All language subtitles for Hollywood Heights s01e10 Eddie Questions His Feelings.eng

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch Download
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,000 --> 00:00:06,670 [upbeat music] 2 00:00:06,667 --> 00:00:08,227 - FORGET IT, MEL. 3 00:00:08,233 --> 00:00:09,403 YOU'VE ALREADY DRAGGED US AROUND THIS PLACE, 4 00:00:09,400 --> 00:00:10,530 LIKE, THREE TIMES. 5 00:00:10,533 --> 00:00:11,533 THERE'S NO WAY WE'RE GETTING IN. 6 00:00:11,533 --> 00:00:12,933 - WELL, WE COULD ALWAYS TOM CRUISE IT-- 7 00:00:12,933 --> 00:00:14,873 CRAWL UP TO THE ROOF AND THEN DESCEND FROM THE CEILING, 8 00:00:14,867 --> 00:00:16,997 USING AN ELABORATE SYSTEM OF PULLEYS AND LEVERS. 9 00:00:17,000 --> 00:00:18,770 - THERE'S A LOT OF PHYSICS INVOLVED IN THAT. 10 00:00:18,767 --> 00:00:20,297 - LOOK, WE CAME TO THIS EVENT WITH A SPECIFIC MISSION IN MIND. 11 00:00:20,300 --> 00:00:21,630 - MISSION: IMPOSSIBLE. 12 00:00:21,633 --> 00:00:23,503 - AND WE AREN'T LEAVING UNTIL WE COMPLETE THAT MISSION. 13 00:00:23,500 --> 00:00:24,600 - MAYBE WE COULD JUST FIND SOMEONE 14 00:00:24,600 --> 00:00:25,800 WHO COULD HAND MY CD TO EDDIE. 15 00:00:25,800 --> 00:00:26,900 - AND MISS THE OPPORTUNITY 16 00:00:26,900 --> 00:00:28,370 OF YOU HANDING IT TO HIM PERSONALLY? 17 00:00:28,367 --> 00:00:29,567 LIKE YOU'D BE SATISFIED WITH THAT. 18 00:00:29,567 --> 00:00:30,867 - ALL RIGHT, FINE, WELL, THEN, 19 00:00:30,867 --> 00:00:32,467 WE HAVE TO FIND A WAY THAT WE CAN SNEAK PAST SECURITY. 20 00:00:32,467 --> 00:00:34,367 - WE ARE JUST ONE LARGE GROUP WE CAN BLEND IN WITH AWAY 21 00:00:34,367 --> 00:00:35,697 FROM GETTING BEYOND THAT VELVET ROPE. 22 00:00:35,700 --> 00:00:37,300 - HOW ABOUT THEM? - PERFECT. 23 00:00:37,300 --> 00:00:39,670 WE CAN BE THEIR PLUS-ONES. YOU COOL BEING THE TOKEN DUDE? 24 00:00:39,667 --> 00:00:40,727 - THAT'S WHAT I AM TO YOU GUYS. 25 00:00:40,733 --> 00:00:41,973 - AND YOU'RE SO GOOD AT IT. 26 00:00:41,967 --> 00:00:44,067 - GUYS, WE DON'T EXACTLY BLEND IN WITH THEM. 27 00:00:44,067 --> 00:00:45,997 - JUST BE CONFIDENT, ACT LIKE YOU BELONG, 28 00:00:46,000 --> 00:00:47,330 AND WE'LL SAIL RIGHT ON THROUGH. 29 00:00:47,333 --> 00:00:49,433 COME ON. 30 00:00:49,433 --> 00:00:54,373 [overlapping chatter] 31 00:00:56,033 --> 00:00:57,873 - I'M CONFIDENT. 32 00:00:57,867 --> 00:00:59,867 - I ADORE YOUR MULBERRY CLUTCH. 33 00:00:59,867 --> 00:01:01,267 I WOULD HAVE BROUGHT MINE, 34 00:01:01,267 --> 00:01:03,867 BUT I THOUGHT IT WOULD CLASH WITH THIS FIERCENESS. 35 00:01:03,867 --> 00:01:07,197 - MY NAME IS ADAM, AND I'LL BE YOUR ARM CANDY FOR THE EVENING. 36 00:01:18,600 --> 00:01:21,700 - HOLD UP. I NEED TO SEE YOUR INVITES. 37 00:01:21,700 --> 00:01:25,800 - UM... [laughs] 38 00:01:25,800 --> 00:01:29,800 [overlapping chatter] 39 00:01:29,800 --> 00:01:32,800 [upbeat music] 40 00:01:32,800 --> 00:01:40,730 * 41 00:01:44,067 --> 00:01:46,767 - HI, GOOD TO SEE YOU. 42 00:01:46,767 --> 00:01:48,327 HI. - HELLO. 43 00:01:48,333 --> 00:01:50,933 - HOW ARE YOU? CONGRATULATIONS. 44 00:01:50,933 --> 00:01:52,933 THIS IS HUGE. 45 00:01:55,200 --> 00:01:57,830 - HEY, GUYS. 46 00:01:57,833 --> 00:02:00,233 I DON'T KNOW HOW YOU DO THIS EVERY DAY. 47 00:02:00,233 --> 00:02:01,503 THE FLASHES ARE GIVING ME A HEADACHE. 48 00:02:01,500 --> 00:02:04,730 - OH, I JUST THINK EVERY CLICK IS WORTH $100. 49 00:02:04,733 --> 00:02:06,703 - THAT'S VERY CYNICAL OF YOU. 50 00:02:06,700 --> 00:02:08,130 - [laughs] 51 00:02:08,133 --> 00:02:10,073 IT'S JUST AN OLD MODELING TRICK TO GET THROUGH THE DAY. 52 00:02:10,067 --> 00:02:11,367 - UH-HUH. - WE ALL DO IT. 53 00:02:11,367 --> 00:02:14,097 NOW KISS ME, AND IT'LL BE WORTH $1,000. 54 00:02:19,667 --> 00:02:21,567 - ALL RIGHT. - [laughs] 55 00:02:21,567 --> 00:02:24,227 - UH, ALL RIGHT, GUYS. 56 00:02:24,233 --> 00:02:26,773 UM, I THINK THAT'S ENOUGH FOR THE YEAR. 57 00:02:26,767 --> 00:02:28,397 LET US ENJOY THE PARTY FOR A WHILE, HUH? 58 00:02:28,400 --> 00:02:31,130 - UM, I'M GONNA HANG OUT HERE FOR A BIT, 59 00:02:31,133 --> 00:02:32,333 IF YOU WANT TO GO HANG OUT WITH YOUR DAD. 60 00:02:32,333 --> 00:02:34,903 - YEAH. HEY, YOU SURE YOU'RE OKAY? 61 00:02:34,900 --> 00:02:36,630 YOU SEEMED REALLY UPSET WHEN I FIRST CAME DOWN. 62 00:02:36,633 --> 00:02:38,503 - YEAH. I'M JUST NERVOUS FOR MAX. 63 00:02:38,500 --> 00:02:40,270 YOU KNOW, I KNOW HE HAS A LOT RIDING ON THIS CLUB, 64 00:02:40,267 --> 00:02:41,397 AND I REALLY CARE ABOUT HIM. 65 00:02:41,400 --> 00:02:43,400 HE REMINDS ME A LOT OF MY DAD. 66 00:02:43,400 --> 00:02:44,630 - ALL RIGHT. 67 00:02:49,833 --> 00:02:52,673 I SAID WHITE WINE. I'M GETTING PICTURES TAKEN. 68 00:02:52,667 --> 00:02:56,927 DO YOU THINK I WANT PURPLE TEETH? GENIUS. 69 00:03:01,133 --> 00:03:03,473 - POPS. I'M GLAD YOU CAME DOWN. 70 00:03:03,467 --> 00:03:04,597 I THOUGHT YOU WERE GONNA 71 00:03:04,600 --> 00:03:05,900 STAY HOLED UP IN THE APARTMENT ALL NIGHT. 72 00:03:05,900 --> 00:03:07,770 - OH, I WAS TEMPTED. [laughs] 73 00:03:07,767 --> 00:03:09,967 - COME ON. DAD, LOOK AROUND. 74 00:03:09,967 --> 00:03:11,897 NO LIGHT FIXTURES HAVE FALLEN, 75 00:03:11,900 --> 00:03:13,770 NOBODY'S GOTTEN ELECTROCUTED BY THE HAND DRYERS, 76 00:03:13,767 --> 00:03:15,097 AND, AS FAR AS I KNOW, 77 00:03:15,100 --> 00:03:16,830 NOBODY'S GOTTEN SICK OFF THE TUNA ROLLS. 78 00:03:16,833 --> 00:03:18,933 - I KNOW. - ENJOY THE MOMENT. 79 00:03:18,933 --> 00:03:21,573 - I AM. I WILL, I PROMISE, I PROMISE. 80 00:03:21,567 --> 00:03:23,767 YEAH, WHAT ABOUT YOU? YOU HAVING A GOOD TIME? 81 00:03:23,767 --> 00:03:29,067 - YEAH, I'M HAVING A BLAST. I JUST CAN'T WAIT TILL MIDNIGHT. 82 00:03:29,067 --> 00:03:33,897 - EDDIE, HELL OF A PARTY, MAN. - WHAT ARE YOU DOING HERE? 83 00:03:33,900 --> 00:03:36,430 - ENJOYING THE FESTIVITIES. YOU REMEMBER AMBER, RIGHT? 84 00:03:36,433 --> 00:03:37,903 - YES, I DO. HOW ARE YOU? 85 00:03:37,900 --> 00:03:40,300 - THANKS FOR INVITING ME, EDDIE. - OF COURSE. 86 00:03:40,300 --> 00:03:42,300 - YEAH, IT'S LIKE A SENIOR DITCH DAY REUNION. 87 00:03:42,300 --> 00:03:46,900 ME, YOU, CHLOE, AMBER. WHO ELSE IS HERE? 88 00:03:46,900 --> 00:03:50,230 - THAT YOU KNOW? NO ONE. - HMM. 89 00:03:50,233 --> 00:03:52,633 MAX, TYLER. YOU REMEMBER ME, RIGHT? 90 00:03:52,633 --> 00:03:55,803 - YEAH, I DO, I DO. FROM, UH, FROM THE MOVIE. 91 00:03:55,800 --> 00:03:57,070 - YEAH. - RIGHT, YEAH. 92 00:03:57,067 --> 00:03:58,467 - THAT'S COOL. 93 00:03:58,467 --> 00:04:01,067 YOU REMEMBER THE FRIENDS YOUR SON HAD BEFORE HE WAS FAMOUS. 94 00:04:01,067 --> 00:04:02,827 TOO BAD HE DOESN'T. 95 00:04:02,833 --> 00:04:06,333 - YEAH, YOU'RE PRETTY HARD TO FORGET, TYLER. 96 00:04:06,333 --> 00:04:08,533 - YOU KNOW I'M UP FOR A NETWORK PILOT? 97 00:04:08,533 --> 00:04:11,303 - WOW. FANTASTIC. I HOPE YOU GET IT. 98 00:04:11,300 --> 00:04:14,200 - IT'D BE A LOT COOLER IF, UH, JAKE WAS REPPING ME AGAIN. 99 00:04:14,200 --> 00:04:16,770 - MAYBE YOU SHOULD TALK TO HIM. - I TRIED. 100 00:04:16,767 --> 00:04:18,897 - IT'S NOT MY PROBLEM, BUDDY. SORRY. 101 00:04:18,900 --> 00:04:22,200 - OF COURSE NOT. IT NEVER IS. 102 00:04:22,200 --> 00:04:25,330 - WHAT ARE YOU DOING? WE DON'T WANT ANY TROUBLE HERE. 103 00:04:25,333 --> 00:04:28,973 - WHO'S CAUSING TROUBLE, MAN? IT'S A PARTY. 104 00:04:28,967 --> 00:04:33,227 I'M HAVING FUN, RIGHT? CHEERS. 105 00:04:39,133 --> 00:04:42,133 [upbeat music] 106 00:04:42,133 --> 00:04:47,103 * 107 00:04:47,100 --> 00:04:49,370 - SAVE THE SOB STORY, LADIES. NO INVITE, NO ENTRY. 108 00:04:49,367 --> 00:04:51,067 - BUT THAT'S WHAT I'VE BEEN TRYING TO TELL YOU. 109 00:04:51,067 --> 00:04:52,297 YOU ALREADY TOOK OUR INVITES. 110 00:04:52,300 --> 00:04:53,900 WE'RE PART OF THAT GROUP. YOU JUST MISCOUNTED. 111 00:04:53,900 --> 00:04:55,330 NOT THAT I CAN BLAME YOU. 112 00:04:55,333 --> 00:04:56,733 ALL THOSE SKINNY-ASS MODELS LOOK ALIKE, 113 00:04:56,733 --> 00:04:59,703 SO I CAN SEE HOW YOU MIGHT HAVE COUNTED A COUPLE OF THEM TWICE. 114 00:04:59,700 --> 00:05:03,270 - FORGET IT. THANK YOU FOR YOUR TIME. 115 00:05:03,267 --> 00:05:06,267 [club music] 116 00:05:06,267 --> 00:05:12,797 ** 117 00:05:12,800 --> 00:05:14,800 - HEY, HEY, HEY, HEY, HEY. 118 00:05:14,800 --> 00:05:17,700 FABULOUS PARTY, AND I LOVE THE CLUB. 119 00:05:17,700 --> 00:05:19,800 LET ME KNOW IF ANY MAJOR SCOOPS HAPPEN TONIGHT. 120 00:05:19,800 --> 00:05:22,570 I GET FIRST DIBS. - YEAH, SURE. 121 00:05:22,567 --> 00:05:24,067 - HEY, WHAT'S WITH YOU? 122 00:05:24,067 --> 00:05:25,327 - LOOK, I HAVE TO GO TAKE CARE OF SOMETHING. 123 00:05:25,333 --> 00:05:26,933 - NO, NO. WAIT, WAIT, WAIT. 124 00:05:26,933 --> 00:05:30,073 YOU NEVER TOLD ME WHAT THAT SCUMMY PAPARAZZO BLED FROM YOU 125 00:05:30,067 --> 00:05:31,727 IN ORDER TO GET THAT TYLER PHOTO BACK. 126 00:05:31,733 --> 00:05:32,973 - 15 GRAND. 127 00:05:32,967 --> 00:05:34,967 - THAT'S A PRETTY REASONABLE PRICE TO PAY 128 00:05:34,967 --> 00:05:36,897 TO KEEP YOUR RELATIONSHIP WITH TYLER UNDER WRAPS, 129 00:05:36,900 --> 00:05:38,170 DON'T YOU THINK? 130 00:05:38,167 --> 00:05:40,767 - HEY, HOW WOULD YOU LIKE TO DO ME A FAVOR? 131 00:05:40,767 --> 00:05:42,097 - WHAT'S IN IT FOR ME? 132 00:05:42,100 --> 00:05:43,930 - ANOTHER EXCLUSIVE. 133 00:05:43,933 --> 00:05:46,373 - OKAY. 134 00:05:46,367 --> 00:05:49,927 - WHOA. MIGHT WANT TO PACE YOURSELF. 135 00:05:49,933 --> 00:05:52,273 - YOU'RE RIGHT, DON'T WANT TO MISS 136 00:05:52,267 --> 00:05:55,067 ONE OF ROCK'S GREATEST SENSATIONS ON THE PLANET. 137 00:05:55,067 --> 00:05:58,727 - I'M NOT PERFORMING. - OH, TOO BAD. 138 00:05:58,733 --> 00:06:00,703 I'M SURE EVERYONE'S EXPECTING IT. 139 00:06:00,700 --> 00:06:03,130 - EDDIE, I SAW YOU ON THE LILY PARK SHOW LAST NIGHT. 140 00:06:03,133 --> 00:06:05,873 - OH, YEAH, CHLOE CONVINCED ME TO DO THAT. 141 00:06:05,867 --> 00:06:08,527 - CHLOE CAN BE AWFULLY PERSUASIVE WHEN SHE WANTS TO BE. 142 00:06:08,533 --> 00:06:10,933 - YOU SOUND LIKE A MAN WITH FIRSTHAND KNOWLEDGE. 143 00:06:10,933 --> 00:06:12,703 - HEY, I INTRODUCED THESE TWO. 144 00:06:12,700 --> 00:06:14,530 YOU'D THINK THAT'D EARN ME SOME GOOD WILL. 145 00:06:14,533 --> 00:06:16,573 - TYLER RORKE. - [laughs] 146 00:06:16,567 --> 00:06:17,767 - YOU WALKED RIGHT PAST ME 147 00:06:17,767 --> 00:06:19,427 ON THE RED CARPET, YOU LITTLE DEVIL. 148 00:06:19,433 --> 00:06:21,133 - HEY, LILY. - HI. 149 00:06:21,133 --> 00:06:22,573 WE HAVE SOME MAJOR CATCHING UP TO DO. 150 00:06:22,567 --> 00:06:24,367 I WANT TO HEAR EVERYTHING THAT YOU'VE BEEN UP TO. 151 00:06:24,367 --> 00:06:26,497 - ALL RIGHT, COOL. YOU KNOW AMBER, RIGHT? 152 00:06:26,500 --> 00:06:28,730 - OF COURSE. YOU WERE ON VARIETY'S 153 00:06:28,733 --> 00:06:30,633 UP-AND-COMING HOT 100 LIST, RIGHT? 154 00:06:30,633 --> 00:06:31,973 - I WAS NUMBER 93. 155 00:06:31,967 --> 00:06:33,727 - [laughs] WHY DON'T YOU COME MY WAY? 156 00:06:33,733 --> 00:06:36,333 LET'S GO. 157 00:06:36,333 --> 00:06:38,773 - I DON'T REMEMBER PUTTING HIS NAME ON THE LIST. 158 00:06:38,767 --> 00:06:41,267 - DON'T LOOK AT ME. 159 00:06:41,267 --> 00:06:45,227 - GREAT TURNOUT, RIGHT? - HEY, YEAH. 160 00:06:45,233 --> 00:06:47,733 SO, DID YOU KNOW TYLER RORKE IS HERE? 161 00:06:47,733 --> 00:06:49,773 - TYLER? HOW IS THAT POSSIBLE? 162 00:06:49,767 --> 00:06:51,097 - I DON'T KNOW. 163 00:06:51,100 --> 00:06:54,200 APPARENTLY HE CONVINCED AMBER TO TAG ALONG WITH HIM 164 00:06:54,200 --> 00:06:56,300 'CAUSE HE CAN'T GET ON THE GUEST LIST HIMSELF. 165 00:06:56,300 --> 00:06:59,070 - YEAH, YOU KNOW, AMBER'S ALWAYS HAD A THING FOR HIM. 166 00:06:59,067 --> 00:07:00,567 THAT'S PROBABLY HOW HE GOT HERE. 167 00:07:00,567 --> 00:07:02,067 BUT WHO CARES, RIGHT? 168 00:07:02,067 --> 00:07:03,527 - WELL, I'M NOT SURE IF I LIKE HIM. 169 00:07:03,533 --> 00:07:06,233 HE'S GOT, LIKE, BAD KARMA. 170 00:07:06,233 --> 00:07:10,073 I'M GONNA GO SAY HI TO SOMEONE. EXCUSE ME. 171 00:07:10,067 --> 00:07:12,527 - YOU BEEN POSING THIS WHOLE TIME? 172 00:07:12,533 --> 00:07:14,933 - YEAH. IT'S JUST PART OF THE BUSINESS. 173 00:07:14,933 --> 00:07:16,273 - YEAH? - YEAH. 174 00:07:16,267 --> 00:07:18,327 - WILL YOU STOP WORKING? TONIGHT IS FOR CELEBRATION. 175 00:07:18,333 --> 00:07:21,273 - AH, AT MY LEVEL, WITH A MEGASTAR BOYFRIEND, 176 00:07:21,267 --> 00:07:23,067 EXPOSURE IS THE NAME OF THE GAME. 177 00:07:23,067 --> 00:07:26,597 - WELL, MAYBE YOU SHOULD BE TALKING TO LILY PARK 178 00:07:26,600 --> 00:07:29,400 INSTEAD OF THE POSTER BOY FOR INSECURITY. 179 00:07:29,400 --> 00:07:33,170 LISTEN, I DON'T WANT ANYTHING TO RUIN THIS NIGHT. 180 00:07:33,167 --> 00:07:34,827 - NOTHING WILL, 181 00:07:34,833 --> 00:07:37,903 SO THERE IS NO REASON TO CHANGE ANY OF YOUR PLANS. 182 00:07:37,900 --> 00:07:40,130 NO REASON AT ALL. 183 00:07:40,133 --> 00:07:42,373 - SO I KEPT TELLING THE DIRECTOR 184 00:07:42,367 --> 00:07:44,297 THE STUNT DOUBLE DOESN'T LOOK ANYTHING LIKE ME. 185 00:07:44,300 --> 00:07:47,070 HIS NOSE WAS BROKEN IN THREE PLACES. 186 00:07:47,067 --> 00:07:49,067 YOU KNOW, I DON'T WANT PEOPLE THINKING THAT'S ME 187 00:07:49,067 --> 00:07:50,467 WITH THE MANGLED NOSE. 188 00:07:50,467 --> 00:07:55,227 MY FANS EXPECT THIS FACE, NOT PUNCHING BAG PETE. 189 00:07:55,233 --> 00:07:57,173 CAN YOU BELIEVE THAT? 190 00:07:57,167 --> 00:07:58,967 - NO, ACTUALLY, I-I CAN'T BELIEVE THAT... 191 00:07:58,967 --> 00:08:00,327 YOU'RE TELLING ME THAT, TYLER. 192 00:08:00,333 --> 00:08:02,773 YOU KNOW, YOU ARE SUCH A NATURAL STORYTELLER. 193 00:08:02,767 --> 00:08:03,767 - WELL, LET'S GET YOUR CREW OVER HERE. 194 00:08:03,767 --> 00:08:05,067 YOU CAN PUT ME ON TAPE. 195 00:08:05,067 --> 00:08:06,267 I CAN TELL IT LIKE I'VE NEVER TOLD IT BEFORE. 196 00:08:06,267 --> 00:08:07,627 - NO, YOU KNOW WHAT? 197 00:08:07,633 --> 00:08:10,073 IT--TONIGHT'S REALLY ABOUT MAX AND THE CLUB, SO-- 198 00:08:10,067 --> 00:08:11,967 - ALL RIGHT, COOL. WELL, I'LL GIVE YOU MY NUMBER. 199 00:08:11,967 --> 00:08:14,467 - YOU KNOW WHAT? I'LL CONTACT YOU, OKAY? 200 00:08:14,467 --> 00:08:17,867 NICE TO MEET YOU, AMBER. LATER, TYLER. 201 00:08:19,400 --> 00:08:22,130 - I CAN'T BELIEVE LILY PARK KNEW WHO I WAS. 202 00:08:22,133 --> 00:08:23,633 - SO YOU'RE NOT MAD AT ME ANYMORE? 203 00:08:23,633 --> 00:08:26,173 - OH, FOR TELLING ME YOU WERE INVITED WHEN YOU WEREN'T? 204 00:08:26,167 --> 00:08:27,527 - BUT IF IT WASN'T FOR ME, 205 00:08:27,533 --> 00:08:29,603 YOU WOULDN'T BE ON LILY PARK'S RADAR. 206 00:08:29,600 --> 00:08:32,670 AND NOW YOU DEFINITELY ARE. 207 00:08:37,900 --> 00:08:40,470 - NO GO, HUH? - NO, THIS ISN'T OVER. 208 00:08:40,467 --> 00:08:42,067 WE GOT INTO EDDIE'S CONCERT LAST WEEK WITHOUT A TICKET. 209 00:08:42,067 --> 00:08:43,497 WE CAN DO IT AGAIN. 210 00:08:43,500 --> 00:08:45,670 - DID THAT CONCERT HAVE A SWAT TEAM CIRCLING THE PERIMETER? 211 00:08:45,667 --> 00:08:47,567 - ACTUALLY, YEAH. MORE THAN TONIGHT. 212 00:08:47,567 --> 00:08:48,767 - OKAY, FORGET BYPASSING SECURITY. 213 00:08:48,767 --> 00:08:50,097 WE HAVE TO SCORE EXTRA INVITES. 214 00:08:50,100 --> 00:08:51,970 - I CAN GO LOOK IN THE RECYCLING BINS IN THE ALLEY. 215 00:08:51,967 --> 00:08:53,867 - NO, NO, IT'S TOO EARLY FOR DUMPSTER DIVING. 216 00:08:53,867 --> 00:08:56,367 WE NEED TO FIND THREE PEOPLE WHO ARE MINUS THEIR PLUS-ONES. 217 00:08:56,367 --> 00:08:57,767 CHECK IT OUT, 10:00. 218 00:08:57,767 --> 00:08:58,927 - WAIT, MY 10:00 OR YOUR-- - RIGHT THERE. 219 00:08:58,933 --> 00:09:00,573 - OH. THOSE TWO GUYS? - YEAH. 220 00:09:00,567 --> 00:09:02,127 IF WE'RE LUCKY, THEY'RE UNATTENDED. 221 00:09:02,133 --> 00:09:04,233 I SMELL FOUR INVITES ON THEM. 222 00:09:04,233 --> 00:09:06,273 - WAIT, FOUR? WHAT ABOUT ADAM? 223 00:09:06,267 --> 00:09:09,467 - IT'S OKAY. THIS NIGHT IS ABOUT GETTING YOUR SONG TO EDDIE. 224 00:09:09,467 --> 00:09:10,627 I'LL BE FINE. - THANK YOU, ADAM. 225 00:09:10,633 --> 00:09:11,903 - THANK YOU, ADAM. YOU'RE THE BEST. 226 00:09:11,900 --> 00:09:13,430 LET'S GO. 227 00:09:13,433 --> 00:09:16,773 - THANKS FOR LETTING ME THIRD WHEEL WITH YOU GUYS TONIGHT. 228 00:09:16,767 --> 00:09:19,097 THE PEOPLE WATCHING IS AMAZING. 229 00:09:19,100 --> 00:09:20,570 I FEEL LIKE I'VE BEEN TRANSPORTED 230 00:09:20,567 --> 00:09:23,667 INTO ONE OF MY, LIKE, CHEESY GOSSIP MAGAZINES. 231 00:09:23,667 --> 00:09:24,967 - AH, YOU MUST HAVE BEEN 232 00:09:24,967 --> 00:09:26,697 TO A TON OF PARTIES LIKE THIS IN NEW YORK. 233 00:09:26,700 --> 00:09:29,300 - NO, I DID, BUT IT'S TOTALLY DIFFERENT IN HOLLYWOOD. 234 00:09:29,300 --> 00:09:33,530 I MEAN, SOME OF THESE PEOPLE ARE PROFESSIONAL PARTY-GOERS. 235 00:09:33,533 --> 00:09:36,073 - YEAH, WELL, I'VE BEEN TO SO MANY OF THESE THINGS, 236 00:09:36,067 --> 00:09:38,367 THE NOVELTY HAS KIND OF WORN OFF. 237 00:09:38,367 --> 00:09:40,597 - MMM. THEN WHY DO YOU KEEP COMING? 238 00:09:40,600 --> 00:09:43,070 - IT MEANS SO MUCH TO MAYOR HOLLYWOOD OVER HERE. 239 00:09:43,067 --> 00:09:44,697 - AW. 240 00:09:44,700 --> 00:09:45,870 - OH, YEAH, 'CAUSE YOU HATE BEING SURROUNDED 241 00:09:45,867 --> 00:09:47,967 BY SO MANY BEAUTIFUL AND FAMOUS PEOPLE. 242 00:09:47,967 --> 00:09:51,097 WHAT TORTURE I PUT YOU THROUGH. 243 00:09:51,100 --> 00:09:52,730 EXCUSE ME, LADIES. 244 00:09:52,733 --> 00:09:55,073 I HAVE TO INTRODUCE MYSELF TO MY NEW BEST FRIEND. 245 00:09:55,067 --> 00:09:59,167 - OH, OF COURSE. 246 00:09:59,167 --> 00:10:01,667 SO MUCH FOR KEEPING HIS ATTENTION ALL NIGHT. 247 00:10:01,667 --> 00:10:03,427 - IN THE LAST FIVE MINUTES, 248 00:10:03,433 --> 00:10:06,973 I'VE HEARD JAKE CALL, LIKE, 13 PEOPLE HIS BEST FRIEND. 249 00:10:06,967 --> 00:10:10,327 - HONEY, HE HAS HUNDREDS OF BEST FRIENDS. 250 00:10:10,333 --> 00:10:12,503 - HELLO. HELLO, HELLO. 251 00:10:12,500 --> 00:10:15,470 CAN I HAVE YOUR ATTENTION, PLEASE? 252 00:10:15,467 --> 00:10:17,627 THANK YOU FOR COMING TO THE GRAND OPENING 253 00:10:17,633 --> 00:10:19,903 OF MY LITTLE HOLE-IN-THE-WALL CLUB. 254 00:10:19,900 --> 00:10:21,500 [cheering] 255 00:10:21,500 --> 00:10:24,130 THANK YOU, THANK YOU. 256 00:10:24,133 --> 00:10:25,803 BACK IN THE DAY, UM, 257 00:10:25,800 --> 00:10:27,800 I REMEMBER WE USED TO PLAY IN PLACES 258 00:10:27,800 --> 00:10:29,930 THAT ACTUALLY HAD HOLES IN THE WALL 259 00:10:29,933 --> 00:10:31,903 AND IN THE FLOORS AND IN THE CEILING 260 00:10:31,900 --> 00:10:33,800 AND ALL OVER THE PLACE. 261 00:10:33,800 --> 00:10:38,770 ANYWAY, AS, UH, SOME OF YOU MAY KNOW, UH, 262 00:10:38,767 --> 00:10:42,497 WE'VE HAD A PRETTY ROUGH COUPLE OF YEARS, 263 00:10:42,500 --> 00:10:47,930 SO TO GET ME OUT OF MY FUNK, MY VERY SMART BOY SAID, 264 00:10:47,933 --> 00:10:50,133 "POP, WHY DON'T YOU OPEN 265 00:10:50,133 --> 00:10:53,503 THE COOLEST CLUB ON SUNSET STRIP?" 266 00:10:53,500 --> 00:10:57,670 NINE MONTHS, A LOT OF BUCKS, AND A CRATE OF ASPIRIN LATER, 267 00:10:57,667 --> 00:11:00,567 HERE WE ARE. 268 00:11:00,567 --> 00:11:02,097 THANK YOU, EDDIE, 269 00:11:02,100 --> 00:11:05,400 'CAUSE NONE OF THIS WOULD HAVE HAPPENED WITHOUT YOU, 270 00:11:05,400 --> 00:11:07,530 SO THANK YOU. 271 00:11:07,533 --> 00:11:09,333 FOR SURE. 272 00:11:09,333 --> 00:11:14,673 [cheers and applause] 273 00:11:14,667 --> 00:11:18,397 I'M SURE MAMA'S LOOKING DOWN, AND SHE'S VERY PROUD, 274 00:11:18,400 --> 00:11:21,100 'CAUSE WE'RE HONORING HER BY BRINGING IT BACK 275 00:11:21,100 --> 00:11:24,270 TO WHERE IT ALL STARTED-- A LITTLE HOLE-IN-THE-WALL CLUB. 276 00:11:24,267 --> 00:11:27,267 SO, YOU GUYS, HAVE A GREAT NIGHT. 277 00:11:27,267 --> 00:11:29,267 WE HAVE SOME KILLER SURPRISES FOR YOU, 278 00:11:29,267 --> 00:11:31,727 AND, UH, LET'S TEAR THE ROOF OFF THIS PLACE. 279 00:11:31,733 --> 00:11:32,933 [cheering] 280 00:11:32,933 --> 00:11:35,073 NOT LITERALLY. WE JUST HAD IT REPLACED. 281 00:11:35,067 --> 00:11:36,527 NOT LITERALLY. 282 00:11:36,533 --> 00:11:42,533 [applause] 283 00:11:42,533 --> 00:11:45,303 - GREAT SPEECH, POP. YOU HAD THIS ONE IN TEARS. 284 00:11:45,300 --> 00:11:48,730 - OH, COME HERE. - OH. 285 00:11:48,733 --> 00:11:53,133 - KATY WOULD BE SO PROUD. - YEAH, I THINK SO. 286 00:11:53,133 --> 00:11:57,873 WELL, ANYWAY, I'LL SEE YOU GUYS IN A BIT. 287 00:11:57,867 --> 00:12:01,267 - DID I SAY SOMETHING WRONG? - NO, OF COURSE NOT. 288 00:12:01,267 --> 00:12:05,127 I'LL BE RIGHT BACK. 289 00:12:05,133 --> 00:12:06,503 - YO, THERE YOU ARE, BUDDY. 290 00:12:06,500 --> 00:12:07,600 I HAVE TO INTRODUCE YOU TO SOMEONE. 291 00:12:07,600 --> 00:12:08,930 - YEAH, YEAH, LATER. - NO, TRUST ME. 292 00:12:08,933 --> 00:12:12,903 THIS IS NOT SOMEONE YOU WANT TO KEEP WAITING. 293 00:12:12,900 --> 00:12:16,230 - HEY. - AMBER. 294 00:12:16,233 --> 00:12:18,273 - CHLOE, IT'S BEEN FOREVER. HOW ARE YOU? 295 00:12:18,267 --> 00:12:19,627 - NEVER BETTER. 296 00:12:19,633 --> 00:12:22,333 - I HOPE YOU'RE NOT MAD AT ME FOR BRINGING TYLER. 297 00:12:22,333 --> 00:12:24,273 - NO. WHY WOULD I BE? 298 00:12:24,267 --> 00:12:26,727 - I CAN KIND OF TELL THAT HE AND EDDIE AREN'T EXACTLY BUDS. 299 00:12:26,733 --> 00:12:28,503 - YEAH, WELL, IT'S A FREE COUNTRY. 300 00:12:28,500 --> 00:12:29,570 YOU CAN BRING WHOEVER YOU WANT. 301 00:12:29,567 --> 00:12:32,467 - YOU AND EDDIE, ON THE OTHER HAND, WOW. 302 00:12:32,467 --> 00:12:35,167 THINGS WENT FROM FRIENDS TO LOVERS SUPER FAST. 303 00:12:35,167 --> 00:12:36,897 - IT'S BEEN OVER A YEAR. 304 00:12:36,900 --> 00:12:38,570 - I CAN HARDLY WALK INTO A SUPERMARKET 305 00:12:38,567 --> 00:12:40,627 WITHOUT YOU BEING ON EVERY SINGLE MAG. 306 00:12:40,633 --> 00:12:43,233 - YEAH, WELL, YOU CAN'T ALWAYS BELIEVE WHAT YOU READ. 307 00:12:43,233 --> 00:12:45,233 - SO YOU'RE NOT GETTING MARRIED? 308 00:12:45,233 --> 00:12:49,473 - WHERE'D YOU HEAR THAT? - SEEMS TO BE THE LATEST BUZZ. 309 00:12:49,467 --> 00:12:52,667 I SAW THE LILY INTERVIEW. SO IS IT TRUE? 310 00:12:52,667 --> 00:12:56,367 - WHO KNOWS? STAY TUNED TO FIND OUT. 311 00:12:59,733 --> 00:13:02,633 - OKAY, FOLLOW MY LEAD. 312 00:13:02,633 --> 00:13:04,573 - OH, BOY. 313 00:13:07,600 --> 00:13:08,970 - LET ME GUESS. 314 00:13:08,967 --> 00:13:11,097 YOU GUYS CAME TO THIS PARTY ALONE IN HOPES OF MEETING 315 00:13:11,100 --> 00:13:14,400 ONE OF THE MANY ACTRESS/MODEL/ WHATEVER TYPES INSIDE, RIGHT? 316 00:13:14,400 --> 00:13:15,570 - IS THAT WHAT YOU THINK? 317 00:13:15,567 --> 00:13:17,967 - UH, THAT'S WHAT WE WERE HOPING, 318 00:13:17,967 --> 00:13:20,097 BECAUSE WE LEFT OUR INVITES AT HOME. 319 00:13:20,100 --> 00:13:21,470 - AND SINCE THERE ARE TWO OF YOU-- 320 00:13:21,467 --> 00:13:23,627 - AND TWO OF US-- - YOU FIGURED WE'D GET YOU IN. 321 00:13:23,633 --> 00:13:26,133 - LOOKS AND BRAINS. A DEADLY COMBINATION. 322 00:13:26,133 --> 00:13:27,933 - ARE YOU GUYS EVEN OLD ENOUGH TO GET INTO THIS CLUB? 323 00:13:27,933 --> 00:13:29,433 - WE HAVE I.D. 324 00:13:29,433 --> 00:13:31,433 - OH, I HAVE I.D. SAYS I'M A THREE-STAR GENERAL, 325 00:13:31,433 --> 00:13:33,203 BUT CLEARLY, THAT'S NOT TRUE. 326 00:13:33,200 --> 00:13:34,230 HOW OLD ARE YOU, REALLY? 327 00:13:34,233 --> 00:13:35,703 both: 22 - REALLY? 328 00:13:35,700 --> 00:13:37,770 - YEAH, I JUST GRADUATED FROM STANFORD, 329 00:13:37,767 --> 00:13:39,867 AND LOREN HERE GRADUATED FROM UC BERKELEY. 330 00:13:39,867 --> 00:13:41,397 - GO, BEARS! 331 00:13:41,400 --> 00:13:43,470 - LOREN'S A SINGER, AND SHE JUST SIGNED WITH EDDIE'S LABEL, 332 00:13:43,467 --> 00:13:46,097 AND I START WITH A TOP AGENCY NEXT WEEK 333 00:13:46,100 --> 00:13:47,700 AND I WILL SOON BE HER AGENT. 334 00:13:47,700 --> 00:13:49,130 - OH, COOL. 335 00:13:49,133 --> 00:13:50,533 I JUST FINISHED B-SCHOOL. I'M LOOKING TO BE AN AGENT. 336 00:13:50,533 --> 00:13:52,903 - WELL, LET'S FINISH THIS CONVERSATION INSIDE, 337 00:13:52,900 --> 00:13:54,170 AND I'LL GIVE YOU SOME POINTERS. 338 00:13:54,167 --> 00:13:55,427 LIKE, FIRST OF ALL, 339 00:13:55,433 --> 00:13:56,733 IF YOU WANT TO MAKE IT IN THIS TOWN AS AN AGENT, 340 00:13:56,733 --> 00:13:58,073 YOU SHOULD HAVE GONE TO AN "A" SCHOOL. 341 00:13:58,067 --> 00:13:59,627 B-SCHOOL'S NOT GOOD ENOUGH. 342 00:13:59,633 --> 00:14:03,303 - ALL RIGHT, LET'S GO. 343 00:14:03,300 --> 00:14:05,800 - YOU REALLY SIGNED WITH EDDIE'S LABEL? 344 00:14:05,800 --> 00:14:08,170 - WELL-- - AND SHE KNOWS HIM PERSONALLY. 345 00:14:19,633 --> 00:14:22,303 JUST BREATHE. 346 00:14:22,300 --> 00:14:23,300 - OKAY. 347 00:14:23,300 --> 00:14:25,300 [both exhale] 348 00:14:25,300 --> 00:14:27,800 [both laugh] 349 00:14:27,800 --> 00:14:29,130 - COUPLE OF COSMOS FOR THE LADIES. 350 00:14:29,133 --> 00:14:31,833 - OH, DON'T MIND IF I DO. I LOVE ME SOME COSMO. 351 00:14:31,833 --> 00:14:34,733 - YOU ARE OUR DESIGNATED DRIVER TONIGHT, REMEMBER, MEL? 352 00:14:34,733 --> 00:14:37,773 - WELL, IF SHE'S DRIVING, I GUESS THAT'S MORE FOR YOU. 353 00:14:37,767 --> 00:14:40,167 - I'M A RECOVERING ALCOHOLIC. 354 00:14:40,167 --> 00:14:42,097 - WHY WOULDN'T YOU JUST BE THE DESIGNATED DRIVER? 355 00:14:42,100 --> 00:14:44,570 - SUSPENDED LICENSE. IT'S A LONG STORY. 356 00:14:44,567 --> 00:14:46,127 PLEASE STOP ASKING QUESTIONS. 357 00:14:46,133 --> 00:14:48,303 - THIS NIGHT JUST GOT A LOT MORE SOBER. 358 00:14:48,300 --> 00:14:51,530 LET'S GET OURSELVES SOME REAL DRINKS. 359 00:14:51,533 --> 00:14:52,973 - GOD, THAT'LL BUY US SOME TIME. 360 00:14:52,967 --> 00:14:54,527 [laughs] 361 00:14:54,533 --> 00:14:56,333 - THIS IS SO SURREAL. 362 00:14:56,333 --> 00:14:57,873 ALL THESE FANCY HOLLYWOOD PEOPLE 363 00:14:57,867 --> 00:14:59,597 THAT WE ONLY SEE ON TV OR IN MAGAZINES. 364 00:14:59,600 --> 00:15:02,770 - IT'S WEIRD, BUT I FEEL LIKE WE KIND OF BELONG, DON'T YOU? 365 00:15:02,767 --> 00:15:04,427 - I MIGHT IF I WASN'T SO NERVOUS. 366 00:15:04,433 --> 00:15:06,273 HAVE YOU SEEN EDDIE? - NO, BUT I'M LOOKING FOR HIM. 367 00:15:06,267 --> 00:15:08,267 GOTTA GET YOUR SONG IN HIS HANDS. 368 00:15:08,267 --> 00:15:10,397 WHERE IS THAT HUNK OF A MAN? 369 00:15:10,400 --> 00:15:11,900 - YOU WOULD THINK HE'D BE TRYING TO LOOK FOR ME, 370 00:15:11,900 --> 00:15:14,900 SINCE HE HAS TO TALK TO ME ABOUT SIGNING ME TO HIS RECORD DEAL. 371 00:15:14,900 --> 00:15:16,500 WE HAVE SO MUCH BUSINESS TO DISCUSS. 372 00:15:16,500 --> 00:15:17,800 - SO MUCH TO DISCUSS. 373 00:15:17,800 --> 00:15:19,670 [both laugh] 374 00:15:19,667 --> 00:15:21,467 - UH, YEAH, I'M HERE, MR. SILVER, I'M HERE. 375 00:15:21,467 --> 00:15:24,097 MAN, THIS PLACE IS PACKED. IT'S QUITE A SCENE. 376 00:15:24,100 --> 00:15:27,170 WELL, I'M HOPING TO CATCH UP WITH HIM ASAP. 377 00:15:27,167 --> 00:15:28,567 NO, NO, NO. 378 00:15:28,567 --> 00:15:30,467 I HAVEN'T SEEN HIM YET, BUT, UH, 379 00:15:30,467 --> 00:15:31,797 I PLAN ON DOING IT VERY SOON. 380 00:15:31,800 --> 00:15:32,930 YOU KNOW, I KNOW HE'S HERE. 381 00:15:32,933 --> 00:15:34,203 IT'S HIS FATHER'S OPENING, SO-- 382 00:15:34,200 --> 00:15:38,170 NO, SIR, I AM NOT GONNA GET DISTRACTED 383 00:15:38,167 --> 00:15:40,167 BY ALL THE BEAUTIFUL PEOPLE, I PROMISE. 384 00:15:40,167 --> 00:15:42,527 YES, SIR. YES, SIR. 385 00:15:42,533 --> 00:15:45,103 TOP PRIORITY, SNARE EDDIE DURAN. 386 00:15:45,100 --> 00:15:48,430 YOU CAN COUNT ON IT. OKAY, ALL RIGHT. 387 00:15:48,433 --> 00:15:51,633 I'LL CALL YOU WHEN I HAVE ALL THE INFO. THANK YOU. 388 00:15:51,633 --> 00:15:53,873 [exhales] 389 00:15:56,100 --> 00:15:58,230 - YOU'RE PROPOSING HERE TONIGHT WITH A SONG? 390 00:15:58,233 --> 00:15:59,703 - YEP, AT THE STROKE OF MIDNIGHT, 391 00:15:59,700 --> 00:16:01,070 SO DO NOT LEAVE EARLY. 392 00:16:01,067 --> 00:16:02,367 - YOU GOTTA SHARE THESE THINGS WITH ME, EDUARDO. 393 00:16:02,367 --> 00:16:03,927 I COULD HAVE SET THIS UP ON THREE DIFFERENT NETWORKS. 394 00:16:03,933 --> 00:16:06,233 - YEAH, I KNOW, AND THAT'S WHY I DON'T. 395 00:16:06,233 --> 00:16:07,633 - ALL RIGHT, BUT I'M GETTING A VIDEO OF IT, 396 00:16:07,633 --> 00:16:08,973 AND IT'S GOING VIRAL IN SECONDS. 397 00:16:08,967 --> 00:16:12,097 - RIGHT. IS THIS YOUR WAY OF SAYING CONGRATULATIONS? 398 00:16:12,100 --> 00:16:14,530 - NO, THIS IS. 399 00:16:14,533 --> 00:16:16,673 EDDIE, I'D LIKE TO INTRODUCE YOU TO MR. CONNOR MORGAN 400 00:16:16,667 --> 00:16:18,227 FROM SILVER MERIDIAN PICTURES. 401 00:16:18,233 --> 00:16:21,503 - EDDIE DURAN, TRULY AN HONOR TO MEET YOU. 402 00:16:21,500 --> 00:16:23,900 I'VE BEEN TRACKING YOUR CAREER SINCE DAY ONE. 403 00:16:23,900 --> 00:16:26,300 - AW, COME ON. I'M PRETTY EASY TO TRACK. 404 00:16:26,300 --> 00:16:29,200 I'M ON FACEBOOK. - [laughs] 405 00:16:29,200 --> 00:16:33,430 AH, WHY DON'T YOU HAVE A SEAT? 406 00:16:33,433 --> 00:16:37,203 EDDIE, WHAT YOU'VE BEEN DOING ON STAGE IS SO POWERFUL. 407 00:16:37,200 --> 00:16:39,070 I MEAN, YOU HAVE MANAGED TO CREATE 408 00:16:39,067 --> 00:16:41,897 AN AMAZING FOLLOWING IN A VERY SHORT TIME. 409 00:16:41,900 --> 00:16:42,900 THAT IS IMPRESSIVE. 410 00:16:42,900 --> 00:16:44,100 - WELL, THANK YOU. 411 00:16:44,100 --> 00:16:46,100 - ARE YOU READY TO TAKE IT TO THE NEXT LEVEL? 412 00:16:46,100 --> 00:16:47,670 - YOU'RE GONNA HAVE TO BE MORE SPECIFIC. 413 00:16:47,667 --> 00:16:49,567 - MOVIES, EDDIE, MOVIES. 414 00:16:49,567 --> 00:16:51,327 YOU COULD CROSS OVER LIKE THAT, MAN. 415 00:16:51,333 --> 00:16:53,073 YOU'D BE BIGGER THAN JUSTIN TIMBERLAKE. 416 00:16:53,067 --> 00:16:55,297 - SEE? GAME CHANGER, RIGHT? 417 00:16:55,300 --> 00:16:56,700 - WHAT DO YOU SAY, EDDIE? 418 00:16:56,700 --> 00:16:58,070 YOU THINK YOU GOT WHAT IT TAKES 419 00:16:58,067 --> 00:16:59,227 TO BECOME A MOVIE STAR? 420 00:16:59,233 --> 00:17:01,733 'CAUSE WE DO. 421 00:17:01,733 --> 00:17:04,603 - OH, MY GOSH, ARE YOU KIDDING ME? 422 00:17:04,600 --> 00:17:06,330 NO, STOP IT! 423 00:17:06,333 --> 00:17:08,233 DO YOU REALIZE HOW MANY PEOPLE ARE AROUND? 424 00:17:08,233 --> 00:17:09,703 TYLER, GO HOME. 425 00:17:09,700 --> 00:17:11,900 - LILY PARK WANTS TO DO AN INTERVIEW WITH ME. 426 00:17:11,900 --> 00:17:13,600 IT'S PRETTY COOL, RIGHT? 427 00:17:13,600 --> 00:17:16,370 I'M SENSING MY LUCK'S STARTING TO TURN AROUND. 428 00:17:16,367 --> 00:17:18,367 - GREAT. I AM SO HAPPY FOR YOU. 429 00:17:18,367 --> 00:17:20,827 OKAY, SO WHY DON'T YOU JUST GO HOME AND WAIT FOR ME? 430 00:17:20,833 --> 00:17:22,233 I'LL TRY AND COME BY LATER. 431 00:17:22,233 --> 00:17:25,073 - NOT THE MOST CONVINCING LINE READ I'VE EVER HEARD. 432 00:17:25,067 --> 00:17:28,867 YOU KNOW CONNOR MORGAN'S HERE? - WHERE? 433 00:17:28,867 --> 00:17:32,797 - IN THAT BACK BOOTH, DOING HIS STUDIO EXEC THING. 434 00:17:32,800 --> 00:17:35,470 YOU WANT TO MEET HIM? - YOU KNOW CONNOR MORGAN? 435 00:17:35,467 --> 00:17:37,127 - HE WAS AN UP-AND-COMING STUDIO EXEC 436 00:17:37,133 --> 00:17:39,703 ON MY SECOND FILM, HOT RHYTHM. 437 00:17:39,700 --> 00:17:42,670 - AND HE STILL TALKS TO YOU? - YOU KNOW WHAT? 438 00:17:42,667 --> 00:17:43,797 IF YOU HAVE NO INTEREST 439 00:17:43,800 --> 00:17:45,130 IN MEETING A BIG-TIME STUDIO EXECUTIVE, 440 00:17:45,133 --> 00:17:46,833 THAT'S FINE WITH ME, OKAY? 441 00:17:46,833 --> 00:17:48,573 I'M JUST LOOKING OUT FOR YOUR CAREER 442 00:17:48,567 --> 00:17:52,527 'CAUSE IT SURE AS HELL DOESN'T SEEM LIKE ANYONE ELSE IS. 443 00:17:52,533 --> 00:17:54,303 - WAIT. 444 00:17:54,300 --> 00:17:57,070 - WHAT? 445 00:17:57,067 --> 00:18:00,427 - TAKE ME TO HIM. 446 00:18:03,800 --> 00:18:05,770 - WHAT'S THE DEAL, POP? 447 00:18:05,767 --> 00:18:07,797 YOU GIVE THIS FUNNY AND TOUCHING SPEECH, 448 00:18:07,800 --> 00:18:10,070 AND THEN YOU COME UP HERE AND HIDE? 449 00:18:10,067 --> 00:18:11,367 - I KNOW. 450 00:18:11,367 --> 00:18:14,067 IT'S JUST THE BIGGEST THING I'VE EVER DONE 451 00:18:14,067 --> 00:18:15,297 WITHOUT YOUR MOM, YOU KNOW? 452 00:18:15,300 --> 00:18:17,930 - I MEAN, I MISS HER TOO. 453 00:18:20,067 --> 00:18:23,897 - I JUST--I'M NOT SURE HOW TO REACT 454 00:18:23,900 --> 00:18:26,630 WITHOUT HER, YOU KNOW? 455 00:18:26,633 --> 00:18:27,933 - I KNOW. 456 00:18:27,933 --> 00:18:29,673 - YEAH, I KNOW YOU DO. 457 00:18:29,667 --> 00:18:31,197 I KNOW YOU DO. ARE YOU NERVOUS? 458 00:18:31,200 --> 00:18:33,600 YEAH? - YEAH. 459 00:18:33,600 --> 00:18:35,300 THE NIGHT'S BEEN PRETTY EVENTFUL SO FAR. 460 00:18:35,300 --> 00:18:38,300 - YEAH. YOU GOT THE MAIN EVENT STILL COMING UP. 461 00:18:38,300 --> 00:18:40,070 YOU THINK YOU CAN WAIT TILL MIDNIGHT? 462 00:18:40,067 --> 00:18:41,527 - I DON'T KNOW. 463 00:18:41,533 --> 00:18:43,903 THIS THING'S BURNING A HOLE IN MY POCKET. 464 00:18:43,900 --> 00:18:47,430 - THAT'S PROBABLY 'CAUSE IT'S SO DAMN HEAVY. 465 00:18:47,433 --> 00:18:50,233 - GOD, I DIDN'T THINK I'D BE NERVOUS, YOU KNOW? 466 00:18:50,233 --> 00:18:51,803 BUT I'M ON THE EDGE. 467 00:18:51,800 --> 00:18:55,070 - YOU KNOW, THAT THING DOESN'T HAVE AN EXPIRATION DATE ON IT. 468 00:18:55,067 --> 00:18:57,667 - I KNOW, OKAY? 469 00:18:57,667 --> 00:18:59,667 I JUST FEEL LIKE, ONCE I GET THE THING ON HER FINGER, 470 00:18:59,667 --> 00:19:01,127 EVERYTHING'S GONNA CALM DOWN. 471 00:19:03,767 --> 00:19:05,167 - I KNOW EDDIE'S HERE, BUT WHERE IS HE? 472 00:19:05,167 --> 00:19:07,067 - WE'VE GOT TO SCOUT OUT A SPOT WHERE WE CAN CORNER HIM. 473 00:19:07,067 --> 00:19:08,667 - OOH, MEN'S BATHROOM. - WHAT? 474 00:19:08,667 --> 00:19:10,667 OH, WAIT, ISN'T THAT--? 475 00:19:10,667 --> 00:19:12,827 - OH, THAT'S CHLOE CARTER, EDDIE'S GIRLFRIEND. 476 00:19:12,833 --> 00:19:15,103 WOW, SHE'S EVEN MORE STUNNING IN PERSON. 477 00:19:15,100 --> 00:19:17,630 - CONSIDER ME STUNNED. WHO'S THAT GUY SHE'S WITH? 478 00:19:17,633 --> 00:19:18,803 - YOU DON'T RECOGNIZE HIM? 479 00:19:18,800 --> 00:19:20,370 HE PLAYED SKIP IN SENIOR DITCH DAY. 480 00:19:20,367 --> 00:19:22,527 TYLER SOMETHING. - OH, YEAH, NO, NO, THE BAD GUY. 481 00:19:22,533 --> 00:19:26,273 YEAH. MY GOD, HOW CAN SOMEONE THAT MEAN BE SO HOT? 482 00:19:26,267 --> 00:19:28,127 - IT WAS JUST HIS CHARACTER. - UH, NO. 483 00:19:28,133 --> 00:19:29,373 SOMETIMES WHEN YOU SEE A MOVIE 484 00:19:29,367 --> 00:19:30,627 AND YOU SEE AN ACTOR PLAYING A ROLE, YOU THINK, 485 00:19:30,633 --> 00:19:32,133 "THAT'S JUST HIM, HE'S NOT ACTING." 486 00:19:32,133 --> 00:19:34,503 AND SKIP IS TYLER, YOU KNOW, WHAT'S-HIS-BUTT. 487 00:19:34,500 --> 00:19:37,430 THAT GUY JUST LOOKS LIKE TROUBLE, BUT STILL-- 488 00:19:37,433 --> 00:19:39,073 - TROUBLE YOU WOULDN'T MIND GETTING INTO? 489 00:19:39,067 --> 00:19:40,497 - DON'T MIND IF I DO. 490 00:19:40,500 --> 00:19:42,330 WHAT'S HE DOING WITH CHLOE THOUGH? 491 00:19:42,333 --> 00:19:43,703 - OH, I DON'T KNOW. 492 00:19:43,700 --> 00:19:45,130 THEY'RE PROBABLY JUST FRIENDS FROM THE MOVIE. 493 00:19:45,133 --> 00:19:46,873 - MAYBE. I'M GONNA KEEP AN EYE ON THEM. 494 00:19:46,867 --> 00:19:49,827 - NO, NO, NO. FOCUS. WE'VE GOT TO FIND EDDIE. 495 00:19:49,833 --> 00:19:51,073 - * PUT YOUR HANDS UP 496 00:19:51,067 --> 00:19:53,067 * OH, WE'RE GOING TO CELEBRATE * 497 00:19:53,067 --> 00:19:55,797 * LIVE IT UP, EVERYBODY, PUT THEM UP * 498 00:19:55,800 --> 00:19:58,500 - CONNOR MORGAN, HOW THE HELL ARE YOU, MAN? 499 00:19:58,500 --> 00:20:00,330 IT'S BEEN TOO LONG. 500 00:20:00,333 --> 00:20:03,303 TYLER. TYLER RORKE. FROM HOT RHYTHM? 501 00:20:03,300 --> 00:20:05,930 - YEAH, NICE SEEING YOU. - YOU TOO. 502 00:20:05,933 --> 00:20:08,773 SO I HEAR YOU'RE THE VP OF PRODUCTION NOW? 503 00:20:08,767 --> 00:20:13,767 CONGRATULATIONS. - THANK YOU. 504 00:20:13,767 --> 00:20:17,167 AREN'T YOU CHLOE CARTER, EDDIE'S BETTER HALF? 505 00:20:17,167 --> 00:20:21,327 - I AM, YES. IT IS AN HONOR TO MEET YOU, MR. MORGAN. 506 00:20:21,333 --> 00:20:23,233 - OH, LIKEWISE, LIKEWISE. 507 00:20:23,233 --> 00:20:24,933 UH, CALL ME CONNOR THOUGH, PLEASE. 508 00:20:24,933 --> 00:20:26,303 - SO, CONNOR, I HEAR YOU GUYS 509 00:20:26,300 --> 00:20:28,270 ARE CASTING THE REMAKE OF GREASE. 510 00:20:28,267 --> 00:20:29,597 I DID THAT PLAY IN HIGH SCHOOL. 511 00:20:29,600 --> 00:20:30,930 I PLAYED THE LEAD. 512 00:20:30,933 --> 00:20:35,203 - THAT IS FASCINATING. 513 00:20:35,200 --> 00:20:37,830 CHLOE, I WAS WONDERING IF YOU COULD DO ME A FAVOR. 514 00:20:37,833 --> 00:20:39,633 - SURE. ANYTHING. 515 00:20:39,633 --> 00:20:42,703 - HELP ME CONVINCE EDDIE THAT HE'S A NATURAL FOR FEATURES. 516 00:20:42,700 --> 00:20:44,570 - EDDIE, ACTING? ARE YOU KIDDING ME? 517 00:20:44,567 --> 00:20:46,627 - LOOK, HE'S ON THE FENCE ABOUT IT RIGHT NOW, 518 00:20:46,633 --> 00:20:48,973 BUT MAYBE YOU CAN HELP PUSH HIM OVER TO OUR SIDE? 519 00:20:48,967 --> 00:20:52,527 - YEAH, I WOULD LOVE TO TRY. - EXCELLENT. 520 00:20:52,533 --> 00:20:54,273 [snaps fingers] 521 00:20:54,267 --> 00:20:57,167 - [laughs] 522 00:20:57,167 --> 00:20:59,327 - TYLER, CAN I ASK YOU A FAVOR? 523 00:20:59,333 --> 00:21:00,603 - YEAH, OF COURSE. 524 00:21:00,600 --> 00:21:02,830 - THE WAITER HASN'T BEEN AROUND IN EONS. 525 00:21:02,833 --> 00:21:04,803 WHY DON'T YOU GO GET ME A MACALLAN 12 ON THE ROCKS 526 00:21:04,800 --> 00:21:06,600 AND WHATEVER CHLOE'S DRINKING. 527 00:21:06,600 --> 00:21:08,800 - SAUVIGNON BLANC. 528 00:21:17,800 --> 00:21:19,930 - YO, WE SHOULD TALK ABOUT THAT CONNOR MORGAN OFFER. 529 00:21:19,933 --> 00:21:22,803 - JAKE, IT'S A PARTY, OKAY? DRINK UP. 530 00:21:22,800 --> 00:21:24,230 TURN IT OFF FOR A COUPLE HOURS. 531 00:21:24,233 --> 00:21:26,473 - YO, I WISH I COULD, BUT THERE IS COMMERCE TO BE COMMENCED. 532 00:21:26,467 --> 00:21:28,067 PLEASE RECONSIDER. 533 00:21:28,067 --> 00:21:30,067 - HEY, DON'T LET ME, UH, 534 00:21:30,067 --> 00:21:31,427 GET IN THE WAY OF YOU GETTING IN THE MOVIE BUSINESS, 535 00:21:31,433 --> 00:21:32,673 IF THAT'S WHAT YOU WANT TO DO. 536 00:21:32,667 --> 00:21:34,127 - NO, I WANT THAT FOR YOU, MAN. 537 00:21:34,133 --> 00:21:36,073 LET'S EXPAND THE EDDIE DURAN BRAND. 538 00:21:36,067 --> 00:21:38,367 - OKAY, JAKE, TAKE YOUR NEW LOVE AFFAIR, 539 00:21:38,367 --> 00:21:39,927 TAKE ADVANTAGE OF IT, YOU KNOW? 540 00:21:39,933 --> 00:21:41,403 INTRODUCE CHLOE TO CONNOR. 541 00:21:41,400 --> 00:21:46,530 - NO NEED. SHE SEEMS TO BE DOING FINE ON HER OWN. 542 00:21:46,533 --> 00:21:49,133 - LOOK AT HER. I MEAN, GOOD FOR HER. 543 00:21:49,133 --> 00:21:51,403 SHE'S TAKING CONTROL OF HER CAREER. 544 00:21:51,400 --> 00:21:52,700 - SO I'LL MAKE A DEAL WITH YOU. 545 00:21:52,700 --> 00:21:54,330 YOU GET EDDIE TO DO OUR MOVIE, 546 00:21:54,333 --> 00:21:57,733 AND I'LL MAKE SURE YOU HAVE A VERY BIG, JUICY PART. 547 00:21:57,733 --> 00:22:00,933 - HMM, I WAS THINKING SOMETHING A LITTLE MORE SIGNIFICANT, 548 00:22:00,933 --> 00:22:02,973 LIKE A LEADING ROLE. 549 00:22:05,500 --> 00:22:07,800 - OH, MY GOD. OH, MY GOD. 550 00:22:07,800 --> 00:22:09,070 - IT'S HIM, IT'S HIM. 551 00:22:09,067 --> 00:22:10,797 OKAY, BE COOL. - YOU LOOK GREAT. 552 00:22:10,800 --> 00:22:11,970 DO YOU KNOW WHAT YOU'RE GONNA SAY? 553 00:22:11,967 --> 00:22:13,327 - I THINK SO. - OKAY, DO YOU HAVE YOUR CD? 554 00:22:13,333 --> 00:22:14,673 - UH, YES. 555 00:22:14,667 --> 00:22:15,867 - JUST BE YOURSELF, AND YOU'LL WOW HIM. 556 00:22:15,867 --> 00:22:17,397 - OKAY. YOU SOUND JUST LIKE MY MOM. 557 00:22:17,400 --> 00:22:18,770 - I SHOULD. WE WENT OVER THIS SEVERAL TIMES. 558 00:22:18,767 --> 00:22:20,367 - ALL RIGHT, I CAN DO THIS, I CAN DO THIS. 559 00:22:20,367 --> 00:22:21,697 - IT'S ONLY THE MOST IMPORTANT MOMENT IN YOUR LIFE. 560 00:22:21,700 --> 00:22:22,870 - OH, WOW, THANKS. NO PRESSURE. 561 00:22:22,867 --> 00:22:24,497 - YEAH. OH, MY GOD, HE'S ALL ALONE. 562 00:22:24,500 --> 00:22:26,400 OH, MY GOD, AND THERE'S NO ONE AROUND HIM. 563 00:22:26,400 --> 00:22:27,830 IT'S LIKE THE SEA OF PARTY GUESTS 564 00:22:27,833 --> 00:22:29,333 HAS OPENED UP FOR THIS VERY MOMENT. 565 00:22:29,333 --> 00:22:32,803 IT'S JUST HIM AND US, US AND HIM, YOU AND HIM, AND-- 566 00:22:32,800 --> 00:22:35,200 - REALLY NOT HELPING. - OKAY. 567 00:22:35,200 --> 00:22:36,130 - OKAY. 568 00:22:39,600 --> 00:22:42,530 [dance music] 569 00:22:42,533 --> 00:22:47,933 * 570 00:22:47,933 --> 00:22:49,603 - EXCUSE ME, EDDIE? - THERE YOU ARE. 571 00:22:49,600 --> 00:22:51,800 YOU'LL NEVER BELIEVE WHO I JUST MET. 572 00:22:51,800 --> 00:22:55,500 - THAT WAS LIKE MODELS 101. SWOOP IN AND TAKE THE GUY AWAY. 573 00:22:55,500 --> 00:22:57,770 - AT LEAST WE GOT CLOSE. - NO, CLOSE DOESN'T COUNT, OKAY? 574 00:22:57,767 --> 00:22:59,397 WE DID NOT LIE OUR WAY INTO THIS PARTY 575 00:22:59,400 --> 00:23:00,670 AND GET ALL DRESSED UP 576 00:23:00,667 --> 00:23:02,697 TO GET UPSTAGED BY THAT BLONDE STICK FIGURE. 577 00:23:02,700 --> 00:23:04,900 WE CAME HERE TO PUT YOUR CD IN EDDIE'S HANDS, 578 00:23:04,900 --> 00:23:06,370 AND THAT'S WHAT WE'RE GONNA DO. 579 00:23:06,367 --> 00:23:07,597 - YOU'RE RIGHT. LET'S GO. - OKAY. 580 00:23:07,600 --> 00:23:09,300 - WE'LL FIND THEM. 581 00:23:09,300 --> 00:23:14,430 - OH! I'M SO SORRY ABOUT THAT, I'M SO, SO SORR-- 582 00:23:14,433 --> 00:23:16,103 OOH, PLEASE TELL ME YOUR SCREEN WAS ALREADY CRACKED. 583 00:23:16,100 --> 00:23:18,630 - YEAH, I GO THROUGH A COUPLE OF THESE A WEEK. 584 00:23:18,633 --> 00:23:19,803 - I'M SORRY. 585 00:23:19,800 --> 00:23:21,430 - HEY, WAIT A MINUTE. I THINK I KNOW YOU. 586 00:23:21,433 --> 00:23:25,433 - YOU KNOW WHAT? I GET MISTAKEN FOR EMMA STONE ALL THE TIME. 587 00:23:25,433 --> 00:23:26,873 - NO, SERIOUSLY, I'VE SEEN YOU BEFORE. 588 00:23:26,867 --> 00:23:29,667 YOUR, UH, YOUR STYLE'S HARD TO FORGET. 589 00:23:29,667 --> 00:23:32,197 - WELL, THANK YOU VERY MUCH. YOU'RE SO SWEET. 590 00:23:32,200 --> 00:23:34,070 - WAIT, I REMEMBER. EDDIE'S CONCERT LAST WEEK. 591 00:23:34,067 --> 00:23:35,397 I GOT YOU TWO BACKSTAGE. 592 00:23:35,400 --> 00:23:37,100 - AND WE ARE SO GRATEFUL TO YOU. 593 00:23:37,100 --> 00:23:39,330 - WE ACTUALLY CAME BY TONIGHT TO THANK YOU IN PERSON. 594 00:23:39,333 --> 00:23:42,603 - HOW'D YOU GET ON THE INVITE LIST? 595 00:23:42,600 --> 00:23:43,900 IS THIS GONNA BE A PROBLEM? 596 00:23:43,900 --> 00:23:45,530 DO I NEED TO GET SECURITY INVOLVED? 597 00:23:45,533 --> 00:23:46,703 - [laughs] 598 00:23:50,700 --> 00:23:53,130 - YOU DIDN'T TELL ME THAT CONNOR MORGAN WAS HERE. 599 00:23:53,133 --> 00:23:55,173 - NO! - [laughs] 600 00:23:55,167 --> 00:23:56,897 - I DIDN'T KNOW. 601 00:23:56,900 --> 00:23:58,570 - HE'S THE NICEST GUY IN THE WORLD. 602 00:23:58,567 --> 00:23:59,867 - YEAH, THEY USUALLY ARE. 603 00:23:59,867 --> 00:24:02,427 - HE PRACTICALLY GUARANTEED ME A PART IN HIS NEW MOVIE. 604 00:24:02,433 --> 00:24:04,073 - WOW, THAT'S GREAT, BABY. 605 00:24:04,067 --> 00:24:06,097 I'VE ALWAYS SAID THAT YOU SHOULD BE ABLE TO BREAK INTO ACTING. 606 00:24:06,100 --> 00:24:08,430 - THERE'S JUST ONE HITCH THOUGH. 607 00:24:08,433 --> 00:24:09,773 - WHAT? 608 00:24:09,767 --> 00:24:13,427 - HE ONLY WANTS ME IF HE CAN HAVE YOU. 609 00:24:13,433 --> 00:24:15,403 - OH. - [laughs] 610 00:24:15,400 --> 00:24:17,630 - I GET IT. 611 00:24:17,633 --> 00:24:19,433 I'M REALLY NOT INTERESTED IN ACTING RIGHT NOW. 612 00:24:19,433 --> 00:24:21,403 I'M SORRY. 613 00:24:21,400 --> 00:24:24,530 BUT, HEY, IF HE'S AS HALF A DECENT MAN 614 00:24:24,533 --> 00:24:25,873 AS HE PRETENDS TO BE, 615 00:24:25,867 --> 00:24:28,567 THEN HE SHOULD PUT YOU IN HIS MOVIE ALL ON YOUR OWN 616 00:24:28,567 --> 00:24:29,697 'CAUSE YOU'D BE GREAT. 617 00:24:29,700 --> 00:24:32,770 HEY, NOT BECAUSE YOU'RE MY GIRLFRIEND. 618 00:24:32,767 --> 00:24:36,267 - GO AHEAD, RUIN MY CHANCE TO BE A BIG MOVIE STAR. 619 00:24:36,267 --> 00:24:40,397 - STOP. HEY, OKAY. 620 00:24:40,400 --> 00:24:43,100 LOOK, I'LL TALK TO HIM AGAIN, ALL RIGHT? 621 00:24:43,100 --> 00:24:46,400 AND I'LL DO ANYTHING TO GET YOU SEEN IN YOUR OWN LIGHT. 622 00:24:46,400 --> 00:24:49,470 - PLEASE, WITHOUT YOU, I DON'T THINK I HAVE A SHOT. 623 00:24:49,467 --> 00:24:51,267 PLEASE, EDDIE, I'M BEGGING YOU. 624 00:24:51,267 --> 00:24:55,227 THIS MEANS EVERYTHING TO ME. 625 00:24:55,233 --> 00:24:59,073 - THERE YOU ARE. WHERE DID YOU RUN OFF TO? 626 00:24:59,067 --> 00:25:00,827 - I WAS TALKING TO CONNOR MORGAN. 627 00:25:00,833 --> 00:25:02,103 - OOH, CAN I MEET HIM? 628 00:25:02,100 --> 00:25:03,830 - NOT UNLESS YOU WANT TO BE HIS WAITRESS. 629 00:25:03,833 --> 00:25:06,733 HE'S A USELESS WINDBAG. - WHY DO YOU SOUND SO MAD? 630 00:25:06,733 --> 00:25:08,603 YOU'RE HANGING OUT WITH ONE OF THE BIGGEST EXECS. 631 00:25:08,600 --> 00:25:11,430 - WHOSE ONLY TWO WORDS ARE "EDDIE DURAN." 632 00:25:11,433 --> 00:25:13,103 - PRETTY SMART ON HIS PART. 633 00:25:13,100 --> 00:25:15,900 LOOK, I THINK EDDIE IS SO IN LOVE WITH CHLOE, 634 00:25:15,900 --> 00:25:17,100 HE'D DO ANYTHING FOR HER. 635 00:25:17,100 --> 00:25:18,330 - THEY'RE NOT SERIOUS. 636 00:25:18,333 --> 00:25:19,703 - TELL THAT TO CHLOE. 637 00:25:19,700 --> 00:25:22,630 ACCORDING TO HER, THEY'RE AS GOOD AS ENGAGED. 638 00:25:22,633 --> 00:25:24,273 - I GOT IT. NO PROBLEM. 639 00:25:24,267 --> 00:25:25,927 I'LL HANDLE IT FIRST THING IN THE MORNING. 640 00:25:25,933 --> 00:25:27,873 OKAY. BYE. 641 00:25:27,867 --> 00:25:31,697 - THERE YOU ARE. - OKAY, YOU CAUGHT ME. 642 00:25:31,700 --> 00:25:33,930 SO JAKE'S NOT THE ONLY ONE MAKING BUSINESS CALLS 643 00:25:33,933 --> 00:25:35,273 WHEN HE'S SUPPOSED TO BE HAVING FUN. 644 00:25:35,267 --> 00:25:37,227 - YOU'RE GONNA OWE ME FOR MY SILENCE. 645 00:25:37,233 --> 00:25:38,503 - WHATEVER. 646 00:25:38,500 --> 00:25:40,530 DID HE EVEN REALIZE I WAS GONE? 647 00:25:40,533 --> 00:25:42,403 - I GET THE FEELING THAT WHEN HE'S WORKING THE ROOM, 648 00:25:42,400 --> 00:25:44,070 HE WOULDN'T EVEN NOTICE THE END OF THE WORLD. 649 00:25:44,067 --> 00:25:46,397 BUT HE DID ASK ABOUT YOU ONCE OR TWICE. 650 00:25:46,400 --> 00:25:48,300 - THAT'S NICE OF YOU TO LIE. 651 00:25:48,300 --> 00:25:52,070 HONEY, I KNOW HE IS IN HIS OWN ELEMENT HERE. 652 00:25:52,067 --> 00:25:54,497 YOU KIND OF SEEM LIKE YOU ARE TOO. 653 00:25:54,500 --> 00:25:57,230 - WELL, YOU KNOW ME. I'M A TALKER. 654 00:25:57,233 --> 00:26:00,403 I LOVE MEETING NEW PEOPLE, MAKING CONTACTS. 655 00:26:00,400 --> 00:26:02,530 - YOU KNOW, EVER SINCE EDDIE BLEW UP, 656 00:26:02,533 --> 00:26:05,203 I'VE BEEN TELLING JAKE THAT HE NEEDS TO TAKE ON HELP. 657 00:26:05,200 --> 00:26:09,370 - THAT WOULD BE MY DREAM JOB. [gasps] 658 00:26:09,367 --> 00:26:11,097 OH, MY GOD, HE'S ALREADY SO WELL CONNECTED 659 00:26:11,100 --> 00:26:13,570 AND I'VE BEEN DREADING STARTING FROM THE S--YOU KNOW, 660 00:26:13,567 --> 00:26:15,897 I KNOW THAT HE PROBABLY KNOWS PEOPLE THAT ARE MORE QUALIFIED. 661 00:26:15,900 --> 00:26:18,600 I JUST MOVED HERE. I-I DON'T HAVE CONTACTS. 662 00:26:18,600 --> 00:26:19,770 I HAVE NO EXPERIENCE MANAGING YET. 663 00:26:19,767 --> 00:26:21,097 - KELLY, STOP, STOP. 664 00:26:21,100 --> 00:26:23,430 SERIOUSLY, HE PUT YOU IN CHARGE 665 00:26:23,433 --> 00:26:25,473 OF LISTENING TO EDDIE'S CONTEST SUBMISSIONS. 666 00:26:25,467 --> 00:26:27,927 TRUST ME, JAKE HAS A PROTECTIVE WALL 667 00:26:27,933 --> 00:26:29,903 AROUND ALL THINGS EDDIE. 668 00:26:29,900 --> 00:26:31,230 THE FACT THAT YOU'RE ALREADY IN, 669 00:26:31,233 --> 00:26:32,933 THAT MEANS SOMETHING. 670 00:26:32,933 --> 00:26:35,903 - I WOULD LOVE TO WORK FOR HIM. 671 00:26:35,900 --> 00:26:38,870 - I WILL DO WHATEVER I CAN TO HELP, OKAY? 672 00:26:38,867 --> 00:26:41,727 - THAT'S A REALLY BIG BONUS, TRACE. 673 00:26:41,733 --> 00:26:45,173 - WELL, YOU KNOW, I DO KIND OF HAVE MY OWN MOTIVES. 674 00:26:45,167 --> 00:26:47,467 THE FASTER JAKE CAN GROOM YOU INTO MANAGER, 675 00:26:47,467 --> 00:26:50,527 THE SOONER I CAN SPEND AN ENTIRE NIGHT WITH MY HUSBAND. 676 00:26:50,533 --> 00:26:52,773 - WIN-WIN. - WIN-WIN. 677 00:26:52,767 --> 00:26:54,227 - I'M JUST GLAD YOU TWO 678 00:26:54,233 --> 00:26:56,073 DIDN'T HAVE TO BREAK INTO A SECOND-FLOOR WINDOW TO SNEAK IN. 679 00:26:56,067 --> 00:26:57,227 - YEAH, US TOO. 680 00:26:57,233 --> 00:26:58,303 - SO, UH, WHAT'D YOU THINK OF THE SHOW? 681 00:26:58,300 --> 00:27:00,630 - IT WAS THE BEST NIGHT OF MY LIFE. 682 00:27:00,633 --> 00:27:02,073 - SHE'S NOT EVEN EXAGGERATING. 683 00:27:02,067 --> 00:27:03,827 LIKE, NOTHING THAT EXCITING HAS REALLY HAPPENED TO HER. 684 00:27:03,833 --> 00:27:05,703 - UNTIL NOW. 685 00:27:05,700 --> 00:27:07,530 EDDIE'S ACTUALLY AROUND HERE. WOULD YOU LIKE TO MEET HIM? 686 00:27:07,533 --> 00:27:09,433 - UH--UH-- 687 00:27:09,433 --> 00:27:12,233 - WHAT SHE MEANS TO SAY IS, THAT WOULD BE DELIGHTFUL. 688 00:27:12,233 --> 00:27:15,873 - WELL, HE WAS HERE. I DON'T KNOW WHERE HE WENT. 689 00:27:15,867 --> 00:27:18,327 UM, I'LL GO LOOK FOR HIM AND SEND HIM YOUR WAY. 690 00:27:18,333 --> 00:27:20,433 - OKAY. - ENJOY THE PARTY. 691 00:27:20,433 --> 00:27:21,803 - THANK YOU. 692 00:27:21,800 --> 00:27:24,370 - HEY, JAKE. - TYLER. 693 00:27:24,367 --> 00:27:25,697 I DIDN'T THINK YOU WERE HERE. 694 00:27:25,700 --> 00:27:27,970 - GUESS I GET TO SAVE YOU THAT PHONE CALL, HUH? 695 00:27:27,967 --> 00:27:29,197 - SORRY I HAVEN'T GOTTEN BACK TO YOU. 696 00:27:29,200 --> 00:27:30,600 - NO. NO WORRIES, MAN. 697 00:27:30,600 --> 00:27:33,070 YOU KNOW, I JUST HAD A MEETING WITH CONNOR MORGAN? 698 00:27:33,067 --> 00:27:35,097 - REALLY? - YEAH. 699 00:27:35,100 --> 00:27:36,470 HE THINKS I'M PERFECT 700 00:27:36,467 --> 00:27:38,267 FOR THIS BIG NEW REMAKE THAT THEY'RE DOING. 701 00:27:38,267 --> 00:27:39,697 - NO KIDDING. 702 00:27:39,700 --> 00:27:42,830 - LOOK, I KNOW YOU AND I HAVE HAD OUR ISSUES IN THE PAST, 703 00:27:42,833 --> 00:27:46,303 BUT I GOT A LOT OF HEAT ON ME NOW, YOU KNOW? 704 00:27:46,300 --> 00:27:49,470 SO YOU SHOULD GET ON BOARD, GET A PIECE OF THIS ACTION. 705 00:27:49,467 --> 00:27:53,167 WHAT DO YOU SAY, MAN? - TO WHAT? 706 00:27:53,167 --> 00:27:55,067 - BEING MY MANAGER. 707 00:27:55,067 --> 00:27:59,397 - AIN'T GONNA HAPPEN, TYLER. 708 00:27:59,400 --> 00:28:02,230 - SO I AM HAPPY TO DISCUSS THIS MOVIE IDEA, 709 00:28:02,233 --> 00:28:03,773 BUT ONLY IF CHLOE'S INVOLVED. 710 00:28:03,767 --> 00:28:05,067 - ABSOLUTELY. 711 00:28:05,067 --> 00:28:07,627 - I MEAN, MY BOSS WILL BE A VERY BIG FAN OF YOURS 712 00:28:07,633 --> 00:28:08,873 ONCE WE ALL SIT DOWN AND TALK. 713 00:28:08,867 --> 00:28:11,567 HE'S CERTAINLY A HUGE FAN OF YOURS. 714 00:28:11,567 --> 00:28:13,197 - I, UH, TAKE IT WE'RE BACK ON? 715 00:28:13,200 --> 00:28:14,430 - MM-HMM. 716 00:28:14,433 --> 00:28:15,873 WE'LL SET UP A MEETING WITH MR. SILVER 717 00:28:15,867 --> 00:28:17,097 AS SOON AS HE GETS BACK FROM FIJI. 718 00:28:17,100 --> 00:28:19,370 - WELL, IT WAS A PLEASURE TO MEET YOU, MR. MORGAN, 719 00:28:19,367 --> 00:28:20,727 BUT IF YOU'LL EXCUSE US, 720 00:28:20,733 --> 00:28:24,173 EDDIE HAS SOMEONE ELSE HE HAS TO MEET WITH. 721 00:28:24,167 --> 00:28:25,367 [laughs] 722 00:28:25,367 --> 00:28:27,727 - WHERE IS HE? JAKE SAID HE'D SEND HIM OVER. 723 00:28:27,733 --> 00:28:30,333 - WELL, I DON'T EXPECT HIM TO DROP EVERYTHING FOR US. 724 00:28:30,333 --> 00:28:32,233 - JAKE'S COME THROUGH FOR US BEFORE. 725 00:28:32,233 --> 00:28:34,703 - MAYBE OUR LUCK'S RUN OUT. 726 00:28:34,700 --> 00:28:36,770 - OKAY, SO FILL ME IN. 727 00:28:36,767 --> 00:28:37,967 WHO AM I SUPPOSED TO MEET AGAIN? 728 00:28:37,967 --> 00:28:42,227 - ME. OH, I CAN'T TAKE MY HANDS OFF YOU. 729 00:28:42,233 --> 00:28:45,233 WHAT YOU JUST DID FOR ME BACK THERE WAS SO HOT. 730 00:28:45,233 --> 00:28:46,673 - * GET DOWN 731 00:28:46,667 --> 00:28:48,167 * DOWN AND DIRTY NOW 732 00:28:48,167 --> 00:28:51,397 * GET DOWN, OH, OH * 733 00:28:51,400 --> 00:28:53,370 * GET DOWN 734 00:28:53,367 --> 00:28:54,967 * DOWN AND DIRTY NOW 735 00:29:00,500 --> 00:29:03,530 - YOU KNOW, MAYBE WE SHOULD SAVE A LITTLE BIT OF THIS FOR LATER. 736 00:29:03,533 --> 00:29:05,233 - WHY? 737 00:29:05,233 --> 00:29:06,703 - BECAUSE THE NIGHT IS STILL YOUNG. 738 00:29:06,700 --> 00:29:08,770 - OH, I CAN'T STOP KISSING YOU. 739 00:29:08,767 --> 00:29:11,067 THANK YOU SO MUCH FOR TAKING THAT MEETING. 740 00:29:11,067 --> 00:29:12,967 - I'M GLAD YOU'RE SO EXCITED. 741 00:29:12,967 --> 00:29:14,297 - BECAUSE OF YOU, 742 00:29:14,300 --> 00:29:15,800 I COULD GET THE BREAK THAT I'VE BEEN DYING FOR. 743 00:29:15,800 --> 00:29:17,570 - YEAH, WELL, NOTHING WOULD MAKE ME HAPPIER. 744 00:29:17,567 --> 00:29:19,627 - YOU'RE RIGHT, AS USUAL. 745 00:29:19,633 --> 00:29:22,533 TONIGHT IS TURNING OUT TO BE A VERY SPECIAL NIGHT. 746 00:29:22,533 --> 00:29:24,403 - YEAH. 747 00:29:24,400 --> 00:29:27,870 WELL, THERE'S A LOT MORE OF THE NIGHT TO COME. 748 00:29:27,867 --> 00:29:30,097 - MMM! [laughs] 749 00:29:30,100 --> 00:29:34,130 - OH, HEY, HEY, HO! SORRY TO INTERRUPT. 750 00:29:34,133 --> 00:29:36,673 I NEED TO BORROW HIM FOR A SECOND. 751 00:29:36,667 --> 00:29:37,927 - OH. - CHLOE, DO YOU MIND? 752 00:29:37,933 --> 00:29:43,073 - OF COURSE NOT. I'LL SEE YOU IN THERE. 753 00:29:43,067 --> 00:29:44,727 - UH-HUH. 754 00:29:47,333 --> 00:29:50,173 WHAT'S UP? - WELL, JUST CHECKING ON YOU. 755 00:29:50,167 --> 00:29:51,397 YOU KNOW, IT'S ALMOST TIME. 756 00:29:51,400 --> 00:29:52,970 JUST WANTED TO SEE 757 00:29:52,967 --> 00:29:55,067 IF THERE'S ANY LAST-MINUTE THINGS YOU NEED ME TO SET UP 758 00:29:55,067 --> 00:29:56,627 BEFORE YOUR BIG PROPOSAL. 759 00:29:56,633 --> 00:29:58,903 - OH, I DIDN'T REALIZE IT WAS GETTING SO CLOSE TO MIDNIGHT. 760 00:29:58,900 --> 00:30:00,630 - IT IS. YOU READY? 761 00:30:00,633 --> 00:30:02,033 - [exhales] 762 00:30:04,833 --> 00:30:08,033 OH, YEAH. POP, THERE IS ONE THING. 763 00:30:08,033 --> 00:30:11,433 UM, THAT PIANO ONSTAGE IS TUNED, RIGHT? 764 00:30:11,433 --> 00:30:12,673 - THE PIANO'S ALWAYS TUNED. - OKAY, GOOD. 765 00:30:12,667 --> 00:30:14,067 - WHY? 766 00:30:14,067 --> 00:30:16,197 - LOOK, I KNOW YOU DIDN'T WANT ME TO PERFORM TONIGHT, 767 00:30:16,200 --> 00:30:19,330 BUT I ONLY GET TO PROPOSE ONCE, 768 00:30:19,333 --> 00:30:21,173 SO CAN I MAKE THE RULES? 769 00:30:21,167 --> 00:30:22,827 - OH, ABSOLUTELY, MAN. 770 00:30:22,833 --> 00:30:25,133 WHAT THE HELL'S MORE IMPORTANT THAN TONIGHT, RIGHT? 771 00:30:25,133 --> 00:30:27,133 - THANKS, POP. 772 00:30:27,133 --> 00:30:28,703 [exhales] 773 00:30:28,700 --> 00:30:30,570 YOU THINK CHLOE'S GONNA LIKE THE WAY I'M ASKING HER? 774 00:30:30,567 --> 00:30:32,667 - SHE'S GONNA LOVE IT, MAN. 775 00:30:32,667 --> 00:30:35,227 I MEAN, YOU'RE PROFESSING YOUR LOVE IN FRONT OF THE WORLD. 776 00:30:35,233 --> 00:30:37,333 THAT'S DAMN ROMANTIC. 777 00:30:37,333 --> 00:30:40,203 - I JUST WANT IT TO BE PERFECT. 778 00:30:40,200 --> 00:30:42,470 - YEAH. HEY, IT WILL BE. 779 00:30:48,467 --> 00:30:51,027 - YOU KNOW, I CAN SEE WHY YOU WANT TO BE AN ACTOR. 780 00:30:51,033 --> 00:30:52,333 YOU'VE GOT A GREAT LOOK. 781 00:30:52,333 --> 00:30:55,303 I SHOULD KNOW, SINCE I'M AN AGENT AT...CAA. 782 00:30:55,300 --> 00:30:56,530 - YOU ARE? - UH-HUH. 783 00:30:56,533 --> 00:30:58,233 - REALLY? I THOUGHT YOU WERE A MUSIC AGENT. 784 00:30:58,233 --> 00:30:59,633 - I DO A LITTLE BIT OF EVERYTHING. 785 00:30:59,633 --> 00:31:01,433 AND IF YOU WANT ME TO CONTINUE TO REPRESENT YOU, 786 00:31:01,433 --> 00:31:03,073 I SUGGEST YOU ZIP IT. 787 00:31:03,067 --> 00:31:04,127 WHERE WERE WE? 788 00:31:04,133 --> 00:31:05,403 - IT'S NOT GONNA HAPPEN, MEL. 789 00:31:05,400 --> 00:31:06,900 WE'RE NOT GONNA GET EDDIE MY CD TONIGHT. 790 00:31:06,900 --> 00:31:10,200 - IF NOT HERE, THEN WHERE? WHEN? OR HOW? 791 00:31:10,200 --> 00:31:12,230 - ISN'T IT CLOSE TO MIDNIGHT? YOUR CURFEW? 792 00:31:12,233 --> 00:31:14,373 - WHAT CUR--? I'M STILL GROUNDED. 793 00:31:14,367 --> 00:31:16,827 IF I'M WILLING TO RISK SOLITARY CONFINEMENT UNTIL I'M DEAD, 794 00:31:16,833 --> 00:31:18,073 YOU SHOULDN'T COMPLAIN. 795 00:31:18,067 --> 00:31:21,097 - IT'S JUST-- I WASN'T SNOOPING. 796 00:31:21,100 --> 00:31:23,200 - WHAT IS IT? THIS SOUNDS GOOD. 797 00:31:23,200 --> 00:31:24,600 - I WAS ON MY WAY TO THE BATHROOM, 798 00:31:24,600 --> 00:31:26,830 AND I DIDN'T WANT TO LOOK, BUT I COULDN'T HELP IT. 799 00:31:26,833 --> 00:31:29,573 I SAW CHLOE AND EDDIE IN A HUGE MAKEOUT SESH. 800 00:31:29,567 --> 00:31:31,767 - OH, G--NO WONDER YOU'RE TRAUMATIZED. 801 00:31:31,767 --> 00:31:33,227 - SO HE'S OBVIOUSLY PREOCCUPIED TONIGHT, 802 00:31:33,233 --> 00:31:34,603 SO I'M JUST GONNA TAKE MY CHANCES 803 00:31:34,600 --> 00:31:35,900 IN THE CONTEST LIKE EVERYONE ELSE. 804 00:31:35,900 --> 00:31:37,100 - NO, LET'S GO FIND JAKE. HE'LL HELP US. 805 00:31:37,100 --> 00:31:38,630 - MEL, I THINK WE SHOULD JUST GO. 806 00:31:41,633 --> 00:31:43,873 - HEY, LILY, CAN I BORROW CHLOE FOR A SECOND? 807 00:31:43,867 --> 00:31:45,727 - WELL, I DON'T THINK IT'S MY PERMISSION THAT YOU NEED. 808 00:31:45,733 --> 00:31:47,073 - CAN'T YOU SEE WE'RE CHATTING, TYLER? 809 00:31:47,067 --> 00:31:48,467 - YEAH, BUT YOU DON'T UNDERSTAND. 810 00:31:48,467 --> 00:31:51,067 IT'S ABOUT CONNOR MORGAN. - FINE. 811 00:31:51,067 --> 00:31:52,527 FOR JUST A MINUTE THOUGH. - WAI-- 812 00:31:52,533 --> 00:31:53,703 - LILY, SIT TIGHT. I'LL BE RIGHT BACK. 813 00:31:53,700 --> 00:31:56,730 - YOU BETTER BRING ME A SCOOP. - OKAY. 814 00:31:56,733 --> 00:32:00,073 WHERE ARE WE GOING? - OUTSIDE. IT'S PRIVATE. 815 00:32:05,467 --> 00:32:07,797 - YOU READY? 816 00:32:07,800 --> 00:32:09,070 DO YOU WANT ME TO INTRODUCE YOU? 817 00:32:09,067 --> 00:32:11,297 - [laughs] 818 00:32:11,300 --> 00:32:14,800 - YEAH? - YEAH. 819 00:32:14,800 --> 00:32:17,770 - WHAT--WHAT--WHAT ABOUT CONNOR MORGAN? 820 00:32:17,767 --> 00:32:20,597 - HE OFFERED ME A ROLE IN THE MOVIE YOU'RE GONNA DO. 821 00:32:20,600 --> 00:32:21,830 I'M GONNA PLAY YOUR LOVE INTEREST. 822 00:32:21,833 --> 00:32:23,073 - WHAT? 823 00:32:23,067 --> 00:32:24,727 - HE THINKS WE HAVE SMOKING HOT CHEMISTRY. 824 00:32:24,733 --> 00:32:27,373 I GUESS HE SEES SOMETHING IN US THAT YOU DON'T. 825 00:32:27,367 --> 00:32:28,897 - THAT IS ABSURD. 826 00:32:28,900 --> 00:32:30,700 HE'S CASTING EDDIE AND I IN THE SAME MOVIE. 827 00:32:30,700 --> 00:32:32,630 - ASSUMING YOU GUYS ARE STILL TOGETHER. 828 00:32:32,633 --> 00:32:34,603 - OF COURSE WE'RE STILL TOGETHER, OKAY? 829 00:32:34,600 --> 00:32:36,370 LOOK, THIS IS SO RIDICULOUS. 830 00:32:36,367 --> 00:32:37,627 I'M GOING BACK INSIDE. - FOR WHAT? 831 00:32:37,633 --> 00:32:40,333 LET'S JUST GO OUT AND CELEBRATE OUR MOVIE DEALS. 832 00:32:40,333 --> 00:32:41,473 COME ON. 833 00:32:41,467 --> 00:32:43,467 - THE PARTY'S NOT OVER. - IT IS FOR ME. 834 00:32:43,467 --> 00:32:46,067 - LOOK, YOU GOT A PART IN A SERIOUS MOVIE, OKAY? 835 00:32:46,067 --> 00:32:47,567 I'D SAY THAT'S A SUCCESSFUL NIGHT. 836 00:32:47,567 --> 00:32:49,197 - IT'S JUST NOT ENOUGH. 837 00:32:49,200 --> 00:32:50,770 - UHH! I'M GOING BACK IN TO EDDIE. 838 00:32:50,767 --> 00:32:54,167 AND BY THE WAY, TYLER, I DIDN'T BUY ANY OF THAT CONNOR B.S., 839 00:32:54,167 --> 00:32:56,097 SO NICE TRY. 840 00:33:10,533 --> 00:33:11,773 - "DO ME A FAVOR, TYLER. 841 00:33:11,767 --> 00:33:13,827 "THE WAITRESS HASN'T BEEN AROUND IN EONS. 842 00:33:13,833 --> 00:33:19,333 BRING ME A MACALLAN 12 AND WHATEVER CHLOE'S HAVING." 843 00:33:19,333 --> 00:33:21,073 I'LL TELL YOU WHAT SHE'S NOT HAVING. 844 00:33:21,067 --> 00:33:22,867 A BIG FAT RING ON HER FINGER, 845 00:33:22,867 --> 00:33:25,797 NOT IF I COULD HELP IT. 846 00:33:25,800 --> 00:33:27,630 [beep] 847 00:33:27,633 --> 00:33:30,733 CALL SMITTY. 848 00:33:30,733 --> 00:33:31,873 [line rings] 849 00:33:31,867 --> 00:33:33,397 - YO, TY, WHAT'S UP? 850 00:33:33,400 --> 00:33:34,900 - 'SUP, BROTHER? I'M HUNGRY. 851 00:33:34,900 --> 00:33:37,370 YOU WANT TO GRAB A BURGER AND WATCH SOME FIREWORKS? 852 00:33:37,367 --> 00:33:38,927 - WHAT DO YOU MEAN? 853 00:33:38,933 --> 00:33:42,473 - I'M GONNA TOSS A GRENADE AT EDDIE AND HIS MARRIAGE PLANS. 854 00:33:42,467 --> 00:33:44,767 IT SHOULD BE A BLAST. 855 00:33:44,767 --> 00:33:46,767 - LET'S DO THIS. 856 00:33:50,200 --> 00:33:51,470 HELLO, HELLO. 857 00:33:51,467 --> 00:33:53,267 YEAH, HERE I AM AGAIN. 858 00:33:53,267 --> 00:33:55,467 [cheers and applause] 859 00:33:55,467 --> 00:33:58,597 YEAH, YOU'RE ALL PROBABLY THINKING, 860 00:33:58,600 --> 00:34:00,930 "I HOPE THAT GUY'S NOT UP THERE TO SING." 861 00:34:00,933 --> 00:34:02,833 [laughter] 862 00:34:02,833 --> 00:34:04,373 THAT'S OKAY. 863 00:34:04,367 --> 00:34:07,497 WE'VE GOT A MUCH BIGGER MIDNIGHT SURPRISE FOR ALL OF YOU. 864 00:34:07,500 --> 00:34:10,600 I'M HERE TO INTRODUCE THE BIGGEST STAR ON THE PLANET 865 00:34:10,600 --> 00:34:13,230 WHO HAPPENS TO HAVE THE COOLEST DAD IN THE WORLD, 866 00:34:13,233 --> 00:34:14,303 EDDIE DURAN. 867 00:34:14,300 --> 00:34:15,330 [cheers and applause] 868 00:34:15,333 --> 00:34:16,333 COME ON UP. 869 00:34:16,333 --> 00:34:22,273 [cheers and applause] 870 00:34:28,700 --> 00:34:31,970 - HEY, LOOK, MAN, I DON'T THINK THIS IS SUCH A GOOD IDEA. 871 00:34:31,967 --> 00:34:34,967 - WHAT ARE YOU TALKING ABOUT? DUDE, IT'S INSPIRED. 872 00:34:34,967 --> 00:34:36,497 EDDIE WON'T EVEN KNOW WHAT HIT HIM. 873 00:34:36,500 --> 00:34:38,070 - YEAH, AND NEITHER WILL CHLOE. 874 00:34:38,067 --> 00:34:39,467 - CHLOE'S BLINDED BY STARDOM. 875 00:34:39,467 --> 00:34:41,127 SHE DOESN'T EVEN KNOW WHAT'S REAL ANYMORE. 876 00:34:41,133 --> 00:34:43,403 I GOTTA DO THE THINKING FOR HER RIGHT NOW. 877 00:34:43,400 --> 00:34:44,570 - BUT WHAT IF SHE DOESN'T FORGIVE YOU? 878 00:34:44,567 --> 00:34:46,067 - SHE WON'T EVEN KNOW IT WAS ME. 879 00:34:46,067 --> 00:34:47,567 - YOU BETTER HOPE. 880 00:34:47,567 --> 00:34:49,297 AND THIS COULD ALL BLOW UP RIGHT IN YOUR FACE. 881 00:34:49,300 --> 00:34:50,630 I'M TELLING YOU, JUST-- JUST THINK IT THROUGH. 882 00:34:50,633 --> 00:34:51,973 - YOU KNOW WHAT? 883 00:34:51,967 --> 00:34:53,927 I DON'T NEED A GUIDANCE COUNSELOR RIGHT NOW, SMITTY. 884 00:34:53,933 --> 00:34:55,703 I NEED A FRIEND. 885 00:34:55,700 --> 00:34:57,530 - YEAH, YOU NEED A DESIGNATED DRIVER. THAT'S WHAT YOU NEED. 886 00:34:57,533 --> 00:34:59,903 YOU'RE SOUSED, ALL RIGHT, IT'S NOT THE BEST CONDITION 887 00:34:59,900 --> 00:35:01,570 TO BE MAKING MAJOR LIFE DECISIONS, BRO. 888 00:35:01,567 --> 00:35:04,497 - I'M FINE. I HAVE TOTAL CLARITY. 889 00:35:04,500 --> 00:35:07,570 - THEN TAKE MY ADVICE AND FORGET ABOUT CHLOE, 890 00:35:07,567 --> 00:35:09,697 AND LET'S GO HIT SOME CLUBS. 891 00:35:09,700 --> 00:35:10,830 COME ON, I'LL DRIVE. 892 00:35:10,833 --> 00:35:12,203 - NO. CAN'T DO IT RIGHT NOW. 893 00:35:12,200 --> 00:35:13,900 I'M ON A MISSION. 894 00:35:13,900 --> 00:35:16,170 I GOTTA SAVE CHLOE FROM HERSELF. 895 00:35:19,233 --> 00:35:21,533 [cheers and applause] 896 00:35:21,533 --> 00:35:23,233 - OH, MY GOD, HE SEES YOU. 897 00:35:23,233 --> 00:35:25,133 HE'S LOOKING RIGHT AT YOU. 898 00:35:37,533 --> 00:35:39,703 - [clears throat] 899 00:35:39,700 --> 00:35:43,470 * BREATHE IT IN 900 00:35:43,467 --> 00:35:47,167 * CAN YOU FEEL IT IN YOUR SOUL * 901 00:35:47,167 --> 00:35:51,067 * UNDER YOUR SKIN? 902 00:35:51,067 --> 00:35:54,727 * JUST LET IT TAKE CONTROL * 903 00:35:54,733 --> 00:35:57,573 * TONIGHT IS GONNA BE OUR NIGHT * 904 00:35:57,567 --> 00:35:59,297 * THE BEATING RHYTHM 905 00:35:59,300 --> 00:36:02,630 * FEEL THE ENERGY INSIDE 906 00:36:02,633 --> 00:36:05,603 * I KNOW YOUR BODY WANTS TO EXPLODE * 907 00:36:05,600 --> 00:36:07,300 * YOUR FEET JUST WANT TO GO * 908 00:36:07,300 --> 00:36:09,670 * WE'RE GONNA FEEL ALIVE * 909 00:36:09,667 --> 00:36:12,067 * THERE'S SOMETHING IN THE AIR * 910 00:36:12,067 --> 00:36:13,827 * YEAH 911 00:36:13,833 --> 00:36:16,973 * YEAH, WE'RE GONNA HAVE A GOOD TIME * 912 00:36:16,967 --> 00:36:19,597 * THERE'S SOMETHING IN THE AIR * 913 00:36:19,600 --> 00:36:21,630 * YEAH 914 00:36:21,633 --> 00:36:24,473 * YEAH, WE'RE GONNA HAVE A GOOD TIME * 915 00:36:24,467 --> 00:36:28,097 * WHOA 916 00:36:28,100 --> 00:36:31,870 * WHOA, OH 917 00:36:31,867 --> 00:36:35,297 * WHOA 918 00:36:35,300 --> 00:36:39,500 * WHOA, OH 919 00:36:42,600 --> 00:36:45,600 [dramatic music] 920 00:36:45,600 --> 00:36:53,530 * 921 00:36:59,633 --> 00:37:01,833 - TIME'S UP, CHLOE. 922 00:37:01,833 --> 00:37:04,473 - * FEELING OUR WAY 923 00:37:04,467 --> 00:37:07,767 * TONIGHT IS GONNA BE OUR NIGHT * 924 00:37:07,767 --> 00:37:08,827 * THE BEATING RHYTHM 925 00:37:08,833 --> 00:37:11,503 * FEEL THE ENERGY INSIDE 926 00:37:11,500 --> 00:37:14,900 * I KNOW YOUR BODY WANTS TO EXPLODE * 927 00:37:14,900 --> 00:37:16,830 * YOUR FEET JUST WANT TO GO * 928 00:37:16,833 --> 00:37:19,073 * WE'RE GONNA FEEL ALIVE * 929 00:37:19,067 --> 00:37:21,467 * THERE'S SOMETHING IN THE AIR * 930 00:37:21,467 --> 00:37:23,227 * YEAH 931 00:37:23,233 --> 00:37:26,433 * YEAH, WE'RE GONNA HAVE A GOOD TIME * 932 00:37:26,433 --> 00:37:28,933 * THERE'S SOMETHING IN THE AIR * 933 00:37:28,933 --> 00:37:30,533 * YEAH 934 00:37:30,533 --> 00:37:33,733 * YEAH, WE'RE GONNA HAVE A GOOD TIME * 935 00:37:33,733 --> 00:37:37,603 * WHOA 936 00:37:37,600 --> 00:37:41,100 * WHOA, OH 937 00:37:41,100 --> 00:37:44,930 * WHOA 938 00:37:44,933 --> 00:37:49,073 * WHOA, OH 939 00:37:49,067 --> 00:37:51,827 * CAN YOU FEEL IT? 940 00:37:51,833 --> 00:37:54,233 - HOOK, LINE, AND SINKER, MR. SILVER. 941 00:37:54,233 --> 00:37:57,133 I HAD EDDIE DURAN EATING OUT OF MY HAND. 942 00:37:57,133 --> 00:38:00,533 - WELL, I HIGHLY DOUBT IT'S AS EASY AS YOU SAY IT IS, CONNOR, 943 00:38:00,533 --> 00:38:02,533 BUT I'LL TRUST THERE'S A MORSEL OF TRUTH 944 00:38:02,533 --> 00:38:03,903 IN WHAT YOU'RE TELLING ME. 945 00:38:03,900 --> 00:38:06,100 IF HE'S REALLY AS GOOD AS YOU SAY HE IS, 946 00:38:06,100 --> 00:38:07,770 THEN I'VE GOT THE PERFECT PROJECT FOR HIM. 947 00:38:07,767 --> 00:38:11,597 NOW I'M STARTING TO GET EXCITED. 948 00:38:11,600 --> 00:38:13,600 GOOSE BUMPS, ACTUALLY. 949 00:38:13,600 --> 00:38:16,730 IT'S LIKE WATCHING XANADU FOR THE FIRST TIME. 950 00:38:16,733 --> 00:38:19,073 WE NEED HIM FOR THIS PROJECT. 951 00:38:19,067 --> 00:38:20,967 I NEED EDDIE DURAN. 952 00:38:20,967 --> 00:38:22,497 - * YEAH 953 00:38:22,500 --> 00:38:25,530 * YEAH, WE'RE GONNA HAVE A GOOD TIME * 954 00:38:25,533 --> 00:38:29,203 * WHOA 955 00:38:29,200 --> 00:38:33,200 * WHOA, OH 956 00:38:33,200 --> 00:38:36,870 * WHOA 957 00:38:36,867 --> 00:38:41,597 * WHOA, OH 958 00:38:41,600 --> 00:38:47,530 [cheers and applause] 959 00:39:02,500 --> 00:39:03,600 [Loren and Mel laugh] 960 00:39:03,600 --> 00:39:05,600 - THAT WAS AMAZING. 961 00:39:05,600 --> 00:39:07,530 PLEASE TELL ME YOU GOT THAT ON VIDEO. 962 00:39:07,533 --> 00:39:08,933 - NO! 963 00:39:08,933 --> 00:39:11,633 OH, I WAS ENJOYING THE MOMENT TOO MUCH TO RECORD IT. 964 00:39:11,633 --> 00:39:14,103 HOW ARE WE EVER GONNA REMEMBER THIS IF IT'S NOT ONLINE? 965 00:39:14,100 --> 00:39:15,300 - [sighs] 966 00:39:15,300 --> 00:39:17,430 - WHAT A PHENOMENAL NIGHT BUT AN EPIC FAIL. 967 00:39:17,433 --> 00:39:20,433 I DIDN'T RECORD EDDIE'S SONG, AND WE DIDN'T GIVE HIM YOUR CD. 968 00:39:20,433 --> 00:39:23,403 - HEY, EVERYTHING HAPPENS FOR A REASON, RIGHT? 969 00:39:23,400 --> 00:39:29,730 [cheers and applause] 970 00:39:29,733 --> 00:39:31,173 - HEY, GUYS. 971 00:39:31,167 --> 00:39:34,197 [cheers and applause] 972 00:39:34,200 --> 00:39:38,070 - START SHOOTING, START SHOOTING. 973 00:39:38,067 --> 00:39:40,727 - TONIGHT HAS BEEN AN INCREDIBLE NIGHT. 974 00:39:40,733 --> 00:39:44,733 I THINK PAPA MAX HAS GOT A HIT ON HIS HANDS 975 00:39:44,733 --> 00:39:46,173 WITH THIS CLUB, DON'T YOU? 976 00:39:46,167 --> 00:39:50,067 - YEAH! [all cheering] 977 00:39:50,067 --> 00:39:51,627 NOW, I KNOW THIS STAGE 978 00:39:51,633 --> 00:39:56,933 IS GONNA BE FULL OF MEMORABLE MOMENTS, 979 00:39:56,933 --> 00:39:59,073 BUT I WANT TONIGHT... [phone rings] 980 00:39:59,067 --> 00:39:59,997 TO BE THE FIRST OF MANY. 981 00:40:00,000 --> 00:40:05,930 [phones ringing] 982 00:40:12,933 --> 00:40:15,933 [dramatic music] 983 00:40:15,933 --> 00:40:23,873 * 984 00:40:34,433 --> 00:40:36,173 - I JUST TEXTED ADAM. 985 00:40:36,167 --> 00:40:37,267 HE'S FINISHING HIS LAST MACCHIATO, 986 00:40:37,267 --> 00:40:39,127 AND THEN HE'S COMING TO PICK US UP, 987 00:40:39,133 --> 00:40:41,273 SO YOU HAVE ABOUT 3 1/2 MINUTES TO GIVE EDDIE YOUR CD. 988 00:40:41,267 --> 00:40:42,927 - I CAN'T. 989 00:40:42,933 --> 00:40:44,333 - IF YOU DON'T, YOU'LL BE LIKE THAT GUY 990 00:40:44,333 --> 00:40:45,573 WHO BOUGHT LOTTERY TICKETS WITH HIS CO-WORKERS, 991 00:40:45,567 --> 00:40:47,267 AND THE ONE TIME HE DIDN'T CHIP IN, 992 00:40:47,267 --> 00:40:48,497 THEY WON $300 MILLION. 993 00:40:48,500 --> 00:40:50,670 - I DON'T WANT TO BE THAT GUY. 994 00:40:50,667 --> 00:40:52,167 - I'M GONNA GO WAIT OVER HERE FOR ADAM. 995 00:40:52,167 --> 00:40:53,667 GO FIND EDDIE. 996 00:40:56,533 --> 00:40:58,473 - [sighs] 997 00:41:18,867 --> 00:41:21,867 [upbeat music] 998 00:41:21,867 --> 00:41:29,797 * 999 00:41:29,847 --> 00:41:34,397 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 73873

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.