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These are the user uploaded subtitles that are being translated: 1 00:00:03,500 --> 00:00:04,500 Ronnie: THANKS AGAIN. 2 00:00:04,500 --> 00:00:06,133 Butter: IT WAS MY PLEASURE. 3 00:00:06,133 --> 00:00:07,800 LISTEN, I'D INVITE YOU IN FOR A NIGHTCAP, 4 00:00:07,800 --> 00:00:10,900 BUT MY MOTHER'S IN THERE SLEEPING. 5 00:00:10,900 --> 00:00:13,000 TOO BAD. 6 00:00:16,367 --> 00:00:17,733 GOOD NIGHT. 7 00:00:17,733 --> 00:00:19,300 BYE. 8 00:00:19,500 --> 00:00:23,800 * COME TO ME, MY MELANCHOLY BABY * 9 00:00:23,800 --> 00:00:26,967 [ HUMMING ] 10 00:00:26,967 --> 00:00:30,533 Female co-worker: YOU LIKE DETECTIVE STORIES, RIGHT? 11 00:00:30,533 --> 00:00:32,800 THE ONES YOU READ IN THE MAGAZINES 12 00:00:32,800 --> 00:00:35,000 WHERE THE PRETTY GIRL GETS OFFED 13 00:00:35,000 --> 00:00:38,033 AND THE COPS GOT TO TRY TO SOLVE THE CASE? 14 00:00:38,033 --> 00:00:40,333 SURE, YOU DO. 15 00:00:43,500 --> 00:00:46,033 YOUR HAIR STANDS ON END, 16 00:00:46,033 --> 00:00:52,100 AND YOUR HEART RACES AS THE KILLER CLOSES IN, 17 00:00:52,100 --> 00:00:57,467 UNTIL YOU FIND OUT THE STORY IS REAL. 18 00:00:57,467 --> 00:01:01,600 [ THUDDING, RONNIE SCREAMING ] 19 00:01:01,600 --> 00:01:04,700 -- Captions by VITAC -- www.vitac.com 20 00:01:04,700 --> 00:01:07,800 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 21 00:01:16,700 --> 00:01:19,933 1937 IN NEW YORK. TIMES WERE TOUGH, 22 00:01:19,933 --> 00:01:22,067 BUT EVEN IN THE MIDST OF THE GREAT DEPRESSION, 23 00:01:22,067 --> 00:01:24,333 THERE WAS STILL NOTHING LIKE SPRING TO GIVE 24 00:01:24,333 --> 00:01:27,767 EVEN THE GLOOMIEST NAYSAYERS A PEP IN THEIR STEP. 25 00:01:27,767 --> 00:01:29,400 IT WAS EASTER SUNDAY -- 26 00:01:29,400 --> 00:01:32,133 BONNETS, CHICKS, CHOCOLATE EGGS, 27 00:01:32,133 --> 00:01:35,067 ALL THE USUAL STUFF, WHICH IS WHAT MADE THE DISCOVERY 28 00:01:35,067 --> 00:01:37,533 AT THE GEDEON APARTMENT SO AWFUL. 29 00:01:38,700 --> 00:01:40,800 [ DOORBELL RINGING ] 30 00:01:45,233 --> 00:01:46,567 PAPA. 31 00:01:46,567 --> 00:01:48,300 HELLO, DEAR. GOOD TO SEE YOU. 32 00:01:48,300 --> 00:01:51,900 ON EASTER SUNDAY IN 1937, ETHEL KUDNER 33 00:01:51,900 --> 00:01:53,200 AND HER HUSBAND, JOE, 34 00:01:53,200 --> 00:01:54,833 ARRIVE AT HER MOTHER'S APARTMENT 35 00:01:54,833 --> 00:01:57,500 IN BEEKMAN PLACE ON THE EAST SIDE OF MANHATTAN. 36 00:01:57,500 --> 00:01:59,500 -THEY'RE NOT ANSWERING. -OH, NO? 37 00:01:59,500 --> 00:02:02,867 AND HER FATHER, JOSEPH GEDEON, IS ALREADY THERE. 38 00:02:02,867 --> 00:02:05,267 Whalen: JOSEPH GEDEON IS SEPARATED FROM HIS WIFE. 39 00:02:05,267 --> 00:02:07,267 BUT THEY WERE GONNA HAVE DINNER AS A FAMILY. 40 00:02:07,267 --> 00:02:08,633 AH. YOU SEE? 41 00:02:08,633 --> 00:02:10,400 THE DOOR'S OPEN. 42 00:02:10,400 --> 00:02:12,533 MA? 43 00:02:12,533 --> 00:02:14,633 [ RADIO PLAYING ] 44 00:02:18,733 --> 00:02:20,367 RONNIE? 45 00:02:24,967 --> 00:02:26,400 [ RADIO TURNS OFF ] 46 00:02:26,400 --> 00:02:28,467 MA? 47 00:02:31,100 --> 00:02:32,867 [ GASPS ] 48 00:02:35,767 --> 00:02:42,667 Schechter: THEY DISCOVER THE NAKED BODY OF VERONICA GEDEON, 49 00:02:42,667 --> 00:02:45,867 ETHEL'S YOUNGER SISTER AND JOSEPH'S DAUGHTER. 50 00:02:45,867 --> 00:02:47,867 [ Crying ] WHERE'S MOTHER? 51 00:02:49,967 --> 00:02:52,367 THEY GO AROUND THE APARTMENT, AND THEY'RE LOOKING FOR MARY. 52 00:02:54,867 --> 00:02:56,367 Joseph: OH, NO. 53 00:02:56,367 --> 00:02:59,833 IN ANOTHER BEDROOM, THEY FIND THE BODY OF THEIR BOARDER, 54 00:02:59,833 --> 00:03:02,433 A MAN NAMED FRANK BURNS, AN ENGLISHMAN. 55 00:03:02,433 --> 00:03:05,900 AND HE HAS BEEN STABBED MULTIPLE TIMES IN THE HEAD AND NECK. 56 00:03:05,900 --> 00:03:09,367 OH, MY GOD. 57 00:03:09,367 --> 00:03:10,433 WHERE'S MOTHER? 58 00:03:10,433 --> 00:03:12,533 Joe: MAYBE SHE WENT TO GET HELP. 59 00:03:12,533 --> 00:03:15,133 BUT THEY STILL CAN'T FIND MARY GEDEON. 60 00:03:15,133 --> 00:03:17,067 THEY IMMEDIATELY CALL THE POLICE. 61 00:03:20,900 --> 00:03:23,067 [ CRYING ] 62 00:03:23,067 --> 00:03:25,133 [ CAMERA BULB FLASHING ] 63 00:03:32,433 --> 00:03:34,467 Schechter: THE POLICE LOOK AROUND 64 00:03:34,467 --> 00:03:39,467 AND NOTICE THAT THERE'S SOMETHING UNDERNEATH THE BED -- 65 00:03:39,467 --> 00:03:42,167 THE BODY OF MARY GEDEON, 66 00:03:42,167 --> 00:03:43,467 JOSEPH'S WIFE 67 00:03:43,467 --> 00:03:45,233 AND ETHEL'S MOTHER. 68 00:03:50,067 --> 00:03:51,900 WE FOUND ANOTHER BODY. 69 00:03:51,900 --> 00:03:53,633 IT'S MARY. 70 00:03:53,633 --> 00:03:56,800 [ CRYING ] 71 00:04:03,867 --> 00:04:07,500 Pelonero: JOSEPH GEDEON TAKES THE NEWS WITH SURPRISING CALM. 72 00:04:13,500 --> 00:04:15,367 [ CAMERA BULB FLASHING ] 73 00:04:15,367 --> 00:04:19,067 A TRIPLE MURDER ON EASTER MORNING? TAKE IT FROM ME. 74 00:04:19,067 --> 00:04:21,733 THE CRIME-BEAT PHOTOGRAPHERS I KNEW WOULD ELBOW THE CORONER 75 00:04:21,733 --> 00:04:24,400 OUT OF THE WAY JUST TO GET THE FIRST SHOT OF THE BODY. 76 00:04:24,400 --> 00:04:26,600 IN THOSE DAYS, IT WAS VERY COMMON 77 00:04:26,600 --> 00:04:29,200 FOR REPORTERS TO BE PHOTOGRAPHING A CRIME SCENE 78 00:04:29,200 --> 00:04:32,400 AT THE SAME TIME THE POLICE PHOTOGRAPHERS WERE THERE. 79 00:04:32,400 --> 00:04:34,600 MANUAL ASPHYXIATION. 80 00:04:34,600 --> 00:04:39,167 Schechter: THE MEDICAL EXAMINER CONCLUDES THAT BOTH VERONICA 81 00:04:39,167 --> 00:04:43,067 AND MARY HAD BEEN STRANGLED. 82 00:04:43,067 --> 00:04:45,267 Whalen: STRANGULATION HAPPENS OUT OF ANGER. 83 00:04:45,267 --> 00:04:46,500 IT'S EXPLOSIVE. 84 00:04:46,500 --> 00:04:48,533 IT'S REALLY A CRIME OF PASSION. 85 00:04:48,533 --> 00:04:50,333 Pelonero: MARY GEDEON IS STILL CLOTHED, 86 00:04:50,333 --> 00:04:52,100 BUT HER UNDERWEAR HAS BEEN TORN AWAY. 87 00:04:52,100 --> 00:04:53,400 [ CAMERA BULB FLASHES ] 88 00:04:53,400 --> 00:04:58,233 POLICE ARE ASSUMING THAT THE ATTACK WAS A SEX CRIME. 89 00:04:58,233 --> 00:05:01,333 Schechter: FRANK BURNS, THE BOARDER, HAD BEEN MURDERED IN HIS SLEEP 90 00:05:01,333 --> 00:05:05,600 BY A SERIES OF PUNCTURE WOUNDS TO HIS SKULL, 91 00:05:05,600 --> 00:05:08,900 INFLICTED WITH A VERY LONG, POINTED IMPLEMENT, 92 00:05:08,900 --> 00:05:10,467 POSSIBLY AN ICE PICK. 93 00:05:15,467 --> 00:05:17,800 -ANYTHING? -NO. 94 00:05:17,800 --> 00:05:20,800 IT'S CLEAN. -HE JUST WALKED IN. 95 00:05:25,467 --> 00:05:26,933 HE DIDN'T TAKE ANYTHING. 96 00:05:26,933 --> 00:05:28,667 Whalen: THERE WAS STILL MONEY IN THE APARTMENT. 97 00:05:28,667 --> 00:05:31,133 THE DOOR IS PERFECTLY INTACT. 98 00:05:31,133 --> 00:05:33,467 RIGHT AWAY, THESE THINGS LEAD DETECTIVES TO BELIEVE 99 00:05:33,467 --> 00:05:37,867 THAT THE PERPETRATOR WAS SOMEBODY THAT THE VICTIMS KNEW. 100 00:05:37,867 --> 00:05:39,700 LOOK VERY CAREFULLY. 101 00:05:39,700 --> 00:05:40,967 IF ANYTHING WAS TAKEN, 102 00:05:40,967 --> 00:05:44,400 IT WILL HELP US FIGURE OUT WHO DID THIS. 103 00:05:46,133 --> 00:05:47,700 WAIT. 104 00:05:47,700 --> 00:05:51,933 THERE WAS A LITTLE CLOCK RIGHT THERE ON HER DRESSER. 105 00:05:51,933 --> 00:05:53,900 -YOU'RE SURE? -YES. 106 00:05:53,900 --> 00:05:57,067 I REMEMBER ITS HANDS GLOWED IN THE DARK. 107 00:06:01,100 --> 00:06:02,667 IS THIS YOUR SISTER? 108 00:06:02,667 --> 00:06:04,467 YES. 109 00:06:04,467 --> 00:06:06,700 SHE WAS A MODEL. 110 00:06:10,800 --> 00:06:13,567 Man: MAYBE PUT YOUR ARM UP, LIKE YOU'RE BEING ATTACKED. 111 00:06:13,567 --> 00:06:15,667 [ LAUGHS ] SORRY. 112 00:06:15,667 --> 00:06:18,333 AW. WHY YOU -- WHY YOU MOVE? 113 00:06:18,333 --> 00:06:20,067 I'M SORRY, I'M SORRY, SORRY. 114 00:06:20,067 --> 00:06:21,867 JUST GO BACK IN. WE'LL GO BACK IN. 115 00:06:21,867 --> 00:06:24,100 RONNIE GEDEON WAS 20 YEARS OLD. 116 00:06:24,100 --> 00:06:27,067 AND SHE WAS A BEAUTIFUL, YOUNG BLONDE. 117 00:06:27,067 --> 00:06:30,667 AND SHE OFTEN POSED FOR THE PULP DETECTIVE MAGAZINES OF THE TIME. 118 00:06:30,667 --> 00:06:32,767 THAT'S GOOD. THAT'S GOOD. 119 00:06:32,767 --> 00:06:34,733 RONNIE WAS A SWEETHEART. 120 00:06:34,733 --> 00:06:35,767 DON'T GET ME WRONG. 121 00:06:35,767 --> 00:06:37,500 I HIRED HER FOR HER FIGURE. 122 00:06:37,500 --> 00:06:40,533 THAT WAS THE NAME OF THE GAME IN THE DETECTIVE-RAG BUSINESS. 123 00:06:40,533 --> 00:06:41,933 WHEN SHE WAS ON THE COVER, 124 00:06:41,933 --> 00:06:44,900 SHE'D SELL OUT NEWSSTANDS ALL OVER THE CITY. 125 00:06:44,900 --> 00:06:47,233 AND THE OLD MAN SAYS, "ARE YOU KIDDING? 126 00:06:47,233 --> 00:06:48,433 I'M TELLING EVERYONE." 127 00:06:48,433 --> 00:06:50,867 [ LAUGHTER ] 128 00:06:50,867 --> 00:06:53,767 BUT FOR THOSE OF US PUTTING IN HOURS AT THE STUDIO, 129 00:06:53,767 --> 00:06:56,600 IT MATTERED JUST AS MUCH HOW A GIRL ACTED. 130 00:06:56,600 --> 00:06:58,967 SOME GIRLS IN THE BUSINESS HAD SUNK REAL LOW 131 00:06:58,967 --> 00:07:01,100 OR HELD THEIR NOSES UP TOO HIGH. 132 00:07:01,100 --> 00:07:05,800 RONNIE WAS JUST A REAL SWEET KID. 133 00:07:05,800 --> 00:07:07,667 [ CAMERA BULB FLASHES ] 134 00:07:07,667 --> 00:07:12,633 IN 1937, A YOUNG WOMAN WHO POSED NAKED WAS REGARDED 135 00:07:12,633 --> 00:07:16,067 AS REALLY LITTLE MORE THAN A PROSTITUTE. 136 00:07:17,333 --> 00:07:22,533 THIS IMMEDIATELY CASTS RONNIE'S CHARACTER IN A VERY, 137 00:07:22,533 --> 00:07:26,433 VERY DUBIOUS LIGHT. 138 00:07:26,433 --> 00:07:28,067 BUT I HAVE TO ADMIT, 139 00:07:28,067 --> 00:07:30,900 I HAD A UNIQUE PERSPECTIVE ON THIS THING. 140 00:07:30,900 --> 00:07:32,433 I GUESS I CAN SEE HOW PEOPLE 141 00:07:32,433 --> 00:07:36,167 WHO DIDN'T KNOW THE REAL RONNIE MIGHT GET THE WRONG IDEA. 142 00:07:36,167 --> 00:07:37,600 AT THE MAGAZINE, 143 00:07:37,600 --> 00:07:41,200 I WAS UP TO MY EYEBALLS IN MURDER STORIES EVERY DAY. 144 00:07:41,200 --> 00:07:46,867 BUT STILL, I NEVER EXPECTED IT TO HAPPEN TO SOMEONE I KNEW. 145 00:07:52,833 --> 00:07:55,200 WE'D LIKE TO ASK YOU A FEW QUESTIONS, PLEASE. 146 00:07:56,267 --> 00:07:59,367 BUT LIFE IMITATES ART, AND ART IMITATES LIFE. 147 00:07:59,367 --> 00:08:02,067 AND JUST LIKE ALL THE P.I.s AND GUMSHOE DICKS 148 00:08:02,067 --> 00:08:03,767 IN OUR MAGAZINES, 149 00:08:03,767 --> 00:08:06,067 THESE GUYS WENT RIGHT TO WORK. 150 00:08:10,433 --> 00:08:13,300 I HEARD A SCUFFLE COMING FROM UPSTAIRS. 151 00:08:13,300 --> 00:08:15,700 -ABOUT WHAT TIME WAS IT? -11:00 P.M. 152 00:08:21,067 --> 00:08:23,067 OVER HERE, THIS TOWEL. 153 00:08:23,067 --> 00:08:25,133 [ CAMERA BULB FLASHES ] 154 00:08:25,833 --> 00:08:27,500 MUST HAVE COME IN TO CLEAN UP. 155 00:08:32,300 --> 00:08:36,867 Whalen: AS LUCK WOULD HAVE IT, THEY FIND VERONICA'S DIARY. 156 00:08:38,533 --> 00:08:40,067 WHAT DO YOU GOT? 157 00:08:40,067 --> 00:08:42,767 MAYBE SOMETHING. 158 00:08:42,767 --> 00:08:48,100 SEE THESE TWO "B's" HERE AND ANOTHER HERE? 159 00:08:48,100 --> 00:08:52,500 THEY SEE ENTRIES ABOUT A PERSON WITH JUST THE INITIAL "B." 160 00:08:52,500 --> 00:08:54,433 Schechter: IT'S CLEAR THAT RONNIE 161 00:08:54,433 --> 00:08:57,567 HAS BEEN ROMANTICALLY INVOLVED WITH THIS PERSON. 162 00:08:57,567 --> 00:09:01,067 BUT HERE, IT SAYS, 163 00:09:01,067 --> 00:09:04,733 "I'M AFRAID OF 'B.'" 164 00:09:04,733 --> 00:09:06,867 Whalen: RIGHT AWAY, THAT PIQUES THEIR INTEREST. 165 00:09:06,867 --> 00:09:09,233 THAT IS THE START OF THE INVESTIGATION. 166 00:09:09,233 --> 00:09:11,533 THEY WANT TO DETERMINE WHO "B" IS. 167 00:09:16,167 --> 00:09:18,600 [ TELEPHONE RINGS ] 168 00:09:23,800 --> 00:09:25,233 -HELLO? -Hello. 169 00:09:25,233 --> 00:09:27,400 Good evening. Is Veronica there, please? 170 00:09:27,400 --> 00:09:29,367 WITH WHOM AM I SPEAKING? 171 00:09:29,367 --> 00:09:32,067 Stephen Butter. 172 00:09:32,067 --> 00:09:34,067 STEPHEN BUTTER? 173 00:09:34,067 --> 00:09:36,633 Yes, sir. 174 00:09:36,633 --> 00:09:38,967 Whalen: THE INITIAL IN THE DIARY IS "B." 175 00:09:38,967 --> 00:09:41,767 THIS GUY'S LAST NAME STARTS WITH A "B." 176 00:09:41,767 --> 00:09:43,267 THEY WANT TO TALK TO HIM. 177 00:09:43,267 --> 00:09:47,800 WHEN WAS THE LAST TIME YOU SAW VERONICA? 178 00:09:47,800 --> 00:09:49,800 Last night. 179 00:09:58,433 --> 00:10:02,367 Female co-worker: IF YOU HAD ASKED ME IF RONNIE GEDEON WAS HIDING SOMETHING, 180 00:10:02,367 --> 00:10:03,633 I WOULD HAVE SAID NO. 181 00:10:03,633 --> 00:10:06,167 SHE ALWAYS SEEMED LIKE A STRAIGHT SHOOTER. 182 00:10:06,167 --> 00:10:09,033 BUT A SECRET DIARY WITH A MYSTERIOUS VILLAIN 183 00:10:09,033 --> 00:10:12,467 REFERRED TO ONLY BY THE INITIAL "B"? 184 00:10:12,467 --> 00:10:13,700 I HAD TO HAND IT TO HER. 185 00:10:13,700 --> 00:10:15,233 SHE KNEW HOW TO KEEP THEM READING. 186 00:10:15,233 --> 00:10:19,500 THAT'S FOR SURE, RIGHT UP UNTIL THE VERY END. 187 00:10:20,633 --> 00:10:23,433 I MET HER THROUGH MY FRIEND LINCOLN. 188 00:10:23,433 --> 00:10:25,333 HE'S OUT OF TOWN. 189 00:10:25,333 --> 00:10:28,233 STEPHEN BUTTER PICKED HER UP A COUPLE OF TIMES FROM THE STUDIO 190 00:10:28,233 --> 00:10:29,667 AFTER A PHOTO SHOOT. 191 00:10:29,667 --> 00:10:33,233 WAS HE THE OMINOUS "B" IN HER DIARY? 192 00:10:33,233 --> 00:10:34,700 YOU LIKE HER? 193 00:10:34,700 --> 00:10:38,067 -UH, WHAT DO YOU MEAN? -JUST THAT. 194 00:10:38,067 --> 00:10:40,133 UH, WELL, UH, YEAH. 195 00:10:40,133 --> 00:10:45,133 SHE'S GREAT, REALLY NICE, FRIENDLY. 196 00:10:45,133 --> 00:10:47,300 STEPHEN BUTTER IS 23 YEARS OLD. 197 00:10:47,300 --> 00:10:49,133 HE WORKS AS A MESSENGER ON WALL STREET. 198 00:10:49,133 --> 00:10:50,300 HE LIVES WITH HIS PARENTS. 199 00:10:50,300 --> 00:10:52,200 IS SHE ALL RIGHT? 200 00:10:52,200 --> 00:10:55,300 YOU SAID YOU SAW HER LAST NIGHT? 201 00:10:55,300 --> 00:10:58,333 UH, YE-- UH, YES. 202 00:10:58,333 --> 00:10:59,600 WE WENT TO A BAR. 203 00:10:59,600 --> 00:11:01,233 AND THEN I WALKED HER HOME. 204 00:11:04,133 --> 00:11:06,067 THANKS AGAIN. 205 00:11:06,067 --> 00:11:08,500 THAT WAS ACES. 206 00:11:08,500 --> 00:11:10,567 IT WAS MY PLEASURE. 207 00:11:10,567 --> 00:11:12,833 -WHAT TIME WAS THAT? -A LITTLE AFTER 3:00. 208 00:11:12,833 --> 00:11:14,233 WE LEFT THE BAR AT 3:00, I REMEMBER. 209 00:11:14,233 --> 00:11:16,300 YOU GO INSIDE WITH HER? 210 00:11:19,067 --> 00:11:24,167 I'D INVITE YOU IN, BUT MY MOTHER'S IN THERE SLEEPING. 211 00:11:24,167 --> 00:11:25,600 TOO BAD. 212 00:11:29,400 --> 00:11:30,833 GOOD NIGHT. 213 00:11:42,333 --> 00:11:43,967 IS SHE OKAY? 214 00:11:47,267 --> 00:11:48,433 SHE'S DEAD. 215 00:11:50,933 --> 00:11:52,567 UH, WHAT? 216 00:11:54,767 --> 00:11:59,433 NO. H-HOW? I JUST -- I JUST SAW HER. 217 00:11:59,433 --> 00:12:01,900 SH... OH, MY GOD. 218 00:12:07,067 --> 00:12:11,967 Whalen: IN 1937, THE DETECTIVES, THEY GO ON GUT INSTINCT. 219 00:12:11,967 --> 00:12:15,267 AND THEIR GUT TELLS THEM THAT HE'S INNOCENT. 220 00:12:18,800 --> 00:12:21,500 ** 221 00:12:25,333 --> 00:12:27,100 THE DAY AFTER THE BODIES WERE DISCOVERED, 222 00:12:27,100 --> 00:12:30,400 THE STORY WAS ON THE FRONT PAGE IN THE PAPERS IN NEW YORK. 223 00:12:30,400 --> 00:12:34,167 THE COUNTRY IS IN THE MIDST OF THE GREAT DEPRESSION. 224 00:12:34,167 --> 00:12:38,433 SENSATIONAL STORIES LIKE THIS WERE A DISTRACTION. 225 00:12:38,433 --> 00:12:40,267 THE DAMSEL IN DISTRESS ON THE COVER 226 00:12:40,267 --> 00:12:44,200 OF A DETECTIVE MAGAZINE BECOMES A VICTIM IN REAL LIFE. 227 00:12:44,200 --> 00:12:46,833 IT WAS PERFECT FOR THE PAPERS. 228 00:12:49,933 --> 00:12:51,767 Pelonero: PHOTOGRAPHERS WHO HAD WORKED WITH RONNIE 229 00:12:51,767 --> 00:12:53,600 COME OUT OF THE WOODWORK WITH ALL THESE NUDE 230 00:12:53,600 --> 00:12:55,800 AND SEMINUDE PHOTOS OF HER, 231 00:12:55,800 --> 00:12:58,700 MANY OF WHICH WERE PUBLISHED IN THE PAPERS. 232 00:12:58,700 --> 00:13:00,567 Schechter: THERE WAS NOT ONLY THE HIDEOUSNESS 233 00:13:00,567 --> 00:13:01,967 OF THE TRIPLE MURDER, 234 00:13:01,967 --> 00:13:07,933 BUT THERE WAS THE SEXUAL ALLURE OF THE PRIMARY VICTIM. 235 00:13:07,933 --> 00:13:09,600 Pelonero: AND IT GIVES PEOPLE THE IMPRESSION OF, 236 00:13:09,600 --> 00:13:12,233 "THIS MUST HAVE BEEN A VERY FAST-LIVING WOMAN 237 00:13:12,233 --> 00:13:15,400 WHO HAD GOT INVOLVED WITH THE WRONG PEOPLE." 238 00:13:15,400 --> 00:13:17,433 TO ALL THOSE JOES READING THE PAPER ON THEIR WAY 239 00:13:17,433 --> 00:13:20,567 TO WORK AND HOUSEWIVES GOSSIPING OVER THE FENCES, 240 00:13:20,567 --> 00:13:23,433 THE STORY WAS JUST ANOTHER PIECE OF ENTERTAINMENT. 241 00:13:23,433 --> 00:13:25,400 BUT RONNIE WAS A PART OF OUR WORLD. 242 00:13:25,400 --> 00:13:28,133 AND WHAT SHE DID WAS A JOB LIKE ANY OTHER. 243 00:13:28,133 --> 00:13:30,267 SHE WASN'T INVOLVED WITH THE SORT OF PEOPLE 244 00:13:30,267 --> 00:13:34,133 WHO WOULD HURT HER, AS FAR AS WE KNEW. 245 00:13:35,900 --> 00:13:39,233 Whalen: VERONICA WAS AFRAID OF A PERSON WITH THE INITIAL "B." 246 00:13:39,233 --> 00:13:45,067 AND AS THE POLICE CONTINUE TO GO THROUGH THE DIARY, 247 00:13:45,067 --> 00:13:47,800 THEY SEE A REFERENCE TO A GUY NAMED BOB. 248 00:13:47,800 --> 00:13:51,567 IT TURNS OUT THAT VERONICA WAS MARRIED AT 16 249 00:13:51,567 --> 00:13:53,767 TO THIS GUY, BOBBY FLOWERS. 250 00:13:53,767 --> 00:13:54,633 -THANKS A LOT. -THANK YOU. 251 00:13:54,633 --> 00:13:57,133 APPRECIATE IT. 252 00:13:57,133 --> 00:13:59,467 -YOU BOBBY FLOWERS? -YEAH. 253 00:13:59,467 --> 00:14:01,667 THIS ABOUT RONNIE? 254 00:14:01,667 --> 00:14:02,733 YOU TALK TO HER LATELY? 255 00:14:02,733 --> 00:14:04,967 ABOUT A WEEK AGO. 256 00:14:10,133 --> 00:14:11,667 YOU HAD A FALLING OUT? 257 00:14:11,667 --> 00:14:13,067 NO. 258 00:14:13,067 --> 00:14:14,167 WHY? 259 00:14:14,167 --> 00:14:16,167 WHY'D SHE SAY SHE WAS AFRAID OF YOU? 260 00:14:18,533 --> 00:14:19,767 COME ON. 261 00:14:19,767 --> 00:14:21,300 WE HAD A COUPLE OF ROWS OVER THE YEARS, 262 00:14:21,300 --> 00:14:23,067 BUT THINGS WERE PRETTY GOOD. 263 00:14:23,067 --> 00:14:24,533 WE WERE JUST TOO YOUNG. 264 00:14:24,533 --> 00:14:26,433 HE SAYS THAT THE MARRIAGE WAS ANNULLED 265 00:14:26,433 --> 00:14:28,467 AND THAT THEY WERE STILL GOOD FRIENDS. 266 00:14:28,467 --> 00:14:32,400 WHERE WERE YOU SATURDAY NIGHT? 267 00:14:32,400 --> 00:14:35,067 HE SAYS HE WAS SELLING HOT DOGS AT AN ARMORY. 268 00:14:35,067 --> 00:14:37,433 YOU CAN ASK MY BOSS, ASK MY CUSTOMERS. 269 00:14:41,533 --> 00:14:44,167 SHE WAS A GOOD GIRL. 270 00:14:44,167 --> 00:14:48,767 SHE WASN'T LIKE WHAT ALL THE PAPERS ARE MAKING HER OUT TO BE. 271 00:14:48,767 --> 00:14:50,767 OKAY, BOBBY. 272 00:14:50,767 --> 00:14:53,633 THE POLICE CHECK OUT HIS ALIBI, 273 00:14:53,633 --> 00:14:56,767 AND THEY PRETTY MUCH RULE HIM OUT AS A SUSPECT. 274 00:15:01,100 --> 00:15:04,500 Man: VERONICA GEDEON WAS AN HONEST GIRL. 275 00:15:04,500 --> 00:15:07,467 SHE WAS NOT CHEAP. 276 00:15:07,467 --> 00:15:09,100 OUR EDITOR HAD HAD ENOUGH. 277 00:15:09,100 --> 00:15:10,467 HEADLINE AFTER HEADLINE 278 00:15:10,467 --> 00:15:13,567 PAINTED RONNIE AS A LOOSE, FAST-LIVING GIRL. 279 00:15:13,567 --> 00:15:15,467 SURE, SHE WAS NO GOODY TWO-SHOES, 280 00:15:15,467 --> 00:15:18,400 BUT SHE WASN'T THE WHORE OF BABYLON, EITHER. 281 00:15:18,400 --> 00:15:23,867 SHE HAD THE INTELLIGENCE TO SUCCEED IN ANY OF THESE COLUMNS. 282 00:15:23,867 --> 00:15:27,167 Schechter: THE EDITOR OF INSIDE DETECTIVE MAGAZINE 283 00:15:27,167 --> 00:15:32,467 PUBLISHES A VERY IMPASSIONED EDITORIAL EXPLAINING THAT RONNIE 284 00:15:32,467 --> 00:15:36,167 HAD TAKEN ON THESE JOBS IN ORDER TO MAKE A LIVING, 285 00:15:36,167 --> 00:15:40,167 BUT THAT THERE WAS NOTHING QUESTIONABLE ABOUT HER BEHAVIOR. 286 00:15:40,167 --> 00:15:42,867 WHILE WE WERE DOING OUR BEST TO CLEAN UP RONNIE'S REPUTATION 287 00:15:42,867 --> 00:15:44,733 IN THE PAPERS, 288 00:15:44,733 --> 00:15:49,133 THE POLICE WERE COOLING ON THE JEALOUS-LOVER ANGLE 289 00:15:49,133 --> 00:15:51,800 AND STARTING TO LOOK CLOSER TO HOME. 290 00:15:51,800 --> 00:15:54,167 GENTLEMEN, WHAT CAN I DO FOR YOU? 291 00:15:54,167 --> 00:15:55,600 Whalen: DETECTIVES THINK BACK 292 00:15:55,600 --> 00:15:59,067 TO HOW THE FATHER REACTED WHEN THEY FIRST SPOKE TO HIM. 293 00:15:59,067 --> 00:16:02,600 OH, WE JUST WANTED TO ASK YOU A COUPLE QUESTIONS. 294 00:16:02,600 --> 00:16:04,067 SURE. 295 00:16:04,067 --> 00:16:06,667 THEY THINK IT ODD THAT HE DIDN'T SHOW MUCH EMOTION. 296 00:16:06,667 --> 00:16:09,567 GO AHEAD. BUT I-I HAVE TO KEEP WORKING. 297 00:16:09,567 --> 00:16:11,233 THIS WHOLE THING HAS GOT ME BEHIND. 298 00:16:11,233 --> 00:16:14,067 I'VE GOT CUSTOMERS, YOU KNOW. 299 00:16:18,567 --> 00:16:22,067 HEY, CAN YOU TELL US HOW IT WAS WITH YOUR WIFE? 300 00:16:22,067 --> 00:16:23,400 MARY? 301 00:16:23,400 --> 00:16:25,233 WE WERE SEPARATED. 302 00:16:25,233 --> 00:16:27,467 I COULDN'T STAND LIVING WITH HER AFTER A WHILE. 303 00:16:27,467 --> 00:16:32,433 SHE WAS AN IGNORANT WOMAN, THE WAY SHE WAS RAISING THOSE GIRLS. 304 00:16:32,433 --> 00:16:34,500 WHAT DO YOU MEAN? 305 00:16:34,500 --> 00:16:36,867 YOU'VE SEEN IT YOURSELF, DETECTIVE. 306 00:16:36,867 --> 00:16:40,867 RONNIE WOULD TAKE HER CLOTHES OFF FOR ANYONE. 307 00:16:40,867 --> 00:16:42,933 SHE WAS A TEASE. 308 00:16:42,933 --> 00:16:45,833 SHE'D LET A GUY GET THIS CLOSE. 309 00:16:45,833 --> 00:16:48,633 YOU CAN'T TALK TO A MAN THAT WAY. 310 00:16:48,633 --> 00:16:51,733 I TOLD MARY ABOUT THIS THOUSANDS OF TIMES, 311 00:16:51,733 --> 00:16:54,867 AND SHE JUST KEPT GETTING IN THE GODDAMN WAY. 312 00:17:00,067 --> 00:17:02,100 SHE SHOULD HAVE KNOWN THAT SOMETHING LIKE THIS 313 00:17:02,100 --> 00:17:04,767 WOULD HAPPEN. 314 00:17:04,767 --> 00:17:06,400 MIND IF WE TAKE A LOOK AROUND, MR. GEDEON? 315 00:17:11,067 --> 00:17:12,867 NO. 316 00:17:25,567 --> 00:17:28,800 YOU LIKE TO LOOK AT NAKED GIRLS, MR. GEDEON? 317 00:17:28,800 --> 00:17:31,400 WHY SHOULDN'T I? I'M A GROWN MAN. 318 00:17:31,400 --> 00:17:34,067 WHERE WERE YOU ON THE NIGHT THAT YOUR WIFE AND DAUGHTER 319 00:17:34,067 --> 00:17:35,933 WERE KILLED? 320 00:17:35,933 --> 00:17:37,100 CORRIGAN'S. 321 00:17:37,100 --> 00:17:39,200 I WAS PLAYING Skee-Ball. 322 00:17:39,200 --> 00:17:40,800 I STAYED THERE TILL THEY CLOSED. 323 00:17:40,800 --> 00:17:42,800 -ANYBODY SEE YOU THERE? -TALK TO CAL. 324 00:17:42,800 --> 00:17:44,967 HE WAS THERE ALL NIGHT. 325 00:17:44,967 --> 00:17:46,967 [ DOOR OPENS, BELL RINGS ] 326 00:17:46,967 --> 00:17:48,100 EXCUSE ME. 327 00:17:57,733 --> 00:17:59,800 HEY, WAIT. 328 00:18:02,667 --> 00:18:06,733 Whalen: THEY FIND A GUN, WHICH IS UNLICENSED, UNREGISTERED. 329 00:18:13,267 --> 00:18:15,900 HEY. 330 00:18:15,900 --> 00:18:19,833 LOOK AT THIS. 331 00:18:19,833 --> 00:18:23,200 AND THEN, THEY FIND A KIT WITH SEVERAL VERY SHARP 332 00:18:23,200 --> 00:18:24,867 UPHOLSTERY NEEDLES. 333 00:18:26,400 --> 00:18:28,333 THIS IS THE TYPE OF WEAPON 334 00:18:28,333 --> 00:18:31,533 THAT WAS USED TO KILL THE BOARDER, FRANK BURNS. 335 00:18:33,667 --> 00:18:35,067 ONE MISSING. 336 00:18:35,067 --> 00:18:36,100 YEAH. 337 00:18:36,100 --> 00:18:38,600 AND ONE OF THE NEEDLES IS MISSING. 338 00:18:38,600 --> 00:18:41,633 THAT IS WHERE THE CASE SHIFTS. 339 00:18:41,633 --> 00:18:48,567 THEY START FOCUSING IN ON GEDEON VERY HARD. 340 00:18:56,933 --> 00:18:59,800 [ CAMERA BULBS FLASHING ] 341 00:18:59,800 --> 00:19:02,433 Female co-worker: SO THE COPS LIKED THE ANGRY-FATHER ANGLE. 342 00:19:02,433 --> 00:19:03,700 HE FOUGHT WITH HIS WIFE, 343 00:19:03,700 --> 00:19:05,300 AND SHE WAS DEAD. 344 00:19:05,300 --> 00:19:08,067 MAYBE HE DIDN'T LIKE HER TAKING IN GENTLEMEN BOARDERS. 345 00:19:08,067 --> 00:19:09,800 AND ONE OF THEM WAS DEAD, TOO. 346 00:19:09,800 --> 00:19:11,167 AND HE CERTAINLY DIDN'T APPROVE 347 00:19:11,167 --> 00:19:12,900 OF WHAT RONNIE DID FOR A LIVING. 348 00:19:12,900 --> 00:19:16,300 I HAD TO ADMIT, IT MADE A CERTAIN SENSE. 349 00:19:16,300 --> 00:19:19,300 Whalen: JOSEPH GEDEON IS THE PRIME SUSPECT. 350 00:19:19,300 --> 00:19:21,867 THEY BRING HIM IN FOR QUESTIONING. 351 00:19:31,167 --> 00:19:32,500 Schechter: THE AUTOPSY RESULTS 352 00:19:32,500 --> 00:19:35,867 SHOW THAT THERE'S NO EVIDENCE OF SEXUAL ASSAULT. 353 00:19:35,867 --> 00:19:37,667 BUT THE MEDICAL EXAMINER 354 00:19:37,667 --> 00:19:41,567 DEDUCES FROM THE CONTENTS OF MARY'S STOMACH 355 00:19:41,567 --> 00:19:45,833 THAT SHE WAS MURDERED BETWEEN 10:00 P.M. AND MIDNIGHT. 356 00:19:45,833 --> 00:19:49,733 OKAY, WHERE WERE YOU BETWEEN THE HOURS OF 10:00 P.M. 357 00:19:49,733 --> 00:19:51,067 AND MIDNIGHT ON THE NIGHT 358 00:19:51,067 --> 00:19:52,767 THAT YOUR WIFE AND DAUGHTER WERE MURDERED? 359 00:19:52,767 --> 00:19:54,067 I TOLD YOU. 360 00:19:54,067 --> 00:19:56,300 I WAS AT THE BAR. 361 00:19:56,300 --> 00:19:59,133 GO ASK HIM, CAL. 362 00:19:59,133 --> 00:20:01,733 WE DID. 363 00:20:01,733 --> 00:20:05,300 HE SAID THAT HE SAW YOU THERE THAT NIGHT 364 00:20:05,300 --> 00:20:08,933 BUT NOT BETWEEN THOSE HOURS. 365 00:20:08,933 --> 00:20:10,433 H-HE'S LYING. 366 00:20:10,433 --> 00:20:12,333 -DID YOU LEAVE? -NO. 367 00:20:12,333 --> 00:20:14,167 I-I WAS THERE. 368 00:20:14,167 --> 00:20:18,667 MAYBE YOU GOT DRUNK, HMM, WENT TO PAY A VISIT TO THE FAMILY? 369 00:20:25,033 --> 00:20:28,000 NOW, ALIBIS FALL APART ALL THE TIME. 370 00:20:28,000 --> 00:20:30,667 BUT IT ONLY GOES PART OF THE WAY TO NAILING A GUY. 371 00:20:30,667 --> 00:20:32,167 THE BRASS RING 372 00:20:32,167 --> 00:20:35,133 IS GETTING THE STORY STRAIGHT FROM THE HORSE'S MOUTH. 373 00:20:35,133 --> 00:20:36,667 Whalen: THE ABSENCE OF A MURDER WEAPON, 374 00:20:36,667 --> 00:20:39,833 UNFORTUNATELY, IS NOT EVIDENCE OF A MURDER WEAPON. 375 00:20:39,833 --> 00:20:42,567 SO THEY NEED A CONFESSION. 376 00:20:42,567 --> 00:20:45,000 DID YOU LOVE YOUR WIFE? 377 00:20:45,000 --> 00:20:47,433 SHE DIDN'T KNOW HOW TO RAISE HER CHILDREN. 378 00:20:47,433 --> 00:20:50,667 THAT DOESN'T MEAN I WOULD KILL HER. 379 00:20:50,667 --> 00:20:52,033 I TOLD YOU BEFORE. 380 00:20:52,033 --> 00:20:54,367 WOMEN TRY TO DOMINATE MEN. 381 00:20:54,367 --> 00:20:55,900 MEN SHOULDN'T LET THEM. 382 00:20:55,900 --> 00:20:59,867 YOU DON'T CONTROL THEM, THEY START TAKING ADVANTAGE OF YOU. 383 00:20:59,867 --> 00:21:04,667 SO YOU HAD TO DRAW THE LINE SOMEWHERE, RIGHT? 384 00:21:09,300 --> 00:21:13,800 I DID NOT KILL MY FAMILY. 385 00:21:13,800 --> 00:21:17,300 WELL, THE 17th PRECINCT WAS THE PRESTIGIOUS COMMAND. 386 00:21:17,300 --> 00:21:20,067 THE DETECTIVES THAT WORKED THERE WERE KINGS. 387 00:21:20,067 --> 00:21:23,600 THEY RAN THE SHOW. THEY WERE THE BEST OF THE BEST. 388 00:21:23,600 --> 00:21:28,133 AND, TO THEM, SOLVING A CRIME HINGES ON THAT CONFESSION. 389 00:21:33,400 --> 00:21:34,900 SO THERE'S A LOT OF PEOPLE COMING 390 00:21:34,900 --> 00:21:38,067 IN AND TAKING CRACKS AT GEDEON. 391 00:21:38,067 --> 00:21:39,967 HE'S KEPT AWAKE FOR HOURS. 392 00:21:39,967 --> 00:21:43,300 HE'S DEPRIVED OF FOOD. 393 00:21:43,300 --> 00:21:48,667 Whalen: BUT DESPITE ALL THEIR EFFORTS, THEY CANNOT GET HIM TO CRACK. 394 00:21:48,667 --> 00:21:52,233 SO THEY DECIDE TO TURN UP THE HEAT. 395 00:21:52,233 --> 00:21:56,700 Schechter: THIS WAS THE ERA OF THE THIRD DEGREE. 396 00:22:06,333 --> 00:22:08,900 JOSEPH GEDEON HAD BEEN IN THAT INTERROGATION ROOM 397 00:22:08,900 --> 00:22:11,700 FOR 12 HOURS, AND THERE WAS STILL NO WORD. 398 00:22:11,700 --> 00:22:13,733 IF THEY HADN'T BROKEN HIM YET, 399 00:22:13,733 --> 00:22:17,467 THEY STARTED TO THINK MAYBE THERE WAS NOTHING TO BREAK. 400 00:22:20,167 --> 00:22:23,067 NOW, MAYBE IT WAS HIS KEEN SENSE OF JUSTICE, 401 00:22:23,067 --> 00:22:25,700 OR MAYBE IT WAS ALL THOSE YEARS SITTING AT HIS DESK, 402 00:22:25,700 --> 00:22:30,400 READING ABOUT CRIME SOLVING AND NEVER GETTING INVOLVED. 403 00:22:30,400 --> 00:22:33,433 EITHER WAY, OUR EDITOR HAD A HUNCH. 404 00:22:33,433 --> 00:22:36,500 AND HE PLAYED IT. 405 00:22:36,500 --> 00:22:39,967 THE EDITOR OF TRUE DETECTIVE MAGAZINE BELIEVES 406 00:22:39,967 --> 00:22:41,900 GEDEON IS BEING RAILROADED. 407 00:22:41,900 --> 00:22:44,067 Man: YEAH? 408 00:22:44,067 --> 00:22:45,700 DO YOU MIND IF I ASK YOU A FEW QUESTIONS? 409 00:22:45,700 --> 00:22:48,600 SO HE SENDS ONE OF HIS WRITERS TO THE BUILDING 410 00:22:48,600 --> 00:22:51,967 WHERE JOSEPH GEDEON LIVED TO REALLY CHECK OUT HIS ALIBI. 411 00:22:51,967 --> 00:22:55,433 HE WAS HERE. HE STUMBLED IN A LITTLE AFTER 3:00. 412 00:22:55,433 --> 00:22:59,467 THE WRITER FINDS A NEIGHBOR WHO SAYS THAT HE DID INDEED SEE 413 00:22:59,467 --> 00:23:03,633 JOSEPH GEDEON STUMBLING HOME DRUNK AT 3:00 A.M. 414 00:23:03,633 --> 00:23:08,733 HE WENT INTO HIS APARTMENT AND DIDN'T COME BACK OUT. 415 00:23:08,733 --> 00:23:11,933 -ARE YOU SURE? -YES. 416 00:23:11,933 --> 00:23:13,633 Pelonero: NOW, THEY HAVE CORROBORATION 417 00:23:13,633 --> 00:23:15,900 THAT JOSEPH GEDEON WAS ABSOLUTELY NOT THERE 418 00:23:15,900 --> 00:23:16,900 AT 3:00 A.M. 419 00:23:16,900 --> 00:23:20,633 SO HE CANNOT BE THE MURDERER. 420 00:23:20,633 --> 00:23:24,100 THE POLICE HAD REALLY PUT HIM THROUGH THE RINGER TRYING TO GET 421 00:23:24,100 --> 00:23:26,067 A CONFESSION, WHICH OF COURSE HE WOULD NEVER GIVE. 422 00:23:26,067 --> 00:23:27,200 STAND UP. 423 00:23:27,200 --> 00:23:29,933 AND JOSEPH GEDEON HAS NOW BEEN CLEARED. 424 00:23:31,167 --> 00:23:33,433 Man: HEY, IT'S JOE. JOE, HOW DO YOU FEEL? 425 00:23:33,433 --> 00:23:34,767 [ INDISTINCT SHOUTING ] 426 00:23:34,767 --> 00:23:35,700 [ CAMERA BULB FLASHING ] 427 00:23:35,700 --> 00:23:37,300 SO GEDEON WAS OUT. 428 00:23:37,300 --> 00:23:39,633 THAT GAVE THE PAPERS A NEW ROUND OF HEADLINES 429 00:23:39,633 --> 00:23:42,833 BUT LEFT THE POLICE WITH SQUAT. 430 00:23:50,967 --> 00:23:55,400 IF THE COPS ONLY KNEW HOW CLOSE THE KILLER REALLY WAS. 431 00:24:01,967 --> 00:24:06,500 Whalen: THEY'VE GOT TO REVIEW THE EVIDENCE THEY HAVE. 432 00:24:06,500 --> 00:24:09,667 AND THE ONE THING THAT THEY HAVE STILL IS THE DIARY. 433 00:24:09,667 --> 00:24:11,067 IF THEY'D ASKED ME, 434 00:24:11,067 --> 00:24:13,300 I WOULD HAVE TOLD THEM IT'S NEVER THAT EASY. 435 00:24:13,300 --> 00:24:14,567 THE ANSWER ISN'T JUST 436 00:24:14,567 --> 00:24:17,233 GOING TO BE SITTING THERE ALL WRITTEN OUT. 437 00:24:17,233 --> 00:24:19,133 NOW, LOOK AT THIS. 438 00:24:19,133 --> 00:24:21,700 HERE. 439 00:24:21,700 --> 00:24:23,900 IT'S STILL TALKING ABOUT BOB. 440 00:24:23,900 --> 00:24:26,067 WELL, IT'S A GOOD THING THEY DIDN'T ASK ME, 441 00:24:26,067 --> 00:24:27,600 BECAUSE RONNIE'S LITTLE BOOK 442 00:24:27,600 --> 00:24:30,267 STILL HAD MORE SECRETS TO DISCLOSE. 443 00:24:34,067 --> 00:24:37,167 "BOB IS OBSESSED WITH ETHEL." 444 00:24:37,167 --> 00:24:39,067 HUH. 445 00:24:39,067 --> 00:24:40,667 NOW, HERE'S THE THING. 446 00:24:40,667 --> 00:24:42,900 DETECTIVES HAD ASSUMED THAT BOB, 447 00:24:42,900 --> 00:24:45,800 MENTIONED IN RONNIE'S DIARY, WAS BOBBY FLOWERS. 448 00:24:45,800 --> 00:24:49,267 BUT THIS BOB HAD A THING FOR RONNIE'S SISTER, ETHEL, 449 00:24:49,267 --> 00:24:52,367 AND THAT MADE THEM THINK TWICE. 450 00:24:54,400 --> 00:24:57,467 I THINK THERE WERE TWO BOBS, 451 00:24:57,467 --> 00:24:59,567 FLOWERS AND SOMEONE ELSE. 452 00:25:01,567 --> 00:25:04,067 SOMEONE SCARIER. 453 00:25:11,300 --> 00:25:14,633 IN HER DIARY, RONNIE MENTIONS A BOB, 454 00:25:14,633 --> 00:25:19,467 AND SHE SAYS THAT HE'S OBSESSED WITH YOU. 455 00:25:19,467 --> 00:25:22,633 THAT MUST BE BOB IRWIN. 456 00:25:22,633 --> 00:25:24,533 HE WAS A BOARDER IN OUR HOME. 457 00:25:24,533 --> 00:25:26,933 HE IS A FRIEND OF THE FAMILY. 458 00:25:26,933 --> 00:25:28,233 YOU KNEW HIM WELL? 459 00:25:28,233 --> 00:25:29,367 YES. 460 00:25:34,633 --> 00:25:36,967 HE LIVED WITH US. WE ALL KNEW HIM. 461 00:25:39,867 --> 00:25:42,100 AND DID HE AND RONNIE EVER DATE? 462 00:25:42,100 --> 00:25:43,700 NO, NOTHING LIKE THAT. 463 00:25:43,700 --> 00:25:48,400 HE -- HE WAS KIND OF INDIFFERENT TO HER. 464 00:25:48,400 --> 00:25:51,133 FOR A TIME, HE WAS ACTUALLY PURSUING ME. 465 00:25:52,400 --> 00:25:55,967 HE EVEN MADE A LITTLE BUST OF ME ONCE. 466 00:25:57,233 --> 00:26:01,067 Whalen: BOB IRWIN WAS AN ARTIST, SCULPTOR. 467 00:26:01,067 --> 00:26:04,533 HE HAD BOARDED WITH THE FAMILY SEVERAL YEARS EARLIER. 468 00:26:06,600 --> 00:26:08,600 [ LAUGHS ] YOU LOOK SO SERIOUS. 469 00:26:08,600 --> 00:26:09,900 OH, YEAH? 470 00:26:09,900 --> 00:26:12,067 ETHEL WAS INTRIGUED WITH BOB IRWIN. 471 00:26:12,067 --> 00:26:14,933 SHE THOUGHT HE WAS AN AMAZINGLY TALENTED SCULPTOR. 472 00:26:14,933 --> 00:26:18,267 HE WAS CONVINCED THAT THEY WERE SOUL MATES. 473 00:26:18,267 --> 00:26:20,533 YOU'RE BEAUTIFUL, LIKE A GODDESS. 474 00:26:20,533 --> 00:26:21,933 [ LAUGHS ] STOP THAT. 475 00:26:25,067 --> 00:26:26,533 HE WANTED TO MARRY ME, 476 00:26:26,533 --> 00:26:29,200 BUT I WAS ALREADY ENGAGED TO JOE. 477 00:26:31,833 --> 00:26:33,567 HE'S A VERY DECENT MAN. 478 00:26:33,567 --> 00:26:36,800 HE COULDN'T HAVE HAD ANYTHING TO DO WITH THIS. 479 00:26:36,800 --> 00:26:39,833 I'M SURE ETHEL HAD HER OWN OPINIONS, 480 00:26:39,833 --> 00:26:41,200 BUT IT WOULDN'T BE THE FIRST TIME 481 00:26:41,200 --> 00:26:44,433 SISTERS DISAGREED ABOUT A MAN. 482 00:26:44,433 --> 00:26:46,067 BYE. 483 00:26:46,067 --> 00:26:51,533 JUST BECAUSE ETHEL THOUGHT THIS BOB IRWIN WAS A GENTLEMAN 484 00:26:51,533 --> 00:26:55,467 DOESN'T MEAN RONNIE DIDN'T HAVE REASON TO BE AFRAID. 485 00:27:05,967 --> 00:27:08,100 Female co-worker: AFTER ETHEL AND RONNIE'S FATHER LEFT, 486 00:27:08,100 --> 00:27:11,100 MRS. GEDEON TOOK ON A LOT OF BOARDERS. 487 00:27:11,100 --> 00:27:14,067 I VAGUELY REMEMBER RONNIE MENTIONING THE NAME BOB IRWIN, 488 00:27:14,067 --> 00:27:16,533 BUT I COULDN'T SWEAR TO IT. 489 00:27:16,533 --> 00:27:18,100 ACCORDING TO RONNIE'S SISTER, 490 00:27:18,100 --> 00:27:22,133 ETHEL, SHE WOULDN'T HAVE HAD MUCH REASON TO MENTION HIM. 491 00:27:22,133 --> 00:27:24,833 BOB NEVER GAVE RONNIE THE TIME OF DAY. 492 00:27:24,833 --> 00:27:27,800 HE ONLY HAD EYES FOR ETHEL. 493 00:27:32,967 --> 00:27:36,467 POLICE BEGIN TO INVESTIGATE HIS BACKGROUND, 494 00:27:36,467 --> 00:27:44,300 AND THEY DISCOVER THAT BOB HAD PSYCHOLOGICAL PROBLEMS 495 00:27:44,300 --> 00:27:47,667 AND, IN FACT, HAD SPENT A FAIR AMOUNT OF TIME 496 00:27:47,667 --> 00:27:52,667 CONFINED TO PSYCHIATRIC INSTITUTIONS. 497 00:27:52,667 --> 00:27:57,367 HE'S HAD A TROUBLED LIFE FROM THE MOMENT OF HIS BIRTH, 498 00:27:57,367 --> 00:28:01,300 ESSENTIALLY. 499 00:28:01,300 --> 00:28:07,867 BOB IRWIN WAS BORN IN A GOSPEL TENT IN PASADENA, CALIFORNIA. 500 00:28:07,867 --> 00:28:10,700 HIS FATHER WAS A SELF-STYLED PREACHER 501 00:28:10,700 --> 00:28:12,367 WHO ABANDONED THE FAMILY, 502 00:28:12,367 --> 00:28:14,933 AND HIS MOTHER WAS A RELIGIOUS FANATIC 503 00:28:14,933 --> 00:28:18,433 WHO PUT HER RELIGION AHEAD OF HER THREE SONS. 504 00:28:18,433 --> 00:28:21,867 AND THE THREE BOYS WERE SORT OF LEFT TO FEND FOR THEMSELVES. 505 00:28:21,867 --> 00:28:24,133 Schechter: BOTH HIS BROTHERS WERE CAREER CRIMINALS. 506 00:28:24,133 --> 00:28:28,067 BOB HAD SPENT YEARS IN REFORM SCHOOL. 507 00:28:32,933 --> 00:28:36,067 Pelonero: BOB TOOK HIS SCULPTING VERY SERIOUSLY. 508 00:28:36,067 --> 00:28:37,633 THAT'S IT. THAT'S IT. 509 00:28:37,633 --> 00:28:38,867 THANK YOU. 510 00:28:38,867 --> 00:28:42,433 HE HAD GONE TO STUDY WITH SOME NOTED ARTISTS, 511 00:28:42,433 --> 00:28:44,667 SOME OF WHOM TOOK BOB UNDER THEIR WINGS 512 00:28:44,667 --> 00:28:47,867 AND TRIED TO HELP NURTURE HIS TALENT. 513 00:28:47,867 --> 00:28:49,400 I'VE WORKED WITH PLENTY OF ARTISTS, 514 00:28:49,400 --> 00:28:52,200 AND YOU CAN BET I DATED A FEW OF THEM, TOO. 515 00:28:52,200 --> 00:28:56,067 AND A GUY LIKE THAT CAN MAKE YOU FEEL LIKE YOU HUNG THE MOON 516 00:28:56,067 --> 00:28:57,633 UNTIL THEIR MUSE STRIKES. 517 00:28:57,633 --> 00:28:59,733 THEN YOU MIGHT AS WELL BE INVISIBLE. 518 00:28:59,733 --> 00:29:01,233 YOU KNOW HOW IT IS. 519 00:29:01,233 --> 00:29:03,067 THAT THING THAT MAKES THEM GENIUS... 520 00:29:06,100 --> 00:29:09,467 ...ALSO MAKES THEM CRAZY. 521 00:29:11,500 --> 00:29:16,467 HE WAS SOMETIMES SEIZED BY THESE PERIODIC OUTBURSTS OF RAGE. 522 00:29:18,467 --> 00:29:20,400 White: HE WAS FIRED AGAIN AND AGAIN 523 00:29:20,400 --> 00:29:22,533 BY GETTING SO IRRITATED WITH SOMETHING 524 00:29:22,533 --> 00:29:24,200 THAT SOMEBODY ELSE DID IN HIS IMMEDIATE ENVIRONMENT 525 00:29:24,200 --> 00:29:26,267 THAT HE ENDED UP GETTING INTO A PHYSICAL ALTERCATION WITH THEM. 526 00:29:28,500 --> 00:29:32,800 Pelonero: HE ALSO HAD PHILOSOPHIES THAT WERE AS IMPORTANT TO HIM, 527 00:29:32,800 --> 00:29:34,800 IF NOT MORE IMPORTANT, THAN THE SCULPTING. 528 00:29:34,800 --> 00:29:37,100 ONE IN PARTICULAR HE CALLED VISUALIZATION. 529 00:29:39,067 --> 00:29:41,367 [ WOMAN MOANING ] 530 00:29:41,367 --> 00:29:43,267 Schechter: HE BELIEVED THAT, 531 00:29:43,267 --> 00:29:48,067 IF HE COULD CONJURE UP IN HIS MIND A PERFECT IMAGE, 532 00:29:48,067 --> 00:29:52,467 HE COULD CREATE THESE SCULPTURES PURELY BY MENTAL POWER. 533 00:29:52,467 --> 00:29:55,633 Ethel: IT LOOKS SO BEAUTIFUL, BOB. IT MEANS THE WORLD TO ME. 534 00:29:55,633 --> 00:29:59,333 BUT HE HAD BECOME CONVINCED THAT HIS SEX DRIVE 535 00:29:59,333 --> 00:30:03,400 WAS CHANNELING ENERGY AWAY FROM THIS GREAT ACHIEVEMENT. 536 00:30:14,900 --> 00:30:19,100 SO HE ATTEMPTED TO SLICE OFF HIS OWN PENIS. 537 00:30:20,933 --> 00:30:24,400 Pelonero: HE DOESN'T SUCCEED, BUT HE JUST INJURED HIMSELF TERRIBLY. 538 00:30:26,433 --> 00:30:32,567 Schechter: ALL THIS INFORMATION CONVINCES THE POLICE THAT HE IS THE MAN. 539 00:30:35,933 --> 00:30:38,700 WE HAVE A NEW PRIME SUSPECT. 540 00:30:38,700 --> 00:30:41,600 HIS NAME IS ROBERT IRWIN. 541 00:30:41,600 --> 00:30:44,600 WHEN THE POLICE ANNOUNCED THEY WERE LOOKING FOR ROBERT IRWIN, 542 00:30:44,600 --> 00:30:48,200 THE PAPERS FINALLY HAD A NEW CHARACTER TO WRITE ABOUT, 543 00:30:48,200 --> 00:30:50,033 AND THEY COULD BEGIN TO LAY OFF RONNIE. 544 00:30:50,033 --> 00:30:52,933 HE'S A SCULPTOR AND FORMER INMATE 545 00:30:52,933 --> 00:30:57,500 AT ROCKLAND STATE HOSPITAL FOR THE INSANE. 546 00:30:57,500 --> 00:31:00,367 WE BELIEVE ROBERT IRWIN IS STILL IN THE CITY. 547 00:31:00,367 --> 00:31:03,133 WE BELIEVE HE IS HIDING OUT SOMEWHERE. 548 00:31:03,133 --> 00:31:04,367 IF ANY MEMBER OF THE PUBLIC 549 00:31:04,367 --> 00:31:07,400 OR THE PRESS SEES ROBERT IRWIN... 550 00:31:07,400 --> 00:31:09,067 A LOT OF THE THINGS WE WOULD USE TODAY 551 00:31:09,067 --> 00:31:12,767 TO TRACK PEOPLE, CREDIT CARD PURCHASES, TOLLS, 552 00:31:12,767 --> 00:31:15,900 THEY DIDN'T EXIST IN 1937. 553 00:31:15,900 --> 00:31:19,233 Man: I HAVE ORDERED A CITYWIDE SEARCH. 554 00:31:19,233 --> 00:31:21,133 HE WON'T GET FAR. 555 00:31:27,067 --> 00:31:30,867 AND THEN, I CAME IN HERE AND SAW THAT HE WAS GONE. 556 00:31:32,467 --> 00:31:34,433 IT WAS TWO DAYS AGO. 557 00:31:34,433 --> 00:31:36,367 Pelonero: A WOMAN CONTACTS THE POLICE 558 00:31:36,367 --> 00:31:40,367 AND TELLS THEM THAT BOB IRWIN WAS RENTING A ROOM FROM HER. 559 00:31:43,167 --> 00:31:45,067 HE WATCHED US. 560 00:31:45,067 --> 00:31:46,667 HE WAS RIGHT HERE. 561 00:31:47,800 --> 00:31:50,967 Whalen: IT'S RIGHT ACROSS FROM THE 17th PRECINCT 562 00:31:50,967 --> 00:31:53,733 AND ONLY A COUPLE BLOCKS FROM THE CRIME SCENE. 563 00:31:53,733 --> 00:31:57,200 Pelonero: THE LANDLADY DOES MENTION THAT HE HAD TWO SUITCASES. 564 00:31:57,200 --> 00:31:58,833 ONE HAD A STRAP. 565 00:31:58,833 --> 00:32:04,067 ONE IN PARTICULAR HAD A BELT AROUND IT TO KEEP IT CLOSED. 566 00:32:04,067 --> 00:32:06,067 ** 567 00:32:08,733 --> 00:32:11,700 NEW YORK CITY IN THE '30s WAS JUST AS CROWDED AND BUSTLING 568 00:32:11,700 --> 00:32:13,233 AS IT IS NOW. 569 00:32:13,233 --> 00:32:16,067 AND BOB IRWIN WAS NO CLARK GABLE. 570 00:32:16,067 --> 00:32:17,567 HE COULD DISAPPEAR IN A CROWD. 571 00:32:17,567 --> 00:32:20,067 SO FINDING HIM IN THAT METROPOLIS, 572 00:32:20,067 --> 00:32:22,733 THAT WAS A TALL ORDER, PALLY. 573 00:32:22,733 --> 00:32:25,133 NOT EVERYONE, HOWEVER, IS CONVINCED THAT BOB 574 00:32:25,133 --> 00:32:27,467 HAS REMAINED IN THE METROPOLITAN AREA. 575 00:32:31,433 --> 00:32:34,567 Pelonero: ONE OF THE POLICE OFFICERS HAD A HUNCH. 576 00:32:34,567 --> 00:32:37,467 Whalen: BACK THEN, A LOT OF PEOPLE, WHEN THEY LEAVE THE CITY, 577 00:32:37,467 --> 00:32:41,367 OFTEN LEAVE LUGGAGE AT GRAND CENTRAL STATION. 578 00:32:41,367 --> 00:32:45,133 HE THEORIZED MAYBE IRWIN HAS LEFT, 579 00:32:45,133 --> 00:32:47,100 AND HE'S LEFT HIS LUGGAGE BEHIND. 580 00:32:54,967 --> 00:32:58,867 AS LUCK WOULD HAVE IT, HE FINDS A SUITCASE. 581 00:33:04,133 --> 00:33:05,767 Pelonero: AND THEY FIND THE ALARM CLOCK 582 00:33:05,767 --> 00:33:07,800 MISSING FROM THE GEDEON APARTMENT, 583 00:33:07,800 --> 00:33:12,200 PHYSICAL EVIDENCE THAT ACTUALLY LINKS BOB IRWIN TO THE MURDERS. 584 00:33:12,200 --> 00:33:14,900 BUT IT'S PRETTY OBVIOUS HE'S LEFT TOWN. 585 00:33:16,833 --> 00:33:19,733 [ TRAIN HORN BLOWS ] 586 00:33:19,733 --> 00:33:23,833 THEY PUT OUT AN ALARM ACROSS EIGHT STATES, 587 00:33:23,833 --> 00:33:28,567 OTHER JURISDICTIONS THAT HE MAY TURN UP IN. 588 00:33:28,567 --> 00:33:30,800 THEY HAVE NO SUCCESS. 589 00:33:34,100 --> 00:33:37,200 THREE MONTHS PASSED WITHOUT ANY TRACE OF ROBERT IRWIN. 590 00:33:37,200 --> 00:33:40,167 WE KNEW THE SON OF A BITCH HAD TO BE OUT THERE. 591 00:33:40,167 --> 00:33:42,967 SOMEONE SOMEWHERE SEES HIM EVERY DAY. 592 00:33:42,967 --> 00:33:44,767 THEY JUST DON'T KNOW IT YET. 593 00:33:44,767 --> 00:33:47,067 WHAT WE NEEDED WAS SOMETHING TO HELP THE POLICE 594 00:33:47,067 --> 00:33:49,167 GET THE WORD OUT. 595 00:33:49,167 --> 00:33:53,067 AND THEN WE THOUGHT, "HEY, WAIT A MINUTE. 596 00:33:53,067 --> 00:33:55,167 MAYBE WE WERE THAT SOMETHING." 597 00:33:57,400 --> 00:33:59,133 Pelonero: THE EDITOR OF INSIDE DETECTIVE 598 00:33:59,133 --> 00:34:02,567 DECIDES TO RUN A STORY ON THE FRONT COVER 599 00:34:02,567 --> 00:34:04,233 ALONG WITH A PHOTOGRAPH 600 00:34:04,233 --> 00:34:07,800 OF BOB IRWIN AND A REWARD OFFERING $1,000. 601 00:34:07,800 --> 00:34:10,067 ABOUT 20,000 IN TODAY'S DOLLARS, 602 00:34:10,067 --> 00:34:12,700 SO QUITE A SIGNIFICANT SUM AT THE HEIGHT 603 00:34:12,700 --> 00:34:14,900 OF THE GREAT DEPRESSION. 604 00:34:14,900 --> 00:34:16,600 Whalen: THIS MAGAZINE GOES ACROSS THE NATION. 605 00:34:16,600 --> 00:34:19,767 IT REALLY HAS FURTHER REACH THAN THE POLICE DEPARTMENT. 606 00:34:26,533 --> 00:34:29,567 Pelonero: ONE COPY ENDS UP IN CLEVELAND, OHIO, 607 00:34:29,567 --> 00:34:32,600 IN THE HANDS OF A WOMAN NAMED HENRIETTA, 608 00:34:32,600 --> 00:34:34,733 WHO WORKS AT THE STATLER HOTEL. 609 00:34:37,433 --> 00:34:40,133 HENRIETTA CAN'T BELIEVE HER EYES. 610 00:34:41,533 --> 00:34:45,367 THE SUSPECT, BOB IRWIN, LOOKS SO MUCH LIKE THE NEW BARBACK 611 00:34:45,367 --> 00:34:50,067 AT THE STATLER, WHOSE NAME ALSO HAPPENS TO BE BOB. 612 00:34:51,867 --> 00:34:54,133 SAY, BOB. 613 00:34:54,133 --> 00:34:55,067 YES, HENRIETTA? 614 00:34:55,067 --> 00:34:56,333 HOW CAN I HELP YOU? 615 00:34:56,333 --> 00:34:59,500 -WHAT WAS YOUR LAST NAME AGAIN? -MURRAY. WHY? 616 00:35:12,433 --> 00:35:15,067 Pelonero: HENRIETTA KNOWS THAT SOMETHING'S DEFINITELY UP 617 00:35:15,067 --> 00:35:16,067 BY HIS REACTION, 618 00:35:16,067 --> 00:35:19,167 SO SHE IMMEDIATELY CALLS THE POLICE. 619 00:35:22,467 --> 00:35:25,333 BUT TRUE TO FORM, BY THE TIME THEY ARRIVED, 620 00:35:25,333 --> 00:35:27,667 ROBERT IRWIN WAS IN THE WIND. 621 00:35:31,433 --> 00:35:34,533 AND THIS TIME, IF HE WANTED TO STAY LOST FOREVER, 622 00:35:34,533 --> 00:35:36,667 HE PROBABLY COULD HAVE. 623 00:35:38,933 --> 00:35:41,433 HELLO. IS THIS THE CHICAGO EXAMINER? 624 00:35:43,800 --> 00:35:47,067 TURNS OUT BOB HAD OTHER PLANS. 625 00:35:47,067 --> 00:35:49,933 ROBERT IRWIN... 626 00:35:49,933 --> 00:35:52,767 WANTS TO GIVE HIMSELF UP. 627 00:36:02,433 --> 00:36:04,667 Female co-worker: I DON'T PRETEND TO KNOW WHAT GOES ON IN THE MIND 628 00:36:04,667 --> 00:36:06,367 OF A GUY LIKE ROBERT IRWIN. 629 00:36:06,367 --> 00:36:07,900 BUT SOMETIME, 630 00:36:07,900 --> 00:36:11,900 MAYBE WHEN HE WAS ON SOME BUS FROM CLEVELAND TO CHICAGO, 631 00:36:11,900 --> 00:36:16,233 HE DECIDED TO STOP RUNNING AND TURN THE TABLES INSTEAD. 632 00:36:16,233 --> 00:36:20,333 ROBERT IRWIN WANTS TO GIVE HIMSELF UP. 633 00:36:20,333 --> 00:36:21,700 HE CALLS THE EDITOR 634 00:36:21,700 --> 00:36:23,933 OF THE CHICAGO HERALD AND EXAMINER. 635 00:36:23,933 --> 00:36:25,433 NO, THIS IS NOT A PRANK. 636 00:36:25,433 --> 00:36:29,067 HE DECIDES HE MIGHT AS WELL SOMEHOW PROFIT FROM THIS. 637 00:36:29,067 --> 00:36:30,300 THAT'LL DO. I'LL SEE YOU THEN. 638 00:36:30,300 --> 00:36:34,767 Pelonero: SO IN EXCHANGE FOR AN EXCLUSIVE CONFESSION, 639 00:36:34,767 --> 00:36:37,867 HE WANTS $5,000, 640 00:36:37,867 --> 00:36:41,900 A WHITE LINEN SUIT, AND A PANAMA HAT. 641 00:36:41,900 --> 00:36:43,467 SO THE EDITORS OF THE NEWSPAPER 642 00:36:43,467 --> 00:36:46,067 ACTUALLY TAKE BOB IRWIN TO A HOTEL. 643 00:36:46,067 --> 00:36:49,700 Schechter: IT WAS NOT UNCOMMON FOR WILLIAM RANDOLPH HEARST, 644 00:36:49,700 --> 00:36:53,200 THE GREAT AND POWERFUL NEWSPAPER MAGNATE OF THE ERA, 645 00:36:53,200 --> 00:36:57,533 TO PAY MONEY TO MURDERERS FOR THEIR CONFESSIONS. 646 00:36:57,533 --> 00:36:59,133 BOY, WAS I HUNGRY. 647 00:36:59,133 --> 00:37:02,767 WELL, IF YOU'RE READY NOW, WE'D LOVE TO HEAR YOUR STORY. 648 00:37:02,767 --> 00:37:07,567 BUT THERE HAD NEVER BEFORE BEEN A CASE IN WHICH THE NEWSPAPER 649 00:37:07,567 --> 00:37:11,600 KEPT THIS CONFESSED CRIMINAL FROM THE POLICE. 650 00:37:13,567 --> 00:37:17,633 I SUPPOSE IT ALL STARTED WITH A GIRL, ETHEL GEDEON. 651 00:37:22,600 --> 00:37:25,200 WE WERE SUPPOSED TO BE TOGETHER. 652 00:37:25,200 --> 00:37:28,833 SHE WAS GOING TO BE A PART OF MY WORK. 653 00:37:28,833 --> 00:37:30,267 [ SIGHS ] 654 00:37:30,267 --> 00:37:33,600 BUT SHE MARRIED SOMEONE ELSE. 655 00:37:33,600 --> 00:37:35,667 I COULDN'T CONCENTRATE. 656 00:37:35,667 --> 00:37:39,467 SHE WAS DISTRACTING ME FROM MY ART. 657 00:37:39,467 --> 00:37:41,833 I DIDN'T WANT TO DO IT, 658 00:37:41,833 --> 00:37:43,500 BUT I HAD TO. 659 00:37:47,533 --> 00:37:49,367 SHE WAS THE ONLY ONE I WANTED. 660 00:37:49,367 --> 00:37:52,467 I DIDN'T PLAN ON KILLING ANYONE ELSE. 661 00:37:52,467 --> 00:37:53,700 Pelonero: HE WANTS TO KILL ETHEL, 662 00:37:53,700 --> 00:37:55,833 BUT HE DOESN'T WANT TO DESTROY HER BEAUTY. 663 00:37:55,833 --> 00:37:58,067 HE DECIDES HE'S GOING TO JUST STAB HER IN THE BACK 664 00:37:58,067 --> 00:37:59,367 OF THE NECK. 665 00:37:59,367 --> 00:38:03,600 SO HE SPENDS TIME ACTUALLY SHARPENING AN ICE PICK. 666 00:38:03,600 --> 00:38:06,367 AND THEN HEADED FOR THE GEDEON APARTMENT. 667 00:38:06,367 --> 00:38:09,867 [ MAN SPEAKING INDISTINCTLY ON RADIO ] 668 00:38:09,867 --> 00:38:11,267 Pelonero: WHEN HE GOT THERE, 669 00:38:11,267 --> 00:38:14,800 HE FINDS MARY GEDEON, WHO INVITED HIM IN. 670 00:38:17,233 --> 00:38:19,300 THE BOARDER ACTUALLY CAME HOME, 671 00:38:19,300 --> 00:38:21,400 AND MARY INTRODUCED THEM. 672 00:38:25,933 --> 00:38:27,933 Schechter: HE KEPT ASKING, "WHEN IS ETHEL COMING HOME?" 673 00:38:27,933 --> 00:38:32,967 AND MARY KEPT INSISTING ETHEL WAS NOT LIVING THERE ANYMORE. 674 00:38:32,967 --> 00:38:35,633 SHE DIDN'T EVEN LIVE THERE. YOU HAD TO HAVE KNOWN THAT. 675 00:38:38,500 --> 00:38:41,100 Pelonero: HE CONVINCED HIMSELF THAT SHE DID LIVE THERE. 676 00:38:43,900 --> 00:38:47,433 HE WAS OBVIOUSLY DELUSIONAL. 677 00:38:47,433 --> 00:38:53,233 WHEN YOU GET IN A MIX-UP LIKE THAT, TIME MEANS NOTHING. 678 00:38:53,233 --> 00:38:57,667 Schechter: FINALLY, MARY GREW IMPATIENT AND TOLD BOB TO LEAVE. 679 00:38:59,067 --> 00:39:02,067 Pelonero: BOB SAYS, "I AM NOT LEAVING UNTIL ETHEL GETS HERE." 680 00:39:03,200 --> 00:39:06,067 MARY TELLS BOB THAT, IF HE DOESN'T LEAVE RIGHT AWAY, 681 00:39:06,067 --> 00:39:09,067 SHE'S GOING TO WAKE UP THE BOARDER. 682 00:39:09,067 --> 00:39:12,667 WHEN YOU HAVE SOMEBODY WHO IS NOT VIEWING THE WORLD 683 00:39:12,667 --> 00:39:13,700 IN THE SAME WAY THAT -- 684 00:39:13,700 --> 00:39:15,133 THAT OTHER PEOPLE ARE, 685 00:39:15,133 --> 00:39:19,367 IT'S DIFFICULT, OFTEN, TO UNDERSTAND THEIR MOTIVATIONS. 686 00:39:19,367 --> 00:39:23,733 Schechter: AND AT THAT POINT, BOB WENT COMPLETELY CRAZY. 687 00:39:29,500 --> 00:39:32,767 BOB POUNCES ON MARY AND STARTS CHOKING HER. 688 00:39:35,067 --> 00:39:36,800 ALL THIS TIME, 689 00:39:36,800 --> 00:39:38,567 THE DAMN ENGLISHMAN WAS IN THE NEXT ROOM 690 00:39:38,567 --> 00:39:40,967 BUT 10 FEET AWAY. 691 00:39:40,967 --> 00:39:45,067 REMARKABLY, FRANK BURNS IS DEAF IN ONE EAR 692 00:39:45,067 --> 00:39:48,067 AND HAD BEEN SLEEPING ON THE OTHER SIDE. 693 00:39:52,467 --> 00:39:55,133 Pelonero: BOB IS STILL DETERMINED THAT HE'S GOING TO WAIT FOR ETHEL. 694 00:39:55,133 --> 00:39:58,533 BUT IT OCCURS TO HIM THAT RONNIE MIGHT COME HOME FIRST. 695 00:39:58,533 --> 00:40:01,333 AND HE DIDN'T WANT TO KILL RONNIE. 696 00:40:01,333 --> 00:40:03,900 SO HE'S READ SOMEWHERE THAT A BAR OF SOAP 697 00:40:03,900 --> 00:40:06,467 CAN BE USED AS A BILLY CLUB. 698 00:40:08,867 --> 00:40:11,200 IF RONNIE COMES HOME FIRST, HE'S GOING TO KNOCK HER OUT 699 00:40:11,200 --> 00:40:12,400 AND TIE HER UP. 700 00:40:14,300 --> 00:40:16,100 GOOD NIGHT. 701 00:40:18,400 --> 00:40:22,000 * COME TO ME, MY MELANCHOLY BABY * 702 00:40:22,000 --> 00:40:24,200 [ HUMMING ] 703 00:40:24,200 --> 00:40:25,667 RONNIE COMES IN, 704 00:40:25,667 --> 00:40:29,800 AND SHE GOES INTO THE BATHROOM TO GET CLEANED UP BEFORE BED. 705 00:40:39,267 --> 00:40:40,900 I WASN'T GOING TO KILL HER. 706 00:40:44,500 --> 00:40:47,767 [ THUDDING, RONNIE SCREAMING ] 707 00:40:47,767 --> 00:40:50,167 Whalen: DOESN'T KNOCK HER OUT, BUT SHE CAN'T SEE 708 00:40:50,167 --> 00:40:52,233 WHO HER ASSAILANT IS. 709 00:40:52,233 --> 00:40:55,633 PLEASE, PLEASE! BOB! 710 00:40:55,633 --> 00:40:57,667 BOB! 711 00:40:57,667 --> 00:40:59,167 PLEASE! 712 00:40:59,167 --> 00:41:02,633 SOMEHOW, SHE KNEW. 713 00:41:02,633 --> 00:41:04,467 I JUST DIDN'T HAVE A CHOICE. 714 00:41:10,167 --> 00:41:14,333 Pelonero: HE ALSO SAYS THAT THE ALARM CLOCK HAS A GREEN GLOW TO IT, 715 00:41:14,333 --> 00:41:16,567 LIKE EYES STARING AT HIM. 716 00:41:23,667 --> 00:41:24,967 THE SUN CAME UP, 717 00:41:24,967 --> 00:41:27,967 AND IT OCCURS TO HIM THAT THE BOARDER HAS SEEN HIM. 718 00:41:27,967 --> 00:41:33,967 SO HE STABS HIM 11 TIMES IN THE HEAD AND NECK. 719 00:41:33,967 --> 00:41:38,233 THEN, HE LEAVES THE APARTMENT AND THREE DEAD BODIES BEHIND. 720 00:41:41,500 --> 00:41:44,833 I'M CERTAINLY SORRY I KILLED ALL THREE OF THEM. 721 00:41:44,833 --> 00:41:47,800 I WAS ONLY AFTER ONE, AND THAT WAS ETHEL. 722 00:41:49,433 --> 00:41:53,333 THE CONFESSION IS PUBLISHED. 723 00:41:53,333 --> 00:41:55,800 BOB IRWIN IS TURNED OVER TO THE NYPD 724 00:41:55,800 --> 00:41:57,967 AND RETURNED TO NEW YORK. 725 00:41:57,967 --> 00:42:01,400 AND HE'S A CELEBRITY OF SORTS 726 00:42:02,400 --> 00:42:06,333 YOU KNOW, HIS PICTURE'S ALL OVER THE PAPER. 727 00:42:06,333 --> 00:42:10,433 BOB IRWIN IS SENTENCED TO LIFE IN PRISON. 728 00:42:10,433 --> 00:42:11,900 HOWEVER, THE PSYCHIATRY STAFF 729 00:42:11,900 --> 00:42:13,900 FIND THAT HE IS VERY MENTALLY ILL, 730 00:42:13,900 --> 00:42:19,067 AND BOB IRWIN IS TRANSFERRED TO A PSYCHIATRIC FACILITY. 731 00:42:19,067 --> 00:42:23,833 Schechter: HE SPENT THE REMAINDER OF HIS LIFE INSTITUTIONALIZED. 732 00:42:25,867 --> 00:42:30,567 SO THAT WAS IT -- RONNIE AND MARY GEDEON AND FRANK BURNS 733 00:42:30,567 --> 00:42:32,133 ALL JUST INNOCENT VICTIMS 734 00:42:32,133 --> 00:42:34,700 IN SOME NUTCASE'S DELUSIONAL QUEST, 735 00:42:34,700 --> 00:42:40,300 NO MEANING, NO MORAL, NOTHING BUT A DAMN SHAME. 736 00:42:42,067 --> 00:42:45,867 BUT THEN, SOMEONE LIKE ME COMES IN TO PAINT THE GIRLS PRETTIER, 737 00:42:45,867 --> 00:42:47,700 MAKE THE MURDER BLOODIER 738 00:42:47,700 --> 00:42:49,133 AND TURN THE TRAGEDY 739 00:42:49,133 --> 00:42:52,067 INTO SOMETHING THRILLING WITH A LESSON FOR THE READERS, 740 00:42:52,067 --> 00:42:54,133 YOU KNOW, 741 00:42:54,133 --> 00:42:57,067 GIVE THE PEOPLE WHAT THEY WANT -- 742 00:42:57,067 --> 00:42:59,067 ONE HELL OF A STORY. 743 00:43:04,700 --> 00:43:15,133 * COME TO ME, MY MELANCHOLY BABY * 744 00:43:15,133 --> 00:43:19,333 * SMILE, MY HONEY DEAR * 745 00:43:19,333 --> 00:43:24,867 * WHILE I KISS AWAY EACH TEAR * 746 00:43:24,867 --> 00:43:32,167 * OR ELSE I SHALL BE MELANCHOLY, TOO * 747 00:43:32,217 --> 00:43:36,767 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 56362

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