All language subtitles for Rules of the Game - S01E01 - Aflevering 1_track3_[eng]

(sirens blaring)
("Requiem" by Agar Agar)

(camera snaps)

♪ Hey girl, have you received it all ♪

♪ You know you don't have to say ♪

♪ I will walk away now ♪

♪ Now, did you forget about me ♪

♪ You don't have to say ♪

♪ I know what you did ♪

♪ Stop, please ♪

♪ Try at least to care ♪

♪ What's up with that guy ♪

♪ Don't you want to date them all ♪

♪ Right, sure, you're the one to blame ♪

♪ Face it, bitch, you lied to me ♪

♪ I will kill your daddy ♪

(sirens blaring)

‐ Morning, everyone.

How many people screwed up my
crime scene this morning then?

‐ Victim fell from the second floor.

And there's a note.

‐ Back of the head
smashed like a watermelon.

Never seen that before.

Right then.

‐ Who should I speak to first?

The guy in the sharp ones
or the woman dressed as a...

‐ I'll handle him.

Where's the woman who found the body?

‐ The COO.

Name's Samantha Thompson.

What you thinkin'?

Suicide?

Accident?

‐ Start holding people in for interviews.

What a mess.

(mysterious music)

(car doors slamming)

Here. Come on.

Women like pills, men like
blowing their brains out.

Hanging's a bit of a leveller,

but jumping, now that's for
bridges and high buildings,

not for reception.

Something's off.

We all know it.

Now, if you're not involved,

you have nothing to worry
about, I promise you.

But you have to talk to me, Sam.

You have to trust me.

I want you to start at the beginning.

Can you do that for me?

‐ The beginning.

("Try A Little Tenderness"
by Aretha Franklin)

‐ You'll be late.

Come on.

‐ Five more minutes!

‐ Eat your breakfast or there will be

no swimming after school.

You okay?

‐ Bit on edge.

New HR girl starts today.

‐ Where's Gemma?

‐ She started cycling.

Reducing fossil fuels.

‐ You best be off.

I'll handle this little demon.

‐ See ya.
(Adam grunts)

‐ One more mouthful and then you can go

and clean your teeth.

‐ [Woman] This is just a quick affirmation

that be done anytime, anywhere.

I am enough.

‐ I am enough.

‐ [Woman] I am all powerful.

‐ I am all powerful.

‐ I am b...

(mysterious piano music)

(people chattering)

‐ Maya.

‐ Hi.

Oh...

‐ So, well, this is a
bit of a change for you,

from the big smoke to...

Here.
(chuckling)

‐ Looking forward to the change of pace.

‐ We have a unique family
culture here at Fly Dynamic.

Most of us have been here
since Owen and Gareth

took over the business.

We started as a market stall,

and now we rival JD Sports.

‐ Oh, can't wait to join the ride.

‐ You'll probably see a lot of activity

over the next few weeks

as we plan to go public and
float on the stock exchange.

I never thought when I started here at 16

it would go global.

‐ 16?

Wow, you never worked anywhere else?

‐ We pride ourselves on our

exceptionally low staff turnover.

‐ Well, that's not always a good thing.

‐ What do you mean?

‐ Well, the workforce can get stale.

"Institutionalised" we call it in HR.

But my specialty is
identifying issues like this

and changing the work
culture for the better.

‐ We don't need to
change the work culture.

‐ You know, I'm just here to ensure

the continued success of the comp‐

‐ You're here because the bloke
who had your job fucked up.

Don't do the same.

(phone rings)

(lighthearted piano music)

‐ Looking for the ladies'?

‐ No, no, no, no.

I'm just checking the quality
of the mops in this cupboard.

‐ Oh.

‐ One of the first things I
like to do in a new workplace.

‐ This just way ladies
and gents, thank you.

‐ Owen Jenkins. CEO of Fly Dynamic.

‐ [Maya] Nice to meet you.

‐ Thank you. Lovely.
‐ I'm Maya.

‐ Oh, and this is my brother Gareth,

our Chief Financial Officer.

‐ Hold on a sec, Carys. Great to meet ya.

Sorry, I've just got to deal with my wife

crying hysterically about our daughter's

first day at nursery.

Owen's sending Nessa around to pick you up

before you start looking at baby pictures.

‐ I am?

‐ Bye.

‐ Bye.

‐ Our new gender neutral bathrooms

are just around the corner.

Second on the left.
‐ Thank you.

‐ Very nice to meet you, Maya.

(mysterious music)

‐ [Carys] Oh. Does it hurt?

‐ I enjoy pain.

I like the feeling of the
needle when it slides in.

‐ All done.

Any fillers for you today?

My 10 a. m. just cancelled,
so I've got plenty of time.

‐ No, I'm good.

Carys, you're up next.

‐ No, no, no, no.

‐ Oh, Carys, come on.

I'm paying. Well, Owen is.

It's time to celebrate. Gina's at nursery!

You've got your life back.

Botox and a boozy pub lunch.

You'll feel like a new woman.

Might even spice things up.

‐ Yeah, I don't think my nasolabial lines

are the reason my sex
life is non‐existent.

‐ Well, still.

Oh, it's only been a few months.

‐ It's not only been a few months.

‐ What do you mean?

‐ We've had problems for years.

It's never been easy.

‐ That's just men.

It's the newness that turns them on.

Just ignore them completely,

and then shag them like a porn star

just when they're starting to despair.

(Vanessa chuckles)

You're young, you've got amazing tits.

I'd do you.

Now, how's my face?

(lighthearted music)

‐ If any of our advisors
had walked in on this,

we'd be eating shit right now.

Flotation would be over.
I hope you realise this.

‐ What were they thinking?

‐ To be fair, it's a new CCTV system.

They can't have been expecting an audience

at that time of night.

‐ I was expecting a few nicked pencils,

not the intimate view of
a team member's penis.

‐ Well, obviously you didn't include

the appropriate language in
the non‐disclosure agreement.

‐ I'll have the no‐shagging clause.

‐ Right, well, what's the next step?

‐ I don't know.

I don't even know why
I'm running this company

half the time.

What is an IPO?

‐ Thanks for that helpful insight, Gaz.

Let's run it through HR.

‐ I'll get Duncan onto it.

‐ Well, why not the new girl?

It's gonna have to go through her anyway.

Optics won't look good if we exclude her.

‐ Look, we can't take the risk.

This is a critical time for the IPO.

I'll...

Don't.

‐ Maya!

Look, I'm sorry to do
this to you on day one.

We need to talk about Tess Jones.

(cell phone buzzes)

(knocking)

‐ [Woman] Get up!

‐ I'm sick.

‐ If you can shag, you can work.

Up.

(door slams)

‐ Back on the fags?

‐ Mhm.

‐ How's the new HR girl?

‐ HR director? Shiny.

‐ What's that mean?

‐ It means I would've
preferred to have a man.

‐ You hired her.

Why'd you do that again?

‐ Come on, Gaz. I didn't have a choice.

We had to have a woman.

Especially after everything with Hugh,

and now with the flotation.

‐ If you say so.

‐ Men are like unicorns
in human resources.

She's got great references,
a degree in psychology.

I mean, God knows what she's
doing here, nevermind HR.

‐ You're the expert.

This company's roaring
into the 21st century

since we promoted you, Sam.

‐ 20 years after everyone else.

Look, don't try and shag her,

unless you want a lecture in feminism.

HR, now.

‐ You got any paracetamol?

‐ Why do you do this to yourself?

Don't say anything I wouldn't.

Come on.

Khalil, you're next.

‐ Oh, hi, Tess.

I'm Maya. Nice to meet you.

‐ [Sam] I'll be sitting here.

‐ Oh, actually, would you
mind leaving us to it?

I understand I'm new,

but legally we have to
have confidentiality.

Thank you.

‐ Don't say I didn't warn you.

Get this changed.

‐ Now...

Khalil is a junior member of the team,

which makes you his superior.

While we can't control what
happens outside the workplace,

what happens inside it
is very much our concern.

Have you been drinking at work?

‐ Nah, I just drink so much at night

it carries me through the day.

Cost‐effective.

‐ Uh, I'm...

Going to look into an
occupational health referral.

And in the meantime,

why don't we come up with a
wellness action plan together?

‐ Yeah, I can see why they hired you.

You're just tickin' all
the boxes, aren't ya?

Should we talk about
reasonable adjustments?

It's time to change the UK's
attitude towards mental health.

‐ I haven't had a chance
to look through your file,

but something tells me you've
had this conversation before?

How can we change the outcome this time?

‐ Maybe I'm a lost cause.

‐ Tess, we are preparing to
take this company public,

which means everything and
everyone is under scrutiny.

This kind of behaviour
could prove disastrous

as we're trying to convince the world

we're a happy, healthy company

that they should invest in.

‐ There is nothing happy or
healthy about this place.

‐ Do you want to talk about it?

(tense music)

Everything you say in here
is completely confidential.

(people chattering)
(melancholic music)

‐ My friend died, 10 years ago today.

‐ I'm sorry for your loss.

I think it's important
that you make people aware

that this is a difficult
time of year for you.

‐ Oh, they're aware.

They just don't give a shit.

If I dropped dead tomorrow,

they would be dancin' on my grave.

Sometimes I think about it.

Bottle of whiskey, some
pills, just open a vein.

Spill it out all over Sam's desk.

Blood, vomit, piss.

The problem is, I wouldn't be around

to see her face when she found me.

I would hate to miss that.

Screw this.

‐ Tess, hey, hey, I'm trying to help here.

I don't want you to lose your job.

‐ They'll never get rid of me.

I know too much.

Pew.

(dramatic music)

‐ [Gareth] You should've
invited her to lunch.

‐ What?

So we could talk about menstruation

and compare downward dogs?

‐ Because it's her first day
and she doesn't know anyone.

‐ I'll leave the social
graces to you and Owen.

‐ How many female friends do you have?

‐ Loads.

‐ Like who?

‐ Beth.
‐ She's your nanny.

‐ Carys?

‐ Carys only rings you when
she wants to snoop on me.

‐ Mm, she called me yesterday.

‐ Why?

‐ Don't know, I ignored it.

I do not enjoy talking to
a 1950s housewife, Gareth.

We have nothing in common.

There's no rule that says you
have to like your friends.

(Gareth chuckles)

‐ I should've married you.

‐ Don't.

‐ Fancy meeting you here.

‐ We're here every day.

‐ Where's my sexy husband?

‐ Outside, negotiating some
international jockstrap deal.

Where's my wife?

Did you eat her?

(Vanessa chuckles)

‐ I'll see you back at the office.

‐ Whatever's going on
with you needs to stop.

‐ What?

‐ Hire a hooker, take some Viagra,

get it out of your system.

(Gareth chuckles)

'Cause your wife is getting suspicious.

(dramatic music)

(people chattering)

(sink runs)

‐ Had fun with Tess?

‐ Um, I gave her a warning.

‐ I'm sure that will
make all the difference.

‐ Is she an alcoholic?

‐ Probably.

Most people are.

‐ I'd feel more comfortable if we got her

some professional help.

Perhaps a therapist.

‐ We've tried that.

‐ I have a hunch it's
a mental health issue,

and I'm not sure my predecessor
handled it correctly.

‐ He handled it.

‐ So, why would Fly be opposed

to a member of staff
receiving counselling?

‐ There was just no point.

‐ No point to what?

(dramatic music)

‐ Tess isn't going anywhere.

She'd been in and out
of treatment for years.

‐ So, did you make the call
not to get Tess any help

because you didn't see the point,

or because Maya didn't see the point?

Was there a reason you didn't want Maya

to pursue treatment for Tess?

‐ It's not black and white.

(dramatic music)

I need a piss.

It's a fucking mess.

It's gone wrong. Really wrong.

I need help.

‐ Hey.
‐ Oh, hi.

‐ I've been looking for you all over.

Here you go.

‐ Oh!

Oh, I didn't expect this, thank you.

‐ Sorry, they're not for you.

We need someone to deliver them.

‐ Oh. Who are they for?

‐ A girl who used to work here, she died.

They got pineapples and figs and...

Oh, blueberries. Miss Fancy.

‐ You mean Tess's friend?

‐ Yeah.

‐ Yeah, I can't walk into
a grieving family's home

with a bunch of bananas.

‐ I would do it for you,
but my crown's come out,

so I've got an emergency
dental appointment

straight after work.
‐ Fine.

I'll talk to Sam.

Please, could you get
me Tess's file, please?

‐ Yeah.

‐ Why don't we run away together?

Thailand. Open a beach bar.

‐ Owen would have your credit cards frozen

before we reach the M6.

‐ Owen doesn't know
about my fuck off fund.

Secret bank account in
case of emergencies.

(Sam laughs)

‐ And what kind of emergencies
are you anticipating?

‐ I dunno.

‐ No, no, go on, please, tell me.

I want to know what a
catastrophe looks like

in the world of Gareth Jenkins.

What, your favourite
craft brewery shuts down,

or you can't hook girls offline.

‐ (chuckles) You're very funny.

(Sam laughs)

‐ Owen cancels your trust
fund, and demotes ya.

‐ Owen doesn't run my life.

I am my own man, you know.

‐ Well then, maybe you should try

standing up to him occasionally.

Especially when he decides
to involve Maya in things

that do not concern her.

‐ Oh, shut up.

Sorry.

It's just...

Why don't you take me seriously?

‐ See you tomorrow.

‐ Fuckin' hell.

(tense music)

(mysterious music)

‐ Tess flips out every so often,

especially around this time of year.

‐ I'm not surprised.

How did this friend pass?

‐ Nobody knows. Terrible tragedy.

Amy was a pillhead.

Drugs and stuff, you know.

If you snort coke and drop a pill,

you can always forget what
it's like to be stuck here.

‐ It's not that bad, is it?

‐ Well, Tess is okay,
but it's a little town,

everyone knows each other, no one leaves.

And there's a lot of
sheep, but not a lot to do.

‐ Plenty of drugs.

‐ Oh, I wouldn't know.

I tend to stay in and cook dinner,

watch telly with my boyfriend.

We're a bit old and lesbian these days.

‐ Hey, is this it?

There's nothing in here.

‐ I'm off. I'll see you tomorrow.

(mysterious music)

(Vanessa hums)

‐ Hey.

You look nice.

‐ Thank you, darling.

(Vanessa chuckles)

‐ Where's Danny?

‐ He's at computer camp.

‐ Oh.

We need to nip that in the bud.

It's not good for him sitting on his ass

with spotty boys all day.

‐ Your mother's here.

‐ No?

‐ Yep.

Ma!

What a lovely surprise.

‐ If you won't come to
me, then I'll come to you.

‐ You certainly will.

And how's your companion?

‐ Nidia's fine.

Thank you for asking.

‐ Would you like to
stay for dinner, Anita?

‐ [Anita] What is it?

‐ Quinoa with black beans and avocado,

and locally sourced organic chicken.

‐ No, thank you.

I'm here to discuss the new HR girl.

‐ Uh, woman.

‐ I hear she's definitely a girl.

‐ Look, Mom, I'm tired.

I've just got in from work‐

‐ What could be more refreshing
than time spent with family?

(Owen chuckles)

‐ What is it you want to discuss?

A female HR director makes us look good

during the flotation.

The company is teaming with
lawyers and accountants

and analysts, and Sam's
handling everything perfectly.

Now that Hugh's gone‐

‐ Staff fornicating in the boardroom.

‐ I will handle Khalil.

‐ It's not Khalil I'm worried about.

I'll have a glass of wine, please, Ness.

Red.

‐ Yeah.

‐ Not the cheap stuff.

(melancholic music)

(doorbell rings)

‐ I've never seen you before.

They usually send that gay bloke.

‐ I'm new.

‐ Huh.

‐ We've never had an
apology from Fly Dynamic.

A decade later, no apology.

‐ Why didn't tell anyone from management

go to her funeral?

Why didn't they come see us?

It's like she didn't matter.

‐ I think the company was probably trying

not to intrude on your grief.

It's really difficult to know‐

‐ She changed when she started there.

Was out all the time,
dumped her boyfriend.

Reeked of cigarettes and booze.

‐ I can understand how
difficult that must've been.

‐ They should never have let
girls that young out with them.

It's disgusting, giving them drugs.

‐ Honestly, I don't know
anything about that,

but I'm here to listen,

and to hold space for you
both if that would help.

‐ Hold space?

What are you talking about?

‐ Rachel.

‐ No, I just meant I'm
here to support you.

‐ We don't need help from you lot.

‐ Maybe you should go.

(dramatic music)

‐ [Gemma] Give us a puff.

‐ Bloody hell, Gemma.

You scared the life out of me.

Thought you were out,
rebelling against extinction.

‐ (chuckles) Nah.

Did you nick this from my bag?

‐ No, I did not.

Beth did.

‐ Oh, great. I've got two of on me case.

‐ Clinic called.

Suggested it wouldn't do any
harm to do a family session.

‐ No.

‐ It's just a quick check‐in.

‐ I haven't been in trouble for months.

‐ Then the family therapist
is obviously working.

‐ Our future is fundamentally uncertain.

How do you keep going every day

Knowing your grandchildren
won't have a world to inherit?

‐ Your appointment's
tomorrow after school.

‐ Please, Mom.

‐ It is non‐negotiable.

‐ Okay, I'll go there.

But only if it's just me.

I'm not going for a creepy
group session with you two.

‐ I'm proud of you.

You've worked really hard this last year.

‐ Now don't start with the
positive affirmation bollocks.

Don't work on me.

‐ Did the deceased have
any issues at work?

Personality conflicts?

That kind of thing.

‐ The deceased?

‐ We're still waiting
for official confirmation

from a family member.

Can you answer the question please, Sam.

Issues? Work?

‐ You'd have to ask HR.

(melancholic music)

(lid clangs)
(cat purrs)

(frame clangs)

(doorbell rings)

(mysterious music)

‐ Oh, no, Audrey, Audrey.

Audrey!
‐ Can you sign for these?

‐ No, they're not for me, I just moved in,

no one knows my address.

‐ Maya Benshaw?

‐ Yeah.

(mysterious music)

Audrey?

(lips smacking)

Audrey.

‐ Oh, good, you're home.

I was hoping you'd be in.
‐ Hi.

‐ Liz.
‐ Liz.

‐ Live opposite.

Came to invite you to cheese club.

We just opened the wine, and it hit me,

I should've invited Maya.

She doesn't know anyone.

‐ Mm.

Yeah, no, I'm not dressed for it.

‐ Oh, it's just us girls.

No one's judging.

Come on.

‐ And then Benedict
threw himself face down

in the cereal aisle and started screaming.

So I called Dom, I put it on loudspeaker,

and I held up the phone
for literally a minute,

and then I said, "This is your child,

this is what you brought into the world.

If you think you're ever
getting s‐e‐x again,

you can rethink that notion."

(laughing)

‐ Do you have children, Maya?

‐ Oh, no.
‐ Married?

‐ Separated.

‐ Aw.

‐ Freeze your eggs before it's too late.

‐ Ness.

Sorry, Maya.

Nessa's not renown for her tact.

‐ And yet you will worship me regardless.

(chuckling)

And this Wensleydale
tastes a bit vacuum packed.

Who brought it?

Own up.

‐ What do you do for work, Maya?

‐ Um, human resources.

Very boring, I'm afraid.

I just moved here from London for a job.

‐ Oh, you're Hugh's replacement.

‐ Oh. (chuckles)

I like to think I have other qualities,

but yes, I'm also known
as Hugh's replacement.

‐ Well, Hugh was lovely,
everyone was so sad

when he got fired.

‐ He wasn't fired.

‐ Well, what else would you call it?

‐ Beenleigh Blue, girls?

‐ [Woman] Just a small bit for me.

(dramatic piano music)

(Gareth grunts)

‐ Oh, no.

Juno's in the next room.

I can't have her little face in my head

with my penis in your mouth.

‐ It hasn't been four months.

Look.

Is this about my weight?

Because Nessa's getting
me a discount at the gym.

‐ It is not because of your weight.

We have a three‐year‐old.

I have a stressful job. I'm tired.

‐ I've read online that‐

‐ Carys, let it go.

‐ Love, I'm not judging.

‐ You're making me sound
like some kind of freak.

‐ Well, talk to me then.

‐ [Gareth] I am not
having this conversation!

(door slams)

(sombre music)

‐ I met Hugh's replacement today.

‐ Mhm. Cheese club.

What were you thinking?

‐ What do you mean?

‐ Hiring someone who asks questions.

(sink runs)

‐ Tell me your nan ain't been walkin'.

‐ Put the latch on.

‐ Nothing stops nana.

(Tess chuckles)

‐ You got your suit ready for Saturday?

‐ What's Saturday?

‐ My cousin's wedding.

‐ I told you I was a maybe.

‐ All you want to do
is shag and smoke weed.

We could actually leave
this room and I don't know,

put on clothes, go out for
a drink once in a while.

‐ Okay, okay.

I will do it for you.

But this doesn't mean
we're in a relationship.

‐ Hanging out five nights a
week isn't a relationship?

‐ If it's not on the
Gramme, nothing's official.

(Khalil laughs)

(knocking)

‐ [Sam] What's this?

‐ So, I've identified several
areas for improvement.

The main ones are hot topics
such as racism, sexism,

casual touching, a clear and
definable complaints protocol.

Oh, and I've commissioned a Mr. Whippy van

to be outside all day Friday.

The first Fridays are always a bit of fun.

‐ First Friday?

‐ First Fridays of the month.

Like Monday funday, except Friday.

‐ I can't decide if I'm
impressed by your assertiveness,

or if you piss me off.

(Maya laughs)

‐ Okay.

Where does everyone go at lunchtime?

‐ Most people eat at their desk

so they can sod off home an hour early.

‐ Oh, it's really important for staff

to have leisure time together

to build relationships and trust and...

You don't do any team
building or bonding exercises?

‐ Let's start slowly with Mr. Whippy,

and then we can work our way
up to group masturbation.

(Maya chuckles)

‐ Can we talk about Tess?

‐ What about her?

‐ I'm concerned that
she might harm herself.

She's hinted at suicidal ideation.

‐ Write a report, put it on my desk.

(unnerving music)

‐ You know, I used to be
a holiday rep in Magaluf?

I think that's where I get
my interpersonal skills from.

‐ There's something bothering me

about this preliminary forensic report.

Have you read it?

‐ Seems very straightforward to me.

Well, there's no DNA
under the fingernails.

‐ Right.

‐ There's no contusions.

There's no offensive or defensive injuries

other than those sustained by the fall.

Blood splatter's consistent.

Lividity and hypostasis appropriate.

And the rigour mortis seems about right.

Nothing suspicious.

‐ Ever been called out
to an attempted suicide?

Yeah, well, when I first started,

I trained in prevention and negotiation.

So, when someone threatened
to kill themselves,

I got called in to talk them down.

‐ How was it?

‐ Stressful.

Rapes and murders are my thing, love 'em.

But suicide? That's tough.

‐ What's your point?

‐ People don't just do it.

They gather their courage,
they talk themselves into it.

They agonise over their
decisions, sometimes for hours.

‐ It could've happened, we don't know.

‐ Okay.

Well, why are there no
fingerprints on the balcony

the victim supposedly jumped from?

No DNA. Nothing.

It doesn't add up.

(mysterious music)

(phone faintly rings)

(people laughing)
(people chattering)

‐ That is a total lush
for you at reception.

‐ Oh, right, can you
brush them off please?

‐ Says he knows ya.

So, who's the hottie?

‐ I don't know.

And don't use terms like hottie and lush,

it's marginalising.

‐ [Man] Hey.

‐ How did you find me?

How did you find me?

‐ Wow.

I was up north for work, and
your mom mentioned you were...

Sorry, bad idea.

I just wanted to wish you luck.

‐ Is everything okay?
‐ Fine.

‐ Can we get glass of water?

She gets a little bit anxious sometimes.

Thank you.

(tense music)

You look good.

Healthy.

You were too thin before.

‐ I will file for a restraining order.

‐ Saying what, Maya?

That I loved you?

And I looked after you?

That I gave you everything you wanted

and you just walked out on me

without even leaving a note?

‐ There you go.

‐ Thanks.

Maya.
(Maya gasps)

(tense music)

(phone rings)

‐ Oh, sorry.

Didn't realise you were there, I just...

‐ You okay?

‐ Yeah.

‐ Come on, sit down.

(drink pours)

There we go.

‐ Oh, I shouldn't really, but...

(Owen chuckles)

Oh!

‐ That's the spirit.

(Maya chuckles)

‐ I get the feeling he doesn't approve.

‐ Oh, that's my dad.

He didn't approve of much, to be honest.

He'd be horrified to
know we make more money

from our sweat wicking yoga pants

made from recycled ocean
plastic than footy shirt.

‐ Don't diss the yoga
pants, I've got 10 pairs.

I'm only here for the staff discount.

‐ So, how are you finding us?

Are we a lost cause?

‐ Oh...

Relishing the challenge.

‐ Don't feel alone.

I know we may seem like a parochial bunch,

but we're actually quite
warm and fuzzy beneath that

patriarchal capitalist exterior.

(mysterious piano music)

Okay?

‐ So, is it normal to
drink in the workplace?

Okay. What about drugs?

Sex?

All just a regular part
of the workday at Fly?

‐ Look, I'm here voluntarily.

Don't dick me around.

‐ I'm just trying to get

a complete picture of the workplace.

‐ It's irrelevant.

‐ Is it?

‐ [Peter] Why are we wasting our time?

She doesn't know anything.

‐ She's hiding something.

(phone rings)

‐ Audrey?

‐ Maya!

‐ Shit.

Hi, Liz!

I'm so sorry I'm just really tired,

and I just need to get to bed.

I'm not a massive fan of
cheese either, to be honest.

‐ Cheese club isn't on Thursday, silly.

No, I just wanted to tell you‐

‐ Oh, you know what?

I just left my mom on the phone, so‐

‐ No, your friend took your
spare from the plant pot.

(dog barks)

♪ Sometimes you know
everything will be okay ♪

♪ La, la, la, la, la ♪

♪ La, la, la, la ♪

♪ But even though ♪

♪ Happy days seem far away ♪

♪ La, la, la, la, la ♪

♪ La, la, la, la ♪

♪ Gives life a pulse ♪

♪ It reminds me what
my family used to say ♪

♪ La, la, la, la, la ♪

♪ La, la, la, la ♪

♪ You feel it in your soul ♪

♪ Today might be that day ♪

♪ La, la, la, la, la ♪

♪ La, la, la, la ♪

♪ It's now or never ♪

♪ No lookin' back now ♪

♪ These dreams last forever ♪

♪ So wait here somehow ♪

♪ You gotta keep moving ♪

♪ Your story hasn't been told ♪

♪ Just let your heart groove ♪

♪ 'Cause you know you got soul ♪

♪ 'Cause I know you got ♪

♪ I know you got, I know you got soul ♪

♪ I know you got, I know you got ♪

♪ I know you got soul ♪

♪ 'Cause I know you got, I know you got ♪

♪ I know you got soul ♪

♪ I know you got, I know you got ♪

‐ Hiya.

‐ Hey, Tess.

Sup?

‐ Did you want to...

‐ I'm in the middle of something.

‐ I got your message.

Guess that means it's official now?

You okay?

You seem a bit off.

‐ Tess.

You're a great girl,

and we had a good time together.

But I've got to put my energy
into my work right now.

‐ Right.

Yeah, okay.

‐ What the hell?

Tess, what are you doing?

You're crazy!

‐ In my office!

‐ [Khalil] Sam, that's the one.

‐ Get in my office.

‐ I'll handle this.

‐ In my office, now!

‐ Tess, go with Maya.

Go with Maya.

‐ It's okay, it's okay.

‐ Go back to work.

‐ Okay.

Can you help me understand
what's going on here, Tess?

You don't have to tackle
all these issues alone.

‐ Issues.

Maybe I don't have any issues,

maybe this is just my
fucked up personality.

This is who I am ladies, and gents!

Some drunk ratbag still
living life like I'm 15.

‐ Okay.

Will you make an
appointment to see your GP

to discuss your alcohol intake

and any underlying conditions?

‐ But I never even smoked a cigarette

before I started working here.

Most I've had to drink was half a shandy.

‐ Well, you were young
when you started work.

We all change as life
throws obstacles at us.

We experiment, we grow, we move on.

It's normal.

‐ If you weren't part of it,

no one wanted shit to do with ya.

You had to drink like the
boys, smoke like the boys,

snort coke with the boys, blow the boys.

And they wonder why I am fucked up.

‐ Tess, that isn't normal.

‐ No one gives a shit!

‐ I give a shit!

‐ What do you want from me?

‐ I want to help you.

‐ Why?

‐ Because I know what
it's like when no one's

protecting you.

(dramatic music)

‐ I lost my virginity in this office.

‐ With who?

(tense music)

‐ I can't remember.

‐ Ah, thought I'd find you here.

‐ Is this about Pyjama Friday?

‐ No, I had a talk with Tess.

‐ Oh?

‐ Why was my predecessor fired?

‐ He wasn't fired, he left.

‐ And why is he still on payroll?

He's still employed by the company,

still on a salary.

‐ He does consulting for us.

‐ Consulting? On what?

HR?

If he's a current employee,
he should be on file.

He doesn't seem to have
a record I can locate.

(doorbell rings)

(door creaks)

Hi, Hugh?

Do you have five minutes for a quick chat?

‐ We're agnostic, but thanks.

‐ No, I'm from Fly Dynamic,
I'm your replacement.

Would you mind if I asked
you a few questions?

‐ I can't talk.

‐ I'll be quick, I promise.

‐ I can't talk.

‐ Why don't you work there anymore?

‐ Take your hand off my door.

‐ What happened between you and Tess?

(dramatic music)

‐ Tess?

‐ Did you assault her?

Is that why you were fired?

‐ Why are you asking me about this?

I've been fired, isn't that enough?

‐ I need to know.

‐ Forget about Tess, forget about me.

I'm just the tip of the iceberg.

Ask about Amy.

(door slams)

(dramatic music)

‐ "How was your day, Mom?"

Shit, thanks for asking.

Yours?

Should we play a ball game? Bake a cake?

Movie night.

Order pizza.

‐ Vegan for me.
‐ Cheese.

‐ Well then, should I choose a movie

that we can all sit and enjoy together?

What do you two normally do after school?

‐ This.

(cell phone buzzes)

Hello?

Sally what?

Next Tuesday at the same
time should be fine.

I'll make sure we're all there.

Thanks.

Gem, can I have a word?

Gemma!

‐ No need to be aggressive.

‐ You didn't show up for
counselling yesterday.

‐ I forgot.

‐ You forgot?

‐ Yeah.

The same way you forgot who
my biological father is.

Order your own pizza.

(door slams)

(footsteps stomping)

What are you doing here?

‐ Ah, Carys and me aren't
getting on too well.

What are you doing here?

‐ The kids and me aren't
getting on too well.

I came to put Maya's report on your desk.

Wait till you get to the
section of Pyjama Friday.

(Gareth chuckles)

You know all these suggestions, Tess,

lawyers, bankers, and
analysts crawling up my ass.

It feels like a witch hunt.

‐ A witch hunt in pyjamas.

‐ You know, she's looking for Hugh's file.

I'm not stupid.

I shredded it when he left.

I can't stop thinking about Amy.

10 years.

Feels like yesterday.

‐ Don't talk about that.

‐ Why?

What if we're the witches?

(dramatic music)

Don't.

I said don't.

(dramatic music)

(computer beeps)

("I Am That Guy" by Agar Agar)

♪ Wandering in night ♪

♪ Keep me warm ♪

♪ There's no one and
I'm inside their house ♪

♪ Rabid days ♪

♪ Get delighted ♪

♪ There's no one and
I'm inside that house ♪

(woman grunts)

♪ There's no food ♪

♪ There is no way to reach the bottom ♪

♪ But they keep driving me out of line ♪

♪ Because you don't know nothing ♪

♪ You don't know me ♪

♪ So please don't judge until I'm free ♪

♪ I keep wandering at night ♪

♪ I keep looking at the crowd ♪

♪ And the only thing
I see is I'm on fire ♪

♪ I keep wandering at night ♪

♪ And I keep looking at the dawn ♪

♪ I see you in the dark and I'm on fire ♪

♪ I keep wandering at night ♪

♪ I keep looking at the light ♪

♪ And all I see is I'm a fucking liar ♪

♪ I keep wandering at night ♪

♪ I keep looking at the crowd ♪

♪ I won't leave you or
it'll make me dead inside ♪

‐ "Now, I am become death,
the destroyer of worlds."

‐ What's that?

‐ Suicide note?

(melancholic music)

‐ I'm going home. I've been here all day.

‐ Come on, Sam. We're not finished.

Let's go over last night again.

What time did you say you left the office?

‐ I can't remember.

‐ Sam, someone is dead.

‐ Can we just stop and
do this another time?

I need to go home.

‐ Come on.

(tense music)

Tell us about Amy, Sam.

(people chattering)

(sombre music)

You found her body too, didn't you?

(dramatic music)

(mysterious music)