All language subtitles for X-Rated.The.Greatest.Adult.Movies.of.All.Time.2015en

Mind if I smoke

while you're eating?

Kissing with their tongue.

And that's first class?

Correct.

Which part of first class?

Sex or nonsex?

It'll be like I never

even existed.

I'm Luke Skywalker.

I'm here to save you.

I'm being rescued
by a transvestite?

My god, he's a pervert, too.

What we did was terribly wrong.

Is this sexual harassment?

Yeah...

Do you think you're liberated?

You're a fucking asshole!

I despise you!

Fuck that shit. Run!

And thank you
for flying star tours.

Movies have been
making us laugh and cry,

gasp and scream
for over 100 years.

And since the earliest
days of cinema,

adult films have been a part
of the motion picture landscape.

Making us gasp for
entirely different reasons.

As far back as the 1880's,

filmmakers saw the goldmine
potential of erotic films...

loops, stag films,
peep show booths.

For the next 90 years,

society watched sex
in a variety of ways.

Then in the 1970's,
everything changed.

Taking advantage of a more
socially permissive atmosphere,

directors began telling stories
surrounding the hardcore sex.

For the first time ever,
full-length movies with

explicit sex were being shown
in theaters for a mass audience.

It's impossible to overstate the
importance of Gerard Damiano's film,

"Deep Throat."

This movie opened the door for virtually
every adult feature that came after.

While the exaggerated
close-ups, campy performances,

and fireworks going
off during orgasms

might seem a little comical
to a modern audience,

in 1972, audiences had
never seen anything like it.

Whether discussing
adult or mainstream,

"Deep Throat" remains one of
the most profitable films of all time.

You say that you want more out
of sex than just a lot of little tingles?

Yes, I wanna hear
bells and bombs...

Yes, we just went through that, Miss
Lovelace. Let's not do that part again.

I don't think people under a
certain age understand just

how edgy and how radical it was to
put actual sex in a big movie theater.

"Deep Throat," in
particular, open a lot of doors.

It made it... seeing something
like that more accessible,

and then that helps in
making it seem more normal.

"Deep Throat" and...
"The Devil in Miss Jones"

played as a double
bill for like 10 years.

When "Deep Throat" came
out in New York theaters,

lines around the block...
Jackie O on the line.

Jackie Kennedy went to
see... I mean Jackie Kennedy?!

Deep Throat is this girl
named Linda Lovelace.

who... she's... she's
tired of... of sex.

She thinks that it should be
more than just little tingles.

It makes me feel sort of
tingly all over, and then...

And then what?

Nothing.

I mean there should be more
to sex than a lot of little tingles.

There should be bells ringing, seams
bursting, bombs going off... something.

Do you wanna get off, or
do you wanna wreck a city?

She can't understand why
she can't have an orgasm,

because she has all this sex, and nothing...
I mean it's nice, but nothing happens.

So, um, she goes to
see a sex therapist,

Mr. Harry Reims,

who, um, examines her
and discovers that her clitoris

is actually all the way
in the back of her throat.

Well, there it is. You
little bugger! There it is!

What?

Well, your clitoris, it's deep
down in the bottom of your throat.

Now, now, Miss Lovelace,

listen, having a clitoris deep
down in the bottom of your throat

is better than having
no clitoris at all.

There's a theme song...

I forgot.

Um, there's a theme
song when she discovers

this... this, uh, skill.

♪ Deep Throat ♪

♪ deeper than deep your throat ♪

♪ Deep Throat ♪

♪ row row your boat ♪

She finally has an orgasm.

There's a montage of
fireworks and bells ringing

and a rocket ship going up while
it's flashing between her face coming

and... so funny.

So he hires her as a nurse,
and she goes out on call

and fucks all these guys.

Tell me, Mr. Moore,
how do you feel now?

And, eventually, she finds
the perfect penis for her throat.

And they have another montage.

In most '70s porno,
everyone has a lot of hair,

but in "Deep Throat," Linda
is completely clean-shaven.

I wondered if maybe she
started that trend perhaps?

Or made it popular at least?

I don't know, because so many
people saw it, so makes sense.

Nixon, along with Keating, and
that administration was out to stop the

negative press of
Watergate and, uh, Vietnam.

I think revisiting this story and
revisiting, you know, the tactics that

came into play when the
government decided that, uh,

they had a problem
morally with subject matter,

as in "Deep Throat,"
the film, um, is important.

And the easiest target
was the adult film industry.

Nixon rigged the courtroom
and rigged the judge

and got his, uh, convictions against
the cast members of "Deep Throat."

I definitely think she's...
she's better at, um,

deep-throating
thicker cocks than I am,

but I definitely drool a
lot more than she does.

Ladies and gentlemen,

you are about to witness the ravishment
of a woman who has been abducted.

I answered an ad in the
"San Francisco Chronicle"

that said "Now casting
for a major motion picture."

So I walked up the stairs,
and I sat in their office,

and here's these two brothers
who are absolutely charming,

fabulous people, family men,

not the least bit of a question in my
mind that they were totally honest guys.

They explained to me the
story of "Behind the Green Door,"

which I thought was very cool,

because that was the time
of drugs, sex, and rock-n-roll.

It was just, you
know, anything went.

Before I left, I said, "If you do
want me to do this, by the way,

I want this amount of money and this
percentage of whatever for so many years."

And they said, you know,
"Don't call us, we'll call you."

So about an hour later,
I'm sitting at my house,

and they called and
said, "We wanna do it."

So they came over for
me to sign the contract,

and that was, uh, that
was the end of that.

Although, at first, her reactions may lead
you to believe that she is being tortured,

quite the contrary is true, for no
harm will come to those being ravished.

In the morning,
she will be set free,

unaware of anything except that
she has been loved as never before.

The whole thing about the
movie was... and I said to them,

"I'm an actress, and
I say not one word."

He said, "Oh, no, that's
even more difficult," which it is.

Because you really have
to convey your feelings,

whatever they may be, through
your eyes and your actions.

And I said, "I don't really wanna
know what's gonna happen.

I know it's gonna be wild and
sexy, and it's gonna be scary,

probably, for me
at certain times,

but I don't want to know."

Johnnie Keyes, he was the black guy with
the shark teeth around his neck and, um,

very ethnic looking. And
when we started to have sex,

it was the kind of thing where

I was, like, totally freaked out, I didn't
think I was gonna be able to do this one.

I fucked her for a long time. I fucked
her for 43 minutes without stopping.

Nobody does that. That
was a marathon fuck.

Then it... there was a moment
where it turned from terror

to pleasure, and I really
believe you can see that.

And I know that there was a
time that I felt myself slip on

to the other side, if
you know what I mean.

Uh, Marilyn, she passed out,
she fainted. And I... in my mind,

I said, "Shit, I'm going to jail. I done
killed this white woman with my dick."

Well, the trapezes
were a bit much.

It's a good thing I was in
pretty good shape, because

there was a lot of standing
around, literally, on top of people,

and there was trapezes and whatnot.
You had to be a gymnast, definitely.

The way that the story of...

when "Behind the Green Door"
and "Ivory Soap Box" came out,

I told the Mitchell brothers
that, "Oh, by the way,

I did this commercial for Procter
& Gamble, uh, Ivory Soap Box."

And they're saying, "What?"

We walked down the soap
aisles, we look, and there is my mug

on all these boxes,
staring down at us,

and it just happened to be

the very same week that "Behind the
Green Door" opened in the theaters.

I'm not gonna say that
I created porno chic,

but I know that
I was part of it.

And that was a very
important time in our history

where people like Johnny Carson
were waiting in line to see "Deep Throat."

It was couples, and it was all different
people from different walks of life

going to see adult films
and getting turned on to them.

You're telling me that I'm dead,

and you're trying to decide whether to
send me up to heaven or... down to hell.

I really honestly
thought nobody I knew...

much less anybody
I was related to...

would ever know about it.

I certainly did not expect it
to become a household word.

"The Devil in Miss Jones"
was definitely an art movie,

with an ambiguous storyline

and I'm still not really 100%
sure exactly what the story was.

But I still think it worked.

Can you help me?

I... I seemed to
have lost my way.

I'll help you all I can,
but you're not lost.

Then where am I?

You're here.

Jerry Damiano was the
sweetest guy I ever met.

He looked back over at me,
and he says, "Can you cook?"

I said, "Yeah."

He said, "Okay, you
wanna cook on the film?"

I said, "Sure."

He said, "I got somebody coming
in to read the part of the devil

in this film I'm doing. Would
you mind reading with him?"

And I said, "Sure,
I'd be glad to."

I've done everything
that I've been taught.

Doesn't that count for anything?

And he looks over at me, he said,
"Would you like to play miss Jones?"

And I said, "And cook?"

How about lust?

Lust?

Yes, lust.

It is one of the seven
deadly sins, isn't it?

He offered me $100 a
day to do miss Jones.

And I said, "That sounds good."

So I was making $125 a
day, instead of just $100.

Georgina was amazing.

Her acting was fantastic, and

the way that she fucked
was so passionate.

Like, she... she brought energy to all of
the scenes, and it really, really showed.

For that day, it was
a big budget film.

I think they were spending
something like $25,000.

It didn't put my kids through
college, but it certainly

did open up an interesting
can of worms for my life.

That suicide scene... every
actor and actress in the world,

from the beginning of time,
wants to play a death scene.

A suicide at the beginning of a
porn movie really sets the tone.

And I think it's also very brave

to start a movie that's supposed
to be about sex with death.

Ah, Herman, Herman, that
beautiful, sweet, affectionate boa,

who could turn and look as fierce
as you wanted him to. What an actor.

It wasn't planned for
him to be in the film.

And I'm talking to
the snake on the bed,

and Jerry walks by and
skids to a halt and said,

"You're a snake wrangler." He
said, "Would you do a scene with it?"

Marks says, "$100
a day, same as I get."

So Herman was in the film.

The anal scene, which everyone,
of course, always asks about...

I don't know... it's... it's a huge fantasy in
everyone's mind, I think, to... to give it a try.

And when it gets all big
and fat and hard and slippery,

and you could
stick it in my ass.

Getting fucked in the ass is just a
couple of moments of... you get used to it.

One of my favorite things about the
sex scenes was Georgina's dirty talk.

Can you feel his
prick? Can he feel you?

Can you feel him?

Can you feel your
cocks together?

Can you, rubbing against my...

It so added to the sex scene.

The dirty... the dirty talk was one of
the hottest things of the movie for me.

When Jerry called me about
a year after we did the film

and said, "I want you to go to
Toronto for this grand opening..."

it was lavish, it was elegant, it
was covered by a million cameras

all over the room, and
splashed all over the place. And...

I said, "Well, so much
for anim... anonymity now.

I guess I... I guess I'll have to tell my
parents what I've been doing for a living."

what's your name?

Misty Beethoven.

Is that your real name?

No, it's not. I thought it
would sound more important.

What was it before?

Delores Beethoven

I was cast in "Misty Beethoven"
by "Henry Paris" Radley Metzger

and I flew to New York, and
I met him, and he talked to

me and everything and told
me to go back home and to get

every bit of clothing, every
photograph that had ever

been taken of me in my entire
life, and bring it all back to New York.

As Hyman Mandel once said,

"Never let the fact that they are doing
it wrong stop you from doing it right."

Who was Hyman Mandel?

I don't know.

I read that on the men's room
wall at the New York athletic club.

It's a take on George
Bernard Shaw's "Pygmalion" or

modern-day "My Fair
Lady" or even "She's

All That," if you're in the
really modern generations

but it's taking this woman, who is,
like, a dime-store hooker, basically,

giving hand jobs
in movie theaters.

Excuse me, my gum
was in front of you.

How'd you know that was yours?

Five seats in. Five's my
lucky number. You American?

Most of the time.

Five bucks for a hand job.

I'll meet you outside
in ten minutes.

Ten minutes?

Mm-hmm. Ten minutes.
I have to meet Napoleon.

Napoleon?

Napoleon.

Hi. You're right on time.

Jamie Gillis was a sexologist,
and he was going to train me

to become the " Goldenrod Girl".

He takes her on as a project

where he feels he can
turn this lowly street girl

into a courtesan
of world renown.

My dear, you are the
absolute nadir of passion,

the most unexciting
thing god has ever created,

a sexual civil service worker.

Nobody needs to
read my last book more

or deserves to be in my
next book less than you.

It's fascinating, because you're watching
this very insecure Constance Money

go from this very unattractive wig
and makeup to the end, where she's

basically taking one of the
most prestigious men in town

and putting a strap on
and fucking him with it.

I went up to see a fellow by
the name of Radley Metzger,

who, uh, his nom de
porn became Henry Paris.

And, um, uh, instead
of being, uh, on the film,

he's a bit of a Svengali, and
I wound up being in the film.

You don't think I'm gonna let him
make that perilous journey alone?

It was quite an experience,
because I was unfamiliar with what

behavior and protocol
was supposed to be like,

uh, on an adult set, so it was
really breaking into something

that broke all the rules.

♪ Wish I had her beside me ♪

It's funny... I wasn't even aware...
it was... I was watching the film,

but I was rooting for both of
them to be together until the act...

end moment where
she's giving him a blow job,

and he's degrading her
as if she's not in the room,

uh, pretending that she's not there, and
then they have this moment where they...

they come together.
It's just... it's beautiful.

You know why most people have sexual
problems? They talk too goddamn much!

Jamie is a very sweet
person on one hand,

and on the other hand, is
a very disturbed individual.

Jamie had his demons.

You instantly just are
so engaged by him.

In fact, when I started watching
the... the opening in "Misty Beethoven,"

I wasn't even aware that Jamie
Gillis was a porn performer.

I thought he was going to
not have any sex in the movie,

because he was so good.

You think to yourself, "How
could this guy be a porn actor?"

Working for Radley
Metzger was, um...

I don't really know. I... I don't
know how to really say it...

it comes back to that thing, "If
you can't say anything nice..."

Okay, let's get you undressed.

No, no, no, you
don't do it yourself.

You don't know
how, for one thing.

He told me he didn't think I could act, and
that's why he put me through everything.

That was his justification.

I think men stink.

Well, they think you stink.

In fact, it's one of the most perfectly
balanced equations in nature.

I'd like to say that movie was made
more with blood and sweat than money.

He really did make
a masterpiece.

I've heard so many
people quote lines from it

that he must have been
doing something right.

It has an extremely strong
story with beautiful imagery.

And, also, I mean, looking at it
all these years later, it was also...

I mean I looked
pretty good, too.

I think it was also the fact that
it was more reality than fantasy.

There is so much going
on within that movie that

really says, "This is an
artistic pornographic film".

Excuse me. Uh, pardon me.

Do you mind if I
blow your waiter?

Not at all.

I don't know what on
earth happened to mine.

Barbara Broadcast
was a movie about

a woman who is a sex
worker who wrote a book.

It's taking place at a restaurant,
and people are giving blow jobs

as if it's no big deal.
Nobody's batting an eye,

nobody's looking
at it as if it's odd.

People are having sex on tables.

And it was what I feel a true adult
should... film should be, where there's

absolutely zero judgment about
everything that's going on around them.

Yes, we'll have your
reservation in about five minutes.

Thank you very much.

You're quite welcome.

There's a lot of jokes in "Barbara Broadcast."
One of them is when the maitre 'd, um,

he receives a blow job every time
somebody drops a plate or messes up.

And it's just so
cavalier in that he just

unbuttons his pants, and
they get down on their knees.

Well, Bobby Aster I remember very
well, because he's the very first person

that I ever worked in
any movie any time.

Annette Haven's a beautiful woman,
and it lends itself to this idea that

you can be a beautiful
woman and be a sexual woman.

My brother's kind of shy, and,
well, he's a big, big fan of yours.

Well, would you mind giving him
an autograph and a little head?

Annette, um, was
just, uh, just one of the

most flawlessly beautiful woman I had
ever seen, let alone I think it was the...

the first red bush
that I had ever seen.

Serious as a heart attack
and a great businesswoman,

and, uh, nuttier than
a fruitcake as well.

In "Barbara Broadcast," Metzger's
using these very wide shots

where you're seeing
sexual activity happening

while there is dialogue happening
between the main characters.

There also was another joke in
"Barbara Broadcast" that I loved

where I believe it was they
ordered up a number 17,

which, basically, was
a man came on a salad.

He does a
wonderful cafe au lait.

It's cinematically beautiful,
the locations, I mean,

shooting at, uh, a restaurant.
I mean, the kitchen scene

with C.J. Laing with all the
steam and the pots and the pans

and the this and the that and...

They took a scene from
"Misty Beethoven," I understand,

as a filler for the gigantic
clim... climax of the film.

So we have this little pet working
for us, and to set her straight,

we let curly at her, to act
out one of his fantasies.

Jimmy wasn't very nice to
me when he first met me.

Jimmy beat the crap out
of me. The makeup lady,

she kept putting more hairpieces in
my hair, more and more hairpieces.

She said, "Well, I don't want her
brains to spill out on the concrete".

and Jamie said, "Well,
if it's gonna be realistic...

if they're gonna come out,
they're gonna come out.

Stop putting those
hairpieces in her hair."

I didn't even know
what was going on.

Jamie would call me whenever he
was in kind of one bind or another.

He says, "Mitch, you've
gotta come here right away.

You've gotta come right...
right away," and I hear this,

like, water sound,
like, this flushing sound.

He's like, "Hurry, hurry."

So I threw something
on, and I jumped in a cab.

I get there, and...

Jamie was fucking
C.J. From behind,

but had her head immersed
in the toilet bowl, and she had

a necklace on, and
the catch got caught,

and so he had to keep flushing
the toilet in order for her to get air.

And I got the catch from
underneath her neck, and, uh,

she comes up for air and
says, "You wanna join us?"

I'll give you $10 if you
let me look at your tits.

Mr. Greenfield!

Please, please, I just wanna
look at your pretty little tits.

You know we're all good girls.

The director at the time... I'd
worked for him quite a few times...

I helped cast some
people in that film.

I also, um, found a way to
get access to Brooklyn college.

I lived close to the area. And we
kinda knew when the facilities were open.

We... it was like "Do what
you can when you can."

We just lucked out. We didn't
get caught doing anything.

I don't think I was ever on set
when Bambi Woods was on set.

Maybe I met her one time.

She was, for that time,
incredibly hot-looking.

Debbie, what are you gonna do?

Raise the money fast.

When do you have
to leave, Debbie?

In two weeks.

But that's not enough
time to raise the fare.

The worst thing about
"Debbie Does Dallas"

is R. Bolla's the only
guy that gets to fuck her.

You wanna fuck that girl. I
mean, it's a complete tease.

It's a... it's a cock-teasing
film, and it worked on that level.

Six, seven, eight...

Oh!

The Dallas cowboys started the whole
cheerleader craze, and it really went viral.

If you could use
that word back then.

And somebody was smart
enough to capitalize on that.

They didn't have any idea
it would blow up like it did.

It just was an enormous hit.

No, mom.

You know I'm
gonna stay with you.

Oh, darling, I'm so glad.

I had never head
of Kirdy Stevens.

We met... we met at a
restaurant in, um, west L.A.,

and he told me it
was about incest,

and I said, "No,
absolutely not."

I loved "Taboo" as a movie.

In fact, the ending was so
disturbing and bothersome to me

that she didn't end up with her son,
it made me question my own morals.

He persisted, and then, um,

again, I... I can only describe this as
my higher self jumped in and said, "Do it."

Because somebody's
going to do it.

You... if you do it, you can bring
consciousness and quality to it, so do it.

We are censoring ourselves
from doing things that are as

free and as open as
they were 35 years ago.

I mean they were
more free 35 years ago.

I hated the script
the first time I read it.

It was... it was
really difficult to,

um... to read about incest

in such a sort of
flippant, um, manner.

But it was so wrong.

Look, ma, I don't think
any less of either one of us.

It happened,

and I gotta tell ya,

I want it to happen again.

Don't... don't...
no, Paul, don't.

The world has a
dirty word for this.

There's these... these moments
that kind of make you say,

"Whoa!" these jarring moments,

like, for example, when
Kay Parker is in the kitchen,

and her breast is
hanging out of her shirt,

and she's standing
there with her son,

and it's almost as if
there's no covering up,

and it... it's just,
again, sex is out there.

I mean I'm not exactly
over-the-hill, you know.

You're telling me.

You see it a lot with Kay
Parker's friend in the movie,

who is having orgies and... and
doesn't have any issues with...

she thinks it's hot imagining that
her son would be having sex with her.

She references that Kay
Parker is, you know, has been

kind of assaulted by her boss.

And she's on the phone with
her friend, and the friend says...

What's going on over there?

Is Jerry raping you?

Cut that out, you
son-of-a-bitch!

What's he doing?

Does he have his cock out?

But it... it... it lends itself
to this idea that there's

lots of different things
that people find sexually

arousing, even if it is
nec... even if it is forbidden.

Whenever I think about the...
the scene, the seduction scene

with Mike Ranger in
"Taboo," I... I get gooseflesh...

I'm getting right now, as I...
as I get ready to talk about it,

because I do
refer to it as a very,

um, spiritual experience.

She's just left this
orgy party that she

felt extremely uncomfortable
and did not participate in,

and she just finds it within
herself that she must have sex,

and he's safe for
her. He is safe.

I lost myself in that scene.

I was not there.

I surrendered, if
you will, to the part,

and the part, or the role,
the mother, just took me,

um, on this trip.

It was almost like, yes,

this is the natural thing that should
happen between my mother and I.

That's...

(interviewer) I'm appalled.

There's nothing wronger
and more right than that.

What'll it be, gents?

Oh, the master will have
a beer, anything imported.

Bottle of buffalo piss, please.

The Amero brothers
made a big budget comedy.

We just had a lot of fun.

I swear, the burning of
Atlanta scene or whatever was

the funniest thing I've ever
seen in an X rated movie.

Now, remember, pay no attention to me when
I'm talking to you, just do what I say.

This is a very simple little
scene I'd like to get done quickly,

because we are shooting the
bombing of Atlanta this afternoon.

Put up a fight girls!

It was funny and quirky.

It was... it was
very horny, for sure.

It had so many sex scenes.

I was really impressed.

I did it in a boat once,

and I had to do all the rowing.

R. Bolla and I are in Wyoming,

where we meet the cane sisters.

I decide to take them
to New York with us,

and... and she
says something like,

"What, you got an airplane?"

Anyway, I'm to be queen of the fairies,
and I've got this terrific gown rigged up.

A gown?

Are you one of
those transylvanians?

Susie Mandell was the...

my favorite of the
two characters.

Candy, what's a film loop?

You've got me.

They're looking for
46 girls and a monkey.

It was really a
tribute to the, uh,

MGM movies, only
with hardcore sex.

Fuck.

The rape scene where the Yankees
came in and, like, banged all the chicks.

I want a cum shot, or none
of you faggots get paid!

"Blonde Ambition" was
playing in New York...

the R-rated version
at one theater,

and the X-rated version at
another at the same time.

It's Sandy, am I right?

Oh, but there is an
amazing resemblance.

But now that I look
at you, I can see that...

Well, is my sister here or not?

"Neon Nights" had
a very unusual plot.

Veronica Hart played a madame,

and I was kind of her boy-toy,
if you wanna call it that.

I'm gonna make you sweat, baby.

You're my private
fucking machine, right?!

The film was actually
kind of fucked up.

Um, the daughter is
listening to her mom and her

mom's boyfriend have
sex in the next room,

and then she starts
masturbating with a hairbrush.

And then she's in the bathroom,

and he comes in, and
he's telling her to shush

and turn around, and he's
grabbing on her and touching her.

No.

Turn around, come on.

Turn around, baby.

That's a girl.

That's a good girl.

When Jake Teague makes
Lysa Thatcher elevate,

they did it very
well, like, he was

putting his arms
underneath her butt

and over her boobs and
over her vagina and, like,

doing the whole
creepy thing, and then

I love how he got in her mind.

He was having sex
with another woman

while he was inside of her mind,

and she was feeling everything that
him and the other woman were doing.

I thought that was
pretty interesting.

So Veronica, back
home, is taking a shower,

and a la Hitchcock
in "Psycho," uh,

I enter... but I had
some flowers...

and I pull back the
curtain, and she screams.

Gotcha!

Oh, man, were you ever goin'!

No!

Peeing in your pants,
you were so scared.

You fuck!

She's all pissed off at that, and
then we go off in the bedroom

and make really frantic
and hard, hard sex.

I thought he did very well at

keeping the plot together and
making it an interesting movie that

is, not only risky and

different and very
interesting with the

magician and her hitch-hiking
and being in love with her

mother's boyfriend, you
know? It's very different.

I wanna give it a try.

I don't wanna look
back with regrets.

You know, if only
I'd gone to New York,

I could've been on Broadway.

The plot of "Roommates" is,
a woman has an apartment,

and she happens to be a hooker,

and she decides to
get out of the business.

And her apartment's
too big for her, so she

consigns two roommates
to come and live with her.

Well, there you have it...

confessions of an ex-call-girl.

One was, uh, a
beautiful, gorgeous model,

who, unfortunately, seemed
to have a drug problem

and get in with a bad person.

And I played a college student

who, actually, I think, ran away
from college. I was having an affair

with my college professor,
and it finally dawned on me that

he didn't love me at all.

My character had some
bad people in her life,

and, uh, stuff happens
because I run rampant,

and I kind of learn my lesson.

Where am I?

You're in queens. Where
the fuck do you think you are?

The famous rape scene
from "Roommates."

So much of it was inferred.

The backs of the actors
were to the camera.

I was laying on the floor.

Rub some on her
face, Sal, rub it in.

Make her eat it.

Again, you hear the sounds,

you hear their voices,

you can only imagine the worst
possible thing is happening to me.

Jamie Gillis comes bursting in,

starts knocking the guys aside,

and then Jamie starts
doing Jamie Gillis.

- Did they hurt you?
- No.

Let me see if they hurt you.

They stuck the bottle...
did they hurt you with...

did they hurt you with the bottle
when they... when they shoved it in?

He's not there to help me, he's
there to jerk off on me, you know?

Sick, twisted Jamie Gillis.

He wasn't interested in
degrading anybody, you know?

Chuck's idea of a great
time was to... to have fun.

Come on, you guys are animals.

Take a break already.

It didn't fit into any category.

So Chuck really went
out on a limb to make this.

It was one of the first movies

where everybody wasn't running
around, going "Fuck me, fuck me, fuck me."

In the end of the 1970s,

theatrical porn films
begin to struggle.

Obscenity prosecutions rose,

zoning laws had forced adult
theaters into the worst neighborhoods,

and the porn chic that
fueled ticket sales died out.

But there was a new frontier
opening for adult movie producers...

the VCR was about to redefine
the porn industry once again.

When did people
start to buy VHS's?

When was that
starting to be the norm

versus, uh, going
to the theater?

In the mid-'70s, the
machines came out,

and people thought this was the greatest
invention since sliced white bread.

And they had to have
one... you had it right.

But, like you said, they were
expensive. They were $1,000 a machine.

And the movies
themselves were... $95.

They would have parties, though.

They would go in and
chip in and buy a movie.

There was more work than...
than girls in the business.

Like, there were, like, 12 of us
really in the business, it seemed,

and I think we all shot
like 29 out of 30 days.

I mean, it was just... the...

the producers couldn't
get enough girls.

So what was it like shooting...
what was a day on set like back then?

Um, let's see, there
was usually a script,

like, a 20-page script,
which always irritated me,

'cause I was not good
at memorizing things.

It was always shot at,
like, a really nice house,

the location... not always,
but for the most part it was,

you know, shot in really nice
houses up in porn valley somewhere.

They always had catering, hair,
and makeup. I mean, it was like...

in a weird way, it was kinda
like being on a real movie set,

only we were naked having sex.

You could actually see
the playback at... on the set.

It was like a whole new world.

But the video quality in
those days was not the best.

But everybody wanted to
do it because it was cheap,

it was quick, it was painless.

So, as a performer, what...

Did the consumers
sort of expect from you?

Like, were you guys shooting

- a lot of crazy sex acts?
- Nudity.

No.

Or did they want you to be a
good actress? Did they care?

Did they just wanna see your...

I think, in 1984,
they were just happy

that they could watch
a film in their house

of a naked girl
sucking a guy's dick.

Like, there was definitely no

crazy sex acts like there
are... I mean, it was kinda like,

you know, the typical
three positions, head,

him eating me out,
but it wasn't crazy sex.

I really think, back in
'84, people were just so

happy that they could
watch people have sex

on film in there house.

Good evening, mutants
and mutettes, and welcome

to Cafe Flesh.

The storyline is there's been

some kind of
apocalyptic sort of thing.

and, in the wake of that,

there are some people

who can still stand the touch

of another human being,
and the rest of them can't.

Trust me, folks, I
know what you want,

and I know what it feels
like when you don't get it.

Need is my fix,
ladies and gentlemen.

And so the people who
can touch other people

and, therefore, have sex are

forced to stage
these live sex shows

for the people who
can't have sex like that.

It's, like, weird
and experimental,

but then it's got
this very obvious

metaphor about pornography

and its place in the world.

Leaving so soon, friend?

Feeling a little queasy?

Live theater, on the other hand,

and the history of live theater,

you can see a lot of
where "Cafe Flesh's"

references probably came from.

"Cafe Flesh" stands
the test of time

because it's a
porno about porno.

It, it very much is what it is,

and there's something so

wonderfully honest about it.

But then it's got all of the

other layers, so it
remains interesting.

I mean, you watch
it six or seven times,

you're still gonna be
seeing new parts to it.

Does it ever bother you
fucking your best friend's wife?

You're in for it now.

"Scoundrels" was the first film to
win a best picture award from AVN.

And I was the lead, and
Howard said to me, Cecil Howard,

"You're not gonna
crack one joke in this.

You're not gonna be...
no mugging to the camera.

You're not gonna be a ham."

Ron Jeremy scared
me at that time, um...

It was, it was
really odd because,

before I had met Ron Jeremy, I
hadn't heard anything about him,

um, but his headshot to
me looked like the wolf man.

Howard was a tough guy.
Cecil Howard was tough.

He wanted things his
way. But I respect that.

I really enjoyed working
with Cecil Howard,

and he was one of
my favorite directors,

and I worked for him
for over 20 movies.

Everything in the
movie is very dark lit

and very dark in general.

The drama of the movie, I
think, is what I like the most.

Ah, I'm gonna change.

That'll be the day.

It's a fascinating psychodrama.

Throughout the movie, I'm in
clown white talking about my life.

I've been good.
I've been real good.

Fuck it, nobody tells
the truth all the time.

Everybody's fucking
everybody in this movie,

but it's not a happy-go-lucky
thing, you know.

The doctor is
cheating on his, um,

his wife with his secretary.

And, you know, his secretary's
cheating on him with his best friend

who, I believe, his wife
is also sleeping with.

And then they have this teenage
daughter who feels invisible.

My perfect parents.

They don't know
anything about me.

What do I like?

I like making love.

So she's taking it out
by becoming a whore

and having all the sex
in the world that she can.

She's the girl at the
candy store on the corner.

That's why I get to
see her every day,

and then finally, I
just tell her to hop in.

She gets in my car, and we're
gonna escape and run away.

My mom always told me
I should marry a doctor.

We crash my car and die.

Which is certainly a statement
against infidelity, you know?

Everybody has a dark side,

and it's really hard to hide

no matter how pretty
your surroundings are.

And this movie really digs into

everybody's sexually
deviant dark side.

No one films like that anymore.

Cecil Howard, Chuck Vincent,

Radley Metzger, Henri Pachard,

Anthony Spinelli
on the west coast,

these guys made films that
were film that had sex in them.

which had sex in it.

By the way, what's your name?

Elizabeth.

That's a nice name.

Spinelli, his name was Sam,

he was the backbone
of my career.

He was more than, uh,

a talented director.

He was making the best movies.

And he became a
friend and a mentor.

Anthony Spinelli...

Who is...

Who's my... he's a director.

He's my dad.

We collaborated.
It was a great team.

He would usually
say, "I have an idea."

And I'd go, and I'd write
the rough draft, and we, uh,

showed it to him, and we...

great collaboration,
great friendship.

The plot of "Nothing To Hide"

really reminded me
of "Of Mice and Men."

And I think that that's

really different

for a porn movie.

John was schooling
me how to be a man.

And "Love's for suckers,"

he's teaching me.

And I fall in love,
and I wanna marry.

Have you ever loved somebody?

No.

Have you ever wanted
to love somebody?

No.

I think that there is
parts of this movie

that you can jerk-off to.

Slow and deep.

As long as you're
into John Leslie.

One of the scenes in there

has something for
most people to jerk off to.

Oh, Jack!

I'm not sure you can jerk off to

the Richard Pacheco scene.

None of the women
that had come by

fit what Sam wanted to
come out of that character.

Ah!

Why don't you watch
where you're going?!

She was perfect.

The sex scene between Richard

and Chelsea was my favorite.

It was so real.

I sort of got my...

some spittle on my finger and

played with her
nipple and Spinelli said,

"No, no, no, what are you doing?

Lenny would never do that!"

See?

Oh, is that a rubber?

How'd you know?

I saw one in my
brother's drawer.

I've never seen
that in a porn movie

before where they
actually stop the sex

to put on a condom,
and they talk about

putting on the condom and
how she's never done that before,

and it just... it
was so, so real.

I loved it.

There's a great awkwardness
and playfulness about

winning this, about
putting on the condom

'cause it's played,
played realistically.

Spinelli played the
owner of a hot dog stand.

You don't fool me.

You don't wanna stop being
a mother and a father, right?

He and John have a long
scene where they talk about,

you know, "You're just jealous is
what it is." You're gonna lose the kid.

When AVN did their
first awards, they gave me

best actor for "Irresistible",

and they also gave
me best supporting actor

for "Nothing to Hide."

That probably was the
mountain top of my career.

For several months,
I've been writing stories,

not for publication but
for a very curious man,

a private cliterotica.

Janine and I became best friends

when we were 18
and 19 years old.

And I don't think either of
us really knew what to be

totally prepared for. I
think she'd done some...

She'd been a "Penthouse" pet so

she'd done some "Penthouse"

videos, but not exactly the

hardcore we were about
ready to get involved in.

Working with Andrew Blake,

he's, um... he's very

understated, you know, quiet

guy, but his wheels
are always turning.

Andrew Blake is the
quintessential artist.

I mean, he's quirky.

He's interesting.

Somewhat introverted.

Bit of a recluse, uh,

except for when he's
filming, and I think

that's kind of when
it all comes out.

I hired this guy
to make these...

he made, like,
three... ice dildos.

And boy, at the beginning,

there's some mighty hefty ones.

They were quite big.

And when he arrived on the set,

he was bloody, and
he had cut himself,

and he needed to
go to the hospital.

And he dropped off the dildos,

and, you know, I never
heard from him again.

And, of course, by
the time we were done,

we were completely numb.

I didn't know anything
about the adult industry.

At that time of making
"Hidden Obsessions,"

I had never heard of vivid.

I knew nothing about the

big-budget contract girls

and what have you.

I mean, basically, I wanted
to fly under the radar.

That was the wrong
first scene to ever do.

I'm the last man standing,
uh, still shooting film.

When I'm 80, and I'm still
shooting some 19-year-old girl,

and I wanna keel over, and
my Bolex goes into her pussy.

That's what I
envision for my self.

Well, I guess these are for

if you're lonely at night and,

uh, need someone to talk to.

Yeah.

I took the idea of "Justine"

from a French film by,

um, a director
named Louis Malle.

It's about a father who

falls for his son's girlfriend.

I said, I've seen it.

And he said, "What'd you think?"

And I said, "I hated it."

He said, "You hated it, why?"

I said, "Because of the
morality of this movie".

That this man
would destroy his son

and his wife for the sake
of of having sex with this girl.

It was an event
of my... sort of...

having a son who's in some
ways more grown-up than me.

He's telling me, you know,
"Come on dad. Get it together".

Why don't you tell me
what you're thinking.

I'm thinking about my father.

Your father?

In "Damage", uh,

Jeremy irons is the father.

He knew that this was his
son's girlfriend. He didn't care.

But in our movie,

the father would
not destroy his son.

He would give up the girl
because his son is his son.

Would you like a taste?

I like our version better.

Roxanne Blaze had a
series of endless orgasms

from a water hose I
was spraying her with.

And that was very real,
it was very interesting.

She's one of his girls,

you would look and... and say,

"What's a nice girl like you
doing in a place like this?"

Why'd you come back, hmm?

Because I shouldn't have.

Because you're dangerous for me.

We really felt what
we were doing...

you know, we knew
it was only porn.

But we wanted to make it the
best porn we could possibly make it.

"Justine" does qualify as one
of the better movies made, uh,

uh, both in the history of porn,

but in my personal
history working.

It would be in my
top ten for sure.

My crime was to share
these visions with you.

The truth.

And for this, I have been
judge unfit to walk among you.

"Latex" was very
inexpensive to shoot.

but then there was
about 12 months of post

making all of this stuff, so that
might've the most expensive.

This is a whole movie full of
computer-generated effects.

This was so far before anybody
ever thought to do anything like

that for porno, you know?

Everybody who worked
on a Michael Ninn feature

knew they were in for a ride.

This is something that
you're not gonna walk in

and be out of there in an hour.

Uh, more often than not,

it might take you a couple of
hours just to get your makeup on.

He says that you claimed to
be able to "See inside of people."

Did you say that?

Yes.

I'd call that E.S.P.,
wouldn't you?

I would call it seeing
inside of people.

Jon Dough really took hold of
that role and created that role

almost on his own.

Um, Michael Ninn made it
into a great movie by making it

a visually powerful movie
and technically far superior than

most everything else that
had been made before that.

You're asking me to explain something
that I don't really understand myself.

He was so deeply dedicated to

what was going in there,

more than I ever
saw him in any movie.

There was one
set, the kitchen set

with Zack and sunset Thomas.

That's the only set we shot on.

Everything else was
shot against green screen,

which means everything
else in the movie

had to be manufactured
after the shoot.

I'm in the kitchen, you know,

latex gloves on.

And there's these big, white
panties they want you to wear.

And I was in the dressing
room. I was just all upset

because I was so used wearing
these little skimpy underwear.

I said, "Mike, I cannot wear
these granny underwear."

Michael Ninn seems
to deal more with, um,

broad symbolism,
like, symbolic stories.

They were huge
stories that talked about

basically good and evil.

There's always the
innocent that gets corrupted.

There's the, the society that

churns up the innocents in its

gears, it's... it's
very symbolic

and broad in its scope,

and I think Andrew Blake
was more about instances.

Home video became such a
popular format for porn that,

by the mid-90's, adult theaters
were essentially a thing of the past.

Producers traded New York
and San Francisco for sunny L.A.,

and the San Fernando valley
became the undisputed capital

of the adult business.

VHS and the industry seemed like
a marriage that would last forever.

But progress never stands still.

And a powerful new
format was about to bring

new options and new
challenges to porn valley.

Why are you going
through my purse?

To find your badge
and your fireman I.D.

You're the kind of girl
who takes out personal ads.

"Oh, hot-blooded
blonde need fireman!"

It was shortly
after "Backdraft,"

that big fireman movie
that everybody knew about.

And when it came
to "Flashpoint,"

what we were trying to do is we

had kind of started to
elevate our adult movies

into what we
thought could actually

if we cut the sex out of them,

become kind of like
that "B" movie vibe.

I just wish I had
another chance.

It had a storyline.

And it had real acting.

And it had... and
it had hot sex.

For its time, it
was a huge movie,

and, uh, as luck would have it,

I just happened to meet

a big pyrotechnics guy who
worked in the mainstream.

They actually
worked on "Backdraft."

When working
with fire, of course,

there's always a huge
amount of safety precautions

and especially with the
mainstream guy doing it all,

you know, we had safety
meetings all the time.

At the time, I didn't
really think about

how hard it is to
be a firefighter.

So they had me carrying
dummies upstairs.

I think a couple of people
started thinking they were gonna

pass out running up and
down stairs with all the gear on.

Stevens, what do
you think you're doing?

Shh!

If the captain catches
you, your ass is history.

I didn't really
realize how incredibly

real this was going to be.

When you're having
sex behind fire,

you don't really realize

the fear that you're
gonna be feeling.

We really only had
one huge fire day,

and he had a huge crew

in there to make sure everybody

knew what they were doing.

And really had a grasp on

what the issues were
when it came to safety

and any, uh... and keeping
the actors out of danger.

I really think that we...

we accomplished
something really beautiful

and something groundbreaking.

To be honest with you,

I didn't exactly inherit
my father's sin...

I stole it.

It was not a high-budget movie.

We shot two movies on film

over five days for 70 grand.

So 2-1/2 days, $35,000...

It's nothing for film.

To me, it was a big deal because
this was another one... you know,

the films were here and there,

just few and far
between at that point.

Didn't you apply at the sheriff's
office in council bluffs or something?

Yeah, I got accepted, too,
but I'm not ready to leave yet.

The actors that came on
really took it seriously and really,

you know, I got good
people with acting chops.

Shanna McCullough

who, you know, later won
an award for it for best actress.

This was a film noir and
it was a detective story

and he wanted me to star in it.

It's a story of two detectives

and this woman who's
a femme fatale killer.

And she's, you know, seducing
men and then killing them.

And she's been
stalking my partner.

Apparently, his father dealt
with this also femme fatale

in his career as a policeman.

And he thinks it's
the same woman

and she's still
around after 50 years.

And I said, "No, it
must be her daughter."

The look of
"Looker" is very gritty

and noir inspired
and this is no accident.

I wanted to do a movie that

could've been shot in the 30s.

He was a real slave driver.

He literally would work

a 24-hour day if that
was what was necessary

because he was a perfectionist

and he wanted
everybody else to be.

When we shot that movie, we
knew we had something special.

We put a lot of
heart into it and Nic

put a lot of heart into it, and

we didn't get an opportunity
to do that much anymore so

it really felt good that it
was recognized for what

we really wanted it to be.

Early on in the show,
Shanna won for best actress.

And we were looking at each
other like, "Could this be?"

And then just the
floodgates just opened up

and we won best film
director for me, best film,

art direction, script, editing.

I mean, trifecta, sweep.

So it was one of the
better nights of my life.

Dogs lick.

Men fucking eat pussy.

Eat my pussy.

"Seven Deadly Sins" was
the obvious candidate for

the vignette style of shooting.

I wanted to be able to
have everything distinctly,

uh, represented
by the sin itself.

Where am I?

You stupid bitch.

The basic story
is a crisis of this

woman who's in love
with the real Janine.

And she's been told that

she actually kind of looks
like Janine, but of course,

we have a really
dowdy version of her.

So the challenge was, "How do
we make her have sex with herself?"

It was a stretch, you
know, it was, uh...

It's Julia, you know,
I was just kind of...

it's hard not to
just embrace her.

So, uh, to take myself out of

that situation and be like,

"Yeah, it's me and it's me,"

that way, I'm not that
good of an actress.

You know, there were certain
things that we had to hide.

When you're trying to
shoot and be somebody,

and you can't show your face so you're
trying to turn and you're trying to...

it wasn't easy.

That I can tell you.

Your a whiny, dried-up

old maid.

Shut up!

That nobody wants.

Shut up.

That nobody likes.

There was a lot of food.

There was an abundance of...

chocolate.

It's a perfect scene if you're

a food fetish kind of guy.

We had to build
supports for these...

I think they were
ten-feet tall...

and we did an arc around that.

And then set that in a stage
that, at the time, I think was black.

So we could, you know...

and then we actually
got a turntable

for them to have sex
on so that could revolve,

so the image behind
in all the mirrors

was revolving at the same time.

It had a very, you
know, kind of a surreal

department store
window kinda feel to it.

Hey, watch the teeth, sweetie.

Sorry, force of habit.

"Dark Angels" came out... Scott
Taylor, the owner of New Sensations.

He goes, "I've always really kind
of liked horror movies and stuff and

Vampire-type stuff."

And I said, "Well, we
can do a vampire movie."

You looking for
something special tonight?

It depends, you a cop?

You see a badge, sweetheart?

When I conceived the whole story

and was writing the script
and everything, Mike Horner

was already cast in my head.

We had to spend more
time prepping and setting up

for the bleeding scene than
we did on the entire sex scene,

because it took several
hours for them to get it right.

They had to clean
the car one time

from all this blood...
all over the windows.

It just didn't work for
a variety of reasons.

I was just getting to that.

We didn't get started doing
that scene until about midnight.

And we went till like 4:00 in
the morning, 5:00 in the morning.

We got out of there just
in time for the sunrise.

When I approached Sydnee
to do the movie, I said,

"All right, I don't know if you've
done something like this before,

we're gonna do, like,
you know, full-body

cast of you, prosthetics."

'Cause that's her in the
monster suit at the end.

And, you know, and you're gonna
be wearing contacts and all this.

And, you know, would
you commit to this?

She goes, "I'd love to."

And I'm looking around
the warehouse and thinking,

"Man, you know, I'm
working in this warehouse and,

you know, I'm a
vampire. This is my lair.

I never took the time to
take care of all these pallets

that lay here all over, broken."

"Ah, I'll never fall on that."

In the dumpster,
wouldn't you know it?

Pallet, right, right?

A pallet and broken glass.

Jewel De'Nyle was
the contract girl,

and she actually quit,

uh, five days before
we finished shooting.

She stormed off the set.

It's actually on the
behind-the-scenes.

Fortunately, I had
shot the end already.

It broke a lot of rules
when it came out.

It upset some people,
it excited a lot of people,

it made a lot of
money, you know?

It was... it was one of those

great experiences that I
was never able to duplicate,

even with bigger budgets, bigger
crews, newer equipment, everything.

I was never able
to capture the magic

that went into
making that movie.

You tried to get my attention.

Yes.

Well, you did.

I was very impressed
by your DVD.

Really? Anything else
impress you here tonight?

I thought I had a good
movie because, uh,

the script was the best script that
I thought I had ever come up with,

in terms of interesting ideas.
It took a long time to write it.

To be directed by John,
especially for this movie,

was so special for me
because I started as a fan.

I was a big fan of all
the "Buttman" series.

I was a big fan of John, so

it was like being in a dream.

I had a good meeting
with my cinematographer

who said, "Well, what's the
relationship between those two girls?"

And I said, "Oh.

They could have a relationship."

That's more than just the girl

in the back room
trying to seduce Rocco.

My English at that time was

horrible, like,
barely any English.

Rocco speaks French very well

so he would translate
some of the things, but

the funniest part was...
was the dialogue I had,

I was basically doing
it... doing it... phonetically.

I told you they are
still in the dark ages.

I'm already not a
great actor to start with,

but here, it was like...
like robotic acting.

I'll do this thing about
this little fashion company

'cause I wanna do stuff with
fashion 'cause I like clothes

and sexy clothes on girls.
It gives me an excuse,

and I'll have this little mousey
girl sitting in the corner and

she'll just... she'll really be
the brains behind the operation.

And we'll do this like normal,
like TV show kind of thing.

But that morphed into

a fetish fashion company and the

girl sitting in the corner
was belladonna who

sends the guy she's trying to
seduce an extreme S&M DVD

where he finds this stuff
with easter eggs on the DVD.

It morphed into something that
was really like a primer for S&M sex.

Whereas, it was supposed to
be this middle-of-the-road thing,

because I can't think
middle-of-the-road somehow.

305 rolls of film as I recall.

And most of those
were the four minutes,

although, we did have
on two different days,

we had the big camera which
could shoot 11 minutes at a time

which was so great, 11 minutes.

I don't think I've done my
best movie yet, that's for sure.

I hope to be doing my next movie
is gonna be my best movie, always.

what can I do for you today?

I'd like a massage.

Well, you've certainly
come to the right place.

I made the original "Masseuse" in
about 1990 or something like that.

And it was really a
departure for X-rated movies.

Hello, this is Jim.

I think it is the best
movie I've made.

I felt so incredibly
comfortable with the script,

and I'd seen the movie prior.

The directness, the simplicity,

the truthfulness of it.

There's no bells and whistles.

It's just a masseuse
and her client talking.

You know, what did I call it... "My
Dinner With Andre" of X-rated movies.

If you watch the movie
closely, you can almost see me,

the real me,

discovering myself.

So that's why I like it so much.

How old are you?

28.

Girlfriend?

Can I tell you a secret?

Sure, I love secrets.

I'm a virgin.

I like to stab and
see how far I can go.

Paul Thomas has a way about him,

and I think I gained a
little bit of his respect.

He's used to being
able to tell people

pop, pop, pop, pop, pop.

And I would be like,

"Listen, no, this is
the way this should be,

and this is the
way this should be.

What do you think about that?"

She brought a lot to the
table, she listened to me,

always on time... I'm the one
who had to step up my game.

You know, with Jenna,
no partying, you know?

Be there.

I'll see you later, then

Justine.

I played Justine Jones,

in "The New Devil
In Miss Jones,"

and Jenna Jameson
played the devil,

which was quite interesting
because I got the script

and then heard that Jenna
wanted to play the devil

and my... my first thought was

not only do you have to remake

this amazing classic film,

"The Devil and Miss
Jones," but also now

next to Jenna Jameson
who wants to play the devil.

At first it feels like a
no-win situation, you know?

What am I gonna
make "Exorcist 2" here?

Once in a while, you
get "Godfather Two,"

but most of the time, the
sequel's just aren't so good

if the original's pretty good.

I had been out of the
business for a long time.

And Paul Thomas called
me one night and said,

"We're gonna do a remake
of 'The Devil and Miss Jones'

and I said, "Well, very good,
Paul, congratulations, good luck,"

and so forth. And he says,
"You're gonna be in it,"

and I said, "Oh, no, I'm not."

And he said, "Oh,
yes, you are." He says,

"You're just gonna do
a cameo, three lines."

I said, "I don't even
wanna learn three lines."

He says, "I'll give you
$10,000," I said, "Okay."

When she comes out
at the end of that movie,

you get chills. Especially
if you know who she is.

It really works, and, uh...

She's just delightful.

Do you read, miss Jones?

Only romance
novels, it's my job.

You are so privileged.

And you feel so
sorry for yourself.

I think Georgina Spelvin is

one of the most
groundbreaking women ever.

A woman that's capable of

owning her sexuality

and not backing down

at the time when she
was fame... uber famous.

I have ultimate respect for her,

and I made sure I told her that.

And her acting
was fantastic, too.

It was really cool
to do that three way

with Savanna and Jenna
because, you know, at the time,

we were three of the biggest
names in the business, and it was like,

"Wow, this is gonna be epic."

While I'm getting
DP'd, I say this

monologue from... that Georgina
Spelvin said in the original "Miss Jones."

If you touch me, I'll
come, I know I will.

Touch me, touch me, touch me.

I'll make you come, too.

So when I did
Howard Stern, he said,

"Well, did you fuck a snake,"
because that's what people think

of the original Miss Jones.
They don't remember much,

but they remember
the snake scene.

And what they actually
remember about it,

but they think mostly that there
was a sex scene with a snake.

So I went to Vivid and I said,

"Look, we have to
do a snake scene."

It was a good time in
everyone's lives. They were tight.

Vivid was tight.

We were all tight and working...

really working

both for "The Devil
in Miss Jones" and

for "Masseuse", working at the

top of our professional
levels and our personal lives.

We're all pretty damn together.

So it was nothing but...

nothing but positive.

The 2000s were the
decade when porn grew up.

Flush with money
from the DVD boom,

producers began shooting
bigger movies with major budgets,

gigantic casts, and
elaborate scripts.

These adult blockbusters

needed a better format
than simple video,

and film was becoming
too costly to justify.

Coming with its own set of
technical issues and concerns,

the fast-growing HD format
provided that bigger canvas.

The features of that time, were people
spending a lot of money on them...

Yeah.

When it was new, were they...

Yeah, I mean, like,
I remember doing

one of my first feature
leads was for "Wicked."

It was this really big,
like, Michael Raven movie.

I remember it had, like, these

oozing, like, tentacle dildos

and fog machine,
and, like, these big sets

and it was the first time, you
know, we shot out in the desert

and it was, like, a wind
storm and it was just...

it was awesome.

It was, like, really
fun to go from, like,

just getting, like, you know...

Nailed.

Fuck-nailed on a Gonzo set,

just pounded, like,

"Yeah, motherfucker, come
on, I can take it," you know,

to, like, catering.

You know, like, "Would
you like a snack?"

"Yes, I would."

There's breakfast on set?

"Oh I would like a snack."

So how has Internet
affected the industry today?

I think it makes the fans crazy

because it's so easy to access

your favorite stars and

have conversations
and give them gifts and,

you know, just to talk to
whoever you're a fan of.

So the Internet,
literally, they can see

who's shooting when, that day,

they know when
it's gonna come out.

It's just, like, right now,
everything's so fast.

I'm looking for a pirate.

We know many, many pirates.

By far, the biggest production
that I've ever been involved in

had to be the "Pirates."

Shot stuff in L.A., then
took the whole troop,

crew, everybody
that was involved in it

all the way to Florida. We
shot on the U.S.S. Bounty.

It took three weeks
to shoot the movie.

Helmsman, prepare to set sail.

Are you really gonna
let her go unscathed, sir?

Of course not.

Sink her.

Working with Joone,

he has a vision,

he's an artist.

He has this great
vision of something

bigger than what porn is.

There's some
directors that actually

get involved in their stuff, they
have the vision in their head,

and joone is one
of those directors.

He already had
the set in his head

and they built it and
they took their time to do it

and he knew exactly
what he wanted.

Already had the
shots in his head.

It's a bit slow
tonight, it's awkward.

Line up the crew on the bow.

Bring me the passengers
from the deck below.

And, Serena,

as much as I love your methods,

don't even consider

killing anyone this time.

I don't think I was
ever a cruel pirate.

I'm gonna have to
watch that again...

uh, was I a cruel...

was Serena a cruel pirate?

She was a horny pirate.

I don't know if she was cruel.

Well, there's the
vicious lady I remember.

Don't ever second-guess me.

He built the tension.

So we were, of course,
the last scene of "Pirates."

He just waited, and they
would say little things to us to like

get us ready and
turned-on and ready to go.

They kept Jesse Jane and
I separate, uh, separated

just so the tension and the,

you know, the anticipation
would build up and...

And he's come tease me.

"I wonder who's gonna win?

I guess she's gonna show you."

She's about half my
size and this little...

this little cupcake
thought she was gonna...

Dominate me?

I had to... I had to
put her in her place,

but I let her pretend to
think that for a little bit.

Okay, so Carmen gets put...

choked off the boat
by Tommy Gunn.

And they wanted to
do this stunt where, uh,

stunt girl goes off in
the water, no big deal.

And she goes, "No."

Well, Jesse wouldn't
have nothing to do with that.

She wanted to do
the stunt herself.

And of course, I'm a
daredevil, so I'm like,

"I'll do it."

And I know what's gonna
happen before it even happens.

So I already got my stuff
off, got my boots off, and

I'm just standing here and
just waiting for her to jump in.

As soon as she jump in and
they got the shot and the splash,

I'm in the water after her.

They're not even thinking
that this big, ballooning dress

is just gonna suck
up right to her,

and she's not
gonna be able to kick,

she's not gonna be
able to do anything.

Well, my dress, her dress,

gets caught on a nail
underneath the boat

and I start sinking
and I can't come up.

But she went in and
she almost drowned.

I think some of that
was behind-the-scenes,

not all of it where
I was drowning,

'cause that was
probably not good.

I definitely didn't
know it would be

as big as it was and

the number one movie ever.

And people who ever watched porn

heard of the movie
and went to watch it.

It was the first movie to be cut

into a rated R version and

rented in blockbuster.

It was a blockbuster hit.

You must think me a monster.

I am a monster.

"Corruption" was
probably the first

big-budget movie
that I had worked on

that I was that involved in.

I'd, you know, been in other

big-budget movies as talent,

but you're not as involved
when you're talent.

You show up and, you know,

you pretty much do your
thing and you're done.

It was something being
done and being done well

and with, like, heart.

So, that is the stuff
that, like, attracts me.

Yeah, I got you right
where you want me.

I also had a pretty
decent acting role.

And that was playing
the part of Carolyn helms,

who was the senator's wife.

And she's kind of the
central part of the movie.

Here's Carolyn in the middle,
and she's kind of starts manipulating

everybody to do what she wants.

I'm a union leader, a teamster.

And I'm a... I'm
trying to work, uh,

my political power to

to gain an advantage.

Word is you're planning a run
at the big ticket in two years.

If that's true, you're
gonna need money,

us, and god on your side...

in that order.

I'm being blackmailed
in this scene, so I’m...

so I'm doing... I'm
performing a sexual act

that if I get caught, my
own career would be done.

So I was... it was another
scene of humiliation for me,

which I’m comfortable
with in my own life

with two marriages behind me.

How many times did they
push me out of the car?

How many times did they
almost hit me with the car?

I think they were just having
fun throwing James out of a car.

I had to be like limp
and get thrown of this car,

um, onto a pile of garbage.

I think they must've
shot that scene.

For whatever
reason, like 15 times.

It felt like forever 'cause I'd been
pushed out of the car in to garbage.

And then there was
this one time where, uh,

my legs felt a little
weird and, like, everyone

started screaming 'cause the
car almost rolled over my ankle.

It was fun, it was fantastic

because we'd all
worked so hard on it and,

you know, we had this
sense of family and hard work,

and the movie just
looked incredible.

And then we won.

And I remember jumping up
when we won at the AVN awards

and I had a corset on and I was
so excited and I actually peed a little.

Wow.

That was the closest
thing to god I've ever felt.

Who is it?

I don't know, but it's...

It's a lot bigger and a
lot smarter than we are.

It was my first lead,

big feature film like that.

I had done the smaller ones

where I was like
supporting actress.

But this was like... it really

put me on the map as
far as the industry went.

My partner dies,

like, in the line of
duty. I'm devastated.

But I'm kind of
like a hard-ass, too,

and I don't let anybody
kind of see my emotions.

And we discover
this hacker girl,

which was played
by Hillary Scott.

At that point, sexy pictures had
just signed Hillary to under contract.

And they told us
we had to use her.

In the end, Hillary
did an amazing job.

She actually, you
know... She was prepared

and she came and
she worked really hard

and who am I kidding?

She did not work hard at all.

She didn't, I'm lying to try
to make her sound good.

Through the miracle of editing

and good acting coaching,

I think that she
filled the role fine.

David, I know you can hear me.

Showed up on set and I was like,

"Oh, this is a... this
is a big movie, isn't it?"

And they're like, "Yeah,
you're like the star of it."

I'm like, But I'm
only here for a day."

And they're like, "Well, all
right, you're not the star of it,

you're just... the whole
movie is about you."

You see a lot of movies
in porn where they say,

"We spend a million
dollars, we spend $2 million,"

whatever the case is.

And I'm going to tell you that

for the most part, they lie.

People will say, "We
spend all this money,"

and they usually
double the amount.

Now let me tell you,
"Upload" cost $350,000.

That's an unheard of
amount of money in porn.

We shot for 20 days.

I don't think I've ever known

a porn movie that
shot for 20 days.

When "Upload"
won all the awards,

picked up pretty much almost
everything under the sun at AVN's,

I felt like such a strong
feeling of an accomplishment.

One of the things that I learned

from Eli Cross is he said,

"There's two things you need,
you need money and time.

And those two things will always
help you with a better movie."

We were able to take
the money that we had

and turn it into time, and
that made for a better movie.

Whatever you ask...

I am your servant.

"Fallen" to this day is my
favorite movie of all time.

In "Fallen" I am
a guardian angel

and my charge is Jenna Haze.

I'm slacking off and she dies.

No!

I then lose my wings,

and I'm sort of roaming
the earth in limbo if you will.

And I pretty much have
sex with everyone in my path.

That's one of the things. When
you're in that fantasy realm,

especially when
you're trying to intercut

a real story and
a love story at that

with all this fantasy
stuff with angels

and flying around on rooftops,

is can you actually
make this not stupid.

Oh! Oh!

A lot has changed.

I'm no longer an angel.

"Fallen", I think we
shot it over two weeks,

but it wasn't every
day of those two weeks.

We had prep days and
then we had down days, so...

so people could rest
their parts, you know?

We had a lot of really
amazing people in it.

It had acting, it had a
really great storyline.

It had a lot of sex.

It had a lot of harder sex, too.

A lot of "Fallen" takes
place on rooftops,

and those are
actually in camera.

I'm... I'm scared of
green screen myself.

I think "Fallen" stands
on its own merits.

It's a great story.

It kind of propelled Jessica

into that superstar status.

And, uh, didn't do bad for
me as a director, as well.

The real reason to do
"Fallen" was to kind of

have Jessica hit
that other level.

And it's great if you can
put her in this great movie.

But if the sex falters,

then it's just a great movie

and, you know, you haven't done

what you're trying
to do with your starlet

by taking her to that next jump.

What happened?

No one knows for sure.

They call it the big burn.

And on the eighth day,
God played etch a sketch.

When I think of a
post-apocalyptic world,

uh, it's more than just
broken down buildings.

There's a primal element to it

where people are
stealing from each other,

they're violating each
other in more ways than one,

and life becomes cheaper

because you don't have
enough at stake anymore.

My character was
basically being sex trafficked

in post-apocalyptic, uh...

I don't think it was
actually set in Los Angeles.

I mean, just
post-apocalyptic earth.

You a butcher now, too?

Special commission
for the prince.

He gets first look
at all my trade.

"The 8th Day" was conceived

by me with Amber Rayne in
mind as the lead character.

She is the scruffy tank
girl in the whole movie.

But it was perceived by
everyone that Kayden,

being Adam & Eve's contract
girl, was the star of the show.

And she certainly
was the box cover,

but she is the
supporting actress.

And, um, when awards time came
out, it was the other way around.

Amber got supporting
actress nominee

and Kayden got, you
know, actress nominee.

And that was ass-backwards.

"The 8th Day" was

probably the hardest
movie I've ever worked on.

There were some
days where we wrapped

at the time that makeup
had started the day before.

There were examples
in the movie of, um,

like a marketplace,
like a bazaar

that we had to build where
people were hawking junk

or they were hawking food

or clothes, things
that they'd scavenged.

That was a huge undertaking as
far as art direction was concerned.

The art director, Kylie
Ireland, spent weeks

running around L.A.
Finding stuff to do there.

My favorite Kayden moment,
um, in the whole show was

when she's supposed to break
down and cry about her dad.

It was before I learned
how to cry by myself.

And can't get any
tears to flow at all.

We waited a good long
time, at least a half an hour.

I walk back in and I
said, "You got nothing?"

She goes, "No, nothing
bad's ever happened to me."

I think they
squirted citrus juice

or some sort of citrusy fruit
in my eyes to make it go.

She said, "Holy shit,
let's shoot right now

'cause god damn it, this burns."

And I said, "Perfect."

My dad did this.

All of this.

And she goes, "Why
did you do that to me?"

I said, "Fuck you,
your life's perfect."

No wonder you can't cry.

It was one of those things
after the blood, sweat, and tears

that went into it, it
was really a nice payoff.

It was nice to be able to say
someone acknowledged this.

It wasn't just us, you know,
fucking around in the desert.

'Cause there were times
when it started to feel that way.

How did my father die?

A young jedi named Darth Vader,

who was a pupil of mine, until I

cut his arms and legs
off and left him burning

in a river of lava.

"Star Wars" is probably the
biggest fanbase in the world.

it would be.. and there's
so much to parody in it, so,

We really did... we really did,

go after every single
pun that could be had,

everything single obscure
reference that we could have,

and recreating a
lot of the scenes.

It was really a lot of fun.

It's a lot of work, but
we had a lot of fun.

Shoot first, shoot often.

Sorry for the mess.

I feel like you definitely
had to know "Star Wars"

to one, get the humor.

Two, understand where... where

we were trying to go with it

and what was happening

with still kind of trying to
stick to the original script.

The thing that all
the fans would ask me

in the beginning when
I announce the movies,

like, okay, there's only
one girl in "Star Wars."

You're gonna
have a porn movie...

to this day, people write
on YouTube, they watch,

you know, they
read about it like

there's gonna be only one girl?

It's not true, we
found other girls that

are part of the "Star
Wars" universe.

The girls in the canteen, I mean,
there's... there's a ton of people

that we were able to put
together, it's was really interesting.

You can find sex in anything.

I don't necessarily think that,

you know, the movie or the theme
has to be sexy to make it sexy.

That's our job,
that's why we're here.

We're supposed to make the
things that aren't sexy sexy.

Don't act so surprised,
your highness.

I'm not surprised.

I'm disgusted.

We sat in a room and
he talked into a pot.

We recorded all his sound in a

giant pot, like a spaghetti pot.

It was hilarious.

Every once in a while
I have a good idea.

And in "Star Wars" it
was like Chi Chi LaRue.

I'm saved!

Over here.

Hey, sailor!

C-3PO has always
been very metrosexual,

and I figure we take it, you know,
to parody that, to explore that.

"Star Wars" won a total
of eight awards at AVN

which is the most that
any parody has ever won,

and I think that's amazing.

It's crazy, um,

and what's even more amazing

about that is
most of all that...

all the work for the movie was

done behind-the-scenes,

without the sets,
without the costumes,

without the time and
dedication for the script.

The shooting, the
angles, the green screen,

the post production. The
movie would've been nothing.

And I think, um, you know,
that really shows and, you know,

by winning eight AVN
awards, it definitely

shows that other people appreciate
all the hard work that we put into.

Most know me as death.

What do you want from me?

I've come for you.

The basis behind "Underworld..."

I play a character named Tanya,

and I have been with my fiancé

and we have made the
sweet love, and we're...

he's getting ready
to drive me home,

we're in his parking garage,

and all of a sudden, we're
victims of a violent mugging.

Say good-bye to your boyfriend.

No, please!

The opening is, uh,

a bit drastic

and a bit bloody

and violent, uh,

but we actually

went back and forth on
how violent to make it.

And they're trying to save my
life, I'm put under anesthesia.

And when I go under anesthesia,

the rest of the movie is that,

going back and forth
between me fighting for my life

in the operating room

and the things that are
happening to me in the underworld.

If you really watch the
movie, everything pretty much

is... has a mirror image

with the people in the operating
room and the underworld below.

Everything's kind of
tied in and everything's,

uh, got a ying and
a yang sort of thing.

Xander Corvus plays Slice

and he was sort of, uh,
he had scalpel fingers

and he was up on stilts

and so he was the scalpel
that was starting the surgery.

This journey that
you've embarked upon

is your subconscious self
reacting to the world around it.

The nurse was passing
the gauze to the doctor.

During my operation it fell.

And as it dropped,
you see an aerialist

fall out of the sky on gauze.

So me and Jessica Drake
got to have sex on water,

or it looked as though it
was directly on the water,

but it was was actually a
small platform that was built.

There was maybe like an
inch of water on top of it.

And I'm bloody in a
shallow pool of water

for like eight hours that day.

When the intimidation
melted away was when

she stumbled on a few of her
lines and laughed at herself.

And then you realize, like,
someone's a human being,

and they're a
normal person and...

that's okay.

Oh, I love having
sex with Asa Akira.

Right before the scene, we're
taking pretty girls and I'm like,

"Oh, this is gonna
be really fun."

We just sort of got on each
other and rolled off the set.

We did it everywhere.

Like, we were
just having sex, so,

as much as possible, yeah, I would
like to, uh, work with Asa some more.

Is there anything else you want?

Apart from... things?

I mean, what else is
there apart from luxury?

That can't be a
serious question.

An indie porno,

that's what we call it.

It's like an indie porno.

It's... it's like a real movie

with emotion and acting

and depth and...

it's porn with a real storyline.

Why did you come?

I can't do this again.

Why did you come
after five fucking years?

My character, her name's Jacky.

She's the badass.

She's definitely the badass
of the movie and she,

is trying to open

the other Lily up to this world

that she's experienced.

My role in "Wasteland"
was very simple.

There's two girls at the bar.

I step up to the bar and I
say something in their ears

which is easy for me.

Take her up to the
bathroom and have

sex with Lily Labeau
in the bathroom.

It's a very, very
closed environment,

it's literally real toilet
so there was no room

to open the door, shoot, like,

through the open door.

They shot it all from above.

I think he knew that
the best way to use me

is not to have me speak
but let me just fuck.

I think that's one of
the biggest things that

separates "Wasteland" from

a lot of the other porn is

that the shots are so beautiful

and they are thought out.

Every single shot is thought out

and planned to
just... look beautiful.

It was really, really dark, um,

where we shot that scene, and

it was interesting for me

because I've never shot

anything in such dark lighting.

It was just completely
dark. And I was like,

"Really, like, can you guys
really see what we're shooting?"

They're like, "Yeah,
yeah, it looks cool."

It's this whole story
combining to make

this beautiful movie
with sex involved.

Judgment had
reared its ugly head.

And right when my
guard was fully down,

it suddenly had popped back up.

Emma goes into interview a man
by the name of William Fitzgerald

who is this very
prominent businessman

who employs
predominantly females.

There's an unspoken
attraction between them.

And eventually
he propositions her

for the role of being his sub.

She's not a very sexual person.

She definitely doesn't conform

to normal society's
views of relationships.

I didn't read the "50
Shades of Grey" book

or anything like that because I
remember Jacky saying that it was...

we wanna do pretty
much the opposite of that.

I read "50 Shades of Grey"

and I hated how the female

protagonist was portrayed.

She was incredibly weak and

her entire motivation was to please
a man and to make a man happy.

I wanted to set about
writing a BDSM story

that really explored
a strong woman's

sub role and how that can
be so empowering for her.

She was, um, living, like,

a kind of reserved life

and not really being herself,

and that's something that I can

very much relate to because

I always wanted to just, like,

be the person that everyone

wanted me to be.

BDSM is not just beating

somebody and harming somebody

and physically hurting them.

It's so much about the mental

aspect of those relationships.

So for me, I wanted to tell

a story about that.

I did feel like, uh, I had

a little bit of an advantage

joining the movie because I
had some BDSM experience

working with different bondage
companies in the industry.

So it was nice to be able
to bring in a little bit of

my knowledge and
experience with that

for a movie that so much, like,
revolves around the BDSM community.

So "The Submission of Emma
Marx" won best BDSM movie at AVN.

And I was completely floored

because we're up
against BDSM companies.

And new sensations mainly
is a feature Gonzo studio

that doesn't really focus on
anything particularly hardcore.

I was really flattered that
they would recognize that film,

especially given that it wasn't

really the physicality

that was explored.

It was the mental aspect.

When I first started, we
were doing film, it was a thrill.

It was great, you know,

we're lugging these big ass
cameras around San Francisco

and having a field day.

Nobody bothered us, nobody
cared, you just did the movies.

And the drugs were great.

And video came out and it was...

it was a smaller party.

You didn't need the crew

you had for 35 millimeter.

You had way smaller crew, and

you would just sort
of load it in a Van,

show up at a location,

shot your four or five scenes

and ran out the
door, you were done.

And the drugs were okay.

And... and toward the
end, it really just got,

"How fast can you crank it out

and get it back to me
and I gotta pedal it..."

and the drugs sucked.

It's hard to say where the
porn industry will go from here.

The Internet era seems
to demand a return

to the loops and
vignettes that gave birth

to the erotic film
in the first place.

It's a shame to think that this
list of the greatest adult movies

maybe the last of its kind.

But the future is hard to see.

And maybe the adult feature
will surprise us with its longevity.

I'm Chanel Preston, good night.

If the brilliant Swedish
filmmaker Ingmar Bergman

ever made an
X-rated motion picture,

it would look exactly like this.

"Prisoner of Paradise"
stars such film greats

as Seka.

Fibber.

American, I said over here!

Fuck me!

American girls are
lovely creatures.

Ilsa, tie her up!

Don't you come in me,
you American swine.

You'd never guess what these

sexy young ladies in the

funny-looking uniforms

do for a living.

Garage girls, good morning.

Watch as these gorgeous

garage girls mix business

and pleasure as they climb

their way to the top.

Here she comes,

the incredible, voluptuous

Leslie Bovee in her most

electrifying role as

"The Senator's Daughter."

Co-starring the fabulous

John Holmes.

You are an erotic film star

now lacking an essential member,

but we can rebuild it.

"The Senator's Daughter"

coming to this theater soon.

I'm still sore here from
what the devil did to me.

He even made it talk.

In this case, curiosity

didn't kill the cat.

Do you want to find out

what love is all about?

Honey, I'm almost ready.

I'm getting ready.

Don't miss

"Here Comes the Bride."

Coming soon to this theater,

"The Pleasure Palace."

The newest X-rated film

from Carter Stevens.

The man who gave you such films

as "Lickity-Split",

"The Love Couch,"

and "Teenage Twins."

Suzie superstar.

♪ Baby take off ♪

♪ your clothes ♪

♪ make love to me ♪♪

God damn it, you know how

horny I get when I sing.

Find out what happens when

two sexy 16-year-old girls

take their parents car

and go away for the weekend.

This is exciting.

I've never been
to an orgy before.

Neither have I.

What's an orgy?

"Naked Afternoon" is more

than explicit drama.

It is the real story of

a genuine honest-to-god

woman-child.

Hollywood in the 30s

in a big, bright, and bubbling

blockbuster of a movie.

You've never seen anything like

"Pink Champagne."

You gotta see it to believe it.