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00:00:12,446 --> 00:00:14,824
♪ I BET WE'VE BEEN TOGETHER ♪
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00:00:14,848 --> 00:00:17,961
♪ FOR A MILLION YEARS ♪
3
00:00:17,985 --> 00:00:20,397
♪ AND I BET WE'LL BE TOGETHER ♪
4
00:00:20,421 --> 00:00:23,433
♪ FOR A MILLION MORE ♪
5
00:00:23,457 --> 00:00:26,269
♪ OH, IT'S LIKE I
STARTED BREATHING ♪
6
00:00:26,293 --> 00:00:29,172
♪ ON THE NIGHT WE KISSED ♪
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00:00:29,196 --> 00:00:30,840
♪ AND I CAN'T REMEMBER ♪
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00:00:30,864 --> 00:00:34,310
♪ WHAT I EVER DID BEFORE ♪
9
00:00:34,334 --> 00:00:37,280
♪ WHAT WOULD WE DO, BABY ♪
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♪ WITHOUT US ♪
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00:00:40,040 --> 00:00:42,685
♪ WHAT WOULD WE DO, BABY ♪
12
00:00:42,709 --> 00:00:45,955
♪ WITHOUT US ♪
13
00:00:45,979 --> 00:00:47,890
♪ AND THERE AIN'T NO NOTHING ♪
14
00:00:47,914 --> 00:00:51,527
♪ WE CAN'T LOVE
EACH OTHER THROUGH ♪
15
00:00:51,551 --> 00:00:54,297
♪ WHAT WOULD WE DO, BABY ♪
16
00:00:54,321 --> 00:00:57,134
♪ WITHOUT US ♪
17
00:00:57,158 --> 00:01:00,091
♪ SHA LA LA LA ♪
18
00:01:04,165 --> 00:01:05,975
ELYSE, LOOK AT THIS.
19
00:01:05,999 --> 00:01:09,078
IT'S A PICTURE ANDY
DREW AND LEFT ON MY DESK.
20
00:01:09,102 --> 00:01:10,480
WHAT IS IT?
21
00:01:10,504 --> 00:01:13,283
IT'S A PICTURE OF
ANDY HUGGING A DOG.
22
00:01:13,307 --> 00:01:15,285
HE REALLY WANTS
A DOG, DOESN'T HE?
23
00:01:15,309 --> 00:01:17,621
BUT HE KNOWS. WE
TALKED ABOUT THIS.
24
00:01:17,645 --> 00:01:19,122
NO DOG.
25
00:01:19,146 --> 00:01:20,624
WHAT'S THAT?
26
00:01:20,648 --> 00:01:23,548
THAT'S A PICTURE OF
ME PAYING FOR THE DOG.
27
00:01:25,285 --> 00:01:27,330
STEVEN, WE'VE GOT TO
STAND TOUGH ON THIS.
28
00:01:27,354 --> 00:01:29,132
WE CANNOT HAVE A
DOG IN THE HOUSE.
29
00:01:29,156 --> 00:01:30,967
MALLORY'S ALLERGIC TO DOGS.
30
00:01:30,991 --> 00:01:32,202
WHAT'S THAT?
31
00:01:32,226 --> 00:01:34,593
IT'S A PICTURE OF
MALLORY LEAVING HOME.
32
00:01:37,364 --> 00:01:39,142
ARF! ARF! ARF! ARF!
33
00:01:39,166 --> 00:01:40,644
ANDY, ANDY, DOWN,
BOY! DOWN, BOY!
34
00:01:40,668 --> 00:01:41,711
ARF!
35
00:01:41,735 --> 00:01:43,646
GOOD BOY.
36
00:01:46,740 --> 00:01:48,718
HE'S BEEN BARKING ALL DAY, DAD.
37
00:01:48,742 --> 00:01:51,821
HE SAYS THE ONLY WAY HE'LL
STOP IS IF YOU BUY HIM A DOG.
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00:01:51,845 --> 00:01:54,523
WE'VE BEEN THROUGH
THIS A MILLION TIMES.
39
00:01:54,547 --> 00:01:57,594
NO DOGS, NO PETS, PERIOD.
40
00:01:57,618 --> 00:01:58,695
GRRR!
41
00:01:58,719 --> 00:02:00,585
AAH! OW!
42
00:02:02,123 --> 00:02:06,436
UM... WELL, UH,
MAYBE, UH, ONE PET.
43
00:02:06,460 --> 00:02:08,571
YAY!
44
00:02:08,595 --> 00:02:10,272
ALEX, DID YOU GET
EVERYTHING I NEEDED?
45
00:02:10,296 --> 00:02:12,275
OH, YOU BET, MAL.
IT'S ALL IN THE BAG.
46
00:02:12,299 --> 00:02:13,643
WHAT'S GOING ON?
47
00:02:13,667 --> 00:02:15,612
MY POETRY READING GROUP
IS MEETING HERE TONIGHT,
48
00:02:15,636 --> 00:02:18,615
AND I FORGOT TO BUY THEM
SOMETHING SOPHISTICATED TO EAT.
49
00:02:18,639 --> 00:02:20,959
SO ALEX VOLUNTEERED
TO BUY SOME CROISSANTS.
50
00:02:22,643 --> 00:02:24,621
ALEX, THESE AREN'T CROISSANTS.
51
00:02:24,645 --> 00:02:26,277
THESE ARE POP-TARTS.
52
00:02:27,681 --> 00:02:28,791
I KNOW.
53
00:02:28,815 --> 00:02:31,628
I DON'T LIKE CROISSANTS.
54
00:02:31,652 --> 00:02:34,664
I CAN'T SERVE POP-TARTS TO
MY POETRY READING GROUP.
55
00:02:34,688 --> 00:02:37,133
COLIN SPENCER WILL
THINK I'M REALLY DUMB.
56
00:02:37,157 --> 00:02:40,092
SORRY. I DIDN'T MEAN
TO BLOW YOUR COVER.
57
00:02:42,996 --> 00:02:44,541
WHO'S COLIN SPENCER?
58
00:02:44,565 --> 00:02:46,876
HE'S A GRADUATE STUDENT
IN ENGLISH LITERATURE.
59
00:02:46,900 --> 00:02:48,644
HE'S THE LEADER OF
THE POETRY GROUP.
60
00:02:48,668 --> 00:02:52,648
THEY HAVE GRADUATE STUDENTS IN
ENGLISH LITERATURE AT GRANT COLLEGE?
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00:02:52,672 --> 00:02:56,219
WELL, WHAT'S HE WRITING HIS
THESIS ON, "MY TRIP TO THE DAIRY"?
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00:02:56,243 --> 00:02:57,654
ALEX, FOR YOUR INFORMATION,
63
00:02:57,678 --> 00:02:59,189
COLIN HAPPENS TO
BE A SOPHISTICATED
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00:02:59,213 --> 00:03:01,858
AND CHARMING WORLD TRAVELER.
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00:03:01,882 --> 00:03:05,484
HE'S LIVED IN PARIS,
ROME, CINCINNATI.
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00:03:07,621 --> 00:03:08,887
OH, GREAT.
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00:03:10,324 --> 00:03:11,301
HI, MALLORY.
68
00:03:11,325 --> 00:03:13,736
HI. UH, MOM, DAD,
THIS IS COLIN SPENCER.
69
00:03:13,760 --> 00:03:14,970
HELLO. HELLO. NICE TO MEET YOU.
70
00:03:14,994 --> 00:03:16,306
IT'S A PLEASURE
MEETING YOU, COLIN.
71
00:03:16,330 --> 00:03:17,973
MALLORY'S TOLD US SOME
WONDERFUL THINGS ABOUT YOU.
72
00:03:17,997 --> 00:03:20,310
WELL, I CAN'T SAY ENOUGH
ABOUT YOUR DAUGHTER.
73
00:03:20,334 --> 00:03:22,979
SHE MAKES EVERY POETRY
READING SUCH A JOY.
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00:03:23,003 --> 00:03:24,713
YOU KNOW, EVEN THOUGH I'VE
ONLY KNOWN HER FOR A SHORT WHILE,
75
00:03:24,737 --> 00:03:26,983
I CAN HONESTLY SAY SHE'S
THE BRIGHTEST STUDENT I'VE MET
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00:03:27,007 --> 00:03:28,639
IN A LONG TIME.
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00:03:34,647 --> 00:03:37,582
DON'T GET OUT
MUCH, DO YOU, COLIN?
78
00:03:41,488 --> 00:03:44,700
WOULD YOU LIKE SOMETHING TO
DRINK, COLIN? SOME TEA, PERHAPS?
79
00:03:44,724 --> 00:03:47,670
OH, YES. SOME LAPSANG SOUCHONG
80
00:03:47,694 --> 00:03:50,640
WOULD BE PERFECT RIGHT NOW.
81
00:03:50,664 --> 00:03:52,597
OOH, DO WE DARE?
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00:03:56,036 --> 00:03:59,416
"AND A GRIN OF
BITTERNESS SWEPT THEREBY
83
00:03:59,440 --> 00:04:02,285
"LIKE AN OMINOUS BIRD A-WING.
84
00:04:02,309 --> 00:04:06,089
"SINCE THEN, KEEN
LESSONS THAT LOVE DECEIVES
85
00:04:06,113 --> 00:04:08,591
"AND WRINGS WITH WRONG
86
00:04:08,615 --> 00:04:11,094
"HAVE SHAPED TO ME YOUR FACE
87
00:04:11,118 --> 00:04:13,596
"AND THE GOD-CURSED SUN
88
00:04:13,620 --> 00:04:16,099
"AND A TREE
89
00:04:16,123 --> 00:04:19,891
AND A POND EDGED
WITH GRAYISH LEAVES."
90
00:04:22,630 --> 00:04:25,241
SO, ANY THOUGHTS ON THIS POEM?
91
00:04:25,265 --> 00:04:27,565
PERSONALLY, I THINK HE BLEW IT.
92
00:04:29,636 --> 00:04:32,148
IT DOESN'T RHYME.
93
00:04:32,172 --> 00:04:34,483
IT'S KIND OF DOWN. IF I GOT
SOMETHING LIKE THAT ON A CARD,
94
00:04:34,507 --> 00:04:36,252
FRANKLY, I'D THROW IT OUT.
95
00:04:36,276 --> 00:04:38,654
UH, COLIN, I'D SAY THAT HARDY'S
96
00:04:38,678 --> 00:04:41,824
USE OF IMAGES OF
DEATH AND GRAYNESS
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00:04:41,848 --> 00:04:43,325
REFLECT HIS BLEAK EMOTIONS
98
00:04:43,349 --> 00:04:45,495
IN THE FACE OF A
DEAD RELATIONSHIP.
99
00:04:45,519 --> 00:04:47,597
MM-HMM. WHAT ABOUT YOU, MALLORY?
100
00:04:47,621 --> 00:04:50,633
UM... IT'S REALLY NEAT,
101
00:04:50,657 --> 00:04:53,736
BUT IT'S REALLY SAD.
102
00:04:53,760 --> 00:04:55,638
YES. YES, YOU'RE RIGHT.
103
00:04:55,662 --> 00:04:57,473
YOU'RE ABSOLUTELY
RIGHT, MALLORY.
104
00:04:57,497 --> 00:05:01,366
YOU'VE CAPTURED THE
ESSENCE OF THIS POEM.
105
00:05:02,603 --> 00:05:04,581
"IT'S REALLY NEAT,
106
00:05:04,605 --> 00:05:06,505
BUT IT'S REALLY SAD."
107
00:05:08,742 --> 00:05:11,187
THAT'S A VERY
PERCEPTIVE COMMENT.
108
00:05:11,211 --> 00:05:12,588
WAIT A MINUTE. WHAT
IS THIS POEM FOR?
109
00:05:12,612 --> 00:05:15,958
A BIRTHDAY? IS IT A
GET-WELL CARD? WHAT?
110
00:05:17,617 --> 00:05:19,050
EXCUSE ME.
111
00:05:21,821 --> 00:05:23,599
HEY, BABE.
112
00:05:23,623 --> 00:05:25,101
OH, NICK, NOT HERE.
113
00:05:25,125 --> 00:05:27,904
MY POETRY READING GROUP IS HERE.
114
00:05:27,928 --> 00:05:29,539
OH, HEY, HEY, WHY
DON'T YOU SKIP OUT?
115
00:05:29,563 --> 00:05:31,107
YOU KNOW, WE'LL GET
A COUPLE OF TACOS
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00:05:31,131 --> 00:05:34,177
AND HIT THE DIRT BIKE
RACES OVER AT THE COLISEUM.
117
00:05:34,201 --> 00:05:35,878
UM, NICK, I CAN'T.
I'M HOSTING THIS.
118
00:05:35,902 --> 00:05:37,880
ALL RIGHT. I'LL JUST HANG OUT
119
00:05:37,904 --> 00:05:39,449
AND WAIT UNTIL IT'S OVER, HUH?
120
00:05:39,473 --> 00:05:41,617
UM, EVERYONE, THIS IS NICK.
121
00:05:41,641 --> 00:05:44,119
NICK, THIS IS THE POETRY GROUP.
122
00:05:44,143 --> 00:05:45,321
HI, NICK. HI, NICK.
123
00:05:45,345 --> 00:05:46,923
HELLO, GROUP. HEY.
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00:05:46,947 --> 00:05:48,079
HEY.
125
00:05:50,951 --> 00:05:53,162
ALL RIGHT, THE NEXT
POEM I'D LIKE TO READ
126
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IS ODE TO A NIGHTINGALE
BY JOHN KEATS.
127
00:05:57,891 --> 00:05:59,635
"MY HEART ACHES,
128
00:05:59,659 --> 00:06:01,539
AND THE..."
129
00:06:05,265 --> 00:06:06,698
WANT SOME?
130
00:06:07,801 --> 00:06:09,279
YEAH?
131
00:06:09,303 --> 00:06:11,080
NICK, CAN I HAVE A
WORD WITH YOU, PLEASE?
132
00:06:11,104 --> 00:06:12,448
SURE.
133
00:06:12,472 --> 00:06:14,918
HEY, UH, THIS MILK,
IT'S FOR EVERYBODY.
134
00:06:14,942 --> 00:06:17,453
LISTEN, NICK, WHY DON'T
YOU GO AHEAD WITHOUT ME,
135
00:06:17,477 --> 00:06:20,090
'CAUSE I'M NOT GONNA BE ABLE TO
BREAK AWAY FROM HERE TONIGHT.
136
00:06:20,114 --> 00:06:23,093
COME ON, BABE, I KNOW HOW MUCH
YOU LOVE THOSE DIRT BIKE RACES,
137
00:06:23,117 --> 00:06:24,527
AND I HATE TO GO WITHOUT
YOU. VROOM, VROOM!
138
00:06:24,551 --> 00:06:25,551
NICK!
139
00:06:28,788 --> 00:06:32,368
ANYBODY ELSE WANT TO
GO TO THE DIRT BIKE RACES?
140
00:06:32,392 --> 00:06:33,392
HEY.
141
00:06:36,830 --> 00:06:38,508
SO WHERE WERE WE?
142
00:06:38,532 --> 00:06:40,109
WELL, LISTEN, WHY DON'T
WE JUST CALL IT A NIGHT?
143
00:06:40,133 --> 00:06:42,111
IT'S GETTING LATE. WE CAN
DISCUSS THIS POEM NEXT WEEK.
144
00:06:42,135 --> 00:06:44,547
UM, COLIN,
145
00:06:44,571 --> 00:06:46,482
I'M REALLY SORRY NICK
RUINED THE MEETING.
146
00:06:46,506 --> 00:06:47,984
IT WAS ALL MY FAULT.
147
00:06:48,008 --> 00:06:51,087
ACTUALLY, I'M GLAD. I WANTED A
CHANCE TO TALK TO YOU ALONE.
148
00:06:51,111 --> 00:06:52,621
IT'S THE POP-TARTS, RIGHT?
149
00:06:52,645 --> 00:06:54,123
THAT WAS ALEX'S IDEA.
150
00:06:54,147 --> 00:06:56,559
I ASKED HIM TO GET CROISSANTS.
151
00:06:56,583 --> 00:06:58,127
NO, NO.
152
00:06:58,151 --> 00:07:01,130
I LOVED THE POP-TARTS.
153
00:07:01,154 --> 00:07:04,367
THEY WERE VERY... REFRESHING.
154
00:07:04,391 --> 00:07:06,902
NO, THERE'S JUST
SOMETHING THAT I...
155
00:07:06,926 --> 00:07:09,739
I'D LIKE TO SHARE WITH YOU.
156
00:07:09,763 --> 00:07:11,196
HERE. SIT.
157
00:07:18,605 --> 00:07:21,317
IT'S A POEM THAT I BROUGHT.
158
00:07:21,341 --> 00:07:23,986
I WANT TO READ IT TO YOU. I'D
LIKE TO KNOW WHAT YOU THINK OF IT.
159
00:07:24,010 --> 00:07:25,543
SURE. GO AHEAD.
160
00:07:27,614 --> 00:07:31,094
"SHE WALKS IN BEAUTY...
161
00:07:31,118 --> 00:07:34,897
"LIKE THE NIGHT OF CLOUDLESS
CLIMES AND STARRY SKIES.
162
00:07:34,921 --> 00:07:38,501
"AND ALL THAT'S BEST
OF DARK AND BRIGHT
163
00:07:38,525 --> 00:07:42,605
"MEET IN HER
ASPECT AND HER EYES,
164
00:07:42,629 --> 00:07:45,108
"THUS MELLOWED TO
THAT TENDER LIGHT
165
00:07:45,132 --> 00:07:48,578
WHICH HEAVEN TO
GAUDY DAY DENIES."
166
00:07:48,602 --> 00:07:50,234
WOW.
167
00:07:52,005 --> 00:07:54,150
MALLORY...
168
00:07:54,174 --> 00:07:56,385
WILL YOU GO OUT WITH ME?
169
00:07:56,409 --> 00:07:58,621
WOW.
170
00:07:58,645 --> 00:08:01,156
THERE'S SO MUCH I WANT
YOU TO EXPERIENCE...
171
00:08:01,180 --> 00:08:03,793
WONDERFUL THOUGHTS,
BEAUTIFUL MUSIC.
172
00:08:03,817 --> 00:08:05,461
I WANT TO SHOW YOU NEW YORK,
173
00:08:05,485 --> 00:08:06,796
THE ROMANCE OF PARIS.
174
00:08:06,820 --> 00:08:08,798
I WANT TO SHOW YOU THE WORLD.
175
00:08:08,822 --> 00:08:11,100
ALL IN ONE DATE?
176
00:08:11,124 --> 00:08:13,136
HOW ABOUT NEXT FRIDAY?
177
00:08:13,160 --> 00:08:15,471
UM... COLIN,
178
00:08:15,495 --> 00:08:17,072
I'M... I'M REALLY FLATTERED,
179
00:08:17,096 --> 00:08:21,944
BUT, WELL, I'VE BEEN GOING OUT
WITH NICK FOR OVER A YEAR NOW.
180
00:08:21,968 --> 00:08:24,580
YOU DON'T HAVE TO GIVE ME
YOUR ANSWER RIGHT AWAY.
181
00:08:24,604 --> 00:08:27,683
JUST... THINK ABOUT IT.
182
00:08:27,707 --> 00:08:28,751
BUT...
183
00:08:28,775 --> 00:08:30,586
BUT NOW...
184
00:08:30,610 --> 00:08:32,043
NOT A WORD.
185
00:08:39,319 --> 00:08:43,599
HEY, A SUCCESSFUL
TRIP TO THE PET STORE!
186
00:08:43,623 --> 00:08:44,934
SINCE ANDY CAN'T HAVE A DOG,
187
00:08:44,958 --> 00:08:47,102
WE GOT HIM...
188
00:08:47,126 --> 00:08:48,270
TA-DAA!
189
00:08:48,294 --> 00:08:49,873
A FISH.
190
00:08:49,897 --> 00:08:52,775
A NATURAL SUBSTITUTE.
191
00:08:52,799 --> 00:08:55,478
OH, COME ON, MOM. A FISH CAN
BE JUST AS GOOD A PET AS A DOG.
192
00:08:55,502 --> 00:08:58,014
LOOK AT HIM. HE'S CUTE,
HE'S FRISKY, HE'S COLORFUL.
193
00:08:58,038 --> 00:09:00,550
HE'S SLIMY.
194
00:09:00,574 --> 00:09:05,655
YES, BUT FISH CAN ALSO BE
VERY TRUSTING AND VERY LOYAL.
195
00:09:05,679 --> 00:09:07,356
WELL, WHAT ARE YOU
GONNA NAME HIM, HONEY?
196
00:09:07,380 --> 00:09:08,958
MR. FISH.
197
00:09:08,982 --> 00:09:10,426
NO, NO, WE'RE GONNA
NAME HIM KISSINGER.
198
00:09:10,450 --> 00:09:13,418
NO, WE'RE GOING
TO NAME HIM LASSIE.
199
00:09:15,588 --> 00:09:19,268
COME ON, SWEETHEART. LET'S TAKE
LASSIE UPSTAIRS AND PUT HIM IN THIS BOWL.
200
00:09:19,292 --> 00:09:21,404
OOH, ANDY, HE SAYS HE REALLY
WANTS TO SEE HIS NEW HOME.
201
00:09:21,428 --> 00:09:23,695
CAN WE FLUSH HIM
DOWN THE TOILET?
202
00:09:30,670 --> 00:09:33,148
HEY, MALLIE. HOW WAS YOUR DAY?
203
00:09:33,172 --> 00:09:36,619
MY DAY WAS LIKE A
THOUSAND SUMMERS.
204
00:09:36,643 --> 00:09:38,153
I WALKED THROUGH
DAPPLED SUNLIGHT
205
00:09:38,177 --> 00:09:41,156
AS IT DANCED ACROSS
MY SHOULDERS.
206
00:09:41,180 --> 00:09:44,660
A MOTLEY-COLORED LEAF
FELL SILENT AT MY FEET.
207
00:09:44,684 --> 00:09:48,119
IT WAS MORE LOVELY THAN
E'ER YOU COULD IMAGINE.
208
00:09:49,989 --> 00:09:52,624
DID YOU PICK UP MY CLEANING?
209
00:09:54,060 --> 00:09:57,006
ALEX, CAN I ASK YOU A QUESTION?
210
00:09:57,030 --> 00:09:58,541
YEAH, SURE. WHAT'S UP?
211
00:09:58,565 --> 00:10:01,711
HOW DO YOU KNOW WHEN
YOU'RE REALLY IN LOVE?
212
00:10:01,735 --> 00:10:03,478
UH, I DON'T KNOW. I GET, UH,
213
00:10:03,502 --> 00:10:07,571
UH, AN INEXPLICABLE DESIRE
TO SPEND MONEY ON A GIRL.
214
00:10:11,644 --> 00:10:13,622
YOU KNOW, I KNOW I'M REALLY LOST
215
00:10:13,646 --> 00:10:17,927
WHEN I DON'T ASK
HER TO PAY IT BACK.
216
00:10:17,951 --> 00:10:21,130
I KNOW, BUT HOW DO
NORMAL PEOPLE KNOW
217
00:10:21,154 --> 00:10:22,732
WHEN THEY'RE IN LOVE?
218
00:10:22,756 --> 00:10:25,356
MAL, WHY ARE YOU ASKING ME THIS?
219
00:10:26,526 --> 00:10:28,626
I'VE GOT A REAL PROBLEM.
220
00:10:30,530 --> 00:10:33,142
COLIN. HE REALLY LIKES ME.
221
00:10:33,166 --> 00:10:35,900
WHAT ABOUT NICK?
222
00:10:37,871 --> 00:10:39,315
I DON'T KNOW, ALEX.
223
00:10:39,339 --> 00:10:41,650
ALL OF A SUDDEN, IT SEEMS
LIKE IT MIGHT BE WRONG
224
00:10:41,674 --> 00:10:43,186
TO BE TIED DOWN TO ONE PERSON.
225
00:10:43,210 --> 00:10:46,655
ALEX, COLIN HAS MADE ME
REALIZE THAT THERE'S SO MUCH,
226
00:10:46,679 --> 00:10:49,658
SO MANY EXPERIENCES
OPEN TO ME NOW.
227
00:10:49,682 --> 00:10:52,227
I DON'T KNOW WHAT TO DO.
228
00:10:57,024 --> 00:10:58,167
YEAH?
229
00:10:58,191 --> 00:10:59,669
DELIVERY FOR MALLORY KEATON.
230
00:10:59,693 --> 00:11:01,170
YEAH, THAT'S ME.
231
00:11:01,194 --> 00:11:02,194
THANKS.
232
00:11:08,334 --> 00:11:11,614
"OH, MY LOVE'S LIKE
A RED, RED ROSE
233
00:11:11,638 --> 00:11:14,316
"THAT'S NEWLY SPRUNG IN JUNE.
234
00:11:14,340 --> 00:11:17,120
"OH, MY LOVE'S LIKE A MELODY
235
00:11:17,144 --> 00:11:20,123
"THAT'S SWEETLY PLAYED IN TUNE.
236
00:11:20,147 --> 00:11:21,624
LOVE, COLIN."
237
00:11:21,648 --> 00:11:23,914
ISN'T THAT SWEET, ALEX?
238
00:11:25,351 --> 00:11:27,630
I SAY YOU DUMP BOTH OF THEM
239
00:11:27,654 --> 00:11:30,134
AND START FRESH IN THE MORNING.
240
00:11:36,028 --> 00:11:40,275
ROLL OVER, LASSIE.
ROLL OVER. ROLL OVER.
241
00:11:40,299 --> 00:11:41,610
WHOA! GOOD DOG.
242
00:11:41,634 --> 00:11:43,011
HEY, COME ON!
243
00:11:43,035 --> 00:11:44,147
ANDY, PLEASE.
244
00:11:44,171 --> 00:11:47,517
OHH! WELL, WHERE DID
YOU GET A DOG BISCUIT?
245
00:11:47,541 --> 00:11:48,784
SKIPPY.
246
00:11:48,808 --> 00:11:50,620
SKIPPY? SKIPPY
DOESN'T HAVE A DOG.
247
00:11:50,644 --> 00:11:52,789
WHAT'S HE DOING
WITH DOG BISCUITS?
248
00:11:52,813 --> 00:11:54,523
HIS GRANDMOTHER
GIVES THEM TO HIM
249
00:11:54,547 --> 00:11:57,259
WHEN HE DOES SOMETHING RIGHT.
250
00:11:57,283 --> 00:11:58,861
WHERE HAVE YOU GUYS BEEN?
251
00:11:58,885 --> 00:12:01,430
ALEX AND I THOUGHT KISSINGER
LOOKED A LITTLE LONELY,
252
00:12:01,454 --> 00:12:04,467
SO WE WENT OUT TO THE POND AND
FOUND A LITTLE FISH FRIEND FOR HIM.
253
00:12:04,491 --> 00:12:06,134
HE'S IN A BUCKET IN THE KITCHEN.
254
00:12:06,158 --> 00:12:09,560
ANDY, THIS NEW FISH WE'RE
GOING TO CALL BUBBLES.
255
00:12:11,064 --> 00:12:12,808
I ALREADY NAMED THE NEW FISH...
256
00:12:12,832 --> 00:12:14,065
AGNEW.
257
00:12:16,302 --> 00:12:18,914
COME ON, ANDY, LET'S
GO MEET THE NEW FISH.
258
00:12:18,938 --> 00:12:21,083
DO I HAVE TO?
259
00:12:21,107 --> 00:12:22,585
OH, COME ON.
260
00:12:22,609 --> 00:12:25,021
ELYSE, JEN, JUST
GO IN AND SAY HI.
261
00:12:25,045 --> 00:12:27,056
DO I HAVE TO? DO I HAVE TO?
262
00:12:27,080 --> 00:12:29,158
I'LL JUST GO IN AND TELL
POOR LITTLE BUBBLES
263
00:12:29,182 --> 00:12:32,695
YOU'RE TOO BUSY TO
WELCOME HIM TO HIS NEW HOME.
264
00:12:32,719 --> 00:12:34,959
HEY, MAL. HOW'S IT GOING?
265
00:12:36,122 --> 00:12:38,834
THE LIGHT BROKE
LIKE A BURNING RAY
266
00:12:38,858 --> 00:12:41,103
UPON MY SOUL.
267
00:12:41,127 --> 00:12:44,606
NOISES FILTERED FROM BEYOND.
268
00:12:44,630 --> 00:12:46,064
POURQUOI?
269
00:12:49,135 --> 00:12:50,401
POURQUOI?
270
00:12:52,405 --> 00:12:54,950
LET'S GO LOOK AT THE FISH.
271
00:12:54,974 --> 00:12:56,919
I'M WITH YOU.
272
00:12:56,943 --> 00:12:59,922
IT'S A NEW POEM I'VE
BEEN WORKING ON.
273
00:12:59,946 --> 00:13:01,524
IT'S CALLED POURQUOI.
274
00:13:01,548 --> 00:13:02,914
IT'S FRENCH, I THINK.
275
00:13:04,151 --> 00:13:05,628
IT IS FRENCH.
276
00:13:05,652 --> 00:13:08,586
AND THAT MAKES YOU
ILLITERATE IN TWO LANGUAGES.
277
00:13:11,157 --> 00:13:15,037
COLIN SAYS I HAVE AN
UNCOMMON GIFT FOR SYNTAX.
278
00:13:15,061 --> 00:13:17,273
YOU'VE BEEN SEEING A
LOT OF COLIN, HAVEN'T YOU?
279
00:13:17,297 --> 00:13:20,076
HE'S JUST CHANGED THE WAY
I LOOK AT THINGS, THAT'S ALL.
280
00:13:20,100 --> 00:13:24,580
I MEAN, NO ONE LIKE HIM EVER
TOOK ME SERIOUSLY BEFORE.
281
00:13:24,604 --> 00:13:26,816
IT'S SO NICE TO BE RESPECTED
282
00:13:26,840 --> 00:13:29,218
FOR YOUR MIND AND YOUR TALENT.
283
00:13:33,613 --> 00:13:35,546
OH, WHAT HO! THE DOOR.
284
00:13:39,119 --> 00:13:40,551
BUT POURQUOI?
285
00:13:44,124 --> 00:13:45,101
HI.
286
00:13:45,125 --> 00:13:46,102
HEY.
287
00:13:46,126 --> 00:13:47,103
UM... HEY.
288
00:13:47,127 --> 00:13:48,104
HEY.
289
00:13:48,128 --> 00:13:49,105
HEY.
290
00:13:49,129 --> 00:13:50,606
HEY, UH, NICE FLOWERS.
291
00:13:50,630 --> 00:13:55,611
OH, WELL, WE GROW THESE
IN THE BACKYARD, RIGHT, ALEX?
292
00:13:55,635 --> 00:13:57,013
RIGHT, RIGHT.
293
00:13:57,037 --> 00:14:00,116
IT'S ALWAYS BEEN
A DREAM OF MINE.
294
00:14:00,140 --> 00:14:02,573
NEXT YEAR, I'M
PLANTING BEGONIAS.
295
00:14:05,445 --> 00:14:07,256
"LOVE, COLIN"?
296
00:14:07,280 --> 00:14:08,791
THAT'S THE AMAZING THING.
297
00:14:08,815 --> 00:14:11,527
THEY CAME UP WITH THAT CARD.
298
00:14:11,551 --> 00:14:12,829
THAT'S INCREDIBLE.
299
00:14:12,853 --> 00:14:16,132
ALL RIGHT. WE DON'T GROW
THEM IN THE BACKYARD.
300
00:14:16,156 --> 00:14:17,667
THEY'RE FROM COLIN.
301
00:14:17,691 --> 00:14:19,201
THE POETRY WIMP?
302
00:14:19,225 --> 00:14:20,569
HE'S NOT A WIMP.
303
00:14:20,593 --> 00:14:24,340
HE'S... HE'S SOPHISTICATED,
INTELLIGENT, AND CHARMING.
304
00:14:24,364 --> 00:14:27,409
IF YOU LIKE HIM, I LIKE HIM.
305
00:14:27,433 --> 00:14:29,145
NICK...
306
00:14:29,169 --> 00:14:31,980
DO YOU EVER THINK
ABOUT LIFE AND LITERATURE
307
00:14:32,004 --> 00:14:35,484
AND HOW LANGUAGE ALTERS
OUR PERCEPTION OF REALITY?
308
00:14:35,508 --> 00:14:38,087
ARE YOU TALKING TO ME?
309
00:14:38,111 --> 00:14:42,258
OK, NICK. LOOK, LATELY,
SINCE I'VE BEEN IN SCHOOL...
310
00:14:42,282 --> 00:14:45,661
MY VIEWS ARE CHANGING, AND I'M
BEING INTRODUCED TO NEW IDEAS,
311
00:14:45,685 --> 00:14:48,064
AND I'M MEETING NEW PEOPLE.
312
00:14:48,088 --> 00:14:50,499
LIKE THIS COLIN GUY.
313
00:14:50,523 --> 00:14:51,934
FOR ONE.
314
00:14:51,958 --> 00:14:53,168
THAT'S COOL. YOU KNOW,
315
00:14:53,192 --> 00:14:55,504
IT'S GOOD TO MEET SOME WIMPS.
316
00:14:55,528 --> 00:14:57,473
NICK, HE ASKED ME OUT.
317
00:14:57,497 --> 00:14:59,242
AND YOU TOLD HIM NO, RIGHT?
318
00:14:59,266 --> 00:15:01,143
NOT YET.
319
00:15:01,167 --> 00:15:04,313
WHAT DO YOU MEAN "NOT YET"?
320
00:15:04,337 --> 00:15:06,615
I MEAN I'M CHANGING
AND I'M GROWING,
321
00:15:06,639 --> 00:15:09,218
AND I NEED SOME ROOM RIGHT NOW.
322
00:15:09,242 --> 00:15:11,620
HEY, YOU KNOW, THAT'S
OK. I SEE WHAT'S HAPPENING.
323
00:15:11,644 --> 00:15:13,990
YOU KNOW, I'M AN ARTIST. YOU
DON'T HAVE TO DRAW A PICTURE.
324
00:15:14,014 --> 00:15:15,458
OK, LET ME EXPLAIN.
325
00:15:15,482 --> 00:15:16,459
NO, IT'S OK.
326
00:15:16,483 --> 00:15:17,460
NO, NICK...
327
00:15:17,484 --> 00:15:18,627
NO, MAL. IT'S ALL RIGHT.
328
00:15:18,651 --> 00:15:19,962
YOU KNOW? YOU WANT ROOM?
329
00:15:19,986 --> 00:15:22,298
I'LL GIVE YOU ALL THE ROOM
IN THE WORLD, ALL RIGHT?
330
00:15:22,322 --> 00:15:23,521
LATER.
331
00:15:27,127 --> 00:15:28,704
"SO IN MY VEINS,
332
00:15:28,728 --> 00:15:31,573
"RED LIFE MIGHT STREAM AGAIN,
333
00:15:31,597 --> 00:15:35,077
"AND THOU BE CONSCIENCE CALMED.
334
00:15:35,101 --> 00:15:38,080
"SEE? HERE IT IS.
335
00:15:38,104 --> 00:15:41,350
I HOLD IT TOWARDS YOU."
336
00:15:41,374 --> 00:15:44,153
I HATE TO KEEP HARPING
ON THIS ONE POINT,
337
00:15:44,177 --> 00:15:47,089
BUT THIS IS ANOTHER ONE
OF THOSE NON-RHYMERS.
338
00:15:47,113 --> 00:15:49,324
WELL, I THINK AFTER
MR. HANDLEMAN'S BRILLIANT DISPLAY,
339
00:15:49,348 --> 00:15:51,794
ANY OTHER INSIGHTS
WOULD BE ANTICLIMACTIC.
340
00:15:51,818 --> 00:15:54,663
WE'LL MEET NEXT
THURSDAY AT DANA'S LOFT.
341
00:15:54,687 --> 00:15:56,499
UH, MALLORY, WOULD YOU
MIND STAYING FOR A WHILE?
342
00:15:56,523 --> 00:15:58,834
THERE'S SOMETHING I
WANT TO TALK TO YOU ABOUT.
343
00:15:58,858 --> 00:16:00,269
SURE.
344
00:16:00,293 --> 00:16:02,938
COLIN, THERE'S SOMETHING
I DON'T UNDERSTAND HERE.
345
00:16:02,962 --> 00:16:05,941
SOMEHOW THAT
DOESN'T SURPRISE ME.
346
00:16:05,965 --> 00:16:08,944
SO, I GUESS YOU'RE THIS
YEAR'S CHOICE, HUH, MALLORY?
347
00:16:08,968 --> 00:16:10,112
CONGRATULATIONS.
348
00:16:10,136 --> 00:16:11,814
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
349
00:16:11,838 --> 00:16:14,483
WELL, YOU SEE, EVERY YEAR,
COLIN PICKS A NEW FRESHMAN GIRL
350
00:16:14,507 --> 00:16:17,453
TO SWEEP OFF HER
FEET. TO MAKE A STAR OF.
351
00:16:17,477 --> 00:16:20,556
AND AFTER A FEW MONTHS
OF ROMANCE, HE DUMPS HER.
352
00:16:20,580 --> 00:16:23,025
AND, MALLORY, YOU'RE
THIS YEAR'S MODEL.
353
00:16:23,049 --> 00:16:26,529
JOYCE, YOU COULDN'T BE
MORE WRONG ABOUT COLIN.
354
00:16:26,553 --> 00:16:28,864
TAKE IT FROM LAST YEAR'S MODEL.
355
00:16:28,888 --> 00:16:30,533
AS SOON AS YOU'RE ALONE,
356
00:16:30,557 --> 00:16:32,067
HE'LL DIM THE LIGHTS.
357
00:16:32,091 --> 00:16:36,705
THEN HE'LL TAKE OUT THAT BOOK
OF POETRY THAT HE FOUND IN THIS...
358
00:16:36,729 --> 00:16:40,209
EVER SO CHARMING
SHOP OUTSIDE OF LONDON.
359
00:16:40,233 --> 00:16:44,480
THEN HE'LL GET THAT
MANDOLIN HE FOUND IN VENICE
360
00:16:44,504 --> 00:16:47,582
AND START SINGING SOME
RIDICULOUS LOVE SONG
361
00:16:47,606 --> 00:16:51,787
LIKE I GAVE MY LOVE A CHERRY.
362
00:16:51,811 --> 00:16:55,424
HE'LL PLAY A WHILE,
363
00:16:55,448 --> 00:16:56,926
MISS A NOTE,
364
00:16:56,950 --> 00:17:00,429
LAUGH IN THAT SELF-DEPRECATING
LITTLE WAY HE HAS...
365
00:17:00,453 --> 00:17:02,387
HA HA HA HA HA.
366
00:17:03,957 --> 00:17:06,435
HE'LL PUT THE MANDOLIN DOWN
367
00:17:06,459 --> 00:17:09,104
AND SAY, "JOYCE..."
368
00:17:09,128 --> 00:17:11,106
OR IN YOUR CASE,
369
00:17:11,130 --> 00:17:12,941
"MALLORY...
370
00:17:12,965 --> 00:17:15,177
YOU'VE TOUCHED MY SOUL,
371
00:17:15,201 --> 00:17:18,269
AND I ONLY FEEL COMPLETE
WHEN I'M WITH YOU."
372
00:17:20,340 --> 00:17:21,372
BETTER GO.
373
00:17:23,643 --> 00:17:25,120
LAPSANG SOUCHONG?
374
00:17:25,144 --> 00:17:27,077
OH, I'D LOVE SOME.
375
00:17:28,147 --> 00:17:29,124
HERE.
376
00:17:29,148 --> 00:17:31,126
TAKE IT HOME WITH YOU.
377
00:17:31,150 --> 00:17:32,628
WELL, THANK YOU.
378
00:17:32,652 --> 00:17:34,129
COME ON, MALLORY, LET'S GO.
379
00:17:34,153 --> 00:17:35,597
UM, SKIPPY, I CAN'T.
380
00:17:35,621 --> 00:17:37,299
MALLORY'S GOING TO BE
STAYING FOR A WHILE, SKIP.
381
00:17:37,323 --> 00:17:39,135
WE'RE GOING TO HAVE
A, UH, TUTORING SESSION.
382
00:17:39,159 --> 00:17:40,302
WELL, GREAT. I'LL STAY, TOO.
383
00:17:40,326 --> 00:17:41,803
I COULD ALWAYS
USE SOME TUTORING.
384
00:17:41,827 --> 00:17:45,641
I'LL JUST CALL HOME AND
HAVE MY MOM FEED MY TURTLES.
385
00:17:45,665 --> 00:17:48,144
THIS IS A PRIVATE
TUTORING SESSION, SKIP.
386
00:17:48,168 --> 00:17:51,101
WELL, THEN HOW COME
SHE GETS TO STAY?
387
00:17:53,173 --> 00:17:54,150
GOOD NIGHT, SKIPPY.
388
00:17:54,174 --> 00:17:56,174
WAIT, WAIT... MALLORY
DROVE ME HERE!
389
00:17:59,244 --> 00:18:02,258
OH, THIS IS A GREAT
APARTMENT, COLIN.
390
00:18:02,282 --> 00:18:03,959
AH, THANKS. I GOT
A LOT OF THIS STUFF
391
00:18:03,983 --> 00:18:05,361
TRAVELING AROUND THE WORLD.
392
00:18:05,385 --> 00:18:07,929
AND EVERY TIME I LOOK AT ONE
OF THEM, I REMEMBER EVERYTHING
393
00:18:07,953 --> 00:18:09,964
ABOUT THE PLACE
WHERE I FOUND IT.
394
00:18:09,988 --> 00:18:11,967
I KNOW EXACTLY WHAT
YOU'RE TALKING ABOUT.
395
00:18:11,991 --> 00:18:14,103
EVERY TIME I PUT ON THESE SHOES,
396
00:18:14,127 --> 00:18:15,926
I THINK OF THE MALL.
397
00:18:19,632 --> 00:18:23,067
HERE, I'LL SHOW YOU
SOME OF MY FAVORITES.
398
00:18:25,405 --> 00:18:27,916
OHH...
399
00:18:27,940 --> 00:18:30,453
IT'S A BOOK OF
POETRY I GOT IN THIS...
400
00:18:30,477 --> 00:18:33,443
EVER SO CHARMING SHOP
JUST OUTSIDE OF LONDON.
401
00:18:34,847 --> 00:18:35,824
IT'S LOVELY.
402
00:18:35,848 --> 00:18:36,826
AND WHEN I WAS IN VENICE,
403
00:18:36,850 --> 00:18:40,918
I FOUND THIS FANTASTIC MANDOLIN.
404
00:18:47,827 --> 00:18:52,641
♪ I GAVE MY LOVE A CHERRY ♪
405
00:18:52,665 --> 00:18:56,478
♪ THAT HAD NO STONE ♪
406
00:18:56,502 --> 00:18:57,813
♪ I GA... ♪♪
407
00:18:57,837 --> 00:18:59,770
HA HA HA HA HA.
408
00:19:04,811 --> 00:19:08,523
MALLORY, IN SOME REAL WAY, I
FEEL YOU'VE TOUCHED MY SOUL,
409
00:19:08,547 --> 00:19:11,460
AND I ONLY FEEL COMPLETE
WHEN I'M WITH YOU.
410
00:19:11,484 --> 00:19:13,095
REALLY. REALLY?
411
00:19:13,119 --> 00:19:14,430
UH, MORE THAN LAST YEAR'S
412
00:19:14,454 --> 00:19:16,499
TOUCHING OF THE
SOULS WITH JOYCE?
413
00:19:16,523 --> 00:19:18,100
I DON'T UNDERSTAND.
414
00:19:18,124 --> 00:19:19,768
I CANNOT BELIEVE I'M SO STUPID!
415
00:19:19,792 --> 00:19:21,437
I ACTUALLY CONVINCED MYSELF
416
00:19:21,461 --> 00:19:23,505
YOU THOUGHT I WAS SPECIAL.
417
00:19:23,529 --> 00:19:25,107
MALLORY... THAT I HAD
SOMETHING TO OFFER.
418
00:19:25,131 --> 00:19:26,842
I WAS NOTHING BUT
A PLAYTHING TO YOU!
419
00:19:26,866 --> 00:19:28,443
MALLORY, WHY DON'T WE
SIT DOWN, HAVE SOME TEA,
420
00:19:28,467 --> 00:19:29,944
WE CAN TALK ABOUT THIS.
421
00:19:29,968 --> 00:19:31,947
I REALLY HOPE YOU ENJOYED
YOURSELF, COLIN, I DO,
422
00:19:31,971 --> 00:19:33,615
'CAUSE I'LL TELL
YOU SOMETHING...
423
00:19:33,639 --> 00:19:35,117
I LEARNED MORE
TONIGHT THAN I EVER DID
424
00:19:35,141 --> 00:19:36,852
IN YOUR STUPID POETRY CLASS!
425
00:19:36,876 --> 00:19:40,344
YOU COULD HAVE AT
LEAST LEARNED A NEW SONG!
426
00:19:44,984 --> 00:19:46,729
HMM? ELYSE...
427
00:19:46,753 --> 00:19:48,419
BAD NEWS.
428
00:19:50,990 --> 00:19:53,401
MR. FISH IS MISSING.
429
00:19:53,425 --> 00:19:54,469
MISSING?
430
00:19:54,493 --> 00:19:56,138
THE NEW FISH IS THERE,
431
00:19:56,162 --> 00:19:58,374
BUT HE'S NOT TALKING.
432
00:19:58,398 --> 00:19:59,641
DAD.
433
00:19:59,665 --> 00:20:01,142
HMM?
434
00:20:01,166 --> 00:20:03,601
I WANT YOU TO BRACE YOURSELF.
435
00:20:05,838 --> 00:20:07,878
AGNEW ATE KISSINGER.
436
00:20:13,580 --> 00:20:15,558
IT WAS REALLY COOL, DAD.
437
00:20:15,582 --> 00:20:17,648
BUBBLES JUST SWALLOWED HIM...
438
00:20:19,651 --> 00:20:21,552
JENNIFER, TAKE HIM AWAY.
439
00:20:27,026 --> 00:20:28,103
ALL RIGHT, DAD,
440
00:20:28,127 --> 00:20:30,605
I SAY WE SKIP THE TRIAL.
441
00:20:30,629 --> 00:20:33,230
I SAY WE FILLET BUBBLES NOW.
442
00:20:34,633 --> 00:20:35,711
BUBBLES!
443
00:20:35,735 --> 00:20:36,834
GET HIM!
444
00:20:40,139 --> 00:20:41,617
HI, HONEY.
445
00:20:41,641 --> 00:20:43,418
HOW DID THE POETRY READING GO?
446
00:20:43,442 --> 00:20:44,586
IT DIDN'T.
447
00:20:44,610 --> 00:20:46,522
WHAT HAPPENED?
448
00:20:46,546 --> 00:20:49,124
MOM, I THOUGHT
COLIN REALLY LIKED ME.
449
00:20:49,148 --> 00:20:51,627
AND I THOUGHT THAT
I REALLY LIKED HIM.
450
00:20:51,651 --> 00:20:53,361
ALL HE WANTED WAS
FOR ME TO BECOME
451
00:20:53,385 --> 00:20:56,532
ONE OF THE PRECIOUS THINGS
HE'S COLLECTED ON HIS TRAVELS.
452
00:20:56,556 --> 00:20:58,834
I'M SORRY, HONEY.
453
00:20:58,858 --> 00:21:00,335
HOW COULD I HAVE BEEN SO STUPID?
454
00:21:00,359 --> 00:21:02,271
I DIDN'T BELONG IN
THAT POETRY GROUP.
455
00:21:02,295 --> 00:21:03,772
NOW, THAT'S NOT TRUE.
456
00:21:03,796 --> 00:21:05,774
YOU BELONGED THERE JUST
AS MUCH AS ANYBODY ELSE.
457
00:21:05,798 --> 00:21:07,609
YOU WERE REALLY
ENJOYING THAT GROUP,
458
00:21:07,633 --> 00:21:10,145
AND YOU WERE DOING WELL, TOO.
459
00:21:10,169 --> 00:21:13,148
POURQUOI WAS A GOOD POEM.
460
00:21:13,172 --> 00:21:14,983
YOU KNOW, MOM, BEFORE
I STARTED AT GRANT,
461
00:21:15,007 --> 00:21:17,486
I WAS REALLY NERVOUS
ABOUT FITTING IN.
462
00:21:17,510 --> 00:21:19,087
ALL OF A SUDDEN,
I'M WITH THIS GROUP
463
00:21:19,111 --> 00:21:21,323
AND I'M HAVING
INTELLECTUAL TALKS
464
00:21:21,347 --> 00:21:23,258
WITH SOMEONE LIKE COLIN.
465
00:21:23,282 --> 00:21:25,260
AND IT MADE ME FEEL SMART.
466
00:21:25,284 --> 00:21:28,330
IT MADE ME FEEL SPECIAL.
467
00:21:28,354 --> 00:21:31,266
I WANTED TO BE THAT
PERSON SO BADLY,
468
00:21:31,290 --> 00:21:34,470
I WAS JUST READY TO
TURN MY BACK ON WHO I AM.
469
00:21:34,494 --> 00:21:38,106
YOU ARE GROWING UP, HONEY.
470
00:21:38,130 --> 00:21:40,609
THERE ARE GOING TO BE
A LOT OF FALSE STARTS,
471
00:21:40,633 --> 00:21:42,244
YOU KNOW? A LOT
OF DISAPPOINTMENTS,
472
00:21:42,268 --> 00:21:44,112
A LOT OF PAIN. BUT...
473
00:21:44,136 --> 00:21:45,847
BUT THESE... DETOURS,
474
00:21:45,871 --> 00:21:48,850
THEY MAKE UP THE TEXTURE
OF YOUR LIFE, YOU KNOW?
475
00:21:48,874 --> 00:21:50,852
THEY TELL YOU WHAT ALL
YOUR DIFFERENT OPTIONS ARE,
476
00:21:50,876 --> 00:21:54,322
ALL THE DIFFERENT
THINGS YOU CAN BECOME.
477
00:21:54,346 --> 00:21:56,692
I DON'T KNOW IF I
CAN HANDLE IT, MOM.
478
00:21:56,716 --> 00:21:59,361
OH, HONEY, EVERY WOMAN'S
GOT A COLIN SPENCER
479
00:21:59,385 --> 00:22:00,996
IN HER PAST.
480
00:22:01,020 --> 00:22:02,520
DO YOU?
481
00:22:06,159 --> 00:22:07,591
YEAH, I...
482
00:22:08,661 --> 00:22:12,975
MINE'S NAME WAS
GRANVILLE MITCHELL.
483
00:22:12,999 --> 00:22:15,477
I MET HIM IN BALLET CLASS.
484
00:22:15,501 --> 00:22:18,580
HE WAS A SENIOR,
I WAS A FRESHMAN.
485
00:22:18,604 --> 00:22:22,718
HE TOLD ME I COULD DANCE
LIKE ISADORA DUNCAN.
486
00:22:24,210 --> 00:22:26,450
WHAT ARE YOU LAUGHING AT?
487
00:22:28,447 --> 00:22:30,558
SORRY.
488
00:22:30,582 --> 00:22:33,328
THE POINT IS THAT
OUT OF THAT DISASTER
489
00:22:33,352 --> 00:22:34,829
DEVELOPED A LOVE FOR DANCE
490
00:22:34,853 --> 00:22:37,332
THAT STAYED WITH ME
THE REST OF MY LIFE.
491
00:22:37,356 --> 00:22:40,102
NOW, YOU... YOU HAVE A
NEW INTEREST IN POETRY.
492
00:22:40,126 --> 00:22:43,639
DON'T GIVE IT UP JUST
BECAUSE OF COLIN SPENCER.
493
00:22:43,663 --> 00:22:47,843
YOU KNOW, MOM THE WORST
PART IS THAT I REALLY HURT NICK.
494
00:22:47,867 --> 00:22:50,512
HE'S ALWAYS LOVED
ME FOR WHO I AM
495
00:22:50,536 --> 00:22:52,614
AND I NEVER HAVE
TO PUT ON AN ACT.
496
00:22:52,638 --> 00:22:55,851
YOU KNOW? I NEVER HAVE TO
PRETEND I'M SOMETHING I'M NOT.
497
00:22:55,875 --> 00:22:57,755
NICK'S SPECIAL THAT WAY.
498
00:23:04,149 --> 00:23:05,794
COME ON. LET'S GO UP.
499
00:23:05,818 --> 00:23:07,629
YOU GO AHEAD. I'LL
BE UP IN A MINUTE.
500
00:23:07,653 --> 00:23:08,733
OK.
501
00:23:19,098 --> 00:23:20,576
NICK?
502
00:23:20,600 --> 00:23:21,977
HI, IT'S ME.
503
00:23:22,001 --> 00:23:25,035
DO YOU WANT TO
GO GET SOME TACOS?
504
00:23:54,967 --> 00:23:56,678
Man: SIT, UBU, SIT. GOOD DOG.
35249
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