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1
00:00:02,752 --> 00:00:04,385
♪ HERE'S THE STORY ♪
2
00:00:04,454 --> 00:00:06,471
♪ OF A LOVELY LADY ♪
3
00:00:06,540 --> 00:00:10,342
♪ WHO WAS BRINGING UP
THREE VERY LOVELY GIRLS ♪
4
00:00:10,411 --> 00:00:13,111
♪ ALL OF THEM HAD HAIR OF GOLD ♪
5
00:00:13,180 --> 00:00:14,946
♪ LIKE THEIR MOTHER ♪
6
00:00:15,015 --> 00:00:17,966
♪ THE YOUNGEST ONE IN CURLS ♪
7
00:00:18,035 --> 00:00:21,636
♪ IT'S THE STORY OF
A MAN NAMED BRADY ♪
8
00:00:21,705 --> 00:00:25,607
♪ WHO WAS BUSY WITH
THREE BOYS OF HIS OWN ♪
9
00:00:25,675 --> 00:00:29,311
♪ THEY WERE FOUR MEN
LIVING ALL TOGETHER ♪
10
00:00:29,380 --> 00:00:32,381
♪ YET THEY WERE ALL ALONE ♪
11
00:00:32,449 --> 00:00:36,268
♪ TILL THE ONE DAY WHEN
THE LADY MET THIS FELLOW ♪
12
00:00:36,336 --> 00:00:39,837
♪ AND THEY KNEW THAT IT WAS
MUCH MORE THAN A HUNCH ♪
13
00:00:39,906 --> 00:00:43,775
♪ THAT THIS GROUP MUST
SOMEHOW FORM A FAMILY ♪
14
00:00:43,843 --> 00:00:46,979
♪ THAT'S THE WAY WE ALL
BECAME THE BRADY BUNCH ♪
15
00:00:47,047 --> 00:00:49,197
♪ THE BRADY BUNCH ♪
16
00:00:49,266 --> 00:00:51,532
♪ THE BRADY BUNCH ♪
17
00:00:51,601 --> 00:00:56,404
♪ THAT'S THE WAY WE
BECAME THE BRADY BUNCH ♪
18
00:01:15,859 --> 00:01:17,008
[birds chirping]
19
00:01:20,163 --> 00:01:22,242
HEY, PETE, I NEED
THAT $2 YOU OWE ME.
20
00:01:22,266 --> 00:01:23,865
SURE. I'LL PAY YOU
BACK NEXT WEEK.
21
00:01:23,934 --> 00:01:25,712
BUT YOU SAID YOU'D
PAY ME BACK THIS WEEK.
22
00:01:25,736 --> 00:01:28,803
THAT'S 'CAUSE MARSH NELLON
PROMISED TO PAY ME BACK LAST WEEK.
23
00:01:28,872 --> 00:01:30,539
YOU'LL GET IT.
DON'T YOU TRUST ME?
24
00:01:30,608 --> 00:01:31,640
NO.
25
00:01:31,709 --> 00:01:34,042
BOBBY, WE'RE BROTHERS.
BLOOD RELATIVES.
26
00:01:34,111 --> 00:01:36,356
IT'S NOT MY FAULT
WE'RE RELATIVES.
27
00:01:36,380 --> 00:01:37,746
HI. HI.
28
00:01:39,099 --> 00:01:41,127
I HEARD YOU MENTION
THE WORD RELATIVE.
29
00:01:41,151 --> 00:01:42,595
WERE YOU TALKING ABOUT ME?
30
00:01:42,619 --> 00:01:44,747
WHY IN THE WORLD WOULD
WE BE TALKIN' ABOUT YOU?
31
00:01:44,771 --> 00:01:46,599
WELL, IF YOU WEREN'T
TALKING ABOUT ME,
32
00:01:46,623 --> 00:01:49,992
WHY DID YOU STOP
TALKING WHEN I CAME OVER?
33
00:01:50,060 --> 00:01:52,494
'CAUSE IF WE WANTED YOU TO
KNOW WHAT WE WERE TALKING ABOUT,
34
00:01:52,562 --> 00:01:54,729
WE WOULDN'T HAVE STOPPED
TALKING ABOUT IT. RIGHT?
35
00:01:54,798 --> 00:01:55,918
RIGHT.
36
00:01:58,919 --> 00:02:00,502
SOUNDS GREAT, MAXINE.
37
00:02:00,571 --> 00:02:02,737
SURE. COUNT ME
IN. I'LL BE THERE.
38
00:02:02,806 --> 00:02:04,739
[laughing] THAT'S WILD.
39
00:02:05,709 --> 00:02:07,442
[laughing]
40
00:02:07,511 --> 00:02:09,222
I SHOULD NEVER EXPECT THAT.
41
00:02:09,246 --> 00:02:10,286
NO.
42
00:02:10,347 --> 00:02:11,813
UH, HOLD ON A SECOND.
43
00:02:12,649 --> 00:02:13,849
UH, SOMETHING YOU WANTED?
44
00:02:14,518 --> 00:02:16,017
NO.
45
00:02:16,086 --> 00:02:18,367
DO YOU MIND? THIS IS A
PRIVATE CONVERSATION.
46
00:02:19,656 --> 00:02:21,122
ABOUT ME, MAYBE?
47
00:02:21,191 --> 00:02:23,258
NO, CINDY, IT'S NOT ABOUT YOU.
48
00:02:23,327 --> 00:02:25,093
WELL, THEN WHY CAN'T I LISTEN?
49
00:02:25,161 --> 00:02:26,839
I TOLD YOU. IT'S PERSONAL.
50
00:02:26,863 --> 00:02:29,497
YEAH, BUT AM I THE PERSON
THAT IT'S PERSONAL ABOUT?
51
00:02:30,033 --> 00:02:31,566
CINDY, OUT!
52
00:02:46,450 --> 00:02:49,784
BY ANY CHANCE, ARE YOU
WRITING ABOUT ME IN YOUR DIARY?
53
00:02:49,853 --> 00:02:51,519
NO, CINDY.
54
00:02:51,588 --> 00:02:53,900
WELL, THEN WHY'D YOU
SLAM IT SHUT LIKE THAT?
55
00:02:53,924 --> 00:02:56,341
BECAUSE A DIARY
HAPPENS TO BE PERSONAL.
56
00:02:56,409 --> 00:02:58,421
WELL, IF YOU WEREN'T
WRITING ABOUT ME,
57
00:02:58,445 --> 00:02:59,527
CAN I LOOK?
58
00:02:59,596 --> 00:03:00,845
NO.
59
00:03:00,914 --> 00:03:03,782
SOMEDAY WHEN I GET A
DIARY, I'LL LET YOU LOOK.
60
00:03:04,618 --> 00:03:06,184
THANKS, CINDY.
61
00:03:06,253 --> 00:03:08,470
AS LONG AS I'M LETTING YOU LOOK,
62
00:03:08,539 --> 00:03:09,955
HOW ABOUT LETTING ME LOOK?
63
00:03:10,441 --> 00:03:11,441
CINDY!
64
00:03:20,868 --> 00:03:24,180
OLIVER, DO YOU KNOW SOMETHING
ABOUT ME THAT I DON'T KNOW?
65
00:03:24,204 --> 00:03:25,820
WELL, NOT THAT I KNOW OF.
66
00:03:25,889 --> 00:03:28,418
SOMETHING FUNNY IS
GOING ON IN THIS HOUSE,
67
00:03:28,442 --> 00:03:31,009
AND I'M GONNA FIND
OUT JUST WHAT IT IS.
68
00:03:31,078 --> 00:03:33,123
YOU WANT TO HELP ME
DO SOME DETECTIVE WORK?
69
00:03:33,147 --> 00:03:34,830
ME, A DETECTIVE?
70
00:03:34,898 --> 00:03:36,665
SHH! NOT SO LOUD.
71
00:03:36,734 --> 00:03:38,494
[whispering] DO I GET
TO WEAR A BADGE?
72
00:03:38,518 --> 00:03:39,834
NO. NOT IN THIS CASE.
73
00:03:39,903 --> 00:03:41,235
WE'RE PRIVATE EYES.
74
00:03:41,304 --> 00:03:43,188
WOW. I OUGHT TO BE
A GOOD PRIVATE EYE.
75
00:03:43,256 --> 00:03:44,556
I'VE GOT 4 OF THEM.
76
00:03:54,318 --> 00:03:56,251
OH, HOW ABOUT THIS
ONE? IT'S MY FAVORITE.
77
00:03:56,320 --> 00:03:58,553
WELL, I'M... I'M NOT SO
SURE IT'S RIGHT FOR TODAY.
78
00:03:58,622 --> 00:04:00,300
NO, I BETTER CHOOSE THIS ONE.
79
00:04:00,324 --> 00:04:01,656
WHAT'S SO SPECIAL ABOUT TODAY?
80
00:04:01,725 --> 00:04:03,358
MEETING WITH A CLIENT.
81
00:04:03,427 --> 00:04:05,027
WHAT IS HE, A TIE FREAK?
82
00:04:05,095 --> 00:04:07,140
NOT A HE. IT'S A SHE.
83
00:04:07,164 --> 00:04:10,032
OH... WHAT KIND OF A SHE IS SHE?
84
00:04:10,100 --> 00:04:11,566
WELL, I'LL TELL YOU.
85
00:04:11,635 --> 00:04:14,247
VISUALIZE THE FACE
OF LIZ TAYLOR... YEAH.
86
00:04:14,271 --> 00:04:15,803
THE BODY OF RAQUEL WELCH,
87
00:04:15,872 --> 00:04:17,717
AND THE BANK ACCOUNT
OF QUEEN ELIZABETH.
88
00:04:17,741 --> 00:04:19,641
AH, POOR THING. TOO
BAD SHE'S A LOSER.
89
00:04:19,709 --> 00:04:22,222
UH-HUH. DO I DETECT A LITTLE
NOTE OF JEALOUSY THERE?
90
00:04:22,246 --> 00:04:26,714
NO. I WAS PLANNING TO SPEND
THE DAY AT YOUR OFFICE ANYWAY.
91
00:04:26,783 --> 00:04:28,495
OH, CUT IT OUT.
COME ON, HOLD IT.
92
00:04:28,519 --> 00:04:30,130
NOW, LISTEN. I WAS JUST KIDDING.
93
00:04:30,154 --> 00:04:31,631
RICH SHE IS, BUT ANY RESEMBLANCE
94
00:04:31,655 --> 00:04:33,666
TO LIZ TAYLOR AND RAQUEL
WELCH IS TOTALLY NONEXISTENT.
95
00:04:33,690 --> 00:04:35,123
OH. THAT'S BETTER.
96
00:04:35,192 --> 00:04:36,358
[knocking at door]
97
00:04:36,427 --> 00:04:37,442
COME IN.
98
00:04:39,980 --> 00:04:42,591
MOM, DAD, IS THERE SOMETHING
GOING ON AROUND HERE
99
00:04:42,615 --> 00:04:44,043
THAT I SHOULD KNOW ABOUT?
100
00:04:44,067 --> 00:04:45,450
LIKE WHAT?
101
00:04:45,518 --> 00:04:47,585
WELL, THAT'S THE PART
SHE DOESN'T KNOW ABOUT.
102
00:04:47,654 --> 00:04:50,738
THERE'S NOTHING I KNOW ABOUT
THAT I THINK YOU SHOULD KNOW ABOUT.
103
00:04:50,807 --> 00:04:53,219
IS THERE ANYTHING YOU KNOW
ABOUT THAT SHE SHOULD KNOW ABOUT?
104
00:04:53,243 --> 00:04:54,387
NOTHING I KNOW ABOUT.
105
00:04:54,411 --> 00:04:55,522
ARE YOU SURE?
106
00:04:55,546 --> 00:04:56,889
OH, LISTEN. THERE IS SOMETHING
107
00:04:56,913 --> 00:04:58,607
I KNOW ABOUT THAT YOU
SHOULD KNOW ABOUT.
108
00:04:58,631 --> 00:04:59,792
TELL US! WHAT?
109
00:04:59,816 --> 00:05:01,976
IT'S SCHOOL TIME,
AND YOU'RE LATE. SPLIT.
110
00:05:03,220 --> 00:05:04,230
(Carol) BYE.
111
00:05:04,254 --> 00:05:05,720
BYE. BYE.
112
00:05:08,008 --> 00:05:10,008
BOY, WE SURE DIDN'T
LEARN ANYTHING.
113
00:05:10,643 --> 00:05:12,310
SURE DIDN'T.
114
00:05:12,379 --> 00:05:14,312
I'VE GOT AN IDEA. WHAT?
115
00:05:14,381 --> 00:05:16,292
ALL THE OTHER KIDS
LEFT FOR SCHOOL.
116
00:05:16,316 --> 00:05:19,985
NOW YOU STAND GUARD, AND I'LL SEE IF
MARCIA WROTE ABOUT ME IN HER DIARY.
117
00:05:20,053 --> 00:05:21,053
OK.
118
00:05:21,121 --> 00:05:22,866
WHAT DO I DO IF
SOMEBODY COMES BY?
119
00:05:22,890 --> 00:05:24,770
JUST WHISTLE. OK.
120
00:05:41,575 --> 00:05:43,975
[blowing air]
121
00:05:44,044 --> 00:05:46,389
WHAT ARE YOU TRYING TO DO,
OLIVER? I'M TRYING TO WHISTLE.
122
00:05:46,413 --> 00:05:49,093
OH, IT'S EASY. JUST PUCKER
UP A LITTLE BIT MORE.
123
00:05:49,466 --> 00:05:50,466
[blowing air]
124
00:05:56,422 --> 00:05:57,455
TRY IT THIS WAY.
125
00:05:57,523 --> 00:05:58,556
[whistles]
126
00:05:58,625 --> 00:06:01,008
GEE, THAT'S TERRIFIC.
THANKS, ALICE.
127
00:06:03,012 --> 00:06:04,429
OH, HI, ALICE.
128
00:06:04,831 --> 00:06:05,831
HI.
129
00:06:05,899 --> 00:06:07,443
IF YOU WANT TO
LEARN HOW TO WHISTLE,
130
00:06:07,467 --> 00:06:09,295
JUST, UH, CHECK WITH
ME AFTER SCHOOL. OK?
131
00:06:09,319 --> 00:06:11,439
THANKS, BUT I DON'T
NEED TO LEARN ANYMORE.
132
00:06:17,894 --> 00:06:19,139
[whispering] WHAT'D
YOU FIND OUT?
133
00:06:19,163 --> 00:06:21,696
NOTHING. SHE DIDN'T EVEN
MENTION ME IN HER DIARY.
134
00:06:21,765 --> 00:06:23,998
THERE'S JUST SOME
DUMB POEM SHE WROTE.
135
00:06:24,067 --> 00:06:25,345
WELL, I FOUND OUT SOMETHING.
136
00:06:25,369 --> 00:06:26,369
WHAT?
137
00:06:26,436 --> 00:06:28,717
I DON'T KNOW HOW TO WHISTLE.
138
00:06:41,851 --> 00:06:43,796
YOU ARE AWARE OF THE IMPORTANCE
139
00:06:43,820 --> 00:06:45,965
OF MY BUSINESS TO
YOUR FIRM, MR. BRADY?
140
00:06:45,989 --> 00:06:47,522
OH, I AM, MISS FLETCHER, YES.
141
00:06:47,591 --> 00:06:49,769
AND YOU'RE AWARE THAT
I ALWAYS DO BUSINESS
142
00:06:49,793 --> 00:06:52,472
WITH THE PRESIDENT OF YOUR
FIRM, MR. MATHEWS HIMSELF.
143
00:06:52,496 --> 00:06:53,995
YES, YES.
144
00:06:54,064 --> 00:06:55,441
I ONLY AGREED TO DEAL WITH YOU
145
00:06:55,465 --> 00:06:58,300
BECAUSE MR. MATHEWS
RECOMMENDED YOU SO HIGHLY.
146
00:06:58,368 --> 00:06:59,634
I APPRECIATE YOUR CONFIDENCE.
147
00:06:59,703 --> 00:07:02,420
AND BECAUSE HE WAS
GOING TO BE OUT OF TOWN.
148
00:07:02,489 --> 00:07:03,955
MISS FLETCHER, I'M
SURE THESE PLANS
149
00:07:04,024 --> 00:07:05,701
FOR THE PENELOPE
FLETCHER CULTURAL CENTER
150
00:07:05,725 --> 00:07:07,359
ARE GONNA BE EXACTLY
WHAT YOU WANT.
151
00:07:07,427 --> 00:07:10,389
I REGRET TO TELL YOU THAT
THEY'RE EXACTLY WHAT I DON'T WANT.
152
00:07:10,413 --> 00:07:12,814
WELL, I DREW THE PLANS
ACCORDING TO YOUR SPECIFICATIONS.
153
00:07:12,883 --> 00:07:15,617
[scoffs] I DON'T CARE
ABOUT SPECIFICATIONS.
154
00:07:15,686 --> 00:07:17,452
MMM. WELL, I CAN
SHOW YOU MY NOTES.
155
00:07:17,520 --> 00:07:19,788
WELL, I'M NOT
INTERESTED IN NOTES.
156
00:07:19,856 --> 00:07:22,096
ALL I'M INTERESTED
IN IS A DESIGN
157
00:07:22,158 --> 00:07:24,837
THAT WILL MAKE THE PENELOPE
FLETCHER CULTURAL CENTER
158
00:07:24,861 --> 00:07:27,228
A MONUMENT TO ITS BENEFACTOR.
159
00:07:29,366 --> 00:07:30,898
WELL, UH, UH, MISS FLETCHER...
160
00:07:30,967 --> 00:07:33,468
I WILL BE LEAVING TOWN
THURSDAY NIGHT, MR. BRADY.
161
00:07:33,537 --> 00:07:36,988
YOU HAVE UNTIL THEN TO CREATE
A DESIGN THAT WILL BE SUITABLE.
162
00:07:37,056 --> 00:07:39,256
OTHERWISE, I SHALL TAKE
MY BUSINESS ELSEWHERE.
163
00:07:39,325 --> 00:07:40,492
GOOD DAY.
164
00:07:40,560 --> 00:07:42,494
NOT ONLY IS THIS BOOKMARK
IN THE WRONG PLACE,
165
00:07:42,562 --> 00:07:45,129
BUT I ALWAYS PUT MY DIARY
BACK UNDER MY PHONE BOOK.
166
00:07:45,198 --> 00:07:47,059
YOU REALLY THINK
SOMEONE'S BEEN SNOOPING?
167
00:07:47,083 --> 00:07:50,935
POSITIVE, AND I THINK THE GUILTY
PERSON SLEEPS RIGHT IN THIS ROOM.
168
00:07:51,004 --> 00:07:53,004
HEY, I SLEEP IN THIS ROOM.
169
00:07:53,073 --> 00:07:54,967
JAN, YOU DON'T NEED
TO PEEK IN MY DIARY.
170
00:07:54,991 --> 00:07:56,552
I'M ALWAYS READING
IT TO YOU ANYWAY.
171
00:07:56,576 --> 00:07:58,159
YEAH, THAT'S TRUE.
172
00:07:58,228 --> 00:08:00,962
BUT YOU CAN'T JUST COME OUT
AND ACCUSE CINDY OF SNOOPING.
173
00:08:01,031 --> 00:08:02,230
NOT WITHOUT PROOF.
174
00:08:02,299 --> 00:08:03,414
I'LL GET PROOF.
175
00:08:03,483 --> 00:08:05,328
I'LL USE A LITTLE BAIT,
AND I'LL TRAP HER.
176
00:08:05,352 --> 00:08:06,384
[laughing]
177
00:08:06,452 --> 00:08:08,220
(Cindy) OK, SEE
YOU LATER, OLIVER.
178
00:08:08,288 --> 00:08:10,216
GET THE CHEESE READY.
HERE COMES THE MOUSE.
179
00:08:10,240 --> 00:08:11,256
[both giggling]
180
00:08:12,092 --> 00:08:15,160
OH! SO... [both giggling] WOW.
181
00:08:15,228 --> 00:08:17,073
I'LL READ THE REST OF
IT TO YOU LATER. YEAH.
182
00:08:17,097 --> 00:08:19,364
UH, SEE YOU, CINDY. WE'RE
GONNA GO TO THE LIBRARY.
183
00:08:29,275 --> 00:08:31,395
PASSING THROUGH.
GOTTA USE THE BATHROOM.
184
00:08:31,461 --> 00:08:34,462
YOU GOT A DOOR ON
YOUR SIDE. IT'S STUCK.
185
00:08:34,531 --> 00:08:36,731
NOW I KNOW WHY HERMITS
WANNA BE HERMITS.
186
00:08:53,349 --> 00:08:54,716
[whispering] WHAT
DID I TELL YOU?
187
00:08:54,785 --> 00:08:57,196
LET'S CATCH HER IN THE ACT. NO!
188
00:08:57,220 --> 00:09:00,021
I'D RATHER TEACH HER A
GOOD LESSON FOR SNOOPING.
189
00:09:00,090 --> 00:09:01,189
HOW?
190
00:09:01,257 --> 00:09:02,691
WELL,
191
00:09:02,759 --> 00:09:05,593
BY WRITING SOMETHING
SPECIAL IN MY DIARY.
192
00:09:05,662 --> 00:09:07,929
SOMETHING THAT'LL
DRIVE CINDY BANANAS!
193
00:09:10,633 --> 00:09:11,766
PASSING THROUGH.
194
00:09:11,835 --> 00:09:13,312
WHAT IS THIS, A FREEWAY?
195
00:09:13,336 --> 00:09:15,336
OH, WELL, WE JUST
COULDN'T STAND BEING AWAY
196
00:09:15,405 --> 00:09:17,137
FROM YOU 2 BEAUTIFUL PEOPLE.
197
00:09:24,864 --> 00:09:25,864
[door opening]
198
00:09:26,900 --> 00:09:28,366
HI, HONEY.
199
00:09:28,435 --> 00:09:31,836
I'VE NEVER MET A MORE
AGGRAVATING WOMAN IN MY ENTIRE LIFE.
200
00:09:31,905 --> 00:09:34,489
WELL, FORGET WHAT I
WAS GONNA ASK YOU. WHAT?
201
00:09:34,558 --> 00:09:36,358
HOW DID IT GO AT THE OFFICE?
202
00:09:37,694 --> 00:09:41,146
I WOULD LIKE TO CALL UP PENELOPE
FLETCHER AND TELL HER TO...
203
00:09:41,198 --> 00:09:43,881
MIKE, WHAT WILL HAPPEN
IF YOU BLOW THE ACCOUNT?
204
00:09:43,950 --> 00:09:46,451
WELL, I SAID I'D LIKE TO. I
DIDN'T SAY I WAS GOING TO.
205
00:09:46,520 --> 00:09:48,620
HONEY, WHY DON'T YOU
TRY REVERSE PSYCHOLOGY?
206
00:09:48,689 --> 00:09:51,055
MARK TWAIN ONCE SAID, "MAKE
FRIENDS WITH YOUR ENEMIES.
207
00:09:51,124 --> 00:09:52,373
IT'LL DRIVE THEM CRAZY."
208
00:09:52,442 --> 00:09:55,037
MARK TWAIN NEVER MET
PENELOPE FLETCHER. MIKE.
209
00:09:55,061 --> 00:09:56,639
OK, BUT SHE JUST GAINED A FRIEND
210
00:09:56,663 --> 00:09:58,407
AND YOU JUST LOST A
HUSBAND. HOW COME?
211
00:09:58,431 --> 00:10:00,409
BECAUSE I'M GONNA HAVE
TO WORK NIGHT AND DAY
212
00:10:00,433 --> 00:10:03,673
TO COME UP WITH AN
ACCEPTABLE PLAN BY THURSDAY.
213
00:10:07,557 --> 00:10:10,825
(Marcia) SOMETHING FANTASTIC
MIGHT BE HAPPENING FOR CINDY.
214
00:10:10,894 --> 00:10:12,259
I DON'T DARE TELL HER
215
00:10:12,328 --> 00:10:14,540
BECAUSE I DON'T WANT HER
TO GET HER HOPES UP TOO HIGH,
216
00:10:14,564 --> 00:10:16,341
BUT I TOLD ALL THE
OTHER KIDS AND ALICE,
217
00:10:16,365 --> 00:10:18,165
AND I SWORE THEM TO SECRECY.
218
00:10:18,234 --> 00:10:19,400
MORE LATER.
219
00:10:27,027 --> 00:10:29,127
SOMETHING FANTASTIC IS
GOING TO HAPPEN TO ME!
220
00:10:29,195 --> 00:10:30,806
WHAT? I DON'T KNOW.
221
00:10:30,830 --> 00:10:32,508
WELL, HOW WE GONNA FIND OUT?
222
00:10:32,532 --> 00:10:35,599
WELL, ALICE AND THE OTHER KIDS
KNOW, SO WE'LL CROSS-EXAMINE THEM.
223
00:10:35,668 --> 00:10:37,552
WELL, WON'T THEY GET SUSPICIOUS?
224
00:10:37,621 --> 00:10:40,071
NOT IF THEY DON'T KNOW
WE'RE CROSS-EXAMINING THEM.
225
00:10:40,490 --> 00:10:41,506
OH.
226
00:10:42,625 --> 00:10:44,459
WHAT'S THIS, A
SECRET CONFERENCE?
227
00:10:44,527 --> 00:10:47,212
OH, HI, ALICE. GOT
SOME SHIRTS THERE?
228
00:10:47,280 --> 00:10:49,464
YEAH, GOT SOME
SHIRTS, GOT SOME SOCKS.
229
00:10:49,532 --> 00:10:50,652
ANY SECRETS?
230
00:10:50,716 --> 00:10:52,900
SECRETS? WHAT KIND OF SECRETS?
231
00:10:52,969 --> 00:10:56,787
OH, A CERTAIN SECRET HAVING
TO DO WITH A CERTAIN SOMEONE
232
00:10:56,856 --> 00:10:59,757
WHO SOMETHING FANTASTIC
WAS GOING TO HAPPEN TO.
233
00:11:00,710 --> 00:11:02,243
WELL, AS A MATTER OF FACT,
234
00:11:02,312 --> 00:11:04,462
SOMETHING FANTASTIC
IS GONNA HAPPEN.
235
00:11:04,998 --> 00:11:06,113
WHAT?
236
00:11:06,182 --> 00:11:08,833
ONE OF MY GOLDFISH IS
AN EXPECTANT MOTHER.
237
00:11:08,902 --> 00:11:11,602
NOW, WHAT'S SO
FANTASTIC ABOUT THAT?
238
00:11:11,671 --> 00:11:13,751
THE MOTHER-TO-BE
IS NAMED HERMAN.
239
00:11:17,010 --> 00:11:19,244
[laughing]
240
00:11:19,296 --> 00:11:21,407
GOT ANY OTHER BRILLIANT IDEAS?
241
00:11:21,431 --> 00:11:22,630
YEAH. COME ON.
242
00:11:22,699 --> 00:11:24,399
NOW, WAIT A SECOND.
WHAT ARE YOU DOING?
243
00:11:24,467 --> 00:11:25,467
YOU'LL SEE.
244
00:11:27,470 --> 00:11:30,382
KNOCK, KNOCK, GREG. GOT SOME
SHIRTS FOR YOU, AND SOME SOCKS.
245
00:11:30,406 --> 00:11:31,406
THANKS, ALICE.
246
00:11:35,028 --> 00:11:39,497
WE CAN HEAR EVERYTHING THAT GOES ON
IN GREG'S ROOM THROUGH THIS AIR VENT.
247
00:11:39,565 --> 00:11:41,543
BUT IS IT RIGHT TO LISTEN IN?
248
00:11:41,567 --> 00:11:43,368
SURE, IF THEY'RE
TALKING ABOUT ME.
249
00:11:46,906 --> 00:11:49,640
FROM THE LOOK ON YOUR
FACE, I'D SAY YOU HAD A PROBLEM.
250
00:11:49,709 --> 00:11:51,175
I DO.
251
00:11:51,244 --> 00:11:54,124
WHAT WOULD YOU DO IF YOU
HAD 2 DATES FOR THE SAME NIGHT?
252
00:11:54,631 --> 00:11:56,380
I'D FAINT.
253
00:11:56,449 --> 00:11:58,466
(Greg) SERIOUSLY,
I'M IN A REAL BIND.
254
00:11:58,535 --> 00:12:00,362
(Alice) YEAH. YEAH, I
CAN SEE THAT YOU ARE.
255
00:12:00,386 --> 00:12:03,621
THE PROBLEM IS, I DON'T
WANT EITHER GIRL TO GET HURT.
256
00:12:03,689 --> 00:12:05,690
WELL, WHY DON'T YOU
TELL THEM BOTH THE TRUTH?
257
00:12:05,759 --> 00:12:07,508
THE TRUTH?
258
00:12:07,577 --> 00:12:09,193
WHY TELL A GIRL THE TRUTH?
259
00:12:13,649 --> 00:12:15,249
ANOTHER BLIND ALLEY.
260
00:12:15,318 --> 00:12:17,618
NOT A WORD ABOUT ME.
261
00:12:17,687 --> 00:12:20,487
BOY, DETECTIVES ON TELEVISION
NEVER HAVE IT THIS HARD.
262
00:12:22,992 --> 00:12:25,426
MAYBE WE CAN GET SOMETHING
OUT OF PETER AND BOBBY!
263
00:12:28,748 --> 00:12:30,943
HERE'S A DOWN PAYMENT
ON THE $2 I OWE YOU,
264
00:12:30,967 --> 00:12:32,367
NOW STOP BUGGIN' ME.
265
00:12:32,435 --> 00:12:33,784
ONLY A QUARTER?
266
00:12:33,853 --> 00:12:36,314
I'LL GIVE YOU AN
I.O.U. FOR THE REST.
267
00:12:36,338 --> 00:12:37,738
WHOEVER SAID IT WAS RIGHT.
268
00:12:37,807 --> 00:12:39,540
"NEVER LEND MONEY
TO A RELATIVE."
269
00:12:41,777 --> 00:12:42,854
NOTHING.
270
00:12:42,878 --> 00:12:45,045
WHAT DO WE DO NOW?
271
00:12:45,114 --> 00:12:47,660
WE'LL WAIT TILL TOMORROW AND
SEE IF MARCIA WRITES ANYTHING ELSE
272
00:12:47,684 --> 00:12:49,444
ABOUT ME IN HER DIARY. OK.
273
00:12:51,237 --> 00:12:52,237
[laughing]
274
00:12:55,208 --> 00:12:56,374
HI.
275
00:12:56,443 --> 00:12:57,453
HI.
276
00:12:57,477 --> 00:12:59,021
BOY, HAVE I GOT AN IDEA.
277
00:12:59,045 --> 00:13:01,256
THIS IS GONNA DRIVE
CINDY ABSOLUTELY APE.
278
00:13:01,280 --> 00:13:03,314
THAT'S THE NEXT STEP.
SHE'S BANANAS ALREADY.
279
00:13:03,383 --> 00:13:05,010
[Marcia laughing]
WHAT'S THE IDEA?
280
00:13:05,034 --> 00:13:07,930
WELL, YOU KNOW HOW SHE LOVES WATCHING
THOSE OLD SHIRLEY TEMPLE MOVIES ON T.V.?
281
00:13:07,954 --> 00:13:10,922
DO I EVER. SHE THINKS SHIRLEY
TEMPLE IS THE GREATEST.
282
00:13:10,974 --> 00:13:14,325
RIGHT! WELL, WAIT
TILL CINDY READS THIS.
283
00:13:14,394 --> 00:13:16,655
(Marcia) I TALKED TO THAT
TALENT SCOUT AGAIN.
284
00:13:16,679 --> 00:13:19,914
THE STUDIO PEOPLE LOVED THE
PHOTO OF CINDY I'VE SUBMITTED.
285
00:13:19,983 --> 00:13:21,794
WOULDN'T IT BE FABULOUS
IF THEY PICK CINDY
286
00:13:21,818 --> 00:13:24,935
TO BE THE NEW SHIRLEY TEMPLE
THEY'RE LOOKING FOR IN THAT MOVIE?
287
00:13:26,206 --> 00:13:28,339
THE NEW SHIRLEY TEMPLE?
288
00:13:31,878 --> 00:13:35,213
CINDY BRADY. THE
NEW SHIRLEY TEMPLE.
289
00:13:42,488 --> 00:13:43,922
SHE'S HOOKED.
290
00:13:43,990 --> 00:13:46,123
HMM, BUT IF YOU THINK
SHE'S HOOKED NOW,
291
00:13:46,192 --> 00:13:48,192
WAIT TILL SHE READS
THE NEXT ENTRY.
292
00:13:48,261 --> 00:13:49,261
[both chuckling]
293
00:13:59,322 --> 00:14:01,133
NOW WE DON'T WANT TO GET CAUGHT.
294
00:14:01,157 --> 00:14:03,302
YOU KEEP YOUR EYES
AND YOUR EARS OPEN.
295
00:14:03,326 --> 00:14:04,592
I'LL KEEP EVERYTHING OPEN.
296
00:14:12,468 --> 00:14:15,452
(Marcia) CINDY'S CHANCES OF
STARRING IN THAT MOVIE ARE GREAT.
297
00:14:15,521 --> 00:14:17,332
ONE OF THESE DAYS,
THE TALENT SCOUT
298
00:14:17,356 --> 00:14:20,791
IS GOING TO COME OVER TO THE
HOUSE TO OBSERVE CINDY ANONYMOUSLY.
299
00:14:20,860 --> 00:14:23,661
I SURE HOPE CINDY CAN SING
AND DANCE LIKE SHIRLEY TEMPLE.
300
00:14:28,334 --> 00:14:29,733
OLIVER!
301
00:14:29,802 --> 00:14:33,020
THE TALENT SCOUT'S COMING
OVER HERE TO SEE ME ANONYMOUSLY.
302
00:14:33,089 --> 00:14:34,455
WOW! THAT'S SUPER!
303
00:14:34,524 --> 00:14:37,052
WELL, I HAVE TO BUY A
SHIRLEY TEMPLE RECORD ALBUM.
304
00:14:37,076 --> 00:14:38,175
WHAT FOR?
305
00:14:38,244 --> 00:14:41,662
I'VE GOT TO START BEING
SHIRLEY TEMPLE RIGHT AWAY.
306
00:14:41,730 --> 00:14:43,224
YOU NEED THE MONEY RIGHT NOW?
307
00:14:43,248 --> 00:14:46,161
UH-HUH. I WOULD ASK MOM
OR DAD, BUT THEY'RE NOT HOME,
308
00:14:46,185 --> 00:14:48,096
AND THIS IS A REAL EMERGENCY.
309
00:14:48,120 --> 00:14:50,520
WELL, I THINK WE CAN
FLOAT A SMALL LOAN.
310
00:14:50,590 --> 00:14:53,134
AND YOU DON'T HAVE TO BE
WORRIED ABOUT BEING PAID BACK.
311
00:14:53,158 --> 00:14:55,070
CINDY'S GONNA BE
RICH AND FAMOUS.
312
00:14:55,094 --> 00:14:56,526
OH, HOW'S THAT GONNA HAPPEN?
313
00:14:56,595 --> 00:14:59,680
ALICE, YOU DON'T HAVE
TO PRETEND ANYMORE.
314
00:14:59,749 --> 00:15:00,749
PRETEND WHAT?
315
00:15:00,817 --> 00:15:02,249
WHAT YOU'RE PRETENDING.
316
00:15:02,317 --> 00:15:03,701
WHAT AM I PRETENDING?
317
00:15:03,769 --> 00:15:06,131
THE SAME THING ALL THE
OTHER KIDS ARE PRETENDING.
318
00:15:06,155 --> 00:15:07,455
WHAT ARE THEY PRETENDING?
319
00:15:07,523 --> 00:15:09,590
THE SAME THING
YOU'RE PRETENDING!
320
00:15:09,659 --> 00:15:11,859
OH, WELL, I'M CERTAINLY
GLAD WE GOT THAT CLEARED UP.
321
00:15:11,928 --> 00:15:13,628
HOW MUCH OF A LOAN DO YOU NEED?
322
00:15:13,696 --> 00:15:16,397
(Cindy) WELL, HOW MUCH DOES A
CHILDREN'S RECORD ALBUM COST?
323
00:15:16,465 --> 00:15:17,899
A CHILDREN'S RECORD ALBUM?
324
00:15:17,967 --> 00:15:20,835
(Cindy) MMM-HMM.
STARRING YOU KNOW WHO.
325
00:15:20,904 --> 00:15:22,180
IS THAT THE NAME OF A NEW GROUP?
326
00:15:22,204 --> 00:15:24,432
WELL, THERE SHE GOES,
PRETENDING AGAIN.
327
00:15:24,456 --> 00:15:25,640
PRETENDING WHAT?
328
00:15:25,708 --> 00:15:27,458
WHAT YOU WERE PRETENDING!
329
00:15:27,526 --> 00:15:29,426
I AM NOT PRET...
330
00:15:29,495 --> 00:15:31,173
JUST BRING ME THE
CHANGE, WOULD YOU?
331
00:15:31,197 --> 00:15:33,437
THANKS. BYE-BYE.
332
00:15:35,351 --> 00:15:36,900
MARCIA? (Marcia) YEAH?
333
00:15:36,969 --> 00:15:39,870
MARCIA, LATE BULLETIN.
CINDY READ YOUR DIARY AGAIN.
334
00:15:39,939 --> 00:15:42,050
HOW DID YOU FIND THAT
OUT? INDIRECTLY FROM ALICE.
335
00:15:42,074 --> 00:15:44,352
SHE WANTED TO BORROW SOME
MONEY TO BUY A RECORD ALBUM
336
00:15:44,376 --> 00:15:46,977
STARRING YOU KNOW
WHO. SHIRLEY TEMPLE!
337
00:15:47,046 --> 00:15:49,063
[both laughing]
338
00:15:49,131 --> 00:15:51,933
HEY, MARCIA, YOU'RE SUPPOSED TO
RETURN A BOOK WHEN YOU BORROW IT.
339
00:15:52,001 --> 00:15:53,333
SORRY, GREG. IT'S ON THE DESK.
340
00:15:53,402 --> 00:15:56,270
YOU CAN IMAGINE HER
LEARNING THOSE SONGS!
341
00:15:56,338 --> 00:15:57,805
[girls laughing]
342
00:15:57,874 --> 00:15:59,173
WHAT'S SO FUNNY?
343
00:15:59,241 --> 00:16:01,554
SHOULD WE TELL HIM?
IT'S TOO GOOD TO KEEP.
344
00:16:01,578 --> 00:16:03,343
TELL ME WHAT?
345
00:16:03,412 --> 00:16:05,052
IT'S ABOUT CINDY.
WHAT ABOUT HER?
346
00:16:05,081 --> 00:16:06,759
SHE THINKS SHE'S GONNA BE...
347
00:16:06,783 --> 00:16:08,816
SHE THINKS SHE'S GONNA
BE WHAT? WHAT? COME ON.
348
00:16:08,885 --> 00:16:11,452
SHE THINKS SHE'S...
COME ON. WHAT IS IT?
349
00:16:11,520 --> 00:16:13,788
SHE THINKS SHE'S GONNA
BE THE NEW SHIRLEY TEMPLE!
350
00:16:14,390 --> 00:16:16,407
SHIRLEY TEMPLE?
351
00:16:16,475 --> 00:16:18,158
[laughing continues]
352
00:16:19,862 --> 00:16:21,095
(Mike) HI.
353
00:16:21,163 --> 00:16:22,195
HI, HONEY.
354
00:16:23,799 --> 00:16:25,298
AH...
355
00:16:25,367 --> 00:16:28,327
UH-OH. YOU'VE GOT THAT
PENELOPE FLETCHER LOOK AGAIN.
356
00:16:28,370 --> 00:16:31,082
WHAT HAPPENED? WELL, SHE MOVED
UP THE DEADLINE ON THE PLANS.
357
00:16:31,106 --> 00:16:33,157
I DON'T EVEN HAVE TILL
THURSDAY TO COMPLETE 'EM.
358
00:16:33,225 --> 00:16:34,936
WHEN DO YOU HAVE
TO HAVE THEM FINISHED?
359
00:16:34,960 --> 00:16:37,338
TONIGHT. SHE'S DROPPING BY TO PICK
'EM UP ON THE WAY TO THE AIRPORT.
360
00:16:37,362 --> 00:16:38,757
SHE TRADED IN HER
BROOM FOR A PLANE.
361
00:16:38,781 --> 00:16:40,181
(Bobby) SET, GO!
362
00:16:42,401 --> 00:16:43,734
OH, ALMOST.
363
00:16:43,803 --> 00:16:45,180
HEY, WHAT'S IN THE BAG?
364
00:16:45,204 --> 00:16:46,314
(Cindy) A RECORD ALBUM.
365
00:16:46,338 --> 00:16:47,437
WHAT KIND?
366
00:16:47,506 --> 00:16:49,484
THE ROUND KIND. WITH
A HOLE IN THE MIDDLE.
367
00:16:49,508 --> 00:16:51,308
[laughing sarcastically]
VERY FUNNY.
368
00:16:51,343 --> 00:16:52,776
LET'S SEE IT.
369
00:16:52,845 --> 00:16:54,328
WHAT'S THE BIG SECRET?
370
00:16:54,413 --> 00:16:56,513
YOU KNOW WHAT THE SECRET IS.
371
00:16:56,582 --> 00:16:58,849
YEAH, AND YOU GUYS
BETTER TREAT CINDY NICE.
372
00:16:58,918 --> 00:17:02,019
SHE'S GONNA BE RICH AND
FAMOUS, AND I'M GONNA HELP HER.
373
00:17:02,088 --> 00:17:04,622
WHAT ARE YOU 2 GONNA
DO, RIP OFF A BANK?
374
00:17:04,690 --> 00:17:06,290
YEAH, BONNIE AND CLYDE.
375
00:17:06,359 --> 00:17:07,418
[laughs]
376
00:17:07,442 --> 00:17:08,909
VERY FUNNY.
377
00:17:08,978 --> 00:17:10,098
YEAH.
378
00:17:17,904 --> 00:17:20,454
LOOK CLOSELY. SEE A RESEMBLANCE?
379
00:17:21,674 --> 00:17:24,141
WELL, YOU'RE BOTH GIRLS.
380
00:17:24,193 --> 00:17:26,677
YEAH, BUT I BET IF I CURLED
MY HAIR THE SAME WAY,
381
00:17:26,746 --> 00:17:28,813
I BET WE'D LOOK
A LOT MORE ALIKE.
382
00:17:29,816 --> 00:17:31,515
I GOT TO LEARN THESE SONGS.
383
00:17:31,584 --> 00:17:33,450
[knocking at door]
384
00:17:33,519 --> 00:17:34,585
HI, KIDS.
385
00:17:34,654 --> 00:17:36,599
OH, DINNER'S GONNA BE
A LITTLE LATE TONIGHT.
386
00:17:36,623 --> 00:17:39,523
YOUR FATHER'S GOT A VERY
IMPORTANT CLIENT COMING OVER.
387
00:17:39,592 --> 00:17:40,858
AN IMPORTANT CLIENT?
388
00:17:40,927 --> 00:17:42,838
YEAH, AND I GUESS SHE'S
SOMEBODY PRETTY SPECIAL,
389
00:17:42,862 --> 00:17:45,222
SO, UH, BE ON YOUR
BEST BEHAVIOR, WILL YOU?
390
00:17:47,166 --> 00:17:48,482
YOU HEAR THAT, OLIVER?
391
00:17:48,551 --> 00:17:49,591
YEAH!
392
00:17:49,635 --> 00:17:51,719
YOU KNOW WHAT IT MEANS? NO.
393
00:17:51,804 --> 00:17:54,037
IT MEANS THAT THAT
CLIENT SHE'S TALKING ABOUT
394
00:17:54,106 --> 00:17:55,739
IS REALLY THE TALENT SCOUT
395
00:17:55,808 --> 00:17:58,559
THAT'S COMING OVER
TO SEE ME ANONYMOUSLY.
396
00:17:58,627 --> 00:18:00,505
IT'S A GOOD THING WE
BOUGHT THAT RECORD.
397
00:18:00,529 --> 00:18:04,615
YEAH. NOW I GOT TO REALLY
HURRY TO LEARN THESE SONGS.
398
00:18:04,683 --> 00:18:08,352
JUST THINK, OLIVER.
TONIGHT, A STAR IS BORN.
399
00:18:08,938 --> 00:18:10,020
WOW!
400
00:18:14,093 --> 00:18:17,138
HEY, CINDY, WOULD YOU LIKE TO GO TO
THE LIBRARY WITH US BEFORE DINNER?
401
00:18:17,162 --> 00:18:18,562
NOT ME.
402
00:18:18,631 --> 00:18:21,932
I'M NOT GIVING UP MY WHOLE CAREER
JUST FOR A WALK TO THE LIBRARY.
403
00:18:22,001 --> 00:18:24,101
WHAT'S THAT SUPPOSED TO MEAN?
404
00:18:24,169 --> 00:18:26,348
YOU DON'T HAVE TO
PRETEND ANYMORE.
405
00:18:26,372 --> 00:18:28,049
I KNOW ALL ABOUT
THE TALENT SCOUT
406
00:18:28,073 --> 00:18:30,819
THAT'S COMING OVER
HERE TONIGHT TO SEE ME.
407
00:18:30,843 --> 00:18:32,376
WHAT? TONIGHT?
408
00:18:32,428 --> 00:18:33,927
I GOT TO CONFESS.
409
00:18:33,996 --> 00:18:37,030
I PEEKED IN YOUR DIARY,
AND I KNOW EVERYTHING.
410
00:18:37,099 --> 00:18:40,851
THAT CLIENT DAD'S TALKING ABOUT, IT'S
REALLY THE ANONYMOUS TALENT SCOUT.
411
00:18:40,920 --> 00:18:42,669
YOU'RE WRONG, CINDY.
412
00:18:42,738 --> 00:18:44,933
I TOLD YOU, YOU DON'T
HAVE TO PRETEND ANYMORE.
413
00:18:44,957 --> 00:18:47,440
WELL, LOOK, NOW I'VE GOT
A CONFESSION TO MAKE.
414
00:18:47,509 --> 00:18:49,743
I MADE UP ALL THOSE
THINGS IN MY DIARY
415
00:18:49,812 --> 00:18:52,146
JUST TO TEACH YOU A
LESSON FOR SNOOPING.
416
00:18:52,214 --> 00:18:53,446
SURE, YOU DID.
417
00:18:53,515 --> 00:18:55,215
IT'S THE TRUTH, CINDY.
418
00:18:55,284 --> 00:18:58,180
THAT WOMAN THAT'S COMING OVER
HERE TONIGHT IS REALLY A CLIENT OF DAD'S.
419
00:18:58,204 --> 00:19:01,283
YOU'RE JUST SAYING THAT SO I
WON'T GET MY HOPES UP TOO HIGH.
420
00:19:01,307 --> 00:19:02,923
HONEST, CINDY, WE'RE NOT.
421
00:19:02,991 --> 00:19:06,010
THAT WHOLE BUSINESS ABOUT
SHIRLEY TEMPLE IS A PUT-ON.
422
00:19:06,079 --> 00:19:07,427
A PUT-ON, EH?
423
00:19:07,496 --> 00:19:08,679
RIGHT.
424
00:19:08,747 --> 00:19:10,147
JUST TO TEACH YOU A LESSON.
425
00:19:10,949 --> 00:19:12,349
DO YOU UNDERSTAND?
426
00:19:12,418 --> 00:19:14,118
YEAH, I UNDERSTAND.
427
00:19:14,170 --> 00:19:15,318
GOOD.
428
00:19:15,387 --> 00:19:17,254
NOW DON'T DO ANYTHING.
429
00:19:17,322 --> 00:19:18,522
I WON'T.
430
00:19:18,958 --> 00:19:19,958
[sighs]
431
00:19:25,431 --> 00:19:26,663
PUT-ON, HUH?
432
00:19:39,645 --> 00:19:41,746
GET READY, SHIRLEY.
433
00:19:46,936 --> 00:19:48,419
♪ [whistling]
434
00:19:50,656 --> 00:19:53,224
MIKE, NOW PROMISE ME
YOU WON'T GET UPSET
435
00:19:53,292 --> 00:19:55,392
WHEN MISS FLETCHER COMES
OVER FOR THE PLANS, OK?
436
00:19:55,461 --> 00:19:56,860
OH, I PROMISE.
437
00:19:56,929 --> 00:19:59,241
IF SHE'S SOUR, I'LL IGNORE IT. IF
SHE'S DISAGREEABLE, I'LL SMILE.
438
00:19:59,265 --> 00:20:00,942
IF SHE'S INSULTING,
I'LL LAUGH. GOOD.
439
00:20:00,966 --> 00:20:03,126
AND THEN I'LL THROW
HER OUT OF THE HOUSE.
440
00:20:04,687 --> 00:20:06,203
[doorbell rings]
441
00:20:10,309 --> 00:20:11,675
I'M PENELOPE FLETCHER.
442
00:20:11,744 --> 00:20:13,711
OH, GOOD EVENING. COME IN.
443
00:20:13,779 --> 00:20:16,246
MR. AND MRS. BRADY WEREN'T
EXPECTING YOU QUITE SO SOON.
444
00:20:16,315 --> 00:20:17,793
I'LL TELL THEM YOU'RE
HERE. THANK YOU.
445
00:20:17,817 --> 00:20:19,861
IS THERE ANYTHING I CAN GET
FOR YOU IN THE MEANWHILE?
446
00:20:19,885 --> 00:20:21,964
UH, YES. MR. BRADY.
I'M IN A HURRY.
447
00:20:21,988 --> 00:20:23,053
YES, MA'AM.
448
00:20:38,721 --> 00:20:42,122
1, 2, 3, 4, 5, 6!
449
00:20:42,191 --> 00:20:44,308
[sighing] DEAR!
450
00:20:59,375 --> 00:21:00,375
GOOD EVENING!
451
00:21:01,344 --> 00:21:03,255
AND, UH, WHO MIGHT YOU BE?
452
00:21:03,279 --> 00:21:04,594
I'M CINDY BRADY.
453
00:21:04,663 --> 00:21:06,963
I'M THE ONE YOU CAME TO SEE!
454
00:21:07,032 --> 00:21:09,016
YOU'RE THE ONE I CAME TO SEE?
455
00:21:09,085 --> 00:21:11,602
YEAH. YOU DON'T HAVE
TO PRETEND ANYMORE.
456
00:21:11,671 --> 00:21:13,404
I KNOW ALL ABOUT YOU.
457
00:21:13,472 --> 00:21:14,922
YOU'RE ANONYMOUS.
458
00:21:14,990 --> 00:21:16,489
INDEED.
459
00:21:16,559 --> 00:21:19,043
♪ ON THE GOOD SHIP LOLLIPOP ♪
460
00:21:19,111 --> 00:21:22,212
♪ IT'S A NICE TRIP
TO THE CANDY SHOP ♪
461
00:21:22,281 --> 00:21:24,164
♪ WHERE BONBONS PLAY ♪
462
00:21:24,233 --> 00:21:26,283
♪ ON THE SUNNY BEACH
OF PEPPERMINT BAY ♪
463
00:21:26,351 --> 00:21:27,551
♪ BOOM, BOOM, BOOM ♪
464
00:21:27,619 --> 00:21:30,137
♪ LEMONADE STANDS EVERYWHERE ♪
465
00:21:30,206 --> 00:21:32,739
♪ CRACKER JACK
BANDS FILL THE AIR ♪
466
00:21:32,825 --> 00:21:34,558
♪ AND THERE YOU ARE ♪
467
00:21:34,627 --> 00:21:37,144
♪ HAPPY LANDINGS
ON A CHOCOLATE BAR ♪
468
00:21:37,212 --> 00:21:38,323
(Cindy) ♪... EVERYWHERE ♪
469
00:21:38,347 --> 00:21:40,880
♪ CRACKERJACK
BANDS FILL THE AIR ♪
470
00:21:40,950 --> 00:21:42,715
♪ AND THERE YOU ARE ♪
471
00:21:42,784 --> 00:21:45,118
♪ HAPPY LANDINGS
ON A CHOCOLATE BAR ♪
472
00:21:45,187 --> 00:21:47,837
(both) ♪ SEE THE SUGAR
BOWL DO A TOOTSIE ROLL ♪
473
00:21:47,906 --> 00:21:50,690
♪ WITH THAT BIG BAD
DEVIL'S FOOD CAKE ♪
474
00:21:50,760 --> 00:21:53,360
♪ IF YOU EAT TOO
MUCH OOH, OOH! ♪
475
00:21:53,428 --> 00:21:55,912
♪ YOU'LL AWAKE
WITH A TUMMY ACHE ♪
476
00:21:55,981 --> 00:21:58,682
♪ ON THE GOOD SHIP LOLLIPOP ♪
477
00:21:58,751 --> 00:22:00,033
♪ IT'S A NICE TRIP ♪
478
00:22:00,102 --> 00:22:01,318
♪ INTO BED YOU HOP ♪
479
00:22:01,386 --> 00:22:03,337
♪ AND DREAM AWAY ♪
480
00:22:03,405 --> 00:22:05,905
♪ ON THE GOOD SHIP LOLLIPOP ♪
481
00:22:08,127 --> 00:22:10,655
UH, MISS FLETCHER, I DON'T
THINK YOU'VE MET MY WIFE, CAROL.
482
00:22:10,679 --> 00:22:11,761
HOW DO YOU DO?
483
00:22:11,830 --> 00:22:13,580
(Mike) CAROL, PENELOPE FLETCHER.
484
00:22:13,649 --> 00:22:15,065
HELLO, MISS FLETCHER.
485
00:22:15,134 --> 00:22:16,500
[panting]
486
00:22:16,569 --> 00:22:19,086
CINDY, WHAT ARE YOU
DOING IN THAT GETUP?
487
00:22:19,155 --> 00:22:21,905
THIS IS MY BIG CHANCE,
SO I GOT ALL DRESSED UP.
488
00:22:21,974 --> 00:22:23,256
WHAT FOR?
489
00:22:23,325 --> 00:22:25,776
OH, THIS CHILD SEEMS TO
BE UNDER THE IMPRESSION
490
00:22:25,844 --> 00:22:29,579
THAT I'M A TALENT SCOUT LOOKING
FOR A NEW SHIRLEY TEMPLE.
491
00:22:29,648 --> 00:22:31,882
A TALENT SCOUT? SHIRLEY TEMPLE?
492
00:22:31,951 --> 00:22:34,919
OH, THE CHERISHED MEMORIES
SHE JUST BROUGHT BACK.
493
00:22:35,687 --> 00:22:36,881
SHIRLEY TEMPLE,
494
00:22:36,905 --> 00:22:39,773
THAT ADORABLE, LITTLE,
GOLDEN-HAIRED TYKE.
495
00:22:39,842 --> 00:22:41,992
HOW I ADORED HER.
496
00:22:42,061 --> 00:22:44,389
[sighing] WHAT A
MARVELOUS TIME OF LIFE
497
00:22:44,413 --> 00:22:45,613
I'VE JUST RELIVED.
498
00:22:47,066 --> 00:22:50,301
OH, I'M SORRY TO
GET SO CARRIED AWAY.
499
00:22:50,369 --> 00:22:52,180
I... I HAVE A PLANE TO CATCH.
500
00:22:52,204 --> 00:22:55,222
GOOD-BYE. GOOD-BYE,
DEAR LITTLE CURLY TOP.
501
00:22:55,291 --> 00:22:57,824
THANK YOU, THANK YOU,
FOR A WONDERFUL EVENING!
502
00:22:57,893 --> 00:22:59,420
UH, MISS FLETCHER, THE PLANS.
503
00:22:59,444 --> 00:23:00,444
OH, YES.
504
00:23:00,495 --> 00:23:02,415
I THINK IT'S EXACTLY
WHAT YOU WANT.
505
00:23:02,447 --> 00:23:04,965
OH, IT DOESN'T MATTER ANYWAY.
506
00:23:05,034 --> 00:23:08,096
(Penelope) ♪ ON THE
GOOD SHIP LOLLIPOP ♪
507
00:23:08,120 --> 00:23:10,871
♪ IT'S A SWEET TRIP
TO THE CANDY SHOP ♪
508
00:23:10,940 --> 00:23:12,873
♪ WHERE BONBONS PLAY ♪
509
00:23:12,942 --> 00:23:14,458
♪ ON THE BEACH... ♪
510
00:23:15,744 --> 00:23:17,443
[sighing] YOUNG LADY,
511
00:23:17,512 --> 00:23:20,714
THERE BETTER BE A GOOD
EXPLANATION FOR THIS.
512
00:23:20,783 --> 00:23:23,064
THAT'S WHAT I WAS JUST THINKING.
513
00:23:25,104 --> 00:23:27,003
YOU KNOW, JUST BECAUSE
THIS HAD A HAPPY ENDING
514
00:23:27,072 --> 00:23:29,506
DOESN'T MAKE IT RIGHT TO
SNOOP. NOW, IS THAT CLEAR, CINDY?
515
00:23:29,574 --> 00:23:31,791
YEAH. I LEARNED MY LESSON.
516
00:23:31,860 --> 00:23:33,927
I'M NOT GONNA SNOOP ANYMORE.
517
00:23:33,995 --> 00:23:35,862
WE'RE FINISHED WITH
TRICKS LIKE THAT, TOO.
518
00:23:35,931 --> 00:23:37,147
WE SURE ARE.
519
00:23:37,216 --> 00:23:39,333
OK, LET'S KEEP IT THAT WAY.
520
00:23:45,357 --> 00:23:47,474
I HOPE YOU LEARNED
YOUR LESSON, TOO.
521
00:23:47,543 --> 00:23:49,008
WHAT'S THAT?
522
00:23:49,078 --> 00:23:50,922
WELL, NEXT TIME YOU HAVE TO
DEAL WITH PENELOPE FLETCHER,
523
00:23:50,946 --> 00:23:52,679
JUST DO YOUR SHIRLEY
TEMPLE IMITATION.
524
00:23:52,747 --> 00:23:53,980
[both laughing]
525
00:23:54,049 --> 00:23:56,750
(both) ♪ ON THE
GOOD SHIP LOLLIPOP ♪
526
00:24:08,346 --> 00:24:09,412
HI, MARCIA.
527
00:24:09,481 --> 00:24:10,747
HI.
528
00:24:10,816 --> 00:24:12,260
HERE'S A PRESENT FOR YOU.
529
00:24:12,284 --> 00:24:14,317
[sighing] A PRESENT?
530
00:24:14,820 --> 00:24:15,820
WOW.
531
00:24:22,027 --> 00:24:25,212
CINDY, I APPRECIATE THIS,
BUT I'VE ALREADY GOT A DIARY.
532
00:24:25,281 --> 00:24:26,680
NOT ONE WITH A LOCK ON IT.
533
00:24:28,600 --> 00:24:31,735
WHAT DO I NEED A LOCK FOR? YOU SAID
YOU WEREN'T GONNA SNOOP ANYMORE.
534
00:24:31,804 --> 00:24:34,955
YEAH, BUT IT'S A GIRL'S
PRIVILEGE TO CHANGE HER MIND,
535
00:24:35,024 --> 00:24:36,406
AND I'M AFRAID I MIGHT.
39202
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