All language subtitles for Hollywood Heights s01e03 Eddiess Songwriting Contest.eng

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch Download
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,200 --> 00:00:08,800 - [grunts] 2 00:00:13,867 --> 00:00:17,967 [keys clacking] 3 00:00:17,967 --> 00:00:20,897 [girls cheering] 4 00:00:33,600 --> 00:00:34,830 - [smooches] 5 00:00:34,833 --> 00:00:38,433 MORNING, BEAUTIFUL. 6 00:00:38,433 --> 00:00:39,873 - [groans] IS IT MORNING ALREADY? 7 00:00:39,867 --> 00:00:41,227 - [laughs] 8 00:00:41,233 --> 00:00:43,203 - DID WE FALL ASLEEP ON THE COUCH? 9 00:00:43,200 --> 00:00:44,700 - YEAH, YOU DID. 10 00:00:44,700 --> 00:00:46,930 BUT THEN YOU LOOKED SO COLD, SO I JOINED YOU. 11 00:00:46,933 --> 00:00:49,833 I WAS LIKE YOUR LITTLE PERSONAL BOY BLANKET. 12 00:00:49,833 --> 00:00:51,733 [laughs] - OH, WHAT TIME IS IT? 13 00:00:51,733 --> 00:00:53,733 - OH, I GET IT. 14 00:00:53,733 --> 00:00:55,233 YOU JUST COME OVER AND SLEEP OVER, 15 00:00:55,233 --> 00:00:56,873 AND THEN YOU'RE OUT FIRST THING IN THE MORNING. 16 00:00:56,867 --> 00:00:58,227 I FEEL SO USED. 17 00:00:58,233 --> 00:00:59,573 - MM, YOU KNOW IF IT WERE UP TO ME, 18 00:00:59,567 --> 00:01:00,967 I WOULD NEVER LEAVE YOU. 19 00:01:00,967 --> 00:01:02,927 both: MMM. 20 00:01:02,933 --> 00:01:05,073 - BUT I HAVE MY PHOTO SHOOT THIS MORNING, 21 00:01:05,067 --> 00:01:07,097 AND YOU HAVE YOUR SIGNING AT K-VOICE. 22 00:01:07,100 --> 00:01:09,070 - MM-MM. NOT TILL THIS AFTERNOON. 23 00:01:09,067 --> 00:01:11,727 - BUT I HAVE TO GET READY NOW. - [chuckles] 24 00:01:11,733 --> 00:01:13,503 YOU KNOW, THINGS WOULD BE SO MUCH EASIER 25 00:01:13,500 --> 00:01:15,270 IF YOU JUST MOVED IN WITH ME. 26 00:01:15,267 --> 00:01:17,067 - MMM. BUT I'M OLD-FASHIONED. 27 00:01:17,067 --> 00:01:19,097 IT JUST WOULDN'T FEEL RIGHT. 28 00:01:19,100 --> 00:01:22,570 - SO WHAT CAN I DO TO MAKE IT FEEL RIGHTER? 29 00:01:22,567 --> 00:01:23,897 - YOU KNOW. 30 00:01:23,900 --> 00:01:25,730 [chuckles] - YOU'RE NOT QUESTIONING 31 00:01:25,733 --> 00:01:27,903 MY COMMITMENT TO THIS RELATIONSHIP, ARE YOU? 32 00:01:27,900 --> 00:01:32,230 WE ARE TOGETHER, OKAY? 33 00:01:32,233 --> 00:01:34,073 NOTHING'S GONNA TEAR US APART. 34 00:01:34,067 --> 00:01:36,497 - MMM. [cell phone rings] 35 00:01:36,500 --> 00:01:39,100 EXCEPT THAT. - I'M NOT EVEN GONNA LOOK AT IT. 36 00:01:39,100 --> 00:01:40,600 - MMM. BUT WHAT IF IT'S IMPORTANT? 37 00:01:40,600 --> 00:01:42,670 - I DON'T CARE-- IT'S EITHER JAKE, 38 00:01:42,667 --> 00:01:44,597 MY PUBLICIST, OR THE RECORD COMPANY. 39 00:01:44,600 --> 00:01:46,070 AND ALL OF THEM ARE FAR LESS IMPORTANT 40 00:01:46,067 --> 00:01:49,797 THAN YOU ARE RIGHT NOW. 41 00:01:49,800 --> 00:01:51,070 - MMM. 42 00:01:51,067 --> 00:01:52,467 I WOULD LOVE TO CONTINUE THIS, 43 00:01:52,467 --> 00:01:55,467 BUT I REALLY HAVE TO GO GET READY. 44 00:01:55,467 --> 00:01:58,067 - WHEN ARE YOU DONE? - I DON'T KNOW. 45 00:01:58,067 --> 00:01:59,267 - WELL, LET'S HAVE DINNER TONIGHT, 46 00:01:59,267 --> 00:02:00,867 LIKE, AT 8:00-- SOMETHING LOW-KEY. 47 00:02:00,867 --> 00:02:04,197 - YOU JUST GOT BACK IN TOWN FROM A LONG TOUR. 48 00:02:04,200 --> 00:02:07,500 I THINK WE SHOULD GO OUT, MAKE A SPLASH, DON'T YOU? 49 00:02:07,500 --> 00:02:11,070 - [chuckles] OKAY, FINE. 50 00:02:11,067 --> 00:02:13,067 WE WILL DO IT YOUR WAY. 51 00:02:13,067 --> 00:02:15,727 AND I'LL TEXT YOU THE DETAILS LATER TONIGHT. 52 00:02:15,733 --> 00:02:17,073 - OKAY. 53 00:02:17,067 --> 00:02:20,067 - HEY. 54 00:02:20,067 --> 00:02:23,067 I LOVE YOU, CHLOE CARTER. 55 00:02:29,167 --> 00:02:31,167 - WELL, THAT'S WEIRD. - WHAT? 56 00:02:31,167 --> 00:02:33,327 - THIS TEXT. 57 00:02:33,333 --> 00:02:34,733 - WHAT IS IT? 58 00:02:34,733 --> 00:02:36,403 - IT'S OUT OF THE BLUE IS WHAT IT IS. 59 00:02:36,400 --> 00:02:37,870 - WELL, WHO'S IT FROM? 60 00:02:37,867 --> 00:02:39,727 - TYLER RORKE. 61 00:02:39,733 --> 00:02:43,473 [upbeat pop music plays] 62 00:02:43,467 --> 00:02:50,567 * 63 00:02:52,433 --> 00:02:55,533 - TYLER? I-I DIDN'T KNOW YOU STILL KEPT IN TOUCH WITH HIM. 64 00:02:55,533 --> 00:02:57,333 - I DON'T. [scoffs] 65 00:02:57,333 --> 00:03:00,073 I HAVEN'T SEEN THE GUY IN OVER A YEAR. HAVE YOU? 66 00:03:00,067 --> 00:03:02,567 - UH, THE LAST I HEARD, HE WAS DOING A MOVIE IN HONG KONG. 67 00:03:02,567 --> 00:03:05,627 I WONDER WHAT HE WANTS. - I DON'T KNOW. 68 00:03:05,633 --> 00:03:08,273 HE SAID HE JUST WANTS TO HAVE A DRINK TONIGHT AND CATCH UP. 69 00:03:08,267 --> 00:03:10,097 - UH, BUT WE HAVE DINNER. 70 00:03:10,100 --> 00:03:12,730 - SO? I SUPPOSE I CAN MEET HIM BEFORE. 71 00:03:12,733 --> 00:03:14,773 - WHY? [chuckles nervously] WHAT'S THE POINT? 72 00:03:14,767 --> 00:03:17,197 - WASN'T HE OUR FRIEND? - HE WAS A HOLLYWOOD FRIEND. 73 00:03:17,200 --> 00:03:18,900 HE'S SOMEONE THAT YOU SAY YOU'RE GONNA HANG OUT WITH 74 00:03:18,900 --> 00:03:20,770 AFTER YOU WORK WITH THEM, AND THEN YOU NEVER DO. 75 00:03:20,767 --> 00:03:22,367 - YOU KNOW HE INTRODUCED US. 76 00:03:22,367 --> 00:03:24,967 - ONLY 'CAUSE I WAS TOO SHY TO INTRODUCE MYSELF. 77 00:03:24,967 --> 00:03:26,597 - [laughs] OKAY. 78 00:03:26,600 --> 00:03:27,730 YOU, SHY? 79 00:03:27,733 --> 00:03:29,073 - I WAS A LOWLY EXTRA. 80 00:03:29,067 --> 00:03:31,067 YOU AND TYLER WERE THE BIG STARS. 81 00:03:31,067 --> 00:03:33,897 - [grunts] THOSE WERE THE DAYS. 82 00:03:33,900 --> 00:03:35,200 YOU KNOW, I THINK HE STILL BLAMES ME 83 00:03:35,200 --> 00:03:36,930 FOR NOT GETTING CAST IN THE SEQUEL. 84 00:03:36,933 --> 00:03:38,403 - LIKE YOU HAVE THAT KIND OF POWER? 85 00:03:38,400 --> 00:03:39,800 - I TRIED TO TELL HIM, 86 00:03:39,800 --> 00:03:42,070 BUT HE WAS CONVINCED I SABOTAGED HIS CAREER. 87 00:03:42,067 --> 00:03:43,697 - OH, SEE, THAT'S WHY YOU SHOULDN'T WASTE YOUR TIME 88 00:03:43,700 --> 00:03:45,100 WITH THAT BOTTOM-FEEDER. 89 00:03:45,100 --> 00:03:47,770 - YOU THINK HE JUST WANTS TO APOLOGIZE FOR BEING AN ASS? 90 00:03:47,767 --> 00:03:49,767 - DOES IT MATTER? - [laughs] 91 00:03:49,767 --> 00:03:52,667 NO, NO. I GUESS NOT. 92 00:03:52,667 --> 00:03:53,897 - OKAY. I GOT TO HURRY. 93 00:03:53,900 --> 00:03:56,600 - MWAH! OKAY. 94 00:03:56,600 --> 00:03:59,230 [sighs] 95 00:03:59,233 --> 00:04:02,073 TYLER RORKE, WHAT DO YOU WANT? 96 00:04:02,067 --> 00:04:03,327 - [sighs] 97 00:04:03,333 --> 00:04:05,203 - THE FACT THAT WE WENT WAS AMAZING. 98 00:04:05,200 --> 00:04:08,170 THE FACT THAT WE GOT IN WAS AMAZING. 99 00:04:08,167 --> 00:04:10,327 THE FACT THAT WE WERE SO CLOSE WAS AMAZING. 100 00:04:10,333 --> 00:04:11,633 AND THE FACT THAT EDDIE PLAYED 101 00:04:11,633 --> 00:04:13,103 EVERY SINGLE ONE OF MY FAVORITES SONGS-- 102 00:04:13,100 --> 00:04:14,830 - LET ME GUESS, LET ME GUESS-- IT WAS AMAZING? 103 00:04:14,833 --> 00:04:16,503 - OH, I'M GETTING A SUGAR RUSH JUST FROM THE MEMORY. 104 00:04:16,500 --> 00:04:17,970 - IT COULD BE THE ORANGE JUICE. 105 00:04:17,967 --> 00:04:19,827 JUST TAKE DEEP BREATHES, LOREN, DEEP BREATHS. 106 00:04:19,833 --> 00:04:21,703 - LAST NIGHT WAS PERFECT. 107 00:04:21,700 --> 00:04:23,700 AND YOU WERE THE PERFECT MOM FOR LETTING ME GO. 108 00:04:23,700 --> 00:04:27,130 - OH. I WONDER HOW MELISSA'S FARING THIS MORNING? 109 00:04:27,133 --> 00:04:28,833 - HER MOM'S A TYRANT. - MM. 110 00:04:28,833 --> 00:04:30,433 - I'M TALKING, LIKE, "SHE SHOULD BE MAKING SPEECHES 111 00:04:30,433 --> 00:04:32,203 FROM A BALCONY" KIND OF TYRANT. - OKAY, WELL, 112 00:04:32,200 --> 00:04:33,830 WE NEED TO RESPECT LISA'S RULES 113 00:04:33,833 --> 00:04:35,833 NO MATTER IF WE AGREE WITH THEM OR NOT. 114 00:04:35,833 --> 00:04:37,833 - I JUST FEEL BAD FOR MELISSA. 115 00:04:37,833 --> 00:04:39,433 - NOW, ARE YOU SURE 116 00:04:39,433 --> 00:04:41,933 THAT YOU'RE GIVING PERFECT MOM THE WHOLE SCOOP? 117 00:04:41,933 --> 00:04:44,433 SHE KNOWS EVERYTHING THERE IS TO KNOW ABOUT LAST NIGHT? 118 00:04:44,433 --> 00:04:46,133 - YOU HAVE ALL THE DETAILS. 119 00:04:46,133 --> 00:04:48,703 I TOLD YOU A COMPREHENSIVE PLAY-BY-PLAY OF THE WHOLE NIGHT. 120 00:04:48,700 --> 00:04:50,900 - HUH. 121 00:04:50,900 --> 00:04:52,970 I REALLY KIND OF THOUGHT WE WERE CLOSER THAN THAT. 122 00:04:52,967 --> 00:04:54,227 - WHAT ARE YOU TALKING ABOUT? 123 00:04:54,233 --> 00:04:56,073 I TOLD YOU THAT MEL LIED TO HER PARENTS. 124 00:04:56,067 --> 00:04:57,427 - ARE YOU REALLY NOT GOING TO MENTION 125 00:04:57,433 --> 00:04:59,333 THAT EDDIE SANG TO YOU AND GRABBED YOUR HAND? 126 00:04:59,333 --> 00:05:00,673 HOW DO I KNOW THAT? 127 00:05:00,667 --> 00:05:02,397 MELISSA SENT ME A LINK TO THE VIDEO. 128 00:05:02,400 --> 00:05:04,230 - SHE KEPT SAYING THAT EDDIE WAS LOCKING EYES WITH ME, 129 00:05:04,233 --> 00:05:06,073 AND I DIDN'T BELIEVE HER. 130 00:05:06,067 --> 00:05:07,767 BUT IT'S ON THE INTERNET, SO IT HAS TO BE REAL, RIGHT? 131 00:05:07,767 --> 00:05:09,927 I TOTALLY MADE A CONNECTION WITH EDDIE. 132 00:05:09,933 --> 00:05:11,373 - UNLESS MELISSA KNOWS HOW TO CGI, 133 00:05:11,367 --> 00:05:13,197 I'D SAY, YEAH, YOU DEFINITELY CONNECTED. 134 00:05:13,200 --> 00:05:15,100 - AND THERE WERE A MILLION GIRLS WAY PRETTIER, 135 00:05:15,100 --> 00:05:18,870 BUT HE ACTUALLY NOTICED ME. - HE'S GOT GOOD TASTE. 136 00:05:18,867 --> 00:05:21,897 - OR I'M JUST BEING CRAZY. IT WAS PROBABLY TOTALLY RANDOM. 137 00:05:21,900 --> 00:05:23,530 HE PROBABLY COULDN'T EVEN SEE CLEARLY 138 00:05:23,533 --> 00:05:25,073 WITH ALL THOSE LIGHTS IN HIS EYES. 139 00:05:25,067 --> 00:05:26,767 - GIVE IT UP, LO. EDDIE IS IN LOVE WITH YOU. 140 00:05:26,767 --> 00:05:28,567 JUST WAIT TILL EVERYONE AT SCHOOL HEARS ABOUT LAST NIGHT. 141 00:05:28,567 --> 00:05:30,727 - OH, THAT DEPENDS ON WHERE THEY GET THEIR NEWS FROM. 142 00:05:30,733 --> 00:05:32,073 - WHAT DO YOU MEAN? 143 00:05:32,067 --> 00:05:33,697 - PRINCESS ADRIANA WAS THERE LAST NIGHT. 144 00:05:33,700 --> 00:05:35,930 I DON'T KNOW WHAT I EVER DID TO THAT GIRL 145 00:05:35,933 --> 00:05:38,573 BUT SHE'S HAD IT IN FOR ME SINCE, LIKE, THE SEVENTH GRADE. 146 00:05:38,567 --> 00:05:41,527 AND NOW SHE'S GOT HER FANGS INTO MELISSA'S BROTHER. 147 00:05:41,533 --> 00:05:43,403 - WELL, THE MEANER THE GIRL, THE DUMBER THE GUY. 148 00:05:43,400 --> 00:05:46,270 AND WHO CARES WHAT SHE SAYS ANYWAY? 149 00:05:46,267 --> 00:05:47,797 WE KNOW THE TRUTH. - [sighs] 150 00:05:51,167 --> 00:05:52,897 - I KNOW--I'M LATE. DON'T WORRY. 151 00:05:52,900 --> 00:05:54,770 I'M LEAVING FOR SCHOOL AS SOON AS I SCARF THIS DOWN. 152 00:05:54,767 --> 00:05:57,297 - YOU UNDERSTAND WHY I WAS SO UPSET LAST NIGHT, DON'T YOU? 153 00:05:57,300 --> 00:05:59,070 - YEAH, BUT CAN WE JUST PAUSE THE GAME FOR A BIT? 154 00:05:59,067 --> 00:06:00,567 I'M STILL HALF ASLEEP. 155 00:06:00,567 --> 00:06:01,927 - ARE YOU SURE YOU'RE NOT HUNGOVER? 156 00:06:01,933 --> 00:06:03,973 - I DID NOT DRINK LAST NIGHT. 157 00:06:03,967 --> 00:06:05,897 WE WERE TOO BUSY DOING ALL THAT CRYSTAL METH. 158 00:06:05,900 --> 00:06:08,070 - OKAY. THAT'S ABOUT ENOUGH OF THAT. 159 00:06:08,067 --> 00:06:10,167 SARCASM IS NOT AN ATTRACTIVE FEATURE IN GIRLS. 160 00:06:10,167 --> 00:06:11,827 - OKAY, COME ON, GUYS. 161 00:06:11,833 --> 00:06:14,333 CAN WE PLEASE NOT GET INTO THIS AGAIN. 162 00:06:14,333 --> 00:06:16,473 - YOUR DAUGHTER THINKS IT'S NO BIG DEAL TO LIE TO HER PARENTS. 163 00:06:16,467 --> 00:06:18,627 AND HARDLY THE FIRST TIME, I MIGHT ADD. 164 00:06:18,633 --> 00:06:20,133 - IT'S NOT LIKE I WAS OUT GETTING DRUNK 165 00:06:20,133 --> 00:06:21,473 AND HOOKING UP WITH RANDOM GUYS. 166 00:06:21,467 --> 00:06:24,067 I WENT TO SEE A SINGER I LIKED WITH MY BEST FRIEND-- 167 00:06:24,067 --> 00:06:26,627 A FRIEND WHO GOT NO GRIEF FROM HER MOM, B.T.-DUB. 168 00:06:26,633 --> 00:06:28,603 - "B.T.-DUB"? OH. - "BY THE WAY." 169 00:06:28,600 --> 00:06:31,670 - WELL, I'M SORRY THAT I'M NOT THE COOL MOM LIKE NORA. 170 00:06:31,667 --> 00:06:33,567 - THAT MAKES TWO OF US. 171 00:06:33,567 --> 00:06:35,397 - MELISSA, YOU WATCH THE WAY YOU TALK TO YOUR MOTHER, OKAY? 172 00:06:35,400 --> 00:06:38,070 YOU CAN DISAGREE WITH HER, BUT YOU SHOW HER SOME RESPECT. 173 00:06:38,067 --> 00:06:39,427 - I'M SORRY. 174 00:06:39,433 --> 00:06:41,933 - I'M MORE INTERESTED IN BEING A PARENT, NOT A FRIEND. 175 00:06:41,933 --> 00:06:43,673 THINGS WERE DIFFERENT WHEN I WAS GROWING UP. 176 00:06:43,667 --> 00:06:46,967 - I'M HAVING TO LITERALLY BITE MY TONGUE HERE. 177 00:06:46,967 --> 00:06:49,327 - OKAY, SO, UNTIL YOU CAN SHOW THAT YOU CAN LIVE 178 00:06:49,333 --> 00:06:51,433 UNDER OUR RULES IN OUR HOUSE, 179 00:06:51,433 --> 00:06:53,973 YOU'RE GROUNDED UNTIL FURTHER NOTICE. 180 00:06:53,967 --> 00:06:56,097 - WHY NOT JUST LOCK ME IN MY ROOM AND THROW AWAY THE KEY? 181 00:06:56,100 --> 00:06:57,900 YOU KNOW, SHIP ME OFF TO GUANTANAMO? 182 00:06:57,900 --> 00:06:59,800 - WHAT DID I JUST SAY ABOUT THE WAY YOU SPEAK TO YOUR MOTHER? 183 00:06:59,800 --> 00:07:01,800 - YOU'RE NOT GONNA CUT ME A BREAK FOR USING CURRENT EVENTS? 184 00:07:01,800 --> 00:07:04,900 - OH, YOU'RE BEING RIDICULOUS. - YOU KNOW, MEL... 185 00:07:04,900 --> 00:07:06,830 IT'D BE A LOT EASIER IF YOU JUST APOLOGIZED TO MOM 186 00:07:06,833 --> 00:07:08,703 FOR BEING SUCH A LIAR. 187 00:07:08,700 --> 00:07:12,070 - THIS--THIS RIGHT HERE IS THE PROBLEM. 188 00:07:12,067 --> 00:07:13,827 - HOW IS PHIL THE PROBLEM? 189 00:07:13,833 --> 00:07:15,803 - YOU HAVE NO PROBLEM WITH HIM GOING TO THE CONCERT. 190 00:07:15,800 --> 00:07:17,300 HE COMES AND GOES WHENEVER HE WANTS, 191 00:07:17,300 --> 00:07:18,630 WITH WHOMEVER HE WANTS. 192 00:07:18,633 --> 00:07:20,673 AND HIS TASTE IN WOMEN IS SHAMEFUL. 193 00:07:20,667 --> 00:07:22,767 - ADRIANA IS SUPER HOT. 194 00:07:22,767 --> 00:07:24,627 AND BESIDES, I'M 19. 195 00:07:24,633 --> 00:07:26,533 I'M AN ADULT. DUH. 196 00:07:26,533 --> 00:07:28,673 - ADULTS DON'T SAY "DUH," PHIL. 197 00:07:28,667 --> 00:07:31,697 DO YOU KNOW HE SOLD ME AND LOREN COUNTERFEIT TICKETS? 198 00:07:31,700 --> 00:07:33,070 - IS THAT TRUE, PHIL? 199 00:07:33,067 --> 00:07:35,227 - I DIDN'T KNOW THEY WERE FAKE. 200 00:07:35,233 --> 00:07:37,673 I BOUGHT THEM FROM A REPUTABLE ONLINE BROKER. 201 00:07:37,667 --> 00:07:40,197 - OH, HE KNEW. HE JUST WANTED TO MESS WITH LOREN AND ME. 202 00:07:40,200 --> 00:07:41,670 - SO HOW DID YOU TWO GET INTO THE CONCERT. 203 00:07:41,667 --> 00:07:44,067 - WE MET EDDIE'S MANAGER, JAKE, OUTSIDE, 204 00:07:44,067 --> 00:07:45,497 AND LOREN CONVINCED HIM TO LET US IN. 205 00:07:45,500 --> 00:07:48,900 - SEE, IT ALL WORKED OUT-- WIN-WIN. 206 00:07:48,900 --> 00:07:51,070 - NO THANKS TO YOU, BUT DON'T WORRY. 207 00:07:51,067 --> 00:07:54,067 I'M SURE YOU'LL BE REWARDED FOR YOUR OUTSTANDING BEHAVIOR. 208 00:07:54,067 --> 00:07:56,697 I'M OUT OF HERE. 209 00:07:56,700 --> 00:08:00,330 - COME HOME RIGHT AFTER SCHOOL. 210 00:08:02,267 --> 00:08:03,967 - YOU KNOW, I'M REALLY DISAPPOINTED 211 00:08:03,967 --> 00:08:05,297 IN WHAT YOU DID TO YOUR SISTER. 212 00:08:05,300 --> 00:08:07,070 AND I THINK YOU OWE HER AN APOLOGY. 213 00:08:07,067 --> 00:08:10,127 - WHY? SHE AND HER GOOFBALL FRIEND GOT TO GO TO THE CONCERT. 214 00:08:10,133 --> 00:08:12,073 THEY GOT TO GET UP CLOSE AND PERSONAL WITH EDDIE. 215 00:08:12,067 --> 00:08:13,467 I HAD TO LISTEN TO A BUNCH OF GIRLS 216 00:08:13,467 --> 00:08:15,527 SHRIEKING IN MY EAR ALL NIGHT. 217 00:08:15,533 --> 00:08:18,073 THEY'RE STILL RINGING. 218 00:08:18,067 --> 00:08:19,727 - WE WILL TALK ABOUT THIS LATER. 219 00:08:19,733 --> 00:08:21,633 MWAH! I GOT TO GO TO THE OFFICE. 220 00:08:21,633 --> 00:08:24,803 - HAVE A GOOD DAY. 221 00:08:24,800 --> 00:08:26,470 SO DID ADRIANA HAVE FUN LAST NIGHT? 222 00:08:26,467 --> 00:08:30,197 - OF COURSE SHE DID. SHE WAS WITH ME. 223 00:08:30,200 --> 00:08:32,700 HEY, MOM, UM, 224 00:08:32,700 --> 00:08:34,800 I REALLY WANT TO TAKE HER TO DINNER TONIGHT. 225 00:08:34,800 --> 00:08:38,130 COULD I BORROW THE CREDIT CARD? 226 00:08:38,133 --> 00:08:40,903 - COULD YOU, UH, STOP AT THE MARKET 227 00:08:40,900 --> 00:08:42,570 AND PICK UP SOME COFFEE AND ORANGE JUICE 228 00:08:42,567 --> 00:08:44,227 ON YOUR WAY HOME FROM SCHOOL? 229 00:08:44,233 --> 00:08:45,803 - ME? 230 00:08:45,800 --> 00:08:47,100 YOU WANT ME TO DO THAT? 231 00:08:47,100 --> 00:08:50,770 - YEAH. 232 00:08:50,767 --> 00:08:53,867 - I DON'T KNOW WHY YOU DON'T JUST HIRE A FULL-TIME ASSISTANT 233 00:08:53,867 --> 00:08:56,127 TO DO ALL THE GRUNT WORK INSTEAD OF BOTHERING ME. 234 00:08:56,133 --> 00:08:58,533 - HOW COME ANYTIME I ASK YOU TO DO SOMETHING, 235 00:08:58,533 --> 00:09:00,773 ALL I GET IS ATTITUDE? 236 00:09:00,767 --> 00:09:02,927 - I'M JUST GIVING BACK WHAT I GET FROM YOU. 237 00:09:02,933 --> 00:09:05,073 - I'M YOUR FATHER. 238 00:09:05,067 --> 00:09:07,067 - SO THAT GIVES YOU THE RIGHT TO BOSS ME AROUND? 239 00:09:07,067 --> 00:09:08,267 - YES. 240 00:09:08,267 --> 00:09:10,067 WHY ARE YOU SO ANGRY AT ME, ADRIANA? 241 00:09:10,067 --> 00:09:12,267 I'M THE PARENT WHO STAYED. I'M STILL HERE. 242 00:09:12,267 --> 00:09:14,527 - ARE YOU? I MEAN, I SEE YOU, LIKE, THREE MINUTES A DAY. 243 00:09:14,533 --> 00:09:16,203 - THAT'S 'CAUSE I'VE BEEN BUSY LATELY. 244 00:09:16,200 --> 00:09:17,570 AND EVER SINCE YOU'VE BEEN HANGING AROUND THAT PHIL-- 245 00:09:17,567 --> 00:09:19,367 - "THAT PHIL"? 246 00:09:19,367 --> 00:09:21,297 I LIKE HOW YOU SAY "THAT" LIKE HE'S AN OBJECT OR SOMETHING. 247 00:09:21,300 --> 00:09:22,870 OKAY, HE'S A HUMAN BEING. 248 00:09:22,867 --> 00:09:25,627 - WHO HAPPENS TO BE IN THE FAST LANE TO NOWHERE. 249 00:09:25,633 --> 00:09:27,473 - YOU'VE BARELY SAID TWO WORDS TO HIM. 250 00:09:27,467 --> 00:09:29,397 - HE NEVER COMES IN THE HOUSE. HE DROPS YOU OFF. 251 00:09:29,400 --> 00:09:31,070 HE PEELS OUT IN THE DRIVEWAY. 252 00:09:31,067 --> 00:09:32,427 - WELL, WHY WOULD I WANT TO INVITE HIM IN 253 00:09:32,433 --> 00:09:33,603 IF HE'S JUST GONNA GET THE FIFTH DEGREE? 254 00:09:33,600 --> 00:09:35,470 - THIRD DEGREE. - WHATEVS. 255 00:09:35,467 --> 00:09:38,597 - TRUST ME--I KNOW EVERYTHING I NEED TO KNOW ABOUT THIS GUY. 256 00:09:38,600 --> 00:09:40,600 - PHIL TREATS ME SO GOOD, 257 00:09:40,600 --> 00:09:42,800 LIKE I'M THE ONLY THING THAT MATTERS. 258 00:09:42,800 --> 00:09:44,370 - ADRIANA... 259 00:09:44,367 --> 00:09:46,567 I WISH YOU RESPECTED YOURSELF A LITTLE MORE. 260 00:09:46,567 --> 00:09:48,867 THEN YOU'D SEE YOU DON'T NEED A JOKER LIKE THAT 261 00:09:48,867 --> 00:09:52,727 TO VALIDATE YOURSELF. [cell phone rings] 262 00:09:52,733 --> 00:09:53,973 - DR. MASTERS. 263 00:09:53,967 --> 00:09:56,827 HEY, BILL, THANKS FOR CALLING ME BACK. 264 00:09:59,133 --> 00:10:01,703 [dog barking in the distance] - MORNING. 265 00:10:01,700 --> 00:10:02,830 - OH, HEY, BABY. 266 00:10:02,833 --> 00:10:06,003 I AM SO SORRY ABOUT LAST NIGHT. 267 00:10:06,000 --> 00:10:08,330 - I THOUGHT YOU WERE COMING STRAIGHT HOME AFTER THE CONCERT. 268 00:10:08,333 --> 00:10:10,033 - IT WAS INSANE. 269 00:10:10,033 --> 00:10:12,473 I MEAN, ALL THESE OFFERS STARTED POURING IN FOR EDDIE, 270 00:10:12,467 --> 00:10:14,827 AND I HAD TO COORDINATE THE SIGNING AT THE RADIO STATION. 271 00:10:14,833 --> 00:10:16,673 BY THE TIME I DROPPED HIM OFF, IT WAS TOO LATE. 272 00:10:16,667 --> 00:10:19,497 - "DROPPED HIM OFF"? YOU TUCK HIM IN TOO? 273 00:10:19,500 --> 00:10:21,700 - [scoffs] I HAD TO TAKE HIM HOME, ALL RIGHT? 274 00:10:21,700 --> 00:10:23,370 WE HAD BUSINESS. 275 00:10:23,367 --> 00:10:25,197 BUT I'M GONNA WORK FROM HOME FROM NOW ON, OKAY? 276 00:10:25,200 --> 00:10:27,000 EDDIE'S GONNA DO ALL OF HIS WRITING AND RECORDING 277 00:10:27,000 --> 00:10:28,330 RIGHT HERE. 278 00:10:28,333 --> 00:10:30,633 SO, WITH THE EXCEPTION OF A FEW PERSONAL APPEARANCES 279 00:10:30,633 --> 00:10:32,673 AND SOME INTERVIEWS, I'LL BE AROUND. 280 00:10:32,667 --> 00:10:35,197 ARE YOU SURE YOU CAN HANDLE IT? 281 00:10:35,200 --> 00:10:38,170 - CAN YOU? 282 00:10:38,167 --> 00:10:40,127 [laughs] 283 00:10:40,133 --> 00:10:41,703 - NOW, WHAT DO YOU THINK KEPT ME GOING 284 00:10:41,700 --> 00:10:44,300 ALL THOSE LONG, LONELY NIGHTS ON THE TOUR BUS? 285 00:10:44,300 --> 00:10:45,670 - YOU MEAN TOUR JET. 286 00:10:45,667 --> 00:10:48,167 - I WAS JUST MAKING A POINT. - [laughs] 287 00:10:48,167 --> 00:10:50,327 SO IT WASN'T PLAYING CALL OF DUTY WITH EDDIE 288 00:10:50,333 --> 00:10:51,803 THAT GOT YOU THROUGH? 289 00:10:51,800 --> 00:10:53,530 - NO, BABY. 290 00:10:53,533 --> 00:10:58,333 IT WAS THINKING OF YOU AND US, TOGETHER. 291 00:10:58,333 --> 00:11:01,273 - "TOGETHER." 292 00:11:01,267 --> 00:11:04,327 SEE, THAT'S WHERE YOUR EXCEPTIONAL MEMORY 293 00:11:04,333 --> 00:11:06,373 COMES IN HANDY, BECAUSE ME-- 294 00:11:06,367 --> 00:11:09,827 IT'S BEEN SO LONG SINCE WE'VE BEEN TOGETHER, 295 00:11:09,833 --> 00:11:12,703 I DON'T EVEN REMEMBER US BEING TOGETHER. 296 00:11:12,700 --> 00:11:15,830 - BELIEVE ME--I WISH I COULD BE IN TWO PLACES AT ONCE. 297 00:11:15,833 --> 00:11:17,603 IT'S JUST THIS WHOLE EDDIE THING-- 298 00:11:17,600 --> 00:11:19,930 I MEAN, IT'S BLOWING UP BIGGER THAN WE EVER DREAMED, 299 00:11:19,933 --> 00:11:21,773 AND WE ALWAYS KNEW HE'D BE HUGE, 300 00:11:21,767 --> 00:11:23,827 JUST NEVER THOUGHT IT WOULD HAPPEN THAT FAST. 301 00:11:23,833 --> 00:11:26,073 - WELL, DON'T FORGET, I ENCOURAGED YOU TO JUMP 302 00:11:26,067 --> 00:11:28,727 ON THAT EDDIE TRAIN EARLY. 303 00:11:28,733 --> 00:11:32,273 I'M JUST NOT SO SURE THAT WAS THE BEST MOVE ON MY PART. 304 00:11:32,267 --> 00:11:33,927 - OH, COME ON NOW, TRACE. 305 00:11:33,933 --> 00:11:37,073 I AM BUILDING THIS BUSINESS FOR US 306 00:11:37,067 --> 00:11:39,727 AND ANY FUTURE MADSENS WE MAY HAVE. 307 00:11:39,733 --> 00:11:42,333 [cell phone rings] 308 00:11:43,967 --> 00:11:46,667 - I GET IT, JAKE. I MEAN, I KNOW. 309 00:11:46,667 --> 00:11:49,827 WE KNEW THIS TIME WOULD COME-- TIMES LIKE THESE. 310 00:11:49,833 --> 00:11:52,073 AND I DON'T WANT TO BE ONE OF THOSE WOMEN-- 311 00:11:52,067 --> 00:11:54,897 THOSE WIVES WHO RESENT THEIR HUSBAND FOR THEIR JOBS. 312 00:11:54,900 --> 00:11:57,230 I JUST... I REALLY WISH 313 00:11:57,233 --> 00:11:59,673 I WAS JUST A LITTLE HIGHER UP ON YOUR PRIORITY LIST, BABY. 314 00:11:59,667 --> 00:12:01,667 - I KNOW, ALL RIGHT? 315 00:12:01,667 --> 00:12:03,567 I'VE GOT TO WORK ON DELEGATING. 316 00:12:03,567 --> 00:12:04,797 I PROMISE. 317 00:12:04,800 --> 00:12:08,100 - DELEGATING TO WHOM--STEVE? 318 00:12:08,100 --> 00:12:11,300 HE GETS BAFFLED IF THERE'S MORE THAN TWO CALLS ON THE LINE. 319 00:12:11,300 --> 00:12:13,800 - WELL, MAYBE WE NEED TO EXPAND-- 320 00:12:13,800 --> 00:12:16,170 EXPAND THE BUSINESS, EXPAND THE FAMILY. 321 00:12:16,167 --> 00:12:19,567 - "EXPAND THE FAMILY"? YOU ARE RELENTLESS. 322 00:12:19,567 --> 00:12:21,327 CAN'T EVEN PUT THAT PHONE DOWN LONG ENOUGH 323 00:12:21,333 --> 00:12:25,073 TO TAKE THE FIRST STEP TO EXPANDING THE FAMILY. 324 00:12:25,067 --> 00:12:28,067 [pop music] 325 00:12:28,067 --> 00:12:34,767 * 326 00:12:34,767 --> 00:12:36,267 - * COME ON, GET READY 327 00:12:36,267 --> 00:12:39,267 * 'CAUSE THEY'RE CLOSING THE SHOP * 328 00:12:39,267 --> 00:12:42,397 - OH, PERFECT. - THAT FROM EDDIE? 329 00:12:42,400 --> 00:12:44,570 - HE GOT US RESERVATIONS AT RUMOUR TONIGHT. 330 00:12:44,567 --> 00:12:47,497 - OH, WATCH ME DO MY THING. - [chuckles] 331 00:12:50,733 --> 00:12:52,073 - HI. 332 00:12:52,067 --> 00:12:55,227 YEAH. SO I GOT A TIP. 333 00:12:55,233 --> 00:12:57,133 I WORK AT RUMOUR RESTAURANT. 334 00:12:57,133 --> 00:13:00,373 WE JUST GOT A RESERVATION FOR 8:00 TONIGHT 335 00:13:00,367 --> 00:13:02,727 FOR EDDIE DURAN AND HIS GIRLFRIEND, CHLOE CARTER, 336 00:13:02,733 --> 00:13:04,533 THE MODEL. 337 00:13:04,533 --> 00:13:06,873 I THINK IT'S GONNA BE A SPECIAL NIGHT. 338 00:13:06,867 --> 00:13:08,227 - * READY OR NOT 339 00:13:08,233 --> 00:13:09,873 * TICKETY-TOCK, WE BEAT THE CLOCK * 340 00:13:09,867 --> 00:13:12,197 - HEY, TYLER. - EDDIE. 341 00:13:12,200 --> 00:13:14,170 MY BRO, HOW YOU BEEN? - GOOD, GOOD. 342 00:13:14,167 --> 00:13:16,127 I GOT YOUR TEXT. WHAT'S GOING ON? 343 00:13:16,133 --> 00:13:17,473 - JUST PUTTING A FEELER OUT 344 00:13:17,467 --> 00:13:18,867 TO SEE IF YOU GOT A COUPLE MINUTES 345 00:13:18,867 --> 00:13:20,297 TO HAVE A DRINK WITH YOUR PAL TYLER TONIGHT. 346 00:13:20,300 --> 00:13:22,170 - WHY? WHAT'S UP? - WHAT'S UP? 347 00:13:22,167 --> 00:13:23,727 I NEED A REASON TO RECONNECT 348 00:13:23,733 --> 00:13:25,803 WITH THE GUY I INTRODUCED TO MISS CHLOE CARTER? 349 00:13:25,800 --> 00:13:28,200 - [chuckles] IT'S JUST THE LAST TIME I SAW YOU, 350 00:13:28,200 --> 00:13:30,230 YOU SAID SOME PRETTY HARSH THINGS, MAN. 351 00:13:30,233 --> 00:13:32,333 - YEAH, WELL, I WAS IN A DARK PLACE BACK THEN, 352 00:13:32,333 --> 00:13:34,573 BUT I'M OVER ALL THAT, 353 00:13:34,567 --> 00:13:36,527 AND I MISS HANGING OUT WITH MY AMIGO. 354 00:13:36,533 --> 00:13:38,573 WE HAD SOME FUN TIMES BACK IN THE DAY. 355 00:13:38,567 --> 00:13:40,197 - YEAH. WE DID. 356 00:13:40,200 --> 00:13:41,630 BUT LOOK, TY, I'M SO BUSY, 357 00:13:41,633 --> 00:13:43,073 I DON'T KNOW IF IT'S GONNA WORK OUT. 358 00:13:43,067 --> 00:13:44,127 - DON'T MAKE ME SCHEDULE AN APPOINTMENT 359 00:13:44,133 --> 00:13:46,573 THROUGH YOUR ASSISTANT OR JAKE. 360 00:13:46,567 --> 00:13:50,127 I KNOW YOU'RE BIG-TIME AND ALL, BUT DON'T DO ME LIKE THAT, BRO. 361 00:13:50,133 --> 00:13:52,703 - OKAY. ALL RIGHT. 362 00:13:52,700 --> 00:13:55,330 I'LL MEET YOU, TYLER. WHAT DO YOU SAY, RUMOUR AT 7:00? 363 00:13:55,333 --> 00:13:58,503 - COOL. SEE YOU THEN, BUD. 364 00:14:02,433 --> 00:14:03,533 [school bell rings] 365 00:14:03,533 --> 00:14:05,873 - SO HOW WAS THE BIG SHOW, LAST NIGHT? 366 00:14:05,867 --> 00:14:07,727 DID YOU GUYS SCREAM LIKE LITTLE GIRLS? 367 00:14:07,733 --> 00:14:09,773 - [laughs] - FOR TWO STRAIGHT HOURS. 368 00:14:09,767 --> 00:14:11,567 - THIS IS SO SAD. 369 00:14:11,567 --> 00:14:13,127 I'M NOT SURE I CAN STILL BE FRIENDS WITH YOU GUYS. 370 00:14:13,133 --> 00:14:14,373 I'LL MISS YOU BOTH. 371 00:14:14,367 --> 00:14:16,197 - ADAM, IT WAS TRANSCENDENT. 372 00:14:16,200 --> 00:14:18,570 - YOU MEAN LIKE MEDITATION-- MADE YOU SLEEPY? 373 00:14:18,567 --> 00:14:19,967 - FAR FROM IT. 374 00:14:19,967 --> 00:14:21,367 EDDIE WAS IN THE ZONE LAST NIGHT. 375 00:14:21,367 --> 00:14:23,397 - AND HE TOOK LOREN ALONG FOR THE RIDE. 376 00:14:23,400 --> 00:14:25,230 - HE TOOK YOU UP ON STAGE? - NOT QUITE. 377 00:14:25,233 --> 00:14:27,133 BUT HE DEFINITELY CONNECTED WITH HER. 378 00:14:27,133 --> 00:14:29,873 OBVIOUSLY, YOU HAVEN'T BEEN ON MY BLOG TODAY. 379 00:14:29,867 --> 00:14:31,497 - OH, I SAW IT. 380 00:14:31,500 --> 00:14:33,730 WOULDN'T HAVE BELIEVED IT IF I HADN'T SEEN IT WITH MY OWN EYES, 381 00:14:33,733 --> 00:14:36,303 BUT YOU GUYS ARE GROUPIES. - GROUPIES? 382 00:14:36,300 --> 00:14:38,470 GROUPIES ARE GIRLS WITH NO MUSICAL TASTE. 383 00:14:38,467 --> 00:14:40,327 THEY JUST LIKE A BAND OR A SINGER 384 00:14:40,333 --> 00:14:42,803 BECAUSE OF PHYSICAL ATTRACTION. 385 00:14:42,800 --> 00:14:44,230 REALLY. 386 00:14:44,233 --> 00:14:46,103 - ADAM, YOU SHOULD PROBABLY RUN FOR YOUR LIFE AT THIS POINT. 387 00:14:46,100 --> 00:14:47,330 - LISTEN HERE, 388 00:14:47,333 --> 00:14:49,533 MR. "HIPPER THAN THOU INDIE ROCK I ONLY LIKE A BAND 389 00:14:49,533 --> 00:14:50,773 "IF THREE OTHER PEOPLE IN THE WORLD 390 00:14:50,767 --> 00:14:51,797 HAVE HEARD OF THEM," 391 00:14:51,800 --> 00:14:54,130 EDDIE DURAN HAS MUSICAL CHOPS. 392 00:14:54,133 --> 00:14:55,773 - HE'S JUST TOO MAINSTREAM FOR ME. 393 00:14:55,767 --> 00:14:57,467 - YEAH, WELL, PITCHFORK ASSESSED 394 00:14:57,467 --> 00:15:00,167 THAT HIS NEW SOUND PUTS HIM IN A CLASS WITH GIRLS AND CUT COPY. 395 00:15:00,167 --> 00:15:01,967 - PITCHFORK MAGAZINE SAID THAT? - MM-HMM. 396 00:15:01,967 --> 00:15:03,327 - I KNOW YOU'RE JUST MAKING THAT UP, 397 00:15:03,333 --> 00:15:05,373 BUT I'M SURPRISED YOU EVEN KNOW WHO CUT COPY IS. 398 00:15:05,367 --> 00:15:08,067 MAYBE I'M TOO QUICK TO DISMISS HIM MUSICALLY, 399 00:15:08,067 --> 00:15:10,667 BUT DOES HE HAVE TO BE SO DAMN GOOD-LOOKING TOO? 400 00:15:10,667 --> 00:15:13,067 - THAT'S A DOUBLE STANDARD. YOU LIKE LANA DEL REY. 401 00:15:13,067 --> 00:15:15,327 IS THAT ONLY BECAUSE OF HER MUSIC? 402 00:15:15,333 --> 00:15:17,473 - I REFUSE TO ANSWER THAT QUESTION. 403 00:15:17,467 --> 00:15:18,897 - YEAH. - I MEAN, LOOK... 404 00:15:18,900 --> 00:15:20,770 EDDIE IS THE SEXIEST MAN ALIVE. 405 00:15:20,767 --> 00:15:22,897 YOU CAN'T HOLD THAT AGAINST HIM, CAN YOU? 406 00:15:22,900 --> 00:15:24,500 - YEAH, I CAN. 407 00:15:24,500 --> 00:15:26,370 - YOU HAVE ONE THING IN COMMON, 408 00:15:26,367 --> 00:15:30,127 BECAUSE LOREN REALLY WANTS TO HOLD IT AGAINST HIM TOO. 409 00:15:30,133 --> 00:15:33,933 [pop music] 410 00:15:33,933 --> 00:15:35,773 - OKAY, CHLOE, COME ON, LET'S GO. 411 00:15:35,767 --> 00:15:37,367 MAKE LOVE TO THE LENS. 412 00:15:37,367 --> 00:15:40,067 VERY GOOD. OKAY, OVER HERE, OVER HERE. 413 00:15:40,067 --> 00:15:42,827 NICE. NOW THROW YOUR HAIR UP. 414 00:15:42,833 --> 00:15:46,133 THROW YOUR HAIR UP. OKAY, TURN, TURN. 415 00:15:46,133 --> 00:15:50,133 GOOD. NOW SHOW ME, SHOW ME. 416 00:15:50,133 --> 00:15:52,173 LIKE YOU MEAN IT, CHLOE, LIKE YOU MEAN IT. 417 00:15:52,167 --> 00:15:55,767 EXCELLENT, CHLOE, EXCELLENT. - IS THAT IT? 418 00:15:55,767 --> 00:16:00,367 - PERFECTION AS ALWAYS. - THANKS. 419 00:16:00,367 --> 00:16:03,597 [cell phone chimes] 420 00:16:03,600 --> 00:16:06,730 - [clapping] GREAT SHOOT, BABE. 421 00:16:06,733 --> 00:16:08,473 - TYLER, WHAT ARE YOU DOING HERE? 422 00:16:08,467 --> 00:16:10,267 - I'M NOT STAYING LONG. I JUST THOUGHT YOU'D LIKE KNOW 423 00:16:10,267 --> 00:16:12,097 THAT I'M MEETING UP WITH YOUR BOYFRIEND IN A FEW HOURS. 424 00:16:12,100 --> 00:16:13,900 - YOU'RE HAVING DRINKS WITH EDDIE? 425 00:16:13,900 --> 00:16:16,200 - I JUST CONFIRMED IT WITH THE SUPERSTAR HIMSELF. 426 00:16:16,200 --> 00:16:18,100 - NO, I TOLD YOU LAST NIGHT 427 00:16:18,100 --> 00:16:20,270 THAT I WOULD GET YOU BACK IN HIS GOOD GRACES. 428 00:16:20,267 --> 00:16:21,567 - MAYBE I DON'T NEED YOUR HELP. 429 00:16:21,567 --> 00:16:23,227 MAYBE I'M NOT AS DISLIKED AS YOU THINK. 430 00:16:23,233 --> 00:16:25,573 - TRUST ME--YOU ARE. 431 00:16:25,567 --> 00:16:26,927 - THEN WHY WOULD HE AGREE TO MEET WITH ME? 432 00:16:26,933 --> 00:16:28,903 - BECAUSE EDDIE IS TOO TRUSTING OF A GUY. 433 00:16:28,900 --> 00:16:31,070 - [chuckles] LUCKY FOR YOU. 434 00:16:31,067 --> 00:16:34,567 - DON'T RUIN THIS FOR ME. - CHLOE, RELAX. JEEZ. 435 00:16:34,567 --> 00:16:36,067 I'M JUST LAYING DOWN THE GROUNDWORK 436 00:16:36,067 --> 00:16:37,867 FOR A LONG AND BEAUTIFUL RELATIONSHIP. 437 00:16:37,867 --> 00:16:40,597 - CHLOE, CAN I GET YOU BACK HERE FOR A SECOND, PLEASE? 438 00:16:40,600 --> 00:16:42,570 - GET BACK TO WORK. 439 00:16:42,567 --> 00:16:46,067 MAKE LOVE TO THAT CAMERA, CHLOE CARTER. 440 00:16:48,267 --> 00:16:51,067 - "POWERFUL STAGE PRESENCE, 441 00:16:51,067 --> 00:16:53,197 "SURPRISING DEPTH TO HIS SONGS. 442 00:16:53,200 --> 00:16:55,400 "EDDIE DURAN IS NO PRETTY-BOY FLASH IN THE PAN. 443 00:16:55,400 --> 00:16:57,070 HE IS HERE TO STAY." 444 00:16:57,067 --> 00:16:58,667 - WHY IS MY DEPTH SURPRISING? 445 00:16:58,667 --> 00:17:00,827 - THAT'S ALL YOU HEARD? 446 00:17:00,833 --> 00:17:03,733 FROM THIS AMAZING REVIEW, THIS IS WHAT YOU GET? 447 00:17:03,733 --> 00:17:05,333 - JUST KEEP READING. FINISH IT. 448 00:17:05,333 --> 00:17:07,303 - WHAT'S THE FIRST RULE OF SHOWBIZ? 449 00:17:07,300 --> 00:17:09,330 - UH, KEEP ALL YOUR RECEIPTS. 450 00:17:09,333 --> 00:17:11,903 - NEVER READ YOUR REVIEWS... - [laughs] 451 00:17:11,900 --> 00:17:13,570 - GOOD OR BAD. 452 00:17:13,567 --> 00:17:15,667 - [grunts] BUT YOU'RE READING IT, SO... 453 00:17:15,667 --> 00:17:17,727 - 'CAUSE IT'S A GOOD ONE. 454 00:17:17,733 --> 00:17:19,233 HELL, IT'S A STELLAR REVIEW, 455 00:17:19,233 --> 00:17:21,403 BUT IF YOU START BELIEVING THIS STUFF, 456 00:17:21,400 --> 00:17:23,070 THAT COULD REALLY MESS YOU UP. 457 00:17:23,067 --> 00:17:25,127 - ALL RIGHT, ALL RIGHT. NO REVIEWS. 458 00:17:25,133 --> 00:17:27,073 AND EVEN IF I'M MINDING MY OWN BUSINESS 459 00:17:27,067 --> 00:17:28,427 AND SOMEBODY COMES UP TO ME AND READS ONE, 460 00:17:28,433 --> 00:17:30,133 I'LL TAKE IT WITH A GRAIN OF SALT. 461 00:17:30,133 --> 00:17:31,633 - EXACTLY. - [chuckles] 462 00:17:31,633 --> 00:17:33,603 YOU KNOW, IT REALLY HELPS 463 00:17:33,600 --> 00:17:36,070 THAT YOU'VE BEEN THROUGH ALL THIS YOURSELF BEFORE. 464 00:17:36,067 --> 00:17:37,827 - LOOK, COMPARED TO WHAT YOU'RE DOING, 465 00:17:37,833 --> 00:17:39,503 IT FEELS LIKE I WAS IN THE MINOR LEAGUES. 466 00:17:39,500 --> 00:17:42,330 - YEAH, BUT YOU KNOW ALL THE, UH--LIKE, THE TRAPS. 467 00:17:42,333 --> 00:17:44,303 - YEAH, BUT YOUR TRAPS ARE A LOT MORE EXPENSIVE. 468 00:17:44,300 --> 00:17:45,830 - YEAH. [chuckles] 469 00:17:45,833 --> 00:17:46,973 [cell phone rings] 470 00:17:46,967 --> 00:17:50,327 - UH, OOH, I WONDER WHO IT IS. 471 00:17:50,333 --> 00:17:51,933 - JAKE. 472 00:17:51,933 --> 00:17:54,633 - AND WHERE ARE YOU, MY FRIEND? - WITH DAD. 473 00:17:54,633 --> 00:17:56,603 - UH-HUH. YOU SEE THE REVIEWS ABOUT THE SHOW LAST NIGHT? 474 00:17:56,600 --> 00:17:59,470 - [groans] I'M JUST GONNA FOCUS ON THE MUSIC. 475 00:17:59,467 --> 00:18:02,067 NOT REALLY WORRIED ABOUT SOMEBODY ELSE'S OPINION. 476 00:18:02,067 --> 00:18:04,067 - SOUNDS LIKE PAPA MAX GOT TO YOU FIRST. 477 00:18:04,067 --> 00:18:05,327 - YEAH, HE DID. 478 00:18:05,333 --> 00:18:06,903 - I'M JUST CALLING TO REMIND YOU ABOUT A FEW THINGS, 479 00:18:06,900 --> 00:18:08,330 LIKE YOU'RE SIGNING AT K-VOICE THIS AFTERNOON. 480 00:18:08,333 --> 00:18:11,973 - JAKE, I AM NOT KEITH RICHARDS, OKAY, BUDDY? 481 00:18:11,967 --> 00:18:14,197 I DIDN'T BLACK OUT LAST NIGHT AND FORGET MY SCHEDULE. 482 00:18:14,200 --> 00:18:16,070 - I KNOW, BUT IT SEEMS IT'S SOMEBODY'S JOB 483 00:18:16,067 --> 00:18:18,667 TO REMIND YOU OF YOUR SCHEDULE AND TO KEEP YOU ON TASK. 484 00:18:18,667 --> 00:18:21,967 AND WHOSE JOB IS THAT ANYWAY? OH, RIGHT, IT'S MINE. 485 00:18:21,967 --> 00:18:25,067 SO LET'S GET THROUGH IT. - OKAY. 486 00:18:25,067 --> 00:18:27,067 YES. UH-HUH. 487 00:18:27,067 --> 00:18:28,627 UH-HUH. ALL RIGHT. 488 00:18:28,633 --> 00:18:30,073 OKAY. 489 00:18:30,067 --> 00:18:32,327 REALLY? THAT TOO? 490 00:18:32,333 --> 00:18:33,973 OKAY, YEAH. 491 00:18:33,967 --> 00:18:36,897 ALL RIGHT, I'LL BE THERE. LOOK, JUST EMAIL ME. 492 00:18:36,900 --> 00:18:38,700 OR PICK ME UP, AND I'LL BE WHEREVER I'M SUPPOSED TO GO. 493 00:18:38,700 --> 00:18:40,770 ALL RIGHT. COOL. 494 00:18:43,067 --> 00:18:44,567 WHAT? 495 00:18:44,567 --> 00:18:46,967 - YOU COULD SAY NO. - I KNOW. 496 00:18:46,967 --> 00:18:49,567 I JUST--I DON'T LIKE TO TURN THINGS DOWN. 497 00:18:49,567 --> 00:18:51,497 YOU KNOW, YOU NEVER KNOW WHEN ALL THIS IS GOING TO END. 498 00:18:51,500 --> 00:18:52,730 I WANT TO MAKE THE MOST OF IT. 499 00:18:52,733 --> 00:18:54,873 - AND YOU ARE NO FLASH IN THE PAN. 500 00:18:54,867 --> 00:18:57,967 - AH, DON'T BELIEVE THE REVIEWS, POP. 501 00:18:57,967 --> 00:18:59,497 - OKAY. 502 00:18:59,500 --> 00:19:02,070 SO I'LL TRUST THAT YOU KNOW WHEN YOU'RE OVERLOADED. 503 00:19:02,067 --> 00:19:03,767 - YEAH. - YEAH? 504 00:19:03,767 --> 00:19:05,627 - WHAT DOES HE HAVE YOU DOING TONIGHT? 505 00:19:05,633 --> 00:19:08,403 - I'M JUST TAKING CHLOE TO DINNER AT RUMOUR. 506 00:19:08,400 --> 00:19:11,200 - CHLOE. DID YOU EVER FIND OUT WHAT HAPPENED TO HER? 507 00:19:11,200 --> 00:19:13,070 - SHE GOT STUCK IN A FITTING FROM HELL, I GUESS. 508 00:19:13,067 --> 00:19:14,767 - AND SHE COULDN'T CALL YOU? 509 00:19:14,767 --> 00:19:17,697 - NO. SHE--SHE SAID SHE TRIED OR WHATEVER. 510 00:19:17,700 --> 00:19:19,270 IT WAS JUST A COMEDY OF ERRORS. 511 00:19:19,267 --> 00:19:21,367 SHE FELT HORRIBLE, THOUGH. IT'S NO BIG DEAL. 512 00:19:21,367 --> 00:19:24,227 - "NO BIG DEAL"? YOUR LAST SHOW ON THE TOUR? 513 00:19:24,233 --> 00:19:26,533 - DAD. - I'M JUST SAYING-- 514 00:19:26,533 --> 00:19:28,733 - STOP. STOP WORRYING ABOUT THAT. 515 00:19:28,733 --> 00:19:30,733 SPEND MORE TIME WITH CHLOE, AND THEN YOU'LL UNDERSTAND 516 00:19:30,733 --> 00:19:34,233 WHY I FEEL THE WAY I DO ABOUT HER. 517 00:19:34,233 --> 00:19:35,373 - OKAY. 518 00:19:35,367 --> 00:19:39,467 [rock music] 519 00:19:39,467 --> 00:19:43,427 - * YOU USED ME 520 00:19:43,433 --> 00:19:47,103 * I NEED YOU 521 00:19:47,100 --> 00:19:50,130 [cell phone rings] 522 00:19:50,133 --> 00:19:53,773 - OH, I JUST LOVE TO SEE YOU SWEAT, BABY. 523 00:19:53,767 --> 00:19:55,067 - OH, LOOKS LIKE TYLER'S GOING TO BE 524 00:19:55,067 --> 00:19:56,567 A BIGGER PROBLEM THAN I THOUGHT. 525 00:19:56,567 --> 00:19:59,127 - YOU GIVE ME THE WORD, AND I'LL KEEP HIM DISTRACTED FOR YOU. 526 00:19:59,133 --> 00:20:00,803 - YOU WOULDN'T LIKE HIM. HIS CHARM WEARS OFF. 527 00:20:00,800 --> 00:20:02,100 - HAS IT FOR YOU? 528 00:20:02,100 --> 00:20:03,900 - I'M WITH EDDIE NOW. 529 00:20:03,900 --> 00:20:05,730 - I'LL TAKE YOUR CASTOFFS ANYTIME. 530 00:20:05,733 --> 00:20:07,303 - I DON'T WANT THEM HAVING DRINKS TOGETHER. 531 00:20:07,300 --> 00:20:10,330 - EDDIE HAS NO CLUE THAT YOU AND TYLER 532 00:20:10,333 --> 00:20:12,433 USED TO ENJOY EACH OTHER'S COMPANY? 533 00:20:12,433 --> 00:20:14,403 - AND I INTEND TO KEEP IT THAT WAY. 534 00:20:14,400 --> 00:20:17,530 - WHY? EDDIE KNOWS YOU'VE HAD OTHER BOYFRIENDS. 535 00:20:17,533 --> 00:20:19,633 IT'S HOLLYWOOD. 536 00:20:19,633 --> 00:20:21,703 EVERYONE'S HISTORY IS AN OPEN BOOK. 537 00:20:21,700 --> 00:20:24,130 - AND I NEED TO KEEP TYLER OFF MY BOOKS. 538 00:20:24,133 --> 00:20:25,733 - WHAT? 539 00:20:25,733 --> 00:20:27,533 ARE YOU SAYING THERE'S SOMETHING STILL GOING ON 540 00:20:27,533 --> 00:20:28,973 BETWEEN YOU AND TYLER? 541 00:20:28,967 --> 00:20:31,067 - WHAT-- WHAT ARE YOU TALKING ABOUT? 542 00:20:31,067 --> 00:20:34,997 - YOU SAID, "I'D LIKE TO KEEP TYLER." 543 00:20:35,000 --> 00:20:36,770 I NOTICE THINGS LIKE THAT. 544 00:20:36,767 --> 00:20:39,067 - I JUST MEANT THAT TYLER IS A LOSE CANNON. 545 00:20:39,067 --> 00:20:43,397 AND I CAN'T HAVE HIM SHOOTING DOWN MY RELATIONSHIP WITH EDDIE. 546 00:20:45,333 --> 00:20:47,603 - HERE YOU GO. - HOW LATE YOU WORKING TONIGHT? 547 00:20:47,600 --> 00:20:48,830 - GET OFF AT 8:00. 548 00:20:48,833 --> 00:20:50,603 - YOU'VE BEEN PUTTING IN SO MANY HOURS LATELY. 549 00:20:50,600 --> 00:20:53,270 - YEAH, WELL, I GOT TO GET THAT MONEY TO PAY FOR COLLEGE. 550 00:20:53,267 --> 00:20:55,027 - HATE TO BREAK IT TO YOU, BUT THE CASH YOU MAKE HERE 551 00:20:55,033 --> 00:20:57,203 PROBABLY WON'T BUY HALF A TEXTBOOK NEXT FALL. 552 00:20:57,200 --> 00:20:59,430 - YEAH, WELL, EVERY TIP IS WORTH IT. 553 00:20:59,433 --> 00:21:01,203 [door opens] EXCEPT MAYBE THAT ONE. 554 00:21:01,200 --> 00:21:03,670 QUEEN BEE AND HER TWO DRONETTES. 555 00:21:03,667 --> 00:21:05,427 - OH, WAITRESS GIRL, 556 00:21:05,433 --> 00:21:09,833 UM, I'LL HAVE MY USUAL, OF COURSE, AND SO WILL THEY. 557 00:21:11,667 --> 00:21:14,797 - SO IS THAT GOING TO BE YOUR NONFAT MOCHA LATTE IDIOTA 558 00:21:14,800 --> 00:21:16,830 OR YOUR REGULAR SOY LATTE BITCHERINI? 559 00:21:16,833 --> 00:21:18,633 I CAN NEVER REMEMBER. 560 00:21:18,633 --> 00:21:21,073 - WHATEVS, JUST BRING THREE OF THEM. 561 00:21:21,067 --> 00:21:24,167 - OKAY. - THE SERVICE HERE IS TERRIBLE. 562 00:21:24,167 --> 00:21:26,067 ANYWAYS, WE WERE RIGHT UP FRONT ALL NIGHT, 563 00:21:26,067 --> 00:21:28,197 AND HIS EYES KEPT LANDING ON ME. 564 00:21:28,200 --> 00:21:29,830 IT TOTALLY SEEMED LIKE HE WAS PICKING ME 565 00:21:29,833 --> 00:21:31,733 TO COME BACKSTAGE AFTER THE SHOW, 566 00:21:31,733 --> 00:21:35,173 BUT I WAS LIKE, "UM, EDDIE, I HAVE A BOYFRIEND." 567 00:21:35,167 --> 00:21:36,597 - [Valley girl voice] O.M.G. 568 00:21:36,600 --> 00:21:38,930 I'M GONNA, LIKE, TOTALLY P-U-K-E. 569 00:21:38,933 --> 00:21:40,773 [normal voice] SPOILER ALERT, DRONETTES-- 570 00:21:40,767 --> 00:21:43,067 YOUR LEADER, ADRIANA, DIDN'T GET WITHIN 50 FEET 571 00:21:43,067 --> 00:21:44,267 OF EDDIE DURAN LAST NIGHT. 572 00:21:44,267 --> 00:21:45,827 IF YOU WANT PROOF, YOU CAN GO ON MY VIDEO BLOG, 573 00:21:45,833 --> 00:21:48,073 AND YOU'LL SEE WHO HE REALLY ZEROED IN ON. 574 00:21:48,067 --> 00:21:50,327 - MEL, STOP IT. - WHY NOT? IT'S TRUE. 575 00:21:50,333 --> 00:21:53,073 - RIGHT, BECAUSE EDDIE COULD HAVE ANY GIRL IN THE WORLD, 576 00:21:53,067 --> 00:21:55,327 AND HE WOULD PICK THAT. 577 00:21:55,333 --> 00:21:57,803 - WELL, I HAVE IT RECORDED, AND UNLIKE YOU, 578 00:21:57,800 --> 00:21:59,530 VIDEO DOESN'T LIE. 579 00:21:59,533 --> 00:22:03,873 - SO, UH, LOREN, DID YOU TALK TO EDDIE TODAY? 580 00:22:03,867 --> 00:22:06,067 OR WERE YOU JUST A ONE-NIGHT STAND? 581 00:22:06,067 --> 00:22:07,827 OR DID YOU NOT SPEND THE NIGHT 582 00:22:07,833 --> 00:22:10,873 BECAUSE YOU HAD TO GO HOME AND PUT IN YOUR RETAINER? 583 00:22:10,867 --> 00:22:13,827 IS HE PICKING YOU UP TONIGHT AFTER HIS CD SIGNING AT K-VOICE? 584 00:22:13,833 --> 00:22:17,103 OH, WAIT, I GUESS NOT. 585 00:22:17,100 --> 00:22:19,300 YOU HAVE TO WORK. 586 00:22:19,300 --> 00:22:21,530 - HOLD ON, HOW COME I DIDN'T KNOW ABOUT THIS? 587 00:22:21,533 --> 00:22:23,273 I HAVE TO GET THERE. - DON'T LOOK AT ME. 588 00:22:23,267 --> 00:22:24,897 I'M NOT EVEN SUPPOSED TO BE HERE. 589 00:22:24,900 --> 00:22:26,670 I'M STILL GROUNDED. - WE'RE SHORTHANDED. 590 00:22:26,667 --> 00:22:29,067 THERE'S NO WAY THEY'RE GOING TO LET ME GO. 591 00:22:29,067 --> 00:22:30,167 - OHH! 592 00:22:30,167 --> 00:22:33,767 [all gasp] ADAM! 593 00:22:35,267 --> 00:22:37,827 - MIND YOUR BUSINESS. MIND YOUR BUSINESS. 594 00:22:40,767 --> 00:22:43,497 - ELLIE, CAN YOU TAKE THIS MRI TO DR. DUNCAN'S OFFICE, PLEASE? 595 00:22:43,500 --> 00:22:44,830 HE CAN SEE MY NOTES INSIDE. 596 00:22:44,833 --> 00:22:46,903 - OH, SURE, DON. I MEAN DR. MASTERS. 597 00:22:46,900 --> 00:22:50,270 - THANK YOU. 598 00:22:50,267 --> 00:22:53,267 THIS PLACE IS RUNNING 10,000 TIMES MORE SMOOTHLY 599 00:22:53,267 --> 00:22:54,827 SINCE YOU CAME ABOARD, NORA. 600 00:22:54,833 --> 00:22:56,403 - OH, THANKS, DR. MASTERS. 601 00:22:56,400 --> 00:22:58,770 I REALLY LIKE IT HERE. EVERYONE'S REALLY NICE. 602 00:22:58,767 --> 00:23:02,667 DIGITIZING THESE MEDICAL RECORDS IS A TOUGHER JOB THAN I THOUGHT. 603 00:23:02,667 --> 00:23:04,067 - OH, YOU CAN HANDLE IT. 604 00:23:04,067 --> 00:23:06,497 SINGLE MOTHERS ALWAYS GET THE JOB DONE. 605 00:23:06,500 --> 00:23:07,730 - HOW'D YOU KNOW I WAS A SINGLE MOTHER? 606 00:23:07,733 --> 00:23:08,933 - ELLIE MENTIONED IT. 607 00:23:08,933 --> 00:23:11,473 SHE SAID IT WAS SOMETHING WE HAVE IN COMMON. 608 00:23:11,467 --> 00:23:13,067 - OH, YEAH. 609 00:23:13,067 --> 00:23:14,497 YOU'RE A SINGLE MOTHER TOO, HUH? 610 00:23:14,500 --> 00:23:16,330 - [chuckles] MORE OR LESS. 611 00:23:16,333 --> 00:23:18,803 I'VE BEEN ON MY OWN WITH MY DAUGHTER FOR A FEW YEARS NOW. 612 00:23:18,800 --> 00:23:21,370 - HMM, SINGLE PARENTING-- 613 00:23:21,367 --> 00:23:24,627 TWICE THE WORK, HALF THE PAY, AND THE HOURS ARE TERRIBLE. 614 00:23:24,633 --> 00:23:26,803 [chuckles] BUT I LOVE IT. 615 00:23:26,800 --> 00:23:28,270 - YOU HAVE ONE CHILD AS WELL? 616 00:23:28,267 --> 00:23:30,327 - YEAH. - DAUGHTER OR SON? 617 00:23:30,333 --> 00:23:31,833 - A DAUGHTER. YEAH, SHE'S AT WEST VALLEY, 618 00:23:31,833 --> 00:23:33,573 BUT SHE'S HEADED OFF TO COLLEGE IN THE FALL. 619 00:23:33,567 --> 00:23:35,227 - WEST VALLEY? 620 00:23:35,233 --> 00:23:37,173 - YEAH, I SWEAR I JUST DROPPED HER OFF AT KINDERGARTEN. 621 00:23:37,167 --> 00:23:38,467 [both laugh] 622 00:23:38,467 --> 00:23:39,767 - I KNOW WHAT YOU MEAN. 623 00:23:39,767 --> 00:23:41,667 WEST VALLEY IS WHERE MY DAUGHTER GOES... 624 00:23:41,667 --> 00:23:43,167 - OH. - ADRIANA MASTERS. 625 00:23:43,167 --> 00:23:45,797 - OH, YEAH--OH, YEAH. 626 00:23:45,800 --> 00:23:47,330 ADRIANA, YEAH. WOW. WOW. 627 00:23:47,333 --> 00:23:50,333 THEY'VE BEEN IN SCHOOL TOGETHER SINCE THE SIXTH GRADE. 628 00:23:50,333 --> 00:23:52,603 BUT I'VE NEVER SEEN YOU AT ANY OF THE PARENT EVENTS. 629 00:23:52,600 --> 00:23:56,070 - OH, I'M PRETTY NEGLIGENT WHEN IT COMES TO THAT STUFF. 630 00:23:56,067 --> 00:23:58,727 I'M NOT REALLY THE P.T.A. DAD KIND OF GUY. 631 00:23:58,733 --> 00:24:00,403 - WELL, I'D SAY YOU'VE GOT PLENTY ON YOUR PLATE HERE. 632 00:24:00,400 --> 00:24:02,670 - WELL, IT'S NO EXCUSE. I REALLY SHOULD DO MORE. 633 00:24:02,667 --> 00:24:05,797 SO THEY MUST KNOW EACH OTHER-- ADRIANA AND... 634 00:24:05,800 --> 00:24:07,400 - UH, UH, LOREN. 635 00:24:07,400 --> 00:24:09,200 YES, YEAH, THEY DO. 636 00:24:09,200 --> 00:24:11,830 THEY JUST TRAVEL IN KIND OF DIFFERENT SOCIAL CIRCLES. 637 00:24:11,833 --> 00:24:13,233 - OH, I SEE. 638 00:24:13,233 --> 00:24:14,673 I'VE MET A LOT OF ADRIANA'S FRIENDS. 639 00:24:14,667 --> 00:24:16,567 YOU SHOULD BE HAPPY YOUR DAUGHTER'S NOT IN THAT GROUP. 640 00:24:16,567 --> 00:24:18,127 - [laughs] 641 00:24:18,133 --> 00:24:21,073 - THAT DOESN'T MEAN WE CAN'T BE FRIENDS, RIGHT? 642 00:24:21,067 --> 00:24:22,797 - YEAH, ABSOLUTELY. 643 00:24:28,333 --> 00:24:30,333 - SO THE IDEA IS THAT WE ASK THE FANS 644 00:24:30,333 --> 00:24:32,333 TO SUBMIT THEIR OWN SONGS TO YOUR WEBSITE. 645 00:24:32,333 --> 00:24:33,873 YOU PICK THE ONES YOU WANT TO RECORD 646 00:24:33,867 --> 00:24:36,127 AND GOES ON YOUR NEXT ALBUM-- WHAT DO YOU THINK? 647 00:24:36,133 --> 00:24:38,903 EDDIE? DUDE, YOU ARE NEVER THIS QUIET. 648 00:24:38,900 --> 00:24:40,970 - [chuckles] SORRY, I'M-- 649 00:24:40,967 --> 00:24:42,497 I'M JUST PROCESSING. 650 00:24:42,500 --> 00:24:44,400 OKAY, SO WHAT YOU'RE SUGGESTING IS, LIKE, 651 00:24:44,400 --> 00:24:46,870 A GENUINE COLLABORATION FOR ME AND MY AUDIENCE? 652 00:24:46,867 --> 00:24:49,127 - YEAH, WE ANNOUNCE THE CONTEST ON YOUR WEBSITE 653 00:24:49,133 --> 00:24:51,703 AND LET THE PEOPLE UPLOAD THEIR SUBMISSIONS. 654 00:24:51,700 --> 00:24:53,230 - OKAY. LIKE VIDEOS? 655 00:24:53,233 --> 00:24:54,503 - WELL, YEAH, BUT WE DON'T EXPECT THEM 656 00:24:54,500 --> 00:24:55,530 TO BE SEASONED PERFORMERS. 657 00:24:55,533 --> 00:24:57,073 THEY JUST NEED TO WRITE A GREAT SONG, 658 00:24:57,067 --> 00:24:58,567 A SONG YOU WANT TO RECORD. 659 00:24:58,567 --> 00:24:59,897 - ALL RIGHT. 660 00:24:59,900 --> 00:25:01,630 WOW, THAT'S DEFINITELY COOL. 661 00:25:01,633 --> 00:25:03,273 I MEAN, IT'S ORIGINAL. IT'S INTERACTIVE. 662 00:25:03,267 --> 00:25:06,327 - SO IS THAT A THUMBS-UP? - YEAH, A WAY THUMBS-UP. 663 00:25:06,333 --> 00:25:08,073 I MEAN, IT'S AN INSPIRED IDEA. 664 00:25:08,067 --> 00:25:10,427 - AND THE PROMOTION POSSIBILITIES ARE ENDLESS. 665 00:25:10,433 --> 00:25:13,573 - RIGHT, BUT THE MOTIVATION IS MUSIC, OKAY? 666 00:25:13,567 --> 00:25:15,727 I BET THERE'S PLENTY OF UNDISCOVERED TALENT OUT THERE 667 00:25:15,733 --> 00:25:17,233 THAT JUST NEED A-A BREAK. 668 00:25:17,233 --> 00:25:18,573 - YOU REALIZE IF WE DO THIS, 669 00:25:18,567 --> 00:25:20,427 YOU'RE GOING TO BE BOMBARDED BY SUBMISSIONS, THOUGH? 670 00:25:20,433 --> 00:25:21,603 - YEAH, BUT THAT'S THE POINT. 671 00:25:21,600 --> 00:25:23,070 - YEAH, I JUST WANT TO MAKE SURE 672 00:25:23,067 --> 00:25:24,797 YOU'RE NOT DISTRACTED FROM YOUR OWN WRITING. 673 00:25:24,800 --> 00:25:26,600 LOOK, I'LL WORK WITH THE LABEL TO FILTER OUT, 674 00:25:26,600 --> 00:25:28,370 BECAUSE YOU KNOW THERE'S GOING TO BE PLENTY OF JUNK. 675 00:25:28,367 --> 00:25:30,267 - ALL RIGHT, THAT'S YOUR DEPARTMENT, JAKE. 676 00:25:30,267 --> 00:25:32,697 JUST BRING ME WHAT YOU THINK IS BEST, AND I'LL GO FROM THERE. 677 00:25:32,700 --> 00:25:34,700 - I KNEW YOU'D LIKE IT. 678 00:25:34,700 --> 00:25:36,470 - WHAT'S NOT TO LIKE? ALL RIGHT, LET'S FACE IT-- 679 00:25:36,467 --> 00:25:38,597 NO ONE KNOWS WHERE THAT NEXT HIT IS COMING FROM. 680 00:25:38,600 --> 00:25:42,200 - * WHEN YOU FEEL LIKE YOU'VE LOST * 681 00:25:42,200 --> 00:25:43,530 * SOMETHING GOOD 682 00:25:43,533 --> 00:25:47,703 - [scoffs] IT'S A GOOD THING WE GOT HERE WHEN WE DID. 683 00:25:47,700 --> 00:25:50,730 ADAM, NO ONE YOU KNOW IS GOING TO SEE YOU. 684 00:25:50,733 --> 00:25:52,203 - I'M NOT TAKING ANY CHANCES. 685 00:25:52,200 --> 00:25:54,170 - WHAT YOU DID AT THE COFFEE SHOP TODAY 686 00:25:54,167 --> 00:25:55,397 WAS PURE GENIUS. 687 00:25:55,400 --> 00:25:57,070 - IT WAS EITHER THAT OR A BOMB THREAT, 688 00:25:57,067 --> 00:25:58,627 AND I DIDN'T WANT TO GET ARRESTED BY THE FBI 689 00:25:58,633 --> 00:26:00,273 JUST SO A GROUPIE COULD MEET EDDIE DURAN. 690 00:26:00,267 --> 00:26:02,967 - I'M IGNORING THAT, BUT THANKS. 691 00:26:02,967 --> 00:26:04,667 - THAT WAS SHORT NOTICE TOO. 692 00:26:04,667 --> 00:26:06,497 YOU SHOULD SEE ME WHEN I HAVE TIME TO PREPARE. 693 00:26:06,500 --> 00:26:08,830 - I'M JUST GLAD THEY LET ME GO FOR A FEW HOURS. 694 00:26:08,833 --> 00:26:10,303 I WISH MELISSA WERE HERE. 695 00:26:10,300 --> 00:26:11,970 - HOW LONG IS SHE GROUNDED FOR, ANYWAY? 696 00:26:11,967 --> 00:26:13,597 - THAT DEPENDS ON FRAU LISA. 697 00:26:13,600 --> 00:26:16,100 - 'CAUSE I WANTED TO SEE IF SHE... 698 00:26:16,100 --> 00:26:18,070 - YOU WANTED TO SEE IF SHE WHAT? 699 00:26:18,067 --> 00:26:19,297 - NOTHING. 700 00:26:19,300 --> 00:26:21,870 - COME ON, ADAM, YOU TOTALLY HAVE A CRUSH ON MELISSA. 701 00:26:21,867 --> 00:26:24,067 - NO, NO, I REALLY DON'T. 702 00:26:24,067 --> 00:26:26,097 I MEAN, SHE DOESN'T HAVE A THING FOR ME, DOES SHE? 703 00:26:26,100 --> 00:26:30,800 NO? NO, NO, I DON'T LIKE HER--NO WAY. 704 00:26:30,800 --> 00:26:33,770 WHERE THE HELL IS THIS EDDIE JERK, ANYWAY? 705 00:26:35,600 --> 00:26:37,530 - HEY, SWEETIE, I-IT'S ME. 706 00:26:37,533 --> 00:26:39,773 UM, I KNOW THAT YOU'RE AT YOUR SIGNING, 707 00:26:39,767 --> 00:26:41,527 BUT I WAS THINKING ABOUT WHAT YOU SAID EARLIER 708 00:26:41,533 --> 00:26:44,533 ABOUT THE TWO OF US JUST HAVING A LOW-KEY EVENING. 709 00:26:44,533 --> 00:26:47,533 AND I KNOW THAT YOU MUST BE EXHAUSTED, 710 00:26:47,533 --> 00:26:49,433 AND I'M NOT FEELING THAT GREAT, 711 00:26:49,433 --> 00:26:51,933 SO WHY DON'T YOU JUST COME OVER HERE AFTER THE SIGNING? 712 00:26:51,933 --> 00:26:53,873 I'LL BE WAITING. 713 00:26:53,867 --> 00:26:54,897 [beep] 714 00:26:57,333 --> 00:26:58,703 [sighs] 715 00:26:58,700 --> 00:27:00,430 [cheers and applause] 716 00:27:00,433 --> 00:27:02,503 - HEY, HOW'S EVERYONE DOING TODAY? 717 00:27:02,500 --> 00:27:05,430 [cheers and applause] 718 00:27:08,067 --> 00:27:09,527 GOOD! 719 00:27:09,533 --> 00:27:11,233 ALL RIGHT, LET'S GET SOME SIGNINGS DONE HERE. 720 00:27:11,233 --> 00:27:12,873 - EVERYTHING OKAY? 721 00:27:12,867 --> 00:27:14,497 - YEAH, EVERYTHING'S GOOD. IT'S JUST CHLOE-- 722 00:27:14,500 --> 00:27:16,530 LITTLE CHANGE OF PLANS TONIGHT. 723 00:27:16,533 --> 00:27:18,603 HI. WHAT'S YOUR NAME? 724 00:27:24,067 --> 00:27:26,897 - LOOK, HE'S DROOLING OVER YOU ALREADY. 725 00:27:26,900 --> 00:27:28,400 - LEAVE HER ALONE, ADRIANA. 726 00:27:28,400 --> 00:27:31,170 - I THOUGHT YOU WERE MELISSA'S LAPDOG. 727 00:27:31,167 --> 00:27:33,597 - OH, KIND OF LIKE HOW YOU'RE PHIL'S? 728 00:27:33,600 --> 00:27:34,900 [sighs] 729 00:27:34,900 --> 00:27:37,370 [cell phone chimes] 730 00:27:37,367 --> 00:27:39,867 - "I'LL BE OVER AFTER DRINKS WITH TYLER. 731 00:27:39,867 --> 00:27:41,497 FEEL BETTER." 732 00:27:41,500 --> 00:27:43,430 DAMN IT. 733 00:27:43,433 --> 00:27:45,173 [sighs] 734 00:27:45,167 --> 00:27:47,067 - WE SHOULD TALK MORE ABOUT THE CONTEST AFTER THIS. 735 00:27:47,067 --> 00:27:48,597 - NO, I TRUST YOU TO HANDLE IT. 736 00:27:48,600 --> 00:27:50,700 - WE CAN GO GET A DRINK, SOMETHING QUICK. 737 00:27:50,700 --> 00:27:52,600 - I CAN'T, MAN. I HAVE PLANS. 738 00:27:52,600 --> 00:27:54,930 - CHLOE WILL BE COOL. - NAH, IT'S NOT WITH CHLOE. 739 00:27:54,933 --> 00:27:57,773 I'M HAVING A DRINK WITH TYLER RORKE. 740 00:27:59,533 --> 00:28:02,273 - HEY, WE GOT THE FINAL CONTRACT FOR THAT COMMERCIAL. 741 00:28:02,267 --> 00:28:03,427 - I'M COOL, MAN. 742 00:28:03,433 --> 00:28:06,133 - HERE CHECK IT OUT. 743 00:28:06,133 --> 00:28:08,433 - HI. WHAT'S YOUR NAME? - LOREN. 744 00:28:08,433 --> 00:28:12,673 - EXCUSE ME ONE SEC. SORRY. - OH, OKAY. 745 00:28:12,667 --> 00:28:14,127 - UH, AND YOU ARE? 746 00:28:14,133 --> 00:28:15,373 - LOREN. 747 00:28:15,367 --> 00:28:17,327 UM, I WAS ACTUALLY AT YOUR CONCERT LAST NIGHT, 748 00:28:17,333 --> 00:28:19,773 AND WHEN I GOT HOME, I SENT YOU A PRIVATE-- 749 00:28:19,767 --> 00:28:21,597 - THAT'S SO GREAT. 750 00:28:21,600 --> 00:28:24,200 VERY NICE TO MEET YOU. THANK YOU SO MUCH FOR COMING. 751 00:28:26,267 --> 00:28:29,067 - OH, I GUESS LAST NIGHT DIDN'T MEAN AS MUCH TO HIM 752 00:28:29,067 --> 00:28:31,067 AS IT DID TO YOU. 753 00:28:31,067 --> 00:28:33,767 [laughs] 754 00:28:41,067 --> 00:28:43,067 [dog barking in the distance] 755 00:28:43,067 --> 00:28:45,167 - [sighs] 756 00:28:45,167 --> 00:28:48,797 WELL, THAT WAS A COLOSSAL WASTE OF TIME. 757 00:28:48,800 --> 00:28:51,800 - SORRY YOU DIDN'T GET MORE FACE TIME WITH EDDIE. 758 00:28:51,800 --> 00:28:53,170 - WHAT WAS I EXPECTING? 759 00:28:53,167 --> 00:28:55,067 IT'S NOT LIKE A CD SIGNING WITH A MILLION PEOPLE 760 00:28:55,067 --> 00:28:57,267 IS THE IDEAL PLACE FOR A ONE-ON-ONE. 761 00:28:57,267 --> 00:28:59,067 - GUESS I'LL SEE YOU TOMORROW AT SCHOOL, THEN? 762 00:28:59,067 --> 00:29:01,527 - YEAH. AND THANK YOU FOR COMING WITH ME. 763 00:29:01,533 --> 00:29:03,873 I KNOW THAT MUST HAVE BEEN CLOSE TO TORTURE FOR YOU. 764 00:29:03,867 --> 00:29:05,067 [chuckles] 765 00:29:05,067 --> 00:29:06,767 BYE. 766 00:29:10,500 --> 00:29:11,930 [radio turns on] 767 00:29:11,933 --> 00:29:15,833 - AND TODAY'S TOP TUNE-- L.A.'S VERY OWN EDDIE DURAN. 768 00:29:15,833 --> 00:29:18,073 - * WHEN YOU FEEL-- 769 00:29:18,067 --> 00:29:19,267 [radio turns off] 770 00:29:19,267 --> 00:29:22,267 - [sighs] 771 00:29:22,267 --> 00:29:24,697 [cell phone rings] 772 00:29:27,067 --> 00:29:29,167 - HEY, MOM. - HI. 773 00:29:29,167 --> 00:29:31,067 HOW'S MY DAUGHTER, THE ROCK STAR'S GIRLFRIEND? 774 00:29:31,067 --> 00:29:33,667 - WELL, MM, YESTERDAYS NEWS. 775 00:29:33,667 --> 00:29:35,327 - HOW SO? 776 00:29:35,333 --> 00:29:37,573 - HE HAD A SIGNING TODAY AT THE RADIO STATION, 777 00:29:37,567 --> 00:29:40,897 AND I WENT, BUT I BARELY GOT TO SAY TWO WORDS TO HIM. 778 00:29:40,900 --> 00:29:42,870 - OH, I'M SORRY, HONEY. 779 00:29:42,867 --> 00:29:44,497 - AH, IT'S NO BIG DEAL. 780 00:29:44,500 --> 00:29:47,530 - YOU SOUND SO DISAPPOINTED. - WELL, KIND OF. 781 00:29:47,533 --> 00:29:50,273 IT WAS JUST A BIT OF A LETDOWN AFTER LAST NIGHT, YOU KNOW? 782 00:29:50,267 --> 00:29:52,327 - THAT'S BOUND TO HAPPEN. 783 00:29:52,333 --> 00:29:54,373 - I JUST GOT TO FOCUS ON WHAT'S REAL FOR NOW-- 784 00:29:54,367 --> 00:29:56,227 YOU KNOW, GRADUATING, COLLEGE, 785 00:29:56,233 --> 00:29:58,073 WORKING AT THE COFFEE SHOP. 786 00:29:58,067 --> 00:29:59,667 - YOU CAN STILL HAVE YOUR DREAMS TOO. 787 00:29:59,667 --> 00:30:01,267 - I KNOW. 788 00:30:01,267 --> 00:30:03,497 - IT SOUNDS LIKE YOU'RE WORKING ON YOUR NEW SONG RIGHT NOW. 789 00:30:03,500 --> 00:30:05,570 - YEAH, IT'S CALLED 790 00:30:05,567 --> 00:30:08,267 HE'S A ROCK STAR, AND I'M STILL A FACE IN THE CROWD. 791 00:30:08,267 --> 00:30:11,197 - IT'S KIND OF A LONG TITLE, BUT I LOVE IT. 792 00:30:11,200 --> 00:30:12,370 AND I LOVE YOU. 793 00:30:12,367 --> 00:30:13,527 - THANKS, MOM. 794 00:30:13,533 --> 00:30:15,403 YOU ALWAYS KNOW HOW TO MAKE ME FEEL BETTER. 795 00:30:15,400 --> 00:30:17,900 - UGH. HONEY, MANY MEN WILL COME AND GO, 796 00:30:17,900 --> 00:30:19,730 BUT I WILL ALWAYS BE HERE. 797 00:30:19,733 --> 00:30:21,673 - "MANY MEN"? 798 00:30:21,667 --> 00:30:24,097 - WELL, HOPEFULLY NOT TOO MANY. 799 00:30:24,100 --> 00:30:25,270 LET'S NOT GET CRAZY. 800 00:30:25,267 --> 00:30:26,827 [cell phone rings] 801 00:30:26,833 --> 00:30:28,273 - I'M SORRY. YOU HAVE THE WRONG NUMBER. 802 00:30:28,267 --> 00:30:31,227 SOMEONE NAMED JAKE USED TO LIVE HERE. 803 00:30:31,233 --> 00:30:33,233 - VERY FUNNY. YOU'RE ON SPEAKERPHONE, BABE. 804 00:30:33,233 --> 00:30:35,473 - HEY, TRACI. - HEY, GORGEOUS. 805 00:30:35,467 --> 00:30:38,197 THINK YOU CAN RELEASE MY HUSBAND ANYTIME SOON? 806 00:30:38,200 --> 00:30:40,300 - HEY, HE'S OFF THE CLOCK NOW. HE'S YOUR PROBLEM. 807 00:30:40,300 --> 00:30:41,700 - OH, I CAN DEAL. 808 00:30:41,700 --> 00:30:43,900 HEY, WE SHOULD ALL GET TOGETHER FOR DINNER SOMETIME. 809 00:30:43,900 --> 00:30:45,130 - YEAH, THAT'D BE GREAT. 810 00:30:45,133 --> 00:30:46,703 AND I KNOW CHLOE WOULD LOVE TO SEE YOU. 811 00:30:46,700 --> 00:30:47,930 - YEAH, ME TOO. 812 00:30:47,933 --> 00:30:49,233 - ALL RIGHT. BE HOME SOON, BABE. 813 00:30:49,233 --> 00:30:51,173 - I LOVE YOU, BABY. 814 00:30:52,667 --> 00:30:55,327 - OOH-HOO. "I LOVE YOU, BABY." 815 00:30:55,333 --> 00:30:57,733 OH, MY GOD, YOU GUYS ARE ADORABLE. 816 00:30:57,733 --> 00:30:59,173 - AH, SHE'S ADORABLE, MAN. 817 00:30:59,167 --> 00:31:00,797 I'M JUST HANGING ALONG FOR THE RIDE. 818 00:31:00,800 --> 00:31:03,770 - YEAH, THAT IS THE TYPE OF MARRIAGE I WANT ONE DAY-- 819 00:31:03,767 --> 00:31:05,967 YOU KNOW, LIKE YOU REALLY FEEL LIKE YOUR WIFE'S GOT YOUR BACK, 820 00:31:05,967 --> 00:31:07,797 LIKE I KNOW TRACI HAS YOURS. 821 00:31:07,800 --> 00:31:09,530 - YEAH, SO, SPEAKING OF SIGNIFICANT OTHERS, 822 00:31:09,533 --> 00:31:11,203 YOU WANT ME TO DROP YOU OFF AT CHLOE'S? 823 00:31:11,200 --> 00:31:12,570 - OH, NO. 824 00:31:12,567 --> 00:31:14,497 I TOLD HER I'D COME OVER AFTER I MEET UP WITH TYLER. 825 00:31:14,500 --> 00:31:15,970 JUST DROP ME OVER AT RUMOUR. 826 00:31:15,967 --> 00:31:17,627 - WAIT. YOU ARE NOT SERIOUSLY GOING TO MEET UP 827 00:31:17,633 --> 00:31:19,073 WITH THAT JERK, ARE YOU? 828 00:31:19,067 --> 00:31:20,827 - COME ON, MAN, NOW YOU SOUND LIKE CHLOE. 829 00:31:20,833 --> 00:31:24,073 - YOU MEAN SHE AND I BOTH AGREE THAT TYLER IS A TOXIC HOT MESS? 830 00:31:24,067 --> 00:31:26,327 - LOOK, THE DUDE CALLED-- HE SOUNDED REALLY APOLOGETIC, 831 00:31:26,333 --> 00:31:28,403 LIKE HE JUST WANTED TO HANG OUT AND TALK. 832 00:31:28,400 --> 00:31:30,770 - DUDE, YOU ARE LIGHT-YEARS AHEAD OF HIM IN YOUR CAREER. 833 00:31:30,767 --> 00:31:32,897 - COME ON, DON'T GIVE ME THAT. SO WHAT? 834 00:31:32,900 --> 00:31:34,770 SO I CAN'T HANG OUT WITH THE LITTLE PEOPLE ANYMORE? 835 00:31:34,767 --> 00:31:36,427 - SURELY YOU HAVEN'T FORGOTTEN THE CRAP HE PULLED OUT 836 00:31:36,433 --> 00:31:38,073 ON THE SET OF SENIOR DITCH DAY. 837 00:31:38,067 --> 00:31:39,397 - ALL RIGHT, THAT WAS BLOWN OUT OF PROPORTION. 838 00:31:39,400 --> 00:31:41,070 - YEAH, WELL, TELL THAT TO THE PRODUCERS. 839 00:31:41,067 --> 00:31:43,067 WHY DO YOU THINK THEY KILLED OFF HIS CHARACTER IN THE SEQUEL? 840 00:31:43,067 --> 00:31:45,067 - I KNOW HE'S A HOTHEAD, OKAY? 841 00:31:45,067 --> 00:31:47,967 BUT WE HAD SO MUCH FUN BACK THEN, YOU KNOW? 842 00:31:47,967 --> 00:31:49,727 BOTH OF US WERE JUST COMING UP, 843 00:31:49,733 --> 00:31:53,833 AND WE'D GO TO A CLUB, AND LADIES WOULD SWARM HIM. 844 00:31:53,833 --> 00:31:55,473 I'VE NEVER SEEN ANYBODY WORK A ROOM LIKE HIM. 845 00:31:55,467 --> 00:31:57,267 - ALL RIGHT, I'LL GIVE YOU 846 00:31:57,267 --> 00:31:59,667 THAT HE'S CHARMING AND TALENTED, BUT HE'S TROUBLE. 847 00:31:59,667 --> 00:32:01,467 - I'M NOT ASKING YOU TO BE FRIENDS WITH HIM, JAKE. 848 00:32:01,467 --> 00:32:03,067 - YEAH, SEEMS LIKE CHLOE'S NOT JUST INTERESTED 849 00:32:03,067 --> 00:32:04,227 IN BEING FRIENDS EITHER. 850 00:32:04,233 --> 00:32:06,373 - AH, SHE SAID THEY WERE NEVER REALLY FRIENDS 851 00:32:06,367 --> 00:32:07,397 IN A CLOSE WAY. 852 00:32:07,400 --> 00:32:08,570 - WHAT ABOUT ANY OTHER WAY? 853 00:32:08,567 --> 00:32:10,397 SHE HAD A LIFE BEFORE YOU, MAN, 854 00:32:10,400 --> 00:32:11,830 THE SAME AS YOU HAD ONE BEFORE HER. 855 00:32:11,833 --> 00:32:13,073 - I DON'T CARE. 856 00:32:13,067 --> 00:32:14,797 YOU KNOW, ALL I CARE ABOUT IS WHAT WE HAVE NOW, 857 00:32:14,800 --> 00:32:16,670 AND THAT'S SOLID, ALL RIGHT? 858 00:32:16,667 --> 00:32:18,227 THERE'S PLENTY OF THINGS I DON'T KNOW ABOUT CHLOE, 859 00:32:18,233 --> 00:32:20,633 BUT THAT'S WHAT KEEPS LOVE INTERESTING. 860 00:32:22,700 --> 00:32:24,530 - NORA'S OUR NEW OFFICE MANAGER. 861 00:32:24,533 --> 00:32:25,803 SHE'S GOING TO BE IN TOUCH 862 00:32:25,800 --> 00:32:27,370 WITH YOUR PHYSICAL-THERAPY REFERRAL. 863 00:32:27,367 --> 00:32:28,697 HAVE NO WORRIES-- YOUR HUSBAND'S HIP 864 00:32:28,700 --> 00:32:30,270 IS GOING TO BE AS GOOD AS NEW IN A FEW WEEKS. 865 00:32:30,267 --> 00:32:31,397 - OH, THANK YOU SO MUCH. 866 00:32:31,400 --> 00:32:33,400 - YOU CALL ME IF YOU HAVE ANY PROBLEMS, OKAY? 867 00:32:43,833 --> 00:32:46,233 I SAW THAT. 868 00:32:49,900 --> 00:32:51,400 - [chuckles] 869 00:32:51,400 --> 00:32:54,070 - * FLY AWAY 870 00:32:54,067 --> 00:32:59,067 * WE WILL TOUCH THE STARS 871 00:32:59,067 --> 00:33:01,197 * YOU AND ME [indistinct chatter] 872 00:33:01,200 --> 00:33:03,600 - EXCUSE ME, SIR. DO YOU HAVE A RESERVATION? 873 00:33:03,600 --> 00:33:06,870 - I'M JUST HAVING A DRINK WITH EDDIE DURAN. 874 00:33:06,867 --> 00:33:10,197 - * YOU WILL SEE 875 00:33:10,200 --> 00:33:13,100 * IN YOUR ARMS 876 00:33:13,100 --> 00:33:17,230 * I FEEL WE'RE ALMOST THERE * 877 00:33:17,233 --> 00:33:18,703 - OH, GOOD EVENING, MR. DURAN. 878 00:33:18,700 --> 00:33:21,230 YOUR FRIEND'S AT THE BAR. - THANK YOU. 879 00:33:21,233 --> 00:33:24,073 - * IN YOUR EYES 880 00:33:24,067 --> 00:33:27,867 * WONDER IF WE DARE 881 00:33:27,867 --> 00:33:29,767 - [clears throat] 882 00:33:29,767 --> 00:33:32,067 - EDDIE, WHAT ARE YOU DRINKING? 883 00:33:32,067 --> 00:33:33,267 - A BEER SOUNDS GOOD. 884 00:33:33,267 --> 00:33:34,697 - CAN I GET A BEER FOR MY FRIEND HERE? 885 00:33:34,700 --> 00:33:36,300 AND I'LL TAKE ANOTHER BOURBON. 886 00:33:36,300 --> 00:33:37,730 WHOA, WHOA, WHOA, YOU TRYING TO INSULT ME? 887 00:33:37,733 --> 00:33:40,103 THIS IS ON ME. - [chuckles] ARE YOU SURE? 888 00:33:40,100 --> 00:33:42,270 - YEAH. I INVITED YOU, DIDN'T I? 889 00:33:42,267 --> 00:33:44,067 - THANK YOU. 890 00:33:44,067 --> 00:33:45,597 LOOK, I GOT TO ADMIT-- 891 00:33:45,600 --> 00:33:47,770 I WAS PRETTY SURPRISED TO HEAR FROM YOU. 892 00:33:47,767 --> 00:33:49,927 - YEAH. SOMEONE'S GOT TO BREAK THE ICE. 893 00:33:49,933 --> 00:33:51,773 - IT'S BEEN TWO YEARS. 894 00:33:51,767 --> 00:33:53,727 - WATER OVER THE BRIDGE. 895 00:33:53,733 --> 00:33:55,703 - [laughs] UNDER THE BRIDGE. 896 00:33:55,700 --> 00:33:58,970 IF WATER'S OVER THE BRIDGE, SOMETHING'S GONE TERRIBLY WRONG. 897 00:33:58,967 --> 00:34:00,967 - THAT'S FUNNY. THAT'S SOME FUNNY STUFF. 898 00:34:00,967 --> 00:34:02,867 WHAT I'M TRYING TO SAY IS, WE SHOULD BE ABLE TO PICK UP 899 00:34:02,867 --> 00:34:04,097 WHERE WE LEFT OFF. 900 00:34:04,100 --> 00:34:05,630 - "WHERE WE LEFT OFF"? 901 00:34:05,633 --> 00:34:08,803 WE LEFT OFF IN EACH OTHER'S FACES, REMEMBER? 902 00:34:08,800 --> 00:34:11,070 AFTER YOU SUCKER PUNCHED THAT GUY AT THE MTV AFTER-PARTY 903 00:34:11,067 --> 00:34:12,667 AND I PULLED YOU OFF OF HIM. 904 00:34:12,667 --> 00:34:15,267 - THE GUY WAS A POSEUR, AND HE WAS HITTING ON MY DATE. 905 00:34:15,267 --> 00:34:17,067 - HE WAS HITTING ON YOUR DATE? 906 00:34:17,067 --> 00:34:18,927 - I DON'T REMEMBER ALL THE DETAILS, BRO. 907 00:34:18,933 --> 00:34:21,503 - EXACTLY. YOU'RE LUCKY HE DIDN'T PRESS CHARGES. 908 00:34:21,500 --> 00:34:22,800 - I'M TRYING TO MOVE ON HERE, 909 00:34:22,800 --> 00:34:24,070 AND YOU KEEP BRINGING UP THE PAST. 910 00:34:24,067 --> 00:34:25,867 THIS IS A NEGATIVE VIBE, 911 00:34:25,867 --> 00:34:27,697 AND I'M NOT ABOUT THAT ANYMORE. 912 00:34:27,700 --> 00:34:30,200 I'M TRYING TO DO BETTER, EDDIE. 913 00:34:30,200 --> 00:34:31,730 I'M TRYING. 914 00:34:36,733 --> 00:34:41,303 - * I MUST BE TREATED WITH CARE LIKE A FINE-TUNED CAR * 915 00:34:41,300 --> 00:34:43,100 - [sighs] 916 00:34:43,100 --> 00:34:46,600 * 917 00:34:46,600 --> 00:34:50,300 THAT'S PROBABLY NOT HEALTHY. 918 00:34:50,300 --> 00:34:52,870 - * DON'T YOU KNOW THAT GIRLS LIKE ME * 919 00:34:52,867 --> 00:34:54,467 * DON'T GROW ON TREES? * 920 00:34:54,467 --> 00:34:57,467 * THEY'RE A RARE AND SPECIAL BREED... * 921 00:34:57,467 --> 00:34:59,397 [keys clacking furiously] 922 00:34:59,400 --> 00:35:01,070 - [sighs] 923 00:35:01,067 --> 00:35:02,197 - PUT DOWN YOUR HOMEWORK, 924 00:35:02,200 --> 00:35:03,970 STOP FILLING OUT SCHOLARSHIP APPLICATIONS, 925 00:35:03,967 --> 00:35:06,767 AND TURN ON YOUR COMPUTER, LIKE, THIS SECOND! 926 00:35:06,767 --> 00:35:08,327 [keys clacking] 927 00:35:08,333 --> 00:35:09,733 - WHEN DID THIS COME IN? 928 00:35:09,733 --> 00:35:11,673 - JUST A MINUTE AGO. ARE YOU ON HIS WEBSITE? 929 00:35:11,667 --> 00:35:13,867 - YEAH, I AM NOW. 930 00:35:13,867 --> 00:35:16,297 - * GIRLS, GIRLS LIKE ME 931 00:35:20,333 --> 00:35:22,073 - SO WHAT ABOUT YOU? 932 00:35:22,067 --> 00:35:24,067 CHLOE SAID YOU WERE SHOOTING SOMETHING IN HONG KONG? 933 00:35:24,067 --> 00:35:25,827 - YEAH. THAT MOVIE WAS A PIECE OF CRAP. 934 00:35:25,833 --> 00:35:27,373 I GOT TO BOOK A REAL JOB. 935 00:35:27,367 --> 00:35:29,567 - SO WHO'S YOUR AGENT NOW? 936 00:35:29,567 --> 00:35:31,327 - SOME LOSER IN THE VALLEY. 937 00:35:31,333 --> 00:35:33,203 - I'D LIKE TO HOOK BACK UP WITH JAKE, THOUGH. 938 00:35:33,200 --> 00:35:35,070 - AH, JAKE'S A MANAGER NOW. 939 00:35:35,067 --> 00:35:36,397 - THAT'S EVEN BETTER. I MEAN... 940 00:35:36,400 --> 00:35:38,070 LOOK WHAT HE'S DONE FOR YOUR CAREER. 941 00:35:38,067 --> 00:35:40,867 - [chuckles] I HAD A LITTLE SOMETHING TO DO WITH THAT. 942 00:35:40,867 --> 00:35:43,067 - THAT AND YOUR HOOK-UPS AND... 943 00:35:43,067 --> 00:35:44,667 WITH ALL YOUR DAD AND HIS CONNECTIONS. 944 00:35:44,667 --> 00:35:46,827 - YES, CONNECTIONS WILL OPEN SOME DOORS, 945 00:35:46,833 --> 00:35:48,203 BUT I MEAN, I'VE HAD TO-- 946 00:35:48,200 --> 00:35:49,630 - YOU KNOW, THAT'S EASY FOR YOU TO SAY 947 00:35:49,633 --> 00:35:51,173 WHEN YOU'VE BEEN BORN WITH A SILVER SPOON. 948 00:35:51,167 --> 00:35:53,727 YOU HAVE NO IDEA WHAT IT'S LIKE TO STRUGGLE IN THIS TOWN. 949 00:35:53,733 --> 00:35:56,073 - TYLER, LOOK, I'M SORRY YOUR CAREER 950 00:35:56,067 --> 00:35:58,227 IS NOT WHERE YOU WANT IT TO BE. 951 00:35:58,233 --> 00:35:59,433 BUT MAYBE YOU SHOULD THINK 952 00:35:59,433 --> 00:36:01,603 BEFORE YOU BURN ANY MORE BRIDGES. 953 00:36:01,600 --> 00:36:03,400 - WHAT'S WITH YOU AND ALL THE BRIDGES? 954 00:36:03,400 --> 00:36:05,730 LOOK, I FEEL LIKE YOU'RE TRYING TO LECTURE ME. 955 00:36:05,733 --> 00:36:09,073 - YOU KNOW, I GAVE YOU THE BENEFIT OF THE DOUBT-- 956 00:36:09,067 --> 00:36:11,127 LIKE COMING HERE, SEEING IF YOU CHANGED. 957 00:36:11,133 --> 00:36:13,803 - AND I'M SURE YOU GOT A LOT OF FLAK FROM YOU-KNOW-WHO. 958 00:36:13,800 --> 00:36:15,470 - JAKE DIDN'T THINK IT WAS A GOOD IDEA. 959 00:36:15,467 --> 00:36:17,467 - I'M TALKING ABOUT YOUR WOMAN. 960 00:36:17,467 --> 00:36:18,827 - CHLOE? 961 00:36:18,833 --> 00:36:20,773 - THAT GIRL WILL KEEP YOU ON YOUR TOES, AM I RIGHT? 962 00:36:20,767 --> 00:36:22,267 - YEAH. SHE'S SPECIAL. 963 00:36:22,267 --> 00:36:23,627 - BUT YOU GOT TO WATCH IT, BRO, 964 00:36:23,633 --> 00:36:25,973 'CAUSE SHE'S AMBITIOUS AS HELL. 965 00:36:25,967 --> 00:36:28,067 - THANKS FOR THE HEADS-UP. - NO, I'M NOT JOKING. 966 00:36:28,067 --> 00:36:30,727 SHE'S GOT BIG PLANS, AND I'M SURE SHE'S VERY ANXIOUS 967 00:36:30,733 --> 00:36:32,633 TO GET HER HOOKS IN YOU. 968 00:36:32,633 --> 00:36:34,503 - WOULD YOU MIND NOT TALKING ABOUT MY GIRLFRIEND LIKE THAT? 969 00:36:34,500 --> 00:36:35,930 - I'M JUST CALLING IT LIKE I SEE IT. 970 00:36:35,933 --> 00:36:38,133 - YOU KNOW WHAT? 971 00:36:38,133 --> 00:36:39,433 I GOT TO GO. [clears throat] 972 00:36:39,433 --> 00:36:40,973 THANKS FOR THE BEER. - COOL. 973 00:36:40,967 --> 00:36:42,667 YOU'RE WALKING OUT ON ME AFTER I BUY YOU A DRINK. 974 00:36:42,667 --> 00:36:44,327 THAT'S--THAT'S SOME GOOD MANNERS, BRO. 975 00:36:44,333 --> 00:36:46,773 BUT I GUESS, ONCE YOU'VE MADE IT, 976 00:36:46,767 --> 00:36:49,927 YOU CAN DUMP ALL THE PEOPLE LIKE US. 977 00:36:49,933 --> 00:36:52,173 - I'M GONNA HAVE THE HOSTESS CALL YOU A CAB. 978 00:36:52,167 --> 00:36:54,967 - NO TEENY-ASS POP STAR IS GOING TO TELL ME WHAT TO DO. 979 00:36:54,967 --> 00:36:56,227 - BYE, TYLER. 980 00:36:56,233 --> 00:36:59,573 - I CAN MAKE YOUR LIFE MISERABLE, EDDIE DURAN. 981 00:37:04,567 --> 00:37:05,867 - HI. 982 00:37:05,867 --> 00:37:07,627 - I THOUGHT YOU SAID YOU WEREN'T FEELING WELL. 983 00:37:07,633 --> 00:37:09,173 - UH, I TOOK A COUPLE DECONGESTANTS. 984 00:37:09,167 --> 00:37:10,297 I FEEL BETTER. 985 00:37:10,300 --> 00:37:11,500 UH, WHAT'S GOING ON HERE? 986 00:37:11,500 --> 00:37:13,800 - NOTHING. WE'RE DONE. 987 00:37:13,800 --> 00:37:16,170 - EVERYTHING OKAY? - EVERYTHING'S FINE. 988 00:37:16,167 --> 00:37:18,727 ONCE A JERK, ALWAYS A JERK. - HEY, CHLOE, YOU REMEMBER ME? 989 00:37:18,733 --> 00:37:20,373 - OF COURSE. 990 00:37:20,367 --> 00:37:22,667 IT'S NICE TO SEE YOU AGAIN, TYLER. 991 00:37:22,667 --> 00:37:24,127 - LOOK, I DON'T FEEL LIKE EATING HERE, SO... 992 00:37:24,133 --> 00:37:25,533 - OH, COME ON, EDDIE. 993 00:37:25,533 --> 00:37:27,473 YOU DON'T WANT TO DISAPPOINT THE LADY, 994 00:37:27,467 --> 00:37:32,227 ESPECIALLY WHEN SHE'S LOOKING SO INCREDIBLY ENTICING TONIGHT. 995 00:37:32,233 --> 00:37:34,073 I'M LEAVING ANYWAY. 996 00:37:34,067 --> 00:37:36,327 OH. CHLOE, HOW'D YOU ENJOY EDDIE'S SHOW LAST NIGHT? 997 00:37:36,333 --> 00:37:38,673 - I COULDN'T MAKE IT. I WAS WORKING. 998 00:37:38,667 --> 00:37:42,067 - THAT'S TOO BAD. I HEARD IT WAS GREAT. 999 00:37:42,067 --> 00:37:44,667 * WHOA-OH, KICK IT UP * 1000 00:37:44,667 --> 00:37:48,327 * WHOA-OH, KICK IT UP * 1001 00:37:48,333 --> 00:37:50,303 - HE'S A LITTLE UNSTABLE. 1002 00:37:50,300 --> 00:37:53,330 [bluesy rock music] 1003 00:37:53,333 --> 00:38:02,073 * 1004 00:38:02,067 --> 00:38:07,527 - * RED LIGHT 1005 00:38:07,533 --> 00:38:11,473 * STREET SIGN 1006 00:38:13,067 --> 00:38:18,297 * BAD NIGHT 1007 00:38:18,300 --> 00:38:21,530 * REWIND 1008 00:38:21,533 --> 00:38:25,203 * 1009 00:38:25,200 --> 00:38:29,530 *MAMA'S ONLY KILLING TIME * 1010 00:38:29,533 --> 00:38:33,933 * 1011 00:38:33,933 --> 00:38:39,703 * HELD UP 1012 00:38:39,700 --> 00:38:42,070 * LET DOWN 1013 00:38:42,067 --> 00:38:46,067 * LET DOWN, BABY 1014 00:38:47,400 --> 00:38:49,370 - THANK YOU. 1015 00:38:49,367 --> 00:38:51,467 - BABY, YOU STILL SEEM SO UPSET. 1016 00:38:51,467 --> 00:38:52,967 - I'M SORRY, HONEY. 1017 00:38:52,967 --> 00:38:54,767 HE JUST GETS UNDERNEATH MY SKIN. 1018 00:38:54,767 --> 00:38:57,727 - TYLER? WHAT DID HE SAY? 1019 00:38:57,733 --> 00:39:02,073 - IT WAS JUST LIKE THIS "BACK IN THE DAY, BUDDY, 1020 00:39:02,067 --> 00:39:04,467 WE USED TO MAKE SUCH A GREAT TEAM," 1021 00:39:04,467 --> 00:39:06,097 WHEN, REALLY, WE WEREN'T EVEN CLOSE. 1022 00:39:06,100 --> 00:39:08,270 YOU KNOW, I THINK HE'S CONFUSED ABOUT A LOT. 1023 00:39:08,267 --> 00:39:10,097 - [chuckles] WELL, WHAT DID HE WANT? 1024 00:39:10,100 --> 00:39:12,730 I MEAN, DID HE ASK FOR ANYTHING? MONEY? 1025 00:39:12,733 --> 00:39:14,373 - NO. I MEAN, HE HINTED THAT HE WANTED ME 1026 00:39:14,367 --> 00:39:17,497 TO HOOK HIM BACK UP WITH JAKE, BUT THAT'S NOT GONNA HAPPEN. 1027 00:39:17,500 --> 00:39:19,200 IT'S SO... WEIRD. 1028 00:39:19,200 --> 00:39:21,870 HE'S GOT THIS--THIS CREEPY ENERGY ABOUT HIM NOW. 1029 00:39:21,867 --> 00:39:23,297 - WHAT DO YOU MEAN? 1030 00:39:23,300 --> 00:39:24,830 - I DON'T KNOW. [chuckles] 1031 00:39:24,833 --> 00:39:26,373 I DON'T EVEN KNOW WHY HE INVITED ME HERE. 1032 00:39:26,367 --> 00:39:27,767 I MEAN, IT WAS ALMOST LIKE HE WANTED 1033 00:39:27,767 --> 00:39:30,467 TO PUSH MY BUTTONS OR--OR TAUNT ME. 1034 00:39:30,467 --> 00:39:33,067 - LIKE, WHAT WAS HE SAYING? 1035 00:39:33,067 --> 00:39:36,467 - JUST STUFF ABOUT MY DAD AND MY MUSIC CONNECTIONS. 1036 00:39:36,467 --> 00:39:38,527 AND THEN HE STARTED TALKING ABOUT YOU. 1037 00:39:38,533 --> 00:39:40,433 - WHAT DID HE SAY ABOUT ME? 1038 00:39:40,433 --> 00:39:42,503 - IT'S REALLY NOT WORTH REPEATING. 1039 00:39:42,500 --> 00:39:44,130 - NO, EDDIE, I WANT TO KNOW EVERYTHING THAT 1040 00:39:44,133 --> 00:39:45,973 THAT LYING BASTARD SAID ABOUT ME, 1041 00:39:45,967 --> 00:39:48,627 'CAUSE, TRUST ME, NONE OF IT'S TRUE. 1042 00:39:48,633 --> 00:39:50,433 NONE OF IT. 1043 00:39:53,267 --> 00:39:54,467 - [sighs] 1044 00:39:54,467 --> 00:39:56,197 PRETEND YOU DON'T KNOW ME. 1045 00:39:56,200 --> 00:39:57,830 "NICE TO SEE YOU, TYLER." 1046 00:39:57,833 --> 00:40:02,133 WELL, I KNOW YOU, HONEY. I KNOW WHERE YOU'RE FROM. 1047 00:40:02,133 --> 00:40:04,173 I KNOW WHAT YOU'VE DONE. 1048 00:40:04,167 --> 00:40:06,367 I KNOW HOW YOU WORK, CHLOE. 1049 00:40:06,367 --> 00:40:08,527 [siren wails] 1050 00:40:08,533 --> 00:40:10,103 OH... 1051 00:40:10,100 --> 00:40:12,600 [siren wails] 1052 00:40:12,600 --> 00:40:15,270 [grunts] 1053 00:40:15,267 --> 00:40:17,297 [insects chirping] 1054 00:40:17,300 --> 00:40:18,500 - THANKS, MR. S. 1055 00:40:18,500 --> 00:40:20,070 - YEAH, JUST DON'T STAY TOO LONG, OKAY? 1056 00:40:20,067 --> 00:40:22,367 - OKAY, I WON'T. - UM, SHE'S GROUNDED. 1057 00:40:22,367 --> 00:40:23,967 - OH, I WAS JUST HELPING HER OUT 1058 00:40:23,967 --> 00:40:25,667 WITH THE PRECOG TEST REVIEW, 1059 00:40:25,667 --> 00:40:27,767 AND IT'S TOO HARD TO EXPLAIN OVER VIDEO CHATS. 1060 00:40:27,767 --> 00:40:30,097 SO I NEED TO SHOW HER THE STEPS. 1061 00:40:30,100 --> 00:40:33,370 - IT'S NOT A BIG DEAL, IS IT? 1062 00:40:33,367 --> 00:40:34,927 - TEN MINUTES. 1063 00:40:34,933 --> 00:40:37,703 SHE'S IN HER ROOM. - THANK YOU. 1064 00:40:40,967 --> 00:40:42,997 - [sighs deeply] 1065 00:40:43,000 --> 00:40:44,670 - [gasps] YOU MADE IT. 1066 00:40:44,667 --> 00:40:47,367 - FEEL LIKE I ALMOST GOT A TSA PAT-DOWN FROM YOUR MOM. 1067 00:40:47,367 --> 00:40:49,367 - OKAY, SO WE HAVE TO FILL OUT THIS FORM NOW, OKAY? 1068 00:40:49,367 --> 00:40:50,927 'CAUSE THE CONTEST RULES STATE THAT ALL ENTRIES 1069 00:40:50,933 --> 00:40:52,473 HAVE TO BE SUBMITTED BY NEXT WEEK. 1070 00:40:52,467 --> 00:40:54,197 - THAT'S KIND OF SOON, ISN'T IT? 1071 00:40:54,200 --> 00:40:55,800 - IT'S NEVER TOO SOON TO PLAN YOUR FUTURE. 1072 00:40:55,800 --> 00:40:58,230 - I DON'T KNOW ABOUT THIS, MEL. - WHY NOT? 1073 00:40:58,233 --> 00:40:59,303 - DO YOU KNOW HOW MANY PEOPLE 1074 00:40:59,300 --> 00:41:00,500 ARE GONNA BE ENTERING IN THAT CONTEST? 1075 00:41:00,500 --> 00:41:02,400 - MANY, MANY, MANY. SO? 1076 00:41:02,400 --> 00:41:05,530 - SO? I GOT A BETTER SHOT AT WINNING THE MEGA MILLIONS. 1077 00:41:05,533 --> 00:41:07,773 - YOU WONT KNOW UNLESS YOU TRY-- 1078 00:41:07,767 --> 00:41:10,367 THE SONGWRITING CONTEST, THAT IS, NOT THE MEGA MILLIONS. 1079 00:41:10,367 --> 00:41:12,697 DON'T WASTE YOUR MONEY ON THAT. - WHY ARE YOU PUSHING THIS? 1080 00:41:12,700 --> 00:41:15,070 - 'CAUSE I'M TIRED OF HEARING SNIPPETS OF YOUR SONGS 1081 00:41:15,067 --> 00:41:17,667 AND YOU HIDING YOUR KEYBOARD AND SHEET MUSIC WHEN I SHOW UP. 1082 00:41:17,667 --> 00:41:19,427 - MY MUSIC'S PERSONAL TO ME, OKAY? 1083 00:41:19,433 --> 00:41:20,833 I JUST WRITE THAT FOR MYSELF. 1084 00:41:20,833 --> 00:41:22,503 - YOU ARE SO SELFISH! - OHH. 1085 00:41:22,500 --> 00:41:25,070 - YOU'RE LIKE ONE OF THOSE OBESE HOARDERS ON THAT SHOW. 1086 00:41:25,067 --> 00:41:27,597 YOU CLING TO EVERY NOTE AND LYRIC. 1087 00:41:27,600 --> 00:41:29,530 THEY'RE ALL SITTING IN A GREAT, BIG PILE IN YOUR BEDROOM. 1088 00:41:29,533 --> 00:41:32,403 SHARE YOUR GIFT. SHARE IT WITH THE WORLD. 1089 00:41:32,400 --> 00:41:34,600 - I DON'T WANT THAT KIND OF ATTENTION. 1090 00:41:34,600 --> 00:41:36,230 CAN I DO IT ANONYMOUSLY? 1091 00:41:36,233 --> 00:41:39,073 - NO. IT'S TIME, LOREN. 1092 00:41:39,067 --> 00:41:41,827 IT'S TIME THE WORLD KNOWS WHO YOU ARE. 1093 00:41:41,833 --> 00:41:43,933 IT'S TIME MY BEST FRIEND STEPS OUT OF HER LITTLE BEDROOM 1094 00:41:43,933 --> 00:41:45,273 AND INTO THE SPOTLIGHT. 1095 00:41:45,267 --> 00:41:47,067 ARE YOU READY? 1096 00:41:47,067 --> 00:41:48,867 - I DON'T KNOW, MEL. 1097 00:41:48,867 --> 00:41:50,927 - [sighs] YOU CAN'T FOOL ME, LO. 1098 00:41:50,933 --> 00:41:52,333 IF YOU DIDN'T WANT TO SUBMIT A SONG 1099 00:41:52,333 --> 00:41:53,833 TO EDDIE'S SONGWRITING CONTEST, 1100 00:41:53,833 --> 00:41:55,373 THEN WHY DID YOU RUN OVER HERE IN THREE MINUTES 1101 00:41:55,367 --> 00:41:56,927 WHEN YOU HEARD ABOUT IT? 1102 00:41:56,933 --> 00:41:59,533 - * STANDING ON THE GROUND 1103 00:41:59,583 --> 00:42:04,133 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 82507

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.