All language subtitles for The.Life.and.Legend.of.Wyatt.Earp.S01E28.One.of.Jesses.Gang.WEB-DL.AAC2.0.H.264-squalor ENGLISHripdf

( male vocals humming melody )

( male vocals humming melody )

* WYATT EARP

* WYATT EARP

* BRAVE, COURAGEOUS,
AND BOLD *

* LONG LIVE HIS FAME

* AND LONG LIVE HIS GLORY

* AND LONG MAY
HIS STORY BE TOLD! *

( humming melody )

( chattering )

NOTHING ON HIM
TO IDENTIFY HIM.

WELL, HIS HORSE MUST BE
OUT THERE. GO CHECK
THE SADDLEBAGS, WILL YOU?

ALL RIGHT.

WE GOT...

ONE SHOT IN THE SMALL
OF THE BACK FROM THE REAR,

ONE SHOT
THROUGH THE WISHBONE
FROM THE FRONT.

YOU SAY, UH,
HE HAD THIS GUN
POINTED AT YOU

WHEN YOU SWUNG AROUND
FROM THE CASH BOX
AND FIRED?

THAT'S RIGHT, WYATT.

ISN'T THAT KIND OF A RISKY
THING TO DO-- I MEAN, FIRING
INTO ANOTHER MAN'S GUN?

IMPULSE, I GUESS.
JUST FLASHED
THROUGH MY MIND.

I SAW THE GUN
LYING IN THE CASH BOX,

AND I THOUGHT
I COULD SURPRISE HIM.

I DID.

- YOU SWUNG AROUND
AND FIRED?
- MM-HMM.

IT'S PRETTY GOOD SHOOTING
FOR ANYBODY, MUCH LESS
A BOOKKEEPER.

MOST MEN KNOW
HOW TO SHOOT.

WELL, YOU'RE EITHER
AN EXPERT OR YOU'RE
PRETTY LUCKY.

YOU'RE QUESTIONING ME
LIKE YOU DON'T BELIEVE ME.

NO, NOT AT ALL, HARRY.
I'M JUST MARVELING.

IN MY BUSINESS,
MARVELS NEVER CEASE.

BOOKKEEPER FIRES
TWO SHOTS, BOTH SHOTS
HIT THE MARK.

HOW COME YOU, UH,

PUT THE SECOND SHOT
IN THE BACK?

THE FIRST ONE MUST'VE
SPUN HIM AROUND.

I THOUGHT I MISSED HIM.
I THOUGHT HE'D TURN TO RUN,

AND SO I LET GO
A SECOND ONE.

I DIDN'T KNOW
UNTIL I LOOKED AT HIM
THAT I HIT HIM THE FIRST TIME

AND MUST'VE SPUN HIM.

NO HORSE OUT THERE
BELONGS TO HIM, WYATT.

EVERY ONE
OF 'EM'S GOT AN OWNER.
NONE OF THE OWNERS IS HIM.

THAT JUST DOESN'T
MAKE SENSE.

NO MAN'S GONNA TRY
AND PULL A ROBBERY
WITHOUT A GETAWAY HORSE.

OR MAYBE HE WAS
WORKING WITH SOMEBODY.

TAKE ANOTHER LOOK.
LOOK FOR A LONE RIDER
WITH A SPARE HORSE.

WHY DON'T WE STOP
BEING POLICEMEN, WYATT,

AND GIVE HARRY CREDIT
FOR A GOOD JOB WELL DONE?

BY NIGHTFALL,
HE'LL BE A PUBLIC HERO.

DROP INTO THE TEXAS HOUSE.
I'LL STAND TREAT MYSELF.

THANKS.

WELL, MAYBE
PAUL'S RIGHT.

HARRY, LET ME BE
THE FIRST TO
CONGRATULATE YOU.

- THANKS, WYATT.
- I'LL TAKE A LOOK AT
THE WANTED POSTERS TONIGHT.

MAYBE THERE'S
A REWARD FOR YOU.

OLLIE, YOU STAY HERE.
I'LL GET DOC FABRIQUE

TO COME OVER
AND MAKE A CORONER'S REPORT.

RIGHT.

- WYATT, I LOCATED THE HORSE.
- AH?

BLACK'S CORRAL.
I WASN'T EVEN THINKING
OF ASKING BLACK.

JUST TOLD HIM
ABOUT THE ROBBERY.

IT'S WHEN I TOLD HIM
WHAT THE DEAD MAN LOOKED LIKE.

- HE IDENTIFY HIM?
- THIS TIME I'M AHEAD OF YOU.

DEAD MAN'S NAME
WAS LUKE MILLER.
HORSE'S BRAND WAS A DOUBLE-B.

THAT'S THE TEXAS OUTFIT
CAMPED IN THE CREEK.

YOU KNOW,
HE DOESN'T SEEM MUCH
LIKE A ROBBER, DOES HE?

IF YOU'RE MIXED UP NOW,
TAKE A LOOK AT THIS.
THIS'LL REALLY CONFUSE YOU.

IT'S HARRY DREW,
WITH A MUSTACHE.

I WAS KINDA HOPING
YOU WOULDN'T CATCH
THE RESEMBLANCE--

AT LEAST,
NOT SO QUICK.

HARRY DOLAN.
MEMBER OF THE JESSE JAMES GANG.

WANTED IN KANSAS CITY
FOR ROBBERY AND MURDER.

- YOU SUSPECTED HIM?
- NO.

I WAS LOOKING FOR
THE DEAD MAN, INSTEAD
I FIND THE HERO WHO SHOT HIM.

I HAVEN'T LOOKED THROUGH
THIS OLD FILE ONCE
IN A MONTH OF SUNDAYS.

WHY DID I HAVE TO BE
SUCH A BIRD DOG
THIS ONE TIME?

YEAH, I KNOW
HOW YOU FEEL.

SEEMED LIKE SUCH
A LIKEABLE FELLOW.

NICE, HARDWORKING,
LIKEABLE FELLOW.

WELL, IT'S MORE THAN THAT.
OLLIE WAS TALKING TO HARRY

WHILE DOC WAS MAKING OUT
HIS CORONER'S REPORT,

AND HE TOLD OLLIE
THAT HIS WIFE'S COMING IN
ON THE 'MORROW MORNING STAGE.

OOH, ROUGH.
TELL YOU WHAT, WYATT.

I'LL TOSS YOU
FOR WHO HAS TO
PICK HIM UP.

THAT CAN WAIT.
RIGHT NOW I WANT TO GET
A WIRE OFF TO KANSAS CITY.

GET SOME MORE
INFORMATION ON HARRY.

I'LL TAKE A RIDE
OUT TO THE CREEK
FIRST THING IN THE MORNING,

HAVE A TALK WITH
THE DEAD MAN'S OUTFIT.

BY THE TIME I GET BACK,
WE OUGHT TO HAVE SOME WORD
FROM KANSAS CITY POLICE.

I HOPE YOU HAVE
A QUIET NIGHT.

- I HOPE SO.
- GOOD NIGHT, WYATT.

NONE OF US EVER
DID GET TO KNOW
LUKE MILLER VERY WELL.

- NOW HE'S DEAD, HUH?
- YUP.

WELL, HE WAS SORT OF
A SOUR CUSS.

HE LIKED
HIS OWN COMPANY
BETTER THAN OURS.

YOU EVER HEAR MUCH
ABOUT HIS PAST?

WELL, HE WASN'T
THE KIND OF FELLOW
YOU'D ASK ABOUT HIS PAST.

SAW HIM SHOOT
THE HEAD OFF A RATTLER
FROM HORSEBACK ONCE.

WELL, NONE OF US
THOUGHT WE WOULD LIKE
TO ARGUE WITH HIM.

THINK HE MIGHT HAVE BEEN

THE GUNMAN
ON THE DODGE?

OH, I DON'T KNOW.
COULD BE.

WOULDN'T BE THE FIRST TIME
AN OUTLAW HID HIMSELF
IN A COW OUTFIT.

SURE, I'D HEARD TALK
HE'D BEEN WITH
THE JESSE JAMES GANG,

BUT, WELL, YOU KNOW
HOW COWPOKES TALK.

YEAH.

WELL, THANK YOU,
MR. MURRAY.

SEE YOU AROUND.

- ANYTHING NEW?
- YEAH.

- YOUR ANSWER CAME
FROM KANSAS CITY.
- OH?

- THEY WANT HIM.
- OH, BY THE WAY, THE WESTBOUND
STAGE COME THROUGH YET?

NO, IT'S RUNNING LATE.
YOU PICK UP ANYTHING
AT THE COW CAMP?

OH, JUST WEST-BAG TALK.
IT'S A FUNNY THING, THOUGH--

THE IDEA'S GOT
AROUND THE OUTFIT
THAT THE DEAD MAN--

- LUKE MILLER?
- YEAH, USED TO RIDE
WITH THE JESSE JAMES GANG.

HIM TOO?
THAT SURE IS FUNNY.

- WHAT DO YOU MAKE OF IT?
- I DON'T INTEND TO MAKE
ANYTHING OF IT.

KANSAS CITY'S GOT
THE FIRST CALL
ON HARRY.

FAR AS WE'RE CONCERNED,
HARRY'S A PAID-UP HERO.

UM, LOOK,
WHY DON'T YOU

PUT A COUPLE
OF CLEAN BLANKETS
IN CELL TWO?

HARRY MIGHT AS WELL
BE COMFORTABLE
UNTIL HE LEAVES US.

ALL RIGHT.

- ( knock at door )
- COME IN.

AH!
MORNING, WYATT!

MORNING, HARRY.

YOU'LL EXCUSE ME
IF I HAVE TO HURRY.

GOT TO MEET MY WIFE.

WHAT A CELEBRATION
WE HAD LAST NIGHT.

BY THE WAY,
I DON'T REMEMBER
SEEING YOU THERE.

I WAS, UH, WORKING.

WHAT BRINGS YOU OUT
SO EARLY THIS MORNING?
MORE QUESTIONS?

KANSAS CITY
JUST ANSWERED
MY TELEGRAM.

THE CHARGE IS
STILL ACTIVE.

JUST WHEN I SEND
FOR MY WIFE.

JUST WHEN I THINK
I'M SAFE.

HOW LONG WILL YOU GET
IN KANSAS CITY?

THIRTY YEARS.

ME AND--

ME AND ANOTHER PRISONER
BROKE LOOSE ON THE WAY
TO THE PEN.

THAT WASN'T ANY ROBBER
YOU KILLED YESTERDAY, WAS IT?

LISTEN, WYATT,
MY WIFE DIDN'T KNOW

ANYTHING BAD ABOUT ME
UNTIL I WAS CAUGHT AND TRIED.

SHE LIVED ON THE FARM
NEXT TO ME IN MISSOURI
WHEN WE WERE KIDS.

AND EVEN AFTER I WAS CAUGHT
AND TRIED, IT DIDN'T MAKE
ANY DIFFERENCE TO HER.

SHE WOULD'VE WAITED FOR ME.
THIRTY YEARS.

NO WOMAN'S GONNA
WAIT 30 YEARS.
I HAD TO BE FREE.

LOOK, HARRY, IT'S NOT
GONNA DO YOU ANY GOOD
TO TELL ME ALL THAT.

I WAS TOO YOUNG
TO GET IN THE WAR.

BUT I WAS THERE WHEN
JESSE AND FRANK JAMES
CAME RIDING HOME.

I LISTENED TO FRANK
TALK ONE NIGHT.

HE TOLD ABOUT
HOW THE BANKS
AND THE RAILROADS

WERE RUNNING IT OVER US,
AND IT SEEMED RIGHT
TO FIGHT IT.

AT THE TIME,
IT SEEMED RIGHT.

HARRY, THERE'S NOTHING
I CAN DO.

LOOK, WYATT,
YOU'VE KNOWN ME
ALL THESE MONTHS.

I'VE BEEN LIVING
HONESTLY,

JUST WAITING FOR
THIS CHANCE TO BRING
ANN OUT HERE.

PUT AN END TO ALL
THIS GRIEF AND MISERY.

LET ME SHOW--

NOT TAKING ANY CHANCES,
ARE YOU, MARSHAL?

I'M SORRY.

FORCE OF HABIT.

NOW, YOU, UH--
YOU WERE GONNA
SHOW ME SOMETHING.

FORGET IT.

COME ON,
LET'S GO.

HOLD IT.

ALL THAT TALK
FRIGHTEN YOU,
MARSHAL?

NO, JUST THE PART
ABOUT YOUR WIFE.

I APOLOGIZE FOR THAT.

SHE'S GONNA
HAVE TO BE TOLD.

SHOULDN'T BE HARD
FOR A MAN LIKE YOU.

WELL, I WAS THINKING
IT MIGHT BE EASIER ON HER

IF YOU MET THE COACH,
BROUGHT HER UP HERE,

AND TOLD HER YOURSELF.

ALL RIGHT, I ADMIT IT:
IT'LL BE EASIER ON ME TOO.

YOU'D LET ME
BRING HER UP HERE?

DON'T WORRY, MY DEPUTIES
AND I WILL BE WATCHING
THE FRONT AND REAR.

I'LL GIVE YOU TILL SUNDOWN
TO SAY WHAT YOU HAVE TO SAY.

THANKS.
OH, UH...

WHAT I WANTED
TO SHOW YOU
WAS MY BANK BOOK.

HONEST MONEY,
HONESTLY SAVED.

YEAH, I KNOW, HARRY.
COME ON.

HEY.
GOOD LOOKIN',
ISN'T SHE?

WHAT DID YOU EXPECT?

OH, WYATT, YOU'RE
KINDA HARD TO FIGURE,
GIVEN A FELLA LIKE--

NEVER MIND.

GO KEEP AN EYE
ON THE HOTEL.

ISN'T IT ALMOST TIME
FOR DINNER, HARRY?

I'M STARVED.

ALMOST SUNDOWN.

WHAT'S WRONG,
DARLING?

YOU'VE BEEN
TRYING SO HARD TO BE
CHEERFUL ALL AFTERNOON.

ANN,

CAUGHT UP WITH ME.

THEY FOUND OUT?

HERE?

HOW, HARRY?
HOW?

LUKE SHOWED
TWO DAYS AGO.

LUKE MILLER?

WELL, THAT SHOULDN'T HAVE--

- YOU ESCAPED TOGETHER.
WHY SHOULD HE--
- HE FOLLOWED ME.

FOUND OUT I WAS
WORKING FOR WAGES,

LIVING DECENTLY.

HE WANTED 5,000,
OR HE'D TURN ME IN.

WHAT DID YOU DO?

I KILLED HIM.

OH, HARRY!

SEE, ANN,

CAN'T GET
AWAY FROM IT.

DON'T.
DON'T TALK LIKE THAT.

- THE LAW'S OUTSIDE
WAITING TO TAKE ME.
- WHY, HARRY?

WHY DID YOU HAVE
TO KILL HIM?

WHY DIDN'T YOU
GIVE HIM THE MONEY?
HE WOULD'VE GONE AWAY.

THE CRAZY PART
ABOUT IT IS,

THEY DON'T WANT ME
FOR THE KILLING OF LUKE.

I MADE IT LOOK
LIKE I SHOT HIM
AS A COMMON ROBBER.

AS A MATTER OF FACT,
THE TOWNSFOLK ARE
CELEBRATING ME AS A HERO.

WHAT THE MARSHAL
WANTS ME FOR IS

KANSAS CITY.

THEY DUG UP AN OLD
POSTER OF ME,

YELLOWED AND DUSTY
WITH AGE.

YOU SHOULDN'T HAVE
RUN AWAY, HARRY.

I TOLD YOU,
YOU SHOULD HAVE STAYED
AND MADE IT UP,

WHATEVER YOU
HAD COMING.

YOU CAN'T LIVE LIKE THIS--
KILLING TO STAY FREE.

- ANN, PLEASE DON'T
TALK LIKE THAT.
- BUT WHAT'LL YOU DO?

YOU CAN'T
KEEP ON RUNNING.

YOU WANT ME TO LIVE LIKE
JESSE JAMES' WIFE?

YOU TOLD ME YOURSELF
HOW IT WAS WITH HER--

ALWAYS WAITING
AND DREADING,

SMILING AND LYING
TO HER CHILDREN.

MUST IT BE LIKE THAT
FOR US, HARRY?

I'M AFRAID SO.

EITHER THAT WAY
OR NOT AT ALL.

I DON'T EVER INTEND
TO GO BACK TO
KANSAS CITY.

( sobbing )

ANN, ANN.

- HOW ARE YOU, PAUL?
- OKAY.

IF YOU WANT TO GET THOSE
AFFIDAVITS ON THE NOON
COACH, YOU'D BETTER HURRY.

- THEY GOT IT
PRETTY NEAR LOADED.
- I'M FINISHED.

MIGHT AS WELL
TELL YOU, WYATT,

THERE'S SOME NASTY TALK
GOING AROUND TOWN.

- USUALLY IS.
- PEOPLE DON'T LIKE
TO BE FOOLED.

DON'T LIKE TO SPEND MONEY
BUYING DRINKS FOR
A PUBLIC HERO ONE DAY,

AND NEXT DAY
HE'S IN JAIL.

WHAT'S HARRY SUPPOSED
TO DO, GIVE 'EM
THE MONEY BACK?

OH, IT'S NOT HARRY
THEY'RE MAD AT,
IT'S YOU.

SO BE CAREFUL
WHEN YOU MAKE
THE ROUNDS.

YOU KNOW, PAUL, ONE OF
THESE DAYS THE SUN'S
GONNA RISE ON WICHITA,

AND THERE'S NOT GONNA
BE A SINGLE CITIZEN
MAD AT ME.

THAT'S THE DAY
I TURN IN MY BADGE.

EDDIE, WOULD YOU GET THIS
IN THE MAIL BAG FOR ME?

AH. CAN I
HELP YOU, MISS?

I'D, UH--
I'D LIKE A REVOLVER.

- A REVOLVER, MISS?
- YES, PLEASE.

ANY PARTICULAR
MAKE OR CALIBER?

I-- I DON'T KNOW--
UH, THAT ONE.

THAT'S A NICE-LOOKING ONE,
ISN'T IT?

WELL, I'VE NEVER
THOUGHT OF IT
AS NICE-LOOKING.

UH, TELL ME, MISS,
IS THIS A GIFT

FOR A MALE FRIEND
OR RELATIVE, PERHAPS?

- UH, YES.
- WELL, IT'S KIND OF
UNUSUAL.

YOU SEE, MOST MEN
PREFER TO SELECT THEIR--

WELL, WOULD YOU KNOW
THE PURPOSE?

- IS IT TO BE USED FOR
HUNTING OR AS A SIDEARM--
- PLEASE, SIR.

UM, IF YOU WANT TO KNOW,
THE GUN IS FOR ME.

UH, I'M GOING WEST
WITH MY HUSBAND,

AND I'VE HEARD STORIES
ABOUT THE INDIANS.

I DIDN'T WANT
TO ALARM HIM, SO--

- I UNDERSTAND, MISS.
- I'LL, UH--

- I'LL TAKE THAT ONE,
IF YOU DON'T MIND.
- THE .38. YES, MA'AM.

AND CARTRIDGES
TO GO WITH IT.

IT AIN'T MUCH GOOD
WITHOUT CARTRIDGES.

I'LL PUT IT
IN A NICE BOX
FOR YOU TOO.

( knock at door )

( knocking continues )

YES, SIR?

I'M MARSHAL EARP.
MAY I COME IN?

I... DON'T OFTEN
VISIT THE WIVES

OF THE MEN
I ARREST.

WHAT IS IT
YOU WANT?

YOU KNOW, YOU DON'T
LOOK LIKE THE KIND
OF A WOMAN WHO--

WHO'D BE MARRIED
TO HARRY DOLAN,
OUTLAW?

HE'S YOUR PRISONER.
WHAT DIFFERENCE
DOES IT MAKE TO YOU

WHAT I AM
OR LOOK LIKE?

I JUST DON'T WANT TO
SEE YOU GET HURT.

AND I DON'T THINK
HARRY DOES EITHER.

I COULDN'T BE
ANY MORE HURT
THAN I AM ALREADY.

I DON'T UNDERSTAND YOU.

LOOK, WHY DON'T YOU
JUST GO HOME?

IT'LL MAKE IT EASIER
ALL AROUND.

YOU NEEDN'T WORRY,
MARSHAL.

YOU WON'T HAVE
AN HYSTERICAL WOMAN
ON YOUR HANDS.

I'LL BE LEAVING.

THANK YOU.
GOOD DAY, MRS. DREW.

I, UH--
MAY I SEE HIM
THIS EVENING?

- CERTAINLY.
- I, UH--

I DON'T KNOW
ANYTHING ABOUT
THESE THINGS, SIR,

BUT IF I COULD
PAY YOU ENOUGH MONEY--

IT'S BEEN DONE.
I'M NOT THAT INNOCENT.

HARRY MEANT TO GO
HONEST, MARSHAL.

WE WERE GOING
WEST TO CALIFORNIA.
HE HAD SAVED SOME MONEY.

NOBODY WOULD HAVE
KNOWN ABOUT HIM.

ISN'T THERE ANYTHING
I COULD POSSIBLY DO?

WHAT ABOUT THE MAN
YOUR HUSBAND KILLED?
WHAT ABOUT LUKE MILLER?

OH, SURELY, MARSHAL,
YOU CAN'T CALL THAT A CRIME.
WHY, THE WHOLE TOWN KNOWS--

THE TOWN ONLY KNOWS
WHAT IT READS
IN THE PAPER.

BUT I KNOW
AND YOU MUST KNOW
THAT THE MAN

YOUR HUSBAND KILLED
IS NO ORDINARY ROBBER.

I DON'T KNOW
ANYTHING ABOUT HIM.

WELL, I DIDN'T EXPECT YOU
TO TELL ME ANYTHING.

YOU'RE LOYAL,
AND I UNDERSTAND THAT.

BUT THIS IS WHAT I MEAN
ABOUT YOUR BEING HURT.

AS LONG AS HARRY LIVES
AND KEEPS ON RUNNING,

HE'LL HAVE NOTHING
BUT TROUBLE, MRS. DREW.

GOOD DAY, MARSHAL.

OH. GOOD EVENING,
MRS. DREW.

- GOOD EVENING.
- MAY I, PLEASE?

NOTHING PERSONAL INTENDED.
IT'S JUST A REGULATION.

THANK YOU.
GO RIGHT IN.

PAUL, YOU TAKE OVER.
I'M GONNA MAKE MY ROUNDS.

ALL RIGHT.

DID YOU BRING IT?

LET'S HAVE IT.
NOW.

MUST IT BE
LIKE THIS, HARRY?

NOBODY'S GOING
TO GET HURT.

I HAVE EVERYTHING
FIGURED.

BUT YOU MUST DO
EXACTLY AS I SAY.

EDDIE, LET ME SEE
THE SHOTGUN, HUH?

- A BEER, YA LADDIE.
- EVENIN'.

HOWDY, WYATT.
SURE CAUGHT YOU OUT
THIS AFTERNOON, DIDN'T IT?

CAUGHT ME OUT?
IT'S GOOD AND CLEAN,
EDDIE.

THAT PRETTY LADY
YOU FOLLOWED TO MY STORE.

YOU WAS SURE
GIVIN' HER THE EYE.

WELL, THERE'S NOTHING WRONG
IN APPRECIATING BEAUTY,
IS THERE?

WELL, APPRECIATING'S
JUST ABOUT AS CLOSE

AS YOU OUGHT TO COME
TO THAT PARTICULAR
LADY, MY FRIEND.

YOU KNOW WHAT
SHE BOUGHT OFF ME?

HENRY, I HAVEN'T GOT
THE SLIGHTEST IDEA.

I KNOW YOU'LL THINK
I'M KIDDING, WYATT,

BUT THAT PRETTY LADY
BOUGHT HERSELF
A GUN OFF ME.

- A GUN?
- YEP, A GUN.
IMAGINE THAT.

IT WAS A .38.
YOU KNOW WHAT SHE SAID
SHE WANTED IT FOR?

SAID SHE WAS SCARED
OF... INDIANS.

( gunshot fires )

- WHAT HAPPENED?
- HARRY'S LOOSE.
HE BUFFALOED ME AND GOT LOOSE.

( whinnies )

STOP IT, HARRY,
OR I'LL SHOOT!

- WHAT IS IT, WYATT?
WHAT HAPPENED?
- HARRY'S LOOSE.

HE'S GONE
IN THE LIVERY STABLE,
AND HE'S ARMED.

I'LL TAKE THE REAR,
YOU TWO MEN TAKE THE FRONT.
GET EVERYBODY OFF THE STREET!

WATCH YOURSELVES!
HE'S A MEMBER OF
THE JAMES GANG!

Earp:
MIGHT AS WELL
GIVE UP, HARRY.

WE'VE GOT YOU CORNERED.

- WYATT--
- GET THE DOC.

G-- GIVE THIS TO ANN.

WHERE IS SHE?

SOUTH ROAD.

HAYS' RANCH.

TELL HER...

DID IT... FOR HER.

HARRY. HARRY.

WHERE'S HARRY?

- HE WON'T BE COMING
TO MEET YOU.
- ( gasps ) NO!

I'LL DRIVE YOU BACK
TO TOWN, MRS. DREW.

* WELL, HE CLEANED UP
THE COUNTRY *

* WELL, HE CLEANED UP
THE COUNTRY *

* THE OLD WILD WEST
COUNTRY *

* HE MADE LAW AND ORDER
PREVAIL *

* AND NONE CAN DENY IT

* THE LEGEND OF WYATT

* FOREVER WILL LIVE
ON THE TRAIL *

* OH, WYATT EARP

* WYATT EARP

* BRAVE, COURAGEOUS
AND BOLD *

* LONG LIVE HIS FAME
AND LONG LIVE HIS GLORY *

* AND LONG MAY HIS STORY

* BE TOLD! *

* LONG MAY HIS STORY

* BE...

* TOLD!

( male vocals humming melody )