All language subtitles for FBI S05E06 Double Bind

- Cheers.
- [laughs]

Can we get
another round of martinis

when you get a second?
- No, no more for me.

- Oh, come on.

It took me six months
to get you here.

Stay for one more.

- You're right.
It's been too long.

It's just work's been crazy,
and Luke's

starting school this year.
- Already?

I swear,
the last time I saw him,

he was still a baby.

- Oh, he is
a full little person now.

I had to put the camera
back in his room.

He's been getting up
in the middle of the night

and getting out
all his books or toys.

- Oh.

- Of course, the one night
I go out,

he is out like a light.

- He is getting so big.

- I know.

- Who is that?

- I--uh...

I--I don't know.

Quick, give me your phone.

[tense music]

[phone ringing]

♪ ♪

- Hello?

- Carmen,
there's a man in Luke's room.

- What?
- There's a man.

I can see him on the camera.

♪ ♪

Can you see him?

[gunshot]

- [gasps]
- [screams]

- Carmen.

♪ ♪

- Hey.
- Hey.

- You with me tonight?
- I guess so.

- You doing OK?

OA said that you went
to the doctor.

You weren't feeling well?
- I'm fine.

- The intruder broke in
around 10:10 p.m.,

broke that glass, and came
through that back door.

- OK, are there any
external cameras out there?

- No, the house
has an alarm system,

but the kid's mother,
Liza Peters, she was out,

So it hadn't
been activated yet.

- OK.

- The abductor comes
through the kitchen

and goes up these stairs,
kills the nanny,

and takes five-year-old
Luke Peters from his bed.

- OK, what do we know
about the victim?

- Not much.
Carmen Hernandez, 34.

Lived in Queens,
worked full-time

as the family's nanny.

Crazy thing is Mom knew
the guy was in the house

before she did,
saw it on the baby monitor.

- This thing recording?
- No.

Apparently, it just has
a live feed, no playback.

- OK, where's the mom?

- I couldn't see much.
The man was across the room.

- OK, do you remember
how tall he was

or what color hair he had?

- He was wearing
a black tracksuit jacket.

I'm sorry.
That's all I could see.

- That's OK.

- Just you
and Luke living here?

What about his father?
He in the picture?

- When he can be.
We're not together.

He lives in London.

- So you two have
a cordial relationship?

- Yes, we're good friends.

- So there is
no chance that he--?

- No.

We had our differences,
but, no, John's a good person.

He'd never do
anything like this.

- Can you think of anybody
that might?

- Anyone who'd shoot my nanny
and kidnap my son?

No.

I can't believe this
is really happening.

- I know.
I'm--I'm really sorry.

- OK, so the first thing
we're gonna need

is a sample of Luke's DNA,

so if you have
a toothbrush, a comb--

- Yeah, sure.

- And we're also going to need
to monitor your phone lines.

Is that OK?

- Yeah, of course,
whatever you need.

I just want my son back.

- All right, morning, folks.

On the docket today,

we've got a regular
horror story,

every parent's worst nightmare.

Five-year-old Luke Peters
was taken from his house

a little after 10:00 p.m.
last night,

which means he's been missing
for eight hours.

We have no footage,
no witnesses,

except the mother,
who got a glimpse of the perp

on the nanny cam.

Not a lot of detail
'cause he was in the dark,

which is precisely
where we are,

so let's get to work
and start shedding some light

on this, yeah?
Thank you very much.

Kelly, light me up.
- Ballistics report.

Bullets that killed
the nanny, Carmen,

were from a 9-millimeter,
but there's no match

in the system.
- Right, OK.

So we need agents
going door-to-door

in the Peters' neighborhood.

Ethan, you want
to take care of that?

Make sure you dig into

the local
sex offender registry, yeah?

- So what do we know
about the family?

- Luke lives with the mother,
Liza Peters, in Ditmas Park.

She's a partner
at a consulting firm

in Midtown, JBD Management.

- And what about the father?
- John Bryant, 43.

He works for a private
equity firm in London.

- So he lives in London,
and the wife lives in New York?

- That is because
they're divorced

but on good terms.

He seems happily remarried
to a woman named Andrea.

- Yeah, he's actually
on his way to New York.

He should be here
in about seven hours or so.

- All right, so let's assume
Luke's abduction

is not connected to the father.
What do we know about Liza?

Does she have any skeletons
in the closet, any enemies?

- Doesn't appear that way.

We've been through
her phone records, financials.

No red flags popping anywhere.

I mean,
if it's a pure money grab,

there are much better targets
out there.

- Plus, we haven't seen
anything in the way

of a ransom demand--
not yet, anyway.

- So why take this little boy?
What's the endgame?

- Thanks.

ERT just pulled
three clean prints

from the back door
of Liza's house.

- Let there be light.

- Thanks.
Hey, Liza?

Hi, do you mind if we ask you
a few questions?

- Yeah, I was just--

[soft dramatic music]

♪ ♪

- So we found
three fingerprints

from the abductor's entrance--
yours, Carmen's, and this guy,

Thomas Mitchum.

♪ ♪

- I take it you know who he is.

- Yeah, that's
Carmen's ex-boyfriend.

He's a drug addict and a thief.

He stole my watch
three months ago,

which I tried to overlook
because of Carmen.

- OK, are him and Carmen
still in touch?

- I don't think so.

- So there would be
no legitimate reason

for him to be here last night?
- No.

I made it clear to Carmen

I never wanted
to see him again,

and I sure as hell
didn't want him near my son.

Oh, my God.
Thomas took Luke

- It's OK.
It's OK.

- Any idea where Thomas Mitchum
might be staying?

- Yes, I dropped Carmen off
there once.

He was living
at his aunt's house.

It was right near
the cemetery in Maspeth.

[tense music]

♪ ♪

- In position.

- Copy that, stand by.

♪ ♪

- We're gonna enter
as quietly as possible.

We have no way of confirming
that Mitchum is working alone,

and we do not want to alert
anyone to our presence.

We make a sound,
it could get this kid killed.

- I've got eyes on Mitchum.

He's moving around
the front of the house.

Southeast corner.

♪ ♪

- All right, Mitchum is
headed to the back room.

♪ ♪

[floor creaks]

I think he heard you.

Mitchum is headed your way.

♪ ♪

- Mitchum, don't move!
Hands up.

We got Mitchum
in the living room.

♪ ♪

- Hey!

♪ ♪

Hey.
- Luke?

- Freeze!
I said drop it.

Hands up.
On your feet now.

Back up towards me.

- Luke?
Hey, buddy?

Luke?
- Back up.

♪ ♪

- Luke?
Hey, buddy?

It's okay.
You can come out.

♪ ♪

- Glock 19, 9-millimeter.

- I can explain.
- Anyone else in the house?

- No.
What the hell is this?

- Come on.
- Luke?

♪ ♪

Hey!
He's not here.

The kid's not here.
Mitchum, where is he?

Where the hell is Luke Peters?

♪ ♪

- I don't know where Luke is.
I didn't take him.

Seriously,
what would I do with a kid?

- We know that you
were there last night.

- [sighs]

[soft dramatic music]

Is that Carmen?
- Yes.

- What happened?
- Why don't you tell us?

- What do you mean?

- We found
your prints at the scene.

Then today,
we find you with a gun, so--

- No, I didn't kill Carmen.
I loved her.

- I have three
domestic violence reports

that say otherwise.
- That was a long time ago.

Look, I'm not perfect,
but I didn't kill her.

- So what happened?
Why were you there last night?

- We was just hanging out,
like Carmen and I always do.

We--
- Like you always do?

- I wait till she puts
Luke to bed, then I go over,

then I leave before
Liza gets back.

- I thought you and Carmen
weren't dating anymore.

- Says who?
- Liza.

- Well, she's wrong.

Carmen probably
just didn't want her to know.

- So how late
were you there last night?

- I don't know.
A little after 10:00.

- OK, did you notice anyone
else in the neighborhood

when you left?
- No.

There was a car.

It was parked out at the curb
about a block from the house.

Guys were just sitting in it.

- What kind of car?

- I don't know, um,
it was a black sedan,

but I remember that
their left tail light was out.

I thought about going
and telling them,

but it was already so late.

♪ ♪

- How are we doing, Elise?
- Still looking.

There's no cameras
near where the car was parked.

- Ballistics
from Mitchum's gun

weren't a match for the bullets
that killed Carmen.

It looks like
we're back to square one.

- Hey, I got video
of the black sedan.

- Yeah.

- This is at 9:58 p.m.,

12 minutes before
Liza's 911 call.

- Yeah, can we
run those plates?

- They're bogus, come back
to a Toyota Highlander.

- OK.
So what?

Rewind it.

All right, so it looks like
there's four, maybe five guys.

Can you see if you can get
a shot of the driver or no?

OK, black hat, track suit.

It's got to be the guy
Liza saw on the nanny cam.

- I want IDs
on everybody in that car.

- OK, I'll try, but most
of them are in the shadow.

- Can you track them
back any further,

try to get a better angle?
- Yeah, we're looking.

We're looking.

- All right, come on,
come on, come on, let's go.

What are we seeing?

- I got 'em.
- Yeah?

- They stopped at a food cart
half a mile back.

Still not a great
look into the vehicle,

but I think I can
get the driver.

- Yeah, hey, better an egg
today than a hen tomorrow.

Come on.
Let's see, come on.

Boom.
- OK.

- OK, eyes up, people.

- Akhmad Petrov,
43-year-old Chechen national.

He's on Interpol's
most wanted list,

runs some group called

the Chechen Revolutionary
Regiment.

- Yeah, that's a fancy name

for a terrorist organization.
These guys are legit.

They're responsible for
several high-profile bombings

and political assassinations
throughout Eastern Europe.

- So what the hell do
a bunch of Chechen terrorists

want with
a five-year-old kid

named Luke from Brooklyn?

♪ ♪

- Chechen terrorists?
That's who took Luke?

- Yeah.

- That doesn't make any sense.
I mean, he's just a little boy.

Why the hell would they--

- We were hoping
you could tell us.

- I--
- OK.

This is Akhmad Petrov.

He's the man from the video.

And these are some
of his known associates.

Here.
Can you look through this?

Take your time and let us know
if you recognize any of them.

- No.

No, this has to be
a mistake, right?

I mean,
it doesn't make any sense.

- No.
No, it doesn't.

These men
are professional terrorists.

They wouldn't expose themself

if they didn't think
it was worth the risk.

- So what are you saying?

- I'm saying it just
doesn't exactly feel random.

You've never had any contact
with any of those men?

- No.

- What about
your professional life?

You ever worked
for any companies

based in Eastern Europe?

- Maybe,
but nothing that interesting.

I mean, certainly nothing
that would cause

a terror group
to kidnap my son.

- Can you elaborate on that,
"nothing that interesting?"

- Am I
under investigation here?

- No, OK?
Not at all.

- Then what is this?

I don't know who these men are
or why they took my son.

That's why I called you.

You should be out there
looking for him

instead of accusing me of--
what exactly?

- OK, we're just--
we're just trying to understand

how they're connected.
That's all.

Um, if you think of anything,
please call us.

♪ ♪

What the hell was that?
- Oh, come on.

She recognized
the men in the photos.

You saw that.
That's why she got defensive.

- No, she's in shock, OK?

We just told her that her son
is being held by terrorists.

Can you imagine what that must
feel like for a parent?

- That must be awful.
I get it.

But there's something off
with her.

I can feel it.

What?
- There's nothing off, OK?

She's a mother,
and she's scared.

I'm surprised you can't
really relate to that.

- Of course I can relate to it,
but that's not my job

to relate to a mother
going through

a horrible situation.
I'm trying to find her son.

♪ ♪

It's Jubal.

NYPD helicopter just spotted
Petrov's car heading west

on the Long Island Expressway.

[tense music]

♪ ♪

- Whoa, whoa, whoa.
There's his car.

- I see him.

- We've got eyes
on the suspect's vehicle

on 43rd Avenue
turning south on 9th Street.

- Copy that.
We're on our way.

♪ ♪

- Ah, damn it.
We're burned.

- Be advised.
The suspect is fleeing.

We're in pursuit.
- Copy that.

♪ ♪

- We were right behind him.
He couldn't have gotten far.

- [sighs]

Tiff, I think I got something.

- Hey!
- Whoa, oh--

[gunshot]

Shots fired.
FBI! Don't move!

[gunshots]

Let's go.

Suspect is
headed down 9th Street,

stolen motorbike, black jacket.
- Copy that.

♪ ♪

[gunshots]

- It's not Petrov.

♪ ♪

- All right, thank you.

Thank you.
Hey.

Anything?

- I found some brown hairs
in the back seat.

Let's get the lab to run it
against Luke's DNA.

Maybe we'll get a match.

Were we able
to identify our suspect?

- Anzor Taramov,
Chechen national

and suspected member
of the CRR.

- I got a bodega receipt.

Two days ago.
West 14th Street and 7th Ave.

- Hey, receipt OA found
was from the purchase

of two burner phones.

Storage just sent
the serial numbers.

- Can we get
a location on them?

- Ian's working on it.

- Hairs in the Impala
are a match to Luke Peters,

so our victim
was definitely in that car.

- All right, it means we're
fishing in the right pond.

Talk to me, Ian.

- Location services
have been shut off.

- What about
the carrier services--

call logs, text messages?

- There's not
a lot of activity.

The messaging is going
through an encrypted app.

The only calls that they've
made have been to each other.

- So we have no way
of tracking them.

- Well, let's do it
the old-fashioned way.

Let's call them
and see where they ping.

- I'm on it.

♪ ♪

First phone is shut off.
Trying second number now.

- Hello?

I know you're there.
No need to be concerned.

I'll be there on time, but you
need to deliver proof of life.

I need to know
that my son is OK.

You hear me?
Do you hear me?

- That was definitely
the boy's mother.

- She's asking about her son.

- Which means this case
makes even less sense

than it did five minutes ago.

- All right, so we now
have evidence Liza Peters

is in direct contact
with her son's abductors,

which means
that she's been lying to us

from the jump,
but we're gonna talk to her

and see what's going on.

I assume she's still
in her house, right?

- Well, she just
shut off her burner,

but yeah, that call we
just made pinged to her house.

- Yeah.
- OK.

I just spoke to
the agents on site.

She's not there.

- Well, they didn't
just let her leave.

- Do we know her location?

- Well, she said
she was gonna take a nap

and climbed out the window,

and they were holding on
to her personal cell

in case a ransom call came in.

They didn't know
she was a flight risk.

- OK, we need to put out
a BOLO right away.

In the meantime,
let's get a search warrant.

- ERT already
searched her house.

- Yeah, they did
a forensic sweep

after the abduction,

but they weren't
focused on Liza.

[tense music]

- Encryption is tight.

The thing is harder
to get into than Fort Knox.

- Keep trying, OK?

We know
that she used it earlier today.

Any luck?
- No, nothing.

Just a bunch
of boring documents

and paperwork
like old pediatrician records

and bank statements,
loan statements.

- OK, and yet this boring woman

lied to the FBI and climbs out
of her window to meet up

with the Chechen terrorists.
It just doesn't make any sense.

- Well, of course it does.
She wants to save her son.

- Yeah, I get that,
but why lie to us?

And why sneak out?
- Oh.

[sighs]

Whew, sorry.
I'm--

- Hey, hey, are you OK?
- Yeah, yeah, yeah, I'm fine.

I'm just--I'm so dizzy.

Yeah, I just--
I just need some space, OK?

Please just--

- OK, OK.
- [sighs]

[soft dramatic music]

♪ ♪

What is that?

- What?
- Do you see that?

♪ ♪

It's a safe.

♪ ♪

- Oh, sweet.
OK, thanks.

- Yeah.
- OK.

- Let's see what we got.
- Yeah.

OK.
Cash, credit cards.

What, passports?
- Mm-hmm.

- Six of them?

All belonging to Liza.

- Or Maria or Diana or Larissa.

[tense music]

Who is this woman?

♪ ♪

- Liza Peters
has six passports,

from four separate countries,
all under different names.

And based on early analysis,
they're not forgeries.

They're genuine,
government-issued documents.

The first question is,
which one is real?

- Well, it seems
like Liza Peters

is her real identity.

We've got a birth certificate,
yearbook photos

dating back 30 years.

- So how did the others
come into play?

Where'd she get them?

- Don't know,
but the Russian passport

under the name Maria Laskin
could explain

her connection to Petrov.

She logged 13 trips
from New York to Chechnya

under that identity.

- And we don't have any idea
of what she was doing there?

- No, customs marked the trip
as personal.

- All the other passports show
similar patterns of travel,

all marked personal as well.

Over the past 10 years,
she's spent months at a time

in Moscow, Bucharest, Warsaw.

- Yeah, those are all
intelligence hubs.

She's a spy, no doubt.
- Yeah.

Tony, Ann, how we doing?
We need answers.

Does Liza Peters work
for one of your agencies?

- If she's a covert agent,
I don't have access

to that information.
- She's with us.

- Yeah?
- She's CIA.

High-level covert operative,
top secret and SEI clearances.

She's been
with the agency since 2004.

- [sighs]

- We're gonna need to speak
with your supervisor ASAP.

- I'll set it up.

- How you feeling?

- I'm fine.

- Yeah, but you almost
passed out back at the house.

It looked like you
were in some real pain.

- I'm just feeling off.
- Yeah.

No, I noticed.
So what's up?

What did the doctor say?

- I don't really want
to talk about it.

- Nina, you're making me
nervous here.

Look, if there's
something going on--

- I'm pregnant.

- You...

You sure?

- Yeah, I'm sure.
Uh, found out last night.

- That's why
you went to the doctor?

- Yeah,
I thought I had the flu.

I just didn't
consider that I was--

- Am I--?

- Yeah.

- And do you--
do you know if you're gonna--

- I don't know.
I don't know.

- Can we talk about this?

- Not right now, OK?

[soft dramatic music]

Liza's supervisor is here,
so...

- Liza Peters
was our best case officer

in Eastern Europe.

Was quick on her feet,
tough as nails.

We were sorry to lose her

in the field
when her son was born.

- She's not active anymore?

- No, she works primarily
in a supervisory role now.

- But she was
working in Chechnya?

- For two years.

She was working
a terrorist group

called the CRR,
gathering intel.

Why?

- Well, we think
that members of the CRR,

including Akhmad Petrov,

are responsible for
the abduction of Liza's son.

[tense music]

- What, you think
that Petrov abducted Luke?

- Yeah.

- Do you have any idea
why he would target her?

- No.

As far as I know, Liza never
met Petrov personally.

♪ ♪

Unless he's looking
for Milena Kerimova.

- Who's that?

- A Chechen activist,
propagandist.

She's been rallying against
Petrov and the CRR for years.

- And what does she
have to do with Liza?

- Liza recruited her
to work for the CIA,

but about six months ago,
things got hot.

Her life was in danger,

so we smuggled her
out of Chechnya

and got her set up
here in New York.

- So if Petrov
wants to kill Kerimova,

Liza is the one
that knows where she is.

Is that what you're saying?

- Liza is in charge
of the safe house

where Kerimova is secured.
- Which is where exactly?

- Long Island.

- OK, I assume you have agents
with Kerimova?

I think you should call them,
tell them what's going on.

- Are you suggesting
that Liza would compromise

her own asset's safety?

- To save her son, yeah.

♪ ♪

- Can I help you?

- He's one of ours.

- Milena Kerimova,
we need to see her.

- What the hell is going on?

Why are your phones off?

- Liza said there was
a security breach,

told us to shut down
communication

until the transfer
was complete.

- What?
What transfer?

- Milena Kerimova.
- Are you saying she's gone?

- Liza wanted to move her
to a more secure location.

- When was this?
- About 15 minutes ago.

♪ ♪

- Yeah, we got
a bit of a situation.

Liza lied to her fellow agents,
told them

there was a security breach
and she had to relocate

the asset she was protecting.

So we need answers.
Where is she?

And more importantly,
where is she going?

Elise, how are we
doing on the video?

- Here we go.

This is from outside
the safe house 24 minutes ago.

- Can we go tighter?
- Here's Liza.

[tense music]

♪ ♪

- Doesn't she seem
kind of calm

for someone who's about
to hand over her asset

to a terrorist organization?

- Well, we don't know
if that's her plan.

Right now, we need to find her.
What car is she driving?

- 886LSMB.
OK, I'm running it.

It's a rental,
picked up from a company

two blocks from Liza's house
at 2:54 p.m.,

paid for with a credit card
belonging to Nancy Lawson.

- Yeah, that's--I think that's
one of the aliases, right?

Yeah, let's get a BOLO
out on that car, thanks.

- What about the car's GPS?

Can the rental
company track it?

- Yeah, I'm on with them now.

Yes, they think they can do it.
- Great.

Get their location
over to Scola and Nina.

♪ ♪

- There's movement
in the front seat.

Liza Peters,
out of the car now!

♪ ♪

Where's Kerimova?

- [sighs]
In the back seat.

♪ ♪

She's fine.

I just gave her
a mild sedative.

♪ ♪

- You need to tell us
what the hell is going on.

- They gave me a choice,

deliver Kerimova
or watch my son die

a very painful death.

These people--these animals,
they mean what they say.

- OK, so what?

You were just gonna
deliver Kerimova

and let them execute her?

- What the hell would you do,
watch your son get murdered?

- OK, but what, you couldn't,
so that's why you're here?

- OK, all right.

So this is good, OK?

We just--we need a plan.

What is it
that Petrov's asking you to do?

- He wants Kerimova,
told me to meet him by 5:00

or he'll kill Luke.

- OK, where are you supposed
to meet him?

What's--what's
the exact location?

- Some old building
by the beach in Queens,

but the meeting's less
than an hour from now, so--

- No, that's OK.
Actually, that's enough time.

- Well, we can't just show up,
hit the location,

and hope that--
- I have a plan, OK?

Look at her, right?
We look enough alike.

I'll just go in her place.

- No, no, that is not a plan.
That is a death wish.

You don't even speak
the language.

- Look,
all we need to do

is keep the ruse alive
for long enough

to get eyes on Luke, right?

I mean, you know these guys.

Do you think we can do it?
- It could work.

- OK, then I'll run it
up the flagpole.

- OK, hey, hey, hey.

You understand
this is crazy, right?

- It's our only play.
- No, Nina.

I read this guy's file, OK?

Petrov decapitated
his own brother.

You cannot go into
a meeting with a person

with less than an hour of prep.
- Well, it's our only move, OK?

So back off.

♪ ♪

- OK, we're too far away.

I mean,
if anything goes sideways,

we can't even get to them.

- We get any closer,
they'll see us.

♪ ♪

- OK, we have
a black, blue Dodge Durango,

license plate number 437HDVX.

♪ ♪

- We're running it.

- It's cold plated.
Looks like an older model.

We can't track that.

- Can we get eyes
on the inside?

How many guys
we dealing with here?

- I've got eyes
inside of the vehicle,

but I only see one guy, and
it doesn't look like Petrov.

- What about the little boy?

- No, I don't see him.

♪ ♪

- It's not Petrov.

- Out of the car.

♪ ♪

Get in.

Start the car.

- Where is my son?

- I'll take you to him.
Just do what I say.

- No, no, they changed
the plan, let's call it.

- If we arrest this guy now,

Petrov's gonna know
that something went wrong,

and he's gonna kill the kid
and cut his losses.

Our best bet is to follow them.

- If they even come back.

For all we know,
he could have them pull over

at the side of the road
and shoot them both.

Isobel.

- You know this guy
better than we do.

Are we walking
into a trap here?

- I don't think so.

Petrov will want to deal
with Kerimova himself,

so I think they're safe--

until they actually meet up
with him, anyway.

Then, it's a toss-up.

- All right, we're gonna let
Liza and Nina make the call.

It's their lives on the line.

- We're talking
about handing Nina over

to an executioner here.

- If Nina wanted out,

she would have
given us a signal.

♪ ♪

She's got this.

- I'm not going anywhere.

I need to know my son's alive.

♪ ♪

- [speaking Russian]

- [whispering]
Luke.

- Mommy, I want to go home.

- I know, honey, I know.
It's oK.

I'm coming.
I'm on my way.

- Drive.

♪ ♪

[tense music]

♪ ♪

- Do we know where
they're headed yet?

- Somewhere in Long Island.

- We have a problem.

- The licensed car just
turn down a private road.

If we follow it now,
our cover's gonna be blown.

- No, no, no.
We don't know that.

- If we pull them over
right now, we can spook them.

It could get
Nina and Liza killed.

♪ ♪

- Take it easy.

- Don't move.

♪ ♪

- [speaking Russian]

- [grunting]

♪ ♪

- You OK?
- Yeah, I'm good.

- Tiff, how far out are y'all?

- We're about
six minutes away.

We have your location.
- OK.

Here.

- OK, wait for backup
to make entry.

We will be there
in five minutes.

- OK.

Liza, hey.
Where are you going?

- I'm not waiting.

- Come on.
They're close.

We don't know how many
guys are in there, Liza.

- My son is in there.

You do what you want.
I'm going in.

- Liza--Liza!

- No, Nina, wait for backup.

Nina!

♪ ♪

- Ah!

- [grunts]

- Hey, hey, hey, hey, hey.
He's down.

Are you OK?

- I don't think
I can stand on it.

- OK.
Put pressure on it, OK?

I'm gonna stay with you.

- Mom!
- Luke?

Stay where you are.

Please, you have
to go find him.

- OK.

Stay covered.

I'll be back.

Luke?

♪ ♪

Hey, hi.

Hi.
My name is Nina, OK?

I'm gonna take you--
- Step away from the child.

- Stay here.

- Step away from the child.

- OK, OK!

♪ ♪

Come here.
Come on.

I'm gonna take you
to your mom, OK?

Come here, buddy.

♪ ♪

- OK.

Give Mommy one last big hug,
then we have to go.

- Bye-bye, sweet boy.

Be good for Daddy.

♪ ♪

- Hey.
- Hey.

I don't know how to thank you
for what you did in there.

I know I put you at risk.

- It's all right.

They're gonna take you
to the hospital,

get your leg all fixed up, OK?

- And then what?

- They are gonna charge you
with the abduction of Kerimova

and violation
of the Espionage Act,

but we're gonna talk
to the U.S. Attorney

let him know
the situation you were in.

- I appreciate that.
I do.

But I'm good.

♪ ♪

I did what I had to do.

They were gonna kill my son.

And at the end of the day,
he's safe.

That's enough.

♪ ♪

- [indistinct]

- Hey, what's that about?

- I don't know.

- Are you good?

- Yeah, I'm good.

This is gonna be my last case
with you guys for a while.

- What are you talking about?

We were just getting started.

- Yeah, I know.

I just--I need to take
some time and clear my head.

But I'm just gonna go down
to white collar, you know?

I'm gonna take on all
the dangerous dudes

on Wall Street there who are
doing insider trading, so...

- [sighs]
OK.

I'll be honest, though.

I don't think
I'm completely OK with this,

but if it's for the best--

- I'll be two floors down.

Don't get emotional.

- Bye-bye.

- Can I walk you out?

- Of course.

[soft music]

♪ ♪

- So will you talk to me, Nina?

What's going on?

Why are you really leaving?

- I just need some time,
like I said, you know,

to figure things out,

what I'm gonna do
with my life and you.

- So what about the baby?

- I don't know.

Like I said,
I just need some time.

♪ ♪

I'll call you, OK?

- Yeah.

♪ ♪

Bye.

[dramatic music]

♪ ♪

[wolf howls]