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previously on project runway
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you will be making a prom dress for them.
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i was very scared.
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i don't want to hem this.
5
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what do you mean,
you don't want to hem it, darling?
6
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that would be unfinished.
7
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i'm--i'm not gonna do it.
8
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??i was thinking of sleeve here.
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you want another sleeve here?
10
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i'm not a dressmaker.
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very cute.
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i literally wanted to rip the dress off and give up.
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congratulations...
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victorya.
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ou are the winner of this challenge.
17
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i just don't like the fact
that you're blaming maddie.
18
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thank you.
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she looks like she's 35 years old.
20
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i am distracted by the hemming.
21
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kevin, you're out.
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the winner of project runway will receive
a spread in elle magazine,
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an opportunity to sell their line on bluefly.com,
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an all-new 2008 saturn astra,
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and $100,000 to start their own line
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furnished by tresemme professional hair care.
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this is project runway.
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let's go.
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hell, yes, i'm the best.
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you're either in, or you're out.
31
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i'm in...they're out.
32
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i wouldn't be caught dead in his clothes.
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fashion is my life.
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who will be the next big fashion designer?
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that's me.
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bottom line, i'm the best.
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i will own the runway.
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for these 15 designers,
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project runwayis the chance of a lifetime.
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so how do you feel bout yesterday, christian?
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about what? my client?
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that almost got me eliminated?
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i had such a hard time
with the prom challenge.
46
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i shouldn't have really been
in the bottom two, though.
47
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i know my dress wasn't that great.
48
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but...god.
49
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others were not cute.
50
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ask me about any challenge, i've probably been up there.
yeah
51
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after last night's elimination,
52
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it's just a reminder that...
53
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i got a lot of work to do.
54
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i'll miss kevin,
55
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but i'm glad it's not me.
56
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i'm ready.
57
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all right, bitches. let's go.
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we gotta find out what our challenge is.
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hello.
60
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hello.
61
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before i tell you about your next challenge,
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let's bring out your models.
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oh, my stars.
64
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you've probably noticed something different
about your models today.
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and that's because for your next challenge,
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you will be creating an avant-garde look inspired
by your model's hairstyle.
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the challenge really just couldn't be better.
68
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this is the challenge
that i'm the most excited about.
69
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this is an opportunity for you
to push yourselves as designers,
70
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and to create something artistic and conceptual
71
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models,
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because you weren't used
in the last challenge,
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there are ten of you and eight designers.
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so two of you will be out.
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victorya,
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you won the last challenge.
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so you get the first pick.
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i would love to stick with jacqueline.
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kit.
okay, good. marie.
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weet p.
81
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this is tough because of the hairdos.
82
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i'm sorry, i want to pick lea.
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sorry.
84
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i feel so bad, but i picked lea over katie.
85
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her hair was nothing.
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lea's was fierce.
87
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jillian.
i'm gonna stay with lauren.
88
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chris.
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marcia.
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00:03:44,800 --> 00:03:45,500
rami.
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i would love to work with sam.
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christian.
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lisa.
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i picked lisa,who was my first model.
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god, she is so high fashion.
96
00:03:55,300 --> 00:03:56,300
katie,
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aviva,
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amanda.
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two of you will be out.
100
00:04:02,800 --> 00:04:03,700
ricky,
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you have a hard decision to make.
102
00:04:06,000 --> 00:04:07,200
i'm sorry, ladies.
103
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you're all beautiful.
104
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but i want to play with amanda.
105
00:04:14,800 --> 00:04:16,400
katie, aviva.
106
00:04:16,600 --> 00:04:17,500
i'm sorry, you're out.
107
00:04:17,600 --> 00:04:18,800
auf wiedersehen.
108
00:04:26,100 --> 00:04:27,900
tim is waiting for you
in the workroom
109
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to fill you in on some of the details.
110
00:04:30,100 --> 00:04:32,600
good luck, and i'll see you
on the runway.
111
00:04:33,200 --> 00:04:34,500
bye.
112
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bye.
113
00:04:41,000 --> 00:04:42,600
designers, as heidi said,
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for this challenge you'll be creating an
avant-garde look inspired by your model's hairstyle.
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00:04:47,300 --> 00:04:49,800
this look does not have to be practical.
116
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it doesn't even have to be very wearable.
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an avant-garde look is by definition ambitious.
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because of that,
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you will be working in teams of two.
120
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of course.
121
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i will draw your names from this bag
to determine the teams.
122
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so team one is...
123
00:05:09,800 --> 00:05:10,800
kit.
124
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and...
125
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ricky.
126
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team two...
127
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sweet p.
128
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with rami.
129
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oh, that's fantastic.
130
00:05:22,900 --> 00:05:24,200
team three...
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chris.
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with...
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christian.
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i was like, "all he does is costume and crazy [bleep]."
135
00:05:32,800 --> 00:05:35,200
he's gonna come up
with something fabulous.
136
00:05:35,300 --> 00:05:36,200
who's left?
137
00:05:36,200 --> 00:05:37,500
victorya
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and jillian.
139
00:05:39,800 --> 00:05:44,000
all right? you'll have 30 minutes
to determine which model's hairstyle
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00:05:44,200 --> 00:05:47,100
will inspire the look for this challenge.
141
00:05:47,200 --> 00:05:49,200
your budget is $300.
142
00:05:49,400 --> 00:05:51,800
and you will have two days.
143
00:05:51,800 --> 00:05:55,800
each team must choose a team leader.
144
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i'm gonna send in your models.
145
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use your time well.
146
00:05:59,200 --> 00:06:00,200
thank you.
147
00:06:02,100 --> 00:06:03,600
it's gonna have to be one girl.
148
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i know, we gotta look at their hair.
149
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since you worked at alexander mcqueen,
do you wanna be the team leader?
150
00:06:09,700 --> 00:06:11,300
i'm so scared.
151
00:06:11,600 --> 00:06:13,400
i'm gonna get eliminated.
152
00:06:13,500 --> 00:06:14,700
honey, it happened to me.
153
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i really don't wanna be leader
because i don't wanna be eliminated.
154
00:06:17,700 --> 00:06:21,200
but then,i feel really strongly
about this challenge.
155
00:06:21,400 --> 00:06:23,300
let's just decide.
who should we use?
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i think hers is more glamorous.
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00:06:25,400 --> 00:06:27,000
use her then. go ahead.
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we chose marcia.
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she's very tall and gorgeous.
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what if we did the entire dress
in circles of organza?
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thousands.
thousands.
162
00:06:38,100 --> 00:06:40,300
we're gonna do this
in the most diplomatic way. so i'm sorry--
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your hair is more easy to work with.
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sorry, girl. have a seat.
165
00:06:43,500 --> 00:06:46,000
marie's hair looks like t.a bird nes
166
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so we decided to use my model, marie.
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our whole concept
is based off this idea of nesting.
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in my head, these are all
totally different fabrics
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that look good together.
that could be cool too. i like that idea.
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00:06:59,000 --> 00:07:02,000
it just worked out naturally
that i would be the team leader,
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because it's basically my concept.
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fantastic.
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rami and i decided we will pick sam as our model.
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he is the leader.
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because my mind doesn't really
naturally go to the avant-garde.
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the chiffon is restricted in one area of the bodice
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and then just pretty much freely falls out
into a gown of some sort.
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the vision
for this avant-garde piece is hard and soft.
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i'm using that concept to create curvy lines
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and then freely falling out,
just like her hair.
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so what were you thinking?
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so i thought about, like, kind of an
apocalyptic, dramatic trench coat.
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actually, when i saw jacqueline,
i know that she definitely has a very heavy,
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like,'80s punk reference.
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there was not gonna be a chance in hell
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that either of us were gonna say,
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"okay, you be the leader."
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it was not gonna happen.
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i think we should just flip a coin.
unless we flip this,
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and if it lands face up,
it's mine--
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okay, that's good.s it closed? ok.
face down, it's yours.
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it's yours.
okay.
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are you cool with that?
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i am--
i'm a little uncomfortable about some of the things.
195
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i think we need to just
really solidify a story here.
196
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right, okay.
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designers,
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time's up.
199
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we're going shopping.
200
00:08:11,400 --> 00:08:12,900
(ricky)we have $300 for this challenge.
201
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ooh, look at this one.
that--that, that, that.
202
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we are getting different fabrics
that work with the colors
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that we talked about.
204
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oh, my god,this is beautiful.
205
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rami?
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sweet p.
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rami?
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is there enough?
209
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yeah, there's two rolls.
210
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that's not 40 yards.
211
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we need so much fabric.
212
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we need probably 50 yards of organza.
213
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oh, this is better.
214
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this is way better.
this is gonna be perfect.
215
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thank you, mood!
216
00:08:50,300 --> 00:08:51,600
oh, wow, we have a lot.
217
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i don't want it to look like
little house on the prairie.
218
00:08:55,500 --> 00:08:59,900
our avant-garde look started with the idea
of the hair being a bird's nest.
219
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so we did a theme of a girl
who'd be in a garden
220
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and many aprons to represent layering.
221
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this is some serious drama.
222
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like, it's the girl in me,
and it's the bitch in you.
223
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it's the bottom.
224
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ferosh
225
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if i was a diva,
226
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my name would be ferosh.
227
00:09:18,300 --> 00:09:22,000
marcia has this huge,
kind of romantic braided bun.
228
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and so the gown is literally hundreds of layers
229
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of tiered, circular ruffles.
230
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and we'll have this giant neckpiece,
231
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and oh, my god, it's amazing.
232
00:09:31,100 --> 00:09:34,400
i'm trying to build us a cell
phone towerso we can call out.
233
00:09:34,500 --> 00:09:37,200
how about if it takes us to elisa's planet?
234
00:09:37,300 --> 00:09:40,100
didn't you know,
elisa left me these instructions.
235
00:09:40,200 --> 00:09:44,200
???the model's.. and just kind of
tip it over here.
236
00:09:44,300 --> 00:09:45,100
yeah, awesome.
237
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the model's hair gives the effect of a mohawk.
238
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so it allowed us
to come up with this theme of, like, rebellion.
239
00:09:53,100 --> 00:09:56,300
and i'm kind of replicating
the hairstyle down the back
240
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of the trench coat that i'm making.
241
00:09:58,900 --> 00:10:01,300
victorya's working on the shirt
and the pants.
242
00:10:01,600 --> 00:10:03,900
two days is never
enough time for anything for me.
243
00:10:04,200 --> 00:10:09,500
and victorya and i are both people who struggle
with time management.
244
00:10:09,800 --> 00:10:11,700
so i'm pretty worried about it.
245
00:10:13,600 --> 00:10:15,900
so why don't you put it
on the dress form
246
00:10:16,000 --> 00:10:19,600
and try to put a french seam
in the center front, okay?
247
00:10:20,400 --> 00:10:25,900
i chose to take over the corset
and sort of the gown part of the outfit
248
00:10:26,000 --> 00:10:29,000
because it's very intricate and detailed.
249
00:10:29,100 --> 00:10:32,800
so i asked sweet p
if she's able to do a pair of trousers,
250
00:10:32,900 --> 00:10:35,100
and she reassured me that she can do it.
251
00:10:45,400 --> 00:10:48,100
do you wanna make the apron and the thing?
252
00:10:48,200 --> 00:10:49,800
oh, yeah.you want me to do that instead?
yeah.
253
00:10:49,900 --> 00:10:50,900
let me just bone her.
254
00:10:51,400 --> 00:10:53,400
bone her, and then make the apron.
255
00:10:54,600 --> 00:10:56,900
pin it extremely straight all the way down.
256
00:10:57,500 --> 00:10:59,100
do you feel comfortable with that?
257
00:10:59,400 --> 00:11:00,200
mm-hmm.
are you sure?
258
00:11:00,300 --> 00:11:04,800
i think what is slowing me down
is actually having to constantly answer
259
00:11:04,900 --> 00:11:06,800
and attend to, uh, sweet p.
260
00:11:06,900 --> 00:11:09,700
because she's struggling
with, um,a pair of pants.
261
00:11:09,800 --> 00:11:12,400
i just feel like the pants
should be almost finished.
262
00:11:12,500 --> 00:11:13,800
that's my only concern.
263
00:11:14,600 --> 00:11:16,500
they are almost finished.
because there's so much work in here.
264
00:11:16,700 --> 00:11:19,500
look, dude!
we wanted to accomplish getting the pant
265
00:11:19,600 --> 00:11:23,000
and the corset sewn.and we've finished those.
266
00:11:23,100 --> 00:11:25,900
and we've also draped most of the gown.
267
00:11:26,000 --> 00:11:31,300
so i'm not really comprehending why he's so stressed out
when we are actually ahead of the game.
268
00:11:31,400 --> 00:11:33,400
these are almost done, rami.
okay, cool.
269
00:11:33,500 --> 00:11:34,500
i'm just telling you.
all right.
270
00:11:34,600 --> 00:11:36,400
i'm just thinking ahead.
271
00:11:36,500 --> 00:11:38,700
any dysfunction that happensin the team,
272
00:11:38,700 --> 00:11:41,000
i feel like i'm going to be blamed for it.
273
00:11:41,300 --> 00:11:43,300
my ass is on the line, basically, here.
274
00:11:45,100 --> 00:11:46,600
coming up on project runway
275
00:11:46,700 --> 00:11:49,100
i have a special announcement to make.
276
00:11:49,100 --> 00:11:50,100
oh, my god.
277
00:11:50,800 --> 00:11:55,100
my reaction is horror.nausea.
278
00:12:01,900 --> 00:12:02,900
all right, man.
279
00:12:03,200 --> 00:12:05,100
do i have enough cigarettes for the day?
280
00:12:05,400 --> 00:12:08,400
i'm kind of worried to go into parsons today,
281
00:12:08,500 --> 00:12:11,800
because rami just seemed upset last night.
282
00:12:11,900 --> 00:12:16,000
so i am hoping things are
a little different this morning.
283
00:12:16,100 --> 00:12:17,000
(ricky)let's get to work.
284
00:12:17,100 --> 00:12:18,800
again?
go.
285
00:12:21,900 --> 00:12:23,600
sweet p's a little dyslexic.
286
00:12:24,200 --> 00:12:25,700
i never know what door to open.
287
00:12:25,800 --> 00:12:27,600
you're gonna go do the ruffles.
288
00:12:27,700 --> 00:12:29,600
the crinoline.
okay, and i'm gonna just--
289
00:12:29,700 --> 00:12:31,200
and you're working on her aprons.
yeah.
290
00:12:31,400 --> 00:12:32,500
we're there, girl.
291
00:12:32,500 --> 00:12:33,300
work.
292
00:12:33,400 --> 00:12:37,000
the challenge is to do something avant-garde
inspired by the model's hair.
293
00:12:37,300 --> 00:12:39,200
and it can be anything.
294
00:12:39,400 --> 00:12:41,200
so i'm excited.
295
00:12:41,300 --> 00:12:43,000
what do you think should be done?
296
00:12:43,400 --> 00:12:45,100
something out the back.
297
00:12:45,200 --> 00:12:46,800
maybe i do think bustle.
298
00:12:46,900 --> 00:12:48,600
some drama.
what is the goal?
299
00:12:48,700 --> 00:12:50,700
'cause it could look like ...and be over the top.
of course.
300
00:12:50,800 --> 00:12:52,900
i mentioned bustling a few times.
301
00:12:53,000 --> 00:12:54,800
and if we build the back of the dress out,
302
00:12:54,900 --> 00:12:56,100
i thought it would look really cool.
303
00:12:56,100 --> 00:12:58,500
but he's not really listening.
304
00:12:58,800 --> 00:13:00,200
let me take over this.
305
00:13:00,300 --> 00:13:01,400
okay?
mm-hmm.
306
00:13:05,000 --> 00:13:07,700
designers, may i ask you to gather round, please?
307
00:13:09,600 --> 00:13:12,100
i have a special announcement to make.
308
00:13:13,000 --> 00:13:15,000
i get scared of special announcements.
309
00:13:18,900 --> 00:13:22,400
there will be another look walking down
the runway tomorrow.
310
00:13:24,000 --> 00:13:25,000
what's that mean?
311
00:13:28,200 --> 00:13:29,600
another look.
312
00:13:29,900 --> 00:13:32,800
i wanted to throw up.
oh, my god, i was so pissed.
313
00:13:33,000 --> 00:13:36,100
each of your teams must create
a ready-to-wear garment
314
00:13:36,200 --> 00:13:39,500
that embodies the essence
of your avant-garde look.
315
00:13:40,700 --> 00:13:44,300
let me assert that every
major fashion designer must do this.
316
00:13:44,400 --> 00:13:47,600
provoke and inspire
with high-end conceptual work
317
00:13:47,800 --> 00:13:50,400
and translate it to saleable ready-to-wear.
318
00:13:50,500 --> 00:13:52,200
and this has to be done by tomorrow?
319
00:13:52,200 --> 00:13:53,500
by tomorrow.
320
00:13:53,700 --> 00:13:54,500
oh, my god.
321
00:13:54,900 --> 00:13:57,800
you will have an additional
budget of $50 for this look.
322
00:13:58,100 --> 00:14:00,600
and we're going to give you until 1:00 a.m.
323
00:14:00,900 --> 00:14:03,500
i'm going to give you 15 minutes
to talk among yourselves.
324
00:14:03,700 --> 00:14:04,900
and then we'll be going to mood,
325
00:14:05,000 --> 00:14:06,900
where you'll have 15 minutes to shop.
326
00:14:07,200 --> 00:14:09,100
and only one team member must go.
327
00:14:09,300 --> 00:14:11,200
i'm gonna give you 15 minutes to caucus.
328
00:14:11,300 --> 00:14:12,500
and i'll be back.
329
00:14:12,500 --> 00:14:13,600
thank you.
330
00:14:13,900 --> 00:14:16,300
(kit)so i already had an idea.
blouse, dress, skirt?
331
00:14:16,500 --> 00:14:18,600
dress, dress, dress, dress.
simple dress.
332
00:14:18,900 --> 00:14:20,800
we wanna be--and then we do a band.
hmm.
333
00:14:21,000 --> 00:14:22,300
right away, kit looks at me.
334
00:14:22,400 --> 00:14:24,100
she's like, we should do
something like a little dress.
335
00:14:24,200 --> 00:14:25,900
and i said, "you know what, i'll figure it out.
336
00:14:26,000 --> 00:14:27,400
i'll drape it." it's cake for me.
337
00:14:27,500 --> 00:14:29,000
i-i do it day in and day out.
338
00:14:29,100 --> 00:14:31,000
i wanna pick out the fabric.
339
00:14:31,100 --> 00:14:33,400
and we'll just do this simple little chic
340
00:14:33,900 --> 00:14:35,000
little outfit.
341
00:14:35,000 --> 00:14:36,500
i'm not scared at all.
342
00:14:39,500 --> 00:14:40,700
just focus on one.
343
00:14:41,200 --> 00:14:43,900
whoever gets finished starts it.
a shirtdress, maybe?
when--yeah.
344
00:14:44,100 --> 00:14:45,200
i'm already off schedule.
345
00:14:45,400 --> 00:14:50,700
so my reaction is horror, nausea.
346
00:14:51,000 --> 00:14:52,700
i think navy.
why is it navy?
347
00:14:52,800 --> 00:14:55,400
because it kind of
ties in with the pant, and--
348
00:14:55,500 --> 00:14:57,400
but the pant is the background--
i feel like it makes it day.
349
00:14:57,500 --> 00:14:59,000
i feel like it makes it day, though.
350
00:14:59,000 --> 00:15:01,000
navy's not so much day, i think.
351
00:15:01,000 --> 00:15:02,800
right away, i have an idea.
352
00:15:02,900 --> 00:15:05,000
and he's immediately like,
"i don't like that color."
353
00:15:05,600 --> 00:15:07,300
and i'm like, "okay."
354
00:15:08,000 --> 00:15:09,300
sketch for me
what you have in mind.
355
00:15:09,400 --> 00:15:11,100
i go from the form the most.
356
00:15:11,200 --> 00:15:13,900
i can't be in the dark with what you're doing.
you don't trust that i'm gonna--
357
00:15:14,000 --> 00:15:15,200
because you don't seem too sure about it!
358
00:15:15,300 --> 00:15:17,200
you're not telling me
what you're doing.
???
359
00:15:17,300 --> 00:15:19,000
you scribbled out your sketch, so i'm confused.
360
00:15:19,100 --> 00:15:23,200
sweet p was not clear
to what she wanted to design.
361
00:15:23,300 --> 00:15:27,500
but since we are a team,
i really need to know what it's going to be.
362
00:15:27,800 --> 00:15:29,200
i'm not asking for a lot.
cut me a swatch.
363
00:15:29,300 --> 00:15:30,100
okay.
364
00:15:31,200 --> 00:15:34,200
all right, designers,
your 15 minutes is up.
365
00:15:34,400 --> 00:15:36,400
i'm leading the group to mood.
366
00:15:36,400 --> 00:15:37,500
who's coming with me?
367
00:15:38,600 --> 00:15:39,200
okay.
368
00:15:39,400 --> 00:15:40,300
thank you, jillian.
369
00:15:40,300 --> 00:15:41,600
pray for us.
370
00:15:42,900 --> 00:15:43,800
(man)get out of the way!
371
00:15:46,400 --> 00:15:47,200
love you, bye.
372
00:15:48,000 --> 00:15:49,000
oh, wait, i need that print.
373
00:15:49,000 --> 00:15:51,500
i chose to go to mood just because i'm fast,
374
00:15:51,600 --> 00:15:53,700
and i kind of knew exactly what i needed.
375
00:15:54,000 --> 00:15:56,500
like, this is my main choices here. like a gray...
376
00:15:56,700 --> 00:15:58,300
ooh, that's gorgeous.
377
00:15:58,400 --> 00:16:02,500
i just started running around.
and i found some beautiful silver shantung.
378
00:16:02,700 --> 00:16:05,200
and i think i'll get something
really cute out of this.
379
00:16:07,000 --> 00:16:08,000
let's cut that.
380
00:16:08,000 --> 00:16:09,300
just give me a yard and a half.
381
00:16:09,300 --> 00:16:10,400
i think i can make do.
382
00:16:10,400 --> 00:16:12,500
i pulled everything together that i needed.
383
00:16:12,700 --> 00:16:16,700
let's get this fabric and get out of here
so we can make something with it.
384
00:16:17,300 --> 00:16:18,100
time's up.
385
00:16:18,100 --> 00:16:20,200
let's head back to the workroom now, okay?
386
00:16:23,800 --> 00:16:24,500
okay.
387
00:16:24,700 --> 00:16:25,800
how'd it go, jillian?
388
00:16:25,800 --> 00:16:27,500
went good. let me show you what i bought.
389
00:16:27,600 --> 00:16:29,200
i got this.
cool.
390
00:16:29,400 --> 00:16:31,400
so i will start draping.
391
00:16:31,500 --> 00:16:32,900
but i'll just drape.show you.
just show me.
392
00:16:33,000 --> 00:16:34,300
just show me.
that's fine. before i--
393
00:16:34,400 --> 00:16:37,700
on to the next one.from fantasy to reality.
394
00:16:38,000 --> 00:16:38,700
designers,
395
00:16:38,800 --> 00:16:41,400
i'm bringing in the models
so you can have a fitting.
396
00:16:42,300 --> 00:16:43,900
they'll be here for about 30 minutes.
397
00:16:44,000 --> 00:16:44,700
all right?
thank you.
398
00:16:45,000 --> 00:16:46,800
use your time well.make it work.
399
00:16:47,400 --> 00:16:48,500
hi. come on in.
400
00:16:49,400 --> 00:16:50,200
have fun.
401
00:16:50,700 --> 00:16:51,800
hi, ladies.
402
00:16:52,400 --> 00:16:53,600
how are you?
good, how are you?
403
00:16:53,700 --> 00:16:55,400
i love this here, i think.
404
00:16:55,400 --> 00:16:57,400
but i'm not sure if i love it here.
405
00:16:57,900 --> 00:16:59,700
i think it needs some more interesting, no?
406
00:16:59,900 --> 00:17:03,600
i think rami did end up
putting way too much stuff on the dress.
407
00:17:03,700 --> 00:17:06,000
and he disagreed with me.
408
00:17:06,100 --> 00:17:12,500
but i definitely don't think adding so much stuff
to it is what would be considered avant-garde.
409
00:17:12,700 --> 00:17:13,500
step in.
410
00:17:13,500 --> 00:17:15,200
this is gonna be so heavy.
411
00:17:15,500 --> 00:17:17,700
this looks [bleep]ing crazy.
412
00:17:17,700 --> 00:17:19,100
i'm so excited.
413
00:17:19,200 --> 00:17:21,800
once marie put our avant-garde look on,
414
00:17:22,000 --> 00:17:23,900
it really transformed the whole piece.
415
00:17:23,900 --> 00:17:25,100
you have to step back and say,
416
00:17:25,100 --> 00:17:26,600
"wow, this is really cool."
417
00:17:26,900 --> 00:17:28,800
dude, it looks so good.
418
00:17:29,000 --> 00:17:31,700
as usual, i only have a pant to put on you.
okay.
419
00:17:31,800 --> 00:17:33,100
so at least it's something.
420
00:17:33,200 --> 00:17:35,700
so jillian has nothing that she needs--
yeah, not yet.
421
00:17:36,200 --> 00:17:38,400
this dress is pretty much already done.
422
00:17:38,600 --> 00:17:40,600
okay, great. i'm glad you're done.
sorry, sorry, sorry.
423
00:17:40,700 --> 00:17:43,100
everybody's done except for me and victorya.
424
00:17:43,200 --> 00:17:43,900
great.
425
00:17:44,000 --> 00:17:46,900
we are still
in development phase,and...
426
00:17:47,300 --> 00:17:50,700
we weren't
completely prepared to have a full fitting.
427
00:17:50,900 --> 00:17:54,700
my concern is that victorya
is immune for this challenge,
428
00:17:54,800 --> 00:17:57,500
ultimately,if we're on the bottom,
429
00:17:57,500 --> 00:18:00,100
it's immediately me who has to go.
430
00:18:00,800 --> 00:18:01,900
oh, my god.
oh, yeah?
431
00:18:02,000 --> 00:18:03,900
i told you she's magical.
wait.
432
00:18:04,100 --> 00:18:06,000
just dislocate my shoulders, i'm fine.
433
00:18:07,000 --> 00:18:08,000
does this hurt?
434
00:18:08,000 --> 00:18:09,500
make it, like...a little looser,
435
00:18:09,600 --> 00:18:10,900
okay. don't kill her.
436
00:18:11,000 --> 00:18:14,400
what i hope happens tomorrow
at the runway show
437
00:18:14,700 --> 00:18:17,400
is that our model, marcia,comes out
438
00:18:17,500 --> 00:18:20,400
and people's jaws drop to the floor.
439
00:18:20,700 --> 00:18:23,700
and they never forget it as long as they live.
440
00:18:24,600 --> 00:18:26,400
work.
oh, girl.
441
00:18:28,000 --> 00:18:29,200
you gotta bring it back.
442
00:18:29,400 --> 00:18:33,600
girls, you gotta bring it back
from the side and turn.
443
00:18:40,000 --> 00:18:41,900
that's--that's good.
that's really cute.
444
00:18:42,100 --> 00:18:43,100
thank you.
yeah.
445
00:18:43,300 --> 00:18:45,800
rami's letting me do
the ready-to-wear look.
446
00:18:46,200 --> 00:18:49,300
and it's super cute.and it's--it's totally me.
447
00:18:49,400 --> 00:18:51,700
i need you to finish the dress and the pants--
rami. hold up.
448
00:18:51,800 --> 00:18:53,100
i'm gonna finish these.
okay.
449
00:18:53,200 --> 00:18:55,700
i need to know when we're gonna finish.
that's all i'm entitled.
450
00:18:55,800 --> 00:18:58,600
so i walk into the workroom
451
00:18:59,100 --> 00:19:03,100
and sweet p has been on
the cutting table for quite some time.
452
00:19:03,200 --> 00:19:06,900
i'm leading the team.i need to make sure that
everything's going on schedule.
453
00:19:07,400 --> 00:19:08,800
my ass is on the line, okay?
454
00:19:08,900 --> 00:19:11,200
(sweet p)so is mine.
i'm leading the team--no, mine is more than yours.
455
00:19:11,300 --> 00:19:13,500
please understand that.
that's all i need you to do,
456
00:19:13,800 --> 00:19:16,600
please.don't get mad.
i'm just saying, i'm totally gonna finish--
457
00:19:16,700 --> 00:19:18,200
this is so simple, what i'm doing right now.
okay,
458
00:19:18,500 --> 00:19:21,000
let's just have a time plan.
that's all i'm asking for.
459
00:19:24,600 --> 00:19:25,600
oh, god.
460
00:19:25,900 --> 00:19:28,100
sweet p gets defensive.
461
00:19:28,200 --> 00:19:30,800
so i'm feeling like i need to be extremely careful.
462
00:19:31,100 --> 00:19:33,100
and it's draining a lot of my energy.
463
00:19:33,500 --> 00:19:35,500
he makes it hard for me to work.
464
00:19:38,000 --> 00:19:40,800
we have to [bleep] walk. i'm almost done.
465
00:19:41,400 --> 00:19:43,000
sorry.
no, it's okay.
466
00:19:43,100 --> 00:19:44,800
i know this is hard.
467
00:19:45,300 --> 00:19:47,300
i just was, like, so mad.
468
00:19:47,300 --> 00:19:48,600
it's just rough, you know?
469
00:19:48,600 --> 00:19:49,500
i know.
470
00:19:49,600 --> 00:19:51,400
i told him, "dude, just calm down."
471
00:19:51,700 --> 00:19:53,500
i wish rami would just, like,
472
00:19:53,500 --> 00:19:55,300
please get off my back.
473
00:19:55,700 --> 00:19:56,600
thank you.
474
00:20:00,000 --> 00:20:01,800
(heidi)coming up on project runway
475
00:20:02,000 --> 00:20:02,800
i'm worried.
476
00:20:02,900 --> 00:20:05,200
the problem here is that
we think differently.
477
00:20:05,300 --> 00:20:09,600
i'm just hoping we don't end up
in some kind of fistfight.
478
00:20:17,000 --> 00:20:19,000
designers and models.
479
00:20:19,100 --> 00:20:21,200
may i ask you to gather round, please?
480
00:20:22,000 --> 00:20:23,800
designers and models.
481
00:20:24,500 --> 00:20:27,100
i have a special guest i want to introduce.
482
00:20:36,300 --> 00:20:37,800
that's not so scary.
483
00:20:38,100 --> 00:20:40,200
please welcome nathaniel hawkins.
484
00:20:40,300 --> 00:20:43,700
nathaniel is lead stylist
for the tresemme hair care creative team.
485
00:20:43,800 --> 00:20:45,900
welcome to parsons the new school for design.
486
00:20:45,900 --> 00:20:47,200
thank you for having me.
487
00:20:47,300 --> 00:20:51,000
nathaniel's here to consult with you on
the hairstyle for your ready-to-wear look.
488
00:20:51,100 --> 00:20:52,800
what we're going to do today
489
00:20:53,000 --> 00:20:58,100
is to translate the avant-garde hairstyle
into a look for the everyday woman.
490
00:20:58,400 --> 00:21:02,900
we want to create something
that is beautiful,effortless,yet practical.
491
00:21:03,000 --> 00:21:05,500
and nathaniel has
a special announcement to make.
492
00:21:05,900 --> 00:21:08,000
the winning team's looks and models
493
00:21:08,100 --> 00:21:11,600
will be featured in a tresemme ad
in elle magazine.
494
00:21:12,700 --> 00:21:14,700
thanks, nathaniel!
thank you.
495
00:21:16,200 --> 00:21:19,100
to be in elle magazine
for tresemme,that's exciting.
496
00:21:19,200 --> 00:21:21,200
and it makes us want to work harder.
497
00:21:21,400 --> 00:21:22,700
hello.
hello.
498
00:21:23,300 --> 00:21:26,000
on her, i would do a little bit of fullness.
499
00:21:26,200 --> 00:21:29,600
and create a smaller, more elegant shape.
500
00:21:29,700 --> 00:21:31,000
(christian)sounds perfect.
501
00:21:31,100 --> 00:21:36,100
we still can create
a smoother crown,building into very loose--
502
00:21:36,200 --> 00:21:37,300
yeah, perfect.
i love it.
503
00:21:37,400 --> 00:21:40,700
so jacqueline has
that crazy fauxhawk.
yes,
504
00:21:40,800 --> 00:21:46,700
i thought that we could do hair pressed
perfectly smooth.with the long,xuriouhair
505
00:21:46,800 --> 00:21:48,100
i love that.
506
00:21:48,100 --> 00:21:49,800
strong side part.
507
00:21:49,900 --> 00:21:52,600
and we'll get a nice, soft shape.
wouldn't that be rad?
508
00:21:52,700 --> 00:21:55,000
it will be so pretty on her.
509
00:21:55,200 --> 00:21:57,400
thanks, nathaniel.
bye, sweet p. have a good night.
510
00:22:04,300 --> 00:22:05,400
hi, everybody.
511
00:22:05,600 --> 00:22:07,100
how's team fierce?
512
00:22:08,200 --> 00:22:09,800
well, what do you think?
pretty fierce.
513
00:22:10,200 --> 00:22:11,500
well, i have to tell you guys,
514
00:22:11,500 --> 00:22:13,000
this is staggering.
515
00:22:13,200 --> 00:22:16,600
but this translation
to ready-to-wear worries me.
516
00:22:17,000 --> 00:22:19,000
this looks kind of cheap.
517
00:22:19,800 --> 00:22:21,700
oh, my god. i think it looks so expensive.
518
00:22:22,500 --> 00:22:23,900
i'm dubious.
okay.
519
00:22:24,000 --> 00:22:25,800
i think it'll be very chic.
520
00:22:25,900 --> 00:22:28,700
and i'll totally fight that.if i have to.
521
00:22:29,200 --> 00:22:32,600
kit, ricky.
yes, we are very excited.
522
00:22:32,900 --> 00:22:33,700
all right.
523
00:22:33,800 --> 00:22:38,200
all these ribbons are gonna
just become a giant nest.
524
00:22:38,400 --> 00:22:40,000
is it costume?
525
00:22:40,300 --> 00:22:42,500
and the answer is, "yeah."
526
00:22:42,700 --> 00:22:44,200
but it's conceptual.
527
00:22:44,300 --> 00:22:47,400
is there anything else you can do to dramatize this?
528
00:22:47,600 --> 00:22:50,900
does it need more of this to punch it up?
529
00:22:51,500 --> 00:22:53,300
no, i don't know about that.
530
00:22:53,300 --> 00:22:55,400
just have it be exuberant.
531
00:22:55,500 --> 00:22:56,800
thank you, tim.
okay.
532
00:22:57,100 --> 00:22:58,100
just do it.
533
00:22:58,100 --> 00:22:59,300
santa maria. let's go.
534
00:22:59,400 --> 00:23:01,100
so rami.
yes.
535
00:23:01,200 --> 00:23:03,700
sweet p. how are you doing?
good.
536
00:23:04,100 --> 00:23:06,100
this is the corset gown.
537
00:23:06,100 --> 00:23:07,800
it's worn as a blouse.
538
00:23:08,000 --> 00:23:10,200
is this going to surprise them?
539
00:23:10,200 --> 00:23:12,300
or is this going to be what they expect?
540
00:23:12,500 --> 00:23:14,500
you don't think it's over the top enough,
is what you're saying.
541
00:23:14,600 --> 00:23:19,300
we're asking you to go many steps higher.
mm-hmm.
542
00:23:19,400 --> 00:23:23,000
and have you gone high enough?
they have not seen me do corsets, tim.
543
00:23:23,100 --> 00:23:24,600
they have not seen that.
the only thing i'm gonna say--
544
00:23:24,700 --> 00:23:26,200
i'm worried.
okay.
545
00:23:27,100 --> 00:23:32,300
the problem here is that we think
differently, and we're working as a team.
546
00:23:32,500 --> 00:23:34,100
and it's--it's a conflict.
547
00:23:34,200 --> 00:23:37,800
i think that's more in our work process.
well, how has the experience been so far?
548
00:23:37,900 --> 00:23:39,100
i want you to talk a little bit.
549
00:23:39,200 --> 00:23:40,700
(tim)how is that,the way you work together?
550
00:23:40,800 --> 00:23:42,700
we just both work really differently.
551
00:23:42,800 --> 00:23:45,100
we do, we do.
so it's been--it's been difficult.
552
00:23:46,100 --> 00:23:49,700
tim is saying,
"this dress looks too much like you, rami."
and it's like...
553
00:23:50,200 --> 00:23:52,400
what does that have to do
with how we work as a team?
554
00:23:52,700 --> 00:23:54,800
other than he won't let me in.
555
00:23:54,900 --> 00:23:56,600
all right. carry on.
okay. thanks.
556
00:23:57,100 --> 00:23:59,600
victorya, jillian.how are you doing?
557
00:23:59,800 --> 00:24:02,400
we're doing okay.stressed for time.
558
00:24:02,500 --> 00:24:05,300
we're just moving as fast
as we can possibly move.
559
00:24:05,400 --> 00:24:09,700
i want to assert
that this coat is fabulous.
560
00:24:09,800 --> 00:24:11,300
f you can achieve this,
561
00:24:11,300 --> 00:24:13,800
this is incredible.
562
00:24:13,800 --> 00:24:14,500
yeah.
563
00:24:14,700 --> 00:24:17,200
the second outfit,we haven't even started it.
564
00:24:17,400 --> 00:24:19,100
it's a matter of finishing this
565
00:24:19,100 --> 00:24:20,800
and it's a matter of...
566
00:24:21,100 --> 00:24:22,900
that second look.
567
00:24:23,300 --> 00:24:24,200
okay.
568
00:24:24,200 --> 00:24:25,600
carry on.
569
00:24:26,000 --> 00:24:27,600
thank you.
thanks, tim.
570
00:24:28,200 --> 00:24:31,300
i'll be in the sewing room.
okay--i think i will join you, jillian.
571
00:24:31,500 --> 00:24:32,700
oh, great.
572
00:24:36,200 --> 00:24:37,800
(sweet p)so right now we're not talking.
573
00:24:38,000 --> 00:24:39,500
and it's a little tense.
574
00:24:39,600 --> 00:24:42,700
i'm totally expecting to be
in the bottom tomorrow.
575
00:24:43,000 --> 00:24:45,700
that's one reason i really wanted
to pull my dress together,
576
00:24:45,800 --> 00:24:49,300
so that i can stand strong with
something really great on the runway myself.
577
00:24:52,200 --> 00:24:54,300
what? no...
578
00:24:56,400 --> 00:24:57,800
no!
579
00:24:58,100 --> 00:24:59,900
all right, you...
580
00:25:00,100 --> 00:25:00,900
come on.
581
00:25:02,300 --> 00:25:03,700
let's sew.
582
00:25:04,200 --> 00:25:10,600
by the end of the evening, i still had
some finishings to do on my two garments.
583
00:25:10,900 --> 00:25:14,000
jillian as well had not
completely finished her coat.
584
00:25:14,100 --> 00:25:18,300
i have no idea if we're gonna be able
to even start the second look.
585
00:25:18,500 --> 00:25:19,200
yeah, let's go.
586
00:25:19,200 --> 00:25:20,900
so [bleep]ing tired.
587
00:25:20,900 --> 00:25:22,400
oh, i can't even walk.
588
00:25:34,100 --> 00:25:35,300
everybody ready?
589
00:25:35,300 --> 00:25:37,100
i'm kind of wondering
590
00:25:37,100 --> 00:25:38,900
how rami's going to be today.
591
00:25:39,200 --> 00:25:41,600
i'm just hoping we don't end up
592
00:25:42,000 --> 00:25:43,900
in some kind of fistfight.
593
00:25:43,900 --> 00:25:44,900
okay, let's go.
594
00:25:44,900 --> 00:25:46,500
i'm ready.i've been waiting.
595
00:25:47,500 --> 00:25:48,300
come on.
596
00:25:56,800 --> 00:26:00,800
i just want to make sure that
it looks like an expensive enough dress.
yeah, i don't think--
597
00:26:00,900 --> 00:26:04,900
the first thing that i do
is start on that second dress.
598
00:26:05,000 --> 00:26:08,600
in order to finish,i'm going to move like
the speed of light today.
599
00:26:09,400 --> 00:26:10,600
good morning, designers.
600
00:26:10,600 --> 00:26:11,900
hi, tim.
601
00:26:12,500 --> 00:26:15,900
i'm going to be sending in your
ready-to-wear models momentarily.
602
00:26:16,000 --> 00:26:19,000
your avant-garde models
are already in hair.
603
00:26:19,200 --> 00:26:21,100
you'll have a two-hour period of time
604
00:26:21,200 --> 00:26:25,200
to send your models to the l'oreal
paris makeup room and the tresemme hair salon.
605
00:26:26,000 --> 00:26:26,800
all right.
606
00:26:28,500 --> 00:26:30,300
hi, darling.let me try this on you.
607
00:26:30,400 --> 00:26:32,300
see, with the no sleeves,it's done.
608
00:26:32,400 --> 00:26:33,600
it's very chic.
it's perfect.
609
00:26:33,700 --> 00:26:36,600
i think it's cute.
it's a dress.it's super casual.
610
00:26:37,100 --> 00:26:39,000
(ricky)the ready-to-wear dress
looks really simple.
611
00:26:39,100 --> 00:26:42,100
i would have liked to have done
612
00:26:42,200 --> 00:26:44,200
but because we were telling kit's story,
613
00:26:44,200 --> 00:26:45,300
that's the story.
614
00:26:46,000 --> 00:26:46,900
it's perfect.
615
00:26:46,900 --> 00:26:48,700
it's fine.it's what it is.
616
00:26:58,000 --> 00:27:00,700
so this is gonna be
your front section.
617
00:27:06,400 --> 00:27:07,800
just put your hands up.
618
00:27:08,300 --> 00:27:10,600
this is couture hilarity.
619
00:27:10,800 --> 00:27:13,100
make sure the piece
is always tucked in.
620
00:27:13,200 --> 00:27:16,100
in all honesty,i know we're gonna win.
621
00:27:16,500 --> 00:27:18,000
just has to happen.
622
00:27:18,000 --> 00:27:19,600
i smell tresemme ad.
623
00:27:19,700 --> 00:27:22,000
right here--is it supposed
to be like that?
624
00:27:22,100 --> 00:27:25,100
just--that's the least
of my problems right now.
625
00:27:25,300 --> 00:27:28,200
in the end, i put
the second dress on my model.
626
00:27:28,300 --> 00:27:30,700
but it is like
a last-minute afterthought.
627
00:27:30,800 --> 00:27:31,700
(ricky)it's beautiful.
628
00:27:31,700 --> 00:27:33,400
can you cut me a piece of thread, amanda?
629
00:27:33,500 --> 00:27:34,300
i can do it. here.
630
00:27:34,300 --> 00:27:36,300
i really like our final garment,
631
00:27:36,400 --> 00:27:39,900
because i think it stands apart
from the other designers.
632
00:27:40,100 --> 00:27:41,900
i am a little bit nervous,
however,
633
00:27:42,000 --> 00:27:45,300
because it's just
really different from where everyone else went.
634
00:27:45,400 --> 00:27:48,000
are you sure about these boots?
yeah.
635
00:27:48,100 --> 00:27:50,300
designers and models,this is it.
636
00:27:50,400 --> 00:27:51,700
we're going down to the runway.
637
00:27:51,700 --> 00:27:53,300
okay, so follow me.
638
00:27:53,300 --> 00:27:54,200
let's go.
639
00:27:54,200 --> 00:27:55,400
love you, mean it.
640
00:27:55,400 --> 00:27:57,000
i'm just worried...
641
00:27:57,000 --> 00:27:58,600
jillian, victorya.
642
00:27:58,600 --> 00:27:59,800
we've gotta go.
643
00:27:59,800 --> 00:28:03,200
we definitely lived up to team last-minute.
644
00:28:03,400 --> 00:28:07,600
i was proud that we did a great job
on the avant-garde look.
645
00:28:07,700 --> 00:28:09,800
i think it would be amazing if we won.
646
00:28:09,900 --> 00:28:14,000
i just--at this point,
i'm not convinced that that will happen.
647
00:28:14,400 --> 00:28:15,300
thank you.
648
00:28:16,000 --> 00:28:17,500
coming up on project runway
649
00:28:17,600 --> 00:28:20,400
i wonder if there's
something else that you can do.
650
00:28:20,500 --> 00:28:22,800
it just does not look well-made.
651
00:28:31,400 --> 00:28:32,700
welcome to the runway.
652
00:28:33,400 --> 00:28:35,200
as you know, in fashion, one day you're in
653
00:28:35,400 --> 00:28:37,500
and the next day you're out.
654
00:28:37,900 --> 00:28:42,500
for this challenge,we had you work
in teams of two to create two looks.
655
00:28:42,700 --> 00:28:46,300
an avant-garde look inspired
by your model's hairstyle,
656
00:28:46,600 --> 00:28:48,900
and a second ready-to-wear look
657
00:28:49,000 --> 00:28:52,600
that captured the essence of the avant-garde outfit.
658
00:28:52,700 --> 00:28:57,400
the winning outfits will be featured
in a tresemme ad in elle magazine.
659
00:28:58,200 --> 00:28:59,500
let's meet the judges.
660
00:29:01,500 --> 00:29:04,300
first we have top american designer
michael kors.
661
00:29:04,400 --> 00:29:05,200
hey, guys.
662
00:29:05,400 --> 00:29:08,500
next we have nina garcia,
fashion director of elle magazine.
663
00:29:08,800 --> 00:29:09,500
hi, everyone.
664
00:29:09,600 --> 00:29:12,600
and acclaimed italian designer
alberta ferretti.
665
00:29:12,700 --> 00:29:13,500
hello.
666
00:29:13,700 --> 00:29:14,900
hi.
667
00:29:15,700 --> 00:29:17,900
we will score your designs
as they come down the runway.
668
00:29:18,000 --> 00:29:19,900
one of you will be named the winner.
669
00:29:20,900 --> 00:29:22,000
and tonight,
670
00:29:22,100 --> 00:29:24,800
only one of you will be out.
671
00:29:27,400 --> 00:29:28,600
let's start the show.
672
00:29:34,700 --> 00:29:37,100
(rami)i'm very happy as i'm watching sam
walk down the runway.
673
00:29:37,200 --> 00:29:43,000
i feel like i created
something that is original and beautiful.
674
00:29:47,300 --> 00:29:49,500
(sweet p) i definitely really loved my dress.
675
00:29:49,700 --> 00:29:51,200
i loved rami's too, you know?
676
00:29:51,300 --> 00:29:55,400
i just think maybe
it wasn't big or grand enough.
677
00:30:04,700 --> 00:30:07,000
(chris)i always watch the judges' faces.
678
00:30:07,500 --> 00:30:11,100
and nina garcia could not
keep the look off of her face.
679
00:30:11,200 --> 00:30:13,500
i think that she was impressed by it.
680
00:30:14,200 --> 00:30:16,900
(christian)my avant-garde look was amazing.
681
00:30:17,100 --> 00:30:21,300
the couture pose is all about
the cinched waist and hunched shoulders.
682
00:30:21,400 --> 00:30:25,500
it was such a shock factor
from the beginning to the end.
683
00:30:28,300 --> 00:30:30,800
and the ready-to-wear look
was so chic and looked beautiful.
684
00:30:31,300 --> 00:30:34,200
so i was 10,000% happy.
685
00:30:38,100 --> 00:30:42,200
(kit) i'm definitely happy
with the avant-garde look.
686
00:30:42,400 --> 00:30:46,700
but i see the very serious fashion
of all the other designers,
687
00:30:47,000 --> 00:30:49,000
ricky and i didn't go that direction,
688
00:30:49,000 --> 00:30:50,700
so that makes me very nervous.
689
00:30:55,800 --> 00:30:58,400
(ricky)to have a second look,you really get the extremes.
690
00:30:58,600 --> 00:31:01,600
so you get the really high
and the really low of the whole story.
691
00:31:02,100 --> 00:31:04,400
we were excited,
'cause she looked amazing.
692
00:31:13,800 --> 00:31:15,200
(victorya) we loved the silhouette.
693
00:31:15,200 --> 00:31:16,400
we were both happy.
694
00:31:17,700 --> 00:31:21,400
jacqueline really executed
that look to perfection,
695
00:31:21,500 --> 00:31:25,100
and i don't think that any other model
could've done it like she did.
696
00:31:31,500 --> 00:31:35,000
(jillian)i was proud that we did
finish the ready-to-wear look.
697
00:31:35,100 --> 00:31:38,100
but i wasn't satisfied
with it at all.
698
00:31:45,900 --> 00:31:47,400
(heidi)we've scored your designs.
699
00:31:47,700 --> 00:31:50,200
will the following teams
please step forward?
700
00:31:50,800 --> 00:31:52,300
rami and sweet p.
701
00:31:54,900 --> 00:31:56,300
kit and ricky.
702
00:31:57,800 --> 00:32:00,400
your teams have the lowest scores.
703
00:32:02,700 --> 00:32:05,800
but first, we're gonna talk to the teams
with the highest scores.
704
00:32:07,000 --> 00:32:08,100
you can leave the runway.
705
00:32:14,300 --> 00:32:15,900
okay, let's bring out your models.
706
00:32:26,800 --> 00:32:28,000
christian.
707
00:32:28,200 --> 00:32:30,300
what was your thought process with your look?
708
00:32:30,400 --> 00:32:33,200
when i first saw marcia's hair,
709
00:32:33,500 --> 00:32:38,400
we took it as, like,
a very romantic, um, old world feeling.
710
00:32:38,500 --> 00:32:40,700
whose, um, design was it?
711
00:32:40,700 --> 00:32:42,600
he came up with the color idea.
712
00:32:42,700 --> 00:32:44,900
and we decided on the model,
we just kinda went,
713
00:32:45,000 --> 00:32:47,100
"i can do this, you can do that."
714
00:32:47,200 --> 00:32:49,700
and this is 45 yards of fabric,
just to let you know.
715
00:32:51,500 --> 00:32:53,500
can we see the...back?
716
00:32:54,700 --> 00:32:57,700
is amazing, because is--is a very complicated dress.
717
00:32:57,800 --> 00:33:00,900
it's a couture dress.but the job is amazing.
718
00:33:01,000 --> 00:33:02,300
ngratulations.
thank you.
719
00:33:03,100 --> 00:33:07,300
it's heaven.it looks beautifully crafted.
720
00:33:07,600 --> 00:33:11,400
it's certainly important and exciting-looking.
721
00:33:12,200 --> 00:33:13,800
i think it's very soigne.
722
00:33:13,900 --> 00:33:17,200
and i think that the ready-to-wear,
the blouse is great-looking
723
00:33:17,300 --> 00:33:20,400
but i think the skirt's a little bit
of a throwaway, let's be honest.
724
00:33:20,600 --> 00:33:22,500
yeah, it's not perfect,
i know.
725
00:33:22,700 --> 00:33:25,600
but obviously, as a team,
you guys worked well together.
726
00:33:25,800 --> 00:33:28,400
it could be a cover try,this--this look.
727
00:33:28,400 --> 00:33:30,200
it's really, really beautiful.
728
00:33:31,200 --> 00:33:32,300
(heidi)okay, victorya.
729
00:33:32,300 --> 00:33:33,900
tell us about your avant-garde look.
730
00:33:34,000 --> 00:33:37,100
the immediate reference
we had was something very punk
731
00:33:37,300 --> 00:33:40,200
with an equestrian leitmotif.
732
00:33:40,200 --> 00:33:41,600
the silhouette is very beautiful.
733
00:33:41,600 --> 00:33:42,500
cutting very well, yes.
734
00:33:42,500 --> 00:33:44,900
can we see the blouse and the pants?
735
00:33:46,400 --> 00:33:48,000
(alberta)i like the shirt.
i do too.
736
00:33:48,100 --> 00:33:49,400
why'd you hide them?
yeah, why?
737
00:33:49,500 --> 00:33:51,400
because the coat was so beautiful.
738
00:33:51,400 --> 00:33:53,200
can i see the back of the jodhpurs?
739
00:33:54,100 --> 00:33:57,200
it's adorable, the blouse.
the back of the blouse is great.
740
00:33:57,300 --> 00:34:00,700
and i don't mind the tartan little black dress.
741
00:34:00,800 --> 00:34:02,000
i mean,i think it's cute.
742
00:34:02,000 --> 00:34:03,300
we have three looks.
743
00:34:03,600 --> 00:34:04,600
no, you do!
yes, you do.
744
00:34:04,700 --> 00:34:05,800
you have three looks.
745
00:34:05,800 --> 00:34:07,000
so we should win.
746
00:34:08,800 --> 00:34:10,800
okay, we've heard what you have to say.
747
00:34:11,200 --> 00:34:12,200
you can leave the runway.
748
00:34:12,200 --> 00:34:13,100
thank you.
749
00:34:19,200 --> 00:34:22,100
all right, let's bring out the teams
with the lowest scores.
750
00:34:30,000 --> 00:34:32,700
rami, please tell us about your avant-garde look.
751
00:34:33,200 --> 00:34:34,900
when i first looked at sam,
752
00:34:34,900 --> 00:34:37,200
instantly i thought of a corset.
753
00:34:37,600 --> 00:34:39,500
i imagined something that is flowy.
754
00:34:39,900 --> 00:34:41,400
we paired it with a pair of pants
755
00:34:41,500 --> 00:34:45,700
to kind of create sort of two odds
and have them meet together.
756
00:34:46,200 --> 00:34:48,200
who did what exactly?
757
00:34:48,300 --> 00:34:52,400
i made the gown with the corset.
758
00:34:52,500 --> 00:34:54,900
sweet p made the pants and the dress.
759
00:34:54,900 --> 00:34:56,600
the dress is beautiful.
760
00:34:56,600 --> 00:34:57,700
it's a cute dress.
761
00:34:57,800 --> 00:35:00,100
the commercial dress,in this instance, to me,
762
00:35:00,200 --> 00:35:03,000
is more forward-looking
than the avant-garde piece.
763
00:35:03,100 --> 00:35:06,700
rami, i know that you do draping impeccably.
764
00:35:06,800 --> 00:35:09,600
i wonder if there's something else that you can do.
765
00:35:10,400 --> 00:35:13,900
the dress, the volume is not so dramatic.
it's too normal.
766
00:35:14,100 --> 00:35:17,700
maybe the shape of the trouser
could've been more masculine.
767
00:35:17,800 --> 00:35:19,400
can we see what they look like now?
768
00:35:20,400 --> 00:35:22,600
she looks like her ass is in her front.
769
00:35:23,600 --> 00:35:27,600
like, the gown could've had something
that when she walked out, it just went, "whoo."
770
00:35:27,700 --> 00:35:31,500
wanted to add something back here,
like an explosion out of her rear
771
00:35:32,200 --> 00:35:34,300
you know, i know it sounds kooky
772
00:35:34,500 --> 00:35:38,000
but, you know, i think that he was really
taking ownership of his design,
773
00:35:38,100 --> 00:35:40,300
and didn't really want me
putting too much into it.
774
00:35:40,700 --> 00:35:42,400
we were two odds working together,
775
00:35:42,600 --> 00:35:46,100
that's what sort of took away from the, um, loudness.
776
00:35:46,200 --> 00:35:48,100
we work different ways.
yes.
777
00:35:48,500 --> 00:35:50,800
you do know that the best design teams
778
00:35:50,900 --> 00:35:54,300
are not people who are exactly the same.
sure.
779
00:35:54,400 --> 00:35:55,600
or else you're just sitting and telling,
780
00:35:55,700 --> 00:35:57,500
"you're fabulous." you know, "you're fabulous."
781
00:35:57,600 --> 00:35:59,900
i mean, you want someone else's opinion.
and you get nothing done.
782
00:36:00,100 --> 00:36:01,100
i mean, you get nothing.
783
00:36:01,200 --> 00:36:04,000
and you just--
you were arm wrestling he whole time.
784
00:36:07,700 --> 00:36:09,000
kit.
hello.
785
00:36:09,100 --> 00:36:11,200
how did you divide up the work
between the two of you?
786
00:36:11,300 --> 00:36:13,600
i made the skirt.
787
00:36:13,600 --> 00:36:15,500
and ricky made the corset
788
00:36:15,500 --> 00:36:16,700
and the ready-to-wear dress.
789
00:36:16,700 --> 00:36:18,800
it's so strange, that dress
790
00:36:18,800 --> 00:36:20,500
because it's not avant-garde
791
00:36:20,500 --> 00:36:21,900
it's cheap, it's real cheap.
792
00:36:21,900 --> 00:36:24,300
it's a little scarlett o'hara.
793
00:36:25,200 --> 00:36:27,000
but in a cheap way.
794
00:36:28,100 --> 00:36:30,300
i have to say what alberta said about,
795
00:36:30,400 --> 00:36:32,600
you know,
scarlett o'hara ripped the drapes down.
796
00:36:32,800 --> 00:36:35,200
but she made a couture dress
out of her drapes.
797
00:36:35,500 --> 00:36:38,200
this, she ripped the sheets
off the bed and ran out the door
798
00:36:38,300 --> 00:36:41,600
i think also,it just does not look well-made.
799
00:36:41,700 --> 00:36:43,400
you know, if you look at the satin,
800
00:36:43,500 --> 00:36:46,200
it is all, like,wrinkly.
801
00:36:46,700 --> 00:36:49,200
it--i feel like it needs
to be steamed or something.
802
00:36:49,400 --> 00:36:53,100
if i were pulling for a couture,
avant-garde photo shoot,
803
00:36:53,200 --> 00:36:54,700
this would not be it.
804
00:36:55,200 --> 00:36:58,700
and i think the ready-to-wear outfit
805
00:36:58,700 --> 00:37:00,400
is equally disappointing.
806
00:37:02,400 --> 00:37:04,100
okay, we've heard what you had to say.
807
00:37:04,100 --> 00:37:05,600
we're gonna have a little chat.
808
00:37:05,600 --> 00:37:06,900
and then i'm gonna call you back.
809
00:37:06,900 --> 00:37:08,000
you can leave the runway.
810
00:37:17,100 --> 00:37:18,900
so who did we like?
811
00:37:19,200 --> 00:37:23,900
christian and chris had, i think,
a remarkable avant-garde piece.
812
00:37:24,000 --> 00:37:26,600
in two days, is amazing job.that is important.
813
00:37:26,700 --> 00:37:29,600
as a team, they worked together brilliantly.
814
00:37:29,600 --> 00:37:31,200
normally, you know,two designers,
815
00:37:31,200 --> 00:37:32,700
you stick two things together,
816
00:37:32,700 --> 00:37:34,300
it looks like two things stuck together.
817
00:37:34,300 --> 00:37:35,600
but in this case,it didn't.
818
00:37:35,700 --> 00:37:38,000
she looked like a photo shoot right there.
819
00:37:41,700 --> 00:37:43,300
with victorya and jillian,
820
00:37:43,300 --> 00:37:44,600
i loved the dress.
821
00:37:44,600 --> 00:37:46,600
i loved the pants and the shirt.
822
00:37:46,600 --> 00:37:47,800
and i loved the coat.
823
00:37:47,800 --> 00:37:49,200
it just looked terrific.
824
00:37:49,300 --> 00:37:52,200
very, very good job in all directions.
825
00:37:52,200 --> 00:37:54,000
you could see a lot of women
826
00:37:54,200 --> 00:37:57,400
really wanting to wear those clothes.
yeah.
827
00:38:00,800 --> 00:38:03,700
what did we think
about rami and sweet p's team?
828
00:38:03,800 --> 00:38:06,100
(nina) he knows he can drape very well.
829
00:38:06,100 --> 00:38:08,000
and that's what he consistently gives us.
830
00:38:08,000 --> 00:38:09,800
but show us something else for a change.
831
00:38:09,900 --> 00:38:11,500
his excuse was--
832
00:38:11,500 --> 00:38:12,200
sweet p.
833
00:38:12,200 --> 00:38:14,400
he was throwing her under the bus.
834
00:38:14,500 --> 00:38:17,500
she executed the daytime dress very nicely.
yeah.
835
00:38:17,700 --> 00:38:20,000
it was a great, great
little daytime dress.
836
00:38:22,500 --> 00:38:24,700
and then kit and ricky.
837
00:38:24,800 --> 00:38:29,000
i don't know if they even wrapped their
head around the word "avant-garde."
838
00:38:29,100 --> 00:38:30,200
it is so strange.
839
00:38:30,200 --> 00:38:32,500
because their realization is terrible.
840
00:38:32,500 --> 00:38:34,000
she picked out these fabrics,
841
00:38:34,000 --> 00:38:36,000
which i think looked very poor.
842
00:38:36,100 --> 00:38:40,100
if they would've executed it
in a beautiful way with beautiful materials,
843
00:38:40,200 --> 00:38:41,200
it could've worked.
844
00:38:41,200 --> 00:38:42,800
the one thing i will say,though,
845
00:38:42,900 --> 00:38:46,800
is the construction of that hoop from scratch--
846
00:38:46,800 --> 00:38:47,600
that was good.
847
00:38:47,700 --> 00:38:49,800
but it didn't help
the look of the clothes.
no.
848
00:38:49,900 --> 00:38:53,500
and then,the ready-to-wear dress truly looked
849
00:38:53,900 --> 00:38:55,200
like the poorest...
850
00:38:55,300 --> 00:38:57,600
amateur.everything looked amateur.
851
00:39:01,900 --> 00:39:03,400
so we've made our decision?
852
00:39:04,000 --> 00:39:04,600
yeah.
853
00:39:04,600 --> 00:39:06,300
okay, let's bring them back out.
854
00:39:17,700 --> 00:39:19,200
one of you will be named the winner.
855
00:39:21,900 --> 00:39:24,000
and one of you will be out.
856
00:39:29,400 --> 00:39:31,100
one of you will be named the winner.
857
00:39:34,000 --> 00:39:35,900
and one of you will be out.
858
00:39:36,900 --> 00:39:38,300
let's start with the winner.
859
00:39:38,500 --> 00:39:40,400
it was between christian's team
860
00:39:40,400 --> 00:39:41,900
and victorya's team.
861
00:39:43,000 --> 00:39:44,600
congratulations...
862
00:39:46,300 --> 00:39:47,300
christian.
863
00:39:48,800 --> 00:39:50,400
you were the winner of this challenge.
864
00:39:50,700 --> 00:39:53,200
your looks will be featured in a tresemme ad
865
00:39:53,600 --> 00:39:54,800
in elle magazine.
866
00:39:55,800 --> 00:39:57,800
christian, because you were the team leader,
867
00:39:58,500 --> 00:40:00,200
you will also have immunity
868
00:40:00,200 --> 00:40:02,400
and can't be eliminated in the next challenge.
869
00:40:02,400 --> 00:40:03,800
you both can leave the runway.
870
00:40:09,500 --> 00:40:12,900
i want to win them all,
but this challenge really meant something.
871
00:40:13,000 --> 00:40:15,000
i'm really excited,
and it's great to be in elle.
872
00:40:15,100 --> 00:40:18,200
being young, i don't have that much press yet.
873
00:40:21,200 --> 00:40:22,200
victorya,
874
00:40:22,800 --> 00:40:23,600
jillian.
875
00:40:23,600 --> 00:40:24,900
good work.
you're both in.
876
00:40:24,900 --> 00:40:26,000
you can leave the runway.
877
00:40:33,300 --> 00:40:34,100
ricky.
878
00:40:34,700 --> 00:40:35,500
you're in.
879
00:40:35,500 --> 00:40:36,700
you can leave the runway.
880
00:40:44,000 --> 00:40:45,000
sweet p.
881
00:40:45,700 --> 00:40:46,400
you're in.
882
00:40:46,400 --> 00:40:47,600
you can leave the runway.
883
00:40:55,600 --> 00:40:56,600
rami,
884
00:40:57,500 --> 00:40:58,500
kit.
885
00:40:58,800 --> 00:41:00,300
one of you will be out.
886
00:41:03,500 --> 00:41:06,300
rami, your avant-garde look wasn't dramatic.
887
00:41:06,700 --> 00:41:10,600
unfortunately,the only drama
that we saw was between you
and sweet p.
888
00:41:11,000 --> 00:41:12,400
and as a team leader,
889
00:41:12,400 --> 00:41:13,900
that is your fault.
890
00:41:14,300 --> 00:41:17,400
kit, we wanted you to
give us something fashion-forward.
891
00:41:17,500 --> 00:41:19,500
but instead,
you took us backwards.
892
00:41:19,900 --> 00:41:21,200
but not in a good way.
893
00:41:26,700 --> 00:41:27,500
kit.
894
00:41:28,400 --> 00:41:29,400
you're out.
895
00:41:30,500 --> 00:41:31,900
that means rami, you're in.
896
00:41:32,300 --> 00:41:33,600
you can leave the runway.
897
00:41:42,400 --> 00:41:43,700
auf wiedersehen, kit.
898
00:41:45,500 --> 00:41:46,600
thank you.
bye.
899
00:41:54,700 --> 00:41:56,600
you guys,if any of you cry,
i'm gonna start crying.
900
00:41:56,700 --> 00:41:59,200
i honestly don't believe in regret.
901
00:41:59,200 --> 00:42:01,000
and i have no regrets.
902
00:42:01,400 --> 00:42:03,400
i went out, and i went out big.
903
00:42:03,800 --> 00:42:06,800
so i need to send you upstairs
to clean up your space, okay?
let's do it.
904
00:42:08,500 --> 00:42:10,000
love you.
love you.bye, kit.
905
00:42:10,700 --> 00:42:13,100
i'm really, really sad that i'm leaving.
906
00:42:13,200 --> 00:42:19,500
but i have
two full suitcases of friendship and success.
907
00:42:20,300 --> 00:42:22,400
it's unfortunate for me,
908
00:42:22,500 --> 00:42:26,000
but it's also unfortunate for the competition
that i'm out.
909
00:42:31,000 --> 00:42:32,100
(man)okay, here we go.
910
00:42:33,000 --> 00:42:34,400
(woman)could p u taar a sterwd?
911
00:42:34,700 --> 00:42:36,400
(christian)the tresemme ad is pretty amazing.
912
00:42:36,400 --> 00:42:38,100
(woman)give attitude. exactly.
913
00:42:38,300 --> 00:42:40,200
team fierce-- oh, my god, are you joking?
914
00:42:40,200 --> 00:42:41,700
it was total destiny.
915
00:42:44,100 --> 00:42:46,000
next on project runway
916
00:42:46,300 --> 00:42:49,500
behind this door,
you'll find the raw materials for your challenge.
917
00:42:51,400 --> 00:42:54,000
i don't even want to know
what's on the other side.
918
00:42:54,100 --> 00:42:55,600
(christian) fabulous.
919
00:42:55,800 --> 00:42:58,000
if you don't understand the situation by now,
920
00:42:58,000 --> 00:42:59,400
you're refusing to learn.
921
00:42:59,900 --> 00:43:01,300
(sweet p)are you all right, jillian?
922
00:43:01,600 --> 00:43:05,400
i'm really starting to feel the weight
of all of this pressure.
923
00:43:05,800 --> 00:43:08,000
i don't know anyone who would
really wanna look like that.
924
00:43:08,100 --> 00:43:09,600
it looks a little home-sewn.
925
00:43:10,100 --> 00:43:11,900
you were not inspired
by this at all.
926
00:43:12,200 --> 00:43:14,800
this is like a roller coaster.
you don't know where to go.
927
00:43:16,000 --> 00:43:20,000
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