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[ BIRDS CHIRPING ]
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00:00:04,600 --> 00:00:08,200
Young Woman: COME SPRING,
THE AIR CAN STILL CATCH A CHILL
3
00:00:08,233 --> 00:00:11,500
OUT IN THE FLAT STRETCHES
OF WEST TEXAS.
4
00:00:11,533 --> 00:00:13,500
**
5
00:00:13,533 --> 00:00:15,467
BETTY!
6
00:00:15,500 --> 00:00:18,033
YOU'RE GONNA BE LATE AGAIN.
COME ON, HONEY.
7
00:00:18,067 --> 00:00:20,833
SO MRS. WILLIAMS WAS
USED TO THE MORNING BATTLE...
8
00:00:20,867 --> 00:00:22,367
BETTY?
9
00:00:22,400 --> 00:00:26,833
...OF PRYING HER DAUGHTER BETTY
OUT OF A COZY BED.
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00:00:26,867 --> 00:00:29,400
BETTY?
11
00:00:29,433 --> 00:00:31,767
YOU'RE GONNA BE LATE.
COME ON, HONEY.
12
00:00:33,233 --> 00:00:34,867
[ DOORKNOB RATTLES ]
13
00:00:34,900 --> 00:00:38,933
BUT WHEN THE DOOR
TO BETTY'S ROOM WAS LOCKED,
14
00:00:38,967 --> 00:00:41,767
AND THERE WAS NO ANSWER AT ALL,
15
00:00:41,800 --> 00:00:45,233
A TINGE OF FEAR
RAN THROUGH MRS. WILLIAMS.
16
00:00:45,267 --> 00:00:47,500
IT LED HER OUT OF HER KITCHEN
17
00:00:47,533 --> 00:00:49,433
AND THROUGH THE BACKYARD
18
00:00:49,467 --> 00:00:53,133
TO TRY THE OTHER DOOR THAT
OPENED INTO BETTY'S BEDROOM.
19
00:00:55,567 --> 00:00:58,133
BUT EVEN SHE
COULDN'T HAVE IMAGINED...
20
00:00:58,167 --> 00:01:00,067
[ KNOCKING ]
BETTY?
21
00:01:03,700 --> 00:01:06,067
...THAT WITHIN
JUST A FEW SHORT HOURS,
22
00:01:06,067 --> 00:01:07,567
BETTY'S EMPTY BED
23
00:01:07,600 --> 00:01:13,433
WAS GOING TO TEAR THE SOUL
OF ODESSA, TEXAS, CLEAN APART.
24
00:01:16,800 --> 00:01:19,767
**
25
00:01:19,800 --> 00:01:22,767
-- Captions by VITAC --
www.vitac.com
26
00:01:22,800 --> 00:01:25,833
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
27
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[ PROJECTOR RUNS ]
28
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ODESSA, TEXAS, IN THE 1960s
WAS THE ULTIMATE OIL BOOM TOWN,
29
00:01:36,433 --> 00:01:39,400
AND IT WAS
BEDROCK CONSERVATIVE.
30
00:01:39,433 --> 00:01:44,067
JOHN BIRCH SOCIETY, REPUBLICAN,
AND DEEPLY CHRISTIAN.
31
00:01:44,100 --> 00:01:45,900
BUT IF THERE WAS ONE THING
32
00:01:45,933 --> 00:01:49,067
THAT ODESSANS MIGHT
HAVE LOVED MORE THAN GOD,
33
00:01:49,100 --> 00:01:51,533
IT COULD'VE BEEN THEIR
HIGH SCHOOL FOOTBALL TEAMS.
34
00:01:51,567 --> 00:01:55,967
AS MANY AS 15,000 PEOPLE
WOULD COME OUT TO SEE
35
00:01:56,067 --> 00:01:58,900
THOSE FRIDAY NIGHT LIGHTS
AT ODESSA HIGH SCHOOL...
36
00:02:02,567 --> 00:02:05,767
...WHERE BETTY SHOULD'VE BEEN
THAT MORNING.
37
00:02:05,800 --> 00:02:07,267
I'VE CALLED AROUND
TO ALL HER FRIENDS,
38
00:02:07,300 --> 00:02:08,533
AND NO ONE KNOWS
WHERE SHE IS.
39
00:02:08,567 --> 00:02:10,467
SO, SHE'S BEEN MISSING
HOW LONG NOW?
40
00:02:10,500 --> 00:02:14,800
IT'S BEEN ALMOST TWO HOURS
SINCE I CHECKED HER ROOM.
41
00:02:14,833 --> 00:02:16,867
JUST A COUPLE HOURS?
42
00:02:16,900 --> 00:02:21,567
BETTY WILLIAMS' PARENTS
TOLD THE POLICE
43
00:02:21,600 --> 00:02:24,667
THAT THEIR 17-YEAR-OLD DAUGHTER
IS MISSING.
44
00:02:24,700 --> 00:02:25,967
I UNDERSTAND.
45
00:02:26,067 --> 00:02:30,333
IT'S JUST THAT WITH TEENAGERS --
SHE'S 17, YOU SAID? --
46
00:02:30,367 --> 00:02:32,133
THERE'S A GOOD CHANCE SHE'LL
TURN UP BACK AT HOME SOON.
47
00:02:32,167 --> 00:02:34,767
Y-YOU DON'T UNDERSTAND.
SOMETHING IS WRONG.
48
00:02:34,800 --> 00:02:37,700
WHEN WAS THE LAST TIME
YOU SAW HER?
49
00:02:37,733 --> 00:02:39,100
LAST NIGHT.
50
00:02:43,267 --> 00:02:45,300
SHE CAME HOME
AFTER HER PLAY REHEARSAL.
51
00:02:45,333 --> 00:02:48,333
HI, HONEY.
52
00:02:48,367 --> 00:02:49,600
DIDN'T HEAR YOU COME IN.
53
00:02:49,633 --> 00:02:50,767
SORRY IT'S LATE, MOM.
54
00:02:50,800 --> 00:02:52,467
IT'S OKAY.
HOW WAS REHEARSAL?
55
00:02:52,500 --> 00:02:53,467
LONG.
56
00:02:53,500 --> 00:02:55,767
[ LAUGHS ]
57
00:02:55,800 --> 00:02:56,867
DAD GO TO SLEEP?
58
00:02:56,900 --> 00:02:59,067
YEAH, HE DID,
COUPLE HOURS AGO.
59
00:03:01,700 --> 00:03:03,433
NIGHT, MOM.
60
00:03:10,133 --> 00:03:12,600
SHE WOULDN'T GO OFF
WITHOUT A WORD.
61
00:03:12,633 --> 00:03:14,700
OUR BETTY IS
A GOOD CHRISTIAN GIRL.
62
00:03:18,367 --> 00:03:21,433
Guffey Ross: THE WILLIAMS FAMILY
WAS EXTREMELY RELIGIOUS.
63
00:03:21,467 --> 00:03:23,733
Shelton: BETTY WAS A VERY GOOD
CHRISTIAN GIRL.
64
00:03:23,767 --> 00:03:25,767
SHE LOVED TO TEACH CHILDREN.
65
00:03:25,800 --> 00:03:27,500
SHE WORKED WITH THE YOUTH GROUP
66
00:03:27,533 --> 00:03:29,567
AT THE FRIENDSHIP
BAPTIST CHURCH.
67
00:03:31,600 --> 00:03:34,267
[ INDISTINCT CONVERSATIONS ]
68
00:03:34,300 --> 00:03:38,833
McNamara:
WHEN THE POLICE HEAR ABOUT A MISSING TEENAGE GIRL,
69
00:03:38,867 --> 00:03:42,267
USUALLY YOU WAIT IT OUT
24 HOURS.
70
00:03:42,300 --> 00:03:44,833
BETTY HADN'T BEEN MISSING
FOR VERY LONG,
71
00:03:44,867 --> 00:03:47,167
BUT THE WILLIAMSES
WERE HEART-SICK,
72
00:03:47,200 --> 00:03:49,567
AND MAYBE IT WAS
THE PITCH OF DESPERATION
73
00:03:49,600 --> 00:03:50,933
COMING OFF BETTY'S MOTHER
74
00:03:50,967 --> 00:03:52,900
THAT FINALLY MOVED
THE DETECTIVES
75
00:03:52,933 --> 00:03:57,200
TO JUST GO OUT
AND ASK A FEW QUESTIONS.
76
00:03:57,233 --> 00:03:58,733
[ CAR DOORS CLOSE ]
77
00:03:58,767 --> 00:04:01,533
THEY WENT TO SPEND A COUPLE
HOURS AT THE HIGH SCHOOL,
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00:04:01,567 --> 00:04:05,600
WHERE BETTY'S FRIENDS MIGHT
KNOW THINGS HER PARENTS DIDN'T.
79
00:04:05,633 --> 00:04:07,067
[ SCHOOL BELL RINGS ]
80
00:04:07,100 --> 00:04:10,567
I WAS SITTING IN FIRST PERIOD,
GEOMETRY.
81
00:04:12,667 --> 00:04:14,500
AND THE TEACHER SAID,
82
00:04:14,533 --> 00:04:17,833
"GAYLE, THEY WANT TO SEE YOU
IN THE PRINCIPAL'S OFFICE."
83
00:04:17,867 --> 00:04:19,367
WHEN I ARRIVED AT SCHOOL,
84
00:04:19,400 --> 00:04:21,767
RUMORS WERE SPREADING
LIKE WILDFIRE
85
00:04:21,800 --> 00:04:25,333
THAT BETTY WAS MISSING.
86
00:04:25,367 --> 00:04:27,400
[ STUDENTS MURMURING ]
87
00:04:30,133 --> 00:04:33,400
WHEN I GOT CALLED IN TO TALK
TO THE POLICE THAT MORNING,
88
00:04:33,433 --> 00:04:36,667
AS FAR AS I KNEW, BETTY JUST
HADN'T SHOWN UP FOR SCHOOL,
89
00:04:36,700 --> 00:04:39,333
SO IT WAS MORE LIKE
CRAZY GOSSIP.
90
00:04:39,367 --> 00:04:42,667
WE NEVER COULD'VE IMAGINED
THAT WITHIN A FEW HOURS,
91
00:04:42,700 --> 00:04:46,067
WE'D ALL BE LED DOWN A TRAIL
INTO A NIGHTMARE.
92
00:04:46,100 --> 00:04:51,067
SO...YOU'RE ALL IN DRAMA CLUB
WITH BETTY WILLIAMS?
93
00:04:51,100 --> 00:04:52,100
YES, WE ARE.
94
00:04:52,133 --> 00:04:54,567
ANYONE HEARD FROM BETTY
THIS MORNING?
95
00:04:54,600 --> 00:04:55,500
SEEN HER ANYWHERE?
96
00:04:55,533 --> 00:04:57,067
Young Man: NO, I MEAN...
97
00:04:57,067 --> 00:04:58,067
NO.
98
00:04:58,067 --> 00:04:59,267
IS IT LIKE HER
TO MISS SCHOOL?
99
00:04:59,300 --> 00:05:00,167
Gayle: NO.
100
00:05:00,200 --> 00:05:01,133
NO.
101
00:05:01,167 --> 00:05:02,867
AND GAYLE IS...?
102
00:05:02,900 --> 00:05:06,433
AND YOU'RE
BETTY'S BEST FRIEND?
103
00:05:06,467 --> 00:05:07,667
YES, SIR.
104
00:05:07,700 --> 00:05:09,233
WHAT CAN YOU TELL ME
ABOUT BETTY?
105
00:05:11,867 --> 00:05:13,633
[ LAUGHS ]
106
00:05:13,667 --> 00:05:16,333
Guffey Ross: SHE WAS A SENIOR
AND I WAS A SOPHOMORE,
107
00:05:16,367 --> 00:05:22,500
AND, OH, I JUST THOUGHT SHE WAS
SUCH A WISE, WORLDLY PERSON.
108
00:05:24,333 --> 00:05:28,100
Shelton:
BETTY LOVED THEATER, DRAMA.
109
00:05:28,133 --> 00:05:30,167
AND SHE HAD ALL THE MAGAZINES
AND ALL OF THAT.
110
00:05:30,200 --> 00:05:33,633
"OUR BEAUTIFUL GROUNDS ARE
SOME OF THE BEST IN THE WORLD.
111
00:05:33,667 --> 00:05:36,433
NOWHERE WILL YOU FIND
SUCH IMMACULATE KEEPING."
112
00:05:36,467 --> 00:05:38,400
AND AFTER HIGH SCHOOL,
113
00:05:38,433 --> 00:05:42,733
SHE IS PLANNING
TO GO TO THEATER SCHOOL
114
00:05:42,767 --> 00:05:45,167
AT INDIANA UNIVERSITY.
115
00:05:47,600 --> 00:05:49,067
Man: [ Over television ]
IN LUNCH COUNTERS
116
00:05:49,067 --> 00:05:51,167
AND BUS TERMINALS
ALL OVER THE SOUTH,
117
00:05:51,200 --> 00:05:52,900
THE BATTLE IS JOINED.
118
00:05:52,933 --> 00:05:54,533
WE SHOULD DO SOMETHING
LIKE THAT.
119
00:05:54,567 --> 00:05:57,533
WE COULD GET THE WHOLE
DRAMA CLUB TO DO IT.
120
00:05:57,567 --> 00:05:59,800
SOMEONE JUST NEEDS TO STAND UP
AND TELL THE TRUTH.
121
00:05:59,833 --> 00:06:01,133
YOU KNOW,
IF SOMEBODY DID THAT,
122
00:06:01,167 --> 00:06:04,067
I BET EVERYONE
WOULD LISTEN TO THEM.
123
00:06:04,067 --> 00:06:06,767
Guffey Ross:
BETTY WAS VERY BRAVE.
124
00:06:06,800 --> 00:06:12,567
I LOVED HER STREAK OF
INDEPENDENCE AND HER DEFIANCE.
125
00:06:12,600 --> 00:06:19,067
Shelton: BETTY WILLIAMS
SAW HERSELF AS A BEATNIK.
126
00:06:19,100 --> 00:06:20,600
IN ODESSA, TEXAS,
127
00:06:20,633 --> 00:06:22,167
TRADITIONAL, CONSERVATIVE,
128
00:06:22,200 --> 00:06:25,067
EVANGELICAL CHRISTIANITY
DOMINATED.
129
00:06:25,100 --> 00:06:32,767
Guffey Ross:
COMPARED TO THE AVERAGE ODESSA YOUNG LADY, BETTY WAS A REBEL.
130
00:06:36,800 --> 00:06:37,767
OKAY.
131
00:06:37,800 --> 00:06:39,533
WHAT ABOUT BOYS?
132
00:06:39,567 --> 00:06:43,100
IS THERE A BOY
BETTY'S SPENDING TIME WITH?
133
00:06:44,167 --> 00:06:48,300
WELL...IT ISN'T A BOY.
134
00:06:48,333 --> 00:06:50,067
WHAT DOES THAT MEAN?
135
00:06:50,067 --> 00:06:54,767
THERE WERE A BUNCH
OF DIFFERENT BOYS.
136
00:06:54,800 --> 00:06:57,367
Young Man: SHE WOULD MEET UP
WITH GUYS AT TOMMY'S,
137
00:06:57,400 --> 00:06:59,800
UH, AFTER CURFEW
FOR MOST OF US.
138
00:06:59,833 --> 00:07:02,433
**
139
00:07:11,600 --> 00:07:13,600
[ LOCK CLICKS ]
140
00:07:13,633 --> 00:07:18,833
Guffey Ross:
BETTY HAD A ROOM IN THE HOUSE THAT HAD A BACK DOOR.
141
00:07:18,867 --> 00:07:20,900
[ DOOR CREAKS ]
142
00:07:28,067 --> 00:07:31,167
[ DOOR CLOSES ]
143
00:07:31,200 --> 00:07:35,500
SHE COULD LEAVE UNSEEN,
AND SHE DID ALL THE TIME.
144
00:07:35,533 --> 00:07:38,333
[ LAUGHTER,
INDISTINCT CONVERSATIONS ]
145
00:07:38,367 --> 00:07:40,833
**
146
00:07:40,867 --> 00:07:43,600
BETTY BELIEVED THAT IT WAS OKAY
147
00:07:43,633 --> 00:07:47,767
TO GO OUT
AND EXPRESS YOURSELF SEXUALLY.
148
00:07:47,800 --> 00:07:50,867
BUT BETTY WAS ONLY 17 YEARS OLD.
149
00:07:50,900 --> 00:07:53,933
**
150
00:08:00,133 --> 00:08:03,267
Shelton: BETTY HAD SEX,
AND SHE LIKED SEX,
151
00:08:03,300 --> 00:08:06,767
AND SHE USED THAT
TO HER ADVANTAGE.
152
00:08:06,800 --> 00:08:08,267
SHE WAS EXPLICIT ABOUT THE FACT
153
00:08:08,300 --> 00:08:10,533
THAT, "YOU'RE THINKING
ABOUT SEX, AREN'T YOU?
154
00:08:10,567 --> 00:08:14,467
WELL, I'M THINKING ABOUT SEX,
TOO."
155
00:08:14,500 --> 00:08:17,667
AND SHE LOVED
SEEING THE REACTION.
156
00:08:17,700 --> 00:08:22,467
I CANNOT TELL YOU
HOW SHOCKING THAT WAS IN 1960.
157
00:08:24,667 --> 00:08:28,733
* JESUS
158
00:08:28,767 --> 00:08:32,067
SO SHE WOULD JUST
GET IN CARS WITH BOYS
159
00:08:32,100 --> 00:08:33,233
AND JUST GO OFF WITH THEM?
160
00:08:33,267 --> 00:08:36,100
YEAH, ALL THE TIME.
161
00:08:38,067 --> 00:08:39,767
Young Woman:
AND THAT RIGHT THERE,
162
00:08:39,800 --> 00:08:41,967
I THINK THAT'S WHEN THE POLICE
163
00:08:42,067 --> 00:08:44,867
STARTED TO GET
A RING OF BAD FEELING.
164
00:08:44,900 --> 00:08:50,533
MAYBE THIS WASN'T JUST A CASE
OF OVER-ANXIOUS PARENTS.
165
00:08:50,567 --> 00:08:52,900
MAYBE BETTY
WENT OFF INTO THE DARK...
166
00:08:52,933 --> 00:08:54,400
[ DOOR OPENS ]
167
00:08:54,433 --> 00:08:57,067
...WITH GOD KNOWS WHO,
168
00:08:57,100 --> 00:08:59,367
AND NEVER CAME HOME AGAIN.
169
00:09:07,067 --> 00:09:08,600
[ PROJECTOR RUNS ]
170
00:09:08,633 --> 00:09:10,167
Young Woman: IF BETTY WILLIAMS
171
00:09:10,200 --> 00:09:12,800
HAD BEEN A HIGH SCHOOL SENIOR
IN THE LATE 1960s,
172
00:09:12,833 --> 00:09:15,600
PEOPLE LIKELY WOULD'VE
JUST THOUGHT OF HER AS A HIPPIE
173
00:09:15,633 --> 00:09:18,533
OR PART
OF THE FREE LOVE GENERATION.
174
00:09:18,567 --> 00:09:22,233
BUT IN ODESSA, TEXAS, IN 1961,
175
00:09:22,267 --> 00:09:25,700
SHE WAS A FEW YEARS AHEAD
OF HER TIME.
176
00:09:25,733 --> 00:09:30,233
AND I HAD CERTAINLY HEARD TALK
ABOUT BETTY'S REPUTATION.
177
00:09:30,267 --> 00:09:31,900
THAT'S WHAT YOU GOT BACK THEN
178
00:09:31,933 --> 00:09:35,233
FOR BREAKING THE CODE
OF GOOD-GIRL BEHAVIOR.
179
00:09:35,267 --> 00:09:37,167
Detective: WELL,
WE KNOW SHE GOT HOME
180
00:09:37,200 --> 00:09:40,300
AFTER PLAY PRACTICE WITH Y'ALL
LAST NIGHT.
181
00:09:40,333 --> 00:09:42,400
BUT YOU'RE SAYING
SHE WOULD SNEAK OUT,
182
00:09:42,433 --> 00:09:44,600
GO OFF WITH
ALL DIFFERENT KINDS OF BOYS.
183
00:09:44,633 --> 00:09:47,800
ANYBODY SEE HER AT TOMMY'S
LATE LAST NIGHT?
184
00:09:47,833 --> 00:09:49,067
MNH.
185
00:09:49,067 --> 00:09:50,667
Young Man: NO.
Gayle: NO.
186
00:09:50,700 --> 00:09:52,633
Detective #2:
ANY BOYFRIENDS?
187
00:09:52,667 --> 00:09:54,500
SOMEONE SHE'D GET
MORE SERIOUS WITH,
188
00:09:54,533 --> 00:09:55,733
MAKE PLANS WITH?
189
00:09:55,767 --> 00:10:00,067
WELL, BACK LAST SUMMER,
UM, SEVEN MONTHS AGO,
190
00:10:00,067 --> 00:10:02,367
BETTY DID HAVE
A REAL BOYFRIEND THEN.
191
00:10:02,400 --> 00:10:04,100
SHE WAS DATING MACK HERRING.
192
00:10:04,133 --> 00:10:05,967
HE'S WHAT, A JUNIOR?
193
00:10:07,900 --> 00:10:10,900
**
194
00:10:12,100 --> 00:10:13,733
McNamara: POLICE FIND OUT
THAT THE PREVIOUS SUMMER,
195
00:10:13,767 --> 00:10:15,833
SHE ACTUALLY HAD
A REAL BOYFRIEND...
196
00:10:15,867 --> 00:10:18,367
[ PROJECTOR RUNS ]
197
00:10:18,400 --> 00:10:22,267
...A POPULAR FOOTBALL PLAYER
NAMED MACK HERRING.
198
00:10:25,667 --> 00:10:30,467
Guffey Ross: MACK HERRING WAS
A REALLY NICE-LOOKING GUY,
199
00:10:30,500 --> 00:10:33,567
AND HE WAS A BIG MAN ON CAMPUS.
200
00:10:33,600 --> 00:10:38,033
McNamara: EVEN THOUGH SHE WAS
THIS NONCONFORMIST REBEL,
201
00:10:38,067 --> 00:10:43,000
SHE WAS VERY ATTRACTED TO MACK.
202
00:10:43,033 --> 00:10:46,500
Shelton: IN ODESSA,
FOOTBALL PLAYERS RULE THE ROOST.
203
00:10:46,533 --> 00:10:48,300
THEY WIN THE MOST POPULAR,
204
00:10:48,333 --> 00:10:50,967
THEY WIN
THE STUDENT-COUNCIL ELECTION.
205
00:10:51,000 --> 00:10:57,033
Guffey Ross: MACK COULD BE
A REALLY SUBDUED, QUIET GUY.
206
00:10:57,067 --> 00:11:00,133
HE WAS A MUCH MORE RESERVED
PERSON.
207
00:11:02,067 --> 00:11:05,800
AND IT WAS ALL OUT THERE
WITH BETTY.
208
00:11:07,967 --> 00:11:10,833
AND I THINK THAT GAVE HIM
SOME FREEDOM,
209
00:11:10,867 --> 00:11:14,600
AND HE WAS MORE EXPRESSIVE
WHEN HE WAS WITH HER.
210
00:11:14,633 --> 00:11:17,667
**
211
00:11:24,200 --> 00:11:27,433
I NEVER SAW THEM OUT TOGETHER.
212
00:11:27,467 --> 00:11:34,167
BUT THE LOOK IN BETTY'S EYES
WHEN SHE TALKED ABOUT MACK...
213
00:11:34,200 --> 00:11:36,267
THAT WAS PLAIN AS DAY.
214
00:11:36,300 --> 00:11:39,333
**
215
00:12:00,867 --> 00:12:05,267
THE THING WAS,
BEFORE SCHOOL STARTED AGAIN,
216
00:12:05,300 --> 00:12:10,100
MACK WAS DATING ANOTHER,
MORE POPULAR GIRL,
217
00:12:10,133 --> 00:12:15,267
AND IT SEEMED PRETTY CLEAR THAT
HE SAW BETTY AS A SUMMER FLING.
218
00:12:18,300 --> 00:12:19,633
IT MUST'VE HURT BETTY A TON
219
00:12:19,667 --> 00:12:21,433
WHEN MACK WOULD
LOOK THROUGH HER
220
00:12:21,467 --> 00:12:23,833
LIKE SHE WASN'T EVEN THERE.
221
00:12:29,067 --> 00:12:31,500
SO THEY BROKE UP?
222
00:12:31,533 --> 00:12:32,867
THAT WAS ALL THE WAY BACK
LAST SUMMER.
223
00:12:32,900 --> 00:12:33,867
THEY'RE FRIENDS NOW.
224
00:12:33,900 --> 00:12:35,200
IS THAT RIGHT?
225
00:12:35,233 --> 00:12:37,167
YEAH, WE'RE JUST
TRYING TO FIND OUT
226
00:12:37,200 --> 00:12:38,600
WHERE BETTY WILLIAMS
MIGHT BE.
227
00:12:38,633 --> 00:12:42,767
SO, ANYBODY HEARD FROM MACK
THIS MORNING?
228
00:12:42,800 --> 00:12:43,900
Gayle: YES. HE'S HERE.
229
00:12:43,933 --> 00:12:45,100
Young Man:
MACK'S BEEN AT SCHOOL ALL DAY.
230
00:12:45,133 --> 00:12:46,600
GREAT. OKAY.
231
00:12:46,633 --> 00:12:49,300
DON'T MAKE US
WASTE OUR TIME HERE.
232
00:12:49,333 --> 00:12:52,467
IF YOU HAVE ANY IDEA
WHERE BETTY MIGHT BE,
233
00:12:52,500 --> 00:12:53,767
YOU BETTER
COME OUT WITH IT.
234
00:12:56,067 --> 00:12:58,433
W-WOULD YOU HAVE
TO TELL HER PARENTS?
235
00:12:58,467 --> 00:13:01,167
IF YOU HAVE SOMETHING
WEIGHING ON YOUR MIND,
236
00:13:01,200 --> 00:13:03,400
THAT MEANS
WE NEED TO KNOW ABOUT IT.
237
00:13:03,433 --> 00:13:06,067
THERE'S AN OLDER GUY.
238
00:13:12,067 --> 00:13:14,733
[ SLOW MUSIC PLAYING ]
239
00:13:14,767 --> 00:13:17,833
BETTY WAS INVOLVED WITH A DEEJAY
AT A RADIO STATION.
240
00:13:20,367 --> 00:13:21,867
HE WAS OLDER.
241
00:13:21,900 --> 00:13:24,500
HE WAS LIKE A MAN
WITH A 17 YEAR OLD.
242
00:13:27,933 --> 00:13:31,367
Guffey Ross:
IN THE BACK OF MY MIND, I WAS THINKING,
243
00:13:31,400 --> 00:13:34,133
"BETTY, YOU'RE GONNA BE
IN A LOT OF TROUBLE
244
00:13:34,167 --> 00:13:35,800
WHEN YOUR PARENTS FIND OUT."
245
00:13:41,400 --> 00:13:45,700
SOMETIMES SHE'D SPEND THE WHOLE
NIGHT OVER AT HIS PLACE.
246
00:13:45,733 --> 00:13:50,833
SO I TOLD THE POLICE
SHE MAY BE AT THIS GUY'S HOUSE.
247
00:13:53,733 --> 00:13:55,200
OKAY, THAT'S ALL WE NEED.
TELL THEM.
248
00:13:55,233 --> 00:13:56,600
NO. LET'S JUST --
THANKS, KIDS.
249
00:13:56,633 --> 00:13:57,567
HAVE A GOOD DAY, OKAY?
250
00:13:57,600 --> 00:13:59,067
YOU SAID "ANYTHING AT ALL"?
251
00:13:59,067 --> 00:14:03,467
TELL YOU ANYTHING AT ALL
ABOUT BETTY?
252
00:14:03,500 --> 00:14:08,900
WELL, BETTY STARTED ASKING
PEOPLE IF THEY WOULD KILL HER.
253
00:14:12,333 --> 00:14:13,667
SHE DID WHAT?
254
00:14:13,700 --> 00:14:17,067
SHE STRAIGHT-OUT ASKED ME
TO KILL HER.
255
00:14:17,067 --> 00:14:18,667
SHE ASKED ME, TOO.
256
00:14:18,700 --> 00:14:22,067
SHE ASKED A FEW OF US
WHO WERE WORKING ON THE PLAY.
257
00:14:31,500 --> 00:14:34,667
SHE STRAIGHT-OUT ASKED ME
TO KILL HER.
258
00:14:34,700 --> 00:14:36,500
SHE ASKED ME, TOO.
259
00:14:36,533 --> 00:14:38,733
SHE ASKED A FEW OF US
WHO WERE WORKING ON THE PLAY.
260
00:14:38,767 --> 00:14:41,133
WHAT DO YOU MEAN,
ASKING PEOPLE TO KILL HER?
261
00:14:41,167 --> 00:14:42,333
WHY WOULD SHE DO THAT?
262
00:14:42,367 --> 00:14:45,133
SHE TOOK THE WAY
PEOPLE TALKED ABOUT HER
263
00:14:45,167 --> 00:14:47,300
AFTER BILL ROSE
PRETTY HARD.
264
00:14:50,467 --> 00:14:53,800
**
265
00:14:55,800 --> 00:15:01,400
BILL ROSE WAS GORGEOUS,
266
00:15:01,433 --> 00:15:04,800
AND HE WAS ON THE FOOTBALL TEAM.
[ COIN RATTLES ]
267
00:15:04,833 --> 00:15:06,133
[ MUSIC PLAYS THROUGH JUKEBOX ]
268
00:15:06,167 --> 00:15:09,367
Shelton: THE MOST POPULAR GUY
AT ODESSA HIGH SCHOOL.
269
00:15:09,400 --> 00:15:12,400
**
270
00:15:25,667 --> 00:15:29,067
McNamara:
BETTY WAS PROUDLY PROMISCUOUS.
271
00:15:35,933 --> 00:15:41,100
AND SHE RECOUNTED MANY OF HER
SEXUAL EXPERIENCES IN HER DIARY.
272
00:15:42,333 --> 00:15:46,767
ONE NIGHT, THE PHONE RANG,
AND BETTY SAID, "HEY, SHEL?
273
00:15:46,800 --> 00:15:48,500
GUESS WHO I SCREWED TONIGHT?"
274
00:15:48,533 --> 00:15:50,400
AND I SAID, "WHAT? WHO?"
275
00:15:50,433 --> 00:15:52,567
AND SHE SAID, "BILL ROSE."
276
00:15:57,500 --> 00:16:03,100
Young Woman:
BUT WHEN WORD GOT AROUND, AND IT ALWAYS DOES,
277
00:16:03,133 --> 00:16:07,200
THAT'S WHEN THINGS
GOT REALLY BAD FOR BETTY.
278
00:16:07,233 --> 00:16:10,933
Guffey Ross: BILL ROSE AND MACK
WERE REALLY CLOSE FRIENDS.
279
00:16:10,967 --> 00:16:13,833
THERE WERE VERY CAREFULLY
PRESCRIBED RULES,
280
00:16:13,867 --> 00:16:17,833
AND THERE WERE
FAR MORE RULES FOR GIRLS.
281
00:16:17,867 --> 00:16:23,200
McNamara:
TO HAVE PEOPLE TALKING ABOUT HER BEING A WHORE AND SLUTTY,
282
00:16:23,233 --> 00:16:25,767
SHE FELT THE CONTEMPT.
283
00:16:25,800 --> 00:16:28,600
Shelton:
FOR BETTY, IT WAS ABSOLUTE HELL.
284
00:16:28,633 --> 00:16:30,967
White: ANY TIME ANYBODY'S
DISCUSSING SUICIDE TALK,
285
00:16:31,067 --> 00:16:32,433
ABOUT DEATH
AND KILLING THEMSELVES,
286
00:16:32,467 --> 00:16:33,900
IT'S AN IMPORTANT RED FLAG,
287
00:16:33,933 --> 00:16:35,767
AND IT'S CERTAINLY SOMETHING
THAT SHOULD BE TAKEN SERIOUSLY,
288
00:16:35,800 --> 00:16:36,667
NO MATTER WHAT.
289
00:16:36,700 --> 00:16:37,867
WAS THERE
ANYTHING ELSE AT ALL
290
00:16:37,900 --> 00:16:38,967
YOU CAN TELL US
291
00:16:39,067 --> 00:16:42,067
ABOUT WHAT'S GOING ON
IN BETTY'S LIFE?
292
00:16:42,100 --> 00:16:45,467
WELL, SHE DIDN'T GET CAST
IN THE PLAY.
293
00:16:45,500 --> 00:16:47,567
GAYLE GOT THE LEAD.
294
00:16:47,600 --> 00:16:50,900
I WAS CAST AS THE LEAD
IN "WINTERSET."
295
00:16:50,933 --> 00:16:53,400
I THOUGHT SHE WAS AT REHEARSAL
WORKING ON THE PLAY
296
00:16:53,433 --> 00:16:54,633
WITH ALL OF YOU.
297
00:16:54,667 --> 00:16:58,367
SHE WAS, BUT BETTY GOT MADE
THE STAGE MANAGER.
298
00:17:01,367 --> 00:17:02,933
Mack:
ALL RIGHT, TAKE IT EASY.
299
00:17:02,967 --> 00:17:04,900
Shelton:
THERE WAS A NEW DRAMA TEACHER,
300
00:17:04,933 --> 00:17:07,833
AND BETTY WAS NOT PICKED,
301
00:17:07,867 --> 00:17:11,367
AND THIS DEVASTATED HER.
302
00:17:11,400 --> 00:17:14,067
**
303
00:17:14,067 --> 00:17:18,267
Guffey Ross: MACK HERRING
WAS ALSO IN THE PLAY.
304
00:17:18,300 --> 00:17:20,933
McNamara:
SHE HAD TO WATCH GAYLE AND MACK,
305
00:17:20,967 --> 00:17:24,133
HER FRIEND AND HER EX-BOYFRIEND,
PERFORMING ONSTAGE,
306
00:17:24,167 --> 00:17:28,967
AND SHE WAS IN THE BACKGROUND.
307
00:17:29,067 --> 00:17:33,367
THE SENIOR PLAY, FOR
A DRAMA MAJOR, IS EVERYTHING.
308
00:17:33,400 --> 00:17:36,433
W-WE WROTE OFF
APPLICATIONS TO COLLEGE.
309
00:17:36,467 --> 00:17:40,200
WE WERE GONNA STUDY THEATER
AT INDIANA UNIVERSITY TOGETHER,
310
00:17:40,233 --> 00:17:42,433
UNTIL THE THING WITH HER FATHER
HAPPENED.
311
00:17:44,100 --> 00:17:46,067
WHAT HAPPENED
WITH HER FATHER?
312
00:17:53,733 --> 00:17:58,467
WE ALL KNEW HOW SERIOUSLY
MR. WILLIAMS TOOK THEIR FAITH.
313
00:18:04,200 --> 00:18:08,067
AND BETTY WAS WILLFUL,
INDEPENDENT,
314
00:18:08,100 --> 00:18:11,600
SO HE WAS ALWAYS WONDERING
WHAT SHE MIGHT BE GETTING UP TO
315
00:18:11,633 --> 00:18:15,067
OUTSIDE THE CONTROL
OF HIS WATCHFUL EYE.
316
00:18:17,567 --> 00:18:24,133
McNamara: HER FATHER,
WHO WAS EXTREMELY STRICT,
317
00:18:24,167 --> 00:18:28,400
DISCOVERED BETTY'S DIARY
WITH HER SEXUAL HISTORY.
318
00:18:39,067 --> 00:18:40,067
[ SIGHS ]
319
00:18:51,767 --> 00:18:53,500
WHAT IS THIS?
320
00:18:53,533 --> 00:18:55,767
UH...
WHAT ARE YOU WRITING IN HERE?
321
00:18:55,800 --> 00:18:57,833
SIT DOWN.
SIT DOWN.
322
00:18:57,867 --> 00:18:59,667
SIT.
323
00:18:59,700 --> 00:19:02,600
TELL ME
YOU'RE NOT DOING THIS.
324
00:19:03,800 --> 00:19:06,067
OH, MY GOD.
325
00:19:06,067 --> 00:19:07,667
I CAN'T BELIEVE YOU.
326
00:19:07,700 --> 00:19:10,633
THAT IS SINFUL,
AND YOU KNOW IT.
327
00:19:10,667 --> 00:19:11,733
I'M SORRY.
328
00:19:11,767 --> 00:19:12,833
DON'T "SORRY" ME.
329
00:19:12,867 --> 00:19:15,067
YOU'RE DISHONORING ME
AND THIS FAMILY.
330
00:19:15,067 --> 00:19:16,067
AND YOUR MOTHER.
331
00:19:16,100 --> 00:19:18,333
HAVE YOU THOUGHT ABOUT
YOUR MOTHER?
332
00:19:18,367 --> 00:19:20,167
HAVE YOU READ THAT?
333
00:19:20,200 --> 00:19:22,567
I TOLD YOU.
I TOLD YOU ABOUT HER.
334
00:19:22,600 --> 00:19:24,133
JOHN, COME ON, PLEASE.
335
00:19:24,167 --> 00:19:25,267
YOU BE QUIET.
336
00:19:29,067 --> 00:19:32,333
THIS CAME FOR YOU.
337
00:19:32,367 --> 00:19:34,867
YOU THOUGHT
YOU WERE GONNA GO AWAY?
338
00:19:34,900 --> 00:19:37,067
WELL,
YOU'RE NOT GOING AWAY.
339
00:19:37,067 --> 00:19:40,200
YOU'RE GONNA STAY HERE
AND YOU'RE GONNA GET A JOB.
340
00:19:40,233 --> 00:19:42,400
AND YOU'RE GONNA
STAY IN CHURCH.
341
00:19:42,433 --> 00:19:45,433
THAT HURTS ME.
342
00:19:45,467 --> 00:19:49,433
YOU'RE A RUINED GIRL.
343
00:19:49,467 --> 00:19:50,567
YOU'VE KILLED ME.
344
00:19:50,600 --> 00:19:52,767
SORRY.
345
00:19:52,800 --> 00:19:53,900
[ SNIFFLES ]
346
00:19:53,933 --> 00:19:56,633
YOU NEED TO GET DOWN
ON YOUR KNEES AND PRAY.
347
00:20:07,733 --> 00:20:09,500
[ DOOR SLAMS ]
348
00:20:09,533 --> 00:20:12,567
[ CRYING ]
349
00:20:25,500 --> 00:20:28,833
SO SHE ACTUALLY
WAS TALKING ABOUT SUICIDE,
350
00:20:28,867 --> 00:20:31,367
OR WANTING SOMEONE
TO KILL HER?
351
00:20:31,400 --> 00:20:32,300
[ INDISTINCT CHATTER ]
YEAH.
352
00:20:32,333 --> 00:20:33,167
SHE DIDN'T MEAN IT.
353
00:20:33,200 --> 00:20:34,167
[ CHATTER CONTINUES ]
354
00:20:34,200 --> 00:20:35,533
WAIT.
355
00:20:35,567 --> 00:20:38,733
THAT WAS JUST TYPICAL BETTY.
SHE DIDN'T REALLY MEAN IT.
356
00:20:40,200 --> 00:20:41,767
Mack:
ALL RIGHT, TAKE IT EASY.
357
00:20:41,800 --> 00:20:45,067
MAYBE YOU'RE LYING TO ME
AND MAYBE YOU'RE NOT.
358
00:20:45,100 --> 00:20:47,400
MIKE,
WOULD YOU KILL ME?
359
00:20:47,433 --> 00:20:49,900
WHAT?
360
00:20:49,933 --> 00:20:51,733
WHAT ARE YOU TALKING ABOUT,
BETTY?
361
00:20:51,767 --> 00:20:53,300
I WON'T EVER BE HAPPY,
362
00:20:53,333 --> 00:20:57,100
SO IT'S PROBABLY JUST BEST
IF I JUST DIE.
363
00:20:57,133 --> 00:20:59,500
WOULD YOU DO IT?
364
00:20:59,533 --> 00:21:02,533
WELL, I COULD DO IT,
365
00:21:02,567 --> 00:21:05,133
BUT I DON'T THINK
YOU CAN AFFORD MY FEE.
366
00:21:08,067 --> 00:21:10,400
WAIT. WHY...?
367
00:21:10,433 --> 00:21:12,167
SHE CAN BE
OVERLY DRAMATIC.
368
00:21:12,200 --> 00:21:14,833
RIGHT.
369
00:21:14,867 --> 00:21:18,533
HER PARENTS ARE WORRIED.
YOU NEED TO TAKE THIS SERIOUSLY.
370
00:21:23,233 --> 00:21:25,400
TELL US AGAIN ABOUT
THE LAST TIME YOU SAW BETTY
371
00:21:25,433 --> 00:21:28,467
AT PLAY REHEARSAL
LAST NIGHT.
372
00:21:28,500 --> 00:21:30,700
TAKE US THROUGH IT
STEP BY STEP.
373
00:21:30,733 --> 00:21:32,233
WAS SHE ACTING STRANGELY?
374
00:21:32,267 --> 00:21:33,867
SHE SEEMED NORMAL.
375
00:21:33,900 --> 00:21:37,367
RE-REHEARSAL ENDED
A LITTLE BEFORE 10:00,
376
00:21:37,400 --> 00:21:40,433
AND WE ALL WENT HOME.
377
00:21:40,467 --> 00:21:44,867
I LEFT WITH MACK HERRING.
HE WAS GIVING ME A RIDE HOME.
378
00:21:44,900 --> 00:21:47,933
**
379
00:21:54,633 --> 00:21:58,567
AND I SAW BETTY LEAVE
WITH IKE NAIL.
380
00:21:58,600 --> 00:22:00,433
SO, WHO'S IKE NAIL?
381
00:22:00,467 --> 00:22:01,967
HE'S A FOOTBALL PLAYER,
TOO.
382
00:22:02,067 --> 00:22:03,967
HE'S BEEN WORKING ON THE PLAY
WITH US.
383
00:22:06,967 --> 00:22:10,067
SO, POLICE QUESTION IKE
BECAUSE HE DROVE HER HOME.
384
00:22:10,067 --> 00:22:11,567
HE WAS THE LAST PERSON
TO SEE HER
385
00:22:11,600 --> 00:22:13,200
BEFORE HER PARENTS SAW HER.
386
00:22:16,967 --> 00:22:21,733
Detective: SO, WE HEAR YOU DROVE
BETTY WILLIAMS HOME LAST NIGHT.
387
00:22:21,767 --> 00:22:22,967
MM-HMM.
388
00:22:23,067 --> 00:22:25,367
Detective #2: WHAT TIME
DID YOU DROP HER OFF?
389
00:22:25,400 --> 00:22:30,067
I DROPPED HER OFF
ABOUT 10:00, I THINK.
390
00:22:30,067 --> 00:22:31,767
AND THAT WAS THE LAST
YOU SAW HER?
391
00:22:33,600 --> 00:22:35,433
[ CLOCK TICKING ]
392
00:22:35,467 --> 00:22:38,700
WELL, NO.
393
00:22:38,733 --> 00:22:40,200
SHE ASKED ME TO COME BACK,
394
00:22:40,233 --> 00:22:43,900
DRIVE AROUND
TO THE ALLEY BEHIND HER HOUSE.
395
00:22:43,933 --> 00:22:46,067
AND? DID YOU?
396
00:22:46,067 --> 00:22:48,533
YEAH.
397
00:22:51,100 --> 00:22:53,367
NIGHT, MOM.
398
00:22:53,400 --> 00:22:56,400
Shelton:
AFTER BETTY SAID GOODNIGHT,
399
00:22:56,433 --> 00:23:03,067
SHE CHANGED
INTO BABYDOLL PINK PAJAMAS.
400
00:23:07,067 --> 00:23:11,800
SHE CAME OUT
FROM HER ROOM.
401
00:23:11,833 --> 00:23:13,633
WE JUST TALKED
FOR AWHILE.
402
00:23:13,667 --> 00:23:15,867
SO YOU WERE
THE LAST PERSON TO SEE HER
403
00:23:15,900 --> 00:23:18,200
AFTER HER PARENTS THOUGHT
SHE WAS IN BED?
404
00:23:21,800 --> 00:23:24,767
**
405
00:23:37,133 --> 00:23:39,867
Young Woman:
WHERE IS BETTY WILLIAMS?
406
00:23:39,900 --> 00:23:43,333
THAT'S THE QUESTION
THE WHOLE SCHOOL WAS ASKING
407
00:23:43,367 --> 00:23:45,133
BY THE AFTERNOON.
408
00:23:45,167 --> 00:23:51,400
AND OUR CLASSMATE IKE NAIL
SEEMED LIKE HE MIGHT KNOW
409
00:23:51,433 --> 00:23:53,200
WHEN HE ADMITTED TO THE POLICE
410
00:23:53,233 --> 00:23:57,633
THAT BETTY HAD SNUCK OUT
TO SEE HIM THE NIGHT BEFORE.
411
00:23:57,667 --> 00:24:01,867
SO YOU WERE THE LAST PERSON
TO SEE HER.
412
00:24:05,467 --> 00:24:07,133
NO.
413
00:24:10,333 --> 00:24:14,667
WHEN WE WERE THERE...
414
00:24:14,700 --> 00:24:20,800
ANOTHER CAR DROVE INTO THE ALLEY
RIGHT BEHIND US.
415
00:24:24,333 --> 00:24:26,967
Betty: OH, MY GOSH.
416
00:24:27,067 --> 00:24:30,133
I DIDN'T THINK
HE'D ACTUALLY COME.
417
00:24:30,167 --> 00:24:33,800
COULD YOU TELL
WHO IT WAS?
418
00:24:33,833 --> 00:24:36,267
WELL, YEAH.
419
00:24:36,300 --> 00:24:40,133
I RECOGNIZED THE CAR.
420
00:24:44,400 --> 00:24:46,367
IT WAS MACK HERRING.
421
00:24:46,400 --> 00:24:49,300
BETTY GOT IN THE CAR
WITH HIM?
422
00:24:49,333 --> 00:24:52,367
**
423
00:24:56,733 --> 00:24:59,533
YES, SIR.
424
00:24:59,567 --> 00:25:01,733
THAT'S THE LAST TIME
I SAW HER.
425
00:25:06,633 --> 00:25:11,067
ALL RIGHT, IKE.
JUST WAIT OUTSIDE NOW.
426
00:25:11,067 --> 00:25:15,067
BUT MACK AND BETTY BROKE UP
SEVEN MONTHS AGO,
427
00:25:15,067 --> 00:25:17,733
SO WHEN WE SAW
MACK WALKING DOWN THE HALL,
428
00:25:17,767 --> 00:25:20,133
IT DIDN'T MAKE ANY SENSE.
429
00:25:23,233 --> 00:25:24,433
WE'RE JUST
TRYING TO FIND OUT
430
00:25:24,467 --> 00:25:26,567
ABOUT WHERE BETTY WILLIAMS
MIGHT BE.
431
00:25:26,600 --> 00:25:28,667
WHEN WAS THE LAST TIME
YOU SAW HER?
432
00:25:28,700 --> 00:25:31,200
UH, I GUESS IT WAS
AT REHEARSAL LAST NIGHT.
433
00:25:31,233 --> 00:25:33,867
WE WERE ALL THERE TOGETHER
WORKING ON THE PLAY,
434
00:25:33,900 --> 00:25:35,433
AND THEN EVERYONE WENT HOME.
435
00:25:35,467 --> 00:25:37,367
ARE YOU SURE?
436
00:25:37,400 --> 00:25:39,067
YES, SIR.
437
00:25:39,100 --> 00:25:42,900
WE HAVE IT THAT YOU
PICKED UP BETTY AT HER HOUSE,
438
00:25:42,933 --> 00:25:46,800
OH, ABOUT 11:00 LAST NIGHT,
AND BETTY GOT IN YOUR CAR,
439
00:25:46,833 --> 00:25:48,667
AND THE TWO OF YOU
DROVE OFF TOGETHER.
440
00:25:48,700 --> 00:25:52,200
[ CLOCK TICKING ]
441
00:25:52,233 --> 00:25:54,067
WELL, I GUESS THAT'S RIGHT.
[ SIGHS ]
442
00:25:54,100 --> 00:25:57,600
IT WAS LATE, AND I DON'T WANT
TO GET HER INTO TROUBLE.
443
00:25:57,633 --> 00:25:59,733
WE DROVE AROUND A LITTLE
AND TALKED,
444
00:25:59,767 --> 00:26:02,700
BUT THEN I DROPPED HER OFF
BACK HOME AROUND MIDNIGHT,
445
00:26:02,733 --> 00:26:04,300
AND I HAVEN'T SEEN HER
AFTER THAT.
446
00:26:04,333 --> 00:26:07,167
DID YOU SEE HER ACTUALLY GO
INSIDE THE HOUSE?
447
00:26:07,200 --> 00:26:10,067
NO, I -- I GUESS I DIDN'T.
448
00:26:10,067 --> 00:26:12,767
I PULLED UP IN FRONT
AND I LET HER OUT.
449
00:26:12,800 --> 00:26:18,633
McNamara:
BETTY HAS A DOOR IN HER BEDROOM THAT OPENS TO THE OUTSIDE.
450
00:26:18,667 --> 00:26:20,133
IF SHE'S GOING THROUGH
THE FRONT,
451
00:26:20,167 --> 00:26:22,667
SHE RISKS WAKING UP HER PARENTS.
452
00:26:22,700 --> 00:26:24,933
IT DOESN'T MAKE ANY SENSE
TO THE POLICE.
453
00:26:24,967 --> 00:26:26,667
AND THEN I LEFT.
454
00:26:26,700 --> 00:26:29,733
UH, I -- I DON'T KNOW
IF SHE ACTUALLY WENT INSIDE.
455
00:26:29,767 --> 00:26:31,933
YEAH,
THAT STORY'S NOT GONNA FLY.
456
00:26:31,967 --> 00:26:33,733
SO THINK REAL HARD HERE.
457
00:26:35,733 --> 00:26:38,133
NEXT STEP IS TAKING YOU DOWN
TO THE STATION.
458
00:26:38,167 --> 00:26:40,067
CALL YOUR PARENTS.
459
00:26:40,067 --> 00:26:44,300
IF YOU HELPED HER RUN AWAY,
WHATEVER IT IS,
460
00:26:44,333 --> 00:26:45,800
IF YOU KNOW
WHERE THIS GIRL IS,
461
00:26:45,833 --> 00:26:49,067
YOU'RE GOING TO TELL US ABOUT IT
RIGHT NOW.
462
00:26:49,100 --> 00:26:51,567
DO YOU KNOW
WHERE BETTY WILLIAMS IS?
463
00:26:51,600 --> 00:26:53,700
[ SIGHS ]
464
00:26:53,733 --> 00:26:55,067
[ SNIFFLES ]
465
00:26:55,067 --> 00:26:57,600
I DROVE HER OUT
TO MY DAD'S HUNTING LEASE.
466
00:26:59,100 --> 00:27:02,200
I CAN -- I CAN TAKE YOU
OUT THERE.
467
00:27:02,233 --> 00:27:05,267
**
468
00:27:13,833 --> 00:27:17,633
McNamara:
THE POLICE HAVE NO IDEA WHERE THEY'RE GOING.
469
00:27:17,667 --> 00:27:20,633
THEY END UP DRIVING
26 MILES OUT OF TOWN.
470
00:27:24,833 --> 00:27:31,233
Shelton: AT A CERTAIN POINT,
MACK TOLD THEM TO TURN IN...
471
00:27:31,267 --> 00:27:32,300
[ DOOR OPENS ]
472
00:27:34,733 --> 00:27:38,567
...WHICH TOOK THEM
TO A STOCK POND.
473
00:27:38,600 --> 00:27:40,567
SO,
WE PARKED JUST OVER THERE.
474
00:27:47,467 --> 00:27:51,933
AND THEN WE WALKED DOWN
JUST TO HERE.
475
00:27:51,967 --> 00:27:55,300
SO?
WHERE IS SHE?
476
00:28:03,400 --> 00:28:06,300
HAVE YOU EVER
FELT TIME SLOW DOWN,
477
00:28:06,333 --> 00:28:10,300
WHEN WHAT IS HAPPENING
IS SO BEYOND BELIEF?
478
00:28:10,333 --> 00:28:13,800
YOUR MIND CAN'T CATCH UP
WITH WHAT YOU'RE SEEING?
479
00:28:15,833 --> 00:28:21,867
EVEN AS MACK STRIPPED DOWN
AND WADED OUT IN THE WATER,
480
00:28:21,900 --> 00:28:24,067
THEY HAD TO BE WONDERING,
481
00:28:24,100 --> 00:28:27,433
WHAT COULD THIS
POSSIBLY HAVE TO DO
482
00:28:27,467 --> 00:28:30,600
WITH BETTY WILLIAMS
MISSING SCHOOL?
483
00:28:30,633 --> 00:28:33,667
**
484
00:28:57,767 --> 00:29:00,200
OH, GOD.
485
00:29:07,700 --> 00:29:11,067
[ INDISTINCT CONVERSATIONS ]
486
00:29:11,067 --> 00:29:12,200
[ CAMERA SHUTTER CLICKING ]
487
00:29:12,233 --> 00:29:15,200
**
488
00:29:15,233 --> 00:29:20,767
Shelton:
THE POLICE AND REPORTERS DRIVE TO THE STOCK POND,
489
00:29:20,800 --> 00:29:24,167
AND THEY'RE JUST
APPALLED AND SHOCKED.
490
00:29:24,200 --> 00:29:31,067
BETTY WAS STILL
IN HER BABYDOLL PINK PAJAMAS.
491
00:29:31,067 --> 00:29:34,367
THE BACK OF HER HEAD
HAD BEEN BLOWN OFF
492
00:29:34,400 --> 00:29:36,667
BY A 12-GAUGE SHOTGUN.
493
00:29:38,300 --> 00:29:41,933
McNamara: SHE'S WEIGHTED DOWN
WITH TWO LEAD WEIGHTS.
494
00:29:41,967 --> 00:29:44,100
MY GOD, SON,
WHY DID YOU DO IT?
495
00:29:47,900 --> 00:29:49,567
SHE ASKED ME TO.
496
00:29:57,067 --> 00:29:58,400
UH, HEY, MACK?
497
00:29:58,433 --> 00:29:59,667
HEY, WHAT'S GOING ON?
498
00:29:59,700 --> 00:30:03,500
UM, I'VE GOT AN IMPORTANT
QUESTION I WANTED TO ASK YOU.
499
00:30:03,533 --> 00:30:05,733
OKAY.
WHAT IS IT?
500
00:30:05,767 --> 00:30:11,000
UM...WOULD YOU KILL ME?
501
00:30:13,133 --> 00:30:15,600
[ BOTH LAUGHING ]
502
00:30:15,633 --> 00:30:18,167
[ CHUCKLES ]
GEEZ, BETTY. UM...
503
00:30:18,200 --> 00:30:19,733
SILLY. [ LAUGHS ]
504
00:30:19,767 --> 00:30:22,567
HE TELLS POLICE THAT
WHEN SHE FIRST ASKED HIM,
505
00:30:22,600 --> 00:30:23,833
THEY LAUGHED IT OFF.
506
00:30:23,867 --> 00:30:26,200
BUT SHE WOULDN'T STOP.
507
00:30:26,233 --> 00:30:28,567
SHE KEPT COMING BACK
AGAIN AND AGAIN.
508
00:30:30,600 --> 00:30:33,033
[ CAMERA SHUTTER CLICKS ]
COME ON. GET OUT OF HERE.
509
00:30:33,067 --> 00:30:35,033
THIS WAS SEVEN MONTHS
SINCE THEY BROKE UP.
510
00:30:35,067 --> 00:30:38,233
AND DURING THE SCHOOL PLAY,
511
00:30:38,267 --> 00:30:40,700
MACK AND BETTY RENEWED
THEIR FRIENDSHIP A BIT.
512
00:30:40,733 --> 00:30:43,067
HE HAD NEVER DONE IT BEFORE,
513
00:30:43,100 --> 00:30:47,233
SO SHE GAVE HIM TIPS
AND HELPED HIM RUN LINES.
514
00:30:47,267 --> 00:30:49,367
...BE SEEING YOU.
515
00:30:49,400 --> 00:30:50,833
HEY, MACK?
516
00:30:50,867 --> 00:30:52,167
YEAH?
517
00:30:52,200 --> 00:30:54,033
I KNOW
I ASKED YOU LAST NIGHT,
518
00:30:54,067 --> 00:30:57,500
BUT, YOU KNOW,
I'M NOT GONNA GET ANY HAPPIER.
519
00:30:57,533 --> 00:30:58,833
Mack: SHE BEGGED ME.
520
00:30:58,867 --> 00:31:01,767
SAID SHE COULDN'T KEEP LIVING
THE WAY SHE WAS.
521
00:31:01,800 --> 00:31:03,300
SAID SHE WANTED TO DIE.
522
00:31:09,100 --> 00:31:13,500
SO FINALLY I SAID YES.
523
00:31:13,533 --> 00:31:16,633
AND AT THAT POINT,
THEY BEGAN MAKING PLANS.
524
00:31:19,467 --> 00:31:22,733
MACK GOT THE WIRE,
WENT TO THE THEATER,
525
00:31:22,767 --> 00:31:25,067
AND GOT WEIGHTS
FROM THE THEATER.
526
00:31:25,100 --> 00:31:29,967
HE HAD BETTY COME OVER
AND PICK OUT A SHOTGUN.
527
00:31:34,600 --> 00:31:38,733
Shelton:
MACK WENT TO HER HOUSE.
528
00:31:38,767 --> 00:31:42,067
BUT SHE WAS WITH IKE NAIL.
529
00:31:42,067 --> 00:31:45,633
I DIDN'T THINK
HE'D ACTUALLY COME.
530
00:31:45,667 --> 00:31:49,367
WELL, I GUESS I'D BETTER
CALL HIS BLUFF...
531
00:31:49,400 --> 00:31:50,933
EVEN IF IT KILLS ME.
532
00:31:53,600 --> 00:31:55,867
Shelton:
IKE TOLD THE POLICE
533
00:31:55,900 --> 00:31:59,200
THAT SHE WAS SURPRISED
THAT MACK HAD COME.
534
00:32:04,600 --> 00:32:07,200
AND THEN THEY TOOK
THIS LONG TRIP
535
00:32:07,233 --> 00:32:10,067
UNDER THE TEXAS SKY.
536
00:32:14,467 --> 00:32:17,067
Man: WAS SHE UPSET?
537
00:32:17,067 --> 00:32:19,433
SHE WASN'T SAD,
SHE WAS HAPPY.
538
00:32:19,467 --> 00:32:22,233
WE TALKED ABOUT
ALL SORTS OF THINGS.
539
00:32:22,267 --> 00:32:24,800
SHE KEPT SAYING WHAT IT WAS
GONNA BE LIKE IN HEAVEN.
540
00:32:24,833 --> 00:32:27,167
HOW EXACTLY
DID YOU SHOOT HER?
541
00:32:37,067 --> 00:32:39,067
[ GUN COCKS ]
542
00:32:40,600 --> 00:32:42,167
READY?
543
00:32:52,333 --> 00:32:53,533
THIS HERE IS GOOD?
544
00:32:53,567 --> 00:32:56,933
YEAH.
IT'S FINE.
545
00:32:56,967 --> 00:32:58,500
ALL RIGHT.
546
00:33:04,133 --> 00:33:07,067
WAIT.
547
00:33:07,067 --> 00:33:08,367
I'M COLD.
548
00:33:08,400 --> 00:33:11,300
I'M JUST GONNA GO BACK
AND GRAB MY DUSTER REALLY FAST.
549
00:33:11,333 --> 00:33:13,733
OKAY.
I'LL -- I'LL STAY HERE.
550
00:33:29,600 --> 00:33:31,300
RIGHT HERE OKAY?
551
00:33:31,333 --> 00:33:34,800
YEAH, THAT'S PERFECT.
552
00:33:39,067 --> 00:33:42,300
CAN I GET A KISS
TO REMEMBER YOU BY?
553
00:33:45,200 --> 00:33:46,667
OF COURSE.
554
00:33:54,133 --> 00:33:57,867
THANKS, MACK.
555
00:33:57,900 --> 00:34:00,467
I'LL ALWAYS REMEMBER YOU
FOR THAT.
556
00:34:02,500 --> 00:34:04,433
I THINK IT'D BE BEST
IF YOU KNELT.
557
00:34:20,767 --> 00:34:22,133
HERE?
558
00:34:22,167 --> 00:34:24,867
YEAH, THAT'S PERFECT.
559
00:34:24,900 --> 00:34:28,533
OKAY.
560
00:34:35,300 --> 00:34:36,433
NOW.
561
00:34:38,067 --> 00:34:39,633
[ GUNSHOT ]
562
00:34:43,733 --> 00:34:46,767
**
563
00:34:54,533 --> 00:34:57,133
Man:
WASN'T BETTY YOUR FRIEND?
564
00:34:57,167 --> 00:35:01,067
DIDN'T YOU FEEL SOMETHING
ABOUT ENDING HER LIFE?
565
00:35:01,067 --> 00:35:04,100
I FELT SORRY FOR HER.
566
00:35:04,133 --> 00:35:07,233
I FELT TOWARD HER
LIKE I WOULD A CAT
567
00:35:07,267 --> 00:35:09,767
LYING IN A MUDDY STREET
IN THE RAIN.
568
00:35:09,800 --> 00:35:15,367
McNamara:
POLICE OBSERVE THAT HE'S FRIGHTENINGLY CALM AND LUCID.
569
00:35:15,400 --> 00:35:18,767
SHE WAS DEAD, LIKE THAT.
570
00:35:18,800 --> 00:35:20,667
THEY HAVE A CONFESSION,
571
00:35:20,700 --> 00:35:22,767
SO THEY CHARGE HIM
WITH FIRST-DEGREE MURDER.
572
00:35:22,800 --> 00:35:26,367
Young Woman: UNDER THE POPULAR
FOOTBALL-PLAYER FACE
573
00:35:26,400 --> 00:35:27,767
THAT WE ALL SAW,
574
00:35:27,800 --> 00:35:31,300
THERE WAS SOMETHING STRANGE
INSIDE MACK HERRING
575
00:35:31,333 --> 00:35:33,433
THAT ALLOWED HIM
TO PULL THE TRIGGER.
576
00:35:33,467 --> 00:35:36,167
Shelton:
IT WAS A TOTAL SHOCK,
577
00:35:36,200 --> 00:35:38,933
AND IT WAS TERMED
THE "KISS AND KILL MURDER."
578
00:35:42,967 --> 00:35:46,067
I REMEMBER CRYING FOR HOURS.
579
00:35:46,067 --> 00:35:48,167
FOR ME,
IT WAS IMPOSSIBLE TO UNDERSTAND,
580
00:35:48,200 --> 00:35:49,933
BECAUSE I KNEW THEM BOTH.
581
00:35:49,967 --> 00:35:52,200
[ PROJECTOR RUNS ]
582
00:35:52,233 --> 00:35:54,333
WHAT WAS GOING THROUGH HER MIND?
583
00:35:54,367 --> 00:35:57,867
WHAT WAS GOING THROUGH HIS MIND?
584
00:35:57,900 --> 00:36:00,133
HOW COULD THEY HAVE DONE THIS?
585
00:36:00,167 --> 00:36:03,433
White: THE BREAKUP HAD BEEN
A LONG TIME AGO.
586
00:36:03,467 --> 00:36:07,067
THERE HADN'T BEEN ANY KIND
OF INDICATION OF FIGHTS
587
00:36:07,067 --> 00:36:11,267
THAT WOULD SUGGEST, LIKE,
AN ESCALATING CONFLICT.
588
00:36:11,300 --> 00:36:14,067
Guffey Ross: RUMORS WERE
SPREADING LIKE WILDFIRE
589
00:36:14,100 --> 00:36:16,233
THAT BETTY WAS PREGNANT,
590
00:36:16,267 --> 00:36:18,300
AND THAT MACK SHOT HER
591
00:36:18,333 --> 00:36:22,067
SO THAT HE WOULDN'T
HAVE TO MARRY HER.
592
00:36:22,100 --> 00:36:25,433
BUT THAT WAS RULED OUT
BY THE MEDICAL EXAMINER.
593
00:36:29,100 --> 00:36:31,800
AND IN SOME PARTS
OF THE SCHOOL,
594
00:36:31,833 --> 00:36:34,733
THE WHISPER CAMPAIGN
QUICKLY TURNED
595
00:36:34,767 --> 00:36:36,867
FROM BEING ABOUT POOR BETTY
596
00:36:36,900 --> 00:36:38,067
TO SPECULATING ABOUT
597
00:36:38,100 --> 00:36:41,933
HOW THIS COULDN'T REALLY
BE MACK'S FAULT.
598
00:36:41,967 --> 00:36:47,467
Guffey Ross:
MACK AND HIS FAMILY HAD A VERY GOOD, CLEAN-CUT IMAGE,
599
00:36:47,500 --> 00:36:54,800
SO PEOPLE BELIEVED THAT SOMEHOW
SHE RUINED THAT BOY'S LIFE.
600
00:36:54,833 --> 00:36:57,867
[ INDISTINCT CONVERSATIONS ]
601
00:36:58,967 --> 00:37:00,767
HIS FAMILY HIRED
WARREN BURNETT.
602
00:37:00,800 --> 00:37:03,233
AND AS SOON AS WARREN BURNETT
WAS ON THE CASE...
603
00:37:03,267 --> 00:37:04,533
[ CAMERA SHUTTER CLICKS ]
604
00:37:04,567 --> 00:37:08,500
...THEY WENT STRAIGHT TO
A NEVER-BEFORE TYPE OF HEARING
605
00:37:08,533 --> 00:37:10,900
IN THE STATE OF TEXAS --
A SANITY HEARING --
606
00:37:10,933 --> 00:37:12,367
TO DECIDE WHETHER OR NOT
607
00:37:12,400 --> 00:37:15,533
THEY WERE INDEED GOING
TO HAVE A MURDER TRIAL.
608
00:37:15,567 --> 00:37:20,067
THE SIDE BEHIND
THE DISTRICT ATTORNEY WAS EMPTY,
609
00:37:20,100 --> 00:37:21,700
EXCEPT FOR BETTY'S PARENTS.
610
00:37:27,900 --> 00:37:31,400
THE KEY WITNESS WAS
DR. MARVIN GRICE OF ODESSA.
611
00:37:31,433 --> 00:37:35,167
I EXAMINED MACK HERRING
THREE DAYS AFTER THE SHOOTING,
612
00:37:35,200 --> 00:37:38,167
AND AT THAT MOMENT,
HE WAS SANE.
613
00:37:38,200 --> 00:37:43,500
BUT THE GIRL ASKED MR. HERRING
OVER AND OVER TO KILL HER.
614
00:37:43,533 --> 00:37:44,800
White:
EVEN THOUGH THERE'D ONLY BEEN
615
00:37:44,833 --> 00:37:46,200
ABOUT 10 OR 15 MINUTES
OF CONVERSATION
616
00:37:46,233 --> 00:37:49,167
BETWEEN BETTY AND MACK SPREAD
OUT OVER A COUPLE OF DAYS,
617
00:37:49,200 --> 00:37:54,067
DR. GRICE CLAIMED THAT
BETTY'S PUSHING ON MACK HERRING
618
00:37:54,100 --> 00:37:56,333
TO HELP WITH HER SUICIDE
619
00:37:56,367 --> 00:38:00,100
HAD WORN DOWN
MACK'S LOGICAL FACULTIES,
620
00:38:00,133 --> 00:38:02,100
AND THAT
HE WAS TEMPORARILY INSANE.
621
00:38:02,133 --> 00:38:05,367
MR. HERRING,
WOULD YOU PLEASE TAKE THE STAND?
622
00:38:05,400 --> 00:38:09,267
BUT THE DEFENSE STILL HAD
A KEY WITNESS TO CALL,
623
00:38:09,300 --> 00:38:10,967
AND IT WASN'T MACK'S FATHER,
624
00:38:11,067 --> 00:38:14,300
EVEN THOUGH HE WAS THE ONE
TAKING THE STAND.
625
00:38:14,333 --> 00:38:15,367
I'D LIKE YOU
TO READ THE LETTER
626
00:38:15,400 --> 00:38:17,300
GIVEN TO YOU
BY YOUR SON MACK.
627
00:38:17,333 --> 00:38:19,067
IT'S BEEN EXAMINED
BY EXPERTS,
628
00:38:19,100 --> 00:38:22,800
AND DETERMINED THAT IT IS
BETTY WILLIAMS' OWN HANDWRITING.
629
00:38:22,833 --> 00:38:27,967
IT TURNED OUT
IT WAS BETTY HERSELF.
630
00:38:28,067 --> 00:38:30,867
YOU'D REALLY
BE HELPING ME OUT.
631
00:38:30,900 --> 00:38:34,067
LOOK,
WHAT IF I WROTE A LETTER?
632
00:38:34,100 --> 00:38:35,567
WHAT DO YOU MEAN,
YOU'RE GONNA WRITE A LETTER?
633
00:38:35,600 --> 00:38:37,467
LOOK, I'LL SHOW YOU.
634
00:38:37,500 --> 00:38:39,933
"TO WHOM IT MAY CONCERN,
635
00:38:39,967 --> 00:38:43,533
I WANT EVERYONE TO KNOW
THAT WHAT I'M ABOUT TO DO
636
00:38:43,567 --> 00:38:47,400
IN NO WAY
IMPLICATES ANYONE ELSE.
637
00:38:50,067 --> 00:38:54,200
I'M WAGING A WAR WITHIN MYSELF,
SO RATHER THAN ADMIT DEFEAT,
638
00:38:54,233 --> 00:38:55,967
I'M GOING TO BEAT
A QUICK RETREAT
639
00:38:56,067 --> 00:38:58,400
INTO THE NO MAN'S LAND
OF DEATH."
640
00:38:58,433 --> 00:39:00,833
IT WAS AS IF
BETTY WAS TESTIFYING
641
00:39:00,867 --> 00:39:02,733
IN DEFENSE OF HER OWN KILLER.
642
00:39:02,767 --> 00:39:06,600
Mr. Herring: "A FRIEND OF MINE
HAS GRACIOUSLY CONSENTED
643
00:39:06,633 --> 00:39:08,833
TO LOOK AFTER THE DETAILS.
644
00:39:08,867 --> 00:39:10,667
HIS NAME IS MACK HERRING,
645
00:39:10,700 --> 00:39:12,933
AND I PRAY THAT
HE WILL NOT HAVE TO SUFFER
646
00:39:12,967 --> 00:39:16,067
FOR WHAT HE IS DOING
FOR MY SAKE."
647
00:39:16,067 --> 00:39:20,800
Shelton: HER STRANGENESS
IS PUT ON DISPLAY.
648
00:39:20,833 --> 00:39:22,867
[ COURT MURMURING ]
649
00:39:25,233 --> 00:39:27,333
I THINK BETTY WAS
SERIOUSLY UPSET,
650
00:39:27,367 --> 00:39:30,533
AND I THINK THAT SHE WAS
REALLY TRYING TO GET ATTENTION.
651
00:39:30,567 --> 00:39:34,400
Guffey Ross:
BETTY AND MACK HAD BEEN IN A RELATIONSHIP,
652
00:39:34,433 --> 00:39:36,633
AND I THINK THAT IT WAS CLEAR
653
00:39:36,667 --> 00:39:42,100
THAT SHE WOULD VERY MUCH LIKE
TO REKINDLE THAT RELATIONSHIP.
654
00:39:42,133 --> 00:39:45,500
Shelton:
THIS IS JUST MY OPINION, BUT...
655
00:39:45,533 --> 00:39:47,533
I DIDN'T THINK
HE'D ACTUALLY COME.
656
00:39:47,567 --> 00:39:50,800
...I THINK SHE WAS PLAYING
A GAME OF CHICKEN.
657
00:39:50,833 --> 00:39:53,500
White:
KEEPING THIS WHOLE THING GOING
658
00:39:53,533 --> 00:39:57,567
MAY VERY WELL HAVE BEEN A WAY OF
KEEPING MACK'S ATTENTION ON HER.
659
00:40:00,800 --> 00:40:02,833
Guffey Ross:
"I HAVE GOT TO CALL HIS BLUFF.
660
00:40:02,867 --> 00:40:04,700
I'VE MADE SUCH A BIG DEAL
OUT OF THIS.
661
00:40:04,733 --> 00:40:09,100
I CAN'T NOW TELL HIM, 'NO, NO,
I DIDN'T REALLY MEAN IT.'"
662
00:40:09,133 --> 00:40:10,933
McNamara: THERE MAY HAVE BEEN
A PART OF HIM
663
00:40:10,967 --> 00:40:13,100
THAT THOUGHT FOR SURE SHE WAS
GONNA SAY, "OH, MY GOD.
664
00:40:13,133 --> 00:40:15,167
NO, DON'T DO IT, DON'T DO IT."
665
00:40:17,400 --> 00:40:21,567
Guffey Ross: THE MESSAGE WASN'T
"I WANT TO DIE,"
666
00:40:21,600 --> 00:40:23,300
THE MESSAGE WAS
667
00:40:23,333 --> 00:40:30,100
"I WANT MACK TO CARE ENOUGH
ABOUT ME TO SAVE ME."
668
00:40:35,800 --> 00:40:37,767
[ GAVEL POUNDS ]
669
00:40:37,800 --> 00:40:39,100
[ COURT MURMURING ]
670
00:40:39,133 --> 00:40:42,733
DO YOU FIND THAT AT THE TIME
OF THE ACT CHARGED IN THIS CASE,
671
00:40:42,767 --> 00:40:44,833
THE DEFENDANT,
JOHN MACK HERRING,
672
00:40:44,867 --> 00:40:47,200
WAS TEMPORARILY INSANE?
673
00:40:47,233 --> 00:40:49,700
YES, WE DO.
674
00:40:49,733 --> 00:40:52,767
[ INDISTINCT CONVERSATIONS ]
[ MAN CLAPS ]
675
00:40:52,800 --> 00:40:58,067
THEY FOUND THAT MACK HERRING WAS
INSANE FOR THE LENGTH OF TIME
676
00:40:58,100 --> 00:40:59,467
THAT IT TOOK HIM
TO PULL THE TRIGGER,
677
00:40:59,500 --> 00:41:01,067
AND NOT BEFORE OR AFTER.
678
00:41:02,767 --> 00:41:05,833
Guffey Ross:
THAT RINGS SO FALSE TO ME.
679
00:41:07,867 --> 00:41:11,900
White: MACK HERRING HAD
BROUGHT TOOLS WITH HIM.
680
00:41:11,933 --> 00:41:17,100
HE HID THE BODY, AND THEN
ATTEMPTED TO LIE TO THE POLICE.
681
00:41:17,133 --> 00:41:20,300
HE MAY HAVE BEEN
STILL SECRETLY ANGRY AT HER
682
00:41:20,333 --> 00:41:23,067
BECAUSE OF BILL ROSE.
683
00:41:23,067 --> 00:41:25,433
HE MAY HAVE BEEN SOMEBODY
684
00:41:25,467 --> 00:41:27,900
WHO DOESN'T KNOW THE DIFFERENCE
BETWEEN RIGHT AND WRONG.
685
00:41:27,933 --> 00:41:32,433
Guffey Ross: SHE DIDN'T COME
FROM A RICH, PROMINENT FAMILY,
686
00:41:32,467 --> 00:41:38,767
AND THE ANSWER THAT MOST PEOPLE
IN ODESSA CAME UP WITH IS,
687
00:41:38,800 --> 00:41:42,967
SHE WAS LOOSE, SHE WAS EASY,
SHE WAS CHEAP, SHE WAS A SLUT.
688
00:41:43,067 --> 00:41:48,567
SHE HAD NO VALUE, AND THEREFORE,
HER DEATH WAS OF NO CONSEQUENCE.
689
00:41:48,600 --> 00:41:53,933
BETTY DESERVED A LOT BETTER.
690
00:41:53,967 --> 00:41:56,700
IT'S AS MUCH A TRAGEDY
AS IT IS A MURDER.
691
00:41:56,733 --> 00:42:00,133
WHY DID THIS HAPPEN?
692
00:42:00,167 --> 00:42:03,333
EVEN NOW, I DON'T KNOW.
693
00:42:03,367 --> 00:42:07,333
BETTY AND MACK
WERE BOTH JUST KIDS.
694
00:42:07,367 --> 00:42:09,067
BETTY WAS DEPRESSED,
695
00:42:09,100 --> 00:42:12,867
AND DID THINGS THAT WERE
DRAMATIC AND SEEMED STRANGE.
696
00:42:12,900 --> 00:42:15,333
BUT I DON'T BELIEVE
SHE WANTED TO DIE.
697
00:42:15,367 --> 00:42:18,067
I THINK SHE WAS JUST SEARCHING
698
00:42:18,067 --> 00:42:21,200
FOR SOMEONE TO TELL HER
THAT THEY SAW HER,
699
00:42:21,233 --> 00:42:23,267
AND REALLY LOVED HER.
700
00:42:23,300 --> 00:42:25,367
AND SHE COULDN'T HAVE KNOWN
701
00:42:25,400 --> 00:42:28,467
ABOUT THE COLD THING
INSIDE THE BOY
702
00:42:28,500 --> 00:42:31,733
SHE REACHED OUT TO FOR THAT.
703
00:42:31,767 --> 00:42:33,233
[ PROJECTOR RUNS ]
704
00:42:33,267 --> 00:42:36,833
Guffey Ross: SHE HAD A WONDERFUL
CAPACITY FOR HAPPINESS
705
00:42:36,867 --> 00:42:40,967
THAT SHE WOULD HAVE FULFILLED
706
00:42:41,067 --> 00:42:44,367
HAD SHE BEEN ABLE
TO LIVE LONG ENOUGH TO DO SO.
707
00:43:02,833 --> 00:43:10,400
* YOU TOLD ME THINGS
YOU NEVER MEANT *
708
00:43:10,433 --> 00:43:15,867
* FOOLED ME
RIGHT FROM THE START *
709
00:43:15,900 --> 00:43:24,300
* AND THOUGH YOU'RE NOT TRUE,
MAY GOD BLESS YOU *
710
00:43:24,333 --> 00:43:29,433
* THAT'S THE CURSE
OF AN ACHING HEART *
711
00:43:29,483 --> 00:43:34,033
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