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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:02:35,000 --> 00:02:39,000 [MUSIC ON TELEVISION] 2 00:02:43,833 --> 00:02:44,966 AUDREY? 3 00:02:45,000 --> 00:02:49,000 BABY? 4 00:02:57,533 --> 00:03:00,700 YOU'VE GOT SOME NERVE COMING HERE, JASON. 5 00:03:00,733 --> 00:03:02,733 BABY, YOU GOT TO STOP FREAKING OUT. 6 00:03:02,766 --> 00:03:04,500 SO YOU LOST A LITTLE BREAD. 7 00:03:04,533 --> 00:03:06,733 IT WAS JUST A BAD INVESTMENT. 8 00:03:06,766 --> 00:03:07,466 INVESTMENT? 9 00:03:07,500 --> 00:03:09,233 EMBEZZLEMENT! IT WAS FRAUD, 10 00:03:09,266 --> 00:03:11,666 YOU SELF-DELUDING EGOMANIAC. 11 00:03:11,700 --> 00:03:13,733 I'LL HAVE YOU TIED UP IN COURT, 12 00:03:13,766 --> 00:03:17,066 YOUR NAME DRAGGED THROUGH THE PAPERS FOR SO MANY YEARS. 13 00:03:17,100 --> 00:03:20,000 EVERYONE WILL KNOW WHAT A FAKE YOU ARE. 14 00:03:20,033 --> 00:03:21,900 A FAKE? YOU'RE THE FAKE. 15 00:03:21,933 --> 00:03:25,833 YOU'VE BEEN FAKING IT AS AN ACTRESS FOR YEARS. 16 00:03:25,866 --> 00:03:29,866 YOU'RE NOTHING BUT A WASHED-OUT "B" MOVIE SLUT. 17 00:03:31,333 --> 00:03:33,133 YOUR DAYS AS PRETENDING 18 00:03:33,166 --> 00:03:35,933 TO BE A BUSINESS MANAGER ARE OVER. 19 00:03:35,966 --> 00:03:39,400 GET OUT OF MY HOUSE. 20 00:03:39,433 --> 00:03:43,433 YOU BITCH. 21 00:03:43,533 --> 00:03:47,433 YOU PUSHED ME TOO FAR. 22 00:03:54,433 --> 00:03:57,266 STAY AWAY FROM ME, YOU LOSER. 23 00:03:57,300 --> 00:03:58,700 OH! 24 00:03:58,733 --> 00:04:00,133 YOU LOSER! 25 00:04:00,166 --> 00:04:04,166 AAH! 26 00:04:47,700 --> 00:04:51,700 [SIGHS] 27 00:04:52,000 --> 00:04:54,733 HE'S STILL NOT HERE. 28 00:04:54,766 --> 00:04:58,766 HE'LL BE HERE. 29 00:05:01,200 --> 00:05:04,833 THERE HE IS. 30 00:05:04,866 --> 00:05:06,000 THANK YOU. PAUL, MIKE. 31 00:05:06,033 --> 00:05:08,933 HI, MR. THAYER. IT'S NICE TO SEE YOU AGAIN. 32 00:05:08,966 --> 00:05:10,300 GOOD TO SEE YOU BOYS. 33 00:05:10,333 --> 00:05:11,566 YOU, TOO. OH, BY THE WAY, 34 00:05:11,600 --> 00:05:13,566 I FAXED THE LAST PART OF THAT DEAL MEMO 35 00:05:13,600 --> 00:05:15,366 OVER TO YOUR OFFICE LATE THIS AFTERNOON, 36 00:05:15,400 --> 00:05:17,166 BUT YOUR SECRETARY MENTIONED YOU HAD ALREADY GONE. 37 00:05:17,200 --> 00:05:19,966 HA HA HA. FAX, DEAL, MEMOS. BELIEVE IT OR NOT, 38 00:05:20,000 --> 00:05:21,000 I GO BACK TO A TIME 39 00:05:21,033 --> 00:05:23,300 WHEN DEALS WERE CONSUMMATED WITH A HANDSHAKE. 40 00:05:23,333 --> 00:05:24,566 A MAN'S WORD WAS HIS HONOR. 41 00:05:24,600 --> 00:05:28,000 DIDN'T HAVE TO INCUR ALL THESE LARGE LEGAL EXPENSES. 42 00:05:28,033 --> 00:05:29,366 AH, THE OLD DAYS. 43 00:05:29,400 --> 00:05:31,500 ATTORNEYS MAKE OUT LIKE BANDITS. 44 00:05:31,533 --> 00:05:33,866 OH, THIS I'VE GOT TO SEE. 45 00:05:33,900 --> 00:05:35,666 GOOD SHOT! NICE SHOT! 46 00:05:35,700 --> 00:05:36,366 BRAVO! 47 00:05:36,400 --> 00:05:37,700 GRACE, BEAUTY, AND FORM. 48 00:05:37,733 --> 00:05:39,733 THIS SEEMS TO BE QUITE A PARTY. 49 00:05:39,766 --> 00:05:41,133 IT SURE DOES. OH, BY THE WAY, 50 00:05:41,166 --> 00:05:43,066 YOU'RE WELCOME TO STAY IF YOU'D LIKE. 51 00:05:43,100 --> 00:05:45,733 I DON'T KNOW WHAT YOUR SCHEDULE IS LIKE. 52 00:05:45,766 --> 00:05:46,433 YES. 53 00:05:46,466 --> 00:05:47,700 WELL, LET'S PLAY IT BY EAR 54 00:05:47,733 --> 00:05:49,500 AND SEE WHAT HAPPENS, ALL RIGHT? 55 00:05:49,533 --> 00:05:50,800 WHATEVER YOU WANT. 56 00:05:50,833 --> 00:05:52,500 ON WITH THE BUSINESS HERE. 57 00:05:52,533 --> 00:05:53,966 UH...JASON. JASON. 58 00:05:54,000 --> 00:05:55,666 EXCUSE ME. JASON LAURENCE, 59 00:05:55,700 --> 00:05:57,733 I'D LIKE YOU TO MEET MORRIS THAYER. 60 00:05:57,766 --> 00:05:59,033 HOW DO YOU DO, SIR? 61 00:05:59,066 --> 00:06:02,133 MORRIS. SO I FINALLY MEET THE MYSTERY MAN. 62 00:06:02,166 --> 00:06:03,200 [CHUCKLES] 63 00:06:03,233 --> 00:06:05,633 GENTLEMEN, WHY DON'T WE SIT DOWN. 64 00:06:05,666 --> 00:06:08,066 THANK YOU. 65 00:06:08,100 --> 00:06:10,533 MORRIS, I'D LIKE YOU TO MEET MY PARTNER-- 66 00:06:10,566 --> 00:06:12,166 NICK SINGLETON. 67 00:06:12,200 --> 00:06:13,133 NICK. 68 00:06:13,166 --> 00:06:14,700 [COUGHING] 69 00:06:14,733 --> 00:06:16,933 THAT SOUNDS PRETTY BAD, NICK. 70 00:06:16,966 --> 00:06:18,600 [RASPY VOICE] I'M ALL RIGHT. 71 00:06:18,633 --> 00:06:20,666 NICK AND I HAVE BEEN PARTNERS FOR A LONG TIME. 72 00:06:20,700 --> 00:06:22,733 I WON'T LET ANYTHING HAPPEN TO HIM. 73 00:06:22,766 --> 00:06:26,000 ESPECIALLY WITH A DEAL THIS BIG AT STAKE. 74 00:06:26,033 --> 00:06:27,066 [LAUGHTER] 75 00:06:27,100 --> 00:06:29,133 WELL, PAUL AND MIKE HAVE NEVER STEERED ME WRONG, 76 00:06:29,166 --> 00:06:31,600 CERTAINLY NOT IN THE PROJECTS I'VE CAPITALIZED FOR THEM. 77 00:06:31,633 --> 00:06:34,666 NOW THEY'RE EXPANDING THEIR HORIZONS, AND I BELIEVE IN THEM. 78 00:06:34,700 --> 00:06:37,133 SO I'VE DECIDED TO FINANCE THEM ONCE AGAIN 79 00:06:37,166 --> 00:06:39,266 SO THEY CAN INVEST IN YOUR OPERATION. 80 00:06:39,300 --> 00:06:41,700 WELL, HERE'S THE COPIES OF THE NEW PROSPECTUS 81 00:06:41,733 --> 00:06:43,633 WITH ALL THE AGREED-UPON CHANGES. 82 00:06:43,666 --> 00:06:44,500 THANK YOU. 83 00:06:44,533 --> 00:06:48,133 I THINK YOU'LL FIND IT TO YOUR LIKING. 84 00:06:48,566 --> 00:06:52,566 EVERYTHING CERTAINLY SEEMS TO BE IN ORDER. 85 00:06:52,733 --> 00:06:56,733 PAUL. 86 00:06:56,833 --> 00:06:58,133 WHOA. 87 00:06:58,166 --> 00:06:59,433 [LAUGHTER] 88 00:06:59,466 --> 00:07:02,800 OK, MIKE, WHY DON'T YOU GIVE JASON OUR CHECK. 89 00:07:02,833 --> 00:07:04,333 YEAH. JASON, IT'S POSTDATED. 90 00:07:04,366 --> 00:07:05,566 SO PLEASE DON'T DEPOSIT IT 91 00:07:05,600 --> 00:07:09,500 UNTIL MR. THAYER'S MONEY IS IN OUR ACCOUNT. 92 00:07:09,533 --> 00:07:10,266 [LAUGHTER] 93 00:07:10,300 --> 00:07:11,933 RELAX, MIKE. I'M IN NO HURRY. 94 00:07:11,966 --> 00:07:14,000 WE'RE GOING TO BE IN BUSINESS TOGETHER 95 00:07:14,033 --> 00:07:15,400 FOR A LONG TIME TO COME. 96 00:07:15,433 --> 00:07:18,733 GENTLEMEN, I'D LIKE TO PROPOSE A TOAST. 97 00:07:18,766 --> 00:07:20,366 AH. 98 00:07:20,400 --> 00:07:24,233 TO A LONG AND PROFITABLE FUTURE TOGETHER. 99 00:07:24,266 --> 00:07:25,500 HERE, HERE. 100 00:07:25,533 --> 00:07:29,533 I'LL DRINK TO THAT. 101 00:07:30,266 --> 00:07:32,433 HI. HEY, I HAVEN'T SEEN JASON. 102 00:07:32,466 --> 00:07:35,866 NO. HE'S HAD SOME BUSINESS TO ATTEND TO INSIDE. 103 00:07:35,900 --> 00:07:37,933 IN FACT, I'M GONNA GO CHECK ON HIM, OK? 104 00:07:37,966 --> 00:07:38,833 SEE YOU LATER. 105 00:07:38,866 --> 00:07:40,300 Paul: SIGNED, SEALED, AND DELIVERED. 106 00:07:40,333 --> 00:07:42,266 EVERYTHING WENT JUST LIKE WE PLANNED. 107 00:07:42,300 --> 00:07:44,700 I DON'T UNDERSTAND WHY YOU'RE SO UPTIGHT. 108 00:07:44,733 --> 00:07:46,400 IT'S LAST-MINUTE JITTERS, I GUESS. 109 00:07:46,433 --> 00:07:48,433 IT'S JUST THAT WE'RE REAL-ESTATE PEOPLE, PAUL. 110 00:07:48,466 --> 00:07:50,633 THIS VIDEO THING-- IT'S A WHOLE NEW BALL GAME. 111 00:07:50,666 --> 00:07:53,200 I KNOW. WELL, THE MARKET WENT SOFT. 112 00:07:53,233 --> 00:07:54,333 I KNOW. 113 00:07:54,366 --> 00:07:55,633 WELL, WE HAD TO DIVERSIFY. 114 00:07:55,666 --> 00:07:57,800 AND IF WHAT JASON PROMISED COMES TRUE, 115 00:07:57,833 --> 00:07:59,533 THEN OUR SHARE OF THE PROFITS 116 00:07:59,566 --> 00:08:02,900 ARE GONNA SAVE OUR ASS IN THE NEXT FEW YEARS. 117 00:08:02,933 --> 00:08:05,000 I KNOW. YOU'RE RIGHT. 118 00:08:05,033 --> 00:08:06,433 YOU KNOW, THIS... 119 00:08:06,466 --> 00:08:09,000 TALL BLONDE WOMAN OVER HERE 120 00:08:09,033 --> 00:08:10,366 IS VERY INTERESTING. 121 00:08:10,400 --> 00:08:12,066 HMM. SHE'S NOT YOUR TYPE. 122 00:08:12,100 --> 00:08:14,400 OR SHOULD I SAY, YOU ARE NOT HER TYPE. 123 00:08:14,433 --> 00:08:17,066 OH, COME ON. YOU EVER HEARD THAT OPPOSITES ATTRACT? 124 00:08:17,100 --> 00:08:19,300 YOU'RE OPPOSITE, ALL RIGHT. 125 00:08:19,333 --> 00:08:22,566 WELL, YOU NEVER KNOW UNTIL YOU TRY, DO YOU? 126 00:08:22,600 --> 00:08:24,166 OH, GO FOR IT. 127 00:08:24,200 --> 00:08:26,500 OK. WATCH AND LEARN. 128 00:08:26,533 --> 00:08:30,533 [PFFFT] 129 00:08:41,100 --> 00:08:45,100 WELL, HELLO THERE. 130 00:08:45,200 --> 00:08:49,100 I'M PAUL AVERY. 131 00:08:51,833 --> 00:08:54,500 Jason: OH, I SEE YOU'VE MET CINDY. 132 00:08:54,533 --> 00:08:58,100 I JUST HIRED HER AS MY PERSONAL ASSISTANT. 133 00:08:58,133 --> 00:08:59,266 OH, IS THAT RIGHT? 134 00:08:59,300 --> 00:09:00,966 WELL, IT SEEMS AS THOUGH YOU AND I 135 00:09:01,000 --> 00:09:03,133 WILL BE SEEING A LOT OF EACH OTHER. 136 00:09:03,166 --> 00:09:05,300 APPEARS SO. 137 00:09:05,333 --> 00:09:06,300 COME ON, JASON. 138 00:09:06,333 --> 00:09:08,366 WE DON'T WANT TO IGNORE OUR OTHER GUESTS. 139 00:09:08,400 --> 00:09:12,400 LET'S LET THESE TWO GET ACQUAINTED. 140 00:09:12,733 --> 00:09:14,600 I'LL SPEAK TO YOU LATER. 141 00:09:14,633 --> 00:09:15,333 YEAH. 142 00:09:15,366 --> 00:09:16,933 HEY, PAUL, YOU GOT A MINUTE? 143 00:09:16,966 --> 00:09:17,900 MM-HMM. 144 00:09:17,933 --> 00:09:19,066 LISTEN, I JUST BOUGHT A PIECE OF PROPERTY 145 00:09:19,100 --> 00:09:20,900 OUT IN LANCASTER, AND I NEED YOUR ADVICE. 146 00:09:20,933 --> 00:09:22,966 I HEARD THIS RUMOR THAT THEY'RE GONNA BUILD 147 00:09:23,000 --> 00:09:24,266 AN AIRPORT RIGHT THROUGH IT. 148 00:09:24,300 --> 00:09:25,900 NOW, I NEED TO KNOW-- SHOULD I SELL IT? 149 00:09:25,933 --> 00:09:27,166 SHOULD I KEEP IT? I DON'T KNOW. 150 00:09:27,200 --> 00:09:29,233 YOU KNOW WHAT? WHY DON'T YOU GIVE ME A CALL 151 00:09:29,266 --> 00:09:30,533 TOMORROW AT THE OFFICE. 152 00:09:30,566 --> 00:09:32,066 WE CAN GO OVER IT THEN, ALL RIGHT? 153 00:09:32,100 --> 00:09:33,866 TOMORROW? OK. THANKS A LOT, PAL. 154 00:09:33,900 --> 00:09:37,900 ALL RIGHT. 155 00:10:02,000 --> 00:10:06,000 HI. HOW ARE YOU DOING? 156 00:10:25,400 --> 00:10:29,200 WHERE'D YOU DISAPPEAR TO? 157 00:10:29,233 --> 00:10:30,966 MIND IF I SIT DOWN? 158 00:10:31,000 --> 00:10:34,066 SUIT YOURSELF. 159 00:10:34,100 --> 00:10:34,933 [AHEM] 160 00:10:34,966 --> 00:10:38,500 DO YOU MIND IF I SQUAT? 161 00:10:38,533 --> 00:10:40,766 YOU KNOW, I WAS TRAVELING IN NEW DELHI, INDIA, 162 00:10:40,800 --> 00:10:42,700 ON A BUSINESS TRIP SOME TIME AGO, 163 00:10:42,733 --> 00:10:45,300 AND I ACQUIRED A TASTE FOR SQUATTING. 164 00:10:45,333 --> 00:10:49,333 AND 5 YEARS NOW, I HAVEN'T BEEN ABLE TO SHAKE THE HABIT. 165 00:10:50,833 --> 00:10:52,766 I USED TO BE A CHAIN SQUATTER, 166 00:10:52,800 --> 00:10:54,866 BUT I'VE BEEN ABLE TO CUT IT BACK 167 00:10:54,900 --> 00:10:58,300 TO 2 OR 3 SQUATS A DAY NOW. 168 00:10:58,333 --> 00:11:00,566 DO YOU ALWAYS TALK THIS MUCH, 169 00:11:00,600 --> 00:11:02,600 OR IS IT JUST ME? 170 00:11:02,633 --> 00:11:04,000 THERE'S MY RIDE. 171 00:11:04,033 --> 00:11:07,033 [VEHICLE APPROACHING] 172 00:11:07,066 --> 00:11:08,700 YOU'RE TAKING A CAB? 173 00:11:08,733 --> 00:11:11,866 WHY DON'T YOU LET ME GIVE YOU A LIFT? 174 00:11:11,900 --> 00:11:13,433 NO, THANKS. 175 00:11:13,466 --> 00:11:15,800 IT'S NO PROBLEM, REALLY. 176 00:11:15,833 --> 00:11:17,900 WHAT DO I DO WITH HIM? 177 00:11:17,933 --> 00:11:21,933 I'LL TAKE CARE OF HIM. BE RIGHT BACK. 178 00:11:24,833 --> 00:11:28,200 HEY, WOULD YOU BRING UP THE BLACK JEEP, PLEASE? 179 00:11:28,233 --> 00:11:30,066 OK. THANKS. 180 00:11:30,100 --> 00:11:31,333 HEY, HOW'S IT GOING? 181 00:11:31,366 --> 00:11:33,066 LISTEN, I HATE TO BOTHER YOU, 182 00:11:33,100 --> 00:11:35,600 BUT THE LADY'S GONNA BE RIDING WITH ME, OK? 183 00:11:35,633 --> 00:11:39,633 I HOPE IT'S NOT AN INCONVENIENCE. THANKS. 184 00:11:41,133 --> 00:11:42,766 SEE? NO PROBLEM. 185 00:11:42,800 --> 00:11:45,766 HE'S HAPPY. HE MADE A NICE TIP. 186 00:11:45,800 --> 00:11:48,533 I'M HAPPY. YOU'RE RIDING WITH ME. 187 00:11:48,566 --> 00:11:49,900 [VEHICLE APPROACHING] 188 00:11:49,933 --> 00:11:51,866 THE CARRIAGE HAS ARRIVED. 189 00:11:51,900 --> 00:11:54,200 SO, WHERE AM I TAKING YOU? 190 00:11:54,233 --> 00:11:56,200 DOWNTOWN. 191 00:11:56,233 --> 00:11:57,333 DOWNTOWN? 192 00:11:57,366 --> 00:12:00,733 YEAH. I'VE GOT TO GO TO WORK. 193 00:12:00,766 --> 00:12:03,700 I THOUGHT YOU WERE WORKING FOR JASON. 194 00:12:03,733 --> 00:12:05,500 I MOONLIGHT. 195 00:12:05,533 --> 00:12:09,533 [ROCK MUSIC PLAYING] 196 00:12:20,300 --> 00:12:24,300 BEER. 197 00:12:24,800 --> 00:12:28,800 THANKS. 198 00:12:47,133 --> 00:12:51,133 [MUSIC CHANGES] 199 00:13:02,166 --> 00:13:06,166 MOMMY? 200 00:13:20,933 --> 00:13:23,366 Man: ♪ GIVE ME 201 00:13:23,400 --> 00:13:25,300 ♪ FEED ME 202 00:13:25,333 --> 00:13:29,300 ♪ NEED MY MOTHER'S MILK 203 00:13:29,333 --> 00:13:31,000 ♪ GIVE ME 204 00:13:31,033 --> 00:13:33,066 ♪ FEED ME 205 00:13:33,100 --> 00:13:37,100 ♪ NEED MY MOTHER'S MILK 206 00:13:38,500 --> 00:13:41,900 ♪ LOOSE INTERPRETATION 207 00:13:41,933 --> 00:13:45,200 ♪ THAT KEEPS ME ALIVE 208 00:13:45,233 --> 00:13:48,566 ♪ RUNNIN' THROUGH MY VEINS 209 00:13:48,600 --> 00:13:52,600 ♪ GIVE ME THE STRENGTH TO HAVE NO SHAME ♪ 210 00:13:54,766 --> 00:13:58,766 ♪ SAY WHAT YOU WILL, BUT TIME STANDS STILL ♪ 211 00:14:00,966 --> 00:14:04,833 ♪ GIVE ME PROTECTION 212 00:14:04,866 --> 00:14:06,666 ♪ GIVE ME THE HONEY 213 00:14:06,700 --> 00:14:10,700 ♪ GIVE ME THE MOTHER'S MILK ♪ 214 00:14:26,000 --> 00:14:30,000 ♪ GIVE ME 215 00:14:33,000 --> 00:14:34,866 ♪ GIVE ME 216 00:14:34,900 --> 00:14:36,933 ♪ FEED ME 217 00:14:36,966 --> 00:14:40,966 ♪ NEED MY MOTHER'S MILK 218 00:14:41,066 --> 00:14:42,566 ♪ GIVE ME 219 00:14:42,600 --> 00:14:44,366 ♪ FEED ME 220 00:14:44,400 --> 00:14:48,400 ♪ NEED MY MOTHER'S MILK 221 00:14:51,000 --> 00:14:55,000 [APPLAUSE] 222 00:15:05,633 --> 00:15:07,466 LAST CALL, FOLKS! 223 00:15:07,500 --> 00:15:11,500 LAST CALL FOR ALCOHOL! 224 00:15:21,066 --> 00:15:23,266 QUITE A PERFORMANCE. 225 00:15:23,300 --> 00:15:24,900 THANK YOU. 226 00:15:24,933 --> 00:15:26,500 YOU KNOW, I WAS THINKING... 227 00:15:26,533 --> 00:15:30,433 WE WERE HAVING SUCH A LOVELY CONVERSATION BEFORE. 228 00:15:30,466 --> 00:15:34,100 MAYBE WE COULD CONTINUE IT. 229 00:15:34,133 --> 00:15:38,133 WHY DON'T YOU LET ME GIVE YOU A RIDE HOME? 230 00:15:52,266 --> 00:15:56,266 [DISTANT SIREN] 231 00:15:59,000 --> 00:16:00,300 THIS IS IT. 232 00:16:00,333 --> 00:16:01,733 THANKS FOR THE LIFT. 233 00:16:01,766 --> 00:16:04,533 NICE NEIGHBORHOOD. 234 00:16:04,566 --> 00:16:06,633 I CAN TAKE CARE OF MYSELF. 235 00:16:06,666 --> 00:16:09,066 I'LL BET YOU CAN. 236 00:16:09,100 --> 00:16:13,100 GOOD NIGHT, PAUL. 237 00:16:16,900 --> 00:16:20,266 WAIT A MINUTE. 238 00:16:20,300 --> 00:16:21,233 NOW WHAT? 239 00:16:21,266 --> 00:16:25,266 I ALWAYS WALK A LADY TO THE FRONT DOOR. 240 00:16:37,333 --> 00:16:39,833 COULD YOU HIT THAT BUTTON, PLEASE? 241 00:16:39,866 --> 00:16:40,766 SURE. 242 00:16:40,800 --> 00:16:44,800 [ELEVATOR RUMBLING] 243 00:16:49,066 --> 00:16:52,933 WILL YOU TALK TO ME NOW? 244 00:16:52,966 --> 00:16:54,533 SO, HOW DO YOU KNOW JASON? 245 00:16:54,566 --> 00:16:56,700 WELL, I'VE BEEN IN REAL ESTATE FOR A LONG TIME, 246 00:16:56,733 --> 00:16:58,500 AND MY PARTNER AND I NEEDED TO DIVERSIFY, 247 00:16:58,533 --> 00:17:02,500 AND JASON PROVIDED A BUSINESS OPPORTUNITY, SO... 248 00:17:02,533 --> 00:17:04,700 I GOT MY FINGERS CROSSED. 249 00:17:04,733 --> 00:17:06,200 [ELEVATOR STOPS] 250 00:17:06,233 --> 00:17:10,233 WELL, GOOD LUCK. 251 00:17:18,300 --> 00:17:20,666 I HOPE EVERYTHING WORKS OUT FOR YOU. 252 00:17:20,700 --> 00:17:23,666 IT'S NEVER EASY. 253 00:17:23,700 --> 00:17:27,700 BUT THEN, NEITHER AM I. 254 00:17:34,733 --> 00:17:37,033 HEY, HEY, HEY. YOU GOT A DOLLAR? 255 00:17:37,066 --> 00:17:39,066 YOU GOT A DOLLAR? 256 00:17:39,100 --> 00:17:41,366 UH... I DON'T KNOW. 257 00:17:41,400 --> 00:17:42,366 PHEW. 258 00:17:42,400 --> 00:17:43,666 YOU GOT A DOLLAR? 259 00:17:43,700 --> 00:17:45,466 NO, I DON'T HAVE A DOLLAR. 260 00:17:45,500 --> 00:17:48,866 I'M REALLY SORRY. I DON'T. 261 00:17:48,900 --> 00:17:52,900 MAN, BACK OFF! 262 00:18:01,233 --> 00:18:03,333 WHAT'S UP, NICK? 263 00:18:03,366 --> 00:18:04,933 CLOSE THE DOOR. 264 00:18:04,966 --> 00:18:07,700 [COUGHS] 265 00:18:07,733 --> 00:18:09,200 YOU'VE GOT TO KEEP A LOW PROFILE. 266 00:18:09,233 --> 00:18:12,600 YOU'VE BEEN GOING THROUGH MONEY LIKE THERE'S NO TOMORROW. 267 00:18:12,633 --> 00:18:14,366 YOU KNOW, NICK, YOU'RE ACTING 268 00:18:14,400 --> 00:18:16,866 MORE AND MORE LIKE AN OLD WOMAN. 269 00:18:16,900 --> 00:18:19,233 THAYER'S NOT A MARK. HE'S CONNECTED. 270 00:18:19,266 --> 00:18:22,466 BLOW HIS MONEY, AND HE'LL BLOW US AWAY. 271 00:18:22,500 --> 00:18:25,366 I CAN HANDLE THAYER. 272 00:18:25,400 --> 00:18:26,800 THEN YOU HANDLE HIM ALONE. 273 00:18:26,833 --> 00:18:28,933 LOOK, I CAN'T TAKE THIS ANYMORE. 274 00:18:28,966 --> 00:18:32,433 I'M TIRED, AND YOU KNOW I HAVEN'T BEEN FEELING WELL. 275 00:18:32,466 --> 00:18:34,300 MY HEART CAN'T TAKE THE STRESS. 276 00:18:34,333 --> 00:18:36,100 WHAT THE HELL ARE YOU SAYING, NICK? 277 00:18:36,133 --> 00:18:39,100 MAYBE IT'S TIME WE WENT OUR SEPARATE WAYS. 278 00:18:39,133 --> 00:18:40,566 WE'VE HAD A GOOD RUN. 279 00:18:40,600 --> 00:18:43,066 YOU CAN DEPOSIT MY SHARE INTO MY ACCOUNT. 280 00:18:43,100 --> 00:18:44,366 I'M RETIRING. 281 00:18:44,400 --> 00:18:46,000 YOU RETIRE WHEN I SAY YOU DO, 282 00:18:46,033 --> 00:18:47,400 AND NOT A SECOND SOONER! 283 00:18:47,433 --> 00:18:48,966 DON'T TRY THAT WITH ME, JASON! 284 00:18:49,000 --> 00:18:51,700 REMEMBER, I KNOW WHERE THE SKELETONS ARE BURIED. 285 00:18:51,733 --> 00:18:53,966 THEY'RE YOUR SKELETONS, TOO, NICK. 286 00:18:54,000 --> 00:18:58,000 I SUGGEST YOU RECONSIDER. 287 00:19:01,833 --> 00:19:04,666 COME ON, BABY. LET'S GO. 288 00:19:04,700 --> 00:19:07,100 SOMETHING THE MATTER? 289 00:19:07,133 --> 00:19:08,133 NAH. IT'S NOTHING. 290 00:19:08,166 --> 00:19:11,233 JASON, WHEN SHALL I SAY YOU'RE EXPECTED BACK? 291 00:19:11,266 --> 00:19:14,566 MR. LAURENCE WILL BE OUT 292 00:19:14,600 --> 00:19:18,600 FOR THE REST OF THE DAY. 293 00:19:21,266 --> 00:19:22,633 [DOOR CLOSES] 294 00:19:22,666 --> 00:19:26,666 [LAUGHING] 295 00:19:33,666 --> 00:19:37,666 NICE TO KNOW YOU'RE ON A FIRST-NAME BASIS WITH CINDY. 296 00:19:37,766 --> 00:19:40,333 HEY, LOOK. I JUST WANT TO MAKE THE NEW GIRL 297 00:19:40,366 --> 00:19:42,700 FEEL COMFORTABLE AROUND THE OFFICE. 298 00:19:42,733 --> 00:19:45,633 [ENGINE REVVING] 299 00:19:45,666 --> 00:19:47,800 THAT'S NOT OUR CAR. 300 00:19:47,833 --> 00:19:49,700 YEAH, IT IS. 301 00:19:49,733 --> 00:19:51,500 WHAT DO YOU MEAN? 302 00:19:51,533 --> 00:19:53,866 I MEAN IT'S ALL YOURS. 303 00:19:53,900 --> 00:19:54,733 REALLY? 304 00:19:54,766 --> 00:19:56,666 YEAH. HA HA HA. 305 00:19:56,700 --> 00:19:57,933 TAKE IT FOR A SPIN. 306 00:19:57,966 --> 00:20:00,166 THAT'S WONDERFUL. YOU WANT TO HOP IN? 307 00:20:00,200 --> 00:20:03,433 NO. MY CAR'S HERE. I'LL BE RIGHT BEHIND YOU. 308 00:20:03,466 --> 00:20:07,033 OK. 309 00:20:07,066 --> 00:20:11,066 [DIALING] 310 00:20:13,133 --> 00:20:14,966 THIS IS NICK SINGLETON. 311 00:20:15,000 --> 00:20:18,333 I NEED TO TALK TO PAUL AVERY. 312 00:20:18,366 --> 00:20:21,800 [COUGHS] 313 00:20:21,833 --> 00:20:22,866 HELLO, PAUL? 314 00:20:22,900 --> 00:20:26,733 CAN YOU COME BY MY HOUSE TONIGHT? 315 00:20:26,766 --> 00:20:28,933 IT'S IMPORTANT. 316 00:20:28,966 --> 00:20:32,600 [MUSIC PLAYING SOFTLY] 317 00:20:32,633 --> 00:20:34,600 ASHIANA. MAY I HELP YOU? 318 00:20:34,633 --> 00:20:38,633 YES, MR. MATHERS, WE HAVE A TABLE FOR 2 AT 6 P.M. 319 00:20:39,600 --> 00:20:41,900 OK, WE'LL SEE YOU THEN. 320 00:20:41,933 --> 00:20:42,933 BYE. 321 00:20:42,966 --> 00:20:44,866 GOOD AFTERNOON, MR. LAURENCE. 322 00:20:44,900 --> 00:20:46,833 HI, DOLL. HOW YOU DOING? 323 00:20:46,866 --> 00:20:48,433 MY TABLE READY YET? 324 00:20:48,466 --> 00:20:50,166 IT'LL BE A COUPLE OF MINUTES. 325 00:20:50,200 --> 00:20:54,200 OK. I'LL BE OVER AT THE BAR. 326 00:20:59,700 --> 00:21:01,933 MR. LAURENCE, NICE TO SEE YOU AGAIN. 327 00:21:01,966 --> 00:21:03,366 LET ME GET YOU A DRINK. 328 00:21:03,400 --> 00:21:05,766 A DRINK FOR MR. LAURENCE, PLEASE. 329 00:21:05,800 --> 00:21:06,933 THANKS, VERAJ. 330 00:21:06,966 --> 00:21:10,833 NO PROBLEM. ENJOY YOUR DRINK. 331 00:21:10,866 --> 00:21:12,766 HOW ARE YOU TODAY? 332 00:21:12,800 --> 00:21:16,800 UH...I'M OK. 333 00:21:22,933 --> 00:21:25,666 SO...LOOK WHO FINALLY SURFACED. 334 00:21:25,700 --> 00:21:27,100 HOW YOU DOING, STAN? 335 00:21:27,133 --> 00:21:28,900 I WAS ABOUT TO ASK YOU 336 00:21:28,933 --> 00:21:31,333 THE SAME THING ABOUT CONSOLIDATED. 337 00:21:31,366 --> 00:21:32,833 STANLEY... 338 00:21:32,866 --> 00:21:34,833 THAT COMPANY WAS SOLID GOLD 339 00:21:34,866 --> 00:21:36,533 WHEN WE GOT INTO IT. 340 00:21:36,566 --> 00:21:37,733 AND YOU KNEW THAT. 341 00:21:37,766 --> 00:21:40,533 YOU SAID YOUR SOURCES WERE INFALLIBLE. 342 00:21:40,566 --> 00:21:42,233 WHO COULD HAVE PREDICTED 343 00:21:42,266 --> 00:21:44,233 THE DOWNTURN OF THE MARKET, STAN? 344 00:21:44,266 --> 00:21:48,266 LET ME BUY YOU A DRINK. 345 00:21:48,466 --> 00:21:51,800 HEY, YOU THINK IT'LL TURN UP... 346 00:21:51,833 --> 00:21:55,533 THE MARKET? 347 00:21:55,566 --> 00:21:58,466 WELL, I WILL SAY THIS... 348 00:21:58,500 --> 00:22:02,500 IF SOMEONE WANTED TO MAKE A KILLING IN CONSOLIDATED, 349 00:22:03,133 --> 00:22:05,433 NOW'S THE TIME TO BUY. 350 00:22:05,466 --> 00:22:07,400 BUT HOW CAN I DO THAT? 351 00:22:07,433 --> 00:22:11,433 I'VE ALREADY SPENT ALL THE MONEY IN MY TRUST FUND. 352 00:22:12,933 --> 00:22:14,633 GET A JOB. 353 00:22:14,666 --> 00:22:18,666 Woman: TABLE'S READY. 354 00:22:19,100 --> 00:22:21,233 NICE TO SEE YOU, STAN. 355 00:22:21,266 --> 00:22:23,100 YEAH. 356 00:22:23,133 --> 00:22:24,633 YOU KNOW, HEATHER, I MEANT WHAT I SAID 357 00:22:24,666 --> 00:22:27,333 ABOUT INTRODUCING YOU TO SOME PEOPLE IN HOLLYWOOD. 358 00:22:27,366 --> 00:22:29,566 REALLY? I'M TAKING A SCENE STUDY CLASS 359 00:22:29,600 --> 00:22:30,800 OVER AT CITY COLLEGE. 360 00:22:30,833 --> 00:22:32,666 YEAH. WELL, YOU'VE GOT A LOT OF TALENT. 361 00:22:32,700 --> 00:22:36,700 IT SHOULD BE EXPLORED. WHAT'S YOUR PHONE NUMBER? 362 00:22:37,100 --> 00:22:41,100 WELL, IT'S... 555-1226. 363 00:22:41,833 --> 00:22:45,400 HA HA HA. SO JASON'S GONNA INTRODUCE YOU 364 00:22:45,433 --> 00:22:48,833 TO A FEW PEOPLE IN SHOW BUSINESS? 365 00:22:48,866 --> 00:22:52,766 EXCUSE ME. 366 00:22:52,800 --> 00:22:55,600 HEY, SHE'S JUST A FRIEND OF THE FAMILY. 367 00:22:55,633 --> 00:22:57,066 YEAH. WELL, SAVE IT 368 00:22:57,100 --> 00:23:01,100 FOR SOMEBODY ELSE, JASON. 369 00:23:01,833 --> 00:23:05,833 SO...YOU FINALLY CAVED IN AND CALLED ME. 370 00:23:05,933 --> 00:23:07,333 FOR WHAT I NEED, 371 00:23:07,366 --> 00:23:11,366 YOU'RE THE ONLY ONE THAT CAN DELIVER. 372 00:23:13,733 --> 00:23:16,200 I LIKE A MAN WHO... 373 00:23:16,233 --> 00:23:18,500 APPRECIATES A GIRL. 374 00:23:18,533 --> 00:23:21,100 LOOK... I COME HERE A LOT. 375 00:23:21,133 --> 00:23:23,400 WHAT ARE YOU AFRAID OF? 376 00:23:23,433 --> 00:23:24,966 INDECENT EXPOSURE? 377 00:23:25,000 --> 00:23:27,600 I'M SERIOUS. 378 00:23:27,633 --> 00:23:29,600 YOU USED TO BE A LOT MORE FUN. 379 00:23:29,633 --> 00:23:32,533 THIS IS BUSINESS, VERONICA. 380 00:23:32,566 --> 00:23:36,566 OH. 381 00:23:37,033 --> 00:23:39,633 SO, UM... YOU DIDN'T CALL ME 382 00:23:39,666 --> 00:23:43,566 BECAUSE YOU MISSED ME? 383 00:23:43,600 --> 00:23:46,133 I'VE GOT THIS FRIEND-- HE'S VERY DEAR TO ME-- 384 00:23:46,166 --> 00:23:47,933 THAT I WANT YOU TO MEET. 385 00:23:47,966 --> 00:23:49,966 LET ME GUESS-- OLD, LONELY UNCLE 386 00:23:50,000 --> 00:23:52,700 WHO'S IN TOWN FOR A FEW DAYS? 387 00:23:52,733 --> 00:23:54,266 SOMETHING LIKE THAT. 388 00:23:54,300 --> 00:23:55,633 COME ON, JASON. 389 00:23:55,666 --> 00:23:57,600 I DON'T DO THAT STUFF ANYMORE. 390 00:23:57,633 --> 00:23:58,600 I'M AN ACTRESS. 391 00:23:58,633 --> 00:24:00,566 I KNOW THAT, AND THAT'S WHY I CALLED YOU. 392 00:24:00,600 --> 00:24:04,600 THIS HAS GOT TO BE A KILLER PERFORMANCE. 393 00:24:05,433 --> 00:24:06,500 UH-HUH. 394 00:24:06,533 --> 00:24:08,900 YOU SEE, THIS UNCLE OF MINE, 395 00:24:08,933 --> 00:24:12,133 HE'S GOT THIS DISCIPLINE PROBLEM. 396 00:24:12,166 --> 00:24:14,900 HOW BAD HAS HE BEEN? 397 00:24:14,933 --> 00:24:17,433 VERY BAD. 398 00:24:17,466 --> 00:24:19,500 MM-HMM. 399 00:24:19,533 --> 00:24:22,700 SO, WHAT ARE YOU TALKING ABOUT? 400 00:24:22,733 --> 00:24:26,533 TWICE THE USUAL FEE. 401 00:24:26,566 --> 00:24:30,566 I'LL EVEN THROW IN THESE. 402 00:24:31,966 --> 00:24:35,000 OH... 403 00:24:35,033 --> 00:24:39,033 AND IF HE... RESISTS ARREST? 404 00:24:40,600 --> 00:24:43,766 WELL, I GUESS YOU'RE JUST GONNA HAVE TO RESORT 405 00:24:43,800 --> 00:24:47,733 TO BRUTE FORCE. 406 00:24:47,766 --> 00:24:51,266 YOU MEAN LIKE THIS? 407 00:24:51,300 --> 00:24:55,300 Heather: READY TO ORDER? 408 00:24:56,966 --> 00:24:59,233 I HAVEN'T EVEN LOOKED AT THE MENU. 409 00:24:59,266 --> 00:25:00,333 YOU KNOW, HEATHER, 410 00:25:00,366 --> 00:25:03,266 I DON'T THINK WE'RE GONNA BE STAYING. 411 00:25:03,300 --> 00:25:04,833 THAT'S FOR YOU. 412 00:25:04,866 --> 00:25:07,366 GEE, THANKS. 413 00:25:07,400 --> 00:25:09,266 BIG SPENDER. I DON'T EVEN GET LUNCH? 414 00:25:09,300 --> 00:25:11,733 WELL, I JUST THOUGHT WE SHOULD GO SOMEPLACE 415 00:25:11,766 --> 00:25:15,766 A LITTLE MORE...PRIVATE TO REHEARSE OUR DRAMA. 416 00:25:16,400 --> 00:25:19,333 ONLY IF I GET TO ORDER ROOM SERVICE. 417 00:25:19,366 --> 00:25:23,366 WHATEVER YOUR BAD LITTLE HEART DESIRES. 418 00:25:24,433 --> 00:25:25,400 ALL RIGHT. 419 00:25:25,433 --> 00:25:29,433 I NEVER DID LIKE FOREIGN FOOD ANYWAY. 420 00:25:39,400 --> 00:25:43,233 [COUGHING] 421 00:25:43,266 --> 00:25:45,066 [DOORBELL BUZZES] 422 00:25:45,100 --> 00:25:49,100 COME IN, PAUL. DOOR'S OPEN. 423 00:25:56,600 --> 00:25:59,033 [DOOR CLOSES] 424 00:25:59,066 --> 00:26:03,066 JASON THOUGHT THERE SHOULD BE A LITTLE... 425 00:26:03,900 --> 00:26:06,766 PEACE OFFERING. 426 00:26:06,800 --> 00:26:07,766 [COUGHS] 427 00:26:07,800 --> 00:26:09,733 WELL, YEAH, I COULD USE 428 00:26:09,766 --> 00:26:12,200 A LITTLE "PEACE" RIGHT NOW. 429 00:26:12,233 --> 00:26:14,366 HA HA HA. YEAH, BABY. 430 00:26:14,400 --> 00:26:18,400 HA HA HA. 431 00:26:33,733 --> 00:26:36,700 WHAT'S NEXT? 432 00:26:36,733 --> 00:26:39,800 HUH? WHAT'S THAT FOR? 433 00:26:39,833 --> 00:26:42,866 NO. NO, BABY. I GOT TO BREATHE. 434 00:26:42,900 --> 00:26:43,966 [STRUGGLING] 435 00:26:44,000 --> 00:26:48,000 CALM DOWN. YOU KNOW YOU'RE ENJOYING IT. 436 00:26:52,600 --> 00:26:56,600 [MUFFLED SCREAMS] 437 00:27:13,600 --> 00:27:17,600 WHAT'S THE MATTER, HONEY? 438 00:27:31,166 --> 00:27:35,166 [DOOR OPENS AND CLOSES] 439 00:28:01,033 --> 00:28:02,466 [RINGS DOORBELL] 440 00:28:02,500 --> 00:28:03,466 [DOOR OPENS] 441 00:28:03,500 --> 00:28:07,266 NICK, SORRY I'M LATE, BUT I HAD-- 442 00:28:07,300 --> 00:28:11,300 NICK? 443 00:28:29,000 --> 00:28:33,000 NOPE. NO, I'M NOT GONNA DO THAT. 444 00:28:53,266 --> 00:28:54,300 [LAUGHING] 445 00:28:54,333 --> 00:28:57,100 NO, REALLY, ART IS AN INCREDIBLE INVESTMENT. 446 00:28:57,133 --> 00:28:58,633 CAROL AND I PICKED THIS UP 447 00:28:58,666 --> 00:29:00,900 IN A LITTLE FLEA MARKET IN PARIS. 448 00:29:00,933 --> 00:29:02,033 WE STOLE IT. 449 00:29:02,066 --> 00:29:04,833 IT'S GONNA BE WORTH A FORTUNE IN A COUPLE OF YEARS. 450 00:29:04,866 --> 00:29:06,266 [DOORBELL RINGS] 451 00:29:06,300 --> 00:29:10,300 OH. EXCUSE ME A SEC. 452 00:29:12,033 --> 00:29:13,133 PAUL. 453 00:29:13,166 --> 00:29:14,633 JASON, I'M SORRY TO BOTHER YOU THIS TIME OF NIGHT, 454 00:29:14,666 --> 00:29:16,000 BUT WE GOT A BIG PROBLEM-- 455 00:29:16,033 --> 00:29:17,466 OH. I DIDN'T KNOW YOU HAD COMPANY. 456 00:29:17,500 --> 00:29:19,233 I'M SORRY. COULD WE TALK IN PRIVATE? 457 00:29:19,266 --> 00:29:22,066 NO. IT'S OK. THIS IS BETTY DUBOIS, CAROL'S MOTHER. 458 00:29:22,100 --> 00:29:23,866 IT'S A PLEASURE TO MEET YOU. 459 00:29:23,900 --> 00:29:25,800 HOW DO YOU DO? 460 00:29:25,833 --> 00:29:27,400 WHAT'S UP? 461 00:29:27,433 --> 00:29:28,933 NICK'S DEAD. 462 00:29:28,966 --> 00:29:30,400 Carol: HE'S DEAD? 463 00:29:30,433 --> 00:29:31,433 WHO'S NICK? 464 00:29:31,466 --> 00:29:32,700 JASON'S PARTNER. 465 00:29:32,733 --> 00:29:33,633 HOW? WHEN? 466 00:29:33,666 --> 00:29:35,300 WELL, HE'S LAYING THERE IN HIS UNDERWEAR, 467 00:29:35,333 --> 00:29:38,333 AND HE'S GOT HIS HANDS TIED TO THE BEDPOSTS. 468 00:29:38,366 --> 00:29:40,833 WELL, I KNEW HE WAS INTO SOME KINKY STUFF. 469 00:29:40,866 --> 00:29:44,033 NOT TOO SMART FOR A GUY IN HIS CONDITION. 470 00:29:44,066 --> 00:29:45,833 WHAT WERE YOU DOING THERE? 471 00:29:45,866 --> 00:29:47,633 WELL, I WENT BY TO PICK UP SOME PAPERWORK. 472 00:29:47,666 --> 00:29:50,366 LOOK, THIS IS GONNA OPEN UP A WHOLE CAN OF WORMS FOR US. 473 00:29:50,400 --> 00:29:53,100 YOU KNOW, WE JUST GOT INVOLVED IN A BUSINESS RELATIONSHIP, 474 00:29:53,133 --> 00:29:56,533 AND NOW THE COPS ARE GONNA START ASKING A TON OF QUESTIONS. 475 00:29:56,566 --> 00:29:57,833 YOU'RE RIGHT. LOOK... 476 00:29:57,866 --> 00:29:59,966 THERE'S NO POINT IN YOU GETTING INVOLVED. 477 00:30:00,000 --> 00:30:02,766 HE WAS MY PARTNER. I'LL HANDLE IT. 478 00:30:02,800 --> 00:30:04,666 I'LL CALL THE COPS. 479 00:30:04,700 --> 00:30:06,833 WHAT ARE YOU GONNA SAY? 480 00:30:06,866 --> 00:30:08,400 WELL, I'LL SAY I TRIED CALLING THE HOUSE, 481 00:30:08,433 --> 00:30:10,500 AND NOBODY ANSWERED, AND I'M CONCERNED 482 00:30:10,533 --> 00:30:12,100 BECAUSE HE HAS A HEART CONDITION. 483 00:30:12,133 --> 00:30:14,766 THE COPS WILL SEND SOMEONE TO CHECK ON HIM. 484 00:30:14,800 --> 00:30:16,466 THEY'LL FIND THE BODY. 485 00:30:16,500 --> 00:30:18,066 LOOK, GO ON HOME. 486 00:30:18,100 --> 00:30:20,600 GET SOME REST. TAKE IT EASY. 487 00:30:20,633 --> 00:30:24,633 THIS IS ALL GONNA WORK OUT. 488 00:30:28,900 --> 00:30:32,900 AT LEAST HE DIED WITH A SMILE ON HIS FACE. 489 00:31:19,600 --> 00:31:23,000 HI. 490 00:31:23,033 --> 00:31:27,033 YOU DON'T GIVE UP EASILY, DO YOU? 491 00:31:28,233 --> 00:31:31,366 I'D LIKE TO TALK TO YOU. 492 00:31:31,400 --> 00:31:35,400 SINGLETON'S DEAD. 493 00:31:42,300 --> 00:31:46,300 [PINBALL MACHINE BEEPING] 494 00:31:54,566 --> 00:31:57,033 HONEY? 495 00:31:57,066 --> 00:31:59,133 HONEY, IT'S ALMOST PAST MIDNIGHT. 496 00:31:59,166 --> 00:32:01,033 AREN'T YOU GONNA COME TO BED? 497 00:32:01,066 --> 00:32:03,233 I'M TOO TENSE TO SLEEP NOW, BABY. 498 00:32:03,266 --> 00:32:07,266 [PINBALL MACHINE BEEPING] 499 00:32:09,133 --> 00:32:11,433 I HAVE A GREAT CURE FOR TENSE. 500 00:32:11,466 --> 00:32:14,333 LOOK, I GOT A LOT ON MY MIND NOW, OK? 501 00:32:14,366 --> 00:32:15,666 WELL, LOOK, WHY DON'T YOU-- 502 00:32:15,700 --> 00:32:18,400 DON'T LEAN ON THE MACHINE WHEN I'M PLAYING! 503 00:32:18,433 --> 00:32:19,400 OK. 504 00:32:19,433 --> 00:32:21,900 I KNOW YOU'RE UPSET ABOUT NICK'S DEATH, 505 00:32:21,933 --> 00:32:24,000 BUT YOU DON'T HAVE TO TAKE IT OUT ON ME. 506 00:32:24,033 --> 00:32:28,033 I'M SORRY, BABY. WHAT'S BUGGING ME IS... 507 00:32:29,300 --> 00:32:30,966 I THINK PAUL AND NICK 508 00:32:31,000 --> 00:32:33,233 WERE UP TO SOMETHING BEHIND MY BACK. 509 00:32:33,266 --> 00:32:35,066 THAT MUST HAVE BEEN CREEPY, 510 00:32:35,100 --> 00:32:37,000 FINDING SINGLETON'S BODY LIKE THAT. 511 00:32:37,033 --> 00:32:39,133 I JUST HOPE JASON CALLED THE POLICE 512 00:32:39,166 --> 00:32:41,333 LIKE HE SAID HE WAS GOING TO. 513 00:32:41,366 --> 00:32:43,500 I CAN'T IMAGINE HIS BODY 514 00:32:43,533 --> 00:32:46,966 IS STILL LYING HANDCUFFED TO THE BED. 515 00:32:47,000 --> 00:32:50,066 WELL, THANKS FOR LISTENING. 516 00:32:50,100 --> 00:32:54,100 I GUESS... I SHOULD BE LEAVING. 517 00:32:56,700 --> 00:32:58,000 YEAH, I GUESS SO. 518 00:32:58,033 --> 00:33:02,033 I GOT TO GET UP EARLY MYSELF. 519 00:33:11,900 --> 00:33:14,066 WELL...GOOD NIGHT. 520 00:33:14,100 --> 00:33:18,100 GOOD NIGHT. 521 00:34:55,033 --> 00:34:59,033 [BOTH SIGH] 522 00:35:16,466 --> 00:35:19,066 [KNOCK ON DOOR] 523 00:35:19,100 --> 00:35:19,833 PAUL... 524 00:35:19,866 --> 00:35:21,633 DID YOU READ THIS? 525 00:35:21,666 --> 00:35:22,433 YES. 526 00:35:22,466 --> 00:35:24,033 IT SAYS SINGLETON HAD BEEN CHARGED 527 00:35:24,066 --> 00:35:25,866 3 TIMES WITH FRAUD AND EMBEZZLEMENT. 528 00:35:25,900 --> 00:35:28,233 PAUL, HE WAS JASON'S PARTNER FOR 15 YEARS. 529 00:35:28,266 --> 00:35:29,733 DIDN'T WE CHECK HIM OUT? 530 00:35:29,766 --> 00:35:31,066 YES, WE CHECKED HIM OUT, 531 00:35:31,100 --> 00:35:33,000 AND IT ALL SEEMED VERY LEGITIMATE. 532 00:35:33,033 --> 00:35:35,233 THE ATTORNEYS LOOKED AT THE PAPERWORK. 533 00:35:35,266 --> 00:35:36,566 THAYER SEEMED SATISFIED. 534 00:35:36,600 --> 00:35:38,833 COME ON! LET'S NOT JUMP THE GUN. 535 00:35:38,866 --> 00:35:40,033 WHERE ARE YOU GOING? 536 00:35:40,066 --> 00:35:44,066 I'M GONNA GO SEE JASON. HOLD DOWN THE FORT. 537 00:36:17,766 --> 00:36:21,766 [DOORBELL RINGS] 538 00:36:23,900 --> 00:36:25,133 HI, PAUL. 539 00:36:25,166 --> 00:36:26,433 WHERE'S JASON? 540 00:36:26,466 --> 00:36:27,966 IS EVERYTHING ALL RIGHT? 541 00:36:28,000 --> 00:36:29,133 JASON. DID YOU HAPPEN 542 00:36:29,166 --> 00:36:30,866 TO READ THE TIMES THIS MORNING? 543 00:36:30,900 --> 00:36:33,566 LOOK, IT'S JUST A BUNCH OF SENSATIONALIST LIES. 544 00:36:33,600 --> 00:36:34,966 YOU KNOW THE PRESS. 545 00:36:35,000 --> 00:36:36,333 IS THERE ANY TRUTH TO IT? 546 00:36:36,366 --> 00:36:38,833 LOOK, I ALREADY WENT OVER THIS WITH THE COPS. 547 00:36:38,866 --> 00:36:40,133 YOU KNOW, I REALLY HATE IT 548 00:36:40,166 --> 00:36:41,500 WHEN THEY GO AFTER PEOPLE'S REPUTATIONS 549 00:36:41,533 --> 00:36:43,000 WHEN THEY KNOW THEY CAN'T DEFEND THEMSELVES. 550 00:36:43,033 --> 00:36:45,100 LISTEN, MIKE'S ALREADY IN HYSTERICS OVER THE SITUATION, 551 00:36:45,133 --> 00:36:46,233 AND IT'S ONLY A QUESTION OF TIME 552 00:36:46,266 --> 00:36:48,633 BEFORE THAYER STARTS SCREAMING FOR HIS MONEY BACK. 553 00:36:48,666 --> 00:36:52,200 LOOK, PAUL, WE GOT TO KEEP OUR HEADS IN THESE SITUATIONS. 554 00:36:52,233 --> 00:36:53,566 JASON, I NEED SOME SORT 555 00:36:53,600 --> 00:36:55,033 OF A GOOD-FAITH GESTURE FROM YOU. 556 00:36:55,066 --> 00:36:56,566 WELL, THAT'S CRAZY. YOU CAN'T EXPECT 557 00:36:56,600 --> 00:36:58,200 TO BE A PARTNER WITHOUT INVESTING. 558 00:36:58,233 --> 00:36:59,500 I MEAN, IF YOU BOUGHT A CAR 559 00:36:59,533 --> 00:37:01,033 AND YOU CHANGE YOUR MIND ABOUT THE COLOR, 560 00:37:01,066 --> 00:37:02,800 YOU JUST CAN'T RETURN IT THE NEXT DAY. 561 00:37:02,833 --> 00:37:04,033 YEAH. SPEAKING ABOUT CARS, 562 00:37:04,066 --> 00:37:06,400 WHAT ABOUT THIS NEW GERMAN TOY YOU HAVE SITTING OUT THERE? 563 00:37:06,433 --> 00:37:07,533 THIS IS PUSHING IT! 564 00:37:07,566 --> 00:37:09,633 I'VE ALWAYS MADE OTHER PEOPLE MILLIONS! 565 00:37:09,666 --> 00:37:11,266 AND I'M BRINGING ALL MY EXPERTISE 566 00:37:11,300 --> 00:37:12,366 AND CREATIVITY TO THIS! 567 00:37:12,400 --> 00:37:14,566 I JUST LOST MY PARTNER, AND YOU DON'T SHOW ME 568 00:37:14,600 --> 00:37:16,700 ANY KIND OF FRIENDSHIP OR SUPPORT! 569 00:37:16,733 --> 00:37:18,500 SO IS NO YOUR FINAL ANSWER? 570 00:37:18,533 --> 00:37:20,966 YOU'RE IN, WHETHER YOU LIKE IT OR NOT! 571 00:37:21,000 --> 00:37:25,000 WELL, THEN I GOT TO DO WHAT I GOT TO DO. 572 00:37:25,866 --> 00:37:27,800 WHO THE HELL DO YOU THINK YOU ARE? 573 00:37:27,833 --> 00:37:31,833 JASON, JUST LEAVE HIM ALONE. YOU'RE MAKING IT WORSE. 574 00:37:40,500 --> 00:37:44,500 YOU'RE MAKING A BIG MISTAKE. 575 00:37:48,133 --> 00:37:52,133 [TIRES SCREECHING] 576 00:38:03,700 --> 00:38:07,700 [TELEPHONE BEEPING] 577 00:38:09,000 --> 00:38:09,800 YEAH? 578 00:38:09,833 --> 00:38:12,566 PAUL, HOW DID THINGS GO WITH JASON? 579 00:38:12,600 --> 00:38:13,833 NOT GOOD. 580 00:38:13,866 --> 00:38:16,733 YEAH. WELL, I'M NOT SURPRISED. 581 00:38:16,766 --> 00:38:19,966 GUESS WHAT. THAYER WANTS TO SEE US. 582 00:38:20,000 --> 00:38:20,733 SHOOT! 583 00:38:20,766 --> 00:38:22,233 I ALSO SPOKE TO OUR ATTORNEYS. 584 00:38:22,266 --> 00:38:24,900 THEY SAY WE ARE REALLY IN A CATCH-22 HERE. 585 00:38:24,933 --> 00:38:27,300 YEAH? WELL, I COULD HAVE TOLD YOU THAT. 586 00:38:27,333 --> 00:38:29,500 WELL, THEY SAY IF WE FILE SUIT, 587 00:38:29,533 --> 00:38:31,500 IT'LL PROBABLY COST US OVER 100 GRAND, 588 00:38:31,533 --> 00:38:33,766 AND EVEN IF WE WIN, MORE THAN LIKELY, 589 00:38:33,800 --> 00:38:34,833 JASON'S HIDDEN THE MONEY, 590 00:38:34,866 --> 00:38:37,966 AND COLLECTING IT WILL BE OUR RESPONSIBILITY. 591 00:38:38,000 --> 00:38:38,766 JEEZ! 592 00:38:38,800 --> 00:38:40,133 ON THE OTHER HAND, 593 00:38:40,166 --> 00:38:41,566 IF WE DON'T MAKE A CLAIM 594 00:38:41,600 --> 00:38:43,000 AND JASON FILES CHAPTER 11, 595 00:38:43,033 --> 00:38:46,300 WE CAN KISS OUR MONEY GOOD-BYE. 596 00:38:46,333 --> 00:38:48,366 PAUL, ARE YOU THERE? 597 00:38:48,400 --> 00:38:50,800 YEAH. YEAH, I'M HERE. 598 00:38:50,833 --> 00:38:53,733 DID YOU WANT ME TO GO WITH YOU TO SEE THAYER? 599 00:38:53,766 --> 00:38:56,900 UH, NO. THAT'S ALL RIGHT. I'LL TAKE CARE OF IT MYSELF. 600 00:38:56,933 --> 00:38:58,233 ALL RIGHT. 601 00:38:58,266 --> 00:39:02,266 BYE-BYE. 602 00:39:12,400 --> 00:39:16,400 [VEHICLE APPROACHING] 603 00:39:19,533 --> 00:39:22,133 MR. THAYER, I'M SORRY TO KEEP YOU WAITING. 604 00:39:22,166 --> 00:39:23,866 I GOT A BIT OF A PROBLEM. 605 00:39:23,900 --> 00:39:25,766 I WENT TO SEE JASON, AND HE-- 606 00:39:25,800 --> 00:39:27,266 AND HE WON'T DO A THING. 607 00:39:27,300 --> 00:39:28,433 NO, SIR, HE WON'T. 608 00:39:28,466 --> 00:39:30,500 YOU SEE, PAUL, WHITE-COLLAR CRIME 609 00:39:30,533 --> 00:39:32,366 ISN'T TAKEN SERIOUSLY. AT MOST, HE'LL GET 610 00:39:32,400 --> 00:39:35,366 A SLAP ON THE WRIST, A YEAR'S PROBATION PERHAPS-- 611 00:39:35,400 --> 00:39:37,366 HARDLY A DISINCENTIVE. 612 00:39:37,400 --> 00:39:38,566 I'M VERY SORRY, PAUL, 613 00:39:38,600 --> 00:39:40,800 BUT I CANNOT AFFORD TO LET THIS GO. 614 00:39:40,833 --> 00:39:44,400 IT WOULD MAKE ME LOOK WEAK IN FRONT OF MY COLLEAGUES. 615 00:39:44,433 --> 00:39:47,066 BUT YOU KNOW IT WASN'T MY FAULT. 616 00:39:47,100 --> 00:39:49,033 I CAN'T BLAME YOU TOTALLY, 617 00:39:49,066 --> 00:39:50,833 BUT MY ARRANGEMENT WAS WITH YOU AND MIKE. 618 00:39:50,866 --> 00:39:53,166 MY SECURITY IS IN YOUR INTEREST IN JASON LAURENCE 619 00:39:53,200 --> 00:39:54,833 AND YOUR REAL-ESTATE PROPERTIES. 620 00:39:54,866 --> 00:39:57,133 AND NOW, SINCE THE FORMER IS SUSPECT, 621 00:39:57,166 --> 00:39:58,966 THE LATTER IS HAVING ITS PROBLEMS, 622 00:39:59,000 --> 00:40:01,633 I HAVE EVERY RIGHT TO DEMAND MY MONEY BACK. 623 00:40:01,666 --> 00:40:03,600 WELL, WAIT. I CAN'T COME UP WITH 624 00:40:03,633 --> 00:40:05,433 THAT KIND OF MONEY JUST LIKE THAT! 625 00:40:05,466 --> 00:40:09,266 YOU HAVE 30 DAYS TO COME UP WITH THE CASH... 626 00:40:09,300 --> 00:40:10,833 OR PERHAPS YOU CAN FIGURE 627 00:40:10,866 --> 00:40:13,433 SOME OTHER SUITABLE AGREEMENT. 628 00:40:13,466 --> 00:40:14,400 SUCH AS? 629 00:40:14,433 --> 00:40:15,933 YOUR REAL-ESTATE HOLDINGS. 630 00:40:15,966 --> 00:40:17,866 WELL, NOT ALL OF THEM, OF COURSE. 631 00:40:17,900 --> 00:40:19,000 I'M A REASONABLE MAN. 632 00:40:19,033 --> 00:40:21,966 PERHAPS JUST YOUR SOUTH-COAST AND VENTURA PROPERTIES. 633 00:40:22,000 --> 00:40:24,500 THOSE ARE OUR MOST VALUABLE PROPERTIES BY FAR, 634 00:40:24,533 --> 00:40:26,200 WORTH MILLIONS. 635 00:40:26,233 --> 00:40:27,933 NO. YOU OVERESTIMATE THEIR VALUE, 636 00:40:27,966 --> 00:40:30,700 ESPECIALLY SINCE YOU MAY BE FORCED TO LIQUIDATE 637 00:40:30,733 --> 00:40:34,733 ON SHORT NOTICE. 638 00:40:36,200 --> 00:40:40,200 BUT THAT'S ALWAYS BEEN THE PROBLEM WITH REAL ESTATE. 639 00:40:42,000 --> 00:40:46,000 [ENGINE STARTS] 640 00:40:58,500 --> 00:41:02,500 [TIRES SCREECHING] 641 00:41:16,933 --> 00:41:20,933 HEY! WHAT THE-- 642 00:41:35,366 --> 00:41:36,966 WHAT'S GOING ON, GUYS? 643 00:41:37,000 --> 00:41:40,200 COME ON. IS THE ROAD NOT BIG ENOUGH OR WHAT? 644 00:41:40,233 --> 00:41:44,233 WHAT'S GOING--OOH! 645 00:41:44,533 --> 00:41:45,666 JUST HEAR TO LET YOU KNOW 646 00:41:45,700 --> 00:41:48,433 YOU SHOULDN'T BE CRYING OVER SPILLED MILK. 647 00:41:48,466 --> 00:41:50,200 IT'S NOT HEALTHY. 648 00:41:50,233 --> 00:41:52,866 OOH! 649 00:41:52,900 --> 00:41:53,733 OOH! 650 00:41:53,766 --> 00:41:55,166 A LITTLE MESSAGE FROM JASON LAURENCE-- 651 00:41:55,200 --> 00:41:59,200 HE DOESN'T WANT YOU TO CAUSE HIM ANY GRIEF. 652 00:42:02,133 --> 00:42:02,833 OOH! 653 00:42:02,866 --> 00:42:04,733 YOU'LL LIVE LONGER THAT WAY. 654 00:42:04,766 --> 00:42:08,766 LET'S GO, GREG. 655 00:42:14,533 --> 00:42:18,533 [ENGINE STARTS] 656 00:42:28,166 --> 00:42:29,833 AT LEAST WE KNOW WHAT KIND OF MEN 657 00:42:29,866 --> 00:42:32,166 JASON AND THAYER ARE. 658 00:42:32,200 --> 00:42:33,466 YEAH. 659 00:42:33,500 --> 00:42:35,266 AM I A JERK OR WHAT? 660 00:42:35,300 --> 00:42:37,166 DON'T BE SO HARD ON YOURSELF. 661 00:42:37,200 --> 00:42:39,566 PEOPLE GET TAKEN IN ALL THE TIME. 662 00:42:39,600 --> 00:42:40,566 YEAH. WELL... 663 00:42:40,600 --> 00:42:42,900 I'M NOT GONNA LET THEM GET AWAY WITH IT. 664 00:42:42,933 --> 00:42:44,966 I'M GONNA DO SOMETHING. 665 00:42:45,000 --> 00:42:46,933 I WANT TO HELP YOU. 666 00:42:46,966 --> 00:42:50,066 IT'S NOT YOUR PROBLEM. 667 00:42:50,100 --> 00:42:51,566 MAYBE IT IS. 668 00:42:51,600 --> 00:42:53,900 NOW, WAIT A MINUTE. WHAT DO YOU MEAN? 669 00:42:53,933 --> 00:42:56,966 YOU'RE GONNA NEED SOMEONE ON THE INSIDE, RIGHT? 670 00:42:57,000 --> 00:42:59,966 I'M JASON'S PERSONAL ASSISTANT. 671 00:43:00,000 --> 00:43:02,233 WE CAN BE PARTNERS. 672 00:43:02,266 --> 00:43:05,766 I WANT TO HELP YOU NAIL JASON. 673 00:43:05,800 --> 00:43:09,800 IT COULD GET VERY DANGEROUS. 674 00:43:12,033 --> 00:43:14,066 THIS MAN IS CRAZY. 675 00:43:14,100 --> 00:43:15,133 WELL, PARTNER, 676 00:43:15,166 --> 00:43:19,166 WE'LL JUST HAVE TO MAKE HIM CRAZIER. 677 00:43:20,066 --> 00:43:22,033 HEY! HEY! WHAT? 678 00:43:22,066 --> 00:43:26,066 COME HERE, YOU! 679 00:44:57,766 --> 00:45:01,766 CINDY. 680 00:46:12,166 --> 00:46:16,166 [KEY RATTLING IN LOCK] 681 00:46:18,566 --> 00:46:19,833 Cindy: MORNING. 682 00:46:19,866 --> 00:46:21,166 WHERE'D YOU GET OFF TO? 683 00:46:21,200 --> 00:46:23,166 DOWN TO THE MARKET IN LITTLE TOKYO. 684 00:46:23,200 --> 00:46:25,833 I DECIDED TO MAKE US SOME BREAKFAST. 685 00:46:25,866 --> 00:46:27,800 HOW VERY DOMESTIC OF YOU. 686 00:46:27,833 --> 00:46:29,333 YEAH. WELL, DON'T GET EXCITED. 687 00:46:29,366 --> 00:46:31,266 I'VE COOKED FOR SOMEBODY... 688 00:46:31,300 --> 00:46:33,233 MAYBE 5 TIMES IN MY ENTIRE LIFE. 689 00:46:33,266 --> 00:46:36,566 THAT MANY, HUH? I FEEL HONORED. 690 00:46:36,600 --> 00:46:40,600 I'VE GOT TO TAKE CARE OF MY NEW PARTNER, DON'T I? 691 00:47:05,000 --> 00:47:09,000 HOW DO YOU LIKE THAT NEW SUIT I BOUGHT CAROL? 692 00:47:12,733 --> 00:47:14,600 IT'S PRETTY CUTE. 693 00:47:14,633 --> 00:47:18,633 TOO BAD SHE DOESN'T FILL IT OUT BETTER. 694 00:47:22,066 --> 00:47:23,666 [JASON CHUCKLES] 695 00:47:23,700 --> 00:47:27,700 HA HA HA. 696 00:47:33,333 --> 00:47:36,466 PUT THIS ON MY BACK, WILL YOU? 697 00:47:36,500 --> 00:47:40,500 IT WOULD BE A PLEASURE. 698 00:47:43,966 --> 00:47:47,900 OOH...OOH... THAT FEELS GOOD. 699 00:47:47,933 --> 00:47:49,466 HA HA. 700 00:47:49,500 --> 00:47:52,000 NOT TOO ROUGH FOR YOU? 701 00:47:52,033 --> 00:47:54,133 OH, I LIKE IT ROUGH. 702 00:47:54,166 --> 00:47:55,233 OOH, REALLY? 703 00:47:55,266 --> 00:47:56,566 HMM... 704 00:47:56,600 --> 00:47:57,933 [SNAP] 705 00:47:57,966 --> 00:47:58,600 AH! 706 00:47:58,633 --> 00:48:00,633 I LIKE THAT IN A WOMAN. 707 00:48:00,666 --> 00:48:02,033 OH, REALLY? 708 00:48:02,066 --> 00:48:03,066 Carol: WELL, I SEE 709 00:48:03,100 --> 00:48:05,366 YOU'VE ALREADY MADE JASON YOUR SLAVE, MOTHER. 710 00:48:05,400 --> 00:48:07,866 HE WASN'T TOO DIFFICULT TO RECRUIT. 711 00:48:07,900 --> 00:48:10,200 I JUST WANTED JASON TO KNOW 712 00:48:10,233 --> 00:48:12,733 THAT WE WERE BEHIND HIM ALL THE WAY... 713 00:48:12,766 --> 00:48:14,800 IN ALL THE TROUBLE HE'S BEEN HAVING. 714 00:48:14,833 --> 00:48:16,266 WELL, ISN'T THAT NICE? 715 00:48:16,300 --> 00:48:18,533 BUT I WOULDN'T WORRY ABOUT JASON. 716 00:48:18,566 --> 00:48:20,433 HE USUALLY GETS HIS WAY. 717 00:48:20,466 --> 00:48:23,200 WELL, I'LL LEAVE YOU TWO GIRLS TO FIGHT OVER ME 718 00:48:23,233 --> 00:48:26,666 WHILE I TAKE CARE OF SOME BUSINESS. 719 00:48:26,700 --> 00:48:28,233 BYE, BABY. 720 00:48:28,266 --> 00:48:29,233 [KISS] 721 00:48:29,266 --> 00:48:31,700 [SLAP] 722 00:48:31,733 --> 00:48:33,000 SO, TELL ME, BABY, 723 00:48:33,033 --> 00:48:36,366 IS HE REALLY WORTH FIGHTING FOR? 724 00:48:36,400 --> 00:48:39,633 JUST LEAVE HIM ALONE... 725 00:48:39,666 --> 00:48:43,666 MOTHER. 726 00:48:43,866 --> 00:48:46,100 WELL, I HOPE YOU LIKE THEM SCRAMBLED. 727 00:48:46,133 --> 00:48:48,733 IT'S THE ONLY WAY I KNOW HOW TO MAKE THEM. 728 00:48:48,766 --> 00:48:52,766 AS LONG AS THEY'RE NOT RUNNY. MMM. 729 00:48:55,166 --> 00:48:58,200 HERE YOU GO. BON APPETIT. 730 00:48:58,233 --> 00:48:59,333 OH, GREAT. 731 00:48:59,366 --> 00:49:01,166 THOSE ARE SOME CUTE PICTURES 732 00:49:01,200 --> 00:49:04,633 YOU GOT IN THAT SCRAPBOOK OVER THERE. 733 00:49:04,666 --> 00:49:08,300 WHAT ARE YOU DOING GOING THROUGH MY THINGS? 734 00:49:08,333 --> 00:49:12,100 I'M NOT GOING THROUGH YOUR THINGS. THE... 735 00:49:12,133 --> 00:49:16,133 IT'S SITTING... HEY, IT'S NOT A BIG DEAL. 736 00:49:16,766 --> 00:49:17,800 I'D APPRECIATE IT 737 00:49:17,833 --> 00:49:21,833 IF YOU'D STAY OUT OF MY PERSONAL STUFF. 738 00:49:25,833 --> 00:49:28,800 OK. 739 00:49:28,833 --> 00:49:32,833 I CAN DO THAT. 740 00:49:33,833 --> 00:49:36,433 YOU CAN DO SOMETHING FOR ME... 741 00:49:36,466 --> 00:49:38,433 ON A BUSINESS LEVEL. 742 00:49:38,466 --> 00:49:39,700 WHAT? 743 00:49:39,733 --> 00:49:42,600 WE NEED TO GET INTO JASON'S OFFICE... 744 00:49:42,633 --> 00:49:46,300 SO I CAN LOOK THROUGH HIS PERSONAL STUFF. 745 00:49:46,333 --> 00:49:48,833 CAN YOU DO THAT? 746 00:49:48,866 --> 00:49:52,866 YEAH. I THINK I COULD DO THAT. 747 00:49:55,066 --> 00:49:56,533 CAN YOU GIVE ME A HINT 748 00:49:56,566 --> 00:49:58,733 AS TO WHAT WE'RE LOOKING FOR EXACTLY? 749 00:49:58,766 --> 00:50:02,133 BANK STATEMENTS, FINANCIAL PAPERS... 750 00:50:02,166 --> 00:50:05,133 SOMETHING THAT WILL GIVE US SOME INSIGHT 751 00:50:05,166 --> 00:50:09,166 INTO HIS MODUS OPERANDI OF EMBEZZLEMENT. 752 00:50:12,666 --> 00:50:16,666 HOW YOU DOING? 753 00:50:31,066 --> 00:50:33,700 "SINGLETON-LAURENCE PARTNERSHIP AGREEMENT." 754 00:50:33,733 --> 00:50:37,266 HOW'S THAT? 755 00:50:37,300 --> 00:50:41,300 YEAH. THAT'S IT. THAT'S IT. BINGO. 756 00:50:42,000 --> 00:50:43,000 [KNOB RATTLES] 757 00:50:43,033 --> 00:50:47,033 THE SUPPLY ROOM. QUICK. 758 00:50:54,800 --> 00:50:55,833 HI. 759 00:50:55,866 --> 00:50:58,333 WHY WAS THE DOOR LOCKED? 760 00:50:58,366 --> 00:50:59,866 THERE WERE SO MANY SALESMEN TODAY, 761 00:50:59,900 --> 00:51:01,166 I COULDN'T GET A THING DONE. 762 00:51:01,200 --> 00:51:05,200 GET ME NICK AND MY PARTNERSHIP AGREEMENT. 763 00:51:06,000 --> 00:51:09,566 SURE. 764 00:51:09,600 --> 00:51:11,600 DID I GET ANY CALLS? 765 00:51:11,633 --> 00:51:14,700 NO. NOTHING. 766 00:51:14,733 --> 00:51:17,600 IS THIS IT? 767 00:51:17,633 --> 00:51:18,733 YEAH, THAT'S IT. 768 00:51:18,766 --> 00:51:20,200 ENVELOPES STILL IN THE STOREROOM? 769 00:51:20,233 --> 00:51:24,233 YES. I'LL GET THEM. PLEASE, LET ME. 770 00:51:34,233 --> 00:51:37,733 SO EFFICIENT AND SO BEAUTIFUL. 771 00:51:37,766 --> 00:51:40,933 YOU KNOW, I'D REALLY LIKE TO GET TO KNOW YOU BETTER... 772 00:51:40,966 --> 00:51:42,733 ON A PERSONAL LEVEL. 773 00:51:42,766 --> 00:51:44,166 [TELEPHONE RINGS] 774 00:51:44,200 --> 00:51:46,300 I'LL GET THAT. 775 00:51:46,333 --> 00:51:48,833 [RING] 776 00:51:48,866 --> 00:51:50,966 LAURENCE ENTERPRISES. 777 00:51:51,000 --> 00:51:52,466 JUST A MOMENT, PLEASE. 778 00:51:52,500 --> 00:51:53,800 IT'S BETTY, FOR YOU. 779 00:51:53,833 --> 00:51:57,833 I'LL TAKE IT IN NICK'S OFFICE. 780 00:51:58,766 --> 00:51:59,700 Jason: HI. 781 00:51:59,733 --> 00:52:01,300 Betty: ARE WE STILL ON FOR TOMORROW? 782 00:52:01,333 --> 00:52:03,033 YEAH. I'LL PICK YOU UP AROUND 7:00. 783 00:52:03,066 --> 00:52:04,966 CAROL'S GOT A WONDERFUL DINNER PLANNED. 784 00:52:05,000 --> 00:52:07,033 AND I'VE GOT SOME PLANS OF MY OWN. 785 00:52:07,066 --> 00:52:08,500 I CAN'T WAIT. 786 00:52:08,533 --> 00:52:10,133 YOU SEXY ANIMAL. 787 00:52:10,166 --> 00:52:14,166 BYE-BYE. 788 00:52:14,266 --> 00:52:16,633 [DOOR CLOSES] 789 00:52:16,666 --> 00:52:19,666 SO, WHY DON'T WE GET TOGETHER THIS WEEKEND, 790 00:52:19,700 --> 00:52:22,600 TALK ABOUT YOUR FUTURE WITH THE COMPANY? 791 00:52:22,633 --> 00:52:25,166 SURE. 792 00:52:25,200 --> 00:52:29,200 GREAT. BYE. 793 00:52:35,600 --> 00:52:39,600 PAUL. 794 00:52:40,300 --> 00:52:44,300 HE TOOK THE FILE HOME WITH HIM. WHAT DO WE DO NOW? 795 00:52:45,100 --> 00:52:49,100 I KNOW WHERE TO LOOK. 796 00:53:01,233 --> 00:53:05,233 [ENGINE STARTS] 797 00:55:03,466 --> 00:55:05,166 OK, JASON, WHAT'S GOING ON? 798 00:55:05,200 --> 00:55:07,433 I NEVER KNEW YOU WERE GONNA BRING ME HERE. 799 00:55:07,466 --> 00:55:09,000 I JUST WANTED TO SHOW YOU 800 00:55:09,033 --> 00:55:11,333 A BIG PROJECT YOU MIGHT BE INTERESTED IN. 801 00:55:11,366 --> 00:55:12,500 WELL, YOU'RE JUST FULL 802 00:55:12,533 --> 00:55:15,266 OF ALL KINDS OF SURPRISES, AREN'T YOU? 803 00:55:15,300 --> 00:55:19,300 [HUMMING] 804 00:55:20,666 --> 00:55:22,233 HA HA HA! 805 00:55:22,266 --> 00:55:23,466 WHERE'S CAROL? 806 00:55:23,500 --> 00:55:27,266 SHE'S AT THE HAIRDRESSER. SHE'S GONNA BE GONE FOR HOURS. 807 00:55:27,300 --> 00:55:31,300 YEAH? MMM... 808 00:55:32,666 --> 00:55:34,866 Betty: HA HA HA! WHOO! 809 00:55:34,900 --> 00:55:37,000 Jason: I LIKE THIS DRESS, BETTY. 810 00:55:37,033 --> 00:55:40,466 OOH, I THOUGHT YOU WOULD. 811 00:55:40,500 --> 00:55:44,500 [BETTY MOANING] 812 00:55:46,900 --> 00:55:49,466 AH! 813 00:55:49,500 --> 00:55:53,500 OH, JASON. 814 00:56:39,100 --> 00:56:43,100 [CAMERA SHUTTER CLICKS] 815 00:56:49,200 --> 00:56:50,633 IT IS SO INCREDIBLY SIMPLE. 816 00:56:50,666 --> 00:56:54,233 AND WHO'D HAVE THOUGHT, IN THIS HIGH-TECH AGE? 817 00:56:54,266 --> 00:56:55,333 WHAT IS IT? 818 00:56:55,366 --> 00:56:57,366 WELL, JASON SET UP BANK ACCOUNTS 819 00:56:57,400 --> 00:56:59,466 USING A COUPLE BOGUS COMPANIES, 820 00:56:59,500 --> 00:57:01,533 GIVING THE POST OFFICE BOX 821 00:57:01,566 --> 00:57:02,666 AS HIS BUSINESS ADDRESS. 822 00:57:02,700 --> 00:57:05,300 HE LAUNDERS THE MONEY HE'S RIPPED OFF FROM HIS CLIENTS 823 00:57:05,333 --> 00:57:07,133 USING CASHIER'S CHECKS OR MONEY ORDERS. 824 00:57:07,166 --> 00:57:10,833 THAT'S IT. THE GUY'S GOT $3 MILLION STASHED AWAY. 825 00:57:10,866 --> 00:57:11,733 3 MILLION? 826 00:57:11,766 --> 00:57:14,633 OF COURSE, PART OF THAT IS SINGLETON'S, 827 00:57:14,666 --> 00:57:15,733 BUT THE GUY'S DEAD. 828 00:57:15,766 --> 00:57:17,400 SO, WHAT ARE WE GONNA DO WITH THESE BLANK CHECKS? 829 00:57:17,433 --> 00:57:20,066 WE'RE GONNA PAY HIM BACK IN HIS OWN COIN. 830 00:57:20,100 --> 00:57:21,766 WE FORGE HIS SIGNATURE, 831 00:57:21,800 --> 00:57:24,466 MAKES CHECKS PAYABLE TO BOGUS ACCOUNTS, 832 00:57:24,500 --> 00:57:25,666 WHICH WE WILL OPEN. 833 00:57:25,700 --> 00:57:27,733 OF COURSE, FOR THAT, WE'RE GONNA NEED 834 00:57:27,766 --> 00:57:31,366 SOME FAKE I.D.s.-- LIKE DRIVER'S LICENSES 835 00:57:31,400 --> 00:57:33,233 AND, UM...SOCIAL SECURITY CARDS, 836 00:57:33,266 --> 00:57:37,033 STUFF THAT'S GONNA FOOL THE CIVIL SERVANT. 837 00:57:37,066 --> 00:57:39,233 THAT SHOULDN'T BE TOO HARD. 838 00:57:39,266 --> 00:57:41,266 WE CAN USE SID. 839 00:57:41,300 --> 00:57:43,433 BARTENDER? 840 00:57:43,466 --> 00:57:47,466 DOES SOME REAL GOOD WORK. 841 00:58:09,866 --> 00:58:11,166 Paul: DID SID MENTION 842 00:58:11,200 --> 00:58:12,766 WHEN WE'D GET THESE I.D.s BACK? 843 00:58:12,800 --> 00:58:14,833 YEAH. IF WE GET THE FILM TO HIM TONIGHT, 844 00:58:14,866 --> 00:58:17,200 WE CAN HAVE THEM AS SOON AS TOMORROW. 845 00:58:17,233 --> 00:58:18,166 GOOD. 846 00:58:18,200 --> 00:58:22,200 HOW DO I LOOK? 847 00:58:22,300 --> 00:58:23,866 REALLY STUPID. 848 00:58:23,900 --> 00:58:25,366 THANKS. 849 00:58:25,400 --> 00:58:27,333 MM-HMM. 850 00:58:27,366 --> 00:58:31,366 SAY SEX. 851 00:58:42,400 --> 00:58:46,400 [KEY RATTLING IN LOCK] 852 00:58:48,866 --> 00:58:50,100 HEY, SID. 853 00:58:50,133 --> 00:58:51,766 HOW YOU DOING, BABE? 854 00:58:51,800 --> 00:58:53,066 YOU GOT THEM? 855 00:58:53,100 --> 00:58:54,566 OH, YEAH, I GOT THEM. 856 00:58:54,600 --> 00:58:56,300 I WAS UP ALL NIGHT LONG 857 00:58:56,333 --> 00:58:58,466 WORKING ON THESE. 858 00:58:58,500 --> 00:59:00,933 WORKS OF ART, IF YOU ASK ME. 859 00:59:00,966 --> 00:59:02,533 WELL... 860 00:59:02,566 --> 00:59:03,766 VERY NICE. 861 00:59:03,800 --> 00:59:07,366 I'D NEVER RECOGNIZE THAT. 862 00:59:07,400 --> 00:59:11,333 SO, WHAT DO WE DO NOW? 863 00:59:11,366 --> 00:59:15,233 THANKS. 864 00:59:15,266 --> 00:59:16,766 WE GO DOWNTOWN, 865 00:59:16,800 --> 00:59:20,800 AND WE FILE SOME FICTITIOUS-NAME DOCUMENTS. 866 00:59:41,233 --> 00:59:43,333 $9,000. 867 00:59:43,366 --> 00:59:47,366 HERE'S YOUR I.D. HERE'S YOUR CHECK. 868 00:59:51,733 --> 00:59:55,733 GOOD LUCK...PARTNER. 869 00:59:59,700 --> 01:00:02,500 WHAT'S THE MATTER, HONEY? WHY ARE YOU SO QUIET? 870 01:00:02,533 --> 01:00:05,900 I DON'T KNOW, MOM. IT'S REALLY STARTING TO BOTHER ME. 871 01:00:05,933 --> 01:00:08,200 JASON BARELY TOUCHES ME ANYMORE. 872 01:00:08,233 --> 01:00:11,966 YOU THINK MAYBE HE'S SEEING SOME OTHER WOMAN? 873 01:00:12,000 --> 01:00:14,233 WELL, WHAT ELSE COULD IT BE? 874 01:00:14,266 --> 01:00:15,233 MY IMAGINATION? 875 01:00:15,266 --> 01:00:18,300 YOU'VE ALWAYS BEEN PRONE TO WILD FANTASIES. 876 01:00:18,333 --> 01:00:21,800 YEAH, BUT THIS TIME, I KNOW WHO IT IS. 877 01:00:21,833 --> 01:00:23,500 YOU DO? 878 01:00:23,533 --> 01:00:24,666 YEAH. CINDY. 879 01:00:24,700 --> 01:00:26,633 YOU KNOW, THAT NEW GIRL WHO WORKS IN JASON'S OFFICE. 880 01:00:26,666 --> 01:00:29,433 HE HASN'T BEEN THE SAME SINCE HE HIRED HER. 881 01:00:29,466 --> 01:00:33,466 I NEVER KNEW HE CONSIDERED HIMSELF SUCH A LADIES MAN. 882 01:00:33,866 --> 01:00:36,233 BUT DON'T WORRY ABOUT IT, SWEETHEART. 883 01:00:36,266 --> 01:00:39,866 HE TAKES REAL GOOD CARE OF YOU, DOESN'T HE? 884 01:00:39,900 --> 01:00:40,633 MM-HMM. 885 01:00:40,666 --> 01:00:44,466 THERE'S MORE TO LIFE THAN SEX. 886 01:00:47,833 --> 01:00:51,833 [MUSIC PLAYING] 887 01:00:55,066 --> 01:00:59,066 Man: ♪ GIVE ME 888 01:01:02,133 --> 01:01:03,800 ♪ GIVE ME 889 01:01:03,833 --> 01:01:05,466 ♪ FEED ME 890 01:01:05,500 --> 01:01:09,500 ♪ NEED MY MOTHER'S MILK 891 01:01:09,900 --> 01:01:11,766 ♪ GIVE ME 892 01:01:11,800 --> 01:01:14,500 ♪ FEED ME 893 01:01:14,533 --> 01:01:18,533 ♪ NEED MY MOTHER'S MILK 894 01:01:21,100 --> 01:01:25,100 ♪ GIVE ME 895 01:01:28,833 --> 01:01:32,833 ♪ GIVE ME 896 01:01:36,633 --> 01:01:40,633 [APPLAUSE] 897 01:02:12,233 --> 01:02:14,500 MICHAEL, WHAT ARE YOU DOING DOWN HERE, BUDDY? 898 01:02:14,533 --> 01:02:16,266 I THOUGHT I'D FIND YOU HERE. 899 01:02:16,300 --> 01:02:20,300 LAST CALL, FOLKS. LAST CALL FOR ALCOHOL! 900 01:02:22,033 --> 01:02:25,433 CAN WE GO OUTSIDE, WHERE IT'S QUIETER? 901 01:02:25,466 --> 01:02:29,466 YEAH. 902 01:02:34,500 --> 01:02:35,600 AH... 903 01:02:35,633 --> 01:02:37,166 I HAD TO LET EVERYONE GO. 904 01:02:37,200 --> 01:02:39,866 WELL, IT WAS GONNA HAPPEN SOONER OR LATER, WASN'T IT? 905 01:02:39,900 --> 01:02:41,900 PAUL, WE'RE RUINED. THAYER CALLED AND TOLD US 906 01:02:41,933 --> 01:02:43,800 WE HAVE LESS THAN 48 HOURS TO PAY UP. 907 01:02:43,833 --> 01:02:45,500 WE DON'T HAVE TIME TO LIQUIDATE. 908 01:02:45,533 --> 01:02:46,700 NO, I'M TAKING CARE OF THINGS. 909 01:02:46,733 --> 01:02:48,933 HE ALSO WARNED AGAINST TRYING ANY LEGAL MANEUVER 910 01:02:48,966 --> 01:02:50,166 LIKE FILING BANKRUPTCY. 911 01:02:50,200 --> 01:02:52,233 I SAID I'M TAKING CARE OF THINGS. 912 01:02:52,266 --> 01:02:53,766 HOW? I WANT TO KNOW HOW. 913 01:02:53,800 --> 01:02:55,100 I CAN'T TELL YOU THAT. 914 01:02:55,133 --> 01:02:57,100 I NEED MORE REASSURANCE THAN THAT! 915 01:02:57,133 --> 01:02:58,533 WELL, I CAN'T GIVE YOU 916 01:02:58,566 --> 01:02:59,766 MORE REASSURANCE THAN THAT! 917 01:02:59,800 --> 01:03:01,566 THEY ARE NOT GOING TO GET AWAY WITH THIS! 918 01:03:01,600 --> 01:03:03,166 THEY'RE GOING TO PAY, ONE WAY OR THE OTHER! 919 01:03:03,200 --> 01:03:05,866 MIKE, DON'T DO ANYTHING YOU'RE GONNA REGRET, ALL RIGHT? 920 01:03:05,900 --> 01:03:07,233 I HAVE NOTHING LEFT TO REGRET. 921 01:03:07,266 --> 01:03:10,333 I'M NOT JUST GOING TO STAND BACK AND DO NOTHING. 922 01:03:10,366 --> 01:03:11,966 SO LONG, PAUL. 923 01:03:12,000 --> 01:03:16,000 MIKE! 924 01:03:17,966 --> 01:03:21,966 [SIGHS] 925 01:03:26,533 --> 01:03:28,466 YO, MAN. LET ME GET A DOLLAR. 926 01:03:28,500 --> 01:03:31,466 YOU KNOW WHAT? WHY DON'T YOU GIVE ME A DOLLAR, ALL RIGHT? 927 01:03:31,500 --> 01:03:33,933 YOU GIVE ME A FRIGGIN' DOLLAR! 928 01:03:33,966 --> 01:03:36,566 YO. ALL'S I WANTED WAS A DOLLAR. 929 01:03:36,600 --> 01:03:40,600 WHY DON'T YOU CHILL OUT? 930 01:03:56,833 --> 01:04:00,833 [ENGINE STARTS] 931 01:04:16,500 --> 01:04:19,633 SO, WHAT HAPPENED? 932 01:04:19,666 --> 01:04:21,833 WELL... 933 01:04:21,866 --> 01:04:23,533 DID YOU GET IT? 934 01:04:23,566 --> 01:04:26,300 THE CHECK CLEARED. WE DID IT. 935 01:04:26,333 --> 01:04:29,666 OH! HA HA! 936 01:04:29,700 --> 01:04:31,800 LET ME SEE. LET ME SEE. 937 01:04:31,833 --> 01:04:32,833 [LATCHES CLICK] 938 01:04:32,866 --> 01:04:35,066 NEXT TIME WE'LL GET A LITTLE MORE MONEY, 939 01:04:35,100 --> 01:04:36,533 A LITTLE MORE AFTER THAT-- 940 01:04:36,566 --> 01:04:39,266 NOT TO RAISE ANY SUSPICIONS. 941 01:04:39,300 --> 01:04:43,300 WE ARE ON OUR WAY. 942 01:05:28,866 --> 01:05:32,866 [ENGINE STARTS] 943 01:05:56,466 --> 01:05:59,400 HOW MUCH LONGER DO WE HAVE TO DO THIS? 944 01:05:59,433 --> 01:06:01,533 OH, I'D SAY ANOTHER SERIES OF CHECKS, 945 01:06:01,566 --> 01:06:05,566 AND THE MAN WILL BE BLOOD-DRY. 946 01:06:06,566 --> 01:06:08,133 VERY SOON, JASON WILL HAVE GONE 947 01:06:08,166 --> 01:06:12,166 FROM DINING AT LA DOME TO SCAVENGING WITH THE HOMELESS. 948 01:06:13,833 --> 01:06:14,866 HERE YOU GO, PAL. 949 01:06:14,900 --> 01:06:18,900 REMIND ME NOT TO GIVE HIM ANY QUARTERS. 950 01:06:20,266 --> 01:06:24,000 OOH! I CAN'T WAIT TO GET OUT OF THESE CLOTHES. 951 01:06:24,033 --> 01:06:26,700 UGH! 952 01:06:26,733 --> 01:06:28,566 GOD, YOU LOOK A MESS. 953 01:06:28,600 --> 01:06:31,233 OH, YEAH? WELL, YOU LOOK BALD. 954 01:06:31,266 --> 01:06:35,266 HA HA HA! AND RICH. 955 01:06:35,700 --> 01:06:37,466 LET'S GET OUT OF HERE. 956 01:06:37,500 --> 01:06:39,766 WELL, I CAN THINK OF BETTER THINGS 957 01:06:39,800 --> 01:06:41,166 TO DO WITH THAT TIE. 958 01:06:41,200 --> 01:06:43,200 HMM...SOUNDS LIKE FUN. 959 01:06:43,233 --> 01:06:46,966 [LAUGHING] 960 01:06:47,000 --> 01:06:51,000 OH, GOD. 961 01:08:33,666 --> 01:08:37,666 [TOOLS RATTLING] 962 01:09:10,066 --> 01:09:13,466 MMM! SWEETHEART, THAT WAS DELICIOUS. 963 01:09:13,500 --> 01:09:17,500 THANK YOU. 964 01:09:19,633 --> 01:09:21,433 GRR! 965 01:09:21,466 --> 01:09:24,066 YOU REALLY LIKE FLIRTING WITH DANGER, DON'T YOU? 966 01:09:24,100 --> 01:09:26,399 I THINK YOU WANT TO GET CAUGHT. 967 01:09:26,433 --> 01:09:27,600 DON'T BE SILLY. 968 01:09:27,633 --> 01:09:29,333 BUT EVEN IF SHE DID CATCH US, 969 01:09:29,366 --> 01:09:31,166 SHE WOULD NEVER BELIEVE IT... 970 01:09:31,200 --> 01:09:32,433 NOT OF ME ANYWAY. 971 01:09:32,466 --> 01:09:34,166 SHE MIGHT BELIEVE IT OF YOU. 972 01:09:34,200 --> 01:09:37,433 INNOCENT ME? 973 01:09:37,466 --> 01:09:39,300 YOU KNOW, YOUR MOTHER HAS 974 01:09:39,333 --> 01:09:40,433 A VERY LONG LIFE LINE. 975 01:09:40,466 --> 01:09:43,633 I DIDN'T KNOW YOU WERE A PALM READER. 976 01:09:43,666 --> 01:09:46,333 IT'S JUST ONE OF MY MANY HIDDEN TALENTS. 977 01:09:46,366 --> 01:09:48,100 IS THERE ANY COFFEE, HONEY? 978 01:09:48,133 --> 01:09:50,833 WHY DON'T YOU GO CHECK? 979 01:09:50,866 --> 01:09:54,866 OK. 980 01:09:56,500 --> 01:09:58,966 MOTHER, I TOLD YOU TO LEAVE HIM ALONE. 981 01:09:59,000 --> 01:10:03,000 HONEY, I WAS ONLY TRYING TO CHECK HIM OUT FOR YOU. 982 01:10:03,633 --> 01:10:06,966 THERE IS NO OTHER WOMAN. I'M SURE OF IT. 983 01:10:07,000 --> 01:10:09,500 HE CHERISHES YOU, HE ADORES YOU, 984 01:10:09,533 --> 01:10:12,600 AND HE IS TOTALLY FAITHFUL TO YOU. 985 01:10:12,633 --> 01:10:14,800 MOM, DO YOU REALLY THINK SO? 986 01:10:14,833 --> 01:10:18,033 YOU HAVE NOTHING TO WORRY ABOUT WITH JASON. 987 01:10:18,066 --> 01:10:21,400 I'M SORRY FOR OVERREACTING. 988 01:10:21,433 --> 01:10:22,400 OH, THAT'S OK. 989 01:10:22,433 --> 01:10:24,366 HONEY, I THINK I'M GONNA SKIP COFFEE FOR TONIGHT. 990 01:10:24,400 --> 01:10:27,066 I'M A LITTLE TIRED. WOULD YOU DRIVE ME HOME? 991 01:10:27,100 --> 01:10:28,866 SURE. 992 01:10:28,900 --> 01:10:30,533 GOOD NIGHT, JASON. 993 01:10:30,566 --> 01:10:34,566 Jason: GOOD NIGHT. DRIVE CAREFULLY. 994 01:10:57,933 --> 01:11:01,933 [ENGINE STARTS] 995 01:11:12,466 --> 01:11:15,933 [YAWNS DEEPLY] 996 01:11:15,966 --> 01:11:17,400 GETTING TIRED? 997 01:11:17,433 --> 01:11:19,500 AH, A LITTLE. 998 01:11:19,533 --> 01:11:22,333 YOU'LL BE HOME IN A MINUTE. 999 01:11:22,366 --> 01:11:26,366 HA HA HA. 1000 01:11:28,633 --> 01:11:30,300 WHAT'S THE MATTER? 1001 01:11:30,333 --> 01:11:34,333 THE BRAKE WON'T WORK. 1002 01:11:34,466 --> 01:11:36,433 [TIRES SCREECH] 1003 01:11:36,466 --> 01:11:40,166 OH, MY GOD! LOOK OUT! WE'RE GONNA CRASH! 1004 01:11:40,200 --> 01:11:44,200 [TIRES SCREECH] 1005 01:11:55,100 --> 01:11:59,066 MOM? 1006 01:11:59,100 --> 01:12:03,100 MOM? 1007 01:12:03,666 --> 01:12:07,666 UH! 1008 01:12:21,933 --> 01:12:24,066 LORRAINE, 232 IS GOING TO BE DISCHARGED. 1009 01:12:24,100 --> 01:12:25,633 I'LL TAKE CARE OF THE PAPERWORK. 1010 01:12:25,666 --> 01:12:27,166 OK. THANK YOU. MR. LAURENCE, 1011 01:12:27,200 --> 01:12:28,633 NOW REMEMBER, THAT BANDAGE 1012 01:12:28,666 --> 01:12:30,466 IS TO COME OFF IN A DAY OR 2, 1013 01:12:30,500 --> 01:12:32,666 AND THE PAIN MEDICATION IS TO BE GIVEN 1014 01:12:32,700 --> 01:12:34,600 EVERY 4 HOURS, ALL RIGHT? 1015 01:12:34,633 --> 01:12:35,666 YEAH. 1016 01:12:35,700 --> 01:12:37,200 EXCUSE ME, DR. ROSS. MAY I HAVE A WORD WITH YOU? 1017 01:12:37,233 --> 01:12:38,933 YES, OF COURSE. PARDON ME. 1018 01:12:38,966 --> 01:12:40,300 THANKS, DOCTOR. 1019 01:12:40,333 --> 01:12:41,400 WHAT AM I GONNA DO? 1020 01:12:41,433 --> 01:12:44,166 HEY, YOU HEARD THE DOC. YOU'RE GONNA BE OK. 1021 01:12:44,200 --> 01:12:45,933 LISTEN, I GOT A GREAT IDEA. 1022 01:12:45,966 --> 01:12:48,500 HOW ABOUT YOU AND ME FLYING DOWN TO MEXICO? 1023 01:12:48,533 --> 01:12:50,666 YOU'VE ALWAYS WANTED TO GO THERE, HUH? 1024 01:12:50,700 --> 01:12:52,266 HOW CAN YOU POSSIBLY THINK 1025 01:12:52,300 --> 01:12:53,800 I'D WANT TO DO THAT? 1026 01:12:53,833 --> 01:12:55,433 MY MOTHER IS DEAD, 1027 01:12:55,466 --> 01:12:59,466 AND I LOOK LIKE THIS. 1028 01:13:25,966 --> 01:13:27,066 IT'S ALL THERE-- 1029 01:13:27,100 --> 01:13:30,066 A MILLION DOLLARS... PLUS INTEREST. 1030 01:13:30,100 --> 01:13:32,200 SO I WOULD ASSUME THAT CONCLUDES 1031 01:13:32,233 --> 01:13:34,933 OUR BUSINESS TRANSACTION. 1032 01:13:34,966 --> 01:13:38,566 NOT...QUITE. 1033 01:13:38,600 --> 01:13:40,700 I HEAR OUR FRIEND CAROL AND HER MOTHER WERE INVOLVED 1034 01:13:40,733 --> 01:13:43,633 IN A LITTLE AUTOMOBILE ACCIDENT THE OTHER NIGHT. 1035 01:13:43,666 --> 01:13:46,600 THE OLD LADY DIED. REALLY, PAUL, 1036 01:13:46,633 --> 01:13:48,600 YOUR RESOURCEFULNESS DOES AMAZE ME. 1037 01:13:48,633 --> 01:13:51,333 I DIDN'T KNOW YOU HAD IT IN YOU. 1038 01:13:51,366 --> 01:13:54,133 I HAD NOTHING TO DO WITH IT. 1039 01:13:54,166 --> 01:13:55,500 WITH 2 QUESTIONABLE DEATHS 1040 01:13:55,533 --> 01:13:57,433 AND MY RELATIONSHIP TO THOSE INVOLVED, 1041 01:13:57,466 --> 01:13:59,200 THE AUTHORITIES MAY SOON DIRECT 1042 01:13:59,233 --> 01:14:00,800 SOME OF THEIR ATTENTION TOWARDS ME, 1043 01:14:00,833 --> 01:14:04,766 EVEN THOUGH, LIKE YOU, I HAD NOTHING TO DO WITH IT. 1044 01:14:04,800 --> 01:14:06,700 GET TO YOUR POINT. 1045 01:14:06,733 --> 01:14:08,333 GIVEN THE TURN OF EVENTS 1046 01:14:08,366 --> 01:14:10,333 AND THE EMBARRASSMENT THIS IS BOUND TO CAUSE, 1047 01:14:10,366 --> 01:14:13,800 I BELIEVE I'M ENTITLED TO GREATER COMPENSATION. 1048 01:14:13,833 --> 01:14:15,833 I WANT YOUR PROPERTIES. 1049 01:14:15,866 --> 01:14:19,866 SMALL PRICE TO PAY, GIVEN THE CIRCUMSTANCES. 1050 01:14:20,566 --> 01:14:22,966 HA. WELL, THEY'RE NOT GONNA TOUCH YOU, 1051 01:14:23,000 --> 01:14:25,600 AND YOU KNOW IT! 1052 01:14:25,633 --> 01:14:28,433 OH, I SEE. HA HA. YOU AND JASON 1053 01:14:28,466 --> 01:14:32,466 WERE IN THIS TOGETHER FROM THE BEGINNING. 1054 01:14:32,700 --> 01:14:34,266 HE WAS GONNA GET THE MONEY, 1055 01:14:34,300 --> 01:14:37,033 AND YOU WERE GONNA GET CONTROL OF THE PROPERTIES 1056 01:14:37,066 --> 01:14:38,900 AT A FRACTION OF WHAT THEY'RE WORTH. 1057 01:14:38,933 --> 01:14:41,433 I WILL NOT STAND HERE AND SPAR WITH YOU, PAUL. 1058 01:14:41,466 --> 01:14:44,133 YOU KNOW, YOU TWO GUYS ARE REALLY AMAZING. 1059 01:14:44,166 --> 01:14:45,366 JESUS! HOW'D YOU GET INVOLVED 1060 01:14:45,400 --> 01:14:47,600 WITH A SMALL-TIME PSYCHO LIKE JASON LAURENCE? 1061 01:14:47,633 --> 01:14:49,400 I MEAN, HIS OPERATION IS PEANUTS 1062 01:14:49,433 --> 01:14:52,133 COMPARED TO WHAT YOU GUYS MUST BE INVOLVED IN. 1063 01:14:52,166 --> 01:14:53,566 SOMETIMES IN BUSINESS, 1064 01:14:53,600 --> 01:14:54,866 YOU MUST DEAL WITH PEOPLE 1065 01:14:54,900 --> 01:14:58,333 YOU WOULD NEVER INVITE TO YOUR COUNTRY CLUB. 1066 01:14:58,366 --> 01:15:01,333 HA. 1067 01:15:01,366 --> 01:15:02,100 OK. 1068 01:15:02,133 --> 01:15:03,666 [LATCHES CLICK] 1069 01:15:03,700 --> 01:15:07,700 WELL, THAT BEING THE CASE... 1070 01:15:13,433 --> 01:15:17,433 GET HIM! 1071 01:15:21,066 --> 01:15:23,466 [GUNSHOTS] 1072 01:15:23,500 --> 01:15:27,500 [ENGINE STARTS] 1073 01:15:54,733 --> 01:15:57,000 THAYER WAS IN IT ALL ALONG, 1074 01:15:57,033 --> 01:16:00,900 UP TO HIS SCRAWNY LITTLE NECK WITH JASON. 1075 01:16:00,933 --> 01:16:02,833 JUST ONE BIG SETUP! 1076 01:16:02,866 --> 01:16:06,866 HE DIDN'T WANT THE MONEY. HE WANTED THE PROPERTY. 1077 01:16:08,700 --> 01:16:11,666 I DON'T KNOW WHAT I'M GONNA DO. 1078 01:16:11,700 --> 01:16:14,100 YOU KNOW, THERE ARE OTHER WAYS 1079 01:16:14,133 --> 01:16:16,833 TO MAKE JASON PAY THAN JUST CASH. 1080 01:16:16,866 --> 01:16:17,700 [SIGHS] 1081 01:16:17,733 --> 01:16:21,733 WHAT DO YOU HAVE IN MIND? 1082 01:16:22,266 --> 01:16:26,266 MY BACKUP PLAN, PARTNER. 1083 01:16:28,733 --> 01:16:32,733 WHAT DO YOU THINK OF THESE? 1084 01:16:35,966 --> 01:16:39,866 OH, YOU DOG, YOU. 1085 01:16:39,900 --> 01:16:41,766 PRETTY, AIN'T THEY? 1086 01:16:41,800 --> 01:16:43,033 NOW, I WAS THERE 1087 01:16:43,066 --> 01:16:45,700 WHEN THEY WERE DOING THAT. 1088 01:16:45,733 --> 01:16:48,966 WHAT WERE... YOU DOING THERE 1089 01:16:49,000 --> 01:16:50,066 TAKING PICTURES? 1090 01:16:50,100 --> 01:16:53,400 SOMETIMES SECRETARIES KNOW MORE ABOUT THEIR BOSSES 1091 01:16:53,433 --> 01:16:57,433 THAN THEIR WIVES DO. 1092 01:17:11,566 --> 01:17:14,366 WANT ANOTHER? 1093 01:17:14,400 --> 01:17:16,300 NO. IT'S TOO EARLY IN THE DAY 1094 01:17:16,333 --> 01:17:17,566 TO BE DOING THIS ONE. 1095 01:17:17,600 --> 01:17:20,900 YOU KNOW, YOU GOT ONE HOT LITTLE NUMBER THERE. 1096 01:17:20,933 --> 01:17:24,933 YOU'RE A LUCKY GUY. 1097 01:17:26,566 --> 01:17:29,733 YOU KNOW CINDY PRETTY WELL, DON'T YOU? 1098 01:17:29,766 --> 01:17:31,500 I LIKE HER, BUT YOU KNOW, 1099 01:17:31,533 --> 01:17:33,700 GIRLS LIKE HER DON'T GO FOR GUYS LIKE ME. 1100 01:17:33,733 --> 01:17:37,300 YOU KNOW HER A HELL OF A LOT BETTER THAN I EVER WILL. 1101 01:17:37,333 --> 01:17:40,766 I DON'T KNOW ABOUT THAT. 1102 01:17:40,800 --> 01:17:43,166 SHE'S GOT... THIS DARK SIDE 1103 01:17:43,200 --> 01:17:46,200 THAT I...I CAN'T GET A HANDLE ON. 1104 01:17:46,233 --> 01:17:47,600 YOU KNOW WHAT I MEAN? 1105 01:17:47,633 --> 01:17:50,100 WELL, WHEN YOU SEE YOUR MOTHER KILLED 1106 01:17:50,133 --> 01:17:53,000 RIGHT IN FRONT OF YOU, IT KIND OF AFFECTS YOU. 1107 01:17:53,033 --> 01:17:57,033 HER MOTHER? 1108 01:18:56,600 --> 01:19:00,600 [DOOR OPENS] 1109 01:19:04,566 --> 01:19:07,666 Jason: CAROL? 1110 01:19:07,700 --> 01:19:11,700 WHA--WHAT'S THE MATTER, BABY? 1111 01:19:12,133 --> 01:19:14,966 WHAT ARE YOU DOING? SHOULDN'T YOU BE IN BED? 1112 01:19:15,000 --> 01:19:16,333 YOU AND MY MOTHER! 1113 01:19:16,366 --> 01:19:20,166 YOU COULDN'T POSSIBLY HAVE HUMILIATED ME MORE! 1114 01:19:20,200 --> 01:19:21,433 [CRYING] 1115 01:19:21,466 --> 01:19:22,733 WHERE'D YOU GET THIS? 1116 01:19:22,766 --> 01:19:24,333 WHAT'S THE MATTER? CAN'T THINK 1117 01:19:24,366 --> 01:19:25,533 OF A GOOD LIE THIS TIME? 1118 01:19:25,566 --> 01:19:27,200 LOOK, SHE WAS THE ONE WHO WANTED IT, OK? 1119 01:19:27,233 --> 01:19:29,400 SHE APPROACHED ME. SHE BEGGED ME FOR IT! 1120 01:19:29,433 --> 01:19:30,300 YEAH, RIGHT. 1121 01:19:30,333 --> 01:19:31,700 YOU THINK I'D HAVE ANYTHING TO DO WITH 1122 01:19:31,733 --> 01:19:33,333 AN OLD HAG LIKE THIS, HUH? 1123 01:19:33,366 --> 01:19:35,366 YOU DISGUST ME! 1124 01:19:35,400 --> 01:19:39,400 [TELEPHONE RINGING] 1125 01:19:42,700 --> 01:19:43,700 YEAH? 1126 01:19:43,733 --> 01:19:45,266 Woman: MR. LAURENCE, I'M CALLING 1127 01:19:45,300 --> 01:19:47,000 CONCERNING YOUR CHECK NUMBER 108, 1128 01:19:47,033 --> 01:19:48,933 MADE OUT TO PORSCHES UNLIMITED. 1129 01:19:48,966 --> 01:19:50,166 IT'S BEEN RETURNED, 1130 01:19:50,200 --> 01:19:52,700 AS YOUR ACCOUNT WILL BE OVERDRAWN. 1131 01:19:52,733 --> 01:19:55,066 OVERDRAWN? HOW IS THAT POSSIBLE? 1132 01:19:55,100 --> 01:19:58,666 I'VE GOT OVER $2 MILLION IN THAT ACCOUNT. 1133 01:19:58,700 --> 01:20:00,200 I'M SORRY, SIR, BUT OUR RECORDS 1134 01:20:00,233 --> 01:20:01,633 INDICATE THAT AT THIS MOMENT, 1135 01:20:01,666 --> 01:20:03,266 YOUR ACCOUNT IS SHOWING 1136 01:20:03,300 --> 01:20:07,133 A BALANCE OF ONLY $210.23. 1137 01:20:07,166 --> 01:20:09,866 $210.23? 1138 01:20:09,900 --> 01:20:12,933 IT'S ALL GONE, ISN'T IT? 1139 01:20:12,966 --> 01:20:15,300 YOU REALLY ARE PATHETIC. 1140 01:20:15,333 --> 01:20:18,066 YOU'RE SUCH A LOSER. 1141 01:20:18,100 --> 01:20:19,000 UH! 1142 01:20:19,033 --> 01:20:20,266 AH! 1143 01:20:20,300 --> 01:20:22,333 YOU WITCH! YOU SELFISH SLUT! 1144 01:20:22,366 --> 01:20:26,366 YOU NEVER CARED ABOUT ME! YOU NEVER CARED ABOUT ME! 1145 01:20:26,466 --> 01:20:28,266 UH! 1146 01:20:28,300 --> 01:20:30,366 UH! UH! 1147 01:20:30,400 --> 01:20:32,133 AH! 1148 01:20:32,166 --> 01:20:35,700 [GASPING] 1149 01:20:35,733 --> 01:20:39,733 [GASPING] 1150 01:20:42,533 --> 01:20:46,066 [GASPING STOPS] 1151 01:20:46,100 --> 01:20:50,100 BABY. BABY? 1152 01:20:50,200 --> 01:20:54,133 OH, JEEZ. 1153 01:21:12,266 --> 01:21:13,400 UH! 1154 01:21:13,433 --> 01:21:17,433 ["TILT" BEEPS] 1155 01:21:36,200 --> 01:21:40,200 WAIT HERE. 1156 01:21:43,566 --> 01:21:47,566 [PINBALL MACHINE BEEPING] 1157 01:21:49,033 --> 01:21:51,133 [KNOCKS ON WINDOW] 1158 01:21:51,166 --> 01:21:53,033 IT'S OPEN. 1159 01:21:53,066 --> 01:21:54,800 YOU REALLY SHOULD KEEP YOUR DOORS LOCKED. 1160 01:21:54,833 --> 01:21:58,833 YOU NEVER KNOW WHO JUST MIGHT ACCIDENTALLY STROLL IN. 1161 01:21:59,100 --> 01:22:02,100 CAROL? 1162 01:22:02,133 --> 01:22:05,100 CAROL? CA-- 1163 01:22:05,133 --> 01:22:07,000 WHAT HAPPENED? 1164 01:22:07,033 --> 01:22:08,633 IT WAS AN ACCIDENT. 1165 01:22:08,666 --> 01:22:11,100 OH, GOD, MORRIS, WHAT ARE WE GONNA DO? 1166 01:22:11,133 --> 01:22:12,500 I CAME HERE TO TELL YOU 1167 01:22:12,533 --> 01:22:14,166 OUR LITTLE ARRANGEMENT WAS A MISTAKE. 1168 01:22:14,200 --> 01:22:16,866 I SEE THAT I'M RIGHT. I WANT MY MONEY BACK. 1169 01:22:16,900 --> 01:22:18,133 THAT'S NOT OUR DEAL. 1170 01:22:18,166 --> 01:22:19,333 I KNOW YOU HAD SINGLETON KILLED 1171 01:22:19,366 --> 01:22:21,400 JUST SO YOU WOULDN'T HAVE TO GIVE HIM HIS MEASLY SHARE. 1172 01:22:21,433 --> 01:22:22,566 WHAT DID YOU DO, 1173 01:22:22,600 --> 01:22:23,666 HIRE SOME HOOKER FRIEND OF YOURS 1174 01:22:23,700 --> 01:22:25,400 TO ROUGH HIM UP, SCARE HIM A LITTLE MORE THAN USUAL, 1175 01:22:25,433 --> 01:22:27,133 KNOWING HE HAD A PROBLEM WITH HIS HEART? 1176 01:22:27,166 --> 01:22:28,666 THE MAN WAS DYING. WHAT'S THE POINT 1177 01:22:28,700 --> 01:22:30,666 OF GIVING THE MONEY TO A DEAD MAN? 1178 01:22:30,700 --> 01:22:32,666 I DON'T NEED DEALING WITH A PSYCHO. 1179 01:22:32,700 --> 01:22:35,833 I WANT MY MONEY BACK RIGHT NOW. 1180 01:22:35,866 --> 01:22:36,966 I DON'T HAVE IT. 1181 01:22:37,000 --> 01:22:39,333 GOD, MORRIS, YOU CAN'T DO THIS TO ME! 1182 01:22:39,366 --> 01:22:43,366 OH, NO? TRY ME. 1183 01:22:43,833 --> 01:22:45,833 LOOK...THE MONEY'S NOT HERE. 1184 01:22:45,866 --> 01:22:47,533 IT'S... IT'S IN THE BANK. 1185 01:22:47,566 --> 01:22:50,833 ALL RIGHT. THEN WE'LL GO TO THE BANK TOGETHER. 1186 01:22:50,866 --> 01:22:54,866 LET'S GO. I'LL BE WAITING IN THE CAR. 1187 01:22:57,200 --> 01:23:01,200 MORRIS. 1188 01:23:01,800 --> 01:23:05,800 YOU'RE JUST LIKE THE REST. 1189 01:23:37,333 --> 01:23:39,166 Paul: NOW... WAIT A MINUTE. 1190 01:23:39,200 --> 01:23:41,900 WHAT IS IT THAT YOU'RE TELLING ME? 1191 01:23:41,933 --> 01:23:43,833 I HAD TO DO SOMETHING. 1192 01:23:43,866 --> 01:23:46,633 I JUST WANTED TO TRASH THE PORSCHE. 1193 01:23:46,666 --> 01:23:50,666 THE SON OF A GUN BOUGHT IT WITH OUR MONEY! 1194 01:23:51,200 --> 01:23:52,166 OH, MIKE. 1195 01:23:52,200 --> 01:23:54,633 I THOUGHT IT WOULD BE JASON DRIVING. 1196 01:23:54,666 --> 01:23:56,666 I DIDN'T WANT TO HURT CAROL AND BETTY. 1197 01:23:56,700 --> 01:23:58,933 I DON'T KNOW WHAT I'M DOING ANYMORE. 1198 01:23:58,966 --> 01:24:00,333 ALL RIGHT, ALL RIGHT. 1199 01:24:00,366 --> 01:24:01,833 LET'S NOT GET HYSTERICAL. 1200 01:24:01,866 --> 01:24:03,033 COME ON. COME ON. GO HOME. 1201 01:24:03,066 --> 01:24:05,200 WE'LL THINK ABOUT IT. I'LL GIVE YOU A CALL. 1202 01:24:05,233 --> 01:24:07,066 COME ON. I'LL WALK YOU TO YOUR CAR. 1203 01:24:07,100 --> 01:24:09,500 [ENGINE STARTS] 1204 01:24:09,533 --> 01:24:13,533 [TIRES SCREECHING] 1205 01:24:13,766 --> 01:24:17,766 MIKE! 1206 01:24:18,700 --> 01:24:20,233 YOU SON OF A-- 1207 01:24:20,266 --> 01:24:24,266 [TIRES SCREECHING] 1208 01:24:26,866 --> 01:24:30,866 UH! 1209 01:24:30,966 --> 01:24:34,266 AAH! 1210 01:24:34,300 --> 01:24:38,300 HA HA HA! 1211 01:24:45,733 --> 01:24:49,733 MIKE. 1212 01:24:54,166 --> 01:24:58,166 Man: SO WHY'D THE YUPPIE CROSS THE ROAD? 1213 01:24:58,400 --> 01:25:01,100 HE WANTED TO NETWORK WITH THE CHICKEN. 1214 01:25:01,133 --> 01:25:03,100 ALL RIGHT, ALL RIGHT. I GOT MORE. 1215 01:25:03,133 --> 01:25:05,066 I GOT LOTS MORE. I GOT LOTS MORE. 1216 01:25:05,100 --> 01:25:06,833 UH...OK, WHAT'S THE IDEAL WOMAN? 1217 01:25:06,866 --> 01:25:08,733 HUH? RIGHT? SHE'S DEAF, DUMB, BLIND, 1218 01:25:08,766 --> 01:25:10,466 A NYMPHOMANIAC, AND AT MIDNIGHT, 1219 01:25:10,500 --> 01:25:12,500 SHE TURNS INTO A PIZZA AND A SIX-PACK. 1220 01:25:12,533 --> 01:25:14,866 COME ON. THIS IS GREAT MATERIAL, MAN. 1221 01:25:14,900 --> 01:25:16,166 LOOSEN UP A BIT. COME ON. 1222 01:25:16,200 --> 01:25:17,766 I KILLED WITH THIS STUFF AT THE CLUB. 1223 01:25:17,800 --> 01:25:19,000 MAN, I KILLED. I MURDERED THEM. 1224 01:25:19,033 --> 01:25:21,366 I GOT ONE FOR YOU. WATCH. IT'S A VISUAL THING. 1225 01:25:21,400 --> 01:25:22,766 VISUAL THING. HERE WE GO. 1226 01:25:22,800 --> 01:25:24,300 WHAT'S THIS, HUH? WHAT'S THAT? 1227 01:25:24,333 --> 01:25:26,066 A TOURIST IN KUWAIT. HA HA HA. 1228 01:25:26,100 --> 01:25:28,400 COME ON, LOOSEN UP, MAN. THIS IS GOOD. UM... 1229 01:25:28,433 --> 01:25:30,700 I GOT A GREAT ONE FOR YOU. YOU'RE GONNA LOVE THIS ONE. 1230 01:25:30,733 --> 01:25:32,833 YOU HEARD ABOUT THE INDIAN LOTTERY? 1231 01:25:32,866 --> 01:25:34,266 YOU SCRATCH OFF THE TICKET. 1232 01:25:34,300 --> 01:25:36,100 IF THE DOT ON THE TICKET MATCHES 1233 01:25:36,133 --> 01:25:39,066 THE DOT ON YOUR FOREHEAD, YOU WIN A 7-11. 1234 01:25:39,100 --> 01:25:41,033 WHAT DO YOU THINK? 1235 01:25:41,066 --> 01:25:44,000 SHUT UP. 1236 01:25:44,033 --> 01:25:48,033 ALL RIGHT. 1237 01:25:49,766 --> 01:25:51,200 CINDY. 1238 01:25:51,233 --> 01:25:55,000 UP HERE. 1239 01:25:55,033 --> 01:25:56,333 MIKE'S DEAD. 1240 01:25:56,366 --> 01:25:58,900 JASON KILLED CAROL. HE KILLED THAYER. 1241 01:25:58,933 --> 01:26:00,466 IT'S ONLY A MATTER OF TIME 1242 01:26:00,500 --> 01:26:01,900 BEFORE HE FINDS HIS WAY TO US. 1243 01:26:01,933 --> 01:26:03,933 GET YOUR THINGS. WE GOT THE MONEY. 1244 01:26:03,966 --> 01:26:05,400 LET'S GET OUT OF HERE. 1245 01:26:05,433 --> 01:26:06,900 YOU TAKE THE MONEY, PAUL. 1246 01:26:06,933 --> 01:26:08,433 I'VE GOT SOME UNFINISHED BUSINESS. 1247 01:26:08,466 --> 01:26:11,800 I KNOW ALL ABOUT YOUR UNFINISHED BUSINESS. 1248 01:26:11,833 --> 01:26:13,300 AUDREY LANSING WAS YOUR MOTHER. 1249 01:26:13,333 --> 01:26:14,533 SHE WAS KILLED IN AN ACCIDENT, 1250 01:26:14,566 --> 01:26:17,000 AND YOU SOMEHOW THINK THAT JASON WAS INVOLVED. 1251 01:26:17,033 --> 01:26:17,866 NOT "THINK." 1252 01:26:17,900 --> 01:26:20,933 I KNOW. I SAW IT WITH MY OWN EYES. 1253 01:26:20,966 --> 01:26:23,600 BUT NO ONE WOULD BELIEVE AN 8-YEAR-OLD. 1254 01:26:23,633 --> 01:26:25,900 I WANT HIM TO HURT 1255 01:26:25,933 --> 01:26:28,466 AS MUCH AS HE HURT ME. 1256 01:26:28,500 --> 01:26:30,633 BUT HE IS HURTING. DON'T YOU SEE THAT? 1257 01:26:30,666 --> 01:26:32,900 WE HAVE FINANCIALLY DECIMATED THIS MAN. 1258 01:26:32,933 --> 01:26:35,200 HE'S RUINED. BUT IT'S ALL GOTTEN OUT OF HAND. 1259 01:26:35,233 --> 01:26:37,800 HE'S GONE NUTS. LET'S GET OUT OF HERE 1260 01:26:37,833 --> 01:26:39,566 AND LET THE MAN HANG HIMSELF. 1261 01:26:39,600 --> 01:26:43,600 WHEN HE HANGS, I WANT TO BE HERE TO SEE IT. 1262 01:26:45,000 --> 01:26:47,233 HOW CHARMING. 1263 01:26:47,266 --> 01:26:49,600 MY PARTNER AND MY ASSISTANT. 1264 01:26:49,633 --> 01:26:53,100 HAPPY TO SEE YOU TWO GETTING ALONG SO WELL. 1265 01:26:53,133 --> 01:26:56,100 LET ME SEE IF I GOT THE STORY RIGHT, HUH? 1266 01:26:56,133 --> 01:26:58,533 THE LOVEBIRDS RIP OFF THE BIG, BAD JASON 1267 01:26:58,566 --> 01:27:02,266 AND DISAPPEAR HAPPILY INTO THE SUNSET, HUH? 1268 01:27:02,300 --> 01:27:03,433 WRONG! 1269 01:27:03,466 --> 01:27:07,466 YOU'RE GONNA GIVE ME BACK EVERY CENT...NOW! 1270 01:27:08,166 --> 01:27:10,133 I DON'T HAVE IT. 1271 01:27:10,166 --> 01:27:13,300 DO I REALLY LOOK THAT STUPID? 1272 01:27:13,333 --> 01:27:16,033 I'LL TELL YOU WHAT I'M GONNA DO. 1273 01:27:16,066 --> 01:27:18,666 I'M GONNA COUNT TO 3, AND THEN I'M GONNA BLOW 1274 01:27:18,700 --> 01:27:22,000 HER PRETTY LITTLE HEAD RIGHT OFF. ONE-- 1275 01:27:22,033 --> 01:27:24,266 THIS IS BETWEEN YOU AND ME. 1276 01:27:24,300 --> 01:27:25,966 SHE HAD NOTHING TO DO WITH IT. 1277 01:27:26,000 --> 01:27:26,966 HOLD IT RIGHT THERE! 1278 01:27:27,000 --> 01:27:30,900 IT'S ON THE ROOF, JASON! THE MONEY'S ON THE ROOF! 1279 01:28:11,933 --> 01:28:15,933 YOU CAN'T GET AWAY FROM ME! 1280 01:29:02,166 --> 01:29:04,333 YOU LOSE, PAUL. 1281 01:29:04,366 --> 01:29:08,366 NO, YOU DO, JASON. 1282 01:29:12,466 --> 01:29:16,466 THAT WAS FOR MY MOTHER. 1283 01:29:35,166 --> 01:29:35,166 [DISTANT SIREN] 85601