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Welcome, heroes.
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Your journey has been a long one.
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Now what will you do with all that power?
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You know what I will do?
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First, I will heal my wife and my son,
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and all the afflicted.
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They say that
a water demon brings this plague.
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Well, I will find it and I will kill it.
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And I will find the god who sent it,
and I will kill it.
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It's been long time
since I've seen you smile.
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I guess I smile when I see you.
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Can you smile with your eyes?
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Turn aside, go back to where you came
or perish...
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There are lot of ways
to go with Thor.
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He's been drawn with more muscles
than any human can possibly have,
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with long, flowing blond hair.
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But we knew early on
that we didn't want to
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just cast a body builder
or just cast a wrestler.
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I'm sure there are some
that can act very, very well.
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But we said let's find the actor first and
see if we can build on to the body.
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We did what was right.
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His very impressive-looking physique
that looks like
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it can take that kind of
intense physical build-up
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we're gonna have to put him through,
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an intelligence, an acting intelligence
that is very special,
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and ability to tap into
his primal side as well.
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You can't help but watch him.
He has a presence.
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I love you, Mom.
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I love you.
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He's got a humor about him.
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I need a horse.
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Of course. Of course.
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We waited
until we felt in our bones
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we've got exactly
the right person for Thor,
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and Chris Hemsworth is that.
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The idea of it being finished
has been sort of this
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light at the end of the tunnel
for, yeah, a long time.
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And now being here is sort of like,
"Shit, now what do I do?"
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- This doesn't make any sense.
- Nah, nothing makes sense here, man.
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The only thing that does make sense
is that nothing makes sense.
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Has anyone here fought
the Grandmaster's champion?
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Cut.
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I freaking cut.
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Cut.
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Taika, I just love working with him.
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We have a great thing,
we've become great friends,
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and that certainly is a huge advantage
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because you just shortcut to
whatever the point is.
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When we set outto make Thor three,
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we knew we could blow the franchise
wide open.
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We had an opportunity
to reinvent the character completely.
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Ragnarok was obviously
a huge change for us
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and really moved the needle into
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such a different territory
than we'd originally started.
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Of all the Avengers,
maybe it was an advantage to
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be the underdog at a certain point
because there was a...
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It definitely gave me a kind of
a real competitive push
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and a want or a need to go,
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"I can do something different.
I can do better with this character."
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I've always said Chris is
the kind of person who you feel
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like is fun, and he's a good friend.
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And he's the kind of person that
you would want to be on an adventure with.
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Because he does like to look after people
and he is an adventurer.
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I think that's what you want
in a superhero.
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- And it's the... Right there.
- Yeah. All right. Catch.
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When I came on to do Ragnarok,
I basically said,
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"Look, man, you just gotta be
more of yourself."
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Roll.
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"Make the character funny."
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I swear I'm not even moving.
It's just doing this on its own.
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Concentrate on making him
more of a Chris Hemsworth.
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Yes!
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So much has happened
since I last saw you.
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I lost my hammer, like, yesterday.
So that's still pretty fresh.
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Both of us were like, "Can wereally raise the bar with Ragnarok?"
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And I remember
coming out of Ragnarok, going into
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Infinity War and Endgame,
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and very adamant about trying to hang onto
the new version of Thor
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and not go back to the old version.
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I had some of the funnest stuff I had
in Infinity War and Endgame.
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And then Love and Thunder.
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There's a huge amount of pressure
coming into this.
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He's got tight,
blue denim jeans on, a tank top.
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His hair's flowing. Instead of it being...
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- Ah! Elegant.
- It should... We're just saying that.
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Like, every move is like...
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- You know?- Everyone, it's amazing.
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And then everything's like...
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A little bit flamboyant, like,
a double kick, like...
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- Shit you'd never get away with normally.- Yeah.
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Which adds to the like,"What is he doing?"
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And everything's just got
a little flair to it, like...
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- A flourish.
- Yeah, yeah, yeah.
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I just think that he's so like...
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Yeah.
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- Find cool poses, all of that stuff.
- He could... He's like...
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Yeah, on the camera.
They are on record. I support this.
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This is probably... This is actually...
'Cause we had a... That's your idea.
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- We're all in it. So, yeah.
- You basically are just underneath me.
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- Yeah.
- It is my idea.
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- Yeah, yeah. Yeah.
- I would've thought about this.
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'Cause you built me, you own me.
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I knew you'd say that.
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Thor is actually now our
longest-running franchise character.
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This is the first time
we've done a fourth movie.
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And I think with that
there's some expectations
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to keep building upon it.
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Memorable and different.
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And a big like kickoff to
the film and the action.
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When we set out to make a fourth film,
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we knew we couldn't make Ragnarok
all over again.
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We had to find, you know,
new angles, new surprises
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and new places to take these characters.
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Wait, wait, wait. Play that one.
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No, go back. Play that.
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- Thor... Sif...
- Sif?
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Yep, that's Sif what?
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I'm sorry. It killed me.
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With the Guardians, it's just a very
different pace with that group, you know?
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A lot of improvisation, which is
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- very much how we worked on
- Ragnarok.
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Charger? Maybe you need a charger?
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Of course I need to charge it.
I don't know where the dock is...
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Who put you in charge?
Wait, whoa, whoa, whoa, hey!
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It's never kind of...
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You're competing for jokes.
It's basically about
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what's the funniest moment
within this scene that we can find
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and kinda help you share the load.
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And whoever has the button
or the punchline, doesn't really matter,
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it's just about hitting the target,
and it's fun.
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I don't know which is worse, but it's why
I keep everyone at arm's length.
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You've grown too attached.
Damn it, I knew this would happen.
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You must go.
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There's a kind of humor to it
and sort of irony
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and a wackiness that
seems to fit mine and Taika's brain.
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Lazybones.
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Let's go.
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- Asleep? Sleeping on the job, are we?
- Lazy.
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Just being here at the back,
try going a little bit longer,
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so I might get a shot on you from
the front just going... You know?
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I've been told you can summon them
with a special whistle...
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that goes something like this...
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No, that's not it.
No, that's not it.
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Summoning. Summoning goats.
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It's just a joy to watch Taika play Korg
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because, obviously,
he's going back and forth
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between directing and playing Korg.
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And because it's motion capture,
he has all these dots on his face.
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So you're trying to take him seriously
in one moment giving you direction,
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and then suddenly he's Korg again
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with the head attached to him
and his furry boots.
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Taika, of course, as we know,
is an improvisational filmmaker.
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Add a bit more rock stuff here, Shane.
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Let's just bring it up here.
This is where Rocket's gonna be.
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So Sean... Sean, we're gonna
map you over here, actually.
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It's honestly when your brain
is the most fully engaged
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because there are no limitations.
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With a lot of filmmakers,
there's responsible practicality,
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where you look at what you can do,
and T just doesn't do that.
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He just thinks of the end product,
as in like, "What would be cool?"
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"What would be the coolest thing to see?"
'Cause he's 90%
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there in the audience
already watching the film he's making.
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- That's what I made here, so...
- You're throwing it to those guys there.
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- I can look there as well. So there.
- Yeah, yeah, yeah.
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I think Taika, he's like a big kid.
His imagination is second to none.
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From the very first time
we worked together,
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it was about doing something new,
you know,
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and not getting put in a box.
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Taika is really good
at reflecting the way life can be.
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Dark and comedic all at once.
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The old ex-girlfriend.
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Jodie Foster.
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Jane Foster.
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The one that got away.
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Most of the time
when we're in our darkest moments,
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we try and deflect it with humor,
you know,
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or if it's absurd, so it's funny
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because the darkest parts of life
are completely absurd.
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So, I think he really knows
how important the silly is
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when the world is falling down.
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Okay. Hold. They're not bad.
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Tragedy-comedy has been going hand in hand
for a couple of thousand years.
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Yeah, and he does it impeccably.
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I think also it doesn't matter what sort
of genre, whether it's comic books,
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if the people involved are passionate
about it and are good storytellers,
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it's transcendent experience. You know?
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And with Taika, you get that.
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It's the... Oh, boy!
Oh, well, let me get away with it.
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One of the most exciting things about
working with Taika Waititi
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is that he is very technical,
he's very aware, very savvy
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of all of the tools and the tricks,
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whether they be old-fashioned tricks
or new technology.
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We're shooting on The Volume.
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It's the first time I've ever shot
inside of one of these things.
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You can see the background projected
360 and up to the sky.
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Pretty spectacular.
So it's all in-camera.
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And it looks pretty amazing.
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This is the first Marvel film that has
utilized The Volume,
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which is this amazing technology
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that allows you to be
completely surrounded 360 degrees
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in a digital environment.
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It allows you to seamlessly place
practical sets with a digital world.
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As pertains to The Volume,
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you're basically building a room
from LED panels,
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and so at a moment we can say,
we're in this world, or in that world,
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and then, literally,
the entire environment around the actors
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will change in a heartbeat
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in terms of the lighting
and the mood and the tone.
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That's a game changer.
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I had such a good experienceon Mandalorian with The Volume
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that I wanted to
bring that technology over to this shoot.
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Resplendent skyscape, Rocky.
There are four suns.
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What could be more relaxing than that?
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It's a wonderful tool, and, in
a way, you get a lot of stuff in-camera.
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And, yeah, we only have to do
a few tweaks to it later on.
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And that's really good for the actors
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to be able to see
the world that you've created.
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- Wow.
- Yeah.
219
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Beautiful.
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So beautiful, so rare.
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Being able to see it
in the moment as opposed to
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just being in a world of blue,
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I think it helps with their performances.
224
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If you're standing
on the edge of a cliff, so to speak,
225
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looking out into the sunset,
to actually be staring into a sunset,
226
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that certainly does pull out
certain emotions and reactions from you
227
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that you may or may not get there
if it's your own imagination.
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It's very different staring
at a blue screen or a green screen.
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You know, that's quite numbing
and does require a whole lot more effort.
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The Volume is incredible.
It essentially casts light
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on our faces, on the costumes.
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It feels really, really immersive.
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As impressive as The Volume is,
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I think I was really blown away
entering New Asgard.
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Stand by for shoot.
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00:11:50,626 --> 00:11:54,755
You can never really replace
just standing in a fully immersive set.
237
00:11:54,839 --> 00:11:58,925
And perhaps one of the most impressive
sets we created was New Asgard,
238
00:11:59,009 --> 00:12:02,387
which was a complete town
in the middle of nowhere.
239
00:12:02,471 --> 00:12:06,110
And the second you stepped onto it,
you would just get completely lost.
240
00:12:06,434 --> 00:12:10,155
That's pretty cool,
this town is all practical.
241
00:12:10,604 --> 00:12:11,949
Real houses.
242
00:12:12,189 --> 00:12:14,107
People live up here.
We've rented these rooms out.
243
00:12:14,191 --> 00:12:16,401
Tessa's actually staying in that room.
Tessa Thompson.
244
00:12:16,485 --> 00:12:18,737
Yeah, I think I'm just gonna
move in actually. Is that...
245
00:12:18,821 --> 00:12:21,114
- That's cool, right?
- You got some Infinity Cones up here,
246
00:12:21,198 --> 00:12:23,742
- which is these delicious ice creams.
- Mmm-hmm.
247
00:12:23,826 --> 00:12:26,328
I actually came up with the name
Infinity Cones.
248
00:12:26,412 --> 00:12:28,664
It's a wordplay on Infinity Stones.
249
00:12:28,748 --> 00:12:30,040
- Did you write it? I didn't think...
- Yeah.
250
00:12:30,124 --> 00:12:32,540
- ...that was you. I didn't...
- No, no, I did.
251
00:12:42,678 --> 00:12:45,597
Going into this,
we knew people missed Natalie's character
252
00:12:45,681 --> 00:12:48,183
and was never really dealt with,
like, what happened to her.
253
00:12:48,267 --> 00:12:51,436
The idea that she becomes
another version of Thor,
254
00:12:51,520 --> 00:12:54,314
that just seemed like the perfect in,
255
00:12:54,398 --> 00:12:56,493
and the perfect way
to bring that character back.
256
00:13:01,197 --> 00:13:07,077
The elements that come with Jane becoming
The Mighty Thor are inherently dramatic.
257
00:13:07,161 --> 00:13:09,037
And in many ways, tragic.
258
00:13:09,121 --> 00:13:11,967
And Taika was very interested
about telling that story.
259
00:13:12,333 --> 00:13:14,501
I've loved Natalie from afar
for a long time
260
00:13:14,585 --> 00:13:16,044
and I've always wanted to work with her.
261
00:13:16,128 --> 00:13:19,798
Taika came over to my house
to talk to me about it
262
00:13:19,882 --> 00:13:25,178
because I had, kind of, you know,
of course, not been in the last film,
263
00:13:25,262 --> 00:13:28,025
which was so wonderful
and I really enjoyed watching.
264
00:13:31,101 --> 00:13:33,822
Please welcome to the stage
Natalie Portman!
265
00:13:39,652 --> 00:13:41,945
As a fan, I remember
watching the announcement
266
00:13:42,029 --> 00:13:45,115
and seeing Natalie take the hammer
from Taika at Comic-Con,
267
00:13:45,199 --> 00:13:48,712
and I was just so excited
that she was going to rejoin this film.
268
00:13:50,287 --> 00:13:53,665
I just had been out of
the Marvel world for a while and...
269
00:13:53,749 --> 00:13:57,137
So, when he talked to me
about coming back and about how
270
00:13:58,003 --> 00:14:00,005
Jane would be The Mighty Thor,
271
00:14:00,089 --> 00:14:03,008
it was interesting to get to consider
272
00:14:03,092 --> 00:14:05,354
what that experience could be.
273
00:14:05,511 --> 00:14:06,689
Mjolnir!
274
00:14:18,274 --> 00:14:21,818
She was, kind of... You know,
this was a very different direction
275
00:14:21,902 --> 00:14:24,237
for the character, and I think
had some real concerns about,
276
00:14:24,321 --> 00:14:28,127
"Hang on, does this match?
The continuity from this to that and..."
277
00:14:28,576 --> 00:14:31,328
And we just said,
"That doesn't matter." Like, you know?
278
00:14:31,412 --> 00:14:33,079
That's what happened in Ragnarok.
279
00:14:33,163 --> 00:14:35,165
We went "Who cares about anything
we've done before?"
280
00:14:35,249 --> 00:14:38,460
And so, it was just kind of a rebirth
or new exploration of the character,
281
00:14:38,544 --> 00:14:40,264
and she was down for it.
282
00:14:48,512 --> 00:14:52,057
Natalie came in very early, ready to work.
283
00:14:52,141 --> 00:14:54,559
She wanted to master everything
as much as possible,
284
00:14:54,643 --> 00:14:55,977
so she could do as much as possible.
285
00:14:56,061 --> 00:14:57,979
Despite having been
in lots of action movies,
286
00:14:58,063 --> 00:15:00,690
I'd never really done
any fight training or anything.
287
00:15:00,774 --> 00:15:03,287
Half is going from here,
pulling it back.
288
00:15:03,736 --> 00:15:05,581
Remember when we did
that shuffle footwork?
289
00:15:06,071 --> 00:15:09,084
Into that step.
And going over to kneel.
290
00:15:09,283 --> 00:15:11,003
And you're going diagonal down.
291
00:15:12,578 --> 00:15:15,288
It was really fun to get to train
292
00:15:15,372 --> 00:15:18,250
for the first time in my life
to be strong, you know?
293
00:15:18,334 --> 00:15:22,379
Usually, as women, we're training
to get small as possible.
294
00:15:22,463 --> 00:15:26,935
So it's exciting to actually
be working towards being bigger.
295
00:15:27,259 --> 00:15:28,260
Stand down.
296
00:15:28,344 --> 00:15:30,303
Natalie showed up
in incredible shape.
297
00:15:30,387 --> 00:15:32,733
Like, she was ready to play Mighty Thor.
298
00:15:34,183 --> 00:15:36,560
This is the heavy one.
I'm clearly not worthy.
299
00:15:36,644 --> 00:15:40,157
Not really. But this one is...
300
00:15:40,648 --> 00:15:45,621
Often, if we wanna create weight,
so your guns can show.
301
00:15:47,655 --> 00:15:49,948
So, we will create a prop
in a heavy weight,
302
00:15:50,032 --> 00:15:51,585
depending on the action.
303
00:15:52,034 --> 00:15:54,661
And then we'll create them
in a lighter weight.
304
00:15:54,745 --> 00:15:56,298
This one, as you can see.
305
00:15:56,580 --> 00:15:57,622
Excuse me.
306
00:15:57,706 --> 00:15:59,510
Hello, that's my hammer you've got there.
307
00:16:00,459 --> 00:16:01,595
And that's my look.
308
00:16:02,252 --> 00:16:06,131
For Mighty Thor,
we wanted to maintain a Thor feel...
309
00:16:06,215 --> 00:16:09,134
There's certain elements
that are iconically Thor.
310
00:16:09,218 --> 00:16:11,688
...while adding new elements throughout.
311
00:16:12,513 --> 00:16:14,431
The helmet that we have,
312
00:16:14,515 --> 00:16:20,364
we went back to the old comic books
and got that vintage feeling for it.
313
00:16:20,854 --> 00:16:24,201
And we adapted to
the beautiful face of Natalie Portman,
314
00:16:24,608 --> 00:16:29,279
but we didn't want to hide
too much of her eyes and her features.
315
00:16:29,363 --> 00:16:30,405
Hey.
316
00:16:30,489 --> 00:16:33,909
It's very easy not to lose her
because she's unique.
317
00:16:33,993 --> 00:16:36,077
Those helmets
are really well-designed,
318
00:16:36,161 --> 00:16:38,622
but they're not always
the most comfortable thing in the world.
319
00:16:38,706 --> 00:16:40,582
Sometimes they're heavy,
they change your posture.
320
00:16:40,666 --> 00:16:44,711
But if you can eliminate all of that
and have a VFX artist put it in later,
321
00:16:44,795 --> 00:16:46,004
then that's what you do.
322
00:16:46,088 --> 00:16:47,881
Our CG artists have gotten so great
323
00:16:47,965 --> 00:16:50,300
at creating reflective surfaces
like the helmet,
324
00:16:50,384 --> 00:16:53,772
that it actually helps us
from a performance standpoint.
325
00:16:55,931 --> 00:16:58,683
Natalie does
a really beautiful job in this.
326
00:16:58,767 --> 00:17:02,312
You know, there's some scenes
which are tough to watch.
327
00:17:02,396 --> 00:17:06,524
And she's really just
a wonderful heart and soul.
328
00:17:06,608 --> 00:17:07,744
As good as it gets.
329
00:17:07,860 --> 00:17:13,750
It's a gift to see Natalie rediscover
and reimagine who Jane Foster is.
330
00:17:15,200 --> 00:17:16,879
You think I really should be coming?
331
00:17:17,369 --> 00:17:19,144
You're a Thor. Of course you should come.
332
00:17:19,663 --> 00:17:24,709
I think so often,
not just in these movies but in general,
333
00:17:24,793 --> 00:17:28,338
it's really rare to get to
share the screen with other women.
334
00:17:28,422 --> 00:17:30,715
Sometimes you're the only one.
335
00:17:30,799 --> 00:17:33,969
And in this case,
I think it's really impactful,
336
00:17:34,053 --> 00:17:36,054
particularly because
Jane Foster is a character
337
00:17:36,138 --> 00:17:38,567
that doesn't start off as a superhero.
338
00:17:39,850 --> 00:17:43,561
Tessa is such
a ferocious actress.
339
00:17:43,645 --> 00:17:48,660
We had a lot of fun getting to show,
I think, the sisterhood in battle.
340
00:17:51,487 --> 00:17:54,708
I've done a lot
of physical preparation.
341
00:17:54,823 --> 00:17:59,087
I just wanted to push myself to get
even stronger than I was on the last one.
342
00:17:59,244 --> 00:18:00,996
The thing that really excites me is
343
00:18:01,080 --> 00:18:05,844
getting to play a superhero
that bucked convention.
344
00:18:08,712 --> 00:18:12,966
And the opportunity
to get to bring this character to life.
345
00:18:13,050 --> 00:18:16,177
This character that doesn't necessarily
look like me in the comics,
346
00:18:16,261 --> 00:18:19,264
but to capture her spirit
was a tremendous challenge,
347
00:18:19,348 --> 00:18:21,599
and to get to do it with people
that I admire and respect.
348
00:18:21,683 --> 00:18:23,946
This is the best day of my life!
349
00:18:29,149 --> 00:18:31,026
There's also a moment where everyone,
350
00:18:31,110 --> 00:18:33,445
if you think about
as your primary school class...
351
00:18:33,529 --> 00:18:36,184
This is probablythe biggest Thor movie we've ever done.
352
00:18:37,908 --> 00:18:41,578
This movie introduces
so many amazing alien species,
353
00:18:41,662 --> 00:18:43,423
monsters, creatures...
354
00:18:48,627 --> 00:18:49,972
All right, there you go.
355
00:18:51,380 --> 00:18:55,842
The Indigarrians, that was an army
of aliens, which was massive.
356
00:18:55,926 --> 00:18:57,093
God of Thunder.
357
00:18:57,177 --> 00:18:58,178
King Yakan.
358
00:18:58,262 --> 00:19:00,263
It was a production line
for the Indigarrians.
359
00:19:00,347 --> 00:19:01,431
We had some big days.
360
00:19:01,515 --> 00:19:05,852
The Indigarrians had brow pieces
and cheeks and they had big, scared eyes.
361
00:19:05,936 --> 00:19:07,854
We had people that were
sponging them blue,
362
00:19:07,938 --> 00:19:09,522
people that were
gluing on the prosthetics,
363
00:19:09,606 --> 00:19:13,276
people that were spray-painting them,
and powdering them, and...
364
00:19:13,360 --> 00:19:16,029
Yeah, it was something to really see.
365
00:19:16,113 --> 00:19:18,458
Yes! Bucket list, tick.
366
00:19:18,574 --> 00:19:20,825
They're just so funny.
It's so effortless.
367
00:19:20,909 --> 00:19:24,715
And then we have these amazing
alien owl-bikers called the Booskans.
368
00:19:30,752 --> 00:19:35,006
I drink the stiffest cordials and...
369
00:19:35,090 --> 00:19:36,132
Straight to the...
370
00:19:36,216 --> 00:19:39,844
And all the black jellybeans.
Black jellybeans.
371
00:19:39,928 --> 00:19:42,180
Whereas these guys eat colored jellybeans.
372
00:19:42,264 --> 00:19:43,525
I can't stand them.
373
00:19:44,141 --> 00:19:45,809
The Booskans
were really interesting,
374
00:19:45,893 --> 00:19:47,894
'cause they weren't originally
meant to be owl-creatures.
375
00:19:47,978 --> 00:19:49,354
The owl-heads that we see behind us
376
00:19:49,438 --> 00:19:52,190
were these warrior kind of mask.
377
00:19:52,274 --> 00:19:56,038
And then the real Habooskan character
was underneath that.
378
00:19:56,904 --> 00:20:00,615
The more we started designing and honing
in on the look of the Booskans, the mask,
379
00:20:00,699 --> 00:20:02,200
the more that Taika was kinda like,
380
00:20:02,284 --> 00:20:04,202
"You know what?
I really like the look of these guys.
381
00:20:04,286 --> 00:20:06,246
"These guys should be the creatures,
382
00:20:06,330 --> 00:20:09,124
"not so much the masks
that the Habooskan was wearing."
383
00:20:09,208 --> 00:20:11,209
And I loved that.
I thought, you know, that's...
384
00:20:11,293 --> 00:20:14,139
For a creature design,
I'd never seen anything like these guys.
385
00:20:20,219 --> 00:20:21,845
Devastation all around.
386
00:20:21,929 --> 00:20:23,972
- Our temple's been destroyed.
- We're donating goats.
387
00:20:24,056 --> 00:20:26,516
Apparently we're still giving away stuff
'cause that...
388
00:20:26,600 --> 00:20:28,101
Yeah, that's kinda who we are.
389
00:20:28,185 --> 00:20:29,269
We have nothing else.
390
00:20:29,353 --> 00:20:30,353
We got nothing.
391
00:20:30,437 --> 00:20:33,231
We got no temple or anything,
but we're still giving away our goats.
392
00:20:35,484 --> 00:20:36,620
No backsies.
393
00:20:37,986 --> 00:20:41,239
This movie is introducing
two new unexpected characters
394
00:20:41,323 --> 00:20:45,128
in Toothgnasher and Toothgrinder,
who are two space-travelling goats.
395
00:20:45,369 --> 00:20:48,163
There's a Viking ship
that floats through space
396
00:20:48,247 --> 00:20:50,748
that's being towed by giant goats
397
00:20:50,832 --> 00:20:52,709
who create fire with their hooves.
398
00:20:52,793 --> 00:20:53,877
It's gonna be nuts.
399
00:20:53,961 --> 00:20:55,097
It's so good, right?
400
00:20:56,046 --> 00:20:58,266
Awesome. Really good.
401
00:21:01,009 --> 00:21:03,344
Really good, really good, yeah. Really.
402
00:21:03,428 --> 00:21:06,181
You would think something
like that would be completely CG,
403
00:21:06,265 --> 00:21:08,902
and you'd have no reference.
But we didn't do that.
404
00:21:09,184 --> 00:21:10,226
It's very smooth.
405
00:21:10,310 --> 00:21:14,355
We actually created real-life
goat heads for VFX reference,
406
00:21:14,439 --> 00:21:16,701
but more so
just to be able to interact with them.
407
00:21:19,486 --> 00:21:20,486
That's really awesome.
408
00:21:20,570 --> 00:21:22,697
They're huge, these things.
They're the size of, you know,
409
00:21:22,781 --> 00:21:24,365
Clydesdale horses.
410
00:21:24,449 --> 00:21:27,869
This is Toothgrinder and Toothgnasher.
411
00:21:27,953 --> 00:21:30,455
They were really the trickiest
thing we've done on this show.
412
00:21:30,539 --> 00:21:32,248
Coming up with the design that was
413
00:21:32,332 --> 00:21:35,710
true to some of the early
visual development art that we received,
414
00:21:35,794 --> 00:21:40,058
but giving them the most realistic finish,
wanting them to look real.
415
00:21:40,465 --> 00:21:45,397
There's lot of designing, incredibly
detailed punched hair, silicon tongue,
416
00:21:45,971 --> 00:21:50,183
got acrylic eyes in here.
The horns are hard.
417
00:21:50,267 --> 00:21:53,405
Toothgnasher and Toothgrinder
are absolute stars.
418
00:21:54,521 --> 00:21:56,032
We loved writing for them.
419
00:21:56,189 --> 00:21:58,316
Retrace your steps.
Where did you put the remote?
420
00:21:58,400 --> 00:21:59,651
One of these goats probably ate it!
421
00:21:59,735 --> 00:22:01,694
Goats didn't eat the remote.
Don't be ridiculous.
422
00:22:01,778 --> 00:22:04,906
One of things that
the goats are really helpful with
423
00:22:04,990 --> 00:22:08,243
is getting in and out of scenes
and infusing more fun into a movie
424
00:22:08,327 --> 00:22:10,881
that already is incredibly fun.
425
00:22:11,830 --> 00:22:13,957
One of those scenes
was the Grand Pantheon,
426
00:22:14,041 --> 00:22:16,376
where we were like,
"How do we get in and out of this scene?
427
00:22:16,460 --> 00:22:18,346
"What is the fantastical way out?"
428
00:22:22,007 --> 00:22:23,185
I did it.
429
00:22:23,592 --> 00:22:27,762
Well, what if the goats smashed
through the top of the Pantheon
430
00:22:27,846 --> 00:22:30,192
in the goat boat to save our heroes?
431
00:22:30,557 --> 00:22:33,184
I don't know if that's possible,
'cause I come from small productions.
432
00:22:33,268 --> 00:22:35,864
But this is Marvel, so, we got to do that.
433
00:22:36,480 --> 00:22:40,692
Look up there. There's my god.
The God of Kronans. Ninny Nonnie.
434
00:22:40,776 --> 00:22:42,610
I thought he was actually not real.
435
00:22:42,694 --> 00:22:45,071
Oh, no,
they're all very real indeed, Korg.
436
00:22:45,155 --> 00:22:47,542
I'm so sorry.
437
00:22:47,657 --> 00:22:50,702
The Grand Pantheon is one of
the biggest set pieces in the film.
438
00:22:50,786 --> 00:22:53,079
It's full of gods
from all over the Cosmos.
439
00:22:53,163 --> 00:22:58,126
So, we also get to include a lot of gods
and people from other MCU favorites.
440
00:22:58,210 --> 00:23:01,838
It's really about bringing
the whole MCU together in this one space
441
00:23:01,922 --> 00:23:03,715
and having our characters exist
442
00:23:03,799 --> 00:23:07,479
and feel like they are truly
a part of the Marvel Cinematic Universe.
443
00:23:10,555 --> 00:23:12,807
So, now flick. Right, good.
Good stuff, yeah.
444
00:23:12,891 --> 00:23:15,101
But now you know
he's gonna step forward and...
445
00:23:15,185 --> 00:23:16,644
You flicked too hard, damn it!
446
00:23:21,358 --> 00:23:26,904
Makeup-wise, in the Golden Temple,
we had 18, 20 gods to create.
447
00:23:26,988 --> 00:23:28,375
I'm playing Fur God.
448
00:23:28,615 --> 00:23:31,242
Although he's dyslexic,
so he likes to be known as Fur Dog.
449
00:23:31,326 --> 00:23:34,287
I'm gonna be up there and I'm gonna be
in a little hole and I have my little...
450
00:23:34,371 --> 00:23:35,580
Of course, you can't see here,
451
00:23:35,664 --> 00:23:38,333
but I have these little
furry feet-hands or hand-feet.
452
00:23:38,417 --> 00:23:40,872
He's just gonna be chatting to Thor
about orgies and stuff.
453
00:23:45,257 --> 00:23:50,522
You can see the level of detail they did
on the face. It's just astonishing.
454
00:23:50,679 --> 00:23:55,641
My favorite one was the Aztec god.
He looks like a glass mosaic in his face.
455
00:23:55,725 --> 00:23:59,812
He's got a suit. And then his face, hands,
and feet are painted.
456
00:23:59,896 --> 00:24:02,867
And the other challenge was Dionysus.
457
00:24:03,608 --> 00:24:06,527
Taika wanted Dionysus
to look like a marble statue.
458
00:24:06,611 --> 00:24:08,780
I was, like,
"Oh. How are we gonna do that?"
459
00:24:08,864 --> 00:24:11,334
Because they'd never done it
on a movie before.
460
00:24:11,533 --> 00:24:13,837
So, we said,
"Okay, let's try to do it."
461
00:24:14,286 --> 00:24:19,999
We gave him a beard and he looked like,
with all these cracks from the marble,
462
00:24:20,083 --> 00:24:21,761
and we made him like a...
463
00:24:22,544 --> 00:24:26,433
I hope he was gonna love it,
because it was perfect.
464
00:24:27,090 --> 00:24:28,518
Two things.
465
00:24:29,217 --> 00:24:30,645
Number one.
466
00:24:31,887 --> 00:24:34,941
I am so sorry to hear
of the death of your father.
467
00:24:36,308 --> 00:24:37,308
Number two...
468
00:24:37,392 --> 00:24:39,404
Don't talk back to Zeus!
469
00:24:40,562 --> 00:24:43,815
Zeus is a very powerful character
in the comics.
470
00:24:43,899 --> 00:24:46,401
Someone that goes back with Thor
a long way.
471
00:24:46,485 --> 00:24:48,111
He's one of the most powerful gods.
472
00:24:48,195 --> 00:24:49,612
And so, if you're gonna introduce Zeus,
473
00:24:49,696 --> 00:24:52,250
you need to introduce someone
who can walk those shoes.
474
00:24:52,699 --> 00:24:55,837
You! You are also uninvited to the orgy.
475
00:24:56,786 --> 00:24:57,922
In fact,
476
00:24:58,497 --> 00:25:02,291
all the emotion gods are banned. Okay?
477
00:25:02,375 --> 00:25:05,253
I've had enough.
You're too much hard work.
478
00:25:05,337 --> 00:25:07,588
Zeus, please, you must do something.
479
00:25:07,672 --> 00:25:10,591
My word is final!
480
00:25:10,675 --> 00:25:12,802
Zeus, you must listen to us.
481
00:25:12,886 --> 00:25:14,095
Okay.
482
00:25:14,179 --> 00:25:20,059
Russell Crowe came in to play Zeus,
and I am a massive Russell Crowe fan,
483
00:25:20,143 --> 00:25:22,728
and he's now become a friend,
and he's really funny.
484
00:25:22,812 --> 00:25:27,285
He allowed himself to enjoy that role
and to have fun doing it.
485
00:25:27,526 --> 00:25:30,319
I just never thought
I'd never see the day with him,
486
00:25:30,403 --> 00:25:34,740
sort of semi-gladiator kind of imagery,
487
00:25:34,824 --> 00:25:39,120
yet just with a wink and totally
taking the piss out of himself.
488
00:25:39,204 --> 00:25:42,425
And self-deprecating
and didn't hold back either.
489
00:25:42,749 --> 00:25:46,836
Which was mind-blowing, you know.
It was fantastic.
490
00:25:46,920 --> 00:25:52,758
I think we're so used to him
in these very strong, heroic roles.
491
00:25:52,842 --> 00:25:56,189
So it's fun to see him
be able to let loose.
492
00:25:56,346 --> 00:25:58,681
My hero, Zeus...
493
00:25:58,765 --> 00:25:59,765
afraid.
494
00:26:03,061 --> 00:26:06,783
I never thought I would
see Russell Crowe in a tennis skirt.
495
00:26:06,982 --> 00:26:10,151
That's been a real joy.
It's been real nice to see.
496
00:26:10,235 --> 00:26:16,032
Like, I... Sometimes he walks past
my trailer in the tennis skirt.
497
00:26:16,116 --> 00:26:19,368
And his perfectly curled, coifed hair.
498
00:26:19,452 --> 00:26:23,122
Basically, they did
a really fantastic job outfitting Russell.
499
00:26:23,206 --> 00:26:25,666
What about the others? Eh?
500
00:26:25,750 --> 00:26:28,920
Russell said, "You guys are gonna
be too busy to look after me.
501
00:26:29,004 --> 00:26:32,684
"So, let's make it easy. Let's choose
my own hair and my own beard."
502
00:26:33,049 --> 00:26:37,553
And we ended up using it, because he had
really long hair and a really long beard.
503
00:26:37,637 --> 00:26:40,056
So, what we did is, we styled that.
504
00:26:40,140 --> 00:26:44,529
I made all these curls and fixed it
to make sure it stay all day.
505
00:26:44,811 --> 00:26:48,324
And it looked great.
He was a great Zeus.
506
00:26:48,898 --> 00:26:49,899
Yes!
507
00:26:52,485 --> 00:26:54,028
Zeus!
508
00:26:54,112 --> 00:26:56,458
Yes! Thunderbolt!
509
00:27:01,161 --> 00:27:03,757
This is the hero Thunderbolt, which...
510
00:27:03,913 --> 00:27:06,760
This went through many design iterations.
511
00:27:07,042 --> 00:27:10,920
We have two different sizes,
depending on the character who's using it.
512
00:27:11,004 --> 00:27:13,673
We have multiple finishes.
513
00:27:13,757 --> 00:27:16,884
We have foam, soft, cut-off ones
514
00:27:16,968 --> 00:27:19,971
for when they're doing action
and they can't actually throw this at all.
515
00:27:20,055 --> 00:27:21,722
Can we just have the...
516
00:27:21,806 --> 00:27:25,487
Bill? Can we just have the short?
I don't want him to poke himself.
517
00:27:25,810 --> 00:27:26,946
Yeah.
518
00:27:27,395 --> 00:27:28,437
Thank you very much.
519
00:27:28,521 --> 00:27:31,607
No. It's getting better,
so we might not need it.
520
00:27:31,691 --> 00:27:32,827
That's a good thing.
521
00:27:32,942 --> 00:27:35,194
We have a magnetic version.
522
00:27:35,278 --> 00:27:39,626
So the actors can strap it to their back
with a magnetic plate.
523
00:27:39,908 --> 00:27:43,953
This prop is
a very multi-use lightning bolt
524
00:27:44,037 --> 00:27:48,374
which took a lot of consideration
to figure out all its forms,
525
00:27:48,458 --> 00:27:53,681
including one where the entire
lightning bolt lights up from the inside.
526
00:27:53,880 --> 00:27:57,174
Ding! If you look in closely,
you can see some of the pixels.
527
00:27:57,258 --> 00:28:01,397
But it's just not quite as dotty
as the normal stuff that you come across.
528
00:28:01,554 --> 00:28:05,401
The action of this prop,
when they use it, it turns into lightning.
529
00:28:09,771 --> 00:28:15,370
For us, it's been a feat where we're
creating a lot of props that are soft.
530
00:28:15,485 --> 00:28:18,529
Soft enough that
the stunt people can use them,
531
00:28:18,613 --> 00:28:23,367
because most of the action, when it's
meant to light up, occurs during stunts.
532
00:28:23,451 --> 00:28:27,079
On go. And three, two, one, go!
533
00:28:33,002 --> 00:28:36,964
We'll cast it out of a softer
silicon that we can, or rubber,
534
00:28:37,048 --> 00:28:39,175
or sometimes even a foam,
535
00:28:39,259 --> 00:28:44,513
and then inside is a strip of LEDs
that is remotely operated,
536
00:28:44,597 --> 00:28:47,933
so that the silicon prop can light up,
537
00:28:48,017 --> 00:28:52,532
and they can use an actual lit version of
this prop while they're fighting on set.
538
00:28:53,231 --> 00:28:54,909
Lead your army to that axe.
539
00:28:55,316 --> 00:28:56,953
We shall do our worst.
540
00:29:10,290 --> 00:29:14,669
- Yeah, so I pull...
- Remember the... About the...
541
00:29:14,753 --> 00:29:16,712
There are so many amazing looks
in this movie,
542
00:29:16,796 --> 00:29:19,715
and I think that's a big opportunity
for us in these Thor films,
543
00:29:19,799 --> 00:29:21,592
is to see Thor evolve,
544
00:29:21,676 --> 00:29:24,230
not only as a character, but his looks.
545
00:29:27,432 --> 00:29:29,141
- All right.
- Walk back.
546
00:29:29,225 --> 00:29:30,393
New thing that we did,
547
00:29:30,477 --> 00:29:35,158
he takes all his clothes off,
and you find him completely naked,
548
00:29:35,315 --> 00:29:38,411
and he's got his back covered in tattoos.
549
00:29:38,985 --> 00:29:44,292
And he's got all these tattoos that he did
after Loki died, his brother.
550
00:29:44,616 --> 00:29:46,242
It's almost too perfect.
551
00:29:46,326 --> 00:29:48,421
This will feel a little bit more like,
552
00:29:48,828 --> 00:29:51,507
jail type that's been done
by a bunch of different people.
553
00:29:51,915 --> 00:29:54,344
Some of them
have been designed by Taika.
554
00:29:54,626 --> 00:29:56,054
Literally drawn.
555
00:29:56,544 --> 00:29:58,087
It was cool. It was nice just to...
556
00:29:58,171 --> 00:30:00,339
I think, again,
you have to do something different.
557
00:30:00,423 --> 00:30:01,559
Flick.
558
00:30:08,973 --> 00:30:10,818
You flicked too hard, damn it!
559
00:30:11,226 --> 00:30:13,721
There are more costume changes in this
than I think I've had
560
00:30:13,895 --> 00:30:15,698
in the last six films combined.
561
00:30:15,980 --> 00:30:17,189
Up there, please.
562
00:30:17,273 --> 00:30:19,817
All the montage stuff,
all the flashbacks.
563
00:30:19,901 --> 00:30:22,246
Stand by to shoot, please.
Ready, ready.
564
00:30:22,487 --> 00:30:25,698
This is not acceptable behavior.
You wear whatever you want.
565
00:30:25,782 --> 00:30:27,742
However, don't come complaining to me
when your feet get sore.
566
00:30:27,826 --> 00:30:29,034
You'll get no sympathy from me.
567
00:30:31,162 --> 00:30:32,507
I don't like all of them,
568
00:30:33,289 --> 00:30:35,458
as far as comfort goes,
but this is actually really good.
569
00:30:35,542 --> 00:30:38,169
It's got this wetsuit material in here.
570
00:30:38,253 --> 00:30:41,766
Sometimes, that's real hard plastic,
and it chews your arm apart.
571
00:30:42,131 --> 00:30:45,436
- How does it feel to be back in the armor?
- That's what I just said, Dan.
572
00:30:46,845 --> 00:30:52,558
Due to Thor's uncertainty in who he is
and searching for his identity...
573
00:30:52,642 --> 00:30:55,603
that's represented
in his wardrobe as well.
574
00:30:55,687 --> 00:30:57,198
Keep pushing.
575
00:30:57,689 --> 00:30:59,200
Feels good to be back in the suit.
576
00:30:59,774 --> 00:31:01,536
Just burning a few calories.
577
00:31:03,194 --> 00:31:05,748
Nothing. Nothing holds him back.
578
00:31:08,825 --> 00:31:10,503
-Okay
-Here? Yeah.
579
00:31:14,122 --> 00:31:16,968
I think we should
do inhale, exhale.
580
00:31:17,750 --> 00:31:19,001
- Like expand the...
- Yeah, expand...
581
00:31:19,085 --> 00:31:21,879
Yeah, I just... I'm...
Each time I'm expanding, I'm doing...
582
00:31:21,963 --> 00:31:25,341
Okay, yeah.
Take a deep breath. So 40...
583
00:31:25,425 --> 00:31:30,513
I should know how many costumes I've made
for Thor, but I really lost track of it.
584
00:31:30,597 --> 00:31:32,848
Right, how many changes
do we have in this movie? 20...
585
00:31:32,932 --> 00:31:33,933
Twenty-four.
586
00:31:34,017 --> 00:31:37,363
Twenty-four different
clothing outfit changes.
587
00:31:39,606 --> 00:31:45,079
We have, for instance, five main changes.
One of them being extreme Thor.
588
00:31:45,695 --> 00:31:48,697
His looks progressively get bigger
and more bold,
589
00:31:48,781 --> 00:31:50,908
and when The Mighty Thor enters his life,
590
00:31:50,992 --> 00:31:53,410
he has to take on
his most extreme look yet,
591
00:31:53,494 --> 00:31:56,872
and so he dons this amazing,
over-the-top armor.
592
00:31:56,956 --> 00:31:59,041
Head to toe in gold and blue.
593
00:31:59,125 --> 00:32:01,794
Really kind of harkening back
to the original comics
594
00:32:01,878 --> 00:32:04,463
where they didn't hold back
in terms of the fun and the colors.
595
00:32:04,547 --> 00:32:06,090
Why are we taking this helmet off?
596
00:32:06,174 --> 00:32:08,978
With the gold helmet,
it's this narrative that
597
00:32:09,135 --> 00:32:14,557
Thor, maybe, has gone a little too far in
his costume because of those insecurities.
598
00:32:14,641 --> 00:32:18,185
And it's that kind of storytelling that
we're trying to convey in our designs.
599
00:32:18,269 --> 00:32:19,895
Jane?
600
00:32:19,979 --> 00:32:20,980
What is...
601
00:32:21,064 --> 00:32:25,276
Chris Hemsworth is very involved
in terms of functionality.
602
00:32:25,360 --> 00:32:26,954
We have to ensure...
603
00:32:29,489 --> 00:32:32,408
...that he has an armor that he can manage
604
00:32:32,492 --> 00:32:36,422
in all the very intense actions
that he goes through the movie.
605
00:32:36,829 --> 00:32:39,081
- Yeah.
- Maybe in the Bifrost, it's just gone.
606
00:32:39,165 --> 00:32:41,625
Maybe everything will be ripped off
and you come into this place naked.
607
00:32:41,709 --> 00:32:43,669
Yeah, that's good. Yeah, let's do that.
608
00:32:43,753 --> 00:32:46,672
I think the most rewarding
part of working with Chris on this film
609
00:32:46,756 --> 00:32:51,521
has been how big he is now.
610
00:32:52,220 --> 00:32:54,722
I'm like, "How did you do it?"
611
00:32:54,806 --> 00:32:57,099
I thought when we made the last movie,
612
00:32:57,183 --> 00:33:01,447
that he was the largest human
that I have spent time with.
613
00:33:01,896 --> 00:33:03,939
And now he's bigger than that.
614
00:33:04,023 --> 00:33:07,693
He was in a otherworldly
physique when he showed up to set.
615
00:33:07,777 --> 00:33:10,456
The most insane shape you've ever seen.
616
00:33:13,282 --> 00:33:16,838
It really is inspiring because
he just works really, really hard.
617
00:33:18,871 --> 00:33:21,206
Each time
I've played the character
618
00:33:21,290 --> 00:33:23,125
and put the muscle on and put the size on,
619
00:33:23,209 --> 00:33:26,556
and then lost it for something else
and played another character,
620
00:33:27,088 --> 00:33:30,758
there's muscle memory, and I used to say
it sort of got easier each time.
621
00:33:30,842 --> 00:33:31,967
Push!
622
00:33:32,051 --> 00:33:33,427
This was particularly hard.
623
00:33:33,511 --> 00:33:37,441
I think because
the target weight we aimed for was...
624
00:33:37,849 --> 00:33:40,111
quite a ways above where I'd been before.
625
00:33:44,313 --> 00:33:47,942
We had 12 months when I was at home,
just training
626
00:33:48,026 --> 00:33:53,238
and sort of, you know,
puppeteering the body and manipulating
627
00:33:53,322 --> 00:33:57,253
and trying to like, we could try more
swimming now or try more martial arts.
628
00:33:59,954 --> 00:34:02,623
It was a really fun exploration,
629
00:34:02,707 --> 00:34:05,261
but I don't know that
I wanna get that big again.
630
00:34:05,543 --> 00:34:07,998
- Let me see what...
- I told you, though, no more secrets.
631
00:34:08,588 --> 00:34:09,765
But I was sort of...
632
00:34:10,423 --> 00:34:12,549
It was... Yeah, it was just exhausting.
633
00:34:12,633 --> 00:34:16,731
I don't know, maybe I'm getting old,
but things just started to hurt more.
634
00:34:19,474 --> 00:34:20,808
A lot of difficulties too
635
00:34:20,892 --> 00:34:23,352
because to carry that sort of size,
636
00:34:23,436 --> 00:34:24,947
the physics of things changes.
637
00:34:26,272 --> 00:34:27,927
So the action has to progress with it.
638
00:34:28,399 --> 00:34:30,025
You just have to adapt and...
639
00:34:30,109 --> 00:34:34,081
It's just making sure the range of motion
is still good and things like that.
640
00:34:34,655 --> 00:34:37,001
Talking with Chris as Thor,
641
00:34:37,241 --> 00:34:40,828
I remember thinking that he must be
on a few steps above me
642
00:34:40,912 --> 00:34:43,956
and then realizing,
no, we're on the same level.
643
00:34:44,040 --> 00:34:45,708
And I was still doing that...
644
00:34:45,792 --> 00:34:49,962
And ridiculously good guy
and absolutely fantastic at this.
645
00:34:50,046 --> 00:34:52,631
And so much easier to play the villain
than it is to play the hero.
646
00:34:52,715 --> 00:34:53,841
I had the easy role.
647
00:34:53,925 --> 00:34:55,645
Yeah, Chris had the tough role.
648
00:34:57,929 --> 00:35:01,234
It's just incredible
to watch Chris' talent.
649
00:35:01,474 --> 00:35:04,153
He's just so agile
650
00:35:04,477 --> 00:35:09,033
with moving from serious scenes to,
of course, extreme comedy.
651
00:35:09,440 --> 00:35:10,576
Great to meet you.
652
00:35:10,858 --> 00:35:12,443
We've met before, but, okay.
653
00:35:12,527 --> 00:35:13,663
Great to...
654
00:35:14,070 --> 00:35:15,206
Oh, I see.
655
00:35:15,655 --> 00:35:18,490
What a lot of people said about
the first time is that it was so fast
656
00:35:18,574 --> 00:35:21,029
that a lot of people didn't even
know we were in the movie.
657
00:35:21,369 --> 00:35:23,537
Can you guys shut up?
658
00:35:23,621 --> 00:35:25,122
I'm trying to prepare for my scene.
659
00:35:25,206 --> 00:35:26,884
Dear Thor, son of Odin,
660
00:35:27,834 --> 00:35:32,598
may you maketh the shooteth and dayeth
wonderful and positiveth.
661
00:35:33,464 --> 00:35:36,310
He has such a quick brain for
662
00:35:36,717 --> 00:35:38,969
changing things, assimilating information,
663
00:35:39,053 --> 00:35:41,899
reacting in a creative way,
664
00:35:42,056 --> 00:35:43,432
coming up with new ideas.
665
00:35:43,516 --> 00:35:44,652
Can you see me?
666
00:35:45,309 --> 00:35:47,613
Yes, I can see you.
But where's the rest of your body?
667
00:35:47,812 --> 00:35:49,104
Did he cut off your head?
668
00:35:49,188 --> 00:35:51,732
I always have to remind myself
that I have to act in the scene
669
00:35:51,816 --> 00:35:53,244
and I can't just be an audience.
670
00:35:54,485 --> 00:35:56,330
- Let's go.
- You don't ha...
671
00:35:56,821 --> 00:35:59,198
Getting to see someone
who's played a character for so long,
672
00:35:59,282 --> 00:36:04,839
but is constantly reimagining
what this character can be
673
00:36:06,747 --> 00:36:09,041
is exquisite to work alongside,
674
00:36:09,125 --> 00:36:11,251
with someone that cares so much
about what they do
675
00:36:11,335 --> 00:36:13,170
and cares so much about a character,
676
00:36:13,254 --> 00:36:17,268
and is brave enough
to try things and see what sticks.
677
00:36:24,473 --> 00:36:26,016
This is the Storm breaker.
678
00:36:26,100 --> 00:36:27,684
This is the muscle-showing one.
679
00:36:30,771 --> 00:36:31,772
Actor unit.
680
00:36:31,856 --> 00:36:33,315
I'm an artist, stay away from me.
681
00:36:33,399 --> 00:36:35,400
This would be one that we give to Chris
682
00:36:35,484 --> 00:36:39,738
when we want him to have that
real powerful, godly look about him.
683
00:36:39,822 --> 00:36:43,158
But some of the action
requires it to be much lighter,
684
00:36:43,242 --> 00:36:45,004
so then we'll have this version.
685
00:36:45,578 --> 00:36:47,089
Much lighter weight, but...
686
00:36:48,789 --> 00:36:49,925
photo-real.
687
00:36:50,499 --> 00:36:52,000
Almost identical,
688
00:36:52,084 --> 00:36:54,128
which is quite a feat.
689
00:36:54,212 --> 00:36:56,630
And we have some
very talented painters here
690
00:36:56,714 --> 00:36:59,508
who are able to pretty much
turn any material
691
00:36:59,592 --> 00:37:01,718
into something that looks amazing.
692
00:37:01,802 --> 00:37:05,441
As you can see, this is rubber,
but it looks just like metal.
693
00:37:07,934 --> 00:37:10,686
- We've had a few location shootson
- Love and Thunder.
694
00:37:10,770 --> 00:37:12,312
Obviously, New Asgard behind me
695
00:37:12,396 --> 00:37:15,566
is an exterior location
for day and night work.
696
00:37:15,650 --> 00:37:19,361
We also did some great exterior day work
down at Little Bay
697
00:37:19,445 --> 00:37:21,957
at a golf course
just south of the city in Sydney.
698
00:37:22,323 --> 00:37:23,709
And it was on some cliffs
699
00:37:24,033 --> 00:37:28,339
so we had phenomenal water
and winds blowing in.
700
00:37:29,789 --> 00:37:30,925
Join me or die.
701
00:37:31,207 --> 00:37:33,135
- Never!
- We will never join you, witch.
702
00:37:33,501 --> 00:37:35,586
It was challenging with the wind.
703
00:37:35,670 --> 00:37:38,922
Shooting with large lighting units
or camera cranes
704
00:37:39,006 --> 00:37:42,895
or different aerial things that need to
get up and not be affected by the wind.
705
00:37:43,135 --> 00:37:45,053
It was ultimately absolutely rewarding
706
00:37:45,137 --> 00:37:48,056
because it was
a beautiful quality of light.
707
00:37:48,140 --> 00:37:52,144
On any given day, we're shooting
five completely different worlds.
708
00:37:52,228 --> 00:37:55,522
And 150 feet away, on a patch of sand,
709
00:37:55,606 --> 00:37:58,400
Christian Bale is nursing his daughter
as she passes...
710
00:37:58,484 --> 00:38:00,539
It's like, literally,
the stuff that we're doing,
711
00:38:00,987 --> 00:38:02,322
it couldn't be more different.
712
00:38:03,614 --> 00:38:05,793
And what we're doing...
So what are we doing?
713
00:38:07,076 --> 00:38:08,921
What are we doing today? Well, we're...
714
00:38:09,662 --> 00:38:10,798
This is a flashback.
715
00:38:11,122 --> 00:38:13,634
Basically, this is the
origin story of Gorr, the villain.
716
00:38:14,292 --> 00:38:17,972
Not that, but this is
just here for the camera.
717
00:38:32,435 --> 00:38:34,572
I think the Thor franchisehas a history of
718
00:38:34,979 --> 00:38:37,241
producing some
pretty interesting villains.
719
00:38:38,399 --> 00:38:39,858
Why have you done this?
720
00:38:39,942 --> 00:38:42,945
To prove to Father that I am a worthy son.
721
00:38:43,029 --> 00:38:44,863
Loki is one of our best.
722
00:38:44,947 --> 00:38:46,500
Hela is one of our best.
723
00:38:46,741 --> 00:38:49,409
So it was very important
for us to introduce
724
00:38:49,493 --> 00:38:51,036
another terrifying villain,
725
00:38:51,120 --> 00:38:53,382
and we found that
in Gorr, the God Butcher.
726
00:38:56,625 --> 00:38:58,679
He has a big history
with Thor in the comics.
727
00:39:02,214 --> 00:39:03,976
And Gorr.
728
00:39:06,552 --> 00:39:09,596
Christian is someone
I've admired for many, many years.
729
00:39:09,680 --> 00:39:11,306
Obviously, he's one of the greatest,
730
00:39:11,390 --> 00:39:14,125
I think, possibly the greatest actor
that's working at the moment.
731
00:39:23,027 --> 00:39:25,456
Someone I've always imagined...
732
00:39:26,197 --> 00:39:28,042
Well, hoped I would get to work with.
733
00:39:32,828 --> 00:39:34,204
When we talked about villains,
734
00:39:34,288 --> 00:39:36,915
they were only a few names
that we threw about,
735
00:39:36,999 --> 00:39:40,429
and his was at the top of that list
pretty early on.
736
00:39:43,923 --> 00:39:45,059
My love.
737
00:39:46,550 --> 00:39:49,438
I think, for him,
he's done everything, and...
738
00:39:50,471 --> 00:39:52,973
I think this film
feels a little different for him.
739
00:39:54,975 --> 00:39:56,685
I've missed you so much.
740
00:39:56,769 --> 00:39:58,906
He's just so talented.
741
00:39:59,188 --> 00:40:00,856
I've worked with so many people,
742
00:40:00,940 --> 00:40:03,875
I've been so lucky to work with
so many brilliant performers, and then,
743
00:40:04,151 --> 00:40:06,038
every now and again, you sort of...
744
00:40:06,570 --> 00:40:08,465
Someone just...
It's like a slap in the face.
745
00:40:10,449 --> 00:40:12,294
He added so many more layers to it
746
00:40:12,493 --> 00:40:14,547
and depth to it, which then,
747
00:40:14,745 --> 00:40:16,663
just made me think even harder about,
748
00:40:16,747 --> 00:40:19,124
okay, what is Thor's point of view here
749
00:40:19,208 --> 00:40:22,263
besides just marching off to save the day,
750
00:40:22,586 --> 00:40:25,672
and it not being as simple as
the villain and the hero.
751
00:40:25,756 --> 00:40:27,560
It was a lot more complex than that.
752
00:40:33,889 --> 00:40:35,025
Protect her.
753
00:40:35,474 --> 00:40:37,736
You're supposed
to hate the villain, but...
754
00:40:38,185 --> 00:40:39,644
Uh...
755
00:40:39,728 --> 00:40:41,407
I'm kind of team Gorr.
756
00:40:41,647 --> 00:40:45,160
I think that you're gonna be right there
and then I'll cradle your head.
757
00:40:46,110 --> 00:40:48,987
He does that thing that
I think Marvel villains do so well.
758
00:40:49,071 --> 00:40:50,822
The thing that Stan Lee understood
759
00:40:50,906 --> 00:40:53,450
that your villainry comes from pain,
760
00:40:53,534 --> 00:40:55,994
comes from some trauma
that you haven't processed.
761
00:40:56,078 --> 00:40:57,256
I know your pain.
762
00:40:57,788 --> 00:40:59,550
Love is pain.
763
00:41:00,416 --> 00:41:01,719
It makes him,
764
00:41:01,917 --> 00:41:03,053
in a way,
765
00:41:03,419 --> 00:41:05,723
a villain that you have sympathy for.
766
00:41:12,344 --> 00:41:14,023
He could stand to
767
00:41:14,680 --> 00:41:16,275
work on his dental hygiene.
768
00:41:17,600 --> 00:41:20,154
That aside, he's brilliant.
769
00:41:20,769 --> 00:41:23,230
Gorr the God Butcher has
an awesome look in the comics.
770
00:41:23,314 --> 00:41:24,773
We wanted to tap into that.
771
00:41:24,857 --> 00:41:27,609
But had we done exactly that translation,
772
00:41:27,693 --> 00:41:29,622
we would've lost all of Christian.
773
00:41:30,196 --> 00:41:31,905
So we made the decision early on
774
00:41:31,989 --> 00:41:35,117
that we didn't want him
to be a motion capture character.
775
00:41:35,201 --> 00:41:36,827
There are incredible ways of doing that,
776
00:41:36,911 --> 00:41:39,496
but with this particular actor
in this particular character,
777
00:41:39,580 --> 00:41:40,758
Taika really believed,
778
00:41:41,040 --> 00:41:44,219
rightfully so, that we could
achieve that with makeup.
779
00:41:46,003 --> 00:41:47,421
It was a challenging makeup.
780
00:41:47,505 --> 00:41:49,423
We're so lucky we had Christian,
who was, you know,
781
00:41:49,507 --> 00:41:52,008
always just so focused on the makeup,
782
00:41:52,092 --> 00:41:54,355
always wanted everything to be just right.
783
00:41:54,595 --> 00:41:56,555
Would you come here closer?
Yeah, close as you can get.
784
00:41:56,639 --> 00:41:58,859
And you can go higher. Going up higher?
785
00:41:59,558 --> 00:42:00,809
Oh, yeah.
786
00:42:00,893 --> 00:42:02,644
He just immediately
took the charge
787
00:42:02,728 --> 00:42:04,271
and said that I know who this character is
788
00:42:04,355 --> 00:42:07,399
down to the tiny details
of the length of his fingernails,
789
00:42:07,483 --> 00:42:08,911
just how scary he is,
790
00:42:09,235 --> 00:42:11,361
color of the practical paint we gave him,
791
00:42:11,445 --> 00:42:13,655
the scars and these amazing tattoos
792
00:42:13,739 --> 00:42:15,991
indicative and representative of his past.
793
00:42:16,075 --> 00:42:17,252
He's totally covered from
794
00:42:17,826 --> 00:42:20,673
shoulder to hands, chest, down his back.
795
00:42:21,622 --> 00:42:22,883
It's three and a half hours.
796
00:42:24,208 --> 00:42:25,344
Yep, so...
797
00:42:25,751 --> 00:42:27,805
Christian comes in, we do a fresh shave...
798
00:42:29,004 --> 00:42:30,599
First up, skin prep.
799
00:42:31,215 --> 00:42:34,228
Head shave, arm shave, pit shave,
800
00:42:35,177 --> 00:42:36,178
face shave,
801
00:42:36,262 --> 00:42:39,983
and then it's, yeah,
straight into coloration
802
00:42:41,100 --> 00:42:43,226
and laying down all the different...
803
00:42:43,310 --> 00:42:45,020
The tattoos go on first
804
00:42:45,104 --> 00:42:47,564
and the scarification
goes over the top of that.
805
00:42:47,648 --> 00:42:49,900
And the full paint job over the top.
806
00:42:49,984 --> 00:42:51,693
Despite the fact that me just going,
807
00:42:51,777 --> 00:42:54,665
"I am exhausted
getting up at these hours,"
808
00:42:54,947 --> 00:42:57,793
it was a great time
to just get into the head space.
809
00:43:03,372 --> 00:43:04,675
And action.
810
00:43:07,918 --> 00:43:10,086
Hey. Is that the Necrosword?
811
00:43:10,170 --> 00:43:12,385
That's cool.
I've only ever read about it in stories.
812
00:43:14,550 --> 00:43:15,550
What's a Necrosword?
813
00:43:15,634 --> 00:43:18,887
It's an ancient weapon that's been passed
through hands since the dawn of time.
814
00:43:18,971 --> 00:43:20,774
It has the ability to slay gods.
815
00:43:21,974 --> 00:43:24,684
This is the Gorr hero Necrosword.
816
00:43:24,768 --> 00:43:27,979
Designing this, we did a lot
of research into the comic books
817
00:43:28,063 --> 00:43:32,484
and the sword that he traditionally
might've had in the Marvel universe.
818
00:43:36,030 --> 00:43:39,616
We presented probably
20 designs of swords,
819
00:43:39,700 --> 00:43:42,702
and it came down to what
Taika envisioned for this character,
820
00:43:42,786 --> 00:43:44,673
and this is where we landed.
821
00:43:44,872 --> 00:43:46,623
Lots of little bits that we have to get,
822
00:43:46,707 --> 00:43:49,668
including establishing this Necrosword
823
00:43:49,752 --> 00:43:52,681
and Gorr being infected by the Necrosword.
824
00:43:52,880 --> 00:43:54,600
The sword chose you.
825
00:43:55,382 --> 00:43:57,019
You are now cursed!
826
00:43:57,760 --> 00:43:58,802
Funny.
827
00:43:58,886 --> 00:44:00,647
It doesn't feel like a curse.
828
00:44:01,263 --> 00:44:04,151
Once we land on a design,
we have someone 3D model it
829
00:44:04,558 --> 00:44:08,853
and then, they will output
a version that is aluminum.
830
00:44:08,937 --> 00:44:10,199
So this one...
831
00:44:10,689 --> 00:44:13,441
It's got a solid tip
and it's a little bit heavier.
832
00:44:13,525 --> 00:44:14,943
You can... Feels like a real...
833
00:44:15,027 --> 00:44:17,623
You know, it's got a good weight
to the sword.
834
00:44:17,946 --> 00:44:20,073
And then this one, they...
835
00:44:20,157 --> 00:44:22,836
Basically, they mold it
and cast it out of rubber.
836
00:44:23,035 --> 00:44:24,661
It still has an armature inside,
837
00:44:24,745 --> 00:44:27,455
but you'll see that
it's flexible and bendy.
838
00:44:27,539 --> 00:44:28,623
Do we need one more?
839
00:44:28,707 --> 00:44:29,708
Yeah.
840
00:44:29,792 --> 00:44:31,487
Different pose with the sword.
841
00:44:32,544 --> 00:44:34,181
Yeah, get the strong sword, eh?
842
00:44:43,263 --> 00:44:46,641
All of Christian's shadow demons
that he makes, he conjures up...
843
00:44:46,725 --> 00:44:49,279
When I was writing the script,
my daughter was...
844
00:44:50,270 --> 00:44:51,730
looking over my shoulders, and she's...
845
00:44:51,814 --> 00:44:53,982
I was writing down ideas for monsters,
846
00:44:54,066 --> 00:44:56,067
and I didn't really know
what they might be
847
00:44:56,151 --> 00:44:58,163
and I wrote down "shadow monster."
848
00:44:58,278 --> 00:45:01,281
And she goes, "What's a shadow monster?"
and I was like, "I have no idea."
849
00:45:01,365 --> 00:45:02,699
I was writing something and she goes,
850
00:45:02,783 --> 00:45:04,492
"What's it look like?"
I was like, "I don't know."
851
00:45:04,576 --> 00:45:06,036
So she goes,
"We should draw something."
852
00:45:06,120 --> 00:45:07,965
I went, "Yeah, yeah." And so she drew...
853
00:45:08,330 --> 00:45:11,041
just this weird, freaky,
snake-like creature
854
00:45:11,125 --> 00:45:14,429
with a giant mouth and three eyes,
and it was covered in spikes.
855
00:45:15,045 --> 00:45:19,518
Then I had this idea, what if we got
the visual development artists
856
00:45:20,092 --> 00:45:23,647
to take kids' drawings
of what they think is scary
857
00:45:23,887 --> 00:45:25,357
and turn them into real...
858
00:45:26,432 --> 00:45:29,194
monsters, and put those in the film?
859
00:45:29,309 --> 00:45:30,477
And so that's what we did.
860
00:45:30,561 --> 00:45:31,936
So all of our kids just basically,
861
00:45:32,020 --> 00:45:34,689
drew pictures and we've designed...
862
00:45:34,773 --> 00:45:37,160
all of the monsters around those drawings.
863
00:45:37,526 --> 00:45:40,372
So, even that stuff was insane and...
864
00:45:41,321 --> 00:45:43,096
I mean, on paper, it just shouldn't work.
865
00:45:57,880 --> 00:46:00,559
It's a family affair
for everybody's kids, it's so cute.
866
00:46:04,636 --> 00:46:07,055
He refused to be
in the scene with me as Gorr
867
00:46:07,139 --> 00:46:08,973
'cause he said it was too...
868
00:46:09,057 --> 00:46:10,527
It will give him nightmares.
869
00:46:12,811 --> 00:46:14,306
Let's roll cameras, please.
870
00:46:15,397 --> 00:46:17,982
The Moon of Shame is one
of my favorite sequences in the movie
871
00:46:18,066 --> 00:46:20,412
because we get this
amazing fight sequence.
872
00:46:24,656 --> 00:46:27,210
It's like... utter disconnect.
873
00:46:28,285 --> 00:46:31,454
I think that... You know, how do you
reinvent fight sequences in the MCU?
874
00:46:31,538 --> 00:46:33,915
How do you create something
that people haven't seen before?
875
00:46:33,999 --> 00:46:35,500
And you play with zero-G.
876
00:46:35,584 --> 00:46:37,419
You play with a really small moon
877
00:46:37,503 --> 00:46:39,838
and a bunch of heroes
and a bunch of shadow monsters,
878
00:46:39,922 --> 00:46:42,893
and also everything is topsy turvy
and turning upside down.
879
00:46:47,054 --> 00:46:49,055
We always like to try
and reinvent the wheel,
880
00:46:49,139 --> 00:46:50,348
but sometimes it's not possible,
881
00:46:50,432 --> 00:46:52,402
but you like to push the boundaries.
882
00:46:54,269 --> 00:46:56,644
Somebody's gonna come on down there,
but we're not going.
883
00:46:57,564 --> 00:46:59,441
But it has to fit in
with the story.
884
00:46:59,525 --> 00:47:01,526
I think it's always, with Taika,
885
00:47:01,610 --> 00:47:03,737
very character-driven and story-driven.
886
00:47:03,821 --> 00:47:05,874
It's not action for the sake of action.
887
00:47:06,365 --> 00:47:10,118
We always try to design things
that keeps the story moving forward
888
00:47:10,202 --> 00:47:11,494
and the characters moving forward.
889
00:47:11,578 --> 00:47:13,131
So I think a lot of it was there.
890
00:47:13,413 --> 00:47:14,549
Go!
891
00:47:17,417 --> 00:47:19,294
The anti-gravity sequence
on Moon of Shame
892
00:47:19,378 --> 00:47:23,016
and the lighting rig they used
for that sequence is pretty special.
893
00:47:23,340 --> 00:47:25,341
I think the single biggest challenge
894
00:47:25,425 --> 00:47:29,231
from a creative and technical point
of view will probably be the lighting.
895
00:47:31,265 --> 00:47:32,766
If you bake the lighting in,
896
00:47:32,850 --> 00:47:35,018
if you make a very strong choice
on an actor
897
00:47:35,102 --> 00:47:38,354
and you put the lighting on them
from a particular angle, that's all it is.
898
00:47:38,438 --> 00:47:40,909
That drives a lot of the reasons
why many
899
00:47:41,567 --> 00:47:42,869
films that you see
900
00:47:43,193 --> 00:47:44,538
will often have...
901
00:47:45,237 --> 00:47:46,613
slightly non-committal lighting.
902
00:47:46,697 --> 00:47:50,293
Because you don't know quite when
that shot's gonna be used in the edit.
903
00:47:50,701 --> 00:47:51,951
And that's true, dramatically,
904
00:47:52,035 --> 00:47:55,674
and it's incredibly true
when it comes to action sequences.
905
00:47:57,791 --> 00:48:00,846
When Taika told me that he wanted
to shoot this Moon of Shame piece...
906
00:48:01,044 --> 00:48:03,588
The Moon of Shame
is an embarrassingly small asteroid.
907
00:48:03,672 --> 00:48:05,340
It's kind of...
What I would describe it as.
908
00:48:05,424 --> 00:48:08,426
Like you had some popcorn
just after eating chewing gum.
909
00:48:08,510 --> 00:48:11,648
It's just like this wad of horrible stuff
that's just stuck in space.
910
00:48:11,930 --> 00:48:13,598
But the crazy thing
about the Moon of Shame
911
00:48:13,682 --> 00:48:15,694
is that one day is six minutes.
912
00:48:15,809 --> 00:48:18,019
So, from dawn to dawn again,
it's six minutes.
913
00:48:18,103 --> 00:48:20,615
So when you stick actors there,
the light's gotta move.
914
00:48:22,774 --> 00:48:25,109
You've got this continuing cycle,
915
00:48:25,193 --> 00:48:27,487
so it's spinning and spinning,
the backgrounds are wheeling.
916
00:48:27,571 --> 00:48:28,738
There's all sorts of craziness.
917
00:48:28,822 --> 00:48:31,950
So I was trying to work out
how we could find a way to
918
00:48:32,034 --> 00:48:35,411
be able to shoot with
strong directional, interesting light,
919
00:48:35,495 --> 00:48:39,541
but also maintain the creative freedom
that we needed later on
920
00:48:39,625 --> 00:48:41,501
to be able to
actually stitch all this together.
921
00:48:41,585 --> 00:48:43,545
'Cause you think
the shot goes there in continuity,
922
00:48:43,629 --> 00:48:44,629
it's actually going there.
923
00:48:44,713 --> 00:48:46,506
Films change an awful lot
when you get into post.
924
00:48:46,590 --> 00:48:49,175
So we roped in
our friends from Satellite Labs
925
00:48:49,259 --> 00:48:52,230
and we found an application
for this new technology called Plate Light.
926
00:48:53,347 --> 00:48:56,558
This is the largest scale version
of Plate Light that we've built.
927
00:48:56,642 --> 00:48:59,654
And it's the first time in cinema history
it's been used.
928
00:48:59,770 --> 00:49:00,906
Lighting with one.
929
00:49:01,605 --> 00:49:03,523
Keeps playing, that's lighting with two.
930
00:49:03,607 --> 00:49:07,861
Plate Light is a way of filming multiple
lighting looks all at the same time
931
00:49:07,945 --> 00:49:09,247
on the same camera.
932
00:49:09,404 --> 00:49:10,530
But out of the camera,
933
00:49:10,614 --> 00:49:13,210
we get each lighting look
as a separate piece of footage.
934
00:49:14,034 --> 00:49:15,451
At the end of the day,
935
00:49:15,535 --> 00:49:18,121
I can choose the lighting
in post production that I want.
936
00:49:18,205 --> 00:49:20,331
So I can blend lighting,
I can color time it.
937
00:49:20,415 --> 00:49:23,793
I can have all of the lights behind them,
or all of that in front of them.
938
00:49:23,877 --> 00:49:25,670
We get to make that decision later on.
939
00:49:25,754 --> 00:49:28,464
So it's pretty new and amazing,
940
00:49:28,548 --> 00:49:30,727
and no one has done it before in a film.
941
00:49:32,260 --> 00:49:34,523
And so I'm excited about it. Okay?
942
00:49:37,307 --> 00:49:40,560
I think the biggest challenge
in writing a script like this,
943
00:49:40,644 --> 00:49:42,270
from writing
Love and Thunder specifically,
944
00:49:42,354 --> 00:49:44,647
has just been wanting to balance the tone.
945
00:49:44,731 --> 00:49:47,901
Obviously, there's a serious nature to it
because kids have been taken.
946
00:49:51,113 --> 00:49:52,989
But also, it's a Taika Waititi movie.
947
00:49:55,575 --> 00:49:57,003
And it's really, really fun.
948
00:49:57,202 --> 00:49:59,746
We got to bring back one of myfavorite things from Ragnarok,
949
00:49:59,830 --> 00:50:01,039
which is the play.
950
00:50:01,123 --> 00:50:03,541
We were trying to one-up
the thing we did last time.
951
00:50:03,625 --> 00:50:04,761
- Transform!
- Transform!
952
00:50:04,918 --> 00:50:07,086
- We had a ball. It was really, really fun.
- It was so fun.
953
00:50:07,170 --> 00:50:08,671
- Hopefully, people will dig it.
- Yeah.
954
00:50:08,755 --> 00:50:12,133
There's a lot of good energy on the set.
955
00:50:12,217 --> 00:50:14,855
A lot of people having a great time
and making a great movie.
956
00:50:15,053 --> 00:50:16,512
It was a lot of fun with Melissa.
957
00:50:16,596 --> 00:50:17,680
Hello!
958
00:50:17,764 --> 00:50:21,153
This feels right. And also, people are
always mistaking me for Cate...
959
00:50:21,518 --> 00:50:23,155
Blanchett. So, I was like,
960
00:50:23,603 --> 00:50:25,438
"I don't know if they'll get the joke."
961
00:50:25,522 --> 00:50:26,814
Impossible!
962
00:50:28,483 --> 00:50:30,162
I broke your hammer!
963
00:50:34,448 --> 00:50:36,366
I know, Groot,
but we can't play the distress signal
964
00:50:36,450 --> 00:50:37,867
'til you find the damn remote.
965
00:50:37,951 --> 00:50:40,411
I didn't think
there could be two Thors at the same time.
966
00:50:40,495 --> 00:50:41,621
I thought you must've retired.
967
00:50:41,705 --> 00:50:44,593
It's always really fun
working with Taika. He's like...
968
00:50:45,751 --> 00:50:47,627
entertaining on and off camera.
969
00:50:50,964 --> 00:50:53,018
Good energy,
and it keeps everything really
970
00:50:53,550 --> 00:50:55,896
loose and silly and fun, and...
971
00:50:56,344 --> 00:50:58,607
I don't know how he has the energy for it.
972
00:51:04,644 --> 00:51:08,231
It feels really rewarding, and it's been
really exciting to get to come back
973
00:51:08,315 --> 00:51:12,162
with a completely different lens
on the same sort of world.
974
00:51:13,612 --> 00:51:16,823
It's definitely been
a really fun, happy set.
975
00:51:16,907 --> 00:51:19,711
Everyone's been laughing a lot
976
00:51:19,993 --> 00:51:20,994
and enjoying each other.
977
00:51:21,078 --> 00:51:23,454
We're just playing.
And as the name would suggest,
978
00:51:23,538 --> 00:51:26,218
I think it's a movie that centers love,
979
00:51:26,583 --> 00:51:29,596
in a way that you don't always
have room for in films like this.
980
00:51:30,045 --> 00:51:31,681
You made me worthy.
981
00:51:33,548 --> 00:51:35,894
So whatever you wanna do,
we can do together.
982
00:51:47,771 --> 00:51:52,535
I think, to see
characters evolve, and change and grow,
983
00:51:52,734 --> 00:51:53,995
it's beautiful.
984
00:51:54,236 --> 00:51:56,112
I think, if anything,
we just had to make sure
985
00:51:56,196 --> 00:51:59,198
that we stuck to the story
and the intention of the story
986
00:51:59,282 --> 00:52:01,993
and didn't veer off
into no-man's-land of comedy,
987
00:52:02,077 --> 00:52:04,297
and just made a ridiculous film.
988
00:52:04,788 --> 00:52:07,717
The lever will shake,
but then you gotta keep the shaft...
989
00:52:08,500 --> 00:52:10,001
We just kind of check ourselves a lot.
990
00:52:10,085 --> 00:52:12,253
We have to remind ourselves
that, yeah, we also want
991
00:52:12,337 --> 00:52:15,684
the audience to go on a journey
and to be able to laugh and also cry.
992
00:52:19,678 --> 00:52:21,471
It's just
a constant exploration.
993
00:52:21,555 --> 00:52:23,973
I think there was such a pride
and sense of accomplishment
994
00:52:24,057 --> 00:52:26,611
in what we were achieving,
and what we were aiming for.
995
00:52:27,102 --> 00:52:28,905
Three, two, one, bang!
996
00:52:30,021 --> 00:52:31,439
Shooting each other ideas,
997
00:52:31,523 --> 00:52:33,441
and you're running on adrenaline
a lot of the time,
998
00:52:33,525 --> 00:52:34,869
but I love it.
999
00:52:37,654 --> 00:52:40,166
I have loved every single time
I've played the character.
1000
00:52:42,075 --> 00:52:44,452
This is ten years for most of us now,
1001
00:52:44,536 --> 00:52:46,204
and maybe the last time
I play the character.
1002
00:52:46,288 --> 00:52:47,914
I certainly was aware of that
while shooting.
1003
00:52:47,998 --> 00:52:49,749
This has been an incredible shoot.
1004
00:52:49,833 --> 00:52:53,096
If this was the last one,
this is incredibly fitting
1005
00:52:53,712 --> 00:52:55,296
to finish here in Australia.
1006
00:52:55,380 --> 00:52:57,840
It really is so, so special
to be able to do this at all.
1007
00:52:57,924 --> 00:52:59,644
Please say it's not the last movie.
1008
00:53:03,597 --> 00:53:05,233
We'll talk to Marvel about that, Son.
1009
00:53:08,768 --> 00:53:10,353
I love you all so much. Thank you, Taika,
1010
00:53:10,437 --> 00:53:12,365
for leading the charge from day one.
1011
00:53:12,856 --> 00:53:13,898
These films are never easy.
1012
00:53:13,982 --> 00:53:15,942
They're just exhausting for everybody,
1013
00:53:16,026 --> 00:53:19,487
but everything that everyone puts in
is just beyond belief,
1014
00:53:19,571 --> 00:53:21,781
and I'm beyond thankful
for the opportunity.
1015
00:53:21,865 --> 00:53:23,680
And thank you all so much. I love you all.
1016
00:53:24,659 --> 00:53:27,078
I think you never feel like
you have enough time.
1017
00:53:27,162 --> 00:53:30,592
It's a ticking clock,
and it ain't gonna quit, you know.
1018
00:53:31,041 --> 00:53:33,626
Ten years
and nothing is quite as it seems.
1019
00:53:33,710 --> 00:53:35,805
But now, it's like,
who knows what's gonna happen.
1020
00:53:39,216 --> 00:53:41,519
Drop the hammer. I'm out!
1021
00:53:48,642 --> 00:53:50,476
- What are you doing?
- She's taking minutes.
1022
00:53:50,560 --> 00:53:52,072
Precious minutes we don't have.
1023
00:54:01,071 --> 00:54:02,207
Jane?
1024
00:54:12,624 --> 00:54:13,760
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