All language subtitles for Someones.Watching.Me.1978.WS.1080p.BluRay.x265-RARBG

Hello?

You weren't at work
today, were you, Elizabeth?

Waiting for my call?

Look, you've won.

I'm leaving.

Don't go, come to the window

all those windows out there,
I'm behind one of them.

What do you want?

I've had it, I'm getting out.

Don't leave me, Elizabeth.

Where are you going?

Somewhere you'll never find me.

I'll find you, I don't give up.

Sweet dreams, Elizabeth.

How many?

2,000 tenants.

Fascinating.

In addition, we can handle

up to 5,000 visitors a day.

That's a lot of
people to have over for drinks.

- You have 80 miles of
wiring, piping, cables.

- In this apartment?

- No, over the whole building.

That's a relief.

- Mm-hmm.

There's a restaurant in the foyer,

which serves what we
consider the finest seafood.

We also have a gift shop
and a wedding chapel.

- Mother'll like that.

- 0h, mother wants you married, huh?

- Mother wants herself married.

It's looking pretty
good now that she's got

this aluminum siding
salesman from Toronto.

I think they're gonna move here.

She wants to be close to me.

- Maybe we can show her one
of our two-bedroom apartments.

- Well, I'm afraid not.

I was lying.

No aluminum siding salesman, no mother.

I've developed this strange sense of humor

and it sometimes gets me into trouble.

- Trouble?

- You don't have to worry.

I'm actually just a normal person.

I work hard, I take showers,

I turn the radio down after 10 o'clock.

I won't tell jokes to the neighbors.

- The building is equipped for change.

For instance, if you're in a westerly room

and you're exposed to the setting sun,

our computers increase the
flow of air-conditioned air,

so your temperature is always perfect.

There's no comparable building anywhere.

- How 'bout that one?

Oh, you know, that building
doesn't look as tall.

Probably doesn't even have one computer.

- Nah.

- Honestly, I love it.

It'll be like living in the
top drawer of a glass box.

I'll take it.

J“ catching video signal
that you're sending j“

j“ great help for me j"

hello, little cyclops.

Welcome to your new home.

Don't forget, you're
supposed to take the curse

off the lonely nights.

Lonely nights and lonely days

comin' your way.

Cut it out, Michaels.

Hello, L.A.

This could be the start of
a meaningful relationship.

Mr. Frimkin?

Hello, I'm Leigh Michaels.

Fine, thank you, and you?

Yes, I worked at wxn,
New York for five years.

Uh huh, I was born in carthage, New York.

I'm 29 and I'm single.

I hope that's not going to
be a problem, Mr. Frimkin.

Being single, I mean.

Yes, I did, nyu.

Yes, that's right.

They have an excellent
school of journalism.

Uh huh, now, I've heard that potsdam

had a very good school also.

What year was that?

'06?

Uh huh.

Well, that would make
you in your late 805,

isn't that correct?

Because that means you won't
be hitting on me, will you?

You will?

Oh!

Stranger in town.

Pardon me?

Ch, of course, I have lots
of ideas for new programming.

For instance, instead of
the same old movie reviews,

how about a chicano who
only reviews westerns?

We could call it rio
taco or bite the burrito.

Of course, I can start right away.

- But what?

Get me that copy fast.

- I don't know your cameraman,
your board, your format.

- Two cameras, one
kitchen set, and a cook.

- Whatever happened to
on-the-job training?

- We're a small station in a big market.

This is it.

Your new home.

- Now wait.

I can't, you can't.

- Where am I?

- Just forget everything?

- I haven't unpacked, I almost
greased three boy scouts

and a pimp on the way over here,

I haven't shown anyone my
resume, I could be a janitor.

What am I looking at?

- Your sa, your pl button.

- I don't believe this is happening.

I have 45 minutes till my next interview.

Leigh Michaels.

- Sophie.

You got 15 seconds.

- No!

- You're right, 12 seconds.

We've got a four-second station ID,

fade in to camera one, you're on your own.

- Camera one, ready to fade up.

- Slice each kidney into four,

and we cut up the bacon
into one-inch squares.

Zoom in, one.

- Quarter the onions and part the pieces.

Now, they take five or 10
minutes, and if you want

- them rare, it's five.
- Zoom in, camera one.

If you want.

Okay, tighter on the food.

Now we serve with the
plain rice and a green salad.

Ready, two, for close-ups?

15 to go.

You can...

Take two.

Video, check
your levels on camera two.

Camera one, swing
in for end title card.

And it makes
an awfully nice dish.

- Get ready to dissolve.

Serves four people very...

- Dissolve.

- Serve and...
- Five, four, three...

- Happy appetite.
- Two, one.

We're out.

- We got a winner here.

I can feel all the new sets tunin' in.

Tomorrow you do the flaming chef

and the three o'clock news update.

Be in my office at four
o'clock this afternoon.

- Mm-hmm, does this mean I get the job?

Mr. Frimkin?

- Frimsin, a man of few words.

- I guess you got a new director.

Listen to you use it, yes.

- This is it.

No windows, no pictures,

and an air-conditioner that won't stop.

- Yeah, well, maybe it'll
keep me from falling asleep.

- You got a place to live yet?

- Yeah, arkham tower.

- Fancy.

- The only way I could afford
it is with the nice, fat bonus

they gave me at my last job.

- If they were so nice to
you, how come you left?

Who was he?

- Obvious, huh?

- Familiar, I've seen the
same look in my mirror.

- Who was he?

- She.

- Hmm.

- Don't worry, you're not my type.

- I'm not worried.

Is miss Michaels there?

- Yes, she is. Just a minute.

It's for you.

- Who knows I'm here?

- They're paging you.

Mm-hmm.

- Hello?

Michaels?

Yes, it is.

Hello, is this Leigh Michaels?

- Yes, yes, it is.

I thought so.

- That's weird.

- Our modern, efficient
switchboard probably cut you off.

I tell ya, sometimes I
don't know about this place.

- Hello, ladies.

- What we don't have in charm,
we make up for in Steve.

- I want to thank you
for helping out in there.

I was really winging
it, and I appreciate it.

- I can be helpful in other ways.

- Not really.

- I'm afraid so.

- How about it, a little
after-hour orientation?

- No, thank you.

Thanks, but, no thanks.

- Shouldn't make a big mistake
like this on your first day.

- No, thank you.

- How about dinner tonight?

- No, thanks.

- Struck out.

- Okay, but um,

I won't give up.

- Hound dog.

- That's just the beginning.

He's like a mountie.

- Well, this time he's not
gonna get his whatever.

I gotta go.

I have 45 minutes to put in an appearance

at my next interview, and I
better go by my apartment.

You know, I think this is gonna work out.

- It won't be like New York.

- Yeah, that's what I mean.

J“ frimwin, man of my dreams j“

j“ I see seams when your friend j“

Hello?

Oh, Mr. Burglar, are you here?

I think it only fair to warn you

that I studied with
Bruce Lee before he died.

I have a black belt to prove it.

I'll loop it around your
neck on the way out.

Huh?

Let's see, 555-2331,

good solid number.

Eight.

Yes, Mr. Leone, please.

Hello, Mr. Leone, Leigh
Michaels from 4320.

Yes, I just found it, uh huh.

When did they put it in?

Well, because they didn't
shut my door on the way out.

Oh, you were here and
you locked it yourself?

Awfully early to be drinking, isn't it.

Uh, no, no, no, you
remember me, big joker?

Just a minute, Mr. Leone.

Sorry to keep you waiting.

Uh, no.

No, everything's fine.

You just seem to have
ghosts in the building.

There is no new
evidence on Elizabeth solley,

25 years old, single,

a night duty nurse at the Baxter clinic,

who jumped through a window
in her sixth street apartment

and plunged nine stories to her death

in an apparent suicide.

Police confirmed this
morning that miss solley

had been taking large dozes of sedatives

and was frequently absent
from her duties at the clinic.

- Hello?

Hello, Leigh

- hello, Steve.

You moved in?

- Yes, I'm getting settled.
- You need any help?

- No, I don't need any help.

I'm just asking, that's all.

- No, thank you, but no thanks.

Come on, Leigh.

- Hey, hey, listen a minute.

You know what no means, right?

No, it's okay, just no.

Why not?

- Steve, no!

Sergeant Preston of the Yukon, all right.

- Hello?
- I got a great idea,

how 'bout dinner tomorrow night?

- No, Steve.

At the tone, the time will be

8:42 exactly.

No date, but at least
you know what time it is.

Can't take it, huh?

Too bad.

J“ my door is open for you, baby j“

j“ it will always be that way j“

j“ when you come back j“

j“ to take me in your arms j“

j“ you'll have come back to stay j“

J'dadadadadaj'

j“ how 'bout you take me j“

Hello?

The least you can do is some
heavy breathing, Stevie.

Let's have a meeting with him.

And, between us, maybe we'll convert him.

- I can't tell you.

- Good evening, miss Michaels.

- Hello, Eddie.

- That's real class.

A doorman who says good evening.

I come home, I open the door,

and the cat throws up on the floor.

Big news.

Kxa in fort worth offered me a job.

Assistant to the executive
in charge of programming.

- You can't leave, I'd fall apart.

TV sets all over the city would explode.

You're right.

- Oozing green slime.

Are you gonna take that job in fort worth?

- It's a definite possibility.

I have friends there.

- Oh, great.

- Nice, very nice.

- Thank you.

- Where's the, never mind, I see it.

It's sickening.

You have a view from every room.

A letter from New York?

- Listen to this.

Congratulations, you have won a free

six-month vacation to Europe.

- Fantastic.

- Once a year, excursions
unlimited chooses a recipient

of their all-expense-paid
travel incentive vacation,

designed to promote excursions unlimited.

To qualify for your six-month vacation...

- Oh, here it comes.

- To qualify for your six-month vacation,

you must identify your destination

from the vacation presents

that will be sent to you
over the following months.

Various presents designed
for your use and enjoyment

at a specific European location

will arrive under separate cover.

If you correctly identify
your vacation destination,

the all-expense-paid trip is yours.

Yours truly, dj hill.

- Well, it's got to be a pitch.

- Yeah, but for what?

If you tell them where
they're going to send you,

they send you there.

- It can't be real.

- It looks real.

- Just some strange garbage.

And speaking of strange
garbage, let's eat.

- Well, hi, pretty lady, buy you a drink?

- No, thank you.

Later.

- Much later.

I'm Leigh Michaels.

- Paul winkless.

- Well, it's very nice to know you, Paul.

Hey, there.

Haven't we met before?

- Can I buy you a drink?

- We'll flip for it.

You're very lucky because
I used to have this quarter

that had tails on both sides.

Heads or tails?

- Heads.

- Hmm.

White wine, please.

- Could I see the quarter?

- Uh uh.

- Uh, miss, uh, white wine, please.

- Just testing.

- Uh huh, what are you testing?

- I have strange fears.

- Really, what?

- Being raped by dwarfs.

You could have been
sitting up there on stilts.

I had to check.

- I understand.

You know, you're really a little uh.

- I would say, um, fashion designer.

- Oh, you would?

Well, you would have another guess.

- Okay, I don't know, cheerleader.

- Close, proctologist.

- Wonderful.

Would you like to tell me?

- I direct live TV.

- Seriously?

- That's my problem, all right.

Whenever I get around to
finally telling the truth,

no one believes me.

- I believe you.

- Uh huh.

You know, when I was a kid,

I used to go to my mother for problems,

you know, boys, grades, stuff.

And she'd say, now, Leigh,
there you go being wacky again.

- Wacky?

- I was the only kid I know
with wacky appendicitis.

- What?

- Well, I've known you about two hours,

and I'm already telling you

about my appendectomy and my mother.

- Yeah, well, that's my job.

Getting to the truth, the absolute truth.

- You're working for my mother?

- No, actually I work for the
philosophy department, usc.

- A philosopher?

- That's right.

- An endangered species.

- So how do you do it?

How do you get to the
absolute truth, professor?

- I try to be as direct
as possible, as in,

will you come home with me tonight?

- Not tonight.

- Well, that answers the question.

- A question.

I'm not sure about the question.

That's my car.

I had a real good time
tonight, I really did.

No jokes?

- A good comedian knows when to stop.

- You're, um, sure about tonight?

- I need sleep, real sleep.

- Can I see you again?

- You're a brave man, and
I'm real glad you asked.

Good night.

Good night.

- Not bad, L.A., not bad.

Hey, don't forget my number.

Hey, Paul?

Paul?

Paul?

Dummy.

You meet a man and suddenly it's all toes.

- It's a hell of a life, isn't it?

- Hmm.

What have we here, my dear?

A new refrigerator.

J“ you always pay for the
night before, darling j“

Hello?

Present number one.

- Siberia?

Uganda?

Hello?

Miss Michaels, we're checking

to see if your air
conditioning is still working.

- My air conditioning?

Sorry to
bother you, miss Michaels.

That's okay, Charlie,

I was getting too clean anyway.

This was left downstairs for ya.

- Who brought it?

I don't know,
they left it by my desk.

- Okay, Charlie, yeah,
I'll catch you later, okay?

Thank you.

- Hello?

Present number two.

I hope it fits.

- Wasn't so great, was it?

- No, no, it was, it was delicious.

You want some more wine?

- No, thank you.

- Hey, what is it?

Are you all right?

- Yeah, I'm just tired.

I'm tired because I'm working,

and I'm working because I'm tired.

I'm just working all the time, I'm sorry.

- No, you've been quiet all night.

- Okay, professor, see
what you think about this.

And I've been getting some
weird phone calls too.

Nothing exciting, just weird.

When I was in New York, this guy called me

and wanted me to take
photographs of my underwear

and send, send them to him.

Not me, just my underwear.

- Look, do you mind if I hang on to this

for a couple of days?

- Be my guest.

I'd like to know about it, you know?

- Yeah, so would I.

Right, well, I better go, it's late, and.

- No, it's all right.

- I just, uh, I'm really attracted to you,

and I don't want you
to think that I'm not.

It just takes me a
little while, that's all.

- I'm not complaining.

- I guess I was.

It's just my usual paralysis
when I start to like someone.

- Who was he?

- Well, that's a long story.

Everything about me is a long story.

Well, I've got plenty of time.

- Thank you.

- Good night.

You are one of the world's true bozos.

Hello?

Sweet dreams, Leigh.

- Hi, how are you?

- I have some bad news,
there's no such company.

- Doesn't surprise me.
- I checked with the city.

They'd need a license to
operate in Los Angeles, right?

No license, no record
of excursions unlimited.

Listen, if, if it continues,

I think you should call the police.

- What do I say?

Somebody's sending me presents

and wants to take me on
a six-month vacation?

Make them stop?

- Look, I have a class, it
begins in about 20 minutes.

I'll call you.

I, I want to talk to you about this.

- Hey, Paul, thank you.

- We,

we roll in 20 minutes, we'd
better check these things out.

- Yeah, I'll be right there, Sophie.

- This is impossible.

It's the Roman revenge.

You curl the stuff up against your spoon

and then watch it wriggle off.

Smoking your dinner?

- Yeah, I'm afraid I'm
not very hungry tonight.

- Or yesterday or the day before.

- Yeah, I guess I better watch it

or I'll turn into the thin
man, dry up and blow away.

- Look, I know something's wrong,

and it's none of my business,

but if you want to talk
about it, I'm here.

- Thank you, that's real kind.

- It's never really made
you uncomfortable, has it?

- What?

- My preference.

It's nice to have a woman
friend who isn't threatened.

- Well, I'm with men all the time,

and they don't threaten
me, so why should you?

Excuse me.

- Are you getting any sleep?

- Not much.

- It's the phone calls, isn't it?

- Yeah, letters, presents.

Maybe the creep will take
one of his own trips soon.

Is there anything I can do?

- What can you do that I can't?

I guess I'm just gonna
have to ride it out.

Look, I've gotta meet someone,

but I can cancel it if
you feel like talking.

- You go, it's okay, I...

You sure?

- Yeah, I should go home,
try to get some sleep.

- I'll take care of the check.

Thanks.

Late date?

- Not exactly.

I've got to decide if there's
anything left to salvage here,

or if I should really go to forth worth.

I'll be home later.

You call me if you need me.

- Okay, bye bye.

- Can I have the check, please?

What's that?

- Pouilly-fume ladoucette, '71.

- I didn't order anything.

- Compliments of the gentleman at the bar.

- What did he look like?

- Just a man.

- Hello?

I'm sorry you
didn't like the wine.

- Who are you?

Have you started
to enjoy the view?

Police
department, tramer speaking.

- Yes, my name is Leigh Michaels.

I live at 4320 arkham tower.

I just received the latest in
a series of crank phone calls.

He knows my name and where
I live, where I'm working.

Did he threaten you?

- No, not exactly, but...

I sympathize with you, miss,

but I can't send anyone out
to check on a phone call.

In case he does anything,
give us another call.

- In case he does anything?

I'm sorry, miss.

- Well, if he kills me,
you'll be the first to know!

Yes, yes, I changed my number,

and I'm still getting the calls.

Twice a day, two, both day and night.

Well, if I keep a written log,

how long will it take to
get the authorization?

One week?

But.

Yes, yes, I understand,

but in the meantime.

All right.

Never mind.

Every time the phone rings,
I think I'm going crazy.

Every time I go outside,

I wonder if he's watching me.

- Come here.

Shh.

It's all right, it's all right.

I'm gonna go to the police.

I already did that.

- Yeah, well, this time it's my turn.

This is not gonna go on.

It's all right, it's all right.

Don't call them now.

Please stay with me tonight.

Of course.

- What time is it?

I'm sorry. I didn't mean to wake you.

It's, uh, oh, 6:30.

- Mm, why so early?

I have a class at 7:30, aesthetics.

You believe that?

- I was hoping we could

get in with some little
extracurricular activities.

- Um.

Tonight, all right?

- You're on.

- Oh, um,

I'm gonna call Gary
hunt at the LAPD today.

I think we should speak with him.

Can you, uh, can you see him tomorrow?

- Sooner the better.

- What are you smiling at?

- You better go.

- I'll be at my office if you need me.

Up and at 'em.

All right, jerk.

I'm ready for you now.

Leigh, I like you
better without the robe.

Take it off.

- There are hundreds of windows up there.

He could be behind any one of them.

He's seen everything.

- That's why we insulate our lives.

Locks, change our phone numbers,

guard our space with
television cameras and guns.

He's trying to hurt you
without touching you.

He's working from as
far away as he can get

and still get to you.

I think you should move.

- No!

He's not gonna chase me out.

I don't care how hard it is.

How dare he invade my life.

- And we don't know which window.

It's impossible to tell from here.

Wine?

- I feel better already.

- To be able to see in here,

he's gotta be between 30 and the top.

Great, that narrows it down.

- I know why he does this.

It's kinda fun.

- Pervert.

- Oh!

There's a woman on 33
cheating on her husband.

That guy can't be her husband.
He looks like al Pacino.

How can they live this high?

They must get nosebleeds.

Where is everyone, cooking dinner?

Ah ha, rich executive in the penthouse

is a connoisseur of classical music.

And moving downward,

man on 47 loves horticulture.

And love is in bloom on 38.

You know, if we watched
the lobby long enough,

we could see this guy comin' in.

If we knew who to look for.

- I don't care who he
is, I don't wanna know.

Aren't you curious?

I'm scared.

- Ah, you're probably right.

Who wants to know their own rapist?

Cut it out, Sophie.

Well, that's what he's doing.

Rape is when a man consciously
keeps a woman in fear.

- We have an appointment
with hunt in an hour.

Will you stop?

- Afternoon, miss
Michaels, a letter for ya.

Who gave this to you?

- It was on the desk when I
came on duty this afternoon.

From dg hill, president
of excursions unlimited.

We regret to inform you
that you have not qualified

for our travel incentive vacation.

- What a shame.

- Your participation
has reached final point

and our only course of action

is removal.

- He doesn't like the drapes.

- Removal.

- I'm sorry, it's just not enough.

He's scaring the hell out of me.

- All right, what do we call the crime?

- Peeping Tom, attempted rape?

- How about first degree
scaring hell out of?

- You wanna know what I can do?

I can try to get you a tap,

but the phone company
will not install a tracer

until they've completed
a whole logging process.

- And that's it, what else?

- When he calls again, blow
a whistle into the phone.

Get your phone number changed,
get an unlisted number.

- I've done that.

- You can't do anything but give advice?

- No, no, I can't.

Not until he does something.

- Like what?

Rape, murder?

- I don't blame you for the way you feel.

But you don't know who he is,

you don't bring me
anything in that he's done

that wouldn't be thrown out of court,

no threats, no assault
and battery, no motive.

I can't arrest a man for
sending presents in the mail

and dialing wrong numbers.

I'm sorry.

- That's terrible.

- Come on.

- I can't believe it, my
life is falling apart,

so why am I laughing, huh?

- You're drunk.

- I am not, you are.

-I am.

- I think I am.

- Oh yeah?

- Leigh, I'm sorry about the hunt thing.

I thought that he would,

I don't know, I don't know what I thought.

I'm going to the da tomorrow.

That's funny?

- Well, I'm going to fort worth.

- You're taking that job?

- Yes, L.A. has lost
much of its charm lately.

- No, you're not.

I'm gonna talk you out of it

just as soon as I sober up a little.

Maybe tomorrow or the next day.

- You know, I think you
should do your sobering up

somewhere besides your
own apartment tonight.

- Why, he's not chasing me out of there.

Besides, I don't even think
he's interested anymore.

You know, he doesn't have a view, right?

- That's true.

- Let's leave 'em off, shall we?

- Whatever you say.

- Isn't this a little
soon to be coming back?

- This is where I live,

and he's not gonna drive me outta here.

- Just, Leigh, let it ring.

It's 11:45, out late tonight?

- I hope you like the drapes

because they're staying where they are.

I want to see you.

- Yeah, well, that's tough.

Look through the telescope.

- Who are you?

I'm not far away.

Come, look for me.

- Leigh, look at this!

There's a guy outside with a telescope.

Which he's now pointing
toward this building.

- That's him, that's
the man from the garage.

- Yeah, inspector hunt, please.

- That place of all places.

Yeah, it sure wasn't me.

- They're there.

Here we go.

- I wanna see.

- Oh, she deserves to watch this.

- Sure.

- Gotcha!

- When did you take these?

- Couple of months ago.

- You know, you're very photogenic,

but this kind of stuff is illegal.

When'd you take that one?

- Never saw that one before.

- But you mailed them to the lady.

- I had nothing to do with that one.

- I wanna stop looking, but I can't.

- He lives on a good-sized pension,

but he works part-time as an electrician,

so he knew how to rig your lights to dim.

You gotta believe me,

I don't know what this is all about.

- He just spliced into the
circuit with a rheostat.

He had a key to your building.

He said the laundry room
had better machines.

No!

- What were you doing with the telescope?

- Stargazing.

- Then why did you have it
pointed toward arkham tower?

- I was in the middle of setting it up.

Now look, I'm getting jacked
around. I don't like this.

Just open your ears and listen to me.

I did not do a damn thing!

I wouldn't say that.

- We got nothin' on him
but a few dirty pictures

but at least we got him.

- Hey, what, what if he does
the same thing in des moines?

I mean, what else is
there to do in des moines?

- He's gonna be tailed for 24 hours a day

for the next six months.

I don't think he stands a chance.

But maybe I do.

I guess we can open these now.

This is why I got this place.

Isn't that beautiful?

I love L.A.

- You know something?

If I were you, I'd leave those closed,

especially when I'm around.

- Aye, aye, professor.

Mr. Edison, Mr. Telephone, Mr. Leone.

You guys can all wait.

And who are you?

- So, the guy sent you
one last farewell letter.

Got any more phone calls?

Leigh, there's something
I want you to understand.

Sometimes we do things that
are a little irregular,

and we certainly won't
get any medals for them,

but as long as they get the job done,

we feel they're all right.

What I want you to understand is,

we pressured this guy out of town.

He lost his job, he lost his pension,

and I personally put him
on the plane to des moines.

I will be getting reports
every week from des moines.

He still lives there.

Now come on, Leigh.

You just gotta let this thing go.

- Uh, I'm sorry, I
didn't mean to scare ya.

I gotta catch a plane at 8:30.

I came to give you these keys.

- He's still there.

- What are you talking about?

- He wasn't the one.

- I don't see anything, the place is dark.

Where's hunt?

He won't be back till 11:30.

Paul's in San Francisco.

If I call the police again,
they're gonna think I'm crazy.

You watch the lobby.

- Wait a minute.

- I need an edge.

Something like this.

- No.

- I kind of hope I run into him.

- No, Leigh, you can't do this!

- Yes, I can.

I'm at the lobby, can you see me?

I see you, the
penthouse is still dark.

- I'm going up, see you at the top

Made it, absolutely no one saw me.

Couldn't have worked better.

It's still clear.

- I think I'll try some romantic lighting.

What are you doing?

- Don't worry, I'm just
getting in the mood.

Let me check the lobby.

It's still clear.

I'm in, Sophie,
the door was open.

The creep's got some fancy place here.

Hurry up.

Are you okay?

- So far.

Sophie, I found it.

It's a huge big telescope

and some sort of weird tape recorder

that looks like it's
hooked into the telephone.

That's it, now
hurry up and get out of there!

This is unbelievable.

He's got a notebook that's logged

every time he's called me in here.

Every entry.

We got him.

I'm gonna try focusing this thing.

- Leigh.

Open the drape.

I hear something.

Leigh.

Listen to me, the front door!

Leigh, he's in here now!

- Soph...
- No, no, no!

Sophie?

No!

Sophie, what's...

- Leigh!
- What's,

what's happening?

Sophie!

Sophie!

Sophie!

Sophie!

- Belongs to j.D. Nichols.

Bachelor, advertising executive.

Now, he's been away on assignment
for the past two months.

Kind of fancy, isn't it?

Okay, let's wrap it up.

I ran a check on Sophie.

She booked a flight to fort worth at 8:30.

Columbia airlines 447.

The ticket was used, she made the flight.

- No, he killed her.

I saw it through that window.

- She didn't leave any forwarding address,

but her landlord said she
was going to spend some time

with friends for a couple of weeks.

So, I called kxa in fort worth.

They said they'd look into it.

They promised she would call
me as soon as she started work.

- She's dead!

What does it take to
get that through to you?

He set up that other guy
and he killed Sophie.

- Come on, Leigh, let's go home.

- I saw it.

I was here.

It happened less than an hour ago.

- Nothing happened here tonight,

nothing except the police
breaking and entering

in the middle of the night.

- He's better than you thought.

He's still doing it and
he's getting away with it.

He's controlling all of us now.

He's got his distance.

He's got you believing he doesn't exist.

- Oh, he exists, all right.

In des moines, Iowa.

You left the shower on, Leigh.

- You okay?

Hey, hey, you stopped it yourself.

You hit the stop button.

- Oh.

Leigh, Sophie is dead.

Remember how it sounded?

Listen to me, the front door!

Leigh, he's in here now!

No, no!

Leigh!

I mean, how could you tell?

- It was her voice, I know her voice.

Do you still believe me?

- Yes.

- You're the only one who does.

- Well, he had to be close,

within a block, maybe in his car.

So, he put somebody else on
the plane in place of Sophie.

And eventually she won't
show up in fort worth,

and eventually they'll do
something, but that may be weeks.

In the meantime, what
else is he gonna try?

You know, this guy, he's amazing.

Seems to control two
high-rise apartment buildings,

the elevator systems, the electrical.

I mean, who could do that?

Who could do that?

I mean, who, who could control
all of that, and yet remain

totally invisible?

- I'm not so sure you want

the maintenance and safety department.

The fire department might be a better bet.

- No, no, we've already
spoken to the fire department.

See, I'm doing a piece
on buildings in L.A.,

and we'd just like some general
information, if you could.

All right, go ahead,
I'll see if I can help.

- Good, who, who's in charge

of inspections of apartment buildings?

- Our monitors make routine
inspections on all structures.

- Monitors.

- A monitor is a bonded
employee of this department.

He would have master keys to
every building in the city.

- Every building.

- Yes, he's got sensor
devices, light, heat, cold,

whatever the lock is programmed for.

He's also got skeleton
keys, he's got bolt picks,

bolt repressors, all that stuff.

- Could he control elevators, say?

- Oh, sure, sure, he can get in anywhere.

But now, look, we do notify
people before an inspection,

and the sensor devices are only used

in case of an emergency.

- Yes, of course.

Um, how many monitors do
you have working for you?

- Only one.

A very solid, responsible man

who's been with us for about
10 years, Herbert stiles.

If you want to speak with him,

I can put you in touch in a few weeks.

Right now, he's on vacation out of town.

No, I wonder if we could

take a look at some of your records?

- Here.

- What?

- January 16th, stiles checked out

the electrical system in arkham tower.

- Look at this.

He inspected the air
conditioning ducts last year,

computer relays the preceding year.

I've got four other buildings

that he's inspected in the last 12 months.

I wonder.

- Yeah, how close do
his tours of inspection

coincide with crank phone calls,

excursions unlimited letters?

- Suicide.

Yeah, I know, I could be all wrong.

Look, I'm going to the police station.

I'm gonna check their records

against these dates and his vacations.

I'd be curious to know if they match.

Terrorizing women may be his
idea of a perfect vacation.

- I have to check in at the studio.

I haven't seen frimsin since yesterday.

I've almost forgotten
what I do for a living.

- I'll pick you up there in two hours.

- Right.

I won't be long, please
wait a few minutes.

Yes, ma'am.

I got him.

Where are you?

Stiles' house, I
broke in a few minutes ago.

Get out of there.

- It's okay, I took a taxi so
he wouldn't recognize the car,

and the driver's outside.

Did he?

- No, he didn't see me break in.

Listen, it's all here.

The telescope, tape recorder,

the printing press, everything.

I also found some brochures
on surveillance equipment.

This morning, I saw something
in my apartment on the floor.

It was a mic, he's been bugging me.

He called the first day at the studio

to make sure that I wasn't gonna be there,

so he could put the bug in.

He knew when we went to the police,

he knew when Sophie was alone.

I want you to leave, now,
and meet me at hunt's office.

I've matched up three
women, all in their 205,

all single, living alone
who committed suicide

during the periods he was
supposedly on vacation.

All of them lived in
buildings he inspected.

Now, we'll get him, but together.

- Okay, I'll meet you there in an hour.

Just have something to do first.

- Forget your keys?

- Yes, you scared me half to death.

- Okay, now look, I gotta get going.

I got another call, okay?

You know, if you want me
to take you some place.

- Arkham tower.

You're hiding, aren't you?

You're afraid of me.

You're afraid to get too close.

Come on.

Face me.

I'm still scared.

You've got a good chance.

Just like that?

I don't even get to see who you are?

Help!

Murder!

You got too close.