All language subtitles for How filmmakers manipulate our emotions using color.en.transcribed

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These are the user uploaded subtitles that are being translated: 1 00:00:02,360 --> 00:00:06,898 some film critics believe that you can 2 00:00:04,830 --> 00:00:08,969 oftentimes glance at movies color 3 00:00:06,899 --> 00:00:12,450 treatment and instantly tell it sauna 4 00:00:08,970 --> 00:00:15,360 warm red tones for romances D saturated 5 00:00:12,450 --> 00:00:17,910 colors ripoff elliptic films blue cold 6 00:00:15,360 --> 00:00:20,220 tones for Horrors fluorescent greens for 7 00:00:17,910 --> 00:00:22,830 sci-fi yellow tones for film based in 8 00:00:20,220 --> 00:00:26,779 the desert saturated vibrant red tones 9 00:00:22,830 --> 00:00:26,778 for comedies and for everything else I 10 00:00:27,170 --> 00:00:32,969 pick blue and orange drama blue and 11 00:00:30,090 --> 00:00:34,620 orange bio blue and orange what emotion 12 00:00:32,969 --> 00:00:36,270 are filmmakers trying to lead us towards 13 00:00:34,620 --> 00:00:38,129 with this pair of opposing colors and 14 00:00:36,270 --> 00:00:43,920 every other color treatment for that 15 00:00:38,129 --> 00:00:46,500 matter consider the mood ring the hues 16 00:00:43,920 --> 00:00:48,570 of emoji or even aura photography like 17 00:00:46,500 --> 00:00:50,340 music in an elevator or a doctor's 18 00:00:48,570 --> 00:00:52,590 waiting room color has the power to 19 00:00:50,340 --> 00:00:54,719 influence how we feel without our even 20 00:00:52,590 --> 00:00:56,760 noticing film directors have exploited 21 00:00:54,719 --> 00:00:58,859 our color connection for decades in fact 22 00:00:56,760 --> 00:01:00,539 there's a rule book of emotions that 23 00:00:58,859 --> 00:01:03,780 colourists the people who manipulate the 24 00:01:00,539 --> 00:01:05,400 colours of film follow our response to 25 00:01:03,780 --> 00:01:07,979 color varies depending on culture and 26 00:01:05,400 --> 00:01:10,880 context but here are a few examples of 27 00:01:07,979 --> 00:01:13,289 familiar emotional applications of color 28 00:01:10,880 --> 00:01:15,060 color grading is the process of applying 29 00:01:13,290 --> 00:01:16,920 this understanding of color and its 30 00:01:15,060 --> 00:01:18,990 power by altering and enhancing the 31 00:01:16,920 --> 00:01:21,360 color of emotion more still picture 32 00:01:18,990 --> 00:01:24,240 either electronically photochemically or 33 00:01:21,360 --> 00:01:26,250 digitally back in the day filmmakers 34 00:01:24,240 --> 00:01:28,500 could only achieve a stylized look if 35 00:01:26,250 --> 00:01:30,329 they committed to using filters or if 36 00:01:28,500 --> 00:01:32,610 they spent a ton of cash to alter 37 00:01:30,329 --> 00:01:34,470 specific colors frame by frame you've 38 00:01:32,610 --> 00:01:37,110 seen It's a Wonderful Life but have you 39 00:01:34,470 --> 00:01:39,210 seen It's a Wonderful Life in color now 40 00:01:37,110 --> 00:01:40,920 that everything is shot digitally color 41 00:01:39,210 --> 00:01:42,360 grading is less expensive more 42 00:01:40,920 --> 00:01:45,270 accessible and flexible 43 00:01:42,360 --> 00:01:47,310 oh brother where art thou was the first 44 00:01:45,270 --> 00:01:49,649 movie to be entirely digitally color 45 00:01:47,310 --> 00:01:50,490 graded the story took place during the 46 00:01:49,649 --> 00:01:52,799 Great Depression 47 00:01:50,490 --> 00:01:55,380 so cinematographer Roger Deakins applied 48 00:01:52,799 --> 00:01:57,290 a warm sepia tone to the whole movie to 49 00:01:55,380 --> 00:01:58,710 make us feel like we were in the 30 30 s 50 00:01:57,290 --> 00:02:00,380 since then 51 00:01:58,710 --> 00:02:02,689 digital color grading has become 52 00:02:00,380 --> 00:02:04,219 standard practice for filmmakers and one 53 00:02:02,689 --> 00:02:06,770 color grading trend that seems to be 54 00:02:04,219 --> 00:02:08,780 taking over Hollywood is blue and orange 55 00:02:06,770 --> 00:02:10,758 there are a lot of theories out there 56 00:02:08,780 --> 00:02:13,010 but one leading theory is that this 57 00:02:10,758 --> 00:02:15,140 color treatment makes actors pop against 58 00:02:13,010 --> 00:02:17,569 the background on the color wheel skin 59 00:02:15,140 --> 00:02:20,179 tones are mainly in the orange range and 60 00:02:17,569 --> 00:02:22,670 the complementary color of orange is 61 00:02:20,180 --> 00:02:24,440 blue so when you take your orange tone 62 00:02:22,670 --> 00:02:26,268 to actor and then push everything else 63 00:02:24,440 --> 00:02:28,040 into the opposing color range 64 00:02:26,269 --> 00:02:32,030 this contrast leaves you with the 65 00:02:28,040 --> 00:02:33,798 Hollywood look now that you understand 66 00:02:32,030 --> 00:02:35,840 the basics of color grading and some of 67 00:02:33,799 --> 00:02:37,730 its more common uses you can try for 68 00:02:35,840 --> 00:02:40,730 yourself using a variety of easy-to-use 69 00:02:37,730 --> 00:02:42,319 apps such as the iOS app video grade we 70 00:02:40,730 --> 00:02:44,420 decided to test out these color grading 71 00:02:42,319 --> 00:02:45,560 theories with some of our own footage we 72 00:02:44,420 --> 00:02:47,329 picked a shot and gave a different 73 00:02:45,560 --> 00:02:49,610 treatments to explore how much we could 74 00:02:47,330 --> 00:02:51,819 change the mood of the scene you be the 75 00:02:49,610 --> 00:02:51,819 judge 76 00:02:57,980 --> 00:03:00,040 you 77 00:03:09,660 --> 00:03:15,490 of course it's not as important to know 78 00:03:13,330 --> 00:03:19,200 how to manipulate color as it is to know 79 00:03:15,490 --> 00:03:19,200 how color to manipulate you 8817

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