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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:07,308 --> 00:00:09,638 FORGET WHAT WE SAW. WE'RE HERE, 2 00:00:09,640 --> 00:00:13,610 AND I DON'T WANT TO WASTE ANY MORE TIME. I'VE BEEN KEEPING A SECRET FROM YOU. 3 00:00:13,614 --> 00:00:18,794 KEIKO--SHE'S IN LOS ANGELES. (woman) KEIKO ARAHIDA. YOUR MOM HAS POSTED YOUR BAIL. 4 00:00:18,789 --> 00:00:21,019 THIS RING IS A QUANTUM ENTANGLEMENT DEVICE. 5 00:00:21,021 --> 00:00:23,791 THIS LITTLE THING PREVENTS PEOPLE FROM BLACKING OUT? 6 00:00:23,794 --> 00:00:25,734 HELLINGER WANTS TO HELP YOU. WHO'S HELLINGER? 7 00:00:25,726 --> 00:00:28,726 HELLINGER'S OUR BOSS. YOU'RE GOING TO DIE, 8 00:00:28,729 --> 00:00:31,129 BUT YOUR DAUGHTER'S GONNA BE BETTER OFF WHEN YOU'RE GONE. (grunts) 9 00:00:31,132 --> 00:00:32,762 THEY HAD ME INSTALL A PIECE OF SOFTWARE. 10 00:00:32,763 --> 00:00:35,413 I CAN FIND OUT WHO MADE IT AND WHERE IT CAME FROM. 11 00:00:35,406 --> 00:00:38,536 YOU GET ME INTO N.L.A.P. I'LL TELL YOU 12 00:00:38,539 --> 00:00:41,069 WHO CAUSED THE BLACKOUT. JANIS, THIS GUY HAS BEEN LYING TO US ABOUT EVERYTHING. 13 00:00:41,072 --> 00:00:44,252 AND NOW YOU WANT TO TAKE HIM TO N.L.A.P.? 14 00:00:44,245 --> 00:00:47,445 HOW THE HELL DO YOU TRUST THIS GUY? HER HEART HAS STOPPED BEATING. SHE'S GONE. 15 00:00:47,448 --> 00:00:48,778 NO, NO! 16 00:00:48,779 --> 00:00:51,119 YOU DO THE MATH. YOU'RE BOTH PART OF THE EQUATION, 17 00:00:51,122 --> 00:00:53,752 BOTH OF YOU. I CANNOT BE IN THAT HOUSE WITH YOU TONIGHT. 18 00:00:53,754 --> 00:00:56,734 AT 10:00 P.M., YOU HAVE TO BE HERE WITH ME. 19 00:00:56,727 --> 00:00:59,457 (Mark) ON APRIL 29th, I'M GONNA BE ON A BENDER. 20 00:00:59,460 --> 00:01:01,560 SO WHY NOT START NOW? 21 00:01:01,562 --> 00:01:03,792 TODAY'S THE DAY DADDY'S GONNA DIE. 22 00:01:10,141 --> 00:01:13,771 (keys jangling, cell door closes in distance) 23 00:01:13,774 --> 00:01:15,854 (man speaking indistinctly over P.A.) 24 00:01:23,314 --> 00:01:26,324 (fireworks exploding in distance) 25 00:01:28,319 --> 00:01:30,759 WHY ARE WE STOPPING, MOM? 26 00:01:30,761 --> 00:01:34,091 'CAUSE WE'RE JUST GONNA SIT HERE FOR A WHILE. 27 00:01:34,094 --> 00:01:38,574 OKAY. OH, WOW, LOOK! THAT ONE'S SHAPED A STAR. YEAH. 28 00:01:38,569 --> 00:01:40,799 OH, LOOK AT THAT, MOM. 29 00:01:40,801 --> 00:01:42,471 (Olivia) YEAH. 30 00:01:52,543 --> 00:01:54,693 (keys jangle) 31 00:02:03,394 --> 00:02:06,134 (man) FLIGHT NUMBER 37... 32 00:02:06,126 --> 00:02:09,126 (both speaking Japanese) 33 00:02:15,135 --> 00:02:17,605 I'M LOOKING FOR A KEIKO ARAHIDA. 34 00:02:17,608 --> 00:02:19,808 I BELIEVE SHE'S BEING HELD HERE. 35 00:02:19,810 --> 00:02:22,640 WAS. SHE WAS RELEASED AN HOUR AGO. 36 00:02:22,643 --> 00:02:24,653 UM... 37 00:02:24,645 --> 00:02:26,915 DID--DID SHE SAY WHERE SHE WAS GOING? 38 00:02:26,917 --> 00:02:29,277 NOT IN ENGLISH. 39 00:02:29,280 --> 00:02:31,520 WELL, DO YOU HAVE A PHONE NUMBER FOR HER? 40 00:02:31,522 --> 00:02:34,532 UM, UH, THERE'S GOTTA BE SOME SORT OF INTAKE FILE, RIGHT? 41 00:02:34,525 --> 00:02:36,685 YOU GOT A WARRANT, OFFICER? 42 00:02:46,437 --> 00:02:52,467 LISTEN, THIS KEIKO-- I'VE NEVER MET HER. 43 00:02:52,473 --> 00:02:54,683 BUT I SAW HER IN MY FLASH-FORWARD. 44 00:02:54,675 --> 00:02:58,905 I-I STARTED DRAWING HER. I HAVE 20 CANVASES IN MY HOUSE OF HER. 45 00:02:58,909 --> 00:03:01,709 SHE WAS WEARING THIS T-SHIRT OF A SUSHI RESTAURANT 46 00:03:01,712 --> 00:03:04,862 JUST OUTSIDE OF TOKYO. SO I FLEW TO JAPAN. 47 00:03:04,855 --> 00:03:08,355 I FLEW TO JAPAN BECAUSE OF A T-SHIRT. 48 00:03:08,359 --> 00:03:10,359 BUT I DIDN'T FIND HER. I DIDN'T FIND HER, 49 00:03:10,361 --> 00:03:12,691 AND I THOUGHT THAT WAS MY ONLY SHOT. 50 00:03:14,795 --> 00:03:17,765 I KNOW THAT SHE'S HERE IN L.A., 51 00:03:17,768 --> 00:03:22,668 AND NOW MAYBE YOU HAVE A PHONE NUMBER. 52 00:03:22,673 --> 00:03:26,483 SHE CHANGED MY LIFE JUST BECAUSE I SAW HER. 53 00:03:28,539 --> 00:03:31,539 THAT WAS REALLY YOUR FLASH-FORWARD? 54 00:03:31,542 --> 00:03:33,882 YEAH. IT WAS. 55 00:03:33,884 --> 00:03:35,694 THAT'S AMAZING. 56 00:03:35,686 --> 00:03:39,546 (lowers voice) BECAUSE IN MY FLASH-FORWARD... 57 00:03:39,550 --> 00:03:42,490 (whispering) I HAD $100 IN MY POCKET, 58 00:03:42,493 --> 00:03:44,833 AND I COULDN'T FIGURE OUT FOR THE LIFE OF ME 59 00:03:44,825 --> 00:03:46,755 HOW IT GOT THERE. 60 00:03:54,365 --> 00:03:57,605 (Aaron) THIS ISN'T RIGHT. 61 00:03:57,608 --> 00:04:00,368 I SAW HER ALIVE. 62 00:04:00,371 --> 00:04:02,811 SO DID YOU. 63 00:04:06,617 --> 00:04:10,017 I SAW HER. 64 00:04:10,020 --> 00:04:11,920 OKAY. 65 00:04:25,936 --> 00:04:27,566 A PULSE? 66 00:04:27,568 --> 00:04:30,438 YES. VERY FAINT. 67 00:04:30,441 --> 00:04:32,641 STAY WITH ME, TRACE. (sniffles) 68 00:04:32,643 --> 00:04:34,653 I'M BEGGING YOU. 69 00:04:34,645 --> 00:04:36,745 STAY STRONG. 70 00:04:36,747 --> 00:04:38,747 OKAY. STAY WITH ME, TRACY. 71 00:04:38,749 --> 00:04:40,409 STAY WITH ME. 72 00:04:40,411 --> 00:04:45,491 JUST LIVE, AND WE'LL WIND UP WHERE WE'RE SUPPOSED TO BE. 73 00:05:00,901 --> 00:05:03,601 THAT'S IT... 74 00:05:03,604 --> 00:05:06,884 THE LA HONDA ACCESS POINT. 75 00:05:06,877 --> 00:05:08,907 THIS IS MILE 6 76 00:05:08,909 --> 00:05:10,939 OF THE ACCELERATOR'S 10-MILE LENGTH. 77 00:05:10,941 --> 00:05:14,821 WE GET IN THERE, I CAN GET TO THE MAINFRAME, 78 00:05:14,815 --> 00:05:17,085 FIND THE SOFTWARE HELLINGER'S MEN HAD ME INSTALL, 79 00:05:17,087 --> 00:05:20,417 AND USE IT TO DESTROY THEM. 80 00:05:20,421 --> 00:05:23,751 YOU'LL USE IT TO HELP US IDENTIFY THEM. 81 00:05:23,754 --> 00:05:26,364 RIGHT. THAT'S THE DEAL. 82 00:05:26,357 --> 00:05:28,357 ONE OF US NEEDS TO GET THIS DEVICE 83 00:05:28,359 --> 00:05:30,799 CLOSE TO THE SECURITY GUARD'S ACCESS CARD. (beeps) 84 00:05:30,801 --> 00:05:34,771 THEN IT'LL TRANSMIT ITS CODE TO MY CELL PHONE. 85 00:05:34,765 --> 00:05:37,805 OKAY. WE'LL JUST GET THE RIG CLOSE TO THE SECURITY GUARD 86 00:05:37,808 --> 00:05:39,808 THAT WE'RE TRYING TO COMPLETELY AVOID. 87 00:05:39,810 --> 00:05:42,870 THAT SOUNDS SIMPLE. GOOD STUFF, SIMON. 88 00:05:42,873 --> 00:05:45,823 THIS IS GONNA GET US INSIDE THE GATE. 89 00:05:45,816 --> 00:05:49,976 THIS IS GONNA GET US INSIDE EVERYTHING. 90 00:05:49,980 --> 00:05:53,620 I KNOW YOU DON'T TRUST HIM. 91 00:05:53,624 --> 00:05:56,764 I TRUST YOU. 92 00:05:56,757 --> 00:05:59,087 IF YOU'RE HERE, I'M HERE. 93 00:05:59,089 --> 00:06:02,029 OHH. WHAT'S THE MATTER? WHAT'S GOING ON? 94 00:06:02,032 --> 00:06:04,032 I DON'T KNOW. SOMETHING'S NOT RIGHT. 95 00:06:04,034 --> 00:06:07,544 I THINK I DID IT BACK IN MY APARTMENT. OKAY, WE'RE GOING TO THE HOSPITAL. 96 00:06:07,538 --> 00:06:09,668 NO, NO. WE HAVE TO DO THIS TONIGHT. 97 00:06:09,670 --> 00:06:11,800 WE'RE NOT GONNA GET A SECOND CHANCE. JANIS. 98 00:06:11,802 --> 00:06:14,612 THE FBI'S NOT GONNA LET HIM NEAR THAT MACHINE. 99 00:06:14,605 --> 00:06:16,605 CATCHING WHOEVER IS BEHIND THE BLACKOUT 100 00:06:16,607 --> 00:06:19,047 IS MORE IMPORTANT THAN ANYTHING ELSE. 101 00:06:19,049 --> 00:06:21,049 YOU NEED TO DO THIS. 102 00:06:21,051 --> 00:06:23,881 PLEASE. DO IT FOR ME. 103 00:06:32,763 --> 00:06:34,063 (door buzzes) 104 00:06:42,903 --> 00:06:44,543 STAN-- 105 00:06:44,535 --> 00:06:47,505 DON'T TELL ME I WON'T REGRET DOING THIS. 106 00:06:49,840 --> 00:06:51,180 I ALREADY DO. 107 00:06:51,181 --> 00:06:53,181 LET'S GO. 108 00:07:12,533 --> 00:07:14,433 (siren wailing in distance) 109 00:07:14,434 --> 00:07:15,874 YOUR SNAPPING ON HELLINGER LIKE THAT-- 110 00:07:15,866 --> 00:07:19,006 I TAKE SOME RESPONSIBILITY. I LET IT HAPPEN. 111 00:07:19,009 --> 00:07:20,969 WHAT THE HELL ARE YOU TALKING ABOUT? 112 00:07:20,971 --> 00:07:23,941 WE WERE SO FOCUSED ON FINDING WHEN THE NEXT BLACKOUT IS, 113 00:07:23,944 --> 00:07:27,054 I HAVEN'T SEEN WHAT'S BEEN GOING ON WITH YOU. 114 00:07:27,047 --> 00:07:30,217 YEAH, I'VE BEEN MEANING TO TALK TO YOU 115 00:07:30,220 --> 00:07:32,950 ABOUT YOUR PRIORITIES LATELY. 116 00:07:32,953 --> 00:07:34,663 (chuckles) 117 00:07:34,655 --> 00:07:36,925 (cell phone rings) 118 00:07:36,927 --> 00:07:38,857 (ring, beep) WEDECK. 119 00:07:38,859 --> 00:07:42,059 (man) Sir, we've found two bombs in the FBI with timers. 120 00:07:42,062 --> 00:07:46,002 There are probably more. CALL IN THE BOMB SQUAD. I'M ON MY WAY. 121 00:07:45,996 --> 00:07:48,766 GUESS YOU'RE COMING WITH ME. 122 00:07:48,769 --> 00:07:50,769 (tires screech) 123 00:07:58,148 --> 00:08:00,508 (tires screech, horn honks) 124 00:08:03,854 --> 00:08:05,564 HANDS ON THE WHEEL. 125 00:08:05,556 --> 00:08:07,556 HANDS ON THE WHEEL. 126 00:08:07,558 --> 00:08:09,858 GET OUT OF THE CAR SLOW. 127 00:08:09,860 --> 00:08:11,860 SLOW! 128 00:08:11,862 --> 00:08:13,222 I NEED HELP! 129 00:08:13,223 --> 00:08:16,233 MA'AM, WHAT ARE YOU DOING HERE? (beeping) 130 00:08:16,226 --> 00:08:18,826 (whispers) WHAT'S TAKING SO LONG? 131 00:08:18,829 --> 00:08:20,999 (whispers) WELL, SHE HAS TO GET THE READER CLOSER. 132 00:08:21,001 --> 00:08:23,871 (strained voice) TRYING TO FIND PACIFIC STATE HOSPITAL 133 00:08:23,874 --> 00:08:25,914 ON OLD LA HONDA. 134 00:08:25,906 --> 00:08:27,836 MA'AM? MA'AM? 135 00:08:27,838 --> 00:08:29,238 MA'AM? (beep) 136 00:08:29,239 --> 00:08:32,609 (guard grunts) (beep, door buzzes) 137 00:08:32,613 --> 00:08:35,953 (Simon, whispering) COME ON! (Demetri, whispering) WAIT. THAT LOOKED REAL. SHE WAS HURTING. 138 00:08:35,946 --> 00:08:38,886 I NEED AN AMBULANCE AT LA HONDA ACCESS POINT. 139 00:08:38,889 --> 00:08:41,549 HE'S GETTING HER TO A HOSPITAL. COME ON. LA HONDA ACCESS POINT. 140 00:08:41,552 --> 00:08:44,832 (Charlie) WE SHOULD BE HOME NOW. IT'S ALMOST 10:00. 141 00:08:44,825 --> 00:08:46,995 MM-HMM. 142 00:08:46,997 --> 00:08:49,927 WELL, WE'RE NOT. 143 00:08:49,930 --> 00:08:54,610 SO THEN... THINGS CAN CHANGE? 144 00:08:54,605 --> 00:08:57,135 MM-HMM. 145 00:08:57,137 --> 00:08:59,867 DYLAN! 146 00:08:59,870 --> 00:09:02,240 WHAT ARE YOU DOING HERE? 147 00:09:02,242 --> 00:09:05,922 HI, CHARLIE. 148 00:09:05,916 --> 00:09:08,616 UH, SWEETIE, WHY DON'T YOU TAKE DYLAN TO THE CAR 149 00:09:08,619 --> 00:09:10,619 AND GO GET HIM A JUICE BOX? 150 00:09:10,621 --> 00:09:12,621 OKAY. COME ON, DYLAN. 151 00:09:14,985 --> 00:09:17,325 HOW DID YOU FIND US? UH, WELL, ACTUALLY, UM, 152 00:09:17,327 --> 00:09:20,027 MY PEOPLE CALLED YOUR PEOPLE. 153 00:09:20,030 --> 00:09:22,090 THE BODYGUARDS? 154 00:09:22,092 --> 00:09:24,972 IN MY FLASH-FORWARD, I THINK I WAS ON THE VERGE 155 00:09:24,965 --> 00:09:27,135 OF--OF FIGURING OUT SOMETHING REALLY CRUCIAL, 156 00:09:27,137 --> 00:09:30,867 BUT I THINK FOR THAT TO HAPPEN, I HAVE TO BE AT YOUR HOUSE. 157 00:09:30,871 --> 00:09:33,571 I HAVE TO RECREATE THOSE CONDITIONS. 158 00:09:33,573 --> 00:09:35,213 TELL YOU WHAT-- WHY DON'T YOU LET YOURSELF IN? 159 00:09:35,205 --> 00:09:37,975 AND THEN YOU RECREATE ALL THE CONDITIONS YOU WANT. LISTEN TO ME. LISTEN. 160 00:09:37,978 --> 00:09:40,078 YOU'RE PART OF IT-- 161 00:09:40,080 --> 00:09:41,780 YOU AND CHARLIE. 162 00:09:41,782 --> 00:09:44,282 IT'S LIKE GABRIEL SAID. YOU'RE PART OF THE PUZZLE. 163 00:09:44,284 --> 00:09:46,864 HOW, EXACTLY? I DON'T KNOW. 164 00:09:46,857 --> 00:09:50,117 I JUST KNOW THAT YOU ARE. THIS IS BIGGER THAN YOU AND ME. WE CAN'T STOP IT. I'VE TRIED. 165 00:09:50,120 --> 00:09:53,690 MARK PUSHED ME AWAY TO SAVE THE WORLD-- NO, I CAN'T PUSH YOU AWAY. 166 00:09:53,694 --> 00:09:56,934 DON'T YOU UNDERSTAND? I CAN'T DO THIS ALONE. 167 00:09:56,927 --> 00:09:58,697 MAYBE YOU SHOULD. 168 00:09:58,699 --> 00:10:01,269 YOU'RE PART OF THE EQUATION, 169 00:10:01,271 --> 00:10:03,801 AND I CANNOT DO IT WITHOUT YOU. 170 00:10:07,978 --> 00:10:09,678 (cell phone beeps) 171 00:10:12,382 --> 00:10:14,822 WHAT, UH, WHAT ARE YOU DOING HERE? 172 00:10:14,815 --> 00:10:16,815 DID YOU FIND HER? 173 00:10:16,817 --> 00:10:18,787 THEY JUST RELEASED HER. 174 00:10:18,789 --> 00:10:21,819 I GOT A CONTACT NUMBER FOR HER. 175 00:10:21,822 --> 00:10:23,822 IT'S, UM... (beep) 176 00:10:23,824 --> 00:10:26,234 IT'S THE RESTAURANT WHERE I SAW HER 177 00:10:26,226 --> 00:10:29,756 IN MY FLASH-FORWARD. TURNS OUT IT'S IN L.A. 178 00:10:29,760 --> 00:10:33,000 IT'S ALL COMING TRUE FOR YOU. 179 00:10:33,003 --> 00:10:35,743 LOOK, BRYCE, I-I... 180 00:10:35,736 --> 00:10:38,066 I JUST WANTED TO SAY THAT I'M SORRY. 181 00:10:38,068 --> 00:10:40,338 YOU KNOW, SHE FLEW ALL THE WAY ACROSS THE PACIFIC OCEAN 182 00:10:40,340 --> 00:10:42,770 JUST TO MEET YOU, AND I... 183 00:10:42,773 --> 00:10:46,283 I TRIED TO KEEP YOU APART. NO, I'M SORRY. 184 00:10:46,276 --> 00:10:49,016 THIS WHOLE THING IS MY FAULT. 185 00:10:50,951 --> 00:10:52,951 I'M SORRY. 186 00:10:52,953 --> 00:10:56,993 I'VE BEEN IGNORING THE TRUTH, THE FEELINGS THAT I HAD. 187 00:10:56,987 --> 00:10:58,887 I KNOW IT SOUNDS CRAZY, 188 00:10:58,889 --> 00:11:01,859 BUT I LOVE HER. 189 00:11:01,862 --> 00:11:06,872 THIS WHOLE THING WITH HER WAS MEANT TO BE. 190 00:11:06,867 --> 00:11:08,867 I MEAN, I PUT THESE ON THIS MORNING 191 00:11:08,869 --> 00:11:11,069 WITHOUT A SECOND THOUGHT. 192 00:11:11,071 --> 00:11:15,881 IT WASN'T UNTIL HALF AN HOUR AGO THAT I REALIZED 193 00:11:15,876 --> 00:11:20,206 THIS IS WHAT I WAS WEARING IN MY FLASH-FORWARD. 194 00:11:20,210 --> 00:11:22,180 I GOTTA GO. 195 00:11:22,182 --> 00:11:24,992 YEAH. YOU SHOULD GO. 196 00:11:36,897 --> 00:11:39,797 (woman) ALL LIQUIDS, GELS AND AEROSOLS 197 00:11:39,800 --> 00:11:42,100 MUST BE IN 3-OUNCE OR SMALLER CONTAINERS. 198 00:11:42,102 --> 00:11:45,142 (speaking foreign language) 199 00:12:01,792 --> 00:12:03,952 (speaking Japanese) 200 00:12:15,205 --> 00:12:16,765 UHH! 201 00:12:16,767 --> 00:12:21,307 (speaking Japanese) 202 00:12:33,053 --> 00:12:36,063 (shouting in Japanese) 203 00:12:39,830 --> 00:12:42,760 (siren whoops) 204 00:12:42,762 --> 00:12:44,032 (brakes squeal) 205 00:12:44,034 --> 00:12:45,174 (helicopter whirring) 206 00:12:45,165 --> 00:12:47,965 (Mark) NO, NO, NO, NO, NO. HEAR ME OUT. WAIT. 207 00:12:47,968 --> 00:12:49,968 HEAR ME OUT. WHOEVER PUT THOSE BOMBS IN THERE 208 00:12:49,970 --> 00:12:52,040 IS TARGETING SOMETHING SPECIFIC. 209 00:12:52,042 --> 00:12:55,952 SO WE NEED TO FIGURE OUT WHAT. SO HELP ME, MARK, ALL THE GLORIOUS CHOIRS OF HEAVEN, 210 00:12:55,946 --> 00:12:59,076 IF YOU STEP OUT OF THIS CAR, I WILL HAVE YOUR HEAD ON A PLATE. 211 00:12:59,079 --> 00:13:01,149 I'M GONNA SEND OVER A DRIVER. 212 00:13:01,151 --> 00:13:03,911 STAY IN THE CAR. 213 00:13:03,914 --> 00:13:06,164 (man speaking indistinctly) 214 00:13:06,156 --> 00:13:08,956 YOU NEED A FRIEND, SO I TRACKED HIM DOWN FOR YOU. 215 00:13:08,959 --> 00:13:10,989 (beep, phone ringing) 216 00:13:10,991 --> 00:13:12,961 SOMEONE TO KEEP YOU COMPANY WHILE YOU WAIT. 217 00:13:12,963 --> 00:13:15,133 (ring) 218 00:13:15,125 --> 00:13:17,025 (ring, beep) HELLO? 219 00:13:17,027 --> 00:13:19,827 AARON, IT'S MARK. WHERE THE HELL ARE YOU? 220 00:13:19,830 --> 00:13:22,800 Listen, I'm okay, but I talked to Wedeck, 221 00:13:22,802 --> 00:13:25,112 and I need to know what's going on with you. 222 00:13:25,105 --> 00:13:27,005 I DON'T KNOW. 223 00:13:27,007 --> 00:13:29,837 I JUST KIND OF LOST IT. 224 00:13:29,840 --> 00:13:32,940 AND THEN... 225 00:13:32,943 --> 00:13:35,993 AND THEN I STARTED TO DRINK. 226 00:13:35,986 --> 00:13:39,916 YOU KNOW... 227 00:13:39,920 --> 00:13:43,050 SOMETIMES WHAT HAPPENS IN THE WORLD MAKES US FORGET 228 00:13:43,053 --> 00:13:45,033 it's all up to us. We have choices-- 229 00:13:45,025 --> 00:13:47,195 you, me... 230 00:13:47,197 --> 00:13:48,897 TRACY. 231 00:13:50,901 --> 00:13:54,031 You choose what's next, and you'll wind up 232 00:13:54,034 --> 00:13:56,414 right where you're supposed to be. 233 00:13:56,406 --> 00:13:58,406 Take care of yourself, Mark. 234 00:13:58,408 --> 00:14:00,468 OKAY. 235 00:14:02,913 --> 00:14:05,553 (man shouting indistinctly, siren wailing) 236 00:14:05,545 --> 00:14:07,615 AGENT BENFORD. 237 00:14:07,617 --> 00:14:09,617 BEEN CELEBRATING? 238 00:14:09,619 --> 00:14:11,619 A LITTLE. 239 00:14:11,621 --> 00:14:14,931 HAD TO GET BACK TO THE OFFICE, THOUGH. 240 00:14:14,925 --> 00:14:16,885 LOOSE ENDS. 241 00:14:16,887 --> 00:14:18,887 THERE'S NOTHING TO SEE UP THERE, MARK. 242 00:14:18,889 --> 00:14:21,189 IT'S A FOOL'S ERRAND. 243 00:14:21,191 --> 00:14:24,091 LAST TIME I LISTENED TO YOU, I TOOK MY EYES OFF THE PRIZE. 244 00:14:24,094 --> 00:14:26,944 NOT GONNA HAPPEN AGAIN. 245 00:14:28,638 --> 00:14:31,068 I HAVE TO GO. 246 00:14:31,071 --> 00:14:33,071 GOT A LITTLE ERRAND TO RUN. 247 00:14:55,125 --> 00:14:57,125 I HAVE A NEW GOLDFISH NAMED SADIE. 248 00:14:57,127 --> 00:14:59,897 CAN I SEE IT? COME ON. IT'S UPSTAIRS. 249 00:14:59,899 --> 00:15:03,329 I WANT COOKIES AFTER. DYLAN, THAT'S NOT HOW WE ASK. 250 00:15:03,333 --> 00:15:05,943 (Olivia) IT'S OKAY. MI CASA ES SU CASA. 251 00:15:05,936 --> 00:15:08,406 THAT MEANS MY HOUSE IS YOUR HOUSE, TOO. IT'S MY HOUSE, TOO. 252 00:15:08,408 --> 00:15:09,408 COME ON. SO... 253 00:15:09,409 --> 00:15:13,279 SO... 254 00:15:13,283 --> 00:15:15,293 UH, 9:33. 255 00:15:15,285 --> 00:15:19,315 27 MINUTES TILL YOUR EPIPHANY. 256 00:15:19,319 --> 00:15:23,149 YEAH. UH... OKAY. 257 00:15:23,153 --> 00:15:26,033 I THINK I'D BETTER GET TO WORK. 258 00:15:26,026 --> 00:15:28,026 ALL RIGHT. 259 00:15:30,100 --> 00:15:32,060 SO HOW--HOW DOES THIS WORK? 260 00:15:32,062 --> 00:15:35,472 WE JUST TAKE OUR POSITIONS AT 10:00, 261 00:15:35,465 --> 00:15:37,635 WAIT FOR YOUR BREAKTHROUGH? 262 00:15:37,637 --> 00:15:40,707 YEAH, I THINK I'LL KEEP MY SHIRT ON THIS TIME. 263 00:15:40,710 --> 00:15:42,140 OKAY. 264 00:15:42,142 --> 00:15:45,152 (whirring) 265 00:15:53,123 --> 00:15:54,453 (beep) 266 00:15:54,454 --> 00:15:57,164 (door whooshes) 267 00:15:57,157 --> 00:16:00,457 (beep) WHAT THE HELL? 268 00:16:00,460 --> 00:16:02,690 I DON'T KNOW WHAT HAPPENED. OPEN THIS DOOR. 269 00:16:02,692 --> 00:16:05,972 I DON'T KNOW WHAT HAPPENED. WAIT, LET ME JUST-- NOW, SIMON! 270 00:16:05,965 --> 00:16:08,435 I DON'T KNOW WHAT HAPPENED. I KNEW YOU'D TRY TO PULL SOMETHING, 271 00:16:08,438 --> 00:16:11,368 YOU SOCIOPATHIC, LYING SON... 272 00:16:11,371 --> 00:16:13,741 YOU'RE WELCOME. COME ON IN. 273 00:16:16,246 --> 00:16:19,276 YOUR FRIEND ASKED YOU TO TRUST ME. 274 00:16:19,279 --> 00:16:22,009 JANIS WANTED ME TO HELP YOU. I DO NOT TRUST YOU. 275 00:16:27,417 --> 00:16:31,717 THIS IS THE LAST PIECE OF LEVERAGE I HAVE LEFT. 276 00:16:31,721 --> 00:16:36,071 AND NOW YOU HAVE IT. 277 00:16:36,066 --> 00:16:38,096 LET'S GET TO WORK. 278 00:16:38,098 --> 00:16:41,028 SHALL WE? 279 00:16:43,603 --> 00:16:46,313 (helicopter whirring) 280 00:16:46,306 --> 00:16:48,036 (man) Confirming devices 281 00:16:48,038 --> 00:16:50,338 on floors five, six and ten, over. 282 00:16:50,340 --> 00:16:52,340 (Vogel) YOU GOT A DET TIME? 283 00:16:52,342 --> 00:16:54,312 Affirmative. 36 minutes and counting. 284 00:16:54,314 --> 00:16:56,324 COPY THAT. 285 00:16:57,747 --> 00:17:00,047 WHAT'S THE UPDATE? 286 00:17:00,050 --> 00:17:03,790 BOMBS, MARK. WE'VE LOCATED THEM ON AT LEAST FIVE FLOORS. 287 00:17:03,793 --> 00:17:06,263 THIS IS BIGGER THAN HELLINGER. 288 00:17:06,256 --> 00:17:08,296 YEAH. HE'S JUST A LINK IN THE CHAIN. 289 00:17:08,298 --> 00:17:10,298 THEY'RE COMING AFTER MOSAIC. 290 00:17:10,300 --> 00:17:14,160 ARE YOU ABOUT TO DO WHAT I THINK YOU'RE ABOUT TO DO? 291 00:17:14,164 --> 00:17:17,074 YOUR CHANCES OF MAKING IT OUT OF THERE ARE NOT GOOD. 292 00:17:17,067 --> 00:17:19,037 I NEED YOU TO DO SOMETHING FOR ME. 293 00:17:19,038 --> 00:17:21,038 IF THEY'RE COMING AFTER MOSAIC, 294 00:17:21,040 --> 00:17:22,710 LLOYD SIMCOE IS NOT SAFE, EITHER. 295 00:17:22,712 --> 00:17:25,082 NOW I'VE GOT THIS COVERED. 296 00:17:25,075 --> 00:17:26,475 I'LL SECURE SIMCOE. 297 00:17:26,476 --> 00:17:28,446 YOU CAN FIND HIM AT-- YOUR HOUSE. 298 00:17:28,448 --> 00:17:30,348 IT'S WHAT I SAW. IT'S... 299 00:17:30,350 --> 00:17:34,380 IT'S WHERE I'M GOING, RIGHT? 300 00:17:34,384 --> 00:17:36,794 RIGHT. 301 00:17:36,786 --> 00:17:38,486 LOCK IT DOWN. 302 00:17:38,488 --> 00:17:41,288 YOU SHOULD KNOW I ALSO SAW MYSELF 303 00:17:41,291 --> 00:17:43,761 TELLING ANOTHER AGENT YOU WERE DEAD. 304 00:17:47,367 --> 00:17:51,137 LLOYD SIMCOE'S KEY. WE NEED HIM ALIVE. SAME GOES FOR YOU. 305 00:17:51,141 --> 00:17:54,241 I'LL KEEP THAT IN MIND. 306 00:18:01,080 --> 00:18:04,080 MOM, COME HERE! 307 00:18:07,117 --> 00:18:09,357 MY GOD. 308 00:18:13,223 --> 00:18:16,233 HE GOT INTO YOUR LIPSTICK AND JUST STARTED WRITING. 309 00:18:17,767 --> 00:18:20,727 IT'S THE FORMULA IN MY FLASH-FORWARD. 310 00:18:20,730 --> 00:18:22,400 THIS IS WHAT I SAW. 311 00:18:22,402 --> 00:18:25,212 HOW IS THAT POSSIBLE? 312 00:18:26,736 --> 00:18:28,736 I ALWAYS ASSUMED I'D WRITTEN IT. 313 00:18:30,740 --> 00:18:34,410 I GUESS DYLAN MUST HAVE MEMORIZED IT THIS AFTERNOON. 314 00:18:34,414 --> 00:18:36,794 IS HE IN TROUBLE? 315 00:18:36,786 --> 00:18:37,816 NO. 316 00:18:37,817 --> 00:18:40,347 CAN WE GET COOKIES NOW? 317 00:18:40,350 --> 00:18:41,850 SURE. 318 00:18:41,851 --> 00:18:44,851 UH, CHARLIE, WHY DON'T YOU TAKE DYLAN DOWNSTAIRS 319 00:18:44,854 --> 00:18:47,204 AND SHOW HIM WHERE THEY ARE? 320 00:18:47,197 --> 00:18:49,197 I WILL, BUT HE ALREADY KNOWS. 321 00:18:49,199 --> 00:18:52,629 COME ON, DYLAN. 322 00:18:52,632 --> 00:18:57,242 SO WHAT IS THIS? WHAT DOES IT MEAN? 323 00:18:57,237 --> 00:19:01,237 THIS EQUATION SOMEHOW LINKS THE Q.E.D., 324 00:19:01,241 --> 00:19:04,141 THE BLUEPRINTS AND THE FLASH-FORWARD 325 00:19:04,143 --> 00:19:05,883 ALL TOGETHER. 326 00:19:05,875 --> 00:19:07,875 BUT IT'S A MATH PROBLEM, RIGHT? 327 00:19:07,877 --> 00:19:12,317 HOW WOULD IT POSSIBLY TIE ALL THOSE THINGS TOGETHER? 328 00:19:12,322 --> 00:19:15,462 IT'S THE TACHYON CONSTANT. 329 00:19:16,786 --> 00:19:20,286 IT'S THE GREATEST MYSTERY IN ALL OF QUANTUM PHYSICS. 330 00:19:22,662 --> 00:19:25,162 AND I HAVE TO SOLVE IT... 331 00:19:26,896 --> 00:19:29,536 RIGHT NOW. 332 00:19:35,845 --> 00:19:38,905 (man) EVACUATE THE ENTIRE BUILDING! 333 00:19:40,880 --> 00:19:43,610 CLEAR, BLUE TEAM! CLEAR! 334 00:20:01,801 --> 00:20:04,531 (woman) I'VE BEEN WAITING FOR YOU. 335 00:20:04,534 --> 00:20:07,984 I'M REALLY HAPPY TO SEE YOU. 336 00:20:07,977 --> 00:20:10,807 EVERYTHING'S GONNA BE OKAY. THAT'S WHAT WE SAW, RIGHT? 337 00:20:10,810 --> 00:20:13,680 I HAVEN'T FELT HER MOVE IN THREE HOURS. 338 00:20:13,683 --> 00:20:15,793 WE'RE GONNA GET YOU AN ULTRASOUND. 339 00:20:15,785 --> 00:20:18,385 READY. OKAY. 340 00:20:18,388 --> 00:20:19,818 HE'S WHERE? 341 00:20:19,819 --> 00:20:22,849 HE'S IN THE BUILDING WITH THE BOMBS... 342 00:20:22,852 --> 00:20:26,662 WHERE I LEFT MY CAR KEYS. 343 00:20:26,656 --> 00:20:29,796 WE'VE GOT 23 MINUTES UNTIL THE BUILDING GOES. 344 00:20:29,799 --> 00:20:32,359 WE'VE GOTTA GET BENFORD. 345 00:20:34,704 --> 00:20:38,514 THE ANSWERS WILL COME. 346 00:20:38,508 --> 00:20:40,938 YOU SOUND SO CERTAIN. 347 00:20:40,940 --> 00:20:45,450 AT 10:00 P.M., THE ANSWERS WILL COME... 348 00:20:45,445 --> 00:20:47,915 BECAUSE THEY WILL. 349 00:20:47,917 --> 00:20:50,777 IT'S NOT ABOUT EQUATIONS. 350 00:20:50,780 --> 00:20:56,730 IT'S NOT ABOUT THE TWO OF US JUST PHYSICALLY BEING HERE. 351 00:20:56,726 --> 00:21:00,356 IT'S ABOUT THIS MOMENT... 352 00:21:00,360 --> 00:21:02,490 RIGHT HERE. 353 00:21:04,894 --> 00:21:09,744 I'VE FOUGHT IT AND RESISTED IT, 354 00:21:09,739 --> 00:21:12,899 AND YET HERE IT IS. 355 00:21:12,902 --> 00:21:16,652 IT HAPPENED. 356 00:21:16,646 --> 00:21:18,846 THE FUTURE HAPPENED. 357 00:21:28,688 --> 00:21:30,688 ALL OF IT? 358 00:21:45,034 --> 00:21:48,944 (gunfire) 359 00:21:48,938 --> 00:21:51,578 SOMEBODY MEANS BUSINESS. YEAH, YOU GOT THAT RIGHT. 360 00:21:51,581 --> 00:21:53,611 YOU WANT UP OR DOWN? 361 00:21:53,613 --> 00:21:55,393 DOWN. 362 00:21:55,385 --> 00:21:57,615 GO FOR IT. I GOT YOU COVERED. 363 00:22:07,827 --> 00:22:10,957 I'M EXACTLY WHERE I'M SUPPOSED TO BE. 364 00:22:16,936 --> 00:22:19,836 I'M SORRY. YOU CAN'T COME IN. 365 00:22:19,839 --> 00:22:22,339 PLEASE, PLEASE. I'M--I'M SUPPOSED TO MEET A WOMAN HERE. 366 00:22:22,341 --> 00:22:23,971 I LEARNED JAPANESE. 367 00:22:23,973 --> 00:22:25,983 (speaking Japanese) 368 00:22:28,978 --> 00:22:31,948 (speaking Japanese) 369 00:22:31,951 --> 00:22:33,951 PRIVATE PARTY... 370 00:22:37,627 --> 00:22:40,627 PLEASE-- AH! KEIKO... (speaking Japanese) 371 00:22:49,539 --> 00:22:50,939 THANK YOU. 372 00:22:50,940 --> 00:22:53,940 (horns honking) 373 00:22:56,075 --> 00:22:58,945 TRY A DIFFERENT STREET, PLEASE. 374 00:22:58,948 --> 00:23:00,848 WHEN I CAN GET TO ONE. 375 00:23:00,850 --> 00:23:03,850 I MEAN, THE TRAFFIC'S NUTS. 376 00:23:05,515 --> 00:23:07,515 OKAY. 377 00:23:09,088 --> 00:23:12,158 I NEED TO GO. THANK YOU. 378 00:23:27,937 --> 00:23:29,937 (horn honks) 379 00:23:29,939 --> 00:23:32,539 (tires screech) 380 00:23:50,600 --> 00:23:53,430 (cheering) 381 00:23:53,432 --> 00:23:55,872 (man) ALL RIGHT, EVERYBODY. IT'S ALMOST 10:00. 382 00:23:55,865 --> 00:23:59,635 FIVE MORE MINUTES TILL WE CATCH UP TO OUR FUTURE! 383 00:24:03,813 --> 00:24:06,623 YOU INSTALLED THE SOFTWARE. NOW YOU CAN'T FIND THE FILE? 384 00:24:06,616 --> 00:24:08,116 I'M JUST NOT SEEING IT YET. 385 00:24:08,117 --> 00:24:10,477 BEER? BEER? 386 00:24:10,480 --> 00:24:13,920 (door squeaks) HELPS ME COGITATE. 387 00:24:13,923 --> 00:24:16,093 YOU KNOW, JANIS IS GONNA BE OKAY. 388 00:24:16,085 --> 00:24:17,855 HOW DO YOU KNOW? 389 00:24:17,857 --> 00:24:20,827 SHE SAW IT IN HER FLASH-FORWARD. ALL RIGHT, LET'S GET GOING. 390 00:24:20,830 --> 00:24:24,060 SOMEONE COULD WALK IN HERE ANY SECOND. 391 00:24:24,063 --> 00:24:26,843 (Demetri) IT'S ALMOST 10:00. (beep) 392 00:24:26,836 --> 00:24:28,836 (typing) 393 00:24:28,838 --> 00:24:32,168 I'M SUPPOSED TO SEND LLOYD A TEXT. 394 00:24:35,975 --> 00:24:38,075 WHAT IS THAT, MATH? 395 00:24:38,077 --> 00:24:41,477 (beeps) IT'S AN EQUATION FOR A DAMPED 1-DIMENSIONAL WAVE. 396 00:24:41,480 --> 00:24:44,950 IT WAS LLOYD'S E-MAIL SIGNATURE FOR YEARS... (beeps) 397 00:24:44,954 --> 00:24:46,894 A DAMPED WAVE. 398 00:24:46,886 --> 00:24:50,216 HE USED TO CALL IT HIS "TEARFUL GOOD-BYE." 399 00:24:50,219 --> 00:24:53,989 THAT'S CUTE. IS THAT PHYSICS HUMOR? 400 00:24:53,993 --> 00:24:55,833 WELL, I'M SUPPOSED TO SEND HIM SOMETHING. 401 00:24:55,825 --> 00:24:57,965 HE SAW IT. 402 00:24:57,967 --> 00:25:01,727 AN INSIDE JOKE FOR AN INSIDE JOKE. 403 00:25:01,731 --> 00:25:03,001 (beeping) 404 00:25:03,002 --> 00:25:04,732 (beep) 405 00:25:04,734 --> 00:25:07,044 (typing) 406 00:25:07,036 --> 00:25:10,676 (man) FOUR, THREE, TWO, ONE! 407 00:25:10,680 --> 00:25:12,880 IT'S 10:00, EVERYBODY! 408 00:25:12,882 --> 00:25:14,882 (cheering) 409 00:25:21,721 --> 00:25:24,721 (water gurgling) 410 00:25:42,011 --> 00:25:45,851 (cell phone chirps) IT'S THE TEXT FROM--FROM SIMON. 411 00:25:47,647 --> 00:25:49,877 A WAVE. 412 00:25:49,879 --> 00:25:53,049 GOOD GOD. 413 00:25:53,052 --> 00:25:55,282 I HAVE TO MAKE A CALL. 414 00:25:59,659 --> 00:26:01,629 (ringing) 415 00:26:01,631 --> 00:26:03,591 (scoffs) 416 00:26:03,593 --> 00:26:04,863 YEAH. 417 00:26:04,864 --> 00:26:06,674 IT'S ME. Did you crack it? 418 00:26:06,666 --> 00:26:10,666 LOOK, THE CONSTANT I'VE BEEN LOOKING FOR--IT ISN'T A NUMBER. 419 00:26:10,670 --> 00:26:11,940 IT'S A WAVE. 420 00:26:11,941 --> 00:26:14,601 If I plug the wave into the blueprint equation, 421 00:26:14,604 --> 00:26:17,354 I get an interval which, if added to the previous blackout, 422 00:26:17,346 --> 00:26:19,976 tells us-- TELLS US WHAT, LLOYD? 423 00:26:19,979 --> 00:26:22,779 AS PRECISELY AS I CAN TELL, 424 00:26:22,782 --> 00:26:26,122 THE NEXT BLACKOUT IS SOMETIME IN APRIL 2010-- 425 00:26:26,115 --> 00:26:28,955 which means it's in the next two days. 426 00:26:28,958 --> 00:26:31,158 Mark? Mark? Are you still there? 427 00:26:31,160 --> 00:26:34,220 APRIL? APRIL? 428 00:26:34,223 --> 00:26:37,203 2010? 429 00:26:37,196 --> 00:26:39,926 (crowd shouting and cheering) 430 00:26:39,929 --> 00:26:43,629 (panting) 431 00:26:43,633 --> 00:26:45,683 (people speaking Japanese) 432 00:27:02,792 --> 00:27:05,732 (whimpering) 433 00:27:07,626 --> 00:27:10,896 (beeps) 434 00:27:10,900 --> 00:27:12,960 THE BABY'S FINE. 435 00:27:12,962 --> 00:27:16,042 GOOD HEARTBEAT. 436 00:27:16,035 --> 00:27:18,035 BUT IT'S A BOY. 437 00:27:19,939 --> 00:27:21,839 IT'S A BOY? 438 00:27:23,042 --> 00:27:25,042 YOU DISAPPOINTED? 439 00:27:25,044 --> 00:27:27,054 NO. 440 00:27:28,918 --> 00:27:31,148 JUST SURPRISED. 441 00:27:31,150 --> 00:27:34,680 FUTURE IS LIKE THAT. 442 00:27:34,684 --> 00:27:35,934 YEAH. 443 00:27:47,967 --> 00:27:50,967 (gunfire) 444 00:27:52,972 --> 00:27:55,072 (shell casings clatter) 445 00:27:57,276 --> 00:27:59,046 (beeping) 446 00:27:59,048 --> 00:28:00,908 (door whooshes open) 447 00:28:00,910 --> 00:28:03,050 (gunfire) 448 00:28:13,422 --> 00:28:16,432 (helicopter whirring) 449 00:28:19,098 --> 00:28:22,728 GOD, WE'RE ALMOST THROUGH THIS THING. 450 00:28:22,732 --> 00:28:25,782 FINALLY GO BACK TO THE WAY THINGS USED TO BE-- 451 00:28:25,775 --> 00:28:28,375 WHERE THE ONLY STUFF WE SEE 452 00:28:28,377 --> 00:28:31,077 IS WHAT'S RIGHT IN FRONT OF US. 453 00:28:31,080 --> 00:28:33,880 WELCOME TO THE FUTURE. 454 00:28:35,785 --> 00:28:37,085 WHO DID THIS? 455 00:28:37,086 --> 00:28:40,086 THE STRINGS ARE DIFFERENT. THEY MOVED. 456 00:28:42,151 --> 00:28:44,821 GABRIEL. 457 00:28:44,824 --> 00:28:47,304 MAKE IT LOOK RIGHT. YOU MAKE IT LOOK RIGHT. 458 00:28:47,296 --> 00:28:50,796 (whispering) GABRIEL. GABRIEL. 459 00:28:50,800 --> 00:28:53,860 GABRIEL. GABRIEL. GABRIEL. 460 00:29:01,070 --> 00:29:03,010 APRIL... 461 00:29:05,344 --> 00:29:06,754 BLACK... 462 00:29:08,477 --> 00:29:09,977 OUT. 463 00:29:09,979 --> 00:29:12,449 "T." 464 00:29:14,283 --> 00:29:15,793 "T." 465 00:29:18,027 --> 00:29:19,857 "E." 466 00:29:22,061 --> 00:29:24,031 "N." 467 00:29:24,033 --> 00:29:25,763 "F." 468 00:29:27,066 --> 00:29:29,466 O. U. 469 00:29:29,468 --> 00:29:32,038 "R." 470 00:29:32,041 --> 00:29:34,201 T. E. 471 00:29:34,203 --> 00:29:35,473 E. 472 00:29:35,474 --> 00:29:38,284 N. P.M. 473 00:29:41,450 --> 00:29:43,810 (gasps) 474 00:29:43,813 --> 00:29:46,323 APRIL 29th. 475 00:29:46,315 --> 00:29:49,485 10:14. 476 00:29:49,488 --> 00:29:53,058 THE BLACKOUT-- IT'S IN 12 MINUTES. 477 00:29:53,062 --> 00:29:54,992 (elevator bell dings) 478 00:29:54,994 --> 00:29:57,004 (elevator door opens) 479 00:30:02,101 --> 00:30:04,801 (electronic whir) 480 00:30:14,984 --> 00:30:17,494 THE COMMAND SYSTEM WON'T LET ME ACCESS IT. 481 00:30:17,486 --> 00:30:19,546 WHAT WAS IT YOU SAID EARLIER? 482 00:30:19,548 --> 00:30:22,548 NOW THE ONLY THING WE CAN SEE IS WHAT'S RIGHT IN FRONT OF US? 483 00:30:22,551 --> 00:30:25,931 (beep) WHOEVER DID THIS MAY HAVE COPIED THE ENTIRE MAINFRAME, 484 00:30:25,925 --> 00:30:28,195 CREATED SOME KIND OF CLONE. 485 00:30:28,197 --> 00:30:32,357 WAIT. SO WHAT YOU'RE LOOKING AT IS A... A FAKE, DESIGNED TO PREVENT ME FROM GETTING IN. 486 00:30:32,361 --> 00:30:35,131 THEY KNEW I'D BE BACK. 487 00:30:35,134 --> 00:30:36,914 REMEMBER ME? 488 00:30:36,906 --> 00:30:41,006 NOW ALL I HAVE TO DO IS BACKDOOR INTO MY ARCHIVED ACCOUNT, 489 00:30:41,010 --> 00:30:43,070 COMPARE THE SYSTEM, 490 00:30:43,072 --> 00:30:45,072 COMPARE THE CODE... 491 00:30:45,074 --> 00:30:49,024 I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 492 00:30:49,018 --> 00:30:50,978 BYE-BYE. 493 00:30:50,980 --> 00:30:53,020 (beeps) 494 00:30:53,022 --> 00:30:54,882 YOU GOT IT? 495 00:30:54,884 --> 00:30:56,894 DOWNLOADING IT FOR YOU NOW. 496 00:30:56,886 --> 00:30:58,886 I DON'T KNOW WHO YOU WORK FOR, MR. HELLINGER, 497 00:30:58,888 --> 00:31:00,958 BUT WHOEVER THEY ARE, THEY WON'T BE VERY HAPPY 498 00:31:00,960 --> 00:31:03,930 THAT YOU DIDN'T PREVENT THIS... 499 00:31:03,933 --> 00:31:05,593 NOT AT ALL. (beeping) 500 00:31:05,594 --> 00:31:08,004 DONE. WHATEVER YOU'LL NEED 501 00:31:07,997 --> 00:31:09,897 TO TRACK THE BASTARDS IS IN HERE. 502 00:31:09,899 --> 00:31:12,069 (fireworks whistling in distance) 503 00:31:13,903 --> 00:31:16,053 OKAY. 504 00:31:16,045 --> 00:31:17,345 HEY. SWEETIE, GO. 505 00:31:17,346 --> 00:31:19,346 GO. GO PLAY WITH DYLAN. 506 00:31:20,950 --> 00:31:23,950 MARK BENFORD IS DEAD. 507 00:31:23,953 --> 00:31:27,393 HE RAN INTO THE BUILDING. DOESN'T HAVE A CHANCE. 508 00:31:27,386 --> 00:31:30,386 (electronic whirring) 509 00:31:45,104 --> 00:31:48,644 (cell phone rings) 510 00:32:24,943 --> 00:32:27,483 (coughing) OKAY. HEY, HEY, HEY, HEY, HEY. ARE YOU OKAY? 511 00:32:27,476 --> 00:32:30,076 CAREFUL. 512 00:32:30,079 --> 00:32:32,349 WHAT HAPPENED? 513 00:32:32,351 --> 00:32:36,291 YOU WENT OFF THE ROAD INTO THE LAKE. 514 00:32:36,285 --> 00:32:39,085 I-I WASN'T EVEN SURE YOU WERE WITH US. 515 00:32:39,088 --> 00:32:41,358 THEN I PULLED YOU OUT OF THE CAR, 516 00:32:41,360 --> 00:32:44,090 AND YOU STARTED FIGHTING ME. 517 00:32:44,093 --> 00:32:46,343 HEY, COME ON. HEY, YOU MUST BE FREEZING. 518 00:32:46,335 --> 00:32:47,965 HERE. OKAY. 519 00:32:47,966 --> 00:32:49,696 THERE. (coughs) 520 00:32:49,698 --> 00:32:52,098 HEY, IT'S OKAY. IT'S OKAY. 521 00:32:54,543 --> 00:32:57,083 IN MY FLASH-FORWARD, I... 522 00:32:57,076 --> 00:33:00,076 I SAW MYSELF SAVING YOU. 523 00:33:00,079 --> 00:33:02,309 AND ALL THESE MONTHS... 524 00:33:02,311 --> 00:33:05,511 I THOUGHT MAYBE I FAILED. 525 00:33:05,514 --> 00:33:07,224 (chuckles) 526 00:33:07,216 --> 00:33:09,716 I'M, UH... 527 00:33:09,718 --> 00:33:13,418 I'M REALLY HAPPY THAT I DIDN'T. 528 00:33:13,422 --> 00:33:16,772 YOU SAW ME? 529 00:33:16,765 --> 00:33:20,225 YEAH. 530 00:33:20,229 --> 00:33:24,629 OKAY. AN AMBULANCE IS ON ITS WAY, OKAY? 531 00:33:24,633 --> 00:33:26,083 HEY. 532 00:33:26,075 --> 00:33:28,075 MY NAME'S ED. 533 00:33:29,738 --> 00:33:32,708 NICOLE. 534 00:33:32,711 --> 00:33:34,611 (beeping) 535 00:33:34,613 --> 00:33:36,523 WHAT? 536 00:33:36,515 --> 00:33:39,085 (groans) WHAT IS IT? 537 00:33:39,088 --> 00:33:42,018 SOMEONE'S ACCESSING THE MAINFRAME FROM OUTSIDE. WHAT DOES THAT MEAN? 538 00:33:42,020 --> 00:33:44,350 IT'S A DIFFERENT COMMAND SYSTEM 539 00:33:44,353 --> 00:33:46,733 ORIGINATING OFF-SITE. 540 00:33:46,725 --> 00:33:49,555 THEY HAVE CONTROL. 541 00:33:49,558 --> 00:33:51,458 (typing on keyboard) 542 00:33:51,460 --> 00:33:55,060 (automated female voice) COMMENCING ACTIVATION SEQUENCE. 543 00:33:55,064 --> 00:33:58,374 (alarm blaring, rapid beeping, electronic whirring) 544 00:34:30,769 --> 00:34:31,839 (gunfire) 545 00:34:31,840 --> 00:34:33,770 (grunts) 546 00:34:37,446 --> 00:34:41,106 WHAT HAVE YOU DONE, SIMON? GET AWAY FROM THERE. 547 00:34:41,110 --> 00:34:43,310 PUT YOUR HANDS UP! NOW! 548 00:35:03,202 --> 00:35:05,202 (breathing heavily) 549 00:35:07,236 --> 00:35:09,206 YOU LYING SON OF A BITCH. (alarm blaring) 550 00:35:09,208 --> 00:35:12,208 (fires) HEY, I DIDN'T DO THIS, DEMETRI, 551 00:35:12,211 --> 00:35:14,211 NOT THEN AND CERTAINLY NOT NOW! 552 00:35:14,213 --> 00:35:17,553 I'M GOING TO LET THEM DO THIS TO ME, DEMETRI. 553 00:35:17,546 --> 00:35:20,286 I WON'T LET THEM TURN ME INTO A MONSTER, 554 00:35:20,289 --> 00:35:23,289 TO USE MY MACHINE, MY MIND. MILLIONS OF PEOPLE, DEMETRI-- 555 00:35:23,292 --> 00:35:26,732 MILLIONS OF PEOPLE DON'T DESERVE TO DIE. 556 00:35:26,725 --> 00:35:29,425 KNOW WHAT? YOU WANT TO STOP ME? 557 00:35:29,428 --> 00:35:31,898 YOU WANT TO STOP ME FROM DOING WHAT I'M DOING, 558 00:35:31,900 --> 00:35:33,900 WHICH IS TRYING TO SHUT DOWN THIS MACHINE? 559 00:35:33,902 --> 00:35:36,512 THEN YOU'RE GOING TO HAVE TO SHOOT ME. 560 00:35:44,673 --> 00:35:46,823 (door squeaks open) 561 00:36:17,846 --> 00:36:19,276 (loud whoosh) 562 00:36:46,335 --> 00:36:48,775 (elevator bell dings) 563 00:36:48,777 --> 00:36:52,437 (yelling) 564 00:36:52,441 --> 00:36:55,341 (grunts) 565 00:36:55,344 --> 00:36:57,954 (panting) 566 00:37:21,670 --> 00:37:23,410 (cell phone rings) YEAH? 567 00:37:23,412 --> 00:37:26,352 It's Mark. YOU'RE STILL IN THE BUILDING? 568 00:37:26,345 --> 00:37:28,345 Get the hell out now! 569 00:37:28,347 --> 00:37:31,377 THE NEXT BLACKOUT-- I FIGURED IT OUT, STAN. 570 00:37:31,380 --> 00:37:35,780 IT'S GONNA BE AT 10:14 P.M. PACIFIC TONIGHT. 571 00:37:35,784 --> 00:37:38,934 Call the White House, EBS, NTSB, everyone. 572 00:37:38,927 --> 00:37:42,787 THIS PLACE IS ABOUT TO GO IN THREE MINUTES. MOVE NOW! 573 00:37:42,791 --> 00:37:45,661 (whispers) MAKE THE CALL, STAN. 574 00:37:49,568 --> 00:37:52,498 (helicopter whirring) ASSISTANT DIRECTOR STANFORD WEDECK. YES. 575 00:37:52,501 --> 00:37:54,501 PUT ME THROUGH TO THE WHITE HOUSE NOW. 576 00:38:15,624 --> 00:38:18,374 (woman) CREDIBLE INFORMATION THAT ANOTHER GLOBAL BLACKOUT 577 00:38:18,367 --> 00:38:22,767 WILL HIT IN MINUTES. (reporters speaking at once in foreign languages) 578 00:38:22,771 --> 00:38:25,601 (rings, beep) (sighs) 579 00:38:25,604 --> 00:38:26,844 MARK! 580 00:38:26,835 --> 00:38:28,975 (whispering) Livy, listen very carefully. 581 00:38:28,977 --> 00:38:30,777 THE NEXT BLACKOUT'S ABOUT TO HAPPEN. 582 00:38:30,779 --> 00:38:34,339 TAKE CHARLIE, GET HER SOMEWHERE SAFE. 583 00:38:34,343 --> 00:38:36,623 It's gonna happen in about two minutes. 584 00:38:36,615 --> 00:38:39,045 TELL HER I LOVE HER. 585 00:38:39,047 --> 00:38:42,517 I LOVE YOU BOTH. 586 00:38:42,521 --> 00:38:45,521 Please be safe, Mark. Good-bye, Livy. 587 00:38:52,761 --> 00:38:55,101 "PRESIDENT SEGOVIA HAS ISSUED AN EVACUATION ORDER 588 00:38:55,103 --> 00:38:57,113 "IN LIGHT OF CREDIBLE REPORTS 589 00:38:57,105 --> 00:38:58,835 THAT ANOTHER GLOBAL BLACKOUT WILL HIT." 590 00:38:58,837 --> 00:39:01,707 HE'S URGING IMMEDIATE STEPS TO BE TAKEN 591 00:39:01,710 --> 00:39:03,910 TO ENSURE PUBLIC SAFETY AND IS APPEALING FOR CALM. 592 00:39:03,912 --> 00:39:06,982 YOU MIGHT WANT TO PUT THAT RING ON. 593 00:39:06,975 --> 00:39:11,615 YOU KNOW WHAT? I DIDN'T SEE MY FUTURE THE LAST TIME AROUND. 594 00:39:11,620 --> 00:39:15,050 I'M NOT GONNA MISS IT THIS TIME. YOU WANT IT? 595 00:39:15,053 --> 00:39:17,063 I'VE SEEN MY FUTURE. 596 00:39:17,055 --> 00:39:19,955 THIS IS IT... RIGHT NOW. 597 00:39:23,031 --> 00:39:26,361 (gun cocks) 598 00:39:26,364 --> 00:39:28,804 WHAT DID YOU SEE? 599 00:39:36,044 --> 00:39:38,154 YOU MIGHT WANT TO SIT DOWN FOR THIS ONE. (rapid beeping) 600 00:39:38,146 --> 00:39:40,376 READY? 601 00:39:42,080 --> 00:39:45,080 (loud rumbling, whooshing) 602 00:39:53,391 --> 00:39:55,921 HANG ON! I AM! 603 00:40:02,501 --> 00:40:06,101 (helicopter whirring) 604 00:40:06,104 --> 00:40:07,944 JUST HANG ON! 605 00:40:30,028 --> 00:40:34,498 (people speaking at once) 606 00:40:34,503 --> 00:40:37,473 (Band of Horses' "The Funeral" playing) 607 00:40:38,907 --> 00:40:41,867 ♪ I'M COMING UP ONLY ♪ 608 00:40:41,870 --> 00:40:47,150 ♪ TO HOLD YOU UNDER ♪ 609 00:40:49,447 --> 00:40:52,017 ♪ I'M COMING UP ONLY ♪ 610 00:40:52,020 --> 00:40:55,680 ♪ TO SHOW YOU WRONG ♪ 611 00:40:59,187 --> 00:41:04,157 ♪ OOH ♪ 612 00:41:04,162 --> 00:41:07,472 ♪ OOH ♪ 613 00:41:07,465 --> 00:41:10,935 ♪ REALLY TOO LATE TO CALL ♪ 614 00:41:10,939 --> 00:41:14,739 ♪ SO WE WAIT FOR ♪ 615 00:41:17,576 --> 00:41:20,906 ♪ MORNING TO WAKE YOU ♪ 616 00:41:20,909 --> 00:41:25,049 ♪ IT'S ALL WE GOT ♪ 617 00:41:27,255 --> 00:41:34,855 ♪ TO KNOW ME AS HARDLY GOLDEN ♪ 618 00:41:36,825 --> 00:41:42,825 ♪ IS TO KNOW ME ALL WRONG, THEY WERE ♪ 619 00:41:45,834 --> 00:41:47,844 ♪ AT EVERY OCCASION ♪ 620 00:41:47,836 --> 00:41:52,806 ♪ I'LL BE READY FOR A FUNERAL ♪ 621 00:41:59,948 --> 00:42:04,748 (whooshes) 622 00:42:06,995 --> 00:42:11,955 (man) CHARLIE, WHAT IS IT? YOU GOTTA TELL ME. 623 00:42:11,960 --> 00:42:15,060 THEY FOUND HIM. 624 00:42:15,063 --> 00:42:17,073 (gasps) 40888

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