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1
00:00:05,200 --> 00:00:08,800
- [grunts]
2
00:00:13,867 --> 00:00:17,967
[keys clacking]
3
00:00:17,967 --> 00:00:20,897
[girls cheering]
4
00:00:33,600 --> 00:00:34,830
- [smooches]
5
00:00:34,833 --> 00:00:38,433
MORNING, BEAUTIFUL.
6
00:00:38,433 --> 00:00:39,873
- [groans]
IS IT MORNING ALREADY?
7
00:00:39,867 --> 00:00:41,227
- [laughs]
8
00:00:41,233 --> 00:00:43,203
- DID WE FALL ASLEEP
ON THE COUCH?
9
00:00:43,200 --> 00:00:44,700
- YEAH, YOU DID.
10
00:00:44,700 --> 00:00:46,930
BUT THEN YOU LOOKED SO COLD,
SO I JOINED YOU.
11
00:00:46,933 --> 00:00:49,833
I WAS LIKE YOUR LITTLE
PERSONAL BOY BLANKET.
12
00:00:49,833 --> 00:00:51,733
[laughs]
- OH, WHAT TIME IS IT?
13
00:00:51,733 --> 00:00:53,733
- OH, I GET IT.
14
00:00:53,733 --> 00:00:55,233
YOU JUST COME OVER
AND SLEEP OVER,
15
00:00:55,233 --> 00:00:56,873
AND THEN YOU'RE OUT
FIRST THING IN THE MORNING.
16
00:00:56,867 --> 00:00:58,227
I FEEL SO USED.
17
00:00:58,233 --> 00:00:59,573
- MM, YOU KNOW
IF IT WERE UP TO ME,
18
00:00:59,567 --> 00:01:00,967
I WOULD NEVER LEAVE YOU.
19
00:01:00,967 --> 00:01:02,927
both:
MMM.
20
00:01:02,933 --> 00:01:05,073
- BUT I HAVE MY PHOTO SHOOT
THIS MORNING,
21
00:01:05,067 --> 00:01:07,097
AND YOU HAVE YOUR SIGNING
AT K-VOICE.
22
00:01:07,100 --> 00:01:09,070
- MM-MM.
NOT TILL THIS AFTERNOON.
23
00:01:09,067 --> 00:01:11,727
- BUT I HAVE TO GET READY NOW.
- [chuckles]
24
00:01:11,733 --> 00:01:13,503
YOU KNOW, THINGS WOULD BE
SO MUCH EASIER
25
00:01:13,500 --> 00:01:15,270
IF YOU JUST MOVED IN WITH ME.
26
00:01:15,267 --> 00:01:17,067
- MMM.
BUT I'M OLD-FASHIONED.
27
00:01:17,067 --> 00:01:19,097
IT JUST WOULDN'T FEEL RIGHT.
28
00:01:19,100 --> 00:01:22,570
- SO WHAT CAN I DO
TO MAKE IT FEEL RIGHTER?
29
00:01:22,567 --> 00:01:23,897
- YOU KNOW.
30
00:01:23,900 --> 00:01:25,730
[chuckles]
- YOU'RE NOT QUESTIONING
31
00:01:25,733 --> 00:01:27,903
MY COMMITMENT
TO THIS RELATIONSHIP, ARE YOU?
32
00:01:27,900 --> 00:01:32,230
WE ARE TOGETHER, OKAY?
33
00:01:32,233 --> 00:01:34,073
NOTHING'S GONNA TEAR US APART.
34
00:01:34,067 --> 00:01:36,497
- MMM.
[cell phone rings]
35
00:01:36,500 --> 00:01:39,100
EXCEPT THAT.
- I'M NOT EVEN GONNA LOOK AT IT.
36
00:01:39,100 --> 00:01:40,600
- MMM.
BUT WHAT IF IT'S IMPORTANT?
37
00:01:40,600 --> 00:01:42,670
- I DON'T CARE--
IT'S EITHER JAKE,
38
00:01:42,667 --> 00:01:44,597
MY PUBLICIST,
OR THE RECORD COMPANY.
39
00:01:44,600 --> 00:01:46,070
AND ALL OF THEM
ARE FAR LESS IMPORTANT
40
00:01:46,067 --> 00:01:49,797
THAN YOU ARE RIGHT NOW.
41
00:01:49,800 --> 00:01:51,070
- MMM.
42
00:01:51,067 --> 00:01:52,467
I WOULD LOVE TO CONTINUE THIS,
43
00:01:52,467 --> 00:01:55,467
BUT I REALLY HAVE
TO GO GET READY.
44
00:01:55,467 --> 00:01:58,067
- WHEN ARE YOU DONE?
- I DON'T KNOW.
45
00:01:58,067 --> 00:01:59,267
- WELL, LET'S HAVE
DINNER TONIGHT,
46
00:01:59,267 --> 00:02:00,867
LIKE, AT 8:00--
SOMETHING LOW-KEY.
47
00:02:00,867 --> 00:02:04,197
- YOU JUST GOT BACK IN TOWN
FROM A LONG TOUR.
48
00:02:04,200 --> 00:02:07,500
I THINK WE SHOULD GO OUT,
MAKE A SPLASH, DON'T YOU?
49
00:02:07,500 --> 00:02:11,070
- [chuckles]
OKAY, FINE.
50
00:02:11,067 --> 00:02:13,067
WE WILL DO IT YOUR WAY.
51
00:02:13,067 --> 00:02:15,727
AND I'LL TEXT YOU THE DETAILS
LATER TONIGHT.
52
00:02:15,733 --> 00:02:17,073
- OKAY.
53
00:02:17,067 --> 00:02:20,067
- HEY.
54
00:02:20,067 --> 00:02:23,067
I LOVE YOU, CHLOE CARTER.
55
00:02:29,167 --> 00:02:31,167
- WELL, THAT'S WEIRD.
- WHAT?
56
00:02:31,167 --> 00:02:33,327
- THIS TEXT.
57
00:02:33,333 --> 00:02:34,733
- WHAT IS IT?
58
00:02:34,733 --> 00:02:36,403
- IT'S OUT OF THE BLUE
IS WHAT IT IS.
59
00:02:36,400 --> 00:02:37,870
- WELL, WHO'S IT FROM?
60
00:02:37,867 --> 00:02:39,727
- TYLER RORKE.
61
00:02:39,733 --> 00:02:43,473
[upbeat pop music plays]
62
00:02:43,467 --> 00:02:50,567
*
63
00:02:52,433 --> 00:02:55,533
- TYLER? I-I DIDN'T KNOW YOU
STILL KEPT IN TOUCH WITH HIM.
64
00:02:55,533 --> 00:02:57,333
- I DON'T.
[scoffs]
65
00:02:57,333 --> 00:03:00,073
I HAVEN'T SEEN THE GUY
IN OVER A YEAR. HAVE YOU?
66
00:03:00,067 --> 00:03:02,567
- UH, THE LAST I HEARD, HE WAS
DOING A MOVIE IN HONG KONG.
67
00:03:02,567 --> 00:03:05,627
I WONDER WHAT HE WANTS.
- I DON'T KNOW.
68
00:03:05,633 --> 00:03:08,273
HE SAID HE JUST WANTS TO HAVE
A DRINK TONIGHT AND CATCH UP.
69
00:03:08,267 --> 00:03:10,097
- UH, BUT WE HAVE DINNER.
70
00:03:10,100 --> 00:03:12,730
- SO?
I SUPPOSE I CAN MEET HIM BEFORE.
71
00:03:12,733 --> 00:03:14,773
- WHY? [chuckles nervously]
WHAT'S THE POINT?
72
00:03:14,767 --> 00:03:17,197
- WASN'T HE OUR FRIEND?
- HE WAS A HOLLYWOOD FRIEND.
73
00:03:17,200 --> 00:03:18,900
HE'S SOMEONE THAT YOU SAY
YOU'RE GONNA HANG OUT WITH
74
00:03:18,900 --> 00:03:20,770
AFTER YOU WORK WITH THEM,
AND THEN YOU NEVER DO.
75
00:03:20,767 --> 00:03:22,367
- YOU KNOW HE INTRODUCED US.
76
00:03:22,367 --> 00:03:24,967
- ONLY 'CAUSE I WAS TOO SHY
TO INTRODUCE MYSELF.
77
00:03:24,967 --> 00:03:26,597
- [laughs]
OKAY.
78
00:03:26,600 --> 00:03:27,730
YOU, SHY?
79
00:03:27,733 --> 00:03:29,073
- I WAS A LOWLY EXTRA.
80
00:03:29,067 --> 00:03:31,067
YOU AND TYLER
WERE THE BIG STARS.
81
00:03:31,067 --> 00:03:33,897
- [grunts]
THOSE WERE THE DAYS.
82
00:03:33,900 --> 00:03:35,200
YOU KNOW,
I THINK HE STILL BLAMES ME
83
00:03:35,200 --> 00:03:36,930
FOR NOT GETTING CAST
IN THE SEQUEL.
84
00:03:36,933 --> 00:03:38,403
- LIKE YOU HAVE
THAT KIND OF POWER?
85
00:03:38,400 --> 00:03:39,800
- I TRIED TO TELL HIM,
86
00:03:39,800 --> 00:03:42,070
BUT HE WAS CONVINCED
I SABOTAGED HIS CAREER.
87
00:03:42,067 --> 00:03:43,697
- OH, SEE, THAT'S WHY YOU
SHOULDN'T WASTE YOUR TIME
88
00:03:43,700 --> 00:03:45,100
WITH THAT BOTTOM-FEEDER.
89
00:03:45,100 --> 00:03:47,770
- YOU THINK HE JUST WANTS
TO APOLOGIZE FOR BEING AN ASS?
90
00:03:47,767 --> 00:03:49,767
- DOES IT MATTER?
- [laughs]
91
00:03:49,767 --> 00:03:52,667
NO, NO.
I GUESS NOT.
92
00:03:52,667 --> 00:03:53,897
- OKAY.
I GOT TO HURRY.
93
00:03:53,900 --> 00:03:56,600
- MWAH! OKAY.
94
00:03:56,600 --> 00:03:59,230
[sighs]
95
00:03:59,233 --> 00:04:02,073
TYLER RORKE,
WHAT DO YOU WANT?
96
00:04:02,067 --> 00:04:03,327
- [sighs]
97
00:04:03,333 --> 00:04:05,203
- THE FACT THAT WE WENT
WAS AMAZING.
98
00:04:05,200 --> 00:04:08,170
THE FACT THAT WE GOT IN
WAS AMAZING.
99
00:04:08,167 --> 00:04:10,327
THE FACT THAT WE WERE SO CLOSE
WAS AMAZING.
100
00:04:10,333 --> 00:04:11,633
AND THE FACT THAT EDDIE PLAYED
101
00:04:11,633 --> 00:04:13,103
EVERY SINGLE ONE
OF MY FAVORITES SONGS--
102
00:04:13,100 --> 00:04:14,830
- LET ME GUESS, LET ME GUESS--
IT WAS AMAZING?
103
00:04:14,833 --> 00:04:16,503
- OH, I'M GETTING A SUGAR RUSH
JUST FROM THE MEMORY.
104
00:04:16,500 --> 00:04:17,970
- IT COULD BE THE ORANGE JUICE.
105
00:04:17,967 --> 00:04:19,827
JUST TAKE DEEP BREATHES, LOREN,
DEEP BREATHS.
106
00:04:19,833 --> 00:04:21,703
- LAST NIGHT WAS PERFECT.
107
00:04:21,700 --> 00:04:23,700
AND YOU WERE THE PERFECT MOM
FOR LETTING ME GO.
108
00:04:23,700 --> 00:04:27,130
- OH. I WONDER HOW MELISSA'S
FARING THIS MORNING?
109
00:04:27,133 --> 00:04:28,833
- HER MOM'S A TYRANT.
- MM.
110
00:04:28,833 --> 00:04:30,433
- I'M TALKING, LIKE,
"SHE SHOULD BE MAKING SPEECHES
111
00:04:30,433 --> 00:04:32,203
FROM A BALCONY" KIND OF TYRANT.
- OKAY, WELL,
112
00:04:32,200 --> 00:04:33,830
WE NEED TO RESPECT LISA'S RULES
113
00:04:33,833 --> 00:04:35,833
NO MATTER IF WE AGREE WITH THEM
OR NOT.
114
00:04:35,833 --> 00:04:37,833
- I JUST FEEL BAD FOR MELISSA.
115
00:04:37,833 --> 00:04:39,433
- NOW, ARE YOU SURE
116
00:04:39,433 --> 00:04:41,933
THAT YOU'RE GIVING PERFECT MOM
THE WHOLE SCOOP?
117
00:04:41,933 --> 00:04:44,433
SHE KNOWS EVERYTHING THERE IS
TO KNOW ABOUT LAST NIGHT?
118
00:04:44,433 --> 00:04:46,133
- YOU HAVE ALL THE DETAILS.
119
00:04:46,133 --> 00:04:48,703
I TOLD YOU A COMPREHENSIVE
PLAY-BY-PLAY OF THE WHOLE NIGHT.
120
00:04:48,700 --> 00:04:50,900
- HUH.
121
00:04:50,900 --> 00:04:52,970
I REALLY KIND OF THOUGHT
WE WERE CLOSER THAN THAT.
122
00:04:52,967 --> 00:04:54,227
- WHAT ARE YOU TALKING ABOUT?
123
00:04:54,233 --> 00:04:56,073
I TOLD YOU THAT MEL LIED
TO HER PARENTS.
124
00:04:56,067 --> 00:04:57,427
- ARE YOU REALLY
NOT GOING TO MENTION
125
00:04:57,433 --> 00:04:59,333
THAT EDDIE SANG TO YOU
AND GRABBED YOUR HAND?
126
00:04:59,333 --> 00:05:00,673
HOW DO I KNOW THAT?
127
00:05:00,667 --> 00:05:02,397
MELISSA SENT ME A LINK
TO THE VIDEO.
128
00:05:02,400 --> 00:05:04,230
- SHE KEPT SAYING THAT
EDDIE WAS LOCKING EYES WITH ME,
129
00:05:04,233 --> 00:05:06,073
AND I DIDN'T BELIEVE HER.
130
00:05:06,067 --> 00:05:07,767
BUT IT'S ON THE INTERNET,
SO IT HAS TO BE REAL, RIGHT?
131
00:05:07,767 --> 00:05:09,927
I TOTALLY MADE
A CONNECTION WITH EDDIE.
132
00:05:09,933 --> 00:05:11,373
- UNLESS MELISSA KNOWS
HOW TO CGI,
133
00:05:11,367 --> 00:05:13,197
I'D SAY, YEAH,
YOU DEFINITELY CONNECTED.
134
00:05:13,200 --> 00:05:15,100
- AND THERE WERE
A MILLION GIRLS WAY PRETTIER,
135
00:05:15,100 --> 00:05:18,870
BUT HE ACTUALLY NOTICED ME.
- HE'S GOT GOOD TASTE.
136
00:05:18,867 --> 00:05:21,897
- OR I'M JUST BEING CRAZY.
IT WAS PROBABLY TOTALLY RANDOM.
137
00:05:21,900 --> 00:05:23,530
HE PROBABLY
COULDN'T EVEN SEE CLEARLY
138
00:05:23,533 --> 00:05:25,073
WITH ALL THOSE LIGHTS
IN HIS EYES.
139
00:05:25,067 --> 00:05:26,767
- GIVE IT UP, LO.
EDDIE IS IN LOVE WITH YOU.
140
00:05:26,767 --> 00:05:28,567
JUST WAIT TILL EVERYONE AT
SCHOOL HEARS ABOUT LAST NIGHT.
141
00:05:28,567 --> 00:05:30,727
- OH, THAT DEPENDS ON WHERE
THEY GET THEIR NEWS FROM.
142
00:05:30,733 --> 00:05:32,073
- WHAT DO YOU MEAN?
143
00:05:32,067 --> 00:05:33,697
- PRINCESS ADRIANA
WAS THERE LAST NIGHT.
144
00:05:33,700 --> 00:05:35,930
I DON'T KNOW
WHAT I EVER DID TO THAT GIRL
145
00:05:35,933 --> 00:05:38,573
BUT SHE'S HAD IT IN FOR ME
SINCE, LIKE, THE SEVENTH GRADE.
146
00:05:38,567 --> 00:05:41,527
AND NOW SHE'S GOT HER FANGS
INTO MELISSA'S BROTHER.
147
00:05:41,533 --> 00:05:43,403
- WELL, THE MEANER THE GIRL,
THE DUMBER THE GUY.
148
00:05:43,400 --> 00:05:46,270
AND WHO CARES
WHAT SHE SAYS ANYWAY?
149
00:05:46,267 --> 00:05:47,797
WE KNOW THE TRUTH.
- [sighs]
150
00:05:51,167 --> 00:05:52,897
- I KNOW--I'M LATE.
DON'T WORRY.
151
00:05:52,900 --> 00:05:54,770
I'M LEAVING FOR SCHOOL
AS SOON AS I SCARF THIS DOWN.
152
00:05:54,767 --> 00:05:57,297
- YOU UNDERSTAND WHY I WAS SO
UPSET LAST NIGHT, DON'T YOU?
153
00:05:57,300 --> 00:05:59,070
- YEAH, BUT CAN WE JUST PAUSE
THE GAME FOR A BIT?
154
00:05:59,067 --> 00:06:00,567
I'M STILL HALF ASLEEP.
155
00:06:00,567 --> 00:06:01,927
- ARE YOU SURE
YOU'RE NOT HUNGOVER?
156
00:06:01,933 --> 00:06:03,973
- I DID NOT DRINK LAST NIGHT.
157
00:06:03,967 --> 00:06:05,897
WE WERE TOO BUSY
DOING ALL THAT CRYSTAL METH.
158
00:06:05,900 --> 00:06:08,070
- OKAY.
THAT'S ABOUT ENOUGH OF THAT.
159
00:06:08,067 --> 00:06:10,167
SARCASM IS NOT
AN ATTRACTIVE FEATURE IN GIRLS.
160
00:06:10,167 --> 00:06:11,827
- OKAY, COME ON, GUYS.
161
00:06:11,833 --> 00:06:14,333
CAN WE PLEASE
NOT GET INTO THIS AGAIN.
162
00:06:14,333 --> 00:06:16,473
- YOUR DAUGHTER THINKS IT'S NO
BIG DEAL TO LIE TO HER PARENTS.
163
00:06:16,467 --> 00:06:18,627
AND HARDLY THE FIRST TIME,
I MIGHT ADD.
164
00:06:18,633 --> 00:06:20,133
- IT'S NOT LIKE
I WAS OUT GETTING DRUNK
165
00:06:20,133 --> 00:06:21,473
AND HOOKING UP WITH RANDOM GUYS.
166
00:06:21,467 --> 00:06:24,067
I WENT TO SEE A SINGER I LIKED
WITH MY BEST FRIEND--
167
00:06:24,067 --> 00:06:26,627
A FRIEND WHO GOT NO GRIEF
FROM HER MOM, B.T.-DUB.
168
00:06:26,633 --> 00:06:28,603
- "B.T.-DUB"? OH.
- "BY THE WAY."
169
00:06:28,600 --> 00:06:31,670
- WELL, I'M SORRY THAT I'M NOT
THE COOL MOM LIKE NORA.
170
00:06:31,667 --> 00:06:33,567
- THAT MAKES TWO OF US.
171
00:06:33,567 --> 00:06:35,397
- MELISSA, YOU WATCH THE WAY
YOU TALK TO YOUR MOTHER, OKAY?
172
00:06:35,400 --> 00:06:38,070
YOU CAN DISAGREE WITH HER,
BUT YOU SHOW HER SOME RESPECT.
173
00:06:38,067 --> 00:06:39,427
- I'M SORRY.
174
00:06:39,433 --> 00:06:41,933
- I'M MORE INTERESTED
IN BEING A PARENT, NOT A FRIEND.
175
00:06:41,933 --> 00:06:43,673
THINGS WERE DIFFERENT
WHEN I WAS GROWING UP.
176
00:06:43,667 --> 00:06:46,967
- I'M HAVING TO LITERALLY
BITE MY TONGUE HERE.
177
00:06:46,967 --> 00:06:49,327
- OKAY, SO, UNTIL YOU CAN SHOW
THAT YOU CAN LIVE
178
00:06:49,333 --> 00:06:51,433
UNDER OUR RULES IN OUR HOUSE,
179
00:06:51,433 --> 00:06:53,973
YOU'RE GROUNDED
UNTIL FURTHER NOTICE.
180
00:06:53,967 --> 00:06:56,097
- WHY NOT JUST LOCK ME IN
MY ROOM AND THROW AWAY THE KEY?
181
00:06:56,100 --> 00:06:57,900
YOU KNOW,
SHIP ME OFF TO GUANTANAMO?
182
00:06:57,900 --> 00:06:59,800
- WHAT DID I JUST SAY ABOUT THE
WAY YOU SPEAK TO YOUR MOTHER?
183
00:06:59,800 --> 00:07:01,800
- YOU'RE NOT GONNA CUT ME A
BREAK FOR USING CURRENT EVENTS?
184
00:07:01,800 --> 00:07:04,900
- OH, YOU'RE BEING RIDICULOUS.
- YOU KNOW, MEL...
185
00:07:04,900 --> 00:07:06,830
IT'D BE A LOT EASIER
IF YOU JUST APOLOGIZED TO MOM
186
00:07:06,833 --> 00:07:08,703
FOR BEING SUCH A LIAR.
187
00:07:08,700 --> 00:07:12,070
- THIS--THIS RIGHT HERE
IS THE PROBLEM.
188
00:07:12,067 --> 00:07:13,827
- HOW IS PHIL THE PROBLEM?
189
00:07:13,833 --> 00:07:15,803
- YOU HAVE NO PROBLEM
WITH HIM GOING TO THE CONCERT.
190
00:07:15,800 --> 00:07:17,300
HE COMES AND GOES
WHENEVER HE WANTS,
191
00:07:17,300 --> 00:07:18,630
WITH WHOMEVER HE WANTS.
192
00:07:18,633 --> 00:07:20,673
AND HIS TASTE IN WOMEN
IS SHAMEFUL.
193
00:07:20,667 --> 00:07:22,767
- ADRIANA IS SUPER HOT.
194
00:07:22,767 --> 00:07:24,627
AND BESIDES, I'M 19.
195
00:07:24,633 --> 00:07:26,533
I'M AN ADULT.
DUH.
196
00:07:26,533 --> 00:07:28,673
- ADULTS DON'T SAY "DUH," PHIL.
197
00:07:28,667 --> 00:07:31,697
DO YOU KNOW HE SOLD ME AND LOREN
COUNTERFEIT TICKETS?
198
00:07:31,700 --> 00:07:33,070
- IS THAT TRUE, PHIL?
199
00:07:33,067 --> 00:07:35,227
- I DIDN'T KNOW THEY WERE FAKE.
200
00:07:35,233 --> 00:07:37,673
I BOUGHT THEM
FROM A REPUTABLE ONLINE BROKER.
201
00:07:37,667 --> 00:07:40,197
- OH, HE KNEW. HE JUST WANTED
TO MESS WITH LOREN AND ME.
202
00:07:40,200 --> 00:07:41,670
- SO HOW DID YOU TWO
GET INTO THE CONCERT.
203
00:07:41,667 --> 00:07:44,067
- WE MET EDDIE'S MANAGER, JAKE,
OUTSIDE,
204
00:07:44,067 --> 00:07:45,497
AND LOREN CONVINCED HIM
TO LET US IN.
205
00:07:45,500 --> 00:07:48,900
- SEE, IT ALL WORKED OUT--
WIN-WIN.
206
00:07:48,900 --> 00:07:51,070
- NO THANKS TO YOU,
BUT DON'T WORRY.
207
00:07:51,067 --> 00:07:54,067
I'M SURE YOU'LL BE REWARDED
FOR YOUR OUTSTANDING BEHAVIOR.
208
00:07:54,067 --> 00:07:56,697
I'M OUT OF HERE.
209
00:07:56,700 --> 00:08:00,330
- COME HOME RIGHT AFTER SCHOOL.
210
00:08:02,267 --> 00:08:03,967
- YOU KNOW,
I'M REALLY DISAPPOINTED
211
00:08:03,967 --> 00:08:05,297
IN WHAT YOU DID TO YOUR SISTER.
212
00:08:05,300 --> 00:08:07,070
AND I THINK YOU OWE HER
AN APOLOGY.
213
00:08:07,067 --> 00:08:10,127
- WHY? SHE AND HER GOOFBALL
FRIEND GOT TO GO TO THE CONCERT.
214
00:08:10,133 --> 00:08:12,073
THEY GOT TO GET UP CLOSE
AND PERSONAL WITH EDDIE.
215
00:08:12,067 --> 00:08:13,467
I HAD TO LISTEN
TO A BUNCH OF GIRLS
216
00:08:13,467 --> 00:08:15,527
SHRIEKING IN MY EAR ALL NIGHT.
217
00:08:15,533 --> 00:08:18,073
THEY'RE STILL RINGING.
218
00:08:18,067 --> 00:08:19,727
- WE WILL TALK
ABOUT THIS LATER.
219
00:08:19,733 --> 00:08:21,633
MWAH!
I GOT TO GO TO THE OFFICE.
220
00:08:21,633 --> 00:08:24,803
- HAVE A GOOD DAY.
221
00:08:24,800 --> 00:08:26,470
SO DID ADRIANA
HAVE FUN LAST NIGHT?
222
00:08:26,467 --> 00:08:30,197
- OF COURSE SHE DID.
SHE WAS WITH ME.
223
00:08:30,200 --> 00:08:32,700
HEY, MOM, UM,
224
00:08:32,700 --> 00:08:34,800
I REALLY WANT TO TAKE HER
TO DINNER TONIGHT.
225
00:08:34,800 --> 00:08:38,130
COULD I BORROW THE CREDIT CARD?
226
00:08:38,133 --> 00:08:40,903
- COULD YOU, UH,
STOP AT THE MARKET
227
00:08:40,900 --> 00:08:42,570
AND PICK UP
SOME COFFEE AND ORANGE JUICE
228
00:08:42,567 --> 00:08:44,227
ON YOUR WAY HOME FROM SCHOOL?
229
00:08:44,233 --> 00:08:45,803
- ME?
230
00:08:45,800 --> 00:08:47,100
YOU WANT ME TO DO THAT?
231
00:08:47,100 --> 00:08:50,770
- YEAH.
232
00:08:50,767 --> 00:08:53,867
- I DON'T KNOW WHY YOU DON'T
JUST HIRE A FULL-TIME ASSISTANT
233
00:08:53,867 --> 00:08:56,127
TO DO ALL THE GRUNT WORK
INSTEAD OF BOTHERING ME.
234
00:08:56,133 --> 00:08:58,533
- HOW COME ANYTIME I ASK YOU
TO DO SOMETHING,
235
00:08:58,533 --> 00:09:00,773
ALL I GET IS ATTITUDE?
236
00:09:00,767 --> 00:09:02,927
- I'M JUST GIVING BACK
WHAT I GET FROM YOU.
237
00:09:02,933 --> 00:09:05,073
- I'M YOUR FATHER.
238
00:09:05,067 --> 00:09:07,067
- SO THAT GIVES YOU THE RIGHT
TO BOSS ME AROUND?
239
00:09:07,067 --> 00:09:08,267
- YES.
240
00:09:08,267 --> 00:09:10,067
WHY ARE YOU SO ANGRY AT ME,
ADRIANA?
241
00:09:10,067 --> 00:09:12,267
I'M THE PARENT WHO STAYED.
I'M STILL HERE.
242
00:09:12,267 --> 00:09:14,527
- ARE YOU? I MEAN, I SEE YOU,
LIKE, THREE MINUTES A DAY.
243
00:09:14,533 --> 00:09:16,203
- THAT'S 'CAUSE
I'VE BEEN BUSY LATELY.
244
00:09:16,200 --> 00:09:17,570
AND EVER SINCE YOU'VE BEEN
HANGING AROUND THAT PHIL--
245
00:09:17,567 --> 00:09:19,367
- "THAT PHIL"?
246
00:09:19,367 --> 00:09:21,297
I LIKE HOW YOU SAY "THAT" LIKE
HE'S AN OBJECT OR SOMETHING.
247
00:09:21,300 --> 00:09:22,870
OKAY, HE'S A HUMAN BEING.
248
00:09:22,867 --> 00:09:25,627
- WHO HAPPENS TO BE
IN THE FAST LANE TO NOWHERE.
249
00:09:25,633 --> 00:09:27,473
- YOU'VE BARELY SAID
TWO WORDS TO HIM.
250
00:09:27,467 --> 00:09:29,397
- HE NEVER COMES IN THE HOUSE.
HE DROPS YOU OFF.
251
00:09:29,400 --> 00:09:31,070
HE PEELS OUT IN THE DRIVEWAY.
252
00:09:31,067 --> 00:09:32,427
- WELL, WHY WOULD I WANT
TO INVITE HIM IN
253
00:09:32,433 --> 00:09:33,603
IF HE'S JUST GONNA GET
THE FIFTH DEGREE?
254
00:09:33,600 --> 00:09:35,470
- THIRD DEGREE.
- WHATEVS.
255
00:09:35,467 --> 00:09:38,597
- TRUST ME--I KNOW EVERYTHING
I NEED TO KNOW ABOUT THIS GUY.
256
00:09:38,600 --> 00:09:40,600
- PHIL TREATS ME SO GOOD,
257
00:09:40,600 --> 00:09:42,800
LIKE I'M THE ONLY THING
THAT MATTERS.
258
00:09:42,800 --> 00:09:44,370
- ADRIANA...
259
00:09:44,367 --> 00:09:46,567
I WISH YOU RESPECTED YOURSELF
A LITTLE MORE.
260
00:09:46,567 --> 00:09:48,867
THEN YOU'D SEE YOU DON'T NEED
A JOKER LIKE THAT
261
00:09:48,867 --> 00:09:52,727
TO VALIDATE YOURSELF.
[cell phone rings]
262
00:09:52,733 --> 00:09:53,973
- DR. MASTERS.
263
00:09:53,967 --> 00:09:56,827
HEY, BILL,
THANKS FOR CALLING ME BACK.
264
00:09:59,133 --> 00:10:01,703
[dog barking in the distance]
- MORNING.
265
00:10:01,700 --> 00:10:02,830
- OH, HEY, BABY.
266
00:10:02,833 --> 00:10:06,003
I AM SO SORRY
ABOUT LAST NIGHT.
267
00:10:06,000 --> 00:10:08,330
- I THOUGHT YOU WERE COMING
STRAIGHT HOME AFTER THE CONCERT.
268
00:10:08,333 --> 00:10:10,033
- IT WAS INSANE.
269
00:10:10,033 --> 00:10:12,473
I MEAN, ALL THESE OFFERS
STARTED POURING IN FOR EDDIE,
270
00:10:12,467 --> 00:10:14,827
AND I HAD TO COORDINATE THE
SIGNING AT THE RADIO STATION.
271
00:10:14,833 --> 00:10:16,673
BY THE TIME I DROPPED HIM OFF,
IT WAS TOO LATE.
272
00:10:16,667 --> 00:10:19,497
- "DROPPED HIM OFF"?
YOU TUCK HIM IN TOO?
273
00:10:19,500 --> 00:10:21,700
- [scoffs] I HAD TO TAKE
HIM HOME, ALL RIGHT?
274
00:10:21,700 --> 00:10:23,370
WE HAD BUSINESS.
275
00:10:23,367 --> 00:10:25,197
BUT I'M GONNA WORK FROM HOME
FROM NOW ON, OKAY?
276
00:10:25,200 --> 00:10:27,000
EDDIE'S GONNA DO ALL
OF HIS WRITING AND RECORDING
277
00:10:27,000 --> 00:10:28,330
RIGHT HERE.
278
00:10:28,333 --> 00:10:30,633
SO, WITH THE EXCEPTION
OF A FEW PERSONAL APPEARANCES
279
00:10:30,633 --> 00:10:32,673
AND SOME INTERVIEWS,
I'LL BE AROUND.
280
00:10:32,667 --> 00:10:35,197
ARE YOU SURE YOU CAN HANDLE IT?
281
00:10:35,200 --> 00:10:38,170
- CAN YOU?
282
00:10:38,167 --> 00:10:40,127
[laughs]
283
00:10:40,133 --> 00:10:41,703
- NOW, WHAT DO YOU THINK
KEPT ME GOING
284
00:10:41,700 --> 00:10:44,300
ALL THOSE LONG, LONELY NIGHTS
ON THE TOUR BUS?
285
00:10:44,300 --> 00:10:45,670
- YOU MEAN TOUR JET.
286
00:10:45,667 --> 00:10:48,167
- I WAS JUST MAKING A POINT.
- [laughs]
287
00:10:48,167 --> 00:10:50,327
SO IT WASN'T PLAYING
CALL OF DUTY WITH EDDIE
288
00:10:50,333 --> 00:10:51,803
THAT GOT YOU THROUGH?
289
00:10:51,800 --> 00:10:53,530
- NO, BABY.
290
00:10:53,533 --> 00:10:58,333
IT WAS THINKING OF YOU
AND US, TOGETHER.
291
00:10:58,333 --> 00:11:01,273
- "TOGETHER."
292
00:11:01,267 --> 00:11:04,327
SEE, THAT'S WHERE
YOUR EXCEPTIONAL MEMORY
293
00:11:04,333 --> 00:11:06,373
COMES IN HANDY, BECAUSE ME--
294
00:11:06,367 --> 00:11:09,827
IT'S BEEN SO LONG
SINCE WE'VE BEEN TOGETHER,
295
00:11:09,833 --> 00:11:12,703
I DON'T EVEN REMEMBER US
BEING TOGETHER.
296
00:11:12,700 --> 00:11:15,830
- BELIEVE ME--I WISH I COULD BE
IN TWO PLACES AT ONCE.
297
00:11:15,833 --> 00:11:17,603
IT'S JUST THIS
WHOLE EDDIE THING--
298
00:11:17,600 --> 00:11:19,930
I MEAN, IT'S BLOWING UP BIGGER
THAN WE EVER DREAMED,
299
00:11:19,933 --> 00:11:21,773
AND WE ALWAYS KNEW
HE'D BE HUGE,
300
00:11:21,767 --> 00:11:23,827
JUST NEVER THOUGHT
IT WOULD HAPPEN THAT FAST.
301
00:11:23,833 --> 00:11:26,073
- WELL, DON'T FORGET,
I ENCOURAGED YOU TO JUMP
302
00:11:26,067 --> 00:11:28,727
ON THAT EDDIE TRAIN EARLY.
303
00:11:28,733 --> 00:11:32,273
I'M JUST NOT SO SURE THAT WAS
THE BEST MOVE ON MY PART.
304
00:11:32,267 --> 00:11:33,927
- OH, COME ON NOW, TRACE.
305
00:11:33,933 --> 00:11:37,073
I AM BUILDING THIS BUSINESS
FOR US
306
00:11:37,067 --> 00:11:39,727
AND ANY FUTURE MADSENS
WE MAY HAVE.
307
00:11:39,733 --> 00:11:42,333
[cell phone rings]
308
00:11:43,967 --> 00:11:46,667
- I GET IT, JAKE.
I MEAN, I KNOW.
309
00:11:46,667 --> 00:11:49,827
WE KNEW THIS TIME WOULD COME--
TIMES LIKE THESE.
310
00:11:49,833 --> 00:11:52,073
AND I DON'T WANT TO BE ONE
OF THOSE WOMEN--
311
00:11:52,067 --> 00:11:54,897
THOSE WIVES WHO RESENT
THEIR HUSBAND FOR THEIR JOBS.
312
00:11:54,900 --> 00:11:57,230
I JUST...
I REALLY WISH
313
00:11:57,233 --> 00:11:59,673
I WAS JUST A LITTLE HIGHER UP
ON YOUR PRIORITY LIST, BABY.
314
00:11:59,667 --> 00:12:01,667
- I KNOW, ALL RIGHT?
315
00:12:01,667 --> 00:12:03,567
I'VE GOT TO WORK ON DELEGATING.
316
00:12:03,567 --> 00:12:04,797
I PROMISE.
317
00:12:04,800 --> 00:12:08,100
- DELEGATING TO WHOM--STEVE?
318
00:12:08,100 --> 00:12:11,300
HE GETS BAFFLED IF THERE'S
MORE THAN TWO CALLS ON THE LINE.
319
00:12:11,300 --> 00:12:13,800
- WELL, MAYBE WE NEED
TO EXPAND--
320
00:12:13,800 --> 00:12:16,170
EXPAND THE BUSINESS,
EXPAND THE FAMILY.
321
00:12:16,167 --> 00:12:19,567
- "EXPAND THE FAMILY"?
YOU ARE RELENTLESS.
322
00:12:19,567 --> 00:12:21,327
CAN'T EVEN PUT THAT PHONE DOWN
LONG ENOUGH
323
00:12:21,333 --> 00:12:25,073
TO TAKE THE FIRST STEP
TO EXPANDING THE FAMILY.
324
00:12:25,067 --> 00:12:28,067
[pop music]
325
00:12:28,067 --> 00:12:34,767
*
326
00:12:34,767 --> 00:12:36,267
- * COME ON, GET READY
327
00:12:36,267 --> 00:12:39,267
* 'CAUSE THEY'RE CLOSING
THE SHOP *
328
00:12:39,267 --> 00:12:42,397
- OH, PERFECT.
- THAT FROM EDDIE?
329
00:12:42,400 --> 00:12:44,570
- HE GOT US RESERVATIONS
AT RUMOUR TONIGHT.
330
00:12:44,567 --> 00:12:47,497
- OH, WATCH ME DO MY THING.
- [chuckles]
331
00:12:50,733 --> 00:12:52,073
- HI.
332
00:12:52,067 --> 00:12:55,227
YEAH.
SO I GOT A TIP.
333
00:12:55,233 --> 00:12:57,133
I WORK AT RUMOUR RESTAURANT.
334
00:12:57,133 --> 00:13:00,373
WE JUST GOT A RESERVATION
FOR 8:00 TONIGHT
335
00:13:00,367 --> 00:13:02,727
FOR EDDIE DURAN AND
HIS GIRLFRIEND, CHLOE CARTER,
336
00:13:02,733 --> 00:13:04,533
THE MODEL.
337
00:13:04,533 --> 00:13:06,873
I THINK IT'S GONNA BE
A SPECIAL NIGHT.
338
00:13:06,867 --> 00:13:08,227
- * READY OR NOT
339
00:13:08,233 --> 00:13:09,873
* TICKETY-TOCK,
WE BEAT THE CLOCK *
340
00:13:09,867 --> 00:13:12,197
- HEY, TYLER.
- EDDIE.
341
00:13:12,200 --> 00:13:14,170
MY BRO, HOW YOU BEEN?
- GOOD, GOOD.
342
00:13:14,167 --> 00:13:16,127
I GOT YOUR TEXT.
WHAT'S GOING ON?
343
00:13:16,133 --> 00:13:17,473
- JUST PUTTING A FEELER OUT
344
00:13:17,467 --> 00:13:18,867
TO SEE IF YOU GOT
A COUPLE MINUTES
345
00:13:18,867 --> 00:13:20,297
TO HAVE A DRINK
WITH YOUR PAL TYLER TONIGHT.
346
00:13:20,300 --> 00:13:22,170
- WHY? WHAT'S UP?
- WHAT'S UP?
347
00:13:22,167 --> 00:13:23,727
I NEED A REASON TO RECONNECT
348
00:13:23,733 --> 00:13:25,803
WITH THE GUY I INTRODUCED
TO MISS CHLOE CARTER?
349
00:13:25,800 --> 00:13:28,200
- [chuckles] IT'S JUST
THE LAST TIME I SAW YOU,
350
00:13:28,200 --> 00:13:30,230
YOU SAID
SOME PRETTY HARSH THINGS, MAN.
351
00:13:30,233 --> 00:13:32,333
- YEAH, WELL, I WAS
IN A DARK PLACE BACK THEN,
352
00:13:32,333 --> 00:13:34,573
BUT I'M OVER ALL THAT,
353
00:13:34,567 --> 00:13:36,527
AND I MISS HANGING OUT
WITH MY AMIGO.
354
00:13:36,533 --> 00:13:38,573
WE HAD SOME FUN TIMES
BACK IN THE DAY.
355
00:13:38,567 --> 00:13:40,197
- YEAH. WE DID.
356
00:13:40,200 --> 00:13:41,630
BUT LOOK, TY,
I'M SO BUSY,
357
00:13:41,633 --> 00:13:43,073
I DON'T KNOW
IF IT'S GONNA WORK OUT.
358
00:13:43,067 --> 00:13:44,127
- DON'T MAKE ME SCHEDULE
AN APPOINTMENT
359
00:13:44,133 --> 00:13:46,573
THROUGH YOUR ASSISTANT
OR JAKE.
360
00:13:46,567 --> 00:13:50,127
I KNOW YOU'RE BIG-TIME AND ALL,
BUT DON'T DO ME LIKE THAT, BRO.
361
00:13:50,133 --> 00:13:52,703
- OKAY. ALL RIGHT.
362
00:13:52,700 --> 00:13:55,330
I'LL MEET YOU, TYLER.
WHAT DO YOU SAY, RUMOUR AT 7:00?
363
00:13:55,333 --> 00:13:58,503
- COOL.
SEE YOU THEN, BUD.
364
00:14:02,433 --> 00:14:03,533
[school bell rings]
365
00:14:03,533 --> 00:14:05,873
- SO HOW WAS THE BIG SHOW,
LAST NIGHT?
366
00:14:05,867 --> 00:14:07,727
DID YOU GUYS SCREAM
LIKE LITTLE GIRLS?
367
00:14:07,733 --> 00:14:09,773
- [laughs]
- FOR TWO STRAIGHT HOURS.
368
00:14:09,767 --> 00:14:11,567
- THIS IS SO SAD.
369
00:14:11,567 --> 00:14:13,127
I'M NOT SURE I CAN STILL BE
FRIENDS WITH YOU GUYS.
370
00:14:13,133 --> 00:14:14,373
I'LL MISS YOU BOTH.
371
00:14:14,367 --> 00:14:16,197
- ADAM, IT WAS TRANSCENDENT.
372
00:14:16,200 --> 00:14:18,570
- YOU MEAN LIKE MEDITATION--
MADE YOU SLEEPY?
373
00:14:18,567 --> 00:14:19,967
- FAR FROM IT.
374
00:14:19,967 --> 00:14:21,367
EDDIE WAS
IN THE ZONE LAST NIGHT.
375
00:14:21,367 --> 00:14:23,397
- AND HE TOOK LOREN ALONG
FOR THE RIDE.
376
00:14:23,400 --> 00:14:25,230
- HE TOOK YOU UP ON STAGE?
- NOT QUITE.
377
00:14:25,233 --> 00:14:27,133
BUT HE DEFINITELY
CONNECTED WITH HER.
378
00:14:27,133 --> 00:14:29,873
OBVIOUSLY, YOU HAVEN'T BEEN
ON MY BLOG TODAY.
379
00:14:29,867 --> 00:14:31,497
- OH, I SAW IT.
380
00:14:31,500 --> 00:14:33,730
WOULDN'T HAVE BELIEVED IT IF I
HADN'T SEEN IT WITH MY OWN EYES,
381
00:14:33,733 --> 00:14:36,303
BUT YOU GUYS ARE GROUPIES.
- GROUPIES?
382
00:14:36,300 --> 00:14:38,470
GROUPIES ARE GIRLS
WITH NO MUSICAL TASTE.
383
00:14:38,467 --> 00:14:40,327
THEY JUST LIKE A BAND
OR A SINGER
384
00:14:40,333 --> 00:14:42,803
BECAUSE OF PHYSICAL ATTRACTION.
385
00:14:42,800 --> 00:14:44,230
REALLY.
386
00:14:44,233 --> 00:14:46,103
- ADAM, YOU SHOULD PROBABLY RUN
FOR YOUR LIFE AT THIS POINT.
387
00:14:46,100 --> 00:14:47,330
- LISTEN HERE,
388
00:14:47,333 --> 00:14:49,533
MR. "HIPPER THAN THOU INDIE ROCK
I ONLY LIKE A BAND
389
00:14:49,533 --> 00:14:50,773
"IF THREE OTHER PEOPLE
IN THE WORLD
390
00:14:50,767 --> 00:14:51,797
HAVE HEARD OF THEM,"
391
00:14:51,800 --> 00:14:54,130
EDDIE DURAN HAS MUSICAL CHOPS.
392
00:14:54,133 --> 00:14:55,773
- HE'S JUST TOO MAINSTREAM
FOR ME.
393
00:14:55,767 --> 00:14:57,467
- YEAH, WELL,
PITCHFORK ASSESSED
394
00:14:57,467 --> 00:15:00,167
THAT HIS NEW SOUND PUTS HIM IN
A CLASS WITH GIRLS AND CUT COPY.
395
00:15:00,167 --> 00:15:01,967
- PITCHFORK MAGAZINE SAID THAT?
- MM-HMM.
396
00:15:01,967 --> 00:15:03,327
- I KNOW YOU'RE JUST
MAKING THAT UP,
397
00:15:03,333 --> 00:15:05,373
BUT I'M SURPRISED
YOU EVEN KNOW WHO CUT COPY IS.
398
00:15:05,367 --> 00:15:08,067
MAYBE I'M TOO QUICK TO DISMISS
HIM MUSICALLY,
399
00:15:08,067 --> 00:15:10,667
BUT DOES HE HAVE TO BE
SO DAMN GOOD-LOOKING TOO?
400
00:15:10,667 --> 00:15:13,067
- THAT'S A DOUBLE STANDARD.
YOU LIKE LANA DEL REY.
401
00:15:13,067 --> 00:15:15,327
IS THAT ONLY BECAUSE
OF HER MUSIC?
402
00:15:15,333 --> 00:15:17,473
- I REFUSE
TO ANSWER THAT QUESTION.
403
00:15:17,467 --> 00:15:18,897
- YEAH.
- I MEAN, LOOK...
404
00:15:18,900 --> 00:15:20,770
EDDIE IS THE SEXIEST MAN ALIVE.
405
00:15:20,767 --> 00:15:22,897
YOU CAN'T HOLD THAT
AGAINST HIM, CAN YOU?
406
00:15:22,900 --> 00:15:24,500
- YEAH, I CAN.
407
00:15:24,500 --> 00:15:26,370
- YOU HAVE ONE THING IN COMMON,
408
00:15:26,367 --> 00:15:30,127
BECAUSE LOREN REALLY WANTS
TO HOLD IT AGAINST HIM TOO.
409
00:15:30,133 --> 00:15:33,933
[pop music]
410
00:15:33,933 --> 00:15:35,773
- OKAY, CHLOE,
COME ON, LET'S GO.
411
00:15:35,767 --> 00:15:37,367
MAKE LOVE TO THE LENS.
412
00:15:37,367 --> 00:15:40,067
VERY GOOD.
OKAY, OVER HERE, OVER HERE.
413
00:15:40,067 --> 00:15:42,827
NICE.
NOW THROW YOUR HAIR UP.
414
00:15:42,833 --> 00:15:46,133
THROW YOUR HAIR UP.
OKAY, TURN, TURN.
415
00:15:46,133 --> 00:15:50,133
GOOD.
NOW SHOW ME, SHOW ME.
416
00:15:50,133 --> 00:15:52,173
LIKE YOU MEAN IT, CHLOE,
LIKE YOU MEAN IT.
417
00:15:52,167 --> 00:15:55,767
EXCELLENT, CHLOE, EXCELLENT.
- IS THAT IT?
418
00:15:55,767 --> 00:16:00,367
- PERFECTION AS ALWAYS.
- THANKS.
419
00:16:00,367 --> 00:16:03,597
[cell phone chimes]
420
00:16:03,600 --> 00:16:06,730
- [clapping]
GREAT SHOOT, BABE.
421
00:16:06,733 --> 00:16:08,473
- TYLER,
WHAT ARE YOU DOING HERE?
422
00:16:08,467 --> 00:16:10,267
- I'M NOT STAYING LONG.
I JUST THOUGHT YOU'D LIKE KNOW
423
00:16:10,267 --> 00:16:12,097
THAT I'M MEETING UP WITH
YOUR BOYFRIEND IN A FEW HOURS.
424
00:16:12,100 --> 00:16:13,900
- YOU'RE HAVING DRINKS
WITH EDDIE?
425
00:16:13,900 --> 00:16:16,200
- I JUST CONFIRMED IT
WITH THE SUPERSTAR HIMSELF.
426
00:16:16,200 --> 00:16:18,100
- NO, I TOLD YOU LAST NIGHT
427
00:16:18,100 --> 00:16:20,270
THAT I WOULD GET YOU BACK
IN HIS GOOD GRACES.
428
00:16:20,267 --> 00:16:21,567
- MAYBE I DON'T NEED YOUR HELP.
429
00:16:21,567 --> 00:16:23,227
MAYBE I'M NOT AS DISLIKED
AS YOU THINK.
430
00:16:23,233 --> 00:16:25,573
- TRUST ME--YOU ARE.
431
00:16:25,567 --> 00:16:26,927
- THEN WHY WOULD HE AGREE
TO MEET WITH ME?
432
00:16:26,933 --> 00:16:28,903
- BECAUSE EDDIE
IS TOO TRUSTING OF A GUY.
433
00:16:28,900 --> 00:16:31,070
- [chuckles]
LUCKY FOR YOU.
434
00:16:31,067 --> 00:16:34,567
- DON'T RUIN THIS FOR ME.
- CHLOE, RELAX. JEEZ.
435
00:16:34,567 --> 00:16:36,067
I'M JUST LAYING DOWN
THE GROUNDWORK
436
00:16:36,067 --> 00:16:37,867
FOR A LONG AND BEAUTIFUL
RELATIONSHIP.
437
00:16:37,867 --> 00:16:40,597
- CHLOE, CAN I GET YOU BACK HERE
FOR A SECOND, PLEASE?
438
00:16:40,600 --> 00:16:42,570
- GET BACK TO WORK.
439
00:16:42,567 --> 00:16:46,067
MAKE LOVE TO THAT CAMERA,
CHLOE CARTER.
440
00:16:48,267 --> 00:16:51,067
- "POWERFUL STAGE PRESENCE,
441
00:16:51,067 --> 00:16:53,197
"SURPRISING DEPTH TO HIS SONGS.
442
00:16:53,200 --> 00:16:55,400
"EDDIE DURAN IS NO PRETTY-BOY
FLASH IN THE PAN.
443
00:16:55,400 --> 00:16:57,070
HE IS HERE TO STAY."
444
00:16:57,067 --> 00:16:58,667
- WHY IS MY DEPTH SURPRISING?
445
00:16:58,667 --> 00:17:00,827
- THAT'S ALL YOU HEARD?
446
00:17:00,833 --> 00:17:03,733
FROM THIS AMAZING REVIEW,
THIS IS WHAT YOU GET?
447
00:17:03,733 --> 00:17:05,333
- JUST KEEP READING.
FINISH IT.
448
00:17:05,333 --> 00:17:07,303
- WHAT'S THE FIRST RULE
OF SHOWBIZ?
449
00:17:07,300 --> 00:17:09,330
- UH, KEEP ALL YOUR RECEIPTS.
450
00:17:09,333 --> 00:17:11,903
- NEVER READ YOUR REVIEWS...
- [laughs]
451
00:17:11,900 --> 00:17:13,570
- GOOD OR BAD.
452
00:17:13,567 --> 00:17:15,667
- [grunts]
BUT YOU'RE READING IT, SO...
453
00:17:15,667 --> 00:17:17,727
- 'CAUSE IT'S A GOOD ONE.
454
00:17:17,733 --> 00:17:19,233
HELL, IT'S A STELLAR REVIEW,
455
00:17:19,233 --> 00:17:21,403
BUT IF YOU START BELIEVING
THIS STUFF,
456
00:17:21,400 --> 00:17:23,070
THAT COULD REALLY MESS YOU UP.
457
00:17:23,067 --> 00:17:25,127
- ALL RIGHT, ALL RIGHT.
NO REVIEWS.
458
00:17:25,133 --> 00:17:27,073
AND EVEN IF I'M MINDING
MY OWN BUSINESS
459
00:17:27,067 --> 00:17:28,427
AND SOMEBODY COMES UP
TO ME AND READS ONE,
460
00:17:28,433 --> 00:17:30,133
I'LL TAKE IT
WITH A GRAIN OF SALT.
461
00:17:30,133 --> 00:17:31,633
- EXACTLY.
- [chuckles]
462
00:17:31,633 --> 00:17:33,603
YOU KNOW, IT REALLY HELPS
463
00:17:33,600 --> 00:17:36,070
THAT YOU'VE BEEN THROUGH
ALL THIS YOURSELF BEFORE.
464
00:17:36,067 --> 00:17:37,827
- LOOK, COMPARED
TO WHAT YOU'RE DOING,
465
00:17:37,833 --> 00:17:39,503
IT FEELS LIKE
I WAS IN THE MINOR LEAGUES.
466
00:17:39,500 --> 00:17:42,330
- YEAH, BUT YOU KNOW ALL
THE, UH--LIKE, THE TRAPS.
467
00:17:42,333 --> 00:17:44,303
- YEAH, BUT YOUR TRAPS ARE
A LOT MORE EXPENSIVE.
468
00:17:44,300 --> 00:17:45,830
- YEAH.
[chuckles]
469
00:17:45,833 --> 00:17:46,973
[cell phone rings]
470
00:17:46,967 --> 00:17:50,327
- UH, OOH,
I WONDER WHO IT IS.
471
00:17:50,333 --> 00:17:51,933
- JAKE.
472
00:17:51,933 --> 00:17:54,633
- AND WHERE ARE YOU, MY FRIEND?
- WITH DAD.
473
00:17:54,633 --> 00:17:56,603
- UH-HUH. YOU SEE THE REVIEWS
ABOUT THE SHOW LAST NIGHT?
474
00:17:56,600 --> 00:17:59,470
- [groans] I'M JUST GONNA FOCUS
ON THE MUSIC.
475
00:17:59,467 --> 00:18:02,067
NOT REALLY WORRIED
ABOUT SOMEBODY ELSE'S OPINION.
476
00:18:02,067 --> 00:18:04,067
- SOUNDS LIKE PAPA MAX GOT
TO YOU FIRST.
477
00:18:04,067 --> 00:18:05,327
- YEAH, HE DID.
478
00:18:05,333 --> 00:18:06,903
- I'M JUST CALLING TO REMIND YOU
ABOUT A FEW THINGS,
479
00:18:06,900 --> 00:18:08,330
LIKE YOU'RE SIGNING
AT K-VOICE THIS AFTERNOON.
480
00:18:08,333 --> 00:18:11,973
- JAKE, I AM NOT KEITH RICHARDS,
OKAY, BUDDY?
481
00:18:11,967 --> 00:18:14,197
I DIDN'T BLACK OUT LAST NIGHT
AND FORGET MY SCHEDULE.
482
00:18:14,200 --> 00:18:16,070
- I KNOW, BUT IT SEEMS
IT'S SOMEBODY'S JOB
483
00:18:16,067 --> 00:18:18,667
TO REMIND YOU OF YOUR SCHEDULE
AND TO KEEP YOU ON TASK.
484
00:18:18,667 --> 00:18:21,967
AND WHOSE JOB IS THAT ANYWAY?
OH, RIGHT, IT'S MINE.
485
00:18:21,967 --> 00:18:25,067
SO LET'S GET THROUGH IT.
- OKAY.
486
00:18:25,067 --> 00:18:27,067
YES.
UH-HUH.
487
00:18:27,067 --> 00:18:28,627
UH-HUH.
ALL RIGHT.
488
00:18:28,633 --> 00:18:30,073
OKAY.
489
00:18:30,067 --> 00:18:32,327
REALLY? THAT TOO?
490
00:18:32,333 --> 00:18:33,973
OKAY, YEAH.
491
00:18:33,967 --> 00:18:36,897
ALL RIGHT, I'LL BE THERE.
LOOK, JUST EMAIL ME.
492
00:18:36,900 --> 00:18:38,700
OR PICK ME UP, AND I'LL BE
WHEREVER I'M SUPPOSED TO GO.
493
00:18:38,700 --> 00:18:40,770
ALL RIGHT.
COOL.
494
00:18:43,067 --> 00:18:44,567
WHAT?
495
00:18:44,567 --> 00:18:46,967
- YOU COULD SAY NO.
- I KNOW.
496
00:18:46,967 --> 00:18:49,567
I JUST--I DON'T LIKE
TO TURN THINGS DOWN.
497
00:18:49,567 --> 00:18:51,497
YOU KNOW, YOU NEVER KNOW
WHEN ALL THIS IS GOING TO END.
498
00:18:51,500 --> 00:18:52,730
I WANT TO MAKE THE MOST OF IT.
499
00:18:52,733 --> 00:18:54,873
- AND YOU ARE
NO FLASH IN THE PAN.
500
00:18:54,867 --> 00:18:57,967
- AH, DON'T BELIEVE
THE REVIEWS, POP.
501
00:18:57,967 --> 00:18:59,497
- OKAY.
502
00:18:59,500 --> 00:19:02,070
SO I'LL TRUST THAT YOU KNOW
WHEN YOU'RE OVERLOADED.
503
00:19:02,067 --> 00:19:03,767
- YEAH.
- YEAH?
504
00:19:03,767 --> 00:19:05,627
- WHAT DOES HE HAVE YOU
DOING TONIGHT?
505
00:19:05,633 --> 00:19:08,403
- I'M JUST TAKING CHLOE
TO DINNER AT RUMOUR.
506
00:19:08,400 --> 00:19:11,200
- CHLOE. DID YOU EVER FIND OUT
WHAT HAPPENED TO HER?
507
00:19:11,200 --> 00:19:13,070
- SHE GOT STUCK
IN A FITTING FROM HELL, I GUESS.
508
00:19:13,067 --> 00:19:14,767
- AND SHE COULDN'T CALL YOU?
509
00:19:14,767 --> 00:19:17,697
- NO. SHE--SHE SAID SHE TRIED
OR WHATEVER.
510
00:19:17,700 --> 00:19:19,270
IT WAS JUST
A COMEDY OF ERRORS.
511
00:19:19,267 --> 00:19:21,367
SHE FELT HORRIBLE, THOUGH.
IT'S NO BIG DEAL.
512
00:19:21,367 --> 00:19:24,227
- "NO BIG DEAL"?
YOUR LAST SHOW ON THE TOUR?
513
00:19:24,233 --> 00:19:26,533
- DAD.
- I'M JUST SAYING--
514
00:19:26,533 --> 00:19:28,733
- STOP.
STOP WORRYING ABOUT THAT.
515
00:19:28,733 --> 00:19:30,733
SPEND MORE TIME WITH CHLOE,
AND THEN YOU'LL UNDERSTAND
516
00:19:30,733 --> 00:19:34,233
WHY I FEEL THE WAY I DO
ABOUT HER.
517
00:19:34,233 --> 00:19:35,373
- OKAY.
518
00:19:35,367 --> 00:19:39,467
[rock music]
519
00:19:39,467 --> 00:19:43,427
- * YOU USED ME
520
00:19:43,433 --> 00:19:47,103
* I NEED YOU
521
00:19:47,100 --> 00:19:50,130
[cell phone rings]
522
00:19:50,133 --> 00:19:53,773
- OH, I JUST LOVE
TO SEE YOU SWEAT, BABY.
523
00:19:53,767 --> 00:19:55,067
- OH, LOOKS
LIKE TYLER'S GOING TO BE
524
00:19:55,067 --> 00:19:56,567
A BIGGER PROBLEM
THAN I THOUGHT.
525
00:19:56,567 --> 00:19:59,127
- YOU GIVE ME THE WORD, AND I'LL
KEEP HIM DISTRACTED FOR YOU.
526
00:19:59,133 --> 00:20:00,803
- YOU WOULDN'T LIKE HIM.
HIS CHARM WEARS OFF.
527
00:20:00,800 --> 00:20:02,100
- HAS IT FOR YOU?
528
00:20:02,100 --> 00:20:03,900
- I'M WITH EDDIE NOW.
529
00:20:03,900 --> 00:20:05,730
- I'LL TAKE YOUR CASTOFFS
ANYTIME.
530
00:20:05,733 --> 00:20:07,303
- I DON'T WANT THEM
HAVING DRINKS TOGETHER.
531
00:20:07,300 --> 00:20:10,330
- EDDIE HAS NO CLUE
THAT YOU AND TYLER
532
00:20:10,333 --> 00:20:12,433
USED TO ENJOY
EACH OTHER'S COMPANY?
533
00:20:12,433 --> 00:20:14,403
- AND I INTEND
TO KEEP IT THAT WAY.
534
00:20:14,400 --> 00:20:17,530
- WHY? EDDIE KNOWS
YOU'VE HAD OTHER BOYFRIENDS.
535
00:20:17,533 --> 00:20:19,633
IT'S HOLLYWOOD.
536
00:20:19,633 --> 00:20:21,703
EVERYONE'S HISTORY
IS AN OPEN BOOK.
537
00:20:21,700 --> 00:20:24,130
- AND I NEED TO KEEP TYLER
OFF MY BOOKS.
538
00:20:24,133 --> 00:20:25,733
- WHAT?
539
00:20:25,733 --> 00:20:27,533
ARE YOU SAYING THERE'S SOMETHING
STILL GOING ON
540
00:20:27,533 --> 00:20:28,973
BETWEEN YOU AND TYLER?
541
00:20:28,967 --> 00:20:31,067
- WHAT--
WHAT ARE YOU TALKING ABOUT?
542
00:20:31,067 --> 00:20:34,997
- YOU SAID,
"I'D LIKE TO KEEP TYLER."
543
00:20:35,000 --> 00:20:36,770
I NOTICE THINGS LIKE THAT.
544
00:20:36,767 --> 00:20:39,067
- I JUST MEANT THAT TYLER
IS A LOSE CANNON.
545
00:20:39,067 --> 00:20:43,397
AND I CAN'T HAVE HIM SHOOTING
DOWN MY RELATIONSHIP WITH EDDIE.
546
00:20:45,333 --> 00:20:47,603
- HERE YOU GO.
- HOW LATE YOU WORKING TONIGHT?
547
00:20:47,600 --> 00:20:48,830
- GET OFF AT 8:00.
548
00:20:48,833 --> 00:20:50,603
- YOU'VE BEEN PUTTING IN
SO MANY HOURS LATELY.
549
00:20:50,600 --> 00:20:53,270
- YEAH, WELL, I GOT TO GET
THAT MONEY TO PAY FOR COLLEGE.
550
00:20:53,267 --> 00:20:55,027
- HATE TO BREAK IT TO YOU,
BUT THE CASH YOU MAKE HERE
551
00:20:55,033 --> 00:20:57,203
PROBABLY WON'T BUY
HALF A TEXTBOOK NEXT FALL.
552
00:20:57,200 --> 00:20:59,430
- YEAH, WELL,
EVERY TIP IS WORTH IT.
553
00:20:59,433 --> 00:21:01,203
[door opens]
EXCEPT MAYBE THAT ONE.
554
00:21:01,200 --> 00:21:03,670
QUEEN BEE
AND HER TWO DRONETTES.
555
00:21:03,667 --> 00:21:05,427
- OH, WAITRESS GIRL,
556
00:21:05,433 --> 00:21:09,833
UM, I'LL HAVE MY USUAL,
OF COURSE, AND SO WILL THEY.
557
00:21:11,667 --> 00:21:14,797
- SO IS THAT GOING TO BE
YOUR NONFAT MOCHA LATTE IDIOTA
558
00:21:14,800 --> 00:21:16,830
OR YOUR REGULAR
SOY LATTE BITCHERINI?
559
00:21:16,833 --> 00:21:18,633
I CAN NEVER REMEMBER.
560
00:21:18,633 --> 00:21:21,073
- WHATEVS,
JUST BRING THREE OF THEM.
561
00:21:21,067 --> 00:21:24,167
- OKAY.
- THE SERVICE HERE IS TERRIBLE.
562
00:21:24,167 --> 00:21:26,067
ANYWAYS, WE WERE
RIGHT UP FRONT ALL NIGHT,
563
00:21:26,067 --> 00:21:28,197
AND HIS EYES
KEPT LANDING ON ME.
564
00:21:28,200 --> 00:21:29,830
IT TOTALLY SEEMED LIKE
HE WAS PICKING ME
565
00:21:29,833 --> 00:21:31,733
TO COME BACKSTAGE
AFTER THE SHOW,
566
00:21:31,733 --> 00:21:35,173
BUT I WAS LIKE, "UM, EDDIE,
I HAVE A BOYFRIEND."
567
00:21:35,167 --> 00:21:36,597
- [Valley girl voice]
O.M.G.
568
00:21:36,600 --> 00:21:38,930
I'M GONNA, LIKE,
TOTALLY P-U-K-E.
569
00:21:38,933 --> 00:21:40,773
[normal voice]
SPOILER ALERT, DRONETTES--
570
00:21:40,767 --> 00:21:43,067
YOUR LEADER, ADRIANA,
DIDN'T GET WITHIN 50 FEET
571
00:21:43,067 --> 00:21:44,267
OF EDDIE DURAN LAST NIGHT.
572
00:21:44,267 --> 00:21:45,827
IF YOU WANT PROOF,
YOU CAN GO ON MY VIDEO BLOG,
573
00:21:45,833 --> 00:21:48,073
AND YOU'LL SEE
WHO HE REALLY ZEROED IN ON.
574
00:21:48,067 --> 00:21:50,327
- MEL, STOP IT.
- WHY NOT? IT'S TRUE.
575
00:21:50,333 --> 00:21:53,073
- RIGHT, BECAUSE EDDIE COULD
HAVE ANY GIRL IN THE WORLD,
576
00:21:53,067 --> 00:21:55,327
AND HE WOULD PICK THAT.
577
00:21:55,333 --> 00:21:57,803
- WELL, I HAVE IT RECORDED,
AND UNLIKE YOU,
578
00:21:57,800 --> 00:21:59,530
VIDEO DOESN'T LIE.
579
00:21:59,533 --> 00:22:03,873
- SO, UH, LOREN, DID YOU
TALK TO EDDIE TODAY?
580
00:22:03,867 --> 00:22:06,067
OR WERE YOU JUST
A ONE-NIGHT STAND?
581
00:22:06,067 --> 00:22:07,827
OR DID YOU NOT SPEND
THE NIGHT
582
00:22:07,833 --> 00:22:10,873
BECAUSE YOU HAD TO GO HOME
AND PUT IN YOUR RETAINER?
583
00:22:10,867 --> 00:22:13,827
IS HE PICKING YOU UP TONIGHT
AFTER HIS CD SIGNING AT K-VOICE?
584
00:22:13,833 --> 00:22:17,103
OH, WAIT, I GUESS NOT.
585
00:22:17,100 --> 00:22:19,300
YOU HAVE TO WORK.
586
00:22:19,300 --> 00:22:21,530
- HOLD ON, HOW COME
I DIDN'T KNOW ABOUT THIS?
587
00:22:21,533 --> 00:22:23,273
I HAVE TO GET THERE.
- DON'T LOOK AT ME.
588
00:22:23,267 --> 00:22:24,897
I'M NOT EVEN
SUPPOSED TO BE HERE.
589
00:22:24,900 --> 00:22:26,670
I'M STILL GROUNDED.
- WE'RE SHORTHANDED.
590
00:22:26,667 --> 00:22:29,067
THERE'S NO WAY
THEY'RE GOING TO LET ME GO.
591
00:22:29,067 --> 00:22:30,167
- OHH!
592
00:22:30,167 --> 00:22:33,767
[all gasp]
ADAM!
593
00:22:35,267 --> 00:22:37,827
- MIND YOUR BUSINESS.
MIND YOUR BUSINESS.
594
00:22:40,767 --> 00:22:43,497
- ELLIE, CAN YOU TAKE THIS MRI
TO DR. DUNCAN'S OFFICE, PLEASE?
595
00:22:43,500 --> 00:22:44,830
HE CAN SEE MY NOTES INSIDE.
596
00:22:44,833 --> 00:22:46,903
- OH, SURE, DON.
I MEAN DR. MASTERS.
597
00:22:46,900 --> 00:22:50,270
- THANK YOU.
598
00:22:50,267 --> 00:22:53,267
THIS PLACE IS RUNNING
10,000 TIMES MORE SMOOTHLY
599
00:22:53,267 --> 00:22:54,827
SINCE YOU CAME ABOARD, NORA.
600
00:22:54,833 --> 00:22:56,403
- OH, THANKS, DR. MASTERS.
601
00:22:56,400 --> 00:22:58,770
I REALLY LIKE IT HERE.
EVERYONE'S REALLY NICE.
602
00:22:58,767 --> 00:23:02,667
DIGITIZING THESE MEDICAL RECORDS
IS A TOUGHER JOB THAN I THOUGHT.
603
00:23:02,667 --> 00:23:04,067
- OH, YOU CAN HANDLE IT.
604
00:23:04,067 --> 00:23:06,497
SINGLE MOTHERS
ALWAYS GET THE JOB DONE.
605
00:23:06,500 --> 00:23:07,730
- HOW'D YOU KNOW
I WAS A SINGLE MOTHER?
606
00:23:07,733 --> 00:23:08,933
- ELLIE MENTIONED IT.
607
00:23:08,933 --> 00:23:11,473
SHE SAID IT WAS SOMETHING
WE HAVE IN COMMON.
608
00:23:11,467 --> 00:23:13,067
- OH, YEAH.
609
00:23:13,067 --> 00:23:14,497
YOU'RE
A SINGLE MOTHER TOO, HUH?
610
00:23:14,500 --> 00:23:16,330
- [chuckles]
MORE OR LESS.
611
00:23:16,333 --> 00:23:18,803
I'VE BEEN ON MY OWN WITH
MY DAUGHTER FOR A FEW YEARS NOW.
612
00:23:18,800 --> 00:23:21,370
- HMM, SINGLE PARENTING--
613
00:23:21,367 --> 00:23:24,627
TWICE THE WORK, HALF THE PAY,
AND THE HOURS ARE TERRIBLE.
614
00:23:24,633 --> 00:23:26,803
[chuckles]
BUT I LOVE IT.
615
00:23:26,800 --> 00:23:28,270
- YOU HAVE ONE CHILD AS WELL?
616
00:23:28,267 --> 00:23:30,327
- YEAH.
- DAUGHTER OR SON?
617
00:23:30,333 --> 00:23:31,833
- A DAUGHTER.
YEAH, SHE'S AT WEST VALLEY,
618
00:23:31,833 --> 00:23:33,573
BUT SHE'S HEADED
OFF TO COLLEGE IN THE FALL.
619
00:23:33,567 --> 00:23:35,227
- WEST VALLEY?
620
00:23:35,233 --> 00:23:37,173
- YEAH, I SWEAR I JUST DROPPED
HER OFF AT KINDERGARTEN.
621
00:23:37,167 --> 00:23:38,467
[both laugh]
622
00:23:38,467 --> 00:23:39,767
- I KNOW WHAT YOU MEAN.
623
00:23:39,767 --> 00:23:41,667
WEST VALLEY IS WHERE
MY DAUGHTER GOES...
624
00:23:41,667 --> 00:23:43,167
- OH.
- ADRIANA MASTERS.
625
00:23:43,167 --> 00:23:45,797
- OH, YEAH--OH, YEAH.
626
00:23:45,800 --> 00:23:47,330
ADRIANA, YEAH.
WOW. WOW.
627
00:23:47,333 --> 00:23:50,333
THEY'VE BEEN IN SCHOOL TOGETHER
SINCE THE SIXTH GRADE.
628
00:23:50,333 --> 00:23:52,603
BUT I'VE NEVER SEEN YOU
AT ANY OF THE PARENT EVENTS.
629
00:23:52,600 --> 00:23:56,070
- OH, I'M PRETTY NEGLIGENT
WHEN IT COMES TO THAT STUFF.
630
00:23:56,067 --> 00:23:58,727
I'M NOT REALLY
THE P.T.A. DAD KIND OF GUY.
631
00:23:58,733 --> 00:24:00,403
- WELL, I'D SAY YOU'VE GOT
PLENTY ON YOUR PLATE HERE.
632
00:24:00,400 --> 00:24:02,670
- WELL, IT'S NO EXCUSE.
I REALLY SHOULD DO MORE.
633
00:24:02,667 --> 00:24:05,797
SO THEY MUST KNOW EACH OTHER--
ADRIANA AND...
634
00:24:05,800 --> 00:24:07,400
- UH, UH, LOREN.
635
00:24:07,400 --> 00:24:09,200
YES, YEAH, THEY DO.
636
00:24:09,200 --> 00:24:11,830
THEY JUST TRAVEL IN KIND OF
DIFFERENT SOCIAL CIRCLES.
637
00:24:11,833 --> 00:24:13,233
- OH, I SEE.
638
00:24:13,233 --> 00:24:14,673
I'VE MET A LOT
OF ADRIANA'S FRIENDS.
639
00:24:14,667 --> 00:24:16,567
YOU SHOULD BE HAPPY YOUR
DAUGHTER'S NOT IN THAT GROUP.
640
00:24:16,567 --> 00:24:18,127
- [laughs]
641
00:24:18,133 --> 00:24:21,073
- THAT DOESN'T MEAN
WE CAN'T BE FRIENDS, RIGHT?
642
00:24:21,067 --> 00:24:22,797
- YEAH, ABSOLUTELY.
643
00:24:28,333 --> 00:24:30,333
- SO THE IDEA
IS THAT WE ASK THE FANS
644
00:24:30,333 --> 00:24:32,333
TO SUBMIT THEIR OWN SONGS
TO YOUR WEBSITE.
645
00:24:32,333 --> 00:24:33,873
YOU PICK THE ONES
YOU WANT TO RECORD
646
00:24:33,867 --> 00:24:36,127
AND GOES ON YOUR NEXT ALBUM--
WHAT DO YOU THINK?
647
00:24:36,133 --> 00:24:38,903
EDDIE? DUDE, YOU ARE NEVER
THIS QUIET.
648
00:24:38,900 --> 00:24:40,970
- [chuckles]
SORRY, I'M--
649
00:24:40,967 --> 00:24:42,497
I'M JUST PROCESSING.
650
00:24:42,500 --> 00:24:44,400
OKAY, SO WHAT
YOU'RE SUGGESTING IS, LIKE,
651
00:24:44,400 --> 00:24:46,870
A GENUINE COLLABORATION
FOR ME AND MY AUDIENCE?
652
00:24:46,867 --> 00:24:49,127
- YEAH, WE ANNOUNCE THE CONTEST
ON YOUR WEBSITE
653
00:24:49,133 --> 00:24:51,703
AND LET THE PEOPLE
UPLOAD THEIR SUBMISSIONS.
654
00:24:51,700 --> 00:24:53,230
- OKAY.
LIKE VIDEOS?
655
00:24:53,233 --> 00:24:54,503
- WELL, YEAH,
BUT WE DON'T EXPECT THEM
656
00:24:54,500 --> 00:24:55,530
TO BE SEASONED PERFORMERS.
657
00:24:55,533 --> 00:24:57,073
THEY JUST NEED TO WRITE
A GREAT SONG,
658
00:24:57,067 --> 00:24:58,567
A SONG YOU WANT TO RECORD.
659
00:24:58,567 --> 00:24:59,897
- ALL RIGHT.
660
00:24:59,900 --> 00:25:01,630
WOW, THAT'S DEFINITELY COOL.
661
00:25:01,633 --> 00:25:03,273
I MEAN, IT'S ORIGINAL.
IT'S INTERACTIVE.
662
00:25:03,267 --> 00:25:06,327
- SO IS THAT A THUMBS-UP?
- YEAH, A WAY THUMBS-UP.
663
00:25:06,333 --> 00:25:08,073
I MEAN, IT'S AN INSPIRED IDEA.
664
00:25:08,067 --> 00:25:10,427
- AND THE PROMOTION
POSSIBILITIES ARE ENDLESS.
665
00:25:10,433 --> 00:25:13,573
- RIGHT, BUT THE MOTIVATION
IS MUSIC, OKAY?
666
00:25:13,567 --> 00:25:15,727
I BET THERE'S PLENTY
OF UNDISCOVERED TALENT OUT THERE
667
00:25:15,733 --> 00:25:17,233
THAT JUST NEED A-A BREAK.
668
00:25:17,233 --> 00:25:18,573
- YOU REALIZE IF WE DO THIS,
669
00:25:18,567 --> 00:25:20,427
YOU'RE GOING TO BE BOMBARDED
BY SUBMISSIONS, THOUGH?
670
00:25:20,433 --> 00:25:21,603
- YEAH, BUT THAT'S THE POINT.
671
00:25:21,600 --> 00:25:23,070
- YEAH, I JUST WANT
TO MAKE SURE
672
00:25:23,067 --> 00:25:24,797
YOU'RE NOT DISTRACTED
FROM YOUR OWN WRITING.
673
00:25:24,800 --> 00:25:26,600
LOOK, I'LL WORK WITH THE LABEL
TO FILTER OUT,
674
00:25:26,600 --> 00:25:28,370
BECAUSE YOU KNOW THERE'S
GOING TO BE PLENTY OF JUNK.
675
00:25:28,367 --> 00:25:30,267
- ALL RIGHT,
THAT'S YOUR DEPARTMENT, JAKE.
676
00:25:30,267 --> 00:25:32,697
JUST BRING ME WHAT YOU THINK
IS BEST, AND I'LL GO FROM THERE.
677
00:25:32,700 --> 00:25:34,700
- I KNEW YOU'D LIKE IT.
678
00:25:34,700 --> 00:25:36,470
- WHAT'S NOT TO LIKE?
ALL RIGHT, LET'S FACE IT--
679
00:25:36,467 --> 00:25:38,597
NO ONE KNOWS WHERE THAT NEXT HIT
IS COMING FROM.
680
00:25:38,600 --> 00:25:42,200
- * WHEN YOU FEEL
LIKE YOU'VE LOST *
681
00:25:42,200 --> 00:25:43,530
* SOMETHING GOOD
682
00:25:43,533 --> 00:25:47,703
- [scoffs] IT'S A GOOD THING
WE GOT HERE WHEN WE DID.
683
00:25:47,700 --> 00:25:50,730
ADAM, NO ONE YOU KNOW
IS GOING TO SEE YOU.
684
00:25:50,733 --> 00:25:52,203
- I'M NOT TAKING ANY CHANCES.
685
00:25:52,200 --> 00:25:54,170
- WHAT YOU DID
AT THE COFFEE SHOP TODAY
686
00:25:54,167 --> 00:25:55,397
WAS PURE GENIUS.
687
00:25:55,400 --> 00:25:57,070
- IT WAS EITHER THAT
OR A BOMB THREAT,
688
00:25:57,067 --> 00:25:58,627
AND I DIDN'T WANT
TO GET ARRESTED BY THE FBI
689
00:25:58,633 --> 00:26:00,273
JUST SO A GROUPIE
COULD MEET EDDIE DURAN.
690
00:26:00,267 --> 00:26:02,967
- I'M IGNORING THAT,
BUT THANKS.
691
00:26:02,967 --> 00:26:04,667
- THAT WAS SHORT NOTICE TOO.
692
00:26:04,667 --> 00:26:06,497
YOU SHOULD SEE ME
WHEN I HAVE TIME TO PREPARE.
693
00:26:06,500 --> 00:26:08,830
- I'M JUST GLAD THEY LET ME GO
FOR A FEW HOURS.
694
00:26:08,833 --> 00:26:10,303
I WISH MELISSA WERE HERE.
695
00:26:10,300 --> 00:26:11,970
- HOW LONG IS SHE GROUNDED FOR,
ANYWAY?
696
00:26:11,967 --> 00:26:13,597
- THAT DEPENDS ON FRAU LISA.
697
00:26:13,600 --> 00:26:16,100
- 'CAUSE I WANTED
TO SEE IF SHE...
698
00:26:16,100 --> 00:26:18,070
- YOU WANTED TO SEE
IF SHE WHAT?
699
00:26:18,067 --> 00:26:19,297
- NOTHING.
700
00:26:19,300 --> 00:26:21,870
- COME ON, ADAM, YOU TOTALLY
HAVE A CRUSH ON MELISSA.
701
00:26:21,867 --> 00:26:24,067
- NO, NO, I REALLY DON'T.
702
00:26:24,067 --> 00:26:26,097
I MEAN, SHE DOESN'T HAVE
A THING FOR ME, DOES SHE?
703
00:26:26,100 --> 00:26:30,800
NO? NO, NO,
I DON'T LIKE HER--NO WAY.
704
00:26:30,800 --> 00:26:33,770
WHERE THE HELL
IS THIS EDDIE JERK, ANYWAY?
705
00:26:35,600 --> 00:26:37,530
- HEY, SWEETIE, I-IT'S ME.
706
00:26:37,533 --> 00:26:39,773
UM, I KNOW THAT YOU'RE
AT YOUR SIGNING,
707
00:26:39,767 --> 00:26:41,527
BUT I WAS THINKING
ABOUT WHAT YOU SAID EARLIER
708
00:26:41,533 --> 00:26:44,533
ABOUT THE TWO OF US
JUST HAVING A LOW-KEY EVENING.
709
00:26:44,533 --> 00:26:47,533
AND I KNOW THAT YOU
MUST BE EXHAUSTED,
710
00:26:47,533 --> 00:26:49,433
AND I'M NOT FEELING
THAT GREAT,
711
00:26:49,433 --> 00:26:51,933
SO WHY DON'T YOU JUST COME
OVER HERE AFTER THE SIGNING?
712
00:26:51,933 --> 00:26:53,873
I'LL BE WAITING.
713
00:26:53,867 --> 00:26:54,897
[beep]
714
00:26:57,333 --> 00:26:58,703
[sighs]
715
00:26:58,700 --> 00:27:00,430
[cheers and applause]
716
00:27:00,433 --> 00:27:02,503
- HEY, HOW'S EVERYONE
DOING TODAY?
717
00:27:02,500 --> 00:27:05,430
[cheers and applause]
718
00:27:08,067 --> 00:27:09,527
GOOD!
719
00:27:09,533 --> 00:27:11,233
ALL RIGHT, LET'S GET
SOME SIGNINGS DONE HERE.
720
00:27:11,233 --> 00:27:12,873
- EVERYTHING OKAY?
721
00:27:12,867 --> 00:27:14,497
- YEAH, EVERYTHING'S GOOD.
IT'S JUST CHLOE--
722
00:27:14,500 --> 00:27:16,530
LITTLE CHANGE OF PLANS
TONIGHT.
723
00:27:16,533 --> 00:27:18,603
HI.
WHAT'S YOUR NAME?
724
00:27:24,067 --> 00:27:26,897
- LOOK, HE'S DROOLING
OVER YOU ALREADY.
725
00:27:26,900 --> 00:27:28,400
- LEAVE HER ALONE, ADRIANA.
726
00:27:28,400 --> 00:27:31,170
- I THOUGHT YOU WERE
MELISSA'S LAPDOG.
727
00:27:31,167 --> 00:27:33,597
- OH, KIND OF LIKE
HOW YOU'RE PHIL'S?
728
00:27:33,600 --> 00:27:34,900
[sighs]
729
00:27:34,900 --> 00:27:37,370
[cell phone chimes]
730
00:27:37,367 --> 00:27:39,867
- "I'LL BE OVER AFTER DRINKS
WITH TYLER.
731
00:27:39,867 --> 00:27:41,497
FEEL BETTER."
732
00:27:41,500 --> 00:27:43,430
DAMN IT.
733
00:27:43,433 --> 00:27:45,173
[sighs]
734
00:27:45,167 --> 00:27:47,067
- WE SHOULD TALK MORE
ABOUT THE CONTEST AFTER THIS.
735
00:27:47,067 --> 00:27:48,597
- NO, I TRUST YOU
TO HANDLE IT.
736
00:27:48,600 --> 00:27:50,700
- WE CAN GO GET A DRINK,
SOMETHING QUICK.
737
00:27:50,700 --> 00:27:52,600
- I CAN'T, MAN.
I HAVE PLANS.
738
00:27:52,600 --> 00:27:54,930
- CHLOE WILL BE COOL.
- NAH, IT'S NOT WITH CHLOE.
739
00:27:54,933 --> 00:27:57,773
I'M HAVING A DRINK
WITH TYLER RORKE.
740
00:27:59,533 --> 00:28:02,273
- HEY, WE GOT THE FINAL CONTRACT
FOR THAT COMMERCIAL.
741
00:28:02,267 --> 00:28:03,427
- I'M COOL, MAN.
742
00:28:03,433 --> 00:28:06,133
- HERE CHECK IT OUT.
743
00:28:06,133 --> 00:28:08,433
- HI. WHAT'S YOUR NAME?
- LOREN.
744
00:28:08,433 --> 00:28:12,673
- EXCUSE ME ONE SEC. SORRY.
- OH, OKAY.
745
00:28:12,667 --> 00:28:14,127
- UH, AND YOU ARE?
746
00:28:14,133 --> 00:28:15,373
- LOREN.
747
00:28:15,367 --> 00:28:17,327
UM, I WAS ACTUALLY
AT YOUR CONCERT LAST NIGHT,
748
00:28:17,333 --> 00:28:19,773
AND WHEN I GOT HOME,
I SENT YOU A PRIVATE--
749
00:28:19,767 --> 00:28:21,597
- THAT'S SO GREAT.
750
00:28:21,600 --> 00:28:24,200
VERY NICE TO MEET YOU.
THANK YOU SO MUCH FOR COMING.
751
00:28:26,267 --> 00:28:29,067
- OH, I GUESS LAST NIGHT
DIDN'T MEAN AS MUCH TO HIM
752
00:28:29,067 --> 00:28:31,067
AS IT DID TO YOU.
753
00:28:31,067 --> 00:28:33,767
[laughs]
754
00:28:41,067 --> 00:28:43,067
[dog barking in the distance]
755
00:28:43,067 --> 00:28:45,167
- [sighs]
756
00:28:45,167 --> 00:28:48,797
WELL, THAT WAS A COLOSSAL
WASTE OF TIME.
757
00:28:48,800 --> 00:28:51,800
- SORRY YOU DIDN'T GET
MORE FACE TIME WITH EDDIE.
758
00:28:51,800 --> 00:28:53,170
- WHAT WAS I EXPECTING?
759
00:28:53,167 --> 00:28:55,067
IT'S NOT LIKE A CD SIGNING
WITH A MILLION PEOPLE
760
00:28:55,067 --> 00:28:57,267
IS THE IDEAL PLACE
FOR A ONE-ON-ONE.
761
00:28:57,267 --> 00:28:59,067
- GUESS I'LL SEE YOU TOMORROW
AT SCHOOL, THEN?
762
00:28:59,067 --> 00:29:01,527
- YEAH. AND THANK YOU
FOR COMING WITH ME.
763
00:29:01,533 --> 00:29:03,873
I KNOW THAT MUST HAVE BEEN
CLOSE TO TORTURE FOR YOU.
764
00:29:03,867 --> 00:29:05,067
[chuckles]
765
00:29:05,067 --> 00:29:06,767
BYE.
766
00:29:10,500 --> 00:29:11,930
[radio turns on]
767
00:29:11,933 --> 00:29:15,833
- AND TODAY'S TOP TUNE--
L.A.'S VERY OWN EDDIE DURAN.
768
00:29:15,833 --> 00:29:18,073
- * WHEN YOU FEEL--
769
00:29:18,067 --> 00:29:19,267
[radio turns off]
770
00:29:19,267 --> 00:29:22,267
- [sighs]
771
00:29:22,267 --> 00:29:24,697
[cell phone rings]
772
00:29:27,067 --> 00:29:29,167
- HEY, MOM.
- HI.
773
00:29:29,167 --> 00:29:31,067
HOW'S MY DAUGHTER,
THE ROCK STAR'S GIRLFRIEND?
774
00:29:31,067 --> 00:29:33,667
- WELL, MM,
YESTERDAYS NEWS.
775
00:29:33,667 --> 00:29:35,327
- HOW SO?
776
00:29:35,333 --> 00:29:37,573
- HE HAD A SIGNING TODAY
AT THE RADIO STATION,
777
00:29:37,567 --> 00:29:40,897
AND I WENT, BUT I BARELY GOT
TO SAY TWO WORDS TO HIM.
778
00:29:40,900 --> 00:29:42,870
- OH, I'M SORRY, HONEY.
779
00:29:42,867 --> 00:29:44,497
- AH, IT'S NO BIG DEAL.
780
00:29:44,500 --> 00:29:47,530
- YOU SOUND SO DISAPPOINTED.
- WELL, KIND OF.
781
00:29:47,533 --> 00:29:50,273
IT WAS JUST A BIT OF A LETDOWN
AFTER LAST NIGHT, YOU KNOW?
782
00:29:50,267 --> 00:29:52,327
- THAT'S BOUND TO HAPPEN.
783
00:29:52,333 --> 00:29:54,373
- I JUST GOT TO FOCUS
ON WHAT'S REAL FOR NOW--
784
00:29:54,367 --> 00:29:56,227
YOU KNOW,
GRADUATING, COLLEGE,
785
00:29:56,233 --> 00:29:58,073
WORKING AT THE COFFEE SHOP.
786
00:29:58,067 --> 00:29:59,667
- YOU CAN STILL HAVE
YOUR DREAMS TOO.
787
00:29:59,667 --> 00:30:01,267
- I KNOW.
788
00:30:01,267 --> 00:30:03,497
- IT SOUNDS LIKE YOU'RE WORKING
ON YOUR NEW SONG RIGHT NOW.
789
00:30:03,500 --> 00:30:05,570
- YEAH, IT'S CALLED
790
00:30:05,567 --> 00:30:08,267
HE'S A ROCK STAR, AND I'M STILL
A FACE IN THE CROWD.
791
00:30:08,267 --> 00:30:11,197
- IT'S KIND OF A LONG TITLE,
BUT I LOVE IT.
792
00:30:11,200 --> 00:30:12,370
AND I LOVE YOU.
793
00:30:12,367 --> 00:30:13,527
- THANKS, MOM.
794
00:30:13,533 --> 00:30:15,403
YOU ALWAYS KNOW
HOW TO MAKE ME FEEL BETTER.
795
00:30:15,400 --> 00:30:17,900
- UGH. HONEY, MANY MEN
WILL COME AND GO,
796
00:30:17,900 --> 00:30:19,730
BUT I WILL ALWAYS BE HERE.
797
00:30:19,733 --> 00:30:21,673
- "MANY MEN"?
798
00:30:21,667 --> 00:30:24,097
- WELL, HOPEFULLY
NOT TOO MANY.
799
00:30:24,100 --> 00:30:25,270
LET'S NOT GET CRAZY.
800
00:30:25,267 --> 00:30:26,827
[cell phone rings]
801
00:30:26,833 --> 00:30:28,273
- I'M SORRY.
YOU HAVE THE WRONG NUMBER.
802
00:30:28,267 --> 00:30:31,227
SOMEONE NAMED JAKE
USED TO LIVE HERE.
803
00:30:31,233 --> 00:30:33,233
- VERY FUNNY.
YOU'RE ON SPEAKERPHONE, BABE.
804
00:30:33,233 --> 00:30:35,473
- HEY, TRACI.
- HEY, GORGEOUS.
805
00:30:35,467 --> 00:30:38,197
THINK YOU CAN RELEASE
MY HUSBAND ANYTIME SOON?
806
00:30:38,200 --> 00:30:40,300
- HEY, HE'S OFF THE CLOCK NOW.
HE'S YOUR PROBLEM.
807
00:30:40,300 --> 00:30:41,700
- OH, I CAN DEAL.
808
00:30:41,700 --> 00:30:43,900
HEY, WE SHOULD ALL GET TOGETHER
FOR DINNER SOMETIME.
809
00:30:43,900 --> 00:30:45,130
- YEAH, THAT'D BE GREAT.
810
00:30:45,133 --> 00:30:46,703
AND I KNOW CHLOE
WOULD LOVE TO SEE YOU.
811
00:30:46,700 --> 00:30:47,930
- YEAH, ME TOO.
812
00:30:47,933 --> 00:30:49,233
- ALL RIGHT.
BE HOME SOON, BABE.
813
00:30:49,233 --> 00:30:51,173
- I LOVE YOU, BABY.
814
00:30:52,667 --> 00:30:55,327
- OOH-HOO.
"I LOVE YOU, BABY."
815
00:30:55,333 --> 00:30:57,733
OH, MY GOD, YOU GUYS
ARE ADORABLE.
816
00:30:57,733 --> 00:30:59,173
- AH, SHE'S ADORABLE, MAN.
817
00:30:59,167 --> 00:31:00,797
I'M JUST HANGING ALONG
FOR THE RIDE.
818
00:31:00,800 --> 00:31:03,770
- YEAH, THAT IS THE TYPE
OF MARRIAGE I WANT ONE DAY--
819
00:31:03,767 --> 00:31:05,967
YOU KNOW, LIKE YOU REALLY FEEL
LIKE YOUR WIFE'S GOT YOUR BACK,
820
00:31:05,967 --> 00:31:07,797
LIKE I KNOW TRACI HAS YOURS.
821
00:31:07,800 --> 00:31:09,530
- YEAH, SO, SPEAKING
OF SIGNIFICANT OTHERS,
822
00:31:09,533 --> 00:31:11,203
YOU WANT ME TO DROP YOU OFF
AT CHLOE'S?
823
00:31:11,200 --> 00:31:12,570
- OH, NO.
824
00:31:12,567 --> 00:31:14,497
I TOLD HER I'D COME OVER
AFTER I MEET UP WITH TYLER.
825
00:31:14,500 --> 00:31:15,970
JUST DROP ME OVER AT RUMOUR.
826
00:31:15,967 --> 00:31:17,627
- WAIT. YOU ARE NOT SERIOUSLY
GOING TO MEET UP
827
00:31:17,633 --> 00:31:19,073
WITH THAT JERK, ARE YOU?
828
00:31:19,067 --> 00:31:20,827
- COME ON, MAN,
NOW YOU SOUND LIKE CHLOE.
829
00:31:20,833 --> 00:31:24,073
- YOU MEAN SHE AND I BOTH AGREE
THAT TYLER IS A TOXIC HOT MESS?
830
00:31:24,067 --> 00:31:26,327
- LOOK, THE DUDE CALLED--
HE SOUNDED REALLY APOLOGETIC,
831
00:31:26,333 --> 00:31:28,403
LIKE HE JUST WANTED
TO HANG OUT AND TALK.
832
00:31:28,400 --> 00:31:30,770
- DUDE, YOU ARE LIGHT-YEARS
AHEAD OF HIM IN YOUR CAREER.
833
00:31:30,767 --> 00:31:32,897
- COME ON, DON'T GIVE ME THAT.
SO WHAT?
834
00:31:32,900 --> 00:31:34,770
SO I CAN'T HANG OUT
WITH THE LITTLE PEOPLE ANYMORE?
835
00:31:34,767 --> 00:31:36,427
- SURELY YOU HAVEN'T FORGOTTEN
THE CRAP HE PULLED OUT
836
00:31:36,433 --> 00:31:38,073
ON THE SET
OF SENIOR DITCH DAY.
837
00:31:38,067 --> 00:31:39,397
- ALL RIGHT, THAT WAS BLOWN
OUT OF PROPORTION.
838
00:31:39,400 --> 00:31:41,070
- YEAH, WELL,
TELL THAT TO THE PRODUCERS.
839
00:31:41,067 --> 00:31:43,067
WHY DO YOU THINK THEY KILLED OFF
HIS CHARACTER IN THE SEQUEL?
840
00:31:43,067 --> 00:31:45,067
- I KNOW HE'S
A HOTHEAD, OKAY?
841
00:31:45,067 --> 00:31:47,967
BUT WE HAD SO MUCH FUN
BACK THEN, YOU KNOW?
842
00:31:47,967 --> 00:31:49,727
BOTH OF US WERE
JUST COMING UP,
843
00:31:49,733 --> 00:31:53,833
AND WE'D GO TO A CLUB,
AND LADIES WOULD SWARM HIM.
844
00:31:53,833 --> 00:31:55,473
I'VE NEVER SEEN ANYBODY
WORK A ROOM LIKE HIM.
845
00:31:55,467 --> 00:31:57,267
- ALL RIGHT, I'LL GIVE YOU
846
00:31:57,267 --> 00:31:59,667
THAT HE'S CHARMING AND TALENTED,
BUT HE'S TROUBLE.
847
00:31:59,667 --> 00:32:01,467
- I'M NOT ASKING YOU
TO BE FRIENDS WITH HIM, JAKE.
848
00:32:01,467 --> 00:32:03,067
- YEAH, SEEMS LIKE CHLOE'S
NOT JUST INTERESTED
849
00:32:03,067 --> 00:32:04,227
IN BEING FRIENDS EITHER.
850
00:32:04,233 --> 00:32:06,373
- AH, SHE SAID THEY WERE
NEVER REALLY FRIENDS
851
00:32:06,367 --> 00:32:07,397
IN A CLOSE WAY.
852
00:32:07,400 --> 00:32:08,570
- WHAT ABOUT ANY OTHER WAY?
853
00:32:08,567 --> 00:32:10,397
SHE HAD A LIFE
BEFORE YOU, MAN,
854
00:32:10,400 --> 00:32:11,830
THE SAME AS YOU
HAD ONE BEFORE HER.
855
00:32:11,833 --> 00:32:13,073
- I DON'T CARE.
856
00:32:13,067 --> 00:32:14,797
YOU KNOW, ALL I CARE ABOUT
IS WHAT WE HAVE NOW,
857
00:32:14,800 --> 00:32:16,670
AND THAT'S SOLID,
ALL RIGHT?
858
00:32:16,667 --> 00:32:18,227
THERE'S PLENTY OF THINGS
I DON'T KNOW ABOUT CHLOE,
859
00:32:18,233 --> 00:32:20,633
BUT THAT'S WHAT
KEEPS LOVE INTERESTING.
860
00:32:22,700 --> 00:32:24,530
- NORA'S OUR
NEW OFFICE MANAGER.
861
00:32:24,533 --> 00:32:25,803
SHE'S GOING TO BE IN TOUCH
862
00:32:25,800 --> 00:32:27,370
WITH YOUR PHYSICAL-THERAPY
REFERRAL.
863
00:32:27,367 --> 00:32:28,697
HAVE NO WORRIES--
YOUR HUSBAND'S HIP
864
00:32:28,700 --> 00:32:30,270
IS GOING TO BE AS GOOD AS NEW
IN A FEW WEEKS.
865
00:32:30,267 --> 00:32:31,397
- OH, THANK YOU SO MUCH.
866
00:32:31,400 --> 00:32:33,400
- YOU CALL ME IF YOU
HAVE ANY PROBLEMS, OKAY?
867
00:32:43,833 --> 00:32:46,233
I SAW THAT.
868
00:32:49,900 --> 00:32:51,400
- [chuckles]
869
00:32:51,400 --> 00:32:54,070
- * FLY AWAY
870
00:32:54,067 --> 00:32:59,067
* WE WILL TOUCH THE STARS
871
00:32:59,067 --> 00:33:01,197
* YOU AND ME
[indistinct chatter]
872
00:33:01,200 --> 00:33:03,600
- EXCUSE ME, SIR.
DO YOU HAVE A RESERVATION?
873
00:33:03,600 --> 00:33:06,870
- I'M JUST HAVING A DRINK
WITH EDDIE DURAN.
874
00:33:06,867 --> 00:33:10,197
- * YOU WILL SEE
875
00:33:10,200 --> 00:33:13,100
* IN YOUR ARMS
876
00:33:13,100 --> 00:33:17,230
* I FEEL WE'RE ALMOST THERE *
877
00:33:17,233 --> 00:33:18,703
- OH, GOOD EVENING,
MR. DURAN.
878
00:33:18,700 --> 00:33:21,230
YOUR FRIEND'S AT THE BAR.
- THANK YOU.
879
00:33:21,233 --> 00:33:24,073
- * IN YOUR EYES
880
00:33:24,067 --> 00:33:27,867
* WONDER IF WE DARE
881
00:33:27,867 --> 00:33:29,767
- [clears throat]
882
00:33:29,767 --> 00:33:32,067
- EDDIE, WHAT ARE YOU
DRINKING?
883
00:33:32,067 --> 00:33:33,267
- A BEER SOUNDS GOOD.
884
00:33:33,267 --> 00:33:34,697
- CAN I GET A BEER
FOR MY FRIEND HERE?
885
00:33:34,700 --> 00:33:36,300
AND I'LL TAKE
ANOTHER BOURBON.
886
00:33:36,300 --> 00:33:37,730
WHOA, WHOA, WHOA, YOU TRYING
TO INSULT ME?
887
00:33:37,733 --> 00:33:40,103
THIS IS ON ME.
- [chuckles] ARE YOU SURE?
888
00:33:40,100 --> 00:33:42,270
- YEAH.
I INVITED YOU, DIDN'T I?
889
00:33:42,267 --> 00:33:44,067
- THANK YOU.
890
00:33:44,067 --> 00:33:45,597
LOOK, I GOT TO ADMIT--
891
00:33:45,600 --> 00:33:47,770
I WAS PRETTY SURPRISED
TO HEAR FROM YOU.
892
00:33:47,767 --> 00:33:49,927
- YEAH.
SOMEONE'S GOT TO BREAK THE ICE.
893
00:33:49,933 --> 00:33:51,773
- IT'S BEEN TWO YEARS.
894
00:33:51,767 --> 00:33:53,727
- WATER OVER THE BRIDGE.
895
00:33:53,733 --> 00:33:55,703
- [laughs]
UNDER THE BRIDGE.
896
00:33:55,700 --> 00:33:58,970
IF WATER'S OVER THE BRIDGE,
SOMETHING'S GONE TERRIBLY WRONG.
897
00:33:58,967 --> 00:34:00,967
- THAT'S FUNNY.
THAT'S SOME FUNNY STUFF.
898
00:34:00,967 --> 00:34:02,867
WHAT I'M TRYING TO SAY IS,
WE SHOULD BE ABLE TO PICK UP
899
00:34:02,867 --> 00:34:04,097
WHERE WE LEFT OFF.
900
00:34:04,100 --> 00:34:05,630
- "WHERE WE LEFT OFF"?
901
00:34:05,633 --> 00:34:08,803
WE LEFT OFF
IN EACH OTHER'S FACES, REMEMBER?
902
00:34:08,800 --> 00:34:11,070
AFTER YOU SUCKER PUNCHED
THAT GUY AT THE MTV AFTER-PARTY
903
00:34:11,067 --> 00:34:12,667
AND I PULLED YOU
OFF OF HIM.
904
00:34:12,667 --> 00:34:15,267
- THE GUY WAS A POSEUR,
AND HE WAS HITTING ON MY DATE.
905
00:34:15,267 --> 00:34:17,067
- HE WAS HITTING
ON YOUR DATE?
906
00:34:17,067 --> 00:34:18,927
- I DON'T REMEMBER
ALL THE DETAILS, BRO.
907
00:34:18,933 --> 00:34:21,503
- EXACTLY. YOU'RE LUCKY
HE DIDN'T PRESS CHARGES.
908
00:34:21,500 --> 00:34:22,800
- I'M TRYING TO MOVE ON HERE,
909
00:34:22,800 --> 00:34:24,070
AND YOU KEEP BRINGING UP
THE PAST.
910
00:34:24,067 --> 00:34:25,867
THIS IS A NEGATIVE VIBE,
911
00:34:25,867 --> 00:34:27,697
AND I'M NOT
ABOUT THAT ANYMORE.
912
00:34:27,700 --> 00:34:30,200
I'M TRYING TO DO BETTER, EDDIE.
913
00:34:30,200 --> 00:34:31,730
I'M TRYING.
914
00:34:36,733 --> 00:34:41,303
- * I MUST BE TREATED WITH CARE
LIKE A FINE-TUNED CAR *
915
00:34:41,300 --> 00:34:43,100
- [sighs]
916
00:34:43,100 --> 00:34:46,600
*
917
00:34:46,600 --> 00:34:50,300
THAT'S PROBABLY NOT HEALTHY.
918
00:34:50,300 --> 00:34:52,870
- * DON'T YOU KNOW
THAT GIRLS LIKE ME *
919
00:34:52,867 --> 00:34:54,467
* DON'T GROW ON TREES? *
920
00:34:54,467 --> 00:34:57,467
* THEY'RE A RARE
AND SPECIAL BREED... *
921
00:34:57,467 --> 00:34:59,397
[keys clacking furiously]
922
00:34:59,400 --> 00:35:01,070
- [sighs]
923
00:35:01,067 --> 00:35:02,197
- PUT DOWN YOUR HOMEWORK,
924
00:35:02,200 --> 00:35:03,970
STOP FILLING OUT
SCHOLARSHIP APPLICATIONS,
925
00:35:03,967 --> 00:35:06,767
AND TURN ON YOUR COMPUTER,
LIKE, THIS SECOND!
926
00:35:06,767 --> 00:35:08,327
[keys clacking]
927
00:35:08,333 --> 00:35:09,733
- WHEN DID THIS COME IN?
928
00:35:09,733 --> 00:35:11,673
- JUST A MINUTE AGO.
ARE YOU ON HIS WEBSITE?
929
00:35:11,667 --> 00:35:13,867
- YEAH, I AM NOW.
930
00:35:13,867 --> 00:35:16,297
- * GIRLS, GIRLS LIKE ME
931
00:35:20,333 --> 00:35:22,073
- SO WHAT ABOUT YOU?
932
00:35:22,067 --> 00:35:24,067
CHLOE SAID YOU WERE SHOOTING
SOMETHING IN HONG KONG?
933
00:35:24,067 --> 00:35:25,827
- YEAH. THAT MOVIE
WAS A PIECE OF CRAP.
934
00:35:25,833 --> 00:35:27,373
I GOT TO BOOK A REAL JOB.
935
00:35:27,367 --> 00:35:29,567
- SO WHO'S YOUR AGENT NOW?
936
00:35:29,567 --> 00:35:31,327
- SOME LOSER IN THE VALLEY.
937
00:35:31,333 --> 00:35:33,203
- I'D LIKE TO HOOK BACK UP
WITH JAKE, THOUGH.
938
00:35:33,200 --> 00:35:35,070
- AH, JAKE'S A MANAGER NOW.
939
00:35:35,067 --> 00:35:36,397
- THAT'S EVEN BETTER.
I MEAN...
940
00:35:36,400 --> 00:35:38,070
LOOK WHAT HE'S DONE
FOR YOUR CAREER.
941
00:35:38,067 --> 00:35:40,867
- [chuckles] I HAD A LITTLE
SOMETHING TO DO WITH THAT.
942
00:35:40,867 --> 00:35:43,067
- THAT AND YOUR HOOK-UPS
AND...
943
00:35:43,067 --> 00:35:44,667
WITH ALL YOUR DAD
AND HIS CONNECTIONS.
944
00:35:44,667 --> 00:35:46,827
- YES, CONNECTIONS
WILL OPEN SOME DOORS,
945
00:35:46,833 --> 00:35:48,203
BUT I MEAN, I'VE HAD TO--
946
00:35:48,200 --> 00:35:49,630
- YOU KNOW, THAT'S EASY
FOR YOU TO SAY
947
00:35:49,633 --> 00:35:51,173
WHEN YOU'VE BEEN BORN
WITH A SILVER SPOON.
948
00:35:51,167 --> 00:35:53,727
YOU HAVE NO IDEA WHAT IT'S
LIKE TO STRUGGLE IN THIS TOWN.
949
00:35:53,733 --> 00:35:56,073
- TYLER, LOOK,
I'M SORRY YOUR CAREER
950
00:35:56,067 --> 00:35:58,227
IS NOT WHERE
YOU WANT IT TO BE.
951
00:35:58,233 --> 00:35:59,433
BUT MAYBE YOU SHOULD THINK
952
00:35:59,433 --> 00:36:01,603
BEFORE YOU BURN
ANY MORE BRIDGES.
953
00:36:01,600 --> 00:36:03,400
- WHAT'S WITH YOU
AND ALL THE BRIDGES?
954
00:36:03,400 --> 00:36:05,730
LOOK, I FEEL LIKE
YOU'RE TRYING TO LECTURE ME.
955
00:36:05,733 --> 00:36:09,073
- YOU KNOW, I GAVE YOU
THE BENEFIT OF THE DOUBT--
956
00:36:09,067 --> 00:36:11,127
LIKE COMING HERE,
SEEING IF YOU CHANGED.
957
00:36:11,133 --> 00:36:13,803
- AND I'M SURE YOU GOT A LOT
OF FLAK FROM YOU-KNOW-WHO.
958
00:36:13,800 --> 00:36:15,470
- JAKE DIDN'T THINK
IT WAS A GOOD IDEA.
959
00:36:15,467 --> 00:36:17,467
- I'M TALKING
ABOUT YOUR WOMAN.
960
00:36:17,467 --> 00:36:18,827
- CHLOE?
961
00:36:18,833 --> 00:36:20,773
- THAT GIRL WILL KEEP YOU
ON YOUR TOES, AM I RIGHT?
962
00:36:20,767 --> 00:36:22,267
- YEAH.
SHE'S SPECIAL.
963
00:36:22,267 --> 00:36:23,627
- BUT YOU GOT TO WATCH IT, BRO,
964
00:36:23,633 --> 00:36:25,973
'CAUSE SHE'S AMBITIOUS
AS HELL.
965
00:36:25,967 --> 00:36:28,067
- THANKS FOR THE HEADS-UP.
- NO, I'M NOT JOKING.
966
00:36:28,067 --> 00:36:30,727
SHE'S GOT BIG PLANS,
AND I'M SURE SHE'S VERY ANXIOUS
967
00:36:30,733 --> 00:36:32,633
TO GET HER HOOKS IN YOU.
968
00:36:32,633 --> 00:36:34,503
- WOULD YOU MIND NOT TALKING
ABOUT MY GIRLFRIEND LIKE THAT?
969
00:36:34,500 --> 00:36:35,930
- I'M JUST CALLING IT
LIKE I SEE IT.
970
00:36:35,933 --> 00:36:38,133
- YOU KNOW WHAT?
971
00:36:38,133 --> 00:36:39,433
I GOT TO GO.
[clears throat]
972
00:36:39,433 --> 00:36:40,973
THANKS FOR THE BEER.
- COOL.
973
00:36:40,967 --> 00:36:42,667
YOU'RE WALKING OUT ON ME
AFTER I BUY YOU A DRINK.
974
00:36:42,667 --> 00:36:44,327
THAT'S--THAT'S
SOME GOOD MANNERS, BRO.
975
00:36:44,333 --> 00:36:46,773
BUT I GUESS,
ONCE YOU'VE MADE IT,
976
00:36:46,767 --> 00:36:49,927
YOU CAN DUMP
ALL THE PEOPLE LIKE US.
977
00:36:49,933 --> 00:36:52,173
- I'M GONNA HAVE THE HOSTESS
CALL YOU A CAB.
978
00:36:52,167 --> 00:36:54,967
- NO TEENY-ASS POP STAR
IS GOING TO TELL ME WHAT TO DO.
979
00:36:54,967 --> 00:36:56,227
- BYE, TYLER.
980
00:36:56,233 --> 00:36:59,573
- I CAN MAKE YOUR LIFE
MISERABLE, EDDIE DURAN.
981
00:37:04,567 --> 00:37:05,867
- HI.
982
00:37:05,867 --> 00:37:07,627
- I THOUGHT YOU SAID
YOU WEREN'T FEELING WELL.
983
00:37:07,633 --> 00:37:09,173
- UH, I TOOK
A COUPLE DECONGESTANTS.
984
00:37:09,167 --> 00:37:10,297
I FEEL BETTER.
985
00:37:10,300 --> 00:37:11,500
UH, WHAT'S GOING ON HERE?
986
00:37:11,500 --> 00:37:13,800
- NOTHING.
WE'RE DONE.
987
00:37:13,800 --> 00:37:16,170
- EVERYTHING OKAY?
- EVERYTHING'S FINE.
988
00:37:16,167 --> 00:37:18,727
ONCE A JERK, ALWAYS A JERK.
- HEY, CHLOE, YOU REMEMBER ME?
989
00:37:18,733 --> 00:37:20,373
- OF COURSE.
990
00:37:20,367 --> 00:37:22,667
IT'S NICE TO SEE YOU
AGAIN, TYLER.
991
00:37:22,667 --> 00:37:24,127
- LOOK, I DON'T FEEL LIKE
EATING HERE, SO...
992
00:37:24,133 --> 00:37:25,533
- OH, COME ON, EDDIE.
993
00:37:25,533 --> 00:37:27,473
YOU DON'T WANT
TO DISAPPOINT THE LADY,
994
00:37:27,467 --> 00:37:32,227
ESPECIALLY WHEN SHE'S LOOKING
SO INCREDIBLY ENTICING TONIGHT.
995
00:37:32,233 --> 00:37:34,073
I'M LEAVING ANYWAY.
996
00:37:34,067 --> 00:37:36,327
OH. CHLOE, HOW'D YOU ENJOY
EDDIE'S SHOW LAST NIGHT?
997
00:37:36,333 --> 00:37:38,673
- I COULDN'T MAKE IT.
I WAS WORKING.
998
00:37:38,667 --> 00:37:42,067
- THAT'S TOO BAD.
I HEARD IT WAS GREAT.
999
00:37:42,067 --> 00:37:44,667
* WHOA-OH,
KICK IT UP *
1000
00:37:44,667 --> 00:37:48,327
* WHOA-OH,
KICK IT UP *
1001
00:37:48,333 --> 00:37:50,303
- HE'S A LITTLE UNSTABLE.
1002
00:37:50,300 --> 00:37:53,330
[bluesy rock music]
1003
00:37:53,333 --> 00:38:02,073
*
1004
00:38:02,067 --> 00:38:07,527
- * RED LIGHT
1005
00:38:07,533 --> 00:38:11,473
* STREET SIGN
1006
00:38:13,067 --> 00:38:18,297
* BAD NIGHT
1007
00:38:18,300 --> 00:38:21,530
* REWIND
1008
00:38:21,533 --> 00:38:25,203
*
1009
00:38:25,200 --> 00:38:29,530
*MAMA'S ONLY KILLING TIME *
1010
00:38:29,533 --> 00:38:33,933
*
1011
00:38:33,933 --> 00:38:39,703
* HELD UP
1012
00:38:39,700 --> 00:38:42,070
* LET DOWN
1013
00:38:42,067 --> 00:38:46,067
* LET DOWN, BABY
1014
00:38:47,400 --> 00:38:49,370
- THANK YOU.
1015
00:38:49,367 --> 00:38:51,467
- BABY, YOU STILL
SEEM SO UPSET.
1016
00:38:51,467 --> 00:38:52,967
- I'M SORRY, HONEY.
1017
00:38:52,967 --> 00:38:54,767
HE JUST GETS
UNDERNEATH MY SKIN.
1018
00:38:54,767 --> 00:38:57,727
- TYLER?
WHAT DID HE SAY?
1019
00:38:57,733 --> 00:39:02,073
- IT WAS JUST LIKE THIS
"BACK IN THE DAY, BUDDY,
1020
00:39:02,067 --> 00:39:04,467
WE USED TO MAKE
SUCH A GREAT TEAM,"
1021
00:39:04,467 --> 00:39:06,097
WHEN, REALLY,
WE WEREN'T EVEN CLOSE.
1022
00:39:06,100 --> 00:39:08,270
YOU KNOW, I THINK
HE'S CONFUSED ABOUT A LOT.
1023
00:39:08,267 --> 00:39:10,097
- [chuckles]
WELL, WHAT DID HE WANT?
1024
00:39:10,100 --> 00:39:12,730
I MEAN, DID HE ASK
FOR ANYTHING? MONEY?
1025
00:39:12,733 --> 00:39:14,373
- NO. I MEAN, HE HINTED
THAT HE WANTED ME
1026
00:39:14,367 --> 00:39:17,497
TO HOOK HIM BACK UP WITH JAKE,
BUT THAT'S NOT GONNA HAPPEN.
1027
00:39:17,500 --> 00:39:19,200
IT'S SO...
WEIRD.
1028
00:39:19,200 --> 00:39:21,870
HE'S GOT THIS--THIS CREEPY
ENERGY ABOUT HIM NOW.
1029
00:39:21,867 --> 00:39:23,297
- WHAT DO YOU MEAN?
1030
00:39:23,300 --> 00:39:24,830
- I DON'T KNOW.
[chuckles]
1031
00:39:24,833 --> 00:39:26,373
I DON'T EVEN KNOW
WHY HE INVITED ME HERE.
1032
00:39:26,367 --> 00:39:27,767
I MEAN, IT WAS ALMOST
LIKE HE WANTED
1033
00:39:27,767 --> 00:39:30,467
TO PUSH MY BUTTONS
OR--OR TAUNT ME.
1034
00:39:30,467 --> 00:39:33,067
- LIKE, WHAT WAS HE SAYING?
1035
00:39:33,067 --> 00:39:36,467
- JUST STUFF ABOUT MY DAD
AND MY MUSIC CONNECTIONS.
1036
00:39:36,467 --> 00:39:38,527
AND THEN HE STARTED
TALKING ABOUT YOU.
1037
00:39:38,533 --> 00:39:40,433
- WHAT DID HE SAY ABOUT ME?
1038
00:39:40,433 --> 00:39:42,503
- IT'S REALLY
NOT WORTH REPEATING.
1039
00:39:42,500 --> 00:39:44,130
- NO, EDDIE, I WANT
TO KNOW EVERYTHING THAT
1040
00:39:44,133 --> 00:39:45,973
THAT LYING BASTARD
SAID ABOUT ME,
1041
00:39:45,967 --> 00:39:48,627
'CAUSE, TRUST ME,
NONE OF IT'S TRUE.
1042
00:39:48,633 --> 00:39:50,433
NONE OF IT.
1043
00:39:53,267 --> 00:39:54,467
- [sighs]
1044
00:39:54,467 --> 00:39:56,197
PRETEND YOU DON'T KNOW ME.
1045
00:39:56,200 --> 00:39:57,830
"NICE TO SEE YOU, TYLER."
1046
00:39:57,833 --> 00:40:02,133
WELL, I KNOW YOU, HONEY.
I KNOW WHERE YOU'RE FROM.
1047
00:40:02,133 --> 00:40:04,173
I KNOW WHAT YOU'VE DONE.
1048
00:40:04,167 --> 00:40:06,367
I KNOW HOW YOU WORK, CHLOE.
1049
00:40:06,367 --> 00:40:08,527
[siren wails]
1050
00:40:08,533 --> 00:40:10,103
OH...
1051
00:40:10,100 --> 00:40:12,600
[siren wails]
1052
00:40:12,600 --> 00:40:15,270
[grunts]
1053
00:40:15,267 --> 00:40:17,297
[insects chirping]
1054
00:40:17,300 --> 00:40:18,500
- THANKS, MR. S.
1055
00:40:18,500 --> 00:40:20,070
- YEAH, JUST DON'T
STAY TOO LONG, OKAY?
1056
00:40:20,067 --> 00:40:22,367
- OKAY, I WON'T.
- UM, SHE'S GROUNDED.
1057
00:40:22,367 --> 00:40:23,967
- OH, I WAS
JUST HELPING HER OUT
1058
00:40:23,967 --> 00:40:25,667
WITH THE PRECOG
TEST REVIEW,
1059
00:40:25,667 --> 00:40:27,767
AND IT'S TOO HARD TO EXPLAIN
OVER VIDEO CHATS.
1060
00:40:27,767 --> 00:40:30,097
SO I NEED TO SHOW HER
THE STEPS.
1061
00:40:30,100 --> 00:40:33,370
- IT'S NOT A BIG DEAL,
IS IT?
1062
00:40:33,367 --> 00:40:34,927
- TEN MINUTES.
1063
00:40:34,933 --> 00:40:37,703
SHE'S IN HER ROOM.
- THANK YOU.
1064
00:40:40,967 --> 00:40:42,997
- [sighs deeply]
1065
00:40:43,000 --> 00:40:44,670
- [gasps]
YOU MADE IT.
1066
00:40:44,667 --> 00:40:47,367
- FEEL LIKE I ALMOST GOT
A TSA PAT-DOWN FROM YOUR MOM.
1067
00:40:47,367 --> 00:40:49,367
- OKAY, SO WE HAVE TO FILL OUT
THIS FORM NOW, OKAY?
1068
00:40:49,367 --> 00:40:50,927
'CAUSE THE CONTEST RULES
STATE THAT ALL ENTRIES
1069
00:40:50,933 --> 00:40:52,473
HAVE TO BE SUBMITTED
BY NEXT WEEK.
1070
00:40:52,467 --> 00:40:54,197
- THAT'S KIND OF SOON,
ISN'T IT?
1071
00:40:54,200 --> 00:40:55,800
- IT'S NEVER TOO SOON
TO PLAN YOUR FUTURE.
1072
00:40:55,800 --> 00:40:58,230
- I DON'T KNOW ABOUT THIS, MEL.
- WHY NOT?
1073
00:40:58,233 --> 00:40:59,303
- DO YOU KNOW
HOW MANY PEOPLE
1074
00:40:59,300 --> 00:41:00,500
ARE GONNA BE ENTERING
IN THAT CONTEST?
1075
00:41:00,500 --> 00:41:02,400
- MANY, MANY, MANY. SO?
1076
00:41:02,400 --> 00:41:05,530
- SO? I GOT A BETTER SHOT
AT WINNING THE MEGA MILLIONS.
1077
00:41:05,533 --> 00:41:07,773
- YOU WONT KNOW
UNLESS YOU TRY--
1078
00:41:07,767 --> 00:41:10,367
THE SONGWRITING CONTEST,
THAT IS, NOT THE MEGA MILLIONS.
1079
00:41:10,367 --> 00:41:12,697
DON'T WASTE YOUR MONEY ON THAT.
- WHY ARE YOU PUSHING THIS?
1080
00:41:12,700 --> 00:41:15,070
- 'CAUSE I'M TIRED OF HEARING
SNIPPETS OF YOUR SONGS
1081
00:41:15,067 --> 00:41:17,667
AND YOU HIDING YOUR KEYBOARD
AND SHEET MUSIC WHEN I SHOW UP.
1082
00:41:17,667 --> 00:41:19,427
- MY MUSIC'S PERSONAL
TO ME, OKAY?
1083
00:41:19,433 --> 00:41:20,833
I JUST WRITE THAT FOR MYSELF.
1084
00:41:20,833 --> 00:41:22,503
- YOU ARE SO SELFISH!
- OHH.
1085
00:41:22,500 --> 00:41:25,070
- YOU'RE LIKE ONE OF THOSE
OBESE HOARDERS ON THAT SHOW.
1086
00:41:25,067 --> 00:41:27,597
YOU CLING TO EVERY NOTE
AND LYRIC.
1087
00:41:27,600 --> 00:41:29,530
THEY'RE ALL SITTING IN A GREAT,
BIG PILE IN YOUR BEDROOM.
1088
00:41:29,533 --> 00:41:32,403
SHARE YOUR GIFT.
SHARE IT WITH THE WORLD.
1089
00:41:32,400 --> 00:41:34,600
- I DON'T WANT
THAT KIND OF ATTENTION.
1090
00:41:34,600 --> 00:41:36,230
CAN I DO IT ANONYMOUSLY?
1091
00:41:36,233 --> 00:41:39,073
- NO.
IT'S TIME, LOREN.
1092
00:41:39,067 --> 00:41:41,827
IT'S TIME THE WORLD
KNOWS WHO YOU ARE.
1093
00:41:41,833 --> 00:41:43,933
IT'S TIME MY BEST FRIEND
STEPS OUT OF HER LITTLE BEDROOM
1094
00:41:43,933 --> 00:41:45,273
AND INTO THE SPOTLIGHT.
1095
00:41:45,267 --> 00:41:47,067
ARE YOU READY?
1096
00:41:47,067 --> 00:41:48,867
- I DON'T KNOW, MEL.
1097
00:41:48,867 --> 00:41:50,927
- [sighs]
YOU CAN'T FOOL ME, LO.
1098
00:41:50,933 --> 00:41:52,333
IF YOU DIDN'T WANT
TO SUBMIT A SONG
1099
00:41:52,333 --> 00:41:53,833
TO EDDIE'S
SONGWRITING CONTEST,
1100
00:41:53,833 --> 00:41:55,373
THEN WHY DID YOU RUN OVER HERE
IN THREE MINUTES
1101
00:41:55,367 --> 00:41:56,927
WHEN YOU HEARD ABOUT IT?
1102
00:41:56,933 --> 00:41:59,533
- * STANDING ON THE GROUND
1103
00:41:59,583 --> 00:42:04,133
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