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These are the user uploaded subtitles that are being translated: 1 00:00:12,413 --> 00:00:15,247 ♪ I BET WE'VE BEEN TOGETHER ♪ 2 00:00:15,316 --> 00:00:17,882 ♪ FOR A MILLION YEARS ♪ 3 00:00:17,952 --> 00:00:20,752 ♪ AND I BET WE'LL BE TOGETHER ♪ 4 00:00:20,821 --> 00:00:23,322 ♪ FOR A MILLION MORE ♪ 5 00:00:23,390 --> 00:00:26,091 ♪ OH, IT'S LIKE I STARTED BREATHING ♪ 6 00:00:26,160 --> 00:00:28,360 ♪ ON THE NIGHT WE KISSED ♪ 7 00:00:28,428 --> 00:00:30,362 ♪ AND I CAN'T REMEMBER ♪ 8 00:00:30,431 --> 00:00:34,132 ♪ WHAT I EVER DID BEFORE ♪ 9 00:00:34,201 --> 00:00:37,102 ♪ WHAT WOULD WE DO, BABY ♪ 10 00:00:37,170 --> 00:00:39,871 ♪ WITHOUT US ♪ 11 00:00:39,940 --> 00:00:42,507 ♪ WHAT WOULD WE DO, BABY ♪ 12 00:00:42,576 --> 00:00:45,777 ♪ WITHOUT US ♪ 13 00:00:45,846 --> 00:00:47,779 ♪ AND THERE AIN'T NO NOTHING ♪ 14 00:00:47,848 --> 00:00:51,283 ♪ WE CAN'T LOVE EACH OTHER THROUGH ♪ ♪ OOH, OHH ♪ 15 00:00:51,352 --> 00:00:54,119 ♪ WHAT WOULD WE DO, BABY ♪ 16 00:00:54,187 --> 00:00:56,655 ♪ WITHOUT US ♪ 17 00:00:56,723 --> 00:01:00,292 ♪ SHA LA LA LA ♪♪ 18 00:01:03,797 --> 00:01:05,942 AND THE PRINCE TOOK CINDERELLA TO BE HIS BRIDE, 19 00:01:05,966 --> 00:01:09,112 AND THEY LIVED HAPPILY EVER AFTER IN THE PRINCE'S CASTLE. 20 00:01:09,136 --> 00:01:10,902 WASN'T THAT A NICE STORY? 21 00:01:10,971 --> 00:01:13,572 ALEX SAYS THE PRINCE WAS SILLY. WHY? 22 00:01:13,641 --> 00:01:16,908 CINDERELLA HAD NO MONEY. 23 00:01:16,977 --> 00:01:20,879 WELL, ALEX SAYS A LOT OF THINGS THAT DON'T MAKE SENSE. 24 00:01:20,947 --> 00:01:24,949 REMEMBER WHAT I TOLD YOU TO DO WHEN ALEX STARTS TO TALK? 25 00:01:26,387 --> 00:01:27,853 GOOD BOY. 26 00:01:27,922 --> 00:01:30,022 OH, ELYSE, UH, WHAT DO YOU THINK 27 00:01:30,090 --> 00:01:32,224 LOOKS BETTER WITH WHAT I'M WEARING? 28 00:01:32,293 --> 00:01:33,858 THIS OR, UH... 29 00:01:33,928 --> 00:01:35,027 THIS? 30 00:01:36,230 --> 00:01:38,663 I THINK I'D HAVE TO SEE THEM ON. 31 00:01:38,732 --> 00:01:41,010 DAD, PLEASE BE CAREFUL WITH THAT. I'M USING THAT 32 00:01:41,034 --> 00:01:43,547 FOR A FASHION PROJECT FOR MY SALES AND MARKETING CLASS. 33 00:01:43,571 --> 00:01:45,671 WELL, I'M SORRY, MAL. I FOUND THEM IN MY CLOSET, 34 00:01:45,739 --> 00:01:47,605 SO I JUST ASSUMED THEY WERE MINE. 35 00:01:47,675 --> 00:01:50,020 I NEED EXTRA CLOSET SPACE FOR THIS PROJECT, 36 00:01:50,044 --> 00:01:52,077 AND I FIGURED YOURS WAS THE PERFECT CHOICE. 37 00:01:52,146 --> 00:01:54,713 UH, I HOPE YOU DON'T MIND IF I MOVED SOME OF YOUR STUFF AROUND. 38 00:01:54,782 --> 00:01:57,148 HEH. WHY ME? 39 00:01:57,218 --> 00:02:00,419 WELL, IT WOULDN'T BE FAIR TO USE MOM OR JEN'S CLOSET, 'CAUSE THEY'RE GIRLS. 40 00:02:00,487 --> 00:02:03,255 AND ANDY'S STILL IN HIS FORMATIVE WARDROBE YEARS. 41 00:02:03,324 --> 00:02:07,792 UM, ALEX CHARGES TOO MUCH RENT FOR HIS CLOSET. 42 00:02:07,861 --> 00:02:09,794 AND, WELL, THAT LEFT YOU. 43 00:02:09,863 --> 00:02:13,998 AND, WELL, YOU'RE THE PERFECT CHOICE, BECAUSE IT DOESN'T MATTER. 44 00:02:14,067 --> 00:02:16,268 I MEAN, YOU DON'T REALLY NEED TO LOOK GOOD. 45 00:02:16,337 --> 00:02:18,270 YOU KNOW, YOU'VE REACHED THAT AGE. 46 00:02:20,407 --> 00:02:22,486 WHAT ABOUT YOUR CLOSET, MALLORY? 47 00:02:22,510 --> 00:02:25,477 MY CLOSET, DAD? HA HA! 48 00:02:25,546 --> 00:02:27,813 DAD, YOU'RE SO FUNNY! HA HA! 49 00:02:30,151 --> 00:02:32,083 OH, COME ON, ELYSE. WE ALWAYS SAY 50 00:02:32,153 --> 00:02:35,387 WE SHOULD SUPPORT MALLORY IN SCHOOL. THIS IS A SCHOOL PROJECT. 51 00:02:35,456 --> 00:02:37,822 AND IT'S REALLY JUST A MINOR INCONVENIENCE. 52 00:02:37,891 --> 00:02:41,193 ANYWAY, IT'LL BE GOOD FOR ME TO EXPERIENCE NEW CLOSETS. 53 00:02:42,596 --> 00:02:44,306 HEY, MOM. SORRY I MISSED DINNER. 54 00:02:44,330 --> 00:02:46,143 MY COMMITTEE MEETING RAN LATE. 55 00:02:46,167 --> 00:02:47,766 WELL, WHAT COMMITTEE WAS THAT? 56 00:02:47,834 --> 00:02:50,502 UH, STUDENTS FOR WEAPONS IN SPACE? MM-MMM. 57 00:02:50,571 --> 00:02:52,348 NO, IT'S THE ENTERTAINMENT COMMITTEE 58 00:02:52,372 --> 00:02:54,417 FOR HOMECOMING WEEKEND. THIS WHOLE THING IS UNRAVELING. 59 00:02:54,441 --> 00:02:55,740 WHAT'S THE MATTER? 60 00:02:55,809 --> 00:02:58,087 WELL, WE GOT A LOT OF GOOD ACTIVITIES PLANNED. 61 00:02:58,111 --> 00:03:00,679 WE GOT BOBBING FOR MONEY. 62 00:03:00,747 --> 00:03:04,783 WE GOT THE, UH, "GUESS YOUR CLASSMATE'S INCOME" BOOTH. 63 00:03:04,852 --> 00:03:06,551 SOMETHING FOR EVERYONE. 64 00:03:06,619 --> 00:03:07,752 YEAH. 65 00:03:07,821 --> 00:03:09,632 BUT... BUT THE BAND WE BOOKED 66 00:03:09,656 --> 00:03:11,967 BACKED OUT AT THE LAST MINUTE, SO NOW WE'RE SCRAMBLING. 67 00:03:11,991 --> 00:03:14,170 ELYSE... HEY, DOES ANYBODY REMEMBER THE GROUP 68 00:03:14,194 --> 00:03:15,972 THAT SANG AT ANDY'S BIRTHDAY PARTY? 69 00:03:15,996 --> 00:03:18,696 UH, HUMPTY AND THE DUMPTIES? 70 00:03:18,766 --> 00:03:20,599 ELYSE, UH, WE... WE HAVE TO GO. 71 00:03:20,668 --> 00:03:22,500 WE'RE GOING TO BE LATE. OH. YEAH. 72 00:03:22,570 --> 00:03:24,236 SEE YOU LATER. 73 00:03:26,774 --> 00:03:29,674 REALLY LOOKING FOR A BAND, HUH? 74 00:03:29,743 --> 00:03:31,943 YEAH. YOU GOT ANY SUGGESTIONS? 75 00:03:32,012 --> 00:03:35,252 WELL, WHAT ABOUT THE BAND I'M IN NOW... THE PERMANENT WAVES? 76 00:03:35,282 --> 00:03:36,347 HA HA! 77 00:03:36,416 --> 00:03:37,783 NO. NO, THANKS. 78 00:03:37,851 --> 00:03:39,629 COME ON, ALEX. WHY NOT? 79 00:03:39,653 --> 00:03:42,053 UH, LOOK, JEN. I'M SURE IT FALLS IN THE FINE TRADITION 80 00:03:42,122 --> 00:03:44,723 OF THE OTHER ABSURD MUSICAL GROUPS YOU'VE BEEN INVOLVED WITH... 81 00:03:44,791 --> 00:03:46,725 KEATON AND THE KAZOOS, 82 00:03:46,793 --> 00:03:49,427 THE NEW KEATON MINSTRELS, 83 00:03:49,496 --> 00:03:51,629 KEATON AND GARFUNKEL. 84 00:03:51,699 --> 00:03:53,509 THE PERMANENT WAVES ARE DIFFERENT, ALEX. 85 00:03:53,533 --> 00:03:55,099 YEAH. I'LL BET. 86 00:03:55,169 --> 00:03:57,013 COME ON, ALEX. WHAT DO YOU HAVE TO LOSE? 87 00:03:57,037 --> 00:03:59,382 IF YOU DON'T LIKE US, DON'T USE US... THAT SIMPLE. 88 00:03:59,406 --> 00:04:01,840 ALL RIGHT. JEN, EVEN IF I DO LET YOU AUDITION, 89 00:04:01,909 --> 00:04:03,809 YOU'RE GONNA BE TREATED LIKE EVERYBODY ELSE. 90 00:04:03,877 --> 00:04:07,746 I MEAN, BEING MY SISTER IS GONNA BE OF ABSOLUTELY NO ADVANTAGE TO YOU. 91 00:04:07,815 --> 00:04:11,116 OH, AND WHAT A PLUS IT'S BEEN SO FAR. 92 00:04:24,331 --> 00:04:25,763 HEY! HEY, HEY! 93 00:04:25,833 --> 00:04:28,666 LET'S HEAR IT FOR MITCH ZIAUKUS AND THE POLKA BOYS! 94 00:04:28,735 --> 00:04:30,201 GOOD JOB, GUYS! 95 00:04:30,270 --> 00:04:31,736 GREAT! THANKS A LOT. 96 00:04:31,805 --> 00:04:34,506 WELL, HEY. WE GOT OUR BAND. THANKS A LOT, EVERYBODY. 97 00:04:34,575 --> 00:04:36,185 WAIT A MINUTE, ALEX. YOU SAID... 98 00:04:36,209 --> 00:04:37,887 WE'VE BEEN WAITING ALL DAY. 99 00:04:37,911 --> 00:04:39,744 UH, ALL RIGHT, ALL RIGHT, ALL RIGHT. 100 00:04:39,813 --> 00:04:41,412 JUST MAKE IT QUICK, OK? 101 00:04:41,481 --> 00:04:42,948 COME ON, GUYS. 102 00:04:43,016 --> 00:04:45,917 UH, THAT'S MY KID SISTER. I'M SORRY. I PROMISED. 103 00:04:48,655 --> 00:04:50,588 OH, HEY, HEY. SKIPPY, WHAT ARE YOU DOING HERE? 104 00:04:50,657 --> 00:04:52,168 WELL, I'M WITH THE BAND. 105 00:04:52,192 --> 00:04:53,959 UH, WHAT INSTRUMENT DO YOU PLAY? 106 00:04:54,027 --> 00:04:55,638 HEH. I DON'T PLAY AN INSTRUMENT. 107 00:04:55,662 --> 00:04:58,441 I HAVE A MORE IMPORTANT ROLE THAN THAT. I'M THE BAND'S ADVISOR. 108 00:04:58,465 --> 00:05:01,866 SKIPPY, IF YOU DON'T GET THAT THING UP HERE, YOU'RE FIRED. 109 00:05:01,935 --> 00:05:04,069 THERE YOU ARE. 110 00:05:14,315 --> 00:05:17,616 ♪ THE FIRST TIME I LOOKED AT YOU ♪ 111 00:05:17,685 --> 00:05:19,518 ♪ I COULD SEE YOU SEARCHING ♪ 112 00:05:19,586 --> 00:05:22,053 ♪ FOR SOMEBODY SPECIAL ♪ 113 00:05:22,122 --> 00:05:23,788 ♪ SPELLBOUND ♪ 114 00:05:23,856 --> 00:05:26,991 ♪ I DIDN'T MIND YOU TAKING MY HEART ♪ 115 00:05:27,060 --> 00:05:28,893 ♪ OH, NO ♪ 116 00:05:28,962 --> 00:05:30,728 ♪ I WAS JUST A LITTLE SHY ♪ 117 00:05:30,797 --> 00:05:32,730 ♪ WAITING FOR THE RIGHT TIME ♪ 118 00:05:32,799 --> 00:05:34,265 ♪ TO TAKE YOUR HAND ♪ 119 00:05:34,334 --> 00:05:37,168 ♪ AND WHISPER IN YOUR EAR ♪ 120 00:05:37,237 --> 00:05:38,536 ♪ HOLD ME ♪ 121 00:05:38,605 --> 00:05:41,539 ♪ I'M YOUR DREAM COME TRUE ♪ 122 00:05:41,608 --> 00:05:43,909 ♪ YOUR PERFECT GIRL ♪ 123 00:05:43,977 --> 00:05:46,211 ♪ I KNOW YOU WANT TO HOLD ♪ 124 00:05:46,279 --> 00:05:49,080 ♪ THIS DREAM COME TRUE ♪ 125 00:05:49,149 --> 00:05:51,115 ♪ YOUR PERFECT GIRL ♪ 126 00:05:52,720 --> 00:05:53,819 ♪ HOLD ME ♪ 127 00:05:53,887 --> 00:05:56,388 ♪ I'M YOUR DREAM COME TRUE ♪ 128 00:05:56,457 --> 00:05:59,123 ♪ YOUR PERFECT GIRL ♪ 129 00:05:59,192 --> 00:06:01,170 ♪ I KNOW YOU WANT TO HOLD ME... ♪ 130 00:06:05,065 --> 00:06:07,732 YEAH. ALL RIGHT! WHOO! 131 00:06:10,571 --> 00:06:13,105 OH, ALEX. THEY ARE FANTASTIC. 132 00:06:13,173 --> 00:06:15,373 OH, YEAH. ALL RIGHT, I ADMIT THEY GOT TALENT. 133 00:06:15,442 --> 00:06:17,842 I MEAN, TAKE IT EASY. THEY'RE NOT THE POLKA BOYS. 134 00:06:17,911 --> 00:06:19,744 WHAT, ARE YOU KIDDING? COME ON. 135 00:06:19,813 --> 00:06:21,691 THEY'RE JUST WHAT WE NEED. THEY'RE GREAT! 136 00:06:21,715 --> 00:06:23,915 SO, ALEX, WHAT DID YOU THINK? 137 00:06:23,984 --> 00:06:26,329 OH. UH, WELL, YOU KNOW, YOU'RE RAW, YOU'RE GREEN. 138 00:06:26,353 --> 00:06:28,832 BUT, UH, THERE WAS A GLIMMER OF SOMETHING UNDER THERE. 139 00:06:28,856 --> 00:06:30,855 I MEAN, YOU'VE GOT TALENT. 140 00:06:30,924 --> 00:06:33,224 YOU REALLY THINK SO? UH, YEAH, JEN. 141 00:06:33,293 --> 00:06:36,394 I THINK THAT WITH THE PROPER GUIDANCE, 142 00:06:36,463 --> 00:06:38,963 CAREER MANAGEMENT, PROMOTION... 143 00:06:39,032 --> 00:06:40,431 PLEASE DON'T, ALEX. 144 00:06:40,500 --> 00:06:43,401 WE'RE JUST TEENAGERS TRYING TO GET THROUGH PUBERTY. 145 00:06:44,671 --> 00:06:47,049 HEY, GIRLS, NICE. NICE. SOUNDS GREAT. 146 00:06:47,073 --> 00:06:48,918 THANKS A LOT. GOOD STAGE PRESENCE, TOO. 147 00:06:48,942 --> 00:06:50,241 THANKS. THANKS. 148 00:06:50,310 --> 00:06:52,188 IN FACT, THERE'S ONLY ONE THING MISSING, 149 00:06:52,212 --> 00:06:53,722 ONE PIECE LACKING FROM THE PUZZLE, 150 00:06:53,746 --> 00:06:56,514 ONE STEP BETWEEN YOU AND A HUGE SUCCESS. 151 00:06:56,583 --> 00:06:59,184 DON'T ASK HIM WHAT THAT IS. 152 00:06:59,252 --> 00:07:00,518 WHAT IS IT? 153 00:07:00,587 --> 00:07:02,087 UH... ME. 154 00:07:06,527 --> 00:07:08,426 HEY, MAL, WE BETTER BE LEAVING SOON 155 00:07:08,495 --> 00:07:11,095 IF WE WANT TO GET TO THE ZOO BEFORE IT GETS TOO CROWDED. 156 00:07:11,164 --> 00:07:12,731 WHERE'S YOUR FATHER? 157 00:07:12,799 --> 00:07:14,800 UH, HE'S NOT READY YET. 158 00:07:14,868 --> 00:07:18,636 LET'S GO NOW AND TAKE DADDY TO THE ZOO TOMORROW. 159 00:07:20,707 --> 00:07:22,518 I MOVED HIS CLOTHES AROUND, 160 00:07:22,542 --> 00:07:25,588 SO HE'S KIND OF HAVING A HARD TIME FINDING THEM. 161 00:07:25,612 --> 00:07:28,646 I HAD TO DRAW HIM A MAP. 162 00:07:31,818 --> 00:07:34,185 MALLORY, I WANT TO HELP YOU OUT HERE. 163 00:07:34,254 --> 00:07:37,255 I WANT TO BE A GOOD FATHER. I, UH... 164 00:07:40,326 --> 00:07:43,194 I KNOW IT'S FOR SCHOOL AND IT'S IMPORTANT FOR YOU, 165 00:07:43,263 --> 00:07:45,764 BUT IT'S ALSO WINTER IN OHIO, 166 00:07:45,832 --> 00:07:49,033 AND I'D LIKE A LITTLE MORE INSULATION. 167 00:07:49,102 --> 00:07:50,868 DAD, WE WENT OVER THIS. 168 00:07:50,937 --> 00:07:53,248 IT SAYS RIGHT HERE, ALL CLOTHES WORN ABOVE THE WAIST 169 00:07:53,272 --> 00:07:55,006 ARE HERE IN THE HALL CLOSET. 170 00:07:55,075 --> 00:07:57,308 OK. THAT'S CONVENIENT. UM... 171 00:07:57,377 --> 00:08:00,678 WHAT ABOUT CLOTHES WORN BELOW THE BELT? 172 00:08:00,747 --> 00:08:02,559 I HAVEN'T FOUND A PLACE FOR THEM YET. 173 00:08:02,583 --> 00:08:05,851 DO YOU HAVE A TARGET DATE ON THAT? 174 00:08:05,919 --> 00:08:08,964 WELL, TEMPORARILY, THEY'RE IN, UH, ANDY'S TOY CHEST, 175 00:08:08,988 --> 00:08:12,056 BUT... I'M NOT HAPPY WITH THAT. 176 00:08:13,460 --> 00:08:15,393 THOSE WERE DADDY'S PANTS? 177 00:08:15,462 --> 00:08:16,761 YES. 178 00:08:16,830 --> 00:08:18,296 EXCUSE ME. 179 00:08:22,202 --> 00:08:23,534 ANDY! 180 00:08:23,604 --> 00:08:25,937 HEY, HEY. JENNIFER AND THE BAND DOWN YET? 181 00:08:26,006 --> 00:08:28,038 NO. THEY'RE STILL UPSTAIRS. WHY? 182 00:08:28,108 --> 00:08:30,186 WELL, MOM, AS MANAGER OF THIS BAND, I HAVE TO KNOW 183 00:08:30,210 --> 00:08:32,143 WHERE THEY ARE EVERY MOMENT OF THE DAY. 184 00:08:32,212 --> 00:08:34,924 I STILL CAN'T BELIEVE THEY AGREED TO USE YOU AS THEIR MANAGER. 185 00:08:34,948 --> 00:08:37,709 YEAH, WELL, THEY DID, MAL. AND I HAVE THEIR CAREERS PLANNED 186 00:08:37,751 --> 00:08:39,951 FROM NOW UNTIL SOCIAL SECURITY. 187 00:08:40,020 --> 00:08:41,998 WHEN THEY SIGNED ON THE DOTTED LINE 188 00:08:42,022 --> 00:08:43,833 TO HIRE ALEX P. KEATON AS THEIR MANAGER, 189 00:08:43,857 --> 00:08:45,668 THEY KNEW WHAT THEY WERE GETTING INTO. 190 00:08:45,692 --> 00:08:48,259 AND STILL THEY SIGNED. 191 00:08:48,328 --> 00:08:50,507 YES, THEY DID, MOM. TAKE A LOOK. 192 00:08:50,531 --> 00:08:52,330 WELL, ALEX, IT LOOKS LIKE 193 00:08:52,399 --> 00:08:55,066 YOU'RE THE ONLY ONE WHO'S MAKING ANY MONEY HERE. 194 00:08:55,135 --> 00:08:57,802 YOU WOULD SAY THAT ABOUT YOUR SON? 195 00:08:59,339 --> 00:09:01,172 WHAT'S THIS ON LINE FIVE? 196 00:09:01,241 --> 00:09:03,607 THAT'S MY AGENT'S FEE. 197 00:09:03,677 --> 00:09:05,710 LINES SIX, SEVEN, AND EIGHT? 198 00:09:05,779 --> 00:09:09,247 THAT'S MY, UH, MY MANAGER'S FEE, 199 00:09:09,316 --> 00:09:11,716 FINDER'S FEE, AND KEEPER'S FEE. 200 00:09:17,157 --> 00:09:19,090 LINE 10? 201 00:09:19,159 --> 00:09:21,392 THAT'S MY FEE FEE. 202 00:09:23,830 --> 00:09:24,929 ALEX? 203 00:09:24,998 --> 00:09:27,998 HEY! HEY, YOU LOOK TERRIFIC! 204 00:09:28,068 --> 00:09:30,735 WE LOOK LIKE A BRIDAL PARTY. 205 00:09:30,804 --> 00:09:32,771 ALEX, WHAT IS THIS? 206 00:09:32,839 --> 00:09:36,508 THIS... THIS IS PART OF THE BOLD, NEW COMMERCIAL IMAGE 207 00:09:36,576 --> 00:09:38,743 I'M CREATING FOR THE BAND. 208 00:09:38,812 --> 00:09:42,280 OH, LOOK. IT'S THE ANDREWS SISTERS. 209 00:09:42,349 --> 00:09:45,094 THAT REMINDS ME. YOU KNOW, I'VE BEEN THINKING. THE BAND NEEDS A NEW NAME. 210 00:09:45,118 --> 00:09:47,285 PERMANENT WAVES JUST DOESN'T STICK IN THE BRAIN. 211 00:09:47,354 --> 00:09:50,387 WE NEED SOMETHING CATCHIER, SOMETHING A LITTLE MORE CONTEMPORARY. 212 00:09:50,457 --> 00:09:52,290 THE LEG WARMERS. 213 00:09:52,359 --> 00:09:55,860 HERE. HUH? WHAT DO YOU THINK? 214 00:09:55,928 --> 00:09:58,296 THE SWINGING CORPORATE RAIDERS. 215 00:09:58,364 --> 00:10:00,064 OH, ALEX! 216 00:10:00,133 --> 00:10:02,767 W-WASN'T THAT THE ORIGINAL NAME OF THE SUPREMES? 217 00:10:02,836 --> 00:10:04,235 COME ON. HEH! 218 00:10:04,303 --> 00:10:05,548 OH! 219 00:10:05,572 --> 00:10:08,072 I GOT IT! I GOT IT. I GOT IT. I GOT IT. 220 00:10:08,141 --> 00:10:11,075 HEY, SKIPPY. COME ON IN. HELLO THERE, ALEX. OH, BOY. 221 00:10:13,479 --> 00:10:15,347 SO, YOU GOT EVERYTHING? 222 00:10:15,415 --> 00:10:19,417 I'VE GOT THE GUITARS, THE AMPS, THE SOUND EQUIPMENT, AND A HERNIA. 223 00:10:19,486 --> 00:10:20,863 YEAH. THAT'S EVERYTHING. OK. 224 00:10:20,887 --> 00:10:23,666 OK, GIRLS, COME ON. WE GOT A LOT OF WORK TO DO HERE. 225 00:10:23,690 --> 00:10:27,325 WE GOTTA GO OVER THE NEW STAGE SHOW, THE NEW DANCE STEPS, THE NEW MUSIC. 226 00:10:27,394 --> 00:10:30,139 THAT'S ANOTHER THING. WE DON'T LIKE THE NEW MUSIC. 227 00:10:30,163 --> 00:10:32,308 THESE ARE ALL SHOW TUNES, ALEX. 228 00:10:32,332 --> 00:10:34,432 HEY, JEN, JEN, JEN, COME ON. WHEN YOU'RE OUT ON TOUR, 229 00:10:34,501 --> 00:10:37,068 THERE ARE GONNA BE SOME VERY IMPORTANT PEOPLE IN THAT AUDIENCE. 230 00:10:37,137 --> 00:10:38,569 I MEAN, OLDER PEOPLE... 231 00:10:38,638 --> 00:10:41,172 PEOPLE WHO WANT A LITTLE ENTERTAINMENT FOR THEIR DOLLAR. 232 00:10:41,241 --> 00:10:43,219 I DON'T CARE. I'M NOT SINGING 233 00:10:43,243 --> 00:10:46,744 WHY CAN'T A WOMAN BE MORE LIKE A MAN? 234 00:10:49,182 --> 00:10:51,116 ALL RIGHT. ALL RIGHT, OK. 235 00:10:51,184 --> 00:10:53,162 WELL, THEN, LET'S... LET'S GO OVER ONE OF THE OTHER TUNES. 236 00:10:53,186 --> 00:10:55,498 LET'S DO THE ONE WE DID LAST NIGHT. ON YOUR FEET, LADIES. 237 00:10:55,522 --> 00:10:58,356 OK, LET'S GO. COME ON. IN THE KEY OF "C." 238 00:10:58,425 --> 00:11:00,291 WHERE IS IT? 239 00:11:00,360 --> 00:11:02,494 OK, WITH THE HEAD BOBS. 240 00:11:04,264 --> 00:11:06,197 ♪ BOM BOM BOM BOM BOM BOM BOM BOM ♪ 241 00:11:06,266 --> 00:11:07,732 ♪ BOM BOM BOM BOM BOM ♪ 242 00:11:07,800 --> 00:11:09,233 ♪ MR. SANDMAN ♪ 243 00:11:09,302 --> 00:11:10,234 YES? 244 00:11:10,303 --> 00:11:12,503 ♪ BRING ME A DREAM ♪ 245 00:11:12,572 --> 00:11:14,672 ♪ MAKE HIM THE CUTEST THAT I'VE EVER SEEN ♪ 246 00:11:14,740 --> 00:11:16,552 COME ON. LET'S SEE THAT POUT, ASHLEY. 247 00:11:16,576 --> 00:11:18,054 ♪ GIVE HIM THE WORD ♪ GOOD. OK. 248 00:11:18,078 --> 00:11:19,555 ♪ THAT I'M NOT A ROVER ♪ COME ON! TEETH, 249 00:11:19,579 --> 00:11:20,889 BROOKE, TEETH! THERE YOU GO! 250 00:11:20,913 --> 00:11:22,425 ♪ AND TELL HIM THAT MY LONESOME NIGHTS HEY, 251 00:11:22,449 --> 00:11:23,926 ♪ ARE OVER ♪ JENNIFER, I DON'T BELIEVE YOU! 252 00:11:23,950 --> 00:11:25,383 I DON'T BELIEVE YOU EITHER, ALEX. 253 00:11:25,452 --> 00:11:26,695 ♪ SANDMAN ♪ KITTEN'S GOT IT! 254 00:11:26,719 --> 00:11:27,996 KITTEN'S GOT IT! ♪ I'M SO ALONE ♪ 255 00:11:28,020 --> 00:11:29,331 OK! THE REST OF YOU, WATCH ME! 256 00:11:29,355 --> 00:11:30,732 ♪ DON'T HAVE NOBODY ♪ OK! KITTEN, 257 00:11:30,756 --> 00:11:32,567 ♪ TO CALL MY OWN ♪ HANDS! OK! 258 00:11:32,591 --> 00:11:34,231 ♪ PLEASE TURN ON YOUR MAGIC BEAM ♪ 259 00:11:34,294 --> 00:11:35,938 ALL RIGHT! BEDDY-BYE! 260 00:11:35,962 --> 00:11:37,439 ♪ MR. SANDMAN ♪ OK. NOW, 261 00:11:37,463 --> 00:11:39,703 ♪ BRING ME A DREAM ♪♪ COME ON, GIRLS! 262 00:11:41,835 --> 00:11:43,478 I'D LIKE TO WEAR MY BLUE SUIT TODAY. 263 00:11:43,502 --> 00:11:45,622 DOES ANYBODY KNOW WHERE IT IS? 264 00:11:45,671 --> 00:11:49,007 UH, CHECK THE FRONT PORCH, HONEY. 265 00:11:49,075 --> 00:11:51,175 OH. 266 00:11:56,883 --> 00:11:58,249 JUST... 267 00:12:01,321 --> 00:12:03,421 HE'S REALLY A WONDERFUL MAN. 268 00:12:04,657 --> 00:12:06,591 GIRLS, COME ON. YOU TOOK FOREVER. 269 00:12:06,659 --> 00:12:08,659 OUR TRAIN LEAVES IN A HALF AN HOUR. 270 00:12:08,729 --> 00:12:10,528 THOSE DRESSES AREN'T EASY TO PACK, YOU KNOW. 271 00:12:10,597 --> 00:12:12,530 OK, THESE ARE YOUR TRAIN TICKETS. 272 00:12:12,599 --> 00:12:15,166 THERE YOU GO. OH, NOT THAT ONE. 273 00:12:15,234 --> 00:12:18,994 HOW COME YOURS SAID FIRST CLASS AND OURS DIDN'T? 274 00:12:20,106 --> 00:12:22,206 WELL, JEN, YOU KNOW, IT'S IMPORTANT FOR ME 275 00:12:22,275 --> 00:12:24,542 TO MAINTAIN A CERTAIN IMAGE. 276 00:12:24,611 --> 00:12:26,377 YOU KNOW, PEOPLE SEE THE... 277 00:12:28,915 --> 00:12:32,116 PEOPLE SEE THE MANAGER, YOU KNOW, RIDING IN FIRST CLASS, 278 00:12:32,185 --> 00:12:34,252 THEY FIGURE THAT IT'S A FIRST-CLASS BAND. 279 00:12:34,321 --> 00:12:37,755 OH, AND WHAT DO THEY THINK WHEN THEY SEE THE BAND IN COACH? 280 00:12:39,125 --> 00:12:41,125 THEY THINK YOU'RE REAL PEOPLE. 281 00:12:43,263 --> 00:12:45,763 YOU SAID HE WAS SMOOTH. 282 00:12:45,832 --> 00:12:47,565 OK, LADIES. LADIES, COME HERE. 283 00:12:47,634 --> 00:12:49,567 COME HERE. HUDDLE. HUDDLE. 284 00:12:49,636 --> 00:12:51,569 THIS IS AN HISTORIC MOMENT. 285 00:12:51,638 --> 00:12:53,971 WE'RE ABOUT TO LEAVE FOR OUR FIRST GIG. 286 00:12:54,040 --> 00:12:55,840 THE SWINGING CORPORATE RAIDERS, 287 00:12:55,908 --> 00:12:58,576 WHICH BEGAN AS A GLIMMER IN MY EYE, 288 00:12:58,645 --> 00:13:00,077 IS NOW A REALITY. 289 00:13:01,648 --> 00:13:03,080 TONIGHT, TOLEDO. 290 00:13:03,149 --> 00:13:06,083 TOMORROW... TOLEDO. 291 00:13:08,020 --> 00:13:10,521 MONDAY, BACK TO SCHOOL. LET'S GO. 292 00:13:16,563 --> 00:13:18,796 ♪ BOM BOM BOM BOM BOM BOM BOM BOM ♪ 293 00:13:18,865 --> 00:13:20,531 ♪ BOM BOM BOM BOM BOM ♪ 294 00:13:20,600 --> 00:13:23,401 ♪ MR. SANDMAN ♪ 295 00:13:23,470 --> 00:13:25,870 ♪ BRING ME A DREAM ♪ 296 00:13:25,938 --> 00:13:27,705 ♪ MAKE HIM THE CUTEST ♪ 297 00:13:27,774 --> 00:13:30,675 THAT I'VE EVER SEEN ♪ 298 00:13:30,744 --> 00:13:35,246 ♪ GIVE HIM THE WORD THAT I'M NOT A ROVER ♪ 299 00:13:35,314 --> 00:13:39,517 ♪ AND TELL HIM THAT MY LONESOME NIGHTS ARE OVER ♪ 300 00:13:39,586 --> 00:13:41,952 ♪ SANDMAN ♪ 301 00:13:42,021 --> 00:13:44,589 ♪ I'M SO ALONE ♪ 302 00:13:44,657 --> 00:13:48,760 ♪ DON'T HAVE NOBODY TO CALL MY OWN ♪ 303 00:13:48,828 --> 00:13:52,963 ♪ PLEASE, TURN ON YOUR MAGIC BEAM ♪ 304 00:13:53,032 --> 00:13:57,201 ♪ MR. SANDMAN, BRING ME A DREAM ♪♪ 305 00:14:06,379 --> 00:14:08,657 I CAN'T BELIEVE THIS! 306 00:14:08,681 --> 00:14:10,493 JENNIFER IS STILL NOT READY. 307 00:14:10,517 --> 00:14:12,661 CALM DOWN, HONEY. SHE'S STILL UPSTAIRS WITH THE OTHER GIRLS. 308 00:14:12,685 --> 00:14:16,353 YOU KNOW, NOBODY KNOWS WHAT US MANAGERS GO THROUGH. 309 00:14:16,423 --> 00:14:19,857 TONIGHT IS THE BIGGEST NIGHT OF OUR CAREERS. 310 00:14:19,926 --> 00:14:22,905 I WAS THINKING OF MY BLUE BLAZER FOR THE DANCE TONIGHT. 311 00:14:22,929 --> 00:14:24,695 THAT'S A GOOD IDEA. 312 00:14:26,999 --> 00:14:29,099 DAD, COME IN AFTER YOU GET DRESSED. 313 00:14:29,168 --> 00:14:31,936 I'VE GOT SOME EXCITING NEWS FOR YOU. OK. 314 00:14:32,004 --> 00:14:34,972 WHAT'S THE BIG NEWS? YOU FOUND MY SOCKS? 315 00:14:35,041 --> 00:14:38,642 NO. DAD, I GOT AN "A" ON MY FASHION PROJECT. 316 00:14:38,711 --> 00:14:41,779 OH, THAT'S TERRIFIC! THAT'S WONDERFUL, HONEY. 317 00:14:41,848 --> 00:14:44,360 DAD, YOU'VE BEEN SUCH A GOOD SPORT. I COULD NOT HAVE DONE THIS WITHOUT YOU. 318 00:14:44,384 --> 00:14:46,095 WELL, I'M VERY HAPPY FOR YOU. 319 00:14:46,119 --> 00:14:48,430 AND I GUESS I GET MY CLOSETS BACK NOW. 320 00:14:48,454 --> 00:14:50,732 OH, NOT REALLY, DAD. I MEAN, I'M TAKING THE ADVANCED CLASS. 321 00:14:50,756 --> 00:14:53,024 I'M JUST KIDDING! YOU'LL HAVE THEM BACK IN NO TIME. 322 00:14:53,092 --> 00:14:55,692 OH, GOD. WHAT? HEH HEH HEH! 323 00:14:55,761 --> 00:14:58,695 WELL, COME ON, STEVEN. I GUESS THIS CALLS FOR A CELEBRATION. 324 00:14:58,764 --> 00:15:00,742 WELL, MALLORY GOT AN "A." WHAT DO YOU THINK OF THAT? 325 00:15:00,766 --> 00:15:02,744 WELL, AND YOU REALLY HELPED HER, TOO. AREN'T YOU PROUD? 326 00:15:02,768 --> 00:15:04,746 WELL, I WAS REALLY GETTING USED TO DRESSING OUT THERE 327 00:15:04,770 --> 00:15:06,482 CLOSE TO NATURE AND ALL. 328 00:15:06,506 --> 00:15:09,240 WELL, WITH THE WEATHER WARMING UP... 329 00:15:09,309 --> 00:15:12,009 ALEX, THERE ARE PROBLEMS DEVELOPING. 330 00:15:12,077 --> 00:15:14,612 WHA-WHAT PROBLEMS? WE'RE ARE A HIT. 331 00:15:14,680 --> 00:15:17,048 WE'RE ON OUR WAY TO THE BIGGEST GIG OF OUR LIVES. 332 00:15:17,117 --> 00:15:19,484 ALEX, WE WANT TO PLAY OUR OWN MUSIC. 333 00:15:19,552 --> 00:15:21,319 WE'RE TIRED OF LOOKING LIKE 334 00:15:21,387 --> 00:15:24,522 WE'RE TRYING TO RAISE MONEY FOR WAR BONDS. 335 00:15:26,426 --> 00:15:27,758 I SEE. 336 00:15:27,827 --> 00:15:29,994 WE'RE NOT HAVING ANY FUN. 337 00:15:30,063 --> 00:15:32,596 YOU'RE NOT SUPPOSED TO HAVE FUN. YOU'RE KIDS. 338 00:15:32,665 --> 00:15:34,910 YOU'RE SUPPOSED TO BE THINKING ABOUT THE FUTURE. 339 00:15:34,934 --> 00:15:37,701 YOU'RE GONNA HAVE FUN WHEN YOU RETIRE. 340 00:15:37,770 --> 00:15:41,205 ALEX, WE APPRECIATE EVERYTHING YOU'VE TRIED TO DO FOR US, 341 00:15:41,274 --> 00:15:42,706 BUT IT'S ENOUGH. 342 00:15:44,243 --> 00:15:47,545 FINE. GOOD. HEY. I SEE. I GOT IT. 343 00:15:47,614 --> 00:15:49,880 FINE. FINE. 344 00:15:53,853 --> 00:15:55,786 DON'T POUT, ALEX. 345 00:15:57,023 --> 00:15:59,189 I WORK. I SWEAT. 346 00:15:59,258 --> 00:16:00,892 I LABOR FOR HOURS. 347 00:16:00,960 --> 00:16:02,771 I... I WORRY ABOUT THIS BAND. 348 00:16:02,795 --> 00:16:04,272 I MAKE ALL THE ARRANGEMENTS. 349 00:16:04,296 --> 00:16:05,774 I WORK MYSELF TO THE BONE. 350 00:16:05,798 --> 00:16:07,443 AND WHAT DO I GET IN RETURN? 351 00:16:07,467 --> 00:16:08,899 80%. 352 00:16:11,471 --> 00:16:13,104 85%. 353 00:16:13,173 --> 00:16:15,306 READ YOUR CONTRACT. 354 00:16:16,409 --> 00:16:17,674 IT'S NOT WORKING, ALEX. 355 00:16:17,743 --> 00:16:19,221 NOT WORKING? NOT WORKING? 356 00:16:19,245 --> 00:16:21,345 YOU KIDDING ME? YOU GUYS ARE A SMASH. 357 00:16:21,414 --> 00:16:25,382 DIDN'T THEY LOVE YOU AT THE CLEVELAND STATE PENITENTIARY? 358 00:16:25,452 --> 00:16:28,619 ALEX, THOSE GUYS HADN'T BEEN OUT IN 30 YEARS. 359 00:16:28,688 --> 00:16:32,523 THEY THOUGHT WE WERE THE ANDREWS SISTERS. 360 00:16:32,592 --> 00:16:35,293 JEN, COME ON. LOOK, THERE ARE BOUND TO BE BUMPS AND BRUISES. 361 00:16:35,361 --> 00:16:36,961 YOU'RE JUST STARTING OUT. 362 00:16:37,029 --> 00:16:38,796 EVERYTHING IS GONNA WORK OUT. 363 00:16:38,864 --> 00:16:40,998 OK? TRUST ME. YOU WON'T BE SORRY. 364 00:16:41,067 --> 00:16:42,967 I'M ALREADY SORRY. 365 00:16:43,036 --> 00:16:46,270 NOW IT'S JUST A QUESTION OF HOW MUCH. 366 00:16:48,942 --> 00:16:51,442 ENJOYING YOURSELF? 367 00:16:51,510 --> 00:16:56,480 OH, IT'S A WONDERFUL AFFAIR. WE HAVEN'T POLKAED IN YEARS, STEVEN. 368 00:16:56,549 --> 00:16:59,850 THE POLKA BOYS REALLY KNOW HOW TO WHIP A CROWD INTO A FRENZY, DON'T THEY? 369 00:16:59,919 --> 00:17:01,452 YEAH, YEAH. 370 00:17:01,520 --> 00:17:03,699 YEAH, I HEARD SEVERAL PEOPLE WERE TRAMPLED TO DEATH 371 00:17:03,723 --> 00:17:05,489 AT THEIR LAST CONCERT. YEAH. 372 00:17:09,429 --> 00:17:12,362 MAY I HAVE THIS DANCE? 373 00:17:12,432 --> 00:17:13,909 WITH PLEASURE. IT WILL BE NICE 374 00:17:13,933 --> 00:17:16,044 NOT TO HAVE YOUR FATHER DANCING ON MY FEET. 375 00:17:16,068 --> 00:17:18,402 OHH! THERE WE GO. 376 00:17:21,241 --> 00:17:23,385 WELL, GIRLS, THIS IS IT. 377 00:17:23,409 --> 00:17:25,221 LELAND SYMPHONY AUDITORIUM, 378 00:17:25,245 --> 00:17:27,778 OUR BIGGEST GIG YET. GOOD LUCK. 379 00:17:32,084 --> 00:17:34,051 CAN'T BLAME THEM, ALEX. THEY KIND OF FEEL 380 00:17:34,120 --> 00:17:36,053 LIKE YOU'RE FORCING THEM INTO THIS. 381 00:17:36,122 --> 00:17:38,601 LOOK, JEN. I'VE EXPLAINED THIS TO YOU A MILLION TIMES. 382 00:17:38,625 --> 00:17:40,836 YOU GOTTA HAVE A GIMMICK TO MAKE IT IN THIS BUSINESS... 383 00:17:40,860 --> 00:17:43,672 YOU KNOW, SOMETHING SPECIAL FOR THE AUDIENCE TO REMEMBER YOU BY. 384 00:17:43,696 --> 00:17:46,764 NOW, WHAT'S YOUR GIMMICK? WHAT DO YOU HAVE THAT NOBODY ELSE HAS... 385 00:17:46,833 --> 00:17:48,666 THAT CANNOT BE DUPLICATED? 386 00:17:48,735 --> 00:17:50,167 MY BROTHER. 387 00:17:51,337 --> 00:17:53,670 MWAH! OK. 388 00:17:55,108 --> 00:17:58,776 HEY. TANK YOU, TANK YOU, TANK YOU. 389 00:17:58,845 --> 00:18:01,512 OK. THIS NEXT ACT... 390 00:18:01,581 --> 00:18:04,621 THIS NEXT ACT IS REALLY GOING TO KNOCK YOUR SOCKS OFF. 391 00:18:04,651 --> 00:18:07,251 LADIES AND GENTLEMEN, PLEASE WELCOME 392 00:18:07,320 --> 00:18:10,354 THE SWINGING CORPORATE RAIDERS. 393 00:18:15,695 --> 00:18:17,995 ♪ BOM BOM BOM BOM BOM BOM BOM BOM ♪ 394 00:18:18,064 --> 00:18:19,730 ♪ BOM BOM BOM BOM BOM ♪ 395 00:18:19,799 --> 00:18:21,565 ♪ MR. SANDMAN ♪ 396 00:18:21,634 --> 00:18:22,766 YES? 397 00:18:22,836 --> 00:18:25,303 ♪ BRING ME A DREAM ♪ 398 00:18:25,371 --> 00:18:29,807 ♪ MAKE HIM THE CUTEST THAT I'VE EVER SEEN ♪ 399 00:18:29,876 --> 00:18:34,378 ♪ GIVE HIM THE WORD THAT I'M NOT A ROVER ♪ 400 00:18:34,446 --> 00:18:38,549 ♪ AND TELL HIM THAT MY LONESOME NIGHTS ARE OVER ♪ 401 00:18:38,618 --> 00:18:39,717 ♪ SANDMAN... ♪ 402 00:18:41,220 --> 00:18:42,986 ♪ I'M SO ALONE... ♪ 403 00:18:43,055 --> 00:18:46,023 I CAN'T GO THROUGH WITH THIS, ALEX. 404 00:18:46,092 --> 00:18:48,025 NO... 405 00:18:53,666 --> 00:18:55,065 UM... 406 00:18:55,134 --> 00:18:58,636 ♪ MR. SANDMAN, MAKE ME A DREAM ♪ 407 00:18:58,704 --> 00:19:01,205 ♪ MAKE HIM CUTEST I'VE EVER SEEN ♪♪ 408 00:19:03,176 --> 00:19:04,653 JENNIFER, WHAT ARE YOU DOING? 409 00:19:04,677 --> 00:19:06,655 I CAN'T GO THROUGH WITH THIS, ALEX. I'M NOT SINGING. 410 00:19:06,679 --> 00:19:08,290 IT'S OVER. IT'S NO USE. OH, FINE. OK. 411 00:19:08,314 --> 00:19:10,225 OH, SO THAT'S THE WAY IT IS, HUH? 412 00:19:10,249 --> 00:19:11,615 FINE. 413 00:19:14,687 --> 00:19:17,054 I SHOULD HAVE SEEN IT COMING, ALEX. 414 00:19:17,122 --> 00:19:19,601 WHENEVER YOU DECIDE TO GET INVOLVED WITH MY LIFE, 415 00:19:19,625 --> 00:19:21,603 A VOICE SAYS INSIDE MY HEAD, 416 00:19:21,627 --> 00:19:24,205 "DON'T LISTEN TO THIS MAN. HE'S DANGEROUS." 417 00:19:24,229 --> 00:19:28,231 HOW MANY TIMES HAVE I TOLD YOU NOT TO LISTEN TO STRANGE VOICES? 418 00:19:28,300 --> 00:19:30,568 AND THEN SOMETIMES LATE AT NIGHT, 419 00:19:30,636 --> 00:19:32,603 ANOTHER VOICE SAYS, "DO WHATEVER HE SAYS. 420 00:19:32,672 --> 00:19:34,905 HE'S YOUR BROTHER. HE'S A GOOD GUY." 421 00:19:34,974 --> 00:19:37,174 I LIKE THAT VOICE. 422 00:19:37,243 --> 00:19:39,110 THAT'S BECAUSE IT'S YOURS. 423 00:19:39,178 --> 00:19:41,846 YOU LEFT A TAPE RECORDER UNDER MY BED. 424 00:19:47,186 --> 00:19:49,253 ALL RIGHT, JEN. LOOK. 425 00:19:49,321 --> 00:19:52,256 ALL RIGHT, MAYBE I GOT A LITTLE CARRIED AWAY. 426 00:19:52,324 --> 00:19:54,258 IT'S JUST... 427 00:19:54,326 --> 00:19:57,094 WHEN I HEARD YOU SING, 428 00:19:57,163 --> 00:19:59,596 WHEN I SAW HOW TALENTED YOU WERE, 429 00:19:59,665 --> 00:20:02,233 I COULDN'T HELP IT, YOU KNOW. I... I GOT EXCITED. 430 00:20:02,301 --> 00:20:04,201 AND WHEN YOU GET EXCITED, 431 00:20:04,270 --> 00:20:05,736 I GET EXCITED. 432 00:20:05,804 --> 00:20:09,117 I START TO BELIEVE ANYTHING CAN HAPPEN. THE NEXT THING I KNOW, 433 00:20:09,141 --> 00:20:12,543 I'M IN AN EVENING GOWN SINGING MR. SANDMAN. 434 00:20:12,612 --> 00:20:15,045 WHY DO I LISTEN TO YOUR ADVICE? 435 00:20:17,183 --> 00:20:21,118 OH, JEN, WHO... WHO ELSE'S ADVICE ARE YOU GONNA LISTEN TO? 436 00:20:21,187 --> 00:20:24,388 I MEAN, ARE YOU GONNA LISTEN TO MOM AND DAD'S? 437 00:20:24,457 --> 00:20:28,559 I MEAN, THE ONLY ADVICE THEY EVER GIVE IS, YOU KNOW, UH, BE FAIR TO PEOPLE. 438 00:20:30,196 --> 00:20:32,964 RESPECT OTHER PEOPLE'S IDEAS. 439 00:20:33,032 --> 00:20:36,166 NOW WHEN ARE YOU GOING TO USE THAT IN LIFE? 440 00:20:36,236 --> 00:20:38,202 I DO LISTEN TO YOU. 441 00:20:38,271 --> 00:20:40,905 YOU'RE MY BROTHER. I LOVE YOU. 442 00:20:42,809 --> 00:20:46,310 I THINK I SHOULD MAKE THE DECISIONS BY MYSELF. 443 00:20:46,378 --> 00:20:50,180 I THINK WE SHOULD MANAGE THE BAND ON OUR OWN. 444 00:20:50,250 --> 00:20:52,416 YOU'RE RIGHT. IT'S YOUR BAND. 445 00:20:54,220 --> 00:20:57,888 SO, UH... CAN I STILL COME SEE YOU PLAY? 446 00:20:57,957 --> 00:20:59,523 SURE. 447 00:20:59,592 --> 00:21:02,471 AND IF WE EVER HIT IT REALLY BIG ONE DAY, 448 00:21:02,495 --> 00:21:05,529 YOU CAN BE THE BAND'S ACCOUNTANT. 449 00:21:05,598 --> 00:21:10,101 AND, UH, IF I EVER HIT IT REALLY BIG ONE DAY... 450 00:21:10,169 --> 00:21:12,936 YOU CAN PLAY AT THE INAUGURATION. 451 00:21:14,707 --> 00:21:16,273 IT'S A DEAL. 452 00:21:17,877 --> 00:21:20,477 UHH. NO MORE MR. SANDMAN? 453 00:21:20,546 --> 00:21:22,112 HEH. 454 00:21:22,181 --> 00:21:24,281 NO MORE. 455 00:21:24,349 --> 00:21:25,782 COME ON, GUYS. 456 00:21:25,852 --> 00:21:27,830 WE'RE GONNA DO OUR STUFF. LET'S GO! 457 00:21:27,854 --> 00:21:30,120 ALL RIGHT! ALL RIGHT! WE ARE? 458 00:21:46,806 --> 00:21:50,141 ♪ OVER AND OVER ♪ 459 00:21:50,209 --> 00:21:52,977 ♪ AND OVER AGAIN ♪ 460 00:21:53,046 --> 00:21:56,813 ♪ I'VE SEEN LOVE HAPPEN ♪ 461 00:21:56,882 --> 00:21:59,917 ♪ AND I'VE SEEN IT END ♪ 462 00:21:59,986 --> 00:22:03,621 ♪ I'VE BEEN HURT SO MANY TIMES BEFORE ♪ 463 00:22:03,689 --> 00:22:06,824 ♪ AND MAYBE TOO OFTEN ♪ 464 00:22:06,893 --> 00:22:10,427 ♪ I SHOULDN'T TRUST MY HEART ANYMORE ♪ 465 00:22:10,496 --> 00:22:13,363 ♪ BUT I KNOW IT'S DIFFERENT NOW ♪ 466 00:22:13,433 --> 00:22:16,467 ♪ BABY, I'M BACK IN LOVE AGAIN ♪ 467 00:22:16,536 --> 00:22:18,468 ♪ IN LOVE AGAIN ♪ 468 00:22:18,538 --> 00:22:20,237 ♪ OOH OOH, OOH OOH ♪ 469 00:22:20,306 --> 00:22:23,240 ♪ BABY, I'M BACK IN LOVE AGAIN ♪ 470 00:22:23,309 --> 00:22:25,509 ♪ IN LOVE AGAIN ♪ 471 00:22:25,577 --> 00:22:27,678 ♪ I'M IN LOVE WITH YOU ♪ 472 00:22:27,746 --> 00:22:29,613 ♪ YOU YOU YOU ♪ 473 00:22:29,682 --> 00:22:32,850 ♪ I NEVER THOUGHT THAT ♪ 474 00:22:32,919 --> 00:22:35,753 ♪ THERE'D BE A TIME ♪ 475 00:22:35,822 --> 00:22:39,323 ♪ WHEN I COULD REACH OUT ♪ 476 00:22:39,391 --> 00:22:42,259 ♪ AND CALL YOU MINE, NO ♪ 477 00:22:42,328 --> 00:22:43,760 ♪ I WAS ALONE ♪ 478 00:22:43,830 --> 00:22:45,963 ♪ YOU CAME ALONG TO SET ME FREE ♪ 479 00:22:46,032 --> 00:22:49,666 ♪ AND LIKE A VISION FROM A DREAM ♪ 480 00:22:49,735 --> 00:22:53,570 ♪ MY HAPPINESS IS CALLING OUT TO ME ♪ 481 00:22:53,639 --> 00:22:56,206 ♪ AND I WON'T LET IT GO ♪ 482 00:22:56,275 --> 00:22:59,376 ♪ BABY, I'M BACK IN LOVE AGAIN ♪ 483 00:22:59,445 --> 00:23:01,478 ♪ IN LOVE AGAIN ♪ 484 00:23:01,547 --> 00:23:02,980 ♪ OOH OOH, OOH OOH ♪ 485 00:23:03,049 --> 00:23:06,149 ♪ BABY, I'M BACK IN LOVE AGAIN ♪ 486 00:23:06,219 --> 00:23:08,219 ♪ IN LOVE AGAIN ♪ 487 00:23:08,287 --> 00:23:10,487 ♪ I'M IN LOVE WITH YOU ♪ 488 00:23:10,556 --> 00:23:12,022 ♪ YOU YOU YOU ♪♪ 489 00:23:52,698 --> 00:23:54,130 SIT, UBU, SIT. 490 00:23:54,200 --> 00:23:55,599 GOOD DOG. 36203

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