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Johnny Mathis: ♪ I BET
WE'VE BEEN TOGETHER ♪
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00:00:15,316 --> 00:00:17,928
♪ FOR A MILLION YEARS ♪
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00:00:17,952 --> 00:00:20,797
Deniece Williams: ♪ AND I
BET WE'LL BE TOGETHER ♪
4
00:00:20,821 --> 00:00:23,400
♪ FOR A MILLION MORE ♪
5
00:00:23,424 --> 00:00:26,136
♪ OH, IT'S LIKE I
STARTED BREATHING ♪
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00:00:26,160 --> 00:00:28,939
♪ ON THE NIGHT WE KISSED ♪
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00:00:28,963 --> 00:00:30,907
Both: ♪ AND I CAN'T REMEMBER ♪
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00:00:30,931 --> 00:00:34,177
♪ WHAT I EVER DID BEFORE ♪
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00:00:34,201 --> 00:00:37,247
♪ WHAT WOULD WE DO, BABY ♪
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00:00:37,271 --> 00:00:39,916
♪ WITHOUT US? ♪
11
00:00:39,940 --> 00:00:42,552
♪ WHAT WOULD WE DO, BABY ♪
12
00:00:42,576 --> 00:00:45,922
♪ WITHOUT US? ♪
13
00:00:45,946 --> 00:00:47,824
♪ AND THERE AIN'T NO NOTHING ♪
14
00:00:47,848 --> 00:00:51,428
♪ WE CAN'T LOVE
EACH OTHER THROUGH ♪
15
00:00:51,452 --> 00:00:54,197
♪ WHAT WOULD WE DO, BABY ♪
16
00:00:54,221 --> 00:00:56,866
♪ WITHOUT US? ♪
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00:00:56,890 --> 00:01:00,392
♪ SHA LA LA LA ♪
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00:01:06,967 --> 00:01:08,778
HEY! HOW WAS THE
HOME DESIGN SHOW?
19
00:01:08,802 --> 00:01:10,947
YOU SHOULD HAVE COME WITH
US, ALEX. IT WAS FABULOUS.
20
00:01:10,971 --> 00:01:13,450
ALEX, MILES AND MILES
OF NEW APPLIANCES,
21
00:01:13,474 --> 00:01:15,652
WALL COVERINGS,
BATHROOM FIXTURES.
22
00:01:15,676 --> 00:01:19,322
IF ONLY I COULD LIVE
THIS DAY OVER AGAIN
23
00:01:19,346 --> 00:01:21,558
AND HAVE GONE WITH YOU.
24
00:01:21,582 --> 00:01:23,060
WE'RE GOING AGAIN TOMORROW.
25
00:01:23,084 --> 00:01:24,727
YEAH. WE'RE TRYING TO DECIDE
26
00:01:24,751 --> 00:01:27,230
WHETHER OR NOT TO
REMODEL THE KITCHEN.
27
00:01:27,254 --> 00:01:29,099
WHAT... NO WAY!
28
00:01:29,123 --> 00:01:30,600
YOU'LL HAVE TO REMODEL ME FIRST.
29
00:01:30,624 --> 00:01:33,770
SOUNDS LIKE ANOTHER
ARGUMENT IN FAVOR.
30
00:01:33,794 --> 00:01:36,439
LISTEN, YOU GUYS MIND REMOVING
ALL THIS HOME SHOW STUFF?
31
00:01:36,463 --> 00:01:39,108
I MEAN, I'VE GOT A LOT OF
IMPORTANT BANKING PAPERS HERE.
32
00:01:39,132 --> 00:01:42,546
THESE ARE JUST TRAVEL
BROCHURES OF CHICAGO, ALEX.
33
00:01:42,570 --> 00:01:43,880
ALEX, IF YOU'RE LEAVING HOME,
34
00:01:43,904 --> 00:01:46,064
PLEASE GO FURTHER THAN CHICAGO.
35
00:01:47,675 --> 00:01:50,486
FOR YOUR INFORMATION, MAL,
CHICAGO HAPPENS TO BE THE HOST CITY
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00:01:50,510 --> 00:01:52,822
FOR THE 15th ANNUAL
MIDWEST BANKING SEMINAR,
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00:01:52,846 --> 00:01:54,658
WHICH I WILL BE ATTENDING.
38
00:01:54,682 --> 00:01:56,058
JEALOUS, HUH?
39
00:01:56,082 --> 00:01:58,395
JUST HAVE TO WATCH
IT ON TELEVISION
40
00:01:58,419 --> 00:02:00,018
LIKE EVERYBODY ELSE.
41
00:02:01,622 --> 00:02:03,266
I DIDN'T KNOW YOU
WERE GOING, ALEX.
42
00:02:03,290 --> 00:02:05,602
YEAH. I'M GOING TO BE REPRESENTING
HARDING TRUST, MY BANK.
43
00:02:05,626 --> 00:02:07,104
THEY ASKED YOU TO GO?
44
00:02:07,128 --> 00:02:09,806
WE SHOULD TAKE OUR MONEY
OUT OF THERE IMMEDIATELY.
45
00:02:09,830 --> 00:02:13,310
WELL, WE ALREADY DID
WHEN ALEX GOT THE JOB.
46
00:02:13,334 --> 00:02:15,812
I'M TELLING YOU, MOMMY.
47
00:02:15,836 --> 00:02:17,146
THIS BANKING CONFERENCE
IS GOING TO BE GREAT.
48
00:02:17,170 --> 00:02:19,148
ALL OF THE BEST BANKING
MINDS IN THE MIDWEST
49
00:02:19,172 --> 00:02:20,484
ARE GOING TO BE THERE.
50
00:02:20,508 --> 00:02:22,886
WELL, IT WAS QUITE AN HONOR
FOR THEM TO CHOOSE YOU.
51
00:02:22,910 --> 00:02:25,388
YEAH, WELL, THEY HAVEN'T...
52
00:02:25,412 --> 00:02:27,223
OFFICIALLY CHOSEN ME YET,
53
00:02:27,247 --> 00:02:29,225
BUT REBECCA'S ON
HER WAY OVER HERE
54
00:02:29,249 --> 00:02:31,227
AND SAID SHE WANTED TO
TALK TO ME ABOUT SOMETHING,
55
00:02:31,251 --> 00:02:32,561
SO, YOU KNOW, WHAT
ELSE COULD IT BE?
56
00:02:32,585 --> 00:02:33,864
I'M THE OBVIOUS CHOICE.
57
00:02:33,888 --> 00:02:36,099
WELL, GOOD. YOU AND REBECCA
ARE GETTING ALONG BETTER NOW?
58
00:02:36,123 --> 00:02:38,267
OH, YEAH. WE'RE
GETTING ALONG FINE NOW.
59
00:02:38,291 --> 00:02:39,603
IN FACT, YESTERDAY,
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00:02:39,627 --> 00:02:42,572
SHE ONLY THREATENED
TO FIRE ME TWICE.
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00:02:42,596 --> 00:02:43,762
YOU'RE A SHOO-IN.
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00:02:48,869 --> 00:02:50,347
OH, COME IN. COME
IN. COME IN. COME IN.
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00:02:50,371 --> 00:02:52,682
HI. ALEX, I HOPE I'M
NOT DISTURBING YOU.
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00:02:52,706 --> 00:02:54,851
OH, REBECCA, NO.
I MEAN, OBVIOUSLY,
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00:02:54,875 --> 00:02:56,185
YOU WOULDN'T COME
OVER HERE AND TALK TO ME
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00:02:56,209 --> 00:02:57,854
UNLESS YOU HAD SOMETHING
IMPORTANT TO SAY.
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00:02:57,878 --> 00:02:59,689
WELL, I HAVE A FEW THINGS
I'D LIKE TO DISCUSS WITH YOU.
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00:02:59,713 --> 00:03:02,392
OH, I'M SORRY.
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00:03:02,416 --> 00:03:04,995
ALEX, WHAT ARE YOU DOING
WITH A MAP OF CHICAGO?
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00:03:05,019 --> 00:03:06,662
WELL, YOU KNOW, I HAVE
TO TELL YOU, REBECCA,
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00:03:06,686 --> 00:03:10,333
CHICAGO HAS ALWAYS BEEN
A FAVORITE CITY OF MINE.
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00:03:10,357 --> 00:03:11,667
YEAH, I'VE OFTEN DREAMED
73
00:03:11,691 --> 00:03:14,471
OF WALKING THE WINDY STREETS,
74
00:03:14,495 --> 00:03:16,427
PLAYING HOG BUTCHER
TO THE WORLD.
75
00:03:19,065 --> 00:03:21,377
I'M SORRY. IT'S A
POOR BOY'S DREAM.
76
00:03:21,401 --> 00:03:23,213
I DIDN'T MEAN TO
BURDEN YOU WITH IT.
77
00:03:23,237 --> 00:03:24,880
GOOD.
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00:03:24,904 --> 00:03:27,550
♪ MY KIND OF TOWN ♪
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00:03:27,574 --> 00:03:29,719
♪ CHICAGO IS ♪
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00:03:29,743 --> 00:03:31,053
♪ MY KIND OF TOWN ♪
81
00:03:31,077 --> 00:03:33,890
ALEX, I THINK A THEME IS
STARTING TO EMERGE HERE.
82
00:03:33,914 --> 00:03:36,660
YOU WANT TO GO TO THE
CONFERENCE IN CHICAGO, DON'T YOU?
83
00:03:36,684 --> 00:03:38,494
YOU GOT TO TAKE ME, REBECCA.
84
00:03:38,518 --> 00:03:39,996
LOOK, I ALREADY GOT
A NEW TRAVEL ALARM.
85
00:03:40,020 --> 00:03:42,532
IT'S ALREADY SET
FOR CHICAGO TIME.
86
00:03:42,556 --> 00:03:44,867
ALEX, LET ME BE FRANK WITH YOU.
87
00:03:44,891 --> 00:03:46,702
I HAVE THOUGHT LONG AND HARD
88
00:03:46,726 --> 00:03:48,538
ABOUT TAKING YOU
TO THIS CONFERENCE.
89
00:03:48,562 --> 00:03:51,829
YOU ARE THE SHARPEST, MOST
KNOWLEDGEABLE EMPLOYEE I HAVE.
90
00:04:00,608 --> 00:04:03,419
YOU ARE ALSO THE MOST
VOLATILE, UNPREDICTABLE,
91
00:04:03,443 --> 00:04:06,523
POTENTIALLY LETHAL
EMPLOYEE I HAVE.
92
00:04:06,547 --> 00:04:10,360
WELL, I KNOW. THAT'S
THE FUN SIDE OF ME.
93
00:04:10,384 --> 00:04:12,095
NOT AT A BANKING
CONFERENCE, IT'S NOT.
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00:04:12,119 --> 00:04:14,097
REBECCA, LOOK. YOU GOT TO
TAKE ME TO THIS CONFERENCE.
95
00:04:14,121 --> 00:04:15,431
IT REALLY MEANS A LOT TO ME.
96
00:04:15,455 --> 00:04:16,766
I PROMISE YOU... I PROMISE YOU,
97
00:04:16,790 --> 00:04:18,501
I WILL BE PROFESSIONAL
AND BUSINESS-LIKE
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00:04:18,525 --> 00:04:19,668
THE ENTIRE TRIP.
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00:04:19,692 --> 00:04:21,671
WELL, REMEMBER THAT,
100
00:04:21,695 --> 00:04:23,628
BECAUSE YOU'RE GOING.
HERE'S THE TICKET.
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00:04:26,967 --> 00:04:28,278
YOW!
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00:04:28,302 --> 00:04:30,235
♪ MY KIND OF TOWN ♪
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00:04:32,272 --> 00:04:33,583
LOOK AT THIS, JEN.
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00:04:33,607 --> 00:04:35,418
THIS IS A BEAUTIFUL
KITCHEN HERE.
105
00:04:35,442 --> 00:04:37,287
WE COULD DO SOMETHING LIKE
THAT IN HERE, DON'T YOU THINK?
106
00:04:37,311 --> 00:04:39,923
WOULDN'T IT BE GREAT TO
HAVE EVERYTHING BRAND-NEW?
107
00:04:39,947 --> 00:04:41,424
OH, YEAH.
108
00:04:41,448 --> 00:04:43,593
WE'VE BEEN TALKING
ABOUT IT FOR SO LONG.
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00:04:43,617 --> 00:04:46,363
THIS KITCHEN HAS BEEN EXACTLY
THE SAME SINCE I WAS BORN.
110
00:04:46,387 --> 00:04:48,030
IT'S BEEN THE SAME
SINCE I WAS BORN.
111
00:04:48,054 --> 00:04:50,489
IT'S BEEN THE SAME
SINCE I WAS BORN.
112
00:04:53,394 --> 00:04:55,372
WELL, YOUR FATHER DOESN'T
FEEL THE SAME WAY ABOUT THIS.
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00:04:55,396 --> 00:04:57,806
HE DOESN'T LIKE
CHANGE OF ANY KIND.
114
00:04:57,830 --> 00:04:59,475
I ONCE BOUGHT A
DIFFERENT BRAND OF NAPKINS.
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00:04:59,499 --> 00:05:01,099
HE DEVELOPED A RASH.
116
00:05:02,569 --> 00:05:04,547
WE COULD GET HIM TO DO IT, MOM.
117
00:05:04,571 --> 00:05:05,881
IF WE GANG UP ON HIM,
118
00:05:05,905 --> 00:05:07,716
HE'LL FOLD LIKE A
HOUSE OF CARDS.
119
00:05:07,740 --> 00:05:10,219
MALLORY AND I CAN DO
THE LOVING DAUGHTER BIT.
120
00:05:10,243 --> 00:05:12,322
HE LOVES THAT.
121
00:05:12,346 --> 00:05:13,656
I DON'T WANT TO TRICK YOUR DAD
122
00:05:13,680 --> 00:05:15,625
INTO DOING SOMETHING
HE DOESN'T WANT TO DO.
123
00:05:15,649 --> 00:05:19,129
OH, MOM, THAT'S
THE BEAUTY OF IT.
124
00:05:19,153 --> 00:05:21,297
YOU'RE GOING TO
TAKE MIDDLE GROUND.
125
00:05:21,321 --> 00:05:24,701
YOU CAN PRETEND YOU'RE
REASONABLE ABOUT THIS.
126
00:05:24,725 --> 00:05:26,035
YOU COULD SAY THINGS LIKE,
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00:05:26,059 --> 00:05:28,537
"STEVEN, WE SHOULD
SERIOUSLY CONSIDER
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00:05:28,561 --> 00:05:30,039
"REMODELING THIS KITCHEN.
129
00:05:30,063 --> 00:05:31,540
BUT LET'S NOT BE HASTY."
130
00:05:31,564 --> 00:05:33,543
AND THEN KISS HIM QUICK.
131
00:05:33,567 --> 00:05:36,879
AND THE FINAL TOUCH IS WHEN
WE GET ALEX TO TAKE DAD'S SIDE.
132
00:05:36,903 --> 00:05:39,215
ALEX WILL SAY,
"REMODEL THE KITCHEN?
133
00:05:39,239 --> 00:05:40,549
"THAT'S THE WORST
IDEA I EVER HEARD.
134
00:05:40,573 --> 00:05:41,884
DON'T TOUCH A THING."
135
00:05:41,908 --> 00:05:44,954
DAD WILL BE
REMODELING IN A SECOND.
136
00:05:44,978 --> 00:05:46,956
OH, THAT'S REALLY APPEALING.
137
00:05:46,980 --> 00:05:49,459
BUT EVEN IF YOUR DAD AGREED
TO REMODEL THE KITCHEN,
138
00:05:49,483 --> 00:05:51,828
WE DON'T HAVE THE
MONEY. IT'S THAT SIMPLE.
139
00:05:51,852 --> 00:05:53,563
HEY, EVERYBODY, GUESS WHAT?
140
00:05:53,587 --> 00:05:55,520
I GOT A RAISE!
141
00:05:58,858 --> 00:06:01,003
A RAISE! THAT'S TERRIFIC!
142
00:06:01,027 --> 00:06:03,005
OH, MAN. OH!
143
00:06:03,029 --> 00:06:05,475
WHAT DO YOU THINK WE
SHOULD DO WITH THE MONEY?
144
00:06:05,499 --> 00:06:09,379
OHH! OHH!
145
00:06:09,403 --> 00:06:11,414
YOU'RE EXCITED, HUH?
146
00:06:11,438 --> 00:06:13,482
WHAT DO YOU THINK WE
SHOULD DO WITH THE MONEY?
147
00:06:13,506 --> 00:06:15,151
WELL, I'VE THOUGHT ABOUT IT.
148
00:06:15,175 --> 00:06:17,653
AND I THINK WE SHOULD
PUT IT RIGHT IN THE BANK
149
00:06:17,677 --> 00:06:20,156
AND WATCH IT GROW.
150
00:06:20,180 --> 00:06:22,491
I THINK THAT'S A GREAT IDEA.
151
00:06:22,515 --> 00:06:25,161
I MEAN, WHAT OTHER
OPTIONS DO WE HAVE
152
00:06:25,185 --> 00:06:26,328
WITH ALL THAT NEW MONEY?
153
00:06:26,352 --> 00:06:27,997
AND EITHER WE
PUT IT IN THE BANK,
154
00:06:28,021 --> 00:06:29,331
AND WE WATCH IT GROW,
155
00:06:29,355 --> 00:06:31,489
OR WE REMODEL THE KITCHEN.
156
00:06:33,159 --> 00:06:35,337
WHAT? REMODEL THE KITCHEN?
157
00:06:35,361 --> 00:06:37,039
YEAH! YEAH!
158
00:06:37,063 --> 00:06:39,375
NEVER! I LOVE THIS KITCHEN!
159
00:06:39,399 --> 00:06:41,332
THERE'S A LOT OF HISTORY HERE.
160
00:06:43,604 --> 00:06:45,247
DADDY, WE'RE SO
GLAD YOU'RE HOME!
161
00:06:45,271 --> 00:06:46,871
WE LOVE YOU!
162
00:06:48,609 --> 00:06:50,787
AND WE'RE SO PROUD OF YOU.
163
00:06:50,811 --> 00:06:52,055
SO PROUD!
164
00:06:52,079 --> 00:06:53,389
YOU'RE PROBABLY
THE ONLY DADDY ON
165
00:06:53,413 --> 00:06:56,293
THE WHOLE BLOCK
WHO GOT A RAISE TODAY.
166
00:06:59,519 --> 00:07:02,264
I WILL NEVER
REMODEL THIS KITCHEN.
167
00:07:02,288 --> 00:07:05,100
STEVEN, MAYBE WE SHOULD
SERIOUSLY CONSIDER
168
00:07:05,124 --> 00:07:06,602
REMODELING THE KITCHEN.
169
00:07:06,626 --> 00:07:08,560
BUT LET'S NOT BE TOO HASTY.
170
00:07:16,470 --> 00:07:20,649
I WILL NEVER
REMODEL THIS KITCHEN.
171
00:07:20,673 --> 00:07:22,652
OK. WELL. HERE I GO.
172
00:07:22,676 --> 00:07:27,257
ALEX, WHAT DO YOU THINK
ABOUT REMODELING THE KITCHEN?
173
00:07:27,281 --> 00:07:28,925
REMODEL THE KITCHEN?
174
00:07:28,949 --> 00:07:32,261
THAT'S THE WORST
IDEA I EVER HEARD.
175
00:07:32,285 --> 00:07:33,565
DON'T TOUCH A THING.
176
00:07:34,721 --> 00:07:36,654
ALL RIGHT. I'LL THINK ABOUT IT.
177
00:07:39,459 --> 00:07:41,225
OK. OK.
178
00:07:42,528 --> 00:07:45,174
SO, WHAT TIME DOES
YOUR FLIGHT LEAVE, ALEX?
179
00:07:45,198 --> 00:07:47,009
IN ABOUT ONE HOUR, DAD.
180
00:07:47,033 --> 00:07:49,345
REBECCA'S COMING BY
TO PICK ME UP ANY MINUTE.
181
00:07:49,369 --> 00:07:50,512
WELL, I'M VERY
PROUD OF YOU, ALEX.
182
00:07:50,536 --> 00:07:52,115
THINGS REALLY SEEM
TO BE GOING YOUR WAY.
183
00:07:52,139 --> 00:07:55,284
ESPECIALLY, YOU KNOW,
CONSIDERING THAT ROCKY START
184
00:07:55,308 --> 00:07:56,785
I HAD WITH REBECCA.
185
00:07:56,809 --> 00:08:00,590
YOU KNOW, THAT LITTLE
ERROR IN JUDGMENT I MADE.
186
00:08:00,614 --> 00:08:02,091
LITTLE ERROR?
187
00:08:02,115 --> 00:08:04,427
ALEX, YOU KISSED YOUR BOSS.
188
00:08:04,451 --> 00:08:06,062
YEAH, I KNOW. I KNOW.
189
00:08:06,086 --> 00:08:08,230
BUT IT WAS LATE AT NIGHT...
190
00:08:08,254 --> 00:08:10,900
WE WERE ALONE IN THE BANK.
191
00:08:10,924 --> 00:08:13,692
WE EACH HAD A LITTLE
TOO MUCH MONEY TO COUNT.
192
00:08:17,330 --> 00:08:18,808
ANYWAY, THAT'S HISTORY, DAD.
193
00:08:18,832 --> 00:08:21,478
THAT'S IN THE PAST.
THAT'S FORGOTTEN.
194
00:08:21,502 --> 00:08:23,813
WELL, THAT'S GREAT. IT'S A
REAL SIGN OF GROWTH TO SEE
195
00:08:23,837 --> 00:08:26,416
HOW YOU'VE ACCEPTED
HAVING A WOMAN AS BOSS.
196
00:08:26,440 --> 00:08:28,918
YEAH. THANKS, DAD. AND,
YOU KNOW, I LIKE TO THINK
197
00:08:28,942 --> 00:08:31,821
THAT I HAVE HAD SOME
EFFECT ON REBECCA, TOO.
198
00:08:31,845 --> 00:08:34,005
I'M SORRY TO HEAR THAT.
199
00:08:35,248 --> 00:08:37,727
YOU KNOW THAT KIND OF GIRL...
200
00:08:37,751 --> 00:08:40,229
WEALTHY, NEW ENGLAND,
PRIVATE SCHOOL TYPE.
201
00:08:40,253 --> 00:08:42,899
YOU KNOW, SNOBBISH, ALOOF, COLD.
202
00:08:42,923 --> 00:08:45,635
YEAH. I GUESS SHE COULD
USE SOME CHANGING.
203
00:08:45,659 --> 00:08:48,126
I'M TRYING TO TURN
HER INTO THAT.
204
00:08:50,531 --> 00:08:52,008
I MEAN, THAT'S HER BACKGROUND,
205
00:08:52,032 --> 00:08:55,011
BUT BESIDES ALL THAT
STUFF, WHICH I LOVE,
206
00:08:55,035 --> 00:08:56,345
YOU KNOW, SHE'S
A LITTLE UPTIGHT.
207
00:08:56,369 --> 00:08:58,181
GOT TO LOOSEN HER UP A LITTLE.
208
00:08:58,205 --> 00:08:59,515
AH, WELL, THERE SHE IS.
209
00:08:59,539 --> 00:09:02,451
HI, ALEX. ARE YOU READY?
PLANE LEAVES IN AN HOUR.
210
00:09:02,475 --> 00:09:03,586
READY AS CAN BE.
211
00:09:03,610 --> 00:09:04,687
WELL, WE REALLY APPRECIATE
212
00:09:04,711 --> 00:09:07,022
YOUR TAKING ALEX
ALONG WITH YOU, REBECCA.
213
00:09:07,046 --> 00:09:09,459
WE CAN REALLY USE THE REST.
214
00:09:09,483 --> 00:09:11,627
I'M GLAD TO HELP, BUT I'M
REALLY TAKING ALEX ALONG
215
00:09:11,651 --> 00:09:13,963
BECAUSE HE'S VERY
SHARP AND VERY EAGER,
216
00:09:13,987 --> 00:09:16,888
AND I'M AFRAID TO LEAVE
HIM ALONE AT THE BANK.
217
00:09:19,459 --> 00:09:21,604
ALEX, I KNEW IT WAS GOING
TO BE A MISTAKE TO TAKE YOU.
218
00:09:21,628 --> 00:09:23,105
AW, COME ON. WHAT MISTAKE?
219
00:09:23,129 --> 00:09:24,640
I THOUGHT IT WAS A GREAT FLIGHT.
220
00:09:24,664 --> 00:09:26,910
WHAT ABOUT THAT LITTLE SCENE
YOU CAUSED WITH THE STEWARDESS?
221
00:09:26,934 --> 00:09:29,078
WHAT, ARE YOU TRYING
TO TELL ME I WASN'T RIGHT?
222
00:09:29,102 --> 00:09:30,913
ALEX, AFTER A CERTAIN AGE,
223
00:09:30,937 --> 00:09:33,370
THEY DON'T GIVE YOU THOSE
LITTLE WINGS ANYMORE.
224
00:09:34,942 --> 00:09:37,921
ALL RIGHT. OK. IT WAS A
LITTLE BIT OF A ROUGH START.
225
00:09:37,945 --> 00:09:39,755
YOU KNOW, I WAS A
LITTLE BIT EXCITED,
226
00:09:39,779 --> 00:09:41,590
BUT I KNOW WHAT'S CALLED
FOR HERE, REBECCA...
227
00:09:41,614 --> 00:09:44,727
PROFESSIONALISM,
DECORUM, RESERVE.
228
00:09:44,751 --> 00:09:47,062
HEY. ALEX KEATON, HARDING TRUST.
229
00:09:47,086 --> 00:09:48,564
WHERE YOU FROM, BUDDY?
230
00:09:48,588 --> 00:09:51,188
IS THAT YOUR WIFE? WHOO!
231
00:09:52,892 --> 00:09:53,892
WHAT?
232
00:09:56,596 --> 00:09:59,509
GOOD AFTERNOON.
HOW MAY I HELP YOU?
233
00:09:59,533 --> 00:10:02,733
YOU HAVE A RESERVATION
FOR RYAN, REBECCA RYAN.
234
00:10:04,170 --> 00:10:08,150
THAT WILL BE SUITE
412 IN THE WEST TOWER.
235
00:10:08,174 --> 00:10:10,653
A PORTER WILL BE ALONG
SHORTLY TO TAKE YOUR BAGS.
236
00:10:10,677 --> 00:10:12,276
THANK YOU.
237
00:10:26,559 --> 00:10:27,679
HEY.
238
00:10:31,164 --> 00:10:32,976
GOOD AFTERNOON, SIR.
239
00:10:33,000 --> 00:10:34,310
GOOD AFTERNOON. GOOD AFTERNOON.
240
00:10:34,334 --> 00:10:35,979
THERE SHOULD BE A
SUITE WAITING FOR ME.
241
00:10:36,003 --> 00:10:38,481
THE NAME IS KEATON,
ALEX P. KEATON.
242
00:10:38,505 --> 00:10:40,483
I'M WITH THE BANKING CONFERENCE.
243
00:10:40,507 --> 00:10:41,507
UH...
244
00:10:44,778 --> 00:10:47,357
I'M AFRAID I HAVE NO
RESERVATION FOR KEATON.
245
00:10:47,381 --> 00:10:50,192
WELL, THERE MUST
BE SOME MISTAKE.
246
00:10:50,216 --> 00:10:51,983
JUST TRY AGAIN.
247
00:10:54,054 --> 00:10:56,498
I'M SORRY. WE'RE
ALL BOOKED UP, SIR.
248
00:10:56,522 --> 00:10:58,601
THERE ARE NO ROOMS AVAILABLE.
249
00:10:58,625 --> 00:11:00,669
NEXT, PLEASE.
250
00:11:00,693 --> 00:11:02,671
LOOK, COULD YOU AT LEAST
251
00:11:02,695 --> 00:11:04,941
RECOMMEND ME TO ANOTHER HOTEL?
252
00:11:04,965 --> 00:11:07,343
EVERY HOTEL IN CHICAGO IS FULL.
253
00:11:07,367 --> 00:11:08,844
SIR, THERE'S A BLIZZARD
STARTING UP OUT THERE.
254
00:11:08,868 --> 00:11:11,347
PEOPLE AREN'T EVEN
ABLE TO LEAVE THE CITY.
255
00:11:11,371 --> 00:11:12,636
EXCUSE ME.
256
00:11:14,441 --> 00:11:16,051
DO YOU BELIEVE THIS?
257
00:11:16,075 --> 00:11:18,187
THEY DON'T HAVE MY
RESERVATION. I DON'T HAVE A ROOM.
258
00:11:18,211 --> 00:11:19,955
ALEX, I'M REALLY SORRY.
259
00:11:19,979 --> 00:11:21,957
I GOT TO GO UPSTAIRS AND SHOWER.
260
00:11:21,981 --> 00:11:23,092
GOOD LUCK.
261
00:11:23,116 --> 00:11:25,094
WAIT A MINUTE. WAIT A MINUTE.
262
00:11:25,118 --> 00:11:26,429
I DON'T NEED LUCK,
263
00:11:26,453 --> 00:11:27,763
I NEED TOWELS.
264
00:11:27,787 --> 00:11:29,265
I NEED A SOAPDISH.
265
00:11:29,289 --> 00:11:31,501
I NEED MINTS ON MY PILLOW.
266
00:11:31,525 --> 00:11:33,168
LOOK, ALEX, I'M
REALLY VERY SORRY.
267
00:11:33,192 --> 00:11:35,893
I WOULD LOVE TO HELP
YOU, BUT WHAT CAN I DO?
268
00:11:37,763 --> 00:11:40,209
WELL...
269
00:11:40,233 --> 00:11:42,645
DON'T EVEN THINK ABOUT IT!
270
00:11:42,669 --> 00:11:44,647
COME ON. YOU'VE GOT A SUITE!
271
00:11:44,671 --> 00:11:46,182
YOU'VE GOT PLENTY OF ROOM.
272
00:11:46,206 --> 00:11:49,118
ABSOLUTELY NOT. I CANNOT
HAVE YOU SLEEPING IN MY R...
273
00:11:49,142 --> 00:11:50,619
ALL RIGHT.
274
00:11:50,643 --> 00:11:53,122
I'M AN OFFICER OF THE BANK.
275
00:11:53,146 --> 00:11:55,380
I HAVE A REPUTATION TO UPHOLD.
276
00:11:56,916 --> 00:11:58,226
ALL RIGHT. OK. NOW, WAIT
A MINUTE. WAIT A MINUTE.
277
00:11:58,250 --> 00:11:59,696
WHAT ARE YOU AFRAID OF?
278
00:11:59,720 --> 00:12:01,898
WHAT, ARE YOU AFRAID
I'M GOING TO PEEK?
279
00:12:01,922 --> 00:12:05,068
WHAT, ARE YOU AFRAID I'M
GOING TO TRY SOMETHING?
280
00:12:05,092 --> 00:12:08,237
COME ON, REBECCA,
LOOK. THIS IS BUSINESS.
281
00:12:08,261 --> 00:12:09,572
PURE AND SIMPLE.
282
00:12:09,596 --> 00:12:11,074
I'M HERE REPRESENTING
HARDING BANK...
283
00:12:11,098 --> 00:12:12,241
YOUR BANK.
284
00:12:12,265 --> 00:12:15,611
I GOT TO BE ALERT. I
GOT TO GET SOME REST.
285
00:12:15,635 --> 00:12:18,247
THERE'S NOTHING
PERSONAL ABOUT THIS.
286
00:12:18,271 --> 00:12:19,749
OK, ALEX. YOU WIN.
287
00:12:19,773 --> 00:12:21,751
WHAT OTHER CHOICE DO I HAVE?
288
00:12:21,775 --> 00:12:24,854
YOU CAN SHARE MY SUITE WITH ME.
289
00:12:24,878 --> 00:12:26,610
OK. GREAT.
290
00:12:28,614 --> 00:12:31,048
WE'RE GOING TO
BE LIVING TOGETHER.
291
00:12:38,024 --> 00:12:39,335
IT'S GOING TO BE
GREAT BEING ROOMIES.
292
00:12:39,359 --> 00:12:40,669
YOU'LL SEE.
293
00:12:40,693 --> 00:12:42,171
IF YOU REFER TO US AS
ROOMIES ONE MORE TIME,
294
00:12:42,195 --> 00:12:43,506
I'M GOING TO FIRE YOU.
295
00:12:43,530 --> 00:12:45,641
AND THEN, I'M GOING
TO BEAT YOU UP.
296
00:12:45,665 --> 00:12:46,975
COME ON. LOOK, REBECCA.
297
00:12:46,999 --> 00:12:48,811
I'M GOING TO MAKE THIS AS
EASY ON YOU AS POSSIBLE.
298
00:12:48,835 --> 00:12:50,145
I'M GOING TO BE
QUIET AS A MOUSE.
299
00:12:50,169 --> 00:12:52,147
YOU'LL HARDLY EVEN
KNOW I'M AROUND.
300
00:12:52,171 --> 00:12:53,482
IF YOU WANT TO HAVE GUYS OVER,
301
00:12:53,506 --> 00:12:56,051
YOU KNOW, HANG A
SOCK ON THE DOOR.
302
00:12:56,075 --> 00:12:59,888
OK. THIS IS YOU. SUITE 412.
303
00:12:59,912 --> 00:13:01,223
CORNER SUITE.
304
00:13:01,247 --> 00:13:03,192
I LOVE IT.
305
00:13:03,216 --> 00:13:06,028
THIS IS A SUITE?
306
00:13:06,052 --> 00:13:07,697
THIS MUST BE A SITTING ROOM.
307
00:13:07,721 --> 00:13:09,298
THIS IS JUST A
SITTING ROOM, RIGHT?
308
00:13:09,322 --> 00:13:11,701
OH, SURE. YOU CAN SIT IN HERE.
309
00:13:11,725 --> 00:13:15,871
BUT IF YOU'LL ALLOW ME
TO SQUEEZE THROUGH HERE,
310
00:13:15,895 --> 00:13:18,540
I'LL SHOW YOU SOME
OF THE FEATURES
311
00:13:18,564 --> 00:13:20,164
OF THIS ROOM.
312
00:13:21,368 --> 00:13:24,268
THERE ARE NO
FEATURES IN THIS ROOM.
313
00:13:28,875 --> 00:13:30,853
THANKS FOR POINTING THAT OUT.
314
00:13:30,877 --> 00:13:32,187
NO PROBLEM.
315
00:13:32,211 --> 00:13:34,290
I'LL GET THE REST
OF THE LUGGAGE.
316
00:13:34,314 --> 00:13:35,424
ALEX.
317
00:13:35,448 --> 00:13:36,826
EXCUSE ME.
318
00:13:36,850 --> 00:13:39,028
NEED ANYTHING ELSE?
319
00:13:39,052 --> 00:13:40,529
SOME, UH...
320
00:13:40,553 --> 00:13:42,353
SOME ICE, PERHAPS?
321
00:13:43,657 --> 00:13:45,523
WHERE WOULD WE PUT IT?
322
00:13:46,892 --> 00:13:48,025
THANKS.
323
00:13:55,067 --> 00:13:56,767
ALL RIGHT. OK.
324
00:13:58,571 --> 00:14:00,931
WE'RE IN A BIT OF A
ROUGH SPOT HERE.
325
00:14:02,042 --> 00:14:03,419
IT'S A LITTLE AWKWARD.
326
00:14:03,443 --> 00:14:04,787
COULD BE WORSE.
327
00:14:04,811 --> 00:14:07,344
WE MIGHT NOT BE IN A SUITE.
328
00:14:11,817 --> 00:14:14,463
DAD, WHAT ARE YOU DOING?
329
00:14:14,487 --> 00:14:16,399
JUST SITTING HERE...
330
00:14:16,423 --> 00:14:18,066
THINKING.
331
00:14:18,090 --> 00:14:21,436
WE'VE HAD SOME WONDERFUL
TIMES IN THIS KITCHEN, HAVEN'T WE?
332
00:14:21,460 --> 00:14:22,771
TAKE IT EASY, HONEY.
333
00:14:22,795 --> 00:14:24,907
WE'LL HAVE SOME GOOD
TIMES IN THE NEW KITCHEN, TOO.
334
00:14:24,931 --> 00:14:26,909
HOW CAN YOU BE
SURE OF THAT, ELYSE?
335
00:14:26,933 --> 00:14:29,412
WHAT IF THIS KITCHEN
IS THE REASON
336
00:14:29,436 --> 00:14:32,882
WE'VE BEEN SO HAPPY
FOR ALL THESE YEARS?
337
00:14:32,906 --> 00:14:34,850
LET'S NOT FORGET
THE OTHER ROOMS, DAD.
338
00:14:34,874 --> 00:14:37,520
THEY'VE HAD
SOMETHING TO DO WITH IT.
339
00:14:37,544 --> 00:14:40,556
YEAH. I'VE HAD SOME GREAT
TIMES IN THE LIVING ROOM.
340
00:14:40,580 --> 00:14:41,890
MAYBE THE REASON YOU HAD
341
00:14:41,914 --> 00:14:43,526
SUCH GREAT TIMES
IN THE LIVING ROOM
342
00:14:43,550 --> 00:14:46,529
IS BECAUSE IT'S SO
CLOSE TO THE KITCHEN.
343
00:14:46,553 --> 00:14:50,566
HONEY, HONEY. I KNOW
THIS IS DIFFICULT FOR YOU.
344
00:14:50,590 --> 00:14:53,068
I KNOW YOU HAVE
AMBIVALENT FEELINGS
345
00:14:53,092 --> 00:14:55,070
ABOUT CHANGES IN THE KITCHEN,
346
00:14:55,094 --> 00:14:57,573
BUT THAT'S WHY I WENT OUT,
347
00:14:57,597 --> 00:14:59,575
AND I HIRED GEORGE BELLACK.
348
00:14:59,599 --> 00:15:01,577
HE'S AN EXCELLENT
INTERIOR DESIGNER.
349
00:15:01,601 --> 00:15:03,579
HE'S GOING TO COME IN,
350
00:15:03,603 --> 00:15:05,748
HE'S GOING TO CONSULT,
351
00:15:05,772 --> 00:15:08,751
AND HE'S GOING TO
GO VERY, VERY SLOWLY.
352
00:15:08,775 --> 00:15:10,252
ALL RIGHT. ALL RIGHT, ELYSE.
353
00:15:10,276 --> 00:15:13,144
I'M APPROACHING THIS
WITH AN OPEN MIND.
354
00:15:18,718 --> 00:15:20,096
WHAT ARE YOU DOING?
355
00:15:20,120 --> 00:15:21,597
I JUST WANT A LITTLE SOMETHING
356
00:15:21,621 --> 00:15:23,765
TO REMEMBER THE
KITCHEN BY, THAT'S ALL.
357
00:15:23,789 --> 00:15:27,303
MAL, JEN, CAN I HAVE A SHOT OF
YOU OVER BY THE REFRIGERATOR?
358
00:15:27,327 --> 00:15:28,992
MOM, STOP HIM.
359
00:15:31,598 --> 00:15:33,141
WHAT'S THE BIG DEAL?
360
00:15:33,165 --> 00:15:35,544
JUST A COUPLE OF SHOTS
FOR THE OL' WALLET.
361
00:15:35,568 --> 00:15:38,313
MAL, TAKE SOME ICE CUBES
OUT, HONEY. COME ON... ACTION.
362
00:15:38,337 --> 00:15:39,982
GOOD! COME ON. COME ON.
363
00:15:40,006 --> 00:15:41,817
OH! OH! IT'S GEORGE BELLACK.
364
00:15:41,841 --> 00:15:43,652
GEORGE, COME IN. COME IN.
365
00:15:43,676 --> 00:15:45,153
THIS IS MY HUSBAND STEVEN.
366
00:15:45,177 --> 00:15:47,097
NICE TO MEET YOU.
367
00:15:49,081 --> 00:15:51,193
OUR DAUGHTERS
JENNIFER AND MALLORY.
368
00:15:51,217 --> 00:15:52,416
GIRLS.
369
00:15:55,288 --> 00:15:58,434
WE ARE THRILLED THAT YOU'RE
GOING TO BE HANDLING THIS, GEORGE.
370
00:15:58,458 --> 00:16:00,069
ANYTHING FOR YOU, ELYSE.
371
00:16:00,093 --> 00:16:02,460
WELL, TAKE A LOOK AROUND.
372
00:16:05,098 --> 00:16:08,076
COME ON. DON'T HOLD BACK.
JUST WHAT DO YOU THINK?
373
00:16:08,100 --> 00:16:10,579
LET'S START WITH
THE SMALL THINGS.
374
00:16:10,603 --> 00:16:11,969
THIS WALL MUST GO.
375
00:16:13,139 --> 00:16:16,018
WHAT? I LOVE THIS WALL.
376
00:16:16,042 --> 00:16:18,020
THIS IS A HISTORICAL WALL.
377
00:16:18,044 --> 00:16:21,023
WE MEASURED THE KIDS'
GROWTH ON THIS WALL.
378
00:16:21,047 --> 00:16:22,224
LOOK, UH...
379
00:16:22,248 --> 00:16:24,693
MALLORY AT 3,
380
00:16:24,717 --> 00:16:26,862
JENNIFER AT 3...
381
00:16:26,886 --> 00:16:28,485
ALEX AT 3.
382
00:16:30,490 --> 00:16:34,536
MR. KEATON, THIS WALL IS
WHAT'S PREVENTING THIS KITCHEN
383
00:16:34,560 --> 00:16:36,538
FROM SPRINGING TO LIFE,
384
00:16:36,562 --> 00:16:40,843
FROM REACHING ITS FULL
POTENTIAL AS A FAMILY CENTER.
385
00:16:40,867 --> 00:16:44,613
THIS WALL IS WHAT'S PREVENTING
THE HOUSE FROM FALLING DOWN.
386
00:16:44,637 --> 00:16:48,049
STEVEN, WOULD YOU JUST
LET GEORGE DO HIS WORK?
387
00:16:48,073 --> 00:16:49,551
CERTAINLY, CERTAINLY.
388
00:16:49,575 --> 00:16:52,009
IF I MAY PROCEED.
389
00:16:55,748 --> 00:16:58,182
I SEE A HUGE BAY WINDOW!
390
00:17:00,085 --> 00:17:01,563
WITH SHELVES
391
00:17:01,587 --> 00:17:03,565
AND GREENERY CASCADING DOWN
392
00:17:03,589 --> 00:17:05,066
AND LACE CURTAINS
393
00:17:05,090 --> 00:17:07,068
FRAMING A WONDERFUL
PANORAMIC VIEW.
394
00:17:07,092 --> 00:17:08,570
OH, THAT SOUNDS FABULOUS.
395
00:17:08,594 --> 00:17:10,071
I'VE ALWAYS WANTED
396
00:17:10,095 --> 00:17:12,574
A BAY WINDOW IN MY KITCHEN.
397
00:17:12,598 --> 00:17:14,532
THAT SOUNDS GREAT,
DOESN'T IT, DAD?
398
00:17:16,802 --> 00:17:18,847
TO ACCOMMODATE THIS
BAY WINDOW, OF COURSE,
399
00:17:18,871 --> 00:17:22,351
WE'LL HAVE TO LOSE A GOOD
PORTION OF THIS WALL ALSO.
400
00:17:22,375 --> 00:17:26,088
ANOTHER WALL? WHY DON'T
YOU JUST DYNAMITE THE ROOM?
401
00:17:26,112 --> 00:17:28,958
STEVEN, WOULD YOU HEAR HIM OUT?
402
00:17:28,982 --> 00:17:30,259
LOOK, I'M SORRY.
403
00:17:30,283 --> 00:17:33,429
THIS IS... THIS IS JUST
ALL HAPPENING TOO FAST.
404
00:17:33,453 --> 00:17:35,764
I THINK WE NEED A LITTLE
MORE TIME TO DECIDE
405
00:17:35,788 --> 00:17:38,767
EXACTLY WHAT WE
WANT TO DO IN HERE,
406
00:17:38,791 --> 00:17:41,937
TO MULL OVER GEORGE'S
WONDERFULLY INNOVATIVE
407
00:17:41,961 --> 00:17:45,274
AND INSANE IDEAS.
408
00:17:45,298 --> 00:17:48,511
WE'LL CALL YOU IN
A COUPLE OF DAYS.
409
00:17:48,535 --> 00:17:50,855
DO YOU HAVE A CARD?
410
00:17:54,140 --> 00:17:55,506
CALL ME.
411
00:17:58,144 --> 00:17:59,444
WE'LL TALK.
412
00:18:10,657 --> 00:18:12,968
DAD, HOW COULD YOU
LET GEORGE GO LIKE THAT?
413
00:18:12,992 --> 00:18:15,070
HE WAS OUR ONLY HOPE.
414
00:18:15,094 --> 00:18:18,073
THE KITCHEN OF TOMORROW
WAS ALMOST IN OUR GRASP.
415
00:18:18,097 --> 00:18:19,575
BELIEVE ME, WE
DON'T NEED GEORGE.
416
00:18:19,599 --> 00:18:22,578
HIS IDEAS AREN'T RIGHT
FOR OUR LIFESTYLE.
417
00:18:22,602 --> 00:18:26,081
WE NEED SOMEBODY WHO
UNDERSTANDS OUR HOUSE,
418
00:18:26,105 --> 00:18:29,084
WHO KNOWS IT,
WHO CARES ABOUT IT.
419
00:18:29,108 --> 00:18:31,020
WHO MIGHT THAT BE?
420
00:18:31,044 --> 00:18:33,188
YOU'RE LOOKING AT HIM.
421
00:18:38,484 --> 00:18:40,963
ALL RIGHT. LET'S JUST TRY
TO MAKE THE BEST OF IT.
422
00:18:40,987 --> 00:18:43,147
I GUESS WE SHOULD UNPACK FIRST.
423
00:18:47,994 --> 00:18:49,426
WHO GETS THE HANGER?
424
00:18:50,864 --> 00:18:52,808
IT'S MY ROOM. I
THINK I SHOULD GET IT.
425
00:18:52,832 --> 00:18:56,212
REBECCA, WHAT AM I GOING
TO DO WITH ALL OF MY CLOTHES?
426
00:18:56,236 --> 00:18:58,214
WHY DON'T YOU WEAR THEM?
427
00:18:58,238 --> 00:19:00,882
I GOT 16 SUITS.
428
00:19:00,906 --> 00:19:04,346
I'LL LOOK LIKE A TWEEDY
VERSION OF THE MICHELIN MAN.
429
00:19:05,812 --> 00:19:08,824
ALEX, I JUST DON'T THINK
THIS IS GOING TO WORK OUT.
430
00:19:08,848 --> 00:19:11,593
COME ON, IT'S AN ADVENTURE.
431
00:19:11,617 --> 00:19:14,096
DIDN'T YOU EVER HAVE A ROOMMATE?
432
00:19:14,120 --> 00:19:16,098
DIDN'T YOU EVER GO CAMPING?
433
00:19:16,122 --> 00:19:18,433
GET TRAPPED IN A MINE?
434
00:19:18,457 --> 00:19:21,103
ALEX, I HAVE A
CONFESSION TO MAKE.
435
00:19:21,127 --> 00:19:23,605
ALL RIGHT. DON'T
MAKE IT A BIG ONE, OK?
436
00:19:23,629 --> 00:19:25,441
WE DON'T HAVE THE ROOM.
437
00:19:25,465 --> 00:19:27,443
I WAS AN ONLY CHILD.
438
00:19:27,467 --> 00:19:29,445
I ALWAYS HAD A ROOM OF MY OWN.
439
00:19:29,469 --> 00:19:31,580
AND I WENT AWAY TO A VERY
EXCLUSIVE BOARDING SCHOOL.
440
00:19:31,604 --> 00:19:33,415
AND EVERYONE
HAD A PRIVATE SUITE.
441
00:19:33,439 --> 00:19:36,619
DO YOU HAVE THE
ADDRESS OF THAT PLACE?
442
00:19:36,643 --> 00:19:39,655
THE POINT IS, I'VE NEVER
LIVED WITH ANYONE,
443
00:19:39,679 --> 00:19:42,613
AND I'D RATHER
NOT START WITH YOU.
444
00:19:44,150 --> 00:19:45,794
ALL RIGHT. ALL RIGHT. OK. OK.
445
00:19:45,818 --> 00:19:47,630
YOU THINK THIS IS
A PICNIC FOR ME?
446
00:19:47,654 --> 00:19:50,131
YOU THINK THIS IS
MY IDEA OF PARADISE?
447
00:19:50,155 --> 00:19:52,968
DO YOU THINK I PLANNED THIS?
448
00:19:52,992 --> 00:19:55,592
I'M NOT SO SURE.
449
00:19:56,729 --> 00:19:58,039
THIS IS ALL BEGINNING
TO MAKE SENSE
450
00:19:58,063 --> 00:19:59,374
TO ME NOW, ALEX.
451
00:19:59,398 --> 00:20:00,875
IT'S ALL BECOMING VERY CLEAR.
452
00:20:00,899 --> 00:20:03,378
FIRST, YOU BEG FOR
ME TO TAKE YOU ALONG.
453
00:20:03,402 --> 00:20:05,648
I AGREE, OUT OF THE
KINDNESS OF MY HEART.
454
00:20:05,672 --> 00:20:09,151
THEN YOUR RESERVATION
MYSTERIOUSLY DISAPPEARS,
455
00:20:09,175 --> 00:20:11,653
SO I HAVE NO CHOICE
BUT TO TAKE YOU IN.
456
00:20:11,677 --> 00:20:14,945
COINCIDENCE? I THINK NOT.
457
00:20:17,850 --> 00:20:19,450
YOU GOT ME, REBECCA!
458
00:20:21,120 --> 00:20:22,597
YOU GOT ME.
459
00:20:22,621 --> 00:20:25,600
THIS HAS ALL JUST BEEN A PLOY
460
00:20:25,624 --> 00:20:28,870
TO SPEND A NIGHT IN
THIS ROOM WITH YOU.
461
00:20:28,894 --> 00:20:30,772
THE PLANE TRIP,
462
00:20:30,796 --> 00:20:32,295
THE BLIZZARD...
463
00:20:35,801 --> 00:20:40,114
EVERY HOTEL IN
CHICAGO BOOKED SOLID.
464
00:20:40,138 --> 00:20:42,740
I ARRANGED THAT.
465
00:20:44,477 --> 00:20:48,122
SURE, IT COST ME SOME BUCKS...
466
00:20:48,146 --> 00:20:51,626
BUT IT'S ALL PART
OF MY MASTER PLAN.
467
00:20:51,650 --> 00:20:53,584
THE BANKING
CONVENTION... A RUSE.
468
00:20:55,153 --> 00:20:57,632
NONE OF THESE
PEOPLE ARE BANKERS.
469
00:20:57,656 --> 00:20:59,634
THEY ALL WORK FOR ME.
470
00:20:59,658 --> 00:21:01,135
HEY, BILL, HARRY, LARRY!
471
00:21:01,159 --> 00:21:02,637
YEAH, GO HOME!
472
00:21:02,661 --> 00:21:04,428
NO, SHE'S ON TO IT.
473
00:21:06,832 --> 00:21:09,778
NO, WE'LL TRY AGAIN NEXT
YEAR WITH ANOTHER GIRL.
474
00:21:09,802 --> 00:21:11,780
FINE! GREAT!
475
00:21:11,804 --> 00:21:13,114
AS A MATTER OF FACT, REBECCA,
476
00:21:13,138 --> 00:21:16,752
THE WHOLE DAMN CITY OF
CHICAGO DOES NOT EXIST!
477
00:21:16,776 --> 00:21:18,875
THIS IS MY BASEMENT!
478
00:21:22,148 --> 00:21:24,414
OK, ALEX. I THINK
YOU'VE MADE YOUR POINT.
479
00:21:25,785 --> 00:21:27,096
I APOLOGIZE.
480
00:21:27,120 --> 00:21:29,198
MY ACCUSATION WAS UNCALLED-FOR.
481
00:21:29,222 --> 00:21:31,989
I ACCEPT YOUR APOLOGY.
482
00:21:33,192 --> 00:21:35,437
I THINK WE NEED A
LITTLE AIR IN HERE.
483
00:21:35,461 --> 00:21:37,439
I'M BEGINNING TO
FEEL CLAUSTROPHOBIC.
484
00:21:37,463 --> 00:21:39,942
WE COULD OPEN A
WINDOW OR SOMETHING.
485
00:21:39,966 --> 00:21:41,231
GOOD IDEA.
486
00:21:51,844 --> 00:21:54,122
LOOK AT THE BRIGHT SIDE.
487
00:21:54,146 --> 00:21:57,126
AT LEAST WE CAN'T
PUSH EACH OTHER OUT.
488
00:21:57,150 --> 00:21:59,128
THIS IS CRAZY.
489
00:21:59,152 --> 00:22:01,130
I'M EXHAUSTED.
490
00:22:01,154 --> 00:22:05,634
ALL I NEED IS
JUST A LITTLE REST.
491
00:22:05,658 --> 00:22:07,636
GOOD. GOOD. GOOD IDEA.
492
00:22:07,660 --> 00:22:09,092
JUST GO AHEAD.
493
00:22:14,000 --> 00:22:17,279
ARE YOU GOING TO BREATHE
THAT LOUDLY THE WHOLE WEEKEND?
494
00:22:17,303 --> 00:22:19,748
WHY DON'T YOU JUST KILL ME NOW?
495
00:22:19,772 --> 00:22:22,284
OK? THROW MY BODY INTO THE HALL.
496
00:22:22,308 --> 00:22:24,653
WE'D HAVE MORE ROOM.
497
00:22:24,677 --> 00:22:27,322
LOOK, WE HAVE A
MEETING IN TWO HOURS.
498
00:22:27,346 --> 00:22:30,425
COULD WE HAVE
SOME QUIET, PLEASE?
499
00:22:30,449 --> 00:22:32,730
OK. FINE. I'LL TRY
NOT TO BREATHE.
500
00:22:38,624 --> 00:22:42,103
ARE YOU GOING TO HOVER OVER
ME LIKE THAT THE WHOLE TIME?
501
00:22:42,127 --> 00:22:43,605
I PLAN TO.
502
00:22:43,629 --> 00:22:46,107
I'M HAVING SUCH A GOOD TIME.
503
00:22:46,131 --> 00:22:50,234
LOOK, ALEX, WHY DON'T
YOU JUST GET A REST, TOO?
504
00:22:51,637 --> 00:22:53,114
FINE. OK. SURE.
505
00:22:53,138 --> 00:22:56,658
TELL YOU WHAT... I'LL
SLEEP IN THE BATHTUB.
506
00:22:58,311 --> 00:23:00,431
IT'S A STANDUP SHOWER.
507
00:23:01,480 --> 00:23:04,326
ALL RIGHT. YOU CAN LIE HERE.
508
00:23:04,350 --> 00:23:06,128
THANK YOU.
509
00:23:06,152 --> 00:23:07,296
GREAT.
510
00:23:07,320 --> 00:23:09,286
OK, THIS IS GREAT.
511
00:23:10,656 --> 00:23:12,267
YEP...
512
00:23:12,291 --> 00:23:14,558
THIS IS COZY.
513
00:23:53,266 --> 00:23:54,909
Man: SIT, UBU, SIT.
514
00:23:54,933 --> 00:23:56,213
GOOD DOG.
36661
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