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1
00:00:01,400 --> 00:00:03,560
‐Me and my men are to seethat this establishment
2
00:00:03,640 --> 00:00:06,000
does not continuetrading as a bawdy house.
3
00:00:06,080 --> 00:00:08,160
‐They left at first light.
4
00:00:08,240 --> 00:00:09,840
‐We found this in Kitty's hair.
5
00:00:09,920 --> 00:00:12,840
If you find that garment,you'll find her killer.
6
00:00:12,920 --> 00:00:15,400
‐Miss Wells, may I tempt
you out for a drive?
7
00:00:15,480 --> 00:00:17,320
‐Lord Fallon's made me
another offer.
8
00:00:17,360 --> 00:00:18,640
He's sending for me tonight.
9
00:00:18,760 --> 00:00:20,000
‐If you doubt
your man's affections,
10
00:00:20,120 --> 00:00:21,320
it's not because of me.
11
00:00:21,440 --> 00:00:23,520
‐Tell your motherto send my things.
12
00:00:23,640 --> 00:00:24,960
I'm stopping here.
13
00:00:25,000 --> 00:00:26,160
‐I'm trying to act
against Quigley
14
00:00:26,200 --> 00:00:28,320
yet I find myself
doing her bidding.
15
00:00:28,440 --> 00:00:30,760
‐I want to destroy
Lydia Quigley.
16
00:00:30,840 --> 00:00:31,920
‐So do I.
17
00:00:32,040 --> 00:00:34,200
‐Then we'll be allieson one condition:
18
00:00:34,280 --> 00:00:36,440
that you have nothingto do with my brother.
19
00:00:36,480 --> 00:00:38,080
‐The only charge that
remains against Mrs. Quigley
20
00:00:38,160 --> 00:00:39,120
is running a brothel.
21
00:00:39,160 --> 00:00:40,960
Now, will you pay
her penalty or not?
22
00:00:41,080 --> 00:00:43,840
‐If you do this,
you cease to be mine.
23
00:00:43,880 --> 00:00:45,840
‐Never knew when to
keep quiet, did you?
24
00:00:45,920 --> 00:00:48,480
(dramatic music)
25
00:00:48,520 --> 00:00:50,840
(upbeat theme music)
26
00:00:50,880 --> 00:01:19,480
♪
27
00:01:19,520 --> 00:01:21,600
‐That old crone
went down like a drunk.
28
00:01:21,680 --> 00:01:24,040
‐Yeah, she'll be
an Irish beauty this morning.
29
00:01:24,120 --> 00:01:25,600
Two black eyes.
30
00:01:25,680 --> 00:01:26,760
‐You little gubshite!
31
00:01:26,880 --> 00:01:29,320
‐Enough!
32
00:01:29,400 --> 00:01:31,120
Remember you're on trial.
33
00:01:31,240 --> 00:01:34,480
One more trip,
you're back at Cheapside.
34
00:01:34,520 --> 00:01:37,120
(glass smashing)
35
00:01:37,160 --> 00:01:38,960
‐What's that?
36
00:01:39,040 --> 00:01:40,680
‐Is it angry culls?
37
00:01:40,760 --> 00:01:43,240
(dramatic music)
38
00:01:43,320 --> 00:01:44,680
‐Shit.
39
00:01:44,760 --> 00:01:47,320
(baby crying)
40
00:01:47,400 --> 00:01:57,520
♪
41
00:01:57,600 --> 00:01:59,680
That hellion Quigley!
42
00:01:59,760 --> 00:02:02,680
♪
43
00:02:02,760 --> 00:02:03,880
Did you see anything?
44
00:02:03,960 --> 00:02:05,240
Aye?
45
00:02:05,320 --> 00:02:07,160
‐No, Missus, nothing.
‐Nothing.
46
00:02:07,240 --> 00:02:09,560
(crowd commotion, chatter)
47
00:02:09,680 --> 00:02:20,560
♪
48
00:02:20,680 --> 00:02:23,680
Fanny, I need you to go
and fetch Nancy.
49
00:02:23,800 --> 00:02:25,120
Jacob, you're coming with me.
50
00:02:25,200 --> 00:02:26,680
You two stay here.
51
00:02:26,720 --> 00:02:27,960
‐Clean this up.
‐Yes.
52
00:02:28,080 --> 00:02:29,840
‐Mind you don't cut yourselves.
53
00:02:29,920 --> 00:02:31,240
Or each other!
54
00:02:31,360 --> 00:02:34,360
♪
55
00:02:40,440 --> 00:02:42,200
(sighs)
56
00:02:44,680 --> 00:02:47,920
(church bells tolling)
57
00:02:47,960 --> 00:02:51,240
‐You are manna from heaven.
58
00:02:51,360 --> 00:02:55,720
‐Perhaps forbidden fruit
tastes sweeter.
59
00:02:55,840 --> 00:02:59,240
‐My sister told you
not to associate with me.
60
00:02:59,360 --> 00:03:03,120
‐And yet...you were
determined to bed me.
61
00:03:03,240 --> 00:03:05,840
One might assume
the two are connected.
62
00:03:07,560 --> 00:03:10,200
‐A bientôt, Miss Wells.
63
00:03:10,240 --> 00:03:12,200
‐You'll be returning.
64
00:03:12,240 --> 00:03:13,240
‐To you, yes.
65
00:03:13,360 --> 00:03:16,440
To this chintz‐pit, never.
66
00:03:18,520 --> 00:03:21,000
(door opens and closes)
67
00:03:21,800 --> 00:03:24,120
(dramatic upbeat music)
68
00:03:24,200 --> 00:03:36,520
♪
69
00:03:36,560 --> 00:03:39,520
‐You didn't come to me
last night.
70
00:03:39,640 --> 00:03:42,080
‐Anticipation is half the joy.
71
00:03:42,120 --> 00:03:46,640
♪
72
00:03:46,680 --> 00:03:49,000
‐You're teasing me,
Lord Fallon.
73
00:03:49,120 --> 00:03:52,080
♪
74
00:03:52,120 --> 00:03:54,200
(door opens)
75
00:03:54,240 --> 00:03:57,240
♪
76
00:03:57,280 --> 00:03:59,120
‐This is Miss Wells
77
00:03:59,200 --> 00:04:01,680
and she will be your mistress.
78
00:04:01,800 --> 00:04:04,360
You will treat her
as if she were my wife.
79
00:04:04,400 --> 00:04:13,280
♪
80
00:04:13,400 --> 00:04:15,680
(crowd chatter)
81
00:04:22,080 --> 00:04:23,440
‐What about her?
82
00:04:23,520 --> 00:04:25,960
(sultry music)
83
00:04:26,000 --> 00:04:29,320
‐No, no, not Sally Perkins.
84
00:04:29,400 --> 00:04:32,680
She's a beauty,
but she's got the flap dragon.
85
00:04:32,760 --> 00:04:37,640
♪
86
00:04:37,760 --> 00:04:39,200
What about her?
87
00:04:39,320 --> 00:04:40,560
♪
88
00:04:40,640 --> 00:04:43,560
‐She has three meals a day
and they're all gin.
89
00:04:43,640 --> 00:04:48,000
♪
90
00:04:48,080 --> 00:04:49,760
‐Oh, well, then the dark one.
91
00:04:49,880 --> 00:04:51,880
Cor, she's a diamond.
92
00:04:52,000 --> 00:04:55,560
‐I thought we needed variation.
93
00:04:55,640 --> 00:04:58,960
‐Do you know how many blonde
blowses there are in Soho?
94
00:04:59,000 --> 00:05:02,760
I just ride the pole
better than any of them.
95
00:05:02,880 --> 00:05:05,320
Don't let a little
competition scare you.
96
00:05:05,440 --> 00:05:07,000
‐Bare‐knuckle fighters earn
a king's ransom,
97
00:05:07,080 --> 00:05:09,200
you know that.
98
00:05:09,240 --> 00:05:11,960
‐Where would you hold it,
if I fought?
99
00:05:12,000 --> 00:05:13,880
‐Right here.
100
00:05:13,960 --> 00:05:17,200
Chalk circle
for a sparring ring.
101
00:05:17,320 --> 00:05:20,200
Land blows like you land buttock
and you might just win.
102
00:05:20,240 --> 00:05:22,560
(upbeat sultry music)
103
00:05:22,640 --> 00:05:25,200
♪
104
00:05:25,320 --> 00:05:29,000
‐How much for a brush
with Miss Lennox?
105
00:05:29,080 --> 00:05:30,760
‐I'm not her pimp.
106
00:05:30,880 --> 00:05:32,320
‐Well, come on then.
107
00:05:32,440 --> 00:05:42,840
♪
108
00:05:42,880 --> 00:05:43,880
‐Come on!
109
00:05:43,960 --> 00:05:45,760
(laughter)
110
00:05:45,840 --> 00:05:48,640
♪
111
00:05:48,760 --> 00:05:50,000
‐I need you to mind him.
112
00:05:50,080 --> 00:05:53,680
There's been an attack
on the house.
113
00:05:53,760 --> 00:05:56,640
‐You've baited Quigley again.
114
00:05:56,680 --> 00:06:00,200
‐She was at the Pleasure Gardens
with Mrs. May.
115
00:06:00,320 --> 00:06:02,000
Called me Little Maggie.
116
00:06:02,080 --> 00:06:03,520
That's why I hit her.
117
00:06:03,560 --> 00:06:06,240
(laughing)
118
00:06:06,320 --> 00:06:08,440
♪
119
00:06:08,520 --> 00:06:10,520
‐Well, she probably
had it coming.
120
00:06:10,560 --> 00:06:14,760
♪
121
00:06:14,880 --> 00:06:17,640
‐You stay close
to your pa today.
122
00:06:17,760 --> 00:06:19,440
‐What about you?
123
00:06:19,520 --> 00:06:27,320
♪
124
00:06:27,400 --> 00:06:29,680
(dramatic music)
125
00:06:29,760 --> 00:06:38,760
♪
126
00:06:38,880 --> 00:06:40,880
‐I heard you battered
the old moth.
127
00:06:40,960 --> 00:06:42,200
Bet she was fluttering all night
128
00:06:42,240 --> 00:06:43,960
thinking about ways to chaw you.
129
00:06:44,000 --> 00:06:45,840
‐This is just the start.
130
00:06:45,880 --> 00:06:50,120
♪
131
00:06:50,200 --> 00:06:51,440
(Quigley gasps)
132
00:06:51,560 --> 00:06:52,880
‐Mrs. Quigley, your face.
133
00:06:53,000 --> 00:06:54,680
‐Oh.
134
00:06:54,760 --> 00:06:58,200
The Marquess left satisfied,
I trust.
135
00:06:58,240 --> 00:07:00,240
‐He enjoyed me...
136
00:07:00,320 --> 00:07:01,760
but not our surroundings.
137
00:07:01,840 --> 00:07:04,760
It's like rutting
in a doll's house.
138
00:07:04,840 --> 00:07:07,200
‐I cannot stand
another day here.
139
00:07:07,320 --> 00:07:10,200
That Justice has my business
in a chokehold.
140
00:07:10,240 --> 00:07:15,000
‐The whole of London's corrupt
and he thinks he's different.
141
00:07:15,080 --> 00:07:17,880
‐Perhaps we should
test his virtue.
142
00:07:20,200 --> 00:07:21,640
(laughing)
143
00:07:21,760 --> 00:07:25,080
(crowd chatter)
144
00:07:25,200 --> 00:07:26,880
‐The court has been known
to take funding
145
00:07:27,000 --> 00:07:28,760
from a variety of sources
146
00:07:28,880 --> 00:07:31,880
and endow it to worthy causes.
147
00:07:31,960 --> 00:07:34,080
Hospitals, almshouses.
148
00:07:34,120 --> 00:07:35,840
‐To what are you alluding?
149
00:07:35,880 --> 00:07:38,240
‐Well, we would like
to support your endeavors.
150
00:07:38,320 --> 00:07:41,000
‐Bribery is an illegal practice,
Mrs. Quigley.
151
00:07:41,080 --> 00:07:43,440
‐You cannot keep me
from my own home!
152
00:07:43,520 --> 00:07:45,400
‐I am not, I am simply
forbidding you
153
00:07:45,440 --> 00:07:46,640
from operating within it.
154
00:07:46,680 --> 00:07:49,200
Good day.
155
00:07:49,240 --> 00:07:50,560
‐That man is an impediment.
156
00:07:50,640 --> 00:07:52,840
We must make it our duty
to remove him.
157
00:07:52,880 --> 00:07:56,080
‐The Marquess could eat him
alive if he wanted to.
158
00:07:56,200 --> 00:07:58,640
‐Then we must make him want to.
159
00:08:00,560 --> 00:08:02,640
Hunt cannot bar us
from Golden Square
160
00:08:02,680 --> 00:08:04,880
as long as we stay chaste
within it.
161
00:08:04,960 --> 00:08:06,680
Go back and gather the girls.
162
00:08:06,760 --> 00:08:09,120
We'll send word to Abbadon
to prepare the house.
163
00:08:09,200 --> 00:08:12,520
I have business
with this harridan.
164
00:08:12,560 --> 00:08:15,080
I'd almost forgotten about you.
165
00:08:15,120 --> 00:08:16,440
‐Leave me alone, Quigley.
166
00:08:16,520 --> 00:08:18,400
You make my blood run cold.
167
00:08:18,440 --> 00:08:20,880
‐I think probably
that's the rags you're wearing.
168
00:08:21,000 --> 00:08:23,440
Where are you living,
under a wagon?
169
00:08:23,560 --> 00:08:26,200
‐Mrs. Wells has shown us
kindness and charity,
170
00:08:26,320 --> 00:08:27,680
virtues you know nothing of.
171
00:08:27,760 --> 00:08:30,400
‐You're staying
at Greek Street?
172
00:08:30,440 --> 00:08:32,280
(laughs haughtily)
173
00:08:32,320 --> 00:08:35,800
Mrs. Wells will have you
praying with your knees upward
174
00:08:35,840 --> 00:08:36,840
in no time.
175
00:08:36,960 --> 00:08:38,200
‐I work for God alone.
176
00:08:38,320 --> 00:08:42,200
‐You work for me
when I tell you to!
177
00:08:42,280 --> 00:08:44,560
(tense music)
178
00:08:44,680 --> 00:08:47,840
♪
179
00:08:47,920 --> 00:08:50,080
(horse whinnies)
180
00:08:50,160 --> 00:08:57,800
♪
181
00:08:59,680 --> 00:09:01,840
‐Charlotte?
182
00:09:05,280 --> 00:09:08,080
(panting)
183
00:09:08,160 --> 00:09:09,960
It was her, wasn't it?
184
00:09:10,080 --> 00:09:11,680
The windows.
185
00:09:13,800 --> 00:09:15,720
Now you be careful
186
00:09:15,840 --> 00:09:18,040
because your head
is in the lion's mouth.
187
00:09:18,080 --> 00:09:19,480
‐Why?
188
00:09:19,560 --> 00:09:23,320
If the blood
running through it is Quigley's.
189
00:09:23,360 --> 00:09:26,320
‐You're as reckless as I am.
190
00:09:26,440 --> 00:09:29,080
That's why you'll always
be a Wells woman.
191
00:09:32,600 --> 00:09:35,080
She coming for me again?
192
00:09:35,200 --> 00:09:37,720
‐She lets nothing slip.
193
00:09:37,840 --> 00:09:39,440
‐Do you have her trust?
194
00:09:39,480 --> 00:09:41,920
‐I'm close.
195
00:09:41,960 --> 00:09:46,160
‐You get inside her mind,
like a madness.
196
00:09:46,200 --> 00:09:49,720
I want to know every
sick notion she spits up.
197
00:09:49,840 --> 00:09:51,960
You're our Trojan horse,
Charlotte,
198
00:09:52,080 --> 00:09:54,720
and you're inside Troy's gates.
199
00:09:54,840 --> 00:09:57,080
‐I don't have an army.
‐Not yet,
200
00:09:57,200 --> 00:10:00,440
but I'll gather one.
201
00:10:00,560 --> 00:10:04,280
Now you find a spark
and I'll light it
202
00:10:04,320 --> 00:10:06,440
and we'll burn her
to the ground.
203
00:10:06,560 --> 00:10:08,840
(dramatic music)
204
00:10:08,960 --> 00:10:32,840
♪
205
00:10:36,440 --> 00:10:38,800
(tense, seductive music)
206
00:10:38,840 --> 00:10:50,200
♪
207
00:10:50,320 --> 00:10:52,440
(giggling)
208
00:10:52,480 --> 00:10:58,360
♪
209
00:10:58,440 --> 00:11:00,680
(panting)
210
00:11:00,800 --> 00:11:04,080
♪
211
00:11:05,280 --> 00:11:07,480
(exclaims)
212
00:11:07,560 --> 00:11:10,560
‐There are people like you
at the palace, you know?
213
00:11:10,600 --> 00:11:12,800
The entertainment for royalty.
214
00:11:12,840 --> 00:11:14,680
‐You're the only king I know of.
215
00:11:14,800 --> 00:11:16,800
King of Old Compton Street.
216
00:11:16,840 --> 00:11:18,840
(laughs, growls)
217
00:11:18,920 --> 00:11:20,320
‐This house is just
the beginning, you know.
218
00:11:20,440 --> 00:11:22,560
You should see the finery
of my mother's.
219
00:11:22,600 --> 00:11:24,480
My inheritance, of course.
220
00:11:24,560 --> 00:11:28,840
‐Look what we found!
221
00:11:28,960 --> 00:11:31,440
A new blackbird
for our menagerie.
222
00:11:31,480 --> 00:11:33,320
‐Long way from the docks.
223
00:11:33,360 --> 00:11:35,960
I might finally wash the
sailor's brine out me gullet.
224
00:11:36,080 --> 00:11:37,600
‐Oh, isn't she comely?
225
00:11:37,680 --> 00:11:39,040
‐She's sublime.
226
00:11:39,080 --> 00:11:41,840
‐This is the sort of girl
we should be recruiting,
227
00:11:41,920 --> 00:11:43,960
not that half‐pint.
228
00:11:44,040 --> 00:11:46,920
‐Why does a white wagtail
want black whores?
229
00:11:46,960 --> 00:11:48,680
‐Men come here
for something different
230
00:11:48,800 --> 00:11:49,960
and pay a fine penny for it.
231
00:11:50,080 --> 00:11:53,560
‐That's right.
This is a house of exotics.
232
00:11:53,680 --> 00:11:55,360
(giggling)
233
00:11:55,440 --> 00:11:58,800
‐Tighten your stays
and paint your faces, ladies.
234
00:11:58,840 --> 00:12:01,440
You're going a‐hunting
for cuffins.
235
00:12:01,560 --> 00:12:03,200
‐Yes!
236
00:12:03,280 --> 00:12:05,600
(dramatic music)
237
00:12:05,680 --> 00:12:15,600
♪
238
00:12:15,680 --> 00:12:17,440
‐Morning.
239
00:12:17,560 --> 00:12:19,080
‐What have you been up to?
240
00:12:19,160 --> 00:12:20,960
‐Oh...
241
00:12:21,080 --> 00:12:23,480
I have been...
242
00:12:23,560 --> 00:12:25,960
in the guts of a goddess.
243
00:12:27,480 --> 00:12:31,480
The celestial Miss Wells.
244
00:12:31,560 --> 00:12:32,960
What?
245
00:12:33,040 --> 00:12:34,680
Well, you seemed
so captivated by her,
246
00:12:34,800 --> 00:12:37,080
I wanted to see what
all the fuss was about.
247
00:12:37,200 --> 00:12:38,960
‐And did you?
‐Mm.
248
00:12:39,080 --> 00:12:43,320
I've never known a harlot
who seems to enjoy the act
249
00:12:43,440 --> 00:12:44,680
as much as the money.
250
00:12:44,720 --> 00:12:46,680
‐It's her job, perhaps
she's just good at it.
251
00:12:46,800 --> 00:12:49,160
‐Hm.
252
00:12:49,200 --> 00:12:51,840
Why does it disturb you so?
253
00:12:51,920 --> 00:12:53,200
Hm?
254
00:12:53,280 --> 00:12:54,800
Hey.
255
00:12:54,840 --> 00:12:56,840
Where are you going?
256
00:12:56,960 --> 00:12:59,200
Isabella?
257
00:12:59,280 --> 00:13:01,320
‐You seem to think I have
some unnatural lust
258
00:13:01,360 --> 00:13:03,440
for Miss Wells.
259
00:13:03,480 --> 00:13:06,840
Perhaps I should find out
if you're right.
260
00:13:06,960 --> 00:13:10,600
♪
261
00:13:10,680 --> 00:13:13,440
‐Your broken windows
aren't my business.
262
00:13:13,560 --> 00:13:15,840
‐Once you're on her list,
you're never off.
263
00:13:15,920 --> 00:13:19,080
‐Even if I end up dead,
you're next.
264
00:13:19,200 --> 00:13:21,440
‐Why should I do anything
for you?
265
00:13:21,560 --> 00:13:24,080
You nearly sent me
to the sky yourself.
266
00:13:26,040 --> 00:13:28,720
‐I never should have
endangered you.
267
00:13:28,840 --> 00:13:31,840
You were my best girl once.
268
00:13:31,920 --> 00:13:34,200
I'm sorry.
269
00:13:34,280 --> 00:13:36,440
‐(scoffs)
270
00:13:36,560 --> 00:13:38,680
Well, I'll be dicked.
271
00:13:38,800 --> 00:13:42,200
An apology from Margaret Wells.
272
00:13:42,320 --> 00:13:44,080
‐Go to the Justice.
273
00:13:44,200 --> 00:13:45,680
Say what you know.
274
00:13:45,720 --> 00:13:56,560
♪
275
00:13:56,600 --> 00:13:59,320
‐Hello, my dear.
‐What is this gaudy mob?
276
00:13:59,440 --> 00:14:02,320
♪
277
00:14:02,440 --> 00:14:04,680
‐My darling boy.
278
00:14:04,720 --> 00:14:06,840
I see you've brought
the whole zoo.
279
00:14:06,920 --> 00:14:09,680
‐Not a zoo, mother,
but an aviary
280
00:14:09,800 --> 00:14:13,040
of rare and exotic delights.
281
00:14:13,080 --> 00:14:16,320
Cherry here can flirt the
fortune out of a miser's hand.
282
00:14:16,440 --> 00:14:18,840
♪
283
00:14:18,920 --> 00:14:21,560
‐And how are you selling
this foreign fowl?
284
00:14:21,680 --> 00:14:24,160
‐Emily Lacey warned us
about you.
285
00:14:24,200 --> 00:14:28,600
She said you were
a mildewed bloodsucker.
286
00:14:28,680 --> 00:14:32,160
‐You won't make a penny
in her house.
287
00:14:32,200 --> 00:14:34,560
‐It's my house.
288
00:14:34,600 --> 00:14:38,080
‐Then put your scold
in her bridle.
289
00:14:38,160 --> 00:14:40,200
If she smears
or maligns me again,
290
00:14:40,280 --> 00:14:44,200
even to these jades,
I will make good my threat.
291
00:14:44,280 --> 00:14:45,960
Am I clear?
292
00:14:46,040 --> 00:14:50,440
♪
293
00:14:50,480 --> 00:14:51,960
‐Come on, my doves.
294
00:14:52,080 --> 00:14:57,720
♪
295
00:14:57,840 --> 00:15:01,840
‐I could do things for you,
maypole.
296
00:15:01,920 --> 00:15:03,440
Come and see me.
297
00:15:03,560 --> 00:15:08,560
♪
298
00:15:08,600 --> 00:15:10,320
‐Over here!
299
00:15:10,360 --> 00:15:12,720
♪
300
00:15:12,840 --> 00:15:15,080
(crowd chatter)
301
00:15:21,720 --> 00:15:23,560
‐You must bite back.
302
00:15:23,600 --> 00:15:25,960
Send your men folk to tamper
with the wheels of her coach.
303
00:15:26,080 --> 00:15:27,600
(Margaret laughs)
304
00:15:27,680 --> 00:15:30,960
‐Mrs. Scanwell,
how un‐Christian.
305
00:15:31,080 --> 00:15:33,360
Business is our best defense.
306
00:15:33,440 --> 00:15:37,440
There is no protection
like a house full of rich men.
307
00:15:37,560 --> 00:15:41,720
When I get them in,
don't you scare them away.
308
00:15:45,200 --> 00:15:46,960
‐Why are you so shaken, Mother?
309
00:15:47,040 --> 00:15:48,440
‐We must find a shield
of our own
310
00:15:48,560 --> 00:15:50,160
against Quigley's evil.
311
00:15:50,200 --> 00:15:52,480
(birds chirping)
312
00:15:54,000 --> 00:16:00,074
Advertise your product or brand here
contact www.SubtitleDB.org today
313
00:16:02,680 --> 00:16:04,960
(soft, tense music)
314
00:16:05,080 --> 00:16:09,360
♪
315
00:16:09,440 --> 00:16:12,480
‐That's it,
tattle to your master.
316
00:16:12,560 --> 00:16:15,920
♪
317
00:16:15,960 --> 00:16:18,320
(door opens)
318
00:16:18,360 --> 00:16:22,080
♪
319
00:16:22,200 --> 00:16:23,320
Lady Isabella.
320
00:16:23,440 --> 00:16:25,680
‐I came for a moment
with Miss Wells.
321
00:16:25,800 --> 00:16:27,720
‐Ah.
322
00:16:27,840 --> 00:16:31,720
Miss Wells' time
comes at a price.
323
00:16:54,560 --> 00:16:56,160
‐You promised.
324
00:16:56,200 --> 00:16:57,800
‐He paid me 100 guineas.
325
00:16:57,840 --> 00:16:59,080
‐Oh, I should have known.
326
00:16:59,160 --> 00:17:01,480
A harlot can always be bought.
327
00:17:01,560 --> 00:17:03,440
‐My body, yes,
but not my mind.
328
00:17:03,480 --> 00:17:05,240
‐He takes everything
that is mine
329
00:17:05,320 --> 00:17:06,720
and makes it his.
330
00:17:06,800 --> 00:17:08,920
I live in a chamber of mirrors
331
00:17:09,040 --> 00:17:10,760
and his is
the only reflection I see.
332
00:17:10,840 --> 00:17:11,840
‐Then you must shatter it.
333
00:17:11,880 --> 00:17:14,760
‐I can't.
‐You can.
334
00:17:14,840 --> 00:17:17,280
You locate a weakness...
335
00:17:17,320 --> 00:17:19,040
and you press.
336
00:17:19,080 --> 00:17:22,600
‐Did you learn that
from Mrs. Quigley?
337
00:17:22,720 --> 00:17:24,560
‐She's the only one
I wish to break.
338
00:17:30,040 --> 00:17:31,560
‐How can I help?
339
00:17:31,600 --> 00:17:34,720
(dramatic music)
340
00:17:34,800 --> 00:17:37,840
‐She wants me to get close
with your brother again.
341
00:17:37,880 --> 00:17:41,080
♪
342
00:17:41,120 --> 00:17:43,040
‐I understand.
343
00:17:43,080 --> 00:17:47,400
♪
344
00:17:47,520 --> 00:17:49,560
‐Is there anything else
you want?
345
00:17:49,600 --> 00:17:55,520
♪
346
00:17:55,560 --> 00:17:57,160
You've already paid.
347
00:17:57,280 --> 00:17:58,840
‐I...
348
00:17:58,880 --> 00:18:12,320
♪
349
00:18:12,360 --> 00:18:15,720
My brother's card party,
tomorrow.
350
00:18:15,800 --> 00:18:18,040
Two o'clock.
351
00:18:18,080 --> 00:18:19,720
Bring the bitch.
352
00:18:19,800 --> 00:18:27,280
♪
353
00:18:33,000 --> 00:18:36,480
(clock chiming)
354
00:18:36,560 --> 00:18:39,560
‐There have been mutterings
about you, Fallon.
355
00:18:39,640 --> 00:18:42,560
That our vessel is leaking.
356
00:18:42,600 --> 00:18:44,720
That you are the fissure.
357
00:18:46,240 --> 00:18:49,120
‐I have righted any wrongs
I may have caused.
358
00:18:49,240 --> 00:18:52,000
‐A Spartan does not blunder.
359
00:18:52,080 --> 00:18:56,600
‐The High Priestess was
endangered by a baying bawd,
360
00:18:56,720 --> 00:18:58,240
but I have silenced her.
361
00:18:58,320 --> 00:19:01,400
‐How?
‐I have a hostage.
362
00:19:01,520 --> 00:19:03,880
Her own daughter.
363
00:19:04,000 --> 00:19:06,080
She is exquisite.
364
00:19:06,120 --> 00:19:07,840
And totally in my thrall.
365
00:19:07,920 --> 00:19:09,880
(door opens)
366
00:19:11,400 --> 00:19:13,840
Miss Lucy Wells.
367
00:19:17,000 --> 00:19:20,560
Lucy, this is
the Marquess of Blayne.
368
00:19:20,600 --> 00:19:21,720
‐Pleasure, my lord.
369
00:19:21,800 --> 00:19:22,920
‐Madam.
370
00:19:23,040 --> 00:19:25,840
‐Enjoy your evening.
371
00:19:25,880 --> 00:19:27,080
‐Where are you going?
372
00:19:29,480 --> 00:19:31,080
‐Out.
373
00:19:38,800 --> 00:19:42,080
‐Well, Fallon,
it seems we're going out.
374
00:19:42,160 --> 00:19:44,520
(tense music)
375
00:19:44,560 --> 00:19:58,000
♪
376
00:19:58,080 --> 00:19:59,400
‐I've secured us an invitation
377
00:19:59,520 --> 00:20:02,480
to the Marquess'
gathering tomorrow.
378
00:20:02,560 --> 00:20:06,080
‐Clever cat.
379
00:20:06,120 --> 00:20:09,840
‐What was your son's girl
doing here?
380
00:20:09,920 --> 00:20:12,240
‐That's not for you to know.
381
00:20:12,320 --> 00:20:15,760
‐There's only two things
you could have wanted with her.
382
00:20:15,840 --> 00:20:19,280
First, to join your house.
383
00:20:19,320 --> 00:20:21,120
But she'd be a black swan
in a white flock
384
00:20:21,240 --> 00:20:25,560
and I can't see
that pleasing you.
385
00:20:25,600 --> 00:20:28,640
Second...
386
00:20:28,760 --> 00:20:31,080
you want eyes
in Charles' house.
387
00:20:31,160 --> 00:20:32,280
(laughs)
388
00:20:34,320 --> 00:20:37,120
‐Well, ponder this...
389
00:20:37,240 --> 00:20:39,560
she rejected my proposition.
390
00:20:42,760 --> 00:20:47,040
‐The gleam of Golden Square
may have scared her off.
391
00:20:47,080 --> 00:20:51,320
I'll take her some coins
and tell her she's safe with us.
392
00:20:53,840 --> 00:21:14,840
♪
393
00:21:14,880 --> 00:21:17,720
‐I've never seen
so much powder in my life.
394
00:21:17,800 --> 00:21:20,400
‐Well, the bigger the wig,
the smaller the pintle.
395
00:21:20,520 --> 00:21:23,840
‐Big or small, you stroke
until they're gushing gold.
396
00:21:23,920 --> 00:21:26,280
(soft harp music)
397
00:21:26,320 --> 00:21:41,000
♪
398
00:21:41,080 --> 00:21:43,480
‐Let's go elsewhere.
399
00:21:43,560 --> 00:21:44,920
‐Did you hear, Fallon?
400
00:21:45,040 --> 00:21:47,080
Your keeper has spoken.
401
00:21:47,120 --> 00:21:48,720
♪
402
00:21:48,800 --> 00:21:50,760
‐We're staying.
403
00:21:50,840 --> 00:21:53,760
You will be the light
that luminates this room.
404
00:21:53,840 --> 00:21:54,920
♪
405
00:21:55,040 --> 00:21:57,480
‐Ma, what are you doing here?
406
00:21:57,560 --> 00:21:59,280
You never come here.
407
00:21:59,320 --> 00:22:02,080
‐Showing off my new girls.
408
00:22:02,160 --> 00:22:04,240
There was an attack
on the house this morning.
409
00:22:04,320 --> 00:22:05,880
We have to pay for new windows.
410
00:22:06,000 --> 00:22:07,320
‐An attack?
411
00:22:07,400 --> 00:22:09,320
Is anyone hurt?
412
00:22:09,400 --> 00:22:12,080
‐All are safe
and we won't be daunted.
413
00:22:16,000 --> 00:22:17,840
You look like a queen.
414
00:22:17,880 --> 00:22:22,280
‐And I am nothing
but her loyal subject.
415
00:22:22,320 --> 00:22:23,920
‐Lord Fallon.
416
00:22:24,040 --> 00:22:26,320
(crowd chatter)
417
00:22:26,400 --> 00:22:30,080
♪
418
00:22:30,120 --> 00:22:33,080
‐Fallon has a minx
in his house...
419
00:22:33,160 --> 00:22:35,600
who gives him orders
like a major.
420
00:22:35,720 --> 00:22:37,600
Go over and take a slice of her.
421
00:22:37,720 --> 00:22:40,520
I want to see
how the boy reacts.
422
00:22:40,560 --> 00:22:42,160
‐My lord, Fallon will not...
423
00:22:42,280 --> 00:22:49,080
♪
424
00:22:49,120 --> 00:22:51,160
‐Fallon, I have friends
for you to meet.
425
00:22:51,280 --> 00:23:01,160
♪
426
00:23:01,280 --> 00:23:03,720
‐Are you Fallon's new pony?
427
00:23:03,800 --> 00:23:07,040
Pray tell, the rest of us
going to be allowed a ride?
428
00:23:07,080 --> 00:23:09,560
(laughs)
429
00:23:09,640 --> 00:23:11,840
‐Sorry, my lord,
430
00:23:11,880 --> 00:23:15,560
but you couldn't afford
a share in me.
431
00:23:15,600 --> 00:23:17,880
(crowd chatter)
432
00:23:27,840 --> 00:23:31,560
‐I see I'm filling
your eyes, my lord.
433
00:23:31,640 --> 00:23:34,840
How about we fill those hands?
434
00:23:34,920 --> 00:23:37,120
‐You're not to my fancy.
435
00:23:37,240 --> 00:23:38,840
‐Come now, my lord.
436
00:23:38,920 --> 00:23:40,480
You haven't even had a taste.
437
00:23:40,560 --> 00:23:42,840
(dramatic music)
438
00:23:42,920 --> 00:23:45,800
♪
439
00:23:45,840 --> 00:23:47,280
‐Come here, filly.
440
00:23:47,320 --> 00:23:50,120
I want to see what tricks
you can do.
441
00:23:50,240 --> 00:23:53,040
Do you need a lock
to your hide?
442
00:23:53,080 --> 00:23:55,640
(glassware clattering)
443
00:23:55,760 --> 00:23:57,000
♪
444
00:23:57,080 --> 00:23:59,560
‐Damn you, Lidington,
keep your hands off her
445
00:23:59,600 --> 00:24:01,480
or I'll brand them myself.
446
00:24:01,560 --> 00:24:03,120
♪
447
00:24:03,240 --> 00:24:05,160
‐Mrs. Wells.
448
00:24:05,280 --> 00:24:07,840
That man, his buttons
are the same.
449
00:24:07,880 --> 00:24:17,800
♪
450
00:24:17,840 --> 00:24:19,520
‐We need to see the Justice.
451
00:24:19,560 --> 00:24:20,560
‐He's asleep.
452
00:24:20,640 --> 00:24:23,040
‐Well, wake him.
‐What's so pressing?
453
00:24:23,080 --> 00:24:24,920
‐What madness is this?
454
00:24:25,040 --> 00:24:27,560
(stuttering)
It's the middle of the night.
455
00:24:27,640 --> 00:24:29,600
‐Lord Lidington.
456
00:24:29,720 --> 00:24:31,840
That is his name.
457
00:24:33,400 --> 00:24:35,720
The man who murdered my girl.
458
00:24:35,800 --> 00:24:38,040
He left his button in her hair.
459
00:24:38,080 --> 00:24:40,080
The button I gave you.
460
00:24:40,160 --> 00:24:42,120
You've done nothing about it.
461
00:24:42,240 --> 00:24:46,000
Lord Lidington.
462
00:24:46,080 --> 00:24:47,560
(sniffles)
463
00:24:55,480 --> 00:24:57,880
(hooves clopping)
464
00:24:59,400 --> 00:25:01,320
‐Are you all right?
465
00:25:03,560 --> 00:25:05,640
‐He doesn't scare me.
466
00:25:12,560 --> 00:25:14,800
‐What does scare you?
467
00:25:21,160 --> 00:25:23,520
(soft, seductive music)
468
00:25:23,560 --> 00:25:34,320
♪
469
00:25:34,360 --> 00:25:36,520
Not tonight.
470
00:25:36,560 --> 00:25:37,920
‐Why?
471
00:25:38,040 --> 00:25:42,280
♪
472
00:25:42,320 --> 00:25:44,320
‐I want you to ache for me.
473
00:25:47,800 --> 00:25:51,880
‐What does the devil want now?
474
00:25:52,000 --> 00:25:54,280
‐I'm not here for Mrs. Quigley.
475
00:25:54,320 --> 00:25:57,280
‐Oh, you still have
thoughts of your own?
476
00:25:57,320 --> 00:25:58,880
‐I'm not who you think I am.
477
00:25:59,000 --> 00:26:01,320
‐Pretty little fuck‐puppet.
‐Emily.
478
00:26:02,920 --> 00:26:04,560
I'm working against her.
479
00:26:08,720 --> 00:26:10,840
‐She finds that out...
480
00:26:10,880 --> 00:26:12,840
she'll pull out your beef
and spread it across Soho.
481
00:26:12,880 --> 00:26:14,480
‐That is why I need your help.
482
00:26:14,560 --> 00:26:17,880
‐Help you?
483
00:26:18,000 --> 00:26:19,840
You want to gamble your life
on bad odds,
484
00:26:19,920 --> 00:26:22,240
go ahead.
485
00:26:22,320 --> 00:26:23,760
But I got a house of me own
486
00:26:23,840 --> 00:26:25,040
and girls to fill it.
487
00:26:25,080 --> 00:26:26,880
Why would I risk all that?
488
00:26:27,000 --> 00:26:31,040
‐Because she plots
to tear it apart.
489
00:26:31,080 --> 00:26:32,720
‐What do you mean?
490
00:26:32,800 --> 00:26:35,080
‐Ask your girl.
491
00:26:35,120 --> 00:26:36,400
The tall one.
492
00:26:39,040 --> 00:26:41,320
(dramatic music)
493
00:26:41,400 --> 00:26:45,080
♪
494
00:26:45,120 --> 00:26:47,360
‐Nell, get in here.
495
00:26:47,480 --> 00:26:50,840
♪
496
00:26:50,880 --> 00:26:53,560
‐If I'm right,
Quigley sent for her
497
00:26:53,640 --> 00:26:57,840
and offered her money
to spy on you.
498
00:26:57,920 --> 00:27:00,080
‐Is it true?
499
00:27:00,160 --> 00:27:01,840
‐She wanted me to seduce her son
500
00:27:01,880 --> 00:27:03,520
and drip poison in his ear,
501
00:27:03,560 --> 00:27:04,760
but I denied her.
502
00:27:04,840 --> 00:27:06,000
‐Why?
503
00:27:06,080 --> 00:27:08,040
‐Quigley can keep her money.
504
00:27:08,080 --> 00:27:10,480
That old ghoul
gives me the chills.
505
00:27:10,560 --> 00:27:22,240
♪
506
00:27:22,320 --> 00:27:25,320
‐She'll never leave you alone.
507
00:27:25,400 --> 00:27:27,720
Not until you're mad or dead.
508
00:27:27,800 --> 00:27:38,080
♪
509
00:27:43,000 --> 00:27:44,120
(street commotion)
510
00:27:44,240 --> 00:27:48,000
‐So she gave you this house
to tie your tongue?
511
00:27:48,080 --> 00:27:49,320
‐I'm the only soul
still breathing
512
00:27:49,400 --> 00:27:50,800
who knows her truth.
513
00:27:50,840 --> 00:27:52,520
(soft dramatic music)
514
00:27:52,560 --> 00:27:57,040
My knowledge pains her
like a maggot in a wound.
515
00:27:57,080 --> 00:27:59,280
She wants to cut me out.
516
00:27:59,320 --> 00:28:01,320
‐You let me and my children
move into a house
517
00:28:01,400 --> 00:28:02,560
built on sand.
518
00:28:02,600 --> 00:28:04,120
‐No.
519
00:28:04,240 --> 00:28:05,880
No.
520
00:28:06,000 --> 00:28:07,600
I'm going to end it.
521
00:28:07,720 --> 00:28:08,840
I'm going to make
this house mine.
522
00:28:08,920 --> 00:28:11,120
‐How?
523
00:28:11,240 --> 00:28:14,000
‐I'm going to send Dame Death
to the gallows.
524
00:28:14,080 --> 00:28:16,640
♪
525
00:28:16,760 --> 00:28:19,080
(grunting, moaning)
526
00:28:19,120 --> 00:28:37,560
♪
527
00:28:37,640 --> 00:28:42,080
‐You're a nasty, dirty,
cunny rat!
528
00:28:42,160 --> 00:28:44,080
Your cock is a hungry fiend!
529
00:28:44,120 --> 00:28:45,560
‐Filthier!
530
00:28:45,600 --> 00:28:47,520
‐Your balls are
the devil's arms.
531
00:28:47,560 --> 00:28:48,760
‐Filthier!
532
00:28:48,840 --> 00:28:50,800
‐Your mother was
a thieving troll.
533
00:28:50,840 --> 00:28:52,360
‐Filthier!
534
00:28:52,480 --> 00:29:02,080
♪
535
00:29:02,120 --> 00:29:04,160
(grunting)
536
00:29:04,280 --> 00:29:06,560
♪
537
00:29:14,320 --> 00:29:16,360
‐I mean no offense,
538
00:29:16,480 --> 00:29:19,320
but that was really,
really expensive.
539
00:29:19,400 --> 00:29:22,520
‐Well, I am.
Because I'm exotic.
540
00:29:22,560 --> 00:29:24,360
‐Not exotic to me.
‐You're not getting a discount.
541
00:29:24,480 --> 00:29:26,640
‐But you didn't enjoy it.
542
00:29:29,080 --> 00:29:31,480
‐That's not what I'm paid for.
543
00:29:31,560 --> 00:29:34,640
‐Let me pleasure you for free,
544
00:29:34,760 --> 00:29:38,320
and you can pretend
I'm whoever you want me to be.
545
00:29:53,840 --> 00:29:55,840
(dog barking)
546
00:30:04,800 --> 00:30:07,920
‐You said you'd treat me
as your wife.
547
00:30:08,040 --> 00:30:11,320
But I'm not your wife,
I'm your whore,
548
00:30:11,400 --> 00:30:14,160
and you will treat me as such.
549
00:30:16,840 --> 00:30:18,800
‐And how would you
have me do that?
550
00:30:24,800 --> 00:30:27,080
‐Well, I see you're playing
the courtesan.
551
00:30:27,120 --> 00:30:28,600
‐Yes.
552
00:30:28,720 --> 00:30:30,360
Lucy is quite at ease here.
553
00:30:30,480 --> 00:30:32,080
I assume that's
why you've come.
554
00:30:32,160 --> 00:30:34,320
To make certain
of her comfort.
555
00:30:37,360 --> 00:30:40,600
‐About the dispute last night.
556
00:30:40,720 --> 00:30:43,360
‐It was nothing, Ma.
557
00:30:43,480 --> 00:30:45,480
‐Lord Lidington.
558
00:30:45,560 --> 00:30:48,920
Is that man a friend of yours,
Lord Fallon?
559
00:30:49,040 --> 00:30:50,160
‐Certainly not.
560
00:30:50,280 --> 00:30:52,760
He's a drunk and a fool.
561
00:30:52,840 --> 00:30:56,080
I assure you, he'll never come
near your daughter again.
562
00:30:56,120 --> 00:30:57,840
‐You stay away from him.
563
00:30:57,920 --> 00:30:59,560
‐I'm happy, Ma.
564
00:30:59,600 --> 00:31:00,840
Don't fret.
565
00:31:00,920 --> 00:31:03,640
Let me show you out.
566
00:31:09,480 --> 00:31:13,240
Don't remember you chasing
Charlotte around like this.
567
00:31:13,320 --> 00:31:15,560
‐You're different creatures.
568
00:31:15,600 --> 00:31:18,320
‐What does that mean?
569
00:31:18,400 --> 00:31:21,280
‐The way you went for that man.
570
00:31:21,320 --> 00:31:22,600
I fear for you.
571
00:31:22,720 --> 00:31:24,080
‐Leave me alone, Ma.
572
00:31:24,120 --> 00:31:40,560
♪
573
00:31:40,600 --> 00:31:42,880
(crowd chatter)
574
00:31:45,560 --> 00:31:47,760
‐Your guests, Isabella.
575
00:31:49,480 --> 00:31:52,640
‐I thought you'd be glad
to see your whore.
576
00:31:54,640 --> 00:31:57,120
‐Marquess, a pleasure.
577
00:31:57,240 --> 00:31:58,600
We don't mean to rankle you.
578
00:31:58,720 --> 00:32:00,920
‐We would be honored
to enter your games,
579
00:32:01,040 --> 00:32:02,560
if you will allow us.
580
00:32:02,600 --> 00:32:04,360
‐We're playing Bestia.
581
00:32:04,480 --> 00:32:07,400
Pertinent, given
our beastly host.
582
00:32:07,520 --> 00:32:09,480
‐Your proficiency at cards
precedes you, Miss Wells.
583
00:32:09,560 --> 00:32:13,480
You drained my sister of
a significant sum, did you not?
584
00:32:13,560 --> 00:32:14,640
‐Well, indeed.
585
00:32:14,760 --> 00:32:19,600
Miss Wells' deft hand
will impress you no end.
586
00:32:19,720 --> 00:32:21,040
‐Please.
587
00:32:22,320 --> 00:32:29,040
♪
588
00:32:29,080 --> 00:32:31,840
‐You have an instinct
for violence.
589
00:32:31,920 --> 00:32:35,560
I can see that in you.
590
00:32:35,640 --> 00:32:38,080
I want to show you
how to use it.
591
00:32:38,160 --> 00:32:54,840
♪
592
00:32:54,880 --> 00:32:56,560
‐Gioco.
593
00:32:58,280 --> 00:33:00,720
You saw my sister last night
594
00:33:00,800 --> 00:33:03,040
and I saw yours.
595
00:33:03,080 --> 00:33:05,040
What a strange dance
we're all doing.
596
00:33:05,080 --> 00:33:06,920
‐Gioco.
597
00:33:07,040 --> 00:33:12,120
Why do you and your sister
jostle like you do?
598
00:33:12,240 --> 00:33:15,360
‐Well, the dynamic
of a family is...
599
00:33:15,480 --> 00:33:18,920
hard to explain.
600
00:33:19,040 --> 00:33:20,400
How did you end up
at Quigley's house
601
00:33:20,520 --> 00:33:22,480
when your mother has
one of her own?
602
00:33:22,560 --> 00:33:26,520
‐My family's dynamic
is as inexplicable as yours.
603
00:33:29,560 --> 00:33:33,120
‐Then why do you not
have a keeper?
604
00:33:33,240 --> 00:33:34,880
‐My last one was killed.
605
00:33:35,000 --> 00:33:36,640
Understandably,
it has put me off.
606
00:33:36,760 --> 00:33:38,080
‐Of course.
607
00:33:38,120 --> 00:33:39,240
‐It's your pot, Blayne.
608
00:33:39,320 --> 00:33:40,360
‐Oh.
609
00:33:43,120 --> 00:33:46,640
When I bleed
this rich room dry,
610
00:33:46,760 --> 00:33:49,160
how about I push
the profits your way
611
00:33:49,280 --> 00:33:51,040
and you come and stay with me?
612
00:33:51,080 --> 00:33:54,920
I would like to have you
as mine, Miss Wells.
613
00:33:55,040 --> 00:33:57,760
You have until the end
of the game to decide.
614
00:33:57,840 --> 00:34:00,120
(upbeat foreboding music)
615
00:34:00,240 --> 00:34:04,280
♪
616
00:34:04,320 --> 00:34:06,040
‐Gioco.
617
00:34:06,080 --> 00:34:15,200
♪
618
00:34:15,280 --> 00:34:16,840
‐Gioco.
619
00:34:16,920 --> 00:34:19,360
‐Four cards.
620
00:34:19,440 --> 00:34:22,720
A risk‐taker.
621
00:34:22,800 --> 00:34:26,360
‐In battle, it is the cowards
who run the most risk.
622
00:34:26,440 --> 00:34:29,520
‐And bravery is a rampart
of the defense.
623
00:34:29,640 --> 00:34:31,440
You know your Roman philosophy.
624
00:34:31,520 --> 00:34:33,440
‐I always preferred it
to the Greek.
625
00:34:33,520 --> 00:34:38,040
‐The Greeks invented
rational thought.
626
00:34:38,160 --> 00:34:40,000
‐Hm.
627
00:34:40,120 --> 00:34:42,440
But the Romans
had a greater empire.
628
00:34:42,520 --> 00:34:45,240
(laughs)
629
00:34:45,320 --> 00:34:47,720
‐I don't believe
we've been introduced.
630
00:34:47,800 --> 00:34:50,920
‐Mrs. Quigley is a bawd.
631
00:34:51,000 --> 00:34:54,800
She's quite famous in her field,
did you know that, my lord?
632
00:34:57,120 --> 00:35:00,040
Lord Dodds
is the Lord Chief Justice.
633
00:35:03,360 --> 00:35:05,480
‐It seems to me so odd
that a woman
634
00:35:05,600 --> 00:35:07,920
of your beauty and breeding
635
00:35:08,000 --> 00:35:09,200
is not married.
636
00:35:12,040 --> 00:35:15,040
Do you not long for children?
637
00:35:17,600 --> 00:35:20,920
Ah, look, I win the trick.
638
00:35:21,000 --> 00:35:22,880
(laughs)
639
00:35:22,960 --> 00:35:24,720
‐Would you take a turn
around the room with me,
640
00:35:24,800 --> 00:35:27,400
Mrs. Quigley?
641
00:35:27,480 --> 00:35:29,800
(crowd chatter)
642
00:35:37,880 --> 00:35:40,280
‐Are you trying
to have me hanged?
643
00:35:40,320 --> 00:35:41,800
‐You are playing with fire.
644
00:35:41,840 --> 00:35:43,840
‐And who lit the tinder?
645
00:35:43,920 --> 00:35:46,040
‐Perhaps I'm tired
of behaving.
646
00:35:46,160 --> 00:35:49,160
‐Hm, and perhaps I shall
tire of keeping the secret
647
00:35:49,240 --> 00:35:51,840
of your bastard child!
648
00:35:51,920 --> 00:35:55,680
‐And reveal how you've been
fleecing me for years?
649
00:35:55,760 --> 00:36:00,000
I wonder what penalty
Lord Chief Justice would impose
650
00:36:00,120 --> 00:36:02,840
for the crime of extortion.
651
00:36:05,160 --> 00:36:07,440
(dramatic music)
652
00:36:07,520 --> 00:36:13,160
♪
653
00:36:13,240 --> 00:36:14,600
(clears throat)
654
00:36:14,680 --> 00:36:22,880
♪
655
00:36:22,960 --> 00:36:24,760
‐I'll see the Justice.
656
00:36:24,840 --> 00:36:29,320
♪
657
00:36:33,840 --> 00:36:36,240
‐Well played, sir.
658
00:36:36,320 --> 00:36:39,280
‐So, have you made
your decision?
659
00:36:39,320 --> 00:36:41,480
‐About what?
660
00:36:41,600 --> 00:36:43,800
‐I want to be
Miss Wells' keeper.
661
00:36:43,840 --> 00:36:45,240
♪
662
00:36:45,320 --> 00:36:47,960
‐It's an attractive offer...
663
00:36:48,040 --> 00:36:50,040
but I value my freedom.
664
00:36:50,160 --> 00:36:51,680
♪
665
00:36:51,760 --> 00:36:53,160
‐600 a year.
666
00:36:53,240 --> 00:36:55,600
‐Harcourt,
you're being vulgar.
667
00:36:55,680 --> 00:36:58,040
‐Vulgar?
668
00:36:58,160 --> 00:37:01,720
You invited the brothel
to the party.
669
00:37:01,800 --> 00:37:03,040
Very well.
670
00:37:03,160 --> 00:37:05,520
♪
671
00:37:05,640 --> 00:37:09,320
All that to have you right now.
672
00:37:09,400 --> 00:37:18,040
♪
673
00:37:18,160 --> 00:37:20,240
‐Show me to your rooms.
674
00:37:20,320 --> 00:37:32,160
♪
675
00:37:32,240 --> 00:37:36,120
‐I now know why you revere
our Latin forebears.
676
00:37:36,200 --> 00:37:37,320
‐My lord?
677
00:37:37,400 --> 00:37:40,160
‐They welcome prostitutes
without moral qualm.
678
00:37:40,240 --> 00:37:41,840
‐Ah.
679
00:37:41,880 --> 00:37:47,240
Lord Dodds, my home
is a sanctuary for young ladies.
680
00:37:47,320 --> 00:37:50,520
‐So it's discreet.
681
00:37:50,640 --> 00:37:53,200
‐We could take a tour...
682
00:37:53,280 --> 00:37:55,600
should it arouse your interest.
683
00:37:55,680 --> 00:37:57,400
‐Hm.
684
00:37:57,480 --> 00:38:03,000
♪
685
00:38:03,120 --> 00:38:05,760
‐Miss Lacey cannot be seen here.
686
00:38:05,840 --> 00:38:07,960
Her life
is precariously balanced.
687
00:38:08,040 --> 00:38:10,800
‐I have issues to settle
here in court.
688
00:38:10,840 --> 00:38:13,160
‐Her story concerns
Lydia Quigley.
689
00:38:13,240 --> 00:38:16,440
‐I am sick of hearing
that woman's name.
690
00:38:20,840 --> 00:38:24,240
‐I have also been a victim
of her crimes.
691
00:38:25,840 --> 00:38:28,840
I...I urge you, Justice,
692
00:38:28,920 --> 00:38:30,880
come with me.
693
00:38:33,360 --> 00:38:36,280
‐She said there was
a pack of hounds coming for me.
694
00:38:36,320 --> 00:38:40,320
‐Do you know who they were?
695
00:38:40,360 --> 00:38:43,800
‐Just that once they took me,
I wasn't coming back.
696
00:38:51,720 --> 00:38:55,160
‐Is it enough?
697
00:38:55,240 --> 00:38:57,120
‐I need your assurance
that you'll stand up
698
00:38:57,200 --> 00:38:59,520
in a court of law
and give evidence publicly
699
00:38:59,640 --> 00:39:01,840
against Lydia Quigley.
700
00:39:01,920 --> 00:39:04,400
Do I have your word?
701
00:39:04,480 --> 00:39:05,640
‐You do.
702
00:39:05,720 --> 00:39:08,000
(dark music)
703
00:39:08,120 --> 00:39:12,360
♪
704
00:39:12,440 --> 00:39:13,640
‐You do.
705
00:39:13,720 --> 00:39:20,320
♪
706
00:39:26,200 --> 00:39:27,760
‐Oh yes.
707
00:39:27,840 --> 00:39:30,520
(dramatic music)
708
00:39:30,640 --> 00:39:32,280
‐Ah.
709
00:39:32,320 --> 00:39:33,400
(Quigley laughs)
710
00:39:33,480 --> 00:39:35,320
Good evening, constables.
711
00:39:35,400 --> 00:39:43,840
♪
712
00:39:43,880 --> 00:39:48,760
Let me introduce you
to Miss Anne Pettifer.
713
00:39:48,840 --> 00:39:53,240
Sharp as a tack,
but sweet as a peach.
714
00:39:53,320 --> 00:39:55,760
‐A pleasure to meet you,
my lord.
715
00:39:57,360 --> 00:39:59,760
‐I mean no offense
to Miss Pettifer,
716
00:39:59,840 --> 00:40:01,600
but I see no woman in this room
717
00:40:01,680 --> 00:40:05,040
who is superior to you,
Mrs. Quigley.
718
00:40:07,240 --> 00:40:09,320
‐Oh.
719
00:40:09,400 --> 00:40:11,880
‐I prefer...
720
00:40:11,960 --> 00:40:14,160
a riper fruit.
721
00:40:14,240 --> 00:40:16,240
(soft upbeat music)
722
00:40:16,320 --> 00:40:19,840
(laughs nervously)
723
00:40:19,880 --> 00:40:25,000
♪
724
00:40:25,120 --> 00:40:27,320
‐Again.
725
00:40:27,400 --> 00:40:30,800
(swords clanking)
726
00:40:30,840 --> 00:40:32,320
(laughs)
727
00:40:35,320 --> 00:40:36,880
Very good.
728
00:40:36,960 --> 00:40:39,320
(dramatic music)
729
00:40:39,360 --> 00:40:48,440
♪
730
00:40:48,520 --> 00:40:50,000
More aggressive.
731
00:40:50,120 --> 00:41:23,040
♪
732
00:41:23,160 --> 00:41:25,200
(Quigley laughs)
733
00:41:29,200 --> 00:41:32,280
‐I haven't done this
for quite some time.
734
00:41:32,320 --> 00:41:34,200
‐We can be as slow
as you like.
735
00:41:34,280 --> 00:41:36,840
(laughing)
736
00:41:43,160 --> 00:41:45,240
(exclaiming)
737
00:41:45,320 --> 00:42:38,480
♪
738
00:42:38,600 --> 00:42:40,520
‐Fuck me.
739
00:42:40,640 --> 00:42:42,400
Now.
740
00:42:42,480 --> 00:42:49,600
♪
741
00:42:49,680 --> 00:42:52,520
(moaning, panting)
742
00:42:52,640 --> 00:43:03,040
♪
743
00:43:03,160 --> 00:43:05,840
(Quigley exclaims)
744
00:43:05,920 --> 00:43:09,320
‐Oh, Justice Dodds!
745
00:43:09,360 --> 00:43:11,400
‐Tally‐ho, Mrs. Quigley!
746
00:43:11,480 --> 00:43:13,240
Tally‐ho!
747
00:43:13,320 --> 00:43:22,920
♪
748
00:43:23,000 --> 00:43:25,440
(moaning, gasping)
749
00:43:25,520 --> 00:43:27,640
‐Mrs. Lydia Quigley,
you're under arrest for‐‐
750
00:43:27,720 --> 00:43:29,680
‐Get out!
751
00:43:29,760 --> 00:43:31,200
Never in my life have I‐‐
752
00:43:31,280 --> 00:43:33,280
‐(stuttering)
We have a warrant
753
00:43:33,320 --> 00:43:35,440
for Mrs. Quigley's arrest.
754
00:43:35,520 --> 00:43:38,840
‐Clear the flesh markets
of Covent Garden,
755
00:43:38,920 --> 00:43:42,200
strip the streets
of vice and pox,
756
00:43:42,280 --> 00:43:44,600
close the slum brothels,
757
00:43:44,680 --> 00:43:49,680
but these bawdy houses
are our bawdy houses
758
00:43:49,760 --> 00:43:52,920
and you will not
take our whores!
759
00:43:53,000 --> 00:43:54,880
‐I am sorry, Lord Dodds,
but this arrest is not for‐‐
760
00:43:54,960 --> 00:44:00,320
‐Be gone or I will boot you
from the law courts
761
00:44:00,400 --> 00:44:03,000
and into the Thames.
762
00:44:03,120 --> 00:44:05,040
♪
763
00:44:05,160 --> 00:44:08,440
‐Oh, Doddy!
764
00:44:08,520 --> 00:44:09,680
‐Charlotte.
765
00:44:09,760 --> 00:44:12,240
‐Don't fear, he's spent
all his anger on me.
766
00:44:12,320 --> 00:44:14,280
‐Stay a moment.
‐I need a drink.
767
00:44:14,320 --> 00:44:17,160
‐I'll accompany you.
768
00:44:17,240 --> 00:44:18,840
‐You don't want to go
where I'm going.
769
00:44:18,920 --> 00:44:21,040
‐Where?
770
00:44:21,160 --> 00:44:22,960
‐Home.
771
00:44:28,480 --> 00:44:30,600
(dogs barking, man yelling)
772
00:44:30,680 --> 00:44:32,240
‐Come here!
773
00:44:35,320 --> 00:44:39,320
(woman yelling)
774
00:44:39,400 --> 00:44:40,800
‐Where's Quigley?
775
00:44:40,840 --> 00:44:42,320
‐It is no use.
776
00:44:42,400 --> 00:44:44,440
‐What happened?
‐She is like a weed.
777
00:44:44,520 --> 00:44:46,800
Cut her down
and she grows back stronger.
778
00:44:46,840 --> 00:44:48,880
‐What do you mean?
779
00:44:48,960 --> 00:44:52,680
‐She has the Lord Chief Justice
between her thighs.
780
00:44:57,760 --> 00:44:59,840
(man yelling)
781
00:45:02,960 --> 00:45:05,320
(dramatic music)
782
00:45:05,360 --> 00:45:07,320
♪
783
00:45:07,360 --> 00:45:10,240
‐You got a spark
in your throat tonight.
784
00:45:10,320 --> 00:45:13,360
‐I'll either be free
or dead tomorrow.
785
00:45:13,440 --> 00:45:15,680
Either way,
a sore head won't matter.
786
00:45:15,760 --> 00:45:17,600
‐Come on.
787
00:45:17,680 --> 00:45:20,360
Nance, put your money
on Webster.
788
00:45:20,440 --> 00:45:22,400
♪
789
00:45:22,480 --> 00:45:24,280
He's a cub.
790
00:45:24,320 --> 00:45:26,280
Could be a lion.
791
00:45:26,320 --> 00:45:29,480
‐I haven't seen you like this
for years.
792
00:45:29,600 --> 00:45:31,440
‐Ladies and gentlemen,
793
00:45:31,520 --> 00:45:33,800
may I have your attention,
please?
794
00:45:33,840 --> 00:45:37,920
You are about to witness
a clash of fabled fighters!
795
00:45:38,000 --> 00:45:39,360
(crowd cheering)
796
00:45:39,440 --> 00:45:41,440
Billy "The Badger" O'Reilly!
797
00:45:41,520 --> 00:45:44,200
(crowd cheering)
798
00:45:44,280 --> 00:45:46,440
Noah "The Storm" Webster!
799
00:45:46,520 --> 00:45:49,000
(crowd cheering)
800
00:45:49,120 --> 00:45:51,440
♪
801
00:45:51,520 --> 00:45:54,280
Place your bets now!
802
00:45:54,320 --> 00:45:55,880
Three,
803
00:45:55,960 --> 00:45:57,160
two,
804
00:45:57,240 --> 00:45:58,440
one!
805
00:45:58,520 --> 00:45:59,840
Fight!
806
00:45:59,880 --> 00:46:16,480
♪
807
00:46:16,600 --> 00:46:18,800
‐Come on, you!
‐Yeah!
808
00:46:18,840 --> 00:46:41,440
♪
809
00:46:41,520 --> 00:46:43,160
‐Here, place your bets.
810
00:46:43,240 --> 00:46:46,840
♪
811
00:46:46,920 --> 00:46:49,120
(crowd commotion)
812
00:46:49,200 --> 00:46:51,720
‐She's eluded us this time.
813
00:46:51,800 --> 00:46:53,200
The Justice failed.
814
00:46:53,280 --> 00:46:55,600
But we're your
sisters in arms now
815
00:46:55,680 --> 00:46:59,040
and I won't let any harm
come to you.
816
00:46:59,160 --> 00:47:01,400
(crowd jeering, yelling)
817
00:47:11,640 --> 00:47:14,840
‐Just this way.
818
00:47:14,920 --> 00:47:17,360
(laughing)
819
00:47:17,440 --> 00:47:20,160
‐What a sad sight.
820
00:47:20,240 --> 00:47:24,000
Is there no business for you
in Lilliput?
821
00:47:24,120 --> 00:47:28,960
‐Your son's doxie plans
to sell you to the Justice.
822
00:47:29,040 --> 00:47:32,280
‐How do you know?
‐Heard her myself.
823
00:47:33,840 --> 00:47:36,240
‐Why have you come
to tell me this?
824
00:47:36,320 --> 00:47:39,120
‐You chose the wrong girl
for your spy.
825
00:47:39,200 --> 00:47:41,720
I think the world of your son,
826
00:47:41,800 --> 00:47:43,720
and he takes delight in me.
827
00:47:45,480 --> 00:47:48,240
I will prize them apart
like a wishbone.
828
00:47:48,320 --> 00:47:50,640
(tense, mysterious music)
829
00:47:50,720 --> 00:47:52,880
♪
830
00:47:52,960 --> 00:47:56,920
(cheering, jeering)
831
00:47:57,000 --> 00:48:00,200
‐We each have our own
boiling rage against her.
832
00:48:00,280 --> 00:48:02,360
(crowd cheering, yelling)
833
00:48:05,720 --> 00:48:08,520
We cannot let it fog our sight.
834
00:48:08,640 --> 00:48:10,040
‐We need to fight like her.
835
00:48:10,160 --> 00:48:11,200
‐Cold‐hearted?
836
00:48:11,280 --> 00:48:13,920
‐Calculated.
837
00:48:14,000 --> 00:48:15,920
‐We strike once
838
00:48:16,000 --> 00:48:18,320
and we strike right.
839
00:48:19,720 --> 00:48:23,120
‐We're a five‐headed beast now.
840
00:48:23,200 --> 00:48:25,360
You just tell us
when to roar.
841
00:48:25,440 --> 00:48:27,800
(soft guitar music)
842
00:48:27,840 --> 00:48:32,720
♪
843
00:48:32,800 --> 00:48:35,120
(crowd cheering)
844
00:48:35,200 --> 00:48:38,200
♪
845
00:48:38,280 --> 00:48:40,600
(female vocalizing)
846
00:48:40,680 --> 00:49:09,840
♪
847
00:49:10,305 --> 00:49:16,576
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