All language subtitles for Missions.S03E08.720p.iP_.WEB-DL.AAC2_.0.H.264

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These are the user uploaded subtitles that are being translated: 1 00:00:53,560 --> 00:00:55,519 DOOR UNLOCKS 2 00:00:55,520 --> 00:00:57,680 DOOR CREAKS OPEN 3 00:01:17,400 --> 00:01:19,440 HIGH-PITCHED RINGING TONE 4 00:01:34,720 --> 00:01:36,200 HE MOANS SOFTLY 5 00:02:42,320 --> 00:02:43,920 DOOR SLAMS SHUT 6 00:03:02,600 --> 00:03:04,039 They didn't leave anything. 7 00:03:04,040 --> 00:03:05,680 Except for the car. 8 00:03:20,920 --> 00:03:22,080 Wait. 9 00:03:52,320 --> 00:03:53,960 VIDEO PLAYS 10 00:04:01,080 --> 00:04:03,080 SCREAMING ON VIDEO 11 00:04:04,880 --> 00:04:07,160 TENSE MUSIC 12 00:04:13,560 --> 00:04:15,480 SHE SCREAMS 13 00:04:35,720 --> 00:04:37,680 SHE SIGHS 14 00:04:44,200 --> 00:04:46,520 THUNDER RUMBLES 15 00:04:55,360 --> 00:04:57,160 DOOR CLOSES 16 00:05:25,520 --> 00:05:27,720 THUNDER RUMBLES 17 00:06:03,120 --> 00:06:04,760 EMOTIVE MUSIC 18 00:06:28,440 --> 00:06:30,040 DOOR LOCKS 19 00:06:33,920 --> 00:06:35,600 SHE SIGHS 20 00:06:37,640 --> 00:06:39,760 DOOR UNLOCKS 21 00:07:13,520 --> 00:07:17,119 Sossasi asked herself the same questions we did. 22 00:07:17,120 --> 00:07:19,799 She tried to compare the time code of her video 23 00:07:19,800 --> 00:07:22,159 to a clock filmed at the same moment 24 00:07:22,160 --> 00:07:23,959 Jeanne was doing her thing. 25 00:07:23,960 --> 00:07:27,199 Now, we noticed the timecodes don't match. 26 00:07:27,200 --> 00:07:28,679 They're desynchronised. 27 00:07:28,680 --> 00:07:30,399 What does that mean? 28 00:07:30,400 --> 00:07:32,279 Well, look at the clock next to her. 29 00:07:32,280 --> 00:07:34,479 It's really as if time has stopped. 30 00:07:34,480 --> 00:07:35,800 Right? 31 00:07:36,880 --> 00:07:38,519 How did she do that? 32 00:07:38,520 --> 00:07:41,879 The Italian thought it was related to her emotions 33 00:07:41,880 --> 00:07:44,479 cos every time she has a change in her emotional state, 34 00:07:44,480 --> 00:07:46,279 like anger or fear, 35 00:07:46,280 --> 00:07:48,119 her heartbeat accelerates. 36 00:07:48,120 --> 00:07:49,559 Yeah, right, but how? 37 00:07:49,560 --> 00:07:51,359 How did she do that? 38 00:07:51,360 --> 00:07:52,879 How does she shatter glasses? 39 00:07:52,880 --> 00:07:54,119 How did she kill the Italian? 40 00:07:54,120 --> 00:07:55,799 No, we don't even know if she killed her. 41 00:07:55,800 --> 00:07:57,079 Oh, please! 42 00:07:57,080 --> 00:07:59,039 It's very difficult to say. 43 00:07:59,040 --> 00:08:02,759 Um, it'd be much easier if we could study her first-hand, 44 00:08:02,760 --> 00:08:04,399 but... But what? 45 00:08:04,400 --> 00:08:10,319 Everything she does looks like a gravitational singularity. 46 00:08:10,320 --> 00:08:12,079 A what? 47 00:08:12,080 --> 00:08:13,559 A black hole. 48 00:08:13,560 --> 00:08:15,280 You must be kidding me! 49 00:08:16,520 --> 00:08:19,759 It is the only thing that can explain how she can... 50 00:08:19,760 --> 00:08:23,400 ..warp time and matter the way she does. 51 00:08:24,800 --> 00:08:30,119 Somehow, this woman seems to be able to create tiny singularities 52 00:08:30,120 --> 00:08:33,599 that distort the very structure of spacetime. 53 00:08:33,600 --> 00:08:36,159 I think it's the only plausible explanation. 54 00:08:36,160 --> 00:08:39,439 And Dr Sassosi thought so too. You can see it in her videos. 55 00:08:39,440 --> 00:08:41,799 The only thing we're sure of 56 00:08:41,800 --> 00:08:44,959 is that she's not in control of this power. 57 00:08:44,960 --> 00:08:47,400 She's still learning. 58 00:08:57,480 --> 00:08:59,440 TENSE MUSIC 59 00:09:26,720 --> 00:09:28,239 DOOR CLOSES 60 00:09:28,240 --> 00:09:29,880 DOOR LOCKS 61 00:12:53,080 --> 00:12:54,639 RUMBLING 62 00:12:54,640 --> 00:12:56,399 HE GASPS 63 00:12:56,400 --> 00:12:58,400 HIGH-PITCHED RINGING TONE 64 00:13:09,160 --> 00:13:11,360 DRAMATIC MUSIC 65 00:13:47,480 --> 00:13:49,600 MUSIC CONTINUES 66 00:13:51,000 --> 00:13:52,600 HE GROANS 67 00:14:18,360 --> 00:14:20,360 GENTLE PIANO MUSIC 68 00:14:44,360 --> 00:14:45,880 SHE GASPS 69 00:14:56,560 --> 00:14:58,760 RUMBLING 70 00:15:00,600 --> 00:15:02,440 WOOD CRASHING 71 00:15:16,240 --> 00:15:18,560 MELANCHOLY MUSIC 72 00:15:30,400 --> 00:15:32,920 RUMBLING 73 00:15:37,760 --> 00:15:39,200 HE GASPS 74 00:16:02,680 --> 00:16:04,640 SHE PANTS 75 00:16:08,080 --> 00:16:10,040 BIRDS CAW 76 00:17:01,680 --> 00:17:03,520 SUSPENSEFUL MUSIC 77 00:17:08,400 --> 00:17:10,560 FOOTSTEPS APPROACH 78 00:17:19,040 --> 00:17:20,680 OVER RADIO: 79 00:17:36,440 --> 00:17:38,280 DOOR OPENS 80 00:17:39,880 --> 00:17:41,800 FOOTSTEPS APPROACH 81 00:18:03,880 --> 00:18:05,359 Someone was there before us. 82 00:18:05,360 --> 00:18:08,079 Meyer probably. 83 00:18:08,080 --> 00:18:09,479 Simon Gramat's dead. 84 00:18:09,480 --> 00:18:11,159 What about her? 85 00:18:11,160 --> 00:18:12,639 She's nowhere to be found. 86 00:18:12,640 --> 00:18:14,959 HE SIGHS 87 00:18:14,960 --> 00:18:17,759 We need her, no matter what. And alive. 88 00:18:17,760 --> 00:18:19,519 I don't think she's dead. 89 00:18:19,520 --> 00:18:21,439 THUNDER RUMBLES 90 00:18:21,440 --> 00:18:22,719 What do you mean? 91 00:18:22,720 --> 00:18:24,360 That's why I was calling you. 92 00:18:26,000 --> 00:18:28,359 We found something. 93 00:18:28,360 --> 00:18:30,320 We found the missing link. 94 00:18:50,200 --> 00:18:51,560 Huh? 95 00:18:54,200 --> 00:18:56,520 HANDCUFFS RATTLE 96 00:19:03,520 --> 00:19:05,239 HANDCUFFS CLATTER TO GROUND 97 00:19:05,240 --> 00:19:07,520 HIGH-PITCHED RINGING TONE 98 00:19:51,080 --> 00:19:53,480 JEANNE: Pourquoi?! 99 00:20:43,800 --> 00:20:46,159 MOURNFUL MUSIC 100 00:20:46,160 --> 00:20:47,800 JEANNE SOBS9497

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