All language subtitles for All.Around.The.Town.2002.720p.WEBRip.x264.AAC-[YTS.MX]

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♪ East Side, West Side ♪

♪ All around the town ♪

♪ The tots sang
ring-around-rosie ♪

♪ London Bridge
is falling down ♪

♪ Boys and girls together,
me and Mamie O'Rourke ♪

♪ Tripped the light fantastic
on the sidewalks of New York ♪

- Sarah, what's tripped
the light fantastic?

- It means having fun.

- Just like we were
having outside?

- Put on your mitts and hat.

It's cold out there.

- Can we take my dolly
for a ride up the street?

- [Sarah] We're staying
in the backyard.

- But I wanted to
meet my friends.

- Backyard.

Have you seen my boots?

Did you hide them again?

- [Laurie] Last one
out's a rotten egg.

- Laurie, your hat.

(phone ringing)

Hello, Kinmount residence.

Oh, hi, Mom.

♪ East Side, West Side ♪

♪ All around the town ♪

♪ The tots sang
ring-around-rosie ♪

♪ London Bridge
is falling down ♪

♪ Boys and girls together ♪

- Oh, hi, what's your name?

You have a cute doll,
what's her name?

Huh, huh?

Come on.

- [Laurie] Sarah!

Let me go!

Sarah!
- Don't worry.

I gotta go, bye.

Laurie.

Laurie!

Laurie!

Laurie!

Laurie!

Laurie!

Laurie.

Laurie.

Are you ready?

We need to go.

Hey, you okay?

- Yeah.

(crying)

It's all my fault.

- What are you talking about?

- Mom and Dad were driving down
to see me, Sarah, in my car.

- No, Laurie, it
was an accident.

- They were only on
that road because of me.

- And that is what
they would have wanted.

They were doing
what they loved most

and what they've done from
the minute we both were born.

They were looking after us.

- Sarah.

Sarah.

- They died happy.

Oh, as happy as the day
that you came home to us.

And they went together.

Like two people who really
love each other should.

Come on.

We've got a church
full of people waiting.

- John and Marie Kinmount
exemplified the values

of home and family.

They understood that a strong
family could only take root

in a community that looked
after everyone's needs.

They left this
world a better place

and they leave behind
two fine young women

who embody their values.

One a county prosecutor,

the other an honor student
with a bright future.

John and Marie never asked
anything for their good works.

They conquered great adversity
with an amazing grace.

In their memory,

please join me in singing
their favorite hymn.

♪ Amazing grace, how
sweet the sound ♪

♪ That saved a wretch like me ♪

(Laurie screams)

- Laurie.

(crowd murmuring)

- Is she all right?

- Come on, I'm a doctor.

Come on here, come on.

You're all right, you're
all right, yes, you're okay.

Huh?

You're okay.

Huh?

That's good.

Just a little overwhelmed.

Would be best if she went home.

(church bell ringing)

- I don't know
what came over me.

It was so weird, I've
never fainted before.

- Well, you've
been through a lot.

Let me get this.

- And don't be too hard
on yourself, my dear.

These things happen.

- Do I know you?

- No, we just came
to pay our respects.

Now forget me and let your
big sister take care of you.

- You both have been so kind.

I haven't even asked
you your names.

- Hawkins, Billy
Hawkins, my wife Carla.

- Our condolences.

- Allan Grant.

What kind of doctor are you?

- Pardon me?

- What kind of doctor are you?

- Oh, philosophy actually.

It looked like you
needed somebody

to take control of
the situation, so.

- [Carla] And Billy's a
good judge of human nature.

He just understands.

- Television.

You're that Random
Acts of Generosity guy.

- Actually, he's
the competition.

My message is more
about helping others

in order to help yourself.

- [Allan] Good work feels great.

- Pays well too.

Your parents were
wonderful people, Sarah.

I want you to know their
lives were much appreciated.

- Thank you.

- And now go.

Take care.

You and Laurie make
a lovely couple.

- Oh, we're not.

I'm her English professor.

- Oh.

Forgive me, you seemed so close.

- (laughs) Billy.

Did you really have to do that?

- I needed to be certain.

- And are you?

- I'm not sure.

(dramatic music)

(Laurie screaming)

- Laurie, Laurie, it's okay.

It's okay.

Honey, it's a nightmare.

(Laurie gasping)

- The knife, Sarah.

The knife's back.

- When Laurie was four
years old, she was abducted.

And she was gone for two years.

It was hell for my parents.

Me too.

I was babysitting
her when it happened.

She was eventually found alone
and lost near Pittsburgh.

- What was she like
when she came home?

- Different.

Afraid to go to bed.

She refused my
father's attention

and even then I was
sure she'd been abused

but she didn't
remember anything.

- Did she have a thorough
medical examination

after she was found?

- Mm-hmm, she had a few
sessions with a psychiatrist

but my parents never
said what went on.

- Yes, pretend it
didn't happen was

the prevailing
attitude of the time.

Most people felt that
if you ignored abuse,

it would just be forgotten.

- And I guess I did the same.

Laurie seemed to get better.

She even dated in high school.

She was never really
interested in men

until Gregg Bennett
came along last year.

And then she ended that.

- How's she been since
your parents' deaths?

- She's been having nightmares.

The same one she had as a child.

And I feel so responsible.

- What kind of nightmares?

- There's just one.

She calls it the knife dream.

In it, someone cuts her throat.

Dr. Donnelly, I feel
uncomfortable talking

about Laurie like this but--

- But I've consulted on
half a dozen of your cases

and you didn't know
who else to approach.

- Thank you for agreeing
to meet with me.

Can you recommend
anyone who can help?

- No.

I have an open
appointment tomorrow.

You don't think I'm qualified.

- No, you're one

of the most respected
psychiatrists in the state.

I can't ask you to treat Laurie.

- Well, all you'll do is
convince her to see me.

She'll decide who treats her.

- Well, that may be
the hardest part.

He's a wonderful doctor, Laur.

- I don't need to see a shrink,

I need to get on with my life
and go back to my classes.

- Okay, but wouldn't
it be easier

if you got a good night's sleep?

- The dream doesn't
happen every night.

- Do you remember the
sleepwalking case I prosecuted?

The guy who killed his wife

while fighting monsters
in his nightmares?

- Yeah, I remember.

- Well, the defense
had three psychiatrists

who all claimed it was possible.

In 10 minutes,

Dr. Donnelly completed
destroyed their argument.

And he's an expert.

- Sarah.

- One appointment.

And if you don't like him,
I won't mention it again.

- I'll think about it.

Now I've got to get back
to this English paper.

I'm gonna be up
all night as it is.

- Okay.

Just, I need an
answer by the morning.

- I promise.

Bye.

- Bye.

- The message of the
universe is clear.

Good work feels great.

Give up your life and you
receive a hundredfold.

You've all felt it.

Buy a bum a cup of coffee.

Toss a street kid a quarter.

You feel good, you feel great.

But I know you're asking
"Where's my cup of coffee?

"Who's got a quarter for me?"

Right?

Remember, good work feels great

and being rich feels
a whole lot better.

Let me show you how.

- [Man] And cut.

- Bravo, Billy.

That was your best show ever.

The warehouse won't be able to
keep up with all the orders.

Do you think maybe we could
get away for a few weeks,

somewhere warm?

- I've been thinking
about the girl.

She was so childlike, lost,

and in need of compassion.

We should get in touch.

- [Carla] Billy.

- I don't like the way that
professor looked at her.

She's vulnerable right now.

He might take advantage.

- Billy, now's not the time.

Money's rolling in,

your engagements are
booked weeks in advance,

Seen and Seen Magazine is
at work on a cover story.

- The universe took her
parents to make room for us

and you know we always must
do what the universe asks.

We need to find a
reason to see her

and make sure she
doesn't remember.

- Billy, I just--

- She'll be quiet, Carla.

All we need to do is
remind her of her promise.

(phone ringing)

- Hello?

Laurie's room, a
sleepy Sharon speaking.

- Hey, Sharon?

Is Laurie there?

- I picked up because
her machine conked out

on her the other day.

Sarah?

- Yeah.

Do you know where she is?

She told me she'd be
working all night.

- No, she went out.

And by the look of her,
she had a really hot date.

You wanna leave a message?

- No.

I'll call in the morning.

- Cool.

(phone beeps)

(ominous music)

(phone ringing)

- Hello?

- Laur, I'm sorry it's so early

but you were out when
I called last night.

- [Laurie] Out?

Who told you I was out?

I was up until four
with that damn paper.

- Whatever.

Did you make a decision
about Dr. Donnelly?

- You're not letting
this go, are you?

- [Sarah] Can you
be there at 10?

- Okay.

Bye.

(sighs)

- Sarah tells me that
you feel responsible

for your parents' accident.

Is that a fair statement?

- I broke an appointment
for a DMV inspection.

My dad took the car in for me.

He and my mom were driving
into Colbert when...

- Why'd you break
the appointment?

- The mechanic was a creep.

He kept leering at me.

- Do men often make
you feel uncomfortable?

- Some.

Look, two things have
gone wrong in my life

and they're both my
fault, I admit it.

- Two things, your
parents' deaths and?

- And somebody grabbed me off
the street when I was four.

I was away two years.

- Why would that be your fault?

- I was forbidden to go in the
front yard alone but I did.

- I see.

Well, what do you remember
from the times you were away?

(gentle music)

- Nothing.

- But you remember
things from before.

You must remember something.

Most people remember a great
deal of their formative years.

The first day of school,
(mumbles) their pets.

You must remember something.

Find it a little
hard to believe.

It's okay, you can tell me.

- Leave the kid alone!

She's been through enough.

- Who are you?

- Kate.

- How long have you
been with Laurie?

- Since she was four.

- And what can you tell
me about the knife dream?

- If you make her talk about
that, the dream will come true

and I will not stand by
and let you kill her!

(dramatic music)

(cars honking)

- Have you ever noticed
any significant moments

where Laurie can't
remember where she's been

or what she's done?

- Lots, there was
one last night.

She said that she was
staying in to work on a paper

and her roommate
said she went out.

And this morning, she
claimed that she was home.

- And that happens often?

- She's very protective
about her privacy.

- More than you might imagine.

Your sister's
manifesting a condition

called Dissociative Identity
Disorder, DID for short.

It means she has
multiple personalities.

- What?

- There's nothing
to be afraid of.

In fact, it's quite remarkable.

A child powerless against
abuse often creates

other personalities or alters
to help survive the trauma.

- As a defense mechanism?

- Exactly.

The alters help the child say
this isn't happening to me,

it's happening to someone else.

- And this has happened
since she was abducted?

- More or less.

I've only met one so far
but there may be others.

They're her way of
dealing with pain

and the pain of
your parents' deaths

most likely brought them back.

- Will she need clinical help?

- Maybe.

But right now, I need your help.

- Anything.

- The greatest danger
in treating DID will
be Laurie's fear

of losing the protective
wall she's built.

You need to watch for any signs
that she might harm herself.

- Oh my god.

- I'll be there for both
of you every step, Sarah.

But this has to be done,

otherwise Laurie
won't ever be well.

(singing in foreign language)

- Hi.

- Hello, stranger.

How's life in the big city?

- Normal.

Traffic from
Manhattan was murder.

Why can't you get
tenure at Columbia?

- Well, I keep hearing that
they have travel agencies

in New Jersey too.

- Not ones with Anne Webster's
millionaire client list.

- That's true.

How is the old broad?

- More maddening by the day.

But in one month, business
gets transferred to me

and you can get a
job in the city.

- Okay.

- Thanks.

Here, you have a
letter from Leona.

What is it now, another
oath of her undying love

or (mumbles) remembrance
of your last tryst?

- Pretty remembrance.

Oh, it's kinda juicy.

You should try this.

Look at that.

(mumbling)

- Pain in my heart?

Why aren't you taking
this seriously?

- Because they're
obviously just fantasies.

- Why haven't you been
to the dean about it?

- Because they're
from some student

who has some personal issues.

- That can ruin your career.

- And her life.

- What about our love song?

- Karen, I'm not gonna turn
some poor misguided girl

who writes bad porn
over to administration.

They'll have her
tarred and feathered.

As soon as I find out
who this Leona is,

I'll do what I can to
get her some help, okay?

- All right, well, you know
you'll only make matters worse.

Sometimes I think you like
this kind of attention.

- What?

- I heard this campus gossip.

Female students calling you
Sexy Allan, flirting with you.

- Oh, Karen.

- Sometimes I think
this secret admirer

is only a secret from me.

- Don't be ridiculous.

- No, I'm not, listen, we
can't leave it like this.

If you don't wanna do it for
your career, do it for us.

I mean it, Allan, I'm not
gonna put up with this anymore.

- Okay, okay.

(kisses)

- That's not it.

Why can't I get this right?

- [Woman] Maybe you're
not smart enough.

- [Woman] That
shrink's confusing you.

You shouldn't see him anymore.

- [Woman] You're
trying too hard, honey.

Sexy Allan already likes you.

You don't need to impress him.

- God!

(phone ringing)

- Hey, Mark.

How's my miserable
heartless senior prosecutor?

- Still miserable and heartless.

So how's the Mays'
case shaping up?

- Slow but sure.

Did we set a trial date?

- A week from Thursday.

- What?

- [Mark] Wanna hand
it off to Durant?

- No, I'll be ready.

- Sarah, you've got
a lot on your plate.

- I can handle it, Mark.

Nobody else knows
this case like I do.

I'll convict this guy.

- Okay.

If you need anything, just ask.

- Hi.
- Laurie.

- Have you had a chance
to read over my paper

on Emily Dickinson yet?

I hope I'm not
interrupting anything.

- Not at all.

Professor West and I
were just finishing up.

Could you bring those back

when you finish those
assessments, Vera?

- Of course.

- Have a seat, have a seat.

- I'm sorry it was so late.

- Nonsense, it was
very well written.

Although you've
changed your mind

about Old Em since last term.

- I have?

- Before, you used to
feel her genius came

from her being a recluse.

Now apparently you feel she
should have had an affair

with her mentor.

- (laughs) Her mentor?

- Charles Wadsworth.

- Oh, I guess I just thought

she should have a physical
outlet for her emotions

instead of being afraid of them.

- Very astute.

Always amazed at
your ability to think

in several directions at once.

Laurie, did you write
this margin note?

- Yeah, um, I can print
you up a clean copy.

- No, no, no, no.

Laurie, we need to talk.

(knocking)

Karen.

- I took the afternoon off,
I wanted to surprise you.

Looks like I did.

- No, no, no, Laurie
Kinmount, my wife Karen.

- Hi.
- Nice to meet you.

- [Allan] Laurie
and I were just--

- No, it's all right.

I should get going.

- Thanks, Laurie.

- She the one?

- Karen.

- You weren't home when
I called you last night.

You weren't home when I
called you this morning.

- I had a faculty dinner
and a early class.

Do you need to
check my calendar?

- No.

Look, I want to know what's
going on between you and Leona.

- Can we talk about this later?

- Okay.

- Karen.

- I just love this staircase.

And here we are, back
where we started.

Is there anything else that
you'd like to look at again?

- All of it.

No, no, it's perfect.

I have a million ideas
about redecorating.

- And isn't that just
how you always know

that something's perfect?

(phone ringing)

Oh, shoot.

I have to take this.

Would you just excuse
me for a minute?

Thanks.

Betsy Lincoln.

(phone ringing)

- [Justin] Sarah,
it's Justin Donnelly.

I have to shift Laurie's
next appointment (mumbles).

Could you have her call me?

Thanks.

- So are we thinking
of making an offer?

I'm sure that I
could persuade Sarah

to consider lowering the price.

- Oh, we're not
haggling over the cost.

- We're not?

- Mm-mm, the girls have
been through the mill.

Billy is willing to pay
them what they want.

- (laughs) Well, what part
of heaven did you fall from?

Let's go back to the office.

(dog barking)

- Don't know what to say to her.

- You'll have to let
the dean see this.

- Karen, even if he believes
I haven't encouraged this,

it'll change the way
the faculty looks at me.

Either way, it'll be
devastating to her.

- [Karen] That's
not your problem.

- Yes, it is.

- [Karen] Why?

- She's very sensitive.

She just lost her parents

and I promised her sister
I'd look after her.

- What about me, what about us?

(ominous music)

(phone ringing)

- Hello?

- Laurie, it's me.

I got a call today
from Gregg Bennett.

He called to offer
you his condolences.

He wants to see you.

- Well, I don't want to see him.

Don't give him my number.

- He just wants--

- No.

Look, don't let him fool you.

He's not the nice guy
everybody thinks he is.

- Okay, I'm sorry.

I didn't mean to upset you.

Oh, I know this is odd,

but you know where the carving
knife in Mom's kitchen went?

- No, you know I never
go near those things.

I hate knives.

- Okay.

It's just weird.

I can't find it anywhere.

- Look, I've got more
important things to think about

than some stupid knife, okay?

- Are you okay?

- I'm just busy.

Anything else?

- Yeah, actually there is.

Dr. Donnelly needs you to call,

we're shifting an appointment.

- Sarah, do I have
to keep seeing him?

Why can't you all
just leave me alone?

- Laurie, he's helping
you, I know he is.

Please stick with it?

For me.

- All right.

Look, sorry to blow up
about that stupid knife.

I'm just tired, okay?

- Okay.

Sleep tight.

- Yeah.

(sighs)

- Billy, are you sure
this is a good idea?

I don't want people to
suspect I took that knife.

- That's the least
of our problems.

Leigh may have given herself
to another man, Opal.

- Billy, you're not Bic
anymore and I'm not Opal

and Laurie is not Leigh.

Put her out of your mind.

Seen and Seen
Magazine called today.

Hiding the scams we
pulled before this one

will be hard enough.

We don't need any more problems.

- [Billy] We don't
have problems, Opal.

All we have now
are opportunities.

- Did you get a chance to
read the data I gave you

on dissociative disorders?

- Mm-hmm.

- Anything you
didn't understand?

- Uh, no, but it's
kind of creepy.

- Oh, don't think
of it that way.

We've all gone for a
drive, drifted off,

missed some of the journey.

That's all
dissociation really is.

- Only I have people
fill in for me.

- Exactly.

Why don't we talk about
some of the things

that came up last time?

Do you know anyone named Kate?

- Katherine's my middle name.

When I was a little kid and
I wanted to be grown up,

I called myself Kate.

- And what else stands
out from your childhood?

- Um, I loved to read.

Summer at the beach.

Cheerleading in high school.

- [Justin] Did you
have a boyfriend?

- Nobody serious.

(laughs) Well, one.

Gregg Bennett.

- When was this?

- Last year.

We're not together anymore.

He was too demanding.

Look, I don't want to
talk about him, okay?

It was unpleasant.

- Would unpleasant
be a word you'd use

to describe the knife dream?

- I should've known
we'd get back to that.

Did Sarah call you
about the missing knife?

- No.

Is there a reason
you relate your dream

to this missing knife?

- Well, they're
both carving knives.

Sarah probably thinks I'm
planning to kill myself.

- Why would she think that?

- I don't know, she's
always watching me,

trying to see if I'm about
to flip out or something.

- Why would she think that?

- How do I know?

Look.

Why do I have to answer
all of these questions?

- Because we're
trying to find out

why you have these nightmares.

- [Laurie] I told you
everything I know.

- I don't think you have.

- You're doing it
again, aren't you?

- Kate, thank you for
looking after Laurie,

but I'm not gonna harm her.

- Oh, aren't you sweet?

- Laurie?

You okay?

- I've got a headache.

- Okay.

Well, that's all for today.

We don't need to do any more.

(screaming)

- He's wearing me out!

Sometimes I think he's
making me lose my mind.

(phone ringing)

(screams)

- Hello?

- Sarah, it's me.

How is she?

- Pretty upset.

What happened?

How can a severed chicken
head end up in your office?

- I'm not certain.

I have a difficult patient
who's part of a cult.

This is the sort
of thing he'd do.

- Well, I hope you convince
Laurie it won't happen again.

She's insisting
she's not going back.

- I understand.

But the fear she's describing
means we're getting somewhere.

Now we just have to find out

why this event had
so much meaning.

- I hate to push her.

- Look, I know how
hard this is for you

but she's not gonna
get any better

unless she deals with
her problems herself.

- Well, what am
I supposed to do?

- Just be supportive.

That's what you've been doing.

That's what she needs right now.

(Sarah sighs)

(ominous music)

- Hi.

- Hi.

My name's Gregg Bennett, I'm
looking for Laurie Kinmount.

- I'm sorry, she got
called in for a meeting

with Professor Grant.

- I'll come back later, thanks.

- Anytime.

(knocking)

- Professor Grant?

- [Allan] Laurie.

Thank you for coming.

Please have a seat.

- I hope nothing's wrong.

- No, please leave
the door open.

Thank you.

Laurie, it's not uncommon

for a student to develop an
attraction to a faculty member,

especially if she's in need
of compassion, kindness.

And it's not unusual

that that relationship
can be misinterpreted.

- What are you talking about?

- Laurie, I understand
the need for fantasy.

I couldn't teach
literature if I didn't.

And I also understand

how a fantasy can
become real to someone--

- You think I wrote these?

- They're in your handwriting.

Laurie, I know you've
just lost your parents

and you've been lonely--

- I did not write these papers.

They're sick and disgusting,
I'd never write this!

- Laurie, I had no intention
of making these public.

That's why I wanted to--

- Wanted what?

To humiliate me?

Maybe you're the sick one.

Get the pretty girl
alone in your office

and see if she gets hot
reading filth like this?

- Please keep your voice down.

- Why?

Do you like it better

when people whisper
this kind of garbage?

Is that what turns you on?

You sick!

- That's it, stop right there.

- How could you
think for one minute

that I would find
you attractive,

that I would want
to sleep with you?

(screams)

You're pigs, every one of you!

You've only got one
thing on your mind!

- Hell is wrong with you?

That's it, I'm dropping
you from my classes

until you get some help.

- You do what you like.

I never want to see you
again, you disgusting!

You'll regret this.

As God is my witness,
you'll regret this.

- [Allan] Laurie!

- All right, let's
move along here.

There's nothing more to see.

(upbeat music)

- He is so sweet.

- Professor Grant?

- Nobody nicknamed him
Sexy Allan, he earned it.

I can tell.

- [Woman] Did you hear about
him and Laurie Kinmount?

- No.

- They had a big lovers' quarrel

over in the English department.

- No way.

- It's true, she wrote a
bunch of steamy letters.

I'll bet he had to make
a preemptive strike

to make sure his wife
didn't get upset.

- Well, if he wants
to give me a try,

I will certainly, certainly
give his wife something

to be upset about.

(clatters)

- I was trying to handle it
as discreetly as I could.

- No, it's not
your fault, Allan.

I should have told you
what she was dealing with.

I guess I was trying
to be discreet too.

Could you send those
letters to Dr. Donnelly?

- I'll mail them in the morning.

Does he know about
this Leona character?

- I'm not sure but anything
you could send him would help.

- Never seen her so angry.

When you see her,

can you tell her I didn't
mean to embarrass her?

- Oh, don't worry, I'm
sure she'll understand.

Anything else?

- No.

Now I have to call my wife
and tell her she was right.

This isn't my day, is it?

- Good luck.

- Thanks.

(phone ringing)

- Hey!
- Where is she?

- Whoa, I don't think she
feels like speaking to anybody.

- Well, I'm not anybody!

Laurie!

Laurie?

- Gregg, get out of here.

I told you I never
want to see you again.

- Why, because of
your other boyfriend?

- You are not my boyfriend.

- Then what's going
on with the professor?

- Nothing!

No, stop it.

Get out of my room.

- No, this has gone
on long enough.

You're gonna tell
me what's going on.

And if he touched you, I swear--

- Get out of my room!

Get out of my life!

Get out, get out!

- You better leave or
I'm calling the police.

- Get out.

Get out.

(screams)

(ominous music)

(knife clatters)

- There you are.

Ha.

We should get going.

Mrs. Germaine's
flight arrives soon.

- Doesn't take more
than 40 minutes

to go to Kennedy at this hour.

- Well, we may need to
arrange a wheelchair.

She's not well, you know.

- [Karen] And I thought of it.

- Well, I don't see the booking.

- Here it is.

Right there.

- Oh.

Well, what about a red cab?

You know how she shops.

(phone ringing)

- Anne Webster Travel.

- [Allan] Karen, it's me.

- Hi.

You settle the letter business?

- Not really.

- Now are you gonna
go to the dean?

- Karen, we need to talk.

- You need to go
to the dean, Allan.

- [Allan] We need to talk.

- I can't right now.

Anne and I have
to go to Kennedy,

we have to pick somebody
up, I can't do it.

- Please, this is important.

- So is my job.

You know, just because you're
ready to deal with things,

it doesn't mean I can
drop everything here.

- Call me later?

- [Karen] I'll call
you from the airport.

(ominous music)

(screaming)

- [Woman] Miss Kinmount,
your sister's on line three.

- Laurie?

- Sarah.

Sarah, Professor
Grant's been murdered

and the police think I did it.

- What?

Where are you?

- I'm at the state
police station.

Sarah, please come and get me.

- Sarah.

- Don't say anything
until I get there.

- I just got a call
from the state police.

They've arrested Laurie.

- I know.

I'm on my way.

- The only one they'll allow
her to see is her lawyer.

- Well, then I guess
that makes me her lawyer.

- You can't.

You're a county prosecutor.

- Not anymore, I'm on leave.

(phone ringing)

- Anne Webster Travel.

No, she's away from
her desk at the moment.

May I help?

Oh my god.

Yes, I'll get her right away.

- What's wrong?

(crowd mumbling)

- It's just a formality.

- The judge said $150,000.

We don't have that
kind of money.

- Don't worry about it.

I'll get you out in a few hours.

(ominous music)

- [Woman] I loved him, I
didn't want him to die!

I loved him!

- [Woman] I told
you to stay home.

Look what you've done to her!

- [Woman] Karen didn't
want Allan, he wanted me.

I wish she was dead instead.

- Miss Kinmount, bail's posted.

Your sister's waiting.

- Oh, it'll be okay,
Laur, it'll be okay.

- Where's Laurie?

- Upstairs, she's resting.

Dr. Justin Donnelly,
this is Brendan Moody.

I don't know if the two
of you have crossed paths

at the prosecutor's office.

- Never had the pleasure.

Heard a lot about
you though, Doc.

- Brendan's in our
investigations office.

He's gonna help us.

- Well, I've never
seen Sarah lose,

so I didn't want to
be on the wrong side.

- Well, that's great

because we're gonna need
all the help we can get.

Have you read the
police reports?

- I watched them type it up.

Sure doesn't look good.

Laurie's threatened the victim,

time of death was
around midnight,

nobody can account for her
whereabouts during that time.

Knife's the one gone
missing from the kitchen.

Allan's blood was on it

and it was on her clothing
and on her bracelet.

- Now I don't remember Laurie
owning a bracelet like that.

- Well, she probably
won't recognize it either.

Neither it nor the
dress she was wearing

match her belongings.

It was probably
purchased by Leona.

- Her other personalities
have that much control?

- Laurie's only hope
may be convincing a jury

that an alter
committed the crime.

- And that's a
dangerous argument.

Even if she's found innocent,

she still might end
up in an institution.

- Then we're gonna have to
dig up some other evidence.

The papers are full of that
fatal attraction angle,

painting Laurie as
the jilted lover.

But they're ignoring our
professor's situation.

- Which is?

- His wife was never home
and I'll wager Sexy Allan

came by his moniker
fair and square.

Laurie may not have
been the only one

who was involved
with this Romeo.

Wanna spend a couple
days around the college.

They're burying Allan tomorrow.

I'll be there.

In my experience, the
killer usually drops by

to make sure the
victim is really dead.

I'll see you later.

- Thanks.

Laurie?

- [Laurie] Come in.

Don't.

- Are you sleeping?

- I was just thinking
about things.

I always like this time of day.

It's always quiet, not
filled with all those things

you think about in the daylight.

- What were you thinking?

- Allan.

How he came to Mom and Dad's
funeral but I can't go to his.

I feel so sorry for him.

He was really good to me.

I can't believe I did this.

- It wasn't you, Laur.

- It was some part of me.

Dr. Donnelly says

that I'm not supposed
to be afraid of them,

that they're just
other versions of me,

but I don't know how I
could be so evil and angry

and not know it.

He was so kind, Sarah.

He made me feel really
smart and special.

I didn't mean to hurt him.

I didn't.

(kisses)

- Which one's the widow?

What does a college
professor make these days?

- Hour's half gone, Laurie.

You've hardly said a word yet.

Anything you want to tell me?

Okay.

There's something else I'd
like to try if you're willing.

Hypnosis.

You see, right now the
alters decide who will visit

and when and I'd like
that to be my call.

And having you hypnotized
would let us go deeper.

You willing to give it a try?

- Is it gonna feel weird?

- All you have to
do is fall asleep.

(slow music)

Okay.

Just relax, Laurie.

Do you feel comfortable?

- I guess.

- I haven't met you yet, have I?

- No.

- You wanna tell me your name?

- Debbie.

I'm four.

- How are you feeling
today, Debbie?

- Sad.

I'm always sad.

- You're always sad?

Why?

- 'Cause I'm always
doing bad things.

- What sort of bad
things do you do?

- Not supposed to tell.

- You talk to your
friends about it?

- I only have one friend
and she can't talk.

- She can't talk?

Why can't she talk?

- She's a chicken.

- [Justin] She's a chicken?

(Laurie laughs)

- Yeah.

- Well, tell me about
your yard and your house.

- It's a farmhouse.

- Well, who lives
there with you?

- I can't tell.

- Yes, you can.

You trust me?

Look at me, you trust me?

Then you can tell me.

Who lives in the house with you?

- Can't tell.

(screaming)

- Debbie, what is
it, what do you see?

- The knife.

- [Justin] What is
the knife doing?

- Doesn't like me
having a friend.

- Is someone holding
the knife, Debbie?

- I can't tell.

No, no!

He killed my chicken.

He killed my friend.

(crying)

- Mrs. Grant?

My name is Brendan Moody.

I just wanted to offer
my condolences to you.

I'm working your husband's case

and I know that this is
not the time or place

but I'd like to talk to
you about what happened.

- I told the police
everything I know.

- Yeah, I know, I
read the reports.

I'm investigating on
behalf of the defendant.

I know, I know,
this is difficult.

- She took my husband's life,
Mr. Moody, I don't think--

- Yeah, I know, she just
doesn't remember a thing

about what happened.

I mean, she's sick

and I'm trying to help
a jury understand that.

- So she can get off scot-free?

Is that it?

- So we can prevent this tragedy

from hurting more people
than it already has.

A lot of people said
a lot of nice things

about your husband
this afternoon

and I know that he was
trying to help Laurie.

And...

- Out of respect for his memory,

you want me to do the same.

- Yeah.

- You can come to the house.

- Thank you.

- [Justin] You
sure you feel okay?

- Yeah, I feel a little weak.

What's this?

- That's a journal.

I want you to start
writing down your thoughts,

no matter how trivial
they might seem.

- And what about the others?

- Well, if they've
got something to say,

they'll make entries too.

Just relax, see what ideas
or memories come to you.

There's no right or wrong to
this and I think it'll help.

Okay?

- Okay.

- I'll see you tomorrow.

- Bye.

(ominous music)

- Billy, aren't you
supposed to be looking

at pictures of us
from our early days

for Seen and Seen Magazine?

- She was such a lovely child.

- Billy, they should have
been burned like the others.

- No, no, no,
these are precious.

This one was taken when she
made the cheerleader squad.

And here is the
graduation photo.

- They need to be burned.

That doctor's digging
around in her head.

No one should find them.

- You worry too much.

Leigh won't betray us.

She knows we're watching.

She got our message.

- [Carla] Maybe we need to
send her another message.

- [Brendan] How long had Allan
been receiving these letters

from Leona?

- A few months.

And they were
patently ridiculous.

She was talking about nights

where Allan and I
had been together,

describing things that I
knew just weren't Allan.

- Did you think there was any
truth in what she was writing?

- No.

No, I didn't.

I just wished he would have
turned them over to the dean.

- Why didn't he?

- I don't know, I told him.

He was just too good-hearted.

He was a friend of their family

and he just couldn't
bear to hurt her.

- [Anne] Brought you some tea
before I go back to the city.

And the mail came.

Lots of cards.

- Thank you, Anne.

- Now you sure I can't do
anything else before I go?

- No, it's all right.

- No?

I'll get going then.

Nice to meet you, Mr. Moody.

- Likewise.

- And Karen, we'll cover for you

until you feel up to coming--

- I'll come in tomorrow.

Thanks.
- Okay, sweetie.

- I can't stay here.

Thank you.

- It must have been tough.

Being away so much.

Why didn't you find
a job closer to home?

- Mrs. Webster was retiring.

I was taking over the business

and Allan and I would have
finally been financially set.

- When did you last talk to him?

- At 10:30.

He was upset about Laurie.

- Did he call you
at your apartment?

- No.

We were at the airport and,

because Anne and I went to
Kennedy to pick up a client

and the plane was late.

We only came home
after midnight.

And I wanted to
call, but I didn't.

- Something wrong?

- It's a letter from Leona.

She's threatening to kill me.

- Now Sarah, I need you to
sign these on every page

and then I want you to
initial where you see an X.

Good.

- And thank you for agreeing
not to take possession

until the trial's over.

- Is it okay for us to drop by?

I want to give the decorators
what they need but--

- [Sarah] No, no,
no, not a problem.

- What about Laurie?

- Oh, we'll manage, thank you.

- And there we are.

Mr. and Mrs. Hawkins,
welcome to your new home.

And Sarah, you have found
yourself some fine new owners.

Now I always bring along
a bottle of champagne,

I've got it chilling in the car.

I can go get it.

- Well, we really
should be going now.

- Yes, we've imposed enough.

Save the champagne

for the day we finally
throw these squatters out.

(laughs)

(slow music)

(phone ringing)

- Hello?

- Sarah, it's Mark Levine.

- Hey, Mark, what's up?

- Karen Grant just got a
threatening letter from Leona.

The handwriting is
identical to the others.

- Oh no.

- It's a clear violation
of Laurie's bail

and Mrs. Grant is
on the warpath.

I have no choice but to
return Laurie to custody.

(Laurie screaming)

- Please believe me,
he'll never stop.

He'll never stop.

(screams)

(clears throat)

- Laurie, I need to
speak with Debbie.

Why'd the picture
scare you, Debbie?

- I can't tell you.

- Debbie, why can't you tell me?

Why not, Debbie?

No, no, no more secrets, Debbie.

No more secrets.

We need to know and
we need to know now.

- Well, just burn the damn
photograph, it's dangerous!

- Why's it dangerous, Kate?

You know where it was taken?

- We all know and
we're not talking.

Every word brings the
knife a little closer.

- Debbie's exactly like
she was at four years old.

And the other one, Kate,

is a close impersonation
of my mother.

- Kate's the protector.

She's based on the adult

who protected Laurie
most at that age.

- Justin, I need to
know more about this.

The trial date gets
closer every day

and we still haven't found
anything that might cast a doubt

on the police version
of what happened.

- Have you heard
anything from Moody?

- He's still nosing
around the campus

but believe me, if
he found anything,

he'd be shouting it
from the rooftops.

I need to be in on the sessions.

- Sarah.

- If I'm gonna save her,

I need to know exactly
how her alters operate.

I want to be in on the sessions.

- Okay.

But you may not
like what you see.

- Everybody knew Sexy Allan
had to be seeing someone.

Always saw him sneaking around
the campus late at night.

He was seeing someone.

- You think it
could've been Laurie?

- Well, one time
I was teasing her

about not having a boyfriend,
she said there was someone.

- Who?

- She wouldn't tell.

Then I asked when she dated him

because she never
went out on weekends.

She said "What's the point?

"He's busy on weekends."

(knocking)

- [Gregg] Hi.

- Hi.

- I heard Laurie was in jail.

I just figured it'd
be safe to come over.

- Gregg.

- Nobody's telling
me anything, Sarah.

And I'm so worried about her.

I want to help.

I can't stand by and
watch this happen.

- Come on in.

- Thanks.

I never felt closer to anyone.

You know, I could've sworn
she felt the same way.

- You guys made a great couple.

Our parents were hoping
to be grandparents.

- Yeah.

We're a ways from
being that close.

- What happened between you two?

- One morning, she just came
over and she started screaming

that she never wanted
to see me again.

- Do you want me to see if
she'll let you visit her?

- I'd love that.

But I don't want to
cause her any more pain.

- Oh, no, I understand.

But let me run it by Justin.

He's convinced if she discovers
what triggers her anger

and fear, it'll cure her.

Maybe that's the way
you can help her most.

- Yeah.

- [Justin] I see Kate
and Leona have seen fit

to write me some notes.

- Yeah, I don't think
they like you very much.

I'm sorry.

- Don't apologize.

The better we both
get to know them,

the easier it'll be to find
out everything they know.

- I don't know what that is.

I must have been doodling.

- [Justin] They're from Debbie.

She can't read or write yet,
so she's drawing us pictures.

- What do they mean?

- Let's ask her.

(gentle music)

Can you hear me, Laurie?

I want to talk with Leona first.

- I was wondering when you'd
finally want to see me.

Worth the wait?

- Oh, yes.

- Got a cigarette?

- No, no, I'm sorry,
I don't smoke.

- I hope that's the
only thing you don't do.

- Um, tell me
about Allan, Leona.

What kind of relationship
did you two have?

- He was the kiss
and tell, not me.

- But you'd been to his house.

- Uh huh.

I went over any time I wanted.

There was a terrace door
he always left unlocked.

He was so lonely.

He didn't deserve the
way Karen treated him.

I would have been so
much better for him.

- Would have been?

You weren't sleeping with him?

- I told you, I
don't kiss and tell.

- Right.

Tell me about the
night Allan died.

- I don't want to talk
about that either.

- Okay.

Then can you tell
me how you felt

when you knew he was dead?

- Look, I'm sorry
I had the knife.

I was so angry at him.

I shouldn't have brought
it along but I did,

but I won't talk about it.

- I wanna talk with Debbie.

(Laurie giggles)

I got your pictures, Debbie.

Wanna tell me what they are?

- Um, that one is a little girl

and a man singing and
rocking in a rocking chair.

- Rocking in a rocking chair.

That sounds like fun.

What are they singing?

- They're singing.

♪ East Side, West Side ♪

♪ All around the town ♪

(screaming)

- Debbie?

Debbie, Debbie, Debbie?

It's all right.

(crying)

What's wrong, what's wrong?

- It's time to go upstairs.

I don't wanna go!

I don't wanna go!

- [Justin] You don't
have to go today,

you don't have to go today.

You don't have to
go today, Debbie.

- Hope you got enough room
for another patient, Doc,

because this case is
starting to drive me nuts.

- You haven't found anything?

- No.

There's enough smoke to suggest

that Grant was lighting
somebody's fire,

but I can't figure out who.

- Well, it may have been Laurie.

Leona's a very sensual woman,
she was obsessed with him.

And having that knife is
definitely not a good sign.

- Well, maybe I should
take another run

at the professor's wife.

She's got an airtight alibi

but I still feel that I
can get something from her.

- I spoke with Laurie about
Gregg earlier this afternoon.

She's agreed to see him.

- That's good.

I'm convinced that whatever
happened between them

is somehow related to
whoever abused her.

If she can trust him
again, she may open up.

- One problem solves the other.

- Exactly.

- Tell me something.

You think any of this
other stuff is related?

- What do you mean?

- I don't know.

Chicken head seems a
long way out of its turf.

Knife goes missing
well before Laurie

and lover boy have
their blow up.

Chicken, picture.

I don't know, it all seems to me

like somebody's trying
to shake her up.

- Who?

Why?

- Hey, I'm just a cop.

You're the college boy.

Look, all I'm saying is it's
a little out of the ordinary.

- Yeah, well, we better
come up with something fast.

Right now, the only
responsible option I have

is pleading her guilty.

By reason of insanity.

- Okay, Laurie, I
just want you to relax

and go with whatever you feel.

Sarah and I are
right here with you.

It's early on a Saturday morning

and you've just gone
to Gregg's house.

- I'm wearing a dress.

Hey, sleepyhead.

Brought you some muffins.

- What are you
doing here so early?

- I'm going home
for the weekend.

Look, offer to tag
along is still open.

- I can't, this term
paper's due tomorrow.

Blueberry, all right!

- Once they were open,

I got them to make
you an extra batch.

- [Gregg] You're amazing.

- Sure, look, I gotta go, okay?

Call me?

- [Gregg] You bet.

- Okay.

- Hey, thanks for
being so thoughtful.

(Laurie screams)

- Debbie?

Is that you?

What did Gregg do
that upset you?

- He grabbed me.

- Grabbed you.

What happened when
he grabbed you?

Debbie, what happened
when you were grabbed?

- I don't know.

Whenever he grabbed
me, I floated away.

- [Billy] 48.

- All right, 48.

You know, we can't tell you
how much we appreciate this.

Our architect is finalizing

the renovation
drawings right now.

- Yes, he would
have come himself

but we didn't want to
disturb by strangers.

33.

- 33.

Oh, we're not keeping you
from anything, are we?

- No, I'm expecting
a phone call.

Laurie's being examined
by a court psychiatrist

and if he approves, her
bail will be reinstated.

- Wouldn't that be wonderful?

Carla, that's wonderful.

- Good news, they released
Laurie into my custody.

- Oh, thank God.

- There is nothing
we've wanted more

than to see dear
little Leigh come home.

- Laurie, dear, not Leigh.

- Oh.

Now I know I've been
working too hard.

Some days, I don't
remember my own name.

(laughs)

- [Vera] I already told the
police everything I know.

- Well, I'm just trying
to get some background.

Find out what kind of
man Professor Grant was.

- He was wonderful.

- Did you work together?

- Yes.

Allan nominated
me for the faculty

and helped me get the job.

We became good friends.

Professional friends.

- How much,

(laughs) how much did you
know about his home life?

- Only that he didn't have one.

Karen came home most weekends

but she didn't get
involved in his life here.

- Well, she indicated they had
an understanding on all that.

- All I know is that
he was very lonely.

- How close was your friendship?

- He used to come by my
place quite often to talk

or simply to be with someone.

- You know, I've been
hearing a lot of rumors.

You think he could
have been involved

with one of his students?

Perhaps Laurie Kinmount?

- Allan would never do that,
he had too much integrity.

- Miss West, there
had to be something

to the Sexy Allan reputation.

A guy doesn't have half the
student body drooling over him

for no reason.

I mean, he had to be
involved with somebody.

- You didn't know him.

He wasn't like that.

- How can you be sure

that he wasn't sleeping
with Laurie Kinmount?

- Because he was
sleeping with me.

(crying)

- According to Miss West,

Allan's call to Karen
wasn't to talk about Laurie.

It was to ask for divorce.

- I don't know if that
will make much difference.

The Leona alter admits
she was in Allan's den

with the knife.

- I don't know, Sarah.

Maybe it's this crappy
cafeteria food I'm eating,

but my gut's telling me
there's something more to this.

- Yeah, well, where
do we go from here?

- Well, I'm looking over
the campus police records

for the night of the murder.

Calls on prowlers, break-ins,
anything suspicious.

Hopefully something
will turn up.

Get yourself some
rest, all right?

(Sarah sighs)

- Leona.

I want to know what
happened in Allan's den.

(laughs)

- I've already told
you, I was there.

- No, I need to know
exactly what happened

from the moment you walked
through the terrace door.

- He'd fallen asleep
on the couch, as usual.

And the door was open.

I set my bag down.

- What were you thinking?

What were you thinking?

- I was thinking about
how lonely he looked.

I know what it's
like to feel lonely.

- What else?

- I thought of all the times
I wouldn't let Daddy hold me

after I came home.

We were so much the same.

I just, I...

I sat down and I cried.

- [Sarah] What happened next?

- I...

I left.

I heard someone coming.

- [Sarah] You just left?

- I heard someone
coming and I got scared.

- Leona, tell me about the
picture that scared Debbie.

Where'd it come from?

- It was in our room.

- You'd seen it before?

- Yeah.

Yeah, when she was away.

- It was taken after
she was abducted?

Leona, who took it?

Leona.

Who took it?

- The one who took her.

(crying)

- She's sleeping.

- There is no way that
photograph would have been

in her room all these years.

I mean, if it scared her,

Kate would have gotten
rid of it a long time ago.

- After the accident,
we searched all over

for documents the
insurance people needed.

Could have fallen
from one of the boxes.

- Has anyone been
in the house since?

- Dozens of people.

The house has been up
for sale for weeks.

Can you get her to remember
who took that picture?

- That face is locked deeper
than what happened to her.

- [Brendan] Campus police
picked you up for prowling?

- I'm no prowler.

I'd been out with some friends

and it was way past team curfew.

I was just trying to get home
without anybody seeing me.

That Kinmount girl
was gonna be my alibi

until I saw the morning papers.

- Laurie Kinmount.

- Yeah.

- She's not mentioned
in this report.

- I know.

I didn't want to get involved,
I was in enough trouble.

- What time did you see her?

- After last call.

One thirty.

- Hey.

Got a cigarette?

- Yeah, what's it worth to you?

- Did you notice any
blood on her clothing?

- No.

And I was looking real close,
if you know what I mean.

- [Brendan] Did you
offer her a cigarette?

- Offered to sell her one.

Babes like it when I tease them.

- And did she pay you?

- She didn't, she wasn't
carrying her purse.

- Wait here.

- So I waited, who wouldn't?

She was looking hot.

- Waited how long?

- A while.

Was just about to give
up when she came out,

running full tilt,
hugging her purse.

She had blood on her bag.

- She left the knife behind.

- With enough time for
somebody else to use it.

- Yeah, but she was still
there, Sarah, blood or no blood.

- But the dots
aren't connecting.

There is something
else going on here.

(knocking)

- Oh, hello.

I'm afraid Karen isn't here.

- It's you I want.

- (laughs) Oh, well.

Have a seat.

- [Brendan] Tell me what you

and Karen did the
night Allan died.

- Well, we went to Kennedy
to pick up an elderly client.

She called from London
asking for our help.

Poor dear, wasn't
feeling very well.

- What time was that?

- That would be before nine.

Her plane was due in at 9:30

but it was delayed
until midnight.

- Karen talk to her
husband during that time?

- Yes, he called on her
cell phone about 10:30

and they talked
for quite a while.

- And how did she seem
after she hung up?

- She was angry, you know,
distracted, but we both were.

Our whole evening was shot.

So we watched a movie in the
VIP lounge while we waited.

"Spartacus."

Oh, and Karen left
to make some calls.

- You really sat there for
three hours and watched a movie?

- Well, I may have
dozed off a little.

I mean, I love "Spartacus"
but I have seen it 50 times.

- Did anything seem
out of the ordinary?

- Well, when I woke
up, Karen wasn't there

but a clasp on her
bracelet had come loose

and she'd been all over
the airport looking for it.

- Anything else?

- Well, yes.

When she drove to the airport,
her fuel light was on.

I thought we were
gonna run out of gas.

But when we went home,

I noticed that the
tank was almost full.

- Okay, just relax, Laurie.

Going to look in your journal.

- There's not much new.

Kate says she hopes
Laurie goes to prison

so she'll be safe there.

No one can get to her.

- So she thinks her job as
protector is almost done.

Anything else?

- There's a new
drawing from Debbie.

My dad gave my mom that
necklace when we were teenagers.

It was a kind of an iridescent
stone, a birthstone.

- Laurie, I wanna
talk with Debbie.

It's a pretty picture, Debbie.

- No, it's not.

- [Sarah] Wait.

- Don't, don't.

- She hated that necklace.

- Don't, don't say that word.

Don't say that word,
it's a forbidden word.

- What was the
name of that stone?

- Describe the stone.

- It's a milky white with
bright greens and blues.

- An opal?

- No, no, no.

- Debbie, why is Opal
a forbidden word?

- No, no, I'm not
supposed to say it.

I'm not supposed to say it.

- Do you have any
other forbidden words?

- One, one.

- Well, we already
know about Opal,

so you can tell us, okay?

It's all right.

- Bic.

(screaming)

- Debbie, why are the words
Bic and Opal forbidden?

Who told you that?

- She learned those words
from the people who took her.

- Well, you're new.

What's your name?

- I don't know you
well enough yet.

- Okay.

You know who killed Allan Grant?

- None of us did.

He was dead when we came
back for Laurie's bag.

- Tell me what happened.

- [Woman] Take the knife,
Leona, take the knife.

(gasps)

- [Justin] What did you
pick up from the floor?

- [Laurie] A bracelet.

I thought it was Leona's.

- All right, you've
been very helpful.

We know Laurie didn't
try and hurt Allan.

Thank you.

Can you tell us your name now?

- My name is Leigh.

(sirens wailing)

- Thank you.

- Mrs. Grant, thank
you for coming.

You've met Brendan Moody.

- Yes.

I thought we'd already
gone over my testimony.

- Yeah, we just need to ask
you a few more questions.

Please, sit down.

- Sure.

- Mrs. Grant, you have
the right to remain silent

and refuse to answer
any questions.

Anything you say may be used
against you in a court of law.

You have the right
to an attorney.

You have the right--
- What are you talking about?

What's going on here?

- Is this your signature?

- Yes, from the gas station.

We go there all the time, it's
a block away from our house.

Is this supposed
to be significant?

- It's dated around the
time that Allan died.

- That's impossible.

- Professor Vera West
is willing to testify

that Allan asked
you for a divorce

on the night that he died.

- That's ridiculous.

- His voice is on her
answering machine,

saying just that.

We found this bracelet in
Laurie Kinmount's bedroom.

Ever see it before?

- No.

I hardly know the woman.

- Are you sure?

- This appraisal from
the jewelry store
next to your office

indicates that it
was sold to you.

- I don't, I may
have one like it.

- No.

It's yours.

You see, the clasp here slips.

The store offered to change it.

You were supposed to take it
in the day after Allan died.

But you didn't keep
the appointment.

- He said there
was someone else.

(ominous music)

You creep!

You've been sleeping with her,

you've been sleeping with her!

(crying)

I really loved him.

I loved him.

- Opal, this is such good news.

Our Leigh is finally free.

Opal, we must go
and embrace her.

- Billy, please try to
understand that you--

- Look at that face.

She still looks
like a little girl.

Look at her face.

- Stop it, Billy, stop
saying things like that!

(smacks)

- The universe tells
me what I need to do.

- Really?

Then what does the universe
tell you to do about this?

They lied to us.

It's an expose.

- Leigh can't see
this photograph.

She can't.

- No, no!

Please don't!

(gasps)

- The knife dream?

- It's all right.

I told you it would intensify

before it disappears, remember?

Old fears kinda die hard.

- The sun's come out.

- What do you say
we go for a walk?

We'll work up an appetite

before our last
dinner at the house.

- Okay.

- You guys go ahead.

I got a couple calls to make.

- [Sarah] Okay, come on.

- [Laurie] It was a day just
like this when I left you.

- [Sarah] You didn't leave,
somebody took you from me.

- No, I wasn't supposed
to be out front.

You know, no matter
what you or Justin say,

if I'd have listened to you,
it wouldn't have happened.

- If somebody grabbed
one of those little girls

and they wanted to hurt her,
would that be her fault?

- No.

No, it wouldn't.

- Then forgive yourself
like you forgive her.

- I didn't know
what to do, Sarah.

He put me in his car.

I was crying and the
lady with him slapped me.

Then he grabbed
me and he hurt me.

We'd sing, we'd sing
all around the town.

He's in the rocking chair.

- Who, who, Laurie?

Who was he?

- His name was Bic.

And Opal, and she'd
slap me when I cried.

Don't make any noise,
Leigh, he'll use the knife.

- Leigh?

- Their names were Bic and
Opal and they called you Leigh?

- There is nothing
we've wanted more

than to see dear
little Leigh come home.

- Oh my god.

- Bic, he killed my chicken.

And Opal said he'd do
the same if I told.

I couldn't tell,
I couldn't tell.

- It's okay.

- No one is going to
hurt you again, Laurie.

- Let's get her inside.

- [Sarah] Yeah.

- [Justin] We'll call Moody.

- It's gonna be okay, hon.

It's okay.

- Did my alters know all
this and keep it from me?

- Yes.

And now that you've remembered,

they'll begin to blend into you.

- Because they've been parts
of who I really am all along.

- Yes.

Debbie is the child
you used to be.

Kate is your sense
of self-preservation.

Leona is the self you suppressed
because of what happened.

- I'm a sex kitten?

What about Leigh?

- Leigh was the key.

He was the imaginary friend

who floated you
away from the pain.

He helped you endure

until the others could
assume their roles.

What did Moody have to say?

- He's got every cop in
the area on the case.

Moody wants Justin and I to
go to the command center now.

Are you sure you'll be okay?

- I'm okay with this,
Sarah, don't worry.

(dog barking)

(ominous music)

What are you doing here?

- You forgot your
promise, didn't you?

Make sure we are not disturbed.

(slow music)

Time to go upstairs.

I'm sorry, Leigh,

but you knew this would
happen if you talked.

You thought I'd left
you behind, huh?

No, I never forgot you.

You were such a
dear, sweet girl.

I touched you at the funeral,

I had to get close to you again.

- I felt your evil
presence in the church.

That's why I fainted, but I
am not afraid of you anymore!

Now it's your turn
to feel trapped.

- Drop it!

- Freeze!

(smacks)

- I'm okay, Sarah.

It's over.

This time, it's over.

- Yep, Moody's quite a guy.

Stops for coffee, he sees
the picture of Bic and Opal,

and puts two and two together.

- Well, you're quite
a guy yourself.

Wasn't for you, we
wouldn't know their names.

- Well, I think we
owe it all to her.

Took a lot of courage for
her to agree to be bait.

- I can't remember the last
time she was this happy.

- Well, she's with
someone she loves.

I hear it does that to you.

- So will her alters come back?

- Not likely.

She doesn't need their
protection anymore.

- Any signs I should look for?

- You know, I think you should
stop worrying about Laurie

and try and get on
with your own life.

Let's leave the kids to play.

(calm music)

(dramatic music)