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These are the user uploaded subtitles that are being translated: 1 00:00:00,500 --> 00:00:02,200 previously on project runway 2 00:00:02,400 --> 00:00:05,100 you will be making a prom dress for them. 3 00:00:05,300 --> 00:00:06,700 i was very scared. 4 00:00:06,800 --> 00:00:08,300 i don't want to hem this. 5 00:00:08,400 --> 00:00:09,900 what do you mean, you don't want to hem it, darling? 6 00:00:10,100 --> 00:00:11,700 that would be unfinished. 7 00:00:11,700 --> 00:00:13,100 i'm--i'm not gonna do it. 8 00:00:13,200 --> 00:00:14,600 ??i was thinking of sleeve here. 9 00:00:14,600 --> 00:00:15,800 you want another sleeve here? 10 00:00:15,800 --> 00:00:17,300 i'm not a dressmaker. 11 00:00:17,300 --> 00:00:18,500 very cute. 12 00:00:19,200 --> 00:00:21,900 i literally wanted to rip the dress off and give up. 13 00:00:23,000 --> 00:00:28,000 ����Ļ����ѧϰ�������Ͻ�������ҵ��; 14 00:00:28,500 --> 00:00:29,900 congratulations... 15 00:00:29,900 --> 00:00:31,000 victorya. 16 00:00:31,400 --> 00:00:33,100 ou are the winner of this challenge. 17 00:00:34,100 --> 00:00:36,300 i just don't like the fact that you're blaming maddie. 18 00:00:36,400 --> 00:00:37,400 thank you. 19 00:00:38,100 --> 00:00:40,100 she looks like she's 35 years old. 20 00:00:40,300 --> 00:00:43,000 i am distracted by the hemming. 21 00:00:43,800 --> 00:00:45,700 kevin, you're out. 22 00:00:49,700 --> 00:00:53,000 the winner of project runway will receive a spread in elle magazine, 23 00:00:53,300 --> 00:00:56,200 an opportunity to sell their line on bluefly.com, 24 00:00:56,200 --> 00:00:58,800 an all-new 2008 saturn astra, 25 00:00:58,900 --> 00:01:01,200 and $100,000 to start their own line 26 00:01:01,300 --> 00:01:03,800 furnished by tresemme professional hair care. 27 00:01:04,300 --> 00:01:05,800 this is project runway. 28 00:01:05,800 --> 00:01:07,000 let's go. 29 00:01:07,000 --> 00:01:08,200 hell, yes, i'm the best. 30 00:01:08,200 --> 00:01:10,100 you're either in, or you're out. 31 00:01:10,100 --> 00:01:12,200 i'm in...they're out. 32 00:01:12,200 --> 00:01:14,100 i wouldn't be caught dead in his clothes. 33 00:01:14,100 --> 00:01:15,400 fashion is my life. 34 00:01:15,400 --> 00:01:17,500 who will be the next big fashion designer? 35 00:01:17,500 --> 00:01:18,300 that's me. 36 00:01:18,300 --> 00:01:20,000 bottom line, i'm the best. 37 00:01:20,000 --> 00:01:22,000 i will own the runway. 38 00:01:22,000 --> 00:01:23,500 for these 15 designers, 39 00:01:23,500 --> 00:01:26,500 project runwayis the chance of a lifetime. 40 00:01:27,000 --> 00:01:30,600 -==http://www.ragbear.com==- ���Ž��� ���ļ���8�� 41 00:01:30,800 --> 00:01:35,800 -=��������Ļ��=- ���룺����id ʱ���᣺���� У�ԣ�����id 42 00:01:36,100 --> 00:01:38,100 so how do you feel bout yesterday, christian? 43 00:01:38,200 --> 00:01:40,000 about what? my client? 44 00:01:40,600 --> 00:01:42,100 that almost got me eliminated? 45 00:01:42,200 --> 00:01:45,100 i had such a hard time with the prom challenge. 46 00:01:45,200 --> 00:01:48,200 i shouldn't have really been in the bottom two, though. 47 00:01:48,300 --> 00:01:49,900 i know my dress wasn't that great. 48 00:01:49,900 --> 00:01:51,700 but...god. 49 00:01:52,000 --> 00:01:53,500 others were not cute. 50 00:01:53,600 --> 00:01:56,300 ask me about any challenge, i've probably been up there. yeah 51 00:01:57,300 --> 00:01:59,000 after last night's elimination, 52 00:01:59,000 --> 00:02:00,600 it's just a reminder that... 53 00:02:00,600 --> 00:02:02,100 i got a lot of work to do. 54 00:02:02,400 --> 00:02:03,500 i'll miss kevin, 55 00:02:03,500 --> 00:02:05,300 but i'm glad it's not me. 56 00:02:05,900 --> 00:02:06,700 i'm ready. 57 00:02:07,300 --> 00:02:08,700 all right, bitches. let's go. 58 00:02:09,200 --> 00:02:11,100 we gotta find out what our challenge is. 59 00:02:18,200 --> 00:02:19,000 hello. 60 00:02:19,200 --> 00:02:19,900 hello. 61 00:02:20,400 --> 00:02:22,500 before i tell you about your next challenge, 62 00:02:22,600 --> 00:02:24,000 let's bring out your models. 63 00:02:28,300 --> 00:02:30,300 oh, my stars. 64 00:02:32,500 --> 00:02:35,800 you've probably noticed something different about your models today. 65 00:02:36,500 --> 00:02:38,300 and that's because for your next challenge, 66 00:02:38,400 --> 00:02:43,800 you will be creating an avant-garde look inspired by your model's hairstyle. 67 00:02:44,700 --> 00:02:47,200 the challenge really just couldn't be better. 68 00:02:47,300 --> 00:02:49,800 this is the challenge that i'm the most excited about. 69 00:02:49,900 --> 00:02:53,500 this is an opportunity for you to push yourselves as designers, 70 00:02:53,600 --> 00:02:57,200 and to create something artistic and conceptual 71 00:02:58,000 --> 00:02:58,900 models, 72 00:02:59,200 --> 00:03:01,700 because you weren't used in the last challenge, 73 00:03:02,200 --> 00:03:05,400 there are ten of you and eight designers. 74 00:03:06,400 --> 00:03:08,900 so two of you will be out. 75 00:03:09,900 --> 00:03:10,800 victorya, 76 00:03:11,200 --> 00:03:12,700 you won the last challenge. 77 00:03:12,700 --> 00:03:14,300 so you get the first pick. 78 00:03:14,700 --> 00:03:17,000 i would love to stick with jacqueline. 79 00:03:23,000 --> 00:03:24,800 kit. okay, good. marie. 80 00:03:25,700 --> 00:03:26,600 weet p. 81 00:03:27,100 --> 00:03:29,400 this is tough because of the hairdos. 82 00:03:30,200 --> 00:03:32,000 i'm sorry, i want to pick lea. 83 00:03:32,100 --> 00:03:32,900 sorry. 84 00:03:33,000 --> 00:03:36,000 i feel so bad, but i picked lea over katie. 85 00:03:36,100 --> 00:03:37,400 her hair was nothing. 86 00:03:37,400 --> 00:03:39,200 lea's was fierce. 87 00:03:39,300 --> 00:03:41,600 jillian. i'm gonna stay with lauren. 88 00:03:42,400 --> 00:03:43,000 chris. 89 00:03:43,000 --> 00:03:44,100 marcia. 90 00:03:44,800 --> 00:03:45,500 rami. 91 00:03:45,600 --> 00:03:47,300 i would love to work with sam. 92 00:03:47,400 --> 00:03:48,400 christian. 93 00:03:48,400 --> 00:03:49,400 lisa. 94 00:03:49,700 --> 00:03:51,800 i picked lisa,who was my first model. 95 00:03:52,000 --> 00:03:54,100 god, she is so high fashion. 96 00:03:55,300 --> 00:03:56,300 katie, 97 00:03:57,200 --> 00:03:58,200 aviva, 98 00:03:58,500 --> 00:03:59,500 amanda. 99 00:04:00,200 --> 00:04:02,400 two of you will be out. 100 00:04:02,800 --> 00:04:03,700 ricky, 101 00:04:04,000 --> 00:04:05,900 you have a hard decision to make. 102 00:04:06,000 --> 00:04:07,200 i'm sorry, ladies. 103 00:04:07,400 --> 00:04:08,600 you're all beautiful. 104 00:04:09,200 --> 00:04:10,500 but i want to play with amanda. 105 00:04:14,800 --> 00:04:16,400 katie, aviva. 106 00:04:16,600 --> 00:04:17,500 i'm sorry, you're out. 107 00:04:17,600 --> 00:04:18,800 auf wiedersehen. 108 00:04:26,100 --> 00:04:27,900 tim is waiting for you in the workroom 109 00:04:28,000 --> 00:04:30,000 to fill you in on some of the details. 110 00:04:30,100 --> 00:04:32,600 good luck, and i'll see you on the runway. 111 00:04:33,200 --> 00:04:34,500 bye. 112 00:04:34,900 --> 00:04:36,000 bye. 113 00:04:41,000 --> 00:04:42,600 designers, as heidi said, 114 00:04:42,700 --> 00:04:47,200 for this challenge you'll be creating an avant-garde look inspired by your model's hairstyle. 115 00:04:47,300 --> 00:04:49,800 this look does not have to be practical. 116 00:04:50,100 --> 00:04:52,400 it doesn't even have to be very wearable. 117 00:04:52,500 --> 00:04:55,900 an avant-garde look is by definition ambitious. 118 00:04:56,100 --> 00:04:57,200 because of that, 119 00:04:57,400 --> 00:05:00,500 you will be working in teams of two. 120 00:05:00,800 --> 00:05:02,000 of course. 121 00:05:02,300 --> 00:05:06,800 i will draw your names from this bag to determine the teams. 122 00:05:08,000 --> 00:05:09,800 so team one is... 123 00:05:09,800 --> 00:05:10,800 kit. 124 00:05:11,100 --> 00:05:12,100 and... 125 00:05:13,200 --> 00:05:14,000 ricky. 126 00:05:15,300 --> 00:05:16,500 team two... 127 00:05:16,900 --> 00:05:18,000 sweet p. 128 00:05:18,500 --> 00:05:20,100 with rami. 129 00:05:20,900 --> 00:05:22,400 oh, that's fantastic. 130 00:05:22,900 --> 00:05:24,200 team three... 131 00:05:24,200 --> 00:05:25,000 chris. 132 00:05:25,000 --> 00:05:26,000 with... 133 00:05:26,400 --> 00:05:27,400 christian. 134 00:05:29,100 --> 00:05:32,700 i was like, "all he does is costume and crazy [bleep]." 135 00:05:32,800 --> 00:05:35,200 he's gonna come up with something fabulous. 136 00:05:35,300 --> 00:05:36,200 who's left? 137 00:05:36,200 --> 00:05:37,500 victorya 138 00:05:37,500 --> 00:05:38,900 and jillian. 139 00:05:39,800 --> 00:05:44,000 all right? you'll have 30 minutes to determine which model's hairstyle 140 00:05:44,200 --> 00:05:47,100 will inspire the look for this challenge. 141 00:05:47,200 --> 00:05:49,200 your budget is $300. 142 00:05:49,400 --> 00:05:51,800 and you will have two days. 143 00:05:51,800 --> 00:05:55,800 each team must choose a team leader. 144 00:05:56,100 --> 00:05:57,600 i'm gonna send in your models. 145 00:05:57,600 --> 00:05:59,200 use your time well. 146 00:05:59,200 --> 00:06:00,200 thank you. 147 00:06:02,100 --> 00:06:03,600 it's gonna have to be one girl. 148 00:06:03,700 --> 00:06:05,700 i know, we gotta look at their hair. 149 00:06:05,800 --> 00:06:09,600 since you worked at alexander mcqueen, do you wanna be the team leader? 150 00:06:09,700 --> 00:06:11,300 i'm so scared. 151 00:06:11,600 --> 00:06:13,400 i'm gonna get eliminated. 152 00:06:13,500 --> 00:06:14,700 honey, it happened to me. 153 00:06:14,800 --> 00:06:17,600 i really don't wanna be leader because i don't wanna be eliminated. 154 00:06:17,700 --> 00:06:21,200 but then,i feel really strongly about this challenge. 155 00:06:21,400 --> 00:06:23,300 let's just decide. who should we use? 156 00:06:23,400 --> 00:06:25,400 i think hers is more glamorous. 157 00:06:25,400 --> 00:06:27,000 use her then. go ahead. 158 00:06:27,100 --> 00:06:28,900 we chose marcia. 159 00:06:28,900 --> 00:06:31,500 she's very tall and gorgeous. 160 00:06:31,700 --> 00:06:36,600 what if we did the entire dress in circles of organza? 161 00:06:36,700 --> 00:06:38,000 thousands. thousands. 162 00:06:38,100 --> 00:06:40,300 we're gonna do this in the most diplomatic way. so i'm sorry-- 163 00:06:40,400 --> 00:06:41,800 your hair is more easy to work with. 164 00:06:41,900 --> 00:06:43,400 sorry, girl. have a seat. 165 00:06:43,500 --> 00:06:46,000 marie's hair looks like t.a bird nes 166 00:06:46,100 --> 00:06:49,100 so we decided to use my model, marie. 167 00:06:49,400 --> 00:06:52,700 our whole concept is based off this idea of nesting. 168 00:06:52,800 --> 00:06:56,200 in my head, these are all totally different fabrics 169 00:06:56,600 --> 00:06:58,900 that look good together. that could be cool too. i like that idea. 170 00:06:59,000 --> 00:07:02,000 it just worked out naturally that i would be the team leader, 171 00:07:02,100 --> 00:07:05,200 because it's basically my concept. 172 00:07:05,600 --> 00:07:06,500 fantastic. 173 00:07:06,600 --> 00:07:09,400 rami and i decided we will pick sam as our model. 174 00:07:09,500 --> 00:07:10,500 he is the leader. 175 00:07:10,600 --> 00:07:14,800 because my mind doesn't really naturally go to the avant-garde. 176 00:07:15,500 --> 00:07:17,600 the chiffon is restricted in one area of the bodice 177 00:07:17,700 --> 00:07:20,800 and then just pretty much freely falls out into a gown of some sort. 178 00:07:20,900 --> 00:07:24,400 the vision for this avant-garde piece is hard and soft. 179 00:07:24,600 --> 00:07:28,000 i'm using that concept to create curvy lines 180 00:07:28,100 --> 00:07:30,100 and then freely falling out, just like her hair. 181 00:07:30,200 --> 00:07:31,100 so what were you thinking? 182 00:07:31,200 --> 00:07:35,600 so i thought about, like, kind of an apocalyptic, dramatic trench coat. 183 00:07:35,700 --> 00:07:39,300 actually, when i saw jacqueline, i know that she definitely has a very heavy, 184 00:07:39,400 --> 00:07:40,500 like,'80s punk reference. 185 00:07:40,600 --> 00:07:42,800 there was not gonna be a chance in hell 186 00:07:42,900 --> 00:07:43,900 that either of us were gonna say, 187 00:07:43,900 --> 00:07:44,900 "okay, you be the leader." 188 00:07:44,900 --> 00:07:46,100 it was not gonna happen. 189 00:07:46,200 --> 00:07:48,100 i think we should just flip a coin. unless we flip this, 190 00:07:48,200 --> 00:07:50,900 and if it lands face up, it's mine-- 191 00:07:51,000 --> 00:07:53,900 okay, that's good.s it closed? ok. face down, it's yours. 192 00:07:54,100 --> 00:07:55,400 it's yours. okay. 193 00:07:55,600 --> 00:07:56,400 are you cool with that? 194 00:07:56,500 --> 00:07:59,800 i am-- i'm a little uncomfortable about some of the things. 195 00:08:00,000 --> 00:08:02,600 i think we need to just really solidify a story here. 196 00:08:02,700 --> 00:08:04,000 right, okay. 197 00:08:04,300 --> 00:08:05,600 designers, 198 00:08:05,700 --> 00:08:06,500 time's up. 199 00:08:06,500 --> 00:08:08,000 we're going shopping. 200 00:08:11,400 --> 00:08:12,900 (ricky)we have $300 for this challenge. 201 00:08:13,000 --> 00:08:14,700 ooh, look at this one. that--that, that, that. 202 00:08:14,800 --> 00:08:17,500 we are getting different fabrics that work with the colors 203 00:08:17,600 --> 00:08:18,800 that we talked about. 204 00:08:18,800 --> 00:08:20,200 oh, my god,this is beautiful. 205 00:08:20,200 --> 00:08:21,200 rami? 206 00:08:21,200 --> 00:08:22,100 sweet p. 207 00:08:22,100 --> 00:08:23,200 rami? 208 00:08:23,500 --> 00:08:24,300 is there enough? 209 00:08:24,300 --> 00:08:25,700 yeah, there's two rolls. 210 00:08:25,700 --> 00:08:27,800 that's not 40 yards. 211 00:08:28,200 --> 00:08:30,800 we need so much fabric. 212 00:08:30,900 --> 00:08:34,300 we need probably 50 yards of organza. 213 00:08:34,400 --> 00:08:35,800 oh, this is better. 214 00:08:35,900 --> 00:08:37,600 this is way better. this is gonna be perfect. 215 00:08:41,500 --> 00:08:44,600 thank you, mood! 216 00:08:50,300 --> 00:08:51,600 oh, wow, we have a lot. 217 00:08:53,100 --> 00:08:55,400 i don't want it to look like little house on the prairie. 218 00:08:55,500 --> 00:08:59,900 our avant-garde look started with the idea of the hair being a bird's nest. 219 00:09:00,000 --> 00:09:02,700 so we did a theme of a girl who'd be in a garden 220 00:09:02,800 --> 00:09:06,200 and many aprons to represent layering. 221 00:09:06,400 --> 00:09:08,000 this is some serious drama. 222 00:09:08,200 --> 00:09:11,000 like, it's the girl in me, and it's the bitch in you. 223 00:09:12,800 --> 00:09:13,600 it's the bottom. 224 00:09:14,100 --> 00:09:15,000 ferosh 225 00:09:15,000 --> 00:09:16,300 if i was a diva, 226 00:09:16,300 --> 00:09:18,100 my name would be ferosh. 227 00:09:18,300 --> 00:09:22,000 marcia has this huge, kind of romantic braided bun. 228 00:09:22,100 --> 00:09:25,000 and so the gown is literally hundreds of layers 229 00:09:25,100 --> 00:09:27,800 of tiered, circular ruffles. 230 00:09:28,100 --> 00:09:29,900 and we'll have this giant neckpiece, 231 00:09:30,000 --> 00:09:31,000 and oh, my god, it's amazing. 232 00:09:31,100 --> 00:09:34,400 i'm trying to build us a cell phone towerso we can call out. 233 00:09:34,500 --> 00:09:37,200 how about if it takes us to elisa's planet? 234 00:09:37,300 --> 00:09:40,100 didn't you know, elisa left me these instructions. 235 00:09:40,200 --> 00:09:44,200 ???the model's.. and just kind of tip it over here. 236 00:09:44,300 --> 00:09:45,100 yeah, awesome. 237 00:09:45,400 --> 00:09:47,700 the model's hair gives the effect of a mohawk. 238 00:09:47,800 --> 00:09:53,000 so it allowed us to come up with this theme of, like, rebellion. 239 00:09:53,100 --> 00:09:56,300 and i'm kind of replicating the hairstyle down the back 240 00:09:56,500 --> 00:09:58,700 of the trench coat that i'm making. 241 00:09:58,900 --> 00:10:01,300 victorya's working on the shirt and the pants. 242 00:10:01,600 --> 00:10:03,900 two days is never enough time for anything for me. 243 00:10:04,200 --> 00:10:09,500 and victorya and i are both people who struggle with time management. 244 00:10:09,800 --> 00:10:11,700 so i'm pretty worried about it. 245 00:10:13,600 --> 00:10:15,900 so why don't you put it on the dress form 246 00:10:16,000 --> 00:10:19,600 and try to put a french seam in the center front, okay? 247 00:10:20,400 --> 00:10:25,900 i chose to take over the corset and sort of the gown part of the outfit 248 00:10:26,000 --> 00:10:29,000 because it's very intricate and detailed. 249 00:10:29,100 --> 00:10:32,800 so i asked sweet p if she's able to do a pair of trousers, 250 00:10:32,900 --> 00:10:35,100 and she reassured me that she can do it. 251 00:10:45,400 --> 00:10:48,100 do you wanna make the apron and the thing? 252 00:10:48,200 --> 00:10:49,800 oh, yeah.you want me to do that instead? yeah. 253 00:10:49,900 --> 00:10:50,900 let me just bone her. 254 00:10:51,400 --> 00:10:53,400 bone her, and then make the apron. 255 00:10:54,600 --> 00:10:56,900 pin it extremely straight all the way down. 256 00:10:57,500 --> 00:10:59,100 do you feel comfortable with that? 257 00:10:59,400 --> 00:11:00,200 mm-hmm. are you sure? 258 00:11:00,300 --> 00:11:04,800 i think what is slowing me down is actually having to constantly answer 259 00:11:04,900 --> 00:11:06,800 and attend to, uh, sweet p. 260 00:11:06,900 --> 00:11:09,700 because she's struggling with, um,a pair of pants. 261 00:11:09,800 --> 00:11:12,400 i just feel like the pants should be almost finished. 262 00:11:12,500 --> 00:11:13,800 that's my only concern. 263 00:11:14,600 --> 00:11:16,500 they are almost finished. because there's so much work in here. 264 00:11:16,700 --> 00:11:19,500 look, dude! we wanted to accomplish getting the pant 265 00:11:19,600 --> 00:11:23,000 and the corset sewn.and we've finished those. 266 00:11:23,100 --> 00:11:25,900 and we've also draped most of the gown. 267 00:11:26,000 --> 00:11:31,300 so i'm not really comprehending why he's so stressed out when we are actually ahead of the game. 268 00:11:31,400 --> 00:11:33,400 these are almost done, rami. okay, cool. 269 00:11:33,500 --> 00:11:34,500 i'm just telling you. all right. 270 00:11:34,600 --> 00:11:36,400 i'm just thinking ahead. 271 00:11:36,500 --> 00:11:38,700 any dysfunction that happensin the team, 272 00:11:38,700 --> 00:11:41,000 i feel like i'm going to be blamed for it. 273 00:11:41,300 --> 00:11:43,300 my ass is on the line, basically, here. 274 00:11:45,100 --> 00:11:46,600 coming up on project runway 275 00:11:46,700 --> 00:11:49,100 i have a special announcement to make. 276 00:11:49,100 --> 00:11:50,100 oh, my god. 277 00:11:50,800 --> 00:11:55,100 my reaction is horror.nausea. 278 00:12:01,900 --> 00:12:02,900 all right, man. 279 00:12:03,200 --> 00:12:05,100 do i have enough cigarettes for the day? 280 00:12:05,400 --> 00:12:08,400 i'm kind of worried to go into parsons today, 281 00:12:08,500 --> 00:12:11,800 because rami just seemed upset last night. 282 00:12:11,900 --> 00:12:16,000 so i am hoping things are a little different this morning. 283 00:12:16,100 --> 00:12:17,000 (ricky)let's get to work. 284 00:12:17,100 --> 00:12:18,800 again? go. 285 00:12:21,900 --> 00:12:23,600 sweet p's a little dyslexic. 286 00:12:24,200 --> 00:12:25,700 i never know what door to open. 287 00:12:25,800 --> 00:12:27,600 you're gonna go do the ruffles. 288 00:12:27,700 --> 00:12:29,600 the crinoline. okay, and i'm gonna just-- 289 00:12:29,700 --> 00:12:31,200 and you're working on her aprons. yeah. 290 00:12:31,400 --> 00:12:32,500 we're there, girl. 291 00:12:32,500 --> 00:12:33,300 work. 292 00:12:33,400 --> 00:12:37,000 the challenge is to do something avant-garde inspired by the model's hair. 293 00:12:37,300 --> 00:12:39,200 and it can be anything. 294 00:12:39,400 --> 00:12:41,200 so i'm excited. 295 00:12:41,300 --> 00:12:43,000 what do you think should be done? 296 00:12:43,400 --> 00:12:45,100 something out the back. 297 00:12:45,200 --> 00:12:46,800 maybe i do think bustle. 298 00:12:46,900 --> 00:12:48,600 some drama. what is the goal? 299 00:12:48,700 --> 00:12:50,700 'cause it could look like ...and be over the top. of course. 300 00:12:50,800 --> 00:12:52,900 i mentioned bustling a few times. 301 00:12:53,000 --> 00:12:54,800 and if we build the back of the dress out, 302 00:12:54,900 --> 00:12:56,100 i thought it would look really cool. 303 00:12:56,100 --> 00:12:58,500 but he's not really listening. 304 00:12:58,800 --> 00:13:00,200 let me take over this. 305 00:13:00,300 --> 00:13:01,400 okay? mm-hmm. 306 00:13:05,000 --> 00:13:07,700 designers, may i ask you to gather round, please? 307 00:13:09,600 --> 00:13:12,100 i have a special announcement to make. 308 00:13:13,000 --> 00:13:15,000 i get scared of special announcements. 309 00:13:18,900 --> 00:13:22,400 there will be another look walking down the runway tomorrow. 310 00:13:24,000 --> 00:13:25,000 what's that mean? 311 00:13:28,200 --> 00:13:29,600 another look. 312 00:13:29,900 --> 00:13:32,800 i wanted to throw up. oh, my god, i was so pissed. 313 00:13:33,000 --> 00:13:36,100 each of your teams must create a ready-to-wear garment 314 00:13:36,200 --> 00:13:39,500 that embodies the essence of your avant-garde look. 315 00:13:40,700 --> 00:13:44,300 let me assert that every major fashion designer must do this. 316 00:13:44,400 --> 00:13:47,600 provoke and inspire with high-end conceptual work 317 00:13:47,800 --> 00:13:50,400 and translate it to saleable ready-to-wear. 318 00:13:50,500 --> 00:13:52,200 and this has to be done by tomorrow? 319 00:13:52,200 --> 00:13:53,500 by tomorrow. 320 00:13:53,700 --> 00:13:54,500 oh, my god. 321 00:13:54,900 --> 00:13:57,800 you will have an additional budget of $50 for this look. 322 00:13:58,100 --> 00:14:00,600 and we're going to give you until 1:00 a.m. 323 00:14:00,900 --> 00:14:03,500 i'm going to give you 15 minutes to talk among yourselves. 324 00:14:03,700 --> 00:14:04,900 and then we'll be going to mood, 325 00:14:05,000 --> 00:14:06,900 where you'll have 15 minutes to shop. 326 00:14:07,200 --> 00:14:09,100 and only one team member must go. 327 00:14:09,300 --> 00:14:11,200 i'm gonna give you 15 minutes to caucus. 328 00:14:11,300 --> 00:14:12,500 and i'll be back. 329 00:14:12,500 --> 00:14:13,600 thank you. 330 00:14:13,900 --> 00:14:16,300 (kit)so i already had an idea. blouse, dress, skirt? 331 00:14:16,500 --> 00:14:18,600 dress, dress, dress, dress. simple dress. 332 00:14:18,900 --> 00:14:20,800 we wanna be--and then we do a band. hmm. 333 00:14:21,000 --> 00:14:22,300 right away, kit looks at me. 334 00:14:22,400 --> 00:14:24,100 she's like, we should do something like a little dress. 335 00:14:24,200 --> 00:14:25,900 and i said, "you know what, i'll figure it out. 336 00:14:26,000 --> 00:14:27,400 i'll drape it." it's cake for me. 337 00:14:27,500 --> 00:14:29,000 i-i do it day in and day out. 338 00:14:29,100 --> 00:14:31,000 i wanna pick out the fabric. 339 00:14:31,100 --> 00:14:33,400 and we'll just do this simple little chic 340 00:14:33,900 --> 00:14:35,000 little outfit. 341 00:14:35,000 --> 00:14:36,500 i'm not scared at all. 342 00:14:39,500 --> 00:14:40,700 just focus on one. 343 00:14:41,200 --> 00:14:43,900 whoever gets finished starts it. a shirtdress, maybe? when--yeah. 344 00:14:44,100 --> 00:14:45,200 i'm already off schedule. 345 00:14:45,400 --> 00:14:50,700 so my reaction is horror, nausea. 346 00:14:51,000 --> 00:14:52,700 i think navy. why is it navy? 347 00:14:52,800 --> 00:14:55,400 because it kind of ties in with the pant, and-- 348 00:14:55,500 --> 00:14:57,400 but the pant is the background-- i feel like it makes it day. 349 00:14:57,500 --> 00:14:59,000 i feel like it makes it day, though. 350 00:14:59,000 --> 00:15:01,000 navy's not so much day, i think. 351 00:15:01,000 --> 00:15:02,800 right away, i have an idea. 352 00:15:02,900 --> 00:15:05,000 and he's immediately like, "i don't like that color." 353 00:15:05,600 --> 00:15:07,300 and i'm like, "okay." 354 00:15:08,000 --> 00:15:09,300 sketch for me what you have in mind. 355 00:15:09,400 --> 00:15:11,100 i go from the form the most. 356 00:15:11,200 --> 00:15:13,900 i can't be in the dark with what you're doing. you don't trust that i'm gonna-- 357 00:15:14,000 --> 00:15:15,200 because you don't seem too sure about it! 358 00:15:15,300 --> 00:15:17,200 you're not telling me what you're doing. ??? 359 00:15:17,300 --> 00:15:19,000 you scribbled out your sketch, so i'm confused. 360 00:15:19,100 --> 00:15:23,200 sweet p was not clear to what she wanted to design. 361 00:15:23,300 --> 00:15:27,500 but since we are a team, i really need to know what it's going to be. 362 00:15:27,800 --> 00:15:29,200 i'm not asking for a lot. cut me a swatch. 363 00:15:29,300 --> 00:15:30,100 okay. 364 00:15:31,200 --> 00:15:34,200 all right, designers, your 15 minutes is up. 365 00:15:34,400 --> 00:15:36,400 i'm leading the group to mood. 366 00:15:36,400 --> 00:15:37,500 who's coming with me? 367 00:15:38,600 --> 00:15:39,200 okay. 368 00:15:39,400 --> 00:15:40,300 thank you, jillian. 369 00:15:40,300 --> 00:15:41,600 pray for us. 370 00:15:42,900 --> 00:15:43,800 (man)get out of the way! 371 00:15:46,400 --> 00:15:47,200 love you, bye. 372 00:15:48,000 --> 00:15:49,000 oh, wait, i need that print. 373 00:15:49,000 --> 00:15:51,500 i chose to go to mood just because i'm fast, 374 00:15:51,600 --> 00:15:53,700 and i kind of knew exactly what i needed. 375 00:15:54,000 --> 00:15:56,500 like, this is my main choices here. like a gray... 376 00:15:56,700 --> 00:15:58,300 ooh, that's gorgeous. 377 00:15:58,400 --> 00:16:02,500 i just started running around. and i found some beautiful silver shantung. 378 00:16:02,700 --> 00:16:05,200 and i think i'll get something really cute out of this. 379 00:16:07,000 --> 00:16:08,000 let's cut that. 380 00:16:08,000 --> 00:16:09,300 just give me a yard and a half. 381 00:16:09,300 --> 00:16:10,400 i think i can make do. 382 00:16:10,400 --> 00:16:12,500 i pulled everything together that i needed. 383 00:16:12,700 --> 00:16:16,700 let's get this fabric and get out of here so we can make something with it. 384 00:16:17,300 --> 00:16:18,100 time's up. 385 00:16:18,100 --> 00:16:20,200 let's head back to the workroom now, okay? 386 00:16:23,800 --> 00:16:24,500 okay. 387 00:16:24,700 --> 00:16:25,800 how'd it go, jillian? 388 00:16:25,800 --> 00:16:27,500 went good. let me show you what i bought. 389 00:16:27,600 --> 00:16:29,200 i got this. cool. 390 00:16:29,400 --> 00:16:31,400 so i will start draping. 391 00:16:31,500 --> 00:16:32,900 but i'll just drape.show you. just show me. 392 00:16:33,000 --> 00:16:34,300 just show me. that's fine. before i-- 393 00:16:34,400 --> 00:16:37,700 on to the next one.from fantasy to reality. 394 00:16:38,000 --> 00:16:38,700 designers, 395 00:16:38,800 --> 00:16:41,400 i'm bringing in the models so you can have a fitting. 396 00:16:42,300 --> 00:16:43,900 they'll be here for about 30 minutes. 397 00:16:44,000 --> 00:16:44,700 all right? thank you. 398 00:16:45,000 --> 00:16:46,800 use your time well.make it work. 399 00:16:47,400 --> 00:16:48,500 hi. come on in. 400 00:16:49,400 --> 00:16:50,200 have fun. 401 00:16:50,700 --> 00:16:51,800 hi, ladies. 402 00:16:52,400 --> 00:16:53,600 how are you? good, how are you? 403 00:16:53,700 --> 00:16:55,400 i love this here, i think. 404 00:16:55,400 --> 00:16:57,400 but i'm not sure if i love it here. 405 00:16:57,900 --> 00:16:59,700 i think it needs some more interesting, no? 406 00:16:59,900 --> 00:17:03,600 i think rami did end up putting way too much stuff on the dress. 407 00:17:03,700 --> 00:17:06,000 and he disagreed with me. 408 00:17:06,100 --> 00:17:12,500 but i definitely don't think adding so much stuff to it is what would be considered avant-garde. 409 00:17:12,700 --> 00:17:13,500 step in. 410 00:17:13,500 --> 00:17:15,200 this is gonna be so heavy. 411 00:17:15,500 --> 00:17:17,700 this looks [bleep]ing crazy. 412 00:17:17,700 --> 00:17:19,100 i'm so excited. 413 00:17:19,200 --> 00:17:21,800 once marie put our avant-garde look on, 414 00:17:22,000 --> 00:17:23,900 it really transformed the whole piece. 415 00:17:23,900 --> 00:17:25,100 you have to step back and say, 416 00:17:25,100 --> 00:17:26,600 "wow, this is really cool." 417 00:17:26,900 --> 00:17:28,800 dude, it looks so good. 418 00:17:29,000 --> 00:17:31,700 as usual, i only have a pant to put on you. okay. 419 00:17:31,800 --> 00:17:33,100 so at least it's something. 420 00:17:33,200 --> 00:17:35,700 so jillian has nothing that she needs-- yeah, not yet. 421 00:17:36,200 --> 00:17:38,400 this dress is pretty much already done. 422 00:17:38,600 --> 00:17:40,600 okay, great. i'm glad you're done. sorry, sorry, sorry. 423 00:17:40,700 --> 00:17:43,100 everybody's done except for me and victorya. 424 00:17:43,200 --> 00:17:43,900 great. 425 00:17:44,000 --> 00:17:46,900 we are still in development phase,and... 426 00:17:47,300 --> 00:17:50,700 we weren't completely prepared to have a full fitting. 427 00:17:50,900 --> 00:17:54,700 my concern is that victorya is immune for this challenge, 428 00:17:54,800 --> 00:17:57,500 ultimately,if we're on the bottom, 429 00:17:57,500 --> 00:18:00,100 it's immediately me who has to go. 430 00:18:00,800 --> 00:18:01,900 oh, my god. oh, yeah? 431 00:18:02,000 --> 00:18:03,900 i told you she's magical. wait. 432 00:18:04,100 --> 00:18:06,000 just dislocate my shoulders, i'm fine. 433 00:18:07,000 --> 00:18:08,000 does this hurt? 434 00:18:08,000 --> 00:18:09,500 make it, like...a little looser, 435 00:18:09,600 --> 00:18:10,900 okay. don't kill her. 436 00:18:11,000 --> 00:18:14,400 what i hope happens tomorrow at the runway show 437 00:18:14,700 --> 00:18:17,400 is that our model, marcia,comes out 438 00:18:17,500 --> 00:18:20,400 and people's jaws drop to the floor. 439 00:18:20,700 --> 00:18:23,700 and they never forget it as long as they live. 440 00:18:24,600 --> 00:18:26,400 work. oh, girl. 441 00:18:28,000 --> 00:18:29,200 you gotta bring it back. 442 00:18:29,400 --> 00:18:33,600 girls, you gotta bring it back from the side and turn. 443 00:18:40,000 --> 00:18:41,900 that's--that's good. that's really cute. 444 00:18:42,100 --> 00:18:43,100 thank you. yeah. 445 00:18:43,300 --> 00:18:45,800 rami's letting me do the ready-to-wear look. 446 00:18:46,200 --> 00:18:49,300 and it's super cute.and it's--it's totally me. 447 00:18:49,400 --> 00:18:51,700 i need you to finish the dress and the pants-- rami. hold up. 448 00:18:51,800 --> 00:18:53,100 i'm gonna finish these. okay. 449 00:18:53,200 --> 00:18:55,700 i need to know when we're gonna finish. that's all i'm entitled. 450 00:18:55,800 --> 00:18:58,600 so i walk into the workroom 451 00:18:59,100 --> 00:19:03,100 and sweet p has been on the cutting table for quite some time. 452 00:19:03,200 --> 00:19:06,900 i'm leading the team.i need to make sure that everything's going on schedule. 453 00:19:07,400 --> 00:19:08,800 my ass is on the line, okay? 454 00:19:08,900 --> 00:19:11,200 (sweet p)so is mine. i'm leading the team--no, mine is more than yours. 455 00:19:11,300 --> 00:19:13,500 please understand that. that's all i need you to do, 456 00:19:13,800 --> 00:19:16,600 please.don't get mad. i'm just saying, i'm totally gonna finish-- 457 00:19:16,700 --> 00:19:18,200 this is so simple, what i'm doing right now. okay, 458 00:19:18,500 --> 00:19:21,000 let's just have a time plan. that's all i'm asking for. 459 00:19:24,600 --> 00:19:25,600 oh, god. 460 00:19:25,900 --> 00:19:28,100 sweet p gets defensive. 461 00:19:28,200 --> 00:19:30,800 so i'm feeling like i need to be extremely careful. 462 00:19:31,100 --> 00:19:33,100 and it's draining a lot of my energy. 463 00:19:33,500 --> 00:19:35,500 he makes it hard for me to work. 464 00:19:38,000 --> 00:19:40,800 we have to [bleep] walk. i'm almost done. 465 00:19:41,400 --> 00:19:43,000 sorry. no, it's okay. 466 00:19:43,100 --> 00:19:44,800 i know this is hard. 467 00:19:45,300 --> 00:19:47,300 i just was, like, so mad. 468 00:19:47,300 --> 00:19:48,600 it's just rough, you know? 469 00:19:48,600 --> 00:19:49,500 i know. 470 00:19:49,600 --> 00:19:51,400 i told him, "dude, just calm down." 471 00:19:51,700 --> 00:19:53,500 i wish rami would just, like, 472 00:19:53,500 --> 00:19:55,300 please get off my back. 473 00:19:55,700 --> 00:19:56,600 thank you. 474 00:20:00,000 --> 00:20:01,800 (heidi)coming up on project runway 475 00:20:02,000 --> 00:20:02,800 i'm worried. 476 00:20:02,900 --> 00:20:05,200 the problem here is that we think differently. 477 00:20:05,300 --> 00:20:09,600 i'm just hoping we don't end up in some kind of fistfight. 478 00:20:17,000 --> 00:20:19,000 designers and models. 479 00:20:19,100 --> 00:20:21,200 may i ask you to gather round, please? 480 00:20:22,000 --> 00:20:23,800 designers and models. 481 00:20:24,500 --> 00:20:27,100 i have a special guest i want to introduce. 482 00:20:36,300 --> 00:20:37,800 that's not so scary. 483 00:20:38,100 --> 00:20:40,200 please welcome nathaniel hawkins. 484 00:20:40,300 --> 00:20:43,700 nathaniel is lead stylist for the tresemme hair care creative team. 485 00:20:43,800 --> 00:20:45,900 welcome to parsons the new school for design. 486 00:20:45,900 --> 00:20:47,200 thank you for having me. 487 00:20:47,300 --> 00:20:51,000 nathaniel's here to consult with you on the hairstyle for your ready-to-wear look. 488 00:20:51,100 --> 00:20:52,800 what we're going to do today 489 00:20:53,000 --> 00:20:58,100 is to translate the avant-garde hairstyle into a look for the everyday woman. 490 00:20:58,400 --> 00:21:02,900 we want to create something that is beautiful,effortless,yet practical. 491 00:21:03,000 --> 00:21:05,500 and nathaniel has a special announcement to make. 492 00:21:05,900 --> 00:21:08,000 the winning team's looks and models 493 00:21:08,100 --> 00:21:11,600 will be featured in a tresemme ad in elle magazine. 494 00:21:12,700 --> 00:21:14,700 thanks, nathaniel! thank you. 495 00:21:16,200 --> 00:21:19,100 to be in elle magazine for tresemme,that's exciting. 496 00:21:19,200 --> 00:21:21,200 and it makes us want to work harder. 497 00:21:21,400 --> 00:21:22,700 hello. hello. 498 00:21:23,300 --> 00:21:26,000 on her, i would do a little bit of fullness. 499 00:21:26,200 --> 00:21:29,600 and create a smaller, more elegant shape. 500 00:21:29,700 --> 00:21:31,000 (christian)sounds perfect. 501 00:21:31,100 --> 00:21:36,100 we still can create a smoother crown,building into very loose-- 502 00:21:36,200 --> 00:21:37,300 yeah, perfect. i love it. 503 00:21:37,400 --> 00:21:40,700 so jacqueline has that crazy fauxhawk. yes, 504 00:21:40,800 --> 00:21:46,700 i thought that we could do hair pressed perfectly smooth.with the long,xuriouhair 505 00:21:46,800 --> 00:21:48,100 i love that. 506 00:21:48,100 --> 00:21:49,800 strong side part. 507 00:21:49,900 --> 00:21:52,600 and we'll get a nice, soft shape. wouldn't that be rad? 508 00:21:52,700 --> 00:21:55,000 it will be so pretty on her. 509 00:21:55,200 --> 00:21:57,400 thanks, nathaniel. bye, sweet p. have a good night. 510 00:22:04,300 --> 00:22:05,400 hi, everybody. 511 00:22:05,600 --> 00:22:07,100 how's team fierce? 512 00:22:08,200 --> 00:22:09,800 well, what do you think? pretty fierce. 513 00:22:10,200 --> 00:22:11,500 well, i have to tell you guys, 514 00:22:11,500 --> 00:22:13,000 this is staggering. 515 00:22:13,200 --> 00:22:16,600 but this translation to ready-to-wear worries me. 516 00:22:17,000 --> 00:22:19,000 this looks kind of cheap. 517 00:22:19,800 --> 00:22:21,700 oh, my god. i think it looks so expensive. 518 00:22:22,500 --> 00:22:23,900 i'm dubious. okay. 519 00:22:24,000 --> 00:22:25,800 i think it'll be very chic. 520 00:22:25,900 --> 00:22:28,700 and i'll totally fight that.if i have to. 521 00:22:29,200 --> 00:22:32,600 kit, ricky. yes, we are very excited. 522 00:22:32,900 --> 00:22:33,700 all right. 523 00:22:33,800 --> 00:22:38,200 all these ribbons are gonna just become a giant nest. 524 00:22:38,400 --> 00:22:40,000 is it costume? 525 00:22:40,300 --> 00:22:42,500 and the answer is, "yeah." 526 00:22:42,700 --> 00:22:44,200 but it's conceptual. 527 00:22:44,300 --> 00:22:47,400 is there anything else you can do to dramatize this? 528 00:22:47,600 --> 00:22:50,900 does it need more of this to punch it up? 529 00:22:51,500 --> 00:22:53,300 no, i don't know about that. 530 00:22:53,300 --> 00:22:55,400 just have it be exuberant. 531 00:22:55,500 --> 00:22:56,800 thank you, tim. okay. 532 00:22:57,100 --> 00:22:58,100 just do it. 533 00:22:58,100 --> 00:22:59,300 santa maria. let's go. 534 00:22:59,400 --> 00:23:01,100 so rami. yes. 535 00:23:01,200 --> 00:23:03,700 sweet p. how are you doing? good. 536 00:23:04,100 --> 00:23:06,100 this is the corset gown. 537 00:23:06,100 --> 00:23:07,800 it's worn as a blouse. 538 00:23:08,000 --> 00:23:10,200 is this going to surprise them? 539 00:23:10,200 --> 00:23:12,300 or is this going to be what they expect? 540 00:23:12,500 --> 00:23:14,500 you don't think it's over the top enough, is what you're saying. 541 00:23:14,600 --> 00:23:19,300 we're asking you to go many steps higher. mm-hmm. 542 00:23:19,400 --> 00:23:23,000 and have you gone high enough? they have not seen me do corsets, tim. 543 00:23:23,100 --> 00:23:24,600 they have not seen that. the only thing i'm gonna say-- 544 00:23:24,700 --> 00:23:26,200 i'm worried. okay. 545 00:23:27,100 --> 00:23:32,300 the problem here is that we think differently, and we're working as a team. 546 00:23:32,500 --> 00:23:34,100 and it's--it's a conflict. 547 00:23:34,200 --> 00:23:37,800 i think that's more in our work process. well, how has the experience been so far? 548 00:23:37,900 --> 00:23:39,100 i want you to talk a little bit. 549 00:23:39,200 --> 00:23:40,700 (tim)how is that,the way you work together? 550 00:23:40,800 --> 00:23:42,700 we just both work really differently. 551 00:23:42,800 --> 00:23:45,100 we do, we do. so it's been--it's been difficult. 552 00:23:46,100 --> 00:23:49,700 tim is saying, "this dress looks too much like you, rami." and it's like... 553 00:23:50,200 --> 00:23:52,400 what does that have to do with how we work as a team? 554 00:23:52,700 --> 00:23:54,800 other than he won't let me in. 555 00:23:54,900 --> 00:23:56,600 all right. carry on. okay. thanks. 556 00:23:57,100 --> 00:23:59,600 victorya, jillian.how are you doing? 557 00:23:59,800 --> 00:24:02,400 we're doing okay.stressed for time. 558 00:24:02,500 --> 00:24:05,300 we're just moving as fast as we can possibly move. 559 00:24:05,400 --> 00:24:09,700 i want to assert that this coat is fabulous. 560 00:24:09,800 --> 00:24:11,300 f you can achieve this, 561 00:24:11,300 --> 00:24:13,800 this is incredible. 562 00:24:13,800 --> 00:24:14,500 yeah. 563 00:24:14,700 --> 00:24:17,200 the second outfit,we haven't even started it. 564 00:24:17,400 --> 00:24:19,100 it's a matter of finishing this 565 00:24:19,100 --> 00:24:20,800 and it's a matter of... 566 00:24:21,100 --> 00:24:22,900 that second look. 567 00:24:23,300 --> 00:24:24,200 okay. 568 00:24:24,200 --> 00:24:25,600 carry on. 569 00:24:26,000 --> 00:24:27,600 thank you. thanks, tim. 570 00:24:28,200 --> 00:24:31,300 i'll be in the sewing room. okay--i think i will join you, jillian. 571 00:24:31,500 --> 00:24:32,700 oh, great. 572 00:24:36,200 --> 00:24:37,800 (sweet p)so right now we're not talking. 573 00:24:38,000 --> 00:24:39,500 and it's a little tense. 574 00:24:39,600 --> 00:24:42,700 i'm totally expecting to be in the bottom tomorrow. 575 00:24:43,000 --> 00:24:45,700 that's one reason i really wanted to pull my dress together, 576 00:24:45,800 --> 00:24:49,300 so that i can stand strong with something really great on the runway myself. 577 00:24:52,200 --> 00:24:54,300 what? no... 578 00:24:56,400 --> 00:24:57,800 no! 579 00:24:58,100 --> 00:24:59,900 all right, you... 580 00:25:00,100 --> 00:25:00,900 come on. 581 00:25:02,300 --> 00:25:03,700 let's sew. 582 00:25:04,200 --> 00:25:10,600 by the end of the evening, i still had some finishings to do on my two garments. 583 00:25:10,900 --> 00:25:14,000 jillian as well had not completely finished her coat. 584 00:25:14,100 --> 00:25:18,300 i have no idea if we're gonna be able to even start the second look. 585 00:25:18,500 --> 00:25:19,200 yeah, let's go. 586 00:25:19,200 --> 00:25:20,900 so [bleep]ing tired. 587 00:25:20,900 --> 00:25:22,400 oh, i can't even walk. 588 00:25:34,100 --> 00:25:35,300 everybody ready? 589 00:25:35,300 --> 00:25:37,100 i'm kind of wondering 590 00:25:37,100 --> 00:25:38,900 how rami's going to be today. 591 00:25:39,200 --> 00:25:41,600 i'm just hoping we don't end up 592 00:25:42,000 --> 00:25:43,900 in some kind of fistfight. 593 00:25:43,900 --> 00:25:44,900 okay, let's go. 594 00:25:44,900 --> 00:25:46,500 i'm ready.i've been waiting. 595 00:25:47,500 --> 00:25:48,300 come on. 596 00:25:56,800 --> 00:26:00,800 i just want to make sure that it looks like an expensive enough dress. yeah, i don't think-- 597 00:26:00,900 --> 00:26:04,900 the first thing that i do is start on that second dress. 598 00:26:05,000 --> 00:26:08,600 in order to finish,i'm going to move like the speed of light today. 599 00:26:09,400 --> 00:26:10,600 good morning, designers. 600 00:26:10,600 --> 00:26:11,900 hi, tim. 601 00:26:12,500 --> 00:26:15,900 i'm going to be sending in your ready-to-wear models momentarily. 602 00:26:16,000 --> 00:26:19,000 your avant-garde models are already in hair. 603 00:26:19,200 --> 00:26:21,100 you'll have a two-hour period of time 604 00:26:21,200 --> 00:26:25,200 to send your models to the l'oreal paris makeup room and the tresemme hair salon. 605 00:26:26,000 --> 00:26:26,800 all right. 606 00:26:28,500 --> 00:26:30,300 hi, darling.let me try this on you. 607 00:26:30,400 --> 00:26:32,300 see, with the no sleeves,it's done. 608 00:26:32,400 --> 00:26:33,600 it's very chic. it's perfect. 609 00:26:33,700 --> 00:26:36,600 i think it's cute. it's a dress.it's super casual. 610 00:26:37,100 --> 00:26:39,000 (ricky)the ready-to-wear dress looks really simple. 611 00:26:39,100 --> 00:26:42,100 i would have liked to have done 612 00:26:42,200 --> 00:26:44,200 but because we were telling kit's story, 613 00:26:44,200 --> 00:26:45,300 that's the story. 614 00:26:46,000 --> 00:26:46,900 it's perfect. 615 00:26:46,900 --> 00:26:48,700 it's fine.it's what it is. 616 00:26:58,000 --> 00:27:00,700 so this is gonna be your front section. 617 00:27:06,400 --> 00:27:07,800 just put your hands up. 618 00:27:08,300 --> 00:27:10,600 this is couture hilarity. 619 00:27:10,800 --> 00:27:13,100 make sure the piece is always tucked in. 620 00:27:13,200 --> 00:27:16,100 in all honesty,i know we're gonna win. 621 00:27:16,500 --> 00:27:18,000 just has to happen. 622 00:27:18,000 --> 00:27:19,600 i smell tresemme ad. 623 00:27:19,700 --> 00:27:22,000 right here--is it supposed to be like that? 624 00:27:22,100 --> 00:27:25,100 just--that's the least of my problems right now. 625 00:27:25,300 --> 00:27:28,200 in the end, i put the second dress on my model. 626 00:27:28,300 --> 00:27:30,700 but it is like a last-minute afterthought. 627 00:27:30,800 --> 00:27:31,700 (ricky)it's beautiful. 628 00:27:31,700 --> 00:27:33,400 can you cut me a piece of thread, amanda? 629 00:27:33,500 --> 00:27:34,300 i can do it. here. 630 00:27:34,300 --> 00:27:36,300 i really like our final garment, 631 00:27:36,400 --> 00:27:39,900 because i think it stands apart from the other designers. 632 00:27:40,100 --> 00:27:41,900 i am a little bit nervous, however, 633 00:27:42,000 --> 00:27:45,300 because it's just really different from where everyone else went. 634 00:27:45,400 --> 00:27:48,000 are you sure about these boots? yeah. 635 00:27:48,100 --> 00:27:50,300 designers and models,this is it. 636 00:27:50,400 --> 00:27:51,700 we're going down to the runway. 637 00:27:51,700 --> 00:27:53,300 okay, so follow me. 638 00:27:53,300 --> 00:27:54,200 let's go. 639 00:27:54,200 --> 00:27:55,400 love you, mean it. 640 00:27:55,400 --> 00:27:57,000 i'm just worried... 641 00:27:57,000 --> 00:27:58,600 jillian, victorya. 642 00:27:58,600 --> 00:27:59,800 we've gotta go. 643 00:27:59,800 --> 00:28:03,200 we definitely lived up to team last-minute. 644 00:28:03,400 --> 00:28:07,600 i was proud that we did a great job on the avant-garde look. 645 00:28:07,700 --> 00:28:09,800 i think it would be amazing if we won. 646 00:28:09,900 --> 00:28:14,000 i just--at this point, i'm not convinced that that will happen. 647 00:28:14,400 --> 00:28:15,300 thank you. 648 00:28:16,000 --> 00:28:17,500 coming up on project runway 649 00:28:17,600 --> 00:28:20,400 i wonder if there's something else that you can do. 650 00:28:20,500 --> 00:28:22,800 it just does not look well-made. 651 00:28:31,400 --> 00:28:32,700 welcome to the runway. 652 00:28:33,400 --> 00:28:35,200 as you know, in fashion, one day you're in 653 00:28:35,400 --> 00:28:37,500 and the next day you're out. 654 00:28:37,900 --> 00:28:42,500 for this challenge,we had you work in teams of two to create two looks. 655 00:28:42,700 --> 00:28:46,300 an avant-garde look inspired by your model's hairstyle, 656 00:28:46,600 --> 00:28:48,900 and a second ready-to-wear look 657 00:28:49,000 --> 00:28:52,600 that captured the essence of the avant-garde outfit. 658 00:28:52,700 --> 00:28:57,400 the winning outfits will be featured in a tresemme ad in elle magazine. 659 00:28:58,200 --> 00:28:59,500 let's meet the judges. 660 00:29:01,500 --> 00:29:04,300 first we have top american designer michael kors. 661 00:29:04,400 --> 00:29:05,200 hey, guys. 662 00:29:05,400 --> 00:29:08,500 next we have nina garcia, fashion director of elle magazine. 663 00:29:08,800 --> 00:29:09,500 hi, everyone. 664 00:29:09,600 --> 00:29:12,600 and acclaimed italian designer alberta ferretti. 665 00:29:12,700 --> 00:29:13,500 hello. 666 00:29:13,700 --> 00:29:14,900 hi. 667 00:29:15,700 --> 00:29:17,900 we will score your designs as they come down the runway. 668 00:29:18,000 --> 00:29:19,900 one of you will be named the winner. 669 00:29:20,900 --> 00:29:22,000 and tonight, 670 00:29:22,100 --> 00:29:24,800 only one of you will be out. 671 00:29:27,400 --> 00:29:28,600 let's start the show. 672 00:29:34,700 --> 00:29:37,100 (rami)i'm very happy as i'm watching sam walk down the runway. 673 00:29:37,200 --> 00:29:43,000 i feel like i created something that is original and beautiful. 674 00:29:47,300 --> 00:29:49,500 (sweet p) i definitely really loved my dress. 675 00:29:49,700 --> 00:29:51,200 i loved rami's too, you know? 676 00:29:51,300 --> 00:29:55,400 i just think maybe it wasn't big or grand enough. 677 00:30:04,700 --> 00:30:07,000 (chris)i always watch the judges' faces. 678 00:30:07,500 --> 00:30:11,100 and nina garcia could not keep the look off of her face. 679 00:30:11,200 --> 00:30:13,500 i think that she was impressed by it. 680 00:30:14,200 --> 00:30:16,900 (christian)my avant-garde look was amazing. 681 00:30:17,100 --> 00:30:21,300 the couture pose is all about the cinched waist and hunched shoulders. 682 00:30:21,400 --> 00:30:25,500 it was such a shock factor from the beginning to the end. 683 00:30:28,300 --> 00:30:30,800 and the ready-to-wear look was so chic and looked beautiful. 684 00:30:31,300 --> 00:30:34,200 so i was 10,000% happy. 685 00:30:38,100 --> 00:30:42,200 (kit) i'm definitely happy with the avant-garde look. 686 00:30:42,400 --> 00:30:46,700 but i see the very serious fashion of all the other designers, 687 00:30:47,000 --> 00:30:49,000 ricky and i didn't go that direction, 688 00:30:49,000 --> 00:30:50,700 so that makes me very nervous. 689 00:30:55,800 --> 00:30:58,400 (ricky)to have a second look,you really get the extremes. 690 00:30:58,600 --> 00:31:01,600 so you get the really high and the really low of the whole story. 691 00:31:02,100 --> 00:31:04,400 we were excited, 'cause she looked amazing. 692 00:31:13,800 --> 00:31:15,200 (victorya) we loved the silhouette. 693 00:31:15,200 --> 00:31:16,400 we were both happy. 694 00:31:17,700 --> 00:31:21,400 jacqueline really executed that look to perfection, 695 00:31:21,500 --> 00:31:25,100 and i don't think that any other model could've done it like she did. 696 00:31:31,500 --> 00:31:35,000 (jillian)i was proud that we did finish the ready-to-wear look. 697 00:31:35,100 --> 00:31:38,100 but i wasn't satisfied with it at all. 698 00:31:45,900 --> 00:31:47,400 (heidi)we've scored your designs. 699 00:31:47,700 --> 00:31:50,200 will the following teams please step forward? 700 00:31:50,800 --> 00:31:52,300 rami and sweet p. 701 00:31:54,900 --> 00:31:56,300 kit and ricky. 702 00:31:57,800 --> 00:32:00,400 your teams have the lowest scores. 703 00:32:02,700 --> 00:32:05,800 but first, we're gonna talk to the teams with the highest scores. 704 00:32:07,000 --> 00:32:08,100 you can leave the runway. 705 00:32:14,300 --> 00:32:15,900 okay, let's bring out your models. 706 00:32:26,800 --> 00:32:28,000 christian. 707 00:32:28,200 --> 00:32:30,300 what was your thought process with your look? 708 00:32:30,400 --> 00:32:33,200 when i first saw marcia's hair, 709 00:32:33,500 --> 00:32:38,400 we took it as, like, a very romantic, um, old world feeling. 710 00:32:38,500 --> 00:32:40,700 whose, um, design was it? 711 00:32:40,700 --> 00:32:42,600 he came up with the color idea. 712 00:32:42,700 --> 00:32:44,900 and we decided on the model, we just kinda went, 713 00:32:45,000 --> 00:32:47,100 "i can do this, you can do that." 714 00:32:47,200 --> 00:32:49,700 and this is 45 yards of fabric, just to let you know. 715 00:32:51,500 --> 00:32:53,500 can we see the...back? 716 00:32:54,700 --> 00:32:57,700 is amazing, because is--is a very complicated dress. 717 00:32:57,800 --> 00:33:00,900 it's a couture dress.but the job is amazing. 718 00:33:01,000 --> 00:33:02,300 ngratulations. thank you. 719 00:33:03,100 --> 00:33:07,300 it's heaven.it looks beautifully crafted. 720 00:33:07,600 --> 00:33:11,400 it's certainly important and exciting-looking. 721 00:33:12,200 --> 00:33:13,800 i think it's very soigne. 722 00:33:13,900 --> 00:33:17,200 and i think that the ready-to-wear, the blouse is great-looking 723 00:33:17,300 --> 00:33:20,400 but i think the skirt's a little bit of a throwaway, let's be honest. 724 00:33:20,600 --> 00:33:22,500 yeah, it's not perfect, i know. 725 00:33:22,700 --> 00:33:25,600 but obviously, as a team, you guys worked well together. 726 00:33:25,800 --> 00:33:28,400 it could be a cover try,this--this look. 727 00:33:28,400 --> 00:33:30,200 it's really, really beautiful. 728 00:33:31,200 --> 00:33:32,300 (heidi)okay, victorya. 729 00:33:32,300 --> 00:33:33,900 tell us about your avant-garde look. 730 00:33:34,000 --> 00:33:37,100 the immediate reference we had was something very punk 731 00:33:37,300 --> 00:33:40,200 with an equestrian leitmotif. 732 00:33:40,200 --> 00:33:41,600 the silhouette is very beautiful. 733 00:33:41,600 --> 00:33:42,500 cutting very well, yes. 734 00:33:42,500 --> 00:33:44,900 can we see the blouse and the pants? 735 00:33:46,400 --> 00:33:48,000 (alberta)i like the shirt. i do too. 736 00:33:48,100 --> 00:33:49,400 why'd you hide them? yeah, why? 737 00:33:49,500 --> 00:33:51,400 because the coat was so beautiful. 738 00:33:51,400 --> 00:33:53,200 can i see the back of the jodhpurs? 739 00:33:54,100 --> 00:33:57,200 it's adorable, the blouse. the back of the blouse is great. 740 00:33:57,300 --> 00:34:00,700 and i don't mind the tartan little black dress. 741 00:34:00,800 --> 00:34:02,000 i mean,i think it's cute. 742 00:34:02,000 --> 00:34:03,300 we have three looks. 743 00:34:03,600 --> 00:34:04,600 no, you do! yes, you do. 744 00:34:04,700 --> 00:34:05,800 you have three looks. 745 00:34:05,800 --> 00:34:07,000 so we should win. 746 00:34:08,800 --> 00:34:10,800 okay, we've heard what you have to say. 747 00:34:11,200 --> 00:34:12,200 you can leave the runway. 748 00:34:12,200 --> 00:34:13,100 thank you. 749 00:34:19,200 --> 00:34:22,100 all right, let's bring out the teams with the lowest scores. 750 00:34:30,000 --> 00:34:32,700 rami, please tell us about your avant-garde look. 751 00:34:33,200 --> 00:34:34,900 when i first looked at sam, 752 00:34:34,900 --> 00:34:37,200 instantly i thought of a corset. 753 00:34:37,600 --> 00:34:39,500 i imagined something that is flowy. 754 00:34:39,900 --> 00:34:41,400 we paired it with a pair of pants 755 00:34:41,500 --> 00:34:45,700 to kind of create sort of two odds and have them meet together. 756 00:34:46,200 --> 00:34:48,200 who did what exactly? 757 00:34:48,300 --> 00:34:52,400 i made the gown with the corset. 758 00:34:52,500 --> 00:34:54,900 sweet p made the pants and the dress. 759 00:34:54,900 --> 00:34:56,600 the dress is beautiful. 760 00:34:56,600 --> 00:34:57,700 it's a cute dress. 761 00:34:57,800 --> 00:35:00,100 the commercial dress,in this instance, to me, 762 00:35:00,200 --> 00:35:03,000 is more forward-looking than the avant-garde piece. 763 00:35:03,100 --> 00:35:06,700 rami, i know that you do draping impeccably. 764 00:35:06,800 --> 00:35:09,600 i wonder if there's something else that you can do. 765 00:35:10,400 --> 00:35:13,900 the dress, the volume is not so dramatic. it's too normal. 766 00:35:14,100 --> 00:35:17,700 maybe the shape of the trouser could've been more masculine. 767 00:35:17,800 --> 00:35:19,400 can we see what they look like now? 768 00:35:20,400 --> 00:35:22,600 she looks like her ass is in her front. 769 00:35:23,600 --> 00:35:27,600 like, the gown could've had something that when she walked out, it just went, "whoo." 770 00:35:27,700 --> 00:35:31,500 wanted to add something back here, like an explosion out of her rear 771 00:35:32,200 --> 00:35:34,300 you know, i know it sounds kooky 772 00:35:34,500 --> 00:35:38,000 but, you know, i think that he was really taking ownership of his design, 773 00:35:38,100 --> 00:35:40,300 and didn't really want me putting too much into it. 774 00:35:40,700 --> 00:35:42,400 we were two odds working together, 775 00:35:42,600 --> 00:35:46,100 that's what sort of took away from the, um, loudness. 776 00:35:46,200 --> 00:35:48,100 we work different ways. yes. 777 00:35:48,500 --> 00:35:50,800 you do know that the best design teams 778 00:35:50,900 --> 00:35:54,300 are not people who are exactly the same. sure. 779 00:35:54,400 --> 00:35:55,600 or else you're just sitting and telling, 780 00:35:55,700 --> 00:35:57,500 "you're fabulous." you know, "you're fabulous." 781 00:35:57,600 --> 00:35:59,900 i mean, you want someone else's opinion. and you get nothing done. 782 00:36:00,100 --> 00:36:01,100 i mean, you get nothing. 783 00:36:01,200 --> 00:36:04,000 and you just-- you were arm wrestling he whole time. 784 00:36:07,700 --> 00:36:09,000 kit. hello. 785 00:36:09,100 --> 00:36:11,200 how did you divide up the work between the two of you? 786 00:36:11,300 --> 00:36:13,600 i made the skirt. 787 00:36:13,600 --> 00:36:15,500 and ricky made the corset 788 00:36:15,500 --> 00:36:16,700 and the ready-to-wear dress. 789 00:36:16,700 --> 00:36:18,800 it's so strange, that dress 790 00:36:18,800 --> 00:36:20,500 because it's not avant-garde 791 00:36:20,500 --> 00:36:21,900 it's cheap, it's real cheap. 792 00:36:21,900 --> 00:36:24,300 it's a little scarlett o'hara. 793 00:36:25,200 --> 00:36:27,000 but in a cheap way. 794 00:36:28,100 --> 00:36:30,300 i have to say what alberta said about, 795 00:36:30,400 --> 00:36:32,600 you know, scarlett o'hara ripped the drapes down. 796 00:36:32,800 --> 00:36:35,200 but she made a couture dress out of her drapes. 797 00:36:35,500 --> 00:36:38,200 this, she ripped the sheets off the bed and ran out the door 798 00:36:38,300 --> 00:36:41,600 i think also,it just does not look well-made. 799 00:36:41,700 --> 00:36:43,400 you know, if you look at the satin, 800 00:36:43,500 --> 00:36:46,200 it is all, like,wrinkly. 801 00:36:46,700 --> 00:36:49,200 it--i feel like it needs to be steamed or something. 802 00:36:49,400 --> 00:36:53,100 if i were pulling for a couture, avant-garde photo shoot, 803 00:36:53,200 --> 00:36:54,700 this would not be it. 804 00:36:55,200 --> 00:36:58,700 and i think the ready-to-wear outfit 805 00:36:58,700 --> 00:37:00,400 is equally disappointing. 806 00:37:02,400 --> 00:37:04,100 okay, we've heard what you had to say. 807 00:37:04,100 --> 00:37:05,600 we're gonna have a little chat. 808 00:37:05,600 --> 00:37:06,900 and then i'm gonna call you back. 809 00:37:06,900 --> 00:37:08,000 you can leave the runway. 810 00:37:17,100 --> 00:37:18,900 so who did we like? 811 00:37:19,200 --> 00:37:23,900 christian and chris had, i think, a remarkable avant-garde piece. 812 00:37:24,000 --> 00:37:26,600 in two days, is amazing job.that is important. 813 00:37:26,700 --> 00:37:29,600 as a team, they worked together brilliantly. 814 00:37:29,600 --> 00:37:31,200 normally, you know,two designers, 815 00:37:31,200 --> 00:37:32,700 you stick two things together, 816 00:37:32,700 --> 00:37:34,300 it looks like two things stuck together. 817 00:37:34,300 --> 00:37:35,600 but in this case,it didn't. 818 00:37:35,700 --> 00:37:38,000 she looked like a photo shoot right there. 819 00:37:41,700 --> 00:37:43,300 with victorya and jillian, 820 00:37:43,300 --> 00:37:44,600 i loved the dress. 821 00:37:44,600 --> 00:37:46,600 i loved the pants and the shirt. 822 00:37:46,600 --> 00:37:47,800 and i loved the coat. 823 00:37:47,800 --> 00:37:49,200 it just looked terrific. 824 00:37:49,300 --> 00:37:52,200 very, very good job in all directions. 825 00:37:52,200 --> 00:37:54,000 you could see a lot of women 826 00:37:54,200 --> 00:37:57,400 really wanting to wear those clothes. yeah. 827 00:38:00,800 --> 00:38:03,700 what did we think about rami and sweet p's team? 828 00:38:03,800 --> 00:38:06,100 (nina) he knows he can drape very well. 829 00:38:06,100 --> 00:38:08,000 and that's what he consistently gives us. 830 00:38:08,000 --> 00:38:09,800 but show us something else for a change. 831 00:38:09,900 --> 00:38:11,500 his excuse was-- 832 00:38:11,500 --> 00:38:12,200 sweet p. 833 00:38:12,200 --> 00:38:14,400 he was throwing her under the bus. 834 00:38:14,500 --> 00:38:17,500 she executed the daytime dress very nicely. yeah. 835 00:38:17,700 --> 00:38:20,000 it was a great, great little daytime dress. 836 00:38:22,500 --> 00:38:24,700 and then kit and ricky. 837 00:38:24,800 --> 00:38:29,000 i don't know if they even wrapped their head around the word "avant-garde." 838 00:38:29,100 --> 00:38:30,200 it is so strange. 839 00:38:30,200 --> 00:38:32,500 because their realization is terrible. 840 00:38:32,500 --> 00:38:34,000 she picked out these fabrics, 841 00:38:34,000 --> 00:38:36,000 which i think looked very poor. 842 00:38:36,100 --> 00:38:40,100 if they would've executed it in a beautiful way with beautiful materials, 843 00:38:40,200 --> 00:38:41,200 it could've worked. 844 00:38:41,200 --> 00:38:42,800 the one thing i will say,though, 845 00:38:42,900 --> 00:38:46,800 is the construction of that hoop from scratch-- 846 00:38:46,800 --> 00:38:47,600 that was good. 847 00:38:47,700 --> 00:38:49,800 but it didn't help the look of the clothes. no. 848 00:38:49,900 --> 00:38:53,500 and then,the ready-to-wear dress truly looked 849 00:38:53,900 --> 00:38:55,200 like the poorest... 850 00:38:55,300 --> 00:38:57,600 amateur.everything looked amateur. 851 00:39:01,900 --> 00:39:03,400 so we've made our decision? 852 00:39:04,000 --> 00:39:04,600 yeah. 853 00:39:04,600 --> 00:39:06,300 okay, let's bring them back out. 854 00:39:17,700 --> 00:39:19,200 one of you will be named the winner. 855 00:39:21,900 --> 00:39:24,000 and one of you will be out. 856 00:39:29,400 --> 00:39:31,100 one of you will be named the winner. 857 00:39:34,000 --> 00:39:35,900 and one of you will be out. 858 00:39:36,900 --> 00:39:38,300 let's start with the winner. 859 00:39:38,500 --> 00:39:40,400 it was between christian's team 860 00:39:40,400 --> 00:39:41,900 and victorya's team. 861 00:39:43,000 --> 00:39:44,600 congratulations... 862 00:39:46,300 --> 00:39:47,300 christian. 863 00:39:48,800 --> 00:39:50,400 you were the winner of this challenge. 864 00:39:50,700 --> 00:39:53,200 your looks will be featured in a tresemme ad 865 00:39:53,600 --> 00:39:54,800 in elle magazine. 866 00:39:55,800 --> 00:39:57,800 christian, because you were the team leader, 867 00:39:58,500 --> 00:40:00,200 you will also have immunity 868 00:40:00,200 --> 00:40:02,400 and can't be eliminated in the next challenge. 869 00:40:02,400 --> 00:40:03,800 you both can leave the runway. 870 00:40:09,500 --> 00:40:12,900 i want to win them all, but this challenge really meant something. 871 00:40:13,000 --> 00:40:15,000 i'm really excited, and it's great to be in elle. 872 00:40:15,100 --> 00:40:18,200 being young, i don't have that much press yet. 873 00:40:21,200 --> 00:40:22,200 victorya, 874 00:40:22,800 --> 00:40:23,600 jillian. 875 00:40:23,600 --> 00:40:24,900 good work. you're both in. 876 00:40:24,900 --> 00:40:26,000 you can leave the runway. 877 00:40:33,300 --> 00:40:34,100 ricky. 878 00:40:34,700 --> 00:40:35,500 you're in. 879 00:40:35,500 --> 00:40:36,700 you can leave the runway. 880 00:40:44,000 --> 00:40:45,000 sweet p. 881 00:40:45,700 --> 00:40:46,400 you're in. 882 00:40:46,400 --> 00:40:47,600 you can leave the runway. 883 00:40:55,600 --> 00:40:56,600 rami, 884 00:40:57,500 --> 00:40:58,500 kit. 885 00:40:58,800 --> 00:41:00,300 one of you will be out. 886 00:41:03,500 --> 00:41:06,300 rami, your avant-garde look wasn't dramatic. 887 00:41:06,700 --> 00:41:10,600 unfortunately,the only drama that we saw was between you and sweet p. 888 00:41:11,000 --> 00:41:12,400 and as a team leader, 889 00:41:12,400 --> 00:41:13,900 that is your fault. 890 00:41:14,300 --> 00:41:17,400 kit, we wanted you to give us something fashion-forward. 891 00:41:17,500 --> 00:41:19,500 but instead, you took us backwards. 892 00:41:19,900 --> 00:41:21,200 but not in a good way. 893 00:41:26,700 --> 00:41:27,500 kit. 894 00:41:28,400 --> 00:41:29,400 you're out. 895 00:41:30,500 --> 00:41:31,900 that means rami, you're in. 896 00:41:32,300 --> 00:41:33,600 you can leave the runway. 897 00:41:42,400 --> 00:41:43,700 auf wiedersehen, kit. 898 00:41:45,500 --> 00:41:46,600 thank you. bye. 899 00:41:54,700 --> 00:41:56,600 you guys,if any of you cry, i'm gonna start crying. 900 00:41:56,700 --> 00:41:59,200 i honestly don't believe in regret. 901 00:41:59,200 --> 00:42:01,000 and i have no regrets. 902 00:42:01,400 --> 00:42:03,400 i went out, and i went out big. 903 00:42:03,800 --> 00:42:06,800 so i need to send you upstairs to clean up your space, okay? let's do it. 904 00:42:08,500 --> 00:42:10,000 love you. love you.bye, kit. 905 00:42:10,700 --> 00:42:13,100 i'm really, really sad that i'm leaving. 906 00:42:13,200 --> 00:42:19,500 but i have two full suitcases of friendship and success. 907 00:42:20,300 --> 00:42:22,400 it's unfortunate for me, 908 00:42:22,500 --> 00:42:26,000 but it's also unfortunate for the competition that i'm out. 909 00:42:31,000 --> 00:42:32,100 (man)okay, here we go. 910 00:42:33,000 --> 00:42:34,400 (woman)could p u taar a sterwd? 911 00:42:34,700 --> 00:42:36,400 (christian)the tresemme ad is pretty amazing. 912 00:42:36,400 --> 00:42:38,100 (woman)give attitude. exactly. 913 00:42:38,300 --> 00:42:40,200 team fierce-- oh, my god, are you joking? 914 00:42:40,200 --> 00:42:41,700 it was total destiny. 915 00:42:44,100 --> 00:42:46,000 next on project runway 916 00:42:46,300 --> 00:42:49,500 behind this door, you'll find the raw materials for your challenge. 917 00:42:51,400 --> 00:42:54,000 i don't even want to know what's on the other side. 918 00:42:54,100 --> 00:42:55,600 (christian) fabulous. 919 00:42:55,800 --> 00:42:58,000 if you don't understand the situation by now, 920 00:42:58,000 --> 00:42:59,400 you're refusing to learn. 921 00:42:59,900 --> 00:43:01,300 (sweet p)are you all right, jillian? 922 00:43:01,600 --> 00:43:05,400 i'm really starting to feel the weight of all of this pressure. 923 00:43:05,800 --> 00:43:08,000 i don't know anyone who would really wanna look like that. 924 00:43:08,100 --> 00:43:09,600 it looks a little home-sewn. 925 00:43:10,100 --> 00:43:11,900 you were not inspired by this at all. 926 00:43:12,200 --> 00:43:14,800 this is like a roller coaster. you don't know where to go. 927 00:43:16,000 --> 00:43:20,000 ��������Ļ�� -==http://www.ragbear.com==- ��ӭ���� 0 00:00:0,500 --> 00:00:2,00 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