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1
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Hi there, in this tutorial
we're going to look at cameras...
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where things start moving
around, and zooming in...
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we can make it look cool...
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I don't know. Cameras, let's go
and look at how to do those.
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The first thing we want to do
is to add a camera.
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We do that under 'Layer',
'New', 'Camera'.
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By default it's probably set
to a 2-Node camera.
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Switch it to a 1-Node camera,
it's just simpler.
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And make sure that
the Field is turned off.
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Give it a name, well, just leave it
as Camera1. Let's click 'OK'.
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Now depending on where
your camera ends up...
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you might want to drag it to the top,
it doesn't really matter.
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Just really common to
drag your cameras to the top.
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Kind of battled it out
for this Vignette.
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Now, you would have got
an error message on yours, saying...
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"Hey, you created a camera that none
of the layers can be seen yet."
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Mine's been disabled.
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All that means is that...
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the camera can't see any layers
in my Comp until I turn these on.
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Watch this, I'm just dragging
across these all.
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I'm going to say, I want all these on.
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The background layer needs
to be unlocked, and turned on.
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I want to turn all these on,
maybe not the Vignette.
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I don't want that seen by the camera.
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It can just stay around the edges there.
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What that means is...
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let's look at our before, and after.
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So my camera here,
I'm going to twirl it down.
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Now we're looking at this '1 view',
you can see it down here.
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And that, most of the times
is where you want to be.
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In this case we're going to go to
'2 Views - Horizontal'...
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to have a separate view, to actually
see my camera, there he is there.
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It's my little camera
pointing at my plain.
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So looking down on the top,
and that's this.
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We're looking down at the
razor edge of it, right there.
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Now this view's not handy
for me at the moment.
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I find the best view is...
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let's click on the side, you can see...
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these blue dots in the corner,
means I got this side selected.
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And it means that I can say 'Top'...
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I'm going to go to this 'Custom View 1'.
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It gives you a kind
of a good look at it.
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I'm going to zoom in a little bit.
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So that's what's happening, right?
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Now this camera over here...
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and he is pointing and shooting at this.
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You can see even my text off-screen.
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Watch this, my Play Head, watch him.
49
00:02:02,006 --> 00:02:05,053
Actually, there he is.
He appears there, and disappears down.
50
00:02:05,389 --> 00:02:07,436
So this is what ends up
getting exported...
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00:02:07,494 --> 00:02:09,779
but this is a handy view just to see
what's going on.
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00:02:09,920 --> 00:02:11,717
So what I want to do is
I want to show you...
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if I have these off,
look what happens.
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Get rid of all of these,
get rid of that.
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You can see, the camera can't see them
unless this is on.
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00:02:20,150 --> 00:02:21,967
So all on, save for the Vignette.
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And what we're going to do is...
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we're going to play it
till it gets to about maybe--
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I want that to appear
on the regular screen.
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And then just before
this second one appears...
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my wife...
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I'm going to get the camera to move.
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So let's get our Keyframe at about 706.
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Yours is going to be slightly different.
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00:02:40,109 --> 00:02:41,376
And what we're going to do is...
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we're going to twirl down the camera,
we're going to open up Transform.
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We're going to set the stopwatch
going for Position.
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So we want it to stick there
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and then just before this one opens...
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or maybe just when you
start seeing the circle...
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I would like to change the position.
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The first one, is I'm going to zoom in.
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So, grabbing this last...
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X, Y, and Z is the last one,
Z is in and out.
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00:03:01,816 --> 00:03:03,090
X and Y is left and right.
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I'm going to zoom in quite a bit.
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And then, dragging these--
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it's heaps easier to drag these two
and then to use--
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00:03:09,917 --> 00:03:12,784
There's some camera tools up here,
but when you're new, hear me.
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00:03:13,222 --> 00:03:15,746
I use it lots but I prefer
doing it this way.
81
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Everyone has their own style.
82
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So what's going to happen now is...
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Cool, so it's kind of
in the middle there.
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00:03:26,746 --> 00:03:28,457
And I come back a little bit...
85
00:03:28,508 --> 00:03:31,069
and maybe just holding 'Shift'
to snap it to it.
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00:03:31,285 --> 00:03:33,910
Maybe just down a little bit,
so it's right in the center.
87
00:03:34,886 --> 00:03:36,159
Couple of things
I'm going to need to do.
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My computer's struggling a little bit,
so I'm down at 'Quarter'.
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00:03:40,933 --> 00:03:43,707
So at Low Res resolution,
I'm going to turn off the sound...
90
00:03:44,004 --> 00:03:45,667
because that slows things down as well.
91
00:03:46,105 --> 00:03:49,011
And, What did I just turn off?
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Didn't even right click.
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00:03:53,246 --> 00:03:54,613
I'm going to turn these off.
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Here we go, so hopefully now
it will render a bit quickly.
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00:04:00,480 --> 00:04:01,196
Nice.
96
00:04:02,754 --> 00:04:04,418
It's going along, it's doing its thing.
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00:04:04,769 --> 00:04:05,840
And then zooms in.
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00:04:06,551 --> 00:04:10,629
The camera is a little bit
on the crappy side in terms of--
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We want to kind of grab these two guys
and add some Easing.
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00:04:13,933 --> 00:04:16,331
So I right click them,
just like we did everything else.
101
00:04:16,488 --> 00:04:18,480
'75', '75'.
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Let's have a little look.
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It's got a nicer kind of motion to it.
Goes on.
104
00:04:27,667 --> 00:04:28,626
So what we're going to do now is...
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00:04:28,677 --> 00:04:30,829
put in two little Keyframes
every time we want to move it.
106
00:04:31,058 --> 00:04:32,246
So I'm going to scrub along.
107
00:04:32,472 --> 00:04:34,066
And I can only just see it...
108
00:04:34,117 --> 00:04:35,871
but you can see in this View here.
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00:04:36,543 --> 00:04:39,652
The other thing is--
you can see, this guy zooming in.
110
00:04:39,871 --> 00:04:41,870
It's when we do
the Z position over time...
111
00:04:41,921 --> 00:04:43,673
so it's my little camera,
I'm moving him.
112
00:04:44,316 --> 00:04:48,535
So when I get to just before
this appears, I may be just a bit there.
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I'm going to set a Keyframe.
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So I'm going to set on manual Keyframe.
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Say between this one and this one,
don't change.
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00:04:56,004 --> 00:04:57,590
And then, a little bit longer...
117
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I'm going to,
maybe a little bit earlier...
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I'm going to start messing with this.
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00:05:02,191 --> 00:05:03,269
I'm not going to play
with the Z any more.
120
00:05:03,363 --> 00:05:05,379
I'm going to play with
just the X and the Y.
121
00:05:05,430 --> 00:05:07,559
And get all these guys
to line up in the middle now...
122
00:05:07,610 --> 00:05:09,715
every time when your Icon appears.
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00:05:10,004 --> 00:05:11,394
It's remembered the...
124
00:05:12,657 --> 00:05:14,855
It's remembered the Easing
from the last time I did it...
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which is quite cool.
126
00:05:15,758 --> 00:05:16,852
Here you go.
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00:05:18,465 --> 00:05:19,566
Next one.
128
00:05:22,910 --> 00:05:25,090
We're just going to do that
as this thing builds.
129
00:05:25,141 --> 00:05:27,582
And keep doing it for the next one.
130
00:05:27,640 --> 00:05:29,254
It's a couple of things,
we've done the Easing...
131
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the other one is Motion Blur.
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Motion Blur is on for
the whole document...
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because we did it in
an earlier tutorial...
134
00:05:34,180 --> 00:05:37,480
but at the moment, only thing
being accepted is this...
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00:05:37,531 --> 00:05:39,180
we've only turned it on
for the Text Layer...
136
00:05:39,246 --> 00:05:41,691
because remember, it slid down
off the screen, we turned it on.
137
00:05:41,855 --> 00:05:43,644
I'm going to turn it on
for the rest of these, why?
138
00:05:43,949 --> 00:05:46,746
Because let's have a little look.
I find that before--
139
00:05:49,988 --> 00:05:50,917
Great.
140
00:05:51,168 --> 00:05:52,605
So when it starts moving--
141
00:05:53,324 --> 00:05:55,379
So it's moving, right?
There's no Motion Blur.
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00:05:56,621 --> 00:05:57,622
I'm going to keep it here.
143
00:05:57,673 --> 00:06:00,277
I'm going to turn it to full resolution
so I can show you properly.
144
00:06:00,328 --> 00:06:02,043
So it's in super crystal clear...
145
00:06:02,094 --> 00:06:03,340
but it's kind of moving quite fast.
146
00:06:03,391 --> 00:06:05,134
So what I want to do is actually
turn the Motion Blur on...
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on all these layers.
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00:06:05,766 --> 00:06:07,105
Watch it, I'm going to let it go.
149
00:06:08,574 --> 00:06:09,722
You see, it's blurring now.
150
00:06:09,773 --> 00:06:11,605
So it just means that
when it's moving...
151
00:06:12,212 --> 00:06:13,996
it's getting all zoomy and blurry.
152
00:06:14,269 --> 00:06:15,442
So we'll do it to the Icons...
153
00:06:15,493 --> 00:06:17,554
and we even do it to
the image in the background.
154
00:06:17,676 --> 00:06:20,254
Get down the bottom here,
the image background.
155
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Turn it off for that one as well, watch.
156
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So it's kind of ??
so when it's moving quite fast...
157
00:06:25,332 --> 00:06:28,277
it's hard to preview because
my machine's running a little bit slow.
158
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Give it a second.
159
00:06:34,605 --> 00:06:35,761
Fans are on.
160
00:06:36,269 --> 00:06:37,595
Hopefully if you're down
with the same problem...
161
00:06:37,646 --> 00:06:40,061
it's not particularly
complex animation.
162
00:06:40,132 --> 00:06:42,738
It's because I'm trying
to do it all with...
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00:06:42,957 --> 00:06:45,167
while doing screen capture recording.
164
00:06:47,644 --> 00:06:50,623
Here we go, kind of get it right,
so it's moving and blurring.
165
00:06:51,558 --> 00:06:52,386
You get the point.
166
00:06:52,437 --> 00:06:55,160
So what I'm going to do now
is just work my way around the document.
167
00:06:55,211 --> 00:06:57,941
Keeping an eye on this,
and moving this around.
168
00:06:58,027 --> 00:07:01,222
So maybe we'll speed this up,
and I'll see you at the end.
169
00:07:15,566 --> 00:07:18,495
Let's jump back in quickly here,
and you'll notice that I kind of--
170
00:07:18,546 --> 00:07:20,237
so if I want to get this
in the dead center...
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00:07:20,288 --> 00:07:21,726
I might have to see it better than red.
172
00:07:21,965 --> 00:07:23,488
So if you don't want to do that...
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what you might have to do...
174
00:07:24,588 --> 00:07:26,405
is either move the Icon down, or...
175
00:07:26,551 --> 00:07:28,980
down here, for the background layer...
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we're going to have to
open up the Scale.
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00:07:31,355 --> 00:07:33,449
So we're going to open 'Transform'...
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I'm going to go to 'Scale', and we're
just going to make it a bit bigger.
179
00:07:37,832 --> 00:07:40,121
So that there's not as much edge to see.
180
00:07:40,832 --> 00:07:43,676
It does have some ramifications
when I zoomed all the way out...
181
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I'm copying a bit off.
182
00:07:44,836 --> 00:07:47,121
You can see, in the edges here,
but it means, when I zoom in...
183
00:07:47,246 --> 00:07:50,933
there's a bit more kind of like
flaff around the outside, or Bleed.
184
00:07:51,199 --> 00:07:52,590
Bleed's probably a better word.
185
00:07:53,410 --> 00:07:54,652
So back to going fast.
186
00:08:21,347 --> 00:08:24,480
So we're back, and probably for this
last one, I'm just going to kind of...
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00:08:25,363 --> 00:08:27,456
get it here, instead of
doing just over...
188
00:08:27,514 --> 00:08:30,323
I'm actually going to zoom back out
to what it was in the beginning.
189
00:08:30,374 --> 00:08:32,894
What was it in the beginning?
I'm going to hover above this.
190
00:08:33,097 --> 00:08:38,105
And what's this Z?
It's -2666.
191
00:08:38,261 --> 00:08:40,293
So I'm going back to here,
just afterwards...
192
00:08:40,344 --> 00:08:42,996
instead of just moving it,
I'm going to type it out to this.
193
00:08:44,230 --> 00:08:46,746
And actually I want all
of the settings there.
194
00:08:46,797 --> 00:08:49,004
So I'm going to actually
just go and steal the Keyframe.
195
00:08:49,144 --> 00:08:50,082
It's a cool trick.
196
00:08:50,246 --> 00:08:51,980
If I want to be exactly
where that is now...
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00:08:52,636 --> 00:08:55,558
where it's Full view, and I can
see everything, just actually copy it.
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00:08:56,254 --> 00:08:57,535
And go over here.
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00:08:58,566 --> 00:09:00,777
I'm going to delete this
one, and just hit 'Paste'.
200
00:09:00,972 --> 00:09:02,597
You can paste Keyframes like that.
201
00:09:03,168 --> 00:09:05,004
Cool. So, the last one.
202
00:09:08,941 --> 00:09:09,683
Nice.
203
00:09:11,535 --> 00:09:13,847
I'm just going to scrub through,
it kind of moves around...
204
00:09:13,898 --> 00:09:15,540
and picks up all the different Icons.
205
00:09:15,591 --> 00:09:18,022
You can see the path
of the camera there.
206
00:09:19,090 --> 00:09:20,426
That moves around.
207
00:09:20,699 --> 00:09:24,136
And then zooms all the way
on the last one, my finale.
208
00:09:24,683 --> 00:09:27,879
All right, that is how to use
a 1-Node camera.
209
00:09:27,930 --> 00:09:30,386
We've used it quite extensively,
we've moved around quite a bit.
210
00:09:30,437 --> 00:09:32,039
You might just have
a couple of other things...
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00:09:32,090 --> 00:09:33,664
we just move it around a little bit.
212
00:09:33,758 --> 00:09:35,617
All right, let's get on
to the next tutorial.
18361
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