Original subtitles

[ JAMES BLAKE'S "TIMELESS" PLAYS ]

♪♪

♪♪

♪ TIMELESS ♪

♪ TIMELESS ♪

[ VOCALIZING ]

♪ TIMELESS ♪

[ VOCALIZING ]

♪ I CAN'T BE SELFLESS ♪

♪ I'M ACTING MY AGE ♪

♪ YOU KNOW YOU SLIDE OUT ♪

♪ WHEN YOU SLIDE IN WITH GRACEFUL SHADOW ♪

♪ YOU KNOW YOU SLIDE OUT ♪

♪ WHEN YOU SLIDE IN WITH GRACEFUL SHADOW ♪

♪♪

♪♪

♪ TIMELESS ♪

♪ TIMELESS ♪

♪♪

♪♪

♪♪

♪♪

♪♪

-YOU DON'T HAVE TO LEAVE. -YOU DON'T HAVE TO LEAVE.

♪ TIMELESS ♪

-I'LL CALL YOU SOON. -I'LL CALL YOU SOON.

♪♪

♪♪

♪♪

♪♪

GENTLY JAMES.

♪♪

YOU HAVE MY ADDRESS, RIGHT?

-YES. -IN WEST ADAMS?

Gently: YES. WEST ADAMS.

OKAY.

♪♪

♪♪

♪♪

♪♪

[ SADE'S "CHERISH THE DAY" PLAYS ]

♪♪

♪♪

♪ YOU SHOW ME HOW DEEP LOVE CAN BE ♪

-- Captions by VITAC -- www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

♪♪

♪♪

♪ THIS IS MY PRAYER ♪

♪ I CHERISH THE DAY ♪

♪♪

♪ WHO KNEW THAT LOVE COULD BE FOR ME? ♪

WELL, THANK YOU, MA'AM.

MM-HMM. SO, WHAT YOU FEEL LIKE

FOR DINNER TONIGHT, MISS LUMA?

OH, A BIG LUNCH TODAY.

CARDS WITH JEANNE AND FRANCIS TONIGHT.

RIGHT.

ONE OF THEM BIG BOWLS OF SALAD

THAT YOU MAKE ALL THE TIME

WITH MEAT THAT REALLY IS NOT MEAT, BUT TASTES LIKE MEAT.

YOU KNOW, I'M SURPRISED YOU LIKE THOSE SO MUCH.

ME TOO.

I MEAN, IT TASTES LIKE MEAT.

I MEAN, IT REALLY TASTES LIKE MEAT.

I KNOW. IT'S SCARY GOOD.

DON'T TELL ME WHAT IT'S MADE OF. I DON'T WANT TO KNOW.

JUST SMOTHER IT WITH HOT SAUCE.

YOU KNOW HOW I LIKE IT.

I DO. YOU LIKE A BOWL OF HOT SAUCE FOR LUNCH

WITH JUST A LITTLE BIT OF SALAD IN IT.

OH, JOKES TODAY, I SEE.

[ LAUGHS ]

I'LL TURN YOU OVER, YOUNG LADY.

I DON'T WANT THAT, MISS LUMA.

I DON'T WANT NONE.

[ CHUCKLES ]

♪♪

-SO, HOW WAS THE WEEK? -SAME.

COME ON. YOU CAN DO BETTER THAN THAT.

LIKE, HOW DID YOU DO ON THAT ALGEBRA TEST?

YOU ALREADY KNOW.

HEY.

[ BOTH CHUCKLE ]

HOW ARE THINGS AT HOME?

I JUST AM COMING TO ACCEPT IT AND BE LIKE, "WHATEVER."

I CAN'T PLEASE HER, AND TRYING DOESN'T MATTER.

UNH-UNH, TRYING ALWAYS MATTERS.

NOTHING BEATS A FAILURE BUT A TRY.

BUT A TRY. I KNOW.

THANK YOU. AND, AGAIN, IT'S NOT ALL THAT BAD.

I MEAN, SHE LET YOU GO TO THIS LECTURE,

AND SHE'S OFF TO CHURCH WITHOUT YOU.

I MEAN, I'M ACTUALLY SHOCKED.

[ CHUCKLES ]

SHE'S PROBABLY IN HER CAR PRAYING FOR US RIGHT NOW.

SHE DEFINITELY IS.

YOUR MAMA'S ALWAYS BEEN PARANOID. I'M THE CHILL ONE.

ANCIENT EGYPTIAN RELIGION LIVES AGAIN WITHIN KEMETIC ORTHODOXY,

THE CURRENT-DAY PRACTICE OF THE TRADITIONAL SPIRITUALITY

OF KEMET, KNOWN TODAY AS EGYPT.

THIS MOST ANCIENT TRADITION IS HONORED ANEW

BY PEOPLE ALL AROUND THE GLOBE,

RETURNING THE PRINCIPLES AND BELIEFS OF MA'AT TO A NEW WORLD.

Librarian: ALL YOU HAD TO DO WAS TO RENEW THEM

BEFORE THE DUE DATE EXPIRED, RIGHT?

OKAY, BUT THERE'S NO WAY I'M PAYING $200

FOR ANYTHING IN THE LOS ANGELES PUBLIC LIBRARY.

I JUST FEEL LIKE --

BUT YOU DID, SO HERE WE ARE.

WHAT IS GOING ON?

-THIS IS WHERE WE ARE, RIGHT? -OKAY.

I DON'T KNOW. I'M LIKING THE VIEW.

-OKAY? -IT'S TOO MUCH MONEY.

IT'S NOT -- WELL, THAT'S NOT MY PROBLEM.

HOW LONG YOU BEEN HERE?

FEELS LIKE A HALF AN HOUR AT LEAST.

[ SIGHS ]

I NEED YOU TO PAY THE FINE SO WE CAN MOVE ON.

WE GOT PEOPLE IN LINE.

LOOK, I FEEL LIKE THE PART YOU'RE NOT UNDERSTANDING

IS THIS ISN'T A NEGOTIATION. THIS IS HAPPENING.

YOU ARE NOT GONNA STAND HERE AND TELL ME

WHAT IS GOING TO HAPPEN.

YOU ARE NOT GOING TO TELL ME WHAT TO DO.

YOU'RE TURNING IN BOOKS THAT ARE OVER A YEAR PAST DUE.

FINES ARE THE CONSEQUENCES, AND THAT'S THAT.

YOU'RE RIGHT. I'M NOT GONNA STAND HERE

AND TELL YOU WHAT YOU'RE ABOUT TO DO.

I'M-A TELL YOU WHAT YOU I'M ABOUT TO DO,

AND THAT'S STAND HERE, PLANTED UNTIL --

UH, EXCUSE ME, EXCUSE ME.

LADIES, CAN WE TABLE THIS CONVERSATION

WHILE THE REST OF US IN LINE HANDLE OUR BOOK BUSINESS?

WE DON'T WANT NO PROBLEMS.

WE JUST WANT TO READ.

THEY SAY IT'S FUNDAMENTAL.

OKAY, LOOK, I-I-I HAVE A YOUNG LADY, MY NIECE,

AND SHE'S IN THE EGYPTIAN'S KEMETIC CLASS,

AND IT'S ABOUT TO END IN 6 TO 7 MINUTES,

AND THIS LOOKS LIKE

A 12-TO-13-MINUTE KIND OF CONVERSATION.

SO CAN YOU HELP A BROTHER OUT?

WELL, I HAVE AN OLD LADY, MY BOSS,

SHE WANTS ME BACK A.S.A.P., SO SORRY.

I CAN'T HELP.

AND I'M NOT TRYING TO DISRESPECT YOU,

AND I'M REALLY SORRY TO PUSH,

BUT MISS LUMA TOLD ME SHE NEEDED THIS HANDLED TODAY,

AND I'M THE ONLY PERSON THAT CAN HANDLE IT.

NOW, SHE WANTS ME BACK IN 15 MINUTES.

THERE'S, LIKE, 20 MINUTES' WORTH OF PEOPLE IN THIS LINE.

HALF OF THESE PEOPLE PROBABLY AIN'T EVEN GOT

A LIBRARY CARD.

YOU'RE RIGHT. I DON'T HAVE A LIBRARY CARD,

BUT I ALSO DON'T HAVE 20 MINUTES TO WAIT FOR THAT LINE TO MOVE

AFTER THE 20 MINUTES YOU TWO ARE GONNA TAKE BATTLING IT OUT

FOR, UH, MISS, UM...?

LUMA. LUMA LANGSTON.

OH... LUMA LANGSTON?

YOU KNOW HER?

I MEAN, I-I-I KNOW OF HER.

MY -- MY GRANDDAD USED TO WATCH ALL HER FILMS.

HAVE YOU SEEN THEM?

I WOULDN'T SAY I'VE SEEN THEM ALL,

BUT I DID SEE "DIAMOND OF DIXIE."

THAT'S A GOOD ONE. [ CHUCKLES ]

[ CHUCKLING ] YEAH.

UH, UM, MY GRANDDAD USED TO ALWAYS SAY

THAT MISS LUMA LANGSTON WAS THE REAL "DIAMOND OF DIXIE,"

AND NOT THAT WHITE LADY SHE PLAYED THE MAID FOR.

-YEAH. -YEAH.

YOUR GRANDDAD WAS RIGHT.

UM...

ANYWAY, UM, THESE ARE HER BOOKS.

YOU KNOW, SHE'S READING A LOT SLOWER NOWADAYS.

SO SHE'S DONE WITH THESE, SHE WANTS TO TURN THEM IN,

GET MORE BOOKS,

AND I'M NOT LEAVING HERE TILL YOU TEND TO THIS.

I WANT YOU TO WAIVE HER FINES.

SHE DESERVES THAT.

SHE SHOULD HAVE ANYTHING SHE WANTS.

WE SHOULD GIVE THAT TO HER.

WE GOT TO HONOR OUR ELDERS.

YOU CAN DO IT,

AND I'M NOT LEAVING THIS SPOT TILL YOU DO.

UM, CAN I -- CAN I TAKE CARE OF THE FINES?

NO, NO, NO, NO, NO, NO.

EXCUSE ME. [ CHUCKLES ]

THIS ISN'T ABOUT MONEY.

I KNOW.

THIS IS ABOUT WHAT'S RIGHT.

HEY, LOOK

WHAT'S RIGHT IS THAT YOU GET WHAT YOU WANT HERE.

AND YOU WANT TO TURN IN THESE BOOKS

AND YOU WANT TO NOT PAY THE FINES

AND YOU WANT TO GET MORE BOOKS.

SO GET WHAT YOU WANT.

SERIOUSLY, IT WOULD -- IT WOULD BE AN HONOR FOR ME.

I KNOW THAT MY GRANDDAD IS UP THERE SOMEWHERE SMILING.

[ CHUCKLES ]

HUH?

THAT'S CUTE.

[ CHUCKLES ] BUT, UH,

I NEED HER TO RESPECT THE SITUATION.

I NEED HER TO PUT SOME RESPECT ON MISS LUMA'S NAME.

YOU KNOW WHAT I'M SAYING? IT'S NOT REALLY ABOUT THE MONEY.

I JUST NEED HER TO DO WHAT'S RIGHT.

♪♪

OKAY.

♪♪

SIS, COME ON. DO THIS.

IT'S THE RIGHT THING TO DO. SHE DESERVES THIS.

YOU HAVE THE POWER TO DO IT. WHY WON'T YOU?

Y-Y-YOU'RE GONNA BE OLD ONE DAY,

GOD WILLING, AND YOU'RE GONNA NEED HELP.

DO THE RIGHT THING?

[ SIGHS ]

I'M WAIVING $207 FROM MISS LUMA LANGSTON.

I'M ALSO NOTING THAT THIS IS THE FIRST AND FINAL TIME

A WAIVER WILL BE GIVEN TO MISS LUMA

OR TO HER CAREGIVER, GENTLY JAMES, CITYWIDE.

PERIOD. PERIOD.

I AGREE. THANK YOU SO MUCH.

THANK YOU.

UM...

SHE WANTS TO CHECK THESE OUT NEXT.

I KNOW, I KNOW.

IT'S VERY ANNOYING.

I APPRECIATE YOU. THANK YOU SO MUCH.

♪♪

♪♪

[ FRANCCI'S "SOMEDAYS" PLAYS ]

[ AIR BRAKES HISS ]

♪ SOME DAYS I WISH I COULD STAY IN BED ♪

THANKS.

♪ AND JUST FORGET ABOUT THE PROBLEMS THAT I HAVE ♪

[ HORN HONKS ]

♪ OH, AND SOME DAYS, I WISH I COULD SNAP MY FINGERS ♪

♪ AND JUST LIKE THAT, ALL OF MY WORRIES DISAPPEAR ♪

♪ BUT THAT AIN'T LIFE AT ALL ♪

♪ LIFE AIN'T WHAT IT SEEMS THESE DAYS ♪

♪ I'VE BEEN TRYING TO FEED MY PAIN ♪

[ TYSON FURY'S "ALL NIGHT LONG" PLAYS ]

WHAT?

♪ OH, I'M DOWN, OH ♪

YOU DID IT?

♪ SHE'S ALWAYS ON TIME ♪

♪ ESPECIALLY AT NIGHTTIME ♪

I DID IT!

GIRL, I DIDN'T THINK YOU COULD PULL THIS OFF.

I HAD NO FAITH IN YOU.

[ BOTH LAUGH ]

♪ OH, I'M DOWN, BABY ♪

GIRL, YOU'RE SOMETHING ELSE.

YOU KNOW I TAKE YOUR DARES AND BETS AND ULTIMATUMS

AND "DON'T YOU COME HOME TILL IT'S DONES" VERY SERIOUSLY.

YOU DID WELL, MY DEAR. YOU REALLY DID.

AND I CAN'T TELL YOU HOW GRATEFUL I AM.

OH, LORD.

THANK YOU.

UH, I KEEP TRYING TO TELL YOU AUDIOBOOKS ARE THE NEW THING.

I THINK YOU'D LIKE THEM.

IT'S JUST BASICALLY PEOPLE ACTING OUT THE STORY FOR YOU

RIGHT IN YOUR EAR.

THE JOY OF BOOKS

IS THAT YOU GET TO ACT IT OUT FOR YOURSELF.

AH?

YES, MA'AM.

YOU KNOW, I REALLY SHOULD'VE RETURNED THE BOOKS

WHEN I WAS FINISHED WITH THEM.

BUT, YOU KNOW...

OR GIVEN YOU SOME MONEY TO GO PAY FOR THEM.

THAT WAS TOO MUCH MONEY.

YES, BUT RIGHT IS RIGHT.

YOU KNOW, THIS GUY IN LINE

OFFERED TO PAY WHEN HE HEARD THEY WERE YOURS.

I TURNED HIM DOWN, THOUGH.

YOU SHOULD'VE LET HIM PAY.

YOU KNOW, IF A WELL-MANNERED MAN

DECIDES TO GIVE YOU A HAND, UM, IT CAN'T HURT.

ACTUALLY, A WELL-MANNERED MAN CAN HURT.

YOU JUST HAVE TO MAKE SURE

THAT IT'S WORTH IT. [ CHUCKLES ]

OKAY, THAT PART. [ CHUCKLES ]

[ TELEPHONE RINGING ]

-[ LAUGHS ] -EVAN FISHER. MY MAN.

HEY.

YOU STAY WORKING ON THE WEEKEND, BRUH?

HEY, MAN, YOU KNOW I GOT TO WIN.

UM, WATCH OUT FOR HER? 20 MINUTES?

I GOT YOU.

[ INHALES SHARPLY ] UNH-UNH.

I'M LITERALLY HERE TO DO A DIAGNOSTIC AND ONE LAST THING.

YEAH, THAT'S WHAT I SAID TWO HOURS AGO.

NO, I'M SERIOUS, DANA.

OKAY.

I NEED YOU TO LOOK AT THIS ONE THING.

ONE THING, EVAN, I PROMISE. PLEASE?

[ SIGHS ] OKAY.

THANK YOU.

SEE THOSE MULTIPLE ALGORITHMS

RUNNING CONCURRENTLY OUTSIDE THE BRACKET?

IT'S CREATING FALSE ENTRY.

ACCOUNTS ARE BEING OPENED EVEN WHEN THE WRONG PASSWORD

IS ENTERED AS LONG AS THE NUMBER EXISTS

SOMEWHERE WITHIN THE COMBINATION.

LIKE I TOLD YOU, I INFORMED MANAGEMENT ABOUT THIS

IN MY END-OF-QUARTER ANALYSIS THREE WEEKS AGO.

-OKAY. -THEY KNOW.

BEYOND THAT, THERE'S NOT MUCH I CAN DO.

I DON'T GET IT, EVAN. UH, THIS IS BIG.

I TOLD YOU IT WAS BIG.

SO WHY GIVE UP?

YOU COME IN ON WEEKENDS. YOU STAY LATE.

YOU'RE THE BEST AT THIS, BUT IT'S LIKE YOU DON'T CARE.

LOOK, I DO MY JOB,

AND I USE THIS JOB TO LEARN, TO GET BETTER.

THAT'S WHY I'M HERE.

I'M A COMPANY MAN. JUST NOT FOR THIS COMPANY.

LOOK, I'M DOING SOMETHING THAT WILL BE BIG ONE DAY FOR MY OWN.

THAT NEW COMPANY OF YOURS? IT'S GONNA NEED A V.P.

[ SIGHS ]

I'LL SEND YOU MY RéSUMé.

OH. [ CHUCKLES ] I'M SURE YOU WILL.

[ TELEPHONE RINGING ]

♪♪

I DID SEE "DIAMOND OF DIXIE."

THAT'S A GOOD ONE. [ CHUCKLES ]

[ CHUCKLING ] YEAH.

♪ MMM, MNH ♪

♪ I COULD STOP A TRAIN IF I WANT TO ♪

♪ STOP IT IN ITS TRACKS SO IT DON'T MOVE ♪

Librarian: OR TO HER CAREGIVER, GENTLY JAMES.

♪ FOR YOUR LOVE, THERE'S NOTHING THAT I WON'T DO ♪

♪ BUT YOU DON'T FEEL THE SAME, SO IT'S NO USE ♪

♪ I CAN'T MAKE YOU STAY ♪

♪♪

♪ STAY ♪

[ CHUCKLES ]

♪ STAY ♪

♪♪

♪ STAY ♪

♪ CAN'T MAKE YOU STAY ♪

GET WHAT YOU WANT.

♪ COOK YOUR FAVORITE MEAL WHEN I'M OFF WORK ♪

♪ I'M TIRED, BUT I KNOW WHAT MY GIRL'S WORTH ♪

Gently: DAMN THIS OLD LEAKY FRIDGE.

[ CELLPHONE CHIMES ]

♪ GOOD LOVIN', DON'T I ALWAYS PUT MY GIRL FIRST? ♪

♪ I SWEAR I GIVE A BETTER LOVIN' THAN YOU DESERVE ♪

WOW.

♪ STAY ♪

OH, MY GOD.

-[ CHUCKLES ] -♪ CAN'T MAKE YOU STAY ♪

-I CAN'T SEE IT, HONEY. -OKAY. I'LL MAKE IT BIGGER.

♪ WHOA, MAMA, YOU SAY I TALK SO GOOD ♪

OKAY.

OH. HE HAS A NICE LOOK ABOUT HIM.

♪ WITH A SMILE LIKE YOURS, OH, I REALLY SHOULD ♪

NOT YOUR TYPE, THOUGH.

WHAT'S MY TYPE, MISS LUMA?

BIG AND DUMB.

[ BOTH LAUGH ]

DON'T GET ME WRONG, GIRL. THEY'RE A GREAT TYPE.

I HAVE RATHER ENJOYED THAT TYPE MYSELF OVER THE YEARS,

AND HE'S NOT THAT, I'M SORRY TO SAY.

[ BOTH LAUGH ]

IT LOOKS LIKE HE WORKS AT SOME KIND OF TECH COMPANY.

YOU KNOW THAT MEANS MONEY.

WELL, YOU SHOULD KNOW THAT.

I MEAN, YOU WOULDN'T BE ABLE TO GIVE $200 TO A LIBRARIAN

IF YOU DIDN'T HAVE MONEY.

TRUE.

WHAT'S THAT? WHO'S THAT?

LOOKS LIKE HIS FAMILY.

THAT'S A NICE FAMILY PHOTO.

YEAH, I GUESS.

SEE? THAT'S YOUR PROBLEM, I WOULD THINK.

THAT'S TRULY YOUR PROBLEM.

YOU HAVE AN ATTENTION-DEFICIT SYNDROME TOWARDS MEN.

MM-HMM.

I MEAN, NOT ONE OF THEM CAN HOLD YOUR ATTENTION.

HUH?

[ SCOFFS ]

WHAT'S WRONG?

YOU'RE RIGHT. ♪ SHE SAID RUN AWAY, BOY ♪

BUT I DON'T THINK IT'S A PROBLEM.

DOESN'T FEEL LIKE A PROBLEM.

FEELS JUST FINE TO ME.

GIRL [CHUCKLES] YOU'RE SO MUCH LIKE ME,

IT'S A HOOT TO SEE.

[ CHUCKLES ]

[ MUSIC PLAYING ]

[ CHILDREN SHOUTING ]

♪♪

♪♪

♪♪

HEY, SWEETHEART. LOVE YOU.

♪♪

HEY, HEY, HEY.

WHAT'D SHE SAY?

UH, SAME THING.

MOTHER DOESN'T UNDERSTAND HER, DOESN'T LIKE HER,

AND LIFE IS BASICALLY HOPELESS.

WHAT DID ELLENE SAY?

DAUGHTER HATES HER, SHE DOESN'T KNOW WHY,

SHE'S A TERRIBLE MOTHER, AND LIFE IS A DISASTER.

NICE. [ SIGHS ] HEY, MAN, I FEEL FOR YOU.

HAVING TO PLAY BOTH SIDES. LIVING WITH ALL THIS DRAMA.

YOU DON'T KNOW THE HALF OF IT, MAN.

HEY, SIS.

HEY.

MM. THANK YOU.

THANK YOU FOR HANDLING HER TODAY.

YEAH, SHE'S FINE. EVERYTHING'S GONNA BE OKAY.

MM-HMM. YOU WANT TO STAY FOR LUNCH?

AND I'LL JUST WHIP YOU UP A LITTLE SANDIE REAL QUICK?

COOL. [ CELLPHONE CHIMES ]

[ SIGHS ]

UM...

I GOT TO GO.

[ CHUCKLES ] I'M GONNA ROLL.

HERE YOU GO.

DAMN, MAN, WHAT'S UP?

I DON'T KNOW, BUT I'M GONNA FIND OUT.

NICK.

[ SIGHS ]

COMING, SWEETHEART.

♪♪

Woman: SO, BY THE TIME THIS PARTICULAR PODCAST AIRS...

[ HORN HONKS IN DISTANCE ]

...BLACK WOMEN'S EQUAL PAY DAY WILL HAVE COME AND GONE.

HEY.

HEY.

HOW ARE YOU?

I'M GOOD. HOW ARE YOU?

GOOD. HAPPY TO SEE YOU.

YOU'RE GONNA BE EVEN HAPPIER

ONCE YOU TASTE WHAT'S INSIDE THIS MAGNIFICENT DOOR.

OKAY, SHOW ME.

♪ I CAN'T, I CAN'T LIVE WITHOUT IT, WITHOUT IT ♪

Woman: ONE VANILLA BEAN, ONE PECAN.

♪ DON'T TAKE, DON'T TAKE YOUR LOVE FROM ME, FROM ME ♪

♪ I CAN'T, I CAN'T LIVE WITHOUT IT, WITHOUT IT ♪

HI. UM, I'LL HAVE AN ORIGINAL...

OKAY.

...AND...

UH, IS THERE A MENU?

YOU WANT ME TO ORDER FOR YOU? PLEASE.

ONE COOKIES AND CREAM. ONE STRAWBERRY.

ALL RIGHT.

HERE YOU GO.

-THANK YOU SO MUCH. -THANK YOU.

IS THERE A PLACE TO SIT?

TAKE A BITE FIRST.

Evan: ALRIGHT.

SO WHAT'S UP? WHAT'S UP? WHAT YOU THINK?

[ CHUCKLES ]

[ INDISTINCT CONVERSATIONS ]

DAMN!

RIGHT?

MM-HMM.

OKAY, WHAT'S IN THIS?

JUST A WHOLE LOT OF BAD TO MAKE IT GOOD.

[ CHUCKLES ]

OKAY.

[ GRUNTS ]

SO WE STARTED WITH ORIGINAL. UH-HUH.

BUT THAT WAS JUST TO CLEANSE YOUR PALETTE.

NOW YOU HAVE YOUR CHOICE -- OREO, STRAWBERRY?

MM.

OH, YOUR CHOICE SAYS A LOT ABOUT YOU.

[ CHUCKLES ]

OH, OKAY, I SEE.

SO THIS IS SOME KIND OF TRICK, SOME KIND OF TEST.

NO.

JUST PICK THE ONE YOU WANT.

NO, YOU JUST SAID IT SAYS A LOT ABOUT ME.

IT DOES, BUT THERE'S NO RIGHT ANSWER.

MM.

IT'S ALL INFORMATION.

LIFE IS INFORMATION.

I'M INFORMATION-GATHERING.

[ CHUCKLES ]

WELL, YOU KNOW, I DO, UH, ANALYSIS FOR A LIVING,

SO THIS DOESN'T INTIMIDATE ME.

I BELIEVE YOU.

OH, OKAY.

UH, WELL, IF I PICK THE STRAWBERRY,

MAYBE YOU THINK I'M SOFT BECAUSE I LIKE FRUIT.

THEN IF I PICK THE OREO, MAYBE YOU THINK I AM ONE.

[ BOTH LAUGH ]

ON THE OTHER HAND, IF I PICK STRAWBERRY,

MAYBE YOU THINK I'M SENSITIVE AND SWEET.

OR MAYBE THE RICH, DARK CHOCOLATE

SAYS SOMETHING ABOUT ME.

YEAH, I SEE YOU'RE GOOD AT YOUR JOB.

YEAH.

I CAN SEE THAT.

YEAH.

[ BOTH CHUCKLE ]

THIS ONE.

YES! FANTASTIC CHOICE!

[ CHUCKLES ] OREO'S MY FAVORITE.

OH, OH, OKAY, OKAY.

SO THIS IS INFORMATION.

AH, SO IT'S MORE ABOUT WHAT YOU WANT

AND LESS ABOUT WHAT I GET WRONG.

IS THAT HOW YOU WORK? I MEAN --

IS THAT -- IS THAT IT?

YOU KNOW THE SAYING -- HAPPY WIFE, HAPPY LIFE.

[ SCOFFS ]

LOOK, OKAY...

UH-HUH. ...I'M NOT SAYING

THAT APPLIES PERFECTLY TO THIS SITUATION,

BUT THE UNDERLYING PRINCIPLE REMAINS THE SAME.

PEOPLE WANT TO BE AROUND HAPPY PEOPLE

MORE THAN AROUND PEOPLE WHO AREN'T HAPPY.

SO WHY NOT JUST TRY OUR BEST TO MAKE EACH OTHER HAPPY

IN EVERY INTERACTION,

IN EVERY MOMENT WITH EVERY PERSON?

LIKE, YOU JUST MADE ME HAPPY.

DOESN'T THAT MAKE YOU HAPPY?

YEAH, IT DOES.

YEAH, AND SITTING HERE WITH YOU,

ANSWERING YOUR D.M., THAT MADE ME HAPPY TO DO FOR YOU.

EVEN SITTING ON THIS DIRTY-ASS CURB IS NICE...

[ BOTH LAUGH ]

...IN THIS MOMENT.

THAT'S ALL THERE IS. THAT'S ALL WE HAVE, YOU KNOW?

YEAH.

♪♪

OKAY.

BUT WHAT ABOUT PEOPLE WHO --

WHO DON'T MAKE EACH OTHER HAPPY?

I MEAN, LIKE, WHAT IF I -- I PICKED THE OREO?

OR WHAT IF I WANTED TO TAKE YOU TO A RESTAURANT

WITH TABLES AND CHAIRS?

WELL, I GUESS WE WOULDN'T BE SITTING HERE HAPPY.

AS IN YOU'D BE UPSET?

NO. AS IN I'D BE GONE.

LIFE'S TOO SHORT, YOU KNOW?

MMM!

YOU GOT TO TRY THE OREO.

[ HORNS HONKING ]

UH, SO, IT'S A COMPANY THAT PROVIDES THE WIREFRAMES

FROM SECURITY LOG-INS.

[ CHUCKLES ]

SO WHEN YOU GO TO A SITE OR AN APP

AND YOU PUT YOUR PERSONAL INFORMATION IN,

WE BUILD THAT PART

AND THEN SELL IT OVER TO VARIOUS DEVELOPERS.

OKAY. DO YOU LIKE IT?

IT'S A LIVING.

SO YOU DON'T LIKE IT.

I LIKE THE LIVING IT PROVIDES ME.

I LIKE HOW I LIVE, WHERE I LIVE,

HELPING MY FAMILY, PAYING FOR SCHOOL.

I THINK THAT'S ENOUGH FOR ME RIGHT NOW.

I AM WORKING ON MY OWN PERSONAL, UH,

COMPANY CONCEPT, THIS IDEA I HAVE CALLED ZUBERI.

IT MEANS "STRENGTH" IN SWAHILI.

SO THIS PLACE IS JUST A STEP.

OKAY.

UH, HOW LONG YOU, UH, BEEN LIVING IN WEST ADAMS?

I KIND OF GREW UP OVER HERE.

THERE ARE SOME BEAUTIFUL HOMES.

I DIDN'T GROW UP IN THE BEAUTIFUL PART,

BUT ALWAYS WANTED TO LIVE IN THAT PART, THOUGH.

THAT'S HALF THE REASON I CAME HOME --

THE CHANCE TO LIVE IN ONE OF THESE HOUSES.

MM.

LUMA LANGSTON.

MAN.

THAT'S CRAZY THAT YOU WORK FOR HER.

IT'S AN HONOR EVERY DAY.

SO IS SHE AS COOL AS SHE WAS BACK THEN?

COOLER. INFINITELY COOLER THAN I'D EVER BE

IF I'D GONE THROUGH ALL THAT SHE HAS.

SO MUCH TALENT, AND SHE NEVER GOT A CHANCE TO SHOW IT.

SHE'S ALWAYS PLAYING THE MAIDS AND SIDEKICKS

IN THE BACKGROUND OF OTHER PEOPLE'S STORIES.

THAT WOMAN CAN SING, SHE ACTS, SHE CAN DANCE.

IN SIX FILMS. SHE'S A GENIUS,

AND SHE'S KNOWN FOR PLAYING A MAID IN SIX LOUSY FILMS.

WHAT DID SHE DO TO SURVIVE ALL THOSE YEARS?

TAUGHT DRAMA AT L.A. UNIFIED.

SHE PASSED HER GIFT ON TO OTHERS.

SOUNDS AMAZING.

NO, SHE'S A QUEEN.

SHOULD I TURN HERE?

YOU KNOW, ACTUALLY, YOU CAN DROP ME OFF A COUPLE BLOCKS UP.

I GOT AN ERRAND TO RUN. I NEED TO GRAB SOME WHEELS.

OH, I GOT YOU.

YEAH, I'M ENJOYING YOUR LUXURY WHIP,

BUT I NEED A FLATBED.

OH, A FLATBED?

THAT'S THE WORST KIND OF ERRAND.

[ BOTH LAUGH ]

YOU NEED A HAND?

YEAH, I'LL TAKE A HAND.

OKAY.

[ INDISTINCT CONVERSATIONS ]

HEY, GENTLY! GENTLY!

GENTLY!

DO YOU MIND IF WE STOP FOR A SECOND?

♪ IT'S PREEMPTORY ♪

♪ FIRST SHE AIN'T REMEMBER ME ♪

♪ BUT NOVEMBER ME IS DIFFERENT THAN DECEMBER ME ♪

♪ WHEN SHE REMEMBERED ME ♪

HEY, GENTLY, HELP YOUR BOY OUT.

I GOT TO GET TO THE SPOT BEFORE THEY CLOSE.

THEY CLOSE EARLY ON SUNDAY.

♪ SHE ALWAYS THANK WHAT'S UP ABOVE ♪

DO YOU MIND? HE'S THE SWEETEST KID.

HE RECYCLES TO TAKE CARE OF HIMSELF.

IT'S COOL. IT'S COOL.

YO, POP THE TRUNK. I GOT TO GET THERE.

THANKS, EVAN.

[ BOTH CHUCKLE ]

[ LIQUID SLOSHING ]

♪ REGARDLESS, WE FOUND IT ♪

♪♪

♪ REGARDLESS, WE FOUND IT ♪

Lil Fat: [ GRUNTS ]

[ SIGHS ]

THANK YOU FOR STOPPING, GENTLY.

LIL FAT, THIS IS EVAN.

AND BETTER NOT BE A DRIP DROP OF SODA

OR NOTHING COMING OUT THEM BAGS.

WHAT I LOOK LIKE?

NOW, I'M A PROFESSIONAL AT THIS GAME, OKAY?

I CLEAN MY CANS BEFORE THEY GO IN THESE BAGS.

THESE THE CLEAN BAGS.

THE DIRTY ONES IN THE TRUNK. I GOT CLASS.

YO, THIS IS SERIOUS BUSINESS AT THIS POINT.

DID Y'ALL HEAR ABOUT HOW THAT FOOL TOOK AMERICA

OUT OF THE PARIS CLIMATE-CHANGE ACCORDS?

LOOK, RECYCLING IS A BUSINESS, AND I'M A BUSINESSMAN, BUT --

PEOPLE GOT TO RECOGNIZE THAT CLIMATE CHANGE

ISN'T JUST ABOUT SOME POLAR BEARS

LOSING THEIR ICEBERGS.

IT AFFECTS THE FOOD THAT WE EAT

AND THE ROADS THAT WE DRIVE ON AND THE --

THE AIR THAT WE BREATHE.

HAVE Y'ALL SEEN THOSE PEOPLE EVERY NIGHT ON CNN

WALKING AROUND ALL OVER THE GLOBE WITH,

UH, SURGICAL MASKS ON?

HEY, THE SPOT IS UP A BLOCK TO THE LEFT.

ALRIGHT, I GOT YOU.

MAN, YO, THIS TESLA'S DOPE.

THANK YOU.

ALL ELECTRIC, RIGHT?

YEAH, UH... OH, MY...

THANKS AGAIN FOR DROPPING OFF LIL FAT.

I'M GONNA GET THESE KEYS, AND WE'LL BE OUT, ALL RIGHT?

ALL RIGHT. YOU COME MEET MY PEOPLE REAL QUICK.

[ DJ QUIK'S "DOLLAZ + SENSE" PLAYS ]

♪ ACACIA, POPLAR, MAPLE, SPRUCE, CEDAR, ELM ♪

♪ WESTSIDE TREES SPRAYIN' ALL THE FLEAS ♪

♪ THAT'S FROM THE 300 AND 400 BLOCK P-FUNK RIDERS ♪

[ DOG BARKING IN DISTANCE ]

♪ SO...WATCH YO'...AT THAT CENTER DIVIDER ♪

♪ NOW AARON TYLER, TELL ME WHY YOU SEEM SO TAME ♪

♪ WHEN I CAUGHT YOU AT THE AIRPORT ♪

WHAT YOU DONE SNAGGED NOW? [ CHUCKLES ]

♪ YOU LOOKED UP AND YOU SEEN MY...COMIN' ♪

COME ON.

♪ AND YOU LOOKED LIKE YO... WAS 'BOUT TO START RUNNIN' ♪

♪ BUT ALL I WANTED TO DO WAS KICK A LITTLE CONVERSATION ♪

BEN, THIS IS EVAN, A NEW FRIEND.

EVAN, THIS IS MY PARENT, BEN.

BLOOD. WHAT SET YOU FROM?

UNCLE BONE, PLEASE SIT DOWN.

WHAT SET YOU FROM? TV SET?

I SEE YOU POSTING ABOUT "GAME OF THRONES."

[ CHUCKLES ] I AIN'T SHAMED.

WESTEROS, STAY HARD.

THAT'S TRUE.

-[ CHUCKLES ] -HERE. CAR'S OVER HERE.

OKAY.

I'LL HAVE IT BACK BY YOUR SHIFT.

ALRIGHT.

♪ YOU NEED TO STAY DOWN, YOU COMPTON CLOWN ♪

♪ AND GET OFF OF THE NUTS ♪

♪ BECAUSE I'M DOWN WITH THE TREES ♪

♪ I'M DOWN WITH DEATH ROW ♪

HOMEY, I'LL TAKE CARE OF IT, MAN.

NOBODY MOVES NOTHING AROUND HERE WITHOUT MY SAY-SO.

YEAH, I UNDERSTAND, YEAH. UM...

YOU GOOD?

YEAH, I'M -- I'M -- YEAH, I'M GOOD.

-OKAY. -YEAH. OKAY.

OH, UH, IT WAS A PLEASURE TO MEET YOU, SIR.

YOU TOO.

♪ IF IT DON'T MAKE DOLLARS, IT DON'T MAKE SENSE ♪

♪ SO DON'T KILL GAME, LET THE PIMPIN' COMMENCE ♪

♪ IF IT DON'T MAKE DOLLARS, IT DON'T MAKE SENSE ♪

♪ BECAUSE YOU GOTTA GIVE IT UP TO THE CROWN PRINCE ♪

♪ SHOUTS GOES OUT TO MY WELL-KNOWN ROAD DOG ♪

WHAT THE HELL WAS THAT?

NO IDEA.

♪ THEY DON'T UNDERSTAND IT, BABY ♪

♪ THEY CAN'T FADE US OUT HERE ON THESE COMPTON STREETS ♪

"WESTEROS, STAY HARD"?

COME ON, HOMEY.

[ CHUCKLES ]

♪ WHASSUP? ♪

♪ AND BIG SUGE, KNOWN FOR KEEPIN'...POPPIN' ♪

HEAR THIS FOOL? [ CHUCKLES ]

♪ YOU BEEN ON MY MIND LIKE EVERY SINGLE NIGHT ♪

SO, YOU PAID OFF COLLEGE?

[ CHUCKLES ]

THAT'S REALLY DOPE. WHERE'D YOU GO?

♪ AND I CAN'T HELP BUT THINK THAT YOU AND ME WOULD BE ♪

STANFORD. AND NOT A SCHOLARSHIP IN SIGHT.

BARELY MADE IT. A LOT OF STUDENT LOANS.

BUT, UH, I PAID IT OFF ABOUT SIX MONTHS AGO.

SO QUESTION --

MM.

DID YOU GET THE TESLA BEFORE...

[ LAUGHING ]

...OR AFTER YOU PAID OFF THE LOANS?

[ LAUGHS ]

BEFORE. IT WAS VERY TRIFLING AND, UH, IRRESPONSIBLE.

NO. GOOD FOR YOU.

THANK YOU.

WHAT ABOUT YOU? WHERE'D YOU GO TO SCHOOL?

I DIDN'T.

I WENT FROM MY HIGH-SCHOOL GRADUATION

STRAIGHT TO L.A.X. ON A $500 ONE-WAY TICKET

TO EUROPE, AND I JUST NEVER LOOKED BACK.

WOW.

WELL, YOUR INSTAGRAM IS LIKE A TOURIST TRAP.

I WANT TO GO EVERYWHERE YOU WENT AND DO EVERYTHING YOU DID.

YEAH, IT WAS A LOT HARDER THAN I MAKE IT LOOK ON THE 'GRAM.

IT WAS DEFINITELY AN ADVENTURE.

I JUST WANTED TO SEE THE WORLD SO BAD, YOU KNOW?

SO I WORKED MY WAY THROUGH IT.

WAITRESSING IN GREECE.

I WAS A SWIM INSTRUCTOR IN BERLIN.

I WOULD WORK AND ENJOY, JUST MOVE WHEN I WANTED.

♪ FURTHER ALONG, FURTHER ALONG ♪

♪ BUT I'M NOT SURE YOU READ THE SIGNS ♪

♪ I CAN BE THE ONE ♪

AS IN, YOU'D BE GONE?

♪ STAY HOLDING YOU DOWN ♪

YEAH, THAT'S RIGHT.

♪ I PROMISE YOU'LL HAVE ME FOREVER ♪

♪ AND WE'LL RIDE OFF IN THE SUNSET ♪

♪ IN YOUR '72 CAMARO LIKE ♪

SO, UH, THE ONLY PLACE TO GET A USED FRIDGE

IN ALL OF LOS ANGELES

IS ALL THE WAY OUT IN CARSON? [ LAUGHS ]

-[ CHUCKLES ] -I MEAN, PROBABLY NOT THE ONLY,

BUT THIS ONE MEETS ALL THE REQUIREMENTS,

ACCORDING TO THAT TRUSTY FLYER BACK AT HARRIET'S.

IT'S ONE THE -- YOU KNOW, THOSE BIG, OLD, LARGE,

ROUND-ISH ONES... YEAH.

...THAT FIT IN PERFECTLY IN OLD HOUSES?

AND IT'S DIRT CHEAP, WHICH IS THE KIND OF CHEAP I PREFER.

SO CARSON IT IS.

[ LAUGHS ]

KEEP GOING, KEEP GOING, KEEP GOING,

KEEP GOING, KEEP GOING, KEEP GOING.

RIGHT THERE.

ALRIGHT.

OOH.

[ SIGHS ]

THE SIGN SAYS SHE'LL BE BACK IN ONE HOUR.

AW, MAN.

HEY, SO WE WAIT.

IS THAT COOL?

HEY, WE CAME HERE TO ACHIEVE A GOAL,

AND DAMN IT, WE'RE GONNA ACHIEVE IT.

I HEARD THAT.

SO, WHAT WE GONNA DO IN CARSON?

WHY YOU SAY IT LIKE THAT?

LOOK, I'M FROM THE SOUTH BAY, AND WE GOT A THING ABOUT CARSON.

LOOK, THEY THINK THAT THEY'RE SOUTH BAY,

BUT THEY'RE JUST A NO-MAN'S-LAND

BETWEEN GARDENA, COMPTON, AND LONG BEACH.

WHAT ARE WE GONNA DO, GO TO IKEA?

YOU KNOW THAT'S ALL THEY GOT GOING ON.

WOW, YOU'RE REALLY SLICING CARSON!

OH. [ CHUCKLES ]

I-I DIDN'T KNOW YOU REPPED THE SOUTH BAY LIKE THAT.

I DO.

[ BOTH CHUCKLE ]

UH, YOU KNOW WHO'S FROM CARSON?

HUH?

BONE. UNCLE BONE.

YOU KNOW THE ONE. SHOULD I TELL HIM WHAT YOU SAID?

WELL, YOU KNOW, I ALSO THINK CARSON'S A BEAUTIFUL PLACE,

AND THE PEOPLE ARE VERY FORGIVING HERE.

SO, YOU KNOW...

AH, GET OUT OF HERE. [ LAUGHS ]

HEY, YOU BETTER NOT TELL HIM, EITHER.

WON'T TELL BONE THAT. [ CHUCKLES ]

SO, WHERE WE GOING?

YOU CHOOSE.

OH, YEAH! YOU ALREADY LOST.

[ LAUGHS ]

IT'S ALREADY OVER FOR YOU.

OH, ONE!

[ LAUGHS ]

♪ WATCHIN', I'M WIDE OPEN TO THE BLESSINGS I FIND ♪

IT'S NOT CALLED "SNAIL."

[ BOTH LAUGH ]

"CENTIPEDE," NOT "SNAIL."

OOH, OOH! OOH! DID YOU SEE IT SPINNING?!

OH, MY GOD. I'M SO COOL.

OKAY, YOU'RE BAD AT THIS. I NEED TO DO THE SHOOTING.

-OKAY, I'LL -- -I NEED TO DO --

-AW! -YEAH, MAN.

ALRIGHT, ALRIGHT. GO AHEAD. YOU GOT IT.

-EXCUSE ME. -OH! OH!

-OH, WE BOXING OUT NOW? -BOXING OUT.

OKAY. NO! NO! NO! NO! NO!

YOU CAN'T KEEP UP WITH ME! [ LAUGHS ]

WAIT. LET ME JUST... EXCUSE ME, SIR.

EXCUSE ME. EXCUSE ME.

WE GOT IT. WE GOT IT.

[ BOTH LAUGH ]

♪ HONEY DEW ♪

♪ HONEY DEW, HONEY DEW ♪

♪ HONEY DEW ♪

♪ HONEY DEW, HONEY DEW ♪

♪♪

♪ HONEY DEW ♪

♪ MMM ♪

♪ I NEED YOU ♪

NACHO ME. [ BOTH LAUGH ]

NACHO-MI CAMPBELL.

AW, NO, YOU DIDN'T. THAT'S JUST...

HERE.

-OH, NO. -AH.

I'LL GET IT.

[ CHUCKLES ]

[ LAUGHTER ]

WOW. GET IT!

KIND OF TAKING ME BACK.

[ BOTH CHUCKLE ]

-OKAY. -HUH?

OKAY, FIRST KISS.

NOPE.

NO?

MNH-MNH.

WALTER KIMBROUGH. 2003.

JUST -- YEP.

BEHIND THE BLEACHERS.

AH, UM...

SHERRY TAYLOR.

CHURCH BASEMENT.

DANG. SEE? THAT FACE.

THAT'S WHAT I'M TALKING ABOUT. CHURCH BASEMENT?

THAT'S -- THAT'S WHY I DIDN'T WANT TO SAY ANYTHING.

SACRILEGE. [ LAUGHS ]

YEAH, I'M STILL PRAYING FOR FORGIVENESS.

COME ON. LET'S -- LET'S CHANGE THE SUBJECT.

SOMETHING -- I DON'T -- I DON'T WANT TO

TALK ABOUT MY TEEN YEARS.

WHY NOT? YOU WEREN'T YOUNG, DUMB, AND RECKLESS?

NO, I DID EVERYTHING BY THE BOOKS.

I WAS LUCKY IF I MADE IT TO CLASS TWO DAYS OUT THE WEEK.

FOR REAL?

WHERE WERE YOUR PARENTS?

WHAT'S THAT SUPPOSED TO MEAN?

WHAT DO -- WHAT -- WHAT DO YOU MEAN?

WHAT YOU JUST SAID.

WHAT DID I SAY?

MY DAD DIED IN THE STREETS WHEN I WAS 9.

BEN TOOK ME IN AND DID THE BEST HE COULD.

WOW. UM...

HE SOUNDS AMAZING.

WHERE WAS YOUR MOM?

WHAT'S WITH ALL THE QUESTIONS?

YOU KNOW, MAYBE I DIDN'T HAVE SOMEBODY MAKING ME SANDWICHES

AND CUTTING THE CRUST OFF MY BREAD,

WATCHING OVER MY EVERY MOVE,

BUT I HAD BEN, AND HE CHANGED HIS LIFE FOR ME.

HE EVEN GOT A JOB DELIVERING THE L.A. TIMES.

NOT THE SEXIEST JOB,

BUT HE DID IT IN HIS PRIME. HE DID THAT FOR ME.

WAIT. WAIT, WAIT. I WASN'T -- I WASN'T JUDGING HIM.

WELL, SOUNDED LIKE YOU WERE.

WELL, I WASN'T.

WELL, THAT'S NOT WHAT I HEARD.

[ SIGHS ] I'M SORRY.

I'M SORRY THAT HAPPENED TO YOU.

[ SIGHS ] DON'T DO THAT.

YOU KNOW WHAT? IT'S ALL GOOD.

THEY'RE PROBABLY BACK NOW. WAIT, WAIT, WAIT.

WE SHOULD GET GOING. I DIDN'T MEAN TO OFFEND YOU.

I'M NOT -- IT'S OKAY. COME -- COME ON. COME --

JUST -- LET'S JUST GO.

♪♪

♪♪

[ SIGHS ]

♪♪

♪♪

♪♪

[ ENGINE STARTS ]

[ INSECTS CHIRPING ]

[ INDISTINCT CONVERSATIONS ]

HI. HOPE YOU WEREN'T WAITING TOO LONG.

I'M SANAH.

GENTLY.

HI. HI. EVAN.

HI, EVAN. YOU GUYS ARE HERE FOR THE FRIDGE, RIGHT?

OKAY, COME ON. COME ON BACK.

FEEL FREE TO TAKE A LOOK AROUND. EVERYTHING IS FOR SALE.

BUT THE FRIDGE YOU CALLED ABOUT IS RIGHT BEHIND THIS CURTAIN.

CHECK IT OUT.

IT'S PERFECT.

SHE'S OLD, BUT SHE WORKS.

NO, IT'S GREAT.

YES. I EVEN PLUGGED IT IN FOR YOU.

OH.

ISN'T SHE A BEAUTY? FEEL THAT COOL AIR?

MM-HMM, I DO. LET ME SEE.

OKAY.

[ CLICKS TONGUE ] DAMN.

IT'S TOO WIDE.

YOU SURE?

YEAH, IT WON'T FIT BY AN INCH.

OH, NO.

IT'S DEEP ENOUGH, BUT IT'S TOO WIDE.

I MEAN, CAN WE EVEN TRY TO FIT IT IN?

MAYBE YOU CAN CHANGE SOMETHING IN THE KITCHEN OR --

NO.

ARE YOU SURE? WE CAN --

I AM. IT'S HER HOUSE. IT'S A WALL.

IT CAN'T BE CHANGED,

SO IT'S NOT GONNA WORK. THANK YOU.

-OKAY, ALRIGHT. -THANK YOU.

NICE MEETING YOU GUYS. YOU TOO.

IF YOU CHANGE YOUR MIND, I'M HERE.

-THANK YOU. -TAKE CARE

DAMN.

HEY, GENTLY.

LET'S JUST TAKE CARE OF IT.

WE CAN GO TO A REAL APPLIANCE PLACE,

AND WE CAN PICK OUT SOMETHING WITH THE MEASUREMENTS.

I CAN'T DO THAT.

I CAN HANDLE IT.

YOU KNOW, WE CAN GET IT DELIVERED, INSTALLED.

IT'S EASIER.

[ SCOFFING ] THAT'S YOUR SOLUTION TO EVERYTHING, HUH?

JUST THROW SOME MONEY AT IT.

I WAS JUST SAYING IT WAS EASIER,

AND I WAS OFFERING YOU A HAND.

NO, YOU'RE TRYING TO FIX SOMETHING THE WAY YOU WANT

IT DONE, AND YOU'RE JUDGING MY WAY.

THIS IS A REAL APPLIANCE PLACE.

I AM TAKING CARE OF IT.

AND SHE DOESN'T WANT TO FIND SOMETHING

WITH THE RIGHT MEASUREMENTS.

SHE WANTS SOMETHING THAT FITS IN HER HOUSE,

THAT FEELS LIKE IT BELONGS THERE.

SHE DOESN'T CARE IF IT'S FANCY TO,

YOU KNOW, IMPRESS PEOPLE.

SHE DIDN'T WORK A JOB SHE DIDN'T LOVE JUST BECAUSE.

SHE LIVED A LIFE OF PASSION AND PLEASURE

FILLED WITH REAL PEOPLE AND REAL THINGS,

AND I FEEL LIKE THAT'S SOMETHING YOU CAN'T REALLY UNDERSTAND.

-LET'S JUST GO. -WHAT'S YOUR DEAL THAT YOU FEEL

YOU CAN TALK TO SOMEBODY LIKE THAT?

I CAN TALK TO YOU HOWEVER I WANT.

YOU CAN'T CONTROL ME.

THAT'S NOT COOL.

THAT'S NOT WHAT I'M GONNA DEAL WITH.

PERIOD. POINT BLACK. THE END.

SO, LOOK, YOU CAN EITHER GET IN OR GET LEFT.

I'M READY TO GO.

I'M GOOD.

AS IN, I'M GONE.

'CAUSE THAT'S WHAT YOU WERE GONNA DO ANYWAY.

SO YOU MIGHT AS WELL DO IT NOW.

♪♪

♪♪

[ ENGINE STARTS ]

[ SABRINA CLAUDIO'S "STAND STILL" PLAYS ]

♪♪

AIN'T THIS ABOUT A...

[ JOSIAH BELL'S "NUMB" PLAYS ]

♪ FADED IN THE BATHROOM OF SOHO ♪

THANKS.

♪ GOT ME FEELING HIGH, BUT WE'RE SO LOW ♪

♪♪

♪ DON'T KNOW WHAT IT IS, BUT I NEED MORE ♪

♪♪

♪ NOTHING MORE LEFT TO SAY ♪

♪ LEFT TO SAY ♪

♪ STUPID LOVE GONE TO WASTE ♪

♪♪

♪ I'M SO NUMB, I'M SO NUMB, I CAN FEEL EVERYTHING ♪

♪♪

♪ SO NUMB, WE'RE SO NUMB ♪

♪ WE CAN BE ANYTHING ♪

♪ TELL ME IF IT'S OKAY ♪

♪ TELL ME IF IT'S OKAY ♪

♪ SHOW ME HOW YOU NEED ME ♪

♪ SHOW ME ♪

♪ BLESSED ♪

♪ BLESSED ♪

♪ YES ♪

♪ YES ♪

♪ DON'T KNOW WHERE TO START, AND IT'S OKAY ♪

♪♪

♪ I DON'T EVEN KNOW IF IT'S OKAY ♪

♪♪

♪ DO WE HAVE THE COURAGE TO BE BRAVE? ♪

♪♪

♪ NOTHING MORE LEFT TO SAY ♪

♪♪

♪ STUPID LOVE GONE TO WASTE ♪

♪♪

♪ SO NUMB ♪

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