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Johnny Mathis: ♪ I BET
WE'VE BEEN TOGETHER ♪
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00:00:15,316 --> 00:00:17,882
♪ FOR A MILLION YEARS ♪
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00:00:17,952 --> 00:00:20,792
Deniece Williams: ♪ AND I
BET WE'LL BE TOGETHER ♪
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00:00:20,821 --> 00:00:23,355
♪ FOR A MILLION MORE ♪
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00:00:23,424 --> 00:00:26,091
♪ OH, IT'S LIKE I
STARTED BREATHING ♪
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00:00:26,160 --> 00:00:28,893
♪ ON THE NIGHT WE KISSED ♪
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00:00:28,963 --> 00:00:30,862
Both: ♪ AND I CAN'T REMEMBER ♪
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00:00:30,931 --> 00:00:34,132
♪ WHAT I EVER DID BEFORE ♪
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00:00:34,201 --> 00:00:37,202
♪ WHAT WOULD WE DO, BABY ♪
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00:00:37,271 --> 00:00:39,871
♪ WITHOUT US? ♪
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00:00:39,940 --> 00:00:42,507
♪ WHAT WOULD WE DO, BABY ♪
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00:00:42,576 --> 00:00:45,877
♪ WITHOUT US? ♪
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00:00:45,946 --> 00:00:47,779
♪ AND THERE AIN'T NO NOTHING ♪
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00:00:47,848 --> 00:00:51,383
♪ WE CAN'T LOVE
EACH OTHER THROUGH ♪
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00:00:51,452 --> 00:00:54,152
♪ WHAT WOULD WE DO, BABY ♪
16
00:00:54,221 --> 00:00:56,821
♪ WITHOUT US? ♪
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00:00:56,890 --> 00:01:00,392
♪ SHA LA LA LA ♪
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00:01:03,830 --> 00:01:05,808
"SORRY TO SAY THAT
PETER WAS NOT VERY WELL
19
00:01:05,832 --> 00:01:07,112
"DURING THE EVENING.
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00:01:07,168 --> 00:01:08,478
"HIS MOTHER PUT HIM TO BED
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00:01:08,502 --> 00:01:09,812
"AND MADE SOME CHAMOMILE TEA,
22
00:01:09,836 --> 00:01:11,481
AND SHE GAVE A
DOSE OF IT TO PETER."
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00:01:11,505 --> 00:01:12,771
SEE, RIGHT THERE.
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00:01:12,839 --> 00:01:16,608
"ONE TABLESPOONFUL
TO BE TAKEN AT BED-TIME.
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00:01:16,677 --> 00:01:19,110
"BUT FLOPSY, MOPSY,
AND COTTON-TAIL,
26
00:01:19,180 --> 00:01:20,823
"WHO WERE GOOD LITTLE BUNNIES,
27
00:01:20,847 --> 00:01:24,783
HAD BREAD AND MILK AND
BLACKBERRIES FOR SUPPER."
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00:01:28,689 --> 00:01:30,622
READ IT AGAIN, MOMMY.
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00:01:32,025 --> 00:01:33,292
GIVE HER A BREAK, ALEX.
30
00:01:33,360 --> 00:01:35,960
YOU HEARD IT THREE TIMES.
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00:01:36,029 --> 00:01:38,341
THAT'S RIGHT. I
READ IT THREE TIMES.
32
00:01:38,365 --> 00:01:40,110
AND THAT MEANS IT'S TIME
FOR YOU TO GO TO BED.
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00:01:40,134 --> 00:01:43,901
ALL RIGHT, LET HIM
HEAR IT ONE MORE TIME.
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00:01:45,439 --> 00:01:47,417
NO. NO MORE
STORIES. TIME FOR BED.
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00:01:47,441 --> 00:01:49,419
COME ON. I DON'T WANT
ANY TROUBLE ABOUT IT.
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00:01:49,443 --> 00:01:52,144
OH, COME ON, MOM. LET HIM
STAY UP. WHAT'S THE BIG DEAL?
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00:01:52,213 --> 00:01:53,523
HONEY, HE DOESN'T
GET ENOUGH SLEEP,
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00:01:53,547 --> 00:01:55,192
AND THEN, HE'S
CRABBY IN THE MORNING.
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00:01:55,216 --> 00:01:57,815
HE'S A NIGHT PERSON.
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00:01:57,885 --> 00:01:59,150
I'LL GET IT. LOOK, MOM,
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00:01:59,219 --> 00:02:01,186
REMEMBER MALLORY WHEN
SHE WAS A KID? REMEMBER?
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00:02:01,255 --> 00:02:02,535
PERFECT KID. GOT A LOT OF SLEEP.
43
00:02:02,589 --> 00:02:04,689
LOOK WHAT HAPPENED.
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00:02:04,758 --> 00:02:07,759
SHE NEVER FULLY WOKE UP.
45
00:02:07,828 --> 00:02:09,138
COME ON, HONEY.
WE'RE GOING TO BED.
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00:02:09,162 --> 00:02:10,802
I WANT ALEX TO TAKE ME UP.
47
00:02:10,831 --> 00:02:12,141
OK. ALEX CAN TAKE YOU UP.
48
00:02:12,165 --> 00:02:13,765
ALL RIGHT. LET'S GO, RABBIT.
49
00:02:13,834 --> 00:02:15,266
TAKE HIM STRAIGHT
TO BED, THOUGH.
50
00:02:15,336 --> 00:02:18,269
HE STRETCHES THESE BEDTIMES
OUT LONGER AND LONGER.
51
00:02:18,339 --> 00:02:21,105
WANT TO PLAY MONOPOLY?
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00:02:21,174 --> 00:02:24,321
NO, NO, NO. YOU HEARD
WHAT THE BOSS LADY SAID.
53
00:02:24,345 --> 00:02:25,544
STRAIGHT TO BED.
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00:02:25,613 --> 00:02:27,545
WE CAN USE REAL MONEY.
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00:02:27,615 --> 00:02:29,547
ONE QUICK GAME.
56
00:02:31,685 --> 00:02:32,851
OH, HI, MOM.
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00:02:32,920 --> 00:02:34,898
HI, GUYS. HOW WAS THE MOVIE?
58
00:02:34,922 --> 00:02:37,856
OH, IT WAS OK. JEN AND
I LIKED IT. NICK DIDN'T.
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00:02:37,925 --> 00:02:39,736
IT'S JUST THAT I LIKE A LITTLE
MORE ACTION IN MY FILM.
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00:02:39,760 --> 00:02:40,859
THAT'S ALL.
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00:02:40,928 --> 00:02:41,938
WHAT DID YOU SEE?
62
00:02:41,962 --> 00:02:43,061
COMMANDO,
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00:02:43,129 --> 00:02:45,330
WITH ARNOLD SCHWARZENEGGER.
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00:02:45,399 --> 00:02:48,566
THAT IS THE LAST
ART FILM THAT I GO TO.
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00:02:49,870 --> 00:02:51,915
WHAT ARE YOU WORKING
ON THERE, MRS. KEATON?
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00:02:51,939 --> 00:02:54,884
I'M REMODELING THE
LOBBY OF THE WKS BUILDING
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00:02:54,908 --> 00:02:56,353
WHERE MR. KEATON WORKS.
68
00:02:56,377 --> 00:02:58,710
DOES MR. KEATON KNOW ABOUT THIS?
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00:02:58,779 --> 00:03:00,379
HE HIRED HER, NICK.
70
00:03:00,447 --> 00:03:01,679
OH.
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00:03:06,220 --> 00:03:09,154
HEY! THIS IS A PRETTY
GOOD IDEA HERE.
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00:03:09,223 --> 00:03:13,225
I LIKE THIS, THE ATRIUM WITH
THE WATERFALL CASCADE.
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00:03:13,294 --> 00:03:15,038
YOU REALLY LIKE THAT? THANKS.
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00:03:15,062 --> 00:03:16,372
YOU KNOW, IF IT WAS ME,
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00:03:16,396 --> 00:03:19,330
I WOULD USE MAHOGANY
ON THIS WALL OVER HERE
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00:03:19,399 --> 00:03:22,279
AND MAYBE PICK IT UP AGAIN
OVER HERE IN THIS AREA.
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00:03:24,638 --> 00:03:27,071
THAT'S EXACTLY
WHAT I WAS PLANNING.
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00:03:27,140 --> 00:03:29,107
WE THINK ALIKE, DON'T
WE, MRS. KEATON?
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00:03:29,176 --> 00:03:31,457
YEAH. THAT'S REALLY, UH...
80
00:03:31,512 --> 00:03:33,378
SCARY, HUH?
81
00:03:36,683 --> 00:03:38,282
HEY, ANDY HEARD
YOU GUYS COME IN.
82
00:03:38,352 --> 00:03:39,662
HE WANTS YOU TO GO UP
AND SAY GOOD NIGHT TO HIM.
83
00:03:39,686 --> 00:03:40,952
ALL RIGHT. OK.
84
00:03:41,020 --> 00:03:42,454
YOU BETTER GO ONE AT A TIME.
85
00:03:42,522 --> 00:03:44,288
WELL, YOU KNOW HOW
HE LIKES TO DRAG IT OUT.
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00:03:44,358 --> 00:03:45,901
UH, I'LL GO FIRST. OK.
87
00:03:45,925 --> 00:03:48,125
DON'T READ TO HIM, PLEASE, NICK.
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00:03:50,931 --> 00:03:53,899
I DON'T THINK THERE'S
MUCH DANGER OF THAT, MOM.
89
00:03:53,967 --> 00:03:57,068
HEY, GANG! SORRY I'M LATE,
90
00:03:57,137 --> 00:03:59,015
BUT THE BUDGET
MEETING RAN WAY OVER.
91
00:03:59,039 --> 00:04:00,137
HOW DID IT GO?
92
00:04:00,206 --> 00:04:01,951
GREAT. THE FULL BUDGET
FOR YOUR RENOVATION
93
00:04:01,975 --> 00:04:02,907
HAS BEEN APPROVED.
94
00:04:02,976 --> 00:04:04,454
WHOA! CONGRATULATIONS!
95
00:04:04,478 --> 00:04:06,289
AND YOU KNOW HOW YOU'VE BEEN
TALKING ABOUT HIRING AN ARTIST
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00:04:06,313 --> 00:04:08,058
TO DO A SCULPTURE
FOR THE LOBBY? YEAH?
97
00:04:08,082 --> 00:04:10,560
MR. WERTZ SUGGESTED WE GET
THE BEST ARTISTS IN THE AREA
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00:04:10,584 --> 00:04:13,063
TO SUBMIT THEIR WORK. THEN
WE'LL HAVE A COMPETITION
99
00:04:13,087 --> 00:04:16,220
TO DECIDE WHICH ONE
WE'LL USE FOR THE LOBBY.
100
00:04:16,289 --> 00:04:17,722
THAT'S A GREAT IDEA.
101
00:04:17,791 --> 00:04:19,657
THERE'S $2,500 IN THE BUDGET
102
00:04:19,726 --> 00:04:21,326
FOR THE WINNING SCULPTURE.
103
00:04:25,498 --> 00:04:29,066
YOU KNOW, I'VE DONE A
BIT OF SCULPTING MYSELF.
104
00:04:29,135 --> 00:04:30,735
I DIDN'T KNOW THAT.
105
00:04:30,804 --> 00:04:32,170
OH, YEAH. YEAH.
106
00:04:32,239 --> 00:04:35,173
I HAVEN'T REALLY
MENTIONED IT TO YOU,
107
00:04:35,242 --> 00:04:39,311
BUT, WELL, FOR $2,500 I
COULD GET THE OLD CHISEL OUT.
108
00:04:39,380 --> 00:04:40,512
OK, ALEX.
109
00:04:40,581 --> 00:04:43,181
SO, DO YOU HAVE
ANYONE SPECIAL IN MIND?
110
00:04:43,250 --> 00:04:44,616
WHAT ABOUT NICK?
111
00:04:46,520 --> 00:04:49,454
SO, DO YOU HAVE
ANYONE SPECIAL IN MIND?
112
00:04:49,523 --> 00:04:50,833
COME ON, I'M SERIOUS.
113
00:04:50,857 --> 00:04:52,535
NICK WOULD BE PERFECT
TO DESIGN THAT SCULPTURE.
114
00:04:52,559 --> 00:04:55,493
HONEY, THIS CONTEST
IS FOR SERIOUS ARTISTS,
115
00:04:55,562 --> 00:04:58,329
YOU KNOW, PEOPLE WHO HAVE
A STANDING IN THE ART WORLD,
116
00:04:58,398 --> 00:04:59,797
PEOPLE WHO ARE ESTABLISHED.
117
00:04:59,866 --> 00:05:01,344
YOU KNOW, POP, I STILL THINK
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00:05:01,368 --> 00:05:02,679
I'M THE BEST GUY FOR THIS JOB.
119
00:05:02,703 --> 00:05:05,682
NOW, $2,500 IS LESS
THAN MY NORMAL PRICE,
120
00:05:05,706 --> 00:05:06,850
BUT FOR FAMILY...
121
00:05:06,874 --> 00:05:08,306
ALEX.
122
00:05:08,375 --> 00:05:09,808
MOM, LISTEN.
123
00:05:09,877 --> 00:05:12,355
NICK HAS A REAL FEEL
FOR THIS PROJECT.
124
00:05:12,379 --> 00:05:13,990
I MEAN, HE KNOWS EXACTLY
WHAT YOU'RE AFTER.
125
00:05:14,014 --> 00:05:15,213
YOU SAW HIM.
126
00:05:15,282 --> 00:05:17,215
HE REALLY DID HAVE A GOOD GRASP
127
00:05:17,284 --> 00:05:18,550
OF WHAT I WAS TRYING TO DO.
128
00:05:18,618 --> 00:05:21,486
AT LEAST TALK TO HIM,
MOM. GET HIS IDEAS.
129
00:05:21,554 --> 00:05:22,988
IT CAN'T HURT,
130
00:05:23,056 --> 00:05:26,376
AND YOU DON'T HAVE ANYONE
ELSE IN MIND. YOU SAID SO YOURSELF.
131
00:05:30,864 --> 00:05:31,963
WHOA. HEY, MOM,
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00:05:32,032 --> 00:05:33,509
IT'S JUST NICK
WHO'S COMING OVER.
133
00:05:33,533 --> 00:05:35,011
YOU DON'T NEED COFFEE CAKE.
134
00:05:35,035 --> 00:05:37,755
YOU NEED BEEF
JERKY, SOME KETCHUP.
135
00:05:38,305 --> 00:05:39,737
NICK MIGHT JUST
SURPRISE YOU, ALEX.
136
00:05:39,807 --> 00:05:41,785
I BET HE'S GOING TO COME UP
WITH THE PERFECT SCULPTURE
137
00:05:41,809 --> 00:05:43,074
FOR THIS PROJECT.
138
00:05:43,143 --> 00:05:45,788
REMEMBER THAT MASTERPIECE
HE GAVE MAL FOR HER BIRTHDAY?
139
00:05:45,812 --> 00:05:48,246
IT WAS A RUNNING
LAWNMOWER ENGINE
140
00:05:48,314 --> 00:05:50,248
ENCASED IN A GIANT TACO SHELL.
141
00:05:51,317 --> 00:05:53,585
ALEX HAS A POINT.
142
00:05:53,654 --> 00:05:57,155
I DON'T THINK ART SHOULD
HAVE TO BE REFRIGERATED.
143
00:05:57,224 --> 00:06:00,058
OH, COME ON, STEVEN, ALL WE
AGREED TO DO WAS INTERVIEW NICK.
144
00:06:00,127 --> 00:06:03,372
I DON'T KNOW, ELYSE. I GOT
A BAD FEELING ABOUT THIS.
145
00:06:03,396 --> 00:06:07,832
LAST NIGHT, I HAD A DREAM...
146
00:06:07,900 --> 00:06:11,669
THAT NICK CREATED A
SCULPTURE SO MONSTROUS,
147
00:06:11,738 --> 00:06:13,716
THAT I GOT FIRED,
AND THEY TOOK AWAY
148
00:06:13,740 --> 00:06:15,700
YOUR ARCHITECTURE LICENSE.
149
00:06:17,010 --> 00:06:19,989
WE COULDN'T AFFORD TO
SUPPORT OUR CHILDREN,
150
00:06:20,013 --> 00:06:22,747
SO MALLORY RAN
OFF TO MARRY NICK.
151
00:06:22,816 --> 00:06:24,448
THEY... THEY...
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00:06:24,517 --> 00:06:26,117
THEY RAN OFF TO LIVE
153
00:06:26,186 --> 00:06:29,954
IN A REMOTE PART OF
MEXICO CALLED TACO GRANDE...
154
00:06:32,225 --> 00:06:34,492
WHERE NICK COULD
FIND TACO SHELLS
155
00:06:34,561 --> 00:06:36,828
BIG ENOUGH FOR HIS SCULPTURES.
156
00:06:36,897 --> 00:06:39,831
BUT THEY CAME TO
VISIT US ON HOLIDAYS.
157
00:06:39,900 --> 00:06:43,168
MALLORY AND NICK
ON A MOTORCYCLE,
158
00:06:43,237 --> 00:06:45,837
OUR GRANDCHILDREN
IN A SIDECAR YELLING,
159
00:06:45,906 --> 00:06:48,840
"HEY GRANDPA, ¿COMO ESTA?"
160
00:06:51,511 --> 00:06:54,112
THEY DID GO BACK
TO MEXICO, RIGHT?
161
00:06:54,181 --> 00:06:55,446
HI.
162
00:06:55,515 --> 00:06:57,493
HEY, THE ARTIST HAS ARRIVED.
163
00:06:57,517 --> 00:06:59,995
AW, COME ON, JEN. YOU'RE
EMBARRASSING ME IN FRONT OF YOUR FAMILY.
164
00:07:00,019 --> 00:07:01,263
OH, NICK, YOU SHOULDN'T
BE EMBARRASSED
165
00:07:01,287 --> 00:07:02,587
ABOUT YOUR TALENT.
166
00:07:02,656 --> 00:07:04,634
I MEAN, THIS PROJECT HE'S
WORKING ON NOW IS BRILLIANT.
167
00:07:04,658 --> 00:07:06,403
IN ITS USE OF COLOR AND TEXTURE.
168
00:07:06,427 --> 00:07:09,060
HOW MANY MILES DOES
IT GET TO THE GALLON?
169
00:07:09,129 --> 00:07:11,229
WHY DON'T WE SIT
DOWN AND GET STARTED?
170
00:07:11,298 --> 00:07:12,897
Nick: SURE.
171
00:07:18,204 --> 00:07:20,639
I CAN'T BELIEVE IT. I
MEAN, THIS IS GREAT.
172
00:07:20,707 --> 00:07:22,140
MY PARENTS AND BOYFRIEND
173
00:07:22,208 --> 00:07:25,143
SITTING IN HARMONY
AROUND THE KITCHEN TABLE.
174
00:07:25,211 --> 00:07:27,245
JEN, HELP ME FIND THE CAMERA.
175
00:07:28,482 --> 00:07:31,416
BEFORE WE START, I
JUST WANT YOU TO KNOW
176
00:07:31,485 --> 00:07:34,486
THAT I'VE BEEN GIVING
THIS A LOT OF THOUGHT.
177
00:07:34,554 --> 00:07:36,321
I REALIZE THIS IS A
VERY SPECIAL PROJECT
178
00:07:36,390 --> 00:07:38,656
AND THAT IF I BECOME
ONE OF THE CONTESTANTS,
179
00:07:38,725 --> 00:07:40,992
I AM NOT GOING TO WORK
WITH ANY OF THE MATERIALS
180
00:07:41,061 --> 00:07:42,272
THAT I'VE WORKED
WITH IN THE PAST.
181
00:07:42,296 --> 00:07:44,929
AW, JEEZ, NICK, THAT'S TOO BAD.
182
00:07:44,998 --> 00:07:49,066
WE WERE HOPING FOR
SOMETHING IN A BURRITO THIS TIME.
183
00:07:49,135 --> 00:07:51,235
UM...
184
00:07:51,305 --> 00:07:52,737
ALL RIGHT, NICK.
185
00:07:52,806 --> 00:07:55,217
I JUST HAVE TO ASK YOU
A FEW QUESTIONS HERE.
186
00:07:55,241 --> 00:07:57,742
PURELY... PURELY ROUTINE. SHOOT.
187
00:07:57,810 --> 00:07:59,355
HOW LONG HAVE
YOU BEEN AN ARTIST?
188
00:07:59,379 --> 00:08:02,647
I'VE WORKED PROFESSIONALLY
FOR ABOUT 4 YEARS NOW.
189
00:08:02,716 --> 00:08:05,495
HOW WOULD YOU
CHARACTERIZE YOUR STYLE?
190
00:08:05,519 --> 00:08:07,051
UH... MODERN.
191
00:08:07,120 --> 00:08:08,764
WHY DO YOU FEEL IT'S NECESSARY
192
00:08:08,788 --> 00:08:10,828
TO GO OUT WITH OUR DAUGHTER?
193
00:08:15,295 --> 00:08:16,460
STEVEN, PLEASE.
194
00:08:16,529 --> 00:08:18,674
I'M JUST TRYING TO
GET A FULL SENSE
195
00:08:18,698 --> 00:08:20,509
OF THE MAN AND HIS WORK,
196
00:08:20,533 --> 00:08:23,968
AND WHY I'M UP NIGHTS
WORRYING ABOUT HIM.
197
00:08:24,037 --> 00:08:26,370
LET ME ASK YOUSE A
COUPLE OF QUESTIONS.
198
00:08:26,439 --> 00:08:29,240
I MEAN, WHAT KIND OF
FEELING DO YOU WANT
199
00:08:29,308 --> 00:08:30,742
FROM THIS SCULPTURE?
200
00:08:30,810 --> 00:08:33,778
WHAT WOULD FIT BEST INTO THE
LOBBY THAT YOU ARE DESIGNING?
201
00:08:33,847 --> 00:08:37,648
LET ME SHOW YOU SOME PHOTOS
OF MY WORK OVER THE YEARS.
202
00:08:37,717 --> 00:08:39,483
THAT WILL GIVE YOU
AN IDEA OF MY STYLE.
203
00:08:39,552 --> 00:08:41,820
KIND OF WHAT I'M GOING FOR.
204
00:08:41,888 --> 00:08:44,155
THERE'S A PROJECT I
DID UP IN BERKELEY IN '68.
205
00:08:44,224 --> 00:08:47,158
HEY, YOU LOOK PRETTY
GOOD THERE, MR. KEATON.
206
00:08:47,227 --> 00:08:49,660
LOOK HOW LONG YOUR HAIR IS.
207
00:08:49,729 --> 00:08:51,429
I LIKE THOSE BEADS, TOO.
208
00:08:51,498 --> 00:08:53,476
IT'S FUNNY LOOKING AT US HERE
209
00:08:53,500 --> 00:08:57,736
WITH THE TIE-DYED SHIRTS AND
RIPPED JEANS AND THOSE HEADBANDS.
210
00:08:57,804 --> 00:08:59,738
YEAH, YOU LOOKED
A LOT BETTER THEN.
211
00:09:01,608 --> 00:09:02,874
WHY, THANKS, NICK.
212
00:09:02,942 --> 00:09:05,343
YOU ALWAYS KNOW
JUST WHAT TO SAY.
213
00:09:05,412 --> 00:09:06,789
I LIKE THIS SCULPTURE HERE, TOO,
214
00:09:06,813 --> 00:09:08,290
THIS COPPER PEACE SYMBOL.
215
00:09:08,314 --> 00:09:12,584
OH, REMEMBER HOW
CONTROVERSIAL THAT WAS BACK IN '68?
216
00:09:12,652 --> 00:09:14,129
LOTS OF PEOPLE THOUGHT THAT MADE
217
00:09:14,153 --> 00:09:16,020
TOO STRONG A
POLITICAL STATEMENT.
218
00:09:16,089 --> 00:09:17,989
HERE, UH... HERE WE GO.
219
00:09:18,058 --> 00:09:21,525
HERE'S A PICTURE OF THE
PEOPLE PICKETING THE SCULPTURE
220
00:09:21,595 --> 00:09:23,027
AFTER IT WAS UNVEILED.
221
00:09:23,096 --> 00:09:25,196
DOESN'T ALEX LOOK CUTE THERE?
222
00:09:25,264 --> 00:09:26,597
HE'D JUST TURNED 3.
223
00:09:26,666 --> 00:09:28,599
HE COULD BARELY HOLD UP
224
00:09:28,668 --> 00:09:31,602
THAT "AMERICA... LOVE
IT OR LEAVE IT" SIGN.
225
00:09:32,939 --> 00:09:35,873
WHO WAS THE ARTIST
WHO DID THAT SCULPTURE?
226
00:09:35,942 --> 00:09:37,408
THAT'S ROGER LAMBEER.
227
00:09:37,477 --> 00:09:40,144
I DIDN'T KNOW YOU WERE
FAMILIAR WITH THAT PERIOD.
228
00:09:40,213 --> 00:09:43,026
OH, YEAH. I LIKE ALL THEM
ARTISTS FROM THE SIXTIES...
229
00:09:43,050 --> 00:09:45,483
ANDY WARHOL, PETER MAX...
230
00:09:45,552 --> 00:09:46,818
SONNY AND CHER.
231
00:09:48,789 --> 00:09:50,521
♪ I GOT YOU, BABE ♪
232
00:09:51,624 --> 00:09:53,291
♪ I GOT YOU, BABE ♪
233
00:09:54,795 --> 00:09:57,228
♪ AND WHEN I'M SAD ♪
234
00:09:57,297 --> 00:09:59,564
♪ YOU'RE A CLOWN ♪
235
00:09:59,632 --> 00:10:02,333
♪ AND WHEN I GET SCARED ♪
236
00:10:02,402 --> 00:10:06,537
♪ YOU'RE ALWAYS AROUND ♪
237
00:10:08,408 --> 00:10:12,343
♪ SO LET 'EM SAY
YOUR HAIR'S TOO LONG ♪
238
00:10:12,412 --> 00:10:14,012
♪ I DON'T CARE ♪
239
00:10:14,081 --> 00:10:15,246
♪ WITH YOU, I... ♪
240
00:10:19,419 --> 00:10:22,353
LET'S GET BACK TO WORK, NICK.
241
00:10:22,422 --> 00:10:24,066
YOU KNOW, I REALLY WISH
242
00:10:24,090 --> 00:10:25,902
I WAS BROUGHT UP IN THE SIXTIES.
243
00:10:25,926 --> 00:10:28,905
SOMETIMES I JUST DON'T
FEEL LIKE I BELONG HERE.
244
00:10:28,929 --> 00:10:31,796
THAT'S NOT A CRAZY
THOUGHT, NICK.
245
00:10:31,865 --> 00:10:35,166
BOY, THOSE MUST HAVE
BEEN EXCITING TIMES, HUH?
246
00:10:35,235 --> 00:10:36,568
OH, THEY WERE GREAT TIMES.
247
00:10:36,636 --> 00:10:39,537
WE WEREN'T SO CONCERNED
WITH MAKING MONEY THEN,
248
00:10:39,606 --> 00:10:42,540
OR FOLLOWING RULES, OR LIVING
BY ANYONE ELSE'S STANDARDS.
249
00:10:42,609 --> 00:10:45,042
WE JUST WANTED
TO BE WHO WE WERE,
250
00:10:45,111 --> 00:10:46,911
NO MATTER WHAT ANYBODY THOUGHT.
251
00:10:46,980 --> 00:10:49,447
THAT KIND OF SOUNDS
LIKE HOW I LIVE.
252
00:10:49,516 --> 00:10:52,083
OH, MY GOD, HE'S RIGHT.
253
00:10:53,787 --> 00:10:55,219
YOU SEE,
254
00:10:55,288 --> 00:10:58,267
IT'S JUST THAT THE EIGHTIES
ARE TOO UPTIGHT FOR ME.
255
00:10:58,291 --> 00:10:59,434
YOU KNOW, ACTUALLY,
256
00:10:59,458 --> 00:11:01,103
THE SEVENTIES WERE
TOO UPTIGHT FOR ME, TOO.
257
00:11:01,127 --> 00:11:03,706
BOY, I HOPE THE REST OF
THE CENTURY LOOSENS UP.
258
00:11:03,730 --> 00:11:06,330
LET'S LOOK AT THE LAYOUT
FOR THE LOBBY HERE.
259
00:11:06,399 --> 00:11:07,799
OK, BABE.
260
00:11:10,503 --> 00:11:12,771
HERE WE GO. HEY.
261
00:11:12,839 --> 00:11:15,139
HEY, HEY, HEY, I LIKE THIS.
262
00:11:15,208 --> 00:11:16,674
I GOT AN IDEA.
263
00:11:16,743 --> 00:11:18,220
HOW ABOUT A SCULPTURE
264
00:11:18,244 --> 00:11:21,179
THAT WOULD USE SOME OF
THOSE OLD SIXTIES FEELINGS,
265
00:11:21,247 --> 00:11:23,225
BUT BLENDED WITH THE
LOOK OF THE EIGHTIES.
266
00:11:23,249 --> 00:11:25,895
YOU KNOW, I COULD USE OLD
METAL, POUNDED AND POLISHED,
267
00:11:25,919 --> 00:11:27,897
BUT THE TEXTURES AND SHAPES
268
00:11:27,921 --> 00:11:30,354
WOULD BE MORE
SLEEK, MORE ANGLED.
269
00:11:30,424 --> 00:11:32,957
THAT'S EXACTLY THE
RIGHT FEEL FOR THE ROOM.
270
00:11:33,026 --> 00:11:34,125
RIGHT, STEVEN?
271
00:11:34,193 --> 00:11:35,338
I HAVE TO ADMIT, THAT'S NOT BAD.
272
00:11:35,362 --> 00:11:37,127
THIS IS GREAT.
273
00:11:37,196 --> 00:11:39,508
YOU KNOW, I FEEL
CLOSER TO BOTH OF YOU
274
00:11:39,532 --> 00:11:41,032
THAN EVER BEFORE.
275
00:11:41,101 --> 00:11:42,911
WELL, NICK, WE'VE HAD A
NICE LITTLE DISCUSSION HERE.
276
00:11:42,935 --> 00:11:44,469
LET'S NOT BLOW IT
OUT OF PROPORTION.
277
00:11:46,205 --> 00:11:49,306
NICK, I HAVE TO TELL YOU,
I WAS SKEPTICAL AT FIRST,
278
00:11:49,375 --> 00:11:51,320
BUT AFTER LISTENING
TO A FEW OF YOUR IDEAS,
279
00:11:51,344 --> 00:11:53,877
I SEE NO REASON YOU SHOULDN'T
ENTER THE COMPETITION.
280
00:11:53,947 --> 00:11:55,090
ALL RIGHT!
281
00:11:55,114 --> 00:11:56,548
CONGRATULATIONS, HONEY.
282
00:11:56,616 --> 00:11:58,049
OK, NICK, YOU'RE IN.
283
00:11:58,117 --> 00:11:59,397
HOLD ON.
284
00:12:01,054 --> 00:12:03,555
THIS IS A COLLECTOR'S ITEM.
285
00:12:07,827 --> 00:12:09,093
"AND THEN, WOOFY SAID,
286
00:12:09,162 --> 00:12:11,262
"I'M HUNGRY. MAYBE
IF I'M A GOOD DOG,
287
00:12:11,330 --> 00:12:13,932
"MY MASTER, MR. JOHNSON,
WILL GIVE ME A BONE.
288
00:12:14,000 --> 00:12:17,268
"SO HE WENT OVER TO HIS
MASTER TO GET SOME FOOD.
289
00:12:17,336 --> 00:12:19,103
"MR. JOHNSON WAS ASLEEP.
290
00:12:19,172 --> 00:12:21,105
"WOOFY WAS VERY UNHAPPY.
291
00:12:21,174 --> 00:12:22,941
"WHAT WILL I DO? SAID WOOFY.
292
00:12:23,009 --> 00:12:25,777
"THEN WOOFY GOT...
THEN WOOFY GOT AN IDEA.
293
00:12:25,845 --> 00:12:27,611
I KNOW WHAT I'LL DO."
294
00:12:27,680 --> 00:12:29,360
"I'LL EAT MR. JOHNSON."
295
00:12:31,384 --> 00:12:34,552
ALEX, DO YOU MIND? I'M
TRYING TO READ ANDY A STORY.
296
00:12:34,621 --> 00:12:37,541
YEAH, WELL, MAL, YOU SHOULDN'T
READ TO HIM FROM YOUR TEXTBOOKS.
297
00:12:40,594 --> 00:12:44,028
THIS HAPPENS TO BE FROM
THE WOOFY THE DOG SERIES.
298
00:12:44,097 --> 00:12:45,763
ANDY LOVES IT. DON'T YOU, ANDY?
299
00:12:45,832 --> 00:12:47,999
IT PASSES TIME.
300
00:12:49,703 --> 00:12:53,137
COME ON, MAL. LOOK. ANDREW'S
WAY PAST THIS LEVEL OF MATERIAL.
301
00:12:53,206 --> 00:12:55,973
ANDY, WHY DON'T YOU TELL
MALLORY WHAT WE READ THIS MORNING.
302
00:12:56,042 --> 00:12:57,186
THE NEW YORK TIMES.
303
00:12:57,210 --> 00:12:58,308
AND?
304
00:12:58,378 --> 00:12:59,622
THE WALL STREET JOURNAL.
305
00:12:59,646 --> 00:13:01,011
AND FOR FUN?
306
00:13:01,081 --> 00:13:03,081
THE CONGRESSIONAL RECORD.
307
00:13:06,052 --> 00:13:08,318
ALEX, LOOK. ANDY
IS JUST BEING POLITE.
308
00:13:08,387 --> 00:13:10,988
I'M SURE HE'D MUCH RATHER
LISTEN TO ME READ ABOUT WOOFY
309
00:13:11,057 --> 00:13:13,057
THAN GO THROUGH YOUR
BORING NEWSPAPERS.
310
00:13:13,126 --> 00:13:14,770
ALL RIGHT. OK. WHY
DON'T WE JUST ASK ANDY?
311
00:13:14,794 --> 00:13:16,728
ANDY, WHAT DO YOU LIKE BETTER,
312
00:13:16,796 --> 00:13:20,531
WALL STREET JOURNAL,
OR WOOFY THE IDIOT DOG?
313
00:13:23,503 --> 00:13:25,970
I'LL GET BACK TO YOU.
314
00:13:26,039 --> 00:13:28,873
ALEX, I'M NOT SURE
ABOUT SOMETHING.
315
00:13:28,942 --> 00:13:30,753
OH, WELL, YOU
SEE, WOOFY'S A DOG,
316
00:13:30,777 --> 00:13:32,488
AND HE SEEMS TO BE PRETTY
EXCITED ABOUT GETTING THIS BONE...
317
00:13:32,512 --> 00:13:33,745
NO.
318
00:13:33,814 --> 00:13:37,448
NO. DO YOU THINK NICK
HAS A CHANCE TONIGHT?
319
00:13:37,517 --> 00:13:38,995
I DO. I MEAN, YOU KNOW,
320
00:13:39,019 --> 00:13:41,430
MOM AND DAD ARE WILLING TO
LET HIM ENTER THE COMPETITON.
321
00:13:41,454 --> 00:13:42,765
I'D SAY HE'S GOT A SHOT.
322
00:13:42,789 --> 00:13:44,389
HE'S REALLY EXCITED.
323
00:13:44,457 --> 00:13:45,934
I MEAN, CAN YOU IMAGINE
WHAT IT WOULD BE LIKE
324
00:13:45,958 --> 00:13:48,058
IF NICK WON $2,500?
325
00:13:48,128 --> 00:13:49,393
YEAH.
326
00:13:51,364 --> 00:13:53,964
MAL, CAN I ASK YOU A QUESTION?
327
00:13:54,033 --> 00:13:56,467
NOW, LET'S SAY NICK DOES WIN
328
00:13:56,536 --> 00:13:57,968
THE, UH...
329
00:13:58,037 --> 00:13:59,803
$2,500.
330
00:13:59,872 --> 00:14:01,350
DOES HE HAVE ANY IDEA
331
00:14:01,374 --> 00:14:04,308
WHAT HE'S GOING TO
DO WITH THAT MONEY?
332
00:14:04,377 --> 00:14:06,777
I MEAN, IN LIGHT OF
THE NEW TAX LAWS.
333
00:14:09,015 --> 00:14:11,349
IS NICK AWARE OF
THE NEW TAX LAWS?
334
00:14:13,186 --> 00:14:15,786
IS NICK AWARE THAT WE
HAVE A GOVERNMENT?
335
00:14:18,658 --> 00:14:19,757
HEY, YOU GUYS LOOK GREAT.
336
00:14:19,826 --> 00:14:20,969
HEY, HONEY. OH, THANKS.
337
00:14:20,993 --> 00:14:22,137
WHERE IS NICK?
WE'RE SUPPOSED TO BE
338
00:14:22,161 --> 00:14:23,372
DOWN AT THE STATION
IN A FEW MINUTES.
339
00:14:23,396 --> 00:14:24,862
DON'T WORRY, MOM.
HE WON'T BE LATE.
340
00:14:24,931 --> 00:14:26,843
I MEAN, THIS IS THE BIGGEST
THING THAT'S HAPPENED IN HIS LIFE.
341
00:14:26,867 --> 00:14:28,344
WELL, HE HAS BEEN WORKING HARD.
342
00:14:28,368 --> 00:14:30,847
I'LL SAY THAT FOR HIM. WE HARDLY
SEE HIM AROUND HERE ANYMORE.
343
00:14:30,871 --> 00:14:34,071
WE SHOULD GET HIM
IN MORE CONTESTS.
344
00:14:34,140 --> 00:14:37,574
I WANT YOU GUYS TO KNOW THAT HE'S
NOT JUST WORKING HARD FOR HIMSELF.
345
00:14:37,644 --> 00:14:40,478
HE'S DOING IT TO REPAY THE
TRUST YOU'VE PLACED IN HIM.
346
00:14:40,547 --> 00:14:43,313
I MEAN, HE PROBABLY WON'T BE
ABLE TO EXPRESS IT THAT WAY,
347
00:14:43,382 --> 00:14:45,950
EVEN THOUGH THAT'S
HOW HE REALLY FEELS.
348
00:14:46,019 --> 00:14:47,830
IF HE TRIED TO TELL YOU
HOW MUCH IT MEANT TO HIM
349
00:14:47,854 --> 00:14:49,453
AND HOW MUCH YOU MEAN TO HIM,
350
00:14:49,522 --> 00:14:51,956
ALL THAT WOULD COME OUT IS...
351
00:14:52,025 --> 00:14:54,025
"HEY."
352
00:14:56,095 --> 00:14:57,227
HEY.
353
00:15:01,367 --> 00:15:02,866
THAT'S BEAUTIFUL, NICK.
354
00:15:05,538 --> 00:15:06,970
GOOD LUCK TONIGHT, NICK.
355
00:15:07,039 --> 00:15:09,473
WE KNOW HOW HARD YOU'VE WORKED.
356
00:15:09,542 --> 00:15:10,662
HEY.
357
00:15:10,710 --> 00:15:12,142
NOW DON'T START.
358
00:15:15,214 --> 00:15:16,313
HEY.
359
00:15:24,157 --> 00:15:27,524
NICK, NICK, THERE ARE SOME
PEOPLE HERE WHO'D LIKE TO MEET YOU.
360
00:15:27,593 --> 00:15:28,704
HEY.
361
00:15:28,728 --> 00:15:30,094
THIS IS WALTER LUSKIN,
362
00:15:30,163 --> 00:15:33,097
OUR DIRECTOR OF
PROGRAMMING HERE AT WKS,
363
00:15:33,166 --> 00:15:35,933
AND CHARLES WERTZ,
OUR REGIONAL MANAGER.
364
00:15:36,002 --> 00:15:37,401
HEY!
365
00:15:37,470 --> 00:15:38,836
HEY.
366
00:15:41,941 --> 00:15:44,661
THEY'RE GOING TO BE JUDGING
THE COMPETITION ALONG WITH ME.
367
00:15:49,715 --> 00:15:50,814
WOW.
368
00:15:52,151 --> 00:15:53,251
YEAH.
369
00:15:53,320 --> 00:15:56,287
THANK YOU, NICK.
NICE PIECE OF WORK.
370
00:15:56,356 --> 00:15:57,622
NICE, NICK.
371
00:15:57,691 --> 00:15:58,790
OH, WOW.
372
00:16:00,360 --> 00:16:02,460
I KNEW IT. THEY HATE IT.
373
00:16:02,529 --> 00:16:04,573
NICK, HE SAID IT WAS
A NICE PIECE OF WORK.
374
00:16:04,597 --> 00:16:06,964
IN THE ART WORLD, MAL,
THAT MEANS THEY HATE IT.
375
00:16:21,180 --> 00:16:23,915
I SUPPOSE YOU'RE WONDERING
WHAT I'M THINKING OF THE SCULPTURE.
376
00:16:23,983 --> 00:16:25,416
NO, NOT AT ALL.
377
00:16:25,484 --> 00:16:27,919
WERE YOU LOOKING
AT THE SCULPTURE?
378
00:16:27,987 --> 00:16:30,054
NOT ONLY LOOKING AT IT.
I'M GOING TO VOTE FOR THIS.
379
00:16:30,123 --> 00:16:31,933
WALTER, YOU'RE KIDDING ME.
380
00:16:31,957 --> 00:16:33,268
I MEAN, YOU'RE NOT
JUST SAYING THAT
381
00:16:33,292 --> 00:16:34,804
BECAUSE NICK'S MY BOYFRIEND?
382
00:16:34,828 --> 00:16:38,662
NO. IN FACT, I'M VOTING
AGAINST HIM AS YOUR BOYFRIEND,
383
00:16:38,731 --> 00:16:41,732
BUT IT'S NICE WORK. GOOD WORK.
384
00:16:41,801 --> 00:16:43,200
WALTER, THIS IS GREAT.
385
00:16:43,269 --> 00:16:45,147
I MEAN, THIS MEANS
NICK'S REALLY GOT A SHOT.
386
00:16:45,171 --> 00:16:46,570
WELL, HE'S GOT MY VOTE.
387
00:16:46,639 --> 00:16:49,940
UNFORTUNATELY, MR. WERTZ,
THE BOZO, LIKES THAT SCULPTURE.
388
00:16:50,009 --> 00:16:51,108
WALTER!
389
00:16:51,177 --> 00:16:53,110
YES, SIR?
390
00:16:53,179 --> 00:16:55,946
SO, I GUESS YOUR DAD'S
THE DECIDING VOTE.
391
00:16:56,015 --> 00:16:57,281
I HOPE IT WORKS OUT OK.
392
00:16:57,349 --> 00:16:58,448
THANKS.
393
00:16:58,517 --> 00:16:59,950
NICK, YOU DID IT.
394
00:17:00,019 --> 00:17:01,496
THEY CHOSE YOUR SCULPTURE.
395
00:17:01,520 --> 00:17:02,954
WHAT, AND I MISSED IT?
396
00:17:03,023 --> 00:17:05,123
WELL, IT'S NOT OFFICIAL YET.
397
00:17:05,191 --> 00:17:06,535
BUT WALTER IS VOTING FOR YOURS.
398
00:17:06,559 --> 00:17:09,038
MR. WERTZ IS VOTING
FOR THAT OVER THERE,
399
00:17:09,062 --> 00:17:12,163
MY DAD IS THE DECIDING
VOTE. YOU'RE IN.
400
00:17:12,232 --> 00:17:13,832
YOUR ATTENTION, IF I MAY.
401
00:17:13,899 --> 00:17:15,366
YOUR ATTENTION.
402
00:17:19,205 --> 00:17:22,507
THANK YOU. THANK YOU
VERY MUCH. YOU'RE TOO KIND.
403
00:17:24,210 --> 00:17:26,143
IT SEEMS LIKE ONLY YESTERDAY
404
00:17:26,212 --> 00:17:30,147
THAT PUBLIC BROADCASTING
BECAME A REALITY IN OHIO,
405
00:17:30,216 --> 00:17:34,151
BUT IN FACT, IT
WAS JULY 26, 1954.
406
00:17:34,219 --> 00:17:38,256
SINCE THEN, PUBLIC BROADCASTING
AND I HAVE BOTH AGED A LITTLE.
407
00:17:38,324 --> 00:17:41,558
WE'VE LOST SOME HAIR AND
PUT ON A COUPLE OF POUNDS.
408
00:17:41,628 --> 00:17:45,863
BUT IF I MUST SAY SO,
409
00:17:45,932 --> 00:17:47,931
WE'RE LOOKING PRETTY DARN GOOD,
410
00:17:48,000 --> 00:17:50,868
ALTHOUGH WE BOTH
MAY BE IN NEED OF
411
00:17:50,937 --> 00:17:52,870
A LITTLE RENOVATION.
412
00:17:55,408 --> 00:17:57,208
TO ANNOUNCE THE
WINNING SCULPTURE,
413
00:17:57,243 --> 00:17:59,176
THE ARCHITECT OF THIS PROJECT
414
00:17:59,245 --> 00:18:02,346
AND A MEMBER OF
THE WKS FAMILY...
415
00:18:03,416 --> 00:18:04,515
ELYSE KEATON.
416
00:18:04,583 --> 00:18:05,949
YAY, MOM!
417
00:18:06,019 --> 00:18:07,184
HEY!
418
00:18:08,787 --> 00:18:10,187
THANK YOU. THANK YOU.
419
00:18:10,256 --> 00:18:12,034
IF THE JUDGES HAVE
REACHED A DECISION...
420
00:18:12,058 --> 00:18:13,724
WE HAVE.
421
00:18:15,829 --> 00:18:17,639
THE WINNER IS PHOENIX ARISEN
422
00:18:17,663 --> 00:18:19,596
BY SANDY McCANN.
423
00:18:23,603 --> 00:18:26,963
I CANNOT BELIEVE YOU
DIDN'T PICK NICK'S SCULPTURE.
424
00:18:27,674 --> 00:18:30,107
HEY, MAL, IT'S ALL RIGHT.
YOU KNOW? FAIR IS FAIR.
425
00:18:30,176 --> 00:18:31,976
LET'S GO OVER AND
CONGRATULATE MISS McCANN.
426
00:18:32,045 --> 00:18:33,522
NO. NO, NICK, IT IS NOT FAIR.
427
00:18:33,546 --> 00:18:35,357
I MEAN, EVERYBODY KNOWS
428
00:18:35,381 --> 00:18:37,026
THIS IS THE BEST
SCULPTURE IN HERE.
429
00:18:37,050 --> 00:18:38,961
MY FATHER DIDN'T VOTE
FOR IT BECAUSE IT'S YOURS.
430
00:18:38,985 --> 00:18:41,297
MALLORY, THAT IS JUST NOT TRUE.
431
00:18:41,321 --> 00:18:44,266
YOU HAD NEVER ANY INTENTION
OF VOTING FOR NICK'S SCULPTURE.
432
00:18:44,290 --> 00:18:46,268
I MEAN, YOU PROBABLY JUST
LET HIM IN THE COMPETITION
433
00:18:46,292 --> 00:18:47,636
SO YOU COULD HUMILIATE HIM...
434
00:18:47,660 --> 00:18:48,838
YOU KNOW, RAISE HIS HOPES
435
00:18:48,862 --> 00:18:50,506
AND THEN DRAG
HIM DOWN. ADMIT IT!
436
00:18:50,530 --> 00:18:53,297
MALLORY, THIS IS NOT THE
TIME OR THE PLACE FOR THIS.
437
00:18:53,366 --> 00:18:55,466
YOU KNOW, YOU CAN'T LIKE THAT.
438
00:18:55,534 --> 00:18:58,347
BECAUSE IF YOU DID, IT WOULD
MEAN YOU'RE ACCEPTING NICK.
439
00:18:58,371 --> 00:19:01,051
AND YOU JUST WILL NEVER
ACCEPT HIM, WILL YOU?
440
00:19:04,243 --> 00:19:06,483
EXCUSE ME, OK? EXCUSE ME.
441
00:19:11,951 --> 00:19:13,561
ANDY, WHAT ARE YOU DOING UP?
442
00:19:13,585 --> 00:19:14,852
IT'S AFTER 11:00.
443
00:19:15,922 --> 00:19:17,655
SHH!
444
00:19:18,858 --> 00:19:20,524
HOW LONG HAS HE BEEN ASLEEP?
445
00:19:20,593 --> 00:19:23,026
I TRIED TO CARRY HIM UPSTAIRS,
446
00:19:23,096 --> 00:19:25,028
BUT HE WEIGHS A TON.
447
00:19:29,369 --> 00:19:30,834
WHAT TIME IS IT?
448
00:19:30,904 --> 00:19:32,036
11:15.
449
00:19:32,105 --> 00:19:33,582
ANDREW, YOU WERE SUPPOSED
450
00:19:33,606 --> 00:19:35,184
TO WAKE ME UP AT 11:00.
451
00:19:35,208 --> 00:19:36,352
WHAT HAPPENED?
452
00:19:36,376 --> 00:19:38,942
I DON'T KNOW HOW TO TELL TIME.
453
00:19:39,012 --> 00:19:40,610
I FORGOT.
454
00:19:40,680 --> 00:19:42,691
HOW DID THE COMPETITION GO, HUH?
455
00:19:42,715 --> 00:19:43,814
NICK WIN?
456
00:19:43,883 --> 00:19:45,816
WELL, HE CAME IN SECOND.
457
00:19:45,885 --> 00:19:46,896
AW, THAT'S TOO BAD.
458
00:19:46,920 --> 00:19:49,920
I CAST THE DECIDING
VOTE AGAINST HIM.
459
00:19:49,989 --> 00:19:54,891
WELL, YOU DID WHAT YOU
THOUGHT WAS BEST, RIGHT?
460
00:19:54,961 --> 00:19:56,360
YEAH.
461
00:19:56,429 --> 00:19:58,349
ALL RIGHT, PAL, LET'S GO.
462
00:19:58,398 --> 00:19:59,830
COME ON.
463
00:19:59,899 --> 00:20:03,200
WHAT A GYP. IT'S
NOT EVEN MIDNIGHT.
464
00:20:03,269 --> 00:20:05,168
ANDREW, YOU COULDN'T TELL TIME.
465
00:20:05,238 --> 00:20:07,471
I'M WORKING ON IT.
466
00:20:07,540 --> 00:20:08,572
GOOD NIGHT.
467
00:20:08,641 --> 00:20:09,784
GOOD NIGHT.
468
00:20:09,808 --> 00:20:11,286
GOOD NIGHT, DADDY.
469
00:20:11,310 --> 00:20:12,410
GOOD NIGHT.
470
00:20:12,478 --> 00:20:14,918
GOOD NIGHT, EVERYBODY.
471
00:20:15,248 --> 00:20:16,646
WANT SOME TEA?
472
00:20:16,716 --> 00:20:18,248
PLEASE.
473
00:20:20,520 --> 00:20:21,952
YOU ALL RIGHT?
474
00:20:22,021 --> 00:20:23,454
YEAH. JUST THINKING.
475
00:20:23,523 --> 00:20:25,188
ABOUT WHAT?
476
00:20:25,258 --> 00:20:29,860
WELL, IF THERE'S ANY TRUTH
IN WHAT MALLORY SAID TONIGHT.
477
00:20:29,929 --> 00:20:31,696
THAT I REJECTED THAT SCULPTURE
478
00:20:31,764 --> 00:20:35,165
BECAUSE TO ACCEPT IT WOULD
HAVE MEANT ACCEPTING NICK.
479
00:20:36,936 --> 00:20:40,871
THERE ARE SO MANY LEGITIMATE
REASONS NOT TO ACCEPT NICK.
480
00:20:40,940 --> 00:20:45,842
YOU WOULDN'T THINK
I'D HAVE TO MAKE ONE UP.
481
00:20:45,912 --> 00:20:48,223
HE HANDLED THE
DISAPPOINTMENT AWFULLY WELL,
482
00:20:48,247 --> 00:20:49,557
THOUGH, DON'T YOU THINK?
483
00:20:49,581 --> 00:20:51,060
I MEAN, CONSIDERING
ALL THE WORK HE DID.
484
00:20:51,084 --> 00:20:54,651
WELL, I HAVE TO ADMIT HE
WAS AWFULLY GRACIOUS.
485
00:20:54,721 --> 00:20:57,521
SOMETIMES, HE'S AN AWFULLY
SWEET BOY, YOU KNOW.
486
00:20:59,058 --> 00:21:00,591
I GUESS.
487
00:21:00,660 --> 00:21:03,100
HE REALLY CARES ABOUT MALLORY.
488
00:21:04,063 --> 00:21:05,262
I GUESS.
489
00:21:05,331 --> 00:21:08,598
SOMETIMES HE REMINDS ME
490
00:21:08,667 --> 00:21:10,734
A LITTLE BIT OF YOU AT THAT AGE.
491
00:21:10,803 --> 00:21:13,236
I GUESS.
492
00:21:13,306 --> 00:21:15,238
WHAT ARE YOU TALKING ABOUT?
493
00:21:17,277 --> 00:21:18,609
NO. I'M SERIOUS.
494
00:21:18,678 --> 00:21:21,111
NICK HAS REAL PASSION, YOU KNOW?
495
00:21:21,180 --> 00:21:22,913
LIKE YOU DO.
496
00:21:22,982 --> 00:21:26,116
UNFORTUNATELY, ONE OF HIS
PASSIONS IS OUR DAUGHTER.
497
00:21:28,087 --> 00:21:29,397
YOU KNOW, IT'S FUNNY.
498
00:21:29,421 --> 00:21:32,189
IF WE WERE IN COLLEGE RIGHT NOW,
499
00:21:32,257 --> 00:21:34,903
WE'D BE MORE LIKELY TO BE
FRIENDS WITH NICK THAN WITH ALEX.
500
00:21:34,927 --> 00:21:38,395
OH, WELL, WE'D NEVER GET
TO MEET SOMEONE LIKE ALEX,
501
00:21:38,464 --> 00:21:40,964
UNLESS WE WERE WORKING FOR HIM.
502
00:21:41,034 --> 00:21:44,001
WE LAUGH AT NICK'S ART
THE WAY OUR PARENTS
503
00:21:44,070 --> 00:21:47,137
USED TO LAUGH AT OUR
MUSIC AND OUR CLOTHES.
504
00:21:47,206 --> 00:21:50,140
YEAH, BUT WE'RE RIGHT,
AND THEY WERE WRONG.
505
00:21:51,477 --> 00:21:54,979
OR MAYBE WE'VE JUST
GOTTEN STAID, YOU KNOW?
506
00:21:55,047 --> 00:21:56,981
A LITTLE INFLEXIBLE.
507
00:21:58,384 --> 00:21:59,817
A LITTLE OLDER.
508
00:22:01,386 --> 00:22:02,820
MAYBE YOU HAVE.
509
00:22:05,992 --> 00:22:07,491
HI.
510
00:22:07,559 --> 00:22:09,659
HEY. I'M SORRY.
511
00:22:09,728 --> 00:22:12,968
I WANT TO APOLOGIZE FOR
MAKING A SCENE TONIGHT.
512
00:22:13,666 --> 00:22:16,033
I SHOULDN'T HAVE
SAID WHAT I SAID.
513
00:22:16,101 --> 00:22:17,246
I MEAN, IT ISN'T TRUE.
514
00:22:17,270 --> 00:22:19,551
YOU WOULDN'T HURT
NICK ON PURPOSE.
515
00:22:19,839 --> 00:22:21,939
I JUST WANT TO SAY THANK
YOU FOR THE OPPORTUNITY.
516
00:22:22,007 --> 00:22:23,218
I REALLY ENJOYED
WORKING ON THE PIECE
517
00:22:23,242 --> 00:22:25,542
AND GETTING TO
KNOW YOUSE BETTER.
518
00:22:25,611 --> 00:22:28,078
WELL, WE HAVE GOTTEN TO KNOW
519
00:22:28,147 --> 00:22:30,080
EACH OTHER A LITTLE BETTER.
520
00:22:30,149 --> 00:22:33,049
THAT'S NOT BAD.
521
00:22:33,119 --> 00:22:35,931
I'M SORRY I FORCED YOU
ALL TO WORK TOGETHER.
522
00:22:35,955 --> 00:22:37,054
OH, WELL...
523
00:22:37,123 --> 00:22:40,057
I MEAN, I JUST WANTED
YOU TO GET ALONG.
524
00:22:40,126 --> 00:22:42,104
YOU KNOW, I LOVE
YOU, AND I LOVE YOU,
525
00:22:42,128 --> 00:22:44,473
AND I WANTED YOU
TO LOVE EACH OTHER.
526
00:22:44,497 --> 00:22:46,942
HEY, THAT'S SWEET, BABE.
527
00:22:46,966 --> 00:22:48,799
VERY SWEET, BABE.
528
00:22:50,536 --> 00:22:54,472
♪ SO PUT YOUR
LITTLE HAND IN MINE ♪
529
00:22:54,540 --> 00:22:59,309
Men: ♪ THERE AIN'T NO HILL
OR MOUNTAIN WE CAN'T CLIMB ♪
530
00:23:00,546 --> 00:23:01,745
♪ BABE ♪
531
00:23:03,149 --> 00:23:04,915
♪ I GOT YOU, BABE ♪
532
00:23:04,984 --> 00:23:07,952
♪ I GOT YOU, BABE ♪
533
00:23:14,060 --> 00:23:16,238
♪ THEY SAY OUR LOVE ♪
534
00:23:16,262 --> 00:23:17,673
All: ♪ WON'T PAY THE RENT ♪
535
00:23:17,697 --> 00:23:23,067
♪ BEFORE IT'S EARNED, OUR
MONEY'S ALL BEEN SPENT ♪
536
00:23:23,135 --> 00:23:25,235
♪ BABE ♪
537
00:23:55,535 --> 00:23:57,134
Man: SIT, UBU, SIT.
538
00:23:57,202 --> 00:23:58,482
GOOD DOG.
38536
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