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00:00:12,413 --> 00:00:15,292
♪ I BET WE'VE BEEN TOGETHER ♪
2
00:00:15,316 --> 00:00:17,928
♪ FOR A MILLION YEARS ♪
3
00:00:17,952 --> 00:00:20,830
♪ AND I BET WE'LL BE TOGETHER ♪
4
00:00:20,854 --> 00:00:23,333
♪ FOR A MILLION MORE ♪
5
00:00:23,357 --> 00:00:26,169
♪ OH, IT'S LIKE I
STARTED BREATHING ♪
6
00:00:26,193 --> 00:00:28,972
♪ ON THE NIGHT WE KISSED ♪
7
00:00:28,996 --> 00:00:31,040
♪ AND I CAN'T REMEMBER ♪
8
00:00:31,064 --> 00:00:34,177
♪ WHAT I EVER DID BEFORE ♪
9
00:00:34,201 --> 00:00:37,180
♪ WHAT WOULD WE DO, BABY ♪
10
00:00:37,204 --> 00:00:39,916
♪ WITHOUT US ♪
11
00:00:39,940 --> 00:00:42,585
♪ WHAT WOULD WE DO, BABY ♪
12
00:00:42,609 --> 00:00:45,855
♪ WITHOUT US ♪
13
00:00:45,879 --> 00:00:47,857
♪ AND THERE AIN'T NO NOTHING ♪
14
00:00:47,881 --> 00:00:51,361
♪ WE CAN'T LOVE
EACH OTHER THROUGH ♪
15
00:00:51,385 --> 00:00:54,130
♪ WHAT WOULD WE DO, BABY ♪
16
00:00:54,154 --> 00:00:56,966
♪ WITHOUT US ♪
17
00:00:56,990 --> 00:01:00,259
♪ SHA LA LA LA ♪♪
18
00:01:04,165 --> 00:01:06,143
WHAT COLOR SHOULD I
MAKE THE HAIR, UNCLE NICK?
19
00:01:06,167 --> 00:01:07,810
ANY COLOR, ANDY.
20
00:01:07,834 --> 00:01:10,147
LET'S SEE, GREEN AND PURPLE
21
00:01:10,171 --> 00:01:11,981
ARE GOOD COLORS FOR HAIR.
22
00:01:12,005 --> 00:01:14,651
YEAH, THEY'RE FABULOUS.
23
00:01:14,675 --> 00:01:15,985
PURPLE.
24
00:01:16,009 --> 00:01:17,320
NO, NO, NO. ANDY, ANDY.
25
00:01:17,344 --> 00:01:18,488
ANDY, YOU DON'T WANT
TO DRAW SOMEONE
26
00:01:18,512 --> 00:01:19,623
WITH PURPLE HAIR.
27
00:01:19,647 --> 00:01:20,723
WHY NOT?
28
00:01:20,747 --> 00:01:24,828
BECAUSE NORMAL PEOPLE
DO NOT HAVE PURPLE HAIR.
29
00:01:24,852 --> 00:01:26,229
ASIDE FROM YOUR FAMILY,
30
00:01:26,253 --> 00:01:29,866
EVERYBODY I KNOW
HAS GOT PURPLE HAIR.
31
00:01:29,890 --> 00:01:31,067
I REPEAT...
32
00:01:31,091 --> 00:01:34,003
NORMAL PEOPLE DO
NOT HAVE PURPLE HAIR.
33
00:01:34,027 --> 00:01:35,672
WHAT DOES THAT GOT TO
DO WITH ANYTHING ANYWAY?
34
00:01:35,696 --> 00:01:37,474
YOU KNOW, AN ARTIST SEES COLORS
35
00:01:37,498 --> 00:01:38,908
THAT NOBODY ELSE CAN SEE.
36
00:01:38,932 --> 00:01:41,711
THAT'S RIGHT. EVERYBODY
GIVES OFF A DIFFERENT COLOR.
37
00:01:41,735 --> 00:01:43,379
THEY'RE CALLED AURAS,
38
00:01:43,403 --> 00:01:46,138
AND THEY REPRESENT
THE SPIRIT OF THAT PERSON.
39
00:01:48,041 --> 00:01:50,286
IS THAT SO?
40
00:01:50,310 --> 00:01:52,756
I MEAN, NICK, FOR
INSTANCE, IS A FIERY RED.
41
00:01:52,780 --> 00:01:55,625
AND ANDY IS A
BRIGHT BRILLIANT BLUE.
42
00:01:55,649 --> 00:01:57,560
AND YOU'RE...
43
00:01:57,584 --> 00:02:00,196
YOU'RE SORT OF...
44
00:02:00,220 --> 00:02:03,199
YOU DON'T HAVE A COLOR, ALEX.
45
00:02:03,223 --> 00:02:05,234
LOOK, THIS IS A SIMPLE
46
00:02:05,258 --> 00:02:07,403
REPUBLICAN HEROES COLORING BOOK.
47
00:02:07,427 --> 00:02:08,938
NOW, THE ONLY COLORS
THAT SHOULD BE USED
48
00:02:08,962 --> 00:02:10,173
FOR HAIR IN THIS BOOK
49
00:02:10,197 --> 00:02:13,209
ARE BROWN, BLACK, RED, BLOND,
50
00:02:13,233 --> 00:02:14,944
AND BALD.
51
00:02:14,968 --> 00:02:16,979
ALL RIGHT, ANDY, HUMOR HIM.
52
00:02:17,003 --> 00:02:18,314
MAKE THE HAIR BLOND,
53
00:02:18,338 --> 00:02:20,316
BUT PUT IT IN A MOHAWK.
54
00:02:20,340 --> 00:02:21,984
NO, NO, NO, NO, WAIT A
MINUTE, WAIT A MINUTE.
55
00:02:22,008 --> 00:02:25,388
YOU'RE NOT GIVING
RONALD REAGAN A MOHAWK.
56
00:02:25,412 --> 00:02:28,146
YOU'RE RIGHT. HE'S
IN ENOUGH TROUBLE.
57
00:02:31,251 --> 00:02:33,697
OK, TIME FOR BED.
58
00:02:33,721 --> 00:02:35,832
HEY, COME ON. I'LL
TAKE YOU UP, HUH?
59
00:02:35,856 --> 00:02:36,933
ALL RIGHT, I'LL BE UP
IN A COUPLE MINUTES
60
00:02:36,957 --> 00:02:39,002
TO MAKE SURE YOUR
PAJAMAS MATCH. KISS.
61
00:02:39,026 --> 00:02:40,026
THANK YOU.
62
00:02:41,394 --> 00:02:42,538
BYE.
63
00:02:42,562 --> 00:02:44,040
GOOD NIGHT, MALLORY.
64
00:02:44,064 --> 00:02:45,541
GOOD NIGHT, ANDY.
65
00:02:45,565 --> 00:02:48,678
UGH. THESE NIGHTS MOM
AND DAD GO OUT ARE TOUGH.
66
00:02:48,702 --> 00:02:49,679
I THINK IT'S SWEET.
67
00:02:49,703 --> 00:02:51,247
IT'S NICE FOR THEM TO GET OUT.
68
00:02:51,271 --> 00:02:52,848
YOU KNOW, ONCE A
WEEK MEETING DOWNTOWN
69
00:02:52,872 --> 00:02:54,684
FOR DINNER OR A MOVIE,
JUST THE TWO OF THEM.
70
00:02:54,708 --> 00:02:57,454
IT'S THE KIND OF THING
THAT KEEPS THEM SO CLOSE.
71
00:02:57,478 --> 00:02:59,856
I'M NOT SAYING YOU'RE
NOT ENTITLED TO AN OPINION.
72
00:02:59,880 --> 00:03:02,459
I'M JUST SAYING THAT
I HAVE TO QUESTION
73
00:03:02,483 --> 00:03:05,127
THE DEPTH OF ANYONE WHO
DOESN'T LIKE THAT MOVIE.
74
00:03:05,151 --> 00:03:06,295
THAT'S ALL.
75
00:03:06,319 --> 00:03:07,931
I SEE.
76
00:03:07,955 --> 00:03:09,298
WHAT MOVIE DID YOU GO TO?
77
00:03:09,322 --> 00:03:10,967
OUT OF AFRICA.
78
00:03:10,991 --> 00:03:12,168
YOU LIKED IT, MOM?
79
00:03:12,192 --> 00:03:15,005
OH, OH, IT WAS BEAUTIFUL.
80
00:03:15,029 --> 00:03:16,673
I LAUGHED. I CRIED.
81
00:03:16,697 --> 00:03:20,710
I WAS TRANSPORTED TO
ANOTHER TIME AND PLACE.
82
00:03:20,734 --> 00:03:21,944
DAD?
83
00:03:21,968 --> 00:03:23,379
REMEMBER UNCLE EDDIE'S SLIDES
84
00:03:23,403 --> 00:03:26,082
OF HIS TRIP TO AFRICA?
85
00:03:26,106 --> 00:03:27,884
SURE.
86
00:03:27,908 --> 00:03:28,985
SAME THING.
87
00:03:29,009 --> 00:03:30,820
EXCEPT INSTEAD OF UNCLE
EDDIE AND AUNT RHODA,
88
00:03:30,844 --> 00:03:34,057
THIS HAD ROBERT REDFORD
AND MERYL STREEP.
89
00:03:34,081 --> 00:03:37,394
I'M SO SICK OF YOU PUTTING
DOWN MERYL STREEP.
90
00:03:37,418 --> 00:03:40,919
I'M SICK OF YOU PUTTING
DOWN AUNT RHODA.
91
00:03:43,123 --> 00:03:46,002
OK, LOOK, BEFORE THIS
GETS ENTIRELY OUT OF HAND,
92
00:03:46,026 --> 00:03:48,304
LET'S NOT FORGET THE FILMS
THAT WE HAVE BOTH LOVED
93
00:03:48,328 --> 00:03:49,605
OVER THE YEARS.
94
00:03:49,629 --> 00:03:50,773
GOOD IDEA.
95
00:03:50,797 --> 00:03:52,397
GONE WITH THE WIND.
96
00:03:53,466 --> 00:03:55,111
ANNIE HALL.
97
00:03:55,135 --> 00:03:58,114
IT'S A WONDERFUL
LIFE. ADAM'S RIB.
98
00:03:58,138 --> 00:04:01,184
IT HAPPENED ONE
NIGHT. CASABLANCA.
99
00:04:01,208 --> 00:04:03,619
E.T.
100
00:04:03,643 --> 00:04:05,121
PHONE HOME. PHONE HOME.
101
00:04:05,145 --> 00:04:06,622
PHONE HOME. PHONE HOME.
102
00:04:06,646 --> 00:04:08,146
COME ON.
103
00:04:09,316 --> 00:04:10,749
WELL, THEY SEEM HAPPY.
104
00:04:12,319 --> 00:04:14,731
OH, KIDS, KIDS, KIDS,
I ALMOST FORGOT.
105
00:04:14,755 --> 00:04:16,199
I'VE GOT BIG NEWS FOR YOU.
106
00:04:16,223 --> 00:04:17,700
WHAT? WHAT IS IT, DAD?
107
00:04:17,724 --> 00:04:20,203
THE STATION HAS DECIDED
TO AWARD A SCHOLARSHIP
108
00:04:20,227 --> 00:04:22,605
IN INDEPENDENT
STUDY IN ANY FIELD.
109
00:04:22,629 --> 00:04:24,006
NOW, THE COMPETITION IS OPEN
110
00:04:24,030 --> 00:04:26,743
ONLY TO CHILDREN
OF WKS EMPLOYEES.
111
00:04:26,767 --> 00:04:29,179
HOW MUCH MONEY WILL I WIN?
112
00:04:29,203 --> 00:04:30,980
THE ACTUAL AWARD IS $2,500,
113
00:04:31,004 --> 00:04:32,482
BUT THERE'S NO
GUARANTEEING YOU'LL WIN.
114
00:04:32,506 --> 00:04:35,551
NOW, WE EXPECT TO
HAVE OVER 100 APPLICANTS.
115
00:04:35,575 --> 00:04:37,653
UH, COULD I GET THAT
IN ONE LUMP SUM?
116
00:04:37,677 --> 00:04:38,988
OR CAN I HAVE
SOME OF IT DEFERRED
117
00:04:39,012 --> 00:04:41,124
TO THE END OF THE FISCAL YEAR?
118
00:04:41,148 --> 00:04:43,727
WHY DON'T YOU JUST HAVE YOUR
BUSINESS MANAGER GIVE US A CALL.
119
00:04:43,751 --> 00:04:44,728
THANKS.
120
00:04:44,752 --> 00:04:46,029
I HAVE ONE HERE
FOR YOU, TOO, MAL.
121
00:04:46,053 --> 00:04:47,196
HUH?
122
00:04:47,220 --> 00:04:48,297
YOU'RE ELIGIBLE...
123
00:04:48,321 --> 00:04:50,066
YOU'RE 19, YOU'RE IN COLLEGE.
124
00:04:50,090 --> 00:04:51,923
YEAH, MAL. GO AHEAD, APPLY.
125
00:04:54,928 --> 00:04:56,706
THANKS, ALEX.
126
00:04:56,730 --> 00:04:58,841
NO, I'M SERIOUS,
MAL. APPLY. APPLY.
127
00:04:58,865 --> 00:05:00,176
THERE'S NOTHING IN HERE
128
00:05:00,200 --> 00:05:02,979
THAT SAYS YOU HAVE TO BE
GOING TO A REAL COLLEGE.
129
00:05:03,003 --> 00:05:04,614
ALEX, DON'T WORRY.
I HAVE NO INTENTION
130
00:05:04,638 --> 00:05:06,916
OF APPLYING FOR THIS
SILLY LITTLE SCHOLARSHIP.
131
00:05:06,940 --> 00:05:07,917
OH, WHY NOT, MAL?
132
00:05:07,941 --> 00:05:09,118
IT'S OPEN TO EVERYONE.
133
00:05:09,142 --> 00:05:11,454
NOW, IT'S NOT JUST FOR
ACADEMIC ACHIEVEMENT.
134
00:05:11,478 --> 00:05:12,889
ARTISTS, MUSICIANS, ANYONE.
135
00:05:12,913 --> 00:05:14,024
NO. THANKS ANYWAY, DAD.
136
00:05:14,048 --> 00:05:15,414
WELL.
137
00:05:16,583 --> 00:05:18,627
I WONDER IF I COULD
HAVE THIS DEPOSITED
138
00:05:18,651 --> 00:05:21,086
DIRECTLY INTO MY SWISS ACCOUNT.
139
00:05:22,622 --> 00:05:23,766
ALEX, I AM NOT WRITING
140
00:05:23,790 --> 00:05:25,101
A LETTER OF
RECOMMENDATION FOR YOU.
141
00:05:25,125 --> 00:05:27,303
COME ON. JEN, LOOK, I
NEED A RECOMMENDATION
142
00:05:27,327 --> 00:05:30,173
FROM SOMEONE OTHER THAN MY
PARENTS WHO KNOWS ME AND LIKES ME.
143
00:05:30,197 --> 00:05:32,430
I SEE YOUR PROBLEM.
144
00:05:33,934 --> 00:05:35,078
WHAT'S IT FOR, ANYWAY?
145
00:05:35,102 --> 00:05:36,145
SOMETHING WHERE IF YOU WIN,
146
00:05:36,169 --> 00:05:38,048
YOU LEAVE HOME, I HOPE.
147
00:05:38,072 --> 00:05:39,849
IT'S A SCHOLARSHIP FROM
YOUR FATHER'S STATION.
148
00:05:39,873 --> 00:05:41,851
NOW WILL YOU WRITE IT, PLEASE?
149
00:05:41,875 --> 00:05:42,986
WHAT DO YOU WANT ME TO SAY?
150
00:05:43,010 --> 00:05:43,987
OH, I DON'T KNOW.
151
00:05:44,011 --> 00:05:45,455
JUST, UH, JUST THE USUAL STUFF.
152
00:05:45,479 --> 00:05:46,989
YOU KNOW, BRIGHT, ELEGANT,
153
00:05:47,013 --> 00:05:48,190
BRILLIANT, CHARMING.
154
00:05:48,214 --> 00:05:51,995
I GOT A FORM LETTER
UPSTAIRS YOU CAN FOLLOW THAT.
155
00:05:52,019 --> 00:05:53,262
THIS IS INTERESTING.
156
00:05:53,286 --> 00:05:54,998
LOOK WHAT HE HAS
DOWN FOR CAREER GOAL.
157
00:05:55,022 --> 00:05:57,967
"WORLD DOMINATION."
158
00:05:57,991 --> 00:05:59,836
THAT'S OUR BOY.
159
00:05:59,860 --> 00:06:03,306
IT SAYS IT'S OPEN TO ALL
WKS EMPLOYEES' CHILDREN.
160
00:06:03,330 --> 00:06:04,574
IS MALLORY APPLYING?
161
00:06:04,598 --> 00:06:07,110
NO, AND SHE JUST DOESN'T
SEEM INTERESTED, EITHER.
162
00:06:07,134 --> 00:06:08,678
HI.
163
00:06:08,702 --> 00:06:11,080
MALLORY, I CAN'T BELIEVE
YOU'RE NOT GOING TO APPLY
164
00:06:11,104 --> 00:06:12,081
FOR THIS SCHOLARSHIP.
165
00:06:12,105 --> 00:06:13,516
IT'S SEEMS RIGHT UP YOUR ALLEY.
166
00:06:13,540 --> 00:06:14,951
JEN, WHAT WOULD BE THE POINT?
167
00:06:14,975 --> 00:06:16,853
I CAN'T COMPETE WITH ALEX.
168
00:06:16,877 --> 00:06:17,954
WHY NOT?
169
00:06:17,978 --> 00:06:19,122
YOU'RE AS GOOD IN FASHION
170
00:06:19,146 --> 00:06:20,290
AS HE IS IN MONEY-HOARDING
171
00:06:20,314 --> 00:06:22,980
OR WHATEVER IT IS HE DOES.
172
00:06:24,184 --> 00:06:25,461
I SAVED THE OTHER APPLICATION.
173
00:06:25,485 --> 00:06:27,029
IT'S UPSTAIRS ON MY BUREAU.
174
00:06:27,053 --> 00:06:28,431
I'LL GET IT.
175
00:06:28,455 --> 00:06:30,166
JEN...
176
00:06:30,190 --> 00:06:33,603
MOM, I DON'T THINK IT'S
SUCH A GOOD IDEA IF I ENTER.
177
00:06:33,627 --> 00:06:35,972
I DON'T WANT TO PRESSURE
YOU INTO ANYTHING,
178
00:06:35,996 --> 00:06:39,008
BUT I'VE JUST SEEN YOU
COME SO FAR THIS YEAR,
179
00:06:39,032 --> 00:06:42,479
YOU KNOW, YOU'VE
JUST GROWN SO MUCH.
180
00:06:42,503 --> 00:06:43,813
WHY DON'T YOU TAKE A CHANCE?
181
00:06:43,837 --> 00:06:46,750
YOU KNOW, JUST TAKE A RISK.
182
00:06:46,774 --> 00:06:48,251
THIS IS CRAZY.
183
00:06:48,275 --> 00:06:49,485
I'M NOT GOING TO WIN, MOM.
184
00:06:49,509 --> 00:06:52,856
I'M NOT GOOD AT THESE
KINDS OF COMPETITIONS.
185
00:06:52,880 --> 00:06:54,324
IT'S EASY TO SIT
ON THE SIDELINES
186
00:06:54,348 --> 00:06:55,791
AND NOT TAKE A CHANCE.
187
00:06:55,815 --> 00:06:58,661
YOU KNOW, YOU'RE SAFE
THERE. YOU WON'T GET HURT.
188
00:06:58,685 --> 00:07:00,163
BUT IF YOU DO THAT,
189
00:07:00,187 --> 00:07:03,032
YOU'LL NEVER KNOW
HOW GOOD YOU COULD BE.
190
00:07:03,056 --> 00:07:06,603
YOU KNOW, I DO HAVE THIS
IDEA FOR A LINE OF CLOTHING
191
00:07:06,627 --> 00:07:09,038
FOR WOMEN IN THE BUSINESS WORLD.
192
00:07:09,062 --> 00:07:10,540
IT SOUNDS INTERESTING.
193
00:07:10,564 --> 00:07:12,074
OH, I DON'T KNOW, MOM.
194
00:07:12,098 --> 00:07:14,176
ALEX WILL LAUGH AT ME.
195
00:07:14,200 --> 00:07:15,645
HE'S NOT GOING TO LAUGH AT YOU.
196
00:07:15,669 --> 00:07:18,548
HE'LL RESPECT YOU
FOR TAKING A CHANCE.
197
00:07:18,572 --> 00:07:20,049
ALEX, GUESS WHAT.
198
00:07:20,073 --> 00:07:22,573
I'M THINKING OF APPLYING
FOR THE WKS SCHOLARSHIP.
199
00:07:29,882 --> 00:07:31,316
I'M SORRY.
200
00:07:33,620 --> 00:07:34,664
HEY, MOM, WHERE'S MAL?
201
00:07:34,688 --> 00:07:37,100
UPSTAIRS WORKING ON
HER FASHION PROJECT.
202
00:07:37,124 --> 00:07:39,769
SHE'S REALLY GOING
THROUGH WITH THIS THING HUH?
203
00:07:39,793 --> 00:07:41,470
YES, SHE IS.
204
00:07:41,494 --> 00:07:43,973
AND IT TOOK A LOT OF COURAGE FOR
HER TO ENTER THIS COMPETITION, TOO.
205
00:07:43,997 --> 00:07:45,808
YOU KNOW, I THINK SHE
DESERVES OUR SUPPORT.
206
00:07:45,832 --> 00:07:47,309
SHE IS YOUR SISTER.
207
00:07:47,333 --> 00:07:48,477
YEAH, WELL, THAT MAY BE TRUE
208
00:07:48,501 --> 00:07:50,146
FROM A STRAIGHT,
GENETIC VIEWPOINT,
209
00:07:50,170 --> 00:07:52,682
BUT I'VE HAD TO PUT A LID
210
00:07:52,706 --> 00:07:55,151
ON ALL THE WARM,
BROTHERLY FEELINGS
211
00:07:55,175 --> 00:07:57,353
THAT WOULD OTHERWISE
SHOW THROUGH.
212
00:07:57,377 --> 00:08:00,189
THAT MUST BE A STRUGGLE FOR YOU.
213
00:08:00,213 --> 00:08:01,658
MALLORY AND I
ARE IN COMPETITION.
214
00:08:01,682 --> 00:08:03,092
THE MOMENT SHE ENTERED THIS,
215
00:08:03,116 --> 00:08:05,695
SHE CEASED TO BE MY
SISTER AND BECAME MY RIVAL.
216
00:08:05,719 --> 00:08:08,398
WE ARE TECHNICALLY AT WAR.
217
00:08:08,422 --> 00:08:10,502
SO REALLY, NOTHING'S CHANGED.
218
00:08:13,693 --> 00:08:14,837
HI, ALEX.
219
00:08:14,861 --> 00:08:17,340
HEY... HEY, MAL.
220
00:08:17,364 --> 00:08:20,943
EXCUSE ME, MAL. I'M
WORKING ON MY PROJECT HERE.
221
00:08:20,967 --> 00:08:22,445
WE ARE IN COMPETITION.
222
00:08:22,469 --> 00:08:25,515
I DON'T THINK IT'S RIGHT FOR
YOU TO BE SNOOPING AROUND.
223
00:08:25,539 --> 00:08:27,783
JEN, COME OVER HERE
AND LOOK AT THESE THINGS.
224
00:08:27,807 --> 00:08:29,752
I CAN'T BELIEVE HOW GREAT
MY DESIGNS ARE COMING OUT.
225
00:08:29,776 --> 00:08:31,153
LET ME SEE.
226
00:08:31,177 --> 00:08:32,777
I MEAN, LOOK AT THIS SLEEVE.
227
00:08:33,880 --> 00:08:34,946
OOH.
228
00:08:36,216 --> 00:08:38,127
WHICH DO YOU LIKE
BETTER, THIS OR THIS?
229
00:08:38,151 --> 00:08:39,295
OH, DEFINITELY THIS ONE.
230
00:08:39,319 --> 00:08:40,363
OK. GREAT.
231
00:08:40,387 --> 00:08:41,797
STEP UP HERE.
232
00:08:41,821 --> 00:08:44,933
AND I'LL SHOW YOU WHAT
IT'S GOING TO LOOK LIKE.
233
00:08:44,957 --> 00:08:47,470
YOU KNOW, MALLORY, AS WE
SPEAK, THE OTHER APPLICANTS
234
00:08:47,494 --> 00:08:49,539
ARE WORKING ON THEIR PROJECTS.
235
00:08:49,563 --> 00:08:52,475
THERE ARE COMPUTER SCIENCE
STUDENTS CREATING SOFTWARE,
236
00:08:52,499 --> 00:08:55,478
BIOLOGY STUDENTS
DISCOVERING ENZYMES,
237
00:08:55,502 --> 00:08:59,315
BRILLIANT ECONOMICS WIZARDS
COMPLETELY RESTRUCTURING
238
00:08:59,339 --> 00:09:01,317
THIS COUNTRY'S MONETARY SYSTEM.
239
00:09:01,341 --> 00:09:02,985
DO YOU REALLY EXPECT TO TRIUMPH
240
00:09:03,009 --> 00:09:04,487
OVER THAT KIND OF COMPETITION
241
00:09:04,511 --> 00:09:08,045
SIMPLY BY DRAPING A
BLANKET OVER JENNIFER?
242
00:09:10,617 --> 00:09:12,495
NOBODY ASKED YOU, ALEX.
243
00:09:12,519 --> 00:09:14,263
ALL RIGHT. OK. HEY, SORRY.
244
00:09:14,287 --> 00:09:15,498
JUST TRYING TO BRACE YOU
245
00:09:15,522 --> 00:09:17,900
FOR THE HUGE AND
INEVITABLE DISAPPOINTMENT
246
00:09:17,924 --> 00:09:19,469
THAT'S COMING YOUR WAY.
247
00:09:19,493 --> 00:09:20,903
I'LL TELL YOU SOMETHING, ALEX.
248
00:09:20,927 --> 00:09:23,840
FOR 19 YEARS, I'VE WATCHED
YOU WIN EVERYTHING
249
00:09:23,864 --> 00:09:25,441
WITH NO HOPE OF
COMPETING WITH YOU.
250
00:09:25,465 --> 00:09:27,276
IT WOULD BE EASY FOR ME TO SAY,
251
00:09:27,300 --> 00:09:29,278
"FORGET IT, MALLORY. YOU'LL
ALWAYS BE SECOND-RATE."
252
00:09:29,302 --> 00:09:30,813
BUT I REFUSE TO DO THAT.
253
00:09:30,837 --> 00:09:32,448
I HAVE DECIDED THAT NO
MATTER WHAT YOU SAY,
254
00:09:32,472 --> 00:09:34,450
I'M GOING TO KEEP TRYING.
255
00:09:34,474 --> 00:09:38,476
'CAUSE IF I DON'T, I MAY AS WELL
JUST ROLL OVER AND PLAY DEAD.
256
00:09:41,748 --> 00:09:43,192
GOOD GOING, ALEX.
257
00:09:43,216 --> 00:09:45,828
I HOPE YOU'RE REAL
PROUD OF YOURSELF.
258
00:09:45,852 --> 00:09:48,798
YOU JUST MADE MALLORY
FEEL COMPLETELY WORTHLESS.
259
00:09:48,822 --> 00:09:51,289
I DON'T EVEN WANT TO BE
IN THE SAME ROOM WITH YOU.
260
00:09:58,899 --> 00:10:01,332
COULD YOU UNPIN ME, PLEASE?
261
00:10:07,006 --> 00:10:08,150
OK, ALEX, WE BETTER GET GOING.
262
00:10:08,174 --> 00:10:09,151
THE INTERVIEW STARTS
IN HALF AN HOUR.
263
00:10:09,175 --> 00:10:10,319
YEAH, ALL RIGHT, DAD.
264
00:10:10,343 --> 00:10:12,388
JUST GOING OVER SOME
LAST-MINUTE NOTES HERE.
265
00:10:12,412 --> 00:10:14,323
"THANK YOU. THANK YOU.
266
00:10:14,347 --> 00:10:16,325
"YOU ARE TOO KIND.
267
00:10:16,349 --> 00:10:18,827
PLEASE STOP."
268
00:10:18,851 --> 00:10:20,162
ALL RIGHT. I'M READY.
269
00:10:20,186 --> 00:10:21,831
I'LL JUST PUT
THESE IN THE U-HAUL
270
00:10:21,855 --> 00:10:24,100
WITH YOUR OTHER
BOOKS AND CHARTS.
271
00:10:24,124 --> 00:10:26,736
OH, DAD, DID YOU GET
THAT BOX OF 3-D GLASSES?
272
00:10:26,760 --> 00:10:28,504
RIGHT HERE.
273
00:10:28,528 --> 00:10:30,061
GOOD STUFF.
274
00:10:31,698 --> 00:10:33,008
OH, HEY, MAL.
275
00:10:33,032 --> 00:10:34,610
IS ALL THAT STUFF FOR
YOUR PRESENTATION?
276
00:10:34,634 --> 00:10:36,111
UH, YEAH.
277
00:10:36,135 --> 00:10:37,613
YOU WANT SOME HELP?
278
00:10:37,637 --> 00:10:38,947
NO. THANKS.
279
00:10:38,971 --> 00:10:40,449
ARE YOU SURE?
280
00:10:40,473 --> 00:10:44,453
YES. I CAN HANDLE IT
PERFECTLY WELL ON MY OWN.
281
00:10:44,477 --> 00:10:45,954
AH! OK, LOOK...
282
00:10:45,978 --> 00:10:49,578
IT'S FINE, ALEX. EVERYTHING'S
UNDER CONTROL.
283
00:10:49,849 --> 00:10:51,360
DID YOU MAKE THIS?
284
00:10:51,384 --> 00:10:52,528
YES.
285
00:10:52,552 --> 00:10:55,464
IF I WERE... IF I
WERE A WOMAN...
286
00:10:55,488 --> 00:10:57,422
AND HAD A BETTER FIGURE...
287
00:10:58,658 --> 00:11:01,603
I'D BE CLAMORING AFTER THIS.
288
00:11:01,627 --> 00:11:04,240
I TRIED TO DESIGN
A LINE OF CLOTHING
289
00:11:04,264 --> 00:11:05,641
FOR THE WORKING WOMAN.
290
00:11:05,665 --> 00:11:08,144
'CAUSE WOMEN HAVE A HARD
TIME BEING TAKEN SERIOUSLY
291
00:11:08,168 --> 00:11:09,779
IN THE BUSINESS WORLD.
292
00:11:09,803 --> 00:11:14,384
WOMEN NOT BEING TAKEN
SERIOUSLY? GOD KNOWS WHY.
293
00:11:14,408 --> 00:11:15,651
SO I DESIGNED A LINE OF CLOTHING
294
00:11:15,675 --> 00:11:17,820
THAT WOMEN CAN
WEAR IN A MAN'S WORLD
295
00:11:17,844 --> 00:11:20,790
WITHOUT HIDING THE
FACT THAT SHE'S A WOMAN.
296
00:11:20,814 --> 00:11:21,958
THIS IS GREAT.
297
00:11:21,982 --> 00:11:23,659
YOU, UH, YOU SAW A
DEMAND IN THE MARKET
298
00:11:23,683 --> 00:11:24,994
AND YOU SET OUT TO FILL IT.
299
00:11:25,018 --> 00:11:26,396
THAT IS GOOD BUSINESS.
300
00:11:26,420 --> 00:11:29,498
HEY, THESE SKETCHES
AREN'T BAD, EITHER...
301
00:11:29,522 --> 00:11:31,967
ATTRACTIVE, PROFESSIONAL.
302
00:11:31,991 --> 00:11:33,336
THANKS, ALEX.
303
00:11:33,360 --> 00:11:35,103
ALTHOUGH YOU COULD HAVE SHOWN
304
00:11:35,127 --> 00:11:37,506
A LITTLE MORE LEG ON THIS ONE.
305
00:11:37,530 --> 00:11:39,742
I'M KIDDING. I'M KIDDING.
THESE ARE GREAT.
306
00:11:39,766 --> 00:11:41,344
THANKS.
307
00:11:41,368 --> 00:11:43,946
I'M SURE YOUR PRESENTATION
IS REALLY GREAT, TOO.
308
00:11:43,970 --> 00:11:46,181
YEAH, IT IS. YOU
WANT TO HEAR IT?
309
00:11:46,205 --> 00:11:48,117
NO.
310
00:11:48,141 --> 00:11:50,119
GOOD LUCK, ALEX.
311
00:11:50,143 --> 00:11:51,454
YEAH.
312
00:11:51,478 --> 00:11:53,411
GOOD LUCK TO YOU, MAL.
313
00:12:02,155 --> 00:12:04,867
AHH, I JUST POPPED IN TO SEE
IF YOU HAD YOUR INTERVIEW YET?
314
00:12:04,891 --> 00:12:05,968
NO.
315
00:12:05,992 --> 00:12:06,969
I'M SURE YOU'LL DO GREAT.
316
00:12:06,993 --> 00:12:08,471
WHERE'S ALEX?
317
00:12:08,495 --> 00:12:10,928
HA HA HA HA!
318
00:12:15,769 --> 00:12:16,979
AHH.
319
00:12:17,003 --> 00:12:19,481
WELL, UH, STOP BY MY
OFFICE WHEN YOU'RE DONE
320
00:12:19,505 --> 00:12:20,850
AND YOU CAN TELL
ME ALL ABOUT IT.
321
00:12:20,874 --> 00:12:22,318
OK.
322
00:12:22,342 --> 00:12:23,652
GOOD LUCK.
323
00:12:23,676 --> 00:12:24,820
THANKS.
324
00:12:24,844 --> 00:12:26,822
HA HA HA HA!
325
00:12:26,846 --> 00:12:28,524
BRAVO! BRAVO!
326
00:12:28,548 --> 00:12:29,758
BRAVO!
327
00:12:29,782 --> 00:12:31,260
YOU'RE TOO KIND.
328
00:12:31,284 --> 00:12:33,262
PLEASE STOP.
329
00:12:33,286 --> 00:12:34,763
HA HA HA HA!
330
00:12:34,787 --> 00:12:35,886
THANKS.
331
00:12:37,123 --> 00:12:40,002
YOUR PRESENTATION
WAS AMAZING, ALEX,
332
00:12:40,026 --> 00:12:41,670
AND THE EFFECTS WERE INCREDIBLE.
333
00:12:41,694 --> 00:12:44,974
WHEN THAT DOLLAR BILL STARTED
SPINNING OUT TOWARDS ME,
334
00:12:44,998 --> 00:12:47,398
I JUMPED OUT OF MY SEAT.
335
00:12:49,802 --> 00:12:51,013
MALLORY?
336
00:12:51,037 --> 00:12:52,281
WHAT?
337
00:12:52,305 --> 00:12:53,649
WE'RE READY FOR YOU.
338
00:12:53,673 --> 00:12:54,738
OH.
339
00:12:55,975 --> 00:12:58,743
HEY, COME ON, MAL. YOU'RE NEXT.
340
00:13:00,213 --> 00:13:01,746
ALL RIGHT.
341
00:13:03,483 --> 00:13:05,183
OH, HEY, MAL?
342
00:13:06,653 --> 00:13:08,119
KNOCK 'EM DEAD.
343
00:13:09,189 --> 00:13:10,254
THANKS.
344
00:13:14,027 --> 00:13:16,338
MALLORY, WE ALL
FOUND YOUR APPLICATION
345
00:13:16,362 --> 00:13:17,473
VERY INTERESTING.
346
00:13:17,497 --> 00:13:19,241
THANK YOU.
347
00:13:19,265 --> 00:13:21,643
AND WE'RE LOOKING FORWARD
TO YOUR ORAL PRESENTATION.
348
00:13:21,667 --> 00:13:22,945
YOU MAY BEGIN.
349
00:13:22,969 --> 00:13:26,649
WELL, A LOT OF PEOPLE
THINK FASHION IS SILLY,
350
00:13:26,673 --> 00:13:28,150
BUT IT'S NOT.
351
00:13:28,174 --> 00:13:31,086
IT REFLECTS SOCIAL VALUES,
AND MORE IMPORTANTLY,
352
00:13:31,110 --> 00:13:32,922
SOMETIMES DETERMINES THEM.
353
00:13:32,946 --> 00:13:34,056
HOW SO?
354
00:13:34,080 --> 00:13:36,091
WELL, IN THE BUSINESS WORLD,
355
00:13:36,115 --> 00:13:40,095
THE, UH, TRADITIONAL
MAN'S DARK SUIT...
356
00:13:40,119 --> 00:13:44,600
WHICH... SORRY... PERSONALLY,
I FIND A LITTLE BORING.
357
00:13:44,624 --> 00:13:46,023
UM...
358
00:13:47,694 --> 00:13:52,341
KEEPS IT A MALE-DOMINATED WORLD
359
00:13:52,365 --> 00:13:54,677
BECAUSE IN ORDER
FOR A WOMAN TO FIT IN,
360
00:13:54,701 --> 00:13:58,014
SHE HAS TO PRETEND SHE'S
A MAN AND DRESS LIKE ONE.
361
00:13:58,038 --> 00:13:59,237
HEAR, HEAR!
362
00:14:02,008 --> 00:14:04,954
AND I ALSO THINK IF PEOPLE
DRESSED MORE COMFORTABLY,
363
00:14:04,978 --> 00:14:07,290
THEY... THEY COULD
IMPROVE THEIR EFFICIENCY.
364
00:14:07,314 --> 00:14:09,792
SO, I'VE DESIGNED
A LINE OF CLOTHING
365
00:14:09,816 --> 00:14:11,794
FOR THE WORKING WOMAN...
366
00:14:11,818 --> 00:14:14,630
COMFORTABLE, AUTHORITATIVE,
367
00:14:14,654 --> 00:14:16,632
AND YET, STILL FEMININE.
368
00:14:16,656 --> 00:14:18,167
OH! WONDERFUL!
369
00:14:18,191 --> 00:14:21,203
IF YOU'LL REFER TO MY
CHART ON DEMOGRAPHICS...
370
00:14:21,227 --> 00:14:23,027
OH! WONDERFUL.
371
00:14:24,164 --> 00:14:26,642
AND SO, AS YOU CAN SEE,
372
00:14:26,666 --> 00:14:29,912
THIS COLOR DOES MORE FOR
HER COMPLEXION AND MOOD.
373
00:14:29,936 --> 00:14:32,782
NOT THAT IT'S BETTER THAN
WHAT YOU'RE WEARING ALREADY.
374
00:14:32,806 --> 00:14:35,039
NO, IT'S MUCH BETTER.
375
00:14:39,045 --> 00:14:40,823
AW.
376
00:14:40,847 --> 00:14:43,492
MRS. SIMPSON, DON'T YOU
JUST FEEL GREAT IN THIS FABRIC?
377
00:14:43,516 --> 00:14:45,160
OH, YES!
378
00:14:45,184 --> 00:14:48,497
SEE? THAT'S WHAT I'VE
BEEN TALKING ABOUT.
379
00:14:48,521 --> 00:14:51,200
FASHION REALLY DOES
MAKE A DIFFERENCE.
380
00:14:51,224 --> 00:14:53,035
YES. BRAVO, MALLORY. GREAT.
381
00:14:53,059 --> 00:14:54,303
WONDERFUL.
382
00:14:54,327 --> 00:14:56,271
WONDERFUL.
383
00:14:56,295 --> 00:14:58,229
HA HA HA!
384
00:15:04,004 --> 00:15:06,282
UH, MR. WERTZ.
385
00:15:06,306 --> 00:15:08,784
UH, SO, WHAT'S THE GOOD WORD?
386
00:15:08,808 --> 00:15:11,120
YOUR SISTER GAVE A
SPLENDID INTERVIEW, ALEX.
387
00:15:11,144 --> 00:15:13,456
OH, REALLY? REALLY? GREAT. GOOD.
388
00:15:13,480 --> 00:15:16,259
HEY, THAT IS A
NICE COLOR ON YOU.
389
00:15:16,283 --> 00:15:17,426
ISN'T IT, THOUGH?
390
00:15:17,450 --> 00:15:19,495
YOUR SISTER SUGGESTED IT.
391
00:15:19,519 --> 00:15:20,596
I GUESSED THAT.
392
00:15:20,620 --> 00:15:21,898
SHE'S WONDERFUL.
393
00:15:21,922 --> 00:15:24,267
SHE'S STILL IN THERE CHATTING
WITH SOME OF THE PANEL.
394
00:15:24,291 --> 00:15:25,468
OH, GOOD. YEAH.
395
00:15:25,492 --> 00:15:27,970
UH, SO, HOW MANY...
HOW MANY APPLICANTS
396
00:15:27,994 --> 00:15:29,305
DO YOU HAVE LEFT TO INTERVIEW?
397
00:15:29,329 --> 00:15:31,140
NONE. YOU TWO
WERE THE LAST ONES.
398
00:15:31,164 --> 00:15:32,642
AH, SO YOU'LL BE AWARDING
399
00:15:32,666 --> 00:15:34,477
THAT SCHOLARSHIP
PRETTY SOON, HUH?
400
00:15:34,501 --> 00:15:36,879
WELL, WE HAVEN'T
VOTED OFFICIALLY YET...
401
00:15:36,903 --> 00:15:38,613
YEAH, BUT YOU KNOW, RIGHT?
402
00:15:38,637 --> 00:15:39,748
WELL...
403
00:15:39,772 --> 00:15:41,550
COME ON, MR. WERTZ.
404
00:15:41,574 --> 00:15:44,053
HONESTLY, ALEX, YOU'RE
LIKE A KID ON CHRISTMAS EVE.
405
00:15:44,077 --> 00:15:45,554
I KNOW, I KNOW, I KNOW, I KNOW.
406
00:15:45,578 --> 00:15:48,657
BUT, LOOK, I'M GOING TO FIND OUT
LATER ON TODAY ANYWAY, RIGHT?
407
00:15:48,681 --> 00:15:50,114
I SUPPOSE THAT'S TRUE.
408
00:15:52,818 --> 00:15:53,795
CONGRATULATIONS, ALEX.
409
00:15:53,819 --> 00:15:55,797
YOU WON THE WKS SCHOLARSHIP.
410
00:15:55,821 --> 00:15:56,998
YES!
411
00:15:57,022 --> 00:15:58,500
THANK YOU. THANK YOU, MR. WERTZ.
412
00:15:58,524 --> 00:15:59,501
THANK YOU.
413
00:15:59,525 --> 00:16:00,502
YOU DESERVE IT.
414
00:16:00,526 --> 00:16:02,171
JUST REMEMBER TO LOOK SURPRISED
415
00:16:02,195 --> 00:16:03,627
WHEN YOU FIND OUT.
416
00:16:07,133 --> 00:16:08,610
HEY, MR. WERTZ.
417
00:16:08,634 --> 00:16:10,746
UH, JUST, UH, JUST
OUT OF CURIOSITY,
418
00:16:10,770 --> 00:16:13,382
HOW DID MALLORY
FINISH IN THE RUNNING?
419
00:16:13,406 --> 00:16:14,616
SHE WAS OUR SECOND CHOICE,
420
00:16:14,640 --> 00:16:15,618
RIGHT AFTER YOU.
421
00:16:15,642 --> 00:16:18,020
OH...
422
00:16:18,044 --> 00:16:21,123
WELL, THOSE ARE
THE BREAKS, RIGHT?
423
00:16:21,147 --> 00:16:22,625
WELL, I'D BETTER
BE GETTING BACK IN.
424
00:16:22,649 --> 00:16:23,792
CONGRATULATIONS, ALEX.
425
00:16:23,816 --> 00:16:25,249
THANK YOU.
426
00:16:31,858 --> 00:16:34,870
THIS IS GREAT FOR EVENING
AND THEN FOR WORK,
427
00:16:34,894 --> 00:16:36,372
OR FOR ANYTHING.
428
00:16:36,396 --> 00:16:37,873
YOU ARE SO TALENTED.
429
00:16:37,897 --> 00:16:40,376
YOU ARE. YOU HAVE
LOTS OF GOOD IDEAS.
430
00:16:40,400 --> 00:16:41,880
ALL RIGHT, I'LL BE BACK LATER.
431
00:16:44,604 --> 00:16:46,815
OH, ALEX! ALEX!
432
00:16:46,839 --> 00:16:48,984
IT WAS GREAT! I MEAN, I
DID REALLY WELL IN THERE.
433
00:16:49,008 --> 00:16:50,486
I ANSWERED ALL THEIR
QUESTIONS, RIGHT?
434
00:16:50,510 --> 00:16:52,321
THEY WERE REALLY IMPRESSED
WITH MY PRESENTATION.
435
00:16:52,345 --> 00:16:53,822
I THINK I WAS, TOO.
436
00:16:53,846 --> 00:16:56,592
I THINK I'VE GOT A SHOT AT
WINNING THIS SCHOLARSHIP!
437
00:16:56,616 --> 00:16:57,693
MAL, THAT'S TERRIFIC.
438
00:16:57,717 --> 00:16:58,827
THAT'S TERRIFIC.
439
00:16:58,851 --> 00:17:00,328
I AM SO EXCITED I COULD BURST.
440
00:17:00,352 --> 00:17:02,119
I GOT TO GO TELL
DAD. I'LL BE RIGHT BACK.
441
00:17:06,526 --> 00:17:08,959
I THOUGHT SHE WAS
JUST WONDERFUL.
442
00:17:11,364 --> 00:17:12,463
UH, MR. WERTZ.
443
00:17:13,866 --> 00:17:16,512
WITH ALL DUE RESPECT, SIR,
444
00:17:16,536 --> 00:17:18,914
I'M WITHDRAWING
FROM THE COMPETITION.
445
00:17:18,938 --> 00:17:20,249
BUT THAT MEANS...
446
00:17:20,273 --> 00:17:24,208
YEAH. YEAH, I KNOW
WHAT IT MEANS.
447
00:17:29,282 --> 00:17:32,294
I WOULDN'T DO
THAT IF I WERE YOU.
448
00:17:32,318 --> 00:17:33,829
WHY NOT?
449
00:17:33,853 --> 00:17:35,419
IT'S NOT YOUR MAN.
450
00:17:38,525 --> 00:17:40,469
YO, ALEX.
451
00:17:40,493 --> 00:17:42,571
ALEX, HOW DID YOUR INTERVIEW GO?
452
00:17:42,595 --> 00:17:44,473
OH, FINE, FINE.
453
00:17:44,497 --> 00:17:45,474
WHERE'S MALLORY?
454
00:17:45,498 --> 00:17:46,809
SHE GOT HOME ABOUT AN HOUR AGO.
455
00:17:46,833 --> 00:17:47,810
WHERE HAVE YOU BEEN?
456
00:17:47,834 --> 00:17:50,479
I WAS OUT WALKING.
457
00:17:50,503 --> 00:17:52,081
DO YOU THINK YOU WON?
458
00:17:52,105 --> 00:17:54,883
I DON'T KNOW. HARD TO TELL.
459
00:17:54,907 --> 00:17:56,385
IT'S JUST ANOTHER SCHOLARSHIP.
460
00:17:56,409 --> 00:17:59,843
WHY IS WINNING ALWAYS SO
IMPORTANT TO YOU PEOPLE?
461
00:18:03,450 --> 00:18:04,427
HERE IT IS.
462
00:18:04,451 --> 00:18:06,094
IT SAYS WKS RIGHT
ON THE ENVELOPE.
463
00:18:06,118 --> 00:18:07,095
HEY, OPEN IT UP, BABE.
464
00:18:07,119 --> 00:18:08,431
I'M AFRAID. YOU OPEN IT.
465
00:18:08,455 --> 00:18:09,432
OH, MALLORY.
466
00:18:09,456 --> 00:18:10,896
I DON'T WANT TO KNOW.
467
00:18:15,127 --> 00:18:16,605
OH! I WON!
468
00:18:20,133 --> 00:18:21,443
I WON!
469
00:18:21,467 --> 00:18:23,400
I WON THE SCHOLARSHIP!
470
00:18:24,470 --> 00:18:25,936
SHE BEAT ALEX.
471
00:18:27,039 --> 00:18:28,784
HEY.
472
00:18:28,808 --> 00:18:31,509
CONGRATULATIONS, MAL.
473
00:18:32,579 --> 00:18:34,090
THANKS, ALEX.
474
00:18:34,114 --> 00:18:36,525
ELYSE, I THINK WE HAVE SOME
CHAMPAGNE IN THE BASEMENT.
475
00:18:36,549 --> 00:18:37,859
WHY DON'T WE GO GET IT?
476
00:18:37,883 --> 00:18:39,816
OK. COME ON, GUYS. COME ON.
477
00:18:42,555 --> 00:18:43,555
WELL.
478
00:18:46,059 --> 00:18:49,326
THIS IS THE MOMENT
YOU'VE BEEN WAITING FOR.
479
00:18:54,334 --> 00:18:55,766
LET ME HAVE IT.
480
00:18:58,338 --> 00:19:01,105
OH, COME ON, MAL.
481
00:19:03,509 --> 00:19:05,109
DON'T HOLD BACK.
482
00:19:06,179 --> 00:19:07,611
LET'S SEE SOME GLOATING.
483
00:19:09,482 --> 00:19:12,616
YOU KNOW, I'VE WAITED ALL
MY LIFE FOR THIS MOMENT.
484
00:19:14,187 --> 00:19:17,166
I IMAGINED IT SO
MANY DIFFERENT WAYS.
485
00:19:17,190 --> 00:19:18,767
THAT DAY, FAR IN THE FUTURE,
486
00:19:18,791 --> 00:19:19,935
WHEN I'M IN THE SPOTLIGHT
487
00:19:19,959 --> 00:19:21,639
AND YOU'RE IN THE SHADOW.
488
00:19:22,562 --> 00:19:24,706
I ALWAYS THOUGHT THIS MOMENT
489
00:19:24,730 --> 00:19:26,930
WOULD SOMEHOW OCCUR IN NEW YORK.
490
00:19:27,934 --> 00:19:31,179
YOU'D BE WAITING FOR
ME AT SOME SMALL CAFE.
491
00:19:31,203 --> 00:19:33,281
AND I'D COME RUNNING
IN BREATHLESS
492
00:19:33,305 --> 00:19:34,816
AND I'D SAY, "LOOK, ALEX,
493
00:19:34,840 --> 00:19:37,285
MY DESIGNS ARE ON
THE COVER OF VOGUE."
494
00:19:37,309 --> 00:19:40,188
AND YOU'D SMILE, STAMMER
OUT CONGRATULATIONS.
495
00:19:40,212 --> 00:19:43,332
BUT I'D KNOW, THAT
UNDERNEATH THAT TOUPEE...
496
00:19:48,420 --> 00:19:51,266
YOU WERE... YOU
WERE GREEN WITH ENVY
497
00:19:51,290 --> 00:19:53,924
AND COMPLETELY BALD.
498
00:19:58,597 --> 00:20:00,976
WE'D ENGAGE IN SOME SMALL TALK,
499
00:20:01,000 --> 00:20:03,144
EXCHANGE SOME PLEASANTRIES.
500
00:20:03,168 --> 00:20:05,313
YOU'D TRY TO INTEREST ME
501
00:20:05,337 --> 00:20:07,616
IN SOME SHODDY LAND DEAL.
502
00:20:07,640 --> 00:20:11,152
I'D POLITELY DECLINE,
503
00:20:11,176 --> 00:20:13,121
SAYING, "NO, I HAVE
TO HEAD UPTOWN.
504
00:20:13,145 --> 00:20:16,926
BUSINESS, YOU KNOW."
505
00:20:16,950 --> 00:20:19,995
AND I'D TURN TO SIGN
SOMEONE'S AUTOGRAPH, RIGHT,
506
00:20:20,019 --> 00:20:21,730
AND I'D SEE SOMEONE
WALK UP TO YOU
507
00:20:21,754 --> 00:20:23,999
AND SAY, "AREN'T YOU
MALLORY KEATON'S BROTHER?
508
00:20:24,023 --> 00:20:26,457
YOU MUST BE SO PROUD."
509
00:20:28,394 --> 00:20:29,371
SO I'D COME BACK,
510
00:20:29,395 --> 00:20:31,173
AND, I'D... I'D, YOU KNOW...
511
00:20:31,197 --> 00:20:34,509
SHOVE A FEW BUCKS
IN YOUR POCKET.
512
00:20:34,533 --> 00:20:37,346
AND I'D RUFFLE MY FINGERS
THROUGH YOUR HAIR,
513
00:20:37,370 --> 00:20:39,848
AND SAY GOOD-BYE.
514
00:20:39,872 --> 00:20:42,184
ONLY AFTER I'M HALFWAY UPTOWN
515
00:20:42,208 --> 00:20:44,019
DO I REALIZE THAT
516
00:20:44,043 --> 00:20:47,144
I'VE GOT YOUR
TOUPEE IN MY PURSE.
517
00:20:52,385 --> 00:20:54,162
THAT'S QUITE A RICH FANTASY LIFE
518
00:20:54,186 --> 00:20:56,865
YOU GOT THERE, MAL.
519
00:20:56,889 --> 00:20:59,201
AND YOU'RE ENTITLED
TO THE COVER OF VOGUE,
520
00:20:59,225 --> 00:21:04,106
BUT, UH... WHY DO
I HAVE TO BE BALD?
521
00:21:04,130 --> 00:21:06,308
YOU KNOW, NOW THAT I'M HERE,
522
00:21:06,332 --> 00:21:08,043
NOW THAT I'VE WON,
523
00:21:08,067 --> 00:21:11,479
I DON'T FEEL LIKE GLOATING.
524
00:21:11,503 --> 00:21:13,649
I MEAN, I'M EXCITED FOR ME,
525
00:21:13,673 --> 00:21:16,151
BUT I FEEL BAD FOR YOU.
526
00:21:16,175 --> 00:21:18,987
I KNOW HOW MUCH THESE
THINGS MEAN TO YOU.
527
00:21:19,011 --> 00:21:21,111
AND I'M SORRY YOU LOST.
528
00:21:22,848 --> 00:21:24,548
THANKS, MAL.
529
00:21:27,687 --> 00:21:29,498
BUT DON'T FEEL BAD FOR ME.
530
00:21:29,522 --> 00:21:31,166
OK?
531
00:21:31,190 --> 00:21:34,536
BECAUSE I'M HAPPY.
532
00:21:34,560 --> 00:21:36,672
I'M HAPPY FOR YOU.
533
00:21:36,696 --> 00:21:40,008
YOU KNOW, AND MAYBE...
MAYBE THIS COULD BE THE START
534
00:21:40,032 --> 00:21:41,912
OF A NEW MALLORY KEATON.
535
00:21:42,735 --> 00:21:45,013
ONE WHO PUSHES HERSELF.
536
00:21:45,037 --> 00:21:46,515
ONE WHO STRIVES.
537
00:21:46,539 --> 00:21:48,350
ONE WHO REACHES
FOR THE BRASS RING
538
00:21:48,374 --> 00:21:49,374
AND GETS IT.
539
00:21:51,411 --> 00:21:54,322
AND WHEN THEY
ASK ME HOW IT FEELS
540
00:21:54,346 --> 00:21:56,024
TO BE MALLORY KEATON'S BROTHER,
541
00:21:56,048 --> 00:21:59,049
I'M GOING TO SAY, "DAMN PROUD."
542
00:22:00,385 --> 00:22:02,086
THANKS, ALEX.
543
00:22:07,827 --> 00:22:09,760
WHOA. EASY, EASY.
544
00:22:11,463 --> 00:22:12,507
HERE I AM!
545
00:22:12,531 --> 00:22:13,976
YEAH!
546
00:22:14,000 --> 00:22:16,578
YEAH! YAY!
547
00:22:16,602 --> 00:22:19,014
CELEBRATION'S IN
THE DINING ROOM, ALEX.
548
00:22:19,038 --> 00:22:20,015
YOU COMING IN?
549
00:22:20,039 --> 00:22:21,879
YEAH, IN A SECOND, DAD.
550
00:22:22,475 --> 00:22:24,786
IT'S TERRIFIC ABOUT
MALLORY, ISN'T IT?
551
00:22:24,810 --> 00:22:25,954
YEAH.
552
00:22:25,978 --> 00:22:27,790
YEAH, IT SURE IS.
553
00:22:27,814 --> 00:22:29,591
SHE REALLY SEEMS EXCITED.
554
00:22:29,615 --> 00:22:32,061
YOU KNOW, I ALWAYS
KNEW SHE HAD IT IN HER.
555
00:22:32,085 --> 00:22:34,952
YEAH, SHE, UH, SHE SURE DID.
556
00:22:37,657 --> 00:22:40,524
MR. WERTZ TOLD ME WHAT YOU DID.
557
00:22:41,827 --> 00:22:44,639
WHAT? I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
558
00:22:44,663 --> 00:22:47,710
THAT YOU STEPPED DOWN
SO MALLORY COULD WIN.
559
00:22:47,734 --> 00:22:49,244
OH, THAT.
560
00:22:49,268 --> 00:22:50,534
OH, YEAH.
561
00:22:51,771 --> 00:22:53,749
IT WAS NO BIG DEAL.
562
00:22:53,773 --> 00:22:56,752
IT WAS A WONDERFUL
THING THAT YOU DID.
563
00:22:56,776 --> 00:23:00,255
YOU ACTED IN AN INCREDIBLY
COMPASSIONATE AND GENEROUS FASHION.
564
00:23:00,279 --> 00:23:03,325
YOU DIDN'T THINK
OF YOURSELF AT ALL.
565
00:23:03,349 --> 00:23:05,260
WELL, I FIGURE IN LIFE
566
00:23:05,284 --> 00:23:07,218
YOU SHOULD TRY EVERYTHING ONCE.
567
00:23:10,289 --> 00:23:11,266
THANKS, DAD.
568
00:23:11,290 --> 00:23:13,724
YOU GAVE HER A GREAT GIFT.
569
00:23:18,697 --> 00:23:19,908
DAD...
570
00:23:19,932 --> 00:23:23,833
CAN I BORROW 2,500 BUCKS?
571
00:23:54,434 --> 00:23:56,378
Man: SIT, UBU, SIT. GOOD DOG.
38750
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