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1
00:00:03,000 --> 00:00:06,670
[upbeat music]
2
00:00:06,667 --> 00:00:08,227
- FORGET IT, MEL.
3
00:00:08,233 --> 00:00:09,403
YOU'VE ALREADY DRAGGED US
AROUND THIS PLACE,
4
00:00:09,400 --> 00:00:10,530
LIKE, THREE TIMES.
5
00:00:10,533 --> 00:00:11,533
THERE'S NO WAY
WE'RE GETTING IN.
6
00:00:11,533 --> 00:00:12,933
- WELL, WE COULD ALWAYS
TOM CRUISE IT--
7
00:00:12,933 --> 00:00:14,873
CRAWL UP TO THE ROOF AND THEN
DESCEND FROM THE CEILING,
8
00:00:14,867 --> 00:00:16,997
USING AN ELABORATE SYSTEM
OF PULLEYS AND LEVERS.
9
00:00:17,000 --> 00:00:18,770
- THERE'S A LOT OF PHYSICS
INVOLVED IN THAT.
10
00:00:18,767 --> 00:00:20,297
- LOOK, WE CAME TO THIS EVENT
WITH A SPECIFIC MISSION IN MIND.
11
00:00:20,300 --> 00:00:21,630
- MISSION: IMPOSSIBLE.
12
00:00:21,633 --> 00:00:23,503
- AND WE AREN'T LEAVING
UNTIL WE COMPLETE THAT MISSION.
13
00:00:23,500 --> 00:00:24,600
- MAYBE WE COULD
JUST FIND SOMEONE
14
00:00:24,600 --> 00:00:25,800
WHO COULD HAND MY CD TO EDDIE.
15
00:00:25,800 --> 00:00:26,900
- AND MISS THE OPPORTUNITY
16
00:00:26,900 --> 00:00:28,370
OF YOU HANDING IT TO HIM
PERSONALLY?
17
00:00:28,367 --> 00:00:29,567
LIKE YOU'D BE SATISFIED
WITH THAT.
18
00:00:29,567 --> 00:00:30,867
- ALL RIGHT, FINE,
WELL, THEN,
19
00:00:30,867 --> 00:00:32,467
WE HAVE TO FIND A WAY THAT WE
CAN SNEAK PAST SECURITY.
20
00:00:32,467 --> 00:00:34,367
- WE ARE JUST ONE LARGE
GROUP WE CAN BLEND IN WITH AWAY
21
00:00:34,367 --> 00:00:35,697
FROM GETTING BEYOND
THAT VELVET ROPE.
22
00:00:35,700 --> 00:00:37,300
- HOW ABOUT THEM?
- PERFECT.
23
00:00:37,300 --> 00:00:39,670
WE CAN BE THEIR PLUS-ONES.
YOU COOL BEING THE TOKEN DUDE?
24
00:00:39,667 --> 00:00:40,727
- THAT'S WHAT I AM
TO YOU GUYS.
25
00:00:40,733 --> 00:00:41,973
- AND YOU'RE SO GOOD AT IT.
26
00:00:41,967 --> 00:00:44,067
- GUYS, WE DON'T EXACTLY
BLEND IN WITH THEM.
27
00:00:44,067 --> 00:00:45,997
- JUST BE CONFIDENT,
ACT LIKE YOU BELONG,
28
00:00:46,000 --> 00:00:47,330
AND WE'LL SAIL
RIGHT ON THROUGH.
29
00:00:47,333 --> 00:00:49,433
COME ON.
30
00:00:49,433 --> 00:00:54,373
[overlapping chatter]
31
00:00:56,033 --> 00:00:57,873
- I'M CONFIDENT.
32
00:00:57,867 --> 00:00:59,867
- I ADORE
YOUR MULBERRY CLUTCH.
33
00:00:59,867 --> 00:01:01,267
I WOULD HAVE BROUGHT MINE,
34
00:01:01,267 --> 00:01:03,867
BUT I THOUGHT IT WOULD CLASH
WITH THIS FIERCENESS.
35
00:01:03,867 --> 00:01:07,197
- MY NAME IS ADAM, AND I'LL BE
YOUR ARM CANDY FOR THE EVENING.
36
00:01:18,600 --> 00:01:21,700
- HOLD UP.
I NEED TO SEE YOUR INVITES.
37
00:01:21,700 --> 00:01:25,800
- UM...
[laughs]
38
00:01:25,800 --> 00:01:29,800
[overlapping chatter]
39
00:01:29,800 --> 00:01:32,800
[upbeat music]
40
00:01:32,800 --> 00:01:40,730
*
41
00:01:44,067 --> 00:01:46,767
- HI, GOOD TO SEE YOU.
42
00:01:46,767 --> 00:01:48,327
HI.
- HELLO.
43
00:01:48,333 --> 00:01:50,933
- HOW ARE YOU?
CONGRATULATIONS.
44
00:01:50,933 --> 00:01:52,933
THIS IS HUGE.
45
00:01:55,200 --> 00:01:57,830
- HEY, GUYS.
46
00:01:57,833 --> 00:02:00,233
I DON'T KNOW HOW YOU DO THIS
EVERY DAY.
47
00:02:00,233 --> 00:02:01,503
THE FLASHES ARE GIVING ME
A HEADACHE.
48
00:02:01,500 --> 00:02:04,730
- OH, I JUST THINK EVERY CLICK
IS WORTH $100.
49
00:02:04,733 --> 00:02:06,703
- THAT'S VERY CYNICAL OF YOU.
50
00:02:06,700 --> 00:02:08,130
- [laughs]
51
00:02:08,133 --> 00:02:10,073
IT'S JUST AN OLD MODELING TRICK
TO GET THROUGH THE DAY.
52
00:02:10,067 --> 00:02:11,367
- UH-HUH.
- WE ALL DO IT.
53
00:02:11,367 --> 00:02:14,097
NOW KISS ME,
AND IT'LL BE WORTH $1,000.
54
00:02:19,667 --> 00:02:21,567
- ALL RIGHT.
- [laughs]
55
00:02:21,567 --> 00:02:24,227
- UH, ALL RIGHT, GUYS.
56
00:02:24,233 --> 00:02:26,773
UM, I THINK THAT'S
ENOUGH FOR THE YEAR.
57
00:02:26,767 --> 00:02:28,397
LET US ENJOY THE PARTY
FOR A WHILE, HUH?
58
00:02:28,400 --> 00:02:31,130
- UM, I'M GONNA HANG OUT HERE
FOR A BIT,
59
00:02:31,133 --> 00:02:32,333
IF YOU WANT TO GO HANG OUT
WITH YOUR DAD.
60
00:02:32,333 --> 00:02:34,903
- YEAH.
HEY, YOU SURE YOU'RE OKAY?
61
00:02:34,900 --> 00:02:36,630
YOU SEEMED REALLY UPSET
WHEN I FIRST CAME DOWN.
62
00:02:36,633 --> 00:02:38,503
- YEAH. I'M JUST
NERVOUS FOR MAX.
63
00:02:38,500 --> 00:02:40,270
YOU KNOW, I KNOW HE HAS A LOT
RIDING ON THIS CLUB,
64
00:02:40,267 --> 00:02:41,397
AND I REALLY CARE
ABOUT HIM.
65
00:02:41,400 --> 00:02:43,400
HE REMINDS ME A LOT
OF MY DAD.
66
00:02:43,400 --> 00:02:44,630
- ALL RIGHT.
67
00:02:49,833 --> 00:02:52,673
I SAID WHITE WINE.
I'M GETTING PICTURES TAKEN.
68
00:02:52,667 --> 00:02:56,927
DO YOU THINK I WANT
PURPLE TEETH? GENIUS.
69
00:03:01,133 --> 00:03:03,473
- POPS.
I'M GLAD YOU CAME DOWN.
70
00:03:03,467 --> 00:03:04,597
I THOUGHT YOU WERE GONNA
71
00:03:04,600 --> 00:03:05,900
STAY HOLED UP IN THE APARTMENT
ALL NIGHT.
72
00:03:05,900 --> 00:03:07,770
- OH, I WAS TEMPTED.
[laughs]
73
00:03:07,767 --> 00:03:09,967
- COME ON.
DAD, LOOK AROUND.
74
00:03:09,967 --> 00:03:11,897
NO LIGHT FIXTURES
HAVE FALLEN,
75
00:03:11,900 --> 00:03:13,770
NOBODY'S GOTTEN ELECTROCUTED
BY THE HAND DRYERS,
76
00:03:13,767 --> 00:03:15,097
AND, AS FAR AS I KNOW,
77
00:03:15,100 --> 00:03:16,830
NOBODY'S GOTTEN SICK
OFF THE TUNA ROLLS.
78
00:03:16,833 --> 00:03:18,933
- I KNOW.
- ENJOY THE MOMENT.
79
00:03:18,933 --> 00:03:21,573
- I AM. I WILL, I PROMISE,
I PROMISE.
80
00:03:21,567 --> 00:03:23,767
YEAH, WHAT ABOUT YOU?
YOU HAVING A GOOD TIME?
81
00:03:23,767 --> 00:03:29,067
- YEAH, I'M HAVING A BLAST.
I JUST CAN'T WAIT TILL MIDNIGHT.
82
00:03:29,067 --> 00:03:33,897
- EDDIE, HELL OF A PARTY, MAN.
- WHAT ARE YOU DOING HERE?
83
00:03:33,900 --> 00:03:36,430
- ENJOYING THE FESTIVITIES.
YOU REMEMBER AMBER, RIGHT?
84
00:03:36,433 --> 00:03:37,903
- YES, I DO.
HOW ARE YOU?
85
00:03:37,900 --> 00:03:40,300
- THANKS FOR INVITING ME, EDDIE.
- OF COURSE.
86
00:03:40,300 --> 00:03:42,300
- YEAH, IT'S LIKE A SENIOR
DITCH DAY REUNION.
87
00:03:42,300 --> 00:03:46,900
ME, YOU, CHLOE, AMBER.
WHO ELSE IS HERE?
88
00:03:46,900 --> 00:03:50,230
- THAT YOU KNOW? NO ONE.
- HMM.
89
00:03:50,233 --> 00:03:52,633
MAX, TYLER.
YOU REMEMBER ME, RIGHT?
90
00:03:52,633 --> 00:03:55,803
- YEAH, I DO, I DO.
FROM, UH, FROM THE MOVIE.
91
00:03:55,800 --> 00:03:57,070
- YEAH.
- RIGHT, YEAH.
92
00:03:57,067 --> 00:03:58,467
- THAT'S COOL.
93
00:03:58,467 --> 00:04:01,067
YOU REMEMBER THE FRIENDS YOUR
SON HAD BEFORE HE WAS FAMOUS.
94
00:04:01,067 --> 00:04:02,827
TOO BAD HE DOESN'T.
95
00:04:02,833 --> 00:04:06,333
- YEAH, YOU'RE PRETTY HARD
TO FORGET, TYLER.
96
00:04:06,333 --> 00:04:08,533
- YOU KNOW I'M UP FOR
A NETWORK PILOT?
97
00:04:08,533 --> 00:04:11,303
- WOW. FANTASTIC.
I HOPE YOU GET IT.
98
00:04:11,300 --> 00:04:14,200
- IT'D BE A LOT COOLER IF, UH,
JAKE WAS REPPING ME AGAIN.
99
00:04:14,200 --> 00:04:16,770
- MAYBE YOU SHOULD TALK TO HIM.
- I TRIED.
100
00:04:16,767 --> 00:04:18,897
- IT'S NOT MY PROBLEM, BUDDY.
SORRY.
101
00:04:18,900 --> 00:04:22,200
- OF COURSE NOT.
IT NEVER IS.
102
00:04:22,200 --> 00:04:25,330
- WHAT ARE YOU DOING?
WE DON'T WANT ANY TROUBLE HERE.
103
00:04:25,333 --> 00:04:28,973
- WHO'S CAUSING TROUBLE, MAN?
IT'S A PARTY.
104
00:04:28,967 --> 00:04:33,227
I'M HAVING FUN, RIGHT?
CHEERS.
105
00:04:39,133 --> 00:04:42,133
[upbeat music]
106
00:04:42,133 --> 00:04:47,103
*
107
00:04:47,100 --> 00:04:49,370
- SAVE THE SOB STORY, LADIES.
NO INVITE, NO ENTRY.
108
00:04:49,367 --> 00:04:51,067
- BUT THAT'S WHAT I'VE BEEN
TRYING TO TELL YOU.
109
00:04:51,067 --> 00:04:52,297
YOU ALREADY TOOK OUR INVITES.
110
00:04:52,300 --> 00:04:53,900
WE'RE PART OF THAT GROUP.
YOU JUST MISCOUNTED.
111
00:04:53,900 --> 00:04:55,330
NOT THAT I CAN BLAME YOU.
112
00:04:55,333 --> 00:04:56,733
ALL THOSE SKINNY-ASS MODELS
LOOK ALIKE,
113
00:04:56,733 --> 00:04:59,703
SO I CAN SEE HOW YOU MIGHT HAVE
COUNTED A COUPLE OF THEM TWICE.
114
00:04:59,700 --> 00:05:03,270
- FORGET IT.
THANK YOU FOR YOUR TIME.
115
00:05:03,267 --> 00:05:06,267
[club music]
116
00:05:06,267 --> 00:05:12,797
**
117
00:05:12,800 --> 00:05:14,800
- HEY, HEY, HEY, HEY, HEY.
118
00:05:14,800 --> 00:05:17,700
FABULOUS PARTY,
AND I LOVE THE CLUB.
119
00:05:17,700 --> 00:05:19,800
LET ME KNOW IF ANY MAJOR SCOOPS
HAPPEN TONIGHT.
120
00:05:19,800 --> 00:05:22,570
I GET FIRST DIBS.
- YEAH, SURE.
121
00:05:22,567 --> 00:05:24,067
- HEY, WHAT'S WITH YOU?
122
00:05:24,067 --> 00:05:25,327
- LOOK, I HAVE TO GO
TAKE CARE OF SOMETHING.
123
00:05:25,333 --> 00:05:26,933
- NO, NO.
WAIT, WAIT, WAIT.
124
00:05:26,933 --> 00:05:30,073
YOU NEVER TOLD ME WHAT THAT
SCUMMY PAPARAZZO BLED FROM YOU
125
00:05:30,067 --> 00:05:31,727
IN ORDER TO GET
THAT TYLER PHOTO BACK.
126
00:05:31,733 --> 00:05:32,973
- 15 GRAND.
127
00:05:32,967 --> 00:05:34,967
- THAT'S A PRETTY REASONABLE
PRICE TO PAY
128
00:05:34,967 --> 00:05:36,897
TO KEEP YOUR RELATIONSHIP
WITH TYLER UNDER WRAPS,
129
00:05:36,900 --> 00:05:38,170
DON'T YOU THINK?
130
00:05:38,167 --> 00:05:40,767
- HEY, HOW WOULD YOU
LIKE TO DO ME A FAVOR?
131
00:05:40,767 --> 00:05:42,097
- WHAT'S IN IT FOR ME?
132
00:05:42,100 --> 00:05:43,930
- ANOTHER EXCLUSIVE.
133
00:05:43,933 --> 00:05:46,373
- OKAY.
134
00:05:46,367 --> 00:05:49,927
- WHOA.
MIGHT WANT TO PACE YOURSELF.
135
00:05:49,933 --> 00:05:52,273
- YOU'RE RIGHT,
DON'T WANT TO MISS
136
00:05:52,267 --> 00:05:55,067
ONE OF ROCK'S GREATEST
SENSATIONS ON THE PLANET.
137
00:05:55,067 --> 00:05:58,727
- I'M NOT PERFORMING.
- OH, TOO BAD.
138
00:05:58,733 --> 00:06:00,703
I'M SURE EVERYONE'S
EXPECTING IT.
139
00:06:00,700 --> 00:06:03,130
- EDDIE, I SAW YOU ON
THE LILY PARK SHOW LAST NIGHT.
140
00:06:03,133 --> 00:06:05,873
- OH, YEAH, CHLOE
CONVINCED ME TO DO THAT.
141
00:06:05,867 --> 00:06:08,527
- CHLOE CAN BE AWFULLY
PERSUASIVE WHEN SHE WANTS TO BE.
142
00:06:08,533 --> 00:06:10,933
- YOU SOUND LIKE A MAN
WITH FIRSTHAND KNOWLEDGE.
143
00:06:10,933 --> 00:06:12,703
- HEY, I INTRODUCED
THESE TWO.
144
00:06:12,700 --> 00:06:14,530
YOU'D THINK THAT'D EARN ME
SOME GOOD WILL.
145
00:06:14,533 --> 00:06:16,573
- TYLER RORKE.
- [laughs]
146
00:06:16,567 --> 00:06:17,767
- YOU WALKED RIGHT PAST ME
147
00:06:17,767 --> 00:06:19,427
ON THE RED CARPET,
YOU LITTLE DEVIL.
148
00:06:19,433 --> 00:06:21,133
- HEY, LILY.
- HI.
149
00:06:21,133 --> 00:06:22,573
WE HAVE SOME MAJOR
CATCHING UP TO DO.
150
00:06:22,567 --> 00:06:24,367
I WANT TO HEAR EVERYTHING
THAT YOU'VE BEEN UP TO.
151
00:06:24,367 --> 00:06:26,497
- ALL RIGHT, COOL.
YOU KNOW AMBER, RIGHT?
152
00:06:26,500 --> 00:06:28,730
- OF COURSE.
YOU WERE ON VARIETY'S
153
00:06:28,733 --> 00:06:30,633
UP-AND-COMING HOT 100 LIST,
RIGHT?
154
00:06:30,633 --> 00:06:31,973
- I WAS NUMBER 93.
155
00:06:31,967 --> 00:06:33,727
- [laughs]
WHY DON'T YOU COME MY WAY?
156
00:06:33,733 --> 00:06:36,333
LET'S GO.
157
00:06:36,333 --> 00:06:38,773
- I DON'T REMEMBER PUTTING
HIS NAME ON THE LIST.
158
00:06:38,767 --> 00:06:41,267
- DON'T LOOK AT ME.
159
00:06:41,267 --> 00:06:45,227
- GREAT TURNOUT, RIGHT?
- HEY, YEAH.
160
00:06:45,233 --> 00:06:47,733
SO, DID YOU KNOW
TYLER RORKE IS HERE?
161
00:06:47,733 --> 00:06:49,773
- TYLER?
HOW IS THAT POSSIBLE?
162
00:06:49,767 --> 00:06:51,097
- I DON'T KNOW.
163
00:06:51,100 --> 00:06:54,200
APPARENTLY HE CONVINCED AMBER
TO TAG ALONG WITH HIM
164
00:06:54,200 --> 00:06:56,300
'CAUSE HE CAN'T GET
ON THE GUEST LIST HIMSELF.
165
00:06:56,300 --> 00:06:59,070
- YEAH, YOU KNOW, AMBER'S
ALWAYS HAD A THING FOR HIM.
166
00:06:59,067 --> 00:07:00,567
THAT'S PROBABLY
HOW HE GOT HERE.
167
00:07:00,567 --> 00:07:02,067
BUT WHO CARES, RIGHT?
168
00:07:02,067 --> 00:07:03,527
- WELL, I'M NOT SURE
IF I LIKE HIM.
169
00:07:03,533 --> 00:07:06,233
HE'S GOT, LIKE, BAD KARMA.
170
00:07:06,233 --> 00:07:10,073
I'M GONNA GO SAY HI TO SOMEONE.
EXCUSE ME.
171
00:07:10,067 --> 00:07:12,527
- YOU BEEN POSING
THIS WHOLE TIME?
172
00:07:12,533 --> 00:07:14,933
- YEAH. IT'S JUST
PART OF THE BUSINESS.
173
00:07:14,933 --> 00:07:16,273
- YEAH?
- YEAH.
174
00:07:16,267 --> 00:07:18,327
- WILL YOU STOP WORKING?
TONIGHT IS FOR CELEBRATION.
175
00:07:18,333 --> 00:07:21,273
- AH, AT MY LEVEL,
WITH A MEGASTAR BOYFRIEND,
176
00:07:21,267 --> 00:07:23,067
EXPOSURE IS THE NAME
OF THE GAME.
177
00:07:23,067 --> 00:07:26,597
- WELL, MAYBE YOU SHOULD BE
TALKING TO LILY PARK
178
00:07:26,600 --> 00:07:29,400
INSTEAD OF THE POSTER BOY
FOR INSECURITY.
179
00:07:29,400 --> 00:07:33,170
LISTEN, I DON'T WANT ANYTHING
TO RUIN THIS NIGHT.
180
00:07:33,167 --> 00:07:34,827
- NOTHING WILL,
181
00:07:34,833 --> 00:07:37,903
SO THERE IS NO REASON
TO CHANGE ANY OF YOUR PLANS.
182
00:07:37,900 --> 00:07:40,130
NO REASON AT ALL.
183
00:07:40,133 --> 00:07:42,373
- SO I KEPT TELLING
THE DIRECTOR
184
00:07:42,367 --> 00:07:44,297
THE STUNT DOUBLE DOESN'T
LOOK ANYTHING LIKE ME.
185
00:07:44,300 --> 00:07:47,070
HIS NOSE WAS BROKEN
IN THREE PLACES.
186
00:07:47,067 --> 00:07:49,067
YOU KNOW, I DON'T WANT
PEOPLE THINKING THAT'S ME
187
00:07:49,067 --> 00:07:50,467
WITH THE MANGLED NOSE.
188
00:07:50,467 --> 00:07:55,227
MY FANS EXPECT THIS FACE,
NOT PUNCHING BAG PETE.
189
00:07:55,233 --> 00:07:57,173
CAN YOU BELIEVE THAT?
190
00:07:57,167 --> 00:07:58,967
- NO, ACTUALLY,
I-I CAN'T BELIEVE THAT...
191
00:07:58,967 --> 00:08:00,327
YOU'RE TELLING ME THAT,
TYLER.
192
00:08:00,333 --> 00:08:02,773
YOU KNOW, YOU ARE SUCH
A NATURAL STORYTELLER.
193
00:08:02,767 --> 00:08:03,767
- WELL, LET'S GET
YOUR CREW OVER HERE.
194
00:08:03,767 --> 00:08:05,067
YOU CAN PUT ME ON TAPE.
195
00:08:05,067 --> 00:08:06,267
I CAN TELL IT LIKE
I'VE NEVER TOLD IT BEFORE.
196
00:08:06,267 --> 00:08:07,627
- NO, YOU KNOW WHAT?
197
00:08:07,633 --> 00:08:10,073
IT--TONIGHT'S REALLY ABOUT MAX
AND THE CLUB, SO--
198
00:08:10,067 --> 00:08:11,967
- ALL RIGHT, COOL.
WELL, I'LL GIVE YOU MY NUMBER.
199
00:08:11,967 --> 00:08:14,467
- YOU KNOW WHAT?
I'LL CONTACT YOU, OKAY?
200
00:08:14,467 --> 00:08:17,867
NICE TO MEET YOU, AMBER.
LATER, TYLER.
201
00:08:19,400 --> 00:08:22,130
- I CAN'T BELIEVE LILY PARK
KNEW WHO I WAS.
202
00:08:22,133 --> 00:08:23,633
- SO YOU'RE NOT MAD AT ME
ANYMORE?
203
00:08:23,633 --> 00:08:26,173
- OH, FOR TELLING ME YOU WERE
INVITED WHEN YOU WEREN'T?
204
00:08:26,167 --> 00:08:27,527
- BUT IF IT WASN'T FOR ME,
205
00:08:27,533 --> 00:08:29,603
YOU WOULDN'T BE
ON LILY PARK'S RADAR.
206
00:08:29,600 --> 00:08:32,670
AND NOW YOU DEFINITELY ARE.
207
00:08:37,900 --> 00:08:40,470
- NO GO, HUH?
- NO, THIS ISN'T OVER.
208
00:08:40,467 --> 00:08:42,067
WE GOT INTO EDDIE'S CONCERT
LAST WEEK WITHOUT A TICKET.
209
00:08:42,067 --> 00:08:43,497
WE CAN DO IT AGAIN.
210
00:08:43,500 --> 00:08:45,670
- DID THAT CONCERT HAVE A SWAT
TEAM CIRCLING THE PERIMETER?
211
00:08:45,667 --> 00:08:47,567
- ACTUALLY, YEAH.
MORE THAN TONIGHT.
212
00:08:47,567 --> 00:08:48,767
- OKAY, FORGET
BYPASSING SECURITY.
213
00:08:48,767 --> 00:08:50,097
WE HAVE TO SCORE
EXTRA INVITES.
214
00:08:50,100 --> 00:08:51,970
- I CAN GO LOOK IN
THE RECYCLING BINS IN THE ALLEY.
215
00:08:51,967 --> 00:08:53,867
- NO, NO, IT'S TOO EARLY
FOR DUMPSTER DIVING.
216
00:08:53,867 --> 00:08:56,367
WE NEED TO FIND THREE PEOPLE
WHO ARE MINUS THEIR PLUS-ONES.
217
00:08:56,367 --> 00:08:57,767
CHECK IT OUT, 10:00.
218
00:08:57,767 --> 00:08:58,927
- WAIT, MY 10:00 OR YOUR--
- RIGHT THERE.
219
00:08:58,933 --> 00:09:00,573
- OH. THOSE TWO GUYS?
- YEAH.
220
00:09:00,567 --> 00:09:02,127
IF WE'RE LUCKY,
THEY'RE UNATTENDED.
221
00:09:02,133 --> 00:09:04,233
I SMELL FOUR INVITES
ON THEM.
222
00:09:04,233 --> 00:09:06,273
- WAIT, FOUR?
WHAT ABOUT ADAM?
223
00:09:06,267 --> 00:09:09,467
- IT'S OKAY. THIS NIGHT IS ABOUT
GETTING YOUR SONG TO EDDIE.
224
00:09:09,467 --> 00:09:10,627
I'LL BE FINE.
- THANK YOU, ADAM.
225
00:09:10,633 --> 00:09:11,903
- THANK YOU, ADAM.
YOU'RE THE BEST.
226
00:09:11,900 --> 00:09:13,430
LET'S GO.
227
00:09:13,433 --> 00:09:16,773
- THANKS FOR LETTING ME THIRD
WHEEL WITH YOU GUYS TONIGHT.
228
00:09:16,767 --> 00:09:19,097
THE PEOPLE WATCHING
IS AMAZING.
229
00:09:19,100 --> 00:09:20,570
I FEEL LIKE I'VE BEEN
TRANSPORTED
230
00:09:20,567 --> 00:09:23,667
INTO ONE OF MY, LIKE,
CHEESY GOSSIP MAGAZINES.
231
00:09:23,667 --> 00:09:24,967
- AH, YOU MUST HAVE BEEN
232
00:09:24,967 --> 00:09:26,697
TO A TON OF PARTIES
LIKE THIS IN NEW YORK.
233
00:09:26,700 --> 00:09:29,300
- NO, I DID, BUT IT'S TOTALLY
DIFFERENT IN HOLLYWOOD.
234
00:09:29,300 --> 00:09:33,530
I MEAN, SOME OF THESE PEOPLE
ARE PROFESSIONAL PARTY-GOERS.
235
00:09:33,533 --> 00:09:36,073
- YEAH, WELL, I'VE BEEN
TO SO MANY OF THESE THINGS,
236
00:09:36,067 --> 00:09:38,367
THE NOVELTY HAS KIND OF
WORN OFF.
237
00:09:38,367 --> 00:09:40,597
- MMM. THEN WHY
DO YOU KEEP COMING?
238
00:09:40,600 --> 00:09:43,070
- IT MEANS SO MUCH TO MAYOR
HOLLYWOOD OVER HERE.
239
00:09:43,067 --> 00:09:44,697
- AW.
240
00:09:44,700 --> 00:09:45,870
- OH, YEAH, 'CAUSE YOU HATE
BEING SURROUNDED
241
00:09:45,867 --> 00:09:47,967
BY SO MANY BEAUTIFUL
AND FAMOUS PEOPLE.
242
00:09:47,967 --> 00:09:51,097
WHAT TORTURE
I PUT YOU THROUGH.
243
00:09:51,100 --> 00:09:52,730
EXCUSE ME, LADIES.
244
00:09:52,733 --> 00:09:55,073
I HAVE TO INTRODUCE MYSELF
TO MY NEW BEST FRIEND.
245
00:09:55,067 --> 00:09:59,167
- OH, OF COURSE.
246
00:09:59,167 --> 00:10:01,667
SO MUCH FOR KEEPING
HIS ATTENTION ALL NIGHT.
247
00:10:01,667 --> 00:10:03,427
- IN THE LAST FIVE MINUTES,
248
00:10:03,433 --> 00:10:06,973
I'VE HEARD JAKE CALL, LIKE,
13 PEOPLE HIS BEST FRIEND.
249
00:10:06,967 --> 00:10:10,327
- HONEY, HE HAS HUNDREDS
OF BEST FRIENDS.
250
00:10:10,333 --> 00:10:12,503
- HELLO.
HELLO, HELLO.
251
00:10:12,500 --> 00:10:15,470
CAN I HAVE YOUR ATTENTION,
PLEASE?
252
00:10:15,467 --> 00:10:17,627
THANK YOU FOR COMING
TO THE GRAND OPENING
253
00:10:17,633 --> 00:10:19,903
OF MY LITTLE
HOLE-IN-THE-WALL CLUB.
254
00:10:19,900 --> 00:10:21,500
[cheering]
255
00:10:21,500 --> 00:10:24,130
THANK YOU, THANK YOU.
256
00:10:24,133 --> 00:10:25,803
BACK IN THE DAY, UM,
257
00:10:25,800 --> 00:10:27,800
I REMEMBER WE USED TO PLAY
IN PLACES
258
00:10:27,800 --> 00:10:29,930
THAT ACTUALLY HAD HOLES
IN THE WALL
259
00:10:29,933 --> 00:10:31,903
AND IN THE FLOORS
AND IN THE CEILING
260
00:10:31,900 --> 00:10:33,800
AND ALL OVER THE PLACE.
261
00:10:33,800 --> 00:10:38,770
ANYWAY, AS, UH,
SOME OF YOU MAY KNOW, UH,
262
00:10:38,767 --> 00:10:42,497
WE'VE HAD A PRETTY ROUGH
COUPLE OF YEARS,
263
00:10:42,500 --> 00:10:47,930
SO TO GET ME OUT OF MY FUNK,
MY VERY SMART BOY SAID,
264
00:10:47,933 --> 00:10:50,133
"POP, WHY DON'T YOU OPEN
265
00:10:50,133 --> 00:10:53,503
THE COOLEST CLUB
ON SUNSET STRIP?"
266
00:10:53,500 --> 00:10:57,670
NINE MONTHS, A LOT OF BUCKS,
AND A CRATE OF ASPIRIN LATER,
267
00:10:57,667 --> 00:11:00,567
HERE WE ARE.
268
00:11:00,567 --> 00:11:02,097
THANK YOU, EDDIE,
269
00:11:02,100 --> 00:11:05,400
'CAUSE NONE OF THIS WOULD HAVE
HAPPENED WITHOUT YOU,
270
00:11:05,400 --> 00:11:07,530
SO THANK YOU.
271
00:11:07,533 --> 00:11:09,333
FOR SURE.
272
00:11:09,333 --> 00:11:14,673
[cheers and applause]
273
00:11:14,667 --> 00:11:18,397
I'M SURE MAMA'S LOOKING DOWN,
AND SHE'S VERY PROUD,
274
00:11:18,400 --> 00:11:21,100
'CAUSE WE'RE HONORING HER
BY BRINGING IT BACK
275
00:11:21,100 --> 00:11:24,270
TO WHERE IT ALL STARTED--
A LITTLE HOLE-IN-THE-WALL CLUB.
276
00:11:24,267 --> 00:11:27,267
SO, YOU GUYS,
HAVE A GREAT NIGHT.
277
00:11:27,267 --> 00:11:29,267
WE HAVE SOME KILLER
SURPRISES FOR YOU,
278
00:11:29,267 --> 00:11:31,727
AND, UH, LET'S TEAR
THE ROOF OFF THIS PLACE.
279
00:11:31,733 --> 00:11:32,933
[cheering]
280
00:11:32,933 --> 00:11:35,073
NOT LITERALLY.
WE JUST HAD IT REPLACED.
281
00:11:35,067 --> 00:11:36,527
NOT LITERALLY.
282
00:11:36,533 --> 00:11:42,533
[applause]
283
00:11:42,533 --> 00:11:45,303
- GREAT SPEECH, POP.
YOU HAD THIS ONE IN TEARS.
284
00:11:45,300 --> 00:11:48,730
- OH, COME HERE.
- OH.
285
00:11:48,733 --> 00:11:53,133
- KATY WOULD BE SO PROUD.
- YEAH, I THINK SO.
286
00:11:53,133 --> 00:11:57,873
WELL, ANYWAY,
I'LL SEE YOU GUYS IN A BIT.
287
00:11:57,867 --> 00:12:01,267
- DID I SAY SOMETHING WRONG?
- NO, OF COURSE NOT.
288
00:12:01,267 --> 00:12:05,127
I'LL BE RIGHT BACK.
289
00:12:05,133 --> 00:12:06,503
- YO, THERE YOU ARE,
BUDDY.
290
00:12:06,500 --> 00:12:07,600
I HAVE TO INTRODUCE YOU
TO SOMEONE.
291
00:12:07,600 --> 00:12:08,930
- YEAH, YEAH, LATER.
- NO, TRUST ME.
292
00:12:08,933 --> 00:12:12,903
THIS IS NOT SOMEONE
YOU WANT TO KEEP WAITING.
293
00:12:12,900 --> 00:12:16,230
- HEY.
- AMBER.
294
00:12:16,233 --> 00:12:18,273
- CHLOE, IT'S BEEN FOREVER.
HOW ARE YOU?
295
00:12:18,267 --> 00:12:19,627
- NEVER BETTER.
296
00:12:19,633 --> 00:12:22,333
- I HOPE YOU'RE NOT MAD AT ME
FOR BRINGING TYLER.
297
00:12:22,333 --> 00:12:24,273
- NO. WHY WOULD I BE?
298
00:12:24,267 --> 00:12:26,727
- I CAN KIND OF TELL THAT HE
AND EDDIE AREN'T EXACTLY BUDS.
299
00:12:26,733 --> 00:12:28,503
- YEAH, WELL,
IT'S A FREE COUNTRY.
300
00:12:28,500 --> 00:12:29,570
YOU CAN BRING
WHOEVER YOU WANT.
301
00:12:29,567 --> 00:12:32,467
- YOU AND EDDIE,
ON THE OTHER HAND, WOW.
302
00:12:32,467 --> 00:12:35,167
THINGS WENT FROM FRIENDS
TO LOVERS SUPER FAST.
303
00:12:35,167 --> 00:12:36,897
- IT'S BEEN OVER A YEAR.
304
00:12:36,900 --> 00:12:38,570
- I CAN HARDLY
WALK INTO A SUPERMARKET
305
00:12:38,567 --> 00:12:40,627
WITHOUT YOU BEING
ON EVERY SINGLE MAG.
306
00:12:40,633 --> 00:12:43,233
- YEAH, WELL, YOU CAN'T ALWAYS
BELIEVE WHAT YOU READ.
307
00:12:43,233 --> 00:12:45,233
- SO YOU'RE NOT
GETTING MARRIED?
308
00:12:45,233 --> 00:12:49,473
- WHERE'D YOU HEAR THAT?
- SEEMS TO BE THE LATEST BUZZ.
309
00:12:49,467 --> 00:12:52,667
I SAW THE LILY INTERVIEW.
SO IS IT TRUE?
310
00:12:52,667 --> 00:12:56,367
- WHO KNOWS?
STAY TUNED TO FIND OUT.
311
00:12:59,733 --> 00:13:02,633
- OKAY, FOLLOW MY LEAD.
312
00:13:02,633 --> 00:13:04,573
- OH, BOY.
313
00:13:07,600 --> 00:13:08,970
- LET ME GUESS.
314
00:13:08,967 --> 00:13:11,097
YOU GUYS CAME TO THIS PARTY
ALONE IN HOPES OF MEETING
315
00:13:11,100 --> 00:13:14,400
ONE OF THE MANY ACTRESS/MODEL/
WHATEVER TYPES INSIDE, RIGHT?
316
00:13:14,400 --> 00:13:15,570
- IS THAT WHAT YOU THINK?
317
00:13:15,567 --> 00:13:17,967
- UH, THAT'S WHAT WE WERE
HOPING,
318
00:13:17,967 --> 00:13:20,097
BECAUSE WE LEFT
OUR INVITES AT HOME.
319
00:13:20,100 --> 00:13:21,470
- AND SINCE THERE ARE
TWO OF YOU--
320
00:13:21,467 --> 00:13:23,627
- AND TWO OF US--
- YOU FIGURED WE'D GET YOU IN.
321
00:13:23,633 --> 00:13:26,133
- LOOKS AND BRAINS.
A DEADLY COMBINATION.
322
00:13:26,133 --> 00:13:27,933
- ARE YOU GUYS EVEN OLD ENOUGH
TO GET INTO THIS CLUB?
323
00:13:27,933 --> 00:13:29,433
- WE HAVE I.D.
324
00:13:29,433 --> 00:13:31,433
- OH, I HAVE I.D.
SAYS I'M A THREE-STAR GENERAL,
325
00:13:31,433 --> 00:13:33,203
BUT CLEARLY,
THAT'S NOT TRUE.
326
00:13:33,200 --> 00:13:34,230
HOW OLD ARE YOU, REALLY?
327
00:13:34,233 --> 00:13:35,703
both: 22
- REALLY?
328
00:13:35,700 --> 00:13:37,770
- YEAH, I JUST GRADUATED
FROM STANFORD,
329
00:13:37,767 --> 00:13:39,867
AND LOREN HERE
GRADUATED FROM UC BERKELEY.
330
00:13:39,867 --> 00:13:41,397
- GO, BEARS!
331
00:13:41,400 --> 00:13:43,470
- LOREN'S A SINGER, AND SHE JUST
SIGNED WITH EDDIE'S LABEL,
332
00:13:43,467 --> 00:13:46,097
AND I START WITH A TOP AGENCY
NEXT WEEK
333
00:13:46,100 --> 00:13:47,700
AND I WILL SOON BE HER AGENT.
334
00:13:47,700 --> 00:13:49,130
- OH, COOL.
335
00:13:49,133 --> 00:13:50,533
I JUST FINISHED B-SCHOOL.
I'M LOOKING TO BE AN AGENT.
336
00:13:50,533 --> 00:13:52,903
- WELL, LET'S FINISH
THIS CONVERSATION INSIDE,
337
00:13:52,900 --> 00:13:54,170
AND I'LL GIVE YOU
SOME POINTERS.
338
00:13:54,167 --> 00:13:55,427
LIKE, FIRST OF ALL,
339
00:13:55,433 --> 00:13:56,733
IF YOU WANT TO MAKE IT
IN THIS TOWN AS AN AGENT,
340
00:13:56,733 --> 00:13:58,073
YOU SHOULD HAVE GONE
TO AN "A" SCHOOL.
341
00:13:58,067 --> 00:13:59,627
B-SCHOOL'S NOT GOOD ENOUGH.
342
00:13:59,633 --> 00:14:03,303
- ALL RIGHT, LET'S GO.
343
00:14:03,300 --> 00:14:05,800
- YOU REALLY SIGNED
WITH EDDIE'S LABEL?
344
00:14:05,800 --> 00:14:08,170
- WELL--
- AND SHE KNOWS HIM PERSONALLY.
345
00:14:19,633 --> 00:14:22,303
JUST BREATHE.
346
00:14:22,300 --> 00:14:23,300
- OKAY.
347
00:14:23,300 --> 00:14:25,300
[both exhale]
348
00:14:25,300 --> 00:14:27,800
[both laugh]
349
00:14:27,800 --> 00:14:29,130
- COUPLE OF COSMOS
FOR THE LADIES.
350
00:14:29,133 --> 00:14:31,833
- OH, DON'T MIND IF I DO.
I LOVE ME SOME COSMO.
351
00:14:31,833 --> 00:14:34,733
- YOU ARE OUR DESIGNATED DRIVER
TONIGHT, REMEMBER, MEL?
352
00:14:34,733 --> 00:14:37,773
- WELL, IF SHE'S DRIVING,
I GUESS THAT'S MORE FOR YOU.
353
00:14:37,767 --> 00:14:40,167
- I'M A RECOVERING ALCOHOLIC.
354
00:14:40,167 --> 00:14:42,097
- WHY WOULDN'T YOU JUST BE
THE DESIGNATED DRIVER?
355
00:14:42,100 --> 00:14:44,570
- SUSPENDED LICENSE.
IT'S A LONG STORY.
356
00:14:44,567 --> 00:14:46,127
PLEASE STOP
ASKING QUESTIONS.
357
00:14:46,133 --> 00:14:48,303
- THIS NIGHT JUST GOT
A LOT MORE SOBER.
358
00:14:48,300 --> 00:14:51,530
LET'S GET OURSELVES
SOME REAL DRINKS.
359
00:14:51,533 --> 00:14:52,973
- GOD, THAT'LL BUY US
SOME TIME.
360
00:14:52,967 --> 00:14:54,527
[laughs]
361
00:14:54,533 --> 00:14:56,333
- THIS IS SO SURREAL.
362
00:14:56,333 --> 00:14:57,873
ALL THESE FANCY
HOLLYWOOD PEOPLE
363
00:14:57,867 --> 00:14:59,597
THAT WE ONLY SEE ON TV
OR IN MAGAZINES.
364
00:14:59,600 --> 00:15:02,770
- IT'S WEIRD, BUT I FEEL LIKE
WE KIND OF BELONG, DON'T YOU?
365
00:15:02,767 --> 00:15:04,427
- I MIGHT IF I WASN'T
SO NERVOUS.
366
00:15:04,433 --> 00:15:06,273
HAVE YOU SEEN EDDIE?
- NO, BUT I'M LOOKING FOR HIM.
367
00:15:06,267 --> 00:15:08,267
GOTTA GET YOUR SONG
IN HIS HANDS.
368
00:15:08,267 --> 00:15:10,397
WHERE IS THAT HUNK OF A MAN?
369
00:15:10,400 --> 00:15:11,900
- YOU WOULD THINK HE'D BE
TRYING TO LOOK FOR ME,
370
00:15:11,900 --> 00:15:14,900
SINCE HE HAS TO TALK TO ME ABOUT
SIGNING ME TO HIS RECORD DEAL.
371
00:15:14,900 --> 00:15:16,500
WE HAVE SO MUCH BUSINESS
TO DISCUSS.
372
00:15:16,500 --> 00:15:17,800
- SO MUCH TO DISCUSS.
373
00:15:17,800 --> 00:15:19,670
[both laugh]
374
00:15:19,667 --> 00:15:21,467
- UH, YEAH, I'M HERE,
MR. SILVER, I'M HERE.
375
00:15:21,467 --> 00:15:24,097
MAN, THIS PLACE IS PACKED.
IT'S QUITE A SCENE.
376
00:15:24,100 --> 00:15:27,170
WELL, I'M HOPING TO CATCH UP
WITH HIM ASAP.
377
00:15:27,167 --> 00:15:28,567
NO, NO, NO.
378
00:15:28,567 --> 00:15:30,467
I HAVEN'T SEEN HIM YET,
BUT, UH,
379
00:15:30,467 --> 00:15:31,797
I PLAN ON DOING IT
VERY SOON.
380
00:15:31,800 --> 00:15:32,930
YOU KNOW,
I KNOW HE'S HERE.
381
00:15:32,933 --> 00:15:34,203
IT'S HIS FATHER'S OPENING,
SO--
382
00:15:34,200 --> 00:15:38,170
NO, SIR, I AM NOT
GONNA GET DISTRACTED
383
00:15:38,167 --> 00:15:40,167
BY ALL THE BEAUTIFUL PEOPLE,
I PROMISE.
384
00:15:40,167 --> 00:15:42,527
YES, SIR. YES, SIR.
385
00:15:42,533 --> 00:15:45,103
TOP PRIORITY,
SNARE EDDIE DURAN.
386
00:15:45,100 --> 00:15:48,430
YOU CAN COUNT ON IT.
OKAY, ALL RIGHT.
387
00:15:48,433 --> 00:15:51,633
I'LL CALL YOU WHEN I HAVE
ALL THE INFO. THANK YOU.
388
00:15:51,633 --> 00:15:53,873
[exhales]
389
00:15:56,100 --> 00:15:58,230
- YOU'RE PROPOSING HERE
TONIGHT WITH A SONG?
390
00:15:58,233 --> 00:15:59,703
- YEP, AT THE STROKE
OF MIDNIGHT,
391
00:15:59,700 --> 00:16:01,070
SO DO NOT LEAVE EARLY.
392
00:16:01,067 --> 00:16:02,367
- YOU GOTTA SHARE THESE THINGS
WITH ME, EDUARDO.
393
00:16:02,367 --> 00:16:03,927
I COULD HAVE SET THIS UP
ON THREE DIFFERENT NETWORKS.
394
00:16:03,933 --> 00:16:06,233
- YEAH, I KNOW,
AND THAT'S WHY I DON'T.
395
00:16:06,233 --> 00:16:07,633
- ALL RIGHT, BUT I'M GETTING
A VIDEO OF IT,
396
00:16:07,633 --> 00:16:08,973
AND IT'S GOING VIRAL
IN SECONDS.
397
00:16:08,967 --> 00:16:12,097
- RIGHT. IS THIS YOUR WAY
OF SAYING CONGRATULATIONS?
398
00:16:12,100 --> 00:16:14,530
- NO, THIS IS.
399
00:16:14,533 --> 00:16:16,673
EDDIE, I'D LIKE TO INTRODUCE YOU
TO MR. CONNOR MORGAN
400
00:16:16,667 --> 00:16:18,227
FROM SILVER MERIDIAN PICTURES.
401
00:16:18,233 --> 00:16:21,503
- EDDIE DURAN,
TRULY AN HONOR TO MEET YOU.
402
00:16:21,500 --> 00:16:23,900
I'VE BEEN TRACKING YOUR CAREER
SINCE DAY ONE.
403
00:16:23,900 --> 00:16:26,300
- AW, COME ON.
I'M PRETTY EASY TO TRACK.
404
00:16:26,300 --> 00:16:29,200
I'M ON FACEBOOK.
- [laughs]
405
00:16:29,200 --> 00:16:33,430
AH, WHY DON'T YOU
HAVE A SEAT?
406
00:16:33,433 --> 00:16:37,203
EDDIE, WHAT YOU'VE BEEN
DOING ON STAGE IS SO POWERFUL.
407
00:16:37,200 --> 00:16:39,070
I MEAN, YOU HAVE
MANAGED TO CREATE
408
00:16:39,067 --> 00:16:41,897
AN AMAZING FOLLOWING
IN A VERY SHORT TIME.
409
00:16:41,900 --> 00:16:42,900
THAT IS IMPRESSIVE.
410
00:16:42,900 --> 00:16:44,100
- WELL, THANK YOU.
411
00:16:44,100 --> 00:16:46,100
- ARE YOU READY TO TAKE IT
TO THE NEXT LEVEL?
412
00:16:46,100 --> 00:16:47,670
- YOU'RE GONNA HAVE TO BE
MORE SPECIFIC.
413
00:16:47,667 --> 00:16:49,567
- MOVIES, EDDIE, MOVIES.
414
00:16:49,567 --> 00:16:51,327
YOU COULD CROSS OVER
LIKE THAT, MAN.
415
00:16:51,333 --> 00:16:53,073
YOU'D BE BIGGER
THAN JUSTIN TIMBERLAKE.
416
00:16:53,067 --> 00:16:55,297
- SEE?
GAME CHANGER, RIGHT?
417
00:16:55,300 --> 00:16:56,700
- WHAT DO YOU SAY, EDDIE?
418
00:16:56,700 --> 00:16:58,070
YOU THINK YOU GOT
WHAT IT TAKES
419
00:16:58,067 --> 00:16:59,227
TO BECOME A MOVIE STAR?
420
00:16:59,233 --> 00:17:01,733
'CAUSE WE DO.
421
00:17:01,733 --> 00:17:04,603
- OH, MY GOSH,
ARE YOU KIDDING ME?
422
00:17:04,600 --> 00:17:06,330
NO, STOP IT!
423
00:17:06,333 --> 00:17:08,233
DO YOU REALIZE
HOW MANY PEOPLE ARE AROUND?
424
00:17:08,233 --> 00:17:09,703
TYLER, GO HOME.
425
00:17:09,700 --> 00:17:11,900
- LILY PARK WANTS TO DO
AN INTERVIEW WITH ME.
426
00:17:11,900 --> 00:17:13,600
IT'S PRETTY COOL, RIGHT?
427
00:17:13,600 --> 00:17:16,370
I'M SENSING MY LUCK'S
STARTING TO TURN AROUND.
428
00:17:16,367 --> 00:17:18,367
- GREAT.
I AM SO HAPPY FOR YOU.
429
00:17:18,367 --> 00:17:20,827
OKAY, SO WHY DON'T YOU
JUST GO HOME AND WAIT FOR ME?
430
00:17:20,833 --> 00:17:22,233
I'LL TRY AND COME BY LATER.
431
00:17:22,233 --> 00:17:25,073
- NOT THE MOST CONVINCING
LINE READ I'VE EVER HEARD.
432
00:17:25,067 --> 00:17:28,867
YOU KNOW CONNOR MORGAN'S HERE?
- WHERE?
433
00:17:28,867 --> 00:17:32,797
- IN THAT BACK BOOTH,
DOING HIS STUDIO EXEC THING.
434
00:17:32,800 --> 00:17:35,470
YOU WANT TO MEET HIM?
- YOU KNOW CONNOR MORGAN?
435
00:17:35,467 --> 00:17:37,127
- HE WAS AN UP-AND-COMING
STUDIO EXEC
436
00:17:37,133 --> 00:17:39,703
ON MY SECOND FILM,
HOT RHYTHM.
437
00:17:39,700 --> 00:17:42,670
- AND HE STILL TALKS TO YOU?
- YOU KNOW WHAT?
438
00:17:42,667 --> 00:17:43,797
IF YOU HAVE NO INTEREST
439
00:17:43,800 --> 00:17:45,130
IN MEETING A BIG-TIME
STUDIO EXECUTIVE,
440
00:17:45,133 --> 00:17:46,833
THAT'S FINE WITH ME,
OKAY?
441
00:17:46,833 --> 00:17:48,573
I'M JUST LOOKING OUT
FOR YOUR CAREER
442
00:17:48,567 --> 00:17:52,527
'CAUSE IT SURE AS HELL DOESN'T
SEEM LIKE ANYONE ELSE IS.
443
00:17:52,533 --> 00:17:54,303
- WAIT.
444
00:17:54,300 --> 00:17:57,070
- WHAT?
445
00:17:57,067 --> 00:18:00,427
- TAKE ME TO HIM.
446
00:18:03,800 --> 00:18:05,770
- WHAT'S THE DEAL, POP?
447
00:18:05,767 --> 00:18:07,797
YOU GIVE THIS FUNNY
AND TOUCHING SPEECH,
448
00:18:07,800 --> 00:18:10,070
AND THEN YOU COME UP HERE
AND HIDE?
449
00:18:10,067 --> 00:18:11,367
- I KNOW.
450
00:18:11,367 --> 00:18:14,067
IT'S JUST THE BIGGEST THING
I'VE EVER DONE
451
00:18:14,067 --> 00:18:15,297
WITHOUT YOUR MOM,
YOU KNOW?
452
00:18:15,300 --> 00:18:17,930
- I MEAN,
I MISS HER TOO.
453
00:18:20,067 --> 00:18:23,897
- I JUST--I'M NOT SURE
HOW TO REACT
454
00:18:23,900 --> 00:18:26,630
WITHOUT HER,
YOU KNOW?
455
00:18:26,633 --> 00:18:27,933
- I KNOW.
456
00:18:27,933 --> 00:18:29,673
- YEAH, I KNOW YOU DO.
457
00:18:29,667 --> 00:18:31,197
I KNOW YOU DO.
ARE YOU NERVOUS?
458
00:18:31,200 --> 00:18:33,600
YEAH?
- YEAH.
459
00:18:33,600 --> 00:18:35,300
THE NIGHT'S BEEN PRETTY
EVENTFUL SO FAR.
460
00:18:35,300 --> 00:18:38,300
- YEAH. YOU GOT THE MAIN EVENT
STILL COMING UP.
461
00:18:38,300 --> 00:18:40,070
YOU THINK YOU CAN WAIT
TILL MIDNIGHT?
462
00:18:40,067 --> 00:18:41,527
- I DON'T KNOW.
463
00:18:41,533 --> 00:18:43,903
THIS THING'S BURNING
A HOLE IN MY POCKET.
464
00:18:43,900 --> 00:18:47,430
- THAT'S PROBABLY
'CAUSE IT'S SO DAMN HEAVY.
465
00:18:47,433 --> 00:18:50,233
- GOD, I DIDN'T THINK
I'D BE NERVOUS, YOU KNOW?
466
00:18:50,233 --> 00:18:51,803
BUT I'M ON THE EDGE.
467
00:18:51,800 --> 00:18:55,070
- YOU KNOW, THAT THING DOESN'T
HAVE AN EXPIRATION DATE ON IT.
468
00:18:55,067 --> 00:18:57,667
- I KNOW, OKAY?
469
00:18:57,667 --> 00:18:59,667
I JUST FEEL LIKE, ONCE I GET
THE THING ON HER FINGER,
470
00:18:59,667 --> 00:19:01,127
EVERYTHING'S GONNA CALM DOWN.
471
00:19:03,767 --> 00:19:05,167
- I KNOW EDDIE'S HERE,
BUT WHERE IS HE?
472
00:19:05,167 --> 00:19:07,067
- WE'VE GOT TO SCOUT OUT A SPOT
WHERE WE CAN CORNER HIM.
473
00:19:07,067 --> 00:19:08,667
- OOH, MEN'S BATHROOM.
- WHAT?
474
00:19:08,667 --> 00:19:10,667
OH, WAIT, ISN'T THAT--?
475
00:19:10,667 --> 00:19:12,827
- OH, THAT'S CHLOE CARTER,
EDDIE'S GIRLFRIEND.
476
00:19:12,833 --> 00:19:15,103
WOW, SHE'S EVEN
MORE STUNNING IN PERSON.
477
00:19:15,100 --> 00:19:17,630
- CONSIDER ME STUNNED.
WHO'S THAT GUY SHE'S WITH?
478
00:19:17,633 --> 00:19:18,803
- YOU DON'T RECOGNIZE HIM?
479
00:19:18,800 --> 00:19:20,370
HE PLAYED SKIP
IN SENIOR DITCH DAY.
480
00:19:20,367 --> 00:19:22,527
TYLER SOMETHING.
- OH, YEAH, NO, NO, THE BAD GUY.
481
00:19:22,533 --> 00:19:26,273
YEAH. MY GOD, HOW CAN SOMEONE
THAT MEAN BE SO HOT?
482
00:19:26,267 --> 00:19:28,127
- IT WAS JUST HIS CHARACTER.
- UH, NO.
483
00:19:28,133 --> 00:19:29,373
SOMETIMES
WHEN YOU SEE A MOVIE
484
00:19:29,367 --> 00:19:30,627
AND YOU SEE AN ACTOR
PLAYING A ROLE, YOU THINK,
485
00:19:30,633 --> 00:19:32,133
"THAT'S JUST HIM,
HE'S NOT ACTING."
486
00:19:32,133 --> 00:19:34,503
AND SKIP IS TYLER, YOU KNOW,
WHAT'S-HIS-BUTT.
487
00:19:34,500 --> 00:19:37,430
THAT GUY JUST LOOKS
LIKE TROUBLE, BUT STILL--
488
00:19:37,433 --> 00:19:39,073
- TROUBLE YOU WOULDN'T MIND
GETTING INTO?
489
00:19:39,067 --> 00:19:40,497
- DON'T MIND IF I DO.
490
00:19:40,500 --> 00:19:42,330
WHAT'S HE DOING
WITH CHLOE THOUGH?
491
00:19:42,333 --> 00:19:43,703
- OH, I DON'T KNOW.
492
00:19:43,700 --> 00:19:45,130
THEY'RE PROBABLY JUST FRIENDS
FROM THE MOVIE.
493
00:19:45,133 --> 00:19:46,873
- MAYBE. I'M GONNA KEEP
AN EYE ON THEM.
494
00:19:46,867 --> 00:19:49,827
- NO, NO, NO. FOCUS.
WE'VE GOT TO FIND EDDIE.
495
00:19:49,833 --> 00:19:51,073
- * PUT YOUR HANDS UP
496
00:19:51,067 --> 00:19:53,067
* OH, WE'RE GOING
TO CELEBRATE *
497
00:19:53,067 --> 00:19:55,797
* LIVE IT UP,
EVERYBODY, PUT THEM UP *
498
00:19:55,800 --> 00:19:58,500
- CONNOR MORGAN,
HOW THE HELL ARE YOU, MAN?
499
00:19:58,500 --> 00:20:00,330
IT'S BEEN TOO LONG.
500
00:20:00,333 --> 00:20:03,303
TYLER. TYLER RORKE.
FROM HOT RHYTHM?
501
00:20:03,300 --> 00:20:05,930
- YEAH, NICE SEEING YOU.
- YOU TOO.
502
00:20:05,933 --> 00:20:08,773
SO I HEAR YOU'RE THE VP
OF PRODUCTION NOW?
503
00:20:08,767 --> 00:20:13,767
CONGRATULATIONS.
- THANK YOU.
504
00:20:13,767 --> 00:20:17,167
AREN'T YOU CHLOE CARTER,
EDDIE'S BETTER HALF?
505
00:20:17,167 --> 00:20:21,327
- I AM, YES. IT IS AN HONOR
TO MEET YOU, MR. MORGAN.
506
00:20:21,333 --> 00:20:23,233
- OH, LIKEWISE,
LIKEWISE.
507
00:20:23,233 --> 00:20:24,933
UH, CALL ME CONNOR THOUGH,
PLEASE.
508
00:20:24,933 --> 00:20:26,303
- SO, CONNOR,
I HEAR YOU GUYS
509
00:20:26,300 --> 00:20:28,270
ARE CASTING
THE REMAKE OF GREASE.
510
00:20:28,267 --> 00:20:29,597
I DID THAT PLAY
IN HIGH SCHOOL.
511
00:20:29,600 --> 00:20:30,930
I PLAYED THE LEAD.
512
00:20:30,933 --> 00:20:35,203
- THAT IS
FASCINATING.
513
00:20:35,200 --> 00:20:37,830
CHLOE, I WAS WONDERING
IF YOU COULD DO ME A FAVOR.
514
00:20:37,833 --> 00:20:39,633
- SURE.
ANYTHING.
515
00:20:39,633 --> 00:20:42,703
- HELP ME CONVINCE EDDIE THAT
HE'S A NATURAL FOR FEATURES.
516
00:20:42,700 --> 00:20:44,570
- EDDIE, ACTING?
ARE YOU KIDDING ME?
517
00:20:44,567 --> 00:20:46,627
- LOOK, HE'S ON THE FENCE
ABOUT IT RIGHT NOW,
518
00:20:46,633 --> 00:20:48,973
BUT MAYBE YOU CAN HELP
PUSH HIM OVER TO OUR SIDE?
519
00:20:48,967 --> 00:20:52,527
- YEAH, I WOULD LOVE TO TRY.
- EXCELLENT.
520
00:20:52,533 --> 00:20:54,273
[snaps fingers]
521
00:20:54,267 --> 00:20:57,167
- [laughs]
522
00:20:57,167 --> 00:20:59,327
- TYLER, CAN I ASK YOU
A FAVOR?
523
00:20:59,333 --> 00:21:00,603
- YEAH, OF COURSE.
524
00:21:00,600 --> 00:21:02,830
- THE WAITER HASN'T
BEEN AROUND IN EONS.
525
00:21:02,833 --> 00:21:04,803
WHY DON'T YOU GO GET ME
A MACALLAN 12 ON THE ROCKS
526
00:21:04,800 --> 00:21:06,600
AND WHATEVER
CHLOE'S DRINKING.
527
00:21:06,600 --> 00:21:08,800
- SAUVIGNON BLANC.
528
00:21:17,800 --> 00:21:19,930
- YO, WE SHOULD TALK ABOUT
THAT CONNOR MORGAN OFFER.
529
00:21:19,933 --> 00:21:22,803
- JAKE, IT'S A PARTY, OKAY?
DRINK UP.
530
00:21:22,800 --> 00:21:24,230
TURN IT OFF
FOR A COUPLE HOURS.
531
00:21:24,233 --> 00:21:26,473
- YO, I WISH I COULD, BUT THERE
IS COMMERCE TO BE COMMENCED.
532
00:21:26,467 --> 00:21:28,067
PLEASE RECONSIDER.
533
00:21:28,067 --> 00:21:30,067
- HEY, DON'T LET ME, UH,
534
00:21:30,067 --> 00:21:31,427
GET IN THE WAY OF YOU GETTING
IN THE MOVIE BUSINESS,
535
00:21:31,433 --> 00:21:32,673
IF THAT'S
WHAT YOU WANT TO DO.
536
00:21:32,667 --> 00:21:34,127
- NO, I WANT THAT
FOR YOU, MAN.
537
00:21:34,133 --> 00:21:36,073
LET'S EXPAND
THE EDDIE DURAN BRAND.
538
00:21:36,067 --> 00:21:38,367
- OKAY, JAKE,
TAKE YOUR NEW LOVE AFFAIR,
539
00:21:38,367 --> 00:21:39,927
TAKE ADVANTAGE OF IT,
YOU KNOW?
540
00:21:39,933 --> 00:21:41,403
INTRODUCE CHLOE TO CONNOR.
541
00:21:41,400 --> 00:21:46,530
- NO NEED. SHE SEEMS TO BE
DOING FINE ON HER OWN.
542
00:21:46,533 --> 00:21:49,133
- LOOK AT HER.
I MEAN, GOOD FOR HER.
543
00:21:49,133 --> 00:21:51,403
SHE'S TAKING CONTROL
OF HER CAREER.
544
00:21:51,400 --> 00:21:52,700
- SO I'LL MAKE
A DEAL WITH YOU.
545
00:21:52,700 --> 00:21:54,330
YOU GET EDDIE
TO DO OUR MOVIE,
546
00:21:54,333 --> 00:21:57,733
AND I'LL MAKE SURE YOU HAVE
A VERY BIG, JUICY PART.
547
00:21:57,733 --> 00:22:00,933
- HMM, I WAS THINKING SOMETHING
A LITTLE MORE SIGNIFICANT,
548
00:22:00,933 --> 00:22:02,973
LIKE A LEADING ROLE.
549
00:22:05,500 --> 00:22:07,800
- OH, MY GOD.
OH, MY GOD.
550
00:22:07,800 --> 00:22:09,070
- IT'S HIM,
IT'S HIM.
551
00:22:09,067 --> 00:22:10,797
OKAY, BE COOL.
- YOU LOOK GREAT.
552
00:22:10,800 --> 00:22:11,970
DO YOU KNOW
WHAT YOU'RE GONNA SAY?
553
00:22:11,967 --> 00:22:13,327
- I THINK SO.
- OKAY, DO YOU HAVE YOUR CD?
554
00:22:13,333 --> 00:22:14,673
- UH, YES.
555
00:22:14,667 --> 00:22:15,867
- JUST BE YOURSELF,
AND YOU'LL WOW HIM.
556
00:22:15,867 --> 00:22:17,397
- OKAY.
YOU SOUND JUST LIKE MY MOM.
557
00:22:17,400 --> 00:22:18,770
- I SHOULD. WE WENT OVER THIS
SEVERAL TIMES.
558
00:22:18,767 --> 00:22:20,367
- ALL RIGHT, I CAN DO THIS,
I CAN DO THIS.
559
00:22:20,367 --> 00:22:21,697
- IT'S ONLY THE MOST IMPORTANT
MOMENT IN YOUR LIFE.
560
00:22:21,700 --> 00:22:22,870
- OH, WOW, THANKS.
NO PRESSURE.
561
00:22:22,867 --> 00:22:24,497
- YEAH. OH, MY GOD,
HE'S ALL ALONE.
562
00:22:24,500 --> 00:22:26,400
OH, MY GOD, AND THERE'S
NO ONE AROUND HIM.
563
00:22:26,400 --> 00:22:27,830
IT'S LIKE THE SEA
OF PARTY GUESTS
564
00:22:27,833 --> 00:22:29,333
HAS OPENED UP
FOR THIS VERY MOMENT.
565
00:22:29,333 --> 00:22:32,803
IT'S JUST HIM AND US,
US AND HIM, YOU AND HIM, AND--
566
00:22:32,800 --> 00:22:35,200
- REALLY NOT HELPING.
- OKAY.
567
00:22:35,200 --> 00:22:36,130
- OKAY.
568
00:22:39,600 --> 00:22:42,530
[dance music]
569
00:22:42,533 --> 00:22:47,933
*
570
00:22:47,933 --> 00:22:49,603
- EXCUSE ME, EDDIE?
- THERE YOU ARE.
571
00:22:49,600 --> 00:22:51,800
YOU'LL NEVER BELIEVE
WHO I JUST MET.
572
00:22:51,800 --> 00:22:55,500
- THAT WAS LIKE MODELS 101.
SWOOP IN AND TAKE THE GUY AWAY.
573
00:22:55,500 --> 00:22:57,770
- AT LEAST WE GOT CLOSE.
- NO, CLOSE DOESN'T COUNT, OKAY?
574
00:22:57,767 --> 00:22:59,397
WE DID NOT LIE OUR WAY
INTO THIS PARTY
575
00:22:59,400 --> 00:23:00,670
AND GET ALL DRESSED UP
576
00:23:00,667 --> 00:23:02,697
TO GET UPSTAGED
BY THAT BLONDE STICK FIGURE.
577
00:23:02,700 --> 00:23:04,900
WE CAME HERE TO PUT YOUR CD
IN EDDIE'S HANDS,
578
00:23:04,900 --> 00:23:06,370
AND THAT'S WHAT
WE'RE GONNA DO.
579
00:23:06,367 --> 00:23:07,597
- YOU'RE RIGHT. LET'S GO.
- OKAY.
580
00:23:07,600 --> 00:23:09,300
- WE'LL FIND THEM.
581
00:23:09,300 --> 00:23:14,430
- OH! I'M SO SORRY
ABOUT THAT, I'M SO, SO SORR--
582
00:23:14,433 --> 00:23:16,103
OOH, PLEASE TELL ME YOUR SCREEN
WAS ALREADY CRACKED.
583
00:23:16,100 --> 00:23:18,630
- YEAH, I GO THROUGH
A COUPLE OF THESE A WEEK.
584
00:23:18,633 --> 00:23:19,803
- I'M SORRY.
585
00:23:19,800 --> 00:23:21,430
- HEY, WAIT A MINUTE.
I THINK I KNOW YOU.
586
00:23:21,433 --> 00:23:25,433
- YOU KNOW WHAT? I GET MISTAKEN
FOR EMMA STONE ALL THE TIME.
587
00:23:25,433 --> 00:23:26,873
- NO, SERIOUSLY,
I'VE SEEN YOU BEFORE.
588
00:23:26,867 --> 00:23:29,667
YOUR, UH, YOUR STYLE'S
HARD TO FORGET.
589
00:23:29,667 --> 00:23:32,197
- WELL, THANK YOU VERY MUCH.
YOU'RE SO SWEET.
590
00:23:32,200 --> 00:23:34,070
- WAIT, I REMEMBER.
EDDIE'S CONCERT LAST WEEK.
591
00:23:34,067 --> 00:23:35,397
I GOT YOU TWO BACKSTAGE.
592
00:23:35,400 --> 00:23:37,100
- AND WE ARE SO GRATEFUL
TO YOU.
593
00:23:37,100 --> 00:23:39,330
- WE ACTUALLY CAME BY TONIGHT
TO THANK YOU IN PERSON.
594
00:23:39,333 --> 00:23:42,603
- HOW'D YOU GET ON
THE INVITE LIST?
595
00:23:42,600 --> 00:23:43,900
IS THIS GONNA BE
A PROBLEM?
596
00:23:43,900 --> 00:23:45,530
DO I NEED TO GET SECURITY
INVOLVED?
597
00:23:45,533 --> 00:23:46,703
- [laughs]
598
00:23:50,700 --> 00:23:53,130
- YOU DIDN'T TELL ME
THAT CONNOR MORGAN WAS HERE.
599
00:23:53,133 --> 00:23:55,173
- NO!
- [laughs]
600
00:23:55,167 --> 00:23:56,897
- I DIDN'T KNOW.
601
00:23:56,900 --> 00:23:58,570
- HE'S THE NICEST GUY
IN THE WORLD.
602
00:23:58,567 --> 00:23:59,867
- YEAH,
THEY USUALLY ARE.
603
00:23:59,867 --> 00:24:02,427
- HE PRACTICALLY GUARANTEED ME
A PART IN HIS NEW MOVIE.
604
00:24:02,433 --> 00:24:04,073
- WOW, THAT'S GREAT, BABY.
605
00:24:04,067 --> 00:24:06,097
I'VE ALWAYS SAID THAT YOU SHOULD
BE ABLE TO BREAK INTO ACTING.
606
00:24:06,100 --> 00:24:08,430
- THERE'S JUST
ONE HITCH THOUGH.
607
00:24:08,433 --> 00:24:09,773
- WHAT?
608
00:24:09,767 --> 00:24:13,427
- HE ONLY WANTS ME
IF HE CAN HAVE YOU.
609
00:24:13,433 --> 00:24:15,403
- OH.
- [laughs]
610
00:24:15,400 --> 00:24:17,630
- I GET IT.
611
00:24:17,633 --> 00:24:19,433
I'M REALLY NOT INTERESTED
IN ACTING RIGHT NOW.
612
00:24:19,433 --> 00:24:21,403
I'M SORRY.
613
00:24:21,400 --> 00:24:24,530
BUT, HEY, IF HE'S
AS HALF A DECENT MAN
614
00:24:24,533 --> 00:24:25,873
AS HE PRETENDS TO BE,
615
00:24:25,867 --> 00:24:28,567
THEN HE SHOULD PUT YOU
IN HIS MOVIE ALL ON YOUR OWN
616
00:24:28,567 --> 00:24:29,697
'CAUSE YOU'D BE GREAT.
617
00:24:29,700 --> 00:24:32,770
HEY, NOT BECAUSE
YOU'RE MY GIRLFRIEND.
618
00:24:32,767 --> 00:24:36,267
- GO AHEAD, RUIN MY CHANCE
TO BE A BIG MOVIE STAR.
619
00:24:36,267 --> 00:24:40,397
- STOP.
HEY, OKAY.
620
00:24:40,400 --> 00:24:43,100
LOOK, I'LL TALK TO HIM AGAIN,
ALL RIGHT?
621
00:24:43,100 --> 00:24:46,400
AND I'LL DO ANYTHING TO GET YOU
SEEN IN YOUR OWN LIGHT.
622
00:24:46,400 --> 00:24:49,470
- PLEASE, WITHOUT YOU,
I DON'T THINK I HAVE A SHOT.
623
00:24:49,467 --> 00:24:51,267
PLEASE, EDDIE,
I'M BEGGING YOU.
624
00:24:51,267 --> 00:24:55,227
THIS MEANS EVERYTHING
TO ME.
625
00:24:55,233 --> 00:24:59,073
- THERE YOU ARE.
WHERE DID YOU RUN OFF TO?
626
00:24:59,067 --> 00:25:00,827
- I WAS TALKING
TO CONNOR MORGAN.
627
00:25:00,833 --> 00:25:02,103
- OOH, CAN I MEET HIM?
628
00:25:02,100 --> 00:25:03,830
- NOT UNLESS YOU WANT TO BE
HIS WAITRESS.
629
00:25:03,833 --> 00:25:06,733
HE'S A USELESS WINDBAG.
- WHY DO YOU SOUND SO MAD?
630
00:25:06,733 --> 00:25:08,603
YOU'RE HANGING OUT WITH
ONE OF THE BIGGEST EXECS.
631
00:25:08,600 --> 00:25:11,430
- WHOSE ONLY TWO WORDS
ARE "EDDIE DURAN."
632
00:25:11,433 --> 00:25:13,103
- PRETTY SMART
ON HIS PART.
633
00:25:13,100 --> 00:25:15,900
LOOK, I THINK EDDIE
IS SO IN LOVE WITH CHLOE,
634
00:25:15,900 --> 00:25:17,100
HE'D DO ANYTHING
FOR HER.
635
00:25:17,100 --> 00:25:18,330
- THEY'RE NOT SERIOUS.
636
00:25:18,333 --> 00:25:19,703
- TELL THAT TO CHLOE.
637
00:25:19,700 --> 00:25:22,630
ACCORDING TO HER,
THEY'RE AS GOOD AS ENGAGED.
638
00:25:22,633 --> 00:25:24,273
- I GOT IT.
NO PROBLEM.
639
00:25:24,267 --> 00:25:25,927
I'LL HANDLE IT
FIRST THING IN THE MORNING.
640
00:25:25,933 --> 00:25:27,873
OKAY.
BYE.
641
00:25:27,867 --> 00:25:31,697
- THERE YOU ARE.
- OKAY, YOU CAUGHT ME.
642
00:25:31,700 --> 00:25:33,930
SO JAKE'S NOT THE ONLY ONE
MAKING BUSINESS CALLS
643
00:25:33,933 --> 00:25:35,273
WHEN HE'S SUPPOSED TO BE
HAVING FUN.
644
00:25:35,267 --> 00:25:37,227
- YOU'RE GONNA OWE ME
FOR MY SILENCE.
645
00:25:37,233 --> 00:25:38,503
- WHATEVER.
646
00:25:38,500 --> 00:25:40,530
DID HE EVEN REALIZE
I WAS GONE?
647
00:25:40,533 --> 00:25:42,403
- I GET THE FEELING
THAT WHEN HE'S WORKING THE ROOM,
648
00:25:42,400 --> 00:25:44,070
HE WOULDN'T EVEN NOTICE
THE END OF THE WORLD.
649
00:25:44,067 --> 00:25:46,397
BUT HE DID ASK ABOUT YOU
ONCE OR TWICE.
650
00:25:46,400 --> 00:25:48,300
- THAT'S NICE OF YOU
TO LIE.
651
00:25:48,300 --> 00:25:52,070
HONEY, I KNOW HE IS
IN HIS OWN ELEMENT HERE.
652
00:25:52,067 --> 00:25:54,497
YOU KIND OF SEEM
LIKE YOU ARE TOO.
653
00:25:54,500 --> 00:25:57,230
- WELL, YOU KNOW ME.
I'M A TALKER.
654
00:25:57,233 --> 00:26:00,403
I LOVE MEETING NEW PEOPLE,
MAKING CONTACTS.
655
00:26:00,400 --> 00:26:02,530
- YOU KNOW, EVER SINCE
EDDIE BLEW UP,
656
00:26:02,533 --> 00:26:05,203
I'VE BEEN TELLING JAKE THAT
HE NEEDS TO TAKE ON HELP.
657
00:26:05,200 --> 00:26:09,370
- THAT WOULD BE MY DREAM JOB.
[gasps]
658
00:26:09,367 --> 00:26:11,097
OH, MY GOD, HE'S ALREADY
SO WELL CONNECTED
659
00:26:11,100 --> 00:26:13,570
AND I'VE BEEN DREADING STARTING
FROM THE S--YOU KNOW,
660
00:26:13,567 --> 00:26:15,897
I KNOW THAT HE PROBABLY KNOWS
PEOPLE THAT ARE MORE QUALIFIED.
661
00:26:15,900 --> 00:26:18,600
I JUST MOVED HERE.
I-I DON'T HAVE CONTACTS.
662
00:26:18,600 --> 00:26:19,770
I HAVE NO EXPERIENCE
MANAGING YET.
663
00:26:19,767 --> 00:26:21,097
- KELLY, STOP, STOP.
664
00:26:21,100 --> 00:26:23,430
SERIOUSLY,
HE PUT YOU IN CHARGE
665
00:26:23,433 --> 00:26:25,473
OF LISTENING TO EDDIE'S
CONTEST SUBMISSIONS.
666
00:26:25,467 --> 00:26:27,927
TRUST ME,
JAKE HAS A PROTECTIVE WALL
667
00:26:27,933 --> 00:26:29,903
AROUND ALL THINGS EDDIE.
668
00:26:29,900 --> 00:26:31,230
THE FACT THAT
YOU'RE ALREADY IN,
669
00:26:31,233 --> 00:26:32,933
THAT MEANS SOMETHING.
670
00:26:32,933 --> 00:26:35,903
- I WOULD LOVE
TO WORK FOR HIM.
671
00:26:35,900 --> 00:26:38,870
- I WILL DO WHATEVER I CAN
TO HELP, OKAY?
672
00:26:38,867 --> 00:26:41,727
- THAT'S A REALLY BIG BONUS,
TRACE.
673
00:26:41,733 --> 00:26:45,173
- WELL, YOU KNOW, I DO
KIND OF HAVE MY OWN MOTIVES.
674
00:26:45,167 --> 00:26:47,467
THE FASTER JAKE CAN
GROOM YOU INTO MANAGER,
675
00:26:47,467 --> 00:26:50,527
THE SOONER I CAN SPEND AN ENTIRE
NIGHT WITH MY HUSBAND.
676
00:26:50,533 --> 00:26:52,773
- WIN-WIN.
- WIN-WIN.
677
00:26:52,767 --> 00:26:54,227
- I'M JUST GLAD YOU TWO
678
00:26:54,233 --> 00:26:56,073
DIDN'T HAVE TO BREAK INTO A
SECOND-FLOOR WINDOW TO SNEAK IN.
679
00:26:56,067 --> 00:26:57,227
- YEAH, US TOO.
680
00:26:57,233 --> 00:26:58,303
- SO, UH, WHAT'D YOU THINK
OF THE SHOW?
681
00:26:58,300 --> 00:27:00,630
- IT WAS THE BEST NIGHT
OF MY LIFE.
682
00:27:00,633 --> 00:27:02,073
- SHE'S NOT
EVEN EXAGGERATING.
683
00:27:02,067 --> 00:27:03,827
LIKE, NOTHING THAT EXCITING
HAS REALLY HAPPENED TO HER.
684
00:27:03,833 --> 00:27:05,703
- UNTIL NOW.
685
00:27:05,700 --> 00:27:07,530
EDDIE'S ACTUALLY AROUND HERE.
WOULD YOU LIKE TO MEET HIM?
686
00:27:07,533 --> 00:27:09,433
- UH--UH--
687
00:27:09,433 --> 00:27:12,233
- WHAT SHE MEANS TO SAY IS,
THAT WOULD BE DELIGHTFUL.
688
00:27:12,233 --> 00:27:15,873
- WELL, HE WAS HERE.
I DON'T KNOW WHERE HE WENT.
689
00:27:15,867 --> 00:27:18,327
UM, I'LL GO LOOK FOR HIM
AND SEND HIM YOUR WAY.
690
00:27:18,333 --> 00:27:20,433
- OKAY.
- ENJOY THE PARTY.
691
00:27:20,433 --> 00:27:21,803
- THANK YOU.
692
00:27:21,800 --> 00:27:24,370
- HEY, JAKE.
- TYLER.
693
00:27:24,367 --> 00:27:25,697
I DIDN'T THINK
YOU WERE HERE.
694
00:27:25,700 --> 00:27:27,970
- GUESS I GET TO SAVE YOU
THAT PHONE CALL, HUH?
695
00:27:27,967 --> 00:27:29,197
- SORRY I HAVEN'T
GOTTEN BACK TO YOU.
696
00:27:29,200 --> 00:27:30,600
- NO. NO WORRIES, MAN.
697
00:27:30,600 --> 00:27:33,070
YOU KNOW, I JUST HAD A MEETING
WITH CONNOR MORGAN?
698
00:27:33,067 --> 00:27:35,097
- REALLY?
- YEAH.
699
00:27:35,100 --> 00:27:36,470
HE THINKS
I'M PERFECT
700
00:27:36,467 --> 00:27:38,267
FOR THIS BIG NEW REMAKE
THAT THEY'RE DOING.
701
00:27:38,267 --> 00:27:39,697
- NO KIDDING.
702
00:27:39,700 --> 00:27:42,830
- LOOK, I KNOW YOU AND I HAVE
HAD OUR ISSUES IN THE PAST,
703
00:27:42,833 --> 00:27:46,303
BUT I GOT A LOT OF HEAT
ON ME NOW, YOU KNOW?
704
00:27:46,300 --> 00:27:49,470
SO YOU SHOULD GET ON BOARD,
GET A PIECE OF THIS ACTION.
705
00:27:49,467 --> 00:27:53,167
WHAT DO YOU SAY, MAN?
- TO WHAT?
706
00:27:53,167 --> 00:27:55,067
- BEING MY MANAGER.
707
00:27:55,067 --> 00:27:59,397
- AIN'T GONNA HAPPEN,
TYLER.
708
00:27:59,400 --> 00:28:02,230
- SO I AM HAPPY TO DISCUSS
THIS MOVIE IDEA,
709
00:28:02,233 --> 00:28:03,773
BUT ONLY
IF CHLOE'S INVOLVED.
710
00:28:03,767 --> 00:28:05,067
- ABSOLUTELY.
711
00:28:05,067 --> 00:28:07,627
- I MEAN, MY BOSS WILL BE
A VERY BIG FAN OF YOURS
712
00:28:07,633 --> 00:28:08,873
ONCE WE ALL SIT DOWN
AND TALK.
713
00:28:08,867 --> 00:28:11,567
HE'S CERTAINLY
A HUGE FAN OF YOURS.
714
00:28:11,567 --> 00:28:13,197
- I, UH, TAKE IT
WE'RE BACK ON?
715
00:28:13,200 --> 00:28:14,430
- MM-HMM.
716
00:28:14,433 --> 00:28:15,873
WE'LL SET UP A MEETING
WITH MR. SILVER
717
00:28:15,867 --> 00:28:17,097
AS SOON AS HE GETS BACK
FROM FIJI.
718
00:28:17,100 --> 00:28:19,370
- WELL, IT WAS A PLEASURE
TO MEET YOU, MR. MORGAN,
719
00:28:19,367 --> 00:28:20,727
BUT IF YOU'LL EXCUSE US,
720
00:28:20,733 --> 00:28:24,173
EDDIE HAS SOMEONE ELSE
HE HAS TO MEET WITH.
721
00:28:24,167 --> 00:28:25,367
[laughs]
722
00:28:25,367 --> 00:28:27,727
- WHERE IS HE? JAKE SAID
HE'D SEND HIM OVER.
723
00:28:27,733 --> 00:28:30,333
- WELL, I DON'T EXPECT HIM
TO DROP EVERYTHING FOR US.
724
00:28:30,333 --> 00:28:32,233
- JAKE'S COME THROUGH
FOR US BEFORE.
725
00:28:32,233 --> 00:28:34,703
- MAYBE OUR LUCK'S
RUN OUT.
726
00:28:34,700 --> 00:28:36,770
- OKAY,
SO FILL ME IN.
727
00:28:36,767 --> 00:28:37,967
WHO AM I SUPPOSED
TO MEET AGAIN?
728
00:28:37,967 --> 00:28:42,227
- ME. OH, I CAN'T
TAKE MY HANDS OFF YOU.
729
00:28:42,233 --> 00:28:45,233
WHAT YOU JUST DID FOR ME
BACK THERE WAS SO HOT.
730
00:28:45,233 --> 00:28:46,673
- * GET DOWN
731
00:28:46,667 --> 00:28:48,167
* DOWN AND DIRTY NOW
732
00:28:48,167 --> 00:28:51,397
* GET DOWN,
OH, OH *
733
00:28:51,400 --> 00:28:53,370
* GET DOWN
734
00:28:53,367 --> 00:28:54,967
* DOWN AND DIRTY NOW
735
00:29:00,500 --> 00:29:03,530
- YOU KNOW, MAYBE WE SHOULD SAVE
A LITTLE BIT OF THIS FOR LATER.
736
00:29:03,533 --> 00:29:05,233
- WHY?
737
00:29:05,233 --> 00:29:06,703
- BECAUSE THE NIGHT
IS STILL YOUNG.
738
00:29:06,700 --> 00:29:08,770
- OH, I CAN'T STOP
KISSING YOU.
739
00:29:08,767 --> 00:29:11,067
THANK YOU SO MUCH
FOR TAKING THAT MEETING.
740
00:29:11,067 --> 00:29:12,967
- I'M GLAD
YOU'RE SO EXCITED.
741
00:29:12,967 --> 00:29:14,297
- BECAUSE OF YOU,
742
00:29:14,300 --> 00:29:15,800
I COULD GET THE BREAK
THAT I'VE BEEN DYING FOR.
743
00:29:15,800 --> 00:29:17,570
- YEAH, WELL, NOTHING
WOULD MAKE ME HAPPIER.
744
00:29:17,567 --> 00:29:19,627
- YOU'RE RIGHT,
AS USUAL.
745
00:29:19,633 --> 00:29:22,533
TONIGHT IS TURNING OUT TO BE
A VERY SPECIAL NIGHT.
746
00:29:22,533 --> 00:29:24,403
- YEAH.
747
00:29:24,400 --> 00:29:27,870
WELL, THERE'S A LOT MORE
OF THE NIGHT TO COME.
748
00:29:27,867 --> 00:29:30,097
- MMM!
[laughs]
749
00:29:30,100 --> 00:29:34,130
- OH, HEY, HEY, HO!
SORRY TO INTERRUPT.
750
00:29:34,133 --> 00:29:36,673
I NEED TO BORROW HIM
FOR A SECOND.
751
00:29:36,667 --> 00:29:37,927
- OH.
- CHLOE, DO YOU MIND?
752
00:29:37,933 --> 00:29:43,073
- OF COURSE NOT.
I'LL SEE YOU IN THERE.
753
00:29:43,067 --> 00:29:44,727
- UH-HUH.
754
00:29:47,333 --> 00:29:50,173
WHAT'S UP?
- WELL, JUST CHECKING ON YOU.
755
00:29:50,167 --> 00:29:51,397
YOU KNOW,
IT'S ALMOST TIME.
756
00:29:51,400 --> 00:29:52,970
JUST WANTED TO SEE
757
00:29:52,967 --> 00:29:55,067
IF THERE'S ANY LAST-MINUTE
THINGS YOU NEED ME TO SET UP
758
00:29:55,067 --> 00:29:56,627
BEFORE YOUR BIG PROPOSAL.
759
00:29:56,633 --> 00:29:58,903
- OH, I DIDN'T REALIZE IT WAS
GETTING SO CLOSE TO MIDNIGHT.
760
00:29:58,900 --> 00:30:00,630
- IT IS.
YOU READY?
761
00:30:00,633 --> 00:30:02,033
- [exhales]
762
00:30:04,833 --> 00:30:08,033
OH, YEAH.
POP, THERE IS ONE THING.
763
00:30:08,033 --> 00:30:11,433
UM, THAT PIANO ONSTAGE
IS TUNED, RIGHT?
764
00:30:11,433 --> 00:30:12,673
- THE PIANO'S ALWAYS TUNED.
- OKAY, GOOD.
765
00:30:12,667 --> 00:30:14,067
- WHY?
766
00:30:14,067 --> 00:30:16,197
- LOOK, I KNOW YOU DIDN'T WANT
ME TO PERFORM TONIGHT,
767
00:30:16,200 --> 00:30:19,330
BUT I ONLY GET
TO PROPOSE ONCE,
768
00:30:19,333 --> 00:30:21,173
SO CAN I MAKE THE RULES?
769
00:30:21,167 --> 00:30:22,827
- OH, ABSOLUTELY, MAN.
770
00:30:22,833 --> 00:30:25,133
WHAT THE HELL'S MORE IMPORTANT
THAN TONIGHT, RIGHT?
771
00:30:25,133 --> 00:30:27,133
- THANKS, POP.
772
00:30:27,133 --> 00:30:28,703
[exhales]
773
00:30:28,700 --> 00:30:30,570
YOU THINK CHLOE'S GONNA LIKE
THE WAY I'M ASKING HER?
774
00:30:30,567 --> 00:30:32,667
- SHE'S GONNA LOVE IT, MAN.
775
00:30:32,667 --> 00:30:35,227
I MEAN, YOU'RE PROFESSING
YOUR LOVE IN FRONT OF THE WORLD.
776
00:30:35,233 --> 00:30:37,333
THAT'S DAMN ROMANTIC.
777
00:30:37,333 --> 00:30:40,203
- I JUST WANT IT
TO BE PERFECT.
778
00:30:40,200 --> 00:30:42,470
- YEAH.
HEY, IT WILL BE.
779
00:30:48,467 --> 00:30:51,027
- YOU KNOW, I CAN SEE WHY
YOU WANT TO BE AN ACTOR.
780
00:30:51,033 --> 00:30:52,333
YOU'VE GOT
A GREAT LOOK.
781
00:30:52,333 --> 00:30:55,303
I SHOULD KNOW, SINCE
I'M AN AGENT AT...CAA.
782
00:30:55,300 --> 00:30:56,530
- YOU ARE?
- UH-HUH.
783
00:30:56,533 --> 00:30:58,233
- REALLY? I THOUGHT
YOU WERE A MUSIC AGENT.
784
00:30:58,233 --> 00:30:59,633
- I DO A LITTLE BIT
OF EVERYTHING.
785
00:30:59,633 --> 00:31:01,433
AND IF YOU WANT ME TO CONTINUE
TO REPRESENT YOU,
786
00:31:01,433 --> 00:31:03,073
I SUGGEST YOU ZIP IT.
787
00:31:03,067 --> 00:31:04,127
WHERE WERE WE?
788
00:31:04,133 --> 00:31:05,403
- IT'S NOT GONNA HAPPEN,
MEL.
789
00:31:05,400 --> 00:31:06,900
WE'RE NOT GONNA GET EDDIE
MY CD TONIGHT.
790
00:31:06,900 --> 00:31:10,200
- IF NOT HERE, THEN WHERE?
WHEN? OR HOW?
791
00:31:10,200 --> 00:31:12,230
- ISN'T IT CLOSE TO MIDNIGHT?
YOUR CURFEW?
792
00:31:12,233 --> 00:31:14,373
- WHAT CUR--?
I'M STILL GROUNDED.
793
00:31:14,367 --> 00:31:16,827
IF I'M WILLING TO RISK SOLITARY
CONFINEMENT UNTIL I'M DEAD,
794
00:31:16,833 --> 00:31:18,073
YOU SHOULDN'T COMPLAIN.
795
00:31:18,067 --> 00:31:21,097
- IT'S JUST--
I WASN'T SNOOPING.
796
00:31:21,100 --> 00:31:23,200
- WHAT IS IT?
THIS SOUNDS GOOD.
797
00:31:23,200 --> 00:31:24,600
- I WAS ON MY WAY
TO THE BATHROOM,
798
00:31:24,600 --> 00:31:26,830
AND I DIDN'T WANT TO LOOK,
BUT I COULDN'T HELP IT.
799
00:31:26,833 --> 00:31:29,573
I SAW CHLOE AND EDDIE
IN A HUGE MAKEOUT SESH.
800
00:31:29,567 --> 00:31:31,767
- OH, G--NO WONDER
YOU'RE TRAUMATIZED.
801
00:31:31,767 --> 00:31:33,227
- SO HE'S OBVIOUSLY
PREOCCUPIED TONIGHT,
802
00:31:33,233 --> 00:31:34,603
SO I'M JUST GONNA TAKE
MY CHANCES
803
00:31:34,600 --> 00:31:35,900
IN THE CONTEST
LIKE EVERYONE ELSE.
804
00:31:35,900 --> 00:31:37,100
- NO, LET'S GO FIND JAKE.
HE'LL HELP US.
805
00:31:37,100 --> 00:31:38,630
- MEL, I THINK
WE SHOULD JUST GO.
806
00:31:41,633 --> 00:31:43,873
- HEY, LILY, CAN I
BORROW CHLOE FOR A SECOND?
807
00:31:43,867 --> 00:31:45,727
- WELL, I DON'T THINK IT'S
MY PERMISSION THAT YOU NEED.
808
00:31:45,733 --> 00:31:47,073
- CAN'T YOU SEE
WE'RE CHATTING, TYLER?
809
00:31:47,067 --> 00:31:48,467
- YEAH, BUT YOU DON'T
UNDERSTAND.
810
00:31:48,467 --> 00:31:51,067
IT'S ABOUT CONNOR MORGAN.
- FINE.
811
00:31:51,067 --> 00:31:52,527
FOR JUST A MINUTE THOUGH.
- WAI--
812
00:31:52,533 --> 00:31:53,703
- LILY, SIT TIGHT.
I'LL BE RIGHT BACK.
813
00:31:53,700 --> 00:31:56,730
- YOU BETTER BRING ME A SCOOP.
- OKAY.
814
00:31:56,733 --> 00:32:00,073
WHERE ARE WE GOING?
- OUTSIDE. IT'S PRIVATE.
815
00:32:05,467 --> 00:32:07,797
- YOU READY?
816
00:32:07,800 --> 00:32:09,070
DO YOU WANT ME
TO INTRODUCE YOU?
817
00:32:09,067 --> 00:32:11,297
- [laughs]
818
00:32:11,300 --> 00:32:14,800
- YEAH?
- YEAH.
819
00:32:14,800 --> 00:32:17,770
- WHAT--WHAT--WHAT ABOUT
CONNOR MORGAN?
820
00:32:17,767 --> 00:32:20,597
- HE OFFERED ME A ROLE IN
THE MOVIE YOU'RE GONNA DO.
821
00:32:20,600 --> 00:32:21,830
I'M GONNA PLAY
YOUR LOVE INTEREST.
822
00:32:21,833 --> 00:32:23,073
- WHAT?
823
00:32:23,067 --> 00:32:24,727
- HE THINKS WE HAVE
SMOKING HOT CHEMISTRY.
824
00:32:24,733 --> 00:32:27,373
I GUESS HE SEES SOMETHING IN US
THAT YOU DON'T.
825
00:32:27,367 --> 00:32:28,897
- THAT IS ABSURD.
826
00:32:28,900 --> 00:32:30,700
HE'S CASTING EDDIE AND I
IN THE SAME MOVIE.
827
00:32:30,700 --> 00:32:32,630
- ASSUMING YOU GUYS
ARE STILL TOGETHER.
828
00:32:32,633 --> 00:32:34,603
- OF COURSE WE'RE STILL
TOGETHER, OKAY?
829
00:32:34,600 --> 00:32:36,370
LOOK, THIS IS
SO RIDICULOUS.
830
00:32:36,367 --> 00:32:37,627
I'M GOING BACK INSIDE.
- FOR WHAT?
831
00:32:37,633 --> 00:32:40,333
LET'S JUST GO OUT AND CELEBRATE
OUR MOVIE DEALS.
832
00:32:40,333 --> 00:32:41,473
COME ON.
833
00:32:41,467 --> 00:32:43,467
- THE PARTY'S NOT OVER.
- IT IS FOR ME.
834
00:32:43,467 --> 00:32:46,067
- LOOK, YOU GOT A PART
IN A SERIOUS MOVIE, OKAY?
835
00:32:46,067 --> 00:32:47,567
I'D SAY THAT'S
A SUCCESSFUL NIGHT.
836
00:32:47,567 --> 00:32:49,197
- IT'S JUST NOT ENOUGH.
837
00:32:49,200 --> 00:32:50,770
- UHH!
I'M GOING BACK IN TO EDDIE.
838
00:32:50,767 --> 00:32:54,167
AND BY THE WAY, TYLER, I DIDN'T
BUY ANY OF THAT CONNOR B.S.,
839
00:32:54,167 --> 00:32:56,097
SO NICE TRY.
840
00:33:10,533 --> 00:33:11,773
- "DO ME A FAVOR, TYLER.
841
00:33:11,767 --> 00:33:13,827
"THE WAITRESS HASN'T
BEEN AROUND IN EONS.
842
00:33:13,833 --> 00:33:19,333
BRING ME A MACALLAN 12
AND WHATEVER CHLOE'S HAVING."
843
00:33:19,333 --> 00:33:21,073
I'LL TELL YOU
WHAT SHE'S NOT HAVING.
844
00:33:21,067 --> 00:33:22,867
A BIG FAT RING
ON HER FINGER,
845
00:33:22,867 --> 00:33:25,797
NOT IF I COULD HELP IT.
846
00:33:25,800 --> 00:33:27,630
[beep]
847
00:33:27,633 --> 00:33:30,733
CALL SMITTY.
848
00:33:30,733 --> 00:33:31,873
[line rings]
849
00:33:31,867 --> 00:33:33,397
- YO, TY, WHAT'S UP?
850
00:33:33,400 --> 00:33:34,900
- 'SUP, BROTHER?
I'M HUNGRY.
851
00:33:34,900 --> 00:33:37,370
YOU WANT TO GRAB A BURGER
AND WATCH SOME FIREWORKS?
852
00:33:37,367 --> 00:33:38,927
- WHAT DO YOU MEAN?
853
00:33:38,933 --> 00:33:42,473
- I'M GONNA TOSS A GRENADE AT
EDDIE AND HIS MARRIAGE PLANS.
854
00:33:42,467 --> 00:33:44,767
IT SHOULD BE A BLAST.
855
00:33:44,767 --> 00:33:46,767
- LET'S DO THIS.
856
00:33:50,200 --> 00:33:51,470
HELLO, HELLO.
857
00:33:51,467 --> 00:33:53,267
YEAH, HERE I AM AGAIN.
858
00:33:53,267 --> 00:33:55,467
[cheers and applause]
859
00:33:55,467 --> 00:33:58,597
YEAH, YOU'RE ALL
PROBABLY THINKING,
860
00:33:58,600 --> 00:34:00,930
"I HOPE THAT GUY'S
NOT UP THERE TO SING."
861
00:34:00,933 --> 00:34:02,833
[laughter]
862
00:34:02,833 --> 00:34:04,373
THAT'S OKAY.
863
00:34:04,367 --> 00:34:07,497
WE'VE GOT A MUCH BIGGER MIDNIGHT
SURPRISE FOR ALL OF YOU.
864
00:34:07,500 --> 00:34:10,600
I'M HERE TO INTRODUCE
THE BIGGEST STAR ON THE PLANET
865
00:34:10,600 --> 00:34:13,230
WHO HAPPENS TO HAVE
THE COOLEST DAD IN THE WORLD,
866
00:34:13,233 --> 00:34:14,303
EDDIE DURAN.
867
00:34:14,300 --> 00:34:15,330
[cheers and applause]
868
00:34:15,333 --> 00:34:16,333
COME ON UP.
869
00:34:16,333 --> 00:34:22,273
[cheers and applause]
870
00:34:28,700 --> 00:34:31,970
- HEY, LOOK, MAN, I DON'T THINK
THIS IS SUCH A GOOD IDEA.
871
00:34:31,967 --> 00:34:34,967
- WHAT ARE YOU TALKING ABOUT?
DUDE, IT'S INSPIRED.
872
00:34:34,967 --> 00:34:36,497
EDDIE WON'T EVEN KNOW
WHAT HIT HIM.
873
00:34:36,500 --> 00:34:38,070
- YEAH,
AND NEITHER WILL CHLOE.
874
00:34:38,067 --> 00:34:39,467
- CHLOE'S BLINDED
BY STARDOM.
875
00:34:39,467 --> 00:34:41,127
SHE DOESN'T EVEN KNOW
WHAT'S REAL ANYMORE.
876
00:34:41,133 --> 00:34:43,403
I GOTTA DO THE THINKING
FOR HER RIGHT NOW.
877
00:34:43,400 --> 00:34:44,570
- BUT WHAT IF
SHE DOESN'T FORGIVE YOU?
878
00:34:44,567 --> 00:34:46,067
- SHE WON'T EVEN KNOW
IT WAS ME.
879
00:34:46,067 --> 00:34:47,567
- YOU BETTER HOPE.
880
00:34:47,567 --> 00:34:49,297
AND THIS COULD ALL BLOW UP
RIGHT IN YOUR FACE.
881
00:34:49,300 --> 00:34:50,630
I'M TELLING YOU, JUST--
JUST THINK IT THROUGH.
882
00:34:50,633 --> 00:34:51,973
- YOU KNOW WHAT?
883
00:34:51,967 --> 00:34:53,927
I DON'T NEED A GUIDANCE
COUNSELOR RIGHT NOW, SMITTY.
884
00:34:53,933 --> 00:34:55,703
I NEED A FRIEND.
885
00:34:55,700 --> 00:34:57,530
- YEAH, YOU NEED A DESIGNATED
DRIVER. THAT'S WHAT YOU NEED.
886
00:34:57,533 --> 00:34:59,903
YOU'RE SOUSED, ALL RIGHT,
IT'S NOT THE BEST CONDITION
887
00:34:59,900 --> 00:35:01,570
TO BE MAKING MAJOR
LIFE DECISIONS, BRO.
888
00:35:01,567 --> 00:35:04,497
- I'M FINE.
I HAVE TOTAL CLARITY.
889
00:35:04,500 --> 00:35:07,570
- THEN TAKE MY ADVICE
AND FORGET ABOUT CHLOE,
890
00:35:07,567 --> 00:35:09,697
AND LET'S GO HIT SOME CLUBS.
891
00:35:09,700 --> 00:35:10,830
COME ON, I'LL DRIVE.
892
00:35:10,833 --> 00:35:12,203
- NO.
CAN'T DO IT RIGHT NOW.
893
00:35:12,200 --> 00:35:13,900
I'M ON A MISSION.
894
00:35:13,900 --> 00:35:16,170
I GOTTA SAVE CHLOE
FROM HERSELF.
895
00:35:19,233 --> 00:35:21,533
[cheers and applause]
896
00:35:21,533 --> 00:35:23,233
- OH, MY GOD,
HE SEES YOU.
897
00:35:23,233 --> 00:35:25,133
HE'S LOOKING RIGHT AT YOU.
898
00:35:37,533 --> 00:35:39,703
- [clears throat]
899
00:35:39,700 --> 00:35:43,470
* BREATHE IT IN
900
00:35:43,467 --> 00:35:47,167
* CAN YOU FEEL IT
IN YOUR SOUL *
901
00:35:47,167 --> 00:35:51,067
* UNDER YOUR SKIN?
902
00:35:51,067 --> 00:35:54,727
* JUST LET IT
TAKE CONTROL *
903
00:35:54,733 --> 00:35:57,573
* TONIGHT IS GONNA BE
OUR NIGHT *
904
00:35:57,567 --> 00:35:59,297
* THE BEATING RHYTHM
905
00:35:59,300 --> 00:36:02,630
* FEEL THE ENERGY INSIDE
906
00:36:02,633 --> 00:36:05,603
* I KNOW YOUR BODY
WANTS TO EXPLODE *
907
00:36:05,600 --> 00:36:07,300
* YOUR FEET
JUST WANT TO GO *
908
00:36:07,300 --> 00:36:09,670
* WE'RE GONNA FEEL
ALIVE *
909
00:36:09,667 --> 00:36:12,067
* THERE'S SOMETHING
IN THE AIR *
910
00:36:12,067 --> 00:36:13,827
* YEAH
911
00:36:13,833 --> 00:36:16,973
* YEAH, WE'RE GONNA
HAVE A GOOD TIME *
912
00:36:16,967 --> 00:36:19,597
* THERE'S SOMETHING
IN THE AIR *
913
00:36:19,600 --> 00:36:21,630
* YEAH
914
00:36:21,633 --> 00:36:24,473
* YEAH, WE'RE GONNA
HAVE A GOOD TIME *
915
00:36:24,467 --> 00:36:28,097
* WHOA
916
00:36:28,100 --> 00:36:31,870
* WHOA, OH
917
00:36:31,867 --> 00:36:35,297
* WHOA
918
00:36:35,300 --> 00:36:39,500
* WHOA, OH
919
00:36:42,600 --> 00:36:45,600
[dramatic music]
920
00:36:45,600 --> 00:36:53,530
*
921
00:36:59,633 --> 00:37:01,833
- TIME'S UP, CHLOE.
922
00:37:01,833 --> 00:37:04,473
- * FEELING OUR WAY
923
00:37:04,467 --> 00:37:07,767
* TONIGHT IS GONNA BE
OUR NIGHT *
924
00:37:07,767 --> 00:37:08,827
* THE BEATING RHYTHM
925
00:37:08,833 --> 00:37:11,503
* FEEL THE ENERGY INSIDE
926
00:37:11,500 --> 00:37:14,900
* I KNOW YOUR BODY
WANTS TO EXPLODE *
927
00:37:14,900 --> 00:37:16,830
* YOUR FEET
JUST WANT TO GO *
928
00:37:16,833 --> 00:37:19,073
* WE'RE GONNA
FEEL ALIVE *
929
00:37:19,067 --> 00:37:21,467
* THERE'S SOMETHING
IN THE AIR *
930
00:37:21,467 --> 00:37:23,227
* YEAH
931
00:37:23,233 --> 00:37:26,433
* YEAH, WE'RE GONNA
HAVE A GOOD TIME *
932
00:37:26,433 --> 00:37:28,933
* THERE'S SOMETHING
IN THE AIR *
933
00:37:28,933 --> 00:37:30,533
* YEAH
934
00:37:30,533 --> 00:37:33,733
* YEAH, WE'RE GONNA
HAVE A GOOD TIME *
935
00:37:33,733 --> 00:37:37,603
* WHOA
936
00:37:37,600 --> 00:37:41,100
* WHOA, OH
937
00:37:41,100 --> 00:37:44,930
* WHOA
938
00:37:44,933 --> 00:37:49,073
* WHOA, OH
939
00:37:49,067 --> 00:37:51,827
* CAN YOU FEEL IT?
940
00:37:51,833 --> 00:37:54,233
- HOOK, LINE, AND SINKER,
MR. SILVER.
941
00:37:54,233 --> 00:37:57,133
I HAD EDDIE DURAN
EATING OUT OF MY HAND.
942
00:37:57,133 --> 00:38:00,533
- WELL, I HIGHLY DOUBT IT'S AS
EASY AS YOU SAY IT IS, CONNOR,
943
00:38:00,533 --> 00:38:02,533
BUT I'LL TRUST
THERE'S A MORSEL OF TRUTH
944
00:38:02,533 --> 00:38:03,903
IN WHAT YOU'RE TELLING ME.
945
00:38:03,900 --> 00:38:06,100
IF HE'S REALLY AS GOOD
AS YOU SAY HE IS,
946
00:38:06,100 --> 00:38:07,770
THEN I'VE GOT THE PERFECT
PROJECT FOR HIM.
947
00:38:07,767 --> 00:38:11,597
NOW I'M STARTING
TO GET EXCITED.
948
00:38:11,600 --> 00:38:13,600
GOOSE BUMPS, ACTUALLY.
949
00:38:13,600 --> 00:38:16,730
IT'S LIKE WATCHING
XANADU FOR THE FIRST TIME.
950
00:38:16,733 --> 00:38:19,073
WE NEED HIM
FOR THIS PROJECT.
951
00:38:19,067 --> 00:38:20,967
I NEED EDDIE DURAN.
952
00:38:20,967 --> 00:38:22,497
- * YEAH
953
00:38:22,500 --> 00:38:25,530
* YEAH, WE'RE GONNA
HAVE A GOOD TIME *
954
00:38:25,533 --> 00:38:29,203
* WHOA
955
00:38:29,200 --> 00:38:33,200
* WHOA, OH
956
00:38:33,200 --> 00:38:36,870
* WHOA
957
00:38:36,867 --> 00:38:41,597
* WHOA, OH
958
00:38:41,600 --> 00:38:47,530
[cheers and applause]
959
00:39:02,500 --> 00:39:03,600
[Loren and Mel laugh]
960
00:39:03,600 --> 00:39:05,600
- THAT WAS AMAZING.
961
00:39:05,600 --> 00:39:07,530
PLEASE TELL ME
YOU GOT THAT ON VIDEO.
962
00:39:07,533 --> 00:39:08,933
- NO!
963
00:39:08,933 --> 00:39:11,633
OH, I WAS ENJOYING THE MOMENT
TOO MUCH TO RECORD IT.
964
00:39:11,633 --> 00:39:14,103
HOW ARE WE EVER GONNA REMEMBER
THIS IF IT'S NOT ONLINE?
965
00:39:14,100 --> 00:39:15,300
- [sighs]
966
00:39:15,300 --> 00:39:17,430
- WHAT A PHENOMENAL NIGHT
BUT AN EPIC FAIL.
967
00:39:17,433 --> 00:39:20,433
I DIDN'T RECORD EDDIE'S SONG,
AND WE DIDN'T GIVE HIM YOUR CD.
968
00:39:20,433 --> 00:39:23,403
- HEY, EVERYTHING HAPPENS
FOR A REASON, RIGHT?
969
00:39:23,400 --> 00:39:29,730
[cheers and applause]
970
00:39:29,733 --> 00:39:31,173
- HEY, GUYS.
971
00:39:31,167 --> 00:39:34,197
[cheers and applause]
972
00:39:34,200 --> 00:39:38,070
- START SHOOTING,
START SHOOTING.
973
00:39:38,067 --> 00:39:40,727
- TONIGHT HAS BEEN
AN INCREDIBLE NIGHT.
974
00:39:40,733 --> 00:39:44,733
I THINK PAPA MAX HAS
GOT A HIT ON HIS HANDS
975
00:39:44,733 --> 00:39:46,173
WITH THIS CLUB,
DON'T YOU?
976
00:39:46,167 --> 00:39:50,067
- YEAH!
[all cheering]
977
00:39:50,067 --> 00:39:51,627
NOW, I KNOW THIS STAGE
978
00:39:51,633 --> 00:39:56,933
IS GONNA BE FULL
OF MEMORABLE MOMENTS,
979
00:39:56,933 --> 00:39:59,073
BUT I WANT TONIGHT...
[phone rings]
980
00:39:59,067 --> 00:39:59,997
TO BE THE FIRST OF MANY.
981
00:40:00,000 --> 00:40:05,930
[phones ringing]
982
00:40:12,933 --> 00:40:15,933
[dramatic music]
983
00:40:15,933 --> 00:40:23,873
*
984
00:40:34,433 --> 00:40:36,173
- I JUST TEXTED ADAM.
985
00:40:36,167 --> 00:40:37,267
HE'S FINISHING
HIS LAST MACCHIATO,
986
00:40:37,267 --> 00:40:39,127
AND THEN HE'S COMING
TO PICK US UP,
987
00:40:39,133 --> 00:40:41,273
SO YOU HAVE ABOUT 3 1/2 MINUTES
TO GIVE EDDIE YOUR CD.
988
00:40:41,267 --> 00:40:42,927
- I CAN'T.
989
00:40:42,933 --> 00:40:44,333
- IF YOU DON'T,
YOU'LL BE LIKE THAT GUY
990
00:40:44,333 --> 00:40:45,573
WHO BOUGHT LOTTERY TICKETS
WITH HIS CO-WORKERS,
991
00:40:45,567 --> 00:40:47,267
AND THE ONE TIME
HE DIDN'T CHIP IN,
992
00:40:47,267 --> 00:40:48,497
THEY WON $300 MILLION.
993
00:40:48,500 --> 00:40:50,670
- I DON'T WANT TO BE
THAT GUY.
994
00:40:50,667 --> 00:40:52,167
- I'M GONNA GO WAIT
OVER HERE FOR ADAM.
995
00:40:52,167 --> 00:40:53,667
GO FIND EDDIE.
996
00:40:56,533 --> 00:40:58,473
- [sighs]
997
00:41:18,867 --> 00:41:21,867
[upbeat music]
998
00:41:21,867 --> 00:41:29,797
*
999
00:41:29,847 --> 00:41:34,397
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