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1
00:00:12,446 --> 00:00:14,713
♪ I BET WE'VE BEEN TOGETHER ♪
2
00:00:14,782 --> 00:00:17,882
♪ FOR A MILLION YEARS ♪
3
00:00:17,952 --> 00:00:20,185
♪ AND I BET WE'LL BE TOGETHER ♪
4
00:00:20,254 --> 00:00:23,154
♪ FOR A MILLION MORE ♪
5
00:00:23,223 --> 00:00:26,091
♪ OH, IT'S LIKE I
STARTED BREATHING ♪
6
00:00:26,160 --> 00:00:28,927
♪ ON THE NIGHT WE KISSED ♪
7
00:00:28,996 --> 00:00:30,962
♪ AND I CAN'T REMEMBER ♪
8
00:00:31,031 --> 00:00:34,132
♪ WHAT I EVER DID BEFORE ♪
9
00:00:34,201 --> 00:00:37,102
♪ WHAT WOULD WE DO, BABY ♪
10
00:00:37,170 --> 00:00:39,837
♪ WITHOUT US ♪
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00:00:39,906 --> 00:00:42,507
♪ WHAT WOULD WE DO, BABY ♪
12
00:00:42,576 --> 00:00:45,777
♪ WITHOUT US ♪
13
00:00:45,846 --> 00:00:47,813
♪ AND THERE AIN'T NO NOTHING ♪
14
00:00:47,881 --> 00:00:51,350
♪ WE CAN'T LOVE
EACH OTHER THROUGH ♪
15
00:00:51,418 --> 00:00:54,119
♪ WHAT WOULD WE DO, BABY ♪
16
00:00:54,187 --> 00:00:56,955
♪ WITHOUT US ♪
17
00:00:57,024 --> 00:01:00,159
♪ SHA LA LA LA ♪♪
18
00:01:03,830 --> 00:01:05,475
OK, ANDY, WHAT'S THIS?
19
00:01:05,499 --> 00:01:06,931
DOGGY.
20
00:01:07,000 --> 00:01:08,600
HORSEY.
21
00:01:09,703 --> 00:01:11,169
TAX-DEFERRED BONDS.
22
00:01:11,238 --> 00:01:12,571
YES.
23
00:01:12,640 --> 00:01:14,439
THAT'S MY GUY.
24
00:01:14,508 --> 00:01:16,909
HE'S MAKING EXCELLENT
PROGRESS, ISN'T HE, ALEX?
25
00:01:16,977 --> 00:01:18,321
YEAH, JEN, YOU KNOW,
WHEN YOU WERE HIS AGE,
26
00:01:18,345 --> 00:01:21,745
YOU WERE STILL TRYING TO
CALCULATE SIMPLE INTEREST.
27
00:01:24,251 --> 00:01:28,019
WHAT A WONDERFUL FAMILY SCENE.
28
00:01:28,089 --> 00:01:30,789
I JUST HOPE YOU CHILDREN
WILL REMEMBER THESE MOMENTS
29
00:01:30,857 --> 00:01:34,927
AFTER YOUR MOTHER AND
I ARE DEAD AND BURIED.
30
00:01:34,995 --> 00:01:38,196
GLAD YOU CAME IN
TO CHEER US UP, DAD.
31
00:01:38,265 --> 00:01:39,464
I'M SORRY, KIDS.
32
00:01:39,532 --> 00:01:41,244
I JUST CAME BACK FROM A
MEETING WITH MY LAWYER.
33
00:01:41,268 --> 00:01:44,303
HE STRONGLY ADVISES
THAT I DRAW UP A WILL.
34
00:01:44,371 --> 00:01:45,770
ARE YOU SICK, DAD?
35
00:01:45,839 --> 00:01:47,105
NO, NO, JEN. I'M FINE.
36
00:01:47,174 --> 00:01:48,618
HE JUST THINKS IT'S IMPORTANT
FOR YOUR MOTHER AND I
37
00:01:48,642 --> 00:01:49,852
TO GET OUR AFFAIRS IN ORDER
38
00:01:49,876 --> 00:01:52,844
WHILE WE'RE STILL OF SOUND
MIND AND GOOD HEALTH.
39
00:01:52,913 --> 00:01:54,379
THIS IS DEPRESSING.
40
00:01:58,285 --> 00:01:59,818
YEAH. LET'S GET OUT OF HERE.
41
00:01:59,887 --> 00:02:01,252
WHAT? MAYBE I SHOULD WAIT
42
00:02:01,321 --> 00:02:02,632
UNTIL YOUR MOTHER
COMES HOME FROM NEW YORK
43
00:02:02,656 --> 00:02:04,133
BEFORE I DO ANYTHING ABOUT THIS.
44
00:02:04,157 --> 00:02:05,524
I DON'T KNOW, DAD.
45
00:02:05,592 --> 00:02:07,303
MOM'S ARCHITECTURE
CONVENTION LASTS FOR A WEEK.
46
00:02:07,327 --> 00:02:08,938
YOU KNOW, NOW IS
THE PERFECT TIME
47
00:02:08,962 --> 00:02:10,922
FOR YOU TO DEAL WITH THIS.
48
00:02:11,398 --> 00:02:14,143
YOU KNOW HOW MOM HATES
TO DISCUSS DEATH OR FUNERALS
49
00:02:14,167 --> 00:02:17,313
OR LEGAL BATTLES OVER
WHO GETS WHAT PERCENTAGE
50
00:02:17,337 --> 00:02:20,172
OF THE DECEASED'S
EARTHLY POSSESSIONS.
51
00:02:20,240 --> 00:02:22,975
SHE'S FUNNY THAT WAY.
52
00:02:23,043 --> 00:02:24,543
BUT YOU AND ME, POP,
53
00:02:24,611 --> 00:02:27,851
WE COULD HAVE A GOOD
TIME WITH THIS WILL THING.
54
00:02:27,915 --> 00:02:29,025
YOU KNOW, YOU'RE
INTERESTED IN SEEING
55
00:02:29,049 --> 00:02:30,660
THAT YOUR LOVED ONES
ARE WELL TAKEN CARE OF.
56
00:02:30,684 --> 00:02:33,496
AND I'M CONCERNED WITH
LEGAL AND FISCAL MATTERS
57
00:02:33,520 --> 00:02:36,120
PERTAINING TO DEATH.
58
00:02:36,189 --> 00:02:38,357
THIS IS GOING TO BE GREAT!
59
00:02:38,425 --> 00:02:42,728
WELL, I'M GLAD WE FOUND
SOMETHING TO DO TOGETHER, SON.
60
00:02:42,796 --> 00:02:45,129
ANDY'S REALLY UPSET
ABOUT THIS WILL TALK.
61
00:02:45,198 --> 00:02:46,242
OH, HEY, HEY.
62
00:02:46,266 --> 00:02:47,510
TELL HIM NOT TO WORRY ABOUT IT.
63
00:02:47,534 --> 00:02:48,845
I'M HANDLING THE WILL NOW.
64
00:02:48,869 --> 00:02:51,636
JUST, UH...
65
00:02:51,705 --> 00:02:53,349
SHOW HIM THIS FIGURE.
66
00:02:53,373 --> 00:02:56,573
THAT WILL PUT A
SMILE ON HIS FACE.
67
00:02:57,444 --> 00:02:58,688
HI, EVERYBODY. HEY.
68
00:02:58,712 --> 00:02:59,856
THIS IS MARGARET HOBBS.
69
00:02:59,880 --> 00:03:02,147
SHE'S A FRESHMAN
WITH ME AT GRANT.
70
00:03:02,216 --> 00:03:05,684
WE'RE DOING A SOCIOLOGY
PROJECT TOGETHER FOR CLASS.
71
00:03:05,753 --> 00:03:07,252
WELL, THAT'S TERRIFIC.
72
00:03:07,320 --> 00:03:08,419
IT'S GREAT TO SEE SOMEONE
73
00:03:08,488 --> 00:03:10,088
GOING BACK TO
SCHOOL AT YOUR AGE.
74
00:03:10,157 --> 00:03:12,657
I MEAN, UM...
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00:03:12,726 --> 00:03:14,826
AT YOUR HEIGHT.
76
00:03:14,895 --> 00:03:18,429
WELL, THERE ARE A LOT
OF US SHORTER PEOPLE
77
00:03:18,498 --> 00:03:20,665
GOING BACK TO
COLLEGE THESE DAYS.
78
00:03:28,675 --> 00:03:30,653
LISTEN, MARGARET, WE'RE GOING
TO BE WORKING IN THE LIVING ROOM.
79
00:03:30,677 --> 00:03:31,754
IT'S RIGHT THROUGH THERE.
80
00:03:31,778 --> 00:03:32,978
UM, IF YOU DON'T MIND,
81
00:03:33,013 --> 00:03:33,945
YOU CAN SET UP AT THE TABLE.
82
00:03:34,014 --> 00:03:35,525
I'LL GET US SOMETHING TO EAT.
83
00:03:35,549 --> 00:03:37,182
GREAT. NICE MEETING YOU ALL.
84
00:03:37,251 --> 00:03:38,962
YOU, TOO. OUR PLEASURE.
85
00:03:38,986 --> 00:03:41,231
SO, WHAT'S YOUR
PROJECT ABOUT, MAL?
86
00:03:41,255 --> 00:03:44,656
UM, CONTEMPORARY SEXUAL
ATTITUDES OF COLLEGE STUDENTS.
87
00:03:44,725 --> 00:03:46,692
GRANT COLLEGE SOUNDS LIKE FUN.
88
00:03:46,760 --> 00:03:48,237
NO, NO, NO. FORGET IT, JENNIFER.
89
00:03:48,261 --> 00:03:49,673
NO, YOU'RE NOT GOING THERE.
90
00:03:49,697 --> 00:03:52,175
THIS FAMILY HAS ALREADY
SACRIFICED ONE OF ITS YOUNG
91
00:03:52,199 --> 00:03:55,133
TO APPEASE THE GOD
OF FAKE COLLEGES.
92
00:03:57,438 --> 00:04:00,317
MARGARET SEEMS
LIKE A NICE WOMAN.
93
00:04:00,341 --> 00:04:01,706
YEAH. SHE IS.
94
00:04:01,775 --> 00:04:04,643
WHAT'S THE MATTER?
95
00:04:04,711 --> 00:04:06,411
OH, I DON'T KNOW. I
JUST NEVER THOUGHT
96
00:04:06,480 --> 00:04:08,413
I'D BE DOING MY FIRST
COLLEGE PROJECT
97
00:04:08,482 --> 00:04:10,615
WITH SOMEBODY OLD.
98
00:04:10,684 --> 00:04:13,151
I WAS REALLY HOPING TO
WORK WITH HOLLY PARKER.
99
00:04:13,219 --> 00:04:15,253
I MEAN, I'M DYING TO
BE FRIENDS WITH HER.
100
00:04:15,322 --> 00:04:16,800
CAN'T YOU BE THIS HOLLY'S FRIEND
101
00:04:16,824 --> 00:04:18,802
WITHOUT BEING HER
SOCIOLOGY PARTNER?
102
00:04:18,826 --> 00:04:20,292
OH, NO, SHE'S A SNOB, DAD.
103
00:04:20,360 --> 00:04:22,827
SHE DOESN'T TALK TO
YOU UNLESS SHE HAS TO.
104
00:04:22,896 --> 00:04:25,775
SOUNDS LIKE A GOOD
QUALITY IN A FRIEND.
105
00:04:25,799 --> 00:04:28,311
THE WORST PART OF IT... SHE GOT
STUCK WITH SKIPPY AS A PROJECT PARTNER.
106
00:04:28,335 --> 00:04:29,846
HE'LL PROBABLY SCARE
HER OUT OF THE COURSE,
107
00:04:29,870 --> 00:04:31,202
AND I'LL NEVER GET TO MEET HER.
108
00:04:31,272 --> 00:04:33,583
MAYBE YOU'LL GET TO WORK
WITH HOLLY ON ANOTHER PROJECT,
109
00:04:33,607 --> 00:04:35,273
IN ANOTHER CLASS.
110
00:04:35,342 --> 00:04:37,943
OH, COME ON, DAD. HOLLY'S THE
MOST POPULAR GIRL IN SCHOOL.
111
00:04:38,011 --> 00:04:39,444
SHE'S FAILING EVERY COURSE.
112
00:04:39,512 --> 00:04:41,579
HOW LONG DO YOU THINK
SHE'S GOING TO BE THERE?
113
00:04:44,184 --> 00:04:46,017
IT IS SO EXCITING
114
00:04:46,086 --> 00:04:48,998
TO BE SITTING HERE DOING
OUR HOMEWORK TOGETHER.
115
00:04:49,022 --> 00:04:52,123
THE LAST TIME I DID
HOMEWORK WAS...
116
00:04:52,192 --> 00:04:54,359
1940.
117
00:04:54,428 --> 00:04:57,674
I HAD TO WRITE A PAPER ON
WHETHER OR NOT ROOSEVELT
118
00:04:57,698 --> 00:04:59,778
WOULD KEEP US OUT OF THE WAR.
119
00:04:59,833 --> 00:05:02,233
DID HE?
120
00:05:06,507 --> 00:05:09,085
OUR PAPER SHOULD PROVE
A LITTLE MORE INTERESTING.
121
00:05:09,109 --> 00:05:13,010
SEX AND THE COLLEGE STUDENT.
122
00:05:13,080 --> 00:05:14,579
UM, MARGARET,
I'VE BEEN THINKING.
123
00:05:14,648 --> 00:05:16,748
IF THIS TOPIC MAKES YOU
FEEL UNCOMFORTABLE,
124
00:05:16,816 --> 00:05:19,250
I'M SURE PROFESSOR CONNORS
WOULD GIVE US ANOTHER ONE.
125
00:05:19,319 --> 00:05:21,264
WHY SHOULD IT MAKE
ME UNCOMFORTABLE?
126
00:05:21,288 --> 00:05:24,822
WELL, THE SUBJECT
MATTER... I MEAN...
127
00:05:24,892 --> 00:05:25,969
OH, BELIEVE ME, MALLORY.
128
00:05:25,993 --> 00:05:27,636
I'M PERFECTLY COMFORTABLE
129
00:05:27,660 --> 00:05:28,927
TALKING ABOUT SEX.
130
00:05:28,996 --> 00:05:31,263
I APPROVE OF SEX. I LIKE SEX.
131
00:05:31,331 --> 00:05:33,431
I REMEMBER SEX.
132
00:05:35,235 --> 00:05:37,936
WELL, WHAT SHOULD WE
DO TO START THE PROJECT?
133
00:05:38,005 --> 00:05:40,150
WELL, I WAS THINKING WE
SHOULD DRAW UP A QUESTIONNAIRE
134
00:05:40,174 --> 00:05:41,985
AND PASS IT AROUND THE SCHOOL.
135
00:05:42,009 --> 00:05:43,608
THAT'S A GOOD IDEA.
136
00:05:43,677 --> 00:05:45,843
WHAT KIND OF QUESTIONS
DO YOU WANT TO ASK?
137
00:05:45,913 --> 00:05:46,990
WE COULD START WITH,
138
00:05:47,014 --> 00:05:48,657
"ARE YOU SEXUALLY ACTIVE?
139
00:05:48,681 --> 00:05:51,750
AND IF SO, HOW OFTEN
DO YOU HAVE SEX?"
140
00:05:51,818 --> 00:05:54,952
YOU SURE YOU DON'T
WANT TO CHANGE TOPICS?
141
00:05:55,021 --> 00:05:57,622
I MEAN, THAT ROOSEVELT
PAPER SOUNDED REALLY GREAT.
142
00:05:57,691 --> 00:05:59,624
DO YOU STILL HAVE IT?
143
00:05:59,693 --> 00:06:01,226
YOU KNOW, MALLORY,
144
00:06:01,295 --> 00:06:04,229
YOU'RE ABOUT THE ONLY
PERSON WHO'S TALKED TO ME
145
00:06:04,298 --> 00:06:05,830
AT GRANT COLLEGE.
146
00:06:05,899 --> 00:06:07,443
WELL, YOU KNOW, IT'S A
LITTLE TOUGH AT FIRST,
147
00:06:07,467 --> 00:06:08,911
BUT I'M SURE YOU'LL
MAKE LOTS OF FRIENDS.
148
00:06:08,935 --> 00:06:09,868
YES.
149
00:06:09,936 --> 00:06:11,947
I'M HOPING TO MEET HOLLY PARKER.
150
00:06:11,971 --> 00:06:16,174
I HEAR ONCE YOU'RE
IN WITH HER, YOU'RE IN.
151
00:06:16,243 --> 00:06:17,409
WELL, I KNOW.
152
00:06:17,477 --> 00:06:19,622
I WAS HOPING HOLLY
COULD BE MY SOCIOLOGY...
153
00:06:19,646 --> 00:06:20,912
FRIEND, TOO.
154
00:06:20,980 --> 00:06:22,514
OH.
155
00:06:22,582 --> 00:06:23,626
WELL, NOW WE'VE GOT EACH OTHER.
156
00:06:23,650 --> 00:06:26,117
YOU'RE MY FIRST COLLEGE FRIEND.
157
00:06:26,186 --> 00:06:27,118
I AM?
158
00:06:27,187 --> 00:06:28,919
YOU CAN SHOW ME
THE ROPES A LITTLE BIT...
159
00:06:28,988 --> 00:06:32,223
YOU KNOW, BRING ME UP TO DATE
ON ANY NEW RESEARCH TECHNIQUES
160
00:06:32,292 --> 00:06:35,427
AND STUDY GUIDES
AND TEST PREPARATION.
161
00:06:35,495 --> 00:06:37,595
I HAVEN'T REALLY GOTTEN
162
00:06:37,664 --> 00:06:40,832
TOO DEEPLY INTO THOSE THINGS.
163
00:06:40,901 --> 00:06:43,434
LET'S MEET IN THE STUDENT
UNION FOR LUNCH TOMORROW.
164
00:06:43,503 --> 00:06:45,703
IS 12:30 OK?
165
00:06:45,772 --> 00:06:48,005
UH, YEAH, FINE.
166
00:06:48,075 --> 00:06:50,186
WELL, WE BETTER GET
BACK TO THE PROJECT.
167
00:06:50,210 --> 00:06:51,443
OK.
168
00:06:51,511 --> 00:06:54,212
WHAT OTHER QUESTIONS DO
YOU WANT TO ASK ON OUR SURVEY?
169
00:06:54,281 --> 00:06:57,482
UM, "WHEN DID YOU
LOSE YOUR VIRGINITY?"
170
00:06:57,551 --> 00:06:58,751
ALL RIGHT, LET'S TAKE A BREAK.
171
00:07:05,625 --> 00:07:08,559
ALEX, I THOUGHT YOU WERE
GOING ON A PICNIC WITH JULIE BARR.
172
00:07:08,628 --> 00:07:10,061
CANCELED IT, DAD.
173
00:07:10,130 --> 00:07:11,774
IT'S GOING TO BE A LOT MORE
FUN TO STAY HERE WITH YOU
174
00:07:11,798 --> 00:07:13,731
AND WORK ON YOUR WILL.
175
00:07:17,304 --> 00:07:19,304
WE JUST WANT YOU TO
KNOW THAT ANDY AND I
176
00:07:19,373 --> 00:07:21,406
DON'T WANT ANY PART
OF THIS WILL BUSINESS.
177
00:07:21,475 --> 00:07:23,219
OH, SPEAK FOR YOURSELF, JEN.
178
00:07:23,243 --> 00:07:26,288
ANDY'S ASKED ME TO REPRESENT
HIM IN THIS WILL MATTER.
179
00:07:26,312 --> 00:07:29,292
ANDY, TELL DAD WHAT
YOU GAVE ME THIS MORNING.
180
00:07:29,316 --> 00:07:30,849
POWER OF ATTORNEY.
181
00:07:34,154 --> 00:07:35,434
IF YOU NEED HIM
TO SIGN ANYTHING,
182
00:07:35,489 --> 00:07:37,321
HE'LL BE ON THE MONKEY BARS.
183
00:07:45,732 --> 00:07:47,665
TSK, TSK, TSK, TSK.
184
00:07:47,734 --> 00:07:49,166
WHAT'S THE MATTER?
185
00:07:50,303 --> 00:07:51,936
WELL, IT'S JUST A
LITTLE SLOPPY, DAD.
186
00:07:52,005 --> 00:07:54,272
I MEAN, YOU GOT
TO BE VERY CAREFUL
187
00:07:54,341 --> 00:07:55,818
WHEN YOU'RE DRAFTING
A LEGAL DOCUMENT.
188
00:07:55,842 --> 00:07:58,143
IF YOUR LANGUAGE IS THE
SLIGHTEST BIT IMPRECISE,
189
00:07:58,211 --> 00:07:59,477
THIS WILL CAN BE CHALLENGED.
190
00:07:59,546 --> 00:08:02,547
THAT'S WHY I GOT YOU
THIS LITTLE GUIDE HERE
191
00:08:02,616 --> 00:08:04,549
TO HELP YOU WITH
YOUR PREPARATIONS.
192
00:08:04,618 --> 00:08:07,619
BURYING YOUR PARENTS FOR PROFIT.
193
00:08:12,191 --> 00:08:14,358
THANK YOU, ALEX.
194
00:08:16,195 --> 00:08:18,897
DOES THIS BOOK
COME WITH A SHOVEL?
195
00:08:18,965 --> 00:08:20,197
COME ON, DAD.
196
00:08:20,266 --> 00:08:23,234
DON'T LET THE TITLE
THROW YOU OFF.
197
00:08:23,302 --> 00:08:24,736
THIS IS CHOCK FULL
198
00:08:24,804 --> 00:08:26,949
OF SOME VERY SENSIBLE
FINANCIAL ADVICE.
199
00:08:26,973 --> 00:08:28,706
IN FACT, I USED IT
200
00:08:28,775 --> 00:08:31,643
TO DRAW UP THIS SAMPLE WILL...
201
00:08:33,012 --> 00:08:35,023
WHICH, UH, WHICH I THINK
YOU'LL FIND VERY HELPFUL.
202
00:08:35,047 --> 00:08:36,681
ALEX, DO WE HAVE TO DO THIS NOW?
203
00:08:36,749 --> 00:08:38,294
OH, COME ON, DAD. IT'LL BE FUN.
204
00:08:38,318 --> 00:08:39,417
IT'LL BE FUN.
205
00:08:39,485 --> 00:08:41,964
ONE OF THOSE SPECIAL
FATHER-SON MOMENTS
206
00:08:41,988 --> 00:08:44,422
WE'LL LOOK BACK ON FONDLY.
207
00:08:44,490 --> 00:08:46,424
OR AT LEAST I WILL.
208
00:08:49,896 --> 00:08:51,930
"ACCORDING TO
THIS GENERAL GUIDE,
209
00:08:51,998 --> 00:08:54,765
"ALL KEATON PROPERTY IS DIVIDED
UP IN THE FOLLOWING MANNER...
210
00:08:54,835 --> 00:08:59,170
"100% OF ALL ASSETS
GO TO ALEX KEATON,
211
00:08:59,239 --> 00:09:03,174
"TO BE DISTRIBUTED TO
ANDREW, MALLORY, AND JENNIFER
212
00:09:03,243 --> 00:09:07,511
AS THE AFOREMENTIONED
ALEX SEES FIT."
213
00:09:13,253 --> 00:09:17,055
THIS IS JUST OFF
THE TOP OF MY HEAD.
214
00:09:17,123 --> 00:09:18,123
ALL RIGHT, ALEX,
215
00:09:18,191 --> 00:09:19,891
I'LL GIVE THIS MY
UTMOST CONSIDERATION.
216
00:09:19,960 --> 00:09:21,270
YOU PROMISE? PROMISE.
217
00:09:21,294 --> 00:09:25,396
CROSS YOUR HEART
AND HOPE TO DIE?
218
00:09:25,465 --> 00:09:28,032
NOT LITERALLY.
219
00:09:30,770 --> 00:09:35,206
I'M NOT SURE WE HAVE ALL
THE BOOKS WE NEED, MALLORY.
220
00:09:35,274 --> 00:09:37,308
MARGARET, WE HAVE MORE
BOOKS THAN THE LIBRARY NOW.
221
00:09:37,377 --> 00:09:39,911
IF ANYONE WANTS TO KNOW
SOMETHING ABOUT SOCIOLOGY,
222
00:09:39,980 --> 00:09:41,257
THEY'RE GOING TO
HAVE TO COME HERE.
223
00:09:41,281 --> 00:09:42,791
WELL, IT'S GOING TO
TAKE US A LITTLE WHILE
224
00:09:42,815 --> 00:09:44,694
TO GET THROUGH ALL THESE.
225
00:09:44,718 --> 00:09:48,064
YOU KNOW, WE MAY HAVE
TO PULL AN ALL-NIGHTER.
226
00:09:48,088 --> 00:09:50,088
WELL, THE PAPER'S NOT
DUE FOR THREE WEEKS.
227
00:09:50,156 --> 00:09:52,089
I DON'T THINK WE HAVE
TO STAY UP ALL NIGHT.
228
00:09:52,158 --> 00:09:53,469
OH, BUT IT COULD BE FUN.
229
00:09:53,493 --> 00:09:55,137
WE COULD ORDER A PIZZA, GOSSIP,
230
00:09:55,161 --> 00:09:57,401
AND DO EACH OTHER'S HAIR.
231
00:09:57,430 --> 00:09:59,764
UH, NO. I MEAN, I
DON'T THINK SO.
232
00:09:59,832 --> 00:10:01,833
I'VE GOT OTHER COURSES
TO TAKE CARE OF.
233
00:10:01,901 --> 00:10:04,847
OH, OK. I'LL CALL YOU
TOMORROW ABOUT OUR PROJECT.
234
00:10:04,871 --> 00:10:06,604
TOMORROW'S SATURDAY.
235
00:10:06,673 --> 00:10:09,974
I DON'T LIKE TO THINK
ON THE WEEKENDS.
236
00:10:10,043 --> 00:10:12,177
ALL RIGHT. TILL MONDAY THEN.
237
00:10:12,245 --> 00:10:13,178
MONDAY.
238
00:10:13,246 --> 00:10:14,179
OK.
239
00:10:14,247 --> 00:10:15,725
HELLO. HELLO, SKIPPY.
240
00:10:15,749 --> 00:10:17,682
ABIENTOT.
241
00:10:17,751 --> 00:10:19,117
SKIPPY, I AM SO
GLAD YOU'RE HERE.
242
00:10:19,186 --> 00:10:20,685
YOU'VE GOT TO DO ME A BIG FAVOR.
243
00:10:20,754 --> 00:10:22,932
WELL, YOU KNOW, I'D DO
ANYTHING FOR YOU, MALLORY,
244
00:10:22,956 --> 00:10:24,033
ESPECIALLY IF IT INVOLVES
245
00:10:24,057 --> 00:10:26,336
YOU AND ME JOINED
TOGETHER IN WEDDED BLISS.
246
00:10:26,360 --> 00:10:28,693
I WANT YOU TO TRADE
247
00:10:28,762 --> 00:10:30,695
SOCIOLOGY PARTNERS WITH ME.
248
00:10:30,764 --> 00:10:32,864
I DON'T KNOW.
249
00:10:32,933 --> 00:10:34,966
WHO'S YOUR PARTNER?
250
00:10:35,035 --> 00:10:36,301
MARGARET HOBBS.
251
00:10:36,369 --> 00:10:38,569
THE OLD LADY?
252
00:10:38,638 --> 00:10:39,682
SHE'S NOT THAT OLD, SKIPPY.
253
00:10:39,706 --> 00:10:41,238
SHE'S ONLY 66.
254
00:10:41,308 --> 00:10:45,843
SHE'S 66. THAT'S 9 IN DOG YEARS.
255
00:10:45,912 --> 00:10:47,356
OH, COME ON, SKIPPY.
YOU GOT TO DO THIS FOR ME.
256
00:10:47,380 --> 00:10:49,313
I CAN'T TAKE IT ANYMORE.
257
00:10:49,382 --> 00:10:51,215
IT SEEMS LIKE SHE WANTS
TO SPEND EVERY MINUTE
258
00:10:51,284 --> 00:10:52,524
WORKING ON THE PROJECT WITH ME,
259
00:10:52,552 --> 00:10:54,151
AND I DON'T HAVE THE TIME.
260
00:10:54,220 --> 00:10:55,820
IT'D BE DIFFERENT
FOR YOU, SKIPPY.
261
00:10:55,889 --> 00:10:58,289
IT'D BE NICE FOR YOU TO
HAVE SOMEONE TO TALK TO.
262
00:10:59,492 --> 00:11:02,160
WHAT MAKES YOU
THINK SHE'LL TALK TO ME?
263
00:11:02,228 --> 00:11:03,806
AND BESIDES, I DON'T
THINK PROFESSOR CONNORS
264
00:11:03,830 --> 00:11:05,508
WOULD APPRECIATE US
JUST SWITCHING PARTNERS.
265
00:11:05,532 --> 00:11:06,764
NO, WE BETTER NOT.
266
00:11:06,833 --> 00:11:08,611
OK, SKIPPY, FINE. FINE!
267
00:11:08,635 --> 00:11:09,912
I'M WARNING YOU, THOUGH,
THIS IS THE LAST TIME
268
00:11:09,936 --> 00:11:11,981
I'M GOING TO TRY AND TAKE
UNFAIR ADVANTAGE OF YOU.
269
00:11:12,005 --> 00:11:13,983
LAST TIME I'LL TRY TO USE YOU.
270
00:11:14,007 --> 00:11:16,686
FROM NOW ON, I'LL JUST TREAT
YOU LIKE EVERYBODY ELSE.
271
00:11:16,710 --> 00:11:18,843
NO. ANYTHING BUT THAT.
272
00:11:18,912 --> 00:11:20,111
I'D BE LOST.
273
00:11:20,180 --> 00:11:21,612
LOOK, IF IT'LL MAKE YOU HAPPY,
274
00:11:21,681 --> 00:11:23,114
I'LL DO IT, MALLORY.
275
00:11:23,183 --> 00:11:27,685
YOU GET HOLLY PARKER.
I GET THE OLD LADY.
276
00:11:27,754 --> 00:11:30,188
DOES SHE HAVE A BOYFRIEND?
277
00:11:33,860 --> 00:11:36,660
LOOK, DAD, I DON'T
MEAN TO NIT-PICK,
278
00:11:36,696 --> 00:11:38,507
I'M NOT SURE YOU'RE AWARE
279
00:11:38,531 --> 00:11:40,209
OF THE LATEST INNOVATIONS
AND DEVELOPMENTS
280
00:11:40,233 --> 00:11:42,011
IN ESTATE PLANNING AND WILLS.
281
00:11:42,035 --> 00:11:44,803
ALEX, I HAVE ALL THE
INFORMATION I NEED RIGHT HERE.
282
00:11:44,871 --> 00:11:45,970
AND IF I HAVE ANY PROBLEMS,
283
00:11:46,039 --> 00:11:47,806
I CAN CALL THE WILL
HOT LINE NUMBER
284
00:11:47,874 --> 00:11:50,575
YOU GAVE ME.
285
00:11:50,643 --> 00:11:52,477
ALL RIGHT, DID YOU KNOW
286
00:11:52,545 --> 00:11:54,323
THAT YOU CAN DECIDE
THAT CERTAIN INDIVIDUALS
287
00:11:54,347 --> 00:11:56,858
INHERIT MONEY ONLY IF THEY
FULFILL CERTAIN CONDITIONS
288
00:11:56,882 --> 00:11:58,649
WHICH YOU PRESCRIBE?
289
00:11:58,719 --> 00:11:59,951
ALEX, THAT'S RIDICULOUS.
290
00:12:00,020 --> 00:12:01,964
WE'RE NOT GOING TO PLACE
CONDITIONS OF INHERITANCE
291
00:12:01,988 --> 00:12:03,988
ON OUR CHILDREN.
292
00:12:04,057 --> 00:12:05,634
WELL, FOR EXAMPLE, YOU CAN STATE
293
00:12:05,658 --> 00:12:06,590
THAT MALLORY DOESN'T GET A PENNY
294
00:12:06,659 --> 00:12:07,803
IF SHE MARRIES NICK.
295
00:12:07,827 --> 00:12:09,760
THAT'S ALREADY IN THERE.
296
00:12:12,099 --> 00:12:13,631
IS MALLORY AROUND?
297
00:12:13,700 --> 00:12:15,311
I HAVE TO TALK TO HER ABOUT
SOMETHING VERY IMPORTANT.
298
00:12:15,335 --> 00:12:16,612
WELL, I'LL TELL HER
YOU'RE HERE, SKIP.
299
00:12:16,636 --> 00:12:17,746
I GOT TO GO UPSTAIRS
300
00:12:17,770 --> 00:12:20,304
AN GET AN ESTATE
INHERITANCE FORM 2W.
301
00:12:20,373 --> 00:12:21,483
HOPE I'M NOT OUT.
302
00:12:21,507 --> 00:12:24,842
I HATE TO USE THE SHORT FORM.
303
00:12:24,911 --> 00:12:25,943
SO WHAT ARE YOU DOING?
304
00:12:26,012 --> 00:12:27,990
WELL, I'M WORKING
ON MY WILL, SKIPPER.
305
00:12:28,014 --> 00:12:29,592
SO IF THERE'S ANYTHING
OF OURS YOU WANT,
306
00:12:29,616 --> 00:12:30,948
YOU BETTER ASK FOR IT NOW.
307
00:12:31,017 --> 00:12:32,950
WELL, MR. KEATON,
308
00:12:33,019 --> 00:12:34,830
YOU KNOW THAT YOU
POSSESS THE ONLY THING
309
00:12:34,854 --> 00:12:36,988
THAT COULD MAKE ME COMPLETE,
310
00:12:37,057 --> 00:12:39,001
THAT COULD GIVE
ME TRUE HAPPINESS...
311
00:12:39,025 --> 00:12:41,025
YOUR DAUGHTER MALLORY.
312
00:12:41,094 --> 00:12:44,695
I'M AFRAID SHE'S NOT
OURS TO GIVE AWAY, SKIP.
313
00:12:44,765 --> 00:12:47,132
THEN HOW ABOUT
THAT NEAT CLOCK RADIO
314
00:12:47,200 --> 00:12:50,101
IN THE LIVING ROOM?
315
00:12:50,170 --> 00:12:51,869
YEAH, SKIPPY, WHAT IS IT?
316
00:12:51,938 --> 00:12:52,970
OH, UH, MALLORY,
317
00:12:53,039 --> 00:12:55,017
I NEED MY OLD
SOCIOLOGY PARTNER BACK.
318
00:12:55,041 --> 00:12:56,507
MARGARET QUIT.
319
00:12:56,576 --> 00:12:58,176
SHE QUIT? WHY?
320
00:12:58,244 --> 00:12:59,354
SHE SAID IT WAS
NOTHING PERSONAL,
321
00:12:59,378 --> 00:13:01,123
BUT SHE DIDN'T FEEL
THAT SHE BELONGED
322
00:13:01,147 --> 00:13:02,625
IN THE CLASS ANYMORE.
323
00:13:02,649 --> 00:13:03,748
OH, I DON'T BELIEVE IT.
324
00:13:03,816 --> 00:13:05,083
NEITHER DO I.
325
00:13:05,151 --> 00:13:08,586
THAT MAKES FOUR PROJECT
PARTNERS I'VE LOST IN A WEEK.
326
00:13:08,654 --> 00:13:10,132
THERE'S THE ONE I TRADED TO YOU,
327
00:13:10,156 --> 00:13:11,422
MARGARET,
328
00:13:11,491 --> 00:13:12,969
AND THE TWO THAT
MYSTERIOUSLY DISAPPEARED
329
00:13:12,993 --> 00:13:14,971
WHEN THEY FOUND OUT
THEY WERE WORKING WITH ME.
330
00:13:14,995 --> 00:13:18,929
I'M LIKE THE BERMUDA
TRIANGLE OF PROJECT PARTNERS.
331
00:13:18,999 --> 00:13:20,598
THIS IS TERRIBLE.
332
00:13:20,666 --> 00:13:22,433
WHEN I ASKED MARGARET
TO CHANGE PARTNERS,
333
00:13:22,502 --> 00:13:24,202
I DIDN'T THINK SHE'D
REACT LIKE THIS.
334
00:13:24,270 --> 00:13:26,671
I FEEL SO GUILTY.
335
00:13:26,740 --> 00:13:27,983
WHY DID YOU DECIDE TO
STOP WORKING WITH HER?
336
00:13:28,007 --> 00:13:30,007
JUST BECAUSE OF
THE AGE DIFFERENCE?
337
00:13:30,043 --> 00:13:31,442
WELL, THAT'S PART OF IT.
338
00:13:31,511 --> 00:13:33,444
I MEAN, DAD, I
WOULDN'T HAVE MINDED
339
00:13:33,513 --> 00:13:36,280
IF SHE WAS 10 YEARS OLDER
THAN ME OR 20 YEARS OLDER,
340
00:13:36,349 --> 00:13:39,116
OR EVEN AS OLD AS YOU, DAD.
341
00:13:43,189 --> 00:13:45,000
I THINK THAT SHOULD
COUNT AGAINST HER
342
00:13:45,024 --> 00:13:46,624
IN THE WILL.
343
00:13:49,896 --> 00:13:52,964
MALLORY, I DON'T
THINK MARGARET'S AGE
344
00:13:53,032 --> 00:13:55,010
SHOULD BE A PROBLEM
IF SHE CAN DO THE WORK.
345
00:13:55,034 --> 00:13:56,679
I THINK AN OLDER
PERSON COULD BRING
346
00:13:56,703 --> 00:13:58,703
NEW INSIGHT TO THE PROJECT.
347
00:13:58,738 --> 00:14:01,739
YEAH. OLD PEOPLE CAN BE
REALLY INTERESTING, MALLORY.
348
00:14:01,807 --> 00:14:04,409
I HAVE AN AUNT
WHO'S 85 YEARS OLD.
349
00:14:04,477 --> 00:14:06,377
AND WE GET ALONG GREAT.
350
00:14:06,446 --> 00:14:08,746
I GET ALONG FINE WITH
OLDER PEOPLE, SKIPPY,
351
00:14:08,815 --> 00:14:10,080
BUT THIS IS DIFFERENT.
352
00:14:10,149 --> 00:14:11,293
YOU DON'T HAVE TO GO TO SCHOOL
353
00:14:11,317 --> 00:14:13,418
AND DO A SOCIOLOGY
PROJECT WITH YOUR AUNT.
354
00:14:13,486 --> 00:14:14,685
YOU DON'T HAVE TO DISCUSS
355
00:14:14,754 --> 00:14:17,722
ISSUES LIKE BIRTH CONTROL
AND VIRGINITY WITH YOUR AUNT.
356
00:14:17,791 --> 00:14:20,552
WE DON'T HAVE TO. WE
DO IT BECAUSE WE ENJOY IT.
357
00:14:34,006 --> 00:14:35,006
OH.
358
00:14:38,511 --> 00:14:39,444
MALLORY.
359
00:14:39,512 --> 00:14:40,445
HI.
360
00:14:40,513 --> 00:14:42,447
CAN I COME IN?
361
00:14:42,515 --> 00:14:43,948
YES. COME IN.
362
00:14:44,016 --> 00:14:46,329
THANKS. I'M REALLY
GLAD YOU'RE HOME.
363
00:14:46,353 --> 00:14:47,996
I WANTED TO TALK TO YOU.
364
00:14:48,020 --> 00:14:50,165
UM, SKIPPY SAID YOU
DROPPED THE CLASS.
365
00:14:50,189 --> 00:14:51,522
YES, I DID.
366
00:14:51,591 --> 00:14:53,458
YOU KNOW, I REALLY
LIKE THAT SKIPPY.
367
00:14:53,526 --> 00:14:57,361
I'M HAPPY THE TWO OF
YOU ARE GETTING ENGAGED.
368
00:14:59,365 --> 00:15:00,898
WE BROKE THAT OFF
369
00:15:00,967 --> 00:15:02,879
WHEN WE WERE 4 MONTHS OLD.
370
00:15:02,903 --> 00:15:04,113
HE'S JUST TAKING A LITTLE LONGER
371
00:15:04,137 --> 00:15:05,736
TO GET OVER IT.
372
00:15:05,805 --> 00:15:07,205
WELL, THAT'S TOO BAD.
373
00:15:07,274 --> 00:15:08,951
UM, LISTEN, MARGARET,
374
00:15:08,975 --> 00:15:10,453
I'D REALLY LIKE YOU
TO COME BACK TO CLASS
375
00:15:10,477 --> 00:15:12,009
AND BE MY PARTNER.
376
00:15:12,078 --> 00:15:13,711
NO, THANK YOU.
377
00:15:15,348 --> 00:15:19,250
UM, I KNOW I SHOULDN'T HAVE
SWITCHED PARTNERS IN THE FIRST PLACE,
378
00:15:19,319 --> 00:15:21,130
BUT I WAS JUST A
LITTLE UNCOMFORTABLE
379
00:15:21,154 --> 00:15:22,298
BECAUSE OF THE AGE DIFFERENCE.
380
00:15:22,322 --> 00:15:23,921
BUT I'M OVER THAT NOW.
381
00:15:23,990 --> 00:15:25,589
MALLORY,
382
00:15:25,658 --> 00:15:27,591
OBVIOUSLY YOU DIDN'T
WANT TO WORK WITH ME,
383
00:15:27,660 --> 00:15:29,827
SO YOU SWITCHED PARTNERS.
384
00:15:29,896 --> 00:15:32,329
I CAN TAKE IT.
385
00:15:32,399 --> 00:15:34,365
LOOK, I FEEL RESPONSIBLE.
386
00:15:34,434 --> 00:15:36,500
AND YOU WANT ME TO
TELL YOU IT'S ALL RIGHT,
387
00:15:36,569 --> 00:15:37,935
DON'T YOU?
388
00:15:38,004 --> 00:15:40,104
WELL, I CAN'T DO THAT
FOR YOU, MALLORY,
389
00:15:40,172 --> 00:15:42,273
BECAUSE IT'S NOT ALL RIGHT.
390
00:15:42,342 --> 00:15:46,444
I MEAN, YOU REALLY HURT
AND EMBARRASSED ME.
391
00:15:46,513 --> 00:15:50,414
WHY DID YOU DO IT, MALLORY?
392
00:15:50,483 --> 00:15:53,951
UM, WELL, I JUST THOUGHT IT
WOULD BE BETTER FOR YOU.
393
00:15:54,020 --> 00:15:55,264
I MEAN, SKIPPY SAID...
394
00:15:55,288 --> 00:15:57,355
BE HONEST WITH ME.
395
00:15:57,424 --> 00:16:01,125
ALL RIGHT. I DIDN'T
ENJOY WORKING WITH YOU.
396
00:16:01,194 --> 00:16:04,561
PARTIALLY IT'S BECAUSE I WANTED
TO WORK WITH HOLLY PARKER,
397
00:16:04,630 --> 00:16:06,608
AND PARTIALLY
BECAUSE IT FELT STRANGE
398
00:16:06,632 --> 00:16:09,533
WORKING WITH
SOMEONE OLD... OLDER.
399
00:16:09,602 --> 00:16:11,068
OLD IS FINE.
400
00:16:11,137 --> 00:16:13,470
MARGARET, PUT
YOURSELF IN MY POSITION.
401
00:16:13,539 --> 00:16:14,972
I'M STARTING COLLEGE.
402
00:16:15,041 --> 00:16:16,907
I'M NOT A VERY GOOD STUDENT.
403
00:16:16,976 --> 00:16:19,221
IT'S ALL I CAN DO TO KEEP
MY HEAD ABOVE WATER.
404
00:16:19,245 --> 00:16:22,746
AND THEN YOU COME ALONG AND
YOU EXPECT US TO BE BEST FRIENDS.
405
00:16:22,815 --> 00:16:25,583
IT WAS ONE MORE
PRESSURE I DIDN'T NEED.
406
00:16:25,652 --> 00:16:28,085
YOU'RE NOT THE ONLY ONE
WHO'S UNDER PRESSURE.
407
00:16:28,154 --> 00:16:31,656
TRY GOING BACK TO COLLEGE
WHEN YOU'RE 66 YEARS OLD.
408
00:16:31,724 --> 00:16:33,924
TRY TAKING NOTES IN CLASS
409
00:16:33,993 --> 00:16:35,760
WHEN YOU CAN BARELY SEE THE PAGE
410
00:16:35,828 --> 00:16:38,229
BECAUSE YOU LEFT
YOUR BIFOCALS AT HOME.
411
00:16:38,298 --> 00:16:41,265
I MEAN, TRY ASKING
DIRECTIONS TO THE BOOKSTORE
412
00:16:41,333 --> 00:16:43,768
AND HAVING EVERYONE TREAT
YOU LIKE YOU'RE A LOST CHILD...
413
00:16:43,836 --> 00:16:46,938
"OH, THE BOOKSTORE
IS ACROSS CAMPUS.
414
00:16:47,006 --> 00:16:49,073
WOULD YOU LIKE ME
TO WALK YOU THERE?"
415
00:16:49,142 --> 00:16:54,445
I MEAN, I'M COMPLETELY
DIFFERENT FROM EVERYONE ELSE.
416
00:16:54,514 --> 00:16:56,880
I DON'T KNOW HOW TO ACT,
417
00:16:56,949 --> 00:16:58,915
I DON'T KNOW HOW TO TALK,
418
00:16:58,984 --> 00:17:00,618
I DON'T KNOW HOW TO DRESS.
419
00:17:00,687 --> 00:17:02,847
OH, I COULD HELP YOU WITH THAT.
420
00:17:04,491 --> 00:17:08,225
MALLORY, I'M SORRY I WAS
SUCH A BURDEN ON YOU,
421
00:17:08,294 --> 00:17:10,394
AND IT WAS MY FAULT.
422
00:17:10,463 --> 00:17:12,897
IT WAS MY MISTAKE TO LOOK TO YOU
423
00:17:12,966 --> 00:17:14,966
TO HELP ME.
424
00:17:15,034 --> 00:17:16,467
ALL RIGHT.
425
00:17:16,536 --> 00:17:19,570
I WILL SPEND MORE TIME WORKING
ON THE PROJECT WITH YOU,
426
00:17:19,639 --> 00:17:21,338
AND YOU CAN COME BACK TO CLASS
427
00:17:21,407 --> 00:17:23,073
AND WE'LL DO THE
PROJECT TOGETHER.
428
00:17:23,142 --> 00:17:25,454
I DON'T NEED YOUR
CHARITY, MALLORY.
429
00:17:25,478 --> 00:17:26,577
IT'S NOT CHARITY.
430
00:17:26,646 --> 00:17:28,746
I JUST DON'T THINK YOU
SHOULD DROP THE CLASS.
431
00:17:28,815 --> 00:17:30,826
I THINK I'M OLD ENOUGH TO
MAKE THAT DECISION BY MYSELF.
432
00:17:30,850 --> 00:17:32,749
I THINK YOU'RE MAKING A MISTAKE.
433
00:17:32,819 --> 00:17:34,629
I'M DROPPING THE CLASS, MALLORY.
434
00:17:34,653 --> 00:17:36,553
I'M SORRY.
435
00:17:51,838 --> 00:17:55,773
LET'S GO OVER THIS INVENTORY
OF ASSETS ONE MORE TIME.
436
00:17:58,077 --> 00:18:00,110
ITEM 41...
437
00:18:00,179 --> 00:18:02,212
THE JADE NECKLACE.
438
00:18:04,584 --> 00:18:06,384
OK.
439
00:18:07,620 --> 00:18:11,822
YOU KNOW THE WHEREABOUTS
OF THIS NECKLACE?
440
00:18:11,891 --> 00:18:15,459
I BELIEVE IT'S STILL
ON AUNT ETHEL'S NECK.
441
00:18:19,032 --> 00:18:22,233
HER CLAIM TO THIS
NECKLACE IS VERY SHAKY, DAD.
442
00:18:22,302 --> 00:18:24,902
THIS WAS GRANDMOTHER
KEATON'S NECKLACE.
443
00:18:24,971 --> 00:18:26,615
NOW, YOU HAVE AS
MUCH RIGHT TO IT
444
00:18:26,639 --> 00:18:28,072
AS AUNT ETHEL DOES.
445
00:18:28,141 --> 00:18:33,744
YOU'RE RIGHT, ALEX. LET'S
GO OVER TO THE REST HOME.
446
00:18:33,813 --> 00:18:35,245
YOU HOLD HER DOWN,
447
00:18:35,314 --> 00:18:37,415
I'LL SEE...
448
00:18:37,483 --> 00:18:41,752
I'LL SEE IF I CAN
RIP IT OFF HER NECK.
449
00:18:44,557 --> 00:18:47,491
YOU'RE FIGHTING ME ON
EVERYTHING HERE, DAD.
450
00:18:47,560 --> 00:18:50,761
I AM JUST TRYING TO GET YOUR
AFFAIRS IN ORDER, THAT'S ALL.
451
00:18:50,829 --> 00:18:52,430
I APPRECIATE THAT,
452
00:18:52,498 --> 00:18:54,143
I JUST DON'T WANT TO
HAVE TO COME TO BLOWS
453
00:18:54,167 --> 00:18:56,434
WITH AUNT ETHEL
IF I CAN HELP IT.
454
00:19:03,576 --> 00:19:05,008
SHE IS BIG.
455
00:19:08,414 --> 00:19:09,346
HI.
456
00:19:09,415 --> 00:19:11,115
HI.
457
00:19:11,184 --> 00:19:12,427
HOW DID IT GO WITH MARGARET?
458
00:19:12,451 --> 00:19:13,617
AWFUL.
459
00:19:13,686 --> 00:19:15,430
SHE DOESN'T WANT TO
COME BACK TO CLASS, ALEX.
460
00:19:15,454 --> 00:19:17,555
AND SHE'S REALLY MAD AT ME.
461
00:19:17,623 --> 00:19:18,722
I FEEL TERRIBLE.
462
00:19:18,791 --> 00:19:21,892
I NEED SOMEONE CLOSE TO TALK TO.
463
00:19:21,960 --> 00:19:23,561
DO YOU KNOW HOW I
CAN GET A HOLD OF MOM
464
00:19:23,629 --> 00:19:26,096
AT THE ARCHITECTURE CONVENTION?
465
00:19:26,166 --> 00:19:27,943
HEY. HEY, WAIT A MINUTE.
466
00:19:27,967 --> 00:19:29,967
MAL... MALLY.
467
00:19:31,538 --> 00:19:33,404
THIS IS ME. THIS IS ALEX.
468
00:19:33,473 --> 00:19:37,741
THIS IS YOUR BROTHER,
YOUR CONFIDANT.
469
00:19:37,810 --> 00:19:39,410
I DIDN'T MEAN TO
OFFEND YOU, ALEX.
470
00:19:39,478 --> 00:19:40,911
I'M JUST USED TO TALKING TO MOM
471
00:19:40,979 --> 00:19:42,579
ABOUT SENSITIVE ISSUES.
472
00:19:42,648 --> 00:19:44,014
YEAH.
473
00:19:44,083 --> 00:19:45,083
AHEM.
474
00:19:45,151 --> 00:19:47,084
I KNOW I'M NOT MOM.
475
00:19:47,153 --> 00:19:49,987
BUT I DO KNOW ONE THING...
476
00:19:50,056 --> 00:19:53,257
WHEN YOU GET HURT EMOTIONALLY,
477
00:19:53,325 --> 00:19:56,193
OR EVEN IF YOU
HURT SOMEBODY ELSE,
478
00:19:56,262 --> 00:19:57,595
IT JUST REMINDS YOU
479
00:19:57,663 --> 00:20:00,476
HOW FRAGILE AND
INSECURE WE ALL REALLY ARE,
480
00:20:00,500 --> 00:20:01,977
AND HOW MUCH WE
COUNT ON EACH OTHER
481
00:20:02,001 --> 00:20:05,970
FOR SUPPORT AND ENCOURAGEMENT.
482
00:20:06,038 --> 00:20:09,807
THAT WAS REALLY BEAUTIFUL, ALEX.
483
00:20:09,876 --> 00:20:12,276
THANK YOU, MAL.
484
00:20:12,344 --> 00:20:15,112
MOM WROTE IT DOWN FOR ME.
485
00:20:22,521 --> 00:20:24,956
IN CASE DAD WAS OUT
486
00:20:25,024 --> 00:20:27,458
AND SOMETHING SENSITIVE CAME UP.
487
00:20:29,028 --> 00:20:31,295
I DID MENTION HOW
FRAGILE AND INSECURE...
488
00:20:31,363 --> 00:20:32,296
OH, YEAH, YEAH.
489
00:20:32,364 --> 00:20:33,631
YEAH, OK.
490
00:20:37,036 --> 00:20:38,969
COMING.
491
00:20:41,206 --> 00:20:42,305
OH, HEY, MARGARET.
492
00:20:42,374 --> 00:20:44,307
HI. COME IN. COME IN.
493
00:20:44,376 --> 00:20:45,554
THANK YOU.
494
00:20:45,578 --> 00:20:49,313
I HOPE I'M NOT INTERRUPTING
SOMETHING IMPORTANT.
495
00:20:49,381 --> 00:20:50,859
MARGARET, DON'T BE SILLY.
496
00:20:50,883 --> 00:20:52,984
LISTEN, I UNDERSTAND
497
00:20:53,052 --> 00:20:54,529
YOU'RE FEELING A LITTLE DOWN.
498
00:20:54,553 --> 00:20:55,987
WELL, UH...
499
00:21:02,161 --> 00:21:04,495
I KNOW I'M NOT MOM.
500
00:21:04,564 --> 00:21:05,996
ALEX!
501
00:21:15,174 --> 00:21:16,607
I CAN'T STAY LONG.
502
00:21:16,676 --> 00:21:18,554
I'VE GOT A DATE
WAITING IN THE CAR.
503
00:21:18,578 --> 00:21:21,612
OH, GREAT. WELL, I'M
GLAD YOU CAME BY.
504
00:21:21,681 --> 00:21:23,781
OH, MALLORY, I WAS...
505
00:21:23,849 --> 00:21:25,894
I WAS THINKING ABOUT
WHAT YOU SAID TODAY
506
00:21:25,918 --> 00:21:27,117
IN MY APARTMENT
507
00:21:27,186 --> 00:21:29,164
AND, WELL, ALL THE
PRESSURES YOU'RE UNDER,
508
00:21:29,188 --> 00:21:30,454
AND I...
509
00:21:30,522 --> 00:21:34,224
I REALIZED I WASN'T
VERY UNDERSTANDING.
510
00:21:34,294 --> 00:21:35,959
NO. I WAS WRONG.
511
00:21:36,028 --> 00:21:38,395
I'M SORRY, MARGARET.
I APOLOGIZE.
512
00:21:38,464 --> 00:21:39,663
SO WAS I.
513
00:21:39,731 --> 00:21:42,933
I WAS SO BUSY TELLING YOU
WHAT IT WAS LIKE TO BE OLD,
514
00:21:43,002 --> 00:21:45,803
I FORGOT WHAT IT
WAS LIKE TO BE YOUNG.
515
00:21:45,872 --> 00:21:47,804
IT DOESN'T FEEL SO
GREAT RIGHT NOW.
516
00:21:49,475 --> 00:21:52,142
MARGARET, I DON'T KNOW
WHY I ACTED SO SELFISHLY.
517
00:21:52,211 --> 00:21:55,145
I'M NOT GOING TO MAKE
ANY EXCUSES FOR MYSELF.
518
00:21:55,214 --> 00:21:56,480
I JUST WANT YOU TO KNOW
519
00:21:56,548 --> 00:21:59,984
THAT I RESPECT WHAT
YOU'RE TRYING TO DO.
520
00:22:00,052 --> 00:22:02,686
I THINK IT TAKES A
LOT OF COURAGE.
521
00:22:02,755 --> 00:22:06,089
IT TOOK ME A LONG TIME
522
00:22:06,158 --> 00:22:08,158
TO GET UP THE COURAGE
523
00:22:08,227 --> 00:22:12,395
TO... TO GO BACK TO SCHOOL.
524
00:22:12,465 --> 00:22:16,399
YOU LOOK AT ME AND
YOU SEE AN OLD WOMAN.
525
00:22:16,469 --> 00:22:20,270
BUT INSIDE, I'M STILL...
526
00:22:20,339 --> 00:22:22,484
I STILL FEEL LIKE A LITTLE GIRL
527
00:22:22,508 --> 00:22:25,776
GOING TO HER FIRST
DAY OF SCHOOL.
528
00:22:25,845 --> 00:22:28,445
I'M SCARED, MALLORY.
529
00:22:28,514 --> 00:22:31,782
AND IF I WAS PUSHING TOO HARD
530
00:22:31,851 --> 00:22:32,783
FOR A FRIEND...
531
00:22:32,852 --> 00:22:33,995
I MEAN, FOR SOMEONE
TO MAKE ME FEEL LIKE
532
00:22:34,019 --> 00:22:37,121
I BELONG AT GRANT,
533
00:22:37,189 --> 00:22:41,058
IT'S BECAUSE I REALLY NEED ONE.
534
00:22:41,127 --> 00:22:44,261
I'LL BE YOUR FRIEND, MARGARET.
535
00:22:44,330 --> 00:22:46,396
THANK YOU, MALLORY.
536
00:22:46,466 --> 00:22:48,365
WILL YOU COME BACK TO THE CLASS?
537
00:22:48,434 --> 00:22:51,736
I THINK I'LL GIVE
IT ANOTHER SHOT.
538
00:22:51,804 --> 00:22:53,003
OH, GOOD.
539
00:22:53,072 --> 00:22:55,684
I CALLED SKIPPY AND
TOLD HIM WE'RE ON AGAIN.
540
00:22:55,708 --> 00:22:57,218
I'M COMFORTABLE WITH HIM.
541
00:22:57,242 --> 00:23:00,110
HE'S EVEN MORE OUT
OF PLACE THAN I AM.
542
00:23:02,315 --> 00:23:05,215
I'M SO GLAD YOU'RE
COMING BACK, MARGARET.
543
00:23:05,284 --> 00:23:06,583
SO AM I.
544
00:23:06,652 --> 00:23:08,519
GREAT.
545
00:23:08,587 --> 00:23:09,520
MARGARET, HONEY.
546
00:23:09,589 --> 00:23:11,922
WE HAVE 7:30 RESERVATIONS.
547
00:23:13,325 --> 00:23:15,092
COMING, SKIPPER.
548
00:23:17,329 --> 00:23:19,262
YOU HAD YOUR CHANCE.
549
00:23:53,399 --> 00:23:54,331
Man: SIT, UBU, SIT.
550
00:23:54,400 --> 00:23:56,267
GOOD DOG.
38910
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