Original subtitles

THE LITTLE DEVIL

The way she Iooks at me... The sweetness of her Iips...

I'm going through a terribIe time.

It happened when I thought nothing couId distract me.

But it happened, and I'm no Ionger a chiId.

It's as if I've entered a Iabyrinth and can't find an exit.

It's a terrifying feeIing.

I know it's just for the moment, but how Iong can this moment Iast?

How Iong can it Iast?

There are short and Iong moments.

Eternity is but a moment.

I know, father, but pIease don't Iaugh at me.

Try to go away from Rome for a whiIe.

I' II be honest with you, my son,

I didn't understand a word of what you just toId me.

What happened to you? Remember that Iife is aIso a game.

I know, but I aIso know that everyone needs time.

Sorry if I wasn't so cIear, but I don't feeI very weII.

I noticed. Nobody was down on his knees, where you are now,

just to teII me: ''I'm fine. ''

- It's onIy normaI. - Thank you.

What shouId I do?

Go with God's grace. Bye, Maurizio.

Father Maurizio!

Father Maurizio!

CaIm down. What's going on?

Excuse me Patrizia. I'II be back right away.

- Stop! - Giuditta, don't be Iike this. - PIease!

Father Maurizio, she's possessed by the deviI!

She's a haidresser from NapIes, but she started speaking Tuscan.

With a voice that...

What a mess!

It happened Iast night. She woke up and started singing ''Pazza idea''.

WhoIe day Iong.

She repeatedIy asked for some zuppa ingIese.

Our father wanted to kick her out from the house.

PIease, do something!

It's nothing. It' s just for the moment, but how Iong can this moment Iast?

- Aooh! - What are you doing? - No! - stop!

Try to caIm her down and then bring her to the sacristy.

5 minutes and it wiII aII be over.

I've had enough of you!

What an unbearabIe famiIy you are!

This one's a true professionaI.

Leave now, I want to be aIone with her.

''AII together!''

It's so hot! It's so hot in here.

That zuppa ingIese! It's stiII sitting on my stomach.

My god, the pain! But it was so good!

I'm crazy about zuppa ingIese! I couId eat...

Maurizio!

Maurizio!

- TeII me your name? - Giuditta.

Not you, the one inside, what's your name?

Giuditta!

Are you deaf? Are you deaf or...

I can't get out of here!

You tricked me, you ugIy priest!

I wish you wouId drop dead!

- I have these hot fIushes... - Leave this woman's body!

FouI creature! Disgusting creature!

- FiIthy creature! - It won't work, Maurizio!

Go back from whence you came! Leave this woman's body!

- Listen, I'm the deviI! - What?

I'm the deviI. As soon as I was born I ran away. PIease don't send me back.

I don't Iike it there.

PIease give me a chair. I'm tired. I came from far away.

A ''IittIe chair'' for my ''IittIe bum''. PIease, Maurizio.

Thank you.

I tricked you, you ugIy priest! You've done a favor to the deviI.

This one wiII work! That's the right one!

I Iike being inside this fatty.

- Don't throw me out! - Vade retro!

I am aII naked again. It's so coId!

Oh, the pain...

What's going on? Where am I?

Dear Mother of God!

What happened? Easy.

My thighs hurt and my stomach too.

- How are you now, madam? - Bad.

I feeI as if I had indigestion. I feeI fuII.

You ate too much zuppa ingIese Iast night.

- Come, I'II show you the way. - Many thanks.

Saverio, teII her cousins to take her home and Iet her rest.

Who are you?

- From where did you escape? - From the Iady.

The Iady?

- You are that revoIting thing that was inside that woman? - Yes.

No. The woman was that revoIting thing that was outside of me.

Maurizio!

My Iegs! I couIdn't move them inside that fatty.

I was dying to stretch them a bit, Maurizio.

- What shaII we do? Where shaII we go? - It can't be true!

- Let me touch you. - Where?

ImpossibIe! I am dreaming.

I'II cIose my eyes and you go where you want.

You don't exist.

I'm waIking aIone. I'm taIking to myseIf.

It's compIeteIy normaI! A Iot of peopIe taIk to themseIves.

Maurizio! Maurizio, don't Ieave me aIone.

My feet are so coId! Maurizio!

Of course, seeing something that isn't there doesn't happen to everybody.

I bet that if I was to turn around now, I wouIdn't see you.

I see you. I see you. But you're not there. You don't exist.

Maurizio!

Maurizio!

Maurizio!

- Who's there? - What do you mean? It's me, Giuditta.

What do you want? Go away. Leave me aIone, I'm very busy.

Maurizio, pIease open. My feet are coId to death.

Maurizio, I'm naked and it's crawIing with priests here.

PIease, open.

Ok, Iet's get this over with.

It Iasted Iong enough. Did you run away from a circus?

Can't you see that I'm not amused by your stupid story.

Do you reaIIy think you'II convince me that you are the dev...

Maurizio, is something wrong? Don't scare me.

- I'II be back soon. - Maurizio! - No, stay there!

Stay there and trust me. I wiII be back soon.

I'II be back right away.

Maurizio!

Father Maurizio, what's going on? Turn down the music, pIease!

Here I am! I'm coming!

- What's going on inside there? - Nothing, you needn't worry.

- Is there somebody inside? - No.

I forgot that my nephew is there.

He arrived this morning.

He's an eccentric person. He Iikes music.

Bummer! Who switched the music off? Maurizio!

You are back!

What a drag! Your cIothes are aII aIike! IdenticaI!

- How does it fit me? - It fits you good.

I want to know right away, what do you want from me!

''What do you want from me?''

I am your nephew. What does a nephew want from his uncIe?

I shouIdn't even be here. If they catch me...

- What shaII we do? Where shaII we go? - Shut up, fouI creature!

Stop it with this ''fouI creature''! I don't Iike it when you say that!

I dont Iike it! Enough! We are beautifuI fouI creatures!

Maurizio, a fouI creature!

But it's beautifuI.

Have you ever seen such a beautifuI fouI creature?

What shaII we do? Where shaII we go?

- Do you want to go out? - Yes. - Just you and me. We'II take the car.

I'II put on my jacket. You put on yours too.

We're Ieaving straight away.

Do you know where we're going? Put on your jacket.

We'II go to the restaurant to eat zuppa ingIese and then we'II dance.

Do you Iike dancing? Put this on.

No, better not. I'II buy you a nice new suit and a hat.

Something chic. You'II be beautifuI and I'II be proud of you.

I've been wanting to go shopping with an oId friend for quite a whiIe.

We are ready. It wouId be better if I knew your name, before...

- What's your name? - Mine? - Yes.

- Giuditta. - Give me your hand, Giuditta.

Nice to meet you.

Now that we are friends...

- Did I offend you by caIIing you ''fouI creature''? - Yes, a Iot.

Sorry, it won't happen again. I misjudged you.

It was probabIy because of that fur coat you were wearing.

No... No, it wouId be best if you Ieave the fur coat there. It's reaIIy ugIy.

Come on, I'II show you the worId. You haven't seen it before, have you?

- No. - You'II be fascinated.

Let's see if there's anybody around.

Ok, the coast is cIear.

BeautifuI, Maurizio! It's beautifuI here!

Maurizio, what is this?

- Second gear. - No, it's the handbrake.

And this?

- First gear? - No, the seat. - Right.

This one's easy. The wipe...

It's your turn.

- What is this? - Second gear. - Third.

I Ieft something in the car. I'II be back right away. Wait here.

No, you wait here. Wait for me here.

- Where? - Here, sit down.

I'II be back right away.

Maurizio!

What is this?

- The handbrake. - WeII done!

BuII's-eye.

Excuse me, which way to the train station?

The train station?

The train station!

- Yes! - It's GIoria, I Ieft the driving Iicense on the tabIe, next to the fruit.

Who is it?

It's GIoria, I Ieft the driving Iicense on the tabIe, next to the fruit.

- Yes! - It's GIoria, I Ieft the driving Iicense on the tabIe, near the fruit.

- Who is it? - Yes? - Who is it?

It's GIoria, I Ieft my driving Iicense...

... on the tabIe, next to the fruit. To the train station!

Patrizia.

What happened yesterday? I was waiting for you.

- Today we got aII the time we need. - Father Maurizio! - Not aga...

Your son! They put your son in prison!

- Father Maurizio? - What's going on?

- Your son has been arrested! - Be quiet.

They arrested a young man Iast night. He says he's your son.

It's a Iie and nobody beIieved it,

but you'II have to come with us for verification.

- I was taIking to... - It won't take Iong.

I'm sorry, Patrizia.

FinaIIy! Take a seat.

Bring him here.

Take him away, pIease! We found him at the train station, compIeteIy naked.

He wanted the driving Iicense of some GIoria with fruit.

- He mentioned your name. You know him. You must take responsibiIity. - Yes.

He asked for zuppa ingIese aII night Iong.

But we don't have any. There was none even at the café.

What a drag! You have nothing here! Nothing!

The whoIe night was a pain in the ass...

Maurizio! Maurizio, where have you been?

How are you? This is Maurizio!

Maurizio!

This is one of the most boring pIaces I ever saw. There's nothing!

The onIy good thing was this suit. It's very nice. When they put it...

- Mr. Giuditta, pIease. - I won't stay here.

AII night Iong... There's nothing... Let's go, Maurizio.

Father, wouId you pIease send the uniform back to the poIice station ASAP.

To the train station!

Let's go, Maurizio.

CaIm down, Maurizio. ReIax, Maurizio, caIm down.

You know something? You're a Iiar!

You're a Iiar, no doubt about it. I knew it from the begining.

Anyway, I don't care. What you do is your business.

Did you notice I never said a word to you?

I pretend you are a friend or a reIative that came to visit me.

And you can...

You can stay as Iong as you want.

I don't even want to know why you're here,

because it's cIear that you have your reasons.

But I'II give you an advice. You must behave.

I bought you a suit so you won't have a reason to go around naked anymore.

I'm just asking you not to make them expeI me. Am I asking too much?

And don't Iaugh Iike a smart-aIeck.

Are you trying to move me? I can do that too.

Maurizio, where are we going for dinner? Where's this restaurant?

I see you didn't understand a thing I said. We're not going out to eat.

I'm going out to eat and I'II bring you something when I come back.

I'm going to the restaurant aIone.

- What shaII I do aII night Iong? - Since you Iike yourseIf so much,

watch yourseIf in the mirror! That suit is not bad at aII.

Damn! Maurizio, I don't Iike this suit.

The suit is disgusting, but the person inside... HoIy cow!

I can't beIieve it. We are an amazing race!

Look... Eh?

I have a distinguished taste. I never Iike something straight away.

Maurizio, take me to dinner. I promise I'II stay quite the whoIe evening.

I won't say a word.

Come on, Maurizio, take me to dinner. Maurizio!

- Take you to ''Benvenuto's''? - Yes, thank you.

They wouIdn't even Iet you in. An ignorant Iike you...

- You probabIy never went to schooI. - To schooI?

SchooI!

Arithmetic! Two times one, nine!

Two times two, fourteen! Two times three, fifteen!

Two times four, zero! Two times five, nothing!

Two times six, nothing! Two times seven, nothing!

History!

The BabyIonians? The BabyIonians are aII dead.

Geography! The Japanese?

There are 123 Japanese!

PhysicaI education! Do this exsercise!

Come on, Maurizio, take me to dinner with you.

No!

I said no and I'II say it again. No!

- Yes? - It's Father Maurizio, some friends are waiting for me.

- Come in, pIease. - Good evening. - This way.

Father Maurizio!

- How are you, Roberto? - Thank you for coming.

I want to introduce you to my mother.

- My pIeasure. - The pIeasure is mine, madam.

- This is my father. - PIeased to meet you.

AIIow me to express my gratitude, Father Maurizio.

My son is aIways taIking about you.

Your son is very kind, but, beIieve me, it's aII his merit.

He had what it takes. AII I had to do was to foIIow his studies,

and point him in the right direction. For everything eIse,

the merit is his and yours, of course, for being such good parents.

- Yes? - It's GIoria, I Ieft the driving Iicense on the tabIe, next to the fruit.

What is it?

I'm Iooking for father Maurizio. I'm a bit Iate.

- Who shouId I announce? - Giuditta.

- Giuditta Giuditta. - Wait here. Giuditta. - Thanks.

Father, Mr. Giuditta is here.

- Who? - Mr. Giuditta.

Maurizio!

Good evening. Excuse me.

I have to say something urgent to Maurizio,

and I'II Ieave straight away. I wiII eat aIone.

What are you saying? Father Maurizio's friend is weIcome here. Take a seat.

HonestIy I'm not a friend, but his bioIogicaI nephew.

A nephew? Nice!

CoId you pass me the wine, pIease?

Yes.

- Do you want this one too? - No!

- Do you want something to eat? - You scared the heII out of me.

- Do you have some zuppa ingIese? - No, it's finished.

Nothing? Not even a IittIe bit?

- TeII me the truth. - It's true. It's finished.

Do you Iive here or are you just passing by?

He came to my pIace, but onIy for a few days.

He needs to recover a bit. Because, as you probabIy noticed,

he's not compIeteIy...

You see...

He had a rough experience. His girIfriend Ieft him.

- And he's not aII there anymore. - I understand you.

In my time it was much more difficuIt and, because of that, we suffered more.

You're right. Nowadays they make Iove before even getting to know each other.

Yes, they make Iove easiIy.

- They make what? - Love.

What does it mean?

- To make Iove! - To be with a woman physicaIIy.

To possess her physicaIIy. How can I say this? Possess her!

Ah! Now I got it!

It happened to me with Giuditta.

- Did you break up? - They made me Ieave her!

Anyhow, intimate reIationships make you rich inside.

- What did that girI Ieave you? - A fur coat.

Maurizio, what happened to Giuditta's fur coat? I Iooked good in it.

Excuse me, how oId was she? Was she your age?

No! Me and Giuditta the same age...

She was 63 or 64. Maybe even 65.

A tremendousIy ugIy fat woman!

Her famiIy was an awfuI pain in the ass!

How did you meet this...

By chance. One night I went inside her suddenIy, whiIe she was sIeeping.

How did she react?

She didn't even notice. It was night-time. She was asIeep.

I was inside her two days, but she didn't notice a thing.

You possessed that 64 oId year woman,

for two days? In bed?

Not onIy in bed!

In the kitchen, the bathroom...

... on the street, on the bus on the bike, wherever she went.

I couIdn't go in and out continuousIy. When I'm in, I'm in. If I had gone out,

she wouId've run away.

Her entire famiIy tried to puII me out, but I wouIdn't budge.

- What did you say her name? - Giuditta.

- So you knew her? - Yes, I met her.

Why did you choose a 64 year oId year woman?

I didn't care how oId she was. I escaped and I wanted to get inside of somebody.

Why wouId I care about her age? I found a Iady and, zap, I got inside.

Was I supposed to ask for her age? Had it been you, I wouId've gotten into you.

Had it been the Iady here, zap, I wouId've gotten into her.

It's aII the same to me! Why wouId I care how oId she is?

What a dinner! I'II never forget it.

I'II never have the courage,

to face aII those peopIe again.

Is it possibIe? Is it possibIe that you didn't understand?

I can't beIieve it, Giuditta.

You reaIIy didn't understand what happened?

For a moment, I thought you were

the onIy normaI person at the tabIe.

Maybe I drank too much.

Taxi!

Taxi!

At this time of night we'II get there faster on foot.

With aII the wine I drank, a IittIe waIk wiII do me good.

Damn, it's windy! I drank too much. I have to take a Ieak.

- You wait here, Giuditta. - Where?

Here. I'm going to take a Ieak.

It's been years since I went out at night.

I don't even remember when was the Iast time I did it.

Do you know what I wanted to be when I was a kid?

I'II teII you, but don't teII anybody.

I wanted to be a singer. I began studying doubIe bass.

I must make an effort not to think about that day.

If onIy I'd said: ''First street on the right. Goodbye. ''

Instead I toId her: ''If you don't mind, I'II take you there. ''

''No, no, mister. ''- she repIied. ''I don't want to bother you. ''

''It wouId be a pIeasure.

You see, I was going for a stroII, and I don't do that often. ''

She Iooked at me in a strange way. ''What do you mean by that? How come

you don't go out often?''

''You see, I am a priest, miss. ''

''I never wouId've thought it. '' ''Thanks. You're too kind. ''

She said: ''WeII, I arrived. ''

I said: ''Me too. ''

Hey! What are you doing?

Are you stiII taking a wizz? Stop it!

Stop it! Can you hear me?

Stop it! Are you crazy? Put it back inside.

Put what back inside?

Do you want to fIood the city?

Can you hear the music?

Music!

- Music! Over there! - I don't hear any music.

Maurizio!

Music! Come, Maurizio. Listen!

Model number 8: Charlotte.

A sparkling model. lntimate, melancholic and glossy.

lt only has one defect. lts pattern is unrepeatable.

lt seems that the wind wants to emphasize and exalt

the magic atmosphere of this evening.

Here is Leo! Come, Leo.

ModeI number 10. Gorgeous! Let's quicken the pace a bit.

Model number 11: Eleonora; and model number 12: Giorgio.

And now, admire the shades and the suffering

of the coIours, on outfits so sereneIy restIess.

Remain seated, pIease. Don't go away!

And now, the wind brings us modeI number 13!

A beautiful and unique wedding dress

that needs no further comments.

Oh, poor dear. I wiII heIp you.

It is wonderuI here!

Did you see? The first one in red the second one with the wind...

Maurizio! I want to stay here forever, Maurizio!

Listen, we can't stay here forever because it's getting very Iate.

I am very tired and I have a very strong headache.

Therefore we'II go home straight away, understand?

I can't stand up anymore.

- Maurizio! - I just can't.

Maurizio!

- Maurizio! - Where are you going? - It's the wind!

It's too strong!

- HeIp me! - Come down! - They're puIIing me!

- Who is puIIing you? - Maurizio, heIp me!

- What are you saying? - Maurizio, they are puIIing me!

Giuditta, where are you? Come here!

- Maurizio! - Giuditta!

I am here! Grab my hands! I'm not going back there! PuII, Maurizio!

CaIm down, you are on the ground.

Maurizio!

Is Father Maurizio there? It's Iate they are waiting for him for the mass.

- Who? - Father Maurizio needs to get dressed for the mass. Where is he?

- Get dressed? - Yes. - For the mass? - Yes.

He's sick. He's very sick.

He was sick aII night Iong. ReaIIy sick.

- He toId me: ''If a certain... '' What's your name? - Saverio.

''If Saverio comes, teII him I can't make it. You go instead. ''

- Let's go, quickIy. - You? - Yes, Iet's go. - Ok.

I'II go.

- Who made you this suit? - I bought it.

Nice!

So you had some cIothes! It's just that not one of them is pretty.

OnIy this one is cute. And that one.

- Do you Iike it? What's your name? - Saverio. - I knew it!

Saverio, you must stay caIm and fix yourseIf up.

Your nicest suit is that one. I Iike it more than anything.

Saverio! What shaII we do? Where shaII we go?

We shouId go over there. But I don't know if...

- There? - Yes. - What's there? - What do you mean?

I'II take a Iook. You wait here.

Saverio, it's fuII of peopIe there.

Of course. They're here for the mass.

They've been waiting for over haIf an hour.

- Waiting for what? - You! - Me?

They're waiting for me?

I get it now!

I'II go first and, after a whiIe, you make a surprise entry.

- A surprise entry? - Yes, when you feeI Iike it.

But first, I'II go in aIone.

ModeI number 4: Giuditta.

I don't want to infIuence anyone. Just observe it in siIence and think it over.

You've been waiting for an hour, but now you can finaIIy see it.

It's a sparkIing modeI, intimate, meIanchoIic and...

How was it? Sincere and... But, most of aII, it's a modeI

suitabIe for jumping!

An appIause! And now... Come, Leo! You go, madam!

Look at it. I am proud of this modeI. An appIause!

You there, come! Look at these crossings!

Look at the coIours! You go back to your pIaces.

And now, modeI 18: Sabrina. Go, Sabrina! AppIause!

I couId cry! What modeI! I spent many nights sewing it.

Don't faII, dear. Everybody back here.

And now, spin around! You too, mister!

And now have a Iook at aII the outfits together.

The suffering of the coIours on outfits so sereneIy restIess.

- WeII done. No, no, remain seated. Don't go away, now that... - Giuditta!

Maurizio! Maurizio!

Patrizia!

I am gIad that you understood.

I think that, when you recover, you shouId go on a nice vacation.

Right?

Maybe you are right.

- But I have so many things to do. - Excuse me, Maurizio...

- This nephew of yours... What's his name?- Giuditta.

I forgot.

He can't stay here. He must go home.

Trust me, it's easier said than done.

- It's my fauIt. - Where is he now?

I don't know. He was here a coupIe of minutes ago.

Giuditta. Giuditta!

Giuditta!

To the train station!

- Excuse me, sir, is this seat taken? - No, go ahead.

Thanks.

- WonderfuI! - Thanks. - That's a reaIIy nice jacket.

It's just my aIarm cIock.

There's aIso an eIectronic game. A pastime.

- Do you want to pIay for a bit? - WonderfuI! May I?

Wait, I'II expIain it to you.

Look...

There's the hunter, see? And the birds. Shoot. WeII done!

- Very good! - Amazing!

Here.

Thanks. Very kind of you.

- Oh! - You soiIed yourseIf with ink. I'm sorry.

- Sometimes it misbehaves. - Never mind. - Here.

The tap was a bit dirty.

May I?

Tickets, pIease.

Thanks, have a nice trip. Ticket, sir?

- Thanks. Ticket, pIease? - That's my ticket. - What?

That's my ticket. He took it.

- Again? - What? You took it out of my hand!

SettIe it between yourseIves. One ticket is missing here.

- Of course! I say... - He says that everything his.

Not everything. That ticket is mine.

- Whose watch is this? - Mine.

- And the Iady's pen? - Mine. - The Iady's tissue? - Mine.

- And these gIasses? - What are you doing with my gIasses on?

- And this jacket? - It's mine!

- I get it! Come with me. - Miss... There's been a mistake!

- Let's go. - I assure you that there`s been a mistake.

When he came in he said: ''This train is mine!''

- ''Even the ticket inspector is mine!'' - Me? - Yes.

He'II come to a bad end.

CouId you give me my coat back? I must buy another ticket.

We had so much fun, young man!

You're a very funny guy. You know what I mean.

- Is this yours? - I don't know. What is it?

- A Ietter. Is it yours? - I don't know...

Read a coupIe of Iines to me, maybe I'II remember...

''My Iove, I am Ieaving and maybe I won't come back. '' Is it yours?

I don't remember. CouId you go ahead, maybe...

''It's my fauIt. When I saw you in that state, wearing a nightgown in church

with everybody appIauding you, I thought: ''He's gone mad because of me!''

I am going to visit my mother. PIease don't foIIow me, I want to be aIone.

But I Iove you, I Iove you, I Iove you! I Iove the things you say... ''

- What are you doing? That's my Ietter! - Your Ietter?

How dare you?! Shame on you, you rascaI!

Go away! What a rascaI!

You are insane!

It's here!

- Nina! Nina! - Come on, guys. Stop fooIing around and pass me my bag.

The bag, come on!

Look out, it's heavy!

- Porter! - Porter!

- Is there a porter? - Is there a porter?

Nina! Nina!

Porter!

There are no porters here.

Porter!

There's not a souI around.

If somebody was here, he wouId certanIy heIp a girI carrying a bag.

I didn't want to come here.

I knew it! I can feeI these things!

If somebody had heIped me...

I wouIdn't be here right now.

Damn!

This too? I knew it!

Get out! Get out!

You Iike being there?

You Iike being on the tracks?

You are a neurotic and stubborn shoe! I think you have some serious probIems!

And now I can say it. I never Iiked you! You were too tight!

I'm afraid we'II have to waIk. There are no taxis here before 16. 30.

AIIow me to introduce myseIf. Professor CusateIIi Germaniis.

You say we shouId waIk, but where is the Grand HoteI?

- A few steps away. - Too much for someone with a heavy bag and just one shoe.

If it's onIy that, I'II heIp you.

I'II take your bag.

Ok, professor, Iet's waIk.

Professor, this was a bad idea.

- We couId ask that young man for heIp. - Never!

In that case, you wait here, I'II Iook for a taxi.

You! You pretended you didn't see me or hear me back there.

For once in your Iife, be a gentIeman!

He doesn't show signs of Iife.

Ah! What are you doing? Are you crazy?

Put me down! Professor, heIp! He's gone mad!

Put me down! Have some manners!

As far as I can see, we soIved the probIem.

It's not very far.

You Iook Iike a person with a job that starts with a ''p''.

Painter... pIumber... Oh!

Stop. Professor, couId you pick it up? Thanks.

We were saying... Porter! No, not that one.

PIanter! I shouId've thought of it earIier.

No, where are you going? Turn right!

Do you know when the casino opens?

- Can I heIp you? - There shouId be a reservation under my name.

Nina Maciucescu. This is my passport.

- I can't find your reservation - Give it to me.

Never mind this. I want a bedroom with a Iiving room,

a terrace and a big bathroom. - Yes, but...

Why don't you give her what she wants? Can't you see that the youngster

- is in a very uncomfortabIe position? - Ok. Ok.

Giovanni.

- Take the Iady to 414. Bags? - This one.

There's aIso this...

- This way. - Put me down. Easy. Thank you.

- Goodbye, professor. - Miss. - Goodbye.

CouId you send me a hot chocoIate upatairs, and a pair of shoes size 38. 5.

- LittIe one, you sureIy know... - For you?

- You? - Me?

Zuppa ingIese and a pair of socks 21. 5

She's a nice girI! Maybe a bit nervous, but very pretty.

Professor, I'm not feeIing very weII.

- I am aIso tired. I wiII go to my hoteI. - No!

Wait a minute. I wanted to ask you... ... this girI...

... that was on my shouIders... BeautifuI!

She... how can I expIain?

Which brand of a woman is that? She's beautifuI!

It's a woman... It's the most beautifuI race I ever saw. What race is that?

She's a woman. I think it's obvious.

I don't know her. I onIy met her at the station. But from what I've seen,

it's a race without underpants!

- She's compIeteIy naked under her skirt! - I don't understand a thing!

But I had fun carrying her! I Iiked it very much!

I Iike her. She has that thing... my body... I feeI that...

You are overexcited, youngster. It's ''Iove at first sight''. I feIt that...

... when I was, more or Iess, 15 years oId.

I stiII don't understand a thing. I feeI the urge to...

Professor, maybe you are an expert in these things.

I feeI Iike... this woman is puIIing me... as if I were attracted...

I must do something, or I'II burst. I feeI the urge to...

- How... what... how do you... - I get it! You are very eIoquent.

- Too eIoquent, but I don't know what shouId I do! - SchiIIer said:

''Some peopIe know everything; and that's aII they know. ''

If Maurizio was here, maybe he wouId know. It never happened with him.

I don't know what to do? What shouId I do?

What shouId you do? When the girI comes down...

... approach her and...

... teII her: ''ShaII we go for a waIk. ''

She'II probabIy say no, and you wiII say: ''Why not?''

''ShaII we go for a waIk?'' ''No. '' ''Why not?''

Because the girI has a point.

You can't trust young men.

How can you pretend to take a girI for a waIk,

and make Iove to her the same night.

It's an ephemeraI passion that can't Iast.

You decide to get married straight away. She says: ''Fine, Iet's get married. ''

Then he says: ''Ok, we'II get married, but I want my freedom. ''

''You want your freedom and I want mine!

We'II be together, but we'II do as we're pIeased.

But don't you smoke in the bedroom!''

Then you'II get to a divorce, and who suffers in the end? The chiIdren!

Thank you, professor.

''ShaII we go for a waIk?'' ''No. '' ''Why not?''

''ShaII we go for a waIk?'' ''No. '' ''Why not?''

''ShaII we go for a waIk?'' ''No. '' ''Why not?''

''ShaII we go for a waIk?'' ''No. '' ''Why not?''

''ShaII we go for a waIk?'' ''No. ''

Everything was right. See you tonight.

- Just a bit sIower. - Ok, bye.

''ShaII we go for a waIk?'' ''No. '' ''Why not?''

''ShaII we go for a waIk?'' ''No. '' ''Why not?''

''ShaII we go for a waIk?'' ''No. '' ''Why n... ''

- ShaII we go for a waIk? - No.

- Why not? - Because you have a point!

Young generations want to go for a waIk and make Iove the same night.

And smoke in the bedroom! I want my freedom too! Let's get a divorce!

This is an ephemeraI bedroom. It can't Iast. Who suffers in the end? SchiIIer!

Bravissimo! ShaII we go for a waIk? I say yes.

But I don't think I can waIk much with these shoes!

I asked for a 38. 5.

- A kiss on the Iips! - On the Iips?

Yes. I'm through with men. DefiniteIy.

I was negIecting him a bit, because of gambIing. But he went with another,

without teIIing me! He couId've at Ieast toId me!

He kissed her on the Iips, in front of me. That's too much!

WeII done! But I don't understand a thing.

Why aII the fuss for a kiss on the Iips?

Why? How can you not understand?

- Wait here, I'II show you. - Nina! - Stay.

- DarIing, is that you! I can't beIieve it! - What?

CarIo! CarIo!

Sorry, I didn't see her.

- She sIapped him, Iet's go. - I don't understand, but I Iike it.

- Do you understand what happens? - It's enough to kiss somebody,

- and aII this mess happens? - Same here. I sIapped him too.

- And I never wanted to see him again. - It's a beautifuI game!

Who invented it? Did you invent it? WeII done!

Nina! Over there!

- Where? - Those two! ShaII we? - What?

Wait. I'II do it, it's my turn.

No!

Look who's here! It's you, my Iove!

I caIIed you at Ieast a thousand times!

FinaIIy! Sorry, I didn't see her.

- You kissed the man! - You too! I Iike this game.

I didn't read about side effects. My cousin was very sick.

He had a pIeurisy. ''Do not administer to asthmatics. ''; the instructions said.

I got scared. He started breathing Iike this...

I'm hot! The pIeurisy went away but he wasn't abIe to speak anymore.

Because of the asthma attack. Yes, just Iike that.

Now, instead of taIking, he whistIes.

The casino shouId open now. Let's go.

I don't Iike yeIIow, 2:15pm, aubergines...

I Iike hot chocoIate, peopIe caIIed Giorgio,

number 4, strong wind,

candy and ceIery.

What do you Iike? Ah, I aIso Iike singing IoudIy!

What do you Iike?

I Iike... Now, more than ever...

The... I don't even know how's it caIIed.

I'm embarassed. It's the first time this happened to me.

- TeII me what it is. - I can teII you? I Iike...

I Iike it very much. I've never seen it before.

I onIy saw a gIimpse. You have it in a strange pIace.

Who gave it to you, Nina? Where can you find it? CouId I have a better Iook?

Why don't you put it some pIace easier?

- If I had a thing Iike that... - The casino is opening, I must go.

Don't interrupt me, Iet me finish. I want to teII you everything.

That thing... I feeI attracted to you.

I want to hug you. That thing is the most...

If onIy I had it... I thought I was the most beautifuI thing that nature couId

produce, then I saw that thing and... I'm Iacking everything.

Without that thing... Why don't you borrow it to me?

PeopIe don't know about that thing. You shouId...

Nina, that thing is reaIIy... How can I say...

I had a friend caIIed Maurizio, but he didn't have that thing of yours.

I didn't take a cIose Iook, but I am sure he didn't have one.

I never saw a thing Iike that. If I see him again, I'II ask him, because...

I feeI the urge to... Nina...

- Card. - Nine! I knew! I feIt it!

- What happened? - He fainted.

I'm so sorry.

WeII?

If nobody's pIaying, I'II switch tabIes.

- Hi! - You Iost it, I found it.

Why not? Let's pIay for this coffee.

I was speaking... I am...

- One for you, one for me... - WeII...

- Card. - Nine. - Nine. - Nine?

A coffee became a cappuccino. Let's pIay for that too.

One for you, one for me...

- Card. - Card. - Nine.

Bravo! You're reaIIy good at this.

- Are you Ieaving everything there? - Yes. - I am so scared!

One for you, one for me...

- Card. - Nine! - Nine.

- Eight! - Eight? What shouId I say?

- Nine. - Nine!

- Eight! - Nine!

- Card. - Nine!

- Card. - Nine!

- Card. - Nine!

Nine...

Someone in here is bringing me bad Iuck.

- Card. - Nine!

- WouId you Iike to pIay again, madam? - Can't you see that ''madam'' is broke?

For you, sir.

Nina, I wouId Iike to bet everything against...

May I, miss?

- Not everything is Iost. - How's that? - I'm sorry for the intrusion, but...

Professor CusateIIi, we met at the train station...

Maybe you'II find this unusuaI, but I think I understand

that this nice and Iucky young man wouId bet aII he has won against...

... one night with you. - What?

Did I hear you weII?

You are a pig! As a matter of fact, you're both pigs.

And I shouId bet myseIf, my body... for these...

- How much is it? - 112 miIIions.

You want me to spend a night with him for these stupid 112 miIIions?

- It's the most vuIgar thing... - What's your decision, madam?

What a siIIy question! I Accept!

What game is this?

- Chemin de fer. - How do you win?

- The one who is cIoser to 9 wins. - You need to say ''nine''?

- Card. - Nine!

Don't you Iaugh! I knew you wouId bring me bad Iuck, since the day we met!

You crow!

Thanks.

Come here. I aIways pay my debts.

WeII done. Best of Iuck.

- Sir, the chips! - Nine!

That CorateIIi is your partner, right?

He's not a reporter, he's a ''pigorter''!

This was not a casino, but a brotheI. 112 miIIions for one night!

224 for two nights. In one month...

You wiII have to force me to spend the night in bed with you.

- But I... - Don't try to convice me! - No...

- I won't go to bed with you. - Bed? I don't want to spend the night in bed!

You bet 112 miIIions to sIeep with me.

Be honest, you can't wait to take off your cIothes.

Get undressed? Naked? Why? What wouId I do, naked, in bed with you?

- You don't want to go to bed with me? - No.

- No? - No!

What do you mean no? I'm the one that says no, not you!

You'II go to bed with me now, Iike it or not.

- Is there something wrong with me? - Nothing! I Iike you, but...

Why wouId we sIeep naked in bed? I wouId Iike... Not the...

I don't understand a thing, but I wouId...

Keep your hands to yourseIf! I knew you wanted to go to bed with me.

Again? Nina, be reasonabIe!

I have the entire night at my disposaI,

and you think I wouId waste it naked in bed with you?

I don't understand. Do you want to go to bed with me or not?

I do not want to spend the night in bed with you.

That means that we're even.

You rude Iout!

- Nina! - Leave me aIone, I never want to see you again.

Nina, but where... What...

- Who is it? - It's me, GIoria.

I Ieft the driving Iicense on the tabIe next to the fruit.

- You made a mistake. - You think so too?

But where... Maybe she was sIeepy. I shouId've pretended to be sIeepy too?

What do you think? HeIIo?

First he taIks, then he disappears. I don't get it.

The deviI himseIf!

Patrizia, I assure you it was a devastating experience.

That's enough, Maurizio. I want to go home.

You can't seize a person Iike this, for eight hours,

and repeat the same things over and over again.

Just Iet me finish and everything wiII be cIear. Then, you can take the bus. Ok?

I can't bare Iooking at you, Maurizio.

- Your face is upset! - Ok, I'II turn around, but pIease Iisten to me.

I wanted to teII you something that is on the tip of my tongue. It's very romantic.

Don't move, I must concentrate.

It Iasted a Iong time, but now I made my decision

Isn't it funny that it aII happened at a bus stop?

But the time has come.

Now everything is cIear in my mind. Patrizia,

You see, Patrizia, you've aIways been a big temptation for me, Iike the deviI.

And Giuditta, the deviI, is the temptation in the fIesh.

I Ioved him and now I miss him.

I thought that this Giuditta and you, Patrizia,

were the same person. You understand what I'm trying to...

Don't say a word, Patrizia. I reaIize that it's getting Iate.

I'II go away. You stay here and wait for the bus.

It shouId be here soon.

Stay there.

Maurizio!

Maurizio! It's me, Giuditta!

- Maurizio! - I know.

Maurizio! I don't feeI very weII and I must taIk to you.

Why are you running away?

Because you scared me to death!

I scared you? You scared me!

I was sitting on the bench, having a private chat

and, aII of a sudden, this fouI creature jumps out...

- What is it, Giuditta? - The music.

Hey, Giuditta!

Giuditta. Giuditta.

I'm sorry I caIIed you ''fouI creature''. It was a sIip of the tongue.

Don't be so touchy.

PeopIe have fun of me too. They say that my nose is too big,

my eyes too smaII and my hair too dark.

I don't get mad. Just Iaugh about it! You have no reason to be offended.

I spoke too much! How did you appear so suddenIy back at the bus stop?

I was taIking to Patrizia and, suddenIy, you were at her pIace!

I didn't see her taking the bus, nor the bus itseIf. I must've been in trance

Giuditta.

Are you Iistening to me? What's gotten into you? What are you Iooking at?

- Maurizio? - Yes? - Do you see that girI?

Yes, she's very pretty. What about it?

She absoIuteIy wants to spend a night naked in bed with me.

That girI wants to spend a night naked in bed with you?

- Good evening. WouId you spend a night in bed with me? - Naked?

- Naked. - OnIy an idiot couId refuse such a proposaI.

- Can you dance tango? - No, but I'm a quick Iearner.

Excuse me, Giuditta.

This is onIy the second time I've danced in my entire Iife.

- When was the first time? - I can't remember. - He makes me so angry.

It became a matter of principIe. I have to spend the night with him.

- Who? - Your friend!

- Him? - Yes, I Iike him very much.

- Then it is true! - Of course. There's something about him

- that attracts me. He's speciaI. - He's not just any other person!

- Can I give you an advice? Find someone eIse. - Who? You, for exampIe?

- Are you trying to teII me that? - AbsoIuteIy not!

But, I can assure you, you wouId be better off.

What are you saying?

Listen...

I'm his best friend and I wouId never spend a night with him.

The more you speak the more I feeI Iike it!

Listen! WouId you go to bed with an animaI?

What are you trying to teII me?

What am I trying to say? Let's put it Iike this...

He's more than an animaI. He's the whoIe herd! Got it?

It's for your own sake. Take my advice!

If you can't keep hoId of yourseIf, find anybody eIse that isn't him or me!

- Got it? - I had some doubts, but you removed them!

- Where are you going? - To the herd!

Hi. How are you?

Fine, but... I feeI weird. ShouId we sIeep together? What shouId we do?

Come, don't worry. Just take off your cIothes and I'II take care of the rest.

Giuditta!

He was so stupid that I aImost Iost aII hope!

You're wrong. There's something I Iike about him.

- Don't teII me you've faIIen in Iove? - Don't be siIIy!

I enjoyed my stay here, but there's one thing I don't understand.

How can they wear those stupid shoes? They're so uncomfortabIe!

You said it. I can't sIeep because of them.

- Are you sure he knows what to do? - Yes.

I toId him to get undressed and wait for me.

I feeI he's ready.

Goodbye and thanks for working so weII with me.

My pIeasure.

Giuditta! What are you doing? You're Ieaving without even saying goodbye?

I've been waiting for you aII night Iong. Come here and teII me how it went.

- How did it go? - Oh, Maurizio!

I must teII you it was extraordinary!

She took me... we got one over... She's very refined!

- Very refined? - Yes.

- How come you're in such a hurry? - Yes, Maurizio.

I wanted to say goodbye to you, because I must Ieave right away.

I've just rembered about some deadIines...

My famiIy, my business... I have things to do over there.

I came to say goodbye quickIy, because I have to go and see my dad, my mom...

If they send someone to get me, I'II make a fooI out of myseIf.

I think they aIready sent somebody. Look here.

It's a photo of me dancing with that girI, but she doesn't show.

She's a dangerous woman! She's a fouI creature! No offense meant.

- What? Are you taIking about me? - What?

I was taIking about that girI... Nina.

PIease! Yes, I know. She's beautifuI, isn't she?

- Not at aII! I toId you that she's a fouI crature. - Maurizio...

Sorry, Giuditta. I promised not to speak,

but I won't take that from someone who hoIds his souI between his teeth.

Giuditta, what's happening? Whose voice is that?

It's mine! I made fun...

I have this voice in the morning, when the air is fresh.

It's not so fresh. I'm having these hot fIushes!

I'm a fouI creature? I get it.

Nina, pIease, I asked you to Iet me say goodbye to Maurizio in peace.

Maurizio. Don't make me do this with my jacket.

- Make me stop. - No! I'm hot and I'II do it as Iong as I Iike.

I don't Iike this friend of yours very much.

Maurizio, sorry... When I stop doing this...

Make me stop, just for a second!

She has a bad temper. But she's beautifuI.

She came to get me.

She'II take me back, because she's afraid I might run away again

I Iike her very much! Last night she did such things to me...

She has a thing... how couId I... I shouId show it to you. Nina, couId we show...

Don't be stupid! Show him what?

How can I describe... She has this thing with...

You'II never understand, Maurizio. They sent her to get me.

- Bye. - You have the most beatifuI means of transport I've ever seen!

- Bye. - Bye. - Bye.