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1
00:00:03,500 --> 00:00:04,500
Ronnie:
THANKS AGAIN.
2
00:00:04,500 --> 00:00:06,133
Butter:
IT WAS MY PLEASURE.
3
00:00:06,133 --> 00:00:07,800
LISTEN, I'D INVITE YOU IN
FOR A NIGHTCAP,
4
00:00:07,800 --> 00:00:10,900
BUT MY MOTHER'S
IN THERE SLEEPING.
5
00:00:10,900 --> 00:00:13,000
TOO BAD.
6
00:00:16,367 --> 00:00:17,733
GOOD NIGHT.
7
00:00:17,733 --> 00:00:19,300
BYE.
8
00:00:19,500 --> 00:00:23,800
* COME TO ME,
MY MELANCHOLY BABY *
9
00:00:23,800 --> 00:00:26,967
[ HUMMING ]
10
00:00:26,967 --> 00:00:30,533
Female co-worker:
YOU LIKE DETECTIVE STORIES, RIGHT?
11
00:00:30,533 --> 00:00:32,800
THE ONES
YOU READ IN THE MAGAZINES
12
00:00:32,800 --> 00:00:35,000
WHERE THE PRETTY GIRL
GETS OFFED
13
00:00:35,000 --> 00:00:38,033
AND THE COPS
GOT TO TRY TO SOLVE THE CASE?
14
00:00:38,033 --> 00:00:40,333
SURE, YOU DO.
15
00:00:43,500 --> 00:00:46,033
YOUR HAIR STANDS ON END,
16
00:00:46,033 --> 00:00:52,100
AND YOUR HEART RACES
AS THE KILLER CLOSES IN,
17
00:00:52,100 --> 00:00:57,467
UNTIL YOU FIND OUT THE STORY
IS REAL.
18
00:00:57,467 --> 00:01:01,600
[ THUDDING,
RONNIE SCREAMING ]
19
00:01:01,600 --> 00:01:04,700
-- Captions by VITAC --
www.vitac.com
20
00:01:04,700 --> 00:01:07,800
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
21
00:01:16,700 --> 00:01:19,933
1937 IN NEW YORK.
TIMES WERE TOUGH,
22
00:01:19,933 --> 00:01:22,067
BUT EVEN IN THE MIDST
OF THE GREAT DEPRESSION,
23
00:01:22,067 --> 00:01:24,333
THERE WAS STILL
NOTHING LIKE SPRING TO GIVE
24
00:01:24,333 --> 00:01:27,767
EVEN THE GLOOMIEST NAYSAYERS
A PEP IN THEIR STEP.
25
00:01:27,767 --> 00:01:29,400
IT WAS EASTER SUNDAY --
26
00:01:29,400 --> 00:01:32,133
BONNETS, CHICKS,
CHOCOLATE EGGS,
27
00:01:32,133 --> 00:01:35,067
ALL THE USUAL STUFF, WHICH
IS WHAT MADE THE DISCOVERY
28
00:01:35,067 --> 00:01:37,533
AT THE GEDEON APARTMENT
SO AWFUL.
29
00:01:38,700 --> 00:01:40,800
[ DOORBELL RINGING ]
30
00:01:45,233 --> 00:01:46,567
PAPA.
31
00:01:46,567 --> 00:01:48,300
HELLO, DEAR.
GOOD TO SEE YOU.
32
00:01:48,300 --> 00:01:51,900
ON EASTER SUNDAY
IN 1937, ETHEL KUDNER
33
00:01:51,900 --> 00:01:53,200
AND HER HUSBAND, JOE,
34
00:01:53,200 --> 00:01:54,833
ARRIVE AT HER MOTHER'S APARTMENT
35
00:01:54,833 --> 00:01:57,500
IN BEEKMAN PLACE
ON THE EAST SIDE OF MANHATTAN.
36
00:01:57,500 --> 00:01:59,500
-THEY'RE NOT ANSWERING.
-OH, NO?
37
00:01:59,500 --> 00:02:02,867
AND HER FATHER, JOSEPH GEDEON,
IS ALREADY THERE.
38
00:02:02,867 --> 00:02:05,267
Whalen:
JOSEPH GEDEON IS SEPARATED FROM HIS WIFE.
39
00:02:05,267 --> 00:02:07,267
BUT THEY WERE GONNA HAVE DINNER
AS A FAMILY.
40
00:02:07,267 --> 00:02:08,633
AH. YOU SEE?
41
00:02:08,633 --> 00:02:10,400
THE DOOR'S OPEN.
42
00:02:10,400 --> 00:02:12,533
MA?
43
00:02:12,533 --> 00:02:14,633
[ RADIO PLAYING ]
44
00:02:18,733 --> 00:02:20,367
RONNIE?
45
00:02:24,967 --> 00:02:26,400
[ RADIO TURNS OFF ]
46
00:02:26,400 --> 00:02:28,467
MA?
47
00:02:31,100 --> 00:02:32,867
[ GASPS ]
48
00:02:35,767 --> 00:02:42,667
Schechter:
THEY DISCOVER THE NAKED BODY OF VERONICA GEDEON,
49
00:02:42,667 --> 00:02:45,867
ETHEL'S YOUNGER SISTER
AND JOSEPH'S DAUGHTER.
50
00:02:45,867 --> 00:02:47,867
[ Crying ]
WHERE'S MOTHER?
51
00:02:49,967 --> 00:02:52,367
THEY GO AROUND THE APARTMENT,
AND THEY'RE LOOKING FOR MARY.
52
00:02:54,867 --> 00:02:56,367
Joseph: OH, NO.
53
00:02:56,367 --> 00:02:59,833
IN ANOTHER BEDROOM, THEY
FIND THE BODY OF THEIR BOARDER,
54
00:02:59,833 --> 00:03:02,433
A MAN NAMED
FRANK BURNS, AN ENGLISHMAN.
55
00:03:02,433 --> 00:03:05,900
AND HE HAS BEEN STABBED MULTIPLE
TIMES IN THE HEAD AND NECK.
56
00:03:05,900 --> 00:03:09,367
OH, MY GOD.
57
00:03:09,367 --> 00:03:10,433
WHERE'S MOTHER?
58
00:03:10,433 --> 00:03:12,533
Joe:
MAYBE SHE WENT TO GET HELP.
59
00:03:12,533 --> 00:03:15,133
BUT THEY STILL
CAN'T FIND MARY GEDEON.
60
00:03:15,133 --> 00:03:17,067
THEY IMMEDIATELY
CALL THE POLICE.
61
00:03:20,900 --> 00:03:23,067
[ CRYING ]
62
00:03:23,067 --> 00:03:25,133
[ CAMERA BULB FLASHING ]
63
00:03:32,433 --> 00:03:34,467
Schechter:
THE POLICE LOOK AROUND
64
00:03:34,467 --> 00:03:39,467
AND NOTICE THAT THERE'S
SOMETHING UNDERNEATH THE BED --
65
00:03:39,467 --> 00:03:42,167
THE BODY OF MARY GEDEON,
66
00:03:42,167 --> 00:03:43,467
JOSEPH'S WIFE
67
00:03:43,467 --> 00:03:45,233
AND ETHEL'S MOTHER.
68
00:03:50,067 --> 00:03:51,900
WE FOUND ANOTHER BODY.
69
00:03:51,900 --> 00:03:53,633
IT'S MARY.
70
00:03:53,633 --> 00:03:56,800
[ CRYING ]
71
00:04:03,867 --> 00:04:07,500
Pelonero:
JOSEPH GEDEON TAKES THE NEWS WITH SURPRISING CALM.
72
00:04:13,500 --> 00:04:15,367
[ CAMERA BULB FLASHING ]
73
00:04:15,367 --> 00:04:19,067
A TRIPLE MURDER ON EASTER
MORNING? TAKE IT FROM ME.
74
00:04:19,067 --> 00:04:21,733
THE CRIME-BEAT PHOTOGRAPHERS
I KNEW WOULD ELBOW THE CORONER
75
00:04:21,733 --> 00:04:24,400
OUT OF THE WAY JUST TO GET
THE FIRST SHOT OF THE BODY.
76
00:04:24,400 --> 00:04:26,600
IN THOSE DAYS,
IT WAS VERY COMMON
77
00:04:26,600 --> 00:04:29,200
FOR REPORTERS TO BE
PHOTOGRAPHING A CRIME SCENE
78
00:04:29,200 --> 00:04:32,400
AT THE SAME TIME THE POLICE
PHOTOGRAPHERS WERE THERE.
79
00:04:32,400 --> 00:04:34,600
MANUAL ASPHYXIATION.
80
00:04:34,600 --> 00:04:39,167
Schechter: THE MEDICAL EXAMINER
CONCLUDES THAT BOTH VERONICA
81
00:04:39,167 --> 00:04:43,067
AND MARY HAD BEEN STRANGLED.
82
00:04:43,067 --> 00:04:45,267
Whalen: STRANGULATION HAPPENS
OUT OF ANGER.
83
00:04:45,267 --> 00:04:46,500
IT'S EXPLOSIVE.
84
00:04:46,500 --> 00:04:48,533
IT'S REALLY A CRIME OF PASSION.
85
00:04:48,533 --> 00:04:50,333
Pelonero:
MARY GEDEON IS STILL CLOTHED,
86
00:04:50,333 --> 00:04:52,100
BUT HER UNDERWEAR
HAS BEEN TORN AWAY.
87
00:04:52,100 --> 00:04:53,400
[ CAMERA BULB FLASHES ]
88
00:04:53,400 --> 00:04:58,233
POLICE ARE ASSUMING
THAT THE ATTACK WAS A SEX CRIME.
89
00:04:58,233 --> 00:05:01,333
Schechter:
FRANK BURNS, THE BOARDER, HAD BEEN MURDERED IN HIS SLEEP
90
00:05:01,333 --> 00:05:05,600
BY A SERIES OF PUNCTURE WOUNDS
TO HIS SKULL,
91
00:05:05,600 --> 00:05:08,900
INFLICTED WITH A VERY LONG,
POINTED IMPLEMENT,
92
00:05:08,900 --> 00:05:10,467
POSSIBLY AN ICE PICK.
93
00:05:15,467 --> 00:05:17,800
-ANYTHING?
-NO.
94
00:05:17,800 --> 00:05:20,800
IT'S CLEAN.
-HE JUST WALKED IN.
95
00:05:25,467 --> 00:05:26,933
HE DIDN'T TAKE ANYTHING.
96
00:05:26,933 --> 00:05:28,667
Whalen: THERE WAS STILL MONEY
IN THE APARTMENT.
97
00:05:28,667 --> 00:05:31,133
THE DOOR IS PERFECTLY INTACT.
98
00:05:31,133 --> 00:05:33,467
RIGHT AWAY, THESE THINGS
LEAD DETECTIVES TO BELIEVE
99
00:05:33,467 --> 00:05:37,867
THAT THE PERPETRATOR WAS
SOMEBODY THAT THE VICTIMS KNEW.
100
00:05:37,867 --> 00:05:39,700
LOOK VERY CAREFULLY.
101
00:05:39,700 --> 00:05:40,967
IF ANYTHING WAS TAKEN,
102
00:05:40,967 --> 00:05:44,400
IT WILL HELP US FIGURE OUT
WHO DID THIS.
103
00:05:46,133 --> 00:05:47,700
WAIT.
104
00:05:47,700 --> 00:05:51,933
THERE WAS A LITTLE CLOCK
RIGHT THERE ON HER DRESSER.
105
00:05:51,933 --> 00:05:53,900
-YOU'RE SURE?
-YES.
106
00:05:53,900 --> 00:05:57,067
I REMEMBER ITS HANDS
GLOWED IN THE DARK.
107
00:06:01,100 --> 00:06:02,667
IS THIS YOUR SISTER?
108
00:06:02,667 --> 00:06:04,467
YES.
109
00:06:04,467 --> 00:06:06,700
SHE WAS A MODEL.
110
00:06:10,800 --> 00:06:13,567
Man: MAYBE PUT YOUR ARM UP,
LIKE YOU'RE BEING ATTACKED.
111
00:06:13,567 --> 00:06:15,667
[ LAUGHS ]
SORRY.
112
00:06:15,667 --> 00:06:18,333
AW.
WHY YOU -- WHY YOU MOVE?
113
00:06:18,333 --> 00:06:20,067
I'M SORRY,
I'M SORRY, SORRY.
114
00:06:20,067 --> 00:06:21,867
JUST GO BACK IN.
WE'LL GO BACK IN.
115
00:06:21,867 --> 00:06:24,100
RONNIE GEDEON WAS 20 YEARS OLD.
116
00:06:24,100 --> 00:06:27,067
AND SHE WAS A BEAUTIFUL,
YOUNG BLONDE.
117
00:06:27,067 --> 00:06:30,667
AND SHE OFTEN POSED FOR THE PULP
DETECTIVE MAGAZINES OF THE TIME.
118
00:06:30,667 --> 00:06:32,767
THAT'S GOOD.
THAT'S GOOD.
119
00:06:32,767 --> 00:06:34,733
RONNIE WAS A SWEETHEART.
120
00:06:34,733 --> 00:06:35,767
DON'T GET ME WRONG.
121
00:06:35,767 --> 00:06:37,500
I HIRED HER FOR HER FIGURE.
122
00:06:37,500 --> 00:06:40,533
THAT WAS THE NAME OF THE GAME
IN THE DETECTIVE-RAG BUSINESS.
123
00:06:40,533 --> 00:06:41,933
WHEN SHE WAS ON THE COVER,
124
00:06:41,933 --> 00:06:44,900
SHE'D SELL OUT NEWSSTANDS
ALL OVER THE CITY.
125
00:06:44,900 --> 00:06:47,233
AND THE OLD MAN
SAYS, "ARE YOU KIDDING?
126
00:06:47,233 --> 00:06:48,433
I'M TELLING EVERYONE."
127
00:06:48,433 --> 00:06:50,867
[ LAUGHTER ]
128
00:06:50,867 --> 00:06:53,767
BUT FOR THOSE OF US
PUTTING IN HOURS AT THE STUDIO,
129
00:06:53,767 --> 00:06:56,600
IT MATTERED JUST AS MUCH
HOW A GIRL ACTED.
130
00:06:56,600 --> 00:06:58,967
SOME GIRLS IN THE BUSINESS
HAD SUNK REAL LOW
131
00:06:58,967 --> 00:07:01,100
OR HELD THEIR NOSES UP
TOO HIGH.
132
00:07:01,100 --> 00:07:05,800
RONNIE WAS JUST A REAL
SWEET KID.
133
00:07:05,800 --> 00:07:07,667
[ CAMERA BULB FLASHES ]
134
00:07:07,667 --> 00:07:12,633
IN 1937, A YOUNG WOMAN
WHO POSED NAKED WAS REGARDED
135
00:07:12,633 --> 00:07:16,067
AS REALLY LITTLE MORE
THAN A PROSTITUTE.
136
00:07:17,333 --> 00:07:22,533
THIS IMMEDIATELY CASTS RONNIE'S
CHARACTER IN A VERY,
137
00:07:22,533 --> 00:07:26,433
VERY DUBIOUS LIGHT.
138
00:07:26,433 --> 00:07:28,067
BUT I HAVE TO ADMIT,
139
00:07:28,067 --> 00:07:30,900
I HAD A UNIQUE PERSPECTIVE
ON THIS THING.
140
00:07:30,900 --> 00:07:32,433
I GUESS I CAN SEE HOW PEOPLE
141
00:07:32,433 --> 00:07:36,167
WHO DIDN'T KNOW THE REAL RONNIE
MIGHT GET THE WRONG IDEA.
142
00:07:36,167 --> 00:07:37,600
AT THE MAGAZINE,
143
00:07:37,600 --> 00:07:41,200
I WAS UP TO MY EYEBALLS
IN MURDER STORIES EVERY DAY.
144
00:07:41,200 --> 00:07:46,867
BUT STILL, I NEVER EXPECTED IT
TO HAPPEN TO SOMEONE I KNEW.
145
00:07:52,833 --> 00:07:55,200
WE'D LIKE TO ASK YOU
A FEW QUESTIONS, PLEASE.
146
00:07:56,267 --> 00:07:59,367
BUT LIFE IMITATES ART,
AND ART IMITATES LIFE.
147
00:07:59,367 --> 00:08:02,067
AND JUST LIKE ALL THE P.I.s
AND GUMSHOE DICKS
148
00:08:02,067 --> 00:08:03,767
IN OUR MAGAZINES,
149
00:08:03,767 --> 00:08:06,067
THESE GUYS WENT RIGHT TO WORK.
150
00:08:10,433 --> 00:08:13,300
I HEARD A SCUFFLE
COMING FROM UPSTAIRS.
151
00:08:13,300 --> 00:08:15,700
-ABOUT WHAT TIME WAS IT?
-11:00 P.M.
152
00:08:21,067 --> 00:08:23,067
OVER HERE, THIS TOWEL.
153
00:08:23,067 --> 00:08:25,133
[ CAMERA BULB FLASHES ]
154
00:08:25,833 --> 00:08:27,500
MUST HAVE COME IN
TO CLEAN UP.
155
00:08:32,300 --> 00:08:36,867
Whalen: AS LUCK WOULD HAVE IT,
THEY FIND VERONICA'S DIARY.
156
00:08:38,533 --> 00:08:40,067
WHAT DO YOU GOT?
157
00:08:40,067 --> 00:08:42,767
MAYBE SOMETHING.
158
00:08:42,767 --> 00:08:48,100
SEE THESE TWO "B's" HERE
AND ANOTHER HERE?
159
00:08:48,100 --> 00:08:52,500
THEY SEE ENTRIES ABOUT A PERSON
WITH JUST THE INITIAL "B."
160
00:08:52,500 --> 00:08:54,433
Schechter:
IT'S CLEAR THAT RONNIE
161
00:08:54,433 --> 00:08:57,567
HAS BEEN ROMANTICALLY INVOLVED
WITH THIS PERSON.
162
00:08:57,567 --> 00:09:01,067
BUT HERE, IT SAYS,
163
00:09:01,067 --> 00:09:04,733
"I'M AFRAID OF 'B.'"
164
00:09:04,733 --> 00:09:06,867
Whalen: RIGHT AWAY,
THAT PIQUES THEIR INTEREST.
165
00:09:06,867 --> 00:09:09,233
THAT IS THE START
OF THE INVESTIGATION.
166
00:09:09,233 --> 00:09:11,533
THEY WANT TO DETERMINE
WHO "B" IS.
167
00:09:16,167 --> 00:09:18,600
[ TELEPHONE RINGS ]
168
00:09:23,800 --> 00:09:25,233
-HELLO?
-Hello.
169
00:09:25,233 --> 00:09:27,400
Good evening.
Is Veronica there, please?
170
00:09:27,400 --> 00:09:29,367
WITH WHOM AM I SPEAKING?
171
00:09:29,367 --> 00:09:32,067
Stephen Butter.
172
00:09:32,067 --> 00:09:34,067
STEPHEN BUTTER?
173
00:09:34,067 --> 00:09:36,633
Yes, sir.
174
00:09:36,633 --> 00:09:38,967
Whalen:
THE INITIAL IN THE DIARY IS "B."
175
00:09:38,967 --> 00:09:41,767
THIS GUY'S LAST NAME
STARTS WITH A "B."
176
00:09:41,767 --> 00:09:43,267
THEY WANT TO TALK TO HIM.
177
00:09:43,267 --> 00:09:47,800
WHEN WAS THE LAST TIME
YOU SAW VERONICA?
178
00:09:47,800 --> 00:09:49,800
Last night.
179
00:09:58,433 --> 00:10:02,367
Female co-worker:
IF YOU HAD ASKED ME IF RONNIE GEDEON WAS HIDING SOMETHING,
180
00:10:02,367 --> 00:10:03,633
I WOULD HAVE SAID NO.
181
00:10:03,633 --> 00:10:06,167
SHE ALWAYS SEEMED
LIKE A STRAIGHT SHOOTER.
182
00:10:06,167 --> 00:10:09,033
BUT A SECRET DIARY
WITH A MYSTERIOUS VILLAIN
183
00:10:09,033 --> 00:10:12,467
REFERRED TO ONLY
BY THE INITIAL "B"?
184
00:10:12,467 --> 00:10:13,700
I HAD TO HAND IT TO HER.
185
00:10:13,700 --> 00:10:15,233
SHE KNEW HOW TO KEEP
THEM READING.
186
00:10:15,233 --> 00:10:19,500
THAT'S FOR SURE,
RIGHT UP UNTIL THE VERY END.
187
00:10:20,633 --> 00:10:23,433
I MET HER THROUGH MY FRIEND
LINCOLN.
188
00:10:23,433 --> 00:10:25,333
HE'S OUT OF TOWN.
189
00:10:25,333 --> 00:10:28,233
STEPHEN BUTTER PICKED HER UP A
COUPLE OF TIMES FROM THE STUDIO
190
00:10:28,233 --> 00:10:29,667
AFTER A PHOTO SHOOT.
191
00:10:29,667 --> 00:10:33,233
WAS HE THE OMINOUS "B"
IN HER DIARY?
192
00:10:33,233 --> 00:10:34,700
YOU LIKE HER?
193
00:10:34,700 --> 00:10:38,067
-UH, WHAT DO YOU MEAN?
-JUST THAT.
194
00:10:38,067 --> 00:10:40,133
UH, WELL, UH, YEAH.
195
00:10:40,133 --> 00:10:45,133
SHE'S GREAT, REALLY NICE,
FRIENDLY.
196
00:10:45,133 --> 00:10:47,300
STEPHEN BUTTER IS 23 YEARS OLD.
197
00:10:47,300 --> 00:10:49,133
HE WORKS AS A MESSENGER
ON WALL STREET.
198
00:10:49,133 --> 00:10:50,300
HE LIVES WITH HIS PARENTS.
199
00:10:50,300 --> 00:10:52,200
IS SHE ALL RIGHT?
200
00:10:52,200 --> 00:10:55,300
YOU SAID
YOU SAW HER LAST NIGHT?
201
00:10:55,300 --> 00:10:58,333
UH, YE-- UH, YES.
202
00:10:58,333 --> 00:10:59,600
WE WENT TO A BAR.
203
00:10:59,600 --> 00:11:01,233
AND THEN
I WALKED HER HOME.
204
00:11:04,133 --> 00:11:06,067
THANKS AGAIN.
205
00:11:06,067 --> 00:11:08,500
THAT WAS ACES.
206
00:11:08,500 --> 00:11:10,567
IT WAS MY PLEASURE.
207
00:11:10,567 --> 00:11:12,833
-WHAT TIME WAS THAT?
-A LITTLE AFTER 3:00.
208
00:11:12,833 --> 00:11:14,233
WE LEFT THE BAR AT 3:00,
I REMEMBER.
209
00:11:14,233 --> 00:11:16,300
YOU GO INSIDE WITH HER?
210
00:11:19,067 --> 00:11:24,167
I'D INVITE YOU IN, BUT
MY MOTHER'S IN THERE SLEEPING.
211
00:11:24,167 --> 00:11:25,600
TOO BAD.
212
00:11:29,400 --> 00:11:30,833
GOOD NIGHT.
213
00:11:42,333 --> 00:11:43,967
IS SHE OKAY?
214
00:11:47,267 --> 00:11:48,433
SHE'S DEAD.
215
00:11:50,933 --> 00:11:52,567
UH, WHAT?
216
00:11:54,767 --> 00:11:59,433
NO. H-HOW?
I JUST -- I JUST SAW HER.
217
00:11:59,433 --> 00:12:01,900
SH... OH, MY GOD.
218
00:12:07,067 --> 00:12:11,967
Whalen: IN 1937, THE DETECTIVES,
THEY GO ON GUT INSTINCT.
219
00:12:11,967 --> 00:12:15,267
AND THEIR GUT
TELLS THEM THAT HE'S INNOCENT.
220
00:12:18,800 --> 00:12:21,500
**
221
00:12:25,333 --> 00:12:27,100
THE DAY AFTER THE BODIES
WERE DISCOVERED,
222
00:12:27,100 --> 00:12:30,400
THE STORY WAS ON THE FRONT PAGE
IN THE PAPERS IN NEW YORK.
223
00:12:30,400 --> 00:12:34,167
THE COUNTRY IS IN THE MIDST
OF THE GREAT DEPRESSION.
224
00:12:34,167 --> 00:12:38,433
SENSATIONAL STORIES
LIKE THIS WERE A DISTRACTION.
225
00:12:38,433 --> 00:12:40,267
THE DAMSEL IN DISTRESS
ON THE COVER
226
00:12:40,267 --> 00:12:44,200
OF A DETECTIVE MAGAZINE
BECOMES A VICTIM IN REAL LIFE.
227
00:12:44,200 --> 00:12:46,833
IT WAS PERFECT FOR THE PAPERS.
228
00:12:49,933 --> 00:12:51,767
Pelonero: PHOTOGRAPHERS
WHO HAD WORKED WITH RONNIE
229
00:12:51,767 --> 00:12:53,600
COME OUT OF THE WOODWORK
WITH ALL THESE NUDE
230
00:12:53,600 --> 00:12:55,800
AND SEMINUDE PHOTOS OF HER,
231
00:12:55,800 --> 00:12:58,700
MANY OF WHICH WERE PUBLISHED
IN THE PAPERS.
232
00:12:58,700 --> 00:13:00,567
Schechter: THERE WAS
NOT ONLY THE HIDEOUSNESS
233
00:13:00,567 --> 00:13:01,967
OF THE TRIPLE MURDER,
234
00:13:01,967 --> 00:13:07,933
BUT THERE WAS THE SEXUAL ALLURE
OF THE PRIMARY VICTIM.
235
00:13:07,933 --> 00:13:09,600
Pelonero: AND IT GIVES PEOPLE
THE IMPRESSION OF,
236
00:13:09,600 --> 00:13:12,233
"THIS MUST HAVE BEEN
A VERY FAST-LIVING WOMAN
237
00:13:12,233 --> 00:13:15,400
WHO HAD GOT INVOLVED
WITH THE WRONG PEOPLE."
238
00:13:15,400 --> 00:13:17,433
TO ALL THOSE JOES
READING THE PAPER ON THEIR WAY
239
00:13:17,433 --> 00:13:20,567
TO WORK AND HOUSEWIVES
GOSSIPING OVER THE FENCES,
240
00:13:20,567 --> 00:13:23,433
THE STORY WAS JUST ANOTHER
PIECE OF ENTERTAINMENT.
241
00:13:23,433 --> 00:13:25,400
BUT RONNIE WAS A PART
OF OUR WORLD.
242
00:13:25,400 --> 00:13:28,133
AND WHAT SHE DID WAS A JOB
LIKE ANY OTHER.
243
00:13:28,133 --> 00:13:30,267
SHE WASN'T INVOLVED
WITH THE SORT OF PEOPLE
244
00:13:30,267 --> 00:13:34,133
WHO WOULD HURT HER,
AS FAR AS WE KNEW.
245
00:13:35,900 --> 00:13:39,233
Whalen:
VERONICA WAS AFRAID OF A PERSON WITH THE INITIAL "B."
246
00:13:39,233 --> 00:13:45,067
AND AS THE POLICE CONTINUE TO GO
THROUGH THE DIARY,
247
00:13:45,067 --> 00:13:47,800
THEY SEE A REFERENCE
TO A GUY NAMED BOB.
248
00:13:47,800 --> 00:13:51,567
IT TURNS OUT
THAT VERONICA WAS MARRIED AT 16
249
00:13:51,567 --> 00:13:53,767
TO THIS GUY, BOBBY FLOWERS.
250
00:13:53,767 --> 00:13:54,633
-THANKS A LOT.
-THANK YOU.
251
00:13:54,633 --> 00:13:57,133
APPRECIATE IT.
252
00:13:57,133 --> 00:13:59,467
-YOU BOBBY FLOWERS?
-YEAH.
253
00:13:59,467 --> 00:14:01,667
THIS ABOUT RONNIE?
254
00:14:01,667 --> 00:14:02,733
YOU TALK TO HER LATELY?
255
00:14:02,733 --> 00:14:04,967
ABOUT A WEEK AGO.
256
00:14:10,133 --> 00:14:11,667
YOU HAD A FALLING OUT?
257
00:14:11,667 --> 00:14:13,067
NO.
258
00:14:13,067 --> 00:14:14,167
WHY?
259
00:14:14,167 --> 00:14:16,167
WHY'D SHE SAY
SHE WAS AFRAID OF YOU?
260
00:14:18,533 --> 00:14:19,767
COME ON.
261
00:14:19,767 --> 00:14:21,300
WE HAD A COUPLE OF ROWS
OVER THE YEARS,
262
00:14:21,300 --> 00:14:23,067
BUT THINGS WERE PRETTY GOOD.
263
00:14:23,067 --> 00:14:24,533
WE WERE JUST TOO YOUNG.
264
00:14:24,533 --> 00:14:26,433
HE SAYS THAT THE MARRIAGE
WAS ANNULLED
265
00:14:26,433 --> 00:14:28,467
AND THAT THEY
WERE STILL GOOD FRIENDS.
266
00:14:28,467 --> 00:14:32,400
WHERE WERE YOU
SATURDAY NIGHT?
267
00:14:32,400 --> 00:14:35,067
HE SAYS HE WAS SELLING HOT DOGS
AT AN ARMORY.
268
00:14:35,067 --> 00:14:37,433
YOU CAN ASK MY BOSS,
ASK MY CUSTOMERS.
269
00:14:41,533 --> 00:14:44,167
SHE WAS A GOOD GIRL.
270
00:14:44,167 --> 00:14:48,767
SHE WASN'T LIKE WHAT ALL THE
PAPERS ARE MAKING HER OUT TO BE.
271
00:14:48,767 --> 00:14:50,767
OKAY, BOBBY.
272
00:14:50,767 --> 00:14:53,633
THE POLICE CHECK OUT
HIS ALIBI,
273
00:14:53,633 --> 00:14:56,767
AND THEY PRETTY MUCH
RULE HIM OUT AS A SUSPECT.
274
00:15:01,100 --> 00:15:04,500
Man: VERONICA GEDEON
WAS AN HONEST GIRL.
275
00:15:04,500 --> 00:15:07,467
SHE WAS NOT CHEAP.
276
00:15:07,467 --> 00:15:09,100
OUR EDITOR HAD HAD ENOUGH.
277
00:15:09,100 --> 00:15:10,467
HEADLINE AFTER HEADLINE
278
00:15:10,467 --> 00:15:13,567
PAINTED RONNIE AS A LOOSE,
FAST-LIVING GIRL.
279
00:15:13,567 --> 00:15:15,467
SURE,
SHE WAS NO GOODY TWO-SHOES,
280
00:15:15,467 --> 00:15:18,400
BUT SHE WASN'T THE WHORE
OF BABYLON, EITHER.
281
00:15:18,400 --> 00:15:23,867
SHE HAD THE INTELLIGENCE TO
SUCCEED IN ANY OF THESE COLUMNS.
282
00:15:23,867 --> 00:15:27,167
Schechter: THE EDITOR
OF INSIDE DETECTIVE MAGAZINE
283
00:15:27,167 --> 00:15:32,467
PUBLISHES A VERY IMPASSIONED
EDITORIAL EXPLAINING THAT RONNIE
284
00:15:32,467 --> 00:15:36,167
HAD TAKEN ON THESE JOBS
IN ORDER TO MAKE A LIVING,
285
00:15:36,167 --> 00:15:40,167
BUT THAT THERE WAS NOTHING
QUESTIONABLE ABOUT HER BEHAVIOR.
286
00:15:40,167 --> 00:15:42,867
WHILE WE WERE DOING OUR BEST
TO CLEAN UP RONNIE'S REPUTATION
287
00:15:42,867 --> 00:15:44,733
IN THE PAPERS,
288
00:15:44,733 --> 00:15:49,133
THE POLICE WERE COOLING
ON THE JEALOUS-LOVER ANGLE
289
00:15:49,133 --> 00:15:51,800
AND STARTING TO LOOK
CLOSER TO HOME.
290
00:15:51,800 --> 00:15:54,167
GENTLEMEN,
WHAT CAN I DO FOR YOU?
291
00:15:54,167 --> 00:15:55,600
Whalen:
DETECTIVES THINK BACK
292
00:15:55,600 --> 00:15:59,067
TO HOW THE FATHER REACTED
WHEN THEY FIRST SPOKE TO HIM.
293
00:15:59,067 --> 00:16:02,600
OH, WE JUST WANTED TO ASK
YOU A COUPLE QUESTIONS.
294
00:16:02,600 --> 00:16:04,067
SURE.
295
00:16:04,067 --> 00:16:06,667
THEY THINK IT ODD THAT HE
DIDN'T SHOW MUCH EMOTION.
296
00:16:06,667 --> 00:16:09,567
GO AHEAD.
BUT I-I HAVE TO KEEP WORKING.
297
00:16:09,567 --> 00:16:11,233
THIS WHOLE THING
HAS GOT ME BEHIND.
298
00:16:11,233 --> 00:16:14,067
I'VE GOT CUSTOMERS,
YOU KNOW.
299
00:16:18,567 --> 00:16:22,067
HEY, CAN YOU TELL US
HOW IT WAS WITH YOUR WIFE?
300
00:16:22,067 --> 00:16:23,400
MARY?
301
00:16:23,400 --> 00:16:25,233
WE WERE SEPARATED.
302
00:16:25,233 --> 00:16:27,467
I COULDN'T STAND
LIVING WITH HER AFTER A WHILE.
303
00:16:27,467 --> 00:16:32,433
SHE WAS AN IGNORANT WOMAN, THE
WAY SHE WAS RAISING THOSE GIRLS.
304
00:16:32,433 --> 00:16:34,500
WHAT DO YOU MEAN?
305
00:16:34,500 --> 00:16:36,867
YOU'VE SEEN IT YOURSELF,
DETECTIVE.
306
00:16:36,867 --> 00:16:40,867
RONNIE WOULD TAKE
HER CLOTHES OFF FOR ANYONE.
307
00:16:40,867 --> 00:16:42,933
SHE WAS A TEASE.
308
00:16:42,933 --> 00:16:45,833
SHE'D LET A GUY
GET THIS CLOSE.
309
00:16:45,833 --> 00:16:48,633
YOU CAN'T TALK TO A MAN
THAT WAY.
310
00:16:48,633 --> 00:16:51,733
I TOLD MARY
ABOUT THIS THOUSANDS OF TIMES,
311
00:16:51,733 --> 00:16:54,867
AND SHE JUST KEPT GETTING
IN THE GODDAMN WAY.
312
00:17:00,067 --> 00:17:02,100
SHE SHOULD HAVE KNOWN
THAT SOMETHING LIKE THIS
313
00:17:02,100 --> 00:17:04,767
WOULD HAPPEN.
314
00:17:04,767 --> 00:17:06,400
MIND IF WE TAKE A LOOK
AROUND, MR. GEDEON?
315
00:17:11,067 --> 00:17:12,867
NO.
316
00:17:25,567 --> 00:17:28,800
YOU LIKE TO LOOK
AT NAKED GIRLS, MR. GEDEON?
317
00:17:28,800 --> 00:17:31,400
WHY SHOULDN'T I?
I'M A GROWN MAN.
318
00:17:31,400 --> 00:17:34,067
WHERE WERE YOU ON THE NIGHT
THAT YOUR WIFE AND DAUGHTER
319
00:17:34,067 --> 00:17:35,933
WERE KILLED?
320
00:17:35,933 --> 00:17:37,100
CORRIGAN'S.
321
00:17:37,100 --> 00:17:39,200
I WAS PLAYING Skee-Ball.
322
00:17:39,200 --> 00:17:40,800
I STAYED THERE
TILL THEY CLOSED.
323
00:17:40,800 --> 00:17:42,800
-ANYBODY SEE YOU THERE?
-TALK TO CAL.
324
00:17:42,800 --> 00:17:44,967
HE WAS THERE ALL NIGHT.
325
00:17:44,967 --> 00:17:46,967
[ DOOR OPENS, BELL RINGS ]
326
00:17:46,967 --> 00:17:48,100
EXCUSE ME.
327
00:17:57,733 --> 00:17:59,800
HEY, WAIT.
328
00:18:02,667 --> 00:18:06,733
Whalen:
THEY FIND A GUN, WHICH IS UNLICENSED, UNREGISTERED.
329
00:18:13,267 --> 00:18:15,900
HEY.
330
00:18:15,900 --> 00:18:19,833
LOOK AT THIS.
331
00:18:19,833 --> 00:18:23,200
AND THEN, THEY FIND A KIT
WITH SEVERAL VERY SHARP
332
00:18:23,200 --> 00:18:24,867
UPHOLSTERY NEEDLES.
333
00:18:26,400 --> 00:18:28,333
THIS IS THE TYPE OF WEAPON
334
00:18:28,333 --> 00:18:31,533
THAT WAS USED TO KILL
THE BOARDER, FRANK BURNS.
335
00:18:33,667 --> 00:18:35,067
ONE MISSING.
336
00:18:35,067 --> 00:18:36,100
YEAH.
337
00:18:36,100 --> 00:18:38,600
AND ONE OF THE NEEDLES
IS MISSING.
338
00:18:38,600 --> 00:18:41,633
THAT IS WHERE THE CASE SHIFTS.
339
00:18:41,633 --> 00:18:48,567
THEY START FOCUSING IN ON GEDEON
VERY HARD.
340
00:18:56,933 --> 00:18:59,800
[ CAMERA BULBS FLASHING ]
341
00:18:59,800 --> 00:19:02,433
Female co-worker: SO THE COPS
LIKED THE ANGRY-FATHER ANGLE.
342
00:19:02,433 --> 00:19:03,700
HE FOUGHT WITH HIS WIFE,
343
00:19:03,700 --> 00:19:05,300
AND SHE WAS DEAD.
344
00:19:05,300 --> 00:19:08,067
MAYBE HE DIDN'T LIKE HER TAKING
IN GENTLEMEN BOARDERS.
345
00:19:08,067 --> 00:19:09,800
AND ONE OF THEM WAS DEAD, TOO.
346
00:19:09,800 --> 00:19:11,167
AND HE CERTAINLY DIDN'T APPROVE
347
00:19:11,167 --> 00:19:12,900
OF WHAT RONNIE DID
FOR A LIVING.
348
00:19:12,900 --> 00:19:16,300
I HAD TO ADMIT,
IT MADE A CERTAIN SENSE.
349
00:19:16,300 --> 00:19:19,300
Whalen: JOSEPH GEDEON
IS THE PRIME SUSPECT.
350
00:19:19,300 --> 00:19:21,867
THEY BRING HIM
IN FOR QUESTIONING.
351
00:19:31,167 --> 00:19:32,500
Schechter:
THE AUTOPSY RESULTS
352
00:19:32,500 --> 00:19:35,867
SHOW THAT THERE'S NO EVIDENCE
OF SEXUAL ASSAULT.
353
00:19:35,867 --> 00:19:37,667
BUT THE MEDICAL EXAMINER
354
00:19:37,667 --> 00:19:41,567
DEDUCES FROM THE CONTENTS
OF MARY'S STOMACH
355
00:19:41,567 --> 00:19:45,833
THAT SHE WAS MURDERED
BETWEEN 10:00 P.M. AND MIDNIGHT.
356
00:19:45,833 --> 00:19:49,733
OKAY, WHERE WERE YOU
BETWEEN THE HOURS OF 10:00 P.M.
357
00:19:49,733 --> 00:19:51,067
AND MIDNIGHT ON THE NIGHT
358
00:19:51,067 --> 00:19:52,767
THAT YOUR WIFE
AND DAUGHTER WERE MURDERED?
359
00:19:52,767 --> 00:19:54,067
I TOLD YOU.
360
00:19:54,067 --> 00:19:56,300
I WAS AT THE BAR.
361
00:19:56,300 --> 00:19:59,133
GO ASK HIM, CAL.
362
00:19:59,133 --> 00:20:01,733
WE DID.
363
00:20:01,733 --> 00:20:05,300
HE SAID THAT HE SAW YOU THERE
THAT NIGHT
364
00:20:05,300 --> 00:20:08,933
BUT NOT BETWEEN
THOSE HOURS.
365
00:20:08,933 --> 00:20:10,433
H-HE'S LYING.
366
00:20:10,433 --> 00:20:12,333
-DID YOU LEAVE?
-NO.
367
00:20:12,333 --> 00:20:14,167
I-I WAS THERE.
368
00:20:14,167 --> 00:20:18,667
MAYBE YOU GOT DRUNK, HMM, WENT
TO PAY A VISIT TO THE FAMILY?
369
00:20:25,033 --> 00:20:28,000
NOW, ALIBIS
FALL APART ALL THE TIME.
370
00:20:28,000 --> 00:20:30,667
BUT IT ONLY GOES PART
OF THE WAY TO NAILING A GUY.
371
00:20:30,667 --> 00:20:32,167
THE BRASS RING
372
00:20:32,167 --> 00:20:35,133
IS GETTING THE STORY STRAIGHT
FROM THE HORSE'S MOUTH.
373
00:20:35,133 --> 00:20:36,667
Whalen:
THE ABSENCE OF A MURDER WEAPON,
374
00:20:36,667 --> 00:20:39,833
UNFORTUNATELY, IS NOT EVIDENCE
OF A MURDER WEAPON.
375
00:20:39,833 --> 00:20:42,567
SO THEY NEED A CONFESSION.
376
00:20:42,567 --> 00:20:45,000
DID YOU LOVE YOUR WIFE?
377
00:20:45,000 --> 00:20:47,433
SHE DIDN'T KNOW
HOW TO RAISE HER CHILDREN.
378
00:20:47,433 --> 00:20:50,667
THAT DOESN'T MEAN
I WOULD KILL HER.
379
00:20:50,667 --> 00:20:52,033
I TOLD YOU BEFORE.
380
00:20:52,033 --> 00:20:54,367
WOMEN TRY TO DOMINATE MEN.
381
00:20:54,367 --> 00:20:55,900
MEN SHOULDN'T LET THEM.
382
00:20:55,900 --> 00:20:59,867
YOU DON'T CONTROL THEM, THEY
START TAKING ADVANTAGE OF YOU.
383
00:20:59,867 --> 00:21:04,667
SO YOU HAD TO DRAW THE LINE
SOMEWHERE, RIGHT?
384
00:21:09,300 --> 00:21:13,800
I DID NOT KILL MY FAMILY.
385
00:21:13,800 --> 00:21:17,300
WELL, THE 17th PRECINCT
WAS THE PRESTIGIOUS COMMAND.
386
00:21:17,300 --> 00:21:20,067
THE DETECTIVES
THAT WORKED THERE WERE KINGS.
387
00:21:20,067 --> 00:21:23,600
THEY RAN THE SHOW.
THEY WERE THE BEST OF THE BEST.
388
00:21:23,600 --> 00:21:28,133
AND, TO THEM, SOLVING A CRIME
HINGES ON THAT CONFESSION.
389
00:21:33,400 --> 00:21:34,900
SO THERE'S A LOT
OF PEOPLE COMING
390
00:21:34,900 --> 00:21:38,067
IN AND TAKING CRACKS AT GEDEON.
391
00:21:38,067 --> 00:21:39,967
HE'S KEPT AWAKE FOR HOURS.
392
00:21:39,967 --> 00:21:43,300
HE'S DEPRIVED OF FOOD.
393
00:21:43,300 --> 00:21:48,667
Whalen:
BUT DESPITE ALL THEIR EFFORTS, THEY CANNOT GET HIM TO CRACK.
394
00:21:48,667 --> 00:21:52,233
SO THEY DECIDE TO TURN UP
THE HEAT.
395
00:21:52,233 --> 00:21:56,700
Schechter: THIS WAS THE ERA
OF THE THIRD DEGREE.
396
00:22:06,333 --> 00:22:08,900
JOSEPH GEDEON HAD BEEN IN
THAT INTERROGATION ROOM
397
00:22:08,900 --> 00:22:11,700
FOR 12 HOURS,
AND THERE WAS STILL NO WORD.
398
00:22:11,700 --> 00:22:13,733
IF THEY HADN'T BROKEN HIM YET,
399
00:22:13,733 --> 00:22:17,467
THEY STARTED TO THINK MAYBE
THERE WAS NOTHING TO BREAK.
400
00:22:20,167 --> 00:22:23,067
NOW, MAYBE IT WAS HIS KEEN
SENSE OF JUSTICE,
401
00:22:23,067 --> 00:22:25,700
OR MAYBE IT WAS ALL THOSE YEARS
SITTING AT HIS DESK,
402
00:22:25,700 --> 00:22:30,400
READING ABOUT CRIME SOLVING
AND NEVER GETTING INVOLVED.
403
00:22:30,400 --> 00:22:33,433
EITHER WAY, OUR EDITOR
HAD A HUNCH.
404
00:22:33,433 --> 00:22:36,500
AND HE PLAYED IT.
405
00:22:36,500 --> 00:22:39,967
THE EDITOR OF TRUE DETECTIVE
MAGAZINE BELIEVES
406
00:22:39,967 --> 00:22:41,900
GEDEON IS BEING RAILROADED.
407
00:22:41,900 --> 00:22:44,067
Man: YEAH?
408
00:22:44,067 --> 00:22:45,700
DO YOU MIND
IF I ASK YOU A FEW QUESTIONS?
409
00:22:45,700 --> 00:22:48,600
SO HE SENDS ONE OF HIS WRITERS
TO THE BUILDING
410
00:22:48,600 --> 00:22:51,967
WHERE JOSEPH GEDEON LIVED
TO REALLY CHECK OUT HIS ALIBI.
411
00:22:51,967 --> 00:22:55,433
HE WAS HERE. HE STUMBLED IN
A LITTLE AFTER 3:00.
412
00:22:55,433 --> 00:22:59,467
THE WRITER FINDS A NEIGHBOR
WHO SAYS THAT HE DID INDEED SEE
413
00:22:59,467 --> 00:23:03,633
JOSEPH GEDEON STUMBLING
HOME DRUNK AT 3:00 A.M.
414
00:23:03,633 --> 00:23:08,733
HE WENT INTO HIS APARTMENT
AND DIDN'T COME BACK OUT.
415
00:23:08,733 --> 00:23:11,933
-ARE YOU SURE?
-YES.
416
00:23:11,933 --> 00:23:13,633
Pelonero:
NOW, THEY HAVE CORROBORATION
417
00:23:13,633 --> 00:23:15,900
THAT JOSEPH GEDEON WAS
ABSOLUTELY NOT THERE
418
00:23:15,900 --> 00:23:16,900
AT 3:00 A.M.
419
00:23:16,900 --> 00:23:20,633
SO HE CANNOT BE THE MURDERER.
420
00:23:20,633 --> 00:23:24,100
THE POLICE HAD REALLY PUT HIM
THROUGH THE RINGER TRYING TO GET
421
00:23:24,100 --> 00:23:26,067
A CONFESSION, WHICH OF COURSE
HE WOULD NEVER GIVE.
422
00:23:26,067 --> 00:23:27,200
STAND UP.
423
00:23:27,200 --> 00:23:29,933
AND JOSEPH GEDEON
HAS NOW BEEN CLEARED.
424
00:23:31,167 --> 00:23:33,433
Man: HEY, IT'S JOE.
JOE, HOW DO YOU FEEL?
425
00:23:33,433 --> 00:23:34,767
[ INDISTINCT SHOUTING ]
426
00:23:34,767 --> 00:23:35,700
[ CAMERA BULB FLASHING ]
427
00:23:35,700 --> 00:23:37,300
SO GEDEON WAS OUT.
428
00:23:37,300 --> 00:23:39,633
THAT GAVE THE PAPERS
A NEW ROUND OF HEADLINES
429
00:23:39,633 --> 00:23:42,833
BUT LEFT THE POLICE WITH SQUAT.
430
00:23:50,967 --> 00:23:55,400
IF THE COPS ONLY KNEW HOW CLOSE
THE KILLER REALLY WAS.
431
00:24:01,967 --> 00:24:06,500
Whalen: THEY'VE GOT TO REVIEW
THE EVIDENCE THEY HAVE.
432
00:24:06,500 --> 00:24:09,667
AND THE ONE THING THAT
THEY HAVE STILL IS THE DIARY.
433
00:24:09,667 --> 00:24:11,067
IF THEY'D ASKED ME,
434
00:24:11,067 --> 00:24:13,300
I WOULD HAVE TOLD THEM
IT'S NEVER THAT EASY.
435
00:24:13,300 --> 00:24:14,567
THE ANSWER ISN'T JUST
436
00:24:14,567 --> 00:24:17,233
GOING TO BE SITTING THERE
ALL WRITTEN OUT.
437
00:24:17,233 --> 00:24:19,133
NOW, LOOK AT THIS.
438
00:24:19,133 --> 00:24:21,700
HERE.
439
00:24:21,700 --> 00:24:23,900
IT'S STILL TALKING
ABOUT BOB.
440
00:24:23,900 --> 00:24:26,067
WELL, IT'S A GOOD THING
THEY DIDN'T ASK ME,
441
00:24:26,067 --> 00:24:27,600
BECAUSE RONNIE'S LITTLE BOOK
442
00:24:27,600 --> 00:24:30,267
STILL HAD MORE SECRETS
TO DISCLOSE.
443
00:24:34,067 --> 00:24:37,167
"BOB IS OBSESSED WITH ETHEL."
444
00:24:37,167 --> 00:24:39,067
HUH.
445
00:24:39,067 --> 00:24:40,667
NOW, HERE'S THE THING.
446
00:24:40,667 --> 00:24:42,900
DETECTIVES HAD ASSUMED
THAT BOB,
447
00:24:42,900 --> 00:24:45,800
MENTIONED IN RONNIE'S DIARY,
WAS BOBBY FLOWERS.
448
00:24:45,800 --> 00:24:49,267
BUT THIS BOB HAD A THING
FOR RONNIE'S SISTER, ETHEL,
449
00:24:49,267 --> 00:24:52,367
AND THAT MADE THEM THINK TWICE.
450
00:24:54,400 --> 00:24:57,467
I THINK
THERE WERE TWO BOBS,
451
00:24:57,467 --> 00:24:59,567
FLOWERS AND SOMEONE ELSE.
452
00:25:01,567 --> 00:25:04,067
SOMEONE SCARIER.
453
00:25:11,300 --> 00:25:14,633
IN HER DIARY,
RONNIE MENTIONS A BOB,
454
00:25:14,633 --> 00:25:19,467
AND SHE SAYS
THAT HE'S OBSESSED WITH YOU.
455
00:25:19,467 --> 00:25:22,633
THAT MUST BE BOB IRWIN.
456
00:25:22,633 --> 00:25:24,533
HE WAS A BOARDER
IN OUR HOME.
457
00:25:24,533 --> 00:25:26,933
HE IS A FRIEND
OF THE FAMILY.
458
00:25:26,933 --> 00:25:28,233
YOU KNEW HIM WELL?
459
00:25:28,233 --> 00:25:29,367
YES.
460
00:25:34,633 --> 00:25:36,967
HE LIVED WITH US.
WE ALL KNEW HIM.
461
00:25:39,867 --> 00:25:42,100
AND DID HE AND RONNIE
EVER DATE?
462
00:25:42,100 --> 00:25:43,700
NO, NOTHING LIKE THAT.
463
00:25:43,700 --> 00:25:48,400
HE -- HE WAS KIND
OF INDIFFERENT TO HER.
464
00:25:48,400 --> 00:25:51,133
FOR A TIME,
HE WAS ACTUALLY PURSUING ME.
465
00:25:52,400 --> 00:25:55,967
HE EVEN MADE A LITTLE BUST
OF ME ONCE.
466
00:25:57,233 --> 00:26:01,067
Whalen: BOB IRWIN WAS AN ARTIST,
SCULPTOR.
467
00:26:01,067 --> 00:26:04,533
HE HAD BOARDED WITH THE FAMILY
SEVERAL YEARS EARLIER.
468
00:26:06,600 --> 00:26:08,600
[ LAUGHS ]
YOU LOOK SO SERIOUS.
469
00:26:08,600 --> 00:26:09,900
OH, YEAH?
470
00:26:09,900 --> 00:26:12,067
ETHEL WAS INTRIGUED
WITH BOB IRWIN.
471
00:26:12,067 --> 00:26:14,933
SHE THOUGHT HE WAS
AN AMAZINGLY TALENTED SCULPTOR.
472
00:26:14,933 --> 00:26:18,267
HE WAS CONVINCED
THAT THEY WERE SOUL MATES.
473
00:26:18,267 --> 00:26:20,533
YOU'RE BEAUTIFUL,
LIKE A GODDESS.
474
00:26:20,533 --> 00:26:21,933
[ LAUGHS ]
STOP THAT.
475
00:26:25,067 --> 00:26:26,533
HE WANTED TO MARRY ME,
476
00:26:26,533 --> 00:26:29,200
BUT I WAS ALREADY ENGAGED
TO JOE.
477
00:26:31,833 --> 00:26:33,567
HE'S A VERY DECENT MAN.
478
00:26:33,567 --> 00:26:36,800
HE COULDN'T HAVE HAD ANYTHING
TO DO WITH THIS.
479
00:26:36,800 --> 00:26:39,833
I'M SURE ETHEL
HAD HER OWN OPINIONS,
480
00:26:39,833 --> 00:26:41,200
BUT IT WOULDN'T BE
THE FIRST TIME
481
00:26:41,200 --> 00:26:44,433
SISTERS DISAGREED ABOUT A MAN.
482
00:26:44,433 --> 00:26:46,067
BYE.
483
00:26:46,067 --> 00:26:51,533
JUST BECAUSE ETHEL THOUGHT
THIS BOB IRWIN WAS A GENTLEMAN
484
00:26:51,533 --> 00:26:55,467
DOESN'T MEAN RONNIE DIDN'T HAVE
REASON TO BE AFRAID.
485
00:27:05,967 --> 00:27:08,100
Female co-worker:
AFTER ETHEL AND RONNIE'S FATHER LEFT,
486
00:27:08,100 --> 00:27:11,100
MRS. GEDEON
TOOK ON A LOT OF BOARDERS.
487
00:27:11,100 --> 00:27:14,067
I VAGUELY REMEMBER RONNIE
MENTIONING THE NAME BOB IRWIN,
488
00:27:14,067 --> 00:27:16,533
BUT I COULDN'T SWEAR TO IT.
489
00:27:16,533 --> 00:27:18,100
ACCORDING TO RONNIE'S SISTER,
490
00:27:18,100 --> 00:27:22,133
ETHEL, SHE WOULDN'T HAVE HAD
MUCH REASON TO MENTION HIM.
491
00:27:22,133 --> 00:27:24,833
BOB NEVER GAVE RONNIE
THE TIME OF DAY.
492
00:27:24,833 --> 00:27:27,800
HE ONLY HAD EYES FOR ETHEL.
493
00:27:32,967 --> 00:27:36,467
POLICE BEGIN
TO INVESTIGATE HIS BACKGROUND,
494
00:27:36,467 --> 00:27:44,300
AND THEY DISCOVER THAT BOB
HAD PSYCHOLOGICAL PROBLEMS
495
00:27:44,300 --> 00:27:47,667
AND, IN FACT, HAD SPENT
A FAIR AMOUNT OF TIME
496
00:27:47,667 --> 00:27:52,667
CONFINED TO
PSYCHIATRIC INSTITUTIONS.
497
00:27:52,667 --> 00:27:57,367
HE'S HAD A TROUBLED LIFE
FROM THE MOMENT OF HIS BIRTH,
498
00:27:57,367 --> 00:28:01,300
ESSENTIALLY.
499
00:28:01,300 --> 00:28:07,867
BOB IRWIN WAS BORN IN A GOSPEL
TENT IN PASADENA, CALIFORNIA.
500
00:28:07,867 --> 00:28:10,700
HIS FATHER
WAS A SELF-STYLED PREACHER
501
00:28:10,700 --> 00:28:12,367
WHO ABANDONED THE FAMILY,
502
00:28:12,367 --> 00:28:14,933
AND HIS MOTHER
WAS A RELIGIOUS FANATIC
503
00:28:14,933 --> 00:28:18,433
WHO PUT HER RELIGION
AHEAD OF HER THREE SONS.
504
00:28:18,433 --> 00:28:21,867
AND THE THREE BOYS WERE SORT
OF LEFT TO FEND FOR THEMSELVES.
505
00:28:21,867 --> 00:28:24,133
Schechter: BOTH HIS BROTHERS
WERE CAREER CRIMINALS.
506
00:28:24,133 --> 00:28:28,067
BOB HAD SPENT YEARS
IN REFORM SCHOOL.
507
00:28:32,933 --> 00:28:36,067
Pelonero: BOB TOOK HIS SCULPTING
VERY SERIOUSLY.
508
00:28:36,067 --> 00:28:37,633
THAT'S IT.
THAT'S IT.
509
00:28:37,633 --> 00:28:38,867
THANK YOU.
510
00:28:38,867 --> 00:28:42,433
HE HAD GONE TO STUDY
WITH SOME NOTED ARTISTS,
511
00:28:42,433 --> 00:28:44,667
SOME OF WHOM TOOK BOB
UNDER THEIR WINGS
512
00:28:44,667 --> 00:28:47,867
AND TRIED TO HELP
NURTURE HIS TALENT.
513
00:28:47,867 --> 00:28:49,400
I'VE WORKED
WITH PLENTY OF ARTISTS,
514
00:28:49,400 --> 00:28:52,200
AND YOU CAN BET
I DATED A FEW OF THEM, TOO.
515
00:28:52,200 --> 00:28:56,067
AND A GUY LIKE THAT CAN MAKE
YOU FEEL LIKE YOU HUNG THE MOON
516
00:28:56,067 --> 00:28:57,633
UNTIL THEIR MUSE STRIKES.
517
00:28:57,633 --> 00:28:59,733
THEN YOU MIGHT AS WELL
BE INVISIBLE.
518
00:28:59,733 --> 00:29:01,233
YOU KNOW HOW IT IS.
519
00:29:01,233 --> 00:29:03,067
THAT THING
THAT MAKES THEM GENIUS...
520
00:29:06,100 --> 00:29:09,467
...ALSO MAKES THEM CRAZY.
521
00:29:11,500 --> 00:29:16,467
HE WAS SOMETIMES SEIZED BY THESE
PERIODIC OUTBURSTS OF RAGE.
522
00:29:18,467 --> 00:29:20,400
White:
HE WAS FIRED AGAIN AND AGAIN
523
00:29:20,400 --> 00:29:22,533
BY GETTING SO IRRITATED
WITH SOMETHING
524
00:29:22,533 --> 00:29:24,200
THAT SOMEBODY ELSE
DID IN HIS IMMEDIATE ENVIRONMENT
525
00:29:24,200 --> 00:29:26,267
THAT HE ENDED UP GETTING INTO A
PHYSICAL ALTERCATION WITH THEM.
526
00:29:28,500 --> 00:29:32,800
Pelonero:
HE ALSO HAD PHILOSOPHIES THAT WERE AS IMPORTANT TO HIM,
527
00:29:32,800 --> 00:29:34,800
IF NOT MORE IMPORTANT,
THAN THE SCULPTING.
528
00:29:34,800 --> 00:29:37,100
ONE IN PARTICULAR
HE CALLED VISUALIZATION.
529
00:29:39,067 --> 00:29:41,367
[ WOMAN MOANING ]
530
00:29:41,367 --> 00:29:43,267
Schechter: HE BELIEVED THAT,
531
00:29:43,267 --> 00:29:48,067
IF HE COULD CONJURE UP
IN HIS MIND A PERFECT IMAGE,
532
00:29:48,067 --> 00:29:52,467
HE COULD CREATE THESE SCULPTURES
PURELY BY MENTAL POWER.
533
00:29:52,467 --> 00:29:55,633
Ethel:
IT LOOKS SO BEAUTIFUL, BOB. IT MEANS THE WORLD TO ME.
534
00:29:55,633 --> 00:29:59,333
BUT HE HAD BECOME CONVINCED
THAT HIS SEX DRIVE
535
00:29:59,333 --> 00:30:03,400
WAS CHANNELING ENERGY AWAY
FROM THIS GREAT ACHIEVEMENT.
536
00:30:14,900 --> 00:30:19,100
SO HE ATTEMPTED TO SLICE OFF
HIS OWN PENIS.
537
00:30:20,933 --> 00:30:24,400
Pelonero:
HE DOESN'T SUCCEED, BUT HE JUST INJURED HIMSELF TERRIBLY.
538
00:30:26,433 --> 00:30:32,567
Schechter:
ALL THIS INFORMATION CONVINCES THE POLICE THAT HE IS THE MAN.
539
00:30:35,933 --> 00:30:38,700
WE HAVE A NEW PRIME SUSPECT.
540
00:30:38,700 --> 00:30:41,600
HIS NAME IS ROBERT IRWIN.
541
00:30:41,600 --> 00:30:44,600
WHEN THE POLICE ANNOUNCED THEY
WERE LOOKING FOR ROBERT IRWIN,
542
00:30:44,600 --> 00:30:48,200
THE PAPERS FINALLY HAD
A NEW CHARACTER TO WRITE ABOUT,
543
00:30:48,200 --> 00:30:50,033
AND THEY COULD BEGIN
TO LAY OFF RONNIE.
544
00:30:50,033 --> 00:30:52,933
HE'S A SCULPTOR
AND FORMER INMATE
545
00:30:52,933 --> 00:30:57,500
AT ROCKLAND STATE HOSPITAL
FOR THE INSANE.
546
00:30:57,500 --> 00:31:00,367
WE BELIEVE ROBERT IRWIN
IS STILL IN THE CITY.
547
00:31:00,367 --> 00:31:03,133
WE BELIEVE HE IS HIDING OUT
SOMEWHERE.
548
00:31:03,133 --> 00:31:04,367
IF ANY MEMBER OF THE PUBLIC
549
00:31:04,367 --> 00:31:07,400
OR THE PRESS
SEES ROBERT IRWIN...
550
00:31:07,400 --> 00:31:09,067
A LOT OF THE THINGS
WE WOULD USE TODAY
551
00:31:09,067 --> 00:31:12,767
TO TRACK PEOPLE,
CREDIT CARD PURCHASES, TOLLS,
552
00:31:12,767 --> 00:31:15,900
THEY DIDN'T EXIST IN 1937.
553
00:31:15,900 --> 00:31:19,233
Man: I HAVE ORDERED
A CITYWIDE SEARCH.
554
00:31:19,233 --> 00:31:21,133
HE WON'T GET FAR.
555
00:31:27,067 --> 00:31:30,867
AND THEN, I CAME IN HERE
AND SAW THAT HE WAS GONE.
556
00:31:32,467 --> 00:31:34,433
IT WAS TWO DAYS AGO.
557
00:31:34,433 --> 00:31:36,367
Pelonero:
A WOMAN CONTACTS THE POLICE
558
00:31:36,367 --> 00:31:40,367
AND TELLS THEM THAT BOB IRWIN
WAS RENTING A ROOM FROM HER.
559
00:31:43,167 --> 00:31:45,067
HE WATCHED US.
560
00:31:45,067 --> 00:31:46,667
HE WAS RIGHT HERE.
561
00:31:47,800 --> 00:31:50,967
Whalen: IT'S RIGHT ACROSS
FROM THE 17th PRECINCT
562
00:31:50,967 --> 00:31:53,733
AND ONLY A COUPLE BLOCKS
FROM THE CRIME SCENE.
563
00:31:53,733 --> 00:31:57,200
Pelonero:
THE LANDLADY DOES MENTION THAT HE HAD TWO SUITCASES.
564
00:31:57,200 --> 00:31:58,833
ONE HAD A STRAP.
565
00:31:58,833 --> 00:32:04,067
ONE IN PARTICULAR HAD A BELT
AROUND IT TO KEEP IT CLOSED.
566
00:32:04,067 --> 00:32:06,067
**
567
00:32:08,733 --> 00:32:11,700
NEW YORK CITY IN THE '30s WAS
JUST AS CROWDED AND BUSTLING
568
00:32:11,700 --> 00:32:13,233
AS IT IS NOW.
569
00:32:13,233 --> 00:32:16,067
AND BOB IRWIN
WAS NO CLARK GABLE.
570
00:32:16,067 --> 00:32:17,567
HE COULD DISAPPEAR IN A CROWD.
571
00:32:17,567 --> 00:32:20,067
SO FINDING HIM
IN THAT METROPOLIS,
572
00:32:20,067 --> 00:32:22,733
THAT WAS A TALL ORDER, PALLY.
573
00:32:22,733 --> 00:32:25,133
NOT EVERYONE, HOWEVER,
IS CONVINCED THAT BOB
574
00:32:25,133 --> 00:32:27,467
HAS REMAINED
IN THE METROPOLITAN AREA.
575
00:32:31,433 --> 00:32:34,567
Pelonero: ONE OF THE POLICE
OFFICERS HAD A HUNCH.
576
00:32:34,567 --> 00:32:37,467
Whalen:
BACK THEN, A LOT OF PEOPLE, WHEN THEY LEAVE THE CITY,
577
00:32:37,467 --> 00:32:41,367
OFTEN LEAVE LUGGAGE
AT GRAND CENTRAL STATION.
578
00:32:41,367 --> 00:32:45,133
HE THEORIZED
MAYBE IRWIN HAS LEFT,
579
00:32:45,133 --> 00:32:47,100
AND HE'S LEFT HIS LUGGAGE
BEHIND.
580
00:32:54,967 --> 00:32:58,867
AS LUCK WOULD HAVE IT,
HE FINDS A SUITCASE.
581
00:33:04,133 --> 00:33:05,767
Pelonero:
AND THEY FIND THE ALARM CLOCK
582
00:33:05,767 --> 00:33:07,800
MISSING
FROM THE GEDEON APARTMENT,
583
00:33:07,800 --> 00:33:12,200
PHYSICAL EVIDENCE THAT ACTUALLY
LINKS BOB IRWIN TO THE MURDERS.
584
00:33:12,200 --> 00:33:14,900
BUT IT'S PRETTY OBVIOUS
HE'S LEFT TOWN.
585
00:33:16,833 --> 00:33:19,733
[ TRAIN HORN BLOWS ]
586
00:33:19,733 --> 00:33:23,833
THEY PUT OUT AN ALARM
ACROSS EIGHT STATES,
587
00:33:23,833 --> 00:33:28,567
OTHER JURISDICTIONS
THAT HE MAY TURN UP IN.
588
00:33:28,567 --> 00:33:30,800
THEY HAVE NO SUCCESS.
589
00:33:34,100 --> 00:33:37,200
THREE MONTHS PASSED WITHOUT
ANY TRACE OF ROBERT IRWIN.
590
00:33:37,200 --> 00:33:40,167
WE KNEW THE SON OF A BITCH
HAD TO BE OUT THERE.
591
00:33:40,167 --> 00:33:42,967
SOMEONE SOMEWHERE SEES HIM
EVERY DAY.
592
00:33:42,967 --> 00:33:44,767
THEY JUST DON'T KNOW IT YET.
593
00:33:44,767 --> 00:33:47,067
WHAT WE NEEDED WAS SOMETHING
TO HELP THE POLICE
594
00:33:47,067 --> 00:33:49,167
GET THE WORD OUT.
595
00:33:49,167 --> 00:33:53,067
AND THEN WE THOUGHT,
"HEY, WAIT A MINUTE.
596
00:33:53,067 --> 00:33:55,167
MAYBE WE WERE THAT SOMETHING."
597
00:33:57,400 --> 00:33:59,133
Pelonero:
THE EDITOR OF INSIDE DETECTIVE
598
00:33:59,133 --> 00:34:02,567
DECIDES TO RUN A STORY
ON THE FRONT COVER
599
00:34:02,567 --> 00:34:04,233
ALONG WITH A PHOTOGRAPH
600
00:34:04,233 --> 00:34:07,800
OF BOB IRWIN
AND A REWARD OFFERING $1,000.
601
00:34:07,800 --> 00:34:10,067
ABOUT 20,000
IN TODAY'S DOLLARS,
602
00:34:10,067 --> 00:34:12,700
SO QUITE A SIGNIFICANT SUM
AT THE HEIGHT
603
00:34:12,700 --> 00:34:14,900
OF THE GREAT DEPRESSION.
604
00:34:14,900 --> 00:34:16,600
Whalen: THIS MAGAZINE
GOES ACROSS THE NATION.
605
00:34:16,600 --> 00:34:19,767
IT REALLY HAS FURTHER REACH
THAN THE POLICE DEPARTMENT.
606
00:34:26,533 --> 00:34:29,567
Pelonero: ONE COPY ENDS UP
IN CLEVELAND, OHIO,
607
00:34:29,567 --> 00:34:32,600
IN THE HANDS
OF A WOMAN NAMED HENRIETTA,
608
00:34:32,600 --> 00:34:34,733
WHO WORKS AT THE STATLER HOTEL.
609
00:34:37,433 --> 00:34:40,133
HENRIETTA CAN'T BELIEVE
HER EYES.
610
00:34:41,533 --> 00:34:45,367
THE SUSPECT, BOB IRWIN, LOOKS SO
MUCH LIKE THE NEW BARBACK
611
00:34:45,367 --> 00:34:50,067
AT THE STATLER, WHOSE NAME
ALSO HAPPENS TO BE BOB.
612
00:34:51,867 --> 00:34:54,133
SAY, BOB.
613
00:34:54,133 --> 00:34:55,067
YES, HENRIETTA?
614
00:34:55,067 --> 00:34:56,333
HOW CAN I HELP YOU?
615
00:34:56,333 --> 00:34:59,500
-WHAT WAS YOUR LAST NAME AGAIN?
-MURRAY. WHY?
616
00:35:12,433 --> 00:35:15,067
Pelonero: HENRIETTA KNOWS
THAT SOMETHING'S DEFINITELY UP
617
00:35:15,067 --> 00:35:16,067
BY HIS REACTION,
618
00:35:16,067 --> 00:35:19,167
SO SHE IMMEDIATELY
CALLS THE POLICE.
619
00:35:22,467 --> 00:35:25,333
BUT TRUE TO FORM,
BY THE TIME THEY ARRIVED,
620
00:35:25,333 --> 00:35:27,667
ROBERT IRWIN WAS IN THE WIND.
621
00:35:31,433 --> 00:35:34,533
AND THIS TIME, IF HE WANTED
TO STAY LOST FOREVER,
622
00:35:34,533 --> 00:35:36,667
HE PROBABLY COULD HAVE.
623
00:35:38,933 --> 00:35:41,433
HELLO. IS THIS
THE CHICAGO EXAMINER?
624
00:35:43,800 --> 00:35:47,067
TURNS OUT
BOB HAD OTHER PLANS.
625
00:35:47,067 --> 00:35:49,933
ROBERT IRWIN...
626
00:35:49,933 --> 00:35:52,767
WANTS TO GIVE HIMSELF UP.
627
00:36:02,433 --> 00:36:04,667
Female co-worker:
I DON'T PRETEND TO KNOW WHAT GOES ON IN THE MIND
628
00:36:04,667 --> 00:36:06,367
OF A GUY LIKE ROBERT IRWIN.
629
00:36:06,367 --> 00:36:07,900
BUT SOMETIME,
630
00:36:07,900 --> 00:36:11,900
MAYBE WHEN HE WAS ON SOME BUS
FROM CLEVELAND TO CHICAGO,
631
00:36:11,900 --> 00:36:16,233
HE DECIDED TO STOP RUNNING
AND TURN THE TABLES INSTEAD.
632
00:36:16,233 --> 00:36:20,333
ROBERT IRWIN
WANTS TO GIVE HIMSELF UP.
633
00:36:20,333 --> 00:36:21,700
HE CALLS THE EDITOR
634
00:36:21,700 --> 00:36:23,933
OF THE CHICAGO HERALD
AND EXAMINER.
635
00:36:23,933 --> 00:36:25,433
NO, THIS IS NOT A PRANK.
636
00:36:25,433 --> 00:36:29,067
HE DECIDES HE MIGHT AS WELL
SOMEHOW PROFIT FROM THIS.
637
00:36:29,067 --> 00:36:30,300
THAT'LL DO.
I'LL SEE YOU THEN.
638
00:36:30,300 --> 00:36:34,767
Pelonero: SO IN EXCHANGE
FOR AN EXCLUSIVE CONFESSION,
639
00:36:34,767 --> 00:36:37,867
HE WANTS $5,000,
640
00:36:37,867 --> 00:36:41,900
A WHITE LINEN SUIT,
AND A PANAMA HAT.
641
00:36:41,900 --> 00:36:43,467
SO THE EDITORS
OF THE NEWSPAPER
642
00:36:43,467 --> 00:36:46,067
ACTUALLY TAKE BOB IRWIN
TO A HOTEL.
643
00:36:46,067 --> 00:36:49,700
Schechter: IT WAS NOT UNCOMMON
FOR WILLIAM RANDOLPH HEARST,
644
00:36:49,700 --> 00:36:53,200
THE GREAT AND POWERFUL NEWSPAPER
MAGNATE OF THE ERA,
645
00:36:53,200 --> 00:36:57,533
TO PAY MONEY TO MURDERERS
FOR THEIR CONFESSIONS.
646
00:36:57,533 --> 00:36:59,133
BOY, WAS I HUNGRY.
647
00:36:59,133 --> 00:37:02,767
WELL, IF YOU'RE READY NOW,
WE'D LOVE TO HEAR YOUR STORY.
648
00:37:02,767 --> 00:37:07,567
BUT THERE HAD NEVER BEFORE BEEN
A CASE IN WHICH THE NEWSPAPER
649
00:37:07,567 --> 00:37:11,600
KEPT THIS CONFESSED CRIMINAL
FROM THE POLICE.
650
00:37:13,567 --> 00:37:17,633
I SUPPOSE IT ALL STARTED
WITH A GIRL, ETHEL GEDEON.
651
00:37:22,600 --> 00:37:25,200
WE WERE SUPPOSED
TO BE TOGETHER.
652
00:37:25,200 --> 00:37:28,833
SHE WAS GOING TO BE
A PART OF MY WORK.
653
00:37:28,833 --> 00:37:30,267
[ SIGHS ]
654
00:37:30,267 --> 00:37:33,600
BUT SHE MARRIED
SOMEONE ELSE.
655
00:37:33,600 --> 00:37:35,667
I COULDN'T CONCENTRATE.
656
00:37:35,667 --> 00:37:39,467
SHE WAS DISTRACTING ME
FROM MY ART.
657
00:37:39,467 --> 00:37:41,833
I DIDN'T WANT TO DO IT,
658
00:37:41,833 --> 00:37:43,500
BUT I HAD TO.
659
00:37:47,533 --> 00:37:49,367
SHE WAS THE ONLY ONE
I WANTED.
660
00:37:49,367 --> 00:37:52,467
I DIDN'T PLAN
ON KILLING ANYONE ELSE.
661
00:37:52,467 --> 00:37:53,700
Pelonero:
HE WANTS TO KILL ETHEL,
662
00:37:53,700 --> 00:37:55,833
BUT HE DOESN'T WANT
TO DESTROY HER BEAUTY.
663
00:37:55,833 --> 00:37:58,067
HE DECIDES HE'S GOING
TO JUST STAB HER IN THE BACK
664
00:37:58,067 --> 00:37:59,367
OF THE NECK.
665
00:37:59,367 --> 00:38:03,600
SO HE SPENDS TIME
ACTUALLY SHARPENING AN ICE PICK.
666
00:38:03,600 --> 00:38:06,367
AND THEN HEADED
FOR THE GEDEON APARTMENT.
667
00:38:06,367 --> 00:38:09,867
[ MAN SPEAKING INDISTINCTLY
ON RADIO ]
668
00:38:09,867 --> 00:38:11,267
Pelonero:
WHEN HE GOT THERE,
669
00:38:11,267 --> 00:38:14,800
HE FINDS MARY GEDEON,
WHO INVITED HIM IN.
670
00:38:17,233 --> 00:38:19,300
THE BOARDER ACTUALLY CAME HOME,
671
00:38:19,300 --> 00:38:21,400
AND MARY INTRODUCED THEM.
672
00:38:25,933 --> 00:38:27,933
Schechter: HE KEPT ASKING,
"WHEN IS ETHEL COMING HOME?"
673
00:38:27,933 --> 00:38:32,967
AND MARY KEPT INSISTING ETHEL
WAS NOT LIVING THERE ANYMORE.
674
00:38:32,967 --> 00:38:35,633
SHE DIDN'T EVEN LIVE THERE.
YOU HAD TO HAVE KNOWN THAT.
675
00:38:38,500 --> 00:38:41,100
Pelonero: HE CONVINCED HIMSELF
THAT SHE DID LIVE THERE.
676
00:38:43,900 --> 00:38:47,433
HE WAS OBVIOUSLY DELUSIONAL.
677
00:38:47,433 --> 00:38:53,233
WHEN YOU GET IN A MIX-UP
LIKE THAT, TIME MEANS NOTHING.
678
00:38:53,233 --> 00:38:57,667
Schechter:
FINALLY, MARY GREW IMPATIENT AND TOLD BOB TO LEAVE.
679
00:38:59,067 --> 00:39:02,067
Pelonero:
BOB SAYS, "I AM NOT LEAVING UNTIL ETHEL GETS HERE."
680
00:39:03,200 --> 00:39:06,067
MARY TELLS BOB THAT,
IF HE DOESN'T LEAVE RIGHT AWAY,
681
00:39:06,067 --> 00:39:09,067
SHE'S GOING
TO WAKE UP THE BOARDER.
682
00:39:09,067 --> 00:39:12,667
WHEN YOU HAVE SOMEBODY
WHO IS NOT VIEWING THE WORLD
683
00:39:12,667 --> 00:39:13,700
IN THE SAME WAY THAT --
684
00:39:13,700 --> 00:39:15,133
THAT OTHER PEOPLE ARE,
685
00:39:15,133 --> 00:39:19,367
IT'S DIFFICULT, OFTEN,
TO UNDERSTAND THEIR MOTIVATIONS.
686
00:39:19,367 --> 00:39:23,733
Schechter: AND AT THAT POINT,
BOB WENT COMPLETELY CRAZY.
687
00:39:29,500 --> 00:39:32,767
BOB POUNCES ON MARY
AND STARTS CHOKING HER.
688
00:39:35,067 --> 00:39:36,800
ALL THIS TIME,
689
00:39:36,800 --> 00:39:38,567
THE DAMN ENGLISHMAN
WAS IN THE NEXT ROOM
690
00:39:38,567 --> 00:39:40,967
BUT 10 FEET AWAY.
691
00:39:40,967 --> 00:39:45,067
REMARKABLY, FRANK BURNS
IS DEAF IN ONE EAR
692
00:39:45,067 --> 00:39:48,067
AND HAD BEEN SLEEPING
ON THE OTHER SIDE.
693
00:39:52,467 --> 00:39:55,133
Pelonero:
BOB IS STILL DETERMINED THAT HE'S GOING TO WAIT FOR ETHEL.
694
00:39:55,133 --> 00:39:58,533
BUT IT OCCURS TO HIM THAT RONNIE
MIGHT COME HOME FIRST.
695
00:39:58,533 --> 00:40:01,333
AND HE DIDN'T WANT TO KILL
RONNIE.
696
00:40:01,333 --> 00:40:03,900
SO HE'S READ SOMEWHERE
THAT A BAR OF SOAP
697
00:40:03,900 --> 00:40:06,467
CAN BE USED AS A BILLY CLUB.
698
00:40:08,867 --> 00:40:11,200
IF RONNIE COMES HOME FIRST,
HE'S GOING TO KNOCK HER OUT
699
00:40:11,200 --> 00:40:12,400
AND TIE HER UP.
700
00:40:14,300 --> 00:40:16,100
GOOD NIGHT.
701
00:40:18,400 --> 00:40:22,000
* COME TO ME,
MY MELANCHOLY BABY *
702
00:40:22,000 --> 00:40:24,200
[ HUMMING ]
703
00:40:24,200 --> 00:40:25,667
RONNIE COMES IN,
704
00:40:25,667 --> 00:40:29,800
AND SHE GOES INTO THE BATHROOM
TO GET CLEANED UP BEFORE BED.
705
00:40:39,267 --> 00:40:40,900
I WASN'T GOING TO KILL HER.
706
00:40:44,500 --> 00:40:47,767
[ THUDDING,
RONNIE SCREAMING ]
707
00:40:47,767 --> 00:40:50,167
Whalen: DOESN'T KNOCK HER OUT,
BUT SHE CAN'T SEE
708
00:40:50,167 --> 00:40:52,233
WHO HER ASSAILANT IS.
709
00:40:52,233 --> 00:40:55,633
PLEASE, PLEASE!
BOB!
710
00:40:55,633 --> 00:40:57,667
BOB!
711
00:40:57,667 --> 00:40:59,167
PLEASE!
712
00:40:59,167 --> 00:41:02,633
SOMEHOW, SHE KNEW.
713
00:41:02,633 --> 00:41:04,467
I JUST DIDN'T HAVE A CHOICE.
714
00:41:10,167 --> 00:41:14,333
Pelonero:
HE ALSO SAYS THAT THE ALARM CLOCK HAS A GREEN GLOW TO IT,
715
00:41:14,333 --> 00:41:16,567
LIKE EYES STARING AT HIM.
716
00:41:23,667 --> 00:41:24,967
THE SUN CAME UP,
717
00:41:24,967 --> 00:41:27,967
AND IT OCCURS TO HIM
THAT THE BOARDER HAS SEEN HIM.
718
00:41:27,967 --> 00:41:33,967
SO HE STABS HIM 11 TIMES
IN THE HEAD AND NECK.
719
00:41:33,967 --> 00:41:38,233
THEN, HE LEAVES THE APARTMENT
AND THREE DEAD BODIES BEHIND.
720
00:41:41,500 --> 00:41:44,833
I'M CERTAINLY SORRY
I KILLED ALL THREE OF THEM.
721
00:41:44,833 --> 00:41:47,800
I WAS ONLY AFTER ONE,
AND THAT WAS ETHEL.
722
00:41:49,433 --> 00:41:53,333
THE CONFESSION IS PUBLISHED.
723
00:41:53,333 --> 00:41:55,800
BOB IRWIN IS TURNED OVER
TO THE NYPD
724
00:41:55,800 --> 00:41:57,967
AND RETURNED TO NEW YORK.
725
00:41:57,967 --> 00:42:01,400
AND HE'S A CELEBRITY
OF SORTS
726
00:42:02,400 --> 00:42:06,333
YOU KNOW, HIS PICTURE'S
ALL OVER THE PAPER.
727
00:42:06,333 --> 00:42:10,433
BOB IRWIN IS SENTENCED
TO LIFE IN PRISON.
728
00:42:10,433 --> 00:42:11,900
HOWEVER, THE PSYCHIATRY STAFF
729
00:42:11,900 --> 00:42:13,900
FIND THAT HE
IS VERY MENTALLY ILL,
730
00:42:13,900 --> 00:42:19,067
AND BOB IRWIN IS TRANSFERRED
TO A PSYCHIATRIC FACILITY.
731
00:42:19,067 --> 00:42:23,833
Schechter:
HE SPENT THE REMAINDER OF HIS LIFE INSTITUTIONALIZED.
732
00:42:25,867 --> 00:42:30,567
SO THAT WAS IT -- RONNIE
AND MARY GEDEON AND FRANK BURNS
733
00:42:30,567 --> 00:42:32,133
ALL JUST INNOCENT VICTIMS
734
00:42:32,133 --> 00:42:34,700
IN SOME NUTCASE'S
DELUSIONAL QUEST,
735
00:42:34,700 --> 00:42:40,300
NO MEANING, NO MORAL,
NOTHING BUT A DAMN SHAME.
736
00:42:42,067 --> 00:42:45,867
BUT THEN, SOMEONE LIKE ME COMES
IN TO PAINT THE GIRLS PRETTIER,
737
00:42:45,867 --> 00:42:47,700
MAKE THE MURDER BLOODIER
738
00:42:47,700 --> 00:42:49,133
AND TURN THE TRAGEDY
739
00:42:49,133 --> 00:42:52,067
INTO SOMETHING THRILLING
WITH A LESSON FOR THE READERS,
740
00:42:52,067 --> 00:42:54,133
YOU KNOW,
741
00:42:54,133 --> 00:42:57,067
GIVE THE PEOPLE
WHAT THEY WANT --
742
00:42:57,067 --> 00:42:59,067
ONE HELL OF A STORY.
743
00:43:04,700 --> 00:43:15,133
* COME TO ME,
MY MELANCHOLY BABY *
744
00:43:15,133 --> 00:43:19,333
* SMILE, MY HONEY DEAR *
745
00:43:19,333 --> 00:43:24,867
* WHILE I KISS AWAY EACH TEAR *
746
00:43:24,867 --> 00:43:32,167
* OR ELSE I SHALL BE
MELANCHOLY, TOO *
747
00:43:32,217 --> 00:43:36,767
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