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These are the user uploaded subtitles that are being translated: 1 00:00:12,446 --> 00:00:14,824 ♪ I BET WE'VE BEEN TOGETHER ♪ 2 00:00:14,848 --> 00:00:17,961 ♪ FOR A MILLION YEARS ♪ 3 00:00:17,985 --> 00:00:20,397 ♪ AND I BET WE'LL BE TOGETHER ♪ 4 00:00:20,421 --> 00:00:23,433 ♪ FOR A MILLION MORE ♪ 5 00:00:23,457 --> 00:00:26,269 ♪ OH, IT'S LIKE I STARTED BREATHING ♪ 6 00:00:26,293 --> 00:00:29,172 ♪ ON THE NIGHT WE KISSED ♪ 7 00:00:29,196 --> 00:00:30,840 ♪ AND I CAN'T REMEMBER ♪ 8 00:00:30,864 --> 00:00:34,310 ♪ WHAT I EVER DID BEFORE ♪ 9 00:00:34,334 --> 00:00:37,280 ♪ WHAT WOULD WE DO, BABY ♪ 10 00:00:37,304 --> 00:00:40,016 ♪ WITHOUT US ♪ 11 00:00:40,040 --> 00:00:42,685 ♪ WHAT WOULD WE DO, BABY ♪ 12 00:00:42,709 --> 00:00:45,955 ♪ WITHOUT US ♪ 13 00:00:45,979 --> 00:00:47,890 ♪ AND THERE AIN'T NO NOTHING ♪ 14 00:00:47,914 --> 00:00:51,527 ♪ WE CAN'T LOVE EACH OTHER THROUGH ♪ 15 00:00:51,551 --> 00:00:54,297 ♪ WHAT WOULD WE DO, BABY ♪ 16 00:00:54,321 --> 00:00:57,134 ♪ WITHOUT US ♪ 17 00:00:57,158 --> 00:01:00,091 ♪ SHA LA LA LA ♪ 18 00:01:04,097 --> 00:01:06,042 BUT I DON'T UNDERSTAND. 19 00:01:06,066 --> 00:01:07,577 WE GO TO A NICE RESTAURANT, 20 00:01:07,601 --> 00:01:09,546 WE HAVE A NICE DINNER, 21 00:01:09,570 --> 00:01:12,082 AND THE NEXT THING I KNOW, YOU'RE CALLING ME SEXIST. 22 00:01:12,106 --> 00:01:13,583 ALEX, YOUR BEHAVIOR TONIGHT 23 00:01:13,607 --> 00:01:15,818 WAS RIGHT OUT OF THE MIDDLE AGES. 24 00:01:15,842 --> 00:01:18,821 I WAS EMBARRASSED TO BE IN THE SAME RESTAURANT AS YOU. 25 00:01:18,845 --> 00:01:21,447 I WAS JUST TRYING TO BE COURTEOUS. 26 00:01:22,516 --> 00:01:23,659 YOU ORDERED ALL OUR MEALS 27 00:01:23,683 --> 00:01:25,996 WITHOUT EVEN ASKING US WHAT WE WANTED. 28 00:01:26,020 --> 00:01:27,830 WELL, I DIDN'T HEAR ANY OBJECTIONS. 29 00:01:27,854 --> 00:01:30,389 WE WERE CHECKING IN OUR COATS. 30 00:01:32,559 --> 00:01:35,939 ALL RIGHT! GOOD TO BE HOME. 31 00:01:35,963 --> 00:01:37,941 OH, YEAH, YOU'RE NO BETTER THAN HE IS. 32 00:01:37,965 --> 00:01:42,245 MAYBE NOT, BUT IT'S STILL GOOD TO BE HOME. 33 00:01:42,269 --> 00:01:45,148 I CAN'T BELIEVE YOU LET HIM ORDER FOR US LIKE THAT. 34 00:01:45,172 --> 00:01:47,517 WELL, IT WASN'T MY FAULT I WALKED AWAY FOR A MINUTE. 35 00:01:47,541 --> 00:01:50,687 ANDY AND I WERE OVER LOOKING AT THE LOBSTER TANK. 36 00:01:50,711 --> 00:01:52,823 IT WAS REALLY MY FAULT, MOMMY. 37 00:01:52,847 --> 00:01:55,758 YEAH, SURE. YOU GUYS ALWAYS STICK TOGETHER. 38 00:01:55,782 --> 00:01:57,960 WAIT A MINUTE. I JUST DON'T SEE WHAT ALL THE FUSS IS ABOUT. 39 00:01:57,984 --> 00:02:00,296 I MEAN, IT IS A TIME-HONORED TRADITION 40 00:02:00,320 --> 00:02:01,797 FOR THE MAN TO ORDER FOR THE WOMAN. 41 00:02:01,821 --> 00:02:03,366 I WAS JUST TRYING TO BE A GENTLEMAN. 42 00:02:03,390 --> 00:02:05,635 I NOTICED YOU LET US PICK UP THE CHECK. 43 00:02:05,659 --> 00:02:08,360 THAT'S DIFFERENT. THAT'S BUSINESS. 44 00:02:09,763 --> 00:02:11,641 BY THE WAY, ANDY, WHAT YOU SAW TONIGHT 45 00:02:11,665 --> 00:02:14,177 IS NOT APPROPRIATE MALE BEHAVIOR. 46 00:02:14,201 --> 00:02:15,645 EXCUSE ME, MOM, BUT I THINK DAD AND I 47 00:02:15,669 --> 00:02:18,114 ARE VERY CAPABLE OF DEMONSTRATING 48 00:02:18,138 --> 00:02:19,482 APPROPRIATE MALE BEHAVIOR 49 00:02:19,506 --> 00:02:21,851 TO OUR YOUNG MALE FRIEND HERE. 50 00:02:21,875 --> 00:02:23,153 ALEX, PLEASE. 51 00:02:23,177 --> 00:02:26,989 I'D PREFER NOT TO BE PAIRED WITH YOU AT THIS TIME. 52 00:02:27,013 --> 00:02:30,493 I'M... SURE YOU UNDERSTAND. 53 00:02:30,517 --> 00:02:32,929 I SHUDDER TO THINK OF THE CHAUVINISTIC HABITS 54 00:02:32,953 --> 00:02:34,698 YOU TWO ARE TEACHING ANDREW. 55 00:02:34,722 --> 00:02:35,999 WELL, DON'T WORRY, MOM, OK? 56 00:02:36,023 --> 00:02:38,234 DAD AND I ARE TEACHING ANDY EVERYTHING HE NEEDS TO KNOW. 57 00:02:38,258 --> 00:02:41,270 WE HAVE A VERY BIG WEEKEND PLANNED. TELL 'EM, ANDY. 58 00:02:41,294 --> 00:02:44,763 BOXING, HOCKEY, SUMO WRESTLING. 59 00:02:46,300 --> 00:02:48,478 THAT'S GREAT. THAT'S JUST WHAT ANDY NEEDS. 60 00:02:48,502 --> 00:02:50,614 AN ENTIRE WEEKEND FULL OF GROWN MEN 61 00:02:50,638 --> 00:02:52,749 BEATING EACH OTHER IN THE FACE UNTIL THEY DROP, 62 00:02:52,773 --> 00:02:55,685 MANIACS DOING A LITTLE SKATING BETWEEN FIGHTING, 63 00:02:55,709 --> 00:02:59,256 AND SWEATY FAT MEN... 64 00:02:59,280 --> 00:03:03,927 THROWING EACH OTHER DOWN OVER AND OVER AGAIN. 65 00:03:03,951 --> 00:03:07,191 YEAH. PRETTY MUCH, YEAH. UH-HUH. 66 00:03:08,422 --> 00:03:10,200 DON'T TRY TO MAKE SENSE OUT OF THIS, MAL. 67 00:03:10,224 --> 00:03:11,601 IT'S MALE BONDING. 68 00:03:11,625 --> 00:03:14,570 IT'S MAN'S EXCUSE FOR SLOBBERING ALL OVER EACH OTHER 69 00:03:14,594 --> 00:03:17,440 AND YELLING, "YES, YES!" 70 00:03:17,464 --> 00:03:20,543 SEE? JENNIFER KNOWS WHAT IT'S ABOUT. 71 00:03:20,567 --> 00:03:22,312 OH, WELL, EXCUSE US. 72 00:03:22,336 --> 00:03:24,781 IT SOUNDS LIKE THE PERFECT WEEKEND. 73 00:03:24,805 --> 00:03:26,315 WHY DON'T YOU JUST ADMIT THE FACT 74 00:03:26,339 --> 00:03:27,650 THAT MALE BONDING IS A CONCEPT 75 00:03:27,674 --> 00:03:30,053 THAT YOU CAN'T COMPLETELY UNDERSTAND. 76 00:03:30,077 --> 00:03:31,321 OH, IS THAT SO? 77 00:03:31,345 --> 00:03:33,323 WELL, IF I REMEMBER, 78 00:03:33,347 --> 00:03:35,992 WHEN THE GIRLS AND I WENT TO THE MOUNTAINS, 79 00:03:36,016 --> 00:03:38,694 YOU MEN HAD YOUR PERFECT WEEKEND HERE, 80 00:03:38,718 --> 00:03:40,497 THE HOUSE ALL BY YOURSELF, 81 00:03:40,521 --> 00:03:42,521 BONDING ALL OVER THE PLACE. 82 00:03:43,357 --> 00:03:45,735 HEY, ALEX. 83 00:03:45,759 --> 00:03:46,902 WHOA! 84 00:03:46,926 --> 00:03:49,739 WHAT ARE YOU DOING, DAD? 85 00:03:49,763 --> 00:03:51,674 YOU KNOW, YOU COULD BREAK SOMETHING. 86 00:03:51,698 --> 00:03:53,209 COME ON, ALEX, WHAT ARE YOU WORRIED ABOUT? 87 00:03:53,233 --> 00:03:56,613 WE GOT THE HOUSE TO OURSELVES, JUST THE GUYS. 88 00:03:56,637 --> 00:03:58,677 LET ME SEE THAT ARM. 89 00:04:05,279 --> 00:04:09,025 GOOD TOSS, SON. 90 00:04:09,049 --> 00:04:10,126 SORRY, DAD. 91 00:04:10,150 --> 00:04:11,328 NO, NO, NO, IT WAS MY FAULT. 92 00:04:11,352 --> 00:04:13,552 I SHOULD'VE DOVE FOR IT. 93 00:04:17,224 --> 00:04:19,669 SAY, I... I GOT IT. 94 00:04:19,693 --> 00:04:22,305 HOW ABOUT A GAME OF CHESS, HUH? 95 00:04:22,329 --> 00:04:23,773 YEAH, OK. ALL RIGHT, DAD. 96 00:04:23,797 --> 00:04:25,174 IF YOU REALLY WANT TO. 97 00:04:25,198 --> 00:04:27,977 OK! ALL RIGHT! THIS IS GREAT. 98 00:04:28,001 --> 00:04:29,545 ALL RIGHT, SO, UH, 99 00:04:29,569 --> 00:04:31,313 WE'LL PLAY A FEW GAMES OF CHESS, 100 00:04:31,337 --> 00:04:33,983 THEN WE'LL GO OUT FOR A REAL MAN'S NIGHT ON THE TOWN, HUH? 101 00:04:35,776 --> 00:04:38,788 WE CAN GET A COUPLE BIG STEAKS, VERY RARE, 102 00:04:38,812 --> 00:04:40,857 THEN BACK HERE FOR BRANDY AND CIGARS. 103 00:04:43,817 --> 00:04:45,495 HELLO. 104 00:04:45,519 --> 00:04:47,363 OH, HI! 105 00:04:47,387 --> 00:04:49,832 UH, SUZY. 106 00:04:49,856 --> 00:04:51,434 I'M FINE. I'M FINE. 107 00:04:51,458 --> 00:04:53,724 OH, WHAT... YOU MEAN RIGHT NOW? 108 00:04:55,195 --> 00:04:58,296 WELL, YEAH, SUZY, YOU KIDDING ME? I MEAN, I'D LOVE TO... 109 00:05:03,570 --> 00:05:05,603 BUT I CAN'T. 110 00:05:07,206 --> 00:05:09,452 NO, NO. I... 111 00:05:09,476 --> 00:05:12,388 AH, IT'S JUST NOT POSSIBLE. 112 00:05:12,412 --> 00:05:15,291 NO, I'LL... BUT THANKS FOR CALLING. 113 00:05:15,315 --> 00:05:16,959 OK. BYE-BYE. 114 00:05:16,983 --> 00:05:18,661 WE ARE ALL SET, AND DON'T THINK 115 00:05:18,685 --> 00:05:22,031 YOU'RE GONNA MOP UP THE BOARD WITH YOUR OLD DAD TONIGHT. 116 00:05:22,055 --> 00:05:24,267 GOT SOME NEW STRATEGY LINED UP. 117 00:05:24,291 --> 00:05:25,990 GO AHEAD. YOU MOVE FIRST, LAD. 118 00:05:31,364 --> 00:05:34,377 THAT, UH... 119 00:05:34,401 --> 00:05:36,179 THAT WAS SUZY FARKUS. 120 00:05:36,203 --> 00:05:38,048 SUZY FARKUS? 121 00:05:38,072 --> 00:05:40,683 YEAH. 122 00:05:40,707 --> 00:05:42,818 YOU REMEMBER HER. I HAD THIS BIG CRUSH ON HER 123 00:05:42,842 --> 00:05:44,954 ALL THE WAY THROUGH HIGH SCHOOL. 124 00:05:44,978 --> 00:05:46,711 SHE WOULDN'T EVEN TALK TO ME THEN. 125 00:05:52,552 --> 00:05:56,765 SO, ANYWAYS, SHE JUST, UH, CAME INTO TOWN TO SURPRISE HER FOLKS, 126 00:05:56,789 --> 00:05:59,223 BUT, UH... THEY WEREN'T HOME. 127 00:06:05,065 --> 00:06:08,432 SO SHE CALLED ME AND INVITED ME OVER... 128 00:06:13,640 --> 00:06:17,275 TO HER, UM, EMPTY HOUSE... 129 00:06:23,650 --> 00:06:24,983 NOW. 130 00:06:27,320 --> 00:06:29,465 OH. OH, WELL, I... 131 00:06:29,489 --> 00:06:32,969 LISTEN, ALEX, IF YOU'D LIKE TO GO OVER THERE, 132 00:06:32,993 --> 00:06:34,913 BELIEVE ME, I UNDERSTAND. 133 00:06:35,762 --> 00:06:39,975 NO. NO. NO, DON'T BE SILLY, DAD. 134 00:06:39,999 --> 00:06:43,078 NO, NO, MY FEELINGS FOR SUZY FARKUS 135 00:06:43,102 --> 00:06:46,716 WERE NOTHING MORE THAN A PASSING SCHOOLBOY CRUSH. 136 00:06:46,740 --> 00:06:48,717 I'M OVER THAT. 137 00:06:48,741 --> 00:06:51,221 NO, I'D MUCH RATHER JUST... 138 00:06:51,245 --> 00:06:53,478 HANG AROUND HERE WITH YOU... 139 00:06:55,348 --> 00:06:57,182 PLAY CHESS. 140 00:06:58,252 --> 00:06:59,517 OK. 141 00:07:01,087 --> 00:07:03,433 I MEAN, WE'RE IN THE MIDDLE 142 00:07:03,457 --> 00:07:04,900 OF A GAME HERE, YOU KNOW? 143 00:07:04,924 --> 00:07:06,369 IT WOULDN'T BE RIGHT FOR ME TO JUST 144 00:07:06,393 --> 00:07:09,361 PICK UP AND LEAVE IN THE MIDDLE OF A GAME. 145 00:07:11,632 --> 00:07:14,444 IF THE GAME WERE OVER, YOU KNOW, 146 00:07:14,468 --> 00:07:17,302 THEN THAT WOULD BE A DIFFERENT MATTER ENTIRELY. 147 00:07:21,308 --> 00:07:23,475 BAD MOVE, ALEX. 148 00:07:25,546 --> 00:07:27,379 BAD MOVE. 149 00:07:28,482 --> 00:07:30,226 CHECKMATE. 150 00:07:30,250 --> 00:07:32,651 WHOA! 151 00:07:33,953 --> 00:07:36,132 OHH! 152 00:07:36,156 --> 00:07:38,434 WHOA, DAD, HOLY COW! 153 00:07:38,458 --> 00:07:40,303 I DIDN'T EVEN... WHOA! 154 00:07:40,327 --> 00:07:41,304 NICE MOVE. 155 00:07:41,328 --> 00:07:44,307 BOY, YOU PULLED THAT OUT OF A HAT. 156 00:07:44,331 --> 00:07:45,775 HOLY COW. 157 00:07:45,799 --> 00:07:48,111 BOY, WHEN I TOOK YOUR ROOK, YOUR KNIGHT, 158 00:07:48,135 --> 00:07:51,214 YOUR BISHOP, AND YOUR QUEEN, I THOUGHT I HAD YOU BEAT. 159 00:07:51,238 --> 00:07:53,149 BUT, BOY, I DIDN'T EVEN SEE THAT. 160 00:07:53,173 --> 00:07:55,372 OOH, NICE MOVE, DAD. WHOO! 161 00:07:56,443 --> 00:07:57,943 GO AHEAD, ALEX. 162 00:07:59,680 --> 00:08:01,958 GO TO SUZY FARKUS'. 163 00:08:01,982 --> 00:08:04,494 DON'T MIND IF I DO, DAD. SEE YOU LATER. 164 00:08:04,518 --> 00:08:07,285 OH, DAD... THANKS. 165 00:08:09,322 --> 00:08:10,800 THAT WAS BONDING. 166 00:08:10,824 --> 00:08:12,368 GREAT BONDING. 167 00:08:12,392 --> 00:08:14,604 WE WEREN'T REALLY TRYING THEN. 168 00:08:14,628 --> 00:08:16,839 COME ON, ALEX, GET THE FOOTBALL. 169 00:08:16,863 --> 00:08:18,708 WE'LL BOND NOW. 170 00:08:18,732 --> 00:08:20,910 THIS IS EMBARRASSING. 171 00:08:20,934 --> 00:08:22,345 NO, NO, NO. DAD IS RIGHT. 172 00:08:22,369 --> 00:08:24,280 WE WERE HOLDING BACK THAT WEEKEND. 173 00:08:24,304 --> 00:08:29,118 YOU SEE, WE MEN BOND SO WELL... 174 00:08:29,142 --> 00:08:32,121 THAT IF WE DON'T RESIST A LITTLE BIT, 175 00:08:32,145 --> 00:08:34,245 WE BECOME PERMANENTLY BONDED. 176 00:08:35,516 --> 00:08:36,593 THAT'S RIGHT. 177 00:08:36,617 --> 00:08:38,495 WE WERE JUST BEING CAREFUL. 178 00:08:38,519 --> 00:08:40,864 THE TROUBLE WITH YOU MEN IS THAT YOU TEND TO BOND 179 00:08:40,888 --> 00:08:43,432 OVER SUCH SUPERFICIAL THINGS. 180 00:08:43,456 --> 00:08:45,001 WE WOMEN TEND TO BOND 181 00:08:45,025 --> 00:08:48,838 OVER A SHARED EMOTIONAL EXPERIENCE. 182 00:08:48,862 --> 00:08:49,972 ALL RIGHT, ALL RIGHT, 183 00:08:49,996 --> 00:08:51,307 MAYBE WE DIDN'T HAVE THAT GREAT A TIME, 184 00:08:51,331 --> 00:08:52,475 BUT WE WEREN'T THE ONLY ONES 185 00:08:52,499 --> 00:08:54,579 WHO HAD TROUBLE THAT WEEKEND. 186 00:08:55,168 --> 00:08:57,146 WELL, THIS IS IT. 187 00:08:57,170 --> 00:08:58,481 THIS IS IT? 188 00:08:58,505 --> 00:08:59,649 THIS IS IT! 189 00:08:59,673 --> 00:09:01,618 THIS IS IT? 190 00:09:01,642 --> 00:09:03,452 LOOK, I KNOW IT'S A LITTLE ROUGH AROUND THE EDGES, 191 00:09:03,476 --> 00:09:05,588 BUT THE IMPORTANT THING IS WE'LL BE TOGETHER. 192 00:09:05,612 --> 00:09:06,956 WE'RE GONNA HAVE A GREAT TIME. 193 00:09:06,980 --> 00:09:08,458 WELL, WHERE'S OUR ROOM? 194 00:09:08,482 --> 00:09:09,759 THIS IS IT. 195 00:09:09,783 --> 00:09:11,093 WHERE'S YOUR ROOM? 196 00:09:11,117 --> 00:09:12,261 THIS IS IT. 197 00:09:12,285 --> 00:09:13,596 WHERE'S THE BATHROOM? 198 00:09:13,620 --> 00:09:16,698 IF YOU SAY "THIS IS IT," I'M LEAVING. 199 00:09:16,722 --> 00:09:18,635 THE BATHROOM IS TWO CABINS DOWN. 200 00:09:18,659 --> 00:09:21,070 LOOK, WE'RE ONLY GOING TO BE HERE FOR THE WEEKEND. 201 00:09:21,094 --> 00:09:23,272 WE CAN MAKE THE BEST OF THIS. 202 00:09:23,296 --> 00:09:24,973 WELL, WE MIGHT AS WELL UNPACK. 203 00:09:24,997 --> 00:09:27,109 NO, NO, LET'S LEAVE THE UNPACKING TILL LATER. 204 00:09:27,133 --> 00:09:28,744 I'M TOO EXCITED. 205 00:09:28,768 --> 00:09:31,681 OH, LET'S SIT DOWN AND HAVE A RAP SESSION. 206 00:09:31,705 --> 00:09:33,448 WHAT DO YOU WANT TO WRAP? 207 00:09:33,472 --> 00:09:35,151 UH... 208 00:09:35,175 --> 00:09:37,286 UH, NOT WRAP WITH A "W." 209 00:09:37,310 --> 00:09:38,954 THIS IS RAP WITH AN "R." 210 00:09:38,978 --> 00:09:41,090 IT'S A TERM WE USED IN THE SIXTIES. 211 00:09:41,114 --> 00:09:42,592 IT MEANS TALK. 212 00:09:42,616 --> 00:09:46,336 BUT "TALK SESSION" DIDN'T SOUND RIGHT, SO WE USED TO SAY... 213 00:09:49,155 --> 00:09:51,395 NEVER MIND. LET'S JUST SIT DOWN AND TALK. 214 00:09:52,559 --> 00:09:54,970 WHAT DO YOU WANT TO TALK ABOUT? 215 00:09:54,994 --> 00:09:57,206 UH, WELL, UM, OH, I WANT TO TALK ABOUT 216 00:09:57,230 --> 00:09:59,108 THE CHANGE THAT'S GONNA HAPPEN IN OUR LIVES 217 00:09:59,132 --> 00:10:01,143 WHEN THE BABY COMES HOME. 218 00:10:01,167 --> 00:10:03,880 I WANT TO KNOW HOW... HOW YOU FEEL... 219 00:10:03,904 --> 00:10:05,648 WHAT YOUR THOUGHTS ARE, YOUR FEARS, 220 00:10:05,672 --> 00:10:07,316 YOUR EXPECTATIONS. 221 00:10:07,340 --> 00:10:09,084 TELL ME EVERYTHING. 222 00:10:09,108 --> 00:10:12,176 I DON'T WANT TO CHANGE ANY DIAPERS. 223 00:10:13,280 --> 00:10:14,991 GOOD. THIS IS GOOD. 224 00:10:15,015 --> 00:10:17,226 I MEAN, THIS IS EXACTLY THE KIND OF THING I WANT TO GET OUT IN THE OPEN. 225 00:10:17,250 --> 00:10:20,218 WHAT ELSE IS ON YOUR MIND, MAL? 226 00:10:24,924 --> 00:10:26,524 NOTHING. 227 00:10:27,760 --> 00:10:29,171 JENNIFER, WHAT ABOUT YOU? 228 00:10:29,195 --> 00:10:31,507 YOU'VE ALWAYS BEEN THE YOUNGEST, 229 00:10:31,531 --> 00:10:32,675 THE BABY. 230 00:10:32,699 --> 00:10:34,677 UH, IT'S ALL GOING TO CHANGE. 231 00:10:34,701 --> 00:10:36,912 DO YOU HAVE ANY SPECIAL FEELINGS 232 00:10:36,936 --> 00:10:38,581 THAT YOU WANT TO DISCUSS? 233 00:10:38,605 --> 00:10:40,850 I'M STILL FEELING A LITTLE CARSICK. 234 00:10:40,874 --> 00:10:43,019 I'M AFRAID I MIGHT THROW UP. 235 00:10:43,043 --> 00:10:45,354 THANKS FOR SHARING THAT WITH US, JEN. 236 00:10:45,378 --> 00:10:47,023 SHE ASKED FOR MY FEELINGS. 237 00:10:47,047 --> 00:10:49,525 THAT'S NOT WHAT SHE MEANT! YOU DON'T HAVE TO... IT IS MY FEELINGS! 238 00:10:49,549 --> 00:10:50,859 GIRLS! HEY, WAIT. 239 00:10:50,883 --> 00:10:52,928 MAYBE THIS ISN'T THE RIGHT TIME FOR A RAP SESSION. 240 00:10:52,952 --> 00:10:57,266 MAYBE... MAYBE WE CAN KIND OF EASE INTO THAT ONE LATER. UH... 241 00:10:57,290 --> 00:10:59,035 OH! OH! I'VE GOT AN IDEA! 242 00:10:59,059 --> 00:11:00,536 I WAS GOING TO SAVE THIS FOR TOMORROW, 243 00:11:00,560 --> 00:11:02,471 BUT IF WE'RE IN THE MOOD NOW, SO WHY NOT? 244 00:11:02,495 --> 00:11:05,708 I DON'T BELIEVE IT. YOU BROUGHT A PHOTO ALBUM WITH YOU? 245 00:11:05,732 --> 00:11:07,810 THIS IS NOT JUST ANY PHOTO ALBUM. 246 00:11:07,834 --> 00:11:09,812 THIS IS AN ALBUM THAT I MADE UP 247 00:11:09,836 --> 00:11:13,416 OF OUR HISTORY TOGETHER AS MOTHER AND DAUGHTERS. 248 00:11:13,440 --> 00:11:16,508 "KEATON GIRLS... OH, HOW WE'VE GROWN." 249 00:11:20,013 --> 00:11:22,158 THESE ARE OLD PICTURES, MOM. 250 00:11:22,182 --> 00:11:23,826 I KNOW THEY'RE OLD PICTURES. 251 00:11:23,850 --> 00:11:24,927 THAT'S THE POINT. 252 00:11:24,951 --> 00:11:26,829 THERE'S NONE IN HERE OF ALEX OR DAD. 253 00:11:26,853 --> 00:11:28,331 I KNOW. THAT'S THE POINT. 254 00:11:28,355 --> 00:11:30,099 IT'S JUST US. 255 00:11:30,123 --> 00:11:33,036 BUT WE'VE SEEN THESE PICTURES BEFORE, HAVEN'T WE? 256 00:11:33,060 --> 00:11:35,171 NO, NOT LIKE THIS. NOT ALL TOGETHER. 257 00:11:35,195 --> 00:11:36,872 SEE, NOT IN THIS FORMAT. 258 00:11:36,896 --> 00:11:39,342 THEY'RE STILL THE SAME OLD PICTURES. 259 00:11:39,366 --> 00:11:40,676 THEY ARE NOT THE SAME OLD PICTURES! 260 00:11:40,700 --> 00:11:42,345 WHEN YOU PUT THEM ALL TOGETHER IN ONE BOOK, 261 00:11:42,369 --> 00:11:44,514 THEY TAKE ON A TOTALLY DIFFERENT MEANING. 262 00:11:44,538 --> 00:11:48,017 NOW, THEY SHOW THE JOY AND CLOSENESS WE'VE SHARED DOWN THROUGH THE YEARS! 263 00:11:48,041 --> 00:11:50,708 NOW SIT DOWN AND SHARE THE JOY! 264 00:11:55,215 --> 00:11:57,193 AND THAT'S WHAT YOUR MOTHER MEANS 265 00:11:57,217 --> 00:12:01,096 BY EMOTIONAL BONDING, ANDY. I HOPE YOU WERE TAKING NOTES. 266 00:12:01,120 --> 00:12:03,132 NOW, THAT'S NOT FAIR. WE WERE OUT OF OUR ELEMENT. 267 00:12:03,156 --> 00:12:06,435 YEAH, YOU SHOULD SEE US AT THE MALL. 268 00:12:06,459 --> 00:12:08,437 ALL RIGHT, ALL RIGHT, LET'S NOT GET CARRIED AWAY 269 00:12:08,461 --> 00:12:11,807 BY SWEEPING GENERALITIES. ANDY WILL GET CONFUSED. 270 00:12:11,831 --> 00:12:13,943 THERE ARE WOMEN WHO ARE GOOD. 271 00:12:13,967 --> 00:12:16,311 THERE ARE WOMEN WHO ARE NOT SO GOOD. 272 00:12:16,335 --> 00:12:18,146 THERE ARE MEN WHO ARE GOOD. 273 00:12:18,170 --> 00:12:20,449 THERE ARE MEN WHO ARE NOT SO GOOD. 274 00:12:20,473 --> 00:12:23,319 AND THEN THERE'S ALEX. 275 00:12:23,343 --> 00:12:25,521 UH, HE'S IN A CLASS BY HIMSELF. YOU'RE RIGHT. 276 00:12:25,545 --> 00:12:27,956 WELL, THERE IS ONE MAN WE KNOW 277 00:12:27,980 --> 00:12:31,494 WHO HAS NEVER GIVEN IN TO ANY OF THESE CHAUVINISTIC ATTITUDES. 278 00:12:31,518 --> 00:12:35,998 IN FACT, HE'S THE ONLY MAN WHO IS TRULY A CREDIT TO HIS SEX. 279 00:12:36,022 --> 00:12:38,501 NICK'S GREAT THAT WAY. 280 00:12:38,525 --> 00:12:40,169 NICK? 281 00:12:40,193 --> 00:12:41,270 NICK? 282 00:12:41,294 --> 00:12:43,005 NICK? NICK? 283 00:12:43,029 --> 00:12:44,573 YEAH. NICK'S SPECIAL. 284 00:12:44,597 --> 00:12:46,008 WELL, YES, YES. 285 00:12:46,032 --> 00:12:48,944 WE COULD TELL THAT THE FIRST TIME WE MET HIM. 286 00:12:48,968 --> 00:12:50,479 HEY, MALLORY! 287 00:12:50,503 --> 00:12:53,471 HE'S REALLY ANXIOUS TO MEET ALL OF YOU. 288 00:12:55,375 --> 00:12:57,586 NICK! COME ON IN, NICK! 289 00:12:57,610 --> 00:12:59,855 DO I HAVE TO?! 290 00:12:59,879 --> 00:13:03,192 HE SEEMS ANXIOUS TO MEET US. 291 00:13:03,216 --> 00:13:04,660 I DON'T KNOW ABOUT YOU, 292 00:13:04,684 --> 00:13:06,924 BUT I AM KEEPING AN OPEN MIND ABOUT THIS. 293 00:13:13,325 --> 00:13:14,759 IT JUST CLOSED. 294 00:13:16,462 --> 00:13:18,507 NICK MOORE, I'D LIKE YOU TO MEET MY PARENTS, 295 00:13:18,531 --> 00:13:20,576 ELYSE AND STEVEN KEATON. 296 00:13:20,600 --> 00:13:23,112 NICE TO MEET YOU, NICK. IT'S A PLEASURE HAVING YOU HERE. 297 00:13:23,136 --> 00:13:24,256 HEY. 298 00:13:25,838 --> 00:13:27,649 IT IS NICE TO MEET YOU FINALLY. 299 00:13:27,673 --> 00:13:29,118 I'VE HEARD AN AWFUL LOT ABOUT YOU. 300 00:13:29,142 --> 00:13:30,285 HEY. 301 00:13:30,309 --> 00:13:33,889 MY BROTHER AND SISTER, ALEX AND JENNIFER. 302 00:13:33,913 --> 00:13:35,193 HEY. HEY. 303 00:13:39,018 --> 00:13:40,462 HOW YOUSE DOIN'? 304 00:13:40,486 --> 00:13:42,754 WE'S DOIN' FINE, NICK. 305 00:13:44,524 --> 00:13:47,124 LEAST I'S DOIN' FINE. 306 00:13:48,361 --> 00:13:50,206 THAT'S, UH... 307 00:13:50,230 --> 00:13:52,908 THAT'S A NICE EARRING, NICK. 308 00:13:52,932 --> 00:13:55,444 YEAH, I FOUND IT IN THE GARBAGE. 309 00:13:55,468 --> 00:13:58,280 PICKED IT UP ON MY ROUNDS. 310 00:13:58,304 --> 00:14:00,316 ARE YOU A GARBAGE MAN? 311 00:14:00,340 --> 00:14:01,550 ME? NAH. 312 00:14:01,574 --> 00:14:04,814 I MEAN, BUT I HOPE TO BE ONE ONE DAY, YOU KNOW? 313 00:14:06,513 --> 00:14:09,725 IT'S THE ONLY WAY TO GET THE GOOD GARBAGE. 314 00:14:09,749 --> 00:14:11,226 THE GOOD GARBAGE? 315 00:14:11,250 --> 00:14:15,664 UH... HOW DO YOU DISTINGUISH THAT FROM THE BAD GARBAGE? 316 00:14:15,688 --> 00:14:17,766 YOU GOT TO HAVE AN EYE FOR IT. 317 00:14:17,790 --> 00:14:19,969 I'M NOT SURE I UNDERSTAND. 318 00:14:19,993 --> 00:14:22,926 MOM! NICK'S AN ARTIST. 319 00:14:27,100 --> 00:14:29,311 I AM LIKE, WHAT THEY CALL, 320 00:14:29,335 --> 00:14:31,080 AN ENVIRONMENTAL ARTIST. 321 00:14:31,104 --> 00:14:34,083 I MAKE THINGS OUT OF TRASH, GARBAGE, JUNK. 322 00:14:34,107 --> 00:14:37,486 YOU'D BE AMAZED AT THE THINGS YOU CAN MAKE FROM GARBAGE. 323 00:14:37,510 --> 00:14:38,987 MM-HMM. YOU SEE THIS HAT? 324 00:14:39,011 --> 00:14:41,812 I MADE THIS HAT FROM GARBAGE. 325 00:14:51,457 --> 00:14:53,391 WELL, WE BETTER GET GOING. 326 00:14:54,461 --> 00:14:55,604 HEY-EY. 327 00:14:55,628 --> 00:14:56,772 HEY. 328 00:14:56,796 --> 00:14:58,874 HEY. HEY. HEY. HEY. 329 00:14:58,898 --> 00:15:02,378 Steven: YES, WE COULD TELL THAT THE DAY WE MET HIM. 330 00:15:02,402 --> 00:15:04,180 AND THE MORE WE GOT TO KNOW HIM, 331 00:15:04,204 --> 00:15:06,470 THE MORE SPECIAL HE SEEMED. 332 00:15:14,480 --> 00:15:15,557 AHEM. 333 00:15:15,581 --> 00:15:16,826 DID YOU SAY SOMETHING, JEN? 334 00:15:16,850 --> 00:15:19,662 NO. NO, I DIDN'T. 335 00:15:19,686 --> 00:15:21,130 ARE YOU SURE? IT SOUNDED LIKE YOU... 336 00:15:21,154 --> 00:15:22,231 I JUST COUGHED. 337 00:15:22,255 --> 00:15:23,632 OH, I SEE. 338 00:15:23,656 --> 00:15:26,035 I SEE. 339 00:15:26,059 --> 00:15:29,827 WELL, IF YOU SAY SOMETHING, I'M READY TO RESPOND. 340 00:15:32,732 --> 00:15:33,875 GREAT, DAD. 341 00:15:33,899 --> 00:15:35,599 I'LL LOOK FORWARD TO THAT. 342 00:15:41,174 --> 00:15:42,484 THIS IS REALLY NICE. 343 00:15:42,508 --> 00:15:44,186 YOU GUYS EAT LIKE THIS ALL THE TIME? 344 00:15:44,210 --> 00:15:45,810 YOU MEAN WITH UTENSILS? 345 00:15:53,353 --> 00:15:54,463 DON'T MIND ALEX. 346 00:15:54,487 --> 00:15:56,665 HE'S A LITTLE STRANGE. 347 00:15:56,689 --> 00:15:59,049 HEY, HE'S ALL RIGHT. HE'S A CUTE LITTLE GUY. 348 00:16:03,463 --> 00:16:06,375 HE'S JUST A LITTLE STIFF IS ALL. 349 00:16:06,399 --> 00:16:08,877 YOU KNOW WHAT YOU COULD USE, ALEX? 350 00:16:08,901 --> 00:16:11,836 NO. NO. WHAT COULD I USE, NICK? 351 00:16:13,639 --> 00:16:14,838 AN EARRING. 352 00:16:20,580 --> 00:16:22,558 NAH. 353 00:16:22,582 --> 00:16:23,826 NO, I DON'T THINK SO. 354 00:16:23,850 --> 00:16:26,328 OH, REALLY. IT'LL GET YOU LOOSE. 355 00:16:26,352 --> 00:16:27,563 HERE. 356 00:16:27,587 --> 00:16:29,064 NO, NO, NICK. 357 00:16:29,088 --> 00:16:30,988 I ENJOY BEING TIGHT. 358 00:16:35,362 --> 00:16:37,506 WELL, WHAT KIND OF THINGS ARE YOU INTERESTED IN, NICK? 359 00:16:37,530 --> 00:16:39,575 I'M INTERESTED IN MALLORY. 360 00:16:39,599 --> 00:16:40,976 YES, INDEED. 361 00:16:41,000 --> 00:16:43,044 UH, HOW ABOUT SCHOOL? 362 00:16:43,068 --> 00:16:44,647 HOW ABOUT SCHOOL? 363 00:16:44,671 --> 00:16:45,647 DO YOU GO TO SCHOOL? 364 00:16:45,671 --> 00:16:46,782 NO. 365 00:16:46,806 --> 00:16:48,150 CAN YOU EXPAND ON THAT? 366 00:16:48,174 --> 00:16:49,651 YEAH, LIKE, UH... 367 00:16:49,675 --> 00:16:52,109 WHEN SCHOOL'S ON, I'M NOT THERE. 368 00:16:58,284 --> 00:17:00,529 AHH. 369 00:17:00,553 --> 00:17:02,264 REALLY, DAD, I MEAN, THERE ARE OTHER THINGS 370 00:17:02,288 --> 00:17:04,033 TO TALK ABOUT BESIDES SCHOOL. 371 00:17:04,057 --> 00:17:06,535 NO ONE'S EVEN ASKED HIM ABOUT HIS ART. 372 00:17:06,559 --> 00:17:07,703 HEY, IT'S OK. 373 00:17:07,727 --> 00:17:09,838 NO, YOU LOVE TO TALK ABOUT YOUR ART. 374 00:17:09,862 --> 00:17:11,295 DAD, ASK HIM! 375 00:17:12,632 --> 00:17:14,777 UH... SO, UH, NICK, 376 00:17:14,801 --> 00:17:16,945 UM, HOW DID YOU GET INTERESTED 377 00:17:16,969 --> 00:17:18,980 IN THIS ENVIRONMENTAL ART? 378 00:17:19,004 --> 00:17:20,338 I DON'T KNOW. 379 00:17:23,809 --> 00:17:27,656 UH, CAN YOU EXPAND ON THAT? 380 00:17:27,680 --> 00:17:29,791 I... 381 00:17:29,815 --> 00:17:32,294 DON'T... 382 00:17:32,318 --> 00:17:33,718 KNOW. 383 00:17:41,660 --> 00:17:43,138 VERY GOOD. UH... 384 00:17:43,162 --> 00:17:46,242 GETTING BACK TO THE SCHOOL ISSUE... 385 00:17:46,266 --> 00:17:48,677 NO, COME ON, DAD, NICK WAS TALKING ABOUT ART. 386 00:17:48,701 --> 00:17:50,078 YOU INTERRUPTED HIM. 387 00:17:50,102 --> 00:17:53,815 SORRY, NICK. DIDN'T MEAN TO CUT YOU OFF LIKE THAT. 388 00:17:53,839 --> 00:17:57,018 WHAT WERE YOU GOING TO SAY AFTER... 389 00:17:57,042 --> 00:17:59,321 "I... 390 00:17:59,345 --> 00:18:00,822 "DON'T... 391 00:18:00,846 --> 00:18:02,112 KNOW"? 392 00:18:03,349 --> 00:18:05,661 I... 393 00:18:05,685 --> 00:18:07,162 DON'T... 394 00:18:07,186 --> 00:18:09,219 REMEMBER. 395 00:18:14,960 --> 00:18:16,304 ANYBODY LIKE SOME MORE PEAS? 396 00:18:16,328 --> 00:18:18,006 RIGHT HERE. YEP. 397 00:18:18,030 --> 00:18:22,010 YOU KNOW, ENVIRONMENTAL ART ISN'T THE ONLY THING NICK KNOWS ABOUT. 398 00:18:22,034 --> 00:18:24,212 HE HAS A WIDE RANGE OF INTERESTS. 399 00:18:24,236 --> 00:18:26,148 HERE'S A THOUGHT THAT JUST OCCURRED TO ME, NICK. 400 00:18:26,172 --> 00:18:29,851 DON'T YOU THINK A PERSON NEEDS AN EDUCATION? 401 00:18:29,875 --> 00:18:31,287 NOT EVERY PERSON? NOT EVERY PERSON. 402 00:18:31,311 --> 00:18:32,588 EXCUSE ME, MALLORY. COME ON, DAD... 403 00:18:32,612 --> 00:18:35,924 HOW CAN A PERSON MAKE A LIVING WITHOUT AN EDUCATION? 404 00:18:35,948 --> 00:18:38,393 I DON'T KNOW. WHY DON'T YOU ASK SOMEBODY WHO'S EDUCATED? 405 00:18:38,417 --> 00:18:40,963 I DON'T THINK A PERSON NEEDS AN EDUCATION TO ANSWER THAT QUESTION. 406 00:18:40,987 --> 00:18:42,798 CAN YOU TELL THESE PEAS ARE FRESH? 407 00:18:42,822 --> 00:18:43,822 OH, YEAH. 408 00:18:46,459 --> 00:18:49,438 I GUESS WHAT I REALLY WANT TO KNOW, NICK... 409 00:18:49,462 --> 00:18:51,340 HEY, LOOK, I WAS INVITED HERE FOR A MEAL, YOU KNOW? 410 00:18:51,364 --> 00:18:52,975 BUT THIS DOESN'T FEEL LIKE A MEAL. 411 00:18:52,999 --> 00:18:54,476 IT FEELS LIKE A TEST. 412 00:18:54,500 --> 00:18:57,346 I'M SORRY I'M NOT THE KIND OF GUY YOU'RE LOOKING FOR. 413 00:18:57,370 --> 00:18:59,348 I'M NOT SMART, I'M NOT CULTURED, 414 00:18:59,372 --> 00:19:01,150 AND I'M NOT SOPHISTICATED, YOU KNOW? 415 00:19:01,174 --> 00:19:03,874 I'M NOT NO CHARLES BRONSON. 416 00:19:08,013 --> 00:19:11,894 AND THAT'S HOW UNCLE NICK BECAME PART OF OUR FAMILY. 417 00:19:11,918 --> 00:19:14,330 ANDY, NICK IS NOT YOUR UNCLE. 418 00:19:14,354 --> 00:19:15,764 DON'T LISTEN TO HIM, ANDY. 419 00:19:15,788 --> 00:19:18,266 YOU NEED A MAN WHO'S ABOVE ALL THIS MALE CHAUVINISM. 420 00:19:18,290 --> 00:19:21,303 NICK IS A PERFECT MALE ROLE MODEL FOR YOU. 421 00:19:21,327 --> 00:19:24,239 WHOA, WAIT A MINUTE. OK, WHAT ABOUT DAD HERE? 422 00:19:24,263 --> 00:19:26,608 I MEAN, DAD HAS BEEN BEHIND EVERY FEMINIST ISSUE 423 00:19:26,632 --> 00:19:28,110 SINCE THE VERY BEGINNING. 424 00:19:28,134 --> 00:19:29,333 HEY. 425 00:19:30,403 --> 00:19:32,814 OR ME. I MEAN, I DON'T WANT TO BRAG, 426 00:19:32,838 --> 00:19:35,951 BUT I'M NO STRANGER TO THE WOMEN'S MOVEMENT MYSELF. 427 00:19:35,975 --> 00:19:36,952 YOU? 428 00:19:36,976 --> 00:19:38,787 IT WAS BEFORE YOUR TIME, ANDY, 429 00:19:38,811 --> 00:19:41,290 BUT I WAS A VERY BIG SUPPORTER OF THE E.R.A. 430 00:19:41,314 --> 00:19:42,958 I FOUGHT FOR THE CAUSE. 431 00:19:42,982 --> 00:19:44,626 I SUFFERED FOR THE CAUSE. 432 00:19:44,650 --> 00:19:47,296 I SACRIFICED FOR THE CAUSE. 433 00:19:47,320 --> 00:19:49,587 WHO WAS THE GIRL, ALEX? 434 00:19:51,324 --> 00:19:53,135 DEENA MARX. REALLY PRETTY. 435 00:19:53,159 --> 00:19:55,304 YOU WOULD HAVE BEEN PROUD OF ME. 436 00:19:55,328 --> 00:19:57,172 SEXUAL DISCRIMINATION OF ANY KIND 437 00:19:57,196 --> 00:19:59,074 IS ENTIRELY INTOLERABLE TO ME. 438 00:19:59,098 --> 00:20:00,409 REALLY? 439 00:20:00,433 --> 00:20:04,135 THE MERE THOUGHT OF IT MAKES ME WINCE. SSSS... 440 00:20:05,738 --> 00:20:08,050 DON'T YOU FEEL THAT WAY? 441 00:20:08,074 --> 00:20:10,686 WELL, YEAH, I DO. I JUST DIDN'T THINK YOU DID, THAT'S ALL. 442 00:20:10,710 --> 00:20:12,487 WELL, I'M GLAD YOU FEEL THE SAME WAY I DO, 443 00:20:12,511 --> 00:20:14,189 BECAUSE FRANKLY, IT WOULD BE VERY HARD 444 00:20:14,213 --> 00:20:16,358 TO WORK WITH SOMEONE WHO DIDN'T. 445 00:20:16,382 --> 00:20:17,826 YEAH, BUT I'VE ALWAYS THOUGHT OF YOU 446 00:20:17,850 --> 00:20:20,362 AS KIND OF, WELL, CONSERVATIVE AND PREPPY. 447 00:20:20,386 --> 00:20:21,864 PREPPY? 448 00:20:21,888 --> 00:20:23,365 ME? 449 00:20:23,389 --> 00:20:26,323 NO, NO, I JUST CAME IN FROM A WEDDING. 450 00:20:29,461 --> 00:20:31,940 OK, LET ME GET THIS STRAIGHT. 451 00:20:31,964 --> 00:20:34,143 YOU ARE PRO E.R.A. 452 00:20:34,167 --> 00:20:37,279 DEENA, YOU SAY E.R.A., 453 00:20:37,303 --> 00:20:38,780 I SAY... 454 00:20:38,804 --> 00:20:40,605 Y.E.S. 455 00:20:45,378 --> 00:20:48,357 WOULD YOU CARE FOR A CUP OF TEA? 456 00:20:48,381 --> 00:20:49,391 I'D LOVE ONE. 457 00:20:49,415 --> 00:20:51,960 LISTEN, JUST, UH, JUST SIT YOURSELF DOWN. 458 00:20:51,984 --> 00:20:54,195 YOU KNOW, YOU'RE GOING TO LOVE THIS TEA. 459 00:20:54,219 --> 00:20:57,755 IT WAS GROWN, PICKED, AND BREWED ENTIRELY BY WOMEN. 460 00:20:59,091 --> 00:21:01,637 YOU KNOW, ALEX, EVERYTHING WE TALK ABOUT 461 00:21:01,661 --> 00:21:03,071 DOES NOT HAVE TO INVOLVE WOMEN. 462 00:21:03,095 --> 00:21:05,073 I DO HAVE OTHER INTERESTS. 463 00:21:05,097 --> 00:21:06,875 I DON'T. 464 00:21:06,899 --> 00:21:09,310 WELL, BUT I MEAN... 465 00:21:09,334 --> 00:21:11,312 I'M WILLING TO LEARN. 466 00:21:11,336 --> 00:21:13,815 YOU KNOW, THIS IS REALLY FUN. 467 00:21:13,839 --> 00:21:17,318 WORKING WITH YOU ISN'T NEARLY AS DULL AS I THOUGHT IT WOULD BE. 468 00:21:17,342 --> 00:21:18,754 WELL, THANK YOU... 469 00:21:18,778 --> 00:21:20,255 I THINK. 470 00:21:20,279 --> 00:21:22,090 YEAH, AND IT'S REALLY SURPRISING. 471 00:21:22,114 --> 00:21:23,458 WHAT? WHAT IS? 472 00:21:23,482 --> 00:21:24,826 WELL, ALL THESE YEARS IN SCHOOL 473 00:21:24,850 --> 00:21:27,028 I'VE NEVER HAD THE LEAST BIT OF INTEREST IN YOU. 474 00:21:27,052 --> 00:21:29,519 THAT DOESN'T SEEM POSSIBLE. 475 00:21:32,692 --> 00:21:34,969 WHY? 476 00:21:34,993 --> 00:21:36,905 OH, LITTLE THINGS, I GUESS... 477 00:21:36,929 --> 00:21:39,808 LIKE THE YOUNG REPUBLICANS CLUB. 478 00:21:39,832 --> 00:21:41,443 THAT. 479 00:21:41,467 --> 00:21:44,513 OH, DEENA, DEENA, DEENA, DEENA, DEENA. 480 00:21:44,537 --> 00:21:47,282 I... I AM SOMETHING OF A DABBLER. 481 00:21:47,306 --> 00:21:50,018 I'M THE SEEKER OF NEW EXPERIENCES. 482 00:21:50,042 --> 00:21:51,787 I'M LIKE A YOUNG SAPLING 483 00:21:51,811 --> 00:21:54,322 WHOSE ROOTS ARE YOUNG AND THIRSTY. 484 00:21:54,346 --> 00:21:57,292 YEAH, SEE, THIS IS WHAT I THOUGHT IT WOULD BE LIKE. 485 00:21:57,316 --> 00:21:59,294 YOU KNOW, DEENA, IT'S GOOD 486 00:21:59,318 --> 00:22:02,130 THAT WE CAN LAUGH IN THESE TROUBLED TIMES, 487 00:22:02,154 --> 00:22:04,800 WHEN WOMEN ARE SO RUTHLESSLY OPPRESSED 488 00:22:04,824 --> 00:22:06,657 BY THIS SEXIST SOCIETY. 489 00:22:09,929 --> 00:22:11,973 AHEM. 490 00:22:11,997 --> 00:22:13,475 OH, HI. 491 00:22:13,499 --> 00:22:15,343 UH... LIKE SOME TEA? 492 00:22:15,367 --> 00:22:16,700 NO, THANK YOU. 493 00:22:20,005 --> 00:22:22,706 NICE, UH... APRON, SON. 494 00:22:24,043 --> 00:22:25,521 WELL, THANKS, DAD. 495 00:22:25,545 --> 00:22:28,479 I HOPE YOU DON'T MIND ME BORROWING IT. 496 00:22:30,683 --> 00:22:32,594 I, UH... 497 00:22:32,618 --> 00:22:34,918 I GOT QUICHE ON MINE. 498 00:22:37,190 --> 00:22:38,333 NO. 499 00:22:38,357 --> 00:22:40,335 NO, NO, NOT AT ALL. 500 00:22:40,359 --> 00:22:44,261 WHEN YOU'RE DONE, HANG IT NEXT TO MY JELL-O MOLDS. 501 00:22:45,798 --> 00:22:48,877 AND FROM THERE, THE RELATIONSHIP REALLY TOOK OFF AND FLOURISHED. 502 00:22:48,901 --> 00:22:50,345 WITH ONLY ONE SMALL PROBLEM, ALEX. 503 00:22:50,369 --> 00:22:52,815 IT WAS A RELATIONSHIP BUILT ENTIRELY ON LIES. 504 00:22:52,839 --> 00:22:54,716 WELL, SURE, IF YOU WANT TO GET TECHNICAL. 505 00:22:54,740 --> 00:22:56,051 TELL ME, ALEX, 506 00:22:56,075 --> 00:22:58,921 HOW LONG HAVE YOU BEEN A SUPPORTER OF WOMEN'S RIGHTS? 507 00:22:58,945 --> 00:23:01,378 VIRTUALLY SINCE BIRTH. 508 00:23:05,385 --> 00:23:07,229 ALEX, LEAVE THEM ALONE. THEY'RE JUST PLAYING. 509 00:23:07,253 --> 00:23:10,799 DAD, I WILL NOT BE RIDICULED IN MY OWN HOME... 510 00:23:10,823 --> 00:23:12,623 BY PUPPETS. 511 00:23:14,193 --> 00:23:16,505 THAT'S WHAT'S WRONG WITH YOU FEMINISTS. 512 00:23:16,529 --> 00:23:18,962 YOU HAVE NO SENSE OF HUMOR. 513 00:23:20,433 --> 00:23:23,312 MOM, I AM NOT A FEMINIST. 514 00:23:23,336 --> 00:23:24,980 I AM SIMPLY POSING AS A FEMINIST 515 00:23:25,004 --> 00:23:27,838 OUT OF RESPECT FOR THE GIRL I CARE ABOUT. 516 00:23:30,009 --> 00:23:32,754 YEAH, I HOPE SHE APPRECIATES IT. 517 00:23:32,778 --> 00:23:35,523 LOOK, WHY IS EVERYBODY PICKING ON ME? 518 00:23:35,547 --> 00:23:38,160 LAST NIGHT, I DEFENDED A WOMAN'S RIGHT TO SPEAK. 519 00:23:38,184 --> 00:23:39,827 NOW, IS THAT BAD? 520 00:23:39,851 --> 00:23:42,397 OF COURSE NOT. WE'RE VERY PROUD OF YOU FOR THAT. 521 00:23:42,421 --> 00:23:44,499 AND I SPENT A NIGHT IN JAIL 522 00:23:44,523 --> 00:23:48,170 FOR A CAUSE I DON'T EVEN BELIEVE IN. 523 00:23:48,194 --> 00:23:51,140 DOES THAT MAKE ME A BAD PERSON? 524 00:23:51,164 --> 00:23:52,841 ALEX, THAT'S NOT WHAT WE'RE TALKING ABOUT. 525 00:23:52,865 --> 00:23:56,111 YOU'RE MISLEADING DEENA. YOU HAVE A RELATIONSHIP BASED ON LIES. 526 00:23:56,135 --> 00:23:58,113 DAD, THAT'S NOT TRUE. WE'RE PAST THE LIES. 527 00:23:58,137 --> 00:24:00,371 WE'RE INTO THE GOOD STUFF NOW. 528 00:24:03,709 --> 00:24:06,788 LOOK, DO YOU THINK I'M HAPPY DOING THIS? 529 00:24:06,812 --> 00:24:07,956 I'M NOT. 530 00:24:07,980 --> 00:24:09,291 YOU KNOW, IT STARTED OUT 531 00:24:09,315 --> 00:24:11,293 AS A FEW INNOCENT LITTLE LIES. 532 00:24:11,317 --> 00:24:13,128 I WOULDN'T EVEN CALL THEM LIES. 533 00:24:13,152 --> 00:24:15,852 THEY WERE... THEY WERE LIE-ETTES. 534 00:24:18,257 --> 00:24:19,735 AND IT JUST SNOWBALLED. 535 00:24:19,759 --> 00:24:21,937 I MEAN, WHAT CAN I DO NOW? 536 00:24:21,961 --> 00:24:24,939 DEENA BELIEVES VERY DEEPLY IN THIS CAUSE, ALEX. 537 00:24:24,963 --> 00:24:27,142 YOUR ATTITUDE TOWARDS IT IS, UH... 538 00:24:27,166 --> 00:24:29,411 WELL, IT'S REALLY INSULTING TO HER. 539 00:24:29,435 --> 00:24:30,979 NOW, IF YOU CARE AT ALL ABOUT DEENA, 540 00:24:31,003 --> 00:24:33,270 YOU SHOULD TELL HER THE TRUTH NOW. 541 00:25:08,307 --> 00:25:10,051 Man: SIT, UBU, SIT. GOOD DOG. 37645

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