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1
00:00:01,001 --> 00:00:03,371
The FX original series,
The Americans.
2
00:00:03,404 --> 00:00:05,706
The new season,
Wednesdays at 10:00 on FX.
3
00:00:07,441 --> 00:00:09,977
PREVIOUSLY ON
"THE AMERICANS"...
4
00:00:10,010 --> 00:00:12,113
EXCUSE ME. MA'AM?
WE'RE WITH THE FBI --
5
00:00:13,747 --> 00:00:16,084
I PUT OUT A LEAD
TO THE ENTIRE FIELD
ON DENTISTS, DOCTORS,
6
00:00:16,117 --> 00:00:18,886
SO IF ANYONE REMOTELY MATCHING
THIS WOMAN'S DESCRIPTION
7
00:00:18,919 --> 00:00:21,155
GOES IN FOR AN INJURY
TO THE FACE OR THE JAW,
8
00:00:21,189 --> 00:00:22,523
WE'LL GET AN ALERT.
9
00:00:22,556 --> 00:00:26,060
ABOUT PAIGE --
THE CENTRE TAKES VERY SERIOUSLY
10
00:00:26,094 --> 00:00:28,062
WHAT YOU SAID TO THEM
ABOUT STAYING AWAY FROM HER.
11
00:00:28,096 --> 00:00:30,731
IDEOLOGICALLY,
SHE'S OPEN TO THE RIGHT IDEAS.
12
00:00:30,764 --> 00:00:32,533
WE'RE DOING
WHAT WE NEED TO BE DOING.
13
00:00:32,566 --> 00:00:35,035
Philip: IT'S ALL BEEN BULLSHIT,
EVERYTHING YOU SAID TO ME.
14
00:00:35,069 --> 00:00:36,904
YOU'RE ASSESSING HER.
YOU'RE DEVELOPING HER.
15
00:00:36,937 --> 00:00:38,772
I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
16
00:00:38,806 --> 00:00:40,541
SHE'S MY DAUGHTER.
17
00:00:40,574 --> 00:00:43,877
I NEED NAMES -- PEOPLE WORKING
IN THE CIA's AFGHAN GROUP.
18
00:00:55,456 --> 00:00:57,758
[ SIGHS ]
THERE'S NOT MUCH TO GO ON.
19
00:01:02,563 --> 00:01:03,464
28.
20
00:01:03,497 --> 00:01:05,433
"PHLOX"?
21
00:01:05,466 --> 00:01:07,067
FLOWERING HERBS.
22
00:01:07,101 --> 00:01:08,269
YOU'RE BLUFFING.
23
00:01:08,302 --> 00:01:10,204
MAYBE.
24
00:01:10,238 --> 00:01:13,241
THEN AGAIN...
DICTIONARY.
25
00:01:16,610 --> 00:01:18,078
MAC SAMPSON.
26
00:01:18,112 --> 00:01:21,482
MARATHON RUNNER --
DONE IT FOUR TIMES THIS YEAR.
27
00:01:21,515 --> 00:01:22,683
SQUEAKY CLEAN.
28
00:01:30,458 --> 00:01:32,059
10?
29
00:01:32,092 --> 00:01:34,728
UH, DOUBLE WORD SCORE.
30
00:01:34,762 --> 00:01:37,097
SORRY. 20.
31
00:01:38,366 --> 00:01:41,569
THAT'S THE REAL SAINT --
ISAAC BRELAND,
32
00:01:41,602 --> 00:01:43,237
HEAD OF THE DIVISION.
33
00:01:43,271 --> 00:01:46,073
MASTERS IN THEOLOGY
AT NOTRE DAME.
34
00:01:46,106 --> 00:01:49,643
THREE KIDS,
LOST HIS WIFE TO CANCER.
35
00:01:49,677 --> 00:01:51,645
REMARRIED,
AND NOW HE RAISES MONEY
36
00:01:51,679 --> 00:01:54,248
FOR THE HOSPITAL
WHERE SHE DIED.
37
00:01:54,282 --> 00:01:56,317
IT'S REALLY
SLIM PICKINGS.
38
00:01:56,350 --> 00:01:58,519
THIS IS OUR BEST BET --
39
00:01:58,552 --> 00:02:01,489
TED PAASWELL,
BRELAND'S RIGHT-HAND MAN.
40
00:02:01,522 --> 00:02:03,357
HE'S SELLING HIS HOUSE.
41
00:02:03,391 --> 00:02:05,326
HE'S LOWERED THE PRICE
TWICE THIS MONTH.
42
00:02:05,359 --> 00:02:06,360
HE NEEDS MONEY?
43
00:02:07,328 --> 00:02:09,863
I GUESS SO.
I DON'T KNOW.
44
00:02:11,299 --> 00:02:13,367
"STYGIAN"?
STI-GEE-AN --
45
00:02:13,401 --> 00:02:17,705
"OF OR RELATING TO
THE RIVER STYX" --
46
00:02:17,738 --> 00:02:19,540
THE UNDERWORLD.
47
00:02:19,573 --> 00:02:22,042
SEVEN LETTERS.
48
00:02:22,075 --> 00:02:24,378
WE'LL ASSESS PAASWELL.
49
00:02:25,713 --> 00:02:29,717
PHILIP, ASSUME CIA SECURITY'S
GONNA BE WATCHING HIM
50
00:02:29,750 --> 00:02:31,819
AND EVERYONE ELSE
ON THAT LIST.
51
00:02:31,852 --> 00:02:34,021
LET'S BE REALISTIC
ABOUT CIA SECURITY.
52
00:02:34,054 --> 00:02:36,857
THEY CAN'T WATCH ALL OF THEM
EVERY HOUR OF THE DAY.
53
00:02:36,890 --> 00:02:38,492
THEY KNOW
WHO WE'RE TARGETING.
54
00:02:38,526 --> 00:02:41,195
THEY'RE GOING TO WANT TO PROTECT
EVERYONE IN THE AGENCY
55
00:02:41,229 --> 00:02:43,231
WHO'S WORKING AGAINST US
ON AFGHANISTAN.
56
00:02:43,264 --> 00:02:45,366
BE VERY CAUTIOUS.
57
00:02:47,768 --> 00:02:49,870
WIN SOME, LOSE SOME.
58
00:02:51,439 --> 00:02:53,274
[ TILES RATTLE ]
59
00:02:57,245 --> 00:02:59,747
ELIZABETH LOOKS AT YOU
VERY DIFFERENTLY NOW.
60
00:03:01,048 --> 00:03:02,316
YEAH.
61
00:03:02,350 --> 00:03:05,419
I KNOW HOW HARD THIS IS
FOR YOU, WITH PAIGE.
62
00:03:05,453 --> 00:03:08,556
IT'S HARD
FOR THE CENTRE, TOO.
63
00:03:08,589 --> 00:03:10,491
THEY'RE LEARNING
FROM THEIR MISTAKES.
64
00:03:10,524 --> 00:03:13,727
JARED MURDERED HIS FAMILY.
65
00:03:13,761 --> 00:03:16,063
WELL,
THAT'S HARDLY A RISK HERE.
66
00:03:19,032 --> 00:03:21,769
I JUST WANT PAIGE
TO MAKE HER OWN DECISIONS.
67
00:03:21,802 --> 00:03:23,537
WE ALL DO.
68
00:03:24,805 --> 00:03:26,474
ARE YOU SURE ABOUT THAT?
69
00:03:29,910 --> 00:03:30,978
YOUR TURN.
70
00:03:32,613 --> 00:03:34,382
YEAH.
71
00:05:04,572 --> 00:05:07,007
STANDING OUTSIDE
THE STRIDE RITE?
72
00:05:07,040 --> 00:05:12,212
[ Foreign accent ] FEMALE, 5'5",
BLACK HAIR, BLUE EYE SHADOW,
73
00:05:12,245 --> 00:05:15,449
GUESS JEAN JACKET,
AND CORDUROY PANTS.
74
00:05:15,483 --> 00:05:17,818
MAN HAILING A TAXI?
75
00:05:17,851 --> 00:05:22,523
5'9", ABOUT 30,
IN WIRE-RIMMED GLASSES,
76
00:05:22,556 --> 00:05:24,525
GRAY WINDBREAKER,
AND BUSTER BROWN SHOES.
77
00:05:24,558 --> 00:05:27,728
IF I HAD SOMEBODY ON YOU,
WHO WOULD IT HAVE BEEN?
78
00:05:27,761 --> 00:05:29,296
GUY IN THE WHITE COAT.
79
00:05:29,329 --> 00:05:32,032
CHECKED, COLLARED SHIRT
UNDERNEATH, BLACK SNEAKERS.
80
00:05:32,065 --> 00:05:34,234
NO, NOT HIM.
NO?
81
00:05:34,267 --> 00:05:36,637
NO SURVEILLANT WOULD EVER
GET THAT CLOSE TO YOU.
82
00:05:36,670 --> 00:05:38,138
DID YOU HAVE SOMEONE
ON ME?
83
00:05:38,171 --> 00:05:39,306
JUST ME.
84
00:05:39,339 --> 00:05:41,174
OH, YOU,
I SAW RIGHT AWAY.
85
00:05:41,208 --> 00:05:42,242
[ LAUGHS ]
86
00:05:42,275 --> 00:05:43,377
[ GASPS ]
87
00:05:43,411 --> 00:05:45,045
YOU OKAY?
YEAH, I'M FINE.
88
00:05:45,078 --> 00:05:47,548
YOU NEED TO WORK ON SEEING
THE OPPOSITE SIDE OF THE STREET.
89
00:05:47,581 --> 00:05:49,016
I UNDERSTAND.
90
00:05:49,049 --> 00:05:51,051
IT TAKES A LOT OF PRACTICE,
AND EVEN THEN...
91
00:05:51,084 --> 00:05:54,655
[ BELL RINGING ]
92
00:05:54,688 --> 00:05:56,690
I HAVE TO T.A. A CLASS
IN AN HOUR.
93
00:05:56,724 --> 00:05:57,725
OH.
94
00:05:59,259 --> 00:06:01,729
WHAT'S TODAY'S LESSON?
95
00:06:01,762 --> 00:06:05,065
HICKS vs. SLUTSKY.
96
00:06:05,098 --> 00:06:07,167
YOU CAN LIVE
WITHOUT WANTS,
97
00:06:07,200 --> 00:06:09,670
BUT YOU CAN'T LIVE
WITHOUT NEEDS.
98
00:06:09,703 --> 00:06:12,406
THIS SOCIETY IS VERY FOCUSED
ON WANTS.
99
00:06:12,440 --> 00:06:15,509
"THE PRODUCTION
OF TOO MANY USEFUL THINGS
100
00:06:15,543 --> 00:06:19,346
RESULTS IN
TOO MANY USELESS PEOPLE."
101
00:06:19,379 --> 00:06:20,648
MARX?
102
00:06:22,215 --> 00:06:23,717
DO YOU MIND ME ASKING --
103
00:06:23,751 --> 00:06:26,554
WHAT DO YOU THINK
OF STONE-WASHED JEANS?
104
00:06:26,587 --> 00:06:28,589
[ Laughing ] WHY?
105
00:06:28,622 --> 00:06:31,525
I THINK THEY'RE COOL.
I WAS GOING TO BUY A PAIR.
106
00:06:31,559 --> 00:06:33,527
[ Laughing ] OKAY.
107
00:06:33,561 --> 00:06:36,063
UH...I DON'T KNOW MUCH
ABOUT FASHION.
108
00:06:36,096 --> 00:06:39,066
REALLY?
YOU ALWAYS LOOK GREAT.
109
00:06:42,603 --> 00:06:45,405
I'M SORRY. I DID--
I DIDN'T MEAN IT LIKE THAT.
110
00:06:45,439 --> 00:06:46,840
I HOPE NOT.
111
00:06:48,241 --> 00:06:49,276
I'LL BE IN TOUCH.
112
00:06:53,313 --> 00:06:56,650
Elizabeth:
PAIGE'S BIRTHDAY'S COMING UP.
113
00:06:56,684 --> 00:06:57,818
Philip: I KNOW.
114
00:06:57,851 --> 00:07:01,154
I SAW A NECKLACE
SHE'D LIKE.
115
00:07:01,188 --> 00:07:02,956
HOW DO YOU KNOW?
116
00:07:02,990 --> 00:07:04,492
HOW DO I KNOW WHAT?
117
00:07:04,525 --> 00:07:06,426
THAT SHE'D LIKE IT.
118
00:07:06,460 --> 00:07:09,597
MAYBE YOU THINK SHE'D LIKE IT
BECAUSE YOU LIKE IT.
119
00:07:09,630 --> 00:07:11,799
IT'D BE FROM BOTH OF US.
120
00:07:11,832 --> 00:07:12,966
DID YOU BUY IT?
121
00:07:13,000 --> 00:07:14,568
NO, I DIDN'T BUY IT.
122
00:07:14,602 --> 00:07:17,104
I WANTED TO TALK TO YOU
ABOUT IT.
123
00:07:17,137 --> 00:07:19,507
YOU HAD MENTIONED
GETTING HER A TEN-SPEED,
124
00:07:19,540 --> 00:07:21,408
AND I JUST THINK
BOTH FEELS LIKE TOO MUCH.
125
00:07:21,441 --> 00:07:23,477
THE NECKLACE IS FINE.
126
00:07:30,784 --> 00:07:32,319
I SAW HANS TODAY.
127
00:07:32,352 --> 00:07:34,187
HE'S MAKING PROGRESS.
128
00:07:34,221 --> 00:07:35,188
GOOD.
129
00:07:35,222 --> 00:07:37,190
HE WAS CHECKING ME OUT.
130
00:07:40,127 --> 00:07:42,462
I'M SURE
HE LIKED WHAT HE SAW.
131
00:07:44,798 --> 00:07:47,434
I PUT A QUICK END TO IT.
132
00:07:47,467 --> 00:07:50,638
WAS THAT WISE,
SHUTTING HIM DOWN LIKE THAT?
133
00:07:50,671 --> 00:07:53,173
I MEAN, YOU RECRUIT MEN.
THAT'S PART OF IT, RIGHT?
134
00:08:02,182 --> 00:08:03,551
WHAT IS WITH YOU?
135
00:08:05,586 --> 00:08:09,056
WHEN YOU MET WITH GABRIEL,
YOU TALKED ABOUT PAIGE.
136
00:08:09,089 --> 00:08:10,991
YEAH.
YEAH, WITHOUT ME.
137
00:08:11,024 --> 00:08:12,693
HE WANTS TO HELP.
THAT'S ALL.
138
00:08:12,726 --> 00:08:14,494
HE KNOWS
THIS IS HARD FOR YOU.
139
00:08:28,842 --> 00:08:30,210
OH.
OH!
140
00:08:30,243 --> 00:08:31,579
AH.
141
00:08:31,612 --> 00:08:32,680
THANK YOU.
142
00:08:32,713 --> 00:08:35,415
UM,
IT'S VERY FRUSTRATING.
143
00:08:35,448 --> 00:08:37,818
YEAH, I NOTICED THIS CATASTROPHE
ON MY FIRST DAY.
144
00:08:37,851 --> 00:08:39,219
I NEVER USE IT.
145
00:08:39,252 --> 00:08:41,488
IF I NEED TO PICK UP
OR DELIVER A FILE,
146
00:08:41,521 --> 00:08:43,657
I JUST WALK
DOWN THE HALLWAY MYSELF.
147
00:08:43,691 --> 00:08:45,693
WELL,
IT I TIME-CONSUMING.
148
00:08:45,726 --> 00:08:47,227
IT'S EFFICIENT.
149
00:08:47,260 --> 00:08:48,996
IT TAKES MORE TIME
TO TRACK DOWN A MISPLACED FILE
150
00:08:49,029 --> 00:08:50,330
THAN IT TAKES
TO HAND-DELIVER IT.
151
00:08:50,363 --> 00:08:52,065
MM.
AND I DON'T LIKE
TO WASTE TIME.
152
00:08:52,099 --> 00:08:54,034
I SHOULD LET --
LET YOU GET BACK TO WORK, THEN.
153
00:08:54,067 --> 00:08:58,739
WELL, TALKING TO YOU IS...
NOT A WASTE OF TIME, MARTHA.
154
00:09:00,741 --> 00:09:02,810
THANK YOU,
AGENT ADERHOLT.
155
00:09:05,245 --> 00:09:07,214
[ BOTH LAUGH ]
156
00:09:07,247 --> 00:09:09,116
NOW WE'VE RUN OUT
OF CONVERSATIONS.
157
00:09:09,149 --> 00:09:10,918
WELL...FOR NOW.
158
00:09:10,951 --> 00:09:14,755
SO, UNTIL NEXT TIME,
MARTHA...
159
00:09:14,788 --> 00:09:15,756
SURE.
160
00:09:15,789 --> 00:09:16,757
I'M JUST...
161
00:09:16,790 --> 00:09:18,992
OH. N-- MM-HMM.
162
00:09:26,266 --> 00:09:29,302
HEY, UH, STAN, LISTEN.
163
00:09:29,336 --> 00:09:31,471
I'M SORRY IF I WAS
ABRUPT THE OTHER DAY.
164
00:09:31,504 --> 00:09:33,140
OH, YOU WEREN'T ABRUPT.
165
00:09:33,173 --> 00:09:35,609
I SHOULD HAVE FILLED YOU IN
RIGHT AWAY. I HAD A BAD NIGHT.
166
00:09:35,643 --> 00:09:37,911
A WOMAN THE SIZE OF MY MOTHER
BEAT THE CRAP OUT OF ME.
167
00:09:37,945 --> 00:09:40,748
I'M SURE SHE COULD HAVE
TAKEN DOWN ANY ONE OF US.
168
00:09:40,781 --> 00:09:43,216
AGENT ADERHOLT, LINE 2 --
BUFFALO FIELD OFFICE.
169
00:09:43,250 --> 00:09:44,885
THIS IS GONNA BE
ANOTHER CALL
170
00:09:44,918 --> 00:09:47,087
ABOUT A DENTIST
WITH A 70-YEAR-OLD PATIENT
171
00:09:47,120 --> 00:09:49,089
WHO SLIPPED ON THE ICE
AND BROKE HER JAW.
172
00:09:49,122 --> 00:09:50,958
I'M GETTING
FIVE OF THESE A DAY.
173
00:09:50,991 --> 00:09:53,093
PEOPLE LOVE TO COOPERATE.
174
00:09:53,126 --> 00:09:54,294
ADERHOLT.
175
00:09:54,327 --> 00:09:57,597
[ INDISTINCT CONVERSATION ]
176
00:09:57,631 --> 00:10:00,000
Elizabeth:
AND IT SAID IN THE PAPER
THERE'S A SUN-ROOM?
177
00:10:00,033 --> 00:10:01,434
BEST ROOM IN THE HOUSE --
178
00:10:01,468 --> 00:10:03,103
EXCEPT THE KIDS
HAVE TAKEN IT OVER.
179
00:10:03,136 --> 00:10:04,504
CAN I SEE THAT?
180
00:10:04,537 --> 00:10:06,506
UH, RIGHT --
RIGHT THIS WAY.
HONEY?
181
00:10:06,539 --> 00:10:08,642
UH, YOU KNOW,
I-I MEANT TO CHECK THE ATTIC.
182
00:10:08,676 --> 00:10:10,844
IS IT THE STRING
HANGING OUTSIDE THE BATHROOM?
183
00:10:10,878 --> 00:10:12,612
YEAH. USE BOTH HANDS.
IT STICKS.
184
00:10:12,646 --> 00:10:14,682
I-I WILL.
I'LL MEET YOU GUYS IN A MINUTE.
185
00:10:43,510 --> 00:10:45,045
[ SIGHS ]
186
00:11:12,072 --> 00:11:14,174
WOW. [ CHUCKLES ]
187
00:11:14,207 --> 00:11:15,642
YEAH, IT'S IMPOSSIBLE
188
00:11:15,675 --> 00:11:19,046
NOT TO BUY YOUR KIDS
EVERYTHING THEY WANT, RIGHT?
189
00:11:53,646 --> 00:11:55,215
YOU KNOW, I NOTICED
190
00:11:55,248 --> 00:11:57,550
THE, UH, PRICE OF THE HOUSE
DROPPED AGAIN.
191
00:11:57,584 --> 00:11:59,252
THE FAMILY'S
EAGER TO SELL.
192
00:11:59,286 --> 00:12:01,454
IS THERE ANYTHING WRONG
WITH THE HOUSE?
193
00:12:01,488 --> 00:12:03,390
[ DOOR OPENS ]
I MEAN, YOU KNOW,
BETWEEN US GIRLS.
194
00:12:03,423 --> 00:12:04,691
HELLO. MR. PAASWELL.
195
00:12:04,724 --> 00:12:07,260
I KNOW --
I'M NOT SUPPOSED TO BE HERE.
196
00:12:07,294 --> 00:12:08,561
I JUST FORGOT ONE THING.
197
00:12:08,595 --> 00:12:10,597
UH, WHY DON'T I SHOW YOU
THE GARDEN?
198
00:12:16,569 --> 00:12:18,872
[ FOOTSTEPS APPROACH ]
199
00:12:18,906 --> 00:12:20,573
[ DOOR OPENS ]
200
00:12:24,577 --> 00:12:26,579
OH. UH...HELLO.
201
00:12:26,613 --> 00:12:27,781
HI.
202
00:12:27,815 --> 00:12:29,616
I, UH, I WAS JUST TRYING
TO FIGURE OUT
203
00:12:29,649 --> 00:12:31,584
WHERE THE HEAT COMES IN
FROM THE BASEBOARD.
204
00:12:31,618 --> 00:12:33,220
UH, DOESN'T WORK ANYWAY.
205
00:12:33,253 --> 00:12:35,789
I BRING A SPACE HEATER IN
DURING THE WINTER.
206
00:12:37,024 --> 00:12:39,326
I'M -- I'M SO SORRY.
THIS IS YOUR HOUSE?
207
00:12:39,359 --> 00:12:41,761
UH, NOT FOR LONG,
HOPEFULLY.
208
00:12:41,795 --> 00:12:44,832
OH. UH, I J-- I'M SORRY.
I JUST -- I JUST WANDERED IN.
209
00:12:44,865 --> 00:12:46,934
WELL,
IT'S AN OPEN HOUSE, RIGHT?
210
00:12:46,967 --> 00:12:48,301
YEAH, YEAH.
211
00:12:48,335 --> 00:12:50,170
AND -- AND THE REALTOR
SAID THERE WAS A --
212
00:12:50,203 --> 00:12:52,439
THERE WAS A HOME OFFICE,
AND I'VE ALWAYS WANTED ONE.
213
00:12:54,341 --> 00:12:56,309
LISTEN,
THIS IS A GREAT HOUSE.
214
00:12:56,343 --> 00:12:57,677
YOU SHOULD BUY IT.
215
00:12:57,710 --> 00:13:00,413
BUT WHATEVER YOU DO,
TURN THIS ROOM INTO A DEN.
216
00:13:00,447 --> 00:13:03,416
WHEN YOU HAVE A HOME OFFICE,
YOU USE IT.
217
00:13:03,450 --> 00:13:05,585
YOU COME HOME,
YOU BARELY HAVE DINNER,
218
00:13:05,618 --> 00:13:07,487
AND YOU KEEP WORKING.
219
00:13:07,520 --> 00:13:08,922
YOU BRING WORK HOME,
220
00:13:08,956 --> 00:13:11,124
AND YOUR WIFE STARTS
TO RESENT IT, RESENT YOU.
221
00:13:11,158 --> 00:13:13,126
NEXT THING YOU KNOW...
222
00:13:13,160 --> 00:13:14,928
[ SIGHS ]
223
00:13:14,962 --> 00:13:17,130
ANYWAY, I'M NOT SUPPOSED TO BE
UP HERE DURING THE OPEN HOUSE,
224
00:13:17,164 --> 00:13:18,298
SO...
225
00:13:18,331 --> 00:13:20,333
JUST HAD TO
GRAB SOMETHING.
226
00:13:20,367 --> 00:13:22,035
WELL, GOOD LUCK.
227
00:13:28,008 --> 00:13:30,010
[ ENGINE TURNS OVER ]
228
00:13:30,043 --> 00:13:31,711
[ INDISTINCT CONVERSATION ]
229
00:13:34,581 --> 00:13:36,283
WHAT DO YOU THINK?
I LIKE IT.
230
00:13:36,316 --> 00:13:38,018
YEAH. YEAH,
IT'S PRETTY GOOD.
WELL, GOOD, GOOD.
231
00:13:38,051 --> 00:13:39,519
SO, THANK YOU SO MUCH
FOR COMING.
232
00:13:39,552 --> 00:13:41,321
THANK YOU.
THANK YOU.
THANK YOU SO MUCH.
233
00:13:41,354 --> 00:13:42,722
BYE.
234
00:13:42,755 --> 00:13:45,325
GOOD, RIGHT?
SO...
AND THAT'S GOOD. YEAH.
235
00:13:45,358 --> 00:13:46,693
YEAH.
236
00:13:46,726 --> 00:13:47,928
YEAH?
237
00:13:52,165 --> 00:13:53,200
[ STATIC ]
238
00:13:53,233 --> 00:13:55,035
Philip: ALMOST.
239
00:13:55,068 --> 00:13:56,536
* I'M ALL OUT OF LOVE *
THERE HE IS.
240
00:13:56,569 --> 00:13:58,872
* I'M SO LOST WITHOUT YOU *
241
00:13:58,906 --> 00:14:01,708
HE'S TAKING IT HARD --
THE DIVORCE.
242
00:14:01,741 --> 00:14:03,743
HE STARTS SINGING,
HE'S HAD IT.
243
00:14:03,776 --> 00:14:06,479
* I'M ALL OUT OF LOVE,
I'M SO LOST WITHOUT YOU *
244
00:14:06,513 --> 00:14:09,149
I'LL GET GABRIEL THAT
CHECKING-ACCOUNT INFO TOMORROW.
245
00:14:09,182 --> 00:14:12,052
MAYBE THOSE DEPOSITS ARE COMING
FROM SOMEWHERE INTERESTING.
246
00:14:12,085 --> 00:14:14,754
* I'M ALL OUT OF LOVE *
247
00:14:14,787 --> 00:14:17,357
* WHAT AM I WITHOUT YOU? *
TAKE A RIGHT UP HERE.
248
00:14:17,390 --> 00:14:18,825
OKAY.
* I CAN'T BE TOO LATE *
249
00:14:18,858 --> 00:14:24,131
* TO SAY THAT I WAS SO WRONG *
250
00:14:25,398 --> 00:14:27,567
[ TELEPHONE RINGING ]
251
00:15:40,173 --> 00:15:41,674
[ SIGHS ]
252
00:15:41,708 --> 00:15:42,842
[ STATIC ]
253
00:15:42,875 --> 00:15:44,144
[ CAR DOOR CLOSES ]
254
00:15:44,177 --> 00:15:46,779
HI, MR. PAASWELL.
HEY, KIMBERLY.
255
00:15:46,813 --> 00:15:49,749
YOU LOOK REALLY NICE TONIGHT.
I LIKE YOUR SHIRT.
256
00:15:49,782 --> 00:15:51,684
THANKS.
IT'S, UH, PERRY ELLIS.
257
00:15:51,718 --> 00:15:53,253
[ CHUCKLES ]
258
00:15:53,286 --> 00:15:54,621
HOW'S SCHOOL GOING?
259
00:15:54,654 --> 00:15:56,523
UGH.
ALGEBRA IS NOT MATH.
260
00:15:56,556 --> 00:15:59,259
IT'S, LIKE, GRAPHS AND LETTERS.
HOW CAN YOU SOLVE LETTERS?
261
00:15:59,292 --> 00:16:01,628
KEEP STRAIGHT. I THINK
THEY'RE JUST ONE STREET OVER.
262
00:16:01,661 --> 00:16:03,330
OKAY.
YEAH, MATH WASN'T MY THING,
EITHER.
263
00:16:03,363 --> 00:16:04,797
I BET YOU WERE A JOCK
264
00:16:04,831 --> 00:16:06,499
AND ALL THE GIRLS
HAD CRUSHES ON YOU.
265
00:16:06,533 --> 00:16:08,435
NO, HARDLY.
[ LAUGHS ]
266
00:16:08,468 --> 00:16:10,770
I'M GONNA NEED YOU
SATURDAY NIGHT AGAIN.
267
00:16:10,803 --> 00:16:12,172
BABYSITTER?
268
00:16:12,205 --> 00:16:14,174
I THINK SO.
269
00:16:14,207 --> 00:16:15,775
A DATE?
270
00:16:15,808 --> 00:16:18,311
MY FRIEND KATE'S PARENTS
WENT THROUGH A DIVORCE.
271
00:16:18,345 --> 00:16:21,014
SHE SAID HER FATHER
ONLY STARTED TO COME OUT OF IT
272
00:16:21,048 --> 00:16:22,549
ONCE HE WAS DATING AGAIN.
273
00:16:22,582 --> 00:16:24,484
THANKS FOR THE ADVICE.
274
00:16:30,157 --> 00:16:32,292
GROWN-UPS AREN'T THAT DIFFERENT
THAN KIDS.
275
00:16:32,325 --> 00:16:33,726
YOU GO THROUGH A BREAKUP,
276
00:16:33,760 --> 00:16:36,963
AND WHAT YOU REALLY NEED
IS A GOOD FLING.
277
00:16:36,996 --> 00:16:38,998
WOW. INTERESTING THEORY.
278
00:16:39,032 --> 00:16:41,334
WELL, IT'S NOT NATURAL
279
00:16:41,368 --> 00:16:42,902
JUST TO BE WITH ONE PERSON
YOUR WHOLE LIFE.
280
00:16:42,935 --> 00:16:44,537
THIS KEEPS GOING,
WE'RE GONNA --
281
00:16:44,571 --> 00:16:46,206
SILVER LINCOLN VERSAILLES.
THEY'VE DONE STUDIES.
282
00:16:46,239 --> 00:16:47,707
OH, YEAH?
YEAH.
283
00:16:47,740 --> 00:16:49,076
JUST SAW IT.
THINK IT WAS THE SECOND TIME.
284
00:16:49,109 --> 00:16:51,010
WHEN WAS THE FIRST TIME?
285
00:16:51,044 --> 00:16:53,813
ABOUT AN HOUR AND A HALF AGO --
SOMEWHERE NEAR MAXWELL.
286
00:16:53,846 --> 00:16:55,448
YOU SURE
IT'S THE SAME ONE?
287
00:16:57,750 --> 00:16:58,885
NO.
288
00:17:00,253 --> 00:17:02,355
ALL RIGHT, WHAT DID WE DO
SINCE SOUTH JEFFERSON?
289
00:17:02,389 --> 00:17:05,825
WE TURNED ON PROSPECT
AND WE MADE ONE TURN ON CENTER.
290
00:17:05,858 --> 00:17:07,860
LET'S FIGURE THE CIA
WOULD HAVE ONE CAR BEHIND
291
00:17:07,894 --> 00:17:09,996
AND A MINIMUM OF SIX MORE --
THREE ON EACH STREET.
292
00:17:10,029 --> 00:17:11,364
THAT'D BE SMALL.
293
00:17:11,398 --> 00:17:12,665
WELL, WE HAVEN'T
BEEN PULLED OVER YET,
294
00:17:12,699 --> 00:17:13,933
SO IF THERE IS
A TEAM ON US,
295
00:17:13,966 --> 00:17:15,402
THEY'RE WAITING TO SEE
WHERE WE'RE GOING.
296
00:17:15,435 --> 00:17:18,071
WE HAVE SOME TIME, THEN.
AT LEAST THERE'S THAT.
297
00:17:38,125 --> 00:17:42,562
10:45,
MAPLE AVE. AND GREEN STREET.
298
00:17:44,397 --> 00:17:46,299
I'LL SEE YOU AT HOME.
299
00:17:47,967 --> 00:17:49,068
OKAY.
300
00:18:14,127 --> 00:18:16,663
HENRY?
DO YOU HAVE ANY LAUNDRY?
301
00:18:40,453 --> 00:18:42,522
PAIGE!
GIVE IT TO ME!
302
00:18:42,555 --> 00:18:43,623
NO!
GIVE IT BACK!
303
00:18:43,656 --> 00:18:45,124
STOP!
GIVE IT TO ME!
304
00:18:45,158 --> 00:18:46,759
NO! WHAT, ARE YOU IN LOVE
WITH MRS. BEEMAN?
305
00:18:46,793 --> 00:18:49,061
YOU'RE DISGUSTING!
IT'S NOT EVEN MINE!
306
00:18:52,299 --> 00:18:53,900
[ SIGHS ]
307
00:18:59,138 --> 00:19:00,873
OKAY.
308
00:19:11,584 --> 00:19:12,985
[ INDISTINCT TALKING
ON TELEVISION ]
309
00:19:13,019 --> 00:19:15,021
[ TELEPHONE RINGING ]
310
00:19:20,159 --> 00:19:22,128
[ DOOR CLOSES ]
311
00:19:22,161 --> 00:19:24,964
[ RINGING CONTINUES ]
312
00:19:24,997 --> 00:19:26,466
HELLO?
313
00:19:26,499 --> 00:19:28,835
MY FRIEND HIT SOME HEAVY TRAFFIC
ON THE WAY HOME.
314
00:19:28,868 --> 00:19:32,372
THERE IS A TWO-CAR ACCIDENT
ON MAPLE AND GREEN,
315
00:19:32,405 --> 00:19:34,006
and it won't be cleared
until 10:45.
316
00:19:34,040 --> 00:19:35,174
SORRY TO HEAR THAT.
317
00:19:35,208 --> 00:19:37,277
Traffic's awful these days.
318
00:19:54,261 --> 00:19:57,864
THIS IS MEMPHIS.
TARGET ON YELLOW SPRINGS ROAD.
319
00:20:09,776 --> 00:20:11,578
WELL, HOW MANY CARS
ARE ON THEM?
320
00:20:11,611 --> 00:20:13,513
11, BUT THEY CYCLED THROUGH
TWICE.
321
00:20:13,546 --> 00:20:15,081
THEY ASKED FOR HELP.
322
00:20:15,114 --> 00:20:17,450
WE SENT THREE OR FOUR GUYS
FROM CHARLIE RIZZENS' TEAM.
323
00:20:17,484 --> 00:20:18,951
AND WHAT ABOUT ADERHOLT?
324
00:20:18,985 --> 00:20:21,254
I LEFT HIM A MESSAGE.
CALL HIM AGAIN.
325
00:20:21,288 --> 00:20:24,491
AND THEN SEE IF YOU CAN
GET ON THE RADIO WITH RIZZENS.
326
00:20:49,982 --> 00:20:51,651
[ BEEP ]
327
00:20:51,684 --> 00:20:53,620
[ STATIC ]
328
00:20:53,653 --> 00:20:56,856
MAN: Turn right onto Fredrick,
then left on Liberty.
329
00:20:58,958 --> 00:21:01,060
[ SIGHS ]
330
00:21:01,093 --> 00:21:04,230
Man on TV:
...THE LIMITS OF THE POSSIBLE.
331
00:21:04,263 --> 00:21:07,934
WE HAVE TAKEN RISKS
THAT HAVE CHANGED THE WORLD.
332
00:21:07,967 --> 00:21:11,971
WE ARE EXPLORERS
ILLUMINATING THE FUTURE.
333
00:21:12,004 --> 00:21:15,575
AT DON BEYER VOLVO,
WE WILL GO TO SHOCKING EXTREMES
334
00:21:15,608 --> 00:21:19,579
TO TRANSFORM YOUR
DEALERSHIP-SERVICE EXPERIENCE.
335
00:21:19,612 --> 00:21:20,747
DON BEYER VOLVO.
336
00:21:20,780 --> 00:21:22,415
HI.
337
00:21:22,449 --> 00:21:24,651
THE GREAT EXPERIMENT
IN FALLS CHURCH, VIRGINIA.
338
00:21:26,386 --> 00:21:28,020
Mickey Gilley:
MR. ROARKE, I'M LEAVIN'.
339
00:21:28,054 --> 00:21:29,756
WHAT ARE YOU
STILL DOING UP?
340
00:21:29,789 --> 00:21:31,924
COULDN'T SLEEP.
341
00:21:31,958 --> 00:21:34,293
YOU MAY HAVE THOUGHT
SHERWOOD'S WAS WHAT I HAD
IN MIND. WELL, IT'S NOT.
342
00:21:34,327 --> 00:21:37,697
Roarke: BUT, MR. GILLEY,
THERE HAVE BEEN CHANGES MADE.
343
00:21:37,730 --> 00:21:41,000
WHAT KIND OF CHANGES COULD
SHERWOOD POSSIBLY HAVE
MADE IN ONE AFTERNOON?
344
00:21:41,033 --> 00:21:42,969
IT WOULD TAKE THE LORD HIMSELF
A WHOLE YEAR.
345
00:21:43,002 --> 00:21:45,872
[ LAUGHS ] I'M AFRAID
YOU VASTLY UNDERESTIMATE
346
00:21:45,905 --> 00:21:48,007
MR. SHERWOOD'S POTENTIAL,
MR. GILLEY.
347
00:21:48,040 --> 00:21:50,943
I SAW HIS POTENTIAL
SITTING NEAR-EMPTY OUT
THERE IN THAT JUNGLE...
348
00:21:50,977 --> 00:21:55,682
LOOK, I KNOW
IT'S HARD ON YOU --
349
00:21:55,715 --> 00:21:58,618
YOUR -- YOUR MOM AND ME
WORKING SO MUCH.
350
00:21:58,651 --> 00:22:00,787
I'M USED TO IT.
351
00:22:00,820 --> 00:22:02,455
R-REALLY?
352
00:22:02,489 --> 00:22:05,224
OR J-- ARE YOU --
YOU JUST SAYING THAT?
353
00:22:05,257 --> 00:22:08,027
NO, I'M REALLY
USED TO IT.
354
00:22:08,060 --> 00:22:10,229
MR. ROARKE, I WANT THIS FANTASY
SO BAD, I CAN TASTE IT.
355
00:22:10,262 --> 00:22:12,499
IT'S OKAY, DAD.
I'M FINE.
356
00:22:12,532 --> 00:22:15,702
I REALLY WISH YOU GUYS
WOULD STOP WORRYING ABOUT ME.
357
00:22:18,170 --> 00:22:19,906
I'M GONNA GO TO BED.
358
00:22:19,939 --> 00:22:21,541
GOOD NIGHT.
359
00:22:21,574 --> 00:22:24,977
WELL, I GUESS...MAYBE
ONE MORE LOOK WOULDN'T HURT.
360
00:22:25,011 --> 00:22:27,580
I PROMISE YOU --
IT WON'T HURT A BIT.
361
00:22:29,716 --> 00:22:30,917
[ DOOR OPENS ]
362
00:22:33,085 --> 00:22:34,320
WHERE ARE THEY?
363
00:22:34,353 --> 00:22:36,856
FREDRICK,
APPROACHING LIBERTY ROAD.
364
00:22:36,889 --> 00:22:38,257
THEY SHOULD GRAB HER.
365
00:22:38,290 --> 00:22:40,226
CIA. THEY WANT TO SEE
WHERE IT LEADS.
366
00:22:40,259 --> 00:22:41,528
AND IF SHE GETS AWAY?
367
00:22:41,561 --> 00:22:42,929
THEY'VE GOT HER SURROUNDED.
368
00:22:42,962 --> 00:22:44,831
BUT ONLY ONE SET OF EYES
ON HER.
369
00:22:44,864 --> 00:22:47,266
AT ANY GIVEN TIME, SHE ONLY
HAS TO GET AWAY FROM ONE CAR.
370
00:22:47,299 --> 00:22:49,368
I'M TELLING YOU, THIS IS
WHAT HAPPENED WITH HERMANN.
371
00:22:49,402 --> 00:22:51,237
THEY SAID TO FOLLOW HIM
FOR THE NEXT YEAR
372
00:22:51,270 --> 00:22:52,872
AND HE'LL LEAD YOU
TO SOMETHING.
373
00:22:52,905 --> 00:22:55,575
THESE PEOPLE, THEY'LL TALK.
THEY'RE HUMAN BEINGS.
374
00:22:55,608 --> 00:22:58,177
BUT WE CAN'T CRACK THEM
IF WE DON'T HAVE THEM.
375
00:22:58,210 --> 00:22:59,679
CIA's OPERATION.
376
00:22:59,712 --> 00:23:00,913
LEGALLY, SIR --
377
00:23:00,947 --> 00:23:01,948
I KNOW THE LAW, STAN.
378
00:23:01,981 --> 00:23:03,883
GET A ROADBLOCK,
PULL HER OVER --
379
00:23:03,916 --> 00:23:05,452
NOW,
BEFORE IT'S TOO LATE.
380
00:23:10,389 --> 00:23:11,791
ALL RIGHT,
GO ON, BOTH OF YOU.
381
00:23:11,824 --> 00:23:13,893
I'LL GET ON THE PHONE.
382
00:23:15,394 --> 00:23:18,130
[ DOOR OPENS, CLOSES ]
383
00:23:23,803 --> 00:23:27,206
Reporter:
THE FOUR-DAY CONFERENCE
THAT CONCLUDED IN GENEVA TODAY
384
00:23:27,239 --> 00:23:29,075
OF THE GENERAL AGREEMENT
ON TARIFFS AND TRADE
385
00:23:29,108 --> 00:23:30,643
LOOKED PROMISING.
386
00:23:30,677 --> 00:23:33,480
BUT DESPITE THE ATTENDANCE
OF 88 NATIONS
387
00:23:33,513 --> 00:23:36,449
AND STRONG URGING
BY THE U.S. AND OTHERS,
388
00:23:36,483 --> 00:23:39,385
PARTICIPANTS FAILED
TO AGREE UPON AN AGENDA
389
00:23:39,418 --> 00:23:42,789
FOR A NEW ROUND OF MULTILATERAL
TRADE NEGOTIATIONS.
390
00:23:42,822 --> 00:23:44,791
THE FAILURE
OF THE FOUR-DAY CONFERENCE
391
00:23:44,824 --> 00:23:46,726
TO CONCLUDE
FUNDAMENTAL AGREEMENTS
392
00:23:46,759 --> 00:23:49,596
IS LIKELY TO HEIGHTEN
THE ALREADY-PRESENT DANGERS
393
00:23:49,629 --> 00:23:51,297
OF ECONOMIC NATIONALISM,
394
00:23:51,330 --> 00:23:53,966
THAT HAS BEEN TRIGGERED
BY THE WORLDWIDE RECESSION
395
00:23:54,000 --> 00:23:56,836
AND RISING UNEMPLOYMENT
IN MOST COUNTRIES.
396
00:23:56,869 --> 00:24:00,139
SECRETARY OF STATE
GEORGE SCHULTZ REMAINS HOPEFUL
397
00:24:00,172 --> 00:24:03,275
ABOUT THE FUTURE
OF WORLD TRADE DELIBERATIONS.
398
00:24:19,358 --> 00:24:20,993
MAN: 90 seconds.
399
00:24:31,303 --> 00:24:33,372
PULLING OFF FREDRICK.
400
00:24:37,209 --> 00:24:39,646
TOLEDO HAS THE TARGET.
401
00:25:12,745 --> 00:25:14,213
50 seconds.
402
00:25:21,053 --> 00:25:22,521
GET READY TO FALL IN.
403
00:25:28,928 --> 00:25:31,831
[ STATIC ]
404
00:25:31,864 --> 00:25:33,900
THIS IS TOLEDO
ON LIBERTY. OVER.
405
00:25:33,933 --> 00:25:36,736
[ STATIC ]
TOLEDO, COME IN.
ARE YOU THERE?
406
00:25:36,769 --> 00:25:38,537
THIS IS TOLEDO
ON LIBERTY. OVER.
407
00:25:38,571 --> 00:25:39,906
CAN ANYBODY HEAR ME?
408
00:25:39,939 --> 00:25:41,507
[ STATIC ]
MAN #1:
Come in, Toledo.
409
00:25:41,540 --> 00:25:44,744
MAN #2: Chicago,
you don't have Toledo either?
410
00:25:44,777 --> 00:25:47,046
MAN: 10 seconds.
411
00:25:49,949 --> 00:25:52,619
Toledo: CAN ANYBODY HEAR ME?
ANYBODY OUT THERE?
412
00:25:52,652 --> 00:25:54,486
[ STATIC CONTINUES ]
413
00:25:59,659 --> 00:26:01,193
[ HORN BLARING ]
414
00:26:01,227 --> 00:26:02,561
[ TIRES SCREECH ]
415
00:26:02,595 --> 00:26:05,231
[ BLARING CONTINUES ]
416
00:26:05,264 --> 00:26:07,399
[ TIRES SQUEAL ]
417
00:26:38,064 --> 00:26:39,365
Announcer: WCCP INCORPORATED
IS A WHOLLY OWNED SUBSIDIARY
418
00:26:41,300 --> 00:26:43,169
OF BRONSTEIN COMMUNICATIONS
419
00:26:43,202 --> 00:26:45,004
AND OPERATES ON CHANNEL 7
420
00:26:45,037 --> 00:26:47,273
BY AUTHORITY OF THE FEDERAL
COMMUNICATIONS COMMISSION,
421
00:26:47,306 --> 00:26:49,175
WITH STUDIOS LOCATED
422
00:26:49,208 --> 00:26:53,946
AT 183 CONNECTICUT AVENUE
NORTHWEST, WASHINGTON, D.C.
423
00:26:53,980 --> 00:26:56,916
[ "THE STAR-SPANGLED BANNER"
PLAYS ]
424
00:26:56,949 --> 00:26:59,285
[ DOOR OPENS ]
425
00:27:50,737 --> 00:27:52,171
OH!
426
00:27:52,204 --> 00:27:53,505
OH.
427
00:27:53,539 --> 00:27:55,908
[ BREATHING HEAVILY ]
428
00:27:55,942 --> 00:27:58,510
[ SIGHS ]
429
00:28:52,398 --> 00:28:55,267
[ BREATHING SHAKILY ]
430
00:29:03,109 --> 00:29:04,944
OH...
431
00:29:21,828 --> 00:29:23,963
[ WHIMPERING ]
432
00:29:40,179 --> 00:29:41,480
[ SIGHS ]
433
00:29:45,284 --> 00:29:47,186
[ EXHALES HEAVILY ]
434
00:29:53,325 --> 00:29:54,660
[ SPITS ]
435
00:30:00,666 --> 00:30:03,469
[ BREATHING HEAVILY ]
436
00:30:21,087 --> 00:30:24,090
[ WHIMPERING ]
437
00:30:27,927 --> 00:30:29,996
[ GRUNTS ]
438
00:30:46,578 --> 00:30:49,115
[ EXHALES SHARPLY ]
439
00:30:51,450 --> 00:30:53,519
[ SPITS ]
440
00:30:53,552 --> 00:30:55,521
[ BREATHING HEAVILY ]
441
00:30:55,554 --> 00:30:56,488
[ SPITS ]
442
00:30:56,522 --> 00:30:57,823
[ TOOTH CLATTERS ]
443
00:30:57,856 --> 00:31:01,427
[ BREATHING HEAVILY ]
444
00:31:27,819 --> 00:31:30,622
THEY ARE HARD TO GET.
445
00:31:30,656 --> 00:31:32,258
YES.
446
00:31:34,426 --> 00:31:36,963
BUT YOU GOT ONE.
447
00:31:36,996 --> 00:31:39,198
YOUR LAST ASSIGNMENT.
448
00:31:39,231 --> 00:31:41,100
I WAS ON A TEAM.
449
00:31:43,802 --> 00:31:45,871
GAAD TELLS ME
YOU WORKED IN ARKANSAS
450
00:31:45,904 --> 00:31:48,274
WITH THE WHITE SUPREMACISTS.
451
00:31:54,346 --> 00:31:56,648
YEAH, SEEMS LIKE
A LONG TIME AGO NOW.
452
00:31:56,682 --> 00:31:59,051
I'D LIKE TO BUY YOU A BEER
SOMETIME --
453
00:31:59,085 --> 00:32:00,519
HEAR THOSE WAR STORIES.
454
00:32:03,422 --> 00:32:05,424
I'M NOT MUCH
ON WAR STORIES.
455
00:32:05,457 --> 00:32:07,093
BUT I'LL TAKE THE BEER.
456
00:32:07,126 --> 00:32:09,395
[ CHUCKLES ]
457
00:32:09,428 --> 00:32:13,565
I GOT TO GO BABYSIT
ZIN-- ZI--
458
00:32:13,599 --> 00:32:16,068
THE DEFECTOR.
459
00:32:16,102 --> 00:32:19,105
I GOT THREE MORE APPEARANCES
TODAY.
460
00:32:19,138 --> 00:32:20,806
CAN I ASK YOU
JUST ONE THING?
461
00:32:20,839 --> 00:32:22,841
YEAH.
462
00:32:22,874 --> 00:32:25,877
WHAT DID IT TAKE
TO FOOL THEM?
463
00:32:27,279 --> 00:32:29,615
YOU TELL THEM
WHAT THEY WANT TO HEAR --
464
00:32:29,648 --> 00:32:33,352
OVER AND OVER
AND OVER AGAIN.
465
00:32:33,385 --> 00:32:34,720
THAT'S IT?
466
00:32:36,388 --> 00:32:39,191
PEOPLE LOVE HEARING
HOW RIGHT THEY ARE.
467
00:33:03,915 --> 00:33:05,351
[ SETS GLASS DOWN ]
468
00:33:05,384 --> 00:33:07,819
OH, CLARK, I GOT
THE NICEST CALL THE OTHER DAY
469
00:33:07,853 --> 00:33:09,721
FROM MY FRIEND
LORRAINE DEHRENNEY.
470
00:33:09,755 --> 00:33:12,024
I TOLD YOU ABOUT HER, RIGHT?
FROM COLLEGE?
471
00:33:12,058 --> 00:33:13,459
MM-HMM.
472
00:33:13,492 --> 00:33:16,328
WELL, SHE RUNS
A COMMUNITY OUTREACH PROGRAM.
473
00:33:16,362 --> 00:33:17,996
SHE LOOKING FOR MONEY?
474
00:33:18,030 --> 00:33:19,798
YES, BUT, UH, LATELY,
475
00:33:19,831 --> 00:33:22,901
SHE'S ALSO BEEN GETTING INVOLVED
WITH FOSTER CARE
476
00:33:22,934 --> 00:33:25,571
AND FINDING HOMES
FOR KIDS WHO NEED THEM.
477
00:33:25,604 --> 00:33:27,139
MARTHA,
HOW MANY MORE TIMES
478
00:33:27,173 --> 00:33:29,175
ARE WE GONNA HAVE
THIS CONVERSATION?
479
00:33:29,208 --> 00:33:30,842
WE WERE TALKING
ABOUT BABIES.
480
00:33:30,876 --> 00:33:32,244
I DON'T WANT KIDS.
481
00:33:32,278 --> 00:33:34,380
HOW DO YOU KNOW
WHAT IT IS THAT YOU WANT?
482
00:33:34,413 --> 00:33:36,182
WHA-- WHAT?
BECAUSE I KNOW.
483
00:33:36,215 --> 00:33:37,683
BUT THIS IS DIFFERENT.
484
00:33:37,716 --> 00:33:39,251
WHY? 'CAUSE YOU GET 'EM
FROM A CATALOG?
485
00:33:39,285 --> 00:33:41,920
NO, BECAUSE IT'S TEMPORARY,
SO YOU CAN TRY IT OUT.
486
00:33:41,953 --> 00:33:44,056
LIKE LEASING A CAR?
487
00:33:44,090 --> 00:33:46,024
NO.
WILL YOU STOP IT?
488
00:33:46,058 --> 00:33:49,328
THEY NEED IT.
THEY DON'T HAVE HOMES.
489
00:33:49,361 --> 00:33:51,363
WELL, PUTTING THEM IN ONE
THAT DOESN'T WANT THEM
490
00:33:51,397 --> 00:33:52,564
CAN'T BE
ALL THAT HELPFUL.
491
00:33:52,598 --> 00:33:53,999
CLARK!
492
00:33:54,032 --> 00:33:56,668
WE HAVE SO MUCH.
493
00:33:56,702 --> 00:33:58,003
[ SIGHS ]
494
00:33:58,036 --> 00:34:00,038
YOU DON'T SEE THE VALUE
OF SHARING THAT
495
00:34:00,072 --> 00:34:02,574
WITH SOMEBODY
WHO DOESN'T HAVE ANYTHING?
496
00:34:02,608 --> 00:34:08,447
SOMEBODY YOUNG WHO COULD LEARN
AND GROW AND HAVE A HOME?
497
00:34:08,480 --> 00:34:11,117
THAT KIND OF RELATIONSHIP
WITH A YOUNG PERSON --
498
00:34:11,150 --> 00:34:13,152
THAT DOESN'T APPEAL TO YOU
AT ALL?
499
00:34:18,390 --> 00:34:19,991
[ SIGHS ]
500
00:34:22,261 --> 00:34:23,329
MM.
501
00:34:33,339 --> 00:34:36,608
[ SLOW MUSIC PLAYING ]
502
00:34:44,816 --> 00:34:49,588
FEMALE, 35, CROPPED HAIR,
BY THE MAILBOX,
503
00:34:49,621 --> 00:34:51,957
WITH A LARGE PARCEL,
BLUE UMBRELLA --
504
00:34:51,990 --> 00:34:53,959
I ONLY WANT
THE STREET BEFORE THE PARK.
505
00:34:53,992 --> 00:34:55,227
MAN BY THE DRY CLEANER?
506
00:34:55,261 --> 00:34:57,329
TWO, ACTUALLY.
507
00:34:57,363 --> 00:34:59,231
ONE IN THE WINDOW,
508
00:34:59,265 --> 00:35:03,435
PICKED UP A SUIT --
NOT A TUXEDO, BUT FORMAL.
509
00:35:03,469 --> 00:35:04,803
AND ONE OUTSIDE.
510
00:35:04,836 --> 00:35:07,273
THE OTHER SIDE
OF THE STREET?
511
00:35:07,306 --> 00:35:10,509
MALE, 5'10",
WITH WAVY, BROWN HAIR,
512
00:35:10,542 --> 00:35:12,278
IN A DENIM JEAN JACKET
513
00:35:12,311 --> 00:35:15,647
WITH AN REO SPEEDWAGON PATCH
ON THE POCKET.
514
00:35:15,681 --> 00:35:18,284
THAT'S GOOD.
YOU DID WELL TODAY.
515
00:35:18,317 --> 00:35:20,752
YOU THINK I'M READY?
516
00:35:20,786 --> 00:35:23,889
IT TAKES A LOT OF TIME,
BUT YOU'RE GONNA GET THERE.
517
00:35:25,857 --> 00:35:28,327
LISTEN,
ABOUT THE OTHER DAY, UH --
518
00:35:28,360 --> 00:35:30,629
NO, I...
519
00:35:30,662 --> 00:35:31,863
I WAS OUT OF LINE.
520
00:35:31,897 --> 00:35:34,766
IT'S OKAY.
IT'S ALL RIGHT.
521
00:35:34,800 --> 00:35:36,802
UM...
522
00:35:36,835 --> 00:35:40,138
YOU KNOW, IN THIS LINE OF WORK,
SEX IS DANGEROUS.
523
00:35:40,172 --> 00:35:42,941
THERE'S CHEMISTRY,
OBVIOUSLY, BUT...
524
00:35:42,974 --> 00:35:45,877
THERE'S SOMEONE IN MY LIFE --
SOMEONE IMPORTANT --
525
00:35:45,911 --> 00:35:47,679
AND I DON'T WANT
TO SCREW THAT UP.
526
00:35:47,713 --> 00:35:49,648
I UNDERSTAND.
527
00:35:49,681 --> 00:35:52,718
AND I PROMISE
IT WON'T HAPPEN AGAIN.
528
00:35:58,023 --> 00:35:59,391
IS ELIZABETH ALL RIGHT?
529
00:35:59,425 --> 00:36:00,726
SHE'S FINE.
530
00:36:00,759 --> 00:36:03,061
IT WAS A VERY CLOSE CALL.
531
00:36:03,094 --> 00:36:05,231
IT'S NOT THE FIRST TIME.
532
00:36:05,264 --> 00:36:07,165
WHAT ABOUT
THOSE BANK TRANSFERS?
533
00:36:07,199 --> 00:36:10,035
[ SIGHS ] PAASWELL'S MOTHER
IS HELPING HIM HIDE THE MONEY
534
00:36:10,068 --> 00:36:12,304
SO HIS WIFE DOESN'T GO AFTER IT
IN THE DIVORCE.
535
00:36:12,338 --> 00:36:13,339
FAMILY.
536
00:36:14,673 --> 00:36:16,041
WE HAVE SOMETHING ELSE.
537
00:36:16,074 --> 00:36:18,810
WE HEARD PAASWELL
TALKING WITH HIS BABYSITTER.
538
00:36:18,844 --> 00:36:19,845
TALKING.
539
00:36:19,878 --> 00:36:21,580
YEAH.
IT DIDN'T...SOUND RIGHT.
540
00:36:21,613 --> 00:36:23,148
WE THINK
THERE'S SOMETHING THERE.
541
00:36:23,181 --> 00:36:24,816
SO IF WE COULD GET
CONFIRMATION --
542
00:36:24,850 --> 00:36:27,886
NO. IT'S JUST TOO RISKY
AFTER WHAT HAPPENED LAST NIGHT.
543
00:36:27,919 --> 00:36:30,322
I WANT YOU TO JUST COOL THINGS
FOR A WHILE.
544
00:36:30,356 --> 00:36:32,858
WE COULD SIT
NEAR TO WHERE WE PICKED THEM UP.
545
00:36:32,891 --> 00:36:34,660
WE HAVE A DATE
HE'S GONNA USE HER AGAIN,
546
00:36:34,693 --> 00:36:36,262
SO WE JUST WAIT
FOR THEM TO COME BY,
547
00:36:36,295 --> 00:36:38,029
WE STAY IN AUDIO RANGE,
OUT OF VISUAL,
548
00:36:38,063 --> 00:36:39,765
AND WE JUST LISTEN.
549
00:36:39,798 --> 00:36:41,833
YOUR TARGET MAY BE DRAGGING
A SURVEILLANCE NET WITH HIM
550
00:36:41,867 --> 00:36:43,001
WHEREVER HE GOES.
551
00:36:43,034 --> 00:36:44,570
WE'D NEVER GET
WITHIN VISUAL RANGE,
552
00:36:44,603 --> 00:36:46,104
SO SURVEILLANCE WOULDN'T HAVE
A REASON TO LOOK AT US.
553
00:36:46,137 --> 00:36:47,539
IF WE GET HIM
WITH THE BABYSITTER --
554
00:36:47,573 --> 00:36:50,108
NOT EVERYTHING
IS WORTH THE RISK, PHILIP.
555
00:36:51,209 --> 00:36:53,078
NO, YOU'RE RIGHT.
NOT EVERYTHING IS.
556
00:36:56,815 --> 00:37:00,118
PAIGE IS STRONG --
LIKE HER MOTHER.
557
00:37:00,151 --> 00:37:01,553
THAT'S A GOOD THING.
558
00:37:01,587 --> 00:37:03,355
[ SCOFFS ] IS IT?
559
00:37:03,389 --> 00:37:05,357
BECAUSE IF YOU BRING HER
INTO THIS,
560
00:37:05,391 --> 00:37:06,925
ANYTHING COULD HAPPEN.
561
00:37:06,958 --> 00:37:08,794
THAT'S TRUE FOR ANYONE.
562
00:37:10,729 --> 00:37:13,365
AND THAT'S IT?
THAT'S ALL YOU HAVE TO SAY?
563
00:37:13,399 --> 00:37:16,435
SO TELL ME
WHAT YOU'D LIKE ME TO SAY.
564
00:37:16,468 --> 00:37:18,804
WOULD YOU LIKE ME
TO PROMISE YOU
565
00:37:18,837 --> 00:37:20,872
THAT EVERYTHING'S
GOING TO BE OKAY WITH PAIGE?
566
00:37:20,906 --> 00:37:23,409
YOU KNOW I CAN'T DO THAT.
NO ONE CAN.
567
00:37:24,943 --> 00:37:26,912
WE CHOSE TO DO THIS
WITH OUR LIVES --
568
00:37:26,945 --> 00:37:29,648
YOU, ME, ELIZABETH --
TO -- TO LIVE THIS WAY.
569
00:37:29,681 --> 00:37:34,252
PAIGE WILL HAVE A CHOICE.
570
00:37:34,286 --> 00:37:36,455
SHE IS 14 YEARS OLD!
571
00:37:36,488 --> 00:37:40,158
THERE IS ALWAYS A CHOICE.
572
00:37:40,191 --> 00:37:42,761
REALLY?
BECAUSE PAIGE GREW UP HERE.
573
00:37:42,794 --> 00:37:44,596
HER LIFE HAS BEEN EASY.
574
00:37:44,630 --> 00:37:46,832
SHE'S NOT EQUIPPED
TO DEAL WITH THIS SHIT!
[ CUP SLAMS ]
575
00:37:46,865 --> 00:37:48,199
PHILIP.
576
00:37:49,701 --> 00:37:51,870
[ DOOR SLAMS ]
577
00:37:57,008 --> 00:38:01,480
[ INDISTINCT CONVERSATION
IN RUSSIAN ]
578
00:38:58,269 --> 00:38:59,905
[ SIGHS ]
579
00:39:25,130 --> 00:39:27,332
SO, YOU'RE SAYING
THAT AT THE SAME TIME
580
00:39:27,365 --> 00:39:29,334
YOU'RE INVADING
A SOVEREIGN NATION,
581
00:39:29,367 --> 00:39:32,337
IMPOSING A GODLESS SYSTEM
ON A FREE, RELIGIOUS PEOPLE --
582
00:39:32,370 --> 00:39:34,573
Zinaida:
A SYSTEM THEY DIDN'T WANT.
583
00:39:34,606 --> 00:39:37,409
THE AFGHAN PEOPLE
NEVER WANTED THIS COMMUNISM.
584
00:39:37,443 --> 00:39:40,712
BUT AT THE SAME TIME, BACK HOME,
YOU'VE GOT BREADLINES,
585
00:39:40,746 --> 00:39:42,047
JOBLESSNESS.
586
00:39:42,080 --> 00:39:44,282
NO FREEDOM OF SPEECH,
NO FREEDOM OF PRESS --
587
00:39:44,315 --> 00:39:47,085
AS YOU SAY,
NO BREAD MANY TIMES.
588
00:39:47,118 --> 00:39:49,187
THE REST OF THE WORLD
MUST KNOW THIS.
589
00:39:49,220 --> 00:39:52,190
I RISK MY LIFE
TO COME HERE.
590
00:39:52,223 --> 00:39:55,060
I MUST BE ABLE
TO DIE FOR IT.
591
00:39:55,093 --> 00:39:57,295
WE'RE KILLING
THOUSANDS OF PEOPLE
592
00:39:57,328 --> 00:40:00,365
TO FORCE BAD SYSTEM
TO THEM.
593
00:40:00,398 --> 00:40:02,934
OUR SOLDIERS, OUR BOYS,
594
00:40:02,968 --> 00:40:06,738
KILL AND DIE IN A COUNTRY
THAT DOES NOT BELONG TO THEM,
595
00:40:06,772 --> 00:40:10,776
JUST SO THE OLD MAN
WANTED TO KEEP THEIR POWER.
596
00:40:13,344 --> 00:40:14,780
[ SIGHS ]
597
00:40:16,347 --> 00:40:20,118
[ STATIC ]
598
00:40:20,151 --> 00:40:22,387
Philip:
HOW'S YOUR MOUTH?
599
00:40:22,420 --> 00:40:24,623
Elizabeth: IT'S FINE.
600
00:40:24,656 --> 00:40:27,826
STAN GAVE ME THAT BOTTLE,
YOU KNOW.
601
00:40:27,859 --> 00:40:30,462
SINGLE-MALT IRISH WHISKEY.
602
00:40:30,496 --> 00:40:32,564
IT'S THE BEST OF THE BEST.
603
00:40:32,598 --> 00:40:33,932
YEAH.
604
00:40:35,701 --> 00:40:37,769
[ INHALES DEEPLY ]
605
00:40:41,339 --> 00:40:44,209
WHAT ARE WE GONNA DO
ABOUT PAIGE?
606
00:40:46,945 --> 00:40:49,447
I DON'T KNOW.
607
00:40:49,481 --> 00:40:51,817
Kimberly:
OH, MY GOD! YOU'RE BLUSHING!
Paaswell:
[ Laughing ] I'M NOT.
608
00:40:51,850 --> 00:40:53,184
YEAH.
I THINK IT'S CUTE.
KIMBERLY...
609
00:40:53,218 --> 00:40:55,587
I CAN'T HAVE
A SERIOUS CONVERSATION
610
00:40:55,621 --> 00:40:57,322
WITH THE BOYS IN MY CLASS.
611
00:40:57,355 --> 00:40:59,290
THEY'RE BOYS.
612
00:40:59,324 --> 00:41:00,926
I NEED SOMEONE MORE MATURE.
613
00:41:00,959 --> 00:41:02,360
YEAH?
WELL...
614
00:41:02,393 --> 00:41:04,295
SHIT.
HE'S RIGHT BEHIND US.
615
00:41:04,329 --> 00:41:07,298
I'M MUCH MORE ATTRACTED
TO MEN.
WE HAVE TO SEE THIS.
616
00:41:07,332 --> 00:41:09,535
I WENT ON A FEW DATES
WITH A JUNIOR AT GEORGETOWN --
WE CAN'T RISK IT.
617
00:41:09,568 --> 00:41:12,270
JUST A PASS-BY. WE COULD BE
ANYBODY ON THE STREET.
A POLI-SCI MAJOR.
618
00:41:12,303 --> 00:41:14,372
HE WAS FINE.
WE SHOULD GET PHOTOS.
619
00:41:14,405 --> 00:41:16,141
BUT ALL HE CARED ABOUT
WAS DRINKING BEER.
[ ENGINE TURNS OVER ]
620
00:41:16,174 --> 00:41:18,209
I'M MUCH MORE ATTRACTED
TO MEN WHO KNOW WHAT THEY WANT.
621
00:41:18,243 --> 00:41:19,878
AND WHAT THEY NEED.
LOOK...
622
00:41:19,911 --> 00:41:23,281
WHAT? IT'S TRUE.
IT'S NOT MY FAULT.
623
00:41:23,314 --> 00:41:26,752
THERE'S NOTHING WRONG WITH IT.
IT'S JUST LIFE, YOU KNOW?
624
00:41:28,887 --> 00:41:32,791
SOMETIMES YOU JUST NEED
SOME REALLY HOT SEX.
625
00:41:32,824 --> 00:41:36,562
KIMBERLY. THIS IS NOT
AN APPROPRIATE CONVERSATION.
626
00:41:36,595 --> 00:41:38,329
I DON'T WANT TO HAVE TO SAY
SOMETHING TO YOUR FATHER.
627
00:41:38,363 --> 00:41:39,364
SHIT.
628
00:41:39,397 --> 00:41:40,566
[ Sighing ] OKAY.
629
00:41:40,599 --> 00:41:42,701
WHATEVER. BYE.
630
00:41:51,209 --> 00:41:53,745
I KNOW
THAT LICENSE PLATE.
631
00:41:53,779 --> 00:41:55,513
[ CAMERA SHUTTER CLICKS ]
632
00:41:55,547 --> 00:41:57,716
Paaswell:
GOOD TO SEE YOU, ISAAC.
633
00:41:57,749 --> 00:41:59,384
Isaac: THANKS, TED.
634
00:41:59,417 --> 00:42:01,419
[ CAMERA SHUTTER CLICKS ]
635
00:42:01,452 --> 00:42:02,921
THAT'S ISAAC BRELAND.
636
00:42:02,954 --> 00:42:04,255
WHAT?
637
00:42:04,289 --> 00:42:05,557
THE -- THE GIRL,
HER FATHER.
638
00:42:05,591 --> 00:42:07,759
THAT'S THE HEAD
OF THE CIA AFGHAN GROUP.
639
00:42:10,095 --> 00:42:11,897
WELL, HOW ABOUT THAT.
42564
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