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1
00:00:01,710 --> 00:00:02,830
PREVIOUSLY ON "WICKED CITY"...
[ SCREAMING ]
2
00:00:02,830 --> 00:00:04,170
THIS KILLER WANTS FAME
AND RECOGNITION.
3
00:00:04,170 --> 00:00:05,580
THAT'S WHY HE DUMPED THE BODY
4
00:00:05,580 --> 00:00:07,540
AT THE HILLSIDE STRANGLER'S
LOCATION.
5
00:00:07,540 --> 00:00:08,790
I SAW EMILY THE NIGHT
SHE WAS MURDERED.
6
00:00:08,790 --> 00:00:11,000
MAYBE SOMETHING YOU SAW
COULD LEAD US TO THE KILLER.
7
00:00:11,000 --> 00:00:12,710
I MET A MUSIC GUY
AT THE WHISKY THAT NIGHT.
8
00:00:12,710 --> 00:00:13,750
I LIKE YOU, BETTY.
9
00:00:13,750 --> 00:00:15,620
WE HAVE A REAL CONNECTION.
10
00:00:15,620 --> 00:00:16,830
AND THIS IS
JUST THE BEGINNING.
11
00:00:16,830 --> 00:00:19,120
I GOT YOU SOMETHING.
THE V.I.P. LIST FROM THE STRIP.
12
00:00:19,120 --> 00:00:20,210
YOU'RE A COP.
13
00:00:20,210 --> 00:00:22,000
WE NEED TO FIND
YOUR MUSIC GUY.
14
00:00:22,000 --> 00:00:23,000
I THINK HE IS THE KILLER.
15
00:00:25,750 --> 00:00:29,380
♪ IN OLDEN DAYS,
A GLIMPSE OF STOCKING ♪
16
00:00:29,380 --> 00:00:32,920
♪ WAS LOOKED ON
AS SOMETHING SHOCKING ♪
17
00:00:32,920 --> 00:00:36,620
♪ NOW HEAVEN KNOWS ♪
18
00:00:36,620 --> 00:00:39,620
♪ ANYTHING GOES ♪
19
00:00:41,080 --> 00:00:45,750
♪ GOOD AUTHORS, TOO,
WHO ONCE KNEW BETTER WORDS ♪
20
00:00:45,750 --> 00:00:48,620
♪ NOW ONLY USE
FOUR-LETTER WORDS ♪
21
00:00:48,620 --> 00:00:51,380
♪ WRITING PROSE... ♪
22
00:00:51,380 --> 00:00:53,750
DJ Kevin: AND NOW MOTLEY CRUE'S
"SHOUT AT THE DEVIL."
23
00:00:53,750 --> 00:00:56,460
THIS IS DEDICATED TO MALLORY K.
FROM HER SECRET ADMIRER.
24
00:00:56,460 --> 00:00:57,670
[ ENGINE TURNS OVER ]
25
00:00:57,670 --> 00:00:59,000
♪ SHOUT ♪
26
00:00:59,000 --> 00:01:00,170
♪ SHOUT ♪
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00:01:00,170 --> 00:01:01,290
♪ SHOUT ♪
28
00:01:01,290 --> 00:01:02,920
♪ SHOUT AT THE DEVIL ♪
29
00:01:02,920 --> 00:01:05,620
♪♪
30
00:01:09,580 --> 00:01:11,540
[ SIREN WAILING ]
31
00:01:11,540 --> 00:01:13,000
WE GOT A SERIAL KILLER
WHO LEFT THE WHISKY
32
00:01:13,000 --> 00:01:14,420
WITHIN THE LAST FIVE MINUTES
33
00:01:14,420 --> 00:01:16,670
AND PROBABLY GRABBED A YOUNG
WOMAN NAMED KAREN McCLAREN --
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00:01:16,670 --> 00:01:18,380
BROWN HAIR, BROWN EYES,
WHITE FEMALE.
35
00:01:18,380 --> 00:01:19,420
SHE WAS LAST SEEN WEARING
36
00:01:19,420 --> 00:01:21,420
AN ORANGE TANK TOP
AND A BROWN SKIRT.
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00:01:21,420 --> 00:01:22,620
GO, GO.
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00:01:22,620 --> 00:01:23,750
KAREN McCLAREN.
39
00:01:23,750 --> 00:01:24,750
WOMAN: Roth, Contreras,
are you there?
40
00:01:24,750 --> 00:01:25,670
GO FOR ROTH.
41
00:01:25,670 --> 00:01:26,920
So, get this.
42
00:01:26,920 --> 00:01:28,540
The radio station
calls again.
43
00:01:28,540 --> 00:01:33,080
The dedication was just changed
from Karen M. to Mallory K.
44
00:01:33,080 --> 00:01:35,120
ANYTHING?
NOTHING, MAN.
45
00:01:35,120 --> 00:01:36,380
IT'S LIKE
SHE JUST DISAPPEARED.
46
00:01:36,380 --> 00:01:37,920
HE CALLED IN A DEDICATION
TO KAREN,
47
00:01:37,920 --> 00:01:39,710
AND NOW HE JUST CALLED IN
ANOTHER DEDICATION
48
00:01:39,710 --> 00:01:41,080
TO A MALLORY K.
49
00:01:41,080 --> 00:01:43,250
MAYBE HE SPOTTED US INSIDE
WITH KAREN AND SWITCHED GEARS.
50
00:01:43,250 --> 00:01:44,460
YEAH, AND GIRLS.
51
00:01:44,460 --> 00:01:46,380
YOU NEED TO HIT THE STREETS
FOR LEADS ON A MALLORY K.
52
00:01:46,380 --> 00:01:48,210
I'M GONNA CALL IN AN A.P.B.
ON KAREN.
53
00:01:48,210 --> 00:01:49,500
THIS IS DETECTIVE JACK ROTH.
54
00:01:49,500 --> 00:01:51,710
I NEED TO CALL IN AN A.P.B.
ON A KAREN McCLAREN,
55
00:01:51,710 --> 00:01:53,290
LAST SEEN AT THE WHISKY A GO GO
ON SUNSET.
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00:01:53,290 --> 00:01:56,710
21 YEARS OLD, BROWN HAIR,
BROWN EYES, WHITE FEMALE,
57
00:01:56,710 --> 00:02:00,040
LAST SEEN WEARING AN ORANGE
TANK TOP AND A BROWN SKIRT.
58
00:02:01,540 --> 00:02:02,880
[ BREATHING HEAVILY ]
59
00:02:02,880 --> 00:02:04,380
THANKS FOR GETTING ME
OUT OF THERE.
60
00:02:04,380 --> 00:02:06,790
I-I COULDN'T BREATHE.
61
00:02:06,790 --> 00:02:08,040
[ EXHALES SHARPLY ]
62
00:02:08,040 --> 00:02:10,170
YOU REALLY THINK THAT GUY
YOU MET WAS THE KILLER?
63
00:02:10,170 --> 00:02:11,620
YEAH.
64
00:02:11,620 --> 00:02:13,580
AND W-- AND WHEN I GOT
IN THAT BATHROOM,
65
00:02:13,580 --> 00:02:15,670
MY -- MY MIND
JUST STARTED RACING.
66
00:02:15,670 --> 00:02:17,710
I REMEMBERED SEEING
THAT EMILY GIRL JUST --
67
00:02:17,710 --> 00:02:20,380
JUST TALKING ABOUT APARTMENTS
AND SOME HOT GUY, AND...
68
00:02:20,380 --> 00:02:23,710
THEN SHE WAS DEAD.
69
00:02:23,710 --> 00:02:27,120
[ SIGHS ]
70
00:02:27,120 --> 00:02:28,670
DO YOU THINK SHE KNEW?
71
00:02:28,670 --> 00:02:29,920
KNEW WHAT?
72
00:02:29,920 --> 00:02:32,250
BEFORE SHE DIED.
73
00:02:32,250 --> 00:02:35,710
DID SHE KNOW HE WAS
GONNA KILL HER?
74
00:02:35,710 --> 00:02:38,040
I HOPE SHE DIDN'T.
75
00:02:38,040 --> 00:02:39,670
YEAH, USE THAT.
76
00:02:39,670 --> 00:02:42,830
SEE, MOST PEOPLE ALWAYS THINK
ABOUT THE END, THE DEATH.
77
00:02:42,830 --> 00:02:44,830
[ EXHALES SHARPLY ]
78
00:02:44,830 --> 00:02:46,170
AAH.
79
00:02:46,170 --> 00:02:48,920
I F-- I FEEL SO --
SO JACKED UP!
80
00:02:48,920 --> 00:02:51,420
YES, THAT'S THE FEAR.
THAT'S THE FEAR.
81
00:02:51,420 --> 00:02:52,920
IT'S FIGHT OR FLIGHT.
82
00:02:52,920 --> 00:02:55,500
AND IN YOUR CASE,
IT'S WRITE.
83
00:02:57,830 --> 00:03:01,960
PUT IT ALL DOWN ON PAPER.
ALL OF IT.
84
00:03:09,120 --> 00:03:10,830
[ ENGINE SHUTS OFF ]
85
00:03:13,330 --> 00:03:15,880
I DON'T FEEL GOOD
ABOUT THIS.
86
00:03:15,880 --> 00:03:18,210
IT'S OKAY.
YOU'LL SEE.
87
00:03:18,210 --> 00:03:20,500
I-I DIDN'T
THINK IT THROUGH.
88
00:03:20,500 --> 00:03:22,380
I THINK YOU DID.
89
00:03:26,960 --> 00:03:29,000
[ CAR DOOR CLOSES ]
90
00:03:34,500 --> 00:03:36,540
WHAT ARE YOU FEELING
RIGHT NOW?
91
00:03:36,540 --> 00:03:38,290
[ SIGHS ]
92
00:03:38,290 --> 00:03:40,040
TERRIFIED.
93
00:03:40,040 --> 00:03:41,960
IT'S NOT FEAR BUBBLING UP
INSIDE YOU.
94
00:03:41,960 --> 00:03:42,880
IT'S ADRENALINE.
95
00:03:42,880 --> 00:03:46,000
ADMIT IT.
96
00:03:46,000 --> 00:03:47,080
YOU FEEL MORE ALIVE
97
00:03:47,080 --> 00:03:48,880
THAN YOU HAVE IN
YOUR ENTIRE LIFE, RIGHT?
98
00:03:48,880 --> 00:03:50,750
[ SIGHS ]
99
00:03:50,750 --> 00:03:52,250
[ CHUCKLES ]
100
00:03:52,250 --> 00:03:54,620
COME ON.
101
00:04:02,920 --> 00:04:05,120
[ BREATHING HEAVILY ]
102
00:04:05,120 --> 00:04:06,880
THERE'S NO
TURNING BACK NOW.
103
00:04:08,080 --> 00:04:12,000
[ MUFFLED SCREAMING, CRYING ]
104
00:04:22,620 --> 00:04:24,750
[ MUFFLED SCREAMS ]
105
00:04:28,420 --> 00:04:29,420
[ HEAD THUDS ]
106
00:04:29,420 --> 00:04:30,620
OH. OH, MY GOSH.
ARE YOU OKAY?
107
00:04:30,620 --> 00:04:32,710
[ PANTING ]
108
00:04:34,380 --> 00:04:37,040
I SHOULD'VE WAITED UNTIL
YOU HAD ME ALL THE WAY OUT
109
00:04:37,040 --> 00:04:38,080
BEFORE I STRUGGLED.
110
00:04:38,080 --> 00:04:40,000
[ CHUCKLES ]
I FEEL LIKE AN IDIOT.
111
00:04:40,000 --> 00:04:42,540
NOT AT ALL.
IT'S NO BIG DEAL.
112
00:04:42,540 --> 00:04:44,880
I RUINED THE MOMENT.
113
00:04:44,880 --> 00:04:49,880
IT WAS SO HOT, ME ALL TIED UP
AND YOU MY CAPTORS.
114
00:04:49,880 --> 00:04:51,790
I WAS REALLY
INTO THE ROLE.
115
00:04:51,790 --> 00:04:53,250
COULD YOU TELL?
I MEAN, YOU'RE A PRODUCER.
116
00:04:53,250 --> 00:04:55,540
YOU KNOW WHEN IT FEELS REAL,
RIGHT?
117
00:04:55,540 --> 00:04:56,830
YOU'RE BLEEDING.
118
00:04:56,830 --> 00:04:58,790
I AM?
IS IT BAD?
119
00:04:58,790 --> 00:05:00,710
UM...WELL...
120
00:05:00,710 --> 00:05:03,460
IT IS GONNA NEED
A COUPLE STITCHES.
121
00:05:03,460 --> 00:05:04,880
I'M AN ACTRESS.
I CAN'T HAVE A SCAR.
122
00:05:04,880 --> 00:05:06,670
I'LL NEVER MAKE IT IF MY FACE
IS ALL MESSED UP.
123
00:05:06,670 --> 00:05:07,710
OH, NO, NO, HERE.
124
00:05:07,710 --> 00:05:09,710
I-I'LL STITCH YOU UP
IN TWO SECS.
125
00:05:09,710 --> 00:05:11,120
MM.
YOU'LL BE FINE.
126
00:05:11,120 --> 00:05:13,960
♪♪
127
00:05:18,620 --> 00:05:21,290
EITHER I'M STILL REALLY HIGH
AND CAN BARELY FEEL THIS
128
00:05:21,290 --> 00:05:22,500
OR YOU KNOW
WHAT YOU'RE DOING.
129
00:05:22,500 --> 00:05:24,250
BOTH.
130
00:05:24,250 --> 00:05:26,540
I AM A NURSE,
AND THAT VALIUM I GAVE YOU
131
00:05:26,540 --> 00:05:28,580
IS PROBABLY HELPING
WITH THE PAIN.
132
00:05:35,330 --> 00:05:36,830
YOU'RE VERY GENTLE.
133
00:05:36,830 --> 00:05:38,670
I LOVE WATCHING YOU WORK.
134
00:05:38,670 --> 00:05:40,080
IT'S SO SEXY.
135
00:05:42,420 --> 00:05:43,460
AND HOW'S OUR PATIENT?
136
00:05:43,460 --> 00:05:45,580
PERFECT.
137
00:05:47,330 --> 00:05:49,330
THERE WON'T EVEN BE
A SCAR.
138
00:05:58,830 --> 00:06:01,250
THANK YOU.
139
00:06:10,920 --> 00:06:12,790
EMBRACE IT.
140
00:06:44,000 --> 00:06:46,000
WHOO!
141
00:06:47,540 --> 00:06:49,420
I LOVE YOUR ANGLE.
142
00:06:49,420 --> 00:06:51,710
"THE SUNSET STRIP
CREATES KILLERS."
143
00:06:51,710 --> 00:06:53,880
PEOPLE COMING TO THE STRIP
FOR FORTUNE AND FAME,
144
00:06:53,880 --> 00:06:55,290
EVEN IF THEY HAVE TO KILL
FOR IT.
145
00:06:55,290 --> 00:06:57,920
IT'S GOOD.
GLAD YOU LIKE IT.
146
00:06:57,920 --> 00:06:59,830
I WANT TO LEAVE
ON A POSITIVE NOTE.
147
00:06:59,830 --> 00:07:02,000
WHAT DOES THAT MEAN?
148
00:07:02,000 --> 00:07:03,790
IT MEANS THIS MIGHT BE
MY LAST PIECE FOR YOU.
149
00:07:03,790 --> 00:07:05,250
I'M THINKING
ABOUT MOVING BACK HOME.
150
00:07:05,250 --> 00:07:08,750
WHY?
WHY WOULD YOU DO THAT?
151
00:07:08,750 --> 00:07:11,620
[ SIGHS ] I'M NOT RISKING
MY LIFE FOR A STORY.
152
00:07:11,620 --> 00:07:13,040
IT'S NOT A STORY.
153
00:07:13,040 --> 00:07:15,000
IT'S THE STORY.
IT'S A HUGE STORY.
154
00:07:15,000 --> 00:07:16,880
[ SCOFFS ]
WAY TO THINK ONLY OF YOURSELF.
155
00:07:16,880 --> 00:07:18,620
NO, NO,
I'M THINKING ABOUT YOU.
156
00:07:18,620 --> 00:07:19,710
THIS IS YOUR DREAM.
157
00:07:19,710 --> 00:07:21,290
I MEAN,
THIS IS YOUR CHANCE.
158
00:07:21,290 --> 00:07:23,830
THAT'S TRUE, BUT -- BUT
THERE'S A KILLER OUT THERE
159
00:07:23,830 --> 00:07:26,080
AND HE KNOWS WHERE TO FIND ME --
RIGHT HERE.
160
00:07:26,080 --> 00:07:28,040
I'LL PROTECT YOU.
161
00:07:28,040 --> 00:07:30,750
[ SCOFFS ] WITH WHAT?
THE FIRST AMENDMENT?
162
00:07:30,750 --> 00:07:34,080
[ BANGING ON DOOR ]
163
00:07:34,080 --> 00:07:36,750
[ BANGING CONTINUES ]
164
00:07:36,750 --> 00:07:39,380
Jack: IT'S DETECTIVE JACK ROTH.
LET US IN.
165
00:07:39,380 --> 00:07:42,080
No, no, no.
Don't -- Don't answer it.
166
00:07:42,080 --> 00:07:43,750
WE CAN HEAR YOU.
167
00:07:48,750 --> 00:07:50,330
HOW DID YOU KNOW
I WAS HERE?
168
00:07:50,330 --> 00:07:51,620
WE KNOW WHERE YOU WORK.
169
00:07:51,620 --> 00:07:54,040
AND SO DOES THE KILLER,
SO THIS WAS A STUPID MOVE.
170
00:07:54,040 --> 00:07:56,670
I'M SORRY. I RAN.
I W-- I WAS TOTALLY FREAKED.
171
00:07:56,670 --> 00:07:57,710
I JUST PANICKED.
172
00:07:57,710 --> 00:07:59,040
AND YOU FELT SAFER
WITH DIVER
173
00:07:59,040 --> 00:08:00,210
THAN WITH TWO DETECTIVES?
174
00:08:00,210 --> 00:08:02,040
OKAY, YOU KNOW WHAT?
IT DOESN'T MATTER.
175
00:08:02,040 --> 00:08:04,290
WE FOUND YOU.
LISTEN TO ME. WE NEED YOUR HELP.
176
00:08:04,290 --> 00:08:06,750
THE KILLER GRABBED ANOTHER GIRL
FROM THE CLUB.
177
00:08:06,750 --> 00:08:09,580
WE NEED TO FIND THIS GUY.
178
00:08:09,580 --> 00:08:11,250
SHE'S GONE.
179
00:08:11,250 --> 00:08:13,750
GOD ONLY KNOWS
WHAT HE'S DOING TO HER.
180
00:08:13,750 --> 00:08:16,960
♪♪
181
00:08:33,040 --> 00:08:34,500
[ INHALES SHARPLY ]
182
00:08:34,500 --> 00:08:36,830
[ CHUCKLES ]
THAT KIND OF HURTS.
183
00:08:36,830 --> 00:08:39,620
THEN DON'T MOVE.
184
00:08:54,290 --> 00:08:56,290
OH, MY GOD.
185
00:08:56,290 --> 00:08:58,750
NO, DON'T SAY A WORD.
186
00:09:02,830 --> 00:09:04,750
DON'T EVEN BREATHE.
187
00:10:00,000 --> 00:10:02,080
[ MOANS ]
188
00:10:02,080 --> 00:10:03,880
Shh!
189
00:10:05,040 --> 00:10:07,170
QUIET.
190
00:10:33,250 --> 00:10:35,250
[ PANTING ]
191
00:10:37,670 --> 00:10:39,920
OKAY, THAT WAS FREAKY.
192
00:10:41,380 --> 00:10:44,380
INCREDIBLE, BUT FREAKY.
193
00:11:19,500 --> 00:11:22,000
[ WHIMPERING ]
194
00:11:26,790 --> 00:11:29,120
[ CRYING ]
195
00:11:38,880 --> 00:11:41,290
[ GASPS ]
196
00:11:46,830 --> 00:11:48,250
[ BREATHING HEAVILY ]
197
00:11:52,080 --> 00:11:54,620
YOU TWO ARE TOO MUCH.
198
00:12:03,170 --> 00:12:05,620
WHERE ARE YOU GOING?
199
00:12:05,620 --> 00:12:07,960
I SHOULD RUN MALLORY HOME.
200
00:12:07,960 --> 00:12:10,620
I DON'T WANT THAT LITTLE
KITTY CAT TO STAY HERE.
201
00:12:10,620 --> 00:12:13,710
LET'S CALL HER A CAB.
202
00:12:13,710 --> 00:12:15,420
I'LL TAKE HER.
203
00:12:17,380 --> 00:12:20,500
JUST LIE WITH ME
FOR A MINUTE.
204
00:12:24,000 --> 00:12:26,380
ALL RIGHT.
205
00:12:26,380 --> 00:12:28,210
BUT ONLY FOR A MINUTE.
206
00:12:37,420 --> 00:12:38,500
[ SIGHS ]
207
00:12:44,420 --> 00:12:46,080
[ BIRDS CHIRPING ]
208
00:12:52,040 --> 00:12:55,460
WHERE THE HELL
IS MALLORY?
209
00:12:55,460 --> 00:12:58,580
♪♪
210
00:13:03,290 --> 00:13:04,540
[ CLEARS THROAT ]
211
00:13:07,620 --> 00:13:09,580
IS SOMETHING WRONG?
212
00:13:09,580 --> 00:13:12,670
NO, I JUST HAVE
TO GET GOING.
213
00:13:12,670 --> 00:13:14,210
I, UH...
214
00:13:14,210 --> 00:13:15,460
HAVE SOMEPLACE TO BE?
215
00:13:15,460 --> 00:13:17,040
YOU KNOW, I REALLY DO.
216
00:13:17,040 --> 00:13:20,040
I FORGOT I HAVE THIS
EARLY...MORNING THING.
217
00:13:20,040 --> 00:13:22,120
IS IT SOMETHING I DID?
218
00:13:22,120 --> 00:13:26,040
DON'T BE SILLY.
I JUST, UH -- I HAVE A BIG DAY.
219
00:13:30,040 --> 00:13:32,580
I CAN'T FIND MY KEYS.
220
00:13:39,830 --> 00:13:41,830
THIS IS ABOUT MALLORY,
ISN'T IT?
221
00:13:44,500 --> 00:13:46,000
WHAT DO YOU MEAN?
222
00:13:46,000 --> 00:13:48,670
I MEAN...
223
00:13:48,670 --> 00:13:51,250
I'VE NEVER DONE ANYTHING
LIKE THIS.
224
00:13:51,250 --> 00:13:53,880
MAYBE AFTER LAST NIGHT,
YOU DON'T RESPECT ME,
225
00:13:53,880 --> 00:13:55,500
OR MAYBE
MALLORY IS MORE YOUR TYPE.
226
00:13:55,500 --> 00:13:58,000
SHE'S SO YOUNG
AND FREE AND --
227
00:14:10,960 --> 00:14:12,830
DOES THAT ANSWER
YOUR QUESTION
228
00:14:12,830 --> 00:14:15,420
ABOUT HOW I FEEL
ABOUT MALLORY?
229
00:14:17,540 --> 00:14:20,920
I WANTED TO DROP HER OFF.
IT WAS THE RIGHT THING TO DO.
230
00:14:20,920 --> 00:14:22,620
THAT'S ALL, OKAY?
231
00:14:24,750 --> 00:14:26,500
I'M SORRY TO RUSH OUT.
232
00:14:31,080 --> 00:14:32,790
KENT.
233
00:14:32,790 --> 00:14:34,170
HERE THEY ARE.
234
00:14:40,790 --> 00:14:42,210
[ DOOR CLOSES ]
235
00:14:48,170 --> 00:14:50,790
[ SIGHS ]
236
00:14:50,790 --> 00:14:53,330
Jack:
WE'RE GONNA NEED TO GET YOU TO
SIT DOWN WITH A SKETCH ARTIST.
237
00:14:53,330 --> 00:14:55,580
WE GOT A PATROL CAR WAITING.
238
00:14:55,580 --> 00:14:57,420
OH, WERE YOU LOCKED OUT?
239
00:14:57,420 --> 00:14:58,920
WE HADN'T REALIZED.
240
00:14:58,920 --> 00:15:01,080
YEAH, JOKE ALL YOU WANT.
AT LEAST I CARE ABOUT KAREN.
241
00:15:01,080 --> 00:15:02,710
YOU GUYS ARE JUST
USING HER FOR BAIT.
242
00:15:02,710 --> 00:15:05,960
HEY, UH,
LET ME TALK TO HIM.
243
00:15:05,960 --> 00:15:09,420
HAVE AT IT.
YOU TWO ARE MADE FOR EACH OTHER.
244
00:15:14,000 --> 00:15:16,460
CARE SO MUCH
ABOUT KAREN...
245
00:15:16,460 --> 00:15:18,880
WHY DON'T YOU
HELP ME OUT?
246
00:15:18,880 --> 00:15:22,460
ALL RIGHT, LOOK, WHAT DO YOU
KNOW ABOUT THIS COCAINE?
247
00:15:22,460 --> 00:15:24,790
[ CHUCKLES ]
IT'S THAT FLY BRAND.
248
00:15:24,790 --> 00:15:26,250
BEST BLOW ON THE STRIP.
249
00:15:26,250 --> 00:15:27,210
GOT A NAME?
250
00:15:27,210 --> 00:15:29,000
COME ON, MAN.
YOU KNOW THE DEAL.
251
00:15:29,000 --> 00:15:30,580
YOU HELP ME,
I HELP YOU.
252
00:15:30,580 --> 00:15:32,710
HOW ABOUT I GIVE YOU SOMETHING
WORTH MORE THAN MONEY?
253
00:15:32,710 --> 00:15:34,620
OKAY.
254
00:15:34,620 --> 00:15:37,170
FLY BRAND COKE WAS LEFT
ON THE VICTIM.
255
00:15:37,170 --> 00:15:39,210
ONLY THE L.A.P.D.
KNOWS THAT.
256
00:15:39,210 --> 00:15:41,080
NOW SO DO YOU.
[ CHUCKLES ]
257
00:15:41,080 --> 00:15:43,540
AND WHY ARE YOU
TRUSTING ME WITH THIS?
258
00:15:43,540 --> 00:15:45,040
BECAUSE YOU'RE SMART.
259
00:15:46,540 --> 00:15:48,330
I KNOW
YOU'LL GET INTO IT.
260
00:15:48,330 --> 00:15:50,620
MAYBE YOU FIND SOMETHING NEW
FOR US.
261
00:15:50,620 --> 00:15:52,580
[ CHUCKLES ] US?
"US" AS IN ME-AND-YOU US?
262
00:15:52,580 --> 00:15:54,040
SURE.
263
00:15:54,040 --> 00:15:55,500
WHAT ABOUT YOUR LITTLE PARTNER?
HE'S NOT GONNA GET JEALOUS?
264
00:15:55,500 --> 00:15:56,710
NAH.
265
00:15:56,710 --> 00:15:59,420
LET ME WORRY ABOUT HIM.
OKAY.
266
00:15:59,420 --> 00:16:03,210
SO, THIS FLY BRAND COKE DEALER,
WHAT'S HIS NAME?
267
00:16:06,540 --> 00:16:08,380
Jack:
THIS GUY'S NAME IS BUCKET?
268
00:16:08,380 --> 00:16:09,710
YOU SURE DIVER
ISN'T PLAYING YOU?
269
00:16:09,710 --> 00:16:11,080
THIS WILL PLAY OUT.
270
00:16:11,080 --> 00:16:13,120
YOU DIDN'T TELL HIM ANYTHING
ABOUT OUR CASE, DID YOU?
NO.
271
00:16:13,120 --> 00:16:15,670
OF COURSE NOT.
JUST USED MY CHARM.
272
00:16:15,670 --> 00:16:17,420
YOU LIE WORSE THAN NIXON.
273
00:16:17,420 --> 00:16:18,500
AND I WANT
THE CORRECT AMOUNT.
274
00:16:18,500 --> 00:16:20,540
Paco: I BELIEVE
THAT IS OUR GUY.
275
00:16:20,540 --> 00:16:21,540
CERTAINLY LOOKS THE PART.
276
00:16:21,540 --> 00:16:24,620
NO LIGHT THIS WEEK.
277
00:16:24,620 --> 00:16:25,670
NO PARTIES, NO NOTHING.
278
00:16:25,670 --> 00:16:27,210
JUST MOVE IT AND MOVE IT,
ALL RIGHT?
279
00:16:27,210 --> 00:16:29,830
AND THAT'S 35 FOR THESE LEMONS,
ALL RIGHT?
280
00:16:29,830 --> 00:16:31,500
HOW DO YOU WANT
TO PLAY THIS?
281
00:16:31,500 --> 00:16:32,460
TAKE HIM DOWN.
282
00:16:32,460 --> 00:16:33,620
BUCKET!
283
00:16:33,620 --> 00:16:35,040
REALLY?
284
00:16:35,040 --> 00:16:37,750
IS THAT JUST DRUGS SITTING THERE
OUT IN THE OPEN?
285
00:16:37,750 --> 00:16:40,420
LET'S SEE -- COKE, QUAALUDES.
ANYTHING I'M MISSING HERE?
286
00:16:40,420 --> 00:16:43,420
SUCH AN EGREGIOUS DISPLAY OF
NARCOTICS IS FLAGRANTLY ILLEGAL.
287
00:16:43,420 --> 00:16:46,420
WOW.
FANCY WORDS FOR A DUMB PIG.
288
00:16:46,420 --> 00:16:48,380
WELL, YOU'RE UNDER ARREST.
289
00:16:48,380 --> 00:16:49,830
ARE THOSE FANCY ENOUGH
FOR YOU?
290
00:16:49,830 --> 00:16:51,710
FOR WHAT?
FOR TELLING THE TRUTH?
291
00:16:51,710 --> 00:16:53,920
FOR POSSESSION WITH INTENT
TO DISTRIBUTE, ACTUALLY.
292
00:16:53,920 --> 00:16:55,250
TAKE HER AWAY.
293
00:16:55,250 --> 00:16:56,750
HANDS BEHIND YOUR BACK.
LET'S GO.
294
00:16:56,750 --> 00:16:57,960
HEY, EASY.
THAT'S A LADY, MAN.
295
00:16:57,960 --> 00:17:00,380
YOU LOSE SOMETHING?
296
00:17:00,380 --> 00:17:02,460
WHAT?
THAT'S HERS, MAN.
297
00:17:02,460 --> 00:17:04,250
[ SIGHS ]
FRISK ME.
298
00:17:04,250 --> 00:17:05,540
I GOT NOTHING, MAN.
COME ON.
299
00:17:05,540 --> 00:17:07,580
LISTEN UP.
I GOT TWO NAMES FOR YOU.
300
00:17:07,580 --> 00:17:10,290
EMILY FUENTES...
AND MALLORY K.
301
00:17:10,290 --> 00:17:12,170
EITHER OF THOSE
RING A BELL?
302
00:17:12,170 --> 00:17:14,420
HMM.
WHO ARE THEY?
303
00:17:14,420 --> 00:17:15,830
ONE OF THEM'S DEAD,
THE OTHER ONE MIGHT BE,
304
00:17:15,830 --> 00:17:16,960
AND THAT COULD BE
BECAUSE OF YOU.
305
00:17:16,960 --> 00:17:18,120
[ SCOFFS ] LOOK, MAN,
306
00:17:18,120 --> 00:17:19,960
I MIGHT MOVE A LITTLE BIT
OF MEDICINE,
307
00:17:19,960 --> 00:17:21,960
BUT I DON'T KILL PEOPLE.
OKAY, THAT'S FINE.
308
00:17:21,960 --> 00:17:23,710
I DON'T CARE ABOUT
YOUR LITTLE BUSINESS HERE.
309
00:17:23,710 --> 00:17:25,120
THESE GIRLS WERE
BETWEEN 18 AND 25,
310
00:17:25,120 --> 00:17:26,790
THEY HUNG ON THE STRIP
WITH GUYS LIKE YOU
311
00:17:26,790 --> 00:17:28,580
WHO FEED THEM COKE
AND PROMISE THEM THE WORLD.
312
00:17:28,580 --> 00:17:30,290
YEAH, YEAH, YEAH, YEAH, YEAH,
YEAH, YEAH. I GOT IT.
313
00:17:30,290 --> 00:17:31,790
YES.
YEAH?
314
00:17:31,790 --> 00:17:35,460
THAT IS EVERY GIRL I'VE EVER MET
ON SUNSET STRIP, MAN.
315
00:17:35,460 --> 00:17:36,670
NO! HEY!
YOU'RE GONNA WASTE MY TIME?
316
00:17:36,670 --> 00:17:37,750
YOU'RE UNDER ARREST.
EASY.
317
00:17:37,750 --> 00:17:38,790
YOU HAVE THE RIGHT
TO REMAIN SILENT.
318
00:17:38,790 --> 00:17:39,960
WHOA, WHOA!
LIGHT BULB MOMENT.
319
00:17:39,960 --> 00:17:41,080
I GOT IT, I GOT IT.
320
00:17:41,080 --> 00:17:42,920
ANGIE. ALL RIGHT?
321
00:17:42,920 --> 00:17:44,750
SHE'S QUEEN
OF THE SUNSET STRIP.
322
00:17:44,750 --> 00:17:46,710
SHE KNOWS ALL THESE CHICKS
OUT HERE, MAN.
323
00:17:46,710 --> 00:17:49,210
LOOK, IF YOUR GIRLS ARE OUT
HERE, ANGIE WILL KNOW THEM.
324
00:17:49,210 --> 00:17:50,380
HOW DO I FIND HER?
325
00:17:50,380 --> 00:17:52,960
SHE'S A DANCER
FOR MTV, MAN.
326
00:17:52,960 --> 00:17:55,080
LOOK, SHE'S SHOOTING
SOME VIDEO DOWNTOWN.
327
00:17:55,080 --> 00:17:56,580
JUST --
THAT'S WHERE SHE IS.
328
00:17:56,580 --> 00:17:59,920
[ DEF LEPPARD'S "PHOTOGRAPH"
PLAYS ]
329
00:18:03,670 --> 00:18:05,580
♪ I'M OUTTA LUCK ♪
330
00:18:05,580 --> 00:18:07,420
♪ OUTTA LOVE ♪
331
00:18:07,420 --> 00:18:09,500
♪ GOT A PHOTOGRAPH ♪
332
00:18:09,500 --> 00:18:11,580
♪ PICTURE OF ♪
LEFT, UPPER LEVEL.
333
00:18:11,580 --> 00:18:13,380
♪ PASSION KILLER ♪
334
00:18:13,380 --> 00:18:15,290
♪ YOU'RE TOO MUCH ♪
335
00:18:15,290 --> 00:18:17,420
♪ YOU'RE THE ONLY ONE... ♪
336
00:18:17,420 --> 00:18:18,620
MTV.
337
00:18:18,620 --> 00:18:20,540
STATION THAT ONLY PLAYS
MUSIC VIDEOS.
338
00:18:20,540 --> 00:18:21,920
[ Scoffing ] YEAH.
339
00:18:21,920 --> 00:18:23,420
NO ONE'S GONNA
WATCH THAT.
340
00:18:23,420 --> 00:18:25,460
ALTHOUGH I COULD WATCH THEM
ALL DAY.
341
00:18:25,460 --> 00:18:26,750
♪ PHOTOGRAPH ♪
342
00:18:26,750 --> 00:18:32,380
♪ ALL I'VE GOT
IS A PHOTOGRAPH ♪
343
00:18:32,380 --> 00:18:35,380
♪ BUT IT'S NOT ENOUGH ♪
344
00:18:35,380 --> 00:18:36,750
YOU'RE DYNAMITE.
345
00:18:36,750 --> 00:18:38,170
EXCUSE ME. BUDDY?
OKAY, HEY, YOU GUYS.
RIGHT HERE.
346
00:18:38,170 --> 00:18:39,750
EXCUSE ME. HI.
L.A.P.D.
347
00:18:39,750 --> 00:18:42,080
I'M LOOKING FOR A DANCER
NAMED ANGIE.
348
00:18:42,080 --> 00:18:43,750
I'M IN THE MIDDLE OF
A PERFORMANCE HERE.
349
00:18:43,750 --> 00:18:45,880
HANG ON. OKAY.
350
00:18:45,880 --> 00:18:47,710
SWING OVER.
CUT!
351
00:18:47,710 --> 00:18:50,170
♪ YOU MAKE EVERY... ♪
STOP THE PLAYBACK!
352
00:18:50,170 --> 00:18:51,620
CUT!
[ MUSIC STOPS ]
353
00:18:51,620 --> 00:18:52,830
THIS IS MY SET.
354
00:18:52,830 --> 00:18:55,710
NOBODY MAKES A MOVE
WITHOUT MY SAY SO.
355
00:18:55,710 --> 00:18:57,210
OKAY,
UH, HOW ABOUT THIS?
356
00:18:57,210 --> 00:18:59,540
I COULD MAKE A MOVE
TO KICK YOUR ASS,
357
00:18:59,540 --> 00:19:02,620
OR YOU COULD TELL ME WHERE
THE DANCER NAMED ANGIE IS.
358
00:19:02,620 --> 00:19:04,920
ALL RIGHT.
359
00:19:04,920 --> 00:19:06,120
ANGIE!
360
00:19:06,120 --> 00:19:08,670
THIS GENTLEMAN WANTS TO SPEAK
WITH YOU!
361
00:19:08,670 --> 00:19:10,880
WE'RE LOOKING FOR A GIRL.
WE HEARD YOU MIGHT KNOW HER.
362
00:19:10,880 --> 00:19:12,960
MALLORY K.
MALLORY KHARCHENKO.
363
00:19:12,960 --> 00:19:13,960
SHE IN TROUBLE?
364
00:19:13,960 --> 00:19:15,670
NO, WE JUST NEED
TO TALK TO HER.
365
00:19:15,670 --> 00:19:17,540
DO YOU KNOW WHERE
WE MIGHT FIND HER?
366
00:19:17,540 --> 00:19:18,710
YOU JUST MISSED HER.
367
00:19:18,710 --> 00:19:19,790
SHE WAS HERE?
368
00:19:19,790 --> 00:19:20,960
ABOUT AN HOUR AGO.
369
00:19:20,960 --> 00:19:22,830
SHE WAS SUPPOSED TO BE
IN THIS VIDEO,
370
00:19:22,830 --> 00:19:24,460
BUT SHE SHOWED UP
WITH STITCHES.
371
00:19:24,460 --> 00:19:26,710
YOU CAN'T EXACTLY BE
GORGEOUS GIRL NUMBER SEVEN
372
00:19:26,710 --> 00:19:28,290
WITH A GIANT GASH
ON YOUR FOREHEAD.
373
00:19:28,290 --> 00:19:30,290
DO YOU HAVE
AN ADDRESS FOR HER?
374
00:19:37,500 --> 00:19:39,880
IS MALLORY KHARCHENKO HOME?
375
00:19:43,210 --> 00:19:45,580
DETECTIVE COSTELLO.
WHEN WILL MALLORY BE BACK?
376
00:19:45,580 --> 00:19:47,460
UM...BEATS ME.
377
00:19:47,460 --> 00:19:48,830
I DON'T KNOW.
SHE'S JUST BEEN CRASHING HERE.
378
00:19:48,830 --> 00:19:49,920
I HAVEN'T SEEN HER
IN A FEW DAYS.
379
00:19:49,920 --> 00:19:51,670
IT'S IMPORTANT
THAT WE FIND HER.
380
00:19:51,670 --> 00:19:53,120
I UNDERSTAND.
I REALLY DO.
381
00:19:53,120 --> 00:19:54,620
BUT I'M LATE
FOR AN AUDITION,
382
00:19:54,620 --> 00:19:56,120
SO IF I HEAR FROM HER,
I CAN JUST --
383
00:19:56,120 --> 00:19:57,540
WAIT.
384
00:19:57,540 --> 00:19:59,290
I THOUGHT
YOU LOOKED LIKE AN ACTOR.
385
00:19:59,290 --> 00:20:01,210
[ CHUCKLES ]
OR A MODEL.
386
00:20:01,210 --> 00:20:02,880
WHAT'S THE SHOW?
387
00:20:02,880 --> 00:20:04,330
"REMINGTON STEELE."
388
00:20:04,330 --> 00:20:06,880
I LOVE THAT SHOW.
389
00:20:06,880 --> 00:20:09,580
THAT LEAD GUY IS...
390
00:20:09,580 --> 00:20:10,670
SO CHARMING.
391
00:20:10,670 --> 00:20:12,880
YEAH, HE IS.
392
00:20:12,880 --> 00:20:14,670
HMM.
393
00:20:14,670 --> 00:20:16,830
WELL, LIKE I SAID,
394
00:20:16,830 --> 00:20:18,330
IF I HEAR FROM MALLORY
OR IF I TALK TO HER,
395
00:20:18,330 --> 00:20:19,380
I'LL DEFINITELY CALL YOU.
396
00:20:19,380 --> 00:20:21,330
DO YOU HAVE A CARD?
397
00:20:21,330 --> 00:20:23,620
GIVE ME
YOUR NUMBER INSTEAD.
398
00:20:23,620 --> 00:20:25,500
I LIKE TO BE IN CONTROL.
399
00:20:33,790 --> 00:20:35,460
[ PAPER TEARS ]
400
00:20:35,460 --> 00:20:36,790
CALL ME.
401
00:20:36,790 --> 00:20:38,170
FOR SURE.
402
00:20:42,080 --> 00:20:43,830
Kent: [ British accent ]
I'M TRAVIS COLEMAN.
403
00:20:43,830 --> 00:20:45,420
I'M PRODUCING A NEW
CHUCK NORRIS MOVIE,
404
00:20:45,420 --> 00:20:47,960
AND I WAS WATCHING
"THE LOVE BOAT" THE OTHER NIGHT.
405
00:20:47,960 --> 00:20:50,040
GREAT JOB CASTING,
BY THE WAY.
406
00:20:50,040 --> 00:20:52,960
I COULDN'T TAKE MY EYES OFF
THIS FIERY REDHEAD,
407
00:20:52,960 --> 00:20:56,420
MALLORY...KHARCHENKO.
408
00:20:56,420 --> 00:20:59,420
THAT'S THE ONE.
DO YOU HAVE A NUMBER FOR HER?
409
00:20:59,420 --> 00:21:02,790
PERFECT. I'LL TAKE
HER MANAGER'S NUMBER.
410
00:21:04,420 --> 00:21:05,880
[ Normal voice ]
MISS CARTAZZO.
411
00:21:05,880 --> 00:21:08,580
TOLD YOU YOUR CAR WOULDN'T BE
READY UNTIL NEXT WEEK.
412
00:21:08,580 --> 00:21:10,880
Bridget: OH.
413
00:21:10,880 --> 00:21:13,040
I HAVE A CHECK.
414
00:21:13,040 --> 00:21:14,420
FIGURED I'D PAY
IN ADVANCE.
415
00:21:14,420 --> 00:21:16,210
OH.
416
00:21:16,210 --> 00:21:20,540
HAS MY PHONE NUMBER ON IT,
IF YOU NEED ME.
417
00:21:20,540 --> 00:21:22,500
OR...
418
00:21:22,500 --> 00:21:23,500
FOR WHATEVER.
419
00:21:23,500 --> 00:21:24,710
[ CHUCKLES ]
420
00:21:24,710 --> 00:21:28,880
I'LL, UH, CALL YOU
WHEN YOUR CAR'S READY.
421
00:21:36,710 --> 00:21:39,380
HOW DO YOU DO IT, MAN?
422
00:21:39,380 --> 00:21:41,170
YOU ALWAYS KILL IT
WITH THE LADIES.
423
00:21:41,170 --> 00:21:43,120
I MAKE THEIR DREAMS
COME TRUE.
424
00:21:43,120 --> 00:21:45,380
YOU REUPHOLSTER CARS,
JUST LIKE US.
425
00:21:45,380 --> 00:21:46,620
EXACTLY.
426
00:21:46,620 --> 00:21:48,500
[ ENGINE TURNS OVER ]
427
00:21:51,750 --> 00:21:54,120
Jack: I SENT THE NEAREST UNIT
TO THE APARTMENT
428
00:21:54,120 --> 00:21:55,710
WHERE MALLORY'S
BEEN STAYING.
429
00:21:55,710 --> 00:21:57,250
I LOCATED THE PARENTS,
BUT THAT WAS A BUST.
430
00:21:57,250 --> 00:21:58,250
THEY LIVE IN BROOKLYN.
431
00:21:58,250 --> 00:21:59,500
HAVEN'T HEARD FROM HER
IN SIX MONTHS.
432
00:21:59,500 --> 00:22:01,040
I TRACKED DOWN THE OWNER
OF THE BUILDING.
433
00:22:01,040 --> 00:22:02,670
HE SAID ANOTHER DETECTIVE
WAS THERE EARLIER
434
00:22:02,670 --> 00:22:03,620
AND TALKED TO HER ROOMMATE.
435
00:22:03,620 --> 00:22:04,670
REALLY?
436
00:22:04,670 --> 00:22:06,460
WE DIDN'T SEND
ANYONE THERE EARLIER.
437
00:22:06,460 --> 00:22:09,170
THE ONLY DETECTIVE THAT FORCES
HIMSELF ON CASES IS THIS GUY.
438
00:22:09,170 --> 00:22:11,040
IS THAT REALLY NECESSARY?
439
00:22:14,670 --> 00:22:17,120
HE WASN'T A DETECTIVE.
440
00:22:17,120 --> 00:22:20,420
IT WAS OUR KILLER.
HE'S LOOKING FOR MALLORY, TOO.
441
00:22:20,420 --> 00:22:21,920
WELL, THAT'S GOOD.
442
00:22:21,920 --> 00:22:23,580
MEANS HE DOESN'T KNOW
WHERE SHE IS, EITHER.
443
00:22:23,580 --> 00:22:25,080
YEAH, BUT HE'S GOT
A FEW HOURS ON US,
444
00:22:25,080 --> 00:22:26,250
SO WE HIT THE HOSPITAL.
445
00:22:26,250 --> 00:22:27,790
MALLORY HAD TO GET
HER STITCHES SOMEWHERE.
446
00:22:27,790 --> 00:22:29,120
I CALLED THE
SOCIAL SECURITY OFFICE,
447
00:22:29,120 --> 00:22:30,080
GAVE THEM MALLORY'S NUMBER.
448
00:22:30,080 --> 00:22:31,120
HOPEFULLY WE CAN GET A HIT
449
00:22:31,120 --> 00:22:32,290
ON ONE OF HER JOBS,
FIND HER THERE.
450
00:22:32,290 --> 00:22:33,420
THAT'LL TAKE FOREVER.
451
00:22:33,420 --> 00:22:35,420
SOCIAL SECURITY IS WORSE
THAN THE DMV.
452
00:22:35,420 --> 00:22:37,120
YOU ALWAYS GOT YOUR HEAD
UP SOME FEDERAL ASS.
453
00:22:37,120 --> 00:22:39,460
YOU KNOW ANYONE
AT SOCIAL SECURITY?
454
00:22:39,460 --> 00:22:41,580
WAS THAT YOUR WAY OF ASKING ME
FOR MY HELP?
455
00:22:41,580 --> 00:22:42,540
YEAH.
456
00:22:42,540 --> 00:22:45,830
OKAY.
I'LL REACH OUT.
457
00:22:46,830 --> 00:22:48,290
KAREN'S HERE WITH
THE SKETCH ARTIST.
458
00:22:48,290 --> 00:22:51,330
Jack: HOW'S IT LOOKING?
459
00:22:51,330 --> 00:22:53,920
OKAY, I GUESS.
460
00:22:53,920 --> 00:22:56,120
YOU KNOW, KAREN,
YOU SEEM LIKE A GOOD KID,
461
00:22:56,120 --> 00:22:58,790
SO I GOT TO ASK, WHY ARE YOU
HANGING OUT WITH DIVER?
462
00:22:58,790 --> 00:23:00,960
THAT GUY FEEDS ON THE DARKEST
PART OF THE STRIP.
463
00:23:00,960 --> 00:23:02,120
DIVER'S JUST EXPOSING IT.
464
00:23:02,120 --> 00:23:03,750
IF HE DIDN'T REVEAL IT,
WHO WOULD?
465
00:23:03,750 --> 00:23:06,290
SO, I SPOKE TO MY GUY
DOWN AT SOCIAL SECURITY.
466
00:23:06,290 --> 00:23:07,620
WE SHOULD HEAR BACK SOON.
467
00:23:07,620 --> 00:23:09,290
READY TO HIT
THE HOSPITALS?
468
00:23:09,290 --> 00:23:10,710
YEAH, YOU TAKE THE CITY.
I'LL HIT THE VALLEY.
469
00:23:12,040 --> 00:23:14,290
JUST SHOW HER.
WHAT DO YOU THINK?
470
00:23:16,920 --> 00:23:18,920
I DON'T KNOW.
KIND OF LOOKS LIKE HIM.
471
00:23:18,920 --> 00:23:20,960
MAYBE IN THE EYES.
472
00:23:23,250 --> 00:23:25,420
THE L.A.P.D. IS LOOKING
FOR THIS MAN.
473
00:23:25,420 --> 00:23:28,120
IF YOU'VE SEEN HIM,
PLEASE CALL US IMMEDIATELY.
474
00:23:28,120 --> 00:23:29,580
HERE YOU GO.
475
00:23:29,580 --> 00:23:32,120
PASS THESE AROUND TO THE REST
OF THE STAFF, IF YOU WOULD.
476
00:23:32,120 --> 00:23:34,420
NOW, THIS MAN MIGHT HAVE
BEEN SEEN WITH THIS WOMAN.
477
00:23:34,420 --> 00:23:37,710
SHE'S A 19-YEAR-OLD FEMALE.
HER NAME IS MALLORY KHARCHENKO.
478
00:23:37,710 --> 00:23:39,830
I'LL LEAVE A STACK OF HER PHOTOS
OVER ON THE TABLE.
479
00:23:39,830 --> 00:23:41,250
HERE YOU GO.
480
00:23:41,250 --> 00:23:42,750
YEAH, THEY'RE BOTH
PERSONS OF INTEREST,
481
00:23:42,750 --> 00:23:45,080
AND THE WOMAN MIGHT'VE COME IN
LATE LAST NIGHT
482
00:23:45,080 --> 00:23:47,210
WITH A HEAD INJURY
THAT REQUIRED STITCHES.
483
00:23:47,210 --> 00:23:48,710
SO, IF YOU SEE
EITHER OF THEM,
484
00:23:48,710 --> 00:23:51,120
ALERT SECURITY AND THEN CALL US
IMMEDIATELY, ALL RIGHT?
485
00:23:51,120 --> 00:23:52,790
I'LL LEAVE THE REST OF THESE
OVER HERE.
486
00:23:52,790 --> 00:23:54,330
THANK YOU FOR YOUR TIME.
487
00:23:56,380 --> 00:24:00,000
♪♪
488
00:24:28,000 --> 00:24:29,920
[ GASPS ]
489
00:24:29,920 --> 00:24:31,880
HEY.
490
00:24:31,880 --> 00:24:33,210
WHAT THE HELL
ARE YOU DOING HERE?
491
00:24:33,210 --> 00:24:35,290
I PAGED YOU. I CALLED YOU.
YOU DIDN'T ANSWER.
492
00:24:35,290 --> 00:24:36,670
YEAH, HOW ABOUT
NEXT TIME YOU PAGE ME
493
00:24:36,670 --> 00:24:37,830
BEFORE YOU
HAVE ME ARRESTED?
494
00:24:37,830 --> 00:24:40,000
SORRY ABOUT THAT.
495
00:24:40,000 --> 00:24:41,380
I DIDN'T KNOW
YOU WERE GONNA BE THERE.
496
00:24:41,380 --> 00:24:43,040
I'VE BEEN GROOMING BUCKET
FOR A YEAR.
I KNOW.
497
00:24:43,040 --> 00:24:44,960
AND I'M THIS CLOSE TO GETTING
TO HIS BOSS.
498
00:24:44,960 --> 00:24:46,710
YOU COULD'VE JEOPARDIZED
MY WHOLE CASE.
499
00:24:46,710 --> 00:24:47,830
BUT I-I DIDN'T.
500
00:24:47,830 --> 00:24:49,380
I DIDN'T JEOPAR--
HE DIDN'T MAKE YOU.
501
00:24:49,380 --> 00:24:50,380
THAT ISN'T THE POINT!
502
00:24:50,380 --> 00:24:52,040
THE POINT IS,
IS THAT YOU DON'T CARE
503
00:24:52,040 --> 00:24:53,080
THAT YOU COULD HAVE.
504
00:24:53,080 --> 00:24:54,710
YOU KNOW WHAT?
MAYBE IF I HAVE TO BURN
505
00:24:54,710 --> 00:24:56,500
A DRUG DEALER
TO CATCH A SERIAL KILLER,
506
00:24:56,500 --> 00:24:59,080
MAYBE THAT'S A FAIR TRADE
TO ME, YOU KNOW?
NO, IT ISN'T.
507
00:24:59,080 --> 00:25:01,620
THE SUNSET STRIP AND ITS VICES
KILL MORE PEOPLE IN A WEEK
508
00:25:01,620 --> 00:25:03,710
THAN YOUR SERIAL KILLER
WILL ALL YEAR.
509
00:25:03,710 --> 00:25:05,830
SO DON'T TELL ME
THAT WHAT YOU'RE DOING
510
00:25:05,830 --> 00:25:06,960
IS MORE IMPORTANT
511
00:25:06,960 --> 00:25:08,250
THAN WHAT I'M WORKING ON.
512
00:25:08,250 --> 00:25:09,460
YOUR VICTIMS AT LEAST HAVE
A CHOICE IN THE MATTER.
513
00:25:09,460 --> 00:25:10,670
COME ON!
DIANNE, STOP!
514
00:25:10,670 --> 00:25:13,830
LOOK! WE HAVE A REAL CHANCE HERE
TO FIND THIS --
515
00:25:13,830 --> 00:25:16,040
THIS GIRL
BEFORE HE KILLS HER.
516
00:25:16,040 --> 00:25:19,460
I'M GLAD YOU GOT
WHAT YOU WANTED.
517
00:25:19,460 --> 00:25:22,000
BUT I'M TIRED OF BEING
COLLATERAL DAMAGE.
518
00:25:23,500 --> 00:25:24,880
GO HOME.
519
00:25:24,880 --> 00:25:27,880
DEAL WITH YOUR REAL LIFE
WHILE YOU STILL HAVE ONE.
520
00:25:32,120 --> 00:25:34,420
Man:
VICTIM IS DECAPITATED.
521
00:25:34,420 --> 00:25:38,420
11 LACERATIONS LOCATED IN
THE LEFT AND RIGHT TRAPEZIUS.
522
00:25:38,420 --> 00:25:40,250
[ SIZZLING ]
523
00:25:40,250 --> 00:25:43,250
SMALL PARTICLES OF WHAT LOOKS
LIKE UPHOLSTERY FOAM
524
00:25:43,250 --> 00:25:45,960
IN LAYERS OF
INNER SUBCUTANEOUS FAT.
525
00:25:45,960 --> 00:25:50,750
ADDITIONAL LACERATIONS
ON THE POSTERIOR DELTOID
526
00:25:50,750 --> 00:25:52,880
AS WELL AS THE NECK.
527
00:25:52,880 --> 00:25:54,500
ANAL CONTUSIONS...
528
00:25:54,500 --> 00:25:57,040
WELL, NOTHING GOES WITH
CHOCOLATE CHIP PANCAKES
529
00:25:57,040 --> 00:25:59,210
LIKE ANAL CONTUSIONS.
530
00:25:59,210 --> 00:26:01,210
[ CHUCKLES ]
YEAH, I THOUGHT IT WOULD SPICE
531
00:26:01,210 --> 00:26:02,250
THE MORNING UP A LITTLE.
532
00:26:02,250 --> 00:26:03,750
YEAH, IT CERTAINLY
ADDS SOMETHING.
533
00:26:03,750 --> 00:26:05,210
LOOKING FOR
THIS GIRL MALLORY,
534
00:26:05,210 --> 00:26:06,960
AND I WAS HOPING
THE CORONER'S REPORT
535
00:26:06,960 --> 00:26:09,170
ON THE LAST VICTIM
WOULD GIVE ME SOME NEW LEADS.
536
00:26:09,170 --> 00:26:10,210
IS SHE DEAD?
537
00:26:10,210 --> 00:26:12,380
I HOPE NOT.
538
00:26:12,380 --> 00:26:14,080
BUT SORRY. I KNOW I SHOULDN'T
BE LISTENING TO THAT.
539
00:26:14,080 --> 00:26:15,210
OH, NO, PLEASE.
[ CHUCKLES ]
540
00:26:15,210 --> 00:26:17,250
I'VE HEARD THE WORD
"ANAL" BEFORE.
541
00:26:17,250 --> 00:26:19,420
MOSTLY FROM VICKI.
542
00:26:19,420 --> 00:26:22,250
APPARENTLY I'M VERY
ANAL-RETENTIVE
543
00:26:22,250 --> 00:26:24,330
BECAUSE I INSIST
THAT SHE MAKE HER BED.
544
00:26:24,330 --> 00:26:25,620
[ CHUCKLES ]
545
00:26:26,790 --> 00:26:27,920
YOU OKAY?
546
00:26:27,920 --> 00:26:30,080
YEAH, YEAH.
547
00:26:30,080 --> 00:26:33,420
I JUST -- I WANT TO SAY,
UH, YOU KNOW,
548
00:26:33,420 --> 00:26:35,710
ABOUT THE CASE...
549
00:26:35,710 --> 00:26:38,960
IT'S NOT GONNA BE LIKE THE
HILLSIDE STRANGLER SITUATION.
550
00:26:38,960 --> 00:26:41,170
I MADE A PROMISE TO YOU
AND VICKI,
551
00:26:41,170 --> 00:26:42,670
AND I INTEND TO KEEP IT.
552
00:26:42,670 --> 00:26:44,380
LOOK, JACK, I'VE SEEN THE NEWS,
YOU KNOW?
553
00:26:44,380 --> 00:26:46,040
THIS IS A HUGE CASE,
AND WITHOUT VINCE --
554
00:26:46,040 --> 00:26:49,040
YEAH, IT'S -- IT'S DEFINITELY
GONNA BE MORE DIFFICULT
555
00:26:49,040 --> 00:26:50,330
WITH A NEW PARTNER,
BUT...
556
00:26:50,330 --> 00:26:53,330
YOU AND VICKI
ARE MY PRIORITIES.
557
00:26:53,330 --> 00:26:54,670
OKAY.
558
00:26:54,670 --> 00:26:56,120
WELL, LET'S START
WITH BREAKFAST,
559
00:26:56,120 --> 00:26:57,710
SEE HOW THAT GOES FIRST.
560
00:26:57,710 --> 00:26:58,880
THINK IT'S GONNA GO
QUITE WELL.
561
00:26:58,880 --> 00:27:00,380
LOOKING GOOD.
562
00:27:00,380 --> 00:27:03,040
OH, WHO IS THIS STRANGE MAN
IN OUR KITCHEN?
563
00:27:03,040 --> 00:27:04,250
[ CHUCKLES ]
564
00:27:04,250 --> 00:27:06,290
[ As Darth Vader ] I AM
YOUR FATHER, LUKE SKYWALKER.
565
00:27:06,290 --> 00:27:08,210
MARK HAMILL IS SO CUTE.
566
00:27:08,210 --> 00:27:10,290
OH, SEE?
ALL ROADS LEAD BACK TO BOYS.
567
00:27:10,290 --> 00:27:12,620
YEAH, AS LONG AS THEY
STAY UP ON THE, UH --
568
00:27:12,620 --> 00:27:14,420
THE MOVIE SCREEN,
I'LL BE FINE.
569
00:27:14,420 --> 00:27:15,880
DADDY, I'M 15.
THERE WILL BE BOYS.
570
00:27:15,880 --> 00:27:17,210
YEAH?
YEAH.
571
00:27:17,210 --> 00:27:18,790
WELL, AS LONG AS THEY KNOW
I HAVE GUNS.
572
00:27:18,790 --> 00:27:20,920
HEY.
I'M DOOMED.
573
00:27:20,920 --> 00:27:22,210
[ PAGER BEEPING ]
574
00:27:25,000 --> 00:27:26,830
DUTY CALLS, HUH?
575
00:27:28,460 --> 00:27:30,170
GO, JACK.
576
00:27:34,540 --> 00:27:35,750
HEY. LOVE YOU.
577
00:27:35,750 --> 00:27:36,670
LOVE YOU.
578
00:27:36,670 --> 00:27:38,170
DINNER TONIGHT.
I PROMISE.
579
00:27:44,330 --> 00:27:47,250
HEY, DOUG.
THIS IS DETECTIVE COSTELLO.
580
00:27:47,250 --> 00:27:49,710
How did the "Remington Steele"
audition go?
581
00:27:49,710 --> 00:27:51,290
I DIDN'T GET IT.
582
00:27:51,290 --> 00:27:54,210
THEIR LOSS.
SO, ANY WORD FROM MALLORY?
583
00:27:54,210 --> 00:27:55,380
Just checking in.
584
00:27:55,380 --> 00:27:57,120
ACTUALLY, SHE'S HERE.
585
00:27:57,120 --> 00:27:59,330
CAN I SPEAK WITH HER?
586
00:27:59,330 --> 00:28:01,210
UH, SHE'S IN THE SHOWER.
587
00:28:01,210 --> 00:28:03,120
Should I call back?
588
00:28:03,120 --> 00:28:04,290
OR WE COULD TALK.
589
00:28:04,290 --> 00:28:06,080
SURE.
590
00:28:06,080 --> 00:28:08,460
Maybe drinks later.
591
00:28:08,460 --> 00:28:10,040
Hello?
592
00:28:10,040 --> 00:28:11,080
UH, YEAH, SORRY.
593
00:28:11,080 --> 00:28:13,120
UM, I CAN'T MEET
FOR DRINKS LATER.
594
00:28:13,120 --> 00:28:15,210
I HAVE A THING
WITH SOME FRIENDS.
595
00:28:18,080 --> 00:28:21,500
[ TRAIN WHISTLE BLOWS ]
596
00:28:23,880 --> 00:28:24,960
SOME OTHER TIME.
597
00:28:24,960 --> 00:28:26,420
Let's meet up again.
598
00:28:26,420 --> 00:28:28,210
So, what's it like
being a cop?
599
00:28:29,790 --> 00:28:32,960
SO, THAT'S IT?
HE'S JUST STILL OUT THERE?
600
00:28:32,960 --> 00:28:34,330
DON'T WORRY.
601
00:28:34,330 --> 00:28:36,460
WHETHER HE KNOWS IT OR NOT,
HE JUST GAVE US SOMETHING.
602
00:28:36,460 --> 00:28:38,120
WE NEED YOU TO COME DOWN
TO THE STATION
603
00:28:38,120 --> 00:28:39,120
AND GIVE US A COMPOSITE.
604
00:28:39,120 --> 00:28:41,170
JACK, IT'S ME.
605
00:28:41,170 --> 00:28:43,670
THINK I KNOW HOW WE CAN FIND
OUR KILLER.
606
00:28:46,790 --> 00:28:47,790
KENT IS A REAL GENTLEMAN.
607
00:28:47,790 --> 00:28:48,880
OH, REALLY?
TOTALLY.
608
00:28:48,880 --> 00:28:50,500
HE BABYSITS ME
ALL THE TIME.
609
00:28:50,500 --> 00:28:52,670
HE HELPS ME WITH MY READING
AND WRITING.
610
00:28:52,670 --> 00:28:53,880
I WRITE MY R's BACKWARDS,
611
00:28:53,880 --> 00:28:55,830
AND HE NEVER MAKES ME FEEL BAD
ABOUT IT.
612
00:28:55,830 --> 00:28:57,750
WOMAN TO WOMAN,
HE'S AWESOME.
613
00:28:57,750 --> 00:29:00,080
[ MOTORCYCLE APPROACHES ]
614
00:29:06,420 --> 00:29:08,080
[ ENGINE SHUTS OFF ]
615
00:29:13,580 --> 00:29:15,920
TOTALLY JUST TALKED YOU UP
TO YOUR NEW GIRLFRIEND.
616
00:29:15,920 --> 00:29:17,290
YOU DID, HUH?
617
00:29:17,290 --> 00:29:19,080
I'LL COME BY LATER AND YOU CAN
TELL ME ALL ABOUT IT.
618
00:29:20,670 --> 00:29:22,790
BYE.
SEE YA.
619
00:29:22,790 --> 00:29:24,880
UM, I TRIED CALLING.
620
00:29:24,880 --> 00:29:27,670
HOW LONG HAVE YOU BEEN HERE
TALKING TO MARY?
621
00:29:27,670 --> 00:29:29,580
OH, NOT LONG.
622
00:29:29,580 --> 00:29:31,540
YOU DON'T JUST SHOW UP
AT SOMEONE'S HOUSE.
623
00:29:31,540 --> 00:29:34,290
WHY ARE YOU BEING
SO COLD TO ME?
624
00:29:34,290 --> 00:29:36,040
HOW DID YOU FIND OUT
WHERE I LIVE?
625
00:29:36,040 --> 00:29:37,920
KENT,
I-I NEED TO TALK TO YOU.
626
00:29:37,920 --> 00:29:40,830
SWEETHEART, YOU RUN BACK HOME,
I'LL CALL YOU LATER.
627
00:29:40,830 --> 00:29:42,710
WE'LL GO TO LE DOME TONIGHT
OR TOMORROW.
628
00:29:42,710 --> 00:29:44,380
HOW DOES THAT SOUND?
629
00:29:45,580 --> 00:29:46,830
I DROVE ALL THE WAY
OVER HERE,
630
00:29:46,830 --> 00:29:48,460
AND YOU'RE NOT EVEN
GONNA INVITE ME INSIDE?
631
00:29:48,460 --> 00:29:50,250
MY PLACE IS A MESS,
AND I --
632
00:29:50,250 --> 00:29:51,460
WHAT ARE YOU HIDING?
633
00:29:51,460 --> 00:29:53,000
ABSOLUTELY NOTHING.
634
00:29:58,580 --> 00:29:59,790
WHAT IS THIS?
635
00:29:59,790 --> 00:30:01,120
I DON'T KNOW.
WHO IS THIS?
636
00:30:01,120 --> 00:30:03,330
IT'S YOU!
637
00:30:03,330 --> 00:30:05,580
KENT, LOOK AT IT.
LOOK AT THE EYES.
638
00:30:05,580 --> 00:30:07,380
THAT'S YOU.
639
00:30:07,380 --> 00:30:08,500
[ CHUCKLES ]
640
00:30:08,500 --> 00:30:10,460
THE POLICE CAME
TO THE HOSPITAL.
641
00:30:10,460 --> 00:30:12,830
THEY'RE LOOKING FOR YOU
AND FOR MALLORY.
642
00:30:12,830 --> 00:30:14,670
WHY?
THEY WERE LOOKING
FOR MALLORY?
643
00:30:14,670 --> 00:30:17,420
WHO CARES ABOUT HER?
KENT...
644
00:30:17,420 --> 00:30:19,040
I'VE DONE THINGS...
645
00:30:19,040 --> 00:30:23,040
YOU KNOW, STUFF I NEVER IMAGINED
BECAUSE OF YOU.
646
00:30:23,040 --> 00:30:25,540
JUST LET ME IN.
647
00:30:25,540 --> 00:30:27,960
BETTY,
IF ONLY YOU KNEW.
648
00:30:27,960 --> 00:30:30,500
I'VE LET YOU IN
IN WAYS I NEVER IMAGINED,
649
00:30:30,500 --> 00:30:32,330
NEVER DONE BEFORE.
650
00:30:32,330 --> 00:30:33,540
FOR ANYBODY.
651
00:30:36,750 --> 00:30:40,330
THEN ENOUGH ABOUT MALLORY
[Chuckling] OKAY?
652
00:30:40,330 --> 00:30:42,250
WHAT DID THE POLICE SAY
ABOUT HER?
653
00:30:42,250 --> 00:30:44,000
OH, MY GOD!
654
00:30:44,000 --> 00:30:47,080
WHAT --
WHAT IS WITH THIS GIRL?
655
00:30:47,080 --> 00:30:49,040
I PUT MYSELF
THROUGH NURSING SCHOOL,
656
00:30:49,040 --> 00:30:50,790
AND I RAISED TWO KIDS
ON MY OWN.
657
00:30:50,790 --> 00:30:52,040
AND WHAT HAS SHE DONE?
658
00:30:52,040 --> 00:30:53,960
SHE'S TAKEN YOUR ORDER
AT HAMBURGER HEAVEN?
659
00:30:53,960 --> 00:30:55,960
HOW DO YOU KNOW SHE WORKS
AT HAMBURGER HEAVEN?
660
00:30:55,960 --> 00:30:57,830
SHE TOLD ME WHEN YOU WERE
OUT OF THE ROOM.
661
00:30:57,830 --> 00:30:59,880
WHY AM I EVEN
TELLING YOU THIS?
662
00:30:59,880 --> 00:31:01,120
[ SIGHS ]
663
00:31:01,120 --> 00:31:03,710
KENT, CLEARLY YOU CARE MORE
ABOUT HER
664
00:31:03,710 --> 00:31:05,210
THAN YOU DO ABOUT ME.
665
00:31:09,170 --> 00:31:10,790
LOSE MY NUMBER.
666
00:31:19,580 --> 00:31:21,540
[ CAR DOOR CLOSES,
ENGINE TURNS OVER ]
667
00:31:21,540 --> 00:31:23,960
I'M NOT GONNA LIE.
I'M MAD YOU'RE LEAVING.
668
00:31:25,210 --> 00:31:26,420
AND I'M NOT GONNA LIE
669
00:31:26,420 --> 00:31:28,170
ABOUT HOW MUCH I WANT
TO GET IT ON WITH YOU.
670
00:31:28,170 --> 00:31:30,080
SUBTLE.
671
00:31:30,080 --> 00:31:33,330
I'M SPEAKING TRUTH
TO POWER.
672
00:31:33,330 --> 00:31:38,000
LOOK, YOU KNOW I THINK
IT'S STUPID YOU'RE LEAVING.
673
00:31:38,000 --> 00:31:39,620
AND I'M NOT
GONNA STOP YOU,
674
00:31:39,620 --> 00:31:41,830
BUT, McCLAREN...HEY.
675
00:31:41,830 --> 00:31:44,250
YEAH?
676
00:31:44,250 --> 00:31:46,920
DON'T STOP WRITING.
677
00:31:46,920 --> 00:31:49,540
'CAUSE YOU GOT SOMETHING.
YOU...
678
00:31:51,250 --> 00:31:54,250
YOU GOT SOMETHING REAL.
679
00:31:56,750 --> 00:31:58,210
YOU THINK SO?
680
00:32:00,960 --> 00:32:02,750
I KNOW SO.
681
00:32:10,330 --> 00:32:12,250
WHAT ARE YOU WAITING FOR?
682
00:32:12,250 --> 00:32:14,000
YOU.
683
00:32:17,170 --> 00:32:18,080
[ NOTEBOOK CLATTERS ]
684
00:32:21,540 --> 00:32:23,290
ALL I SEE ARE BOOBS.
685
00:32:23,290 --> 00:32:25,170
THAT'S 'CAUSE THE ONLY BREASTS
YOU'VE EVER SEEN
686
00:32:25,170 --> 00:32:26,330
ARE ON STICK FIGURES.
687
00:32:26,330 --> 00:32:28,710
YOU KNOW WHAT? HA, HA, HA.
VERY FUNNY, OKAY?
688
00:32:28,710 --> 00:32:30,170
LOOK, YOU GUYS JOKE,
689
00:32:30,170 --> 00:32:32,540
BUT THIS IS THE MOST
CUTTING-EDGE TECHNOLOGY
ON EARTH.
690
00:32:32,540 --> 00:32:34,080
THAT'S AN IBM 5150.
691
00:32:34,080 --> 00:32:37,710
256 KILOBYTES OF MEMORY,
FOR YOUR INFORMATION.
692
00:32:37,710 --> 00:32:38,920
STILL LOOK LIKE BOOBS.
693
00:32:38,920 --> 00:32:40,960
SO, THE KILLER CALLS
FROM A PAYPHONE,
694
00:32:40,960 --> 00:32:43,420
AND YOU HEARD A TRAIN
IN THE BACKGROUND, RIGHT?
695
00:32:43,420 --> 00:32:45,080
YEAH, AND BASED
ON THE TIME OF DAY,
696
00:32:45,080 --> 00:32:46,920
THE COMPUTER NARROWED DOWN
THE LOCATION
697
00:32:46,920 --> 00:32:48,670
OF THAT PAYPHONE
TO THESE TWO AREAS.
698
00:32:48,670 --> 00:32:50,120
I WONDER IF HE KNOWS
WE'D BE ABLE
699
00:32:50,120 --> 00:32:51,710
TO ZERO IN
ON A LOCATION LIKE THAT.
700
00:32:51,710 --> 00:32:53,330
WELL, THE PAYPHONE LEAD'S
ALL WE GOT.
701
00:32:53,330 --> 00:32:55,380
I MEAN, WE HAVE TO ASSUME
THAT HE KNOWS WE HAVE IT, TOO.
702
00:32:55,380 --> 00:32:56,920
ALL RIGHT,
SO WHAT DO WE GOT HERE?
703
00:32:56,920 --> 00:32:59,620
WE GOT A RESTAURANT,
SOME OTHER RESTAURANT.
704
00:32:59,620 --> 00:33:01,540
THIS IS AN
OLD PEOPLE'S HOME.
705
00:33:01,540 --> 00:33:02,620
[ TAPS DESK ]
706
00:33:02,620 --> 00:33:03,580
HOLD ON.
707
00:33:05,420 --> 00:33:07,500
IT'S AN UPHOLSTERY SHOP.
708
00:33:07,500 --> 00:33:08,830
YEAH, SO?
709
00:33:08,830 --> 00:33:10,290
SO THE CORONER'S
REPORT SAID
710
00:33:10,290 --> 00:33:12,380
THEY FOUND UPHOLSTERY FOAM
IN THE LAST VICTIM.
711
00:33:12,380 --> 00:33:14,170
WE GOT TO CHECK IT OUT.
LET'S GO.
712
00:33:17,080 --> 00:33:19,750
HEY, UH, CONTRERAS.
YOUR CONTACT'S PAID OFF.
713
00:33:19,750 --> 00:33:22,460
SOCIAL SECURITY GOT A HIT
ON MALLORY'S NUMBER.
714
00:33:22,460 --> 00:33:24,960
SHE'S A WAITRESS AT THE
HAMBURGER HEAVEN ON SUNSET.
715
00:33:24,960 --> 00:33:27,170
WELL, HE MAY KNOW WE HAVE
OUR SIGHTS ON HIM,
716
00:33:27,170 --> 00:33:29,170
BUT WE MIGHT JUST BE
AHEAD OF HIM NOW.
717
00:33:29,170 --> 00:33:30,420
I'LL CHECK OUT
THE UPHOLSTERY PLACE.
718
00:33:30,420 --> 00:33:32,750
YOU CHECK OUT
THE HAMBURGER HEAVEN.
719
00:33:32,750 --> 00:33:34,960
NOT EVEN A THANK YOU.
720
00:33:34,960 --> 00:33:38,000
YOU KNOW, I DON'T REMEMBER
YOU BEING THIS NEEDY.
721
00:33:39,960 --> 00:33:42,210
I'M DETECTIVE CONTRERAS,
L.A.P.D.
722
00:33:42,210 --> 00:33:43,460
I'M LOOKING
FOR MALLORY KHARCHENKO.
723
00:33:43,460 --> 00:33:44,620
IS SHE HERE?
724
00:33:44,620 --> 00:33:45,710
YOU JUST MISSED HER.
725
00:33:45,710 --> 00:33:47,620
SHE LEFT ABOUT, UH,
30 MINUTES AGO.
726
00:33:47,620 --> 00:33:48,790
DID YOU SEE WHO WITH?
727
00:33:48,790 --> 00:33:50,120
NOPE.
728
00:33:50,120 --> 00:33:52,750
SHE JUST SAID SHE'S GOING
TO BECOME A MOVIE STAR.
729
00:33:52,750 --> 00:33:54,960
DELUSIONAL.
730
00:33:54,960 --> 00:33:58,620
♪♪
731
00:33:58,620 --> 00:34:01,120
♪ I AM A PASSENGER ♪
732
00:34:01,120 --> 00:34:03,580
I CAN'T BELIEVE YOU WERE LOOKING
FOR ME THIS WHOLE TIME.
733
00:34:03,580 --> 00:34:05,830
I'M TOTALLY FIRING
MY MANAGER.
734
00:34:05,830 --> 00:34:07,120
CALM DOWN.
735
00:34:07,120 --> 00:34:09,710
CAN'T HAVE YOU ALL RILED UP
MEETING THIS DIRECTOR.
736
00:34:09,710 --> 00:34:12,290
I DON'T WANT TO BLOW THIS
AUDITION BECAUSE I'M SO UPSET.
737
00:34:12,290 --> 00:34:14,120
POP ONE OF THESE.
738
00:34:14,120 --> 00:34:15,880
IT'LL EVEN YOU RIGHT OUT.
739
00:34:15,880 --> 00:34:19,250
♪ YOU KNOW,
IT LOOKS SO GOOD TONIGHT ♪
740
00:34:19,250 --> 00:34:22,000
HOPE YOU'RE READY
TO BE A STAR.
741
00:34:22,000 --> 00:34:24,120
HOW CRAZY IS THIS?
742
00:34:24,120 --> 00:34:26,620
ONE MINUTE,
I'M SLINGING BURGERS,
743
00:34:26,620 --> 00:34:29,420
THE NEXT, I'M IN A MERCEDES
WITH A PRODUCER.
744
00:34:29,420 --> 00:34:31,330
WHERE DOES
THIS STUFF HAPPEN?
745
00:34:31,330 --> 00:34:33,460
ONLY IN HOLLYWOOD.
746
00:34:33,460 --> 00:34:36,420
♪ I LOOK THROUGH MY WINDOW
SO BRIGHT ♪
747
00:34:38,750 --> 00:34:41,290
HELLO?
748
00:34:41,290 --> 00:34:43,330
POLICE!
749
00:34:43,330 --> 00:34:45,040
ANYBODY HERE?
750
00:34:51,170 --> 00:34:54,000
♪♪
751
00:35:49,830 --> 00:35:52,380
♪♪
752
00:36:13,120 --> 00:36:14,500
Paco: "DETECTIVE ROTH.
753
00:36:14,500 --> 00:36:16,080
I'M SORRY TO HAVE MISSED YOU.
754
00:36:16,080 --> 00:36:19,620
FROM YOUR SECRET ADMIRER
AND MALLORY K."
755
00:36:19,620 --> 00:36:21,710
HE LURED US HERE.
756
00:36:21,710 --> 00:36:24,000
KNEW WE WERE ONTO HIM.
757
00:36:25,290 --> 00:36:28,000
HE'S BEEN FIVE STEPS
AHEAD OF US.
758
00:36:35,000 --> 00:36:36,790
GOOD NIGHT, BETTY.
759
00:36:36,790 --> 00:36:40,170
♪♪
760
00:37:12,330 --> 00:37:14,670
WHAT ARE YOU DOING HERE?
761
00:37:16,500 --> 00:37:20,420
I'M NOT GONNA LET GO
OF THE THING I NEED.
762
00:37:20,420 --> 00:37:23,460
I FEEL LIKE...
763
00:37:23,460 --> 00:37:26,250
DEEP DOWN,
YOU'VE KNOWN ME FOREVER.
764
00:37:28,080 --> 00:37:30,250
DO YOU FEEL THAT?
765
00:37:32,790 --> 00:37:34,120
YEAH, I DO.
766
00:37:34,120 --> 00:37:39,710
AND WHEN ONE OF THEM
MEETS THE OTHER HALF,
767
00:37:39,710 --> 00:37:44,880
THE ACTUAL HALF OF HIMSELF,
THE PAIR,
768
00:37:44,880 --> 00:37:48,880
LOST IN AN AMAZEMENT OF LOVE
AND INTIMACY,
769
00:37:48,880 --> 00:37:52,380
WILL NOT LEAVE THE OTHER SIDE
EVEN FOR A MOMENT.
770
00:37:56,750 --> 00:37:58,710
IT'S PLATO.
771
00:37:58,710 --> 00:38:00,880
[ CHUCKLES ]
772
00:38:02,830 --> 00:38:06,080
SO, COME WITH ME.
773
00:38:06,080 --> 00:38:08,920
LET ME SHOW YOU.
774
00:38:08,920 --> 00:38:11,040
SHOW ME WHAT?
ALL OF IT, ALL OF ME.
775
00:38:13,540 --> 00:38:17,670
AND IF YOU DON'T LIKE IT
AFTER ALL YOU'VE SEEN...
776
00:38:17,670 --> 00:38:20,120
I'LL DISAPPEAR.
777
00:38:32,250 --> 00:38:34,330
♪♪
778
00:38:39,620 --> 00:38:40,830
[ CHUCKLES ]
779
00:38:40,830 --> 00:38:43,080
THAT WAS A PRETTY GOOD
GOODBYE TO L.A.
780
00:38:43,080 --> 00:38:46,000
I MEAN, I THINK WE SHOULD SAY
GOODBYE ONE MORE TIME.
781
00:38:46,000 --> 00:38:49,670
[ CHUCKLES ]
WE ALREADY SAID GOODBYE TWICE.
782
00:38:49,670 --> 00:38:51,000
[ CHUCKLES ]
783
00:38:52,620 --> 00:38:55,170
YOU BETTER GET USED TO BRINGING
THE MAIL NOW THAT I'M LEAVING.
784
00:38:55,170 --> 00:38:56,080
REALLY?
785
00:38:56,080 --> 00:38:58,380
YEAH.
YOU SHOULD GO GET IT.
786
00:39:00,790 --> 00:39:02,750
[ CLEARS THROAT ]
787
00:39:06,170 --> 00:39:08,000
[ SIGHS ]
788
00:39:11,120 --> 00:39:13,710
IT'S FOR YOU.
789
00:39:13,710 --> 00:39:16,170
YOU GOT A 7-YEAR-OLD PEN PAL
YOU DIDN'T TELL ME ABOUT?
790
00:39:16,170 --> 00:39:17,290
WHAT?
791
00:39:24,380 --> 00:39:25,710
[ SIGHS ]
792
00:39:25,710 --> 00:39:27,500
"KAREN, I FEEL LIKE
WE HAVE A CONNECTION.
793
00:39:27,500 --> 00:39:28,920
SOMETHING REAL.
794
00:39:28,920 --> 00:39:31,120
SOMETHING THAT CAN GIVE US BOTH
WHAT WE WANT,
795
00:39:31,120 --> 00:39:34,960
TO MAKE A NAME FOR OURSELVES,
TO MAKE A DIFFERENCE.
796
00:39:34,960 --> 00:39:37,620
DO YOU WANT TO PLAY?
PROVE YOUR WORTH?"
797
00:39:37,620 --> 00:39:41,420
OH, MY GOD.
I THINK THIS IS FROM THE KILLER.
798
00:39:47,040 --> 00:39:49,250
[ BRAKES SQUEAL ]
799
00:39:49,250 --> 00:39:51,040
[ ENGINE SHUTS OFF ]
800
00:39:56,620 --> 00:39:58,080
[ SIGHS ]
801
00:40:12,290 --> 00:40:13,920
TRUST ME.
802
00:40:13,920 --> 00:40:15,420
I PROMISE,
FROM THIS MOMENT ON,
803
00:40:15,420 --> 00:40:18,750
THERE WON'T BE ANY SECRETS
BETWEEN US.
804
00:40:18,750 --> 00:40:20,380
I'M SCARED.
805
00:40:20,380 --> 00:40:21,920
DON'T BE.
806
00:40:21,920 --> 00:40:25,080
FEEL LIKE MY WHOLE LIFE HAS BEEN
LEADING UP TO THIS MOMENT.
807
00:40:25,080 --> 00:40:25,920
TO US...
808
00:40:25,920 --> 00:40:27,750
BEING HERE.
809
00:40:35,210 --> 00:40:37,620
[ MUFFLED SCREAMING, CRYING ]
810
00:40:42,960 --> 00:40:44,460
[ POLICE RADIO CHATTER ]
811
00:40:45,830 --> 00:40:48,380
[ INDISTINCT TALKING ]
812
00:40:52,710 --> 00:40:56,000
SO, UH, WE'RE CANVASSING
THE NEIGHBORHOOD,
813
00:40:56,000 --> 00:40:58,670
SEE IF ANYONE SAW HIM
WITH MALLORY.
814
00:40:59,880 --> 00:41:02,580
AND THEY'RE WORKING
ON I.D.ing THE BODY.
815
00:41:02,580 --> 00:41:07,000
LOOK, JACK, IT'S NOT YOUR FAULT
WE DIDN'T FIND MALLORY IN TIME.
816
00:41:08,710 --> 00:41:10,460
YOU NEED ANYTHING?
817
00:41:10,460 --> 00:41:12,380
I CAN STAY IF --
818
00:41:12,380 --> 00:41:13,960
NO, YOU GO.
819
00:41:13,960 --> 00:41:16,380
GET SOME SLEEP.
820
00:41:16,380 --> 00:41:18,040
ALL RIGHT.
821
00:41:30,170 --> 00:41:31,330
IT'S THE ONLY WAY.
822
00:41:31,330 --> 00:41:33,580
SHE'S SEEN ME!
823
00:41:33,580 --> 00:41:36,500
SHE KNOWS YOUR NAME,
KNOWS WHERE YOU LIVE.
824
00:41:36,500 --> 00:41:38,380
YOU KNOW IT'S TRUE.
825
00:41:38,380 --> 00:41:41,000
SHE MUST DIE
FOR US TO LIVE.
826
00:41:41,000 --> 00:41:43,880
[ WHIMPERING ]
827
00:41:47,500 --> 00:41:49,170
[ SIGHS ]
828
00:42:02,250 --> 00:42:04,170
AAH!
829
00:42:04,170 --> 00:42:06,620
[ KNIFE RENDING ]
830
00:42:06,620 --> 00:42:10,620
[ PANTING ]
831
00:42:14,380 --> 00:42:17,670
♪♪
53937
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