermit, green jacket.
178
00:10:43,880 --> 00:10:47,120
And I'm like, "Whoa! And we're
going on the bus like that?"
179
00:10:47,120 --> 00:10:49,640
And he's like,
"Yep, we're going on the bus."
180
00:10:49,640 --> 00:10:52,200
But that's what Roxy Music
did to us.
181
00:10:52,200 --> 00:10:54,320
It gave us that little...
182
00:10:54,320 --> 00:10:57,360
..that little push
to push a little further
183
00:10:57,360 --> 00:11:01,640
and that outlet to be excited
with fashion and with music.
184
00:11:01,640 --> 00:11:05,040
I do think Do The Strand.
Do The Strand!
185
00:11:05,040 --> 00:11:06,920
"There's a new sensation."
186
00:11:07,920 --> 00:11:10,040
There's a new sensation
187
00:11:11,080 --> 00:11:13,040
A fabulous creation
188
00:11:14,280 --> 00:11:16,600
A danceable solution
189
00:11:17,800 --> 00:11:19,800
To teenage revolution
190
00:11:21,840 --> 00:11:24,280
Do the Strand, love
191
00:11:25,320 --> 00:11:27,560
When you feel love
192
00:11:28,600 --> 00:11:31,080
It's the new way
193
00:11:32,080 --> 00:11:34,560
And that's why we say
194
00:11:35,520 --> 00:11:37,600
Do the Strand
195
00:11:39,040 --> 00:11:41,320
Do it on the tables
196
00:11:42,280 --> 00:11:44,560
Quaglino's place or Mabel's
197
00:11:46,080 --> 00:11:48,560
Slow and gentle
198
00:11:49,560 --> 00:11:52,040
Sentimental
199
00:11:53,000 --> 00:11:55,560
All styles served here
200
00:11:56,600 --> 00:11:58,800
Louis Seize, he prefer
201
00:11:59,800 --> 00:12:01,800
Laissez faire Le Strand
202
00:12:03,560 --> 00:12:05,560
Tired of the tango
203
00:12:06,840 --> 00:12:08,840
# Fed up with fandango
204
00:12:10,280 --> 00:12:12,760
Dance on moonbeams
205
00:12:13,800 --> 00:12:16,560
Slide on rainbows
206
00:12:17,560 --> 00:12:20,040
In furs or blue jeans
207
00:12:21,040 --> 00:12:23,040
You know what I mean
208
00:12:24,320 --> 00:12:26,560
Do the Strand
209
00:12:28,280 --> 00:12:29,800
Oooh...
210
00:12:30,840 --> 00:12:34,480
When we were going to nightclubs
in Sheffield at that point, like,
211
00:12:34,480 --> 00:12:37,360
we thought we were so glamorous
because we liked Roxy Music,
212
00:12:37,360 --> 00:12:40,120
and really we were just
young kids with no money,
213
00:12:40,120 --> 00:12:43,400
drinking watered-down beer
for 10p a pint, you know,
214
00:12:43,400 --> 00:12:46,680
but just for that brief moment
of glamour, you know,
215
00:12:46,680 --> 00:12:50,320
like Pyjamarama and Do The Strand,
we would do all the moves,
216
00:12:50,320 --> 00:12:52,560
throwing shapes and, you know...
217
00:12:52,560 --> 00:12:54,640
We didn't know what any of it meant,
218
00:12:54,640 --> 00:12:57,800
but it was like an abstract set
of wordscape.
219
00:12:57,800 --> 00:13:01,360
It was this really theatrical...
220
00:13:01,360 --> 00:13:05,360
It was this sort of weird anomaly
and amalgamation
221
00:13:05,360 --> 00:13:08,040
of a whole bunch of
different sounds, wasn't it?
222
00:13:10,320 --> 00:13:13,240
They can have a bit of funk
when they want to.
223
00:13:13,240 --> 00:13:17,120
They're quite danceable and there's
something about the glam, punk,
224
00:13:17,120 --> 00:13:21,120
but also they can soul it up a bit,
they can noodle.
225
00:13:22,200 --> 00:13:25,200
MUSIC: Do The Strand
by Roxy Music
226
00:13:33,560 --> 00:13:35,560
Had your fill of quadrilles
227
00:13:36,600 --> 00:13:39,040
The Madison and cheap thrills
228
00:13:40,080 --> 00:13:42,280
Bored with the Beguine
229
00:13:43,280 --> 00:13:45,800
The samba isn't your scene
230
00:13:47,040 --> 00:13:49,560
They're playing our tune
231
00:13:50,560 --> 00:13:53,080
By the pale moon
232
00:13:54,080 --> 00:13:56,560
We're incognito
233
00:13:57,560 --> 00:13:59,800
Down the Lido
234
00:14:00,800 --> 00:14:02,760
And we like the Strand
235
00:14:04,600 --> 00:14:06,560
Arabs at oases
236
00:14:08,040 --> 00:14:10,040
Eskimos and Chinese
237
00:14:11,560 --> 00:14:13,800
If you feel blue
238
00:14:15,000 --> 00:14:17,280
Look through Who's Who
239
00:14:18,240 --> 00:14:20,520
See La Goulue
240
00:14:21,600 --> 00:14:23,760
And Nijinsky
241
00:14:25,280 --> 00:14:27,760
Do the Strandsky
242
00:14:28,800 --> 00:14:30,840
Weary of the waltz
243
00:14:32,080 --> 00:14:34,320
And mashed potato schmaltz
244
00:14:35,520 --> 00:14:38,040
Rhododendron
245
00:14:39,600 --> 00:14:41,600
Is a nice flower
246
00:14:42,840 --> 00:14:44,880
Evergreen
247
00:14:45,840 --> 00:14:48,280
It lasts forever
248
00:14:49,320 --> 00:14:52,040
But it can't beat Strand power
249
00:14:53,040 --> 00:14:55,000
The Sphynx and Mona Lisa
250
00:14:56,280 --> 00:14:58,560
Lolita and Guernica
251
00:15:00,040 --> 00:15:02,200
Did the Strand.
252
00:15:03,240 --> 00:15:05,800
In Every Dream Home A Heartache.
Oh, gosh, yeah.
253
00:15:05,800 --> 00:15:08,600
This one is, like, amazing.
254
00:15:08,600 --> 00:15:12,680
This is like a dystopian
sci-fi novel.
255
00:15:12,680 --> 00:15:15,880
And a lot darker, isn't it?
It's a lot darker.
256
00:15:15,880 --> 00:15:19,080
And I think that's why
they've toned the look down.
257
00:15:19,080 --> 00:15:21,200
And he's got a guitar now.
258
00:15:23,040 --> 00:15:25,560
And every step I take
259
00:15:26,560 --> 00:15:30,240
Takes me further from heaven
260
00:15:34,600 --> 00:15:36,600
Is there a heaven?
261
00:15:39,080 --> 00:15:41,320
I'd like to think so
262
00:15:45,800 --> 00:15:48,240
Standards of living
263
00:15:50,560 --> 00:15:52,800
They're rising daily
264
00:15:55,080 --> 00:15:57,800
But home, oh, sweet home
265
00:15:59,560 --> 00:16:02,040
It's only a saying
266
00:16:04,040 --> 00:16:07,040
From bell push to faucet
267
00:16:08,760 --> 00:16:12,360
In smart town apartment
268
00:16:13,560 --> 00:16:16,280
The cottage is pretty
269
00:16:18,320 --> 00:16:20,800
The main house a palace
270
00:16:23,040 --> 00:16:25,560
Penthouse perfection
271
00:16:25,560 --> 00:16:28,040
But what goes on?
272
00:16:28,040 --> 00:16:30,280
What to do there?
273
00:16:30,280 --> 00:16:32,360
Better pray...
274
00:16:32,360 --> 00:16:34,080
I love this tune.
275
00:16:35,120 --> 00:16:37,240
I love his hair there as well.
I know!
276
00:16:37,240 --> 00:16:40,800
It's very... It's kind of
'60s or '50s greaser.
277
00:16:40,800 --> 00:16:42,280
Yeah.
278
00:16:42,280 --> 00:16:45,560
And that jacket. It's so great.
279
00:16:46,680 --> 00:16:50,280
So, this is off the second album,
For Your Pleasure.
280
00:16:51,360 --> 00:16:56,080
And apparently this song is
a love story to a blow-up doll,
281
00:16:56,080 --> 00:16:59,800
but also about the emptiness
of modern life.
282
00:16:59,800 --> 00:17:02,600
I bought you mail order
283
00:17:04,600 --> 00:17:07,280
My plain wrapper baby
284
00:17:09,080 --> 00:17:11,800
Your skin is like vinyl
285
00:17:13,800 --> 00:17:16,600
The perfect companion
286
00:17:18,560 --> 00:17:21,080
You float in my new pool
287
00:17:23,320 --> 00:17:25,800
Deluxe and delightful
288
00:17:27,560 --> 00:17:30,280
Inflatable doll
289
00:17:32,560 --> 00:17:35,080
My role is to serve you
290
00:17:36,560 --> 00:17:39,560
Disposable darling
291
00:17:41,600 --> 00:17:44,280
Can't throw you away now
292
00:17:46,040 --> 00:17:49,080
Immortal and life size
293
00:17:51,040 --> 00:17:53,560
My breath is inside you
294
00:17:55,280 --> 00:17:58,040
I'll dress you up daily
295
00:18:00,280 --> 00:18:03,040
And keep you till death sighs
296
00:18:04,560 --> 00:18:07,600
Inflatable doll
297
00:18:09,640 --> 00:18:12,280
Lover ungrateful
298
00:18:14,080 --> 00:18:16,840
I blew up your body
299
00:18:20,600 --> 00:18:22,560
But you blew my mind
300
00:18:23,520 --> 00:18:25,600
GUITAR SOLO
301
00:18:34,080 --> 00:18:37,560
Oh, those heartaches
302
00:18:40,840 --> 00:18:44,560
Oh, those heartaches
303
00:18:47,600 --> 00:18:51,280
Dream home heartaches
304
00:18:54,600 --> 00:18:58,280
Oh, those heartaches
305
00:19:01,240 --> 00:19:05,080
Dream home heartaches
306
00:19:08,280 --> 00:19:12,040
Oh, those heartaches
307
00:19:15,040 --> 00:19:18,760
Dream home heartaches...
308
00:19:18,760 --> 00:19:21,000
Look, he's got a bigger
keyboard now.
309
00:19:21,960 --> 00:19:24,320
Oh, those heartaches...
310
00:19:24,320 --> 00:19:26,280
Look at that. That's amazing.
311
00:19:27,600 --> 00:19:30,280
And it was great that you could
do Virginia Plain
312
00:19:30,280 --> 00:19:32,280
and you could do stuff...
313
00:19:32,280 --> 00:19:34,560
..like this, which was...
314
00:19:34,560 --> 00:19:38,800
..very different. Very different
to what anybody else was doing.
315
00:19:39,840 --> 00:19:42,880
MUSIC: In Every Dream Home
a Heartache by Roxy Music
316
00:19:54,400 --> 00:19:56,640
There's a lot of characters
in Roxy Music.
317
00:19:56,640 --> 00:19:59,840
It was obviously going to come
to a point, which was a shame
318
00:19:59,840 --> 00:20:02,880
it came so soon after the second
album, that there was just
319
00:20:02,880 --> 00:20:06,040
too many personalities,
and Brian Eno left the band.
320
00:20:11,280 --> 00:20:14,120
I think the two Brians going
their separate ways
321
00:20:14,120 --> 00:20:16,440
because of the clashes
of their personality
322
00:20:16,440 --> 00:20:19,400
was quite difficult for
a lot of the other band members.
323
00:20:19,400 --> 00:20:21,880
I think they were really split
with their loyalty.
324
00:20:25,640 --> 00:20:30,400
I think Phil Manzanera secretly
had to record both albums
325
00:20:30,400 --> 00:20:33,640
he was recording -
Stranded in the day,
326
00:20:33,640 --> 00:20:36,680
and Brian Eno's album at night,
and they both didn't know.
327
00:20:42,600 --> 00:20:45,640
So, there are official reports
of why Brian Eno left the band
328
00:20:45,640 --> 00:20:49,080
and there seems to be... Everybody's
got a different angle, I've heard.
329
00:20:49,080 --> 00:20:51,760
Apparently they're still friends
though, now, the Brians,
330
00:20:51,760 --> 00:20:53,560
and do sometimes collaborate.
331
00:20:53,560 --> 00:20:57,760
On the third album, which was
the first album without Brian Eno,
332
00:20:57,760 --> 00:21:01,080
there was a fantastic track
called Street Life.
333
00:21:01,080 --> 00:21:05,120
Wish everybody would
leave me alone, yeah
334
00:21:05,120 --> 00:21:08,840
They're always calling
on my telephone
335
00:21:08,840 --> 00:21:12,080
When I pick it up
there's no-one there
336
00:21:12,080 --> 00:21:16,040
So I walk outside
just to take the air
337
00:21:17,120 --> 00:21:20,360
Come on with me
cruising down the street
338
00:21:20,360 --> 00:21:24,080
Who knows what you'll see,
who you might meet
339
00:21:24,080 --> 00:21:27,600
This brave new world's
not like yesterday
340
00:21:27,600 --> 00:21:32,120
It can take you higher
than the Milky Way
341
00:21:32,120 --> 00:21:35,400
Now I'm blinded
I can't really see, yeah
342
00:21:35,400 --> 00:21:39,320
No more bright lights
confusing me, no
343
00:21:39,320 --> 00:21:42,520
Don't ask me
why I'm feeling blue
344
00:21:42,520 --> 00:21:45,560
Cos loving you
345
00:21:45,560 --> 00:21:50,680
Is all I can do...
346
00:21:55,680 --> 00:22:00,360
So, this album, without Brian Eno,
went to Number 1 in the UK charts,
347
00:22:00,360 --> 00:22:04,520
and Street Life gave them
their first Top 5 hit as well.
348
00:22:04,520 --> 00:22:08,360
Hey, good-looking boys,
gather around
349
00:22:08,360 --> 00:22:12,040
The sidewalk papers
gutter-press you down
350
00:22:12,040 --> 00:22:15,360
All those lies can be so unkind
351
00:22:15,360 --> 00:22:19,600
They can make you feel
like you're losing your mind
352
00:22:19,600 --> 00:22:21,280
Street life
353
00:22:23,080 --> 00:22:25,160
Street life...
354
00:22:25,160 --> 00:22:29,120
I think... It seems to me that
Bryan Ferry just wanted to stand out
355
00:22:29,120 --> 00:22:33,880
and if he couldn't stand out
wearing, erm, sequins any more,
356
00:22:33,880 --> 00:22:36,840
he had to do the opposite,
and it's quite ironic that
357
00:22:36,840 --> 00:22:39,360
he stood out by just
putting on a suit.
358
00:22:39,360 --> 00:22:42,880
And he's a young man, and young men
didn't really wear suits then,
359
00:22:42,880 --> 00:22:45,040
especially white suits
with a bow tie,
360
00:22:45,040 --> 00:22:49,040
but again, it's simple,
but very glamorous and very sexy,
361
00:22:49,040 --> 00:22:52,160
so it's creating a whole new image.
362
00:22:53,200 --> 00:22:56,240
MUSIC: Street Life
by Roxy Music
363
00:23:07,600 --> 00:23:10,880
Back to nature boys,
Vassar girls too
364
00:23:10,880 --> 00:23:14,240
Watch what you say,
or think, or do
365
00:23:15,320 --> 00:23:18,160
Continental-style
strasse girls might
366
00:23:18,160 --> 00:23:22,040
But you know exactly
if it's wrong or right
367
00:23:22,040 --> 00:23:26,120
Education is an important key, yes
368
00:23:26,120 --> 00:23:30,120
But the good life's never won
by degrees, no
369
00:23:30,120 --> 00:23:33,160
Pointless passing through
Harvard or Yale
370
00:23:33,160 --> 00:23:37,080
Only window shopping
It's strictly no sale
371
00:23:37,080 --> 00:23:41,120
Weekend starts Friday
soon after eight
372
00:23:41,120 --> 00:23:44,760
Your jet black magic
helps you celebrate
373
00:23:44,760 --> 00:23:48,280
You may be stranded
if you stick around
374
00:23:48,280 --> 00:23:52,320
And that's really something.
375
00:23:52,320 --> 00:23:55,360
So what happened to Roxy
is that they went slightly out
376
00:23:55,360 --> 00:23:58,200
of the glam thing
and into this classic rock.
377
00:23:58,200 --> 00:24:00,880
Some of the songs are quite
traditional in that sense,
378
00:24:00,880 --> 00:24:03,360
when we get the third album
and then onwards.
379
00:24:03,360 --> 00:24:06,280
People seemed to be contributing
a little bit more,
380
00:24:06,280 --> 00:24:09,120
but they were stronger without
Brian Eno at that point.
381
00:24:09,120 --> 00:24:12,520
I think they would have exploded if
he ever decided to stay in the band.
382
00:24:12,520 --> 00:24:16,120
So after the third album, when they
were at the height of their success,
383
00:24:16,120 --> 00:24:18,960
Bryan Ferry decided to make
a solo album,
384
00:24:18,960 --> 00:24:22,040
which was a series of covers.
385
00:24:22,040 --> 00:24:25,200
One of the first singles I ever
went out and bought on my Jacksies
386
00:24:25,200 --> 00:24:27,440
was Bryan Ferry, Hard Rain.
387
00:24:27,440 --> 00:24:31,320
Oh, where have you been,
my blue-eyed son?
388
00:24:32,320 --> 00:24:35,560
Where have you been,
my darling young one?
389
00:24:38,560 --> 00:24:42,560
I've stumbled on the side
of 12 misty mountains
390
00:24:42,560 --> 00:24:46,680
Walked and I've crawled
on six crooked highways
391
00:24:46,680 --> 00:24:50,800
Stepped in the middle
of seven sad forests
392
00:24:50,800 --> 00:24:53,720
Been out in front of
a dozen dead oceans
393
00:24:53,720 --> 00:24:57,840
I've been 10,000 miles
in a mouth of a graveyard
394
00:24:57,840 --> 00:24:59,640
It's a hard
Hard
395
00:24:59,640 --> 00:25:05,640
And it's a hard
Hard
396
00:25:05,640 --> 00:25:10,040
And it's a hard rain's
a-gonna fall
397
00:25:10,040 --> 00:25:13,400
Fall
398
00:25:13,400 --> 00:25:16,600
And what did you hear,
my blue-eyed son?
399
00:25:17,640 --> 00:25:21,080
What did you hear,
my darling young one?
400
00:25:23,640 --> 00:25:27,840
I heard the sound of thunder
that roared out a warning
401
00:25:27,840 --> 00:25:31,640
Heard the roar of a wave
that could drown the whole world
402
00:25:31,640 --> 00:25:35,440
Heard 100 drummers
whose hands were a blazing
403
00:25:35,440 --> 00:25:39,160
Heard 10,000 whispering
and nobody listening
404
00:25:39,160 --> 00:25:42,800
Heard one person starve,
many people laughing
405
00:25:42,800 --> 00:25:46,880
Heard the song of a poet
who died in the gutter
406
00:25:46,880 --> 00:25:50,600
Heard the sound of a clown
who cried in the alley
407
00:25:50,600 --> 00:25:54,640
And it's a hard
Hard
408
00:25:54,640 --> 00:25:58,360
And it's a hard, hard, hard
Hard, hard
409
00:25:58,360 --> 00:26:02,880
And it's a hard rain's
a-gonna fall
410
00:26:02,880 --> 00:26:06,560
Fall
411
00:26:06,560 --> 00:26:10,640
Oh, what'll you do now,
my blue-eyed son...
412
00:26:10,640 --> 00:26:13,120
What it feels like,
it's just great, really,
413
00:26:13,120 --> 00:26:15,600
when you've got such
a defined sound as a band,
414
00:26:15,600 --> 00:26:18,160
that you can cover something
in your style.
415
00:26:18,160 --> 00:26:20,840
I think it's really cool,
because it ultimately shows
416
00:26:20,840 --> 00:26:23,640
a lot of respect, that you
don't try and, you know,
417
00:26:23,640 --> 00:26:26,880
match any of the instrumentation
or the stylistic approach,
418
00:26:26,880 --> 00:26:30,320
you just do your thing
but on an amazing song,
419
00:26:30,320 --> 00:26:32,760
so, yeah, this is such
a great version.
420
00:26:32,760 --> 00:26:36,560
Home in the valley
meets the damp, dirty prison
421
00:26:36,560 --> 00:26:39,840
Where the executioner's face
is always well hidden
422
00:26:39,840 --> 00:26:43,360
Where hunger is ugly,
where souls are forgotten
423
00:26:43,360 --> 00:26:47,080
Where black is the colour
and none is the number
424
00:26:47,080 --> 00:26:51,320
And I'll tell it and think it
and speak it and breathe it
425
00:26:51,320 --> 00:26:54,880
And reflect it from the mountains
so all souls can see it
426
00:26:54,880 --> 00:26:58,640
Then I'll stand in the ocean
until I start sinking
427
00:26:58,640 --> 00:27:02,080
But I'll know my song well
before I start singing
428
00:27:02,080 --> 00:27:04,080
And it's a hard
Hard
429
00:27:04,080 --> 00:27:06,120
It's a hard
Hard
430
00:27:06,120 --> 00:27:09,880
And it's a ha-ha-ha-ha-hard
Hard, hard
431
00:27:09,880 --> 00:27:14,600
And it's a hard rain's
a-gonna fall
432
00:27:14,600 --> 00:27:17,320
Fall
433
00:27:17,320 --> 00:27:21,320
And it's a hard
Hard
434
00:27:21,320 --> 00:27:25,200
And it's so hard, so, so hard
Hard, hard
435
00:27:25,200 --> 00:27:30,240
And it's a hard rain's
a-gonna fall.
436
00:27:34,480 --> 00:27:37,480
The solo albums kept coming,
437
00:27:37,480 --> 00:27:41,400
and Bryan Ferry kept going back
to these covers,
438
00:27:41,400 --> 00:27:45,000
and he would cover songs
by artists that were his heroes.
439
00:27:46,240 --> 00:27:50,160
They asked me how I knew
440
00:27:50,160 --> 00:27:55,240
My true love was true
441
00:27:55,680 --> 00:27:57,840
Oo-oo-oh
442
00:27:59,520 --> 00:28:00,520
I of course replied
443
00:28:02,880 --> 00:28:05,760
"Something here inside
444
00:28:07,320 --> 00:28:11,640
"Cannot be denied"
445
00:28:19,040 --> 00:28:22,840
They said someday you'll find
446
00:28:22,840 --> 00:28:26,880
All who love are blind
447
00:28:28,680 --> 00:28:31,480
Oo-oo-oh
448
00:28:31,480 --> 00:28:34,400
When your heart's on fire
449
00:28:35,680 --> 00:28:37,120
You must realise
450
00:28:39,200 --> 00:28:42,720
Smoke gets in your eyes...
451
00:28:42,720 --> 00:28:47,200
This is tongue-in-cheek,
I'm assuming.
452
00:28:48,680 --> 00:28:52,040
It's quite, like,
kind of arch and knowing, I feel,
453
00:28:52,040 --> 00:28:55,960
sending up that type of, um,
lounge cabaret,
454
00:28:55,960 --> 00:29:00,440
slightly cheesy music,
kind of Copacabana vibes.
455
00:29:00,440 --> 00:29:05,520
Yet today, my love has flown away
456
00:29:08,440 --> 00:29:13,560
I am without my love...
457
00:29:31,400 --> 00:29:34,080
It was harking back to
'50s crooners.
458
00:29:34,080 --> 00:29:36,600
It was harking back to
'40s film stars.
459
00:29:36,600 --> 00:29:39,720
Bryan Ferry, in his heart,
is Humphrey Bogart, I think.
460
00:29:39,720 --> 00:29:41,480
That's what he'd studied
at art school
461
00:29:41,480 --> 00:29:43,400
and that's what he wanted
to go with.
462
00:29:43,400 --> 00:29:46,640
He wanted that crooner idol thing.
463
00:29:50,360 --> 00:29:53,360
Now laughing friends deride
464
00:29:54,680 --> 00:29:57,920
Tears I cannot hide
465
00:29:59,040 --> 00:30:02,520
Oo-ooh
466
00:30:03,600 --> 00:30:05,680
So I smile and say
467
00:30:06,880 --> 00:30:10,240
"When a lovely flame dies
468
00:30:10,240 --> 00:30:15,280
"Smoke gets in your eyes."
470
00:30:22,800 --> 00:30:26,560
My entry point to Roxy Music was...
471
00:30:26,560 --> 00:30:30,600
..was the big record collection
that my uncle left in our basement
472
00:30:30,600 --> 00:30:33,680
when I was ten years old
as he went off travelling.
473
00:30:33,680 --> 00:30:38,000
And, yeah, so I think I found Siren
in there somewhere,
474
00:30:38,000 --> 00:30:39,120
flicking through them.
475
00:30:39,120 --> 00:30:40,800
That was the first one I heard.
476
00:30:47,440 --> 00:30:50,880
Love Is The Drug. Just look.
477
00:30:50,880 --> 00:30:53,000
That's the essence of cool
right there.
478
00:30:57,240 --> 00:30:59,720
There was a club called
the Crazy Daisy in Sheffield,
479
00:30:59,720 --> 00:31:03,520
and they would play
an interesting mix of music,
480
00:31:03,520 --> 00:31:04,760
but this was the anthem.
481
00:31:04,760 --> 00:31:06,880
And it was a really weird club.
482
00:31:06,880 --> 00:31:09,800
It had a kind of low roof,
and because I'm quite tall,
483
00:31:09,800 --> 00:31:11,920
I could only dance in one place
on the dance floor,
484
00:31:11,920 --> 00:31:14,320
because if I moved to the left
or right, I would cut my head.
485
00:31:14,320 --> 00:31:16,080
And in fact, that was where
486
00:31:16,080 --> 00:31:18,880
Phil Oakey met the two girls from
The Human League.
487
00:31:18,880 --> 00:31:21,200
And they were dancing exactly
like that.
488
00:31:21,200 --> 00:31:23,120
They were the kind of Roxy girls.
489
00:31:23,120 --> 00:31:26,080
T'ain't no big thing
490
00:31:26,080 --> 00:31:28,720
To wait for the bell to ring
491
00:31:30,760 --> 00:31:32,600
T'ain't no big thing
492
00:31:33,920 --> 00:31:35,800
The toll of the bell
493
00:31:38,560 --> 00:31:42,200
Aggravated, spare for days
494
00:31:42,200 --> 00:31:45,800
I troll downtown,
the red light place
495
00:31:45,800 --> 00:31:50,120
Jump up, bubble up,
what's in store?
496
00:31:50,120 --> 00:31:53,560
Love is the drug
and I need to score
497
00:31:53,560 --> 00:31:57,440
Showing out, showing out,
hit and run
498
00:31:57,440 --> 00:32:01,240
Boy meets girl
where the beat goes on
499
00:32:01,240 --> 00:32:05,080
Stitched up tight,
can't shake free
500
00:32:05,080 --> 00:32:09,240
Love is the drug, got a hook on me
501
00:32:09,240 --> 00:32:12,800
Oh, oh, catch that buzz
502
00:32:12,800 --> 00:32:17,560
Love is the drug I'm thinking of
503
00:32:17,560 --> 00:32:20,360
Oh, oh, can't you see?
504
00:32:20,360 --> 00:32:24,200
Love is the drug for me
505
00:32:24,200 --> 00:32:28,720
Oh...
506
00:32:30,080 --> 00:32:32,240
This is the song where apparently,
507
00:32:32,240 --> 00:32:34,240
everything was recorded apart from
the vocals.
508
00:32:34,240 --> 00:32:36,160
So the band didn't even know
what it was about
509
00:32:36,160 --> 00:32:39,200
until Bryan Ferry came in with
his lyrics and sang over the top.
510
00:32:39,200 --> 00:32:40,640
And I think increasingly,
511
00:32:40,640 --> 00:32:42,680
he would sing over the top
of the backing track,
512
00:32:42,680 --> 00:32:46,920
which is interesting in that they
weren't jamming or doing anything.
513
00:32:46,920 --> 00:32:49,160
They weren't fusing it,
it was quite separate.
514
00:32:50,320 --> 00:32:54,400
And this, again, is a song that
doesn't have a standout chorus,
515
00:32:54,400 --> 00:32:56,240
it's part of the verse.
516
00:32:56,240 --> 00:32:59,280
Lumber up, limbo down
517
00:32:59,280 --> 00:33:03,040
The locked embrace,
the stumble round...
518
00:33:03,960 --> 00:33:05,520
Why did he wear that patch?
519
00:33:05,520 --> 00:33:08,360
I mean, there was one rumour
that he was hit by a tennis ball.
520
00:33:08,360 --> 00:33:11,800
But he's done quite an un-slick
patch, because you've got the patch
521
00:33:11,800 --> 00:33:14,080
and then you've got cotton wool
hanging out,
522
00:33:14,080 --> 00:33:15,560
which is not as glamorous,
523
00:33:15,560 --> 00:33:17,720
but then I guess you've got
the safari suit
524
00:33:17,720 --> 00:33:20,400
and the moustache to go with it,
so it makes up for it.
525
00:33:27,440 --> 00:33:28,960
This is Let's Stick Together,
526
00:33:28,960 --> 00:33:31,320
and I can't believe Bryan's
really playing that mouth organ.
527
00:33:32,440 --> 00:33:34,320
Again, it's sometimes difficult
528
00:33:34,320 --> 00:33:36,920
to tell a Bryan Ferry solo
from Roxy Music,
529
00:33:36,920 --> 00:33:40,320
because they have
a very similar musical aesthetic
530
00:33:40,320 --> 00:33:42,440
from that '76 period onwards.
531
00:33:43,680 --> 00:33:47,680
And now the marriage vow
is very sacred
532
00:33:47,680 --> 00:33:50,160
The man has put us together now
533
00:33:50,160 --> 00:33:53,800
You ought to make it
stick together
534
00:33:53,800 --> 00:33:58,800
Come on, come on,
let's stick together
535
00:33:59,720 --> 00:34:04,760
You know, we made a vow
not to leave one another, never
536
00:34:07,520 --> 00:34:11,840
But now you never miss your water
till your well runs dry
537
00:34:11,840 --> 00:34:15,040
Come on now, baby,
give our love a try
538
00:34:15,040 --> 00:34:17,880
Let's stick together
539
00:34:17,880 --> 00:34:22,920
Come on, come on,
let's stick together
540
00:34:23,520 --> 00:34:28,520
You know, we made a vow not to
leave one another, never...
541
00:34:30,920 --> 00:34:35,040
This actually is a cover
of a 1962 soul classic,
542
00:34:35,040 --> 00:34:36,840
but what I like about this song
543
00:34:36,840 --> 00:34:39,440
and I like about a lot
of Bryan Ferry songs
544
00:34:39,440 --> 00:34:42,120
is the fact that the lyrics
are so honest.
545
00:34:42,120 --> 00:34:46,360
You feel his pain. He's really good
at conveying emotion.
546
00:34:46,360 --> 00:34:49,120
"We made a vow not to leave
one another."
547
00:34:49,120 --> 00:34:51,680
I mean, could we not all say that,
you know?
548
00:34:51,680 --> 00:34:55,720
"You made a vow! Stick to it.
Let's stick together".
549
00:34:55,720 --> 00:34:59,800
Well, if you're stuck for a while,
consider our child
550
00:34:59,800 --> 00:35:03,400
How can it be happy
without its ma and pa?
551
00:35:03,400 --> 00:35:06,080
Let's stick together
552
00:35:06,080 --> 00:35:09,280
Come on, come on,
let's stick together
553
00:35:11,600 --> 00:35:15,160
You know we made a vow
not to leave one...
554
00:35:15,160 --> 00:35:16,840
And there she is.
555
00:35:16,840 --> 00:35:18,840
There's Jerry Hall.
556
00:35:22,560 --> 00:35:26,800
That's unbelievable, isn't it?
How cool is this video?
557
00:35:26,800 --> 00:35:29,080
Yep.
558
00:35:29,080 --> 00:35:30,600
I mean, he's always had...
559
00:35:31,880 --> 00:35:35,520
..quite attractive females
around him, hasn't he, Bryan?
560
00:35:35,520 --> 00:35:38,520
Which is not surprising, because
he's a very good looking guy.
561
00:35:43,240 --> 00:35:45,440
I'm not sure about the moustache,
there, Bryan,
562
00:35:45,440 --> 00:35:46,680
but it's almost working.
563
00:35:48,800 --> 00:35:51,480
And also,
if I'm to be brutally honest,
564
00:35:51,480 --> 00:35:54,280
his dancing always left
a little something to be desired.
565
00:35:55,480 --> 00:36:00,160
But other than that,
he styles it out very well indeed.
566
00:36:00,160 --> 00:36:05,200
You know, we made a vow not
to leave one another, never.
567
00:36:14,720 --> 00:36:18,120
Bryan Ferry loved his covers,
but also,
568
00:36:18,120 --> 00:36:20,440
he liked to be inspired
by different things,
569
00:36:20,440 --> 00:36:23,000
and this song is original music
of his
570
00:36:23,000 --> 00:36:26,120
and it was inspired
by his former art teacher.
571
00:36:27,760 --> 00:36:32,000
He looks kind of a little bit Miami
Vice or something, with the shades.
572
00:36:32,000 --> 00:36:35,600
It's very laid-back, isn't it?
573
00:36:35,600 --> 00:36:37,640
He's just always cool.
574
00:36:38,640 --> 00:36:43,680
Layin' in my hotel bedroom,
feelin' ceilin' blues
575
00:36:46,360 --> 00:36:51,360
Wall to wall a TV's twitchin',
clearly not a muse
576
00:36:54,400 --> 00:36:59,440
Then flashin' through the
interference beams a thousand tunes
577
00:37:02,480 --> 00:37:07,520
This is tomorrow callin',
what have I to lose?
578
00:37:12,880 --> 00:37:17,160
I'm not sure why Bryan Ferry goes
off and he does the solo career.
579
00:37:17,160 --> 00:37:20,000
It may be that he just felt
he needed to strike out
580
00:37:20,000 --> 00:37:21,560
and be 100% Bryan Ferry
581
00:37:21,560 --> 00:37:25,200
rather than 95% Bryan Ferry and a
bit of Roxy Music in the background.
582
00:37:25,200 --> 00:37:26,680
But again, it's his vision.
583
00:37:26,680 --> 00:37:29,120
You can see how fastidious he was.
584
00:37:29,120 --> 00:37:31,520
The cover art was important
with Roxy Music,
585
00:37:31,520 --> 00:37:33,960
and he continues that theme.
586
00:37:33,960 --> 00:37:36,800
You could easily mistake
a Bryan Ferry later record
587
00:37:36,800 --> 00:37:38,400
for a Roxy Music record.
588
00:37:38,400 --> 00:37:41,920
They're not musically that different
when we get to that late '70s.
589
00:37:44,400 --> 00:37:49,440
When steamin' through on cue
I hear that wailin' whistle blow
590
00:37:52,560 --> 00:37:57,600
If this is tomorrow callin',
oh, what a way to go
591
00:38:32,400 --> 00:38:37,400
Day to day you live
old-fashioned, hi-toned, fancy free
592
00:38:39,640 --> 00:38:44,680
A double take, an image-spittin',
tailored to a T
593
00:38:46,240 --> 00:38:51,240
While history is tellin' you
the same old thing
594
00:38:55,400 --> 00:39:00,400
This is tomorrow callin',
let's stick a new oar in
595
00:39:03,160 --> 00:39:08,160
This is tomorrow callin' y'all
and come on in
596
00:39:11,720 --> 00:39:14,080
Oooh.
597
00:39:15,480 --> 00:39:19,280
The whole of Glasgow liked
commercial Roxy Music.
598
00:39:19,280 --> 00:39:23,120
The Roxy Music we were talking about
in the beginning was, like,
599
00:39:23,120 --> 00:39:27,880
you know, really out there, like
In Every Dream Home A Heartache
600
00:39:27,880 --> 00:39:29,960
and stuff like that, and Ladytron.
601
00:39:29,960 --> 00:39:33,200
Those were weird, out there records.
602
00:39:33,200 --> 00:39:35,560
But by the time they got
to Dance Away,
603
00:39:35,560 --> 00:39:36,960
the whole of Glasgow
604
00:39:36,960 --> 00:39:40,800
and probably the whole of Manchester
liked Roxy Music. Mmm.
605
00:39:48,840 --> 00:39:50,240
Yesterday
606
00:39:51,400 --> 00:39:54,000
Well, it seemed so cool
607
00:39:55,400 --> 00:40:00,120
When I walked you home,
kissed goodnight
608
00:40:00,120 --> 00:40:03,440
I said, "It's love,"
you said, "All right"
609
00:40:03,440 --> 00:40:05,440
It's funny how
610
00:40:07,040 --> 00:40:10,360
I could never cry
611
00:40:11,720 --> 00:40:15,160
Until tonight and you pass by
612
00:40:15,160 --> 00:40:19,120
Hand in hand with another guy
613
00:40:19,120 --> 00:40:23,960
You're dressed to kill
and guess who's dying?
614
00:40:23,960 --> 00:40:26,760
Dance away the heartache
615
00:40:26,760 --> 00:40:29,480
Dance away the tears
616
00:40:31,200 --> 00:40:34,120
Dance away the heartache
617
00:40:34,120 --> 00:40:38,120
Dance away the fear...
618
00:40:38,120 --> 00:40:43,160
I mean, this song is definitely
slicker and more sophisticated.
619
00:40:43,480 --> 00:40:48,360
He had such a sort of way about him,
just the way he carried himself,
620
00:40:48,360 --> 00:40:52,560
the voice, even the slightly
kind of over-affected performance.
621
00:40:52,560 --> 00:40:54,240
Turned to stone
622
00:40:54,240 --> 00:40:57,960
All together, all alone
623
00:40:57,960 --> 00:41:00,160
All at once
624
00:41:01,640 --> 00:41:04,320
My whole world had changed
625
00:41:05,880 --> 00:41:09,440
Now I'm in the dark, off the wall
626
00:41:10,360 --> 00:41:13,960
Let the strobe light up them all
627
00:41:13,960 --> 00:41:18,240
I close my eyes
and dance till dawn
628
00:41:18,240 --> 00:41:21,760
Dance away the heartache
629
00:41:21,760 --> 00:41:24,240
Dance away the tears
630
00:41:26,120 --> 00:41:29,480
Dance away the heartache
631
00:41:29,480 --> 00:41:32,040
Dance away the fear
632
00:41:33,400 --> 00:41:35,680
Dance away
633
00:41:37,280 --> 00:41:39,360
Dance away
634
00:41:41,120 --> 00:41:43,880
Dance away
635
00:41:56,240 --> 00:41:58,680
Now I know
636
00:41:59,840 --> 00:42:02,280
I must walk the line
637
00:42:04,320 --> 00:42:08,680
Until I find an open door
638
00:42:08,680 --> 00:42:11,880
Off the street, onto the floor
639
00:42:11,880 --> 00:42:14,040
There was I
640
00:42:15,480 --> 00:42:17,760
Many times a fool
641
00:42:19,720 --> 00:42:23,000
I hope and pray, but not too much
642
00:42:24,240 --> 00:42:27,320
Out of reach is out of touch
643
00:42:28,320 --> 00:42:32,160
All the way is far enough
644
00:42:32,160 --> 00:42:35,600
Dance away the heartache
645
00:42:35,600 --> 00:42:38,440
Dance away the tears...
646
00:42:38,440 --> 00:42:42,680
There isn't one member, apart from
Phil Manzanera, of Roxy Music
647
00:42:42,680 --> 00:42:45,120
that wasn't brought up
in a working-class household.
648
00:42:45,120 --> 00:42:48,360
So, something about this playing
with the idea of aspiration
649
00:42:48,360 --> 00:42:50,680
and elevation and another world
650
00:42:50,680 --> 00:42:53,480
is very close to them,
and they lived it.
651
00:42:53,480 --> 00:42:55,840
And, you know, they did go on
and marry supermodels
652
00:42:55,840 --> 00:42:57,560
and have incredibly posh children.
653
00:42:57,560 --> 00:42:59,360
So they did it in some form.
654
00:42:59,360 --> 00:43:01,000
They really understood that
655
00:43:01,000 --> 00:43:04,320
and it was what Bowie understood
and what pop music can do.
656
00:43:10,960 --> 00:43:14,480
Oh, angel eyes
657
00:43:16,760 --> 00:43:21,760
Am I deceived or did you sigh?
658
00:43:23,560 --> 00:43:28,560
For all I know,
you let your love light
659
00:43:29,600 --> 00:43:31,520
Shine on me
660
00:43:39,920 --> 00:43:43,920
Oh, angel eyes
661
00:43:45,880 --> 00:43:50,840
You never close,
who's got the time?
662
00:43:53,160 --> 00:43:58,120
Well, I can wait
until your love light
663
00:43:58,480 --> 00:44:03,560
Shine on me...
664
00:44:05,840 --> 00:44:09,360
Roxy, sounding slicker,
late '70s, '80s,
665
00:44:09,360 --> 00:44:11,840
is a progression of just the form,
666
00:44:11,840 --> 00:44:15,360
is getting more and more polished,
like a pebble,
667
00:44:15,360 --> 00:44:20,000
and becomes something without edge,
which happens to most bands, really.
668
00:44:20,000 --> 00:44:21,440
It's very hard to get
that edge back.
669
00:44:21,440 --> 00:44:23,680
Maybe it's that natural inclination
670
00:44:23,680 --> 00:44:26,720
to smooth everything over.
Production values go up.
671
00:44:26,720 --> 00:44:30,360
Oh, angel eyes
672
00:44:32,800 --> 00:44:37,840
On the wing and open wide
673
00:44:39,800 --> 00:44:44,600
No matter now how high the moon
674
00:44:44,600 --> 00:44:48,280
Shine down on me...
675
00:44:54,960 --> 00:44:57,000
He could be really tender, you know.
676
00:44:57,000 --> 00:45:00,600
I love the way he was really
kind of tender with his vocal,
677
00:45:00,600 --> 00:45:03,880
as well as kind of theatrical
and slightly, you know,
678
00:45:03,880 --> 00:45:05,920
absurd and surreal at times.
679
00:45:13,320 --> 00:45:16,520
Some expression in your eyes
680
00:45:20,400 --> 00:45:23,560
Overtook me by surprise
681
00:45:26,360 --> 00:45:31,480
Where was I, how was I to know?
682
00:45:33,000 --> 00:45:35,880
Oh-oh
683
00:45:35,880 --> 00:45:41,000
How can we drive to a movie show
684
00:45:42,840 --> 00:45:47,400
When the music is here in my car?
685
00:45:50,000 --> 00:45:54,880
There's a band playing
on the radio
686
00:45:56,640 --> 00:46:01,240
With a rhythm of rhyming guitars
687
00:46:03,600 --> 00:46:08,680
They're playing Oh Yeah
on the radio, oh...
688
00:46:10,440 --> 00:46:13,760
It's so interesting how you see,
like,
689
00:46:13,760 --> 00:46:17,080
some bands kind of start off subtle
and get more and more crazy,
690
00:46:17,080 --> 00:46:18,720
and he's gone the other way.
691
00:46:21,800 --> 00:46:23,520
It's so easy to become
a cliche of yourself
692
00:46:23,520 --> 00:46:25,800
when everyone else is emulating you.
693
00:46:25,800 --> 00:46:28,960
Songwriting was his ultimate talent,
694
00:46:28,960 --> 00:46:31,720
and his ballads and the way
he could hook you in.
695
00:46:31,720 --> 00:46:35,560
It's some time since we said
goodbye
696
00:46:39,200 --> 00:46:42,680
And now we lead our separate lives
697
00:46:45,200 --> 00:46:50,280
But where am I, where can I go?
698
00:46:51,960 --> 00:46:54,200
Oh-oh
699
00:46:55,440 --> 00:47:00,240
Driving alone to a movie show
700
00:47:01,880 --> 00:47:06,320
So I turn to the sounds in my car
701
00:47:09,000 --> 00:47:13,920
There's a band playing
on the radio
702
00:47:15,760 --> 00:47:20,440
With a rhythm of rhyming guitars
703
00:47:22,600 --> 00:47:27,640
There's a band playing
on the radio
704
00:47:29,560 --> 00:47:33,560
And it's drowning the sound
of my tears
705
00:47:36,640 --> 00:47:41,640
They're playing Oh Yeah
on the radio
706
00:47:41,720 --> 00:47:44,960
Oh-oh-oh
707
00:47:48,400 --> 00:47:51,040
Oh-oh-oh...
708
00:47:51,040 --> 00:47:55,760
I think it always is inspiring
when you're a big fan of an artist
709
00:47:55,760 --> 00:47:58,400
or a band and you realise
where they've come from
710
00:47:58,400 --> 00:48:00,640
or what they've gone through
711
00:48:00,640 --> 00:48:04,240
or the changes that have happened
around them.
712
00:48:04,240 --> 00:48:07,640
And I think for me, it just shows
freedom of expression.
713
00:48:07,640 --> 00:48:10,800
It goes back to that art school
kind of beginning
714
00:48:10,800 --> 00:48:13,400
where you're not closed off
to anything.
715
00:48:14,600 --> 00:48:17,120
Now the party's over
716
00:48:17,120 --> 00:48:20,320
I'm so tired
717
00:48:21,640 --> 00:48:23,960
Then I see you coming
718
00:48:25,160 --> 00:48:27,280
Out of nowhere
719
00:48:28,720 --> 00:48:33,720
Much communication in a motion
720
00:48:35,600 --> 00:48:40,640
Without conversation or a notion
721
00:48:47,480 --> 00:48:49,200
Avalon
722
00:48:53,000 --> 00:48:55,440
Ooh
723
00:48:58,440 --> 00:49:01,000
When the samba takes you
724
00:49:02,080 --> 00:49:04,280
Out of nowhere
725
00:49:05,680 --> 00:49:08,440
And the background's fading
726
00:49:08,440 --> 00:49:11,080
Out of focus
727
00:49:12,480 --> 00:49:14,720
Yes, the picture's changing
728
00:49:15,920 --> 00:49:18,080
Every moment
729
00:49:19,480 --> 00:49:22,280
And your destination
730
00:49:22,280 --> 00:49:25,000
You don't know it
731
00:49:31,400 --> 00:49:34,160
Avalon
732
00:49:47,720 --> 00:49:51,400
Ooh, ooh
733
00:49:55,160 --> 00:49:58,200
Dancing, dancing
734
00:50:02,400 --> 00:50:05,640
Dancing, dancing
735
00:50:10,320 --> 00:50:12,760
When you bossa nova
736
00:50:13,880 --> 00:50:16,160
There's no holding
737
00:50:17,360 --> 00:50:19,800
Would you have me dancing
738
00:50:20,760 --> 00:50:22,600
Out of nowhere?
739
00:50:29,560 --> 00:50:31,280
Avalon...
740
00:50:34,160 --> 00:50:39,200
Again, just a brilliant, fantastic
tune, so effortlessly cool.
741
00:50:40,040 --> 00:50:43,520
No matter what happens with the band
with Roxy,
742
00:50:43,520 --> 00:50:47,520
because the members
seem to change almost weekly,
743
00:50:47,520 --> 00:50:50,280
you know, they were in,
they were out.
744
00:50:50,280 --> 00:50:55,320
But the music always hit
the same level. Didn't ever falter.
745
00:50:56,040 --> 00:50:57,440
Avalon
746
00:50:57,440 --> 00:51:01,200
Ooh, ooh...
747
00:51:06,680 --> 00:51:11,240
And of course, there's that kind of
iconic vocal at the end,
748
00:51:11,240 --> 00:51:15,000
which, as far as I'm aware,
happened quite by happenstance
749
00:51:15,000 --> 00:51:17,720
when Bryan Ferry was in
a recording studio in New York
750
00:51:17,720 --> 00:51:21,920
and heard this kind of celestial
voice from the next booth
751
00:51:21,920 --> 00:51:25,520
or from a booth that was close by,
and went in to investigate
752
00:51:25,520 --> 00:51:27,320
and found, I think, a pretty...
753
00:51:27,320 --> 00:51:30,600
..I don't know that she was
a very well known Haitian singer,
754
00:51:30,600 --> 00:51:34,640
and just asked her if she would do
a guest vocal on the track.
755
00:51:34,640 --> 00:51:38,440
It was recorded in one take
and it made it onto this huge hit.
756
00:51:38,440 --> 00:51:39,880
Avalon
757
00:51:39,880 --> 00:51:43,440
Ooh
758
00:51:43,440 --> 00:51:46,280
Avalon...
759
00:51:52,880 --> 00:51:54,920
To me, it seems like
it was all-conquering.
760
00:51:54,920 --> 00:51:57,520
I feel like when I was very little,
it was everywhere.
761
00:51:57,520 --> 00:52:01,160
And, yeah, to me,
this is Roxy Music.
762
00:52:01,160 --> 00:52:04,560
This is my association
and memory of them.
763
00:52:04,560 --> 00:52:07,400
I could feel at the time
764
00:52:07,400 --> 00:52:11,560
There was no way of knowing
765
00:52:11,560 --> 00:52:15,400
Fallen leaves in the night
766
00:52:15,400 --> 00:52:19,160
Who can say where they're blowing?
767
00:52:19,160 --> 00:52:23,560
As free as the wind
768
00:52:23,560 --> 00:52:26,480
And hopefully learning
769
00:52:26,480 --> 00:52:30,720
Why the sea on the tide
770
00:52:30,720 --> 00:52:34,440
Has no way of turning
771
00:52:37,640 --> 00:52:39,840
More than this
772
00:52:41,120 --> 00:52:45,000
You know there's nothing
773
00:52:45,000 --> 00:52:46,920
More than this
774
00:52:48,240 --> 00:52:52,680
Tell me one thing
775
00:52:52,680 --> 00:52:54,160
More than this
776
00:52:56,560 --> 00:52:59,840
Ooh, there's nothing
777
00:53:07,680 --> 00:53:11,120
It was fun for a while
778
00:53:11,120 --> 00:53:14,840
There was no way of knowing
779
00:53:14,840 --> 00:53:18,560
Like a dream in the night
780
00:53:18,560 --> 00:53:22,600
Who can say where we're going?
781
00:53:22,600 --> 00:53:25,640
No care in the world
782
00:53:27,360 --> 00:53:29,480
Maybe I'm learning
783
00:53:29,480 --> 00:53:34,320
Why the sea on the tide
784
00:53:34,320 --> 00:53:37,800
Has no way of turning
785
00:53:41,080 --> 00:53:43,080
More than this
786
00:53:44,800 --> 00:53:48,520
You know there's nothing
787
00:53:48,520 --> 00:53:50,960
More than this...
788
00:53:50,960 --> 00:53:54,760
This actually seems
less ironic to me
789
00:53:54,760 --> 00:53:59,760
than some of the earlier
kind of playing with,
790
00:54:00,080 --> 00:54:02,200
um, that kind of,
791
00:54:02,200 --> 00:54:05,680
I guess, kind of cabaret-type
singer look.
792
00:54:05,680 --> 00:54:10,680
This actually seems more genuine.
Like, this is what they are.
793
00:54:15,680 --> 00:54:18,040
Nothing
794
00:54:18,040 --> 00:54:20,280
More than this
795
00:54:26,120 --> 00:54:27,800
More than this...
796
00:54:27,800 --> 00:54:29,600
I think they're
enormously influential,
797
00:54:29,600 --> 00:54:31,520
and I don't think that will stop.
798
00:54:31,520 --> 00:54:33,880
There is something
about that concoction.
799
00:54:33,880 --> 00:54:36,240
They are a concoction
and a confection
800
00:54:36,240 --> 00:54:38,120
that people really adhere to.
801
00:54:38,120 --> 00:54:39,920
And musically,
they're so interesting
802
00:54:39,920 --> 00:54:42,800
that musicians will be listening
to them in ten years' time.
803
00:54:42,800 --> 00:54:47,080
Roxy Music will have
an everlasting legacy for me.
804
00:54:47,080 --> 00:54:50,520
Yes, they had style, but more
importantly, they had substance,
805
00:54:50,520 --> 00:54:53,760
and I think they will live on
for ever and ever.
806
00:54:58,560 --> 00:55:01,280
I'm in with the in crowd
807
00:55:02,400 --> 00:55:05,480
I go where the in crowd goes
808
00:55:06,200 --> 00:55:08,640
I'm in with the in crowd
809
00:55:09,560 --> 00:55:12,600
And I know what the in crowd knows
810
00:55:12,600 --> 00:55:14,440
How to have fun
811
00:55:14,440 --> 00:55:17,040
Any time of the year,
don't you hear?
812
00:55:17,040 --> 00:55:19,200
How to have fun
813
00:55:19,200 --> 00:55:21,480
Dressin' fine, makin' time
814
00:55:23,280 --> 00:55:25,400
We breeze up and down the street
815
00:55:26,760 --> 00:55:30,080
We get respect from the people
we meet
816
00:55:30,080 --> 00:55:32,840
They make way, day or night
817
00:55:34,000 --> 00:55:38,640
They know the in crowd
is out of sight
818
00:55:48,240 --> 00:55:50,280
I'm in with the in crowd
819
00:55:51,440 --> 00:55:55,080
I know every latest dance
820
00:55:55,080 --> 00:55:58,480
When you're in with the in crowd
821
00:55:58,480 --> 00:56:01,680
It's easy to find romance
822
00:56:01,680 --> 00:56:04,160
And we work out
823
00:56:04,160 --> 00:56:06,520
At a spot where the beat's
really hot
824
00:56:06,520 --> 00:56:09,320
And we work out
825
00:56:09,320 --> 00:56:11,600
If it's square, we ain't there
826
00:56:11,600 --> 00:56:15,200
We make every minute count
827
00:56:15,200 --> 00:56:18,880
Our share is always
the biggest amount
828
00:56:19,840 --> 00:56:22,760
Other guys imitate us
829
00:56:22,760 --> 00:56:27,760
But the original's
still the greatest
830
00:56:31,640 --> 00:56:34,400
We got our own way of walkin'
831
00:56:39,600 --> 00:56:42,200
We got our own way of talkin'
832
00:56:43,800 --> 00:56:46,040
Gotta have fun
833
00:56:46,040 --> 00:56:48,440
Any time of the year,
don't you hear?
834
00:56:48,440 --> 00:56:51,600
Gotta have fun
835
00:56:51,600 --> 00:56:54,000
Spendin' cash, talkin' trash
836
00:56:54,000 --> 00:56:56,800
Girl, I'll show you
a real good time
837
00:56:58,160 --> 00:57:00,880
Come on with me and leave
your troubles behind
838
00:57:02,000 --> 00:57:04,600
I don't care where you've been
839
00:57:05,800 --> 00:57:08,920
You ain't been nowhere
till you been in
840
00:57:11,440 --> 00:57:13,560
With the in crowd
841
00:57:18,040 --> 00:57:19,920
With the in crowd.
842
00:58:07,640 --> 00:58:09,560
CHEERING AND APPLAUSE
63509
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