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1
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♪
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- I want to know who killed Bunny.
3
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- Tell me about the case.
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CINDA CANNING:
Bloody Mabel Mora.
5
00:00:07,883 --> 00:00:10,427
We'll uncover the roots
of her violent past,
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not only as victim and witness,
but also as a perpetrator.
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- Whatever you think you know about me,
it's not the full story.
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- Girl, your crime is showing.
[text chimes]
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- "Get out of the building now."
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- Whose number is this?
11
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CHARLES-HADEN SAVAGE:
It was you, right? Who texted us
12
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to get out of the building last night?
13
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- It most definitely was not me.
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- I knew it was you.
15
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LUCY: I think I know how people
are getting into your apartment.
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MABEL MORA:
So, the killer stabs Bunny,
17
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and then leaves through the hole
18
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in the bottom of my closet.
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CHARLES: And, during the escape,
drops the matchbook.
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- Bunny met with someone here.
Someone who pissed her off.
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OLIVER PUTNAM:
What did they just pick up?
22
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- Nothing. That's where
we keep the matchbooks.
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- My DNA came back.
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Half was clearly Mom,
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but the other half was all Greek.
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- Greek? No, that can't...
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♪
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♪
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[quiet chatter, phones ringing]
30
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[elevator dings, doors open]
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- Jimmy? Hi.
- Hey. You Cinda?
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- I'm Poppy, Cinda's assistant.
We spoke on the phone.
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Oh. A gentleman.
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- Manners are super important to me.
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- Great. Uh, well, Cinda's just this way.
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You're gonna love her. She's the best.
37
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She was so excited about
your story about Mabel. [laughs]
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Uh, not that happened
to you is exciting. It...
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it's... terrible.
40
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- Every time I wanna give
someone the double bird,
41
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I'm reminded of what Mabel did to me.
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I was just a kid. You know?
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Can't even use chopsticks. Fuck!
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- It's really brave of you
to tell your story.
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- You ever been with
a nine-fingered man before?
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- [laughs] Well, I'm glad that Mabel
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did not chop off your sense of humor.
48
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[laughs] Okay, so it's just this way.
49
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Cinda? This is Jimmy Russo.
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CINDA:
Mr. Russo! What a pleasure to meet you.
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- Pleasure's all mine.
Thank you for having me.
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- Thank you for coming out. I promise
this will be completely painless.
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If you want to have a seat...
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POPPY WHITE:
Ever since I was a little girl,
55
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I wanted to be great at something.
56
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But it takes time.
57
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It takes practice and experience
and paying your dues.
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But most of all, it takes a great mentor.
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- Poppy, you're letting
all the loud air in.
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[quiet phones ringing]
[mouthing]
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Um, let me hear your side of the story.
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Tell me what you know about Mabel Mora.
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[clears throat, trills]
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- [flat podcast voice]
From Cinda Canning Productions,
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this is White Noise.
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I'm your host, Poppy White.
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♪
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Our theme this week,
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the stories we tell ourselves.
70
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What are the little fictions
that ferry us through life?
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[shutter snapping]
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[shutter snapping]
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MABEL: Hey.
- Oh, yum.
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- Breakfast.
- Hey, smile.
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- [laughs] Why? What?
[shutter snaps]
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- Nothing. Just a good photo.
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♪ radio playing ♪
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I've been feeling very inspired lately.
You inspire me.
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- Oh, yeah? Well, what are you working on?
[shutter snapping]
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- It's a surprise.
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[shutter snaps]
Um...
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This looks really delicious. Thank you.
- Mm-hmm.
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They're empalmes.
- Empalmes.
84
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- My dad and I used to cook them.
85
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- Oh.
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- He always used to say to me,
"The perfect egg should never run.
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It should walk."
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[Alice laughs]
He said,
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"It shouldn't be in a hurry, Mabel.
It's an egg. Where's it going?"
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- That's so cute.
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You never really mention your dad.
What's his deal?
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- Oh...
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What have I told you?
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- Pretty much nothing.
95
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- I kind of like that.
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Everyone's just so obsessed with my past.
97
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Maybe that's why I love being with you.
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You're just new.
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And you've made me feel new.
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POPPY:
We tell ourselves we can start over.
101
00:04:23,889 --> 00:04:25,599
JAN:
People who play with phone cords
102
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are either teenagers or deeply uneasy.
103
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Do I make you feel
like a hormonal teenager?
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No. You're uneasy.
105
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- It's just...
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should we be doing this?
We are broken up, after all.
107
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- What? We never broke up.
108
00:04:46,995 --> 00:04:49,122
- Well, I guess I just assumed.
109
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- Why? Because I tried to kill you?
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How many times are you gonna
make me apologize for that?
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You're all I have, Charles.
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Are you really gonna leave me in here,
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all locked up, and not in a sexy way?
[rattling]
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I still love you.
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Is that crazy?
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- I mean...
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it's a little crazy.
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♪
119
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But...
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POPPY: We tell ourselves,
this time, it will be different.
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- So, apparently, my, uh, son is Greek,
122
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which means that
I must be Greek, not Irish.
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Surprise! [laughs]
124
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And of course, it makes,
you know, complete sense
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when you think about the Greeks.
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Founders of Western theater,
father of the public bathhouse.
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Sound like anyone you just met? [laughs]
128
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[sighs, clears throat]
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00:05:47,639 --> 00:05:50,642
POPPY: We tell ourselves
it can't possibly be true.
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- Am I nervous that my son isn't my son?
Not at all.
131
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In fact, the only thing I am nervous about
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00:05:56,899 --> 00:05:58,650
is producing enough spit for this test
133
00:05:58,650 --> 00:06:01,361
because my mouth is so dry right now.
134
00:06:01,361 --> 00:06:02,362
[exhales]
135
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Anyone else have a dry mouth?!
136
00:06:04,948 --> 00:06:06,158
- Oliver Putnam?
137
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- Here.
138
00:06:07,910 --> 00:06:11,622
POPPY: But even the most convincing
fictions have their faults.
139
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The truth always has a way of--
140
00:06:14,208 --> 00:06:15,250
[text notification]
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[whispers]
Yes... Yes.
142
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♪ lively theme song playing ♪
143
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♪ vocalizing ♪
144
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[distant siren]
[police radio chatter]
145
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[siren, radio chatter continue]
146
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- He was close.
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He was so goddamn close.
148
00:07:38,166 --> 00:07:40,085
What do you think?
149
00:07:40,085 --> 00:07:42,087
Is this your old nemesis, Uncle B?
150
00:07:43,005 --> 00:07:45,507
- Has the Strangler of Slidell returned?
151
00:07:46,341 --> 00:07:48,552
- I thought he was gone, but...
152
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I want soup!
153
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Nothing makes sense. My mind is not...
154
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- It's not you, Uncle B.
155
00:08:04,610 --> 00:08:07,112
It's the world that's lost its mind.
156
00:08:10,866 --> 00:08:12,910
- Soup!
- And cut!
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[bell buzzing, set chatter]
Winner, winner, you deserve dinner!
158
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CHARLES: Fantastic.
- That was the one.
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00:08:18,707 --> 00:08:20,626
Naomi, amazing.
160
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Charles, I think you are wrapped.
- You're a great director.
161
00:08:23,462 --> 00:08:25,506
Thank you.
- Thank you. Time for stunts!
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[set chatter continues]
163
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- Look who's still got it.
- Oh, Joy.
164
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- [laughing] Yes.
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SAZZ PATAKI:
Somebody say "stunts"?
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[clang]
Bam! Pataki in the house!
167
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- I think I can roll
a wheelchair across a room.
168
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- Charles, I'm your double.
169
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It is my job, nay, my purpose,
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to do what you physically cannot do.
171
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What you emotionally cannot do.
172
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- I really think I could roll a--
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- Shh... You sweet,
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soft child of a man.
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Sazz is here!
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Put it on my shoulders.
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I can handle it. Joy!
[snapping]
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Drool me up. This Ferrari
needs her premium gas.
179
00:09:06,004 --> 00:09:09,967
- That was so cool!
- You thought it was cool? Cool.
180
00:09:09,967 --> 00:09:11,552
- Uh, Oliver and Mabel are here.
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00:09:11,552 --> 00:09:14,054
Oliver is making a PA get him food.
182
00:09:14,054 --> 00:09:16,598
- What? Thank you, Jeremy. Jacob!
183
00:09:16,598 --> 00:09:17,641
- No, it's John.
- John. Shit.
184
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OLIVER: That has to be the killer
with Bunny, right?
185
00:09:21,770 --> 00:09:24,106
- Hey, what's that they just grabbed?
- Matchbook.
186
00:09:24,106 --> 00:09:26,608
- Matchbook. Maybe this one.
187
00:09:28,986 --> 00:09:30,571
Is that a fingerprint?
188
00:09:32,406 --> 00:09:36,118
This is the first piece of evidence
that points to someone who isn't us.
189
00:09:36,118 --> 00:09:39,496
But what are we supposed to do
with DNA and partial fingerprints?
190
00:09:40,122 --> 00:09:43,166
- Could ask the cops for help.
We do have a friend in the force.
191
00:09:43,166 --> 00:09:46,128
- It's true. Detective Williams texted us
on the roof that night.
192
00:09:46,128 --> 00:09:47,212
I still have the number.
- Mm-hmm.
193
00:09:47,212 --> 00:09:49,131
- I don't think I need to explain why,
194
00:09:49,131 --> 00:09:52,050
but I should do the texting for the group.
[Oliver laughs]
195
00:09:52,050 --> 00:09:55,095
- Sorry to interrupt. Charles,
I just gotta grab that wig from you.
196
00:09:55,095 --> 00:09:56,180
- We'll do it in private--
197
00:09:56,180 --> 00:09:58,223
- I don't know why they
make you wear this.
198
00:09:58,223 --> 00:10:01,643
You have got a great head of hair already.
[laughs]
199
00:10:01,643 --> 00:10:03,562
- Everybody,
this is Joy, world-class liar.
200
00:10:03,562 --> 00:10:04,605
- Hey!
201
00:10:04,605 --> 00:10:06,815
[both laugh]
- Also, she's the best, uh,
202
00:10:06,815 --> 00:10:10,569
hair and makeup person in the city,
and, uh, she was on the original Brazzos.
203
00:10:10,569 --> 00:10:12,446
- He dragged me out of retirement.
204
00:10:12,446 --> 00:10:14,948
My tropical fish are probably really happy
205
00:10:14,948 --> 00:10:16,533
to have some alone time.
206
00:10:16,533 --> 00:10:18,368
We did it once.
Those were different times.
207
00:10:18,994 --> 00:10:20,704
Different time.
CHARLES: Yeah.
208
00:10:20,704 --> 00:10:24,458
- Oh, Charles. I keep forgetting.
Here's the hand cream I was talking about.
209
00:10:24,458 --> 00:10:27,878
It's CBD, so it doesn't get you
stoned or anything, although...
210
00:10:27,878 --> 00:10:30,464
[slurring]
it does get you a little stoned!
211
00:10:30,464 --> 00:10:32,925
[shushes]
[both laugh]
212
00:10:32,925 --> 00:10:36,345
Anyway, nice to meet you all.
Charlie, you were great today.
213
00:10:36,345 --> 00:10:38,347
- Thank you.
- No, really.
214
00:10:41,099 --> 00:10:42,768
- [growls] Uh, Charlie,
215
00:10:42,768 --> 00:10:44,937
who's the gentlewoman?
- It's not like that.
216
00:10:44,937 --> 00:10:47,272
- Why isn't it like that, Brazzos?
217
00:10:47,272 --> 00:10:48,732
- Because she's not my type.
218
00:10:48,732 --> 00:10:50,692
- What, emotionally stable?
- Age-appropriate?
219
00:10:50,692 --> 00:10:52,986
- Not incarcerated?
[Oliver laughs]
220
00:10:52,986 --> 00:10:56,365
- Okay, so actually, she's great,
but I'm just not... available.
221
00:10:57,366 --> 00:10:59,326
Emotionally. You know, I'm single,
222
00:10:59,326 --> 00:11:01,912
but I'm just not ready to jump
into something. There you go.
223
00:11:01,912 --> 00:11:04,456
- It's true. Y-you should have
a hoe phase first.
224
00:11:04,456 --> 00:11:05,832
- [laughs] Bet.
225
00:11:05,832 --> 00:11:08,168
- You two are banned from interacting.
226
00:11:08,168 --> 00:11:10,796
[text chimes]
- Oh, is that me?
227
00:11:10,796 --> 00:11:13,632
I'm waiting on DNA results
that will ruin my life.
228
00:11:13,632 --> 00:11:15,551
- No. It's Detective Williams.
229
00:11:15,551 --> 00:11:17,636
She agreed to run prints on the matchbook.
230
00:11:17,636 --> 00:11:20,138
She says that we can meet up
later today to get it from us.
231
00:11:20,138 --> 00:11:23,308
- Ooh, good... Yeah.
- Excellent! She is really the best.
232
00:11:23,308 --> 00:11:24,476
[text chimes]
233
00:11:24,476 --> 00:11:27,855
- "Don't tell anyone else about this.
I'm the only person on the NYPD
234
00:11:27,855 --> 00:11:31,108
who thinks you're too stupid
to have pulled off this murder."
235
00:11:32,109 --> 00:11:34,194
- A bit rude, but noted.
236
00:11:34,194 --> 00:11:35,904
- I have got to go catch my train
237
00:11:35,904 --> 00:11:38,240
because someone won't buy me a car.
238
00:11:38,240 --> 00:11:40,200
I'm kidding. I'm serious tho-- Ooh!
239
00:11:41,159 --> 00:11:42,828
Are you a real cop or an actor?
240
00:11:42,828 --> 00:11:44,037
- Real cop.
241
00:11:44,580 --> 00:11:46,123
- You look like an actor.
242
00:11:47,457 --> 00:11:48,458
Bye.
243
00:11:48,458 --> 00:11:51,753
- Detective Kreps wants to see you three
at Bunny Folger's apartment.
244
00:11:51,753 --> 00:11:52,963
He found something.
245
00:11:52,963 --> 00:11:55,174
♪
246
00:11:55,174 --> 00:11:57,176
- Well, okay then.
247
00:11:59,761 --> 00:12:02,347
CINDA: Just get one,
one mic for some room tone.
248
00:12:02,347 --> 00:12:04,183
- Whoa.
DETECTIVE KREPS: What's that?
249
00:12:04,183 --> 00:12:05,517
- What is she doing here?
250
00:12:05,517 --> 00:12:07,186
[door shuts]
- Alright.
251
00:12:07,186 --> 00:12:09,062
Good. You're all here.
252
00:12:09,062 --> 00:12:11,064
I'm glad you could all make it.
I appreciate it.
253
00:12:11,064 --> 00:12:12,149
Now that everybody's here,
254
00:12:12,149 --> 00:12:13,400
I want you to know, you need to stop
255
00:12:13,400 --> 00:12:16,028
fucking podcasting right now!
256
00:12:16,028 --> 00:12:17,446
Okay, thanks to you,
257
00:12:17,446 --> 00:12:19,156
we're getting more anonymous tips
258
00:12:19,156 --> 00:12:20,908
than a Penn Station glory hole.
259
00:12:20,908 --> 00:12:22,743
- Okay, I'm sorry. Are we here
260
00:12:22,743 --> 00:12:24,912
because you found something
in Bunny's apartment
261
00:12:24,912 --> 00:12:27,206
you wanted to show us,
or are we just here to--
262
00:12:27,206 --> 00:12:28,373
- To be yelled at!
263
00:12:29,082 --> 00:12:32,085
Okay, this was supposed to be
a career-making case for me.
264
00:12:32,920 --> 00:12:33,921
Alright, but you amateurs
265
00:12:33,921 --> 00:12:36,840
got things so twisted up
that I'm getting calls
266
00:12:36,840 --> 00:12:39,635
from citizens asking me
to look into a bird?
267
00:12:39,635 --> 00:12:41,053
A fucking bird?
268
00:12:41,053 --> 00:12:43,305
The "Parrot Theory"
is what they're calling it.
269
00:12:43,305 --> 00:12:44,973
This needs to stop right now.
270
00:12:44,973 --> 00:12:47,100
- Detective, do not lump me in with them.
271
00:12:47,100 --> 00:12:49,686
I can actually help you, if you'll let me.
272
00:12:49,686 --> 00:12:51,396
- Oh, really? The great Cinda Canning
273
00:12:51,396 --> 00:12:54,149
is going to come waltzing in
to save another case, huh?
274
00:12:54,149 --> 00:12:57,528
- You should be grateful
given your reputation, Detective Kreps.
275
00:12:58,362 --> 00:13:00,072
Speaking of reputations,
276
00:13:00,072 --> 00:13:01,990
you'll want to listen to our next episode.
277
00:13:01,990 --> 00:13:04,076
Interesting story from one...
278
00:13:04,076 --> 00:13:05,494
Jimmy Russo.
- Jimmy Russo.
279
00:13:06,370 --> 00:13:09,164
CINDA: Have you interviewed him yet?
He's an old coworker of Mabel's
280
00:13:09,164 --> 00:13:11,375
from her days at Long John Silver's.
- Long John Silver's.
281
00:13:11,375 --> 00:13:12,543
- Are you done interrupting me?
282
00:13:12,543 --> 00:13:14,044
- Oh. Sorry. Just trying to be helpful.
283
00:13:14,044 --> 00:13:15,420
- Oh. Where was that help
284
00:13:15,420 --> 00:13:18,924
when I mispronounced "Chickashaw,"
Oklahoma, for an entire podcast?
285
00:13:18,924 --> 00:13:21,051
- It's, uh, it's "Chickashay."
286
00:13:21,718 --> 00:13:23,345
- Who is Jimmy Russo?
287
00:13:23,345 --> 00:13:25,514
- He's nobody. He's a liar,
288
00:13:25,514 --> 00:13:27,850
and he's completely irrelevant
to this case.
289
00:13:27,850 --> 00:13:29,768
- I would argue that he's very relevant.
290
00:13:29,768 --> 00:13:32,855
Jimmy Russo shows that you have
a tendency to snap.
291
00:13:32,855 --> 00:13:33,856
♪
292
00:13:33,856 --> 00:13:36,108
Jimmy's the start of a pattern
that led to Bunny,
293
00:13:36,108 --> 00:13:37,901
and who knows what you'll do next.
294
00:13:37,901 --> 00:13:39,361
And to our audience,
295
00:13:39,361 --> 00:13:43,031
there is nothing more tantalizing
than an unhinged, murderous beauty.
296
00:13:43,657 --> 00:13:47,077
- So that's it? You'd rather
tell a story that's tantalizing
297
00:13:47,077 --> 00:13:48,704
than the story that's the truth.
298
00:13:48,704 --> 00:13:50,330
- You see, we would never do that!
299
00:13:51,665 --> 00:13:53,709
I mean, we have, but we try not to.
300
00:13:53,709 --> 00:13:55,169
- No, I tell the truth,
301
00:13:55,169 --> 00:13:57,421
and the truth is that people
don't wanna spend their commutes
302
00:13:57,421 --> 00:14:00,757
hearing about run-of-the-mill tragedies.
That's why they listen to me
303
00:14:00,757 --> 00:14:02,384
because for 52 minutes a week,
304
00:14:02,384 --> 00:14:04,219
I can scare and surprise
305
00:14:04,219 --> 00:14:06,096
and, yes, arouse them.
306
00:14:06,096 --> 00:14:07,973
They trust me to spin a yarn
307
00:14:07,973 --> 00:14:10,225
from a pretty knitter in Manhattan
308
00:14:10,225 --> 00:14:12,519
all the way to a missing farm girl
309
00:14:12,519 --> 00:14:15,480
in "Chickashay."
Shaw. Shay. Shit.
310
00:14:16,565 --> 00:14:18,609
Now, if you will excuse me,
311
00:14:18,609 --> 00:14:20,569
I have to finish mixing...
312
00:14:20,569 --> 00:14:22,487
a pretty damning podcast.
313
00:14:22,487 --> 00:14:23,488
KREPS:
No, listen to me.
314
00:14:23,488 --> 00:14:25,324
No more dropping episodes.
You understand me?
315
00:14:25,324 --> 00:14:28,368
- Please. The only thing
I'll be dropping is the hammer of justice.
316
00:14:28,368 --> 00:14:30,037
Poppy! Get the stuff.
317
00:14:30,996 --> 00:14:33,999
And remember that line!
I like the thing about the hammer.
318
00:14:35,626 --> 00:14:37,753
- Wow, th-that was something, wasn't it?
319
00:14:37,753 --> 00:14:39,254
[door opens]
CHARLES: Hm.
320
00:14:40,130 --> 00:14:42,716
- Hey, where's Detective Williams?
I figured she'd be here, too.
321
00:14:42,716 --> 00:14:46,094
- Oh, she's in Denver.
She's on maternity leave.
322
00:14:46,512 --> 00:14:48,722
Excuse me. I-I gotta go take a leak.
323
00:14:48,722 --> 00:14:50,599
[muttering]
324
00:14:51,350 --> 00:14:52,893
- Williams is in Denver?
[door opens]
325
00:14:52,893 --> 00:14:54,645
- On maternity leave?
326
00:14:54,645 --> 00:14:56,939
- Then how was she gonna
meet us here later
327
00:14:56,939 --> 00:14:58,315
to pick up the evidence?
328
00:14:58,315 --> 00:14:59,983
- Unless...
329
00:14:59,983 --> 00:15:02,778
we've been texting with someone else.
330
00:15:02,778 --> 00:15:04,780
[toilet flushes]
331
00:15:05,739 --> 00:15:07,449
[growls]
332
00:15:07,449 --> 00:15:09,993
- Hey. Are you okay?
- Yes. Wh-what do you mean?
333
00:15:09,993 --> 00:15:12,412
- Just the way Cinda treats you.
It was really rude,
334
00:15:12,412 --> 00:15:13,789
especially since you're the one
335
00:15:13,789 --> 00:15:15,374
who knows the stuff.
- I'm fine.
336
00:15:15,374 --> 00:15:17,876
And I don't respond to flattery.
I find it dishonest.
337
00:15:19,002 --> 00:15:20,796
I mean...
338
00:15:20,796 --> 00:15:23,715
Can Cinda be difficult?
Does she have a temper?
339
00:15:23,715 --> 00:15:27,261
Toss the odd stapler from time to time?
Of course. [sighs]
340
00:15:27,261 --> 00:15:28,971
Pick the stapler up off the ground
and toss it again
341
00:15:28,971 --> 00:15:31,682
until it hits you in the face?
Show me a genius who doesn't
342
00:15:31,682 --> 00:15:34,351
toss the odd stapler and then pick it
up again and then toss it again.
343
00:15:34,351 --> 00:15:36,103
But it's called paying your dues.
344
00:15:36,103 --> 00:15:37,646
I'm waiting for my break.
345
00:15:37,646 --> 00:15:40,357
- You're not going to get
that break unless you speak up.
346
00:15:40,983 --> 00:15:42,276
Make it happen.
347
00:15:42,693 --> 00:15:45,571
Act like a producer, not an assistant.
348
00:15:45,571 --> 00:15:47,573
♪
349
00:15:47,573 --> 00:15:49,408
And you should start with Jimmy Russo.
350
00:15:50,492 --> 00:15:52,661
He's full of shit.
351
00:15:52,661 --> 00:15:54,079
You would be helping Cinda out
352
00:15:54,079 --> 00:15:56,540
by keeping that interview off the air.
353
00:15:56,540 --> 00:15:59,001
And you might earn her respect
in the process, too.
354
00:15:59,001 --> 00:16:00,836
- Cinda does respect me.
355
00:16:00,836 --> 00:16:03,338
[Cinda whistling]
CINDA: Here, girl!
356
00:16:03,338 --> 00:16:05,340
- [awkward laugh] It's an inside joke.
357
00:16:13,849 --> 00:16:15,684
OLIVER:
Okay, let's not jump to conclusions.
358
00:16:15,684 --> 00:16:19,438
Just ask Detective Williams where she
wants to meet up and see what she says.
359
00:16:20,147 --> 00:16:21,523
MABEL: Mm!
360
00:16:21,523 --> 00:16:24,151
[typing]
361
00:16:24,151 --> 00:16:26,153
[sighs, clears throat]
[sends text]
362
00:16:28,363 --> 00:16:29,364
[Oliver growls]
363
00:16:33,452 --> 00:16:35,621
[tapping]
364
00:16:37,539 --> 00:16:38,540
[text chimes]
365
00:16:40,626 --> 00:16:43,045
- "Can't meet up now, too risky.
366
00:16:43,045 --> 00:16:45,881
Hide evidence in spot in Morningside Park.
367
00:16:45,881 --> 00:16:47,382
I'll grab it later"?
368
00:16:49,426 --> 00:16:52,054
- So she can't meet us face-to-face,
369
00:16:52,054 --> 00:16:54,723
but she can meet us in Morningside Park
370
00:16:54,723 --> 00:16:56,558
later from Denver?
371
00:16:56,558 --> 00:16:57,976
♪
372
00:16:57,976 --> 00:16:59,561
- The killer.
373
00:16:59,561 --> 00:17:01,438
We're texting with the killer!
374
00:17:01,438 --> 00:17:03,440
Ah!
[clatters]
375
00:17:05,651 --> 00:17:07,277
- That's my phone.
376
00:17:08,695 --> 00:17:10,197
- Oh. Sorry...
377
00:17:13,867 --> 00:17:15,536
OLIVER:
How did this happen?
378
00:17:15,536 --> 00:17:18,288
- We assumed it was Williams
who texted us.
379
00:17:18,288 --> 00:17:19,915
MABEL:
Well, what do we do now?
380
00:17:20,666 --> 00:17:23,168
♪
381
00:17:23,168 --> 00:17:24,962
CHARLES:
I'll tell you what we do now.
382
00:17:24,962 --> 00:17:26,088
We agree to their terms.
383
00:17:27,673 --> 00:17:30,509
Season seven, episode 21.
384
00:17:30,509 --> 00:17:31,927
"The Fake Evidence."
385
00:17:31,927 --> 00:17:33,804
We tell them we'll put the matchbook
386
00:17:33,804 --> 00:17:37,641
inside a Stop & Shop bag in a trashcan
outside Morningside Park.
387
00:17:37,641 --> 00:17:39,601
And then, twist!
388
00:17:39,601 --> 00:17:41,228
The evidence is fake!
389
00:17:41,228 --> 00:17:44,606
- Uh, saw that twist coming.
- It was in the episode name.
390
00:17:44,606 --> 00:17:46,316
- Instead...
391
00:17:46,316 --> 00:17:47,484
it's a paint bomb.
392
00:17:48,443 --> 00:17:50,821
- Okay, that I didn't expect.
CHARLES: Yeah!
393
00:17:50,821 --> 00:17:52,865
Boom! The bomb goes off,
marking our targets.
394
00:17:52,865 --> 00:17:55,492
We rush in, make a citizen's arrest!
395
00:17:55,492 --> 00:17:57,119
Now, we don't have a paint bomb,
so we can maybe--
396
00:17:57,119 --> 00:17:58,245
- Glitter!
397
00:17:58,245 --> 00:17:59,830
- Did you say "glitter"?
- Yeah.
398
00:18:00,664 --> 00:18:02,708
If my years in regional theater
399
00:18:02,708 --> 00:18:05,085
and wild orgies have taught me anything,
400
00:18:05,085 --> 00:18:07,671
it's that there is
no getting rid of glitter.
401
00:18:10,465 --> 00:18:11,967
God, I'm clever.
402
00:18:13,844 --> 00:18:16,847
♪
403
00:18:31,528 --> 00:18:32,529
[gasps]
404
00:18:36,867 --> 00:18:38,118
Okay.
405
00:18:38,702 --> 00:18:41,205
Everything's in place.
- [sighs] Okay.
406
00:18:47,044 --> 00:18:48,754
- Now what?
407
00:18:54,092 --> 00:18:57,596
- Only Murderers in the Building
is brought to you by Pink Ladle.
408
00:18:57,596 --> 00:18:59,640
Soup by women, for women.
409
00:18:59,640 --> 00:19:03,560
Use promo code "BUTCHERED-BUNNY"
for 50% off your first order.
410
00:19:03,560 --> 00:19:04,603
[click]
411
00:19:04,603 --> 00:19:06,813
- Nice.
- So good. Oh my gosh.
412
00:19:06,813 --> 00:19:08,982
- Alright, we can slot
that into the final mix,
413
00:19:08,982 --> 00:19:10,859
and we're ready to publish.
414
00:19:10,859 --> 00:19:12,069
[chime]
415
00:19:12,069 --> 00:19:15,739
Sorry, what is this in my calendar?
"Meeting to set performance review"?
416
00:19:16,698 --> 00:19:18,700
[click]
- Yeah, that's for me. Um...
417
00:19:19,326 --> 00:19:22,538
I-- My performance. I was just
thinking that maybe you could
418
00:19:22,538 --> 00:19:24,456
review it, and then, um,
419
00:19:24,456 --> 00:19:26,917
if you find it adequate,
that you might, uh,
420
00:19:26,917 --> 00:19:28,877
consider promotion. A promotion.
[click]
421
00:19:30,921 --> 00:19:31,922
- Hm.
422
00:19:34,550 --> 00:19:35,551
[sips]
423
00:19:36,593 --> 00:19:38,887
- Luís, what did you think
of that Jimmy Russo interview?
424
00:19:38,887 --> 00:19:41,598
[click]
- Shit was unreal.
425
00:19:42,808 --> 00:19:44,309
- You know, Poppy found that guy.
426
00:19:44,309 --> 00:19:46,854
[click]
- Fuck, yeah.
427
00:19:47,354 --> 00:19:49,982
- Okay, well, I don't normally
consider promotions
428
00:19:49,982 --> 00:19:52,276
until year five, but, uh...
429
00:19:52,276 --> 00:19:54,736
Yeah. Let me have a think on it.
430
00:19:57,322 --> 00:19:58,574
- Fuck yeah.
431
00:19:59,867 --> 00:20:01,118
[giggles]
432
00:20:04,162 --> 00:20:05,956
- Why is this taking so long?
433
00:20:05,956 --> 00:20:08,959
When we did this on Brazzos,
it was always the third guy.
434
00:20:10,752 --> 00:20:12,546
- This reminds me of the time
435
00:20:12,546 --> 00:20:15,007
when I did Waiting For Lefty
at the Roundabout.
436
00:20:15,549 --> 00:20:17,551
You know, my little Will was there,
437
00:20:19,011 --> 00:20:20,637
waiting for Lefty every night.
438
00:20:20,637 --> 00:20:22,639
He was 6 or 7,
439
00:20:22,639 --> 00:20:26,518
too young to appreciate the radical
leftist propaganda of Clifford Odets.
440
00:20:27,144 --> 00:20:29,980
The red-baiting, union-busting.
441
00:20:29,980 --> 00:20:31,231
But at the end,
442
00:20:31,231 --> 00:20:33,233
when we would get
the whole audience involved,
443
00:20:34,276 --> 00:20:36,236
Willie loved to lead the shouts of,
444
00:20:36,236 --> 00:20:38,947
"Strike. Strike. Strike."
445
00:20:41,408 --> 00:20:42,826
Like a...
446
00:20:42,826 --> 00:20:45,370
cute little lefty communist.
447
00:20:46,872 --> 00:20:49,249
- It's okay, Oliver.
- I know. I'm fine.
448
00:20:49,249 --> 00:20:51,251
- Everything's gonna be okay,
right, Charles?
449
00:20:51,251 --> 00:20:54,129
- Sure, buddy.
That DNA test is gonna be fine.
450
00:20:55,088 --> 00:20:56,590
Probably be fine.
451
00:20:58,425 --> 00:20:59,801
Could be bad.
452
00:20:59,801 --> 00:21:01,428
[text notification]
- Oh, thank God.
453
00:21:01,428 --> 00:21:03,388
- Oh, thank God.
- Oh.
454
00:21:03,388 --> 00:21:04,973
Such supportive friends.
455
00:21:04,973 --> 00:21:07,100
- Fuck! She dropped it.
456
00:21:10,521 --> 00:21:13,732
CINDA: [on podcast]
Today on Only Murderers in the Building...
457
00:21:13,732 --> 00:21:15,150
JIMMY RUSSO: [on podcast]
There we were,
458
00:21:15,150 --> 00:21:17,152
in the kitchen at the Long John Silver's,
459
00:21:17,152 --> 00:21:18,278
when Mabel,
460
00:21:18,278 --> 00:21:20,948
she just snapped,
chopped off my finger,
461
00:21:20,948 --> 00:21:22,241
chopped it clean off. Like...
462
00:21:22,241 --> 00:21:24,368
Bam!
463
00:21:24,368 --> 00:21:25,911
Gone.
464
00:21:25,911 --> 00:21:28,038
And then she deep fried it.
465
00:21:28,038 --> 00:21:30,624
She served it up like it was nothing.
Like it was a hush puppy.
466
00:21:30,624 --> 00:21:32,209
[crying]
Like it wasn't even my finger.
467
00:21:32,209 --> 00:21:34,503
- You lying piece of shit!
468
00:21:34,503 --> 00:21:38,131
CINDA: How would you characterize her
in your own words?
469
00:21:38,131 --> 00:21:39,758
RUSSO:
Who? Bloody Mabel?
470
00:21:39,758 --> 00:21:41,677
She's a bloody monster.
471
00:21:41,677 --> 00:21:42,886
CINDA:
Stay tuned as we...
472
00:21:42,886 --> 00:21:44,972
- Jimmy was this handsy creep,
473
00:21:44,972 --> 00:21:47,474
and the first time I pushed back, he trips
474
00:21:47,474 --> 00:21:50,477
and gets his grubby little paw
caught in the meat slicer.
475
00:21:50,477 --> 00:21:52,604
CINDA: I'm Cinda Canning.
476
00:21:52,604 --> 00:21:55,023
Only Murderers in the Building
is brought to you--
477
00:21:55,023 --> 00:21:58,694
- Okay, let's listen to something else.
Music, anyone? I could go for some music.
478
00:21:59,862 --> 00:22:01,947
OLIVER:
Jesus, Charles. Who's in Hopestill?
479
00:22:01,947 --> 00:22:03,949
Besides all the eligible bachelorettes
480
00:22:03,949 --> 00:22:06,493
of the Hopestill
Women's Correctional Facility?
481
00:22:06,493 --> 00:22:08,161
CHARLES:
Okay, I got, uh,
482
00:22:08,161 --> 00:22:11,748
Kingston Trio and Brothers Four.
Could listen to that.
483
00:22:11,748 --> 00:22:14,293
- Charles, please tell me
you're not in contact with Jan.
484
00:22:16,670 --> 00:22:18,297
- I'm not in contact with Jan.
485
00:22:18,297 --> 00:22:19,882
- What is wrong with you?
486
00:22:20,757 --> 00:22:24,219
[beep]
- Ooh, the betrayal. Look at him!
487
00:22:24,219 --> 00:22:26,430
So caught.
488
00:22:26,430 --> 00:22:30,350
Probably asking himself
if there's time to concoct a lie.
489
00:22:30,350 --> 00:22:32,060
But, at the same time,
490
00:22:32,060 --> 00:22:35,189
lacking the mental dexterity,
at his late age,
491
00:22:35,189 --> 00:22:37,316
to wrestle one into comprehension.
492
00:22:38,150 --> 00:22:40,777
- Okay. I have been talking to Jan,
493
00:22:40,777 --> 00:22:43,572
but it was for the case.
Initially.
494
00:22:43,572 --> 00:22:45,032
- Initially?
495
00:22:45,032 --> 00:22:47,367
- I think we're just dating now?
496
00:22:48,076 --> 00:22:49,745
Well, she says we never broke up!
497
00:22:49,745 --> 00:22:53,123
- She tried to poison you and kill
the entire building. It's implied.
498
00:22:53,123 --> 00:22:54,666
- Thank you! That's what I said!
499
00:22:54,666 --> 00:22:56,210
- Then why didn't you end it?
500
00:22:56,210 --> 00:22:58,879
- Because [sighs]... I-I...
501
00:22:58,879 --> 00:23:00,297
I don't know how.
502
00:23:00,797 --> 00:23:04,009
I'm non-confrontational.
I've never broken up with anyone.
503
00:23:04,676 --> 00:23:07,387
I usually spend one year
getting into a relationship,
504
00:23:07,387 --> 00:23:08,555
one year enjoying it,
505
00:23:08,555 --> 00:23:10,557
and four years trying to get out.
506
00:23:11,308 --> 00:23:14,102
I mean, I'm 75 years old,
507
00:23:14,102 --> 00:23:16,605
and I thought I was in the clear.
508
00:23:16,605 --> 00:23:18,357
♪
509
00:23:18,357 --> 00:23:21,318
I mean, I know I have to
break up with her, but, you know,
510
00:23:21,318 --> 00:23:24,029
Jan is... scary
511
00:23:24,029 --> 00:23:27,574
[Oliver growls]
and sexy?
512
00:23:27,574 --> 00:23:29,785
[rummaging]
And that makes it difficult to do.
513
00:23:29,785 --> 00:23:30,911
[pop]
514
00:23:30,911 --> 00:23:33,413
I guess my father is at fault?
515
00:23:34,373 --> 00:23:37,668
He abandoned us, and now I can't
bring myself to leave anybody.
516
00:23:37,668 --> 00:23:39,044
[hissing]
517
00:23:39,044 --> 00:23:40,963
- She killed my friend.
518
00:23:40,963 --> 00:23:43,465
- I know. I know that.
519
00:23:44,591 --> 00:23:45,592
- Jeez, Charles,
520
00:23:45,592 --> 00:23:47,386
you need to get your shit straight.
- Mabel, don't...
521
00:23:47,970 --> 00:23:48,971
- Fuck!
522
00:23:50,180 --> 00:23:52,391
[man yells]
WOMAN: Hey!
523
00:23:52,391 --> 00:23:55,143
♪
524
00:23:55,143 --> 00:23:56,353
[car doors shut]
525
00:23:56,353 --> 00:23:58,355
[hissing]
526
00:23:58,355 --> 00:23:59,940
- Wha...
527
00:23:59,940 --> 00:24:01,733
- Jeez, Oliver, what was that?
528
00:24:01,733 --> 00:24:03,026
- I call it the Mariah.
529
00:24:03,026 --> 00:24:05,863
It's a-a pound of glitter,
a jar of rubber cement,
530
00:24:05,863 --> 00:24:08,031
and-and just a nugget of C-4.
531
00:24:08,448 --> 00:24:09,741
- Well, cool.
532
00:24:09,741 --> 00:24:12,744
There goes our best chance at
catching him and clearing our names.
533
00:24:12,744 --> 00:24:15,873
- Generating podcast content
that's worth a damn.
534
00:24:15,873 --> 00:24:19,168
All foiled because of this pussy willow
blowing in the wind.
535
00:24:19,168 --> 00:24:21,170
- See you guys later.
536
00:24:21,170 --> 00:24:22,754
- Mabel, I'm sorry.
537
00:24:22,754 --> 00:24:23,881
I should have--
538
00:24:23,881 --> 00:24:25,716
- I just feel like walking!
539
00:24:25,716 --> 00:24:27,384
I need some space.
540
00:24:27,384 --> 00:24:29,845
♪
541
00:24:30,262 --> 00:24:33,182
- She's fine. This happens
every third or fourth episode.
542
00:24:33,182 --> 00:24:36,059
But you do have to end it with Jan!
- I know.
543
00:24:36,059 --> 00:24:38,562
It's just gonna be hard and unpleasant.
544
00:24:41,356 --> 00:24:43,609
Maybe I don't have to.
545
00:24:43,609 --> 00:24:45,819
- But you do. We just went over it.
- No.
546
00:24:45,819 --> 00:24:47,821
- Maybe I don't have to.
547
00:24:50,324 --> 00:24:52,326
- Are you good to drive?
548
00:24:57,372 --> 00:24:59,917
CINDA:
Okay, I'm heading out. Any messages?
549
00:24:59,917 --> 00:25:02,503
- People are loving the episode.
550
00:25:02,503 --> 00:25:04,796
- Mm.
- Jimmy's a hit.
551
00:25:04,796 --> 00:25:07,758
[laughs] Good job, Poppy!
552
00:25:07,758 --> 00:25:09,885
- Oh, Stanley's turning three tomorrow.
553
00:25:09,885 --> 00:25:12,179
Can you write me a card?
He can't read. He won't know.
554
00:25:13,180 --> 00:25:15,182
- I-I was wondering,
did you have a chance to, um...
555
00:25:16,683 --> 00:25:19,186
Uh, what we talked about earlier?
- Earlier?
556
00:25:19,645 --> 00:25:20,771
Oh, earlier,
557
00:25:20,771 --> 00:25:22,940
when you asked for a promotion
in front of Luís
558
00:25:22,940 --> 00:25:25,400
and made everyone really uncomfortable.
559
00:25:26,735 --> 00:25:29,446
- Oh... What?
560
00:25:29,446 --> 00:25:31,823
- You put me on the spot.
What am I supposed to say?
561
00:25:31,823 --> 00:25:34,159
"No, you're never going to be promoted"?
562
00:25:34,159 --> 00:25:35,953
That would have been awkward.
563
00:25:35,953 --> 00:25:38,830
You are a rock star assistant, Poppy.
564
00:25:38,830 --> 00:25:42,167
The way you pluck
every last piece of cilantro
565
00:25:42,167 --> 00:25:44,211
out of my buffalo chicken bowl.
566
00:25:44,211 --> 00:25:45,754
You're like a surgeon.
567
00:25:46,922 --> 00:25:48,423
- [barely audible]
Thank you.
568
00:25:49,216 --> 00:25:51,301
- When I was an intern at the Post,
569
00:25:51,301 --> 00:25:54,096
Kay Graham gave me
a great piece of advice.
570
00:25:54,096 --> 00:25:57,599
She said, "Don't be too good
at a job you don't want."
571
00:25:59,268 --> 00:26:00,769
And she was a real cunt.
572
00:26:04,481 --> 00:26:05,816
[alarm buzzes]
573
00:26:06,900 --> 00:26:07,901
[door opens]
574
00:26:13,448 --> 00:26:15,367
- Hello again, Charles-Haden S...
575
00:26:15,367 --> 00:26:17,703
...Sazz.
576
00:26:17,703 --> 00:26:19,371
[door shuts]
[muffled]
577
00:26:19,371 --> 00:26:20,706
[knocking]
578
00:26:22,416 --> 00:26:24,459
- Bear with me here, babe.
I'm almost off-book.
579
00:26:24,459 --> 00:26:26,211
Charles just sent these pages.
580
00:26:26,837 --> 00:26:29,006
- What is that?
[papers crinkling]
581
00:26:29,006 --> 00:26:30,382
Are those lines?
582
00:26:30,382 --> 00:26:32,634
- Roll sound, camera...
583
00:26:33,218 --> 00:26:35,012
Action. Jan...
584
00:26:35,929 --> 00:26:37,222
we need to talk.
585
00:26:37,931 --> 00:26:40,475
It gives me no pleasure
to say this, but...
586
00:26:41,435 --> 00:26:43,187
I think we should see other people.
587
00:26:43,896 --> 00:26:46,398
- Is he... A-are you...
588
00:26:47,774 --> 00:26:50,277
He's breaking up with me with you?
589
00:26:50,277 --> 00:26:52,362
This is ridiculous. Where's Charles?
590
00:26:52,362 --> 00:26:55,449
- I'm told it's customary to say,
591
00:26:55,449 --> 00:26:57,659
"It's not you.
592
00:26:57,659 --> 00:26:59,578
It's me."
593
00:26:59,578 --> 00:27:02,497
But, come on, let's face it.
It's, like, 80-20 you.
594
00:27:02,497 --> 00:27:04,833
- I'm hanging up.
- Jan.
595
00:27:04,833 --> 00:27:06,627
I don't love you anymore.
596
00:27:07,419 --> 00:27:10,297
I'm sorry. I suggested
as much as the other day,
597
00:27:10,297 --> 00:27:11,465
but I was afraid.
598
00:27:12,090 --> 00:27:14,092
I was afraid of you.
599
00:27:14,092 --> 00:27:16,261
I was afraid of being alone.
600
00:27:16,261 --> 00:27:17,387
♪
601
00:27:17,387 --> 00:27:19,014
But I'm not afraid anymore.
602
00:27:19,389 --> 00:27:20,641
[paper crinkling]
603
00:27:20,641 --> 00:27:22,643
Well, I am still afraid of you.
604
00:27:23,894 --> 00:27:25,896
But I'm not afraid of being alone.
605
00:27:26,730 --> 00:27:29,900
And... I don't want to hurt you.
606
00:27:30,776 --> 00:27:32,819
[sighs] But this is goodbye.
607
00:27:33,278 --> 00:27:34,279
[Jan gasps]
608
00:27:35,447 --> 00:27:38,742
I'll never forget all that you taught me.
609
00:27:39,660 --> 00:27:42,538
The anatomy of your bassoon.
610
00:27:43,872 --> 00:27:45,374
The long joint.
611
00:27:46,250 --> 00:27:48,168
The butt joint.
612
00:27:48,168 --> 00:27:49,628
The crook.
613
00:27:51,213 --> 00:27:52,256
[papers crinkle]
614
00:27:53,340 --> 00:27:55,634
Gets pretty porny.
615
00:27:55,634 --> 00:27:56,885
Doing anything for you?
616
00:27:57,845 --> 00:28:00,347
- Oh, yeah.
- Well, then I'll continue.
617
00:28:00,347 --> 00:28:01,473
[flips page]
618
00:28:02,474 --> 00:28:03,725
- Hello?
619
00:28:05,686 --> 00:28:06,937
Alice?
620
00:28:06,937 --> 00:28:08,355
[sizzling]
MAN: ...these are ready.
621
00:28:08,355 --> 00:28:10,190
Apparently, the yolk is supposed to...
622
00:28:10,190 --> 00:28:12,317
"walk not run," whatever that means.
623
00:28:12,317 --> 00:28:14,236
- Sorry, I'm getting into character.
What did you say?
624
00:28:14,236 --> 00:28:15,904
- What the fuck?
625
00:28:15,904 --> 00:28:17,698
[egg sizzling]
626
00:28:17,698 --> 00:28:18,740
- Hey.
- Hey.
627
00:28:20,576 --> 00:28:21,827
- [barely audible]
Hey.
628
00:28:23,203 --> 00:28:25,205
WOMAN: [whispers]
Oh my effing G, is that her?
629
00:28:25,205 --> 00:28:28,208
♪
630
00:28:35,424 --> 00:28:36,925
[object clatters]
631
00:28:39,303 --> 00:28:41,346
ALICE:
Let's just try that again.
632
00:28:42,681 --> 00:28:43,807
Okay, the way you just said "14,"
633
00:28:43,807 --> 00:28:46,810
I want you to say "savage" like that.
Like...
634
00:28:46,810 --> 00:28:49,396
Like it's your last breath.
Okay, try that.
635
00:28:49,855 --> 00:28:51,857
[shutter snapping]
Okay.
636
00:28:53,025 --> 00:28:54,067
- Alice.
637
00:28:54,693 --> 00:28:56,612
- Mabel? What are you doing here?
638
00:28:57,779 --> 00:28:59,156
MABEL:
What am I...
639
00:29:00,490 --> 00:29:01,992
This is my apartment.
640
00:29:01,992 --> 00:29:04,995
- I'm sorry. You weren't meant
to see it like this. Not yet.
641
00:29:04,995 --> 00:29:06,538
Let me explain. Um...
642
00:29:07,331 --> 00:29:08,957
I was just trying to help.
You know, I was looking
643
00:29:08,957 --> 00:29:10,501
at your trauma through a fine-art lens.
644
00:29:10,501 --> 00:29:13,128
[muffled] I was going for something
more photo-realistic...
645
00:29:13,128 --> 00:29:14,922
♪
646
00:29:14,922 --> 00:29:17,591
[fading, echoing]
Mabel? Mabel? Are you okay?
647
00:29:17,591 --> 00:29:19,593
Mabel? Let me explain!
648
00:29:20,677 --> 00:29:22,179
Mabel!
649
00:29:23,972 --> 00:29:24,973
[pop]
650
00:29:27,726 --> 00:29:29,228
[sprays, puts down bottle]
651
00:29:30,187 --> 00:29:31,438
[squishing]
652
00:29:34,775 --> 00:29:38,070
- Okay, so they said
DNA results in 36 hours,
653
00:29:38,070 --> 00:29:39,404
and here I am, refreshing my inbox.
654
00:29:39,404 --> 00:29:41,114
I got nothing.
655
00:29:41,114 --> 00:29:42,616
I'm a mess, Charles.
656
00:29:42,616 --> 00:29:44,284
All I want is a soothing bowl of tzatziki,
657
00:29:44,284 --> 00:29:47,079
but Greek food is triggering
for me right now.
658
00:29:47,079 --> 00:29:49,957
What if I lose my son
and my dips in a single day?
659
00:29:49,957 --> 00:29:50,999
[sighs]
660
00:29:53,585 --> 00:29:56,630
- Yes. You can stay here
until your email comes.
661
00:29:56,630 --> 00:29:58,215
- Thank you.
662
00:29:58,215 --> 00:30:00,050
- And while we wait,
663
00:30:00,050 --> 00:30:02,010
maybe I can introduce you
to the wide world
664
00:30:02,010 --> 00:30:04,012
of South American salsas.
665
00:30:04,805 --> 00:30:06,056
Huh?
666
00:30:06,056 --> 00:30:07,599
- Ecch...
667
00:30:07,599 --> 00:30:10,018
[phone ringing]
668
00:30:10,018 --> 00:30:12,437
♪
669
00:30:13,856 --> 00:30:15,649
- Hello?
POPPY: [on phone] Hi. It's Poppy.
670
00:30:15,649 --> 00:30:17,651
Poppy White? I wanted to apologize--
671
00:30:17,651 --> 00:30:19,361
- Hey, right now's not a good time.
672
00:30:19,361 --> 00:30:21,196
Actually, it's the worst fucking time.
673
00:30:21,196 --> 00:30:24,199
- I didn't stand up to her, um,
but you have to understand
674
00:30:24,199 --> 00:30:26,660
Cinda is like a monster and a goddess.
675
00:30:26,660 --> 00:30:28,537
It's, um, it's hard to explain.
676
00:30:28,537 --> 00:30:30,664
- I have to go, okay?
POPPY: Oh, wait! Um...
677
00:30:30,664 --> 00:30:32,332
She didn't finish college.
678
00:30:32,332 --> 00:30:33,458
[door closing beep]
679
00:30:33,458 --> 00:30:34,835
- Who? Cinda?
680
00:30:34,835 --> 00:30:36,962
- Yeah, I'm pretty sure
she dropped out, and, um,
681
00:30:36,962 --> 00:30:37,963
and her teeth aren't real.
682
00:30:37,963 --> 00:30:41,216
- What are you talking about?!
POPPY: Cinda is a liar,
683
00:30:41,216 --> 00:30:43,719
and-and it goes way deeper
than dental implants.
684
00:30:43,719 --> 00:30:47,598
I mean, you were right.
She will do anything to tell a good story.
685
00:30:47,598 --> 00:30:49,766
Trust me, you learn a lot about a woman
686
00:30:49,766 --> 00:30:51,476
when you manage her calendar.
687
00:30:51,476 --> 00:30:53,478
And she's got her sights on you now, so...
688
00:30:54,271 --> 00:30:58,066
if you and those old men need
my help, please, let me know.
689
00:30:58,066 --> 00:30:59,568
I know where all the bodies are buried.
690
00:30:59,568 --> 00:31:01,987
And there are lots of bodies.
691
00:31:02,821 --> 00:31:05,324
Uh, so to speak. Okay...
692
00:31:05,324 --> 00:31:08,202
♪ music crescendo ♪
693
00:31:09,077 --> 00:31:10,329
Hello?
694
00:31:11,496 --> 00:31:12,539
Mabel?
695
00:31:12,956 --> 00:31:14,708
- And they just put the mango
right in there?
696
00:31:14,708 --> 00:31:17,336
CHARLES: Comes like that.
- It's ingenious.
697
00:31:17,336 --> 00:31:18,837
Mm!
[text notification]
698
00:31:20,881 --> 00:31:23,091
- What do you need? A hug?
699
00:31:23,091 --> 00:31:24,593
Personally, I don't like hugs, but...
700
00:31:27,179 --> 00:31:29,640
- Oh. It's just Will.
- Hm.
701
00:31:29,640 --> 00:31:32,392
- Look at that. My-my son sent me a video.
702
00:31:32,392 --> 00:31:34,353
[grunting]
[crowd screaming]
703
00:31:34,353 --> 00:31:38,106
MAN: Yo! Bloody Mabel sighting number two!
She just stabbed some dude!
704
00:31:38,106 --> 00:31:40,234
[overlapping screaming, chatter]
705
00:31:40,234 --> 00:31:41,693
[Mabel panting]
706
00:31:41,693 --> 00:31:44,988
[panicked chatter continues]
707
00:31:44,988 --> 00:31:48,075
♪ You Are Not Alone by Mavis Staples ♪
708
00:31:48,075 --> 00:31:49,201
[video stops]
709
00:31:49,201 --> 00:31:50,786
- I'll take that hug now.
710
00:31:59,044 --> 00:32:01,755
♪ You're not alone ♪
711
00:32:02,756 --> 00:32:05,300
♪ I'm with you ♪
712
00:32:06,426 --> 00:32:08,929
♪ I'm lonely too ♪
713
00:32:14,059 --> 00:32:17,062
♪ What's that song? ♪
714
00:32:21,650 --> 00:32:24,152
♪ Can't be sung ♪
715
00:32:25,696 --> 00:32:28,699
♪ By two ♪
716
00:32:34,663 --> 00:32:36,665
♪ A broken home ♪
717
00:32:38,375 --> 00:32:40,377
♪ A broken heart ♪
718
00:32:42,337 --> 00:32:45,841
♪ Isolated and afraid ♪
719
00:32:46,925 --> 00:32:49,928
♪ Open up, this is a raid ♪
720
00:32:50,596 --> 00:32:53,390
♪ I wanna get it through to you ♪
721
00:32:54,349 --> 00:32:57,352
♪ You're not alone... ♪
49711
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