All language subtitles for provisa

[Music]

[Music]
oh<00:00:05.920> the<00:00:06.000> only<00:00:06.240> thing<00:00:06.319> you<00:00:06.399> must<00:00:06.720> have<00:00:06.799> played

oh the only thing you must have played

oh the only thing you must have played
over<00:00:07.279> one<00:00:07.520> chord<00:00:07.839> is<00:00:08.000> playing<00:00:08.240> over<00:00:08.559> two

hi everybody john vilo here and welcome

hi everybody john vilo here and welcome
to<00:00:15.679> most<00:00:15.839> likely<00:00:16.240> my<00:00:16.400> last<00:00:16.720> alan<00:00:16.960> holdsworth

to most likely my last alan holdsworth

to most likely my last alan holdsworth
lesson<00:00:17.680> video<00:00:17.920> that<00:00:18.000> i'm<00:00:18.160> gonna<00:00:18.400> do<00:00:19.039> unless

lesson video that i'm gonna do unless

lesson video that i'm gonna do unless
something<00:00:19.840> new<00:00:20.240> pops<00:00:20.560> up<00:00:20.720> like<00:00:20.880> one<00:00:21.039> of<00:00:21.119> his<00:00:21.359> uh

something new pops up like one of his uh

something new pops up like one of his uh
scale<00:00:21.920> chart<00:00:22.240> things<00:00:22.560> for<00:00:22.800> one<00:00:22.960> of<00:00:23.039> his<00:00:23.199> tunes

scale chart things for one of his tunes

scale chart things for one of his tunes
i<00:00:24.480> apologize<00:00:25.039> for<00:00:25.119> how<00:00:25.359> long<00:00:25.599> this<00:00:25.840> video<00:00:26.080> has

i apologize for how long this video has

i apologize for how long this video has
taken<00:00:26.560> it's<00:00:26.800> been<00:00:27.039> about<00:00:27.439> a<00:00:27.680> year<00:00:28.000> and<00:00:28.160> a<00:00:28.240> half

taken it's been about a year and a half

taken it's been about a year and a half
of<00:00:28.800> transcribing<00:00:29.760> everything<00:00:30.320> and<00:00:30.960> getting

of transcribing everything and getting

of transcribing everything and getting
everything<00:00:31.679> in<00:00:31.760> order<00:00:32.399> so<00:00:32.640> i<00:00:32.880> really<00:00:33.040> hope

everything in order so i really hope

everything in order so i really hope
it's<00:00:33.440> worth<00:00:33.680> it<00:00:33.840> because<00:00:34.000> i'd<00:00:34.079> be<00:00:34.320> really

it's worth it because i'd be really

it's worth it because i'd be really
upset<00:00:35.280> if<00:00:35.440> anyone<00:00:35.760> was<00:00:35.920> kind<00:00:36.000> of<00:00:36.239> disappointed

upset if anyone was kind of disappointed

upset if anyone was kind of disappointed
with<00:00:36.960> this<00:00:37.200> but<00:00:37.840> i'm<00:00:38.000> doing<00:00:38.239> the<00:00:38.320> best<00:00:38.559> that<00:00:38.640> i

with this but i'm doing the best that i

with this but i'm doing the best that i
can<00:00:39.440> what<00:00:39.600> i've<00:00:39.760> done<00:00:40.000> is<00:00:40.079> i've<00:00:40.239> transcribed

can what i've done is i've transcribed

can what i've done is i've transcribed
basically

basically

basically
every<00:00:43.120> fast<00:00:43.440> line<00:00:43.680> that<00:00:43.920> allen<00:00:44.239> played<00:00:44.559> in<00:00:44.719> any

every fast line that allen played in any

every fast line that allen played in any
one<00:00:45.120> of<00:00:45.200> his<00:00:45.440> solos<00:00:46.399> uh<00:00:46.719> over<00:00:46.960> his<00:00:47.440> a<00:00:47.600> 40-year

one of his solos uh over his a 40-year

one of his solos uh over his a 40-year
career<00:00:48.399> from<00:00:48.559> about<00:00:48.879> 1980<00:00:49.920> to

career from about 1980 to

career from about 1980 to
2017.

2017.

2017.
so<00:00:52.879> it's<00:00:53.039> about<00:00:53.199> over<00:00:53.520> 200<00:00:54.000> solos<00:00:54.399> i<00:00:54.480> had<00:00:54.640> to

so it's about over 200 solos i had to

so it's about over 200 solos i had to
look<00:00:54.960> through<00:00:55.280> and<00:00:55.440> i<00:00:55.520> ended<00:00:55.840> up<00:00:55.920> with

look through and i ended up with

look through and i ended up with
over<00:00:56.879> 620<00:00:58.079> pages<00:00:58.559> of<00:00:58.800> transcriptions<00:01:00.079> uh<00:01:00.480> 2300

over 620 pages of transcriptions uh 2300

over 620 pages of transcriptions uh 2300
examples

examples

examples
uh<00:01:03.199> and<00:01:03.359> that's<00:01:03.680> about

uh and that's about

uh and that's about
6700<00:01:06.000> measures<00:01:06.640> of<00:01:07.280> music<00:01:07.680> and<00:01:07.840> eventually<00:01:08.479> i

6700 measures of music and eventually i

6700 measures of music and eventually i
it<00:01:08.960> was<00:01:09.119> about<00:01:09.280> 188<00:01:10.080> solos<00:01:10.479> i<00:01:10.560> have<00:01:10.720> included

it was about 188 solos i have included

it was about 188 solos i have included
uh<00:01:11.760> which<00:01:12.080> you<00:01:12.159> can<00:01:12.400> see

uh which you can see

uh which you can see
it's<00:01:13.439> scrolling<00:01:14.000> over<00:01:14.240> here<00:01:14.479> all<00:01:14.640> the<00:01:15.119> all<00:01:15.280> the

it's scrolling over here all the all the

it's scrolling over here all the all the
solos<00:01:16.000> you're<00:01:16.080> gonna<00:01:16.320> see

solos you're gonna see

solos you're gonna see
there's<00:01:17.520> a<00:01:17.600> reason<00:01:17.920> why<00:01:18.159> i<00:01:18.320> only<00:01:18.560> use<00:01:18.880> fast

there's a reason why i only use fast

there's a reason why i only use fast
lines<00:01:19.600> because<00:01:19.840> when<00:01:20.000> you<00:01:20.159> play<00:01:20.400> fast<00:01:20.640> you

lines because when you play fast you

lines because when you play fast you
kind<00:01:20.880> of<00:01:20.960> go<00:01:21.200> on<00:01:21.360> autopilot<00:01:22.479> so<00:01:22.799> that's<00:01:23.040> where

kind of go on autopilot so that's where

kind of go on autopilot so that's where
i<00:01:23.280> was<00:01:23.520> able<00:01:23.680> to<00:01:23.840> kind<00:01:24.080> of<00:01:24.240> see

i was able to kind of see

i was able to kind of see
certain<00:01:25.439> shapes<00:01:25.759> that<00:01:26.000> allen<00:01:26.320> was<00:01:26.560> using<00:01:27.280> how

certain shapes that allen was using how

certain shapes that allen was using how
he<00:01:27.600> might<00:01:27.840> see<00:01:28.080> the<00:01:28.240> neck

he might see the neck

he might see the neck
uh<00:01:29.520> and<00:01:29.680> looking<00:01:30.000> for<00:01:30.159> kind<00:01:30.320> of<00:01:30.479> patterns

uh and looking for kind of patterns

uh and looking for kind of patterns
because<00:01:31.600> when<00:01:31.840> you're<00:01:32.000> playing<00:01:32.240> really<00:01:32.560> slow

because when you're playing really slow

because when you're playing really slow
you<00:01:33.040> could<00:01:33.280> basically<00:01:33.680> do<00:01:33.920> anything

you could basically do anything

you could basically do anything
but<00:01:35.200> when<00:01:35.360> you're<00:01:35.600> playing<00:01:35.840> really<00:01:36.159> fast<00:01:36.880> you

but when you're playing really fast you

but when you're playing really fast you
kind<00:01:37.200> of<00:01:37.360> have<00:01:37.439> to<00:01:37.600> follow<00:01:37.920> some<00:01:38.159> sort<00:01:38.400> of<00:01:38.560> form

kind of have to follow some sort of form

kind of have to follow some sort of form
so<00:01:39.680> that's<00:01:39.840> where<00:01:40.079> i<00:01:40.159> figured<00:01:40.479> i'd<00:01:40.640> be<00:01:40.799> able<00:01:40.960> to

so that's where i figured i'd be able to

so that's where i figured i'd be able to
start<00:01:41.280> to

start to

start to
see<00:01:42.320> a<00:01:42.479> lot<00:01:42.640> of<00:01:42.880> the

see a lot of the

see a lot of the
ideas<00:01:44.399> that<00:01:44.560> alan<00:01:44.880> used<00:01:45.200> in<00:01:45.360> some<00:01:45.680> phrases<00:01:46.399> and

ideas that alan used in some phrases and

ideas that alan used in some phrases and
concepts<00:01:47.840> i<00:01:48.079> pretty<00:01:48.240> much<00:01:48.399> was<00:01:48.560> able<00:01:48.799> to<00:01:48.880> use

concepts i pretty much was able to use

concepts i pretty much was able to use
every

every

every
soul<00:01:50.320> that<00:01:50.479> i<00:01:50.640> was<00:01:50.880> on<00:01:51.040> except<00:01:51.280> for<00:01:51.439> a<00:01:51.520> handful

soul that i was on except for a handful

soul that i was on except for a handful
uh<00:01:53.040> like<00:01:53.360> material<00:01:54.000> real<00:01:54.320> there's<00:01:54.560> really

uh like material real there's really

uh like material real there's really
nothing<00:01:55.200> there<00:01:55.520> or<00:01:55.759> uh<00:01:56.159> paul<00:01:56.560> cota's<00:01:57.280> living

nothing there or uh paul cota's living

nothing there or uh paul cota's living
in<00:01:57.600> the<00:01:57.759> sky

in the sky

in the sky
there's<00:01:59.360> just<00:01:59.600> not<00:01:59.920> really<00:02:00.240> anything

there's just not really anything

there's just not really anything
interesting<00:02:01.119> there<00:02:01.520> most<00:02:01.759> of<00:02:01.840> the<00:02:01.920> lines<00:02:02.320> are

interesting there most of the lines are

interesting there most of the lines are
kind<00:02:02.560> of<00:02:02.719> slow<00:02:03.439> and<00:02:03.759> also<00:02:04.079> slow<00:02:04.479> lines<00:02:04.719> are

kind of slow and also slow lines are

kind of slow and also slow lines are
also<00:02:05.119> hard<00:02:05.360> to<00:02:05.600> figure<00:02:05.920> out<00:02:06.000> the<00:02:06.079> harmonic

also hard to figure out the harmonic

also hard to figure out the harmonic
intent<00:02:07.680> because

intent because

intent because
your<00:02:09.119> choices<00:02:09.520> are<00:02:09.599> so<00:02:09.759> limited<00:02:10.319> this<00:02:10.560> is<00:02:10.640> all

your choices are so limited this is all

your choices are so limited this is all
for<00:02:10.959> the<00:02:11.120> purpose<00:02:11.440> of<00:02:11.599> understanding<00:02:12.160> how

for the purpose of understanding how

for the purpose of understanding how
alan<00:02:12.959> sees<00:02:13.280> the<00:02:13.440> neck<00:02:13.680> so<00:02:13.840> i<00:02:14.000> can<00:02:14.319> use<00:02:14.560> it<00:02:14.720> in<00:02:14.800> my

alan sees the neck so i can use it in my

alan sees the neck so i can use it in my
own<00:02:15.280> improvisation<00:02:16.319> with<00:02:16.560> this<00:02:16.720> i<00:02:16.800> learned<00:02:17.040> a

own improvisation with this i learned a

own improvisation with this i learned a
lot<00:02:17.360> of<00:02:17.440> really<00:02:17.760> interesting<00:02:18.160> things

lot of really interesting things

lot of really interesting things
concepts<00:02:19.920> uh<00:02:20.239> even<00:02:20.480> some

concepts uh even some

concepts uh even some
interesting<00:02:21.920> tuning<00:02:22.319> things<00:02:22.560> that<00:02:22.720> i<00:02:22.800> had<00:02:22.959> to

interesting tuning things that i had to

interesting tuning things that i had to
figure<00:02:23.520> out<00:02:23.920> i<00:02:24.160> kind<00:02:24.319> of<00:02:24.400> understand<00:02:24.879> the

figure out i kind of understand the

figure out i kind of understand the
blasphemy<00:02:26.400> of<00:02:26.480> sacrilege<00:02:27.120> of<00:02:27.200> doing

blasphemy of sacrilege of doing

blasphemy of sacrilege of doing
something<00:02:27.840> like<00:02:28.080> this

something like this

something like this
uh

uh

uh
and<00:02:30.080> i<00:02:30.480> hope<00:02:31.040> that<00:02:31.200> this<00:02:31.440> doesn't<00:02:31.760> diminish

and i hope that this doesn't diminish

and i hope that this doesn't diminish
your<00:02:32.400> appreciation<00:02:32.959> for<00:02:33.200> alan<00:02:33.440> that's<00:02:33.599> really

your appreciation for alan that's really

your appreciation for alan that's really
my<00:02:34.000> biggest<00:02:34.480> fear<00:02:34.800> my<00:02:35.200> biggest<00:02:35.519> concern

my biggest fear my biggest concern

my biggest fear my biggest concern
um

um

um
and<00:02:38.640> honestly<00:02:38.879> if<00:02:39.040> alan<00:02:39.280> was<00:02:39.360> still<00:02:39.519> alive<00:02:39.760> i

and honestly if alan was still alive i

and honestly if alan was still alive i
probably<00:02:40.160> never<00:02:40.319> would<00:02:40.480> have<00:02:40.560> done<00:02:40.800> this

probably never would have done this

probably never would have done this
video<00:02:41.280> i<00:02:41.360> might<00:02:41.519> have<00:02:42.000> done<00:02:42.160> this<00:02:42.480> for<00:02:42.640> myself

video i might have done this for myself

video i might have done this for myself
but<00:02:43.120> i<00:02:43.200> never<00:02:43.440> would<00:02:43.599> have<00:02:43.680> been<00:02:43.840> able<00:02:44.000> to

but i never would have been able to

but i never would have been able to
share<00:02:44.400> it<00:02:44.480> but<00:02:44.640> what<00:02:44.879> is<00:02:45.120> important<00:02:45.519> is<00:02:45.599> the

share it but what is important is the

share it but what is important is the
information<00:02:46.480> to<00:02:46.640> get<00:02:46.879> a<00:02:47.280> better

information to get a better

information to get a better
understanding<00:02:48.400> of

understanding of

understanding of
not<00:02:49.440> only<00:02:49.599> alan's<00:02:50.000> playing<00:02:50.319> but<00:02:50.560> to<00:02:50.959> improve

not only alan's playing but to improve

not only alan's playing but to improve
your<00:02:51.599> own<00:02:52.239> to<00:02:52.480> get<00:02:52.800> uh<00:02:53.200> different<00:02:53.519> scale<00:02:53.920> ideas

your own to get uh different scale ideas

your own to get uh different scale ideas
or<00:02:55.280> uh<00:02:55.680> maybe<00:02:56.080> fingerings<00:02:56.560> or<00:02:56.640> patterns<00:02:57.200> and

or uh maybe fingerings or patterns and

or uh maybe fingerings or patterns and
expand<00:02:58.480> on<00:02:58.560> them<00:02:58.800> yourself<00:02:59.120> kind<00:02:59.360> of<00:02:59.440> like<00:02:59.920> i

expand on them yourself kind of like i

expand on them yourself kind of like i
remember<00:03:00.239> marty<00:03:00.480> freeman's<00:03:00.879> first<00:03:01.120> video<00:03:01.360> was

remember marty freeman's first video was

remember marty freeman's first video was
like<00:03:01.840> that<00:03:02.319> it's<00:03:02.480> kind<00:03:02.560> of<00:03:02.640> like<00:03:02.879> my<00:03:03.040> book<00:03:03.599> you

like that it's kind of like my book you

like that it's kind of like my book you
have<00:03:04.080> all<00:03:04.239> these<00:03:04.480> chords<00:03:04.800> and<00:03:04.879> you<00:03:04.959> can<00:03:05.120> kind

have all these chords and you can kind

have all these chords and you can kind
of<00:03:05.840> do<00:03:06.000> what<00:03:06.159> you<00:03:06.319> will<00:03:06.480> with<00:03:06.640> them<00:03:06.879> you<00:03:06.959> can

of do what you will with them you can

of do what you will with them you can
learn<00:03:07.519> them<00:03:07.760> or<00:03:07.920> you<00:03:08.080> can<00:03:08.239> expand<00:03:08.640> upon<00:03:08.959> them

learn them or you can expand upon them

learn them or you can expand upon them
that's<00:03:09.599> really<00:03:09.840> the<00:03:10.080> core<00:03:10.560> of<00:03:10.720> this<00:03:10.959> video<00:03:11.680> is

that's really the core of this video is

that's really the core of this video is
to<00:03:12.080> improve<00:03:12.480> your<00:03:12.720> own<00:03:12.959> playing

to improve your own playing

to improve your own playing
using<00:03:14.400> alan's<00:03:14.879> lines<00:03:15.280> kind<00:03:15.519> of<00:03:15.760> as<00:03:16.000> an<00:03:16.159> example

using alan's lines kind of as an example

using alan's lines kind of as an example
uh<00:03:17.440> really<00:03:17.840> thinking<00:03:18.159> in<00:03:18.319> general<00:03:18.800> terms<00:03:19.680> and

uh really thinking in general terms and

uh really thinking in general terms and
i'll<00:03:20.159> elaborate<00:03:20.720> on<00:03:20.800> that<00:03:20.959> later<00:03:21.440> that's

i'll elaborate on that later that's

i'll elaborate on that later that's
really<00:03:21.840> the<00:03:21.920> best<00:03:22.239> lesson<00:03:22.480> i<00:03:22.560> get<00:03:22.720> from<00:03:22.959> this

really the best lesson i get from this

really the best lesson i get from this
project<00:03:23.519> is<00:03:24.159> who<00:03:24.480> cares

project is who cares

project is who cares
uh<00:03:25.840> who<00:03:26.080> says<00:03:26.400> i<00:03:26.640> can't<00:03:26.879> improvise<00:03:27.440> like<00:03:27.599> this

uh who says i can't improvise like this

uh who says i can't improvise like this
or<00:03:28.560> use<00:03:28.799> this<00:03:28.959> scale<00:03:29.360> or<00:03:29.519> use<00:03:29.760> a<00:03:29.840> chord<00:03:30.400> with

or use this scale or use a chord with

or use this scale or use a chord with
this<00:03:30.840> voicing<00:03:31.920> uh<00:03:32.319> if<00:03:32.720> it<00:03:32.879> sounds<00:03:33.200> good<00:03:33.360> to<00:03:33.519> you

this voicing uh if it sounds good to you

this voicing uh if it sounds good to you
it<00:03:34.319> is<00:03:34.640> it's<00:03:34.879> just<00:03:35.120> really<00:03:35.360> that<00:03:35.599> simple

it is it's just really that simple

it is it's just really that simple
there's<00:03:36.080> going<00:03:36.159> to<00:03:36.239> be<00:03:36.400> a<00:03:36.480> lot<00:03:36.720> of<00:03:36.879> talking<00:03:37.280> in

there's going to be a lot of talking in

there's going to be a lot of talking in
this<00:03:37.599> video<00:03:37.840> so<00:03:38.080> be<00:03:38.319> prepared<00:03:38.720> for<00:03:38.879> that

this video so be prepared for that

this video so be prepared for that
because<00:03:39.840> not<00:03:40.080> only<00:03:40.239> do<00:03:40.400> i<00:03:40.560> want<00:03:40.720> to<00:03:40.879> talk<00:03:41.120> about

because not only do i want to talk about

because not only do i want to talk about
uh

uh

uh
showing<00:03:43.280> you<00:03:43.440> the<00:03:43.519> examples<00:03:44.000> of<00:03:44.080> what<00:03:44.239> alan

showing you the examples of what alan

showing you the examples of what alan
did<00:03:44.799> but<00:03:44.959> also<00:03:46.000> uh

did but also uh

did but also uh
ideas<00:03:47.519> about<00:03:48.159> improvisation<00:03:49.440> why<00:03:49.760> alan<00:03:50.080> solos

ideas about improvisation why alan solos

ideas about improvisation why alan solos
are<00:03:50.560> kind<00:03:50.720> of<00:03:50.799> hard<00:03:51.040> to<00:03:51.200> follow<00:03:51.519> i<00:03:51.680> also<00:03:51.920> have

are kind of hard to follow i also have

are kind of hard to follow i also have
to<00:03:52.239> talk<00:03:52.480> about<00:03:53.200> uh<00:03:53.519> some<00:03:53.760> things<00:03:54.080> about

to talk about uh some things about

to talk about uh some things about
improvisation

improvisation

improvisation
uh<00:03:56.480> the<00:03:56.640> theory<00:03:57.120> stuff<00:03:57.840> all<00:03:58.000> that<00:03:58.159> kind<00:03:58.319> of<00:03:58.400> so

uh the theory stuff all that kind of so

uh the theory stuff all that kind of so
it's<00:03:58.799> gonna<00:03:58.959> be<00:03:59.040> at<00:03:59.120> least<00:03:59.280> in<00:03:59.360> the<00:03:59.439> first<00:03:59.680> half

it's gonna be at least in the first half

it's gonna be at least in the first half
it's<00:04:00.000> going<00:04:00.080> to<00:04:00.159> be<00:04:00.239> a<00:04:00.239> lot<00:04:00.400> of<00:04:00.560> talking<00:04:00.959> just

it's going to be a lot of talking just

it's going to be a lot of talking just
like<00:04:01.360> my<00:04:01.519> book<00:04:01.840> i<00:04:02.080> intended<00:04:02.480> to<00:04:02.640> make<00:04:02.879> this

like my book i intended to make this

like my book i intended to make this
video<00:04:03.519> not<00:04:03.680> only<00:04:03.920> for<00:04:04.159> advanced<00:04:04.560> players<00:04:04.799> but

video not only for advanced players but

video not only for advanced players but
also<00:04:05.200> for<00:04:05.360> beginners<00:04:06.319> so<00:04:06.560> there's<00:04:06.799> a<00:04:06.879> good

also for beginners so there's a good

also for beginners so there's a good
chance<00:04:07.519> that<00:04:08.000> quite<00:04:08.239> a<00:04:08.319> lot<00:04:08.480> of<00:04:08.560> you<00:04:08.720> already

chance that quite a lot of you already

chance that quite a lot of you already
know<00:04:09.200> all<00:04:09.360> this<00:04:09.599> stuff<00:04:09.840> and<00:04:09.920> if<00:04:10.080> you<00:04:10.159> do<00:04:10.640> you

know all this stuff and if you do you

know all this stuff and if you do you
can<00:04:11.280> just<00:04:11.439> skip<00:04:11.760> here<00:04:12.080> and<00:04:12.159> start<00:04:12.400> looking<00:04:12.640> at

can just skip here and start looking at

can just skip here and start looking at
some<00:04:12.879> of<00:04:13.040> the<00:04:13.120> cool<00:04:13.519> cooler<00:04:13.840> lines

some of the cool cooler lines

some of the cool cooler lines
but<00:04:15.680> if<00:04:15.840> you're<00:04:16.000> a<00:04:16.079> beginner<00:04:16.560> or<00:04:16.720> you're

but if you're a beginner or you're

but if you're a beginner or you're
unsure<00:04:17.199> about<00:04:17.440> improvisation<00:04:18.160> i<00:04:18.239> strongly

unsure about improvisation i strongly

unsure about improvisation i strongly
suggest<00:04:19.040> you<00:04:19.600> watch<00:04:20.079> as<00:04:20.239> much<00:04:20.479> as<00:04:20.639> this<00:04:20.799> is

suggest you watch as much as this is

suggest you watch as much as this is
possible<00:04:21.919> because<00:04:22.160> there<00:04:22.320> might<00:04:22.479> be<00:04:22.639> some

possible because there might be some

possible because there might be some
little<00:04:23.040> gaps<00:04:23.360> in<00:04:23.440> there<00:04:23.600> that<00:04:23.759> i<00:04:24.000> might<00:04:24.160> be

little gaps in there that i might be

little gaps in there that i might be
able<00:04:24.479> to<00:04:24.560> help<00:04:24.880> fill<00:04:25.120> out<00:04:25.280> or<00:04:25.759> sort<00:04:26.000> of<00:04:26.479> make

able to help fill out or sort of make

able to help fill out or sort of make
you<00:04:26.880> feel<00:04:27.120> more<00:04:27.280> comfortable<00:04:27.759> in<00:04:27.919> maybe<00:04:28.240> your

you feel more comfortable in maybe your

you feel more comfortable in maybe your
own<00:04:28.639> process<00:04:29.040> how<00:04:29.199> you're<00:04:29.360> going<00:04:29.840> about

own process how you're going about

own process how you're going about
learning

learning

learning
uh<00:04:31.680> one<00:04:31.840> other<00:04:32.080> thing<00:04:32.560> if<00:04:32.800> you<00:04:33.280> still<00:04:33.600> don't

uh one other thing if you still don't

uh one other thing if you still don't
want<00:04:33.919> to<00:04:34.080> understand<00:04:34.560> the<00:04:34.639> magic<00:04:35.040> of<00:04:35.280> alan's

want to understand the magic of alan's

want to understand the magic of alan's
playing<00:04:36.479> uh

playing uh

playing uh
just<00:04:37.680> maybe<00:04:37.919> just<00:04:38.080> don't<00:04:38.240> watch<00:04:38.560> this<00:04:38.720> video

just maybe just don't watch this video

just maybe just don't watch this video
and<00:04:39.360> i<00:04:39.440> understand<00:04:39.840> almost<00:04:40.000> how<00:04:40.240> pretentious

and i understand almost how pretentious

and i understand almost how pretentious
that<00:04:40.960> sounds<00:04:42.000> but<00:04:42.160> there<00:04:42.479> are<00:04:42.560> a<00:04:42.720> lot<00:04:42.880> of

that sounds but there are a lot of

that sounds but there are a lot of
examples<00:04:44.160> uh<00:04:44.479> in<00:04:44.639> here<00:04:44.880> that<00:04:45.040> you'll<00:04:45.280> see<00:04:45.440> in

examples uh in here that you'll see in

examples uh in here that you'll see in
his<00:04:45.759> playing<00:04:46.080> and<00:04:46.160> you'll<00:04:46.320> start<00:04:46.560> to<00:04:46.639> get<00:04:46.800> a

his playing and you'll start to get a

his playing and you'll start to get a
better<00:04:47.199> understanding<00:04:47.680> now<00:04:47.840> if<00:04:48.000> that<00:04:48.080> was

better understanding now if that was

better understanding now if that was
your<00:04:48.479> intention<00:04:48.880> that<00:04:49.040> you<00:04:49.199> do<00:04:49.360> want<00:04:49.520> to

your intention that you do want to

your intention that you do want to
understand<00:04:50.000> his<00:04:50.160> stuff<00:04:50.320> then<00:04:50.479> that's<00:04:50.720> great

understand his stuff then that's great

understand his stuff then that's great
but<00:04:51.600> i<00:04:51.759> don't<00:04:51.919> want

but i don't want

but i don't want
to<00:04:52.880> diminish<00:04:53.440> alan's

to diminish alan's

to diminish alan's
ability<00:04:54.880> to<00:04:55.040> anybody<00:04:55.440> that<00:04:55.680> kind<00:04:55.919> of<00:04:56.000> doesn't

ability to anybody that kind of doesn't

ability to anybody that kind of doesn't
want<00:04:56.479> it<00:04:56.560> so<00:04:56.720> if<00:04:56.880> you<00:04:57.040> just

want it so if you just

want it so if you just
uh<00:04:58.160> you<00:04:58.240> don't<00:04:58.400> want<00:04:58.560> to<00:04:58.639> see<00:04:58.880> how<00:04:59.040> the<00:04:59.360> you

uh you don't want to see how the you

uh you don't want to see how the you
want<00:04:59.680> to<00:04:59.680> know<00:04:59.840> how<00:04:59.919> the<00:05:00.000> magician<00:05:00.400> saws<00:05:00.639> the

want to know how the magician saws the

want to know how the magician saws the
lady<00:05:01.039> in<00:05:01.120> half<00:05:01.600> kind<00:05:01.840> of<00:05:01.919> thing

lady in half kind of thing

lady in half kind of thing
uh<00:05:03.199> don't<00:05:03.360> watch<00:05:03.600> this<00:05:03.680> video

uh don't watch this video

uh don't watch this video
already<00:05:04.960> you<00:05:05.039> can<00:05:05.120> see<00:05:05.280> there's<00:05:05.520> a<00:05:05.680> lot<00:05:05.840> of

already you can see there's a lot of

already you can see there's a lot of
cuts<00:05:06.320> in<00:05:06.479> this<00:05:06.639> video<00:05:06.960> which<00:05:07.120> is<00:05:07.280> pretty

cuts in this video which is pretty

cuts in this video which is pretty
unusual<00:05:08.320> for<00:05:08.800> my<00:05:08.960> types<00:05:09.199> of<00:05:09.280> videos<00:05:09.520> because<00:05:09.680> i

unusual for my types of videos because i

unusual for my types of videos because i
do<00:05:09.919> them<00:05:10.080> off<00:05:10.320> the<00:05:10.479> top<00:05:10.720> of<00:05:10.800> my<00:05:10.960> head<00:05:11.600> but

do them off the top of my head but

do them off the top of my head but
there's<00:05:12.160> so<00:05:12.479> much<00:05:12.800> information<00:05:13.440> so<00:05:13.600> many

there's so much information so many

there's so much information so many
things<00:05:13.919> that<00:05:14.080> i<00:05:14.160> want<00:05:14.320> to<00:05:14.400> talk<00:05:14.560> about<00:05:14.800> that<00:05:14.960> i

things that i want to talk about that i

things that i want to talk about that i
had<00:05:15.199> to<00:05:15.280> kind<00:05:15.440> of<00:05:16.000> make<00:05:16.240> my<00:05:16.400> own<00:05:16.560> little<00:05:16.880> script

had to kind of make my own little script

had to kind of make my own little script
thing<00:05:17.600> here

thing here

thing here
so<00:05:18.880> i<00:05:18.960> can<00:05:19.199> kind<00:05:19.360> of<00:05:19.520> remember<00:05:19.919> what<00:05:20.080> i<00:05:20.160> want<00:05:20.400> to

so i can kind of remember what i want to

so i can kind of remember what i want to
say<00:05:20.960> another<00:05:21.360> important<00:05:21.759> point<00:05:22.000> that<00:05:22.160> i<00:05:22.240> need

say another important point that i need

say another important point that i need
to<00:05:22.560> make<00:05:22.960> is<00:05:23.280> i<00:05:23.440> can<00:05:23.680> never<00:05:24.000> tell<00:05:24.240> you<00:05:24.320> what

to make is i can never tell you what

to make is i can never tell you what
allen's<00:05:24.880> intent<00:05:25.199> is<00:05:25.360> 100<00:05:25.759> percent<00:05:26.639> i<00:05:26.880> think<00:05:27.120> i

allen's intent is 100 percent i think i

allen's intent is 100 percent i think i
have<00:05:27.440> a<00:05:27.520> good<00:05:27.759> idea<00:05:28.080> from<00:05:28.320> all<00:05:28.400> these<00:05:28.639> examples

have a good idea from all these examples

have a good idea from all these examples
but<00:05:29.840> honestly<00:05:30.240> i<00:05:30.400> could<00:05:30.560> be<00:05:30.720> completely<00:05:31.360> wrong

but honestly i could be completely wrong

but honestly i could be completely wrong
and<00:05:32.160> in<00:05:32.240> the<00:05:32.479> end<00:05:32.720> it<00:05:32.800> doesn't<00:05:33.120> really<00:05:33.360> matter

and in the end it doesn't really matter

and in the end it doesn't really matter
what<00:05:34.400> kind<00:05:34.639> of<00:05:34.720> manages<00:05:35.120> sort<00:05:35.280> of<00:05:35.360> how<00:05:35.680> you<00:05:35.840> get

what kind of manages sort of how you get

what kind of manages sort of how you get
to<00:05:36.160> the<00:05:36.320> goal<00:05:36.560> that<00:05:36.639> you<00:05:37.360> want<00:05:37.600> to<00:05:37.680> get<00:05:37.840> to<00:05:38.000> and

to the goal that you want to get to and

to the goal that you want to get to and
being<00:05:38.320> content<00:05:38.720> with<00:05:38.800> your<00:05:38.960> play<00:05:39.520> so<00:05:39.840> this<00:05:40.080> is

being content with your play so this is

being content with your play so this is
my<00:05:40.720> interpretation<00:05:41.520> of<00:05:41.759> what<00:05:42.000> i<00:05:42.160> think<00:05:42.479> alan

my interpretation of what i think alan

my interpretation of what i think alan
is<00:05:43.120> doing

is doing

is doing
um<00:05:44.479> like<00:05:44.639> i<00:05:44.720> said<00:05:44.880> i<00:05:44.960> think<00:05:45.120> i<00:05:45.199> have<00:05:45.280> a<00:05:45.360> strong

um like i said i think i have a strong

um like i said i think i have a strong
case<00:05:45.919> from<00:05:46.080> these<00:05:46.320> examples

case from these examples

case from these examples
but<00:05:47.840> um

but um

but um
i<00:05:49.440> guess<00:05:49.680> you'll<00:05:49.919> never<00:05:50.320> you<00:05:50.479> can<00:05:50.639> never<00:05:50.960> tell

i guess you'll never you can never tell

i guess you'll never you can never tell
so<00:05:51.919> i<00:05:52.000> just<00:05:52.160> want<00:05:52.320> to<00:05:52.400> put<00:05:52.560> that<00:05:52.720> out<00:05:52.880> there

so i just want to put that out there

so i just want to put that out there
lastly<00:05:53.600> i<00:05:53.680> do<00:05:53.840> want<00:05:53.919> to<00:05:54.000> give<00:05:54.240> some<00:05:54.560> thanks

lastly i do want to give some thanks

lastly i do want to give some thanks
because<00:05:55.360> i<00:05:55.520> couldn't<00:05:55.759> have<00:05:55.840> done<00:05:56.000> this<00:05:56.240> by

because i couldn't have done this by

because i couldn't have done this by
myself<00:05:56.880> i<00:05:56.960> need<00:05:57.440> a<00:05:57.520> lot<00:05:57.759> of<00:05:57.840> help

myself i need a lot of help

myself i need a lot of help
first<00:05:59.280> i<00:05:59.360> want<00:05:59.520> to<00:05:59.680> thank<00:06:00.000> ed<00:06:00.240> chang<00:06:00.720> for<00:06:00.880> his

first i want to thank ed chang for his

first i want to thank ed chang for his
book<00:06:01.840> double<00:06:02.160> take<00:06:02.400> behind<00:06:02.720> most

book double take behind most

book double take behind most
you<00:06:03.680> can<00:06:03.759> get<00:06:03.919> this<00:06:04.080> on<00:06:04.240> amazon<00:06:05.120> and<00:06:05.440> without

you can get this on amazon and without

you can get this on amazon and without
this<00:06:06.240> i<00:06:06.400> never<00:06:06.639> would<00:06:06.880> have<00:06:06.960> gotten<00:06:07.199> an<00:06:07.440> entire

this i never would have gotten an entire

this i never would have gotten an entire
list<00:06:08.080> of<00:06:08.240> all<00:06:08.319> the<00:06:08.479> guest<00:06:08.720> souls<00:06:08.960> that<00:06:09.120> allen

list of all the guest souls that allen

list of all the guest souls that allen
played<00:06:09.759> on<00:06:10.400> uh<00:06:10.960> which<00:06:11.280> there<00:06:11.440> were<00:06:11.680> quite<00:06:12.000> a

played on uh which there were quite a

played on uh which there were quite a
few<00:06:12.880> so<00:06:13.199> uh<00:06:13.440> thank<00:06:13.600> you<00:06:13.759> ed<00:06:14.000> for<00:06:14.080> your<00:06:14.240> book<00:06:14.560> and

few so uh thank you ed for your book and

few so uh thank you ed for your book and
for<00:06:14.880> that<00:06:15.039> list<00:06:15.600> also<00:06:15.919> for<00:06:16.080> transcribing<00:06:16.800> help

for that list also for transcribing help

for that list also for transcribing help
uh<00:06:17.440> there<00:06:17.600> are<00:06:17.680> three<00:06:17.919> main<00:06:18.160> people<00:06:18.319> that<00:06:18.479> i

uh there are three main people that i

uh there are three main people that i
want<00:06:18.720> to<00:06:18.880> thank<00:06:19.600> joe<00:06:19.840> britton

want to thank joe britton

want to thank joe britton
andre<00:06:21.360> orsell<00:06:22.000> and<00:06:22.720> uh<00:06:23.039> livio<00:06:23.759> la<00:06:23.919> moneya

andre orsell and uh livio la moneya

andre orsell and uh livio la moneya
these<00:06:25.600> guys<00:06:25.840> are<00:06:25.919> the<00:06:26.000> best<00:06:26.240> transcribers

these guys are the best transcribers

these guys are the best transcribers
that<00:06:27.039> i<00:06:27.280> know<00:06:27.919> and<00:06:28.319> anytime<00:06:28.800> i<00:06:28.960> have<00:06:29.120> an<00:06:29.280> issue

that i know and anytime i have an issue

that i know and anytime i have an issue
i<00:06:30.160> like<00:06:30.319> to<00:06:30.639> show<00:06:30.880> them<00:06:31.199> what<00:06:31.360> i've<00:06:31.600> got<00:06:31.919> and

i like to show them what i've got and

i like to show them what i've got and
then<00:06:32.240> get<00:06:32.400> some<00:06:32.639> become<00:06:32.960> their<00:06:33.199> feedback<00:06:33.759> or

then get some become their feedback or

then get some become their feedback or
sometimes<00:06:34.400> they'll<00:06:34.560> critique<00:06:34.960> some<00:06:35.120> of<00:06:35.199> the

sometimes they'll critique some of the

sometimes they'll critique some of the
things<00:06:35.520> that<00:06:35.680> i<00:06:35.840> say<00:06:36.000> which<00:06:36.240> i<00:06:36.560> always<00:06:37.199> i<00:06:37.360> never

things that i say which i always i never

things that i say which i always i never
take<00:06:37.840> offense<00:06:38.240> to<00:06:38.800> because<00:06:39.440> their<00:06:39.759> ears<00:06:40.080> are

take offense to because their ears are

take offense to because their ears are
much<00:06:40.319> better<00:06:40.560> than<00:06:40.720> i<00:06:40.960> am<00:06:41.120> and<00:06:41.280> i<00:06:41.680> i<00:06:41.919> still<00:06:42.160> feel

much better than i am and i i still feel

much better than i am and i i still feel
that<00:06:42.479> anyone<00:06:42.800> could<00:06:42.960> have<00:06:43.039> done<00:06:43.199> this<00:06:43.440> i<00:06:43.520> just

that anyone could have done this i just

that anyone could have done this i just
was<00:06:44.479> the<00:06:44.960> person<00:06:45.600> stubborn<00:06:46.080> and<00:06:46.240> crazy<00:06:46.479> enough

was the person stubborn and crazy enough

was the person stubborn and crazy enough
to<00:06:47.039> develop<00:06:47.520> this<00:06:47.680> time<00:06:47.919> to<00:06:48.080> do<00:06:48.319> it<00:06:48.720> uh<00:06:48.960> but

to develop this time to do it uh but

to develop this time to do it uh but
thanks<00:06:49.440> to<00:06:49.599> them<00:06:49.840> because<00:06:50.160> their<00:06:50.479> input<00:06:50.800> is

thanks to them because their input is

thanks to them because their input is
invaluable<00:06:51.919> i<00:06:52.000> also<00:06:52.240> want<00:06:52.400> to<00:06:52.479> thank<00:06:52.800> chip

invaluable i also want to thank chip

invaluable i also want to thank chip
flynn<00:06:53.840> one<00:06:54.000> of<00:06:54.160> alan's<00:06:54.639> uh<00:06:54.880> close<00:06:55.280> friends<00:06:55.599> for

flynn one of alan's uh close friends for

flynn one of alan's uh close friends for
answering<00:06:56.319> any<00:06:56.479> of<00:06:56.560> the<00:06:56.960> weird<00:06:57.280> questions

answering any of the weird questions

answering any of the weird questions
that<00:06:57.759> i<00:06:57.919> had

that i had

that i had
also<00:06:59.120> brett<00:06:59.440> stein<00:06:59.919> for<00:07:00.080> some<00:07:00.240> of<00:07:00.400> his<00:07:00.639> insight

also brett stein for some of his insight

also brett stein for some of his insight
and<00:07:01.919> understanding

and understanding

and understanding
um<00:07:03.680> and<00:07:03.919> finally<00:07:04.319> yoshinori<00:07:05.440> seki<00:07:06.240> i<00:07:06.400> hope<00:07:06.639> i

um and finally yoshinori seki i hope i

um and finally yoshinori seki i hope i
said<00:07:06.880> your<00:07:07.039> name<00:07:07.280> right<00:07:07.919> uh

said your name right uh

said your name right uh
and<00:07:09.440> for<00:07:09.840> some<00:07:10.000> of<00:07:10.080> the<00:07:10.400> information<00:07:10.880> i

and for some of the information i

and for some of the information i
learned<00:07:11.120> about<00:07:11.280> alan<00:07:11.599> symbols<00:07:11.919> which<00:07:12.080> i'll

learned about alan symbols which i'll

learned about alan symbols which i'll
talk<00:07:12.479> about<00:07:12.720> later<00:07:12.960> in<00:07:13.039> the<00:07:13.199> video

talk about later in the video

talk about later in the video
so<00:07:14.319> thanks<00:07:14.639> to<00:07:14.800> everybody<00:07:15.360> for<00:07:15.840> helping<00:07:16.080> me

so thanks to everybody for helping me

so thanks to everybody for helping me
out<00:07:16.560> i<00:07:16.639> needed<00:07:17.039> it<00:07:17.440> so

out i needed it so

out i needed it so
let's<00:07:18.720> continue

i want to talk about how this video kind

i want to talk about how this video kind
of<00:07:25.919> came<00:07:26.160> to<00:07:26.319> be

of came to be

of came to be
uh<00:07:27.440> sort<00:07:27.680> of<00:07:27.759> like<00:07:27.919> my<00:07:28.160> chord<00:07:28.479> book<00:07:28.880> where<00:07:29.120> i

uh sort of like my chord book where i

uh sort of like my chord book where i
wanted<00:07:29.360> to<00:07:29.440> learn<00:07:29.599> some<00:07:29.840> cool<00:07:30.080> chords<00:07:30.400> i<00:07:30.639> just

wanted to learn some cool chords i just

wanted to learn some cool chords i just
wanted<00:07:31.039> to<00:07:31.120> learn<00:07:31.360> some<00:07:31.599> interesting<00:07:32.080> lines

wanted to learn some interesting lines

wanted to learn some interesting lines
and<00:07:32.560> licks<00:07:32.800> that<00:07:32.960> allen<00:07:33.199> played<00:07:34.000> so<00:07:34.400> i<00:07:34.720> went

and licks that allen played so i went

and licks that allen played so i went
through

through

through
uh<00:07:36.160> i<00:07:36.400> just<00:07:36.639> played<00:07:37.199> all<00:07:37.360> of<00:07:37.680> his<00:07:38.000> solos<00:07:38.400> in

uh i just played all of his solos in

uh i just played all of his solos in
chronological<00:07:39.280> order<00:07:39.599> and<00:07:39.680> kind<00:07:39.840> of<00:07:39.919> just

chronological order and kind of just

chronological order and kind of just
wrote<00:07:40.319> down<00:07:40.560> different<00:07:40.880> times<00:07:41.280> for<00:07:41.440> any<00:07:41.680> line

wrote down different times for any line

wrote down different times for any line
that<00:07:42.160> i<00:07:42.240> thought<00:07:42.479> was<00:07:43.039> interesting<00:07:43.599> like<00:07:43.759> oh

that i thought was interesting like oh

that i thought was interesting like oh
that<00:07:44.160> sounds<00:07:44.400> pretty<00:07:44.639> cool<00:07:45.280> uh<00:07:45.520> and<00:07:45.759> jotted

that sounds pretty cool uh and jotted

that sounds pretty cool uh and jotted
that<00:07:46.240> down<00:07:46.720> then<00:07:46.960> when<00:07:47.120> i<00:07:47.199> had<00:07:47.440> a<00:07:47.520> list<00:07:47.759> of<00:07:47.919> a

that down then when i had a list of a

that down then when i had a list of a
few<00:07:48.160> things<00:07:48.479> i<00:07:48.560> started<00:07:48.800> to<00:07:49.039> transcribe<00:07:49.599> them

few things i started to transcribe them

few things i started to transcribe them
and<00:07:50.400> i<00:07:50.639> found<00:07:50.879> some<00:07:51.039> patterns<00:07:52.000> and<00:07:52.319> as<00:07:52.879> time

and i found some patterns and as time

and i found some patterns and as time
went<00:07:54.000> on<00:07:54.319> as<00:07:54.879> uh<00:07:55.280> i<00:07:55.599> i<00:07:55.759> went<00:07:56.000> a<00:07:56.000> little<00:07:56.160> bit

went on as uh i i went a little bit

went on as uh i i went a little bit
later<00:07:56.560> in<00:07:56.720> his<00:07:57.039> uh<00:07:57.599> discography<00:07:58.639> i<00:07:58.800> started<00:07:59.120> to

later in his uh discography i started to

later in his uh discography i started to
find<00:07:59.440> even<00:07:59.759> more<00:08:00.080> and<00:08:00.240> more<00:08:00.560> patterns<00:08:01.199> so<00:08:01.360> as<00:08:01.599> i

find even more and more patterns so as i

find even more and more patterns so as i
found<00:08:01.919> all<00:08:02.080> these<00:08:02.240> different<00:08:02.560> patterns<00:08:02.960> and<00:08:03.039> i

found all these different patterns and i

found all these different patterns and i
got<00:08:03.440> to<00:08:04.000> basically<00:08:04.479> flat<00:08:04.879> tire<00:08:05.759> i<00:08:05.840> had<00:08:06.000> to<00:08:06.080> go

got to basically flat tire i had to go

got to basically flat tire i had to go
back<00:08:06.479> to<00:08:06.639> iou<00:08:07.280> the<00:08:07.680> that's<00:08:07.919> where<00:08:08.080> i<00:08:08.240> started

back to iou the that's where i started

back to iou the that's where i started
uh<00:08:09.599> to<00:08:10.000> see<00:08:10.160> if<00:08:10.240> there<00:08:10.400> was<00:08:10.639> any<00:08:10.879> other<00:08:11.120> lines

uh to see if there was any other lines

uh to see if there was any other lines
that<00:08:11.520> i<00:08:11.599> missed<00:08:12.160> and<00:08:12.240> i<00:08:12.319> said<00:08:12.560> you<00:08:12.639> know<00:08:12.800> what

that i missed and i said you know what

that i missed and i said you know what
if<00:08:13.199> i'm<00:08:13.360> doing<00:08:13.599> this<00:08:13.759> i<00:08:14.000> might<00:08:14.160> as<00:08:14.319> well<00:08:14.479> just

if i'm doing this i might as well just

if i'm doing this i might as well just
go<00:08:14.960> crazy<00:08:15.360> and<00:08:15.520> i<00:08:15.680> started<00:08:16.000> finding

go crazy and i started finding

go crazy and i started finding
everything<00:08:17.759> that<00:08:18.000> i<00:08:18.160> can<00:08:18.400> in<00:08:18.479> compiling<00:08:19.120> it

everything that i can in compiling it

everything that i can in compiling it
and<00:08:19.919> when<00:08:20.080> i<00:08:20.160> was<00:08:20.319> doing<00:08:20.479> this<00:08:20.639> i<00:08:20.720> had<00:08:20.879> to<00:08:20.960> make

and when i was doing this i had to make

and when i was doing this i had to make
a<00:08:21.280> choice<00:08:21.599> because<00:08:21.759> there's<00:08:22.000> so<00:08:22.240> much

a choice because there's so much

a choice because there's so much
material<00:08:23.599> for<00:08:23.840> alan

material for alan

material for alan
uh<00:08:25.120> that<00:08:25.360> i<00:08:25.440> decided<00:08:25.919> to<00:08:26.080> only<00:08:26.319> do<00:08:26.560> studio

uh that i decided to only do studio

uh that i decided to only do studio
records<00:08:27.840> that<00:08:28.240> he<00:08:28.639> did<00:08:28.879> solos<00:08:29.360> on<00:08:29.520> and<00:08:29.599> i<00:08:29.680> had

records that he did solos on and i had

records that he did solos on and i had
to<00:08:29.919> pick<00:08:30.160> a<00:08:30.240> date<00:08:30.479> so<00:08:30.639> i<00:08:30.800> picked<00:08:31.199> 1980<00:08:32.000> because

to pick a date so i picked 1980 because

to pick a date so i picked 1980 because
i<00:08:32.479> thought<00:08:32.640> that's<00:08:32.800> where<00:08:32.959> alan<00:08:33.279> really<00:08:34.000> uh

i thought that's where alan really uh

i thought that's where alan really uh
came<00:08:34.560> into<00:08:34.800> his<00:08:35.039> own<00:08:35.680> so<00:08:36.320> any<00:08:36.640> side<00:08:36.959> record

came into his own so any side record

came into his own so any side record
stuff<00:08:37.760> that<00:08:37.919> he<00:08:38.080> did<00:08:38.560> and<00:08:38.800> solo<00:08:39.120> records<00:08:39.440> from

stuff that he did and solo records from

stuff that he did and solo records from
1980<00:08:40.240> to<00:08:40.399> 2017<00:08:41.200> i<00:08:41.360> did<00:08:41.599> i<00:08:41.680> didn't<00:08:41.839> do<00:08:42.080> any<00:08:42.320> live

1980 to 2017 i did i didn't do any live

1980 to 2017 i did i didn't do any live
stuff<00:08:43.440> uh<00:08:43.760> i<00:08:43.839> did<00:08:44.000> pick<00:08:44.240> up<00:08:44.640> a<00:08:45.120> little<00:08:45.600> live

stuff uh i did pick up a little live

stuff uh i did pick up a little live
clips<00:08:46.240> here<00:08:46.480> and<00:08:46.560> there<00:08:47.279> uh<00:08:47.600> to<00:08:47.760> help<00:08:48.000> expand

clips here and there uh to help expand

clips here and there uh to help expand
some<00:08:48.560> of<00:08:48.640> these<00:08:48.880> concepts<00:08:49.920> but<00:08:50.320> um

some of these concepts but um

some of these concepts but um
that<00:08:51.440> would<00:08:51.600> just<00:08:51.839> be<00:08:52.080> way<00:08:52.399> too<00:08:52.640> much<00:08:53.200> so<00:08:53.360> as<00:08:53.519> i

that would just be way too much so as i

that would just be way too much so as i
was<00:08:54.080> transcribing<00:08:54.800> these<00:08:55.040> lines<00:08:55.519> i<00:08:55.760> started

was transcribing these lines i started

was transcribing these lines i started
to<00:08:56.240> find

to find

to find
different<00:08:57.600> shapes<00:08:57.920> and<00:08:58.000> get<00:08:58.160> more

different shapes and get more

different shapes and get more
comfortable<00:08:58.880> with<00:08:59.040> all<00:08:59.200> the<00:08:59.360> different

comfortable with all the different

comfortable with all the different
patterns<00:09:00.320> and<00:09:00.480> scales<00:09:00.959> that<00:09:01.120> alan<00:09:01.360> played<00:09:01.600> and

patterns and scales that alan played and

patterns and scales that alan played and
actually<00:09:02.080> as<00:09:02.240> it<00:09:02.320> went<00:09:02.560> on<00:09:02.720> it<00:09:02.800> became<00:09:03.600> easier

actually as it went on it became easier

actually as it went on it became easier
because<00:09:04.320> i<00:09:04.480> can<00:09:04.720> kind<00:09:04.880> of<00:09:05.120> predict<00:09:05.920> what<00:09:06.160> he

because i can kind of predict what he

because i can kind of predict what he
was<00:09:06.480> going<00:09:06.560> to<00:09:06.720> do<00:09:06.880> or<00:09:07.120> find<00:09:07.360> something<00:09:07.680> that

was going to do or find something that

was going to do or find something that
fit<00:09:08.720> into<00:09:08.959> a<00:09:09.200> shape<00:09:09.519> or<00:09:09.680> pattern<00:09:10.080> that<00:09:10.240> i<00:09:10.399> might

fit into a shape or pattern that i might

fit into a shape or pattern that i might
have<00:09:10.720> seen<00:09:10.959> before<00:09:11.440> and<00:09:11.600> then<00:09:11.760> kind<00:09:11.920> of<00:09:12.080> been

have seen before and then kind of been

have seen before and then kind of been
able<00:09:12.480> to

able to

able to
figure<00:09:13.680> out<00:09:13.839> the<00:09:14.000> rest<00:09:14.480> so<00:09:14.640> with<00:09:14.800> this<00:09:15.040> i'm

figure out the rest so with this i'm

figure out the rest so with this i'm
actually<00:09:15.519> pretty<00:09:15.839> confident<00:09:16.320> in<00:09:16.399> the

actually pretty confident in the

actually pretty confident in the
accuracy<00:09:17.200> of<00:09:17.279> these<00:09:17.519> transcriptions<00:09:18.320> the<00:09:18.640> the

accuracy of these transcriptions the the

accuracy of these transcriptions the the
fingerings<00:09:19.680> uh<00:09:19.920> there<00:09:20.080> are<00:09:20.240> some<00:09:20.480> places<00:09:20.880> that

fingerings uh there are some places that

fingerings uh there are some places that
it's<00:09:21.360> almost<00:09:21.680> impossible<00:09:22.320> to<00:09:22.480> tell<00:09:23.040> like<00:09:23.279> a

it's almost impossible to tell like a

it's almost impossible to tell like a
quick<00:09:23.600> example<00:09:24.080> is<00:09:24.240> if<00:09:24.399> i<00:09:24.560> played<00:09:24.800> the<00:09:24.959> notes<00:09:25.600> g

quick example is if i played the notes g

quick example is if i played the notes g
a<00:09:26.320> and<00:09:26.560> b<00:09:26.959> on<00:09:27.120> the<00:09:27.279> 12th<00:09:27.760> 14th<00:09:28.320> and<00:09:28.480> 16th<00:09:29.040> fret

a and b on the 12th 14th and 16th fret

a and b on the 12th 14th and 16th fret
on<00:09:29.360> the<00:09:29.519> g<00:09:29.760> string<00:09:30.240> and<00:09:30.320> then<00:09:30.480> went<00:09:30.640> back<00:09:30.880> to<00:09:31.040> g

on the g string and then went back to g

on the g string and then went back to g
i<00:09:31.519> can<00:09:31.760> also<00:09:32.080> play

i can also play

i can also play
g<00:09:33.519> a<00:09:33.760> on<00:09:33.839> the<00:09:33.920> 12th<00:09:34.320> and<00:09:34.480> 14th<00:09:35.040> fret<00:09:35.440> but<00:09:35.600> then

g a on the 12th and 14th fret but then

g a on the 12th and 14th fret but then
instead<00:09:36.000> of<00:09:36.160> playing<00:09:36.399> the<00:09:36.560> b<00:09:36.800> on<00:09:36.880> the<00:09:36.959> 16th

instead of playing the b on the 16th

instead of playing the b on the 16th
fret<00:09:38.000> i<00:09:38.160> can<00:09:38.399> play<00:09:38.560> it<00:09:38.720> on<00:09:38.880> the<00:09:39.040> 12th<00:09:39.360> fret<00:09:39.519> of

fret i can play it on the 12th fret of

fret i can play it on the 12th fret of
the<00:09:39.760> b<00:09:40.000> string

the b string

the b string
so

so

so
it's<00:09:42.160> really<00:09:42.399> tough<00:09:42.640> to<00:09:42.720> decide<00:09:42.959> which<00:09:43.120> one<00:09:43.279> is

it's really tough to decide which one is

it's really tough to decide which one is
right<00:09:43.600> or<00:09:43.680> wrong<00:09:43.839> and<00:09:43.920> there's<00:09:44.160> really<00:09:44.399> very

right or wrong and there's really very

right or wrong and there's really very
few<00:09:44.880> examples<00:09:45.279> where<00:09:45.440> that<00:09:45.600> happened

few examples where that happened

few examples where that happened
but<00:09:47.519> for<00:09:47.680> the<00:09:47.760> most<00:09:48.080> part<00:09:48.399> i'm<00:09:48.560> really

but for the most part i'm really

but for the most part i'm really
confident<00:09:49.360> in<00:09:49.440> the<00:09:49.600> fingerings<00:09:50.080> for<00:09:50.320> all<00:09:50.480> of

confident in the fingerings for all of

confident in the fingerings for all of
these<00:09:50.800> uh<00:09:51.279> patterns<00:09:51.760> and<00:09:52.240> transcriptions<00:09:53.120> and

these uh patterns and transcriptions and

these uh patterns and transcriptions and
as<00:09:53.519> a<00:09:53.600> believer<00:09:54.160> of<00:09:54.320> occam's<00:09:54.800> razor<00:09:55.360> i<00:09:55.600> really

as a believer of occam's razor i really

as a believer of occam's razor i really
looked<00:09:56.080> for

looked for

looked for
patterns<00:09:57.440> and<00:09:57.680> symmetry<00:09:58.240> something<00:09:58.480> that

patterns and symmetry something that

patterns and symmetry something that
made<00:09:58.959> hand<00:09:59.279> sense<00:10:00.160> uh<00:10:00.959> for<00:10:01.440> a<00:10:01.519> lot<00:10:01.680> of<00:10:01.760> these

made hand sense uh for a lot of these

made hand sense uh for a lot of these
transcriptions<00:10:03.040> and<00:10:04.079> if<00:10:04.320> i<00:10:04.399> wasn't<00:10:04.880> sure<00:10:05.279> i

transcriptions and if i wasn't sure i

transcriptions and if i wasn't sure i
would<00:10:05.600> just<00:10:05.839> try<00:10:06.000> to<00:10:06.079> play<00:10:06.399> and<00:10:06.480> see<00:10:06.640> what<00:10:06.880> felt

would just try to play and see what felt

would just try to play and see what felt
comfortable<00:10:08.160> and<00:10:08.480> eventually<00:10:09.600> i<00:10:10.000> had<00:10:10.160> to<00:10:10.240> go

comfortable and eventually i had to go

comfortable and eventually i had to go
through<00:10:10.720> and<00:10:10.880> play<00:10:11.120> every<00:10:11.440> one<00:10:11.600> of<00:10:11.680> these

through and play every one of these

through and play every one of these
lines<00:10:12.240> at<00:10:12.320> least<00:10:12.560> slowly<00:10:13.200> to<00:10:13.360> see<00:10:13.519> if

lines at least slowly to see if

lines at least slowly to see if
everything<00:10:14.160> kind<00:10:14.320> of<00:10:14.480> made<00:10:14.800> sense<00:10:15.120> hand<00:10:15.440> wise

everything kind of made sense hand wise

everything kind of made sense hand wise
because<00:10:16.480> different<00:10:16.720> notes<00:10:16.959> can<00:10:17.040> be<00:10:17.120> in

because different notes can be in

because different notes can be in
different<00:10:17.519> areas<00:10:17.760> or<00:10:17.920> whatnot<00:10:18.640> uh<00:10:18.880> so<00:10:19.200> i

different areas or whatnot uh so i

different areas or whatnot uh so i
really<00:10:19.680> tried<00:10:19.839> to<00:10:19.920> look<00:10:20.160> for<00:10:20.320> some<00:10:20.560> sort<00:10:20.800> of

really tried to look for some sort of

really tried to look for some sort of
symmetry<00:10:22.079> or<00:10:22.320> some<00:10:22.560> sort<00:10:22.800> of<00:10:23.120> uh

symmetry or some sort of uh

symmetry or some sort of uh
pattern<00:10:24.959> that<00:10:25.200> would<00:10:25.440> actually<00:10:25.839> makes<00:10:26.640> you

pattern that would actually makes you

pattern that would actually makes you
know<00:10:27.200> visual<00:10:27.680> sense<00:10:28.000> on<00:10:28.160> the<00:10:28.240> neck<00:10:28.720> in<00:10:28.880> fact<00:10:29.120> it

know visual sense on the neck in fact it

know visual sense on the neck in fact it
was<00:10:29.440> only<00:10:29.680> after<00:10:29.920> that<00:10:30.079> i<00:10:30.240> did<00:10:30.399> all<00:10:30.480> the

was only after that i did all the

was only after that i did all the
transcriptions<00:10:31.839> finding<00:10:32.800> all<00:10:33.040> the<00:10:33.360> clips<00:10:33.680> of

transcriptions finding all the clips of

transcriptions finding all the clips of
alan<00:10:34.160> started<00:10:34.640> playing<00:10:34.959> these<00:10:35.200> lines<00:10:35.839> where<00:10:36.079> i

alan started playing these lines where i

alan started playing these lines where i
was<00:10:36.399> able<00:10:36.560> to<00:10:36.800> verify<00:10:37.279> that<00:10:37.440> what<00:10:37.600> i<00:10:37.680> had<00:10:37.920> was

was able to verify that what i had was

was able to verify that what i had was
right<00:10:38.560> probably<00:10:38.800> would<00:10:38.880> have<00:10:38.959> been<00:10:39.120> easier<00:10:39.360> if

right probably would have been easier if

right probably would have been easier if
i<00:10:39.519> did<00:10:39.680> the<00:10:39.760> video<00:10:40.079> first<00:10:40.399> and<00:10:40.560> then

i did the video first and then

i did the video first and then
did<00:10:41.920> the<00:10:42.079> solo<00:10:42.399> records<00:10:42.800> because<00:10:42.959> i<00:10:43.040> could<00:10:43.200> see

did the solo records because i could see

did the solo records because i could see
the<00:10:43.519> patterns

the patterns

the patterns
but<00:10:45.440> everything<00:10:45.760> i<00:10:46.000> found<00:10:46.240> was

but everything i found was

but everything i found was
that<00:10:47.360> i<00:10:47.519> that<00:10:47.680> i<00:10:47.760> found<00:10:48.000> for<00:10:48.160> the<00:10:48.399> videos<00:10:48.800> was

that i that i found for the videos was

that i that i found for the videos was
pretty<00:10:49.200> much<00:10:49.360> exactly<00:10:49.680> how<00:10:49.839> i<00:10:50.079> wrote<00:10:50.240> it<00:10:50.399> out

pretty much exactly how i wrote it out

pretty much exactly how i wrote it out
originally<00:10:51.279> so<00:10:51.680> to<00:10:51.760> me<00:10:51.920> that's<00:10:52.160> a<00:10:52.399> step<00:10:52.640> in<00:10:52.720> the

originally so to me that's a step in the

originally so to me that's a step in the
right<00:10:53.040> direction

right direction

right direction
a<00:10:54.079> couple<00:10:54.399> notes<00:10:54.640> about<00:10:54.800> the<00:10:54.959> transcriptions

a couple notes about the transcriptions

a couple notes about the transcriptions
you're<00:10:55.760> gonna<00:10:56.000> see<00:10:56.320> themselves<00:10:57.360> uh<00:10:57.920> they're

you're gonna see themselves uh they're

you're gonna see themselves uh they're
not<00:10:58.320> rhythmically<00:10:58.880> accurate<00:10:59.760> they're<00:11:00.320> sort

not rhythmically accurate they're sort

not rhythmically accurate they're sort
of<00:11:00.720> generalizations<00:11:01.519> i<00:11:01.600> just<00:11:01.760> did<00:11:01.920> everything

of generalizations i just did everything

of generalizations i just did everything
really<00:11:02.560> in<00:11:02.640> 16th<00:11:03.200> notes<00:11:03.839> uh<00:11:04.160> because<00:11:04.480> if<00:11:04.640> i<00:11:04.720> was

really in 16th notes uh because if i was

really in 16th notes uh because if i was
really<00:11:05.279> trying<00:11:05.519> to<00:11:05.600> make<00:11:05.760> it<00:11:05.920> rhythmically

really trying to make it rhythmically

really trying to make it rhythmically
accurate<00:11:06.800> it<00:11:06.959> would<00:11:07.040> take<00:11:07.440> another<00:11:08.240> year<00:11:08.399> and

accurate it would take another year and

accurate it would take another year and
a<00:11:08.640> half<00:11:09.200> but<00:11:09.519> the<00:11:10.079> purpose<00:11:10.560> is<00:11:10.800> not

a half but the purpose is not

a half but the purpose is not
necessarily<00:11:11.839> to<00:11:11.920> make<00:11:12.240> this<00:11:12.640> a<00:11:12.800> super

necessarily to make this a super

necessarily to make this a super
accurate<00:11:13.680> transcription<00:11:14.399> sonically<00:11:15.279> but

accurate transcription sonically but

accurate transcription sonically but
really<00:11:15.839> the<00:11:15.920> finger<00:11:16.480> positions<00:11:16.959> and<00:11:17.120> looking

really the finger positions and looking

really the finger positions and looking
where<00:11:17.519> they<00:11:17.760> are<00:11:17.920> on<00:11:18.000> the<00:11:18.079> neck<00:11:18.720> uh<00:11:18.959> and

where they are on the neck uh and

where they are on the neck uh and
another<00:11:19.440> thing<00:11:19.600> that's<00:11:19.839> not<00:11:20.079> super<00:11:20.399> accurate

another thing that's not super accurate

another thing that's not super accurate
is<00:11:20.959> the<00:11:21.120> actual<00:11:22.000> um

is the actual um

is the actual um
the<00:11:23.600> the<00:11:24.000> the<00:11:24.160> phrasing<00:11:24.720> itself<00:11:25.519> so<00:11:26.079> i

the the the phrasing itself so i

the the the phrasing itself so i
basically<00:11:26.720> did<00:11:26.959> everything<00:11:27.360> as<00:11:27.519> hammer-ons

basically did everything as hammer-ons

basically did everything as hammer-ons
and<00:11:28.079> pull-ups<00:11:28.480> were<00:11:28.640> necessary<00:11:29.040> and

and pull-ups were necessary and

and pull-ups were necessary and
sometimes<00:11:29.600> i<00:11:29.680> didn't<00:11:30.160> to<00:11:30.399> help<00:11:30.880> visually<00:11:31.360> see

sometimes i didn't to help visually see

sometimes i didn't to help visually see
where<00:11:31.839> you<00:11:32.000> have<00:11:32.079> to<00:11:32.480> perhaps<00:11:32.959> uh<00:11:33.360> position

where you have to perhaps uh position

where you have to perhaps uh position
shift<00:11:34.399> and<00:11:34.720> allen<00:11:35.040> picks<00:11:35.279> a<00:11:35.360> lot<00:11:35.600> more<00:11:35.839> than

shift and allen picks a lot more than

shift and allen picks a lot more than
you<00:11:36.160> think<00:11:36.880> especially<00:11:37.519> uh

you think especially uh

you think especially uh
if<00:11:38.320> you<00:11:38.399> watch<00:11:38.640> some<00:11:38.800> of<00:11:38.880> his<00:11:39.120> videos

if you watch some of his videos

if you watch some of his videos
but<00:11:40.399> i<00:11:40.800> really<00:11:41.279> generalized<00:11:41.920> them<00:11:42.079> to<00:11:42.240> as<00:11:42.399> much

but i really generalized them to as much

but i really generalized them to as much
legato<00:11:43.120> as<00:11:43.279> possible<00:11:43.600> so<00:11:43.760> it<00:11:43.839> might<00:11:44.000> not<00:11:44.240> be

legato as possible so it might not be

legato as possible so it might not be
like<00:11:44.720> is<00:11:44.800> that<00:11:45.040> sonically<00:11:45.600> accurate<00:11:46.399> uh<00:11:46.560> but

like is that sonically accurate uh but

like is that sonically accurate uh but
that<00:11:46.880> wasn't<00:11:47.200> the<00:11:47.279> point<00:11:47.519> of<00:11:47.760> this<00:11:48.000> video

that wasn't the point of this video

that wasn't the point of this video
i<00:11:49.040> also<00:11:49.279> didn't<00:11:49.519> want<00:11:49.680> to<00:11:50.079> dive<00:11:50.399> too<00:11:50.639> much<00:11:51.040> into

i also didn't want to dive too much into

i also didn't want to dive too much into
what<00:11:51.839> the<00:11:52.079> scale<00:11:52.639> is<00:11:52.800> or<00:11:52.959> the<00:11:53.120> harmony<00:11:53.920> of<00:11:54.320> how

what the scale is or the harmony of how

what the scale is or the harmony of how
alan<00:11:55.040> was<00:11:55.279> treating<00:11:56.240> the<00:11:56.560> cord<00:11:57.360> behind<00:11:57.839> the

alan was treating the cord behind the

alan was treating the cord behind the
scale<00:11:58.560> because<00:11:58.800> everyone<00:11:59.120> would<00:11:59.279> have<00:11:59.360> their

scale because everyone would have their

scale because everyone would have their
own<00:11:59.680> interpretation<00:12:00.560> and<00:12:00.720> it<00:12:00.800> would<00:12:01.040> just<00:12:01.440> uh

own interpretation and it would just uh

own interpretation and it would just uh
be<00:12:02.000> a<00:12:02.079> headache<00:12:02.720> so<00:12:02.959> i<00:12:03.120> didn't<00:12:03.360> even<00:12:03.600> bother

be a headache so i didn't even bother

be a headache so i didn't even bother
with<00:12:04.079> that<00:12:04.240> and<00:12:04.399> sometimes<00:12:04.800> it's<00:12:04.959> hard<00:12:05.200> to

with that and sometimes it's hard to

with that and sometimes it's hard to
tell<00:12:05.519> because<00:12:05.760> there's<00:12:06.079> multiple

tell because there's multiple

tell because there's multiple
uh<00:12:07.680> ways<00:12:08.000> you<00:12:08.160> can<00:12:08.240> think<00:12:08.480> about<00:12:08.720> it<00:12:08.800> so<00:12:08.959> i

uh ways you can think about it so i

uh ways you can think about it so i
decided<00:12:09.519> to<00:12:09.680> just<00:12:10.240> uh<00:12:10.800> ignore<00:12:11.200> it<00:12:11.279> but<00:12:11.440> if<00:12:11.519> you

decided to just uh ignore it but if you

decided to just uh ignore it but if you
want<00:12:11.760> to<00:12:11.839> do<00:12:12.000> it<00:12:12.079> for<00:12:12.240> yourself<00:12:12.639> and<00:12:13.120> obviously

want to do it for yourself and obviously

want to do it for yourself and obviously
that's<00:12:13.680> fine<00:12:14.240> i<00:12:14.480> also<00:12:14.880> tried<00:12:15.120> to<00:12:15.360> accurately

that's fine i also tried to accurately

that's fine i also tried to accurately
transcribe<00:12:16.480> the<00:12:16.720> fingerings<00:12:17.680> on<00:12:17.920> any<00:12:18.399> tuning

transcribe the fingerings on any tuning

transcribe the fingerings on any tuning
that<00:12:18.959> allen<00:12:19.279> was<00:12:19.440> doing<00:12:20.160> uh<00:12:20.639> whether<00:12:20.959> it<00:12:21.040> was

that allen was doing uh whether it was

that allen was doing uh whether it was
the<00:12:21.279> baritone<00:12:22.000> allen<00:12:22.320> had<00:12:22.399> three<00:12:22.639> baritone

the baritone allen had three baritone

the baritone allen had three baritone
guitars<00:12:23.600> he<00:12:23.760> had<00:12:24.079> one<00:12:24.800> uh<00:12:25.360> in<00:12:25.600> c<00:12:25.920> standard<00:12:26.639> b

guitars he had one uh in c standard b

guitars he had one uh in c standard b
flat<00:12:27.120> standard<00:12:27.680> and<00:12:27.839> a<00:12:28.079> standard<00:12:28.560> and<00:12:28.800> also

flat standard and a standard and also

flat standard and a standard and also
i<00:12:30.079> think<00:12:30.320> all<00:12:30.480> of<00:12:30.639> them<00:12:30.880> and<00:12:31.040> he<00:12:31.120> also<00:12:31.360> had<00:12:31.519> a

i think all of them and he also had a

i think all of them and he also had a
piccolo<00:12:31.920> guitar<00:12:32.240> that<00:12:32.399> was<00:12:32.560> tuned<00:12:32.959> up<00:12:33.120> to<00:12:33.279> a

piccolo guitar that was tuned up to a

piccolo guitar that was tuned up to a
and<00:12:34.240> i<00:12:34.320> think<00:12:34.560> almost<00:12:34.880> all<00:12:35.040> of<00:12:35.200> them

and i think almost all of them

and i think almost all of them
also<00:12:36.399> have<00:12:36.639> extended<00:12:37.120> frets<00:12:37.680> they<00:12:37.920> think<00:12:38.079> that

also have extended frets they think that

also have extended frets they think that
the<00:12:38.639> one<00:12:38.800> of<00:12:38.880> the<00:12:38.959> baritones<00:12:39.440> they<00:12:39.680> go<00:12:39.839> up<00:12:39.920> to

the one of the baritones they go up to

the one of the baritones they go up to
29<00:12:40.560> frets<00:12:40.880> or<00:12:41.040> 31<00:12:41.519> frets<00:12:42.000> so<00:12:42.160> i<00:12:42.320> transcribed

29 frets or 31 frets so i transcribed

29 frets or 31 frets so i transcribed
them<00:12:43.279> as<00:12:43.519> if<00:12:43.680> you<00:12:43.760> were<00:12:44.000> playing<00:12:44.320> it<00:12:44.480> on<00:12:44.720> that

them as if you were playing it on that

them as if you were playing it on that
instrument<00:12:45.680> this<00:12:45.920> includes<00:12:46.399> also<00:12:46.880> uh<00:12:47.120> tunings

instrument this includes also uh tunings

instrument this includes also uh tunings
allen<00:12:47.920> did<00:12:48.240> in<00:12:48.800> fifths<00:12:49.120> or<00:12:49.279> fourths<00:12:49.680> and

allen did in fifths or fourths and

allen did in fifths or fourths and
actually<00:12:50.240> it<00:12:50.320> was<00:12:50.560> a<00:12:50.639> lot<00:12:50.800> of<00:12:50.959> this<00:12:51.200> stuff<00:12:51.519> that

actually it was a lot of this stuff that

actually it was a lot of this stuff that
he<00:12:51.839> did<00:12:52.079> in<00:12:52.240> fifths<00:12:52.560> that<00:12:52.800> really

he did in fifths that really

he did in fifths that really
formed<00:12:54.160> my<00:12:54.399> opinion<00:12:54.800> about<00:12:55.040> how<00:12:55.360> alan<00:12:55.680> was<00:12:56.000> uh

formed my opinion about how alan was uh

formed my opinion about how alan was uh
doing<00:12:56.880> these<00:12:57.120> things<00:12:57.680> uh<00:12:57.839> because<00:12:58.079> i<00:12:58.160> once

doing these things uh because i once

doing these things uh because i once
again<00:12:58.639> was<00:12:58.800> finding<00:12:59.200> patterns<00:12:59.600> and<00:12:59.760> shapes<00:13:00.480> uh

again was finding patterns and shapes uh

again was finding patterns and shapes uh
in<00:13:00.800> those<00:13:00.959> two<00:13:01.120> things<00:13:01.279> and<00:13:01.360> there's<00:13:01.519> a<00:13:01.600> whole

in those two things and there's a whole

in those two things and there's a whole
section<00:13:02.079> dedicated<00:13:02.560> to<00:13:02.639> that<00:13:02.800> which<00:13:02.959> i<00:13:03.040> think

section dedicated to that which i think

section dedicated to that which i think
is<00:13:03.440> the<00:13:03.600> most<00:13:03.839> interesting<00:13:04.320> part<00:13:04.560> of<00:13:04.880> this

is the most interesting part of this

is the most interesting part of this
video<00:13:05.600> some<00:13:05.760> of<00:13:05.920> the<00:13:06.000> trickiest<00:13:06.399> stuff<00:13:06.560> they

video some of the trickiest stuff they

video some of the trickiest stuff they
had<00:13:06.880> to<00:13:06.959> do<00:13:07.120> was<00:13:07.519> the<00:13:07.760> tuning<00:13:08.160> stuff<00:13:08.880> uh

had to do was the tuning stuff uh

had to do was the tuning stuff uh
and<00:13:10.079> figuring<00:13:10.560> out<00:13:11.040> what<00:13:11.279> type<00:13:11.519> of<00:13:11.680> guitar

and figuring out what type of guitar

and figuring out what type of guitar
allen<00:13:12.480> was<00:13:12.639> using

allen was using

allen was using
for<00:13:14.079> a<00:13:14.240> solo<00:13:14.639> was<00:13:14.800> he<00:13:14.959> using<00:13:15.279> the<00:13:15.440> b<00:13:15.680> flat

for a solo was he using the b flat

for a solo was he using the b flat
baritone<00:13:16.639> or<00:13:16.720> the<00:13:16.880> sea<00:13:17.120> baritone<00:13:17.680> that<00:13:17.839> kind

baritone or the sea baritone that kind

baritone or the sea baritone that kind
of<00:13:18.160> stuff

of stuff

of stuff
and<00:13:19.360> also<00:13:19.680> some<00:13:19.839> of<00:13:19.920> the<00:13:20.079> other<00:13:20.240> wackier

and also some of the other wackier

and also some of the other wackier
tunings<00:13:21.680> that<00:13:22.000> uh<00:13:22.560> he<00:13:22.800> employed<00:13:23.600> uh<00:13:23.920> or<00:13:24.079> just

tunings that uh he employed uh or just

tunings that uh he employed uh or just
things<00:13:24.639> even<00:13:24.800> with<00:13:24.959> the<00:13:25.040> syntax<00:13:25.519> for<00:13:25.680> example

things even with the syntax for example

things even with the syntax for example
on<00:13:26.240> wardencliffe<00:13:26.880> tower<00:13:27.760> um<00:13:28.480> the<00:13:28.720> syntax<00:13:29.200> solo

on wardencliffe tower um the syntax solo

on wardencliffe tower um the syntax solo
that<00:13:29.680> allen<00:13:30.000> plays<00:13:30.240> is<00:13:30.399> in<00:13:30.560> b<00:13:30.800> flat<00:13:31.120> standard

that allen plays is in b flat standard

that allen plays is in b flat standard
even<00:13:32.399> though<00:13:32.560> it's<00:13:32.720> on<00:13:32.800> the<00:13:32.880> syntax<00:13:33.360> it's<00:13:33.519> just

even though it's on the syntax it's just

even though it's on the syntax it's just
tuned<00:13:34.079> down<00:13:34.480> and<00:13:34.639> that's<00:13:34.959> because<00:13:35.440> a<00:13:35.600> majority

tuned down and that's because a majority

tuned down and that's because a majority
of<00:13:36.320> the<00:13:36.480> harmony<00:13:36.880> that<00:13:37.040> you<00:13:37.279> hear<00:13:38.000> of<00:13:38.079> the

of the harmony that you hear of the

of the harmony that you hear of the
guitar<00:13:38.720> the<00:13:39.040> distorted<00:13:39.440> chords<00:13:39.760> in<00:13:39.839> the

guitar the distorted chords in the

guitar the distorted chords in the
beginning<00:13:40.240> and<00:13:40.320> even<00:13:40.560> the<00:13:40.639> solo<00:13:40.959> harmony

beginning and even the solo harmony

beginning and even the solo harmony
allen's<00:13:41.839> playing<00:13:42.079> it<00:13:42.240> on<00:13:42.320> the<00:13:42.480> b<00:13:42.720> flat

allen's playing it on the b flat

allen's playing it on the b flat
standard<00:13:43.519> uh<00:13:43.760> baritone<00:13:44.320> guitar<00:13:45.040> one<00:13:45.199> of<00:13:45.279> the

standard uh baritone guitar one of the

standard uh baritone guitar one of the
most<00:13:45.680> surprising<00:13:46.399> things<00:13:46.639> that<00:13:46.800> i've

most surprising things that i've

most surprising things that i've
realized<00:13:48.079> about<00:13:48.320> allen's<00:13:48.800> playing<00:13:49.440> is<00:13:49.760> uh<00:13:50.079> he

realized about allen's playing is uh he

realized about allen's playing is uh he
was<00:13:50.399> a<00:13:50.480> little<00:13:50.800> sneaky<00:13:51.440> with<00:13:51.600> his<00:13:51.920> tunings<00:13:52.880> uh

was a little sneaky with his tunings uh

was a little sneaky with his tunings uh
he<00:13:53.440> never<00:13:53.760> really<00:13:54.000> talked<00:13:54.320> about<00:13:54.639> this

he never really talked about this

he never really talked about this
but<00:13:55.680> it<00:13:55.760> was<00:13:55.920> something<00:13:56.240> that<00:13:56.399> i<00:13:56.560> don't<00:13:56.800> take

but it was something that i don't take

but it was something that i don't take
credit<00:13:57.360> for<00:13:57.760> i<00:13:57.839> have<00:13:58.000> to<00:13:58.160> thank<00:13:58.639> uh<00:13:58.959> joe

credit for i have to thank uh joe

credit for i have to thank uh joe
britton<00:13:59.600> a<00:13:59.680> million<00:14:00.000> times<00:14:00.240> for<00:14:00.399> figuring

britton a million times for figuring

britton a million times for figuring
this<00:14:00.959> out<00:14:01.519> uh<00:14:01.920> i'll<00:14:02.079> talk<00:14:02.320> about<00:14:02.800> that<00:14:03.040> story

this out uh i'll talk about that story

this out uh i'll talk about that story
uh<00:14:03.760> later<00:14:04.240> but<00:14:04.399> without<00:14:04.800> that<00:14:05.040> there's<00:14:05.279> so

uh later but without that there's so

uh later but without that there's so
many<00:14:05.600> souls<00:14:05.920> i<00:14:06.000> wouldn't<00:14:06.399> not<00:14:06.560> have<00:14:06.720> been<00:14:06.880> able

many souls i wouldn't not have been able

many souls i wouldn't not have been able
to<00:14:07.199> figure<00:14:07.519> out<00:14:07.839> uh<00:14:08.320> syntax<00:14:08.880> stuff<00:14:09.600> uh<00:14:10.320> that<00:14:10.480> to

to figure out uh syntax stuff uh that to

to figure out uh syntax stuff uh that to
me<00:14:10.720> was<00:14:10.880> really<00:14:11.040> interesting<00:14:11.440> i'll<00:14:11.680> talk

me was really interesting i'll talk

me was really interesting i'll talk
about<00:14:12.160> that<00:14:12.320> in<00:14:12.480> the<00:14:12.560> tuning<00:14:12.959> section<00:14:13.279> so<00:14:13.519> a

about that in the tuning section so a

about that in the tuning section so a
million<00:14:13.920> thanks<00:14:14.240> to<00:14:14.399> joe<00:14:14.639> for<00:14:15.199> his<00:14:15.440> genius<00:14:15.920> on

million thanks to joe for his genius on

million thanks to joe for his genius on
i<00:14:16.399> don't<00:14:16.560> even<00:14:16.800> know<00:14:16.959> how<00:14:17.040> he<00:14:17.199> figured<00:14:17.519> it<00:14:17.600> out

i don't even know how he figured it out

i don't even know how he figured it out
but<00:14:18.399> thanks<00:14:19.120> with<00:14:19.360> all<00:14:19.440> this<00:14:19.760> information

but thanks with all this information

but thanks with all this information
that<00:14:20.320> i<00:14:20.399> was<00:14:20.560> getting<00:14:20.800> from<00:14:20.959> these

that i was getting from these

that i was getting from these
transcriptions<00:14:21.920> i<00:14:22.079> started<00:14:22.399> to<00:14:22.720> feel<00:14:23.360> much

transcriptions i started to feel much

transcriptions i started to feel much
better<00:14:23.920> about<00:14:24.079> my<00:14:24.320> own<00:14:24.480> playing<00:14:25.040> and<00:14:25.199> it<00:14:25.279> had

better about my own playing and it had

better about my own playing and it had
nothing<00:14:25.680> to<00:14:25.839> do<00:14:26.000> with

nothing to do with

nothing to do with
me<00:14:27.440> learning<00:14:27.680> how<00:14:27.839> to<00:14:28.000> play<00:14:28.320> scale<00:14:28.639> in<00:14:28.800> a

me learning how to play scale in a

me learning how to play scale in a
different<00:14:29.040> position<00:14:29.519> or<00:14:29.600> anything<00:14:30.320> it<00:14:30.480> was

different position or anything it was

different position or anything it was
really<00:14:31.680> a<00:14:32.000> mental<00:14:32.320> thing<00:14:32.560> and<00:14:32.880> thinking<00:14:33.279> about

really a mental thing and thinking about

really a mental thing and thinking about
the<00:14:34.079> guitar<00:14:34.480> in<00:14:34.560> a<00:14:34.639> different<00:14:34.959> way<00:14:35.199> really

the guitar in a different way really

the guitar in a different way really
thinking<00:14:35.760> in<00:14:36.000> a<00:14:36.320> general<00:14:36.800> sense

thinking in a general sense

thinking in a general sense
uh<00:14:38.079> being<00:14:38.320> able<00:14:38.560> to

uh being able to

uh being able to
play<00:14:39.680> outside<00:14:40.160> and<00:14:40.240> play<00:14:40.480> with<00:14:40.639> attention

play outside and play with attention

play outside and play with attention
without<00:14:41.279> really<00:14:41.600> screwing<00:14:42.079> up

without really screwing up

without really screwing up
and<00:14:43.600> that's<00:14:43.920> kind<00:14:44.079> of<00:14:44.160> what<00:14:44.320> i<00:14:44.399> want<00:14:44.560> to<00:14:44.959> get

and that's kind of what i want to get

and that's kind of what i want to get
across<00:14:46.079> i<00:14:46.240> want<00:14:46.399> to<00:14:46.480> tell<00:14:46.720> a<00:14:47.279> quick<00:14:47.440> story<00:14:47.839> when

across i want to tell a quick story when

across i want to tell a quick story when
i<00:14:48.079> was<00:14:48.240> younger<00:14:48.800> i<00:14:48.959> have<00:14:49.040> a<00:14:49.120> friend<00:14:49.360> of<00:14:49.519> mine

i was younger i have a friend of mine

i was younger i have a friend of mine
his<00:14:50.079> name<00:14:50.240> is<00:14:50.399> dave<00:14:50.720> parker<00:14:51.360> and<00:14:51.519> when<00:14:51.680> i<00:14:51.760> first

his name is dave parker and when i first

his name is dave parker and when i first
started<00:14:52.240> to<00:14:52.320> play<00:14:52.560> guitar<00:14:53.040> he<00:14:53.199> came<00:14:53.440> over<00:14:53.680> my

started to play guitar he came over my

started to play guitar he came over my
house<00:14:54.079> and<00:14:54.160> i<00:14:54.320> showed<00:14:54.560> him<00:14:54.720> i<00:14:54.800> think<00:14:54.959> a<00:14:55.040> nirvana

house and i showed him i think a nirvana

house and i showed him i think a nirvana
song<00:14:55.760> and<00:14:55.839> a<00:14:55.920> couple<00:14:56.160> of<00:14:56.320> chords<00:14:56.639> and<00:14:56.720> that<00:14:56.880> was

song and a couple of chords and that was

song and a couple of chords and that was
it<00:14:57.600> uh<00:14:57.760> and<00:14:57.839> then<00:14:58.000> i<00:14:58.079> didn't<00:14:58.320> see<00:14:58.560> him<00:14:58.720> much

it uh and then i didn't see him much

it uh and then i didn't see him much
through<00:14:59.600> uh<00:15:00.000> junior<00:15:00.320> higher<00:15:00.639> high<00:15:00.800> school<00:15:01.120> but

through uh junior higher high school but

through uh junior higher high school but
years<00:15:01.680> later<00:15:02.079> i<00:15:02.320> heard<00:15:02.560> that<00:15:02.720> he<00:15:02.880> went<00:15:03.120> to<00:15:03.440> five

years later i heard that he went to five

years later i heard that he went to five
towns<00:15:04.079> to<00:15:04.240> study<00:15:04.560> jazz<00:15:05.360> so<00:15:05.680> at<00:15:05.839> a<00:15:06.079> party<00:15:06.880> i

towns to study jazz so at a party i

towns to study jazz so at a party i
remember<00:15:07.440> talking<00:15:07.680> to<00:15:07.760> him<00:15:07.920> and<00:15:08.079> at<00:15:08.160> that<00:15:08.240> time

remember talking to him and at that time

remember talking to him and at that time
i<00:15:08.560> was<00:15:08.720> really<00:15:08.959> big<00:15:09.120> into<00:15:09.360> the<00:15:09.519> shred<00:15:09.839> stuff

i was really big into the shred stuff

i was really big into the shred stuff
and<00:15:10.959> i<00:15:11.040> was<00:15:11.279> asking<00:15:11.519> well<00:15:11.680> how<00:15:11.920> do<00:15:12.000> you

and i was asking well how do you

and i was asking well how do you
use<00:15:13.279> this<00:15:13.519> scale<00:15:14.000> over<00:15:14.320> whatever<00:15:14.800> and<00:15:15.279> all<00:15:15.440> the

use this scale over whatever and all the

use this scale over whatever and all the
detail<00:15:16.000> of<00:15:16.160> it<00:15:16.320> and<00:15:16.399> he<00:15:16.639> basically<00:15:17.040> just<00:15:17.279> told

detail of it and he basically just told

detail of it and he basically just told
me<00:15:18.000> you're<00:15:18.160> thinking<00:15:18.480> too<00:15:18.639> much<00:15:19.199> and<00:15:19.360> at<00:15:19.440> the

me you're thinking too much and at the

me you're thinking too much and at the
time

time

time
that<00:15:20.880> doesn't<00:15:21.040> mean<00:15:21.279> anything<00:15:21.600> to<00:15:21.680> me

that doesn't mean anything to me

that doesn't mean anything to me
how<00:15:22.880> can<00:15:23.040> you<00:15:23.199> play<00:15:23.360> sort<00:15:23.519> of<00:15:23.600> without

how can you play sort of without

how can you play sort of without
thinking

thinking

thinking
but<00:15:25.120> once<00:15:25.360> i<00:15:25.519> started<00:15:25.839> to<00:15:26.000> do<00:15:26.240> this<00:15:26.720> he<00:15:26.880> was<00:15:27.040> a

but once i started to do this he was a

but once i started to do this he was a
hundred<00:15:27.440> percent<00:15:27.839> right<00:15:28.079> i<00:15:28.320> absolutely<00:15:28.720> was

hundred percent right i absolutely was

hundred percent right i absolutely was
thinking<00:15:29.199> too<00:15:29.360> much<00:15:30.000> once<00:15:30.240> i<00:15:30.399> started<00:15:30.639> doing

thinking too much once i started doing

thinking too much once i started doing
these<00:15:31.120> transcriptions<00:15:32.000> i<00:15:32.240> realized<00:15:32.959> in<00:15:33.040> the

these transcriptions i realized in the

these transcriptions i realized in the
simplest<00:15:33.680> terms<00:15:34.320> playing<00:15:34.639> outside<00:15:35.040> is<00:15:35.199> really

simplest terms playing outside is really

simplest terms playing outside is really
just<00:15:35.920> creating<00:15:36.399> tension

just creating tension

just creating tension
and<00:15:37.759> that<00:15:38.000> helped<00:15:38.240> me<00:15:38.399> out<00:15:38.560> a<00:15:38.639> lot<00:15:38.880> because<00:15:39.120> i

and that helped me out a lot because i

and that helped me out a lot because i
wasn't<00:15:39.920> thinking<00:15:40.320> so<00:15:40.560> much<00:15:40.800> but<00:15:41.120> thinking<00:15:41.519> in

wasn't thinking so much but thinking in

wasn't thinking so much but thinking in
general<00:15:42.079> terms<00:15:42.800> uh<00:15:43.199> an<00:15:43.399> oversimplification

general terms uh an oversimplification

general terms uh an oversimplification
of<00:15:44.560> it<00:15:44.639> may<00:15:44.880> be<00:15:45.120> just<00:15:45.440> when<00:15:45.680> the<00:15:45.839> chord<00:15:46.160> is

of it may be just when the chord is

of it may be just when the chord is
sounds<00:15:46.720> nice<00:15:47.279> uh<00:15:47.440> play<00:15:47.680> nice<00:15:48.000> and<00:15:48.079> when<00:15:48.240> the

sounds nice uh play nice and when the

sounds nice uh play nice and when the
chord<00:15:48.639> has<00:15:48.800> tension<00:15:49.199> play<00:15:49.360> with<00:15:49.600> tension<00:15:50.399> it's

chord has tension play with tension it's

chord has tension play with tension it's
a<00:15:50.800> real<00:15:51.120> overlap<00:15:51.680> over<00:15:52.000> simplification<00:15:52.800> of

a real overlap over simplification of

a real overlap over simplification of
that<00:15:53.519> but<00:15:54.160> that<00:15:54.560> really<00:15:54.880> helped<00:15:55.279> me<00:15:55.680> kind<00:15:55.839> of

that but that really helped me kind of

that but that really helped me kind of
get<00:15:57.040> my<00:15:57.199> brain<00:15:57.600> around<00:15:57.920> this<00:15:58.079> stuff<00:15:58.800> uh<00:15:59.199> you

get my brain around this stuff uh you

get my brain around this stuff uh you
know<00:15:59.440> and<00:15:59.600> alan<00:15:59.839> would<00:16:00.000> have<00:16:00.079> played<00:16:00.240> this<00:16:00.320> too

know and alan would have played this too

know and alan would have played this too
like<00:16:00.639> i<00:16:00.720> talked<00:16:00.959> about<00:16:01.199> in<00:16:01.279> my<00:16:01.440> funnels<00:16:01.839> video

like i talked about in my funnels video

like i talked about in my funnels video
when<00:16:02.639> he<00:16:02.720> has<00:16:02.959> that<00:16:03.199> entire<00:16:03.839> middle<00:16:04.079> section

when he has that entire middle section

when he has that entire middle section
with<00:16:04.560> all<00:16:04.720> those

with all those

with all those
seemingly<00:16:06.720> random<00:16:07.040> or<00:16:07.199> tensiony<00:16:07.680> sounding

seemingly random or tensiony sounding

seemingly random or tensiony sounding
chords<00:16:08.720> he<00:16:08.959> uses<00:16:09.279> that<00:16:09.519> time<00:16:09.759> to<00:16:10.000> play<00:16:10.240> with

chords he uses that time to play with

chords he uses that time to play with
tension<00:16:10.880> and<00:16:11.040> he's<00:16:11.199> not<00:16:11.440> really<00:16:11.759> following

tension and he's not really following

tension and he's not really following
some<00:16:12.480> scale<00:16:12.800> sort<00:16:12.959> of<00:16:13.120> diatomically<00:16:13.839> which

some scale sort of diatomically which

some scale sort of diatomically which
you<00:16:14.160> can<00:16:14.399> which<00:16:14.639> is<00:16:14.720> okay<00:16:15.440> but<00:16:15.600> i<00:16:15.759> really<00:16:16.160> feel

you can which is okay but i really feel

you can which is okay but i really feel
especially<00:16:17.519> from<00:16:17.759> seeing<00:16:18.079> all<00:16:18.240> these<00:16:18.560> uh

especially from seeing all these uh

especially from seeing all these uh
examples<00:16:20.240> and<00:16:20.480> and<00:16:21.120> finding<00:16:21.360> them<00:16:21.519> in<00:16:21.600> these

examples and and finding them in these

examples and and finding them in these
transcriptions<00:16:22.880> that

transcriptions that

transcriptions that
thinking<00:16:24.399> generally<00:16:24.880> just<00:16:25.120> creating<00:16:25.519> tension

thinking generally just creating tension

thinking generally just creating tension
is<00:16:26.079> really<00:16:26.320> the<00:16:26.480> most<00:16:26.720> important<00:16:27.120> part

is really the most important part

is really the most important part
and<00:16:28.399> once<00:16:28.720> i<00:16:28.880> started<00:16:29.199> figuring<00:16:29.600> out<00:16:29.839> these

and once i started figuring out these

and once i started figuring out these
outside<00:16:30.800> lines<00:16:31.519> i<00:16:31.680> was<00:16:31.920> noticing

outside lines i was noticing

outside lines i was noticing
finger<00:16:33.519> patterns

finger patterns

finger patterns
not<00:16:34.959> so<00:16:35.199> much<00:16:35.600> like<00:16:35.839> harmonic<00:16:36.399> patterns

not so much like harmonic patterns

not so much like harmonic patterns
uh<00:16:37.680> that<00:16:37.839> didn't<00:16:38.079> really<00:16:38.320> fit<00:16:38.560> a<00:16:38.639> scale<00:16:39.120> and

uh that didn't really fit a scale and

uh that didn't really fit a scale and
that<00:16:39.440> started<00:16:39.759> to<00:16:40.000> tell<00:16:40.320> me<00:16:40.639> that<00:16:40.800> the<00:16:41.040> notes

that started to tell me that the notes

that started to tell me that the notes
themselves<00:16:42.079> are<00:16:42.160> not<00:16:42.720> that<00:16:42.959> important

themselves are not that important

themselves are not that important
it's<00:16:44.560> where<00:16:44.880> you<00:16:45.040> use<00:16:45.360> it<00:16:45.600> that's<00:16:45.920> way<00:16:46.160> more

it's where you use it that's way more

it's where you use it that's way more
important<00:16:46.800> to<00:16:46.959> use<00:16:47.680> so<00:16:48.240> to<00:16:48.480> me<00:16:48.720> i<00:16:48.959> started<00:16:49.279> to

important to use so to me i started to

important to use so to me i started to
feel<00:16:49.600> like<00:16:49.759> i<00:16:49.920> had<00:16:50.079> a<00:16:50.160> better<00:16:50.560> understanding

feel like i had a better understanding

feel like i had a better understanding
of<00:16:51.279> jazz<00:16:52.160> and<00:16:52.399> to<00:16:52.560> me<00:16:52.720> it's<00:16:52.880> kind<00:16:53.040> of<00:16:53.120> like<00:16:53.279> a

of jazz and to me it's kind of like a

of jazz and to me it's kind of like a
freedom<00:16:54.160> you<00:16:54.320> want<00:16:54.480> to<00:16:54.560> hear<00:16:54.720> the<00:16:54.880> musicians

freedom you want to hear the musicians

freedom you want to hear the musicians
play<00:16:55.839> and<00:16:55.920> they're<00:16:56.079> playing<00:16:56.560> and<00:16:56.639> creating

play and they're playing and creating

play and they're playing and creating
melodies<00:16:57.600> within<00:16:58.079> a<00:16:58.240> loose<00:16:58.560> framework<00:16:59.120> that

melodies within a loose framework that

melodies within a loose framework that
they're<00:16:59.600> all<00:16:59.839> following<00:17:00.720> and<00:17:00.880> that<00:17:01.120> kind<00:17:01.360> of

they're all following and that kind of

they're all following and that kind of
freedom<00:17:02.399> was<00:17:02.800> really<00:17:03.120> exciting<00:17:03.519> for<00:17:03.680> me<00:17:04.079> i'm

freedom was really exciting for me i'm

freedom was really exciting for me i'm
not<00:17:04.480> like<00:17:04.720> a<00:17:04.799> huge<00:17:05.120> fan<00:17:05.360> of<00:17:05.520> the<00:17:05.760> older

not like a huge fan of the older

not like a huge fan of the older
traditional<00:17:06.720> jazz<00:17:07.039> stuff<00:17:07.760> um<00:17:08.400> but<00:17:08.880> i<00:17:09.360> like

traditional jazz stuff um but i like

traditional jazz stuff um but i like
that<00:17:09.839> concept<00:17:10.319> of<00:17:11.039> freedom<00:17:11.439> and<00:17:11.520> just

that concept of freedom and just

that concept of freedom and just
creating<00:17:12.240> melodies<00:17:12.720> and<00:17:12.799> doing<00:17:13.039> all<00:17:13.120> that

creating melodies and doing all that

creating melodies and doing all that
stuff<00:17:13.600> and<00:17:14.240> uh<00:17:14.880> it<00:17:15.120> might<00:17:15.360> sound<00:17:15.600> obvious<00:17:15.919> to

stuff and uh it might sound obvious to

stuff and uh it might sound obvious to
other<00:17:16.240> people<00:17:16.559> but<00:17:16.799> for<00:17:16.959> me<00:17:17.120> it<00:17:17.199> wasn't

other people but for me it wasn't

other people but for me it wasn't
because<00:17:17.679> i<00:17:17.839> came<00:17:18.000> from<00:17:18.160> that<00:17:18.319> shred

because i came from that shred

because i came from that shred
background

background

background
so<00:17:20.240> it<00:17:20.319> was<00:17:20.559> very<00:17:21.199> exciting<00:17:21.760> and<00:17:21.839> sort<00:17:22.000> of

so it was very exciting and sort of

so it was very exciting and sort of
liberating<00:17:22.640> in<00:17:22.720> a<00:17:22.799> way

so what is improvisation improvisation

so what is improvisation improvisation
is<00:17:31.840> really<00:17:32.080> just<00:17:32.400> creating<00:17:32.960> music<00:17:33.360> and<00:17:33.440> melody

is really just creating music and melody

is really just creating music and melody
on<00:17:34.160> the<00:17:34.320> fly<00:17:35.120> without<00:17:35.679> any<00:17:36.000> preparation

on the fly without any preparation

on the fly without any preparation
really

really

really
sometimes<00:17:38.880> you<00:17:39.039> can<00:17:39.360> use<00:17:39.679> licks<00:17:40.000> or<00:17:40.160> utilize

sometimes you can use licks or utilize

sometimes you can use licks or utilize
examples<00:17:41.200> within<00:17:41.679> that

examples within that

examples within that
improvisation

improvisation

improvisation
licks<00:17:44.240> themselves<00:17:44.640> can<00:17:44.799> have<00:17:44.880> a<00:17:45.039> more

licks themselves can have a more

licks themselves can have a more
interesting<00:17:45.760> structure<00:17:46.240> but<00:17:46.480> sometimes<00:17:46.960> seem

interesting structure but sometimes seem

interesting structure but sometimes seem
more<00:17:47.520> sterile<00:17:48.480> uh<00:17:49.039> sometimes<00:17:49.679> people<00:17:50.000> will

more sterile uh sometimes people will

more sterile uh sometimes people will
use<00:17:50.720> lines<00:17:51.360> or<00:17:51.600> written<00:17:51.919> out<00:17:52.160> ideas<00:17:52.799> over<00:17:53.120> a

use lines or written out ideas over a

use lines or written out ideas over a
harmonic<00:17:54.160> progression

harmonic progression

harmonic progression
um

um

um
you<00:17:56.640> know<00:17:56.799> over<00:17:56.960> like<00:17:57.120> a<00:17:57.200> two<00:17:57.440> five<00:17:57.679> one<00:17:57.919> or

you know over like a two five one or

you know over like a two five one or
something<00:17:58.240> but<00:17:58.400> to<00:17:58.559> me<00:17:58.720> that's<00:17:58.880> really<00:17:59.120> not

something but to me that's really not

something but to me that's really not
true<00:17:59.679> improvisation<00:18:00.720> and<00:18:00.880> using<00:18:01.200> licks<00:18:01.760> is

true improvisation and using licks is

true improvisation and using licks is
okay<00:18:02.640> uh<00:18:02.880> we<00:18:03.120> all<00:18:03.360> do<00:18:03.520> it<00:18:03.600> for<00:18:03.760> different

okay uh we all do it for different

okay uh we all do it for different
reasons<00:18:04.880> uh<00:18:05.280> sometimes<00:18:05.840> it's<00:18:06.000> because<00:18:06.240> it's

reasons uh sometimes it's because it's

reasons uh sometimes it's because it's
just<00:18:06.640> very<00:18:06.880> simple<00:18:07.200> like

something like that or maybe we use a

something like that or maybe we use a
lick<00:18:12.400> out<00:18:12.640> of<00:18:12.720> fear

lick out of fear

lick out of fear
i<00:18:14.080> know<00:18:14.320> sometimes<00:18:15.039> people<00:18:15.280> might<00:18:15.600> use<00:18:15.919> a<00:18:16.080> more

i know sometimes people might use a more

i know sometimes people might use a more
complicated

complicated

complicated
line<00:18:17.919> to<00:18:18.080> improvise<00:18:18.480> over<00:18:18.640> the<00:18:18.960> over

line to improvise over the over

line to improvise over the over
something<00:18:19.440> to<00:18:19.600> make<00:18:19.760> them<00:18:19.919> sound<00:18:20.559> better<00:18:20.880> than

something to make them sound better than

something to make them sound better than
they<00:18:21.200> really<00:18:21.600> are<00:18:21.760> but<00:18:21.919> like<00:18:22.000> i<00:18:22.080> said<00:18:22.320> that's

they really are but like i said that's

they really are but like i said that's
really<00:18:22.880> not<00:18:23.120> true<00:18:23.440> improvisation<00:18:24.160> to<00:18:24.320> me<00:18:24.960> a

really not true improvisation to me a

really not true improvisation to me a
student<00:18:25.360> of<00:18:25.520> mine<00:18:25.840> came<00:18:26.080> up<00:18:26.160> with<00:18:26.400> this

student of mine came up with this

student of mine came up with this
thing<00:18:27.679> that<00:18:27.840> i<00:18:28.000> thought<00:18:28.160> was<00:18:28.400> pretty

thing that i thought was pretty

thing that i thought was pretty
interesting

interesting

interesting
about<00:18:30.400> improvisation<00:18:31.600> it<00:18:31.760> can<00:18:32.000> be<00:18:32.320> fast<00:18:32.880> it

about improvisation it can be fast it

about improvisation it can be fast it
can<00:18:33.200> be<00:18:33.520> interesting<00:18:34.559> and<00:18:34.960> it<00:18:35.120> can<00:18:35.360> be

can be interesting and it can be

can be interesting and it can be
technical

technical

technical
but<00:18:37.200> it<00:18:37.360> really<00:18:37.679> can't<00:18:37.919> be<00:18:38.160> all<00:18:38.320> three<00:18:38.559> it

but it really can't be all three it

but it really can't be all three it
could<00:18:38.799> be<00:18:38.960> two<00:18:39.200> of<00:18:39.280> the<00:18:39.440> three<00:18:40.160> that's<00:18:40.480> usually

could be two of the three that's usually

could be two of the three that's usually
sometimes<00:18:41.440> how<00:18:41.600> you<00:18:41.679> can<00:18:41.840> kind<00:18:42.000> of<00:18:42.160> pick<00:18:42.400> out

sometimes how you can kind of pick out

sometimes how you can kind of pick out
if<00:18:42.880> a<00:18:42.960> line<00:18:43.200> is<00:18:43.360> really<00:18:43.600> improvised<00:18:44.160> or<00:18:44.240> not

if a line is really improvised or not

if a line is really improvised or not
and<00:18:44.720> of<00:18:44.799> course<00:18:45.280> uh<00:18:45.520> something<00:18:45.840> interesting

and of course uh something interesting

and of course uh something interesting
can<00:18:46.480> be<00:18:46.720> um

can be um

can be um
subjective<00:18:48.880> lists<00:18:49.120> can<00:18:49.360> also<00:18:49.600> be<00:18:50.000> developed

subjective lists can also be developed

subjective lists can also be developed
and<00:18:50.799> evolved<00:18:51.360> by<00:18:51.679> different<00:18:52.080> players<00:18:52.960> uh<00:18:53.200> like

and evolved by different players uh like

and evolved by different players uh like
for<00:18:53.520> example<00:18:53.919> like<00:18:54.080> the<00:18:54.160> little<00:18:54.400> chuck<00:18:54.640> berry

for example like the little chuck berry

for example like the little chuck berry
thing

something like that so

something like that so
it's<00:19:08.240> okay<00:19:08.640> to<00:19:08.799> take<00:19:09.039> these<00:19:09.280> ideas<00:19:09.600> and<00:19:09.760> expand

it's okay to take these ideas and expand

it's okay to take these ideas and expand
upon<00:19:10.480> them<00:19:10.880> but<00:19:11.039> really<00:19:11.360> to<00:19:11.760> create<00:19:12.240> your<00:19:12.559> own

upon them but really to create your own

upon them but really to create your own
uh<00:19:13.520> phrasing<00:19:14.000> for<00:19:14.160> yourself<00:19:15.039> i<00:19:15.360> personally

uh phrasing for yourself i personally

uh phrasing for yourself i personally
find<00:19:16.160> now<00:19:16.320> that<00:19:16.559> being<00:19:16.880> able<00:19:17.039> to<00:19:17.280> improvise

find now that being able to improvise

find now that being able to improvise
and<00:19:18.160> playing<00:19:18.640> an<00:19:18.880> interesting<00:19:19.360> harmonic<00:19:19.919> line

and playing an interesting harmonic line

and playing an interesting harmonic line
over<00:19:20.400> something<00:19:21.280> uh<00:19:21.679> is<00:19:21.840> more<00:19:22.080> exciting<00:19:22.559> for

over something uh is more exciting for

over something uh is more exciting for
me<00:19:22.880> than

me than

me than
writing<00:19:24.000> out<00:19:24.160> something<00:19:24.480> or<00:19:24.720> using<00:19:25.520> some<00:19:25.760> sort

writing out something or using some sort

writing out something or using some sort
of<00:19:26.320> lick<00:19:26.720> but

of lick but

of lick but
it's<00:19:27.600> impossible<00:19:28.240> to<00:19:28.400> do<00:19:28.640> because

it's impossible to do because

it's impossible to do because
it's<00:19:30.160> part<00:19:30.400> of<00:19:30.480> who<00:19:30.640> we<00:19:30.880> are<00:19:31.600> uh<00:19:32.160> and<00:19:32.720> like<00:19:32.960> i

it's part of who we are uh and like i

it's part of who we are uh and like i
said<00:19:33.280> you<00:19:33.360> can<00:19:33.520> play<00:19:33.679> however<00:19:34.000> you<00:19:34.160> want

said you can play however you want

said you can play however you want
there's<00:19:34.559> no<00:19:34.799> rules<00:19:35.440> thank<00:19:35.760> god<00:19:36.160> so<00:19:36.799> uh<00:19:37.360> you

there's no rules thank god so uh you

there's no rules thank god so uh you
know<00:19:37.760> someone<00:19:38.080> tells<00:19:38.320> you<00:19:38.480> you're<00:19:38.640> playing

know someone tells you you're playing

know someone tells you you're playing
something<00:19:39.520> not<00:19:39.679> the<00:19:39.840> right<00:19:40.080> way<00:19:40.240> whatever

something not the right way whatever

something not the right way whatever
doesn't<00:19:41.600> make<00:19:41.760> a<00:19:41.840> difference<00:19:42.160> you<00:19:42.400> play<00:19:42.559> how

doesn't make a difference you play how

doesn't make a difference you play how
you<00:19:42.799> want<00:19:43.039> to<00:19:43.200> play<00:19:43.840> and<00:19:44.000> a<00:19:44.080> lot<00:19:44.240> of<00:19:44.400> times<00:19:44.640> we

you want to play and a lot of times we

you want to play and a lot of times we
improvise<00:19:45.600> purely<00:19:46.000> because<00:19:46.320> of<00:19:46.640> the<00:19:46.799> physical

improvise purely because of the physical

improvise purely because of the physical
part<00:19:47.440> of<00:19:47.520> our<00:19:47.679> hand<00:19:47.919> and<00:19:48.000> what<00:19:48.240> kind<00:19:48.480> what<00:19:48.720> we

part of our hand and what kind what we

part of our hand and what kind what we
can<00:19:49.039> grab<00:19:49.440> and<00:19:49.600> the<00:19:49.840> technique<00:19:50.320> involved<00:19:50.720> in

can grab and the technique involved in

can grab and the technique involved in
it<00:19:51.280> now<00:19:51.520> the<00:19:51.600> way<00:19:51.760> that<00:19:51.919> we<00:19:52.080> put<00:19:52.240> the<00:19:52.480> notes

it now the way that we put the notes

it now the way that we put the notes
techniques<00:19:53.679> and<00:19:53.919> even<00:19:54.160> the<00:19:54.320> rhythms<00:19:54.640> together

techniques and even the rhythms together

techniques and even the rhythms together
is<00:19:55.120> called<00:19:55.360> freezing<00:19:56.160> and<00:19:56.320> phrasing<00:19:56.720> is<00:19:56.880> a<00:19:56.880> lot

is called freezing and phrasing is a lot

is called freezing and phrasing is a lot
like<00:19:57.280> how<00:19:57.520> we<00:19:57.760> talk<00:19:58.080> everyone<00:19:58.559> has<00:19:58.720> sort<00:19:58.880> of

like how we talk everyone has sort of

like how we talk everyone has sort of
their<00:19:59.200> own<00:19:59.440> unique<00:19:59.840> way<00:20:00.000> of<00:20:00.160> talking<00:20:01.039> uh<00:20:01.520> and

their own unique way of talking uh and

their own unique way of talking uh and
some<00:20:01.919> people<00:20:02.240> describe<00:20:02.799> describe<00:20:03.200> things<00:20:03.360> in

some people describe describe things in

some people describe describe things in
a<00:20:03.520> more<00:20:03.760> interesting<00:20:04.159> way<00:20:04.400> so<00:20:04.960> like<00:20:05.200> someone

a more interesting way so like someone

a more interesting way so like someone
might<00:20:05.600> say<00:20:05.840> that's<00:20:06.159> fake<00:20:06.960> uh<00:20:07.280> but<00:20:07.440> someone

might say that's fake uh but someone

might say that's fake uh but someone
might<00:20:08.000> say<00:20:08.400> as<00:20:08.799> fake<00:20:09.120> or<00:20:09.280> phony<00:20:09.600> as<00:20:09.760> a<00:20:09.840> football

might say as fake or phony as a football

might say as fake or phony as a football
bat<00:20:10.799> which<00:20:11.120> is<00:20:11.200> a<00:20:11.280> little<00:20:11.440> bit<00:20:11.600> more

bat which is a little bit more

bat which is a little bit more
interesting<00:20:12.480> to<00:20:12.960> listen<00:20:13.280> to<00:20:13.679> and<00:20:13.840> it's<00:20:14.000> a

interesting to listen to and it's a

interesting to listen to and it's a
little<00:20:14.159> bit<00:20:14.400> more<00:20:14.720> uh

little bit more uh

little bit more uh
intelligent<00:20:16.320> in<00:20:16.400> a<00:20:16.480> way

intelligent in a way

intelligent in a way
but

but

but
you<00:20:19.440> might<00:20:19.600> be<00:20:19.679> able<00:20:19.919> to<00:20:20.000> change<00:20:20.320> it<00:20:20.400> and<00:20:20.480> say

you might be able to change it and say

you might be able to change it and say
like<00:20:20.960> well<00:20:21.520> it's<00:20:21.760> phony<00:20:22.080> as<00:20:22.240> a<00:20:22.799> basketball

like well it's phony as a basketball

like well it's phony as a basketball
stick<00:20:23.760> and<00:20:23.919> it<00:20:24.000> just<00:20:24.159> doesn't<00:20:24.480> work<00:20:24.799> as<00:20:25.039> well

stick and it just doesn't work as well

stick and it just doesn't work as well
or<00:20:26.000> sometimes<00:20:26.400> you<00:20:26.480> can<00:20:26.640> change<00:20:26.880> that<00:20:27.039> phrase

or sometimes you can change that phrase

or sometimes you can change that phrase
and<00:20:27.360> make<00:20:27.600> it<00:20:27.679> better<00:20:28.400> so<00:20:28.720> or<00:20:28.880> you<00:20:29.039> can<00:20:29.280> let<00:20:29.440> her

and make it better so or you can let her

and make it better so or you can let her
hear<00:20:30.240> that<00:20:30.320> phrase<00:20:30.559> and<00:20:30.640> go<00:20:30.799> oh<00:20:30.880> now<00:20:31.039> i'm<00:20:31.120> going

hear that phrase and go oh now i'm going

hear that phrase and go oh now i'm going
to<00:20:31.280> be<00:20:31.440> able<00:20:31.600> to<00:20:31.679> use<00:20:31.919> that<00:20:32.080> in<00:20:32.159> my<00:20:32.400> own

to be able to use that in my own

to be able to use that in my own
conversation<00:20:33.760> and<00:20:33.919> that's<00:20:34.320> a<00:20:34.400> lot<00:20:34.640> like

conversation and that's a lot like

conversation and that's a lot like
improvisation<00:20:36.000> and<00:20:36.080> that's<00:20:36.320> where<00:20:36.480> i<00:20:36.640> think<00:20:36.880> a

improvisation and that's where i think a

improvisation and that's where i think a
lot<00:20:37.120> of<00:20:37.360> people<00:20:37.600> who<00:20:37.760> are<00:20:37.919> self-taught<00:20:38.960> are

lot of people who are self-taught are

lot of people who are self-taught are
really<00:20:39.440> interesting<00:20:39.919> to<00:20:40.080> learn<00:20:40.400> from<00:20:40.640> because

really interesting to learn from because

really interesting to learn from because
they're<00:20:42.000> not<00:20:42.240> bound<00:20:42.480> by<00:20:42.640> any<00:20:42.799> rules<00:20:43.039> they<00:20:43.200> have

they're not bound by any rules they have

they're not bound by any rules they have
their<00:20:43.520> own<00:20:43.679> unique<00:20:44.000> phrasing<00:20:44.559> and<00:20:44.720> concepts

their own unique phrasing and concepts

their own unique phrasing and concepts
so<00:20:45.760> you<00:20:45.919> can<00:20:46.080> take<00:20:46.240> a<00:20:46.320> little<00:20:46.480> bit<00:20:46.640> from<00:20:46.799> what

so you can take a little bit from what

so you can take a little bit from what
you<00:20:47.120> learn<00:20:47.360> from<00:20:47.520> that<00:20:47.679> because<00:20:47.840> they<00:20:47.919> sort<00:20:48.080> of

you learn from that because they sort of

you learn from that because they sort of
think<00:20:48.400> outside<00:20:48.960> the<00:20:49.039> box<00:20:49.760> and<00:20:50.000> see<00:20:50.159> if<00:20:50.240> you<00:20:50.320> can

think outside the box and see if you can

think outside the box and see if you can
incorporate<00:20:51.120> that<00:20:51.360> into<00:20:51.840> what<00:20:52.000> it<00:20:52.159> is<00:20:52.240> that

incorporate that into what it is that

incorporate that into what it is that
you<00:20:52.640> do

you do

you do
and<00:20:53.600> to<00:20:53.760> me<00:20:54.000> being<00:20:54.320> unique<00:20:54.880> gets<00:20:55.120> harder<00:20:55.440> and

and to me being unique gets harder and

and to me being unique gets harder and
harder<00:20:55.840> as<00:20:56.000> time<00:20:56.320> passes<00:20:56.720> because

harder as time passes because

harder as time passes because
people<00:20:58.080> just<00:20:58.320> figure<00:20:58.640> out<00:20:58.799> everything<00:20:59.280> that

people just figure out everything that

people just figure out everything that
you<00:21:00.000> you<00:21:00.159> can<00:21:00.320> do<00:21:00.960> and<00:21:01.200> that's<00:21:01.440> why<00:21:01.520> i<00:21:01.600> like

you you can do and that's why i like

you you can do and that's why i like
disagree<00:21:02.159> a<00:21:02.240> little<00:21:02.400> bit<00:21:02.559> with<00:21:02.720> alan<00:21:03.120> where

disagree a little bit with alan where

disagree a little bit with alan where
he's<00:21:03.600> very<00:21:03.840> much<00:21:04.080> into<00:21:04.240> having<00:21:04.559> people<00:21:04.880> sort

he's very much into having people sort

he's very much into having people sort
of<00:21:05.679> you<00:21:05.840> know<00:21:06.080> find<00:21:06.320> their<00:21:06.559> own<00:21:06.799> voice<00:21:07.120> and<00:21:07.280> to

of you know find their own voice and to

of you know find their own voice and to
me<00:21:07.600> inside

me inside

me inside
i'd<00:21:08.880> rather<00:21:09.120> just<00:21:09.280> have<00:21:09.520> people<00:21:09.840> play<00:21:10.000> that

i'd rather just have people play that

i'd rather just have people play that
they<00:21:10.480> the<00:21:10.559> way<00:21:10.720> that<00:21:10.880> they<00:21:10.960> want<00:21:11.200> to<00:21:11.280> play<00:21:12.000> uh

they the way that they want to play uh

they the way that they want to play uh
so<00:21:12.480> if<00:21:12.559> they<00:21:12.720> want<00:21:12.880> to<00:21:13.520> take<00:21:14.080> these<00:21:14.400> concepts

so if they want to take these concepts

so if they want to take these concepts
and<00:21:15.360> sound<00:21:15.520> like<00:21:15.840> alan<00:21:16.159> well<00:21:16.559> that's<00:21:16.799> fine<00:21:17.120> you

and sound like alan well that's fine you

and sound like alan well that's fine you
know

know

know
there's<00:21:18.240> no<00:21:18.720> rules<00:21:19.520> uh<00:21:19.840> and<00:21:19.919> i<00:21:20.080> mean<00:21:20.159> it<00:21:20.240> was

there's no rules uh and i mean it was

there's no rules uh and i mean it was
easy<00:21:20.640> for<00:21:20.799> alan<00:21:21.120> to<00:21:21.600> sort<00:21:21.760> of<00:21:21.840> come<00:21:22.080> up<00:21:22.159> with

easy for alan to sort of come up with

easy for alan to sort of come up with
this<00:21:22.480> stuff<00:21:22.720> in<00:21:22.880> a<00:21:22.960> way<00:21:23.120> because<00:21:23.360> when<00:21:23.520> he

this stuff in a way because when he

this stuff in a way because when he
started<00:21:23.919> playing<00:21:24.240> the<00:21:24.320> electric<00:21:24.640> guitar<00:21:24.960> was

started playing the electric guitar was

started playing the electric guitar was
around<00:21:25.360> for<00:21:25.520> like<00:21:25.760> nine<00:21:26.080> years<00:21:26.400> or<00:21:26.640> ten<00:21:26.960> years

around for like nine years or ten years

around for like nine years or ten years
so<00:21:28.240> you<00:21:28.400> had<00:21:28.640> plenty<00:21:28.960> of<00:21:29.919> time<00:21:30.159> to<00:21:30.320> kind<00:21:30.480> of

so you had plenty of time to kind of

so you had plenty of time to kind of
develop<00:21:31.120> and<00:21:31.280> try<00:21:31.440> to<00:21:31.600> figure<00:21:31.840> out<00:21:32.000> something

develop and try to figure out something

develop and try to figure out something
that<00:21:32.400> someone<00:21:32.720> else<00:21:32.880> didn't<00:21:33.200> do

that someone else didn't do

that someone else didn't do
uh<00:21:34.400> so<00:21:34.640> it's<00:21:34.880> okay<00:21:35.120> to<00:21:35.280> take<00:21:35.440> these<00:21:35.679> concepts

uh so it's okay to take these concepts

uh so it's okay to take these concepts
and<00:21:36.400> either<00:21:36.960> you<00:21:37.039> know<00:21:37.440> use<00:21:37.679> them<00:21:37.840> yourself<00:21:38.240> or

and either you know use them yourself or

and either you know use them yourself or
expand<00:21:38.880> upon<00:21:39.200> them<00:21:39.760> uh<00:21:40.000> there's<00:21:40.320> a<00:21:40.400> great

expand upon them uh there's a great

expand upon them uh there's a great
quote<00:21:40.960> that<00:21:41.200> says<00:21:41.919> uh<00:21:42.559> talent<00:21:42.880> can<00:21:43.520> can<00:21:43.679> hit<00:21:43.919> a

quote that says uh talent can can hit a

quote that says uh talent can can hit a
target<00:21:44.240> that<00:21:44.400> no<00:21:44.559> one<00:21:44.720> else<00:21:44.960> can<00:21:45.200> but<00:21:45.440> genius

target that no one else can but genius

target that no one else can but genius
can<00:21:46.000> hit<00:21:46.159> a<00:21:46.240> target<00:21:46.559> that<00:21:46.640> no<00:21:46.799> one<00:21:47.039> can<00:21:47.280> see

can hit a target that no one can see

can hit a target that no one can see
uh<00:21:48.400> so<00:21:48.880> i<00:21:49.200> guess<00:21:49.440> i'm<00:21:49.600> no<00:21:49.760> genius<00:21:50.240> then<00:21:50.960> but

uh so i guess i'm no genius then but

uh so i guess i'm no genius then but
anyway<00:21:51.679> alan<00:21:52.320> did<00:21:52.640> use<00:21:53.200> licks<00:21:53.679> and<00:21:53.919> phrases

anyway alan did use licks and phrases

anyway alan did use licks and phrases
himself<00:21:55.200> whether<00:21:55.440> he<00:21:55.600> wanted<00:21:55.919> to<00:21:56.159> admit<00:21:56.480> it<00:21:56.640> or

himself whether he wanted to admit it or

himself whether he wanted to admit it or
even<00:21:57.039> realize<00:21:57.440> it<00:21:57.600> or<00:21:57.679> not<00:21:58.320> and<00:21:58.559> i<00:21:58.720> know<00:21:58.880> he

even realize it or not and i know he

even realize it or not and i know he
would<00:21:59.120> get<00:21:59.280> discouraged<00:21:59.760> he<00:21:59.919> would<00:22:00.080> let's<00:22:00.240> say

would get discouraged he would let's say

would get discouraged he would let's say
play<00:22:00.640> the<00:22:00.799> same<00:22:01.120> thing<00:22:01.440> twice<00:22:02.320> um<00:22:02.720> but<00:22:02.880> you'll

play the same thing twice um but you'll

play the same thing twice um but you'll
start<00:22:03.440> to<00:22:03.600> see<00:22:03.919> all<00:22:04.159> these<00:22:04.400> different

start to see all these different

start to see all these different
patterns<00:22:05.520> and<00:22:05.919> shapes<00:22:06.320> that<00:22:06.559> he<00:22:06.799> did<00:22:07.120> use<00:22:07.840> and

patterns and shapes that he did use and

patterns and shapes that he did use and
i<00:22:08.320> found<00:22:08.559> that<00:22:08.720> interesting<00:22:09.520> because<00:22:09.760> i<00:22:09.840> never

i found that interesting because i never

i found that interesting because i never
really<00:22:10.240> thought<00:22:10.480> of<00:22:10.640> the<00:22:10.720> guitar<00:22:11.120> like<00:22:11.280> that

really thought of the guitar like that

really thought of the guitar like that
and<00:22:11.600> being<00:22:11.919> able<00:22:12.080> to<00:22:12.480> incorporate<00:22:13.200> that

and being able to incorporate that

and being able to incorporate that
concept<00:22:14.080> into<00:22:14.320> my<00:22:14.480> own<00:22:14.720> playing

concept into my own playing

concept into my own playing
and<00:22:15.840> that's<00:22:16.159> pretty<00:22:16.320> much<00:22:16.480> what<00:22:16.640> i<00:22:16.720> want<00:22:16.880> to

and that's pretty much what i want to

and that's pretty much what i want to
talk<00:22:17.520> about<00:22:17.840> in<00:22:17.919> this<00:22:18.080> video<00:22:18.799> and<00:22:18.960> a<00:22:19.039> lot<00:22:19.200> of

talk about in this video and a lot of

talk about in this video and a lot of
the<00:22:19.440> times<00:22:19.760> the<00:22:19.840> way<00:22:20.000> that<00:22:20.159> alan<00:22:20.400> would<00:22:20.559> do

the times the way that alan would do

the times the way that alan would do
wouldn't<00:22:20.960> be<00:22:21.120> like<00:22:21.280> a<00:22:21.360> particular<00:22:22.000> phrase

wouldn't be like a particular phrase

wouldn't be like a particular phrase
that<00:22:22.480> you<00:22:22.640> just<00:22:22.799> play<00:22:23.039> over<00:22:23.280> a<00:22:23.440> chord<00:22:23.840> it's

that you just play over a chord it's

that you just play over a chord it's
like<00:22:25.039> a<00:22:25.280> subset<00:22:25.840> of

like a subset of

like a subset of
notes<00:22:26.880> or<00:22:26.960> a<00:22:27.120> pattern<00:22:27.440> within<00:22:27.760> a<00:22:28.000> larger<00:22:28.880> group

notes or a pattern within a larger group

notes or a pattern within a larger group
of<00:22:29.440> notes<00:22:29.760> or<00:22:29.840> scale

of notes or scale

of notes or scale
and<00:22:31.120> uh<00:22:31.440> or<00:22:31.600> position<00:22:32.159> and<00:22:32.240> then<00:22:32.480> from<00:22:32.640> there

and uh or position and then from there

and uh or position and then from there
you<00:22:33.039> can<00:22:33.200> improvise<00:22:33.679> within<00:22:34.000> those<00:22:34.240> notes<00:22:34.480> so

you can improvise within those notes so

you can improvise within those notes so
it's<00:22:34.799> like<00:22:34.960> a<00:22:35.039> subset<00:22:35.440> of<00:22:35.600> notes<00:22:35.840> within<00:22:36.159> a

it's like a subset of notes within a

it's like a subset of notes within a
larger<00:22:36.640> one<00:22:36.880> so<00:22:37.039> i<00:22:37.440> think<00:22:37.600> that's<00:22:37.919> a<00:22:38.000> little

larger one so i think that's a little

larger one so i think that's a little
bit<00:22:38.240> more<00:22:38.480> interesting<00:22:38.880> and<00:22:38.960> that's<00:22:39.200> really

bit more interesting and that's really

bit more interesting and that's really
what<00:22:39.520> i<00:22:39.679> want<00:22:39.760> to

what i want to

what i want to
show<00:22:41.039> and<00:22:41.200> i<00:22:41.280> think<00:22:41.440> this<00:22:41.679> is<00:22:41.760> the<00:22:41.840> best

show and i think this is the best

show and i think this is the best
approach<00:22:42.559> because<00:22:42.799> when<00:22:43.039> you<00:22:43.120> improvise

approach because when you improvise

approach because when you improvise
something<00:22:43.919> like<00:22:44.080> this<00:22:44.320> and<00:22:44.400> you're<00:22:44.559> thinking

something like this and you're thinking

something like this and you're thinking
in<00:22:45.440> a<00:22:45.600> general<00:22:46.080> sense<00:22:46.400> with<00:22:46.559> those<00:22:47.039> you<00:22:47.200> can

in a general sense with those you can

in a general sense with those you can
play<00:22:47.760> something<00:22:48.240> and<00:22:48.400> not<00:22:48.559> play<00:22:48.799> it<00:22:48.960> the<00:22:49.039> same

play something and not play it the same

play something and not play it the same
exact<00:22:49.679> way<00:22:49.919> twice

exact way twice

exact way twice
and<00:22:51.280> have<00:22:51.520> different<00:22:51.760> variations<00:22:52.480> of<00:22:52.640> it<00:22:52.720> so

and have different variations of it so

and have different variations of it so
it's<00:22:53.120> always<00:22:53.360> a<00:22:53.360> little<00:22:53.520> bit<00:22:53.679> different<00:22:54.000> and

it's always a little bit different and

it's always a little bit different and
you<00:22:54.320> are<00:22:54.480> improvising<00:22:55.039> but<00:22:55.200> you're<00:22:55.440> thinking

you are improvising but you're thinking

you are improvising but you're thinking
in<00:22:56.080> uh<00:22:56.640> in<00:22:56.720> a<00:22:56.799> broader<00:22:57.280> kind<00:22:57.440> of<00:22:57.600> way

in uh in a broader kind of way

in uh in a broader kind of way
in<00:22:58.720> alan's<00:22:59.120> slow<00:22:59.440> playing<00:22:59.760> it's<00:22:59.919> almost

in alan's slow playing it's almost

in alan's slow playing it's almost
completely<00:23:00.799> free<00:23:01.360> but<00:23:01.600> once<00:23:01.919> he<00:23:02.159> starts

completely free but once he starts

completely free but once he starts
playing<00:23:02.799> fast<00:23:03.120> that's<00:23:03.280> where<00:23:03.440> some<00:23:03.600> of<00:23:03.760> these

playing fast that's where some of these

playing fast that's where some of these
patterns<00:23:04.400> come<00:23:04.640> out<00:23:05.120> and<00:23:05.200> when<00:23:05.360> you're

patterns come out and when you're

patterns come out and when you're
playing<00:23:05.919> fast<00:23:06.240> you<00:23:06.320> can't<00:23:06.559> think<00:23:06.799> of<00:23:07.200> every

playing fast you can't think of every

playing fast you can't think of every
note<00:23:07.760> that<00:23:07.919> you're<00:23:08.159> playing<00:23:08.480> you<00:23:08.640> have<00:23:08.720> to

note that you're playing you have to

note that you're playing you have to
think<00:23:09.039> in<00:23:09.200> broader<00:23:09.679> strokes<00:23:10.080> that's<00:23:10.320> why<00:23:10.559> you

think in broader strokes that's why you

think in broader strokes that's why you
think<00:23:10.960> in<00:23:11.520> patterns<00:23:12.000> or<00:23:12.159> in<00:23:12.240> symmetrical

think in patterns or in symmetrical

think in patterns or in symmetrical
shapes<00:23:13.679> you<00:23:13.840> let<00:23:14.000> your<00:23:14.159> fingers<00:23:14.480> kind<00:23:14.640> of<00:23:14.720> do

shapes you let your fingers kind of do

shapes you let your fingers kind of do
the<00:23:15.039> work<00:23:15.200> so<00:23:15.360> your<00:23:15.440> mind<00:23:15.679> doesn't<00:23:15.919> have<00:23:16.080> to

the work so your mind doesn't have to

the work so your mind doesn't have to
and<00:23:16.480> that's<00:23:16.640> why<00:23:16.799> i<00:23:16.960> transcribed<00:23:17.440> all<00:23:17.600> those

and that's why i transcribed all those

and that's why i transcribed all those
fast<00:23:18.080> lines<00:23:18.880> i<00:23:18.960> can<00:23:19.200> start<00:23:19.360> to<00:23:19.520> see<00:23:19.840> all<00:23:20.000> the

fast lines i can start to see all the

fast lines i can start to see all the
different<00:23:20.559> patterns<00:23:21.120> and<00:23:21.760> concepts<00:23:22.159> that

different patterns and concepts that

different patterns and concepts that
allen<00:23:22.480> would<00:23:22.640> employ<00:23:23.520> now<00:23:23.760> i<00:23:23.919> can't<00:23:24.240> hear

allen would employ now i can't hear

allen would employ now i can't hear
everything<00:23:24.960> that<00:23:25.120> i'm<00:23:25.280> going<00:23:25.360> to<00:23:25.520> play<00:23:26.240> if<00:23:26.400> you

everything that i'm going to play if you

everything that i'm going to play if you
can<00:23:27.280> that's<00:23:27.600> incredible<00:23:28.240> i<00:23:28.559> can't<00:23:29.039> i<00:23:29.200> mean<00:23:29.360> i

can that's incredible i can't i mean i

can that's incredible i can't i mean i
can<00:23:29.679> at<00:23:29.840> a<00:23:30.480> slower<00:23:31.120> tempo<00:23:31.440> but<00:23:31.600> not<00:23:31.760> when<00:23:32.000> i'm

can at a slower tempo but not when i'm

can at a slower tempo but not when i'm
playing<00:23:32.480> fast<00:23:32.799> or<00:23:32.880> even<00:23:33.120> some<00:23:33.360> weirder<00:23:33.679> stuff

playing fast or even some weirder stuff

playing fast or even some weirder stuff
so<00:23:34.400> i<00:23:34.559> think

so i think

so i think
what<00:23:35.919> i'm<00:23:36.240> doing<00:23:36.720> here<00:23:37.120> is<00:23:37.440> trying<00:23:37.679> to<00:23:37.919> show

what i'm doing here is trying to show

what i'm doing here is trying to show
all<00:23:38.240> these<00:23:38.480> different<00:23:38.880> patterns<00:23:39.280> and<00:23:39.360> then<00:23:39.520> as

all these different patterns and then as

all these different patterns and then as
you<00:23:39.840> play<00:23:40.080> them<00:23:40.240> you<00:23:40.400> can<00:23:40.640> then<00:23:40.880> take<00:23:41.120> it<00:23:41.200> to

you play them you can then take it to

you play them you can then take it to
where<00:23:41.520> your<00:23:41.679> ear<00:23:42.000> wants<00:23:42.400> to<00:23:42.960> so<00:23:43.200> you<00:23:43.279> can<00:23:43.440> come

where your ear wants to so you can come

where your ear wants to so you can come
up<00:23:43.760> with<00:23:44.000> interesting<00:23:44.480> shapes<00:23:44.880> and<00:23:45.039> ideas

up with interesting shapes and ideas

up with interesting shapes and ideas
without<00:23:46.159> really<00:23:46.320> having<00:23:46.559> to<00:23:46.720> hear<00:23:47.039> it<00:23:47.600> um

without really having to hear it um

without really having to hear it um
because<00:23:48.640> once<00:23:48.799> again<00:23:49.039> you're<00:23:49.200> thinking

because once again you're thinking

because once again you're thinking
generally

generally

generally
and<00:23:50.960> allan<00:23:51.360> himself<00:23:51.760> didn't<00:23:52.080> admit<00:23:52.400> that<00:23:52.640> he

and allan himself didn't admit that he

and allan himself didn't admit that he
had<00:23:53.039> perfect<00:23:53.440> pitch<00:23:54.240> and<00:23:54.640> uh<00:23:55.200> you<00:23:55.360> can<00:23:55.600> see<00:23:55.919> him

had perfect pitch and uh you can see him

had perfect pitch and uh you can see him
when<00:23:56.799> he's<00:23:57.520> playing<00:23:57.919> over<00:23:58.240> certain<00:23:58.640> uh

when he's playing over certain uh

when he's playing over certain uh
certain<00:23:59.760> changes<00:24:00.159> that<00:24:00.320> are<00:24:00.400> really

certain changes that are really

certain changes that are really
difficult<00:24:01.279> he's<00:24:01.600> reading<00:24:01.919> a<00:24:02.080> chart<00:24:02.720> uh<00:24:02.880> he<00:24:03.200> and

difficult he's reading a chart uh he and

difficult he's reading a chart uh he and
if<00:24:03.919> you're<00:24:04.159> looking<00:24:04.480> at<00:24:04.559> the<00:24:04.720> charter<00:24:05.120> and

if you're looking at the charter and

if you're looking at the charter and
says<00:24:05.520> going<00:24:05.760> from<00:24:05.840> this<00:24:06.000> scale<00:24:06.240> to<00:24:06.320> that<00:24:06.480> scale

says going from this scale to that scale

says going from this scale to that scale
you<00:24:06.880> can't<00:24:07.120> really<00:24:07.520> hear<00:24:07.760> it<00:24:07.840> you're<00:24:08.080> just

you can't really hear it you're just

you can't really hear it you're just
sort<00:24:08.480> of<00:24:08.559> seeing<00:24:08.880> i<00:24:08.960> have<00:24:09.039> to<00:24:09.200> go<00:24:09.360> from<00:24:10.000> this

sort of seeing i have to go from this

sort of seeing i have to go from this
scale<00:24:10.480> to<00:24:10.640> that<00:24:10.880> scale<00:24:11.679> uh<00:24:11.919> and<00:24:12.080> you<00:24:12.240> can<00:24:12.400> even

scale to that scale uh and you can even

scale to that scale uh and you can even
see<00:24:12.880> that<00:24:13.200> uh<00:24:13.600> in<00:24:13.679> the

see that uh in the

see that uh in the
1998<00:24:15.360> warsaw<00:24:15.840> dvd<00:24:16.400> when<00:24:16.720> he<00:24:16.799> gets<00:24:17.039> to<00:24:17.520> o274

1998 warsaw dvd when he gets to o274

1998 warsaw dvd when he gets to o274
which<00:24:18.480> has<00:24:18.640> a<00:24:18.640> lot<00:24:18.799> of<00:24:18.880> tricky<00:24:19.200> changes<00:24:19.600> in<00:24:19.760> it

which has a lot of tricky changes in it

which has a lot of tricky changes in it
you<00:24:20.240> can<00:24:20.480> see<00:24:21.039> uh<00:24:21.279> he<00:24:21.440> puts<00:24:21.679> on<00:24:21.760> his<00:24:22.000> glasses

you can see uh he puts on his glasses

you can see uh he puts on his glasses
here<00:24:22.400> so<00:24:22.559> you<00:24:22.640> can<00:24:22.720> start<00:24:22.880> reading<00:24:23.120> the<00:24:23.279> chart

here so you can start reading the chart

here so you can start reading the chart
[Music]

[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

[Music]

[Music]
once<00:24:48.400> i<00:24:48.640> saw<00:24:48.880> this<00:24:49.440> i<00:24:49.600> started<00:24:49.919> to<00:24:50.000> feel<00:24:50.159> better

once i saw this i started to feel better

once i saw this i started to feel better
about<00:24:50.559> my<00:24:50.799> own<00:24:50.960> plan<00:24:51.200> because<00:24:51.360> i<00:24:51.440> felt<00:24:51.679> that<00:24:51.840> i

about my own plan because i felt that i

about my own plan because i felt that i
was<00:24:52.159> on<00:24:52.240> the<00:24:52.480> the<00:24:52.640> right<00:24:52.960> path<00:24:53.440> and<00:24:53.600> it's<00:24:53.840> okay

was on the the right path and it's okay

was on the the right path and it's okay
to<00:24:54.320> employ<00:24:54.640> these<00:24:54.960> different<00:24:55.440> concepts<00:24:55.919> and

to employ these different concepts and

to employ these different concepts and
ideas<00:24:56.480> to<00:24:56.799> you<00:24:56.960> know<00:24:57.440> your<00:24:57.679> own<00:24:57.840> improvisation

ideas to you know your own improvisation

ideas to you know your own improvisation
uh<00:24:59.200> here's<00:24:59.440> a<00:24:59.520> funny<00:24:59.840> quote<00:25:00.080> that<00:25:00.240> i<00:25:00.320> found

uh here's a funny quote that i found

uh here's a funny quote that i found
about<00:25:00.799> alan<00:25:01.200> uh<00:25:01.600> being<00:25:02.000> like<00:25:02.240> reading<00:25:02.480> his<00:25:02.799> own

about alan uh being like reading his own

about alan uh being like reading his own
uh<00:25:03.279> charts<00:25:03.600> from<00:25:03.919> a<00:25:04.240> piece<00:25:04.480> of<00:25:04.559> paper<00:25:05.200> i<00:25:05.279> guess

uh charts from a piece of paper i guess

uh charts from a piece of paper i guess
he<00:25:05.520> didn't<00:25:05.679> realize<00:25:05.919> how<00:25:06.080> complicated<00:25:06.799> his<00:25:07.039> uh

he didn't realize how complicated his uh

he didn't realize how complicated his uh
his<00:25:07.679> uh

his uh

his uh
solo<00:25:08.720> stuff<00:25:08.960> is<00:25:09.120> gonna<00:25:09.279> end<00:25:09.440> up<00:25:09.520> being<00:25:09.840> later

solo stuff is gonna end up being later

solo stuff is gonna end up being later
in<00:25:10.159> his<00:25:10.320> career<00:25:11.200> this<00:25:11.360> is<00:25:11.440> where<00:25:11.600> alan<00:25:12.080> often

in his career this is where alan often

in his career this is where alan often
talks<00:25:12.880> about<00:25:13.279> visualizing<00:25:14.080> the<00:25:14.320> neck

talks about visualizing the neck

talks about visualizing the neck
i<00:25:15.440> try<00:25:15.679> not<00:25:15.840> to<00:25:16.000> practice<00:25:16.400> anything<00:25:16.799> that<00:25:17.039> i'm

i try not to practice anything that i'm

i try not to practice anything that i'm
gonna<00:25:17.520> play<00:25:18.080> in<00:25:18.240> as<00:25:18.400> much<00:25:18.640> as

gonna play in as much as

gonna play in as much as
like<00:25:19.919> i<00:25:20.080> don't<00:25:20.400> learn<00:25:20.640> any<00:25:21.039> particular<00:25:21.679> licks

like i don't learn any particular licks

like i don't learn any particular licks
or<00:25:22.320> something<00:25:22.720> that<00:25:22.880> i<00:25:23.039> can

or something that i can

or something that i can
just

just

just
play<00:25:27.440> so<00:25:27.600> i'm<00:25:27.760> stringing<00:25:28.159> a<00:25:28.240> bunch<00:25:28.480> of<00:25:28.559> licks

play so i'm stringing a bunch of licks

play so i'm stringing a bunch of licks
together<00:25:29.200> because<00:25:29.520> that's<00:25:29.840> not<00:25:30.159> the<00:25:30.240> way<00:25:30.480> i

together because that's not the way i

together because that's not the way i
think<00:25:30.799> about<00:25:31.120> improvising<00:25:31.760> i<00:25:31.919> just<00:25:32.080> think

think about improvising i just think

think about improvising i just think
again<00:25:33.200> about<00:25:33.520> all<00:25:33.679> of<00:25:33.760> the<00:25:34.000> notes<00:25:34.480> you<00:25:34.640> know

again about all of the notes you know

again about all of the notes you know
that<00:25:35.039> are<00:25:35.200> available

that are available

that are available
and<00:25:36.559> you<00:25:36.720> just<00:25:36.880> try<00:25:37.039> and<00:25:37.200> make<00:25:37.600> melodies<00:25:38.080> out

and you just try and make melodies out

and you just try and make melodies out
of<00:25:38.320> them<00:25:38.559> and<00:25:38.880> don't<00:25:39.120> let<00:25:39.279> your<00:25:39.520> hands<00:25:40.000> dictate

of them and don't let your hands dictate

of them and don't let your hands dictate
what<00:25:41.039> you<00:25:41.200> think<00:25:41.360> you<00:25:41.520> can<00:25:41.679> do<00:25:42.000> take<00:25:42.240> a<00:25:42.320> look<00:25:42.559> at

what you think you can do take a look at

what you think you can do take a look at
those<00:25:42.880> fingerboard<00:25:43.440> chats<00:25:44.240> and<00:25:44.400> imagine<00:25:44.880> your

those fingerboard chats and imagine your

those fingerboard chats and imagine your
eyes<00:25:45.360> like<00:25:45.600> dancing<00:25:46.080> on<00:25:46.240> the<00:25:46.320> notes<00:25:46.640> that<00:25:46.799> you

eyes like dancing on the notes that you

eyes like dancing on the notes that you
want<00:25:47.120> to<00:25:47.279> play

want to play

want to play
and<00:25:48.240> then<00:25:48.559> forget<00:25:48.960> about<00:25:49.279> whether<00:25:49.520> your<00:25:49.760> hands

and then forget about whether your hands

and then forget about whether your hands
can<00:25:50.240> do<00:25:50.400> it<00:25:50.559> or<00:25:50.640> not<00:25:50.960> just<00:25:51.200> try<00:25:51.520> it

can do it or not just try it

can do it or not just try it
well<00:25:52.480> yeah<00:25:52.720> the<00:25:52.880> formula<00:25:53.440> is<00:25:53.520> mathematical

well yeah the formula is mathematical

well yeah the formula is mathematical
but<00:25:54.480> absolutely<00:25:55.440> but<00:25:55.679> then

but absolutely but then

but absolutely but then
when<00:25:56.960> you<00:25:57.120> come<00:25:57.279> to<00:25:57.440> play<00:25:57.679> it<00:25:57.760> you<00:25:57.919> have<00:25:58.000> to<00:25:58.159> let

when you come to play it you have to let

when you come to play it you have to let
go<00:25:58.480> of<00:25:58.720> all<00:25:58.799> that<00:25:59.360> and<00:25:59.440> then<00:25:59.600> you<00:25:59.679> have<00:25:59.840> to

go of all that and then you have to

go of all that and then you have to
figure<00:26:00.159> out<00:26:00.240> how<00:26:00.480> you're<00:26:00.559> going<00:26:00.720> to<00:26:00.799> use<00:26:01.120> it

figure out how you're going to use it

figure out how you're going to use it
so<00:26:02.320> then<00:26:02.480> you<00:26:02.640> have<00:26:02.720> to<00:26:02.799> play<00:26:03.200> then<00:26:03.360> you<00:26:03.520> have

so then you have to play then you have

so then you have to play then you have
to<00:26:03.679> try<00:26:03.840> to<00:26:03.919> figure<00:26:04.159> out<00:26:04.240> how<00:26:04.400> to<00:26:04.480> make<00:26:04.720> music

to try to figure out how to make music

to try to figure out how to make music
you<00:26:05.200> know<00:26:05.440> so<00:26:06.080> i<00:26:06.320> screw<00:26:06.559> up<00:26:06.720> all<00:26:06.880> the<00:26:06.960> time

so when you're knee-deep in the solo are

so when you're knee-deep in the solo are
you<00:26:12.799> seeing<00:26:13.120> anything<00:26:13.600> like<00:26:13.840> you<00:26:14.000> seeing<00:26:14.240> the

you seeing anything like you seeing the

you seeing anything like you seeing the
guitar<00:26:14.799> or<00:26:15.039> like<00:26:15.600> there's<00:26:15.760> nothing<00:26:16.000> like<00:26:16.240> this

guitar or like there's nothing like this

guitar or like there's nothing like this
i<00:26:16.640> just<00:26:17.279> haven't<00:26:17.600> even<00:26:17.840> i<00:26:18.159> you<00:26:18.240> know<00:26:18.400> the

i just haven't even i you know the

i just haven't even i you know the
cylinder<00:26:19.279> spot<00:26:19.520> you<00:26:19.679> know<00:26:19.760> sort<00:26:19.919> of<00:26:20.080> it's<00:26:20.240> by

cylinder spot you know sort of it's by

cylinder spot you know sort of it's by
wasting<00:26:20.880> it<00:26:21.360> so<00:26:21.679> it's<00:26:21.840> visual<00:26:22.480> and<00:26:22.559> then<00:26:22.880> you

wasting it so it's visual and then you

wasting it so it's visual and then you
just<00:26:23.120> kind<00:26:23.279> of

just kind of

just kind of
merge<00:26:24.960> merge<00:26:25.279> the<00:26:25.440> two<00:26:26.000> you<00:26:26.240> have<00:26:26.320> to<00:26:26.480> use

merge merge the two you have to use

merge merge the two you have to use
whatever<00:26:27.200> resource<00:26:27.679> you<00:26:27.840> have<00:26:28.080> and

whatever resource you have and

whatever resource you have and
so<00:26:29.200> i<00:26:29.279> use<00:26:29.520> them<00:26:29.760> all<00:26:30.159> i<00:26:30.240> know<00:26:30.480> whatever<00:26:30.720> i've

so i use them all i know whatever i've

so i use them all i know whatever i've
got<00:26:31.039> the<00:26:31.120> titles

got the titles

got the titles
otherwise<00:26:32.640> i'll<00:26:32.720> be

otherwise i'll be

otherwise i'll be
deep<00:26:34.000> cheese

deep cheese

deep cheese
in<00:26:35.679> this<00:26:35.919> clip<00:26:36.159> allen<00:26:36.400> does<00:26:36.720> talk<00:26:36.880> about<00:26:37.200> how

in this clip allen does talk about how

in this clip allen does talk about how
finger<00:26:38.320> patterns<00:26:38.880> are<00:26:39.120> part<00:26:39.360> of<00:26:39.679> playing<00:26:39.919> the

finger patterns are part of playing the

finger patterns are part of playing the
instrument<00:26:40.960> and<00:26:41.120> i<00:26:41.279> think<00:26:41.520> one<00:26:41.679> of<00:26:41.760> the

instrument and i think one of the

instrument and i think one of the
reasons<00:26:42.240> why<00:26:42.400> i'm<00:26:42.480> making<00:26:42.720> an<00:26:42.880> assumption

reasons why i'm making an assumption

reasons why i'm making an assumption
here<00:26:43.679> he<00:26:43.919> might<00:26:44.080> have<00:26:44.159> been<00:26:44.320> so<00:26:44.559> down<00:26:44.880> on<00:26:44.960> his

here he might have been so down on his

here he might have been so down on his
playing<00:26:45.600> was<00:26:46.320> he<00:26:46.480> might<00:26:46.720> have<00:26:46.799> been<00:26:46.960> relying

playing was he might have been relying

playing was he might have been relying
on<00:26:47.600> these<00:26:48.000> patterns<00:26:48.400> and<00:26:48.640> shapes<00:26:49.440> uh<00:26:49.919> often

on these patterns and shapes uh often

on these patterns and shapes uh often
and<00:26:51.200> like<00:26:51.440> i<00:26:51.440> said<00:26:51.600> maybe<00:26:51.840> he<00:26:52.320> was<00:26:52.559> realizing

and like i said maybe he was realizing

and like i said maybe he was realizing
it<00:26:53.120> or<00:26:53.200> not<00:26:53.360> i'm<00:26:53.520> not<00:26:53.760> sure<00:26:54.240> but<00:26:54.400> that's<00:26:54.640> just

it or not i'm not sure but that's just

it or not i'm not sure but that's just
an<00:26:55.039> assumption<00:26:55.679> i<00:26:55.840> noticed

an assumption i noticed

an assumption i noticed
the<00:26:57.520> solos<00:26:57.919> that<00:26:58.000> he<00:26:58.159> played<00:26:58.400> early<00:26:58.640> in<00:26:58.799> his

the solos that he played early in his

the solos that he played early in his
career<00:26:59.200> like<00:26:59.440> in<00:26:59.520> the<00:26:59.600> early<00:26:59.919> 80s<00:27:00.320> are<00:27:00.480> much

career like in the early 80s are much

career like in the early 80s are much
harder<00:27:00.960> to<00:27:01.120> transcribe<00:27:01.760> because<00:27:01.919> they<00:27:02.080> seem

harder to transcribe because they seem

harder to transcribe because they seem
to<00:27:02.400> be<00:27:02.559> much<00:27:02.799> free<00:27:03.120> whereas

to be much free whereas

to be much free whereas
uh<00:27:04.799> going<00:27:05.200> later<00:27:05.520> from<00:27:05.600> like<00:27:05.760> the<00:27:05.919> late<00:27:06.159> 80s

uh going later from like the late 80s

uh going later from like the late 80s
and<00:27:06.720> on

and on

and on
uh<00:27:07.919> there's<00:27:08.159> definitely<00:27:08.480> a<00:27:08.559> lot<00:27:08.799> more

uh there's definitely a lot more

uh there's definitely a lot more
patterns<00:27:09.520> and<00:27:09.600> a<00:27:09.840> lot<00:27:10.080> more<00:27:10.320> things<00:27:10.640> that<00:27:10.720> i

patterns and a lot more things that i

patterns and a lot more things that i
could<00:27:11.039> recognize<00:27:11.520> basically<00:27:11.919> always<00:27:12.159> using

could recognize basically always using

could recognize basically always using
that<00:27:12.640> shape<00:27:12.960> or<00:27:13.039> he's<00:27:13.200> using<00:27:13.520> this<00:27:13.679> concept

that shape or he's using this concept

that shape or he's using this concept
because<00:27:15.360> i<00:27:15.440> think<00:27:15.679> in<00:27:15.760> your<00:27:15.919> case<00:27:16.159> it's<00:27:16.400> not

because i think in your case it's not

because i think in your case it's not
memorized<00:27:19.200> lines<00:27:19.919> in<00:27:20.080> the<00:27:20.240> sense<00:27:20.640> of

memorized lines in the sense of

memorized lines in the sense of
you<00:27:21.520> know<00:27:21.760> no<00:27:22.000> for<00:27:22.159> note<00:27:22.480> and<00:27:22.559> you<00:27:22.720> kind<00:27:22.880> of<00:27:22.960> no

you know no for note and you kind of no

you know no for note and you kind of no
they<00:27:23.279> don't<00:27:23.440> memorize<00:27:24.000> so<00:27:24.399> if<00:27:24.480> they<00:27:24.640> were

they don't memorize so if they were

they don't memorize so if they were
memorized<00:27:25.360> it<00:27:25.440> wouldn't<00:27:25.600> be<00:27:25.760> an

memorized it wouldn't be an

memorized it wouldn't be an
improvisation<00:27:26.640> would<00:27:26.799> it<00:27:27.200> but<00:27:27.360> there<00:27:27.679> are<00:27:27.919> but

improvisation would it but there are but

improvisation would it but there are but
there<00:27:28.240> are<00:27:28.799> instances<00:27:29.440> where

there are instances where

there are instances where
you<00:27:30.640> can<00:27:30.880> tell<00:27:31.120> that<00:27:31.360> it's<00:27:31.840> it's<00:27:32.080> the<00:27:32.240> same

you can tell that it's it's the same

you can tell that it's it's the same
finger<00:27:33.679> pattern<00:27:34.480> maybe<00:27:34.799> applied<00:27:35.279> to

finger pattern maybe applied to

finger pattern maybe applied to
different<00:27:35.919> notes

different notes

different notes
well<00:27:37.120> that's<00:27:37.360> true<00:27:37.520> too<00:27:37.760> i<00:27:37.840> mean<00:27:38.080> that's<00:27:38.399> true

well that's true too i mean that's true

well that's true too i mean that's true
of<00:27:38.720> any<00:27:38.960> instrument<00:27:39.360> if<00:27:39.520> you<00:27:39.600> look<00:27:39.760> at<00:27:39.840> the

of any instrument if you look at the

of any instrument if you look at the
piano<00:27:40.480> you<00:27:40.640> could<00:27:40.799> say<00:27:40.960> well<00:27:41.600> you<00:27:41.840> see<00:27:42.080> oh<00:27:42.320> that

piano you could say well you see oh that

piano you could say well you see oh that
guy<00:27:42.720> did<00:27:42.880> this<00:27:43.200> sorry

guy did this sorry

guy did this sorry
so<00:27:44.799> you<00:27:44.960> can't<00:27:45.200> get<00:27:45.360> away<00:27:45.600> from<00:27:45.760> that<00:27:45.919> i<00:27:46.000> mean

so you can't get away from that i mean

so you can't get away from that i mean
if<00:27:46.320> you<00:27:46.480> look<00:27:46.640> at<00:27:46.720> the<00:27:46.960> even<00:27:47.279> if<00:27:47.360> you<00:27:47.440> look<00:27:47.600> at

if you look at the even if you look at

if you look at the even if you look at
the<00:27:47.919> musical<00:27:48.399> if<00:27:48.559> you<00:27:48.720> even<00:27:48.880> if<00:27:49.039> you<00:27:49.120> look<00:27:49.279> at

the musical if you even if you look at

the musical if you even if you look at
notes<00:27:49.600> written<00:27:49.919> down<00:27:50.480> while<00:27:51.000> nicholas<00:27:52.000> book

notes written down while nicholas book

notes written down while nicholas book
or<00:27:52.320> whatever<00:27:52.640> no<00:27:52.799> matter<00:27:53.039> how<00:27:53.200> complicated<00:27:53.760> it

or whatever no matter how complicated it

or whatever no matter how complicated it
is<00:27:54.480> you'll<00:27:54.720> see<00:27:55.120> something<00:27:55.919> then<00:27:56.159> you<00:27:56.240> might

is you'll see something then you might

is you'll see something then you might
see<00:27:56.720> it<00:27:56.799> again<00:27:57.600> you<00:27:57.760> know<00:27:58.000> it's<00:27:58.159> like

see it again you know it's like

see it again you know it's like
i<00:27:59.120> don't<00:27:59.279> know<00:27:59.360> how<00:27:59.520> you<00:27:59.679> get<00:27:59.840> away<00:28:00.080> from<00:28:00.320> that

i don't know how you get away from that

i don't know how you get away from that
it's<00:28:00.799> just<00:28:00.960> like<00:28:01.279> trying<00:28:01.440> to<00:28:02.159> it's<00:28:02.320> just

it's just like trying to it's just

it's just like trying to it's just
trying<00:28:02.720> to<00:28:02.799> use<00:28:03.120> everything<00:28:03.600> and

trying to use everything and

trying to use everything and
drag<00:28:04.960> it<00:28:05.039> back<00:28:05.279> in<00:28:05.440> and<00:28:05.600> try<00:28:05.760> to

drag it back in and try to

drag it back in and try to
put<00:28:07.200> it<00:28:07.360> out<00:28:07.760> in<00:28:07.919> a<00:28:08.000> way<00:28:08.240> that

put it out in a way that

put it out in a way that
works<00:28:09.520> in<00:28:09.600> that<00:28:09.840> particular

works in that particular

works in that particular
moment<00:28:11.440> in<00:28:11.679> time

moment in time

moment in time
and<00:28:12.720> it<00:28:12.799> may<00:28:13.039> not<00:28:13.600> you<00:28:13.679> know<00:28:13.919> it's<00:28:14.399> it's<00:28:14.640> just

and it may not you know it's it's just

and it may not you know it's it's just
i<00:28:15.840> mean<00:28:16.000> that's<00:28:16.240> that's<00:28:16.559> the<00:28:16.720> beauty<00:28:17.039> of

i mean that's that's the beauty of

i mean that's that's the beauty of
improvisation<00:28:18.000> for<00:28:18.159> me<00:28:18.320> is<00:28:18.559> it's<00:28:18.640> like

improvisation for me is it's like

improvisation for me is it's like
you've<00:28:19.679> always<00:28:19.919> got<00:28:20.080> to<00:28:20.159> be<00:28:20.320> ready<00:28:20.559> to

you've always got to be ready to

you've always got to be ready to
fall<00:28:22.320> on<00:28:22.480> your<00:28:22.799> butt<00:28:23.200> you<00:28:23.279> know<00:28:23.440> i<00:28:23.520> mean<00:28:23.760> gary

fall on your butt you know i mean gary

fall on your butt you know i mean gary
husband<00:28:24.559> said<00:28:24.799> something<00:28:25.120> to<00:28:25.279> me<00:28:25.440> one<00:28:25.600> time

husband said something to me one time

husband said something to me one time
and<00:28:26.240> i<00:28:26.320> was<00:28:26.559> complaining<00:28:27.039> because<00:28:27.279> i'm<00:28:27.440> always

and i was complaining because i'm always

and i was complaining because i'm always
complaining<00:28:28.240> about<00:28:28.480> how<00:28:28.960> i<00:28:29.120> sucked

complaining about how i sucked

complaining about how i sucked
so<00:28:30.960> and<00:28:31.120> he<00:28:31.200> goes<00:28:31.440> like<00:28:31.679> well<00:28:31.919> man<00:28:32.240> you<00:28:32.320> can't

so and he goes like well man you can't

so and he goes like well man you can't
expect<00:28:32.880> to<00:28:33.039> kind<00:28:33.200> of<00:28:33.279> keep<00:28:33.520> digging<00:28:33.840> all<00:28:33.919> that

expect to kind of keep digging all that

expect to kind of keep digging all that
and<00:28:34.399> not<00:28:34.559> get<00:28:34.720> some<00:28:34.880> of<00:28:35.039> it<00:28:35.200> on<00:28:35.360> your<00:28:35.520> face

there's some truth in that

there's some truth in that
if<00:28:41.679> you<00:28:41.840> play<00:28:42.080> it<00:28:42.240> safe<00:28:42.640> all<00:28:42.799> the<00:28:42.960> time<00:28:43.360> then

if you play it safe all the time then

if you play it safe all the time then
you'll<00:28:43.840> never<00:28:44.080> make<00:28:44.240> a<00:28:44.320> mistake<00:28:44.720> with

you'll never make a mistake with

you'll never make a mistake with
everything

everything

everything
smooth<00:28:47.120> jazz

just

just
one<00:28:51.279> of<00:28:51.360> the<00:28:51.520> phrases<00:28:51.840> that<00:28:51.919> allen<00:28:52.240> uses<00:28:52.480> in

one of the phrases that allen uses in

one of the phrases that allen uses in
that<00:28:52.720> clip<00:28:53.039> is<00:28:53.200> uh

that clip is uh

that clip is uh
about<00:28:54.480> you<00:28:54.559> know<00:28:55.120> getting<00:28:55.679> on<00:28:55.760> your<00:28:55.919> face

about you know getting on your face

about you know getting on your face
and<00:28:56.720> you<00:28:56.880> know<00:28:57.200> what<00:28:57.360> you're<00:28:57.679> trying<00:28:57.840> to<00:28:58.000> dig

and you know what you're trying to dig

and you know what you're trying to dig
for<00:28:58.320> and<00:28:58.399> i<00:28:58.480> think<00:28:58.640> that's<00:28:58.880> okay

for and i think that's okay

for and i think that's okay
um<00:29:00.320> you<00:29:00.480> know<00:29:00.559> making<00:29:00.880> mistakes<00:29:01.279> and<00:29:01.440> i<00:29:01.520> think

um you know making mistakes and i think

um you know making mistakes and i think
there's<00:29:02.000> a<00:29:02.240> i<00:29:02.320> don't<00:29:02.480> know<00:29:02.559> who<00:29:02.640> said<00:29:02.799> it<00:29:02.880> but

there's a i don't know who said it but

there's a i don't know who said it but
there's<00:29:03.200> a<00:29:03.279> really<00:29:03.520> great<00:29:03.760> quote<00:29:03.919> where<00:29:04.080> it

there's a really great quote where it

there's a really great quote where it
says<00:29:04.320> if<00:29:04.399> you're<00:29:04.559> not<00:29:04.720> making<00:29:05.039> mistakes

says if you're not making mistakes

says if you're not making mistakes
you're<00:29:05.679> not<00:29:05.840> trying<00:29:06.159> hard<00:29:06.399> enough<00:29:06.640> and<00:29:06.799> i

you're not trying hard enough and i

you're not trying hard enough and i
firmly<00:29:07.679> uh<00:29:07.919> believe<00:29:08.320> that

before we get into the lines i want to

before we get into the lines i want to
talk<00:29:15.600> about<00:29:16.000> how<00:29:16.399> i<00:29:16.640> think<00:29:16.960> alan

talk about how i think alan

talk about how i think alan
thinks<00:29:18.240> of<00:29:18.399> harmony<00:29:18.960> and<00:29:19.120> also

thinks of harmony and also

thinks of harmony and also
why<00:29:20.480> some<00:29:20.640> of<00:29:20.799> his<00:29:21.120> solos<00:29:21.520> are<00:29:21.600> so<00:29:21.840> hard<00:29:22.000> to

why some of his solos are so hard to

why some of his solos are so hard to
follow<00:29:22.399> to<00:29:22.559> begin<00:29:22.799> with<00:29:23.360> allen<00:29:23.760> is<00:29:23.840> one<00:29:24.080> of<00:29:24.159> the

follow to begin with allen is one of the

follow to begin with allen is one of the
best<00:29:25.440> self-taught<00:29:26.000> guitar<00:29:26.399> players<00:29:27.039> ever<00:29:27.760> and

best self-taught guitar players ever and

best self-taught guitar players ever and
because<00:29:28.480> he's<00:29:28.640> self-taught<00:29:29.120> he<00:29:29.200> was<00:29:29.440> able<00:29:29.679> to

because he's self-taught he was able to

because he's self-taught he was able to
think<00:29:30.240> of<00:29:30.399> things<00:29:30.640> differently<00:29:31.520> and<00:29:31.919> part<00:29:32.240> of

think of things differently and part of

think of things differently and part of
that<00:29:32.799> is

that is

that is
the<00:29:33.919> beauty<00:29:34.159> of<00:29:34.240> it<00:29:34.399> is<00:29:34.559> it's<00:29:34.880> simplicity<00:29:35.760> it's

the beauty of it is it's simplicity it's

the beauty of it is it's simplicity it's
just<00:29:36.159> alan<00:29:36.480> made<00:29:36.720> it<00:29:37.120> as<00:29:37.360> complicated<00:29:38.000> as<00:29:38.159> it

just alan made it as complicated as it

just alan made it as complicated as it
could<00:29:38.480> be<00:29:38.640> with<00:29:38.880> a<00:29:39.039> very<00:29:39.360> very<00:29:39.679> simple<00:29:40.080> core<00:29:40.320> to

could be with a very very simple core to

could be with a very very simple core to
it<00:29:41.039> when<00:29:41.279> even<00:29:41.520> when<00:29:41.600> it<00:29:41.679> comes<00:29:41.919> to<00:29:42.000> scales

it when even when it comes to scales

it when even when it comes to scales
allen<00:29:42.720> had<00:29:42.799> a<00:29:42.880> very<00:29:43.120> mathematical<00:29:43.840> approach

allen had a very mathematical approach

allen had a very mathematical approach
to<00:29:44.320> it<00:29:44.480> which<00:29:44.720> if<00:29:44.799> you<00:29:44.960> watch<00:29:45.200> this<00:29:45.679> uh

to it which if you watch this uh

to it which if you watch this uh
instructional<00:29:46.480> video<00:29:47.200> you<00:29:47.360> might<00:29:47.520> have<00:29:47.600> seen

instructional video you might have seen

instructional video you might have seen
talk<00:29:48.080> about<00:29:48.320> it

talk about it

talk about it
so<00:29:49.760> i<00:29:50.000> figured<00:29:50.320> if<00:29:50.480> i

so i figured if i

so i figured if i
just<00:29:52.000> started<00:29:52.320> out<00:29:52.480> with<00:29:52.720> say<00:29:53.279> five<00:29:53.600> note

just started out with say five note

just started out with say five note
scales<00:29:54.399> then<00:29:54.640> i<00:29:54.720> could<00:29:54.960> take<00:29:55.520> just<00:29:55.760> permeate

scales then i could take just permeate

scales then i could take just permeate
them<00:29:56.480> all<00:29:56.799> like<00:29:57.039> one<00:29:57.279> through<00:29:57.520> five<00:29:57.840> then<00:29:58.000> one

them all like one through five then one

them all like one through five then one
two<00:29:58.399> three<00:29:58.640> four<00:29:58.880> six<00:29:59.120> one<00:29:59.279> two<00:29:59.520> three<00:29:59.760> four

two three four six one two three four

two three four six one two three four
seven<00:30:00.320> et<00:30:00.480> cetera<00:30:00.960> through<00:30:01.200> to<00:30:01.360> twelve

seven et cetera through to twelve

seven et cetera through to twelve
and<00:30:02.480> then<00:30:02.720> i<00:30:02.799> do<00:30:02.960> the<00:30:03.120> same<00:30:03.440> with<00:30:03.679> uh<00:30:04.000> six<00:30:04.320> not

and then i do the same with uh six not

and then i do the same with uh six not
seven<00:30:04.880> or<00:30:05.039> eight<00:30:05.279> not<00:30:05.679> nine<00:30:06.000> notes

seven or eight not nine notes

seven or eight not nine notes
and<00:30:07.200> then<00:30:07.520> i<00:30:07.760> uh<00:30:08.399> cataloged<00:30:08.960> them<00:30:09.120> and<00:30:09.279> filed

and then i uh cataloged them and filed

and then i uh cataloged them and filed
them<00:30:09.679> away<00:30:10.000> and

them away and

them away and
threw<00:30:11.679> away<00:30:12.000> all<00:30:12.080> the<00:30:12.240> ones<00:30:12.960> that<00:30:13.200> had<00:30:13.440> more

threw away all the ones that had more

threw away all the ones that had more
than<00:30:13.919> four<00:30:14.159> semitones<00:30:14.799> in<00:30:14.960> a<00:30:15.039> row<00:30:15.520> in<00:30:15.679> a

than four semitones in a row in a

than four semitones in a row in a
straight<00:30:16.159> row

straight row

straight row
and<00:30:17.520> i<00:30:17.760> just<00:30:18.000> analyzed<00:30:18.480> them<00:30:18.640> and<00:30:18.720> looked<00:30:18.960> at

and i just analyzed them and looked at

and i just analyzed them and looked at
them<00:30:19.279> until<00:30:19.600> i<00:30:19.760> could<00:30:20.000> see<00:30:20.240> uh<00:30:20.799> chords<00:30:21.279> within

them until i could see uh chords within

them until i could see uh chords within
them

them

them
but<00:30:22.880> yeah<00:30:23.440> visualizing<00:30:24.159> stuff<00:30:24.480> is<00:30:24.720> really<00:30:25.039> was

but yeah visualizing stuff is really was

but yeah visualizing stuff is really was
really<00:30:25.600> important<00:30:26.000> to<00:30:26.080> me<00:30:26.320> because<00:30:26.720> uh

really important to me because uh

really important to me because uh
you<00:30:27.840> know<00:30:28.000> being<00:30:28.240> as<00:30:28.399> a<00:30:28.480> person<00:30:28.720> that<00:30:28.880> can

you know being as a person that can

you know being as a person that can
almost<00:30:29.600> see

almost see

almost see
um<00:30:32.000> i<00:30:32.480> you<00:30:32.559> know<00:30:32.799> that's<00:30:33.039> how<00:30:33.200> i<00:30:33.360> first<00:30:33.679> started

um i you know that's how i first started

um i you know that's how i first started
figuring<00:30:35.360> out<00:30:36.080> like<00:30:36.399> uh

figuring out like uh

figuring out like uh
how<00:30:37.440> i<00:30:37.520> wanted<00:30:37.840> to<00:30:38.000> catalog<00:30:38.720> my<00:30:38.960> own<00:30:39.200> like

how i wanted to catalog my own like

how i wanted to catalog my own like
scales<00:30:40.000> and<00:30:40.080> try<00:30:40.240> to<00:30:40.399> work<00:30:40.640> on

scales and try to work on

scales and try to work on
things<00:30:42.000> after<00:30:42.240> i<00:30:42.399> stopped<00:30:42.640> working<00:30:43.200> with<00:30:43.440> my

things after i stopped working with my

things after i stopped working with my
dad<00:30:43.919> and<00:30:44.000> when<00:30:44.159> my<00:30:44.320> dad<00:30:44.559> passed<00:30:44.880> away<00:30:45.200> i<00:30:45.279> kind

dad and when my dad passed away i kind

dad and when my dad passed away i kind
of

of

of
i<00:30:46.320> just<00:30:46.559> decided<00:30:46.960> i<00:30:47.039> wanted<00:30:47.279> to<00:30:47.360> look<00:30:47.600> a<00:30:47.840> little

i just decided i wanted to look a little

i just decided i wanted to look a little
bit<00:30:48.240> differently<00:30:48.640> and<00:30:48.799> i<00:30:48.880> started<00:30:49.120> working<00:30:49.520> on

bit differently and i started working on

bit differently and i started working on
the<00:30:49.919> formulas<00:30:50.640> of<00:30:50.799> my<00:30:51.039> own

the formulas of my own

the formulas of my own
and<00:30:52.320> then<00:30:52.559> i<00:30:52.880> i<00:30:53.039> thought<00:30:53.279> okay<00:30:53.600> well<00:30:53.840> i'm<00:30:54.240> going

and then i i thought okay well i'm going

and then i i thought okay well i'm going
to<00:30:54.559> catalog<00:30:55.039> every<00:30:55.520> single<00:30:56.000> possible

to catalog every single possible

to catalog every single possible
combination<00:30:57.279> of

combination of

combination of
the

the

the
scales<00:31:01.279> in<00:31:01.440> one<00:31:01.679> octave<00:31:02.240> in<00:31:02.480> two<00:31:02.720> octaves<00:31:03.360> in

scales in one octave in two octaves in

scales in one octave in two octaves in
three<00:31:03.679> options<00:31:04.080> when<00:31:04.240> he<00:31:04.320> gets<00:31:04.640> past<00:31:04.960> two<00:31:05.200> one

three options when he gets past two one

three options when he gets past two one
it<00:31:05.679> gets<00:31:05.919> really<00:31:06.240> rough<00:31:07.039> but<00:31:07.279> i<00:31:07.360> would<00:31:07.679> but<00:31:07.840> i

it gets really rough but i would but i

it gets really rough but i would but i
started<00:31:08.399> with<00:31:08.640> one

started with one

started with one
and<00:31:10.399> that's<00:31:10.640> how<00:31:10.799> it<00:31:10.880> that's<00:31:11.120> how<00:31:11.279> i<00:31:11.519> kind<00:31:11.679> of

and that's how it that's how i kind of

and that's how it that's how i kind of
started<00:31:12.000> i<00:31:12.080> go<00:31:12.240> like<00:31:12.480> i'm<00:31:12.559> not<00:31:12.720> gonna<00:31:12.880> worry

started i go like i'm not gonna worry

started i go like i'm not gonna worry
about<00:31:13.360> the<00:31:13.440> names<00:31:13.840> i'm<00:31:14.000> gonna<00:31:14.240> name<00:31:14.480> them

about the names i'm gonna name them

about the names i'm gonna name them
myself<00:31:15.440> later

myself later

myself later
so<00:31:16.799> i<00:31:16.960> just<00:31:17.120> took<00:31:17.519> you<00:31:17.840> all<00:31:18.000> you<00:31:18.159> do<00:31:18.320> is<00:31:18.480> you

so i just took you all you do is you

so i just took you all you do is you
circle<00:31:19.200> one<00:31:19.600> whatever<00:31:20.000> key<00:31:20.240> it's<00:31:20.480> in<00:31:20.640> it

circle one whatever key it's in it

circle one whatever key it's in it
doesn't<00:31:21.200> matter<00:31:21.919> because<00:31:22.159> it's<00:31:22.399> going<00:31:22.559> to

doesn't matter because it's going to

doesn't matter because it's going to
replicate<00:31:23.279> itself

replicate itself

replicate itself
times<00:31:24.960> 12<00:31:25.440> whatever<00:31:26.000> so

times 12 whatever so

times 12 whatever so
i<00:31:27.039> would<00:31:27.120> just<00:31:27.360> take<00:31:27.679> one

i would just take one

i would just take one
and<00:31:28.880> in<00:31:29.039> this<00:31:29.200> case<00:31:29.519> i<00:31:29.760> chose<00:31:30.080> to<00:31:30.320> build<00:31:30.960> d<00:31:31.600> for

and in this case i chose to build d for

and in this case i chose to build d for
good<00:31:32.799> reason<00:31:33.279> actually

good reason actually

good reason actually
and<00:31:34.480> then<00:31:34.720> i<00:31:34.880> would<00:31:35.039> just<00:31:35.279> take<00:31:35.519> that<00:31:35.760> note

and then i would just take that note

and then i would just take that note
would<00:31:36.240> always<00:31:36.640> remain<00:31:37.039> the<00:31:37.200> same

would always remain the same

would always remain the same
then<00:31:38.320> i<00:31:38.399> go<00:31:38.640> like<00:31:38.880> one<00:31:39.120> through<00:31:39.440> twelve<00:31:40.080> there

then i go like one through twelve there

then i go like one through twelve there
we<00:31:40.399> go<00:31:41.039> one<00:31:41.279> two<00:31:41.440> three<00:31:41.679> how<00:31:41.840> many<00:31:42.000> notes<00:31:42.240> do

we go one two three how many notes do

we go one two three how many notes do
you<00:31:42.399> want<00:31:42.640> five<00:31:42.960> one<00:31:43.120> two<00:31:43.279> three<00:31:43.440> four<00:31:43.679> five

you want five one two three four five

you want five one two three four five
one<00:31:44.080> two<00:31:44.320> three<00:31:44.480> four<00:31:44.640> six<00:31:44.880> one<00:31:45.039> two<00:31:45.200> three

one two three four six one two three

one two three four six one two three
four<00:31:45.519> seven<00:31:45.760> one<00:31:45.919> two<00:31:46.080> three<00:31:46.240> four<00:31:46.480> right

four seven one two three four right

four seven one two three four right
until<00:31:47.279> i've<00:31:47.519> done<00:31:47.840> all<00:31:48.080> of<00:31:48.240> them

until i've done all of them

until i've done all of them
and<00:31:49.360> i<00:31:49.440> ended<00:31:49.679> up<00:31:49.840> with<00:31:50.000> a<00:31:50.080> pile<00:31:50.240> of<00:31:50.399> papers

and i ended up with a pile of papers

and i ended up with a pile of papers
like<00:31:50.960> this<00:31:51.679> and<00:31:51.840> then<00:31:52.080> anything<00:31:52.480> i<00:31:52.640> had<00:31:52.720> more

like this and then anything i had more

like this and then anything i had more
than<00:31:53.120> four<00:31:53.360> semitones<00:31:53.919> in<00:31:54.000> a<00:31:54.080> straight<00:31:54.399> row<00:31:54.640> i

than four semitones in a straight row i

than four semitones in a straight row i
just<00:31:54.880> discarded<00:31:55.519> them<00:31:55.760> i'll<00:31:55.840> put<00:31:56.000> them<00:31:56.159> in<00:31:56.240> a

just discarded them i'll put them in a

just discarded them i'll put them in a
separate<00:31:56.720> file

separate file

separate file
so<00:31:58.240> it<00:31:58.320> was<00:31:58.640> very<00:31:58.880> visual<00:31:59.360> for<00:31:59.519> me<00:31:59.760> for<00:31:59.919> me<00:32:00.159> so

so it was very visual for me for me so

so it was very visual for me for me so
like<00:32:00.559> when<00:32:00.799> i<00:32:00.880> look<00:32:01.039> at<00:32:01.120> the<00:32:01.279> guitar

like when i look at the guitar

like when i look at the guitar
i<00:32:02.480> see<00:32:02.720> it's<00:32:02.880> like<00:32:03.120> looking<00:32:03.519> at<00:32:03.919> for<00:32:04.080> me<00:32:04.240> it's

i see it's like looking at for me it's

i see it's like looking at for me it's
like<00:32:04.559> looking<00:32:04.880> at<00:32:05.039> an<00:32:05.200> abacus<00:32:05.600> machine<00:32:06.000> it's

like looking at an abacus machine it's

like looking at an abacus machine it's
like<00:32:06.880> i<00:32:07.120> i<00:32:07.279> can<00:32:07.519> actually<00:32:07.919> see<00:32:08.240> the<00:32:08.640> distance

like i i can actually see the distance

like i i can actually see the distance
between<00:32:09.519> the<00:32:09.679> intervals<00:32:10.559> see<00:32:10.880> oh<00:32:11.200> it's<00:32:11.360> this

between the intervals see oh it's this

between the intervals see oh it's this
two<00:32:12.080> half<00:32:12.320> steps<00:32:12.640> whole<00:32:12.880> step<00:32:13.200> after<00:32:13.679> whatever

two half steps whole step after whatever

two half steps whole step after whatever
and<00:32:14.880> when<00:32:15.039> i<00:32:15.120> look<00:32:15.279> at<00:32:15.360> the<00:32:15.519> guitar<00:32:15.840> i<00:32:15.919> go<00:32:16.080> oh

and when i look at the guitar i go oh

and when i look at the guitar i go oh
yeah<00:32:16.399> that's<00:32:16.559> what<00:32:16.880> and<00:32:17.039> then<00:32:17.440> when<00:32:17.600> i<00:32:17.840> when<00:32:18.000> i

yeah that's what and then when i when i

yeah that's what and then when i when i
look<00:32:18.320> at<00:32:18.399> the<00:32:18.480> guitar<00:32:18.960> that's<00:32:19.200> what<00:32:19.279> i<00:32:19.440> see

look at the guitar that's what i see

look at the guitar that's what i see
so<00:32:21.120> there's<00:32:21.360> this<00:32:21.600> particular<00:32:22.240> chord<00:32:22.480> that

so there's this particular chord that

so there's this particular chord that
that's<00:32:23.039> what<00:32:23.200> i<00:32:23.279> see<00:32:23.600> it's<00:32:23.679> just<00:32:23.840> like<00:32:24.080> i<00:32:24.240> see

that's what i see it's just like i see

that's what i see it's just like i see
all<00:32:24.640> of<00:32:24.720> those

all of those

all of those
what<00:32:25.919> i<00:32:26.080> call<00:32:26.399> available<00:32:27.120> notes

what i call available notes

what i call available notes
and<00:32:28.559> it's<00:32:28.720> just

and it's just

and it's just
intervallic<00:32:30.159> permutation<00:32:30.960> recognition

intervallic permutation recognition

intervallic permutation recognition
that's<00:32:31.840> what<00:32:32.000> i<00:32:32.159> call<00:32:32.399> it's<00:32:32.559> just<00:32:32.720> like<00:32:32.960> a<00:32:33.039> way

that's what i call it's just like a way

that's what i call it's just like a way
of<00:32:33.360> looking<00:32:33.679> at

of looking at

of looking at
the<00:32:34.640> distance<00:32:35.120> between<00:32:35.840> particularly<00:32:36.399> so

the distance between particularly so

the distance between particularly so
it's<00:32:36.799> very<00:32:37.039> visual

it's very visual

it's very visual
i<00:32:39.039> don't<00:32:39.200> know<00:32:39.279> if<00:32:39.360> that<00:32:39.519> helps<00:32:39.840> you<00:32:39.919> at<00:32:40.080> all

i don't know if that helps you at all

i don't know if that helps you at all
since<00:32:41.039> allen<00:32:41.360> figured<00:32:41.600> out<00:32:41.760> all<00:32:41.919> these<00:32:42.159> scales

since allen figured out all these scales

since allen figured out all these scales
he<00:32:42.880> categorized<00:32:43.679> them<00:32:44.399> uh<00:32:44.720> by<00:32:45.039> interval

he categorized them uh by interval

he categorized them uh by interval
structure<00:32:46.000> not<00:32:46.399> modally<00:32:47.200> allen<00:32:47.600> thinks<00:32:47.919> of

structure not modally allen thinks of

structure not modally allen thinks of
the<00:32:48.159> scale<00:32:48.480> as<00:32:48.640> a<00:32:48.720> gigantic<00:32:49.279> circle<00:32:49.679> so<00:32:49.840> with

the scale as a gigantic circle so with

the scale as a gigantic circle so with
no<00:32:50.240> beginning<00:32:50.960> uh<00:32:51.200> or<00:32:51.519> end<00:32:51.840> so<00:32:52.080> he<00:32:52.159> did<00:32:52.480> he

no beginning uh or end so he did he

no beginning uh or end so he did he
started<00:32:53.039> with<00:32:53.279> the<00:32:53.440> c<00:32:53.679> major<00:32:54.000> scale<00:32:54.480> because

started with the c major scale because

started with the c major scale because
it's<00:32:54.960> the<00:32:55.120> simplest<00:32:55.600> to<00:32:56.080> to<00:32:56.399> look<00:32:56.640> at<00:32:57.120> it<00:32:57.279> has

it's the simplest to to look at it has

it's the simplest to to look at it has
no<00:32:57.840> sharps<00:32:58.240> or<00:32:58.320> flats<00:32:58.799> c<00:32:59.120> d<00:32:59.440> e<00:32:59.840> f<00:33:00.080> g<00:33:00.399> a<00:33:00.799> b<00:33:01.120> and

no sharps or flats c d e f g a b and

no sharps or flats c d e f g a b and
then<00:33:01.360> repeats<00:33:01.760> back<00:33:02.000> to<00:33:02.080> c<00:33:02.320> again

then repeats back to c again

then repeats back to c again
uh<00:33:03.440> but<00:33:03.600> then<00:33:03.760> he<00:33:03.919> says<00:33:04.240> he<00:33:04.799> was<00:33:05.039> looking<00:33:05.360> for

uh but then he says he was looking for

uh but then he says he was looking for
he<00:33:05.679> was<00:33:05.760> trying<00:33:05.919> to<00:33:06.000> figure<00:33:06.240> out<00:33:06.399> the<00:33:06.880> what<00:33:07.039> he

he was trying to figure out the what he

he was trying to figure out the what he
called<00:33:07.360> the<00:33:07.440> harmonic<00:33:08.080> compass<00:33:08.640> of<00:33:08.960> where

called the harmonic compass of where

called the harmonic compass of where
that<00:33:09.600> scale<00:33:10.000> sort<00:33:10.159> of<00:33:10.320> makes<00:33:10.559> the<00:33:10.720> most<00:33:10.960> sense

that scale sort of makes the most sense

that scale sort of makes the most sense
we<00:33:11.760> started<00:33:12.080> with<00:33:12.320> the<00:33:12.720> c<00:33:12.960> major<00:33:13.279> scale<00:33:13.600> which

we started with the c major scale which

we started with the c major scale which
goes<00:33:14.559> whole<00:33:14.799> step<00:33:15.120> whole<00:33:15.360> step<00:33:15.679> half<00:33:15.919> step

goes whole step whole step half step

goes whole step whole step half step
whole<00:33:16.799> step<00:33:17.120> whole<00:33:17.360> step<00:33:17.760> whole<00:33:18.000> step<00:33:18.559> half

whole step whole step whole step half

whole step whole step whole step half
step<00:33:19.519> but<00:33:19.679> when<00:33:19.840> you<00:33:20.000> start<00:33:20.240> on<00:33:20.399> the<00:33:20.640> second

step but when you start on the second

step but when you start on the second
note<00:33:21.360> there

note there

note there
d<00:33:23.120> you<00:33:23.360> find<00:33:23.600> out<00:33:23.679> that<00:33:23.679> that<00:33:24.159> pattern<00:33:24.480> is

d you find out that that pattern is

d you find out that that pattern is
actually<00:33:24.960> perfectly<00:33:25.440> symmetrical

actually perfectly symmetrical

actually perfectly symmetrical
so<00:33:27.279> i<00:33:27.519> just<00:33:27.919> started<00:33:28.320> looking<00:33:28.559> at<00:33:28.720> all<00:33:28.799> the

so i just started looking at all the

so i just started looking at all the
intervals<00:33:29.600> and<00:33:29.840> i

intervals and i

intervals and i
think<00:33:30.720> okay<00:33:30.960> well<00:33:31.120> let<00:33:31.200> me<00:33:31.360> look<00:33:31.600> at<00:33:32.159> just<00:33:32.399> the

think okay well let me look at just the

think okay well let me look at just the
basic<00:33:32.880> c<00:33:33.120> major<00:33:33.440> scale<00:33:33.760> so<00:33:33.919> i'll<00:33:34.000> just<00:33:34.159> take

basic c major scale so i'll just take

basic c major scale so i'll just take
the<00:33:34.399> c<00:33:34.559> measurement<00:33:35.360> hey

the c measurement hey

the c measurement hey
where's<00:33:37.279> the<00:33:37.440> bottom<00:33:37.679> of<00:33:37.760> that<00:33:38.000> scale<00:33:38.320> for<00:33:38.480> you

where's the bottom of that scale for you

where's the bottom of that scale for you
like<00:33:38.960> on<00:33:39.120> a<00:33:39.360> on<00:33:39.519> a<00:33:39.600> harmonic<00:33:40.159> compass<00:33:40.799> and

like on a on a harmonic compass and

like on a on a harmonic compass and
you're<00:33:41.120> like

you're like

you're like
is<00:33:42.559> it<00:33:42.720> f<00:33:42.960> lydian<00:33:43.360> like<00:33:43.600> george<00:33:43.919> russell

is it f lydian like george russell

is it f lydian like george russell
is<00:33:45.519> it

is it

is it
then<00:33:46.960> all<00:33:47.039> the<00:33:47.200> notes<00:33:47.440> they<00:33:47.679> don't<00:33:47.919> they<00:33:48.159> don't

then all the notes they don't they don't

then all the notes they don't they don't
kind<00:33:48.720> of<00:33:48.880> line<00:33:49.120> up<00:33:49.200> and<00:33:49.279> then<00:33:49.440> when<00:33:49.600> i<00:33:49.679> got<00:33:49.840> to<00:33:50.000> d

kind of line up and then when i got to d

kind of line up and then when i got to d
he<00:33:50.320> was<00:33:50.480> like<00:33:50.799> oh<00:33:51.039> yeah<00:33:52.080> now<00:33:52.320> all<00:33:52.480> the<00:33:52.720> do<00:33:52.880> you

he was like oh yeah now all the do you

he was like oh yeah now all the do you
have<00:33:53.039> that<00:33:53.200> other<00:33:53.440> one<00:33:53.840> i'm<00:33:54.080> sorry

have that other one i'm sorry

have that other one i'm sorry
yeah<00:33:55.200> actually

yeah actually

yeah actually
that's<00:33:56.240> all<00:33:56.320> right<00:33:56.640> but<00:33:56.960> then<00:33:57.200> i<00:33:57.279> realized

that's all right but then i realized

that's all right but then i realized
that<00:33:57.919> when<00:33:58.080> i<00:33:58.320> when<00:33:58.559> i<00:33:58.640> got<00:33:58.799> to<00:33:58.960> d

that when i when i got to d

that when i when i got to d
that<00:34:00.000> it<00:34:00.159> was<00:34:00.320> perfectly<00:34:00.799> symmetrical<00:34:01.440> it<00:34:01.519> was

that it was perfectly symmetrical it was

that it was perfectly symmetrical it was
like<00:34:01.760> looking<00:34:02.080> at<00:34:02.240> this<00:34:02.399> little<00:34:02.720> compass

like looking at this little compass

like looking at this little compass
so<00:34:04.799> it<00:34:04.799> was<00:34:04.880> just<00:34:05.120> like<00:34:05.279> people<00:34:05.600> could<00:34:05.760> see

so it was just like people could see

so it was just like people could see
that<00:34:06.080> like<00:34:06.399> you<00:34:06.480> probably<00:34:06.720> can't<00:34:06.960> see<00:34:07.120> this

that like you probably can't see this

that like you probably can't see this
but<00:34:07.519> it<00:34:07.600> was<00:34:07.679> just<00:34:07.919> like

but it was just like

but it was just like
it's<00:34:09.040> perfectly<00:34:09.440> symmetrical<00:34:10.079> we<00:34:10.240> start<00:34:10.399> on<00:34:10.639> c

it's perfectly symmetrical we start on c

it's perfectly symmetrical we start on c
it's<00:34:10.960> kind<00:34:11.119> of<00:34:11.280> wonky<00:34:11.839> any<00:34:12.079> other<00:34:12.240> way<00:34:12.480> you<00:34:12.639> go

it's kind of wonky any other way you go

it's kind of wonky any other way you go
like<00:34:13.280> f<00:34:13.679> f<00:34:13.839> lydian<00:34:14.320> is<00:34:14.480> kind<00:34:14.639> of<00:34:14.720> not

like f f lydian is kind of not

like f f lydian is kind of not
symmetrical<00:34:16.079> but<00:34:16.399> when<00:34:16.560> i<00:34:16.639> got<00:34:16.800> to<00:34:16.960> there<00:34:17.119> i

symmetrical but when i got to there i

symmetrical but when i got to there i
went<00:34:17.359> oh<00:34:17.520> yeah<00:34:17.679> it's<00:34:17.839> perfect<00:34:18.320> it's

went oh yeah it's perfect it's

went oh yeah it's perfect it's
symmetrical<00:34:19.520> all<00:34:19.679> the<00:34:19.919> interval<00:34:20.800> distances

symmetrical all the interval distances

symmetrical all the interval distances
are<00:34:21.679> perfectly<00:34:22.240> symmetrical<00:34:22.800> so<00:34:22.960> i<00:34:22.960> go<00:34:23.280> i<00:34:23.359> can

are perfectly symmetrical so i go i can

are perfectly symmetrical so i go i can
remember<00:34:23.919> that<00:34:24.639> so<00:34:24.800> i<00:34:24.960> just<00:34:25.119> use<00:34:25.359> that<00:34:25.520> as<00:34:25.599> a

remember that so i just use that as a

remember that so i just use that as a
base<00:34:26.000> so<00:34:26.159> i<00:34:26.320> took<00:34:26.560> the<00:34:26.720> x<00:34:27.040> to<00:34:27.200> mean

base so i took the x to mean

base so i took the x to mean
x<00:34:29.200> just<00:34:29.440> applied<00:34:29.760> to<00:34:29.919> any<00:34:30.079> key<00:34:30.320> i<00:34:30.399> wanted<00:34:30.800> it<00:34:30.879> to

x just applied to any key i wanted it to

x just applied to any key i wanted it to
and<00:34:32.079> then<00:34:32.320> i<00:34:32.399> just<00:34:32.639> started<00:34:32.879> cataloging<00:34:33.520> the

and then i just started cataloging the

and then i just started cataloging the
scales

scales

scales
and<00:34:36.159> so<00:34:36.399> that's<00:34:36.560> what<00:34:36.879> that's<00:34:37.119> what<00:34:37.280> that

and so that's what that's what that

and so that's what that's what that
means<00:34:38.000> basically

means basically

means basically
there's<00:34:39.280> a<00:34:39.359> lot<00:34:39.520> of<00:34:39.599> other<00:34:39.839> symbols<00:34:40.320> too<00:34:40.560> that

there's a lot of other symbols too that

there's a lot of other symbols too that
don't<00:34:42.000> really<00:34:42.320> mean<00:34:42.560> much<00:34:42.800> to<00:34:42.879> anybody<00:34:43.359> else

don't really mean much to anybody else

don't really mean much to anybody else
but

but

but
and<00:34:44.639> it<00:34:44.720> really<00:34:45.040> doesn't<00:34:45.359> matter

and it really doesn't matter

and it really doesn't matter
because<00:34:46.720> it's<00:34:46.879> what<00:34:47.040> comes<00:34:47.359> out<00:34:47.599> in<00:34:47.679> the<00:34:47.839> end

because it's what comes out in the end

because it's what comes out in the end
what's<00:34:48.879> on<00:34:49.040> paper<00:34:49.520> is

what's on paper is

what's on paper is
not<00:34:50.480> really

not really

not really
it's<00:34:51.679> not<00:34:51.839> like<00:34:52.480> when<00:34:52.639> some<00:34:52.879> guy's<00:34:53.200> playing

it's not like when some guy's playing

it's not like when some guy's playing
like<00:34:53.839> giant<00:34:54.159> steps<00:34:54.480> backwards<00:34:54.960> it's<00:34:55.119> not<00:34:55.200> like

like giant steps backwards it's not like

like giant steps backwards it's not like
they<00:34:55.520> have<00:34:55.679> the<00:34:55.839> audience<00:34:56.320> to<00:34:56.399> chat<00:34:56.639> and<00:34:56.720> say

they have the audience to chat and say

they have the audience to chat and say
oh<00:34:57.200> he<00:34:57.839> up

oh he up

oh he up
you<00:34:59.280> know<00:34:59.680> it's<00:34:59.839> just<00:35:00.079> like<00:35:00.720> it's

you know i usually like write the you

you know i usually like write the you
know<00:35:06.880> like<00:35:07.119> i<00:35:07.200> write<00:35:07.440> things<00:35:07.680> out<00:35:07.839> with<00:35:08.000> like

know like i write things out with like

know like i write things out with like
they're<00:35:09.440> mostly<00:35:09.839> based<00:35:10.160> on<00:35:10.240> like<00:35:10.400> the<00:35:10.560> scope

they're mostly based on like the scope

they're mostly based on like the scope
the<00:35:11.119> scales<00:35:11.520> how<00:35:11.760> they<00:35:12.000> change<00:35:12.400> what<00:35:12.640> notes

the scales how they change what notes

the scales how they change what notes
are<00:35:13.119> in<00:35:13.280> those

are in those

are in those
and<00:35:14.960> then<00:35:15.200> i<00:35:15.280> just<00:35:15.440> have<00:35:15.599> these<00:35:15.920> charts<00:35:16.240> that

and then i just have these charts that

and then i just have these charts that
make<00:35:16.720> sense<00:35:16.960> to<00:35:17.119> me<00:35:17.280> but<00:35:17.440> don't<00:35:17.599> make<00:35:17.760> much

make sense to me but don't make much

make sense to me but don't make much
sense<00:35:18.240> to<00:35:18.400> anybody<00:35:18.800> else<00:35:18.960> and<00:35:19.040> they're<00:35:19.200> not

sense to anybody else and they're not

sense to anybody else and they're not
really<00:35:19.680> related<00:35:20.079> to<00:35:20.240> the<00:35:20.320> root<00:35:20.560> not<00:35:20.720> of<00:35:20.880> any

really related to the root not of any

really related to the root not of any
particular<00:35:21.599> scale<00:35:21.920> because<00:35:22.160> i<00:35:22.240> don't<00:35:22.400> think

particular scale because i don't think

particular scale because i don't think
like<00:35:22.800> that<00:35:22.880> i<00:35:22.960> just<00:35:23.119> think<00:35:23.280> of<00:35:23.440> a<00:35:23.520> scale<00:35:23.760> as

like that i just think of a scale as

like that i just think of a scale as
having

having

having
just<00:35:25.040> like<00:35:25.200> a<00:35:25.359> big<00:35:25.520> circle

just like a big circle

just like a big circle
so<00:35:26.960> when<00:35:27.200> one<00:35:27.599> chord<00:35:27.920> goes<00:35:28.160> to<00:35:28.320> the<00:35:28.400> next<00:35:28.560> one

so when one chord goes to the next one

so when one chord goes to the next one
it's<00:35:28.880> just<00:35:29.040> like<00:35:29.280> another<00:35:29.599> circle<00:35:29.920> with

it's just like another circle with

it's just like another circle with
another<00:35:30.480> color

another color

another color
and<00:35:31.680> you<00:35:31.760> just<00:35:31.920> go<00:35:32.079> by<00:35:32.320> like<00:35:32.480> this<00:35:32.960> and<00:35:33.119> then

and you just go by like this and then

and you just go by like this and then
you<00:35:33.440> just<00:35:33.599> have<00:35:33.760> to

you just have to

you just have to
try<00:35:34.880> and<00:35:35.280> pull<00:35:35.520> notes<00:35:35.839> out<00:35:36.000> of<00:35:36.079> those<00:35:36.240> scales

try and pull notes out of those scales

try and pull notes out of those scales
and<00:35:36.800> improvise<00:35:37.280> with<00:35:37.520> them<00:35:37.680> it's<00:35:38.079> pretty<00:35:38.240> much

and improvise with them it's pretty much

and improvise with them it's pretty much
the<00:35:38.640> same<00:35:38.880> thing<00:35:39.200> it's<00:35:39.359> just<00:35:39.680> a<00:35:39.760> different<00:35:40.000> way

the same thing it's just a different way

the same thing it's just a different way
of<00:35:40.240> going<00:35:40.480> about<00:35:40.720> it<00:35:40.880> i<00:35:40.960> guess<00:35:41.599> using<00:35:41.920> this<00:35:42.079> as

of going about it i guess using this as

of going about it i guess using this as
a<00:35:42.320> base<00:35:42.640> he<00:35:42.880> basically<00:35:43.280> was<00:35:43.440> able<00:35:43.599> to<00:35:43.839> find<00:35:44.240> all

a base he basically was able to find all

a base he basically was able to find all
the<00:35:44.720> no<00:35:45.040> scales<00:35:45.440> that<00:35:45.760> we<00:35:46.000> all<00:35:46.240> know<00:35:46.560> and<00:35:46.720> use

the no scales that we all know and use

the no scales that we all know and use
uh<00:35:47.760> and<00:35:47.839> even<00:35:48.160> some<00:35:48.480> that<00:35:48.720> most<00:35:48.960> people<00:35:49.200> don't

uh and even some that most people don't

uh and even some that most people don't
normally<00:35:49.839> use<00:35:50.480> now<00:35:50.640> for<00:35:50.800> anything<00:35:51.119> related<00:35:51.440> to

normally use now for anything related to

normally use now for anything related to
the<00:35:51.760> major<00:35:52.079> scale<00:35:52.480> allen<00:35:52.880> uses<00:35:53.280> dorian

the major scale allen uses dorian

the major scale allen uses dorian
for<00:35:54.400> its<00:35:54.720> symmetrical<00:35:55.440> shape<00:35:55.839> not<00:35:56.160> for<00:35:56.320> its

for its symmetrical shape not for its

for its symmetrical shape not for its
harmonic<00:35:57.119> sound<00:35:58.000> uh<00:35:58.320> and<00:35:58.560> then<00:35:59.200> the<00:35:59.280> symbol

harmonic sound uh and then the symbol

harmonic sound uh and then the symbol
for<00:35:59.680> that<00:35:59.920> is<00:36:00.160> x<00:36:00.400> because<00:36:00.720> x<00:36:00.960> stands<00:36:01.200> for

for that is x because x stands for

for that is x because x stands for
experiment<00:36:02.320> what's<00:36:02.800> x

experiment what's x

experiment what's x
well<00:36:03.920> x<00:36:04.240> is<00:36:04.400> easy<00:36:04.800> it<00:36:04.960> came<00:36:05.280> from<00:36:05.520> uh

well x is easy it came from uh

well x is easy it came from uh
you<00:36:06.960> know<00:36:07.119> like<00:36:07.359> if<00:36:07.520> you<00:36:08.079> if<00:36:08.240> you<00:36:08.320> take<00:36:08.720> like<00:36:09.040> a

you know like if you if you take like a

you know like if you if you take like a
simple<00:36:09.839> the<00:36:10.000> basic<00:36:10.320> how<00:36:10.560> it<00:36:10.640> started<00:36:11.119> was<00:36:11.839> x

simple the basic how it started was x

simple the basic how it started was x
stands<00:36:12.400> for<00:36:12.720> experiment<00:36:13.359> actually<00:36:13.680> because

stands for experiment actually because

stands for experiment actually because
it<00:36:14.000> was<00:36:14.160> just<00:36:14.320> an<00:36:14.480> experiment<00:36:15.119> like

it was just an experiment like

it was just an experiment like
if<00:36:16.400> somebody<00:36:16.640> makes<00:36:16.880> an<00:36:17.040> experimental<00:36:17.680> fire

if somebody makes an experimental fire

if somebody makes an experimental fire
around<00:36:18.240> this<00:36:18.640> serial<00:36:18.960> number<00:36:19.280> goes<00:36:19.760> x

around this serial number goes x

around this serial number goes x
something<00:36:21.599> so<00:36:21.760> it<00:36:21.760> was<00:36:21.920> just<00:36:22.160> an<00:36:22.320> experiment

something so it was just an experiment

something so it was just an experiment
so<00:36:23.760> instead<00:36:24.079> of<00:36:24.240> thinking<00:36:24.560> of<00:36:24.880> seven

so instead of thinking of seven

so instead of thinking of seven
different<00:36:25.839> modes<00:36:26.560> you're<00:36:26.800> only<00:36:26.960> thinking<00:36:27.280> of

different modes you're only thinking of

different modes you're only thinking of
one<00:36:27.760> scale<00:36:28.400> and<00:36:28.480> then<00:36:28.720> altering<00:36:29.359> that<00:36:29.599> you<00:36:29.760> can

one scale and then altering that you can

one scale and then altering that you can
get<00:36:30.079> melodic<00:36:30.640> minor

get melodic minor

get melodic minor
harmonic<00:36:32.160> minor<00:36:32.480> harmonic<00:36:32.960> major<00:36:33.440> etc<00:36:34.400> and<00:36:34.640> i

harmonic minor harmonic major etc and i

harmonic minor harmonic major etc and i
think<00:36:35.040> this<00:36:35.280> is<00:36:35.760> a<00:36:35.920> much<00:36:36.240> easier<00:36:36.640> approach

think this is a much easier approach

think this is a much easier approach
because<00:36:37.280> instead<00:36:37.520> of<00:36:37.680> thinking<00:36:38.079> of

because instead of thinking of

because instead of thinking of
28<00:36:39.680> different<00:36:40.079> modes<00:36:40.800> you're<00:36:40.960> just<00:36:41.280> thinking

28 different modes you're just thinking

28 different modes you're just thinking
of<00:36:41.839> four<00:36:42.320> scales<00:36:42.720> by<00:36:42.960> themselves<00:36:43.760> from<00:36:44.000> there

of four scales by themselves from there

of four scales by themselves from there
he<00:36:44.320> created<00:36:44.720> his<00:36:44.880> own<00:36:45.040> symbols<00:36:45.520> to<00:36:45.680> sort<00:36:45.920> of

he created his own symbols to sort of

he created his own symbols to sort of
recognize<00:36:47.200> what<00:36:47.440> those<00:36:47.920> prime<00:36:48.240> interval

recognize what those prime interval

recognize what those prime interval
permutations<00:36:49.200> would<00:36:49.280> be<00:36:49.920> again

permutations would be again

permutations would be again
not<00:36:51.440> necessarily<00:36:52.240> for<00:36:52.560> its<00:36:52.880> harmonic<00:36:53.680> content

not necessarily for its harmonic content

not necessarily for its harmonic content
but<00:36:54.480> it's<00:36:54.800> scale<00:36:55.280> shape

but it's scale shape

but it's scale shape
and<00:36:56.160> that's<00:36:56.400> basically<00:36:56.880> how<00:36:57.119> i<00:36:57.280> see<00:36:57.520> scales<00:36:58.240> i

and that's basically how i see scales i

and that's basically how i see scales i
see

see

see
them<00:37:00.240> from<00:37:00.480> the<00:37:00.640> lowest<00:37:01.040> note<00:37:01.280> to<00:37:01.440> the<00:37:01.520> highest

them from the lowest note to the highest

them from the lowest note to the highest
note

note

note
um<00:37:03.599> i<00:37:03.839> don't<00:37:04.079> have<00:37:04.240> a<00:37:04.320> different<00:37:04.720> name<00:37:04.960> for<00:37:05.119> a

um i don't have a different name for a

um i don't have a different name for a
different<00:37:05.520> scale<00:37:05.920> that<00:37:06.079> starts<00:37:06.480> on<00:37:06.640> any<00:37:06.800> one

different scale that starts on any one

different scale that starts on any one
of<00:37:07.040> these<00:37:07.359> notes<00:37:07.760> which<00:37:08.240> there<00:37:08.480> is

of these notes which there is

of these notes which there is
you<00:37:09.359> can<00:37:09.839> practically<00:37:10.320> name<00:37:10.640> any<00:37:10.800> scale

you can practically name any scale

you can practically name any scale
come<00:37:12.079> up<00:37:12.160> with<00:37:12.320> a<00:37:12.400> different<00:37:12.720> name<00:37:12.960> from<00:37:13.200> any

come up with a different name from any

come up with a different name from any
note<00:37:14.000> that<00:37:14.160> you<00:37:14.320> can<00:37:14.480> start<00:37:14.880> on<00:37:15.520> but<00:37:15.680> for<00:37:15.839> me

note that you can start on but for me

note that you can start on but for me
for<00:37:16.800> the<00:37:16.880> way<00:37:17.200> my<00:37:17.359> music<00:37:17.760> is

for the way my music is

for the way my music is
it<00:37:18.720> didn't<00:37:19.040> really

it didn't really

it didn't really
help<00:37:20.320> it<00:37:20.480> was<00:37:20.640> kind<00:37:20.800> of<00:37:20.960> a<00:37:21.040> hindrance<00:37:21.599> really

help it was kind of a hindrance really

help it was kind of a hindrance really
so<00:37:22.720> i<00:37:22.960> abbreviated<00:37:23.680> it<00:37:23.839> to<00:37:24.000> these<00:37:24.320> symbols

so i abbreviated it to these symbols

so i abbreviated it to these symbols
and<00:37:25.760> this<00:37:26.079> first<00:37:26.400> one<00:37:26.560> which<00:37:26.880> is

and this first one which is

and this first one which is
which<00:37:27.760> means<00:37:28.079> really<00:37:28.400> like<00:37:28.640> a<00:37:28.720> d<00:37:28.880> minor<00:37:29.200> with<00:37:29.359> a

which means really like a d minor with a

which means really like a d minor with a
natural<00:37:29.839> six<00:37:30.079> to<00:37:30.240> me<00:37:30.480> so

natural six to me so

natural six to me so
i<00:37:31.359> guess<00:37:31.599> for<00:37:31.680> me<00:37:31.839> the<00:37:32.000> only<00:37:32.160> thing<00:37:32.400> that<00:37:32.560> makes

i guess for me the only thing that makes

i guess for me the only thing that makes
one<00:37:33.200> scale<00:37:33.760> different<00:37:34.160> from<00:37:34.400> another<00:37:35.280> is<00:37:35.920> not

one scale different from another is not

one scale different from another is not
the<00:37:36.240> starting<00:37:36.800> note<00:37:37.359> it's

the starting note it's

the starting note it's
the<00:37:39.119> separation<00:37:39.760> of<00:37:39.839> the<00:37:40.000> intervals

the separation of the intervals

the separation of the intervals
for<00:37:41.280> example<00:37:41.760> if<00:37:41.920> it's<00:37:42.240> a<00:37:42.400> d<00:37:42.560> minor<00:37:42.960> major<00:37:43.280> 7

for example if it's a d minor major 7

for example if it's a d minor major 7
scale

scale

scale
i

i

i
the<00:37:46.480> name<00:37:47.119> which<00:37:47.440> i<00:37:47.680> give<00:37:47.839> to<00:37:48.079> a<00:37:48.160> scale<00:37:48.880> is<00:37:49.040> only

the name which i give to a scale is only

the name which i give to a scale is only
a<00:37:49.839> name<00:37:50.480> is<00:37:50.720> only<00:37:51.040> a<00:37:51.119> means<00:37:51.359> of<00:37:51.520> identification

a name is only a means of identification

a name is only a means of identification
it's<00:37:53.680> for<00:37:53.839> no<00:37:54.079> other<00:37:54.320> purpose

it's for no other purpose

it's for no other purpose
so<00:37:55.440> when<00:37:55.680> i<00:37:56.079> when<00:37:56.320> i<00:37:56.480> think<00:37:56.720> of<00:37:56.800> that<00:37:57.040> scale

so when i when i think of that scale

so when i when i think of that scale
i<00:37:58.160> don't<00:37:58.400> think<00:37:58.560> of<00:37:58.720> it<00:37:58.800> as<00:37:58.960> starting<00:37:59.359> on<00:37:59.599> d<00:38:00.079> i

i don't think of it as starting on d i

i don't think of it as starting on d i
think<00:38:00.400> of<00:38:00.560> it<00:38:00.720> as<00:38:01.119> it<00:38:01.440> starts<00:38:01.839> at<00:38:02.000> the<00:38:02.160> lowest

think of it as it starts at the lowest

think of it as it starts at the lowest
available<00:38:03.200> note<00:38:03.599> on<00:38:03.839> my<00:38:04.079> instrument<00:38:04.560> which

available note on my instrument which

available note on my instrument which
would<00:38:04.960> be

would be

would be
an<00:38:06.480> e

an e

an e
and<00:38:07.839> the<00:38:08.000> highest<00:38:08.320> available<00:38:08.800> note<00:38:08.960> which

and the highest available note which

and the highest available note which
would<00:38:09.280> be<00:38:09.359> another<00:38:09.920> e<00:38:10.480> the<00:38:10.640> high<00:38:10.880> e<00:38:11.040> so

would be another e the high e so

would be another e the high e so
that's<00:38:12.240> basically<00:38:12.640> how<00:38:12.880> i<00:38:12.960> think<00:38:13.200> of<00:38:13.359> scales

that's basically how i think of scales

that's basically how i think of scales
this<00:38:14.480> is<00:38:14.560> why<00:38:14.800> his<00:38:14.960> scale<00:38:15.280> charge<00:38:15.599> looks<00:38:15.839> so

this is why his scale charge looks so

this is why his scale charge looks so
bizarre<00:38:17.040> because<00:38:17.440> all<00:38:17.599> those<00:38:18.000> weird<00:38:18.400> symbols

bizarre because all those weird symbols

bizarre because all those weird symbols
are<00:38:19.040> actually<00:38:19.359> the<00:38:19.599> normal<00:38:19.920> scales<00:38:20.400> that

are actually the normal scales that

are actually the normal scales that
basically<00:38:21.520> everybody<00:38:22.079> knows<00:38:22.880> uh

basically everybody knows uh

basically everybody knows uh
in<00:38:23.920> his<00:38:24.160> video<00:38:24.480> he<00:38:24.640> talks<00:38:24.880> about<00:38:25.119> the<00:38:25.280> 10<00:38:25.520> most

in his video he talks about the 10 most

in his video he talks about the 10 most
usable<00:38:26.320> scales<00:38:26.800> and<00:38:26.960> his<00:38:27.280> book<00:38:27.520> is<00:38:27.680> actually

usable scales and his book is actually

usable scales and his book is actually
15

15

15
but<00:38:30.000> i<00:38:30.240> only<00:38:30.480> found<00:38:30.800> a<00:38:31.040> small<00:38:31.440> handful<00:38:31.839> of<00:38:31.920> ones

but i only found a small handful of ones

but i only found a small handful of ones
that<00:38:32.240> he's<00:38:32.400> actually<00:38:32.720> using<00:38:33.119> frequently<00:38:33.920> what

that he's actually using frequently what

that he's actually using frequently what
i've<00:38:34.240> done<00:38:34.560> is<00:38:34.720> i've<00:38:35.040> figured<00:38:35.359> out<00:38:35.680> what<00:38:35.920> i

i've done is i've figured out what i

i've done is i've figured out what i
would<00:38:36.480> say<00:38:36.800> would<00:38:37.040> be<00:38:37.680> 10<00:38:38.160> really<00:38:38.560> usable

would say would be 10 really usable

would say would be 10 really usable
scales<00:38:40.079> that<00:38:40.320> you<00:38:40.480> could<00:38:40.640> use<00:38:40.880> for<00:38:41.359> playing

scales that you could use for playing

scales that you could use for playing
over<00:38:41.920> most<00:38:42.480> most<00:38:42.800> anything

over most most anything

over most most anything
and<00:38:44.640> there<00:38:44.960> are<00:38:45.359> plenty<00:38:45.760> more

and there are plenty more

and there are plenty more
believe<00:38:46.800> me<00:38:47.040> but<00:38:47.440> um

believe me but um

believe me but um
these<00:38:48.640> i<00:38:48.800> think<00:38:49.040> are<00:38:49.119> the<00:38:49.440> most<00:38:49.760> usable<00:38:50.240> ones

these i think are the most usable ones

these i think are the most usable ones
to<00:38:50.960> date<00:38:51.280> there's<00:38:51.599> only<00:38:51.839> been<00:38:52.240> eight<00:38:52.480> of<00:38:52.560> his

to date there's only been eight of his

to date there's only been eight of his
handwritten<00:38:53.200> charts<00:38:53.440> that<00:38:53.599> are<00:38:53.760> found<00:38:54.480> and<00:38:54.640> if

handwritten charts that are found and if

handwritten charts that are found and if
you<00:38:54.880> look<00:38:55.119> at<00:38:55.200> them<00:38:55.680> the<00:38:55.920> all<00:38:56.160> and<00:38:56.320> you

you look at them the all and you

you look at them the all and you
understand<00:38:56.800> the<00:38:56.880> symbols<00:38:57.280> the<00:38:57.440> only<00:38:58.000> uh

understand the symbols the only uh

understand the symbols the only uh
scales<00:38:58.560> that<00:38:58.720> you<00:38:58.880> see<00:38:59.119> is<00:38:59.760> dorian

scales that you see is dorian

scales that you see is dorian
melodic<00:39:01.440> minor<00:39:02.000> and<00:39:02.160> the<00:39:02.240> diminished<00:39:02.640> scale

melodic minor and the diminished scale

melodic minor and the diminished scale
uh<00:39:03.920> once<00:39:04.160> in<00:39:04.240> a<00:39:04.320> while<00:39:04.480> you<00:39:04.640> see<00:39:04.880> this<00:39:05.040> ad<00:39:05.280> flat

uh once in a while you see this ad flat

uh once in a while you see this ad flat
sixth<00:39:05.839> scale<00:39:06.400> and<00:39:06.800> uh<00:39:07.520> it's<00:39:07.680> sometimes<00:39:08.079> used

sixth scale and uh it's sometimes used

sixth scale and uh it's sometimes used
as<00:39:08.400> an<00:39:08.560> alternate<00:39:09.040> scale<00:39:09.920> uh<00:39:10.240> for<00:39:10.400> another<00:39:10.800> one

as an alternate scale uh for another one

as an alternate scale uh for another one
and<00:39:11.599> also<00:39:11.920> you<00:39:12.240> see<00:39:12.560> some<00:39:12.720> of<00:39:12.800> these<00:39:13.119> other

and also you see some of these other

and also you see some of these other
scales<00:39:13.839> grouped<00:39:14.160> along<00:39:14.480> with<00:39:14.800> it<00:39:15.040> i<00:39:15.200> did<00:39:15.440> a

scales grouped along with it i did a

scales grouped along with it i did a
whole<00:39:15.760> video<00:39:16.160> about<00:39:16.480> that<00:39:16.880> um<00:39:17.119> that's<00:39:17.359> what

whole video about that um that's what

whole video about that um that's what
this<00:39:17.760> picture<00:39:18.079> is<00:39:18.400> uh<00:39:18.560> kind<00:39:18.720> of<00:39:18.880> about<00:39:19.599> uh<00:39:20.079> i

this picture is uh kind of about uh i

this picture is uh kind of about uh i
will<00:39:20.480> have<00:39:20.640> to<00:39:20.720> talk<00:39:20.960> about<00:39:21.200> that<00:39:21.440> later<00:39:21.760> but

will have to talk about that later but

will have to talk about that later but
if<00:39:22.000> you've<00:39:22.160> seen<00:39:22.320> that<00:39:22.480> now<00:39:22.800> you'll<00:39:22.960> know<00:39:23.119> what

if you've seen that now you'll know what

if you've seen that now you'll know what
i'm<00:39:23.359> talking<00:39:23.680> about<00:39:24.079> and<00:39:24.240> from<00:39:24.400> what<00:39:24.560> i've

i'm talking about and from what i've

i'm talking about and from what i've
transcribed<00:39:25.280> this<00:39:25.520> pretty<00:39:25.760> much<00:39:26.079> follows

transcribed this pretty much follows

transcribed this pretty much follows
what<00:39:27.280> allen's<00:39:27.680> playing

what allen's playing

what allen's playing
for<00:39:28.640> like<00:39:28.960> 80<00:39:29.599> of<00:39:29.680> the<00:39:29.760> time<00:39:30.079> he's<00:39:30.320> using<00:39:31.200> uh

for like 80 of the time he's using uh

for like 80 of the time he's using uh
the

the

the
x<00:39:32.560> or<00:39:32.720> dorian<00:39:33.359> you<00:39:33.520> know<00:39:33.599> with<00:39:33.680> some

x or dorian you know with some

x or dorian you know with some
chromaticism<00:39:34.640> here<00:39:34.800> and<00:39:34.880> there<00:39:35.599> the<00:39:35.760> second

chromaticism here and there the second

chromaticism here and there the second
most<00:39:36.320> is<00:39:36.480> melodic<00:39:36.960> minor<00:39:37.280> which<00:39:37.839> every<00:39:38.160> chart

most is melodic minor which every chart

most is melodic minor which every chart
might<00:39:38.720> have<00:39:38.960> like<00:39:39.520> one<00:39:39.839> or<00:39:40.000> two<00:39:40.240> places<00:39:40.560> where

might have like one or two places where

might have like one or two places where
melodic<00:39:41.119> minor<00:39:41.359> is<00:39:41.440> being<00:39:41.680> played

melodic minor is being played

melodic minor is being played
uh<00:39:42.640> and<00:39:42.720> then<00:39:42.960> the<00:39:43.280> third<00:39:43.599> most<00:39:43.839> used<00:39:44.000> scale<00:39:44.160> is

uh and then the third most used scale is

uh and then the third most used scale is
the<00:39:44.400> diminished<00:39:44.720> scale<00:39:45.040> which<00:39:45.680> maybe<00:39:46.000> you'll

the diminished scale which maybe you'll

the diminished scale which maybe you'll
see<00:39:46.480> like<00:39:46.800> every<00:39:47.200> other<00:39:47.680> chart<00:39:48.240> not<00:39:48.400> as<00:39:48.640> often

see like every other chart not as often

see like every other chart not as often
but<00:39:49.119> it's<00:39:49.280> still<00:39:49.520> there

but it's still there

but it's still there
so<00:39:50.480> the<00:39:50.560> other<00:39:50.800> scales<00:39:51.760> that<00:39:52.400> may<00:39:52.560> have<00:39:52.720> been

so the other scales that may have been

so the other scales that may have been
used<00:39:53.200> purposefully

used purposefully

used purposefully
like<00:39:55.280> harmonic<00:39:55.839> minor<00:39:56.400> there's<00:39:56.640> really<00:39:56.800> no

like harmonic minor there's really no

like harmonic minor there's really no
charts<00:39:57.520> that<00:39:57.920> show<00:39:58.160> that<00:39:58.320> it's<00:39:58.560> usually<00:39:58.800> those

charts that show that it's usually those

charts that show that it's usually those
four<00:39:59.359> scales<00:39:59.760> grouped<00:40:00.079> together

four scales grouped together

four scales grouped together
and<00:40:01.200> those<00:40:01.520> scales<00:40:01.920> that<00:40:02.000> you<00:40:02.160> don't<00:40:02.240> really

and those scales that you don't really

and those scales that you don't really
see<00:40:02.560> that<00:40:02.720> often<00:40:03.440> the<00:40:03.680> ad<00:40:03.839> flat<00:40:04.160> sixth<00:40:04.400> scale

see that often the ad flat sixth scale

see that often the ad flat sixth scale
uh

uh

uh
the<00:40:06.640> other<00:40:06.800> scales<00:40:07.119> kind<00:40:07.200> of<00:40:07.280> belong<00:40:07.599> to<00:40:07.760> them

the other scales kind of belong to them

the other scales kind of belong to them
so<00:40:08.079> that<00:40:08.240> would<00:40:08.640> and<00:40:08.720> that<00:40:08.960> the<00:40:09.040> way<00:40:09.119> that

so that would and that the way that

so that would and that the way that
allen<00:40:09.599> write<00:40:09.839> it<00:40:09.920> out<00:40:10.319> would<00:40:10.560> be<00:40:10.960> melodic

allen write it out would be melodic

allen write it out would be melodic
minor<00:40:11.760> with<00:40:11.839> the<00:40:12.000> flat<00:40:12.319> six<00:40:12.960> that's<00:40:13.200> harmonic

minor with the flat six that's harmonic

minor with the flat six that's harmonic
minor

minor

minor
melodic<00:40:15.280> minor<00:40:15.760> with<00:40:16.000> the<00:40:16.240> sharp<00:40:16.640> four<00:40:16.960> which

melodic minor with the sharp four which

melodic minor with the sharp four which
is<00:40:17.359> lydian<00:40:17.680> minor<00:40:18.079> which<00:40:18.319> belongs<00:40:18.720> to

is lydian minor which belongs to

is lydian minor which belongs to
harmonic<00:40:19.680> major<00:40:20.400> and<00:40:20.640> dorian<00:40:21.119> sharp<00:40:21.440> four

harmonic major and dorian sharp four

harmonic major and dorian sharp four
which<00:40:21.920> is<00:40:22.000> actually<00:40:22.319> a<00:40:22.400> mode<00:40:22.640> of<00:40:22.720> harmonic

which is actually a mode of harmonic

which is actually a mode of harmonic
minor<00:40:23.520> so<00:40:23.680> it's<00:40:23.920> really<00:40:24.240> just<00:40:24.480> three<00:40:25.119> and<00:40:25.280> even

minor so it's really just three and even

minor so it's really just three and even
with<00:40:25.680> all<00:40:25.920> of<00:40:26.000> those<00:40:26.560> uh<00:40:26.800> the<00:40:26.960> ad<00:40:27.200> flat<00:40:27.520> sixth

with all of those uh the ad flat sixth

with all of those uh the ad flat sixth
scale<00:40:28.000> probably<00:40:28.240> gets<00:40:28.480> used<00:40:28.720> the<00:40:28.800> most<00:40:29.599> uh

scale probably gets used the most uh

scale probably gets used the most uh
really<00:40:30.720> as<00:40:30.960> like<00:40:31.119> a<00:40:31.280> passing<00:40:31.760> tone<00:40:32.079> kind<00:40:32.319> of

really as like a passing tone kind of

really as like a passing tone kind of
scale<00:40:32.720> so<00:40:32.880> ellen<00:40:33.119> might<00:40:33.280> be<00:40:33.440> playing<00:40:33.599> in<00:40:33.680> major

scale so ellen might be playing in major

scale so ellen might be playing in major
and<00:40:34.079> then<00:40:34.240> throwing<00:40:34.560> the<00:40:34.720> flat<00:40:34.960> six<00:40:35.280> uh<00:40:35.680> note

and then throwing the flat six uh note

and then throwing the flat six uh note
in<00:40:36.160> there

in there

in there
but<00:40:37.359> in<00:40:37.440> his<00:40:37.680> charts<00:40:38.000> you<00:40:38.079> don't<00:40:38.480> you<00:40:38.640> don't

but in his charts you don't you don't

but in his charts you don't you don't
really<00:40:39.359> see<00:40:39.599> it<00:40:39.839> specifically<00:40:40.560> it's<00:40:40.720> usually

really see it specifically it's usually

really see it specifically it's usually
as<00:40:41.200> an<00:40:41.280> alternate<00:40:41.599> like<00:40:41.760> i<00:40:41.839> said<00:40:42.000> to<00:40:42.079> another

as an alternate like i said to another

as an alternate like i said to another
one<00:40:42.960> but<00:40:43.200> i<00:40:43.359> think<00:40:43.599> these<00:40:43.839> are

one but i think these are

one but i think these are
very<00:40:44.800> useful<00:40:45.280> skills<00:40:46.160> particularly<00:40:46.720> the

very useful skills particularly the

very useful skills particularly the
first<00:40:47.359> five<00:40:47.839> because<00:40:48.079> they're<00:40:48.319> more

first five because they're more

first five because they're more
harmonically<00:40:49.599> defined<00:40:50.640> than<00:40:51.040> the<00:40:51.359> last<00:40:51.839> five

harmonically defined than the last five

harmonically defined than the last five
which<00:40:52.400> i<00:40:52.640> grew<00:40:52.800> up<00:40:52.960> as<00:40:53.119> the<00:40:53.280> jazz<00:40:53.520> scales<00:40:53.920> the

which i grew up as the jazz scales the

which i grew up as the jazz scales the
jazz<00:40:54.319> scales<00:40:54.720> have<00:40:55.200> extra<00:40:55.599> knots<00:40:55.920> and<00:40:56.000> one

jazz scales have extra knots and one

jazz scales have extra knots and one
extra<00:40:56.560> not<00:40:56.800> usually<00:40:57.200> in<00:40:57.359> each<00:40:57.599> one

extra not usually in each one

extra not usually in each one
which<00:40:59.040> makes<00:40:59.280> them<00:40:59.520> in<00:40:59.680> some<00:40:59.839> ways<00:41:00.079> a<00:41:00.160> little

which makes them in some ways a little

which makes them in some ways a little
more<00:41:00.640> ambiguous<00:41:01.280> but<00:41:01.520> nevertheless<00:41:02.560> i<00:41:02.720> think

more ambiguous but nevertheless i think

more ambiguous but nevertheless i think
they're<00:41:03.200> really<00:41:03.440> useful<00:41:03.839> and<00:41:04.000> i<00:41:04.079> think<00:41:04.319> it's

they're really useful and i think it's

they're really useful and i think it's
good<00:41:05.040> to<00:41:05.200> know<00:41:05.359> them<00:41:05.920> even<00:41:06.160> in<00:41:06.240> that<00:41:06.400> famous

good to know them even in that famous

good to know them even in that famous
section<00:41:07.200> in<00:41:07.359> letters<00:41:07.680> of<00:41:07.760> mark<00:41:08.319> that's<00:41:08.640> all

section in letters of mark that's all

section in letters of mark that's all
harmonic<00:41:09.440> major<00:41:10.079> if<00:41:10.240> you<00:41:10.319> look<00:41:10.400> at<00:41:10.560> allen's

harmonic major if you look at allen's

harmonic major if you look at allen's
chart<00:41:11.200> he<00:41:11.440> groups<00:41:11.760> all<00:41:11.920> those<00:41:12.160> four<00:41:12.480> scales

chart he groups all those four scales

chart he groups all those four scales
together<00:41:13.760> like<00:41:14.000> if<00:41:14.160> i<00:41:14.319> played<00:41:14.560> this<00:41:14.800> in<00:41:14.960> e

together like if i played this in e

together like if i played this in e
which

which

which
i<00:41:17.119> used<00:41:17.359> in<00:41:17.520> one<00:41:17.920> tune<00:41:18.640> from<00:41:18.880> a<00:41:19.359> while<00:41:19.520> ago<00:41:19.760> on

i used in one tune from a while ago on

i used in one tune from a while ago on
the<00:41:19.920> old<00:41:20.160> iou<00:41:20.640> album

the old iou album

the old iou album
there<00:41:21.599> was<00:41:21.760> an<00:41:21.920> e-pedal<00:41:22.400> section<00:41:22.720> in<00:41:22.800> them<00:41:23.280> in

there was an e-pedal section in them in

there was an e-pedal section in them in
a<00:41:23.520> tune<00:41:23.839> called<00:41:24.079> letters<00:41:24.400> of<00:41:24.560> mark<00:41:24.960> was<00:41:25.200> based

a tune called letters of mark was based

a tune called letters of mark was based
kind<00:41:26.240> of<00:41:26.400> on<00:41:26.480> this<00:41:26.720> scale<00:41:27.040> really

kind of on this scale really

kind of on this scale really
and<00:41:28.640> i've<00:41:28.880> heard<00:41:29.040> some<00:41:29.280> people<00:41:29.520> call<00:41:29.839> that

and i've heard some people call that

and i've heard some people call that
scale<00:41:30.319> a<00:41:30.400> b<00:41:30.640> harmonic<00:41:31.119> major<00:41:31.520> but<00:41:32.160> for<00:41:32.319> me<00:41:32.560> like

scale a b harmonic major but for me like

scale a b harmonic major but for me like
i<00:41:32.880> said<00:41:33.119> i<00:41:33.200> always<00:41:33.440> relate<00:41:33.760> them<00:41:34.079> to<00:41:34.240> the

i said i always relate them to the

i said i always relate them to the
to<00:41:36.000> the<00:41:36.160> closest<00:41:36.640> minor<00:41:37.119> in<00:41:37.359> in<00:41:37.599> my<00:41:37.839> head

to the closest minor in in my head

to the closest minor in in my head
if<00:41:39.200> there<00:41:39.359> is<00:41:39.520> anything<00:41:39.920> in<00:41:40.000> my<00:41:40.240> head

if there is anything in my head

if there is anything in my head
um<00:41:41.760> this<00:41:42.000> is<00:41:42.160> the<00:41:42.319> crazy<00:41:42.720> symbol<00:41:43.040> that<00:41:43.200> i<00:41:43.359> use

um this is the crazy symbol that i use

um this is the crazy symbol that i use
for<00:41:43.680> that<00:41:44.000> and

for that and

for that and
the<00:41:45.119> chords<00:41:45.440> i<00:41:45.599> was<00:41:45.680> talking<00:41:46.000> about<00:41:46.240> were<00:41:46.400> just

the chords i was talking about were just

the chords i was talking about were just
[Music]

[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

all of those codes just come from that

all of those codes just come from that
one<00:41:59.200> scale

one scale

one scale
[Music]

in fact oftentimes al doesn't even

in fact oftentimes al doesn't even
follow<00:42:13.200> that<00:42:13.440> chart<00:42:13.680> and<00:42:13.839> he<00:42:14.000> plays

follow that chart and he plays

follow that chart and he plays
more<00:42:15.599> hand<00:42:15.839> pattern<00:42:16.240> shapes<00:42:16.560> to<00:42:16.640> create

more hand pattern shapes to create

more hand pattern shapes to create
tension<00:42:17.680> which<00:42:17.839> is<00:42:18.000> what<00:42:18.160> i<00:42:18.240> was<00:42:18.400> talking

tension which is what i was talking

tension which is what i was talking
about<00:42:18.960> before

about before

about before
and<00:42:20.240> you'll<00:42:20.400> see<00:42:20.560> that<00:42:20.640> in<00:42:20.720> the<00:42:20.880> outside

and you'll see that in the outside

and you'll see that in the outside
section<00:42:21.599> as<00:42:21.680> well<00:42:22.400> of<00:42:22.560> course<00:42:22.960> these<00:42:23.200> are<00:42:23.520> only

section as well of course these are only

section as well of course these are only
my<00:42:24.160> opinions<00:42:24.960> and<00:42:25.119> i<00:42:25.200> can<00:42:25.359> never<00:42:25.599> 100<00:42:26.319> tell<00:42:26.480> you

my opinions and i can never 100 tell you

my opinions and i can never 100 tell you
if

if

if
if<00:42:27.920> those<00:42:28.160> patterns<00:42:28.560> are<00:42:28.720> part<00:42:28.880> of<00:42:28.960> something

if those patterns are part of something

if those patterns are part of something
or<00:42:29.520> how<00:42:29.680> alan's<00:42:30.079> thinking<00:42:30.319> about<00:42:30.560> him<00:42:30.880> but<00:42:31.119> i'm

or how alan's thinking about him but i'm

or how alan's thinking about him but i'm
going<00:42:31.520> by<00:42:31.760> what<00:42:31.920> i've<00:42:32.240> seen<00:42:32.960> and<00:42:33.520> like<00:42:33.760> i<00:42:33.839> said

going by what i've seen and like i said

going by what i've seen and like i said
for<00:42:34.160> me<00:42:34.400> thinking<00:42:34.800> generally<00:42:35.520> really<00:42:35.839> helped

for me thinking generally really helped

for me thinking generally really helped
out<00:42:36.400> a<00:42:36.480> lot<00:42:36.960> just<00:42:37.200> to<00:42:37.359> create<00:42:37.760> tension<00:42:38.400> and<00:42:38.560> not

out a lot just to create tension and not

out a lot just to create tension and not
really<00:42:38.960> worry<00:42:39.280> about<00:42:39.440> the<00:42:39.599> notes<00:42:39.920> that<00:42:40.000> you're

really worry about the notes that you're

really worry about the notes that you're
playing<00:42:40.480> because<00:42:40.640> you<00:42:40.720> know<00:42:40.880> you're<00:42:41.040> going<00:42:41.119> to

playing because you know you're going to

playing because you know you're going to
resolve<00:42:41.599> it<00:42:41.760> somewhere<00:42:42.160> afterwards<00:42:43.119> but<00:42:43.280> if

resolve it somewhere afterwards but if

resolve it somewhere afterwards but if
knowing<00:42:43.839> a<00:42:43.920> lot<00:42:44.079> of<00:42:44.240> different<00:42:44.640> scales<00:42:45.599> uh

knowing a lot of different scales uh

knowing a lot of different scales uh
help<00:42:46.480> then<00:42:46.640> i<00:42:46.800> see<00:42:46.960> that's<00:42:47.200> great<00:42:47.599> like<00:42:47.680> i<00:42:47.760> said

help then i see that's great like i said

help then i see that's great like i said
there's<00:42:48.079> no<00:42:48.240> right<00:42:48.480> or<00:42:48.560> wrong<00:42:48.720> way<00:42:48.960> of<00:42:49.040> doing

there's no right or wrong way of doing

there's no right or wrong way of doing
it<00:42:49.440> you<00:42:49.760> you're<00:42:50.400> the<00:42:50.480> approach<00:42:50.880> that<00:42:51.040> you<00:42:51.280> feel

it you you're the approach that you feel

it you you're the approach that you feel
most<00:42:52.000> comfortable<00:42:52.319> with<00:42:52.560> is<00:42:52.720> the<00:42:52.800> best<00:42:53.040> one<00:42:53.359> i

most comfortable with is the best one i

most comfortable with is the best one i
also<00:42:53.680> want<00:42:53.839> to<00:42:53.920> bring<00:42:54.160> up<00:42:54.240> that<00:42:54.400> not<00:42:54.560> only<00:42:54.960> did

also want to bring up that not only did

also want to bring up that not only did
alan<00:42:55.520> figure<00:42:55.920> out<00:42:56.400> every<00:42:56.640> possible<00:42:57.599> five<00:42:58.079> six

alan figure out every possible five six

alan figure out every possible five six
seven

seven

seven
eight<00:42:59.680> and<00:42:59.839> even<00:43:00.079> nine<00:43:00.319> note<00:43:00.640> scale<00:43:01.119> but<00:43:01.359> he

eight and even nine note scale but he

eight and even nine note scale but he
does<00:43:01.680> talk<00:43:01.920> about<00:43:02.160> scales<00:43:02.560> that<00:43:02.720> don't

does talk about scales that don't

does talk about scales that don't
complete<00:43:03.200> themselves<00:43:03.760> in<00:43:03.920> two<00:43:04.240> or<00:43:04.400> three

complete themselves in two or three

complete themselves in two or three
octaves

octaves

octaves
there's<00:43:06.319> obviously

there's obviously

there's obviously
a<00:43:08.240> lot<00:43:08.400> of<00:43:08.560> scales<00:43:09.280> and<00:43:09.520> the<00:43:09.680> thing<00:43:09.920> is<00:43:10.079> that

a lot of scales and the thing is that

a lot of scales and the thing is that
a<00:43:11.359> lot<00:43:11.520> of<00:43:11.599> them<00:43:11.680> that<00:43:11.839> i've<00:43:12.079> experimented

a lot of them that i've experimented

a lot of them that i've experimented
with<00:43:12.960> don't<00:43:13.119> complete<00:43:13.520> themselves<00:43:13.920> in<00:43:14.000> one

with don't complete themselves in one

with don't complete themselves in one
octave<00:43:14.560> they<00:43:14.720> take<00:43:14.960> two<00:43:15.200> octaves<00:43:15.599> and

octave they take two octaves and

octave they take two octaves and
sometimes<00:43:16.400> three

sometimes three

sometimes three
but<00:43:17.520> in<00:43:17.680> a<00:43:17.760> clinic<00:43:18.319> uh<00:43:18.640> done<00:43:19.040> a<00:43:19.200> few<00:43:19.359> years

but in a clinic uh done a few years

but in a clinic uh done a few years
afterwards<00:43:20.079> someone<00:43:20.400> asked<00:43:20.560> him<00:43:20.640> about<00:43:20.800> him

afterwards someone asked him about him

afterwards someone asked him about him
allen<00:43:21.280> says<00:43:21.520> that<00:43:21.599> he<00:43:21.760> could<00:43:21.920> never<00:43:22.160> figure<00:43:22.480> it

allen says that he could never figure it

allen says that he could never figure it
out<00:43:23.200> so<00:43:23.520> i'm<00:43:23.599> not<00:43:23.760> even<00:43:24.000> going<00:43:24.079> to<00:43:24.160> try<00:43:24.319> to

out so i'm not even going to try to

out so i'm not even going to try to
attempt<00:43:24.800> what<00:43:24.960> i<00:43:25.040> think<00:43:25.280> alan<00:43:25.599> was

attempt what i think alan was

attempt what i think alan was
thinking<00:43:26.720> about<00:43:26.960> or<00:43:27.119> trying<00:43:27.440> to<00:43:27.520> do<00:43:27.760> with<00:43:27.839> that

thinking about or trying to do with that

thinking about or trying to do with that
in<00:43:29.440> your<00:43:29.680> lesson<00:43:30.079> video<00:43:30.319> you<00:43:30.480> talked<00:43:30.720> about

in your lesson video you talked about

in your lesson video you talked about
having<00:43:31.440> skills<00:43:31.839> with<00:43:31.920> those<00:43:32.560> that<00:43:32.720> don't

having skills with those that don't

having skills with those that don't
resolve<00:43:33.280> that<00:43:33.520> they're<00:43:33.599> like

resolve that they're like

resolve that they're like
yourself

yourself

yourself
oh<00:43:35.680> don't<00:43:35.920> ask<00:43:36.079> me<00:43:36.240> about<00:43:36.400> that<00:43:36.560> now<00:43:36.800> that<00:43:36.880> was

oh don't ask me about that now that was

oh don't ask me about that now that was
a<00:43:37.040> long<00:43:37.280> time<00:43:37.520> ago

well no they just i just they just feel

well no they just i just they just feel
like<00:43:45.280> building<00:43:45.680> lines<00:43:46.000> from<00:43:46.480> really<00:43:46.720> i<00:43:47.040> i

like building lines from really i i

like building lines from really i i
could<00:43:47.359> never<00:43:47.680> figure<00:43:47.920> it<00:43:48.079> out<00:43:48.240> they<00:43:48.480> just<00:43:48.640> like

could never figure it out they just like

could never figure it out they just like
that<00:43:49.359> it's<00:43:49.599> almost<00:43:49.920> like<00:43:50.160> taking<00:43:50.560> church<00:43:50.880> with

that it's almost like taking church with

that it's almost like taking church with
things<00:43:51.280> and<00:43:51.359> they<00:43:51.520> end<00:43:51.680> up<00:43:51.920> being<00:43:52.160> like<00:43:52.480> merged

things and they end up being like merged

things and they end up being like merged
it's<00:43:52.880> like<00:43:53.119> overlaying

it's like overlaying

it's like overlaying
the<00:43:54.560> chords<00:43:54.880> over<00:43:55.119> chords<00:43:55.599> you<00:43:55.680> know

now you know i haven't worked with that

now you know i haven't worked with that
for<00:44:00.720> a<00:44:00.720> long<00:44:00.960> time<00:44:01.200> it's<00:44:01.359> pretty<00:44:01.599> hard<00:44:01.839> on<00:44:01.920> the

for a long time it's pretty hard on the

for a long time it's pretty hard on the
guitar<00:44:02.480> i<00:44:02.560> think

guitar i think

guitar i think
to<00:44:03.760> do<00:44:03.920> those

to do those

to do those
even<00:44:05.200> two<00:44:05.440> octaves<00:44:05.839> get<00:44:06.079> really<00:44:06.839> rough<00:44:07.920> so<00:44:08.079> no

even two octaves get really rough so no

even two octaves get really rough so no
matter<00:44:08.560> the<00:44:08.800> chord<00:44:09.599> allen<00:44:09.920> doesn't<00:44:10.160> care<00:44:10.400> what

matter the chord allen doesn't care what

matter the chord allen doesn't care what
mode<00:44:11.200> that<00:44:11.440> chord<00:44:11.760> would<00:44:11.920> belong<00:44:12.319> to<00:44:12.560> but<00:44:12.720> just

mode that chord would belong to but just

mode that chord would belong to but just
its<00:44:13.359> parent<00:44:13.760> scale<00:44:14.480> so<00:44:14.640> for<00:44:14.880> example<00:44:15.680> if<00:44:15.839> the

its parent scale so for example if the

its parent scale so for example if the
chord<00:44:16.319> was<00:44:16.480> c<00:44:16.640> major<00:44:17.040> seven<00:44:17.760> he<00:44:18.000> would<00:44:18.240> write

chord was c major seven he would write

chord was c major seven he would write
uh<00:44:19.280> d

uh d

uh d
x<00:44:20.240> or<00:44:20.319> d<00:44:20.560> dorian<00:44:20.960> or<00:44:21.119> even<00:44:21.359> maybe<00:44:21.680> write<00:44:22.000> c<00:44:22.720> f

x or d dorian or even maybe write c f

x or d dorian or even maybe write c f
major<00:44:23.280> 7<00:44:23.680> sharp<00:44:23.920> 11<00:44:24.480> same<00:44:24.720> thing<00:44:24.960> he<00:44:25.119> would

major 7 sharp 11 same thing he would

major 7 sharp 11 same thing he would
write<00:44:25.839> d<00:44:26.079> dorian<00:44:26.880> g7<00:44:27.680> same<00:44:28.000> thing<00:44:28.160> would<00:44:28.319> write

write d dorian g7 same thing would write

write d dorian g7 same thing would write
d<00:44:28.720> dorian<00:44:29.520> so<00:44:29.680> like<00:44:30.000> f<00:44:30.560> would<00:44:30.720> be<00:44:31.119> or<00:44:31.599> say<00:44:31.839> c

but that's not the root that's just a

but that's not the root that's just a
way<00:44:41.200> of<00:44:41.440> identifying

way of identifying

way of identifying
the<00:44:42.960> distance<00:44:43.440> between<00:44:43.839> all<00:44:44.000> of<00:44:44.079> those<00:44:44.480> so

the distance between all of those so

the distance between all of those so
there's<00:44:45.200> no<00:44:45.440> top<00:44:45.680> in<00:44:45.760> the<00:44:46.000> bottom<00:44:46.319> it's<00:44:46.480> just

there's no top in the bottom it's just

there's no top in the bottom it's just
like<00:44:46.880> a<00:44:46.960> big<00:44:47.119> circle

as long as the notes in that chord

as long as the notes in that chord
belong<00:44:54.640> to<00:44:54.800> that<00:44:55.040> scale<00:44:55.520> or<00:44:55.599> whatever<00:44:55.920> scale

belong to that scale or whatever scale

belong to that scale or whatever scale
allen<00:44:56.480> chooses<00:44:56.800> that's<00:44:57.119> the<00:44:57.200> scale<00:44:57.520> that<00:44:57.680> he

allen chooses that's the scale that he

allen chooses that's the scale that he
would<00:44:58.000> write<00:44:58.720> sometimes<00:44:59.200> for<00:44:59.359> more<00:44:59.599> ambiguous

would write sometimes for more ambiguous

would write sometimes for more ambiguous
chords<00:45:01.119> like<00:45:01.280> for<00:45:01.440> example<00:45:01.920> a<00:45:02.319> sus4<00:45:02.960> chord<00:45:03.760> a<00:45:04.000> c

chords like for example a sus4 chord a c

chords like for example a sus4 chord a c
sus4<00:45:04.880> chord<00:45:05.200> can<00:45:05.359> belong<00:45:05.760> to

sus4 chord can belong to

sus4 chord can belong to
five<00:45:07.040> different<00:45:07.440> keys<00:45:07.839> it<00:45:07.920> can<00:45:08.079> belong<00:45:08.480> to<00:45:08.640> the

five different keys it can belong to the

five different keys it can belong to the
key<00:45:09.040> of<00:45:09.280> c

key of c

key of c
b<00:45:10.400> flat<00:45:11.200> a<00:45:11.440> flat

b flat a flat

b flat a flat
e<00:45:12.800> flat

e flat

e flat
and<00:45:14.000> uh<00:45:14.400> f<00:45:14.640> i<00:45:14.800> believe<00:45:15.599> so<00:45:15.760> for<00:45:16.000> something<00:45:16.319> like

and uh f i believe so for something like

and uh f i believe so for something like
that<00:45:16.880> al<00:45:17.119> would<00:45:17.359> write

that al would write

that al would write
multiple<00:45:18.960> scales<00:45:19.359> or<00:45:19.440> maybe<00:45:19.760> two<00:45:20.000> of<00:45:20.079> them

multiple scales or maybe two of them

multiple scales or maybe two of them
like<00:45:20.400> maybe<00:45:20.640> he'll<00:45:20.880> write<00:45:21.119> down<00:45:21.839> c<00:45:22.319> or<00:45:22.880> e<00:45:23.119> flat

like maybe he'll write down c or e flat

like maybe he'll write down c or e flat
however<00:45:23.760> he<00:45:23.920> felt<00:45:24.160> it<00:45:24.480> you<00:45:24.640> can<00:45:24.800> see<00:45:24.960> this<00:45:25.280> in

however he felt it you can see this in

however he felt it you can see this in
his<00:45:25.680> uh<00:45:26.000> lanyard<00:45:26.400> loop<00:45:26.640> chart<00:45:27.119> basically<00:45:27.599> the

his uh lanyard loop chart basically the

his uh lanyard loop chart basically the
more<00:45:28.000> notes<00:45:28.240> that<00:45:28.400> the<00:45:28.560> chord<00:45:28.880> has<00:45:29.119> the<00:45:29.280> less

more notes that the chord has the less

more notes that the chord has the less
scale<00:45:29.839> choices<00:45:30.240> you<00:45:30.319> really<00:45:30.560> have<00:45:30.720> for<00:45:30.880> that

scale choices you really have for that

scale choices you really have for that
sometimes<00:45:31.839> the<00:45:31.920> core<00:45:32.160> that<00:45:32.319> allen<00:45:32.640> plays

sometimes the core that allen plays

sometimes the core that allen plays
would<00:45:33.119> have<00:45:33.359> two<00:45:33.599> different<00:45:34.240> scales

would have two different scales

would have two different scales
associated<00:45:35.119> with<00:45:35.280> the<00:45:35.359> two<00:45:35.520> very<00:45:35.760> different

associated with the two very different

associated with the two very different
scales<00:45:36.720> i<00:45:36.880> believe<00:45:37.200> i<00:45:37.280> talked<00:45:37.520> about<00:45:37.839> this<00:45:38.160> in

scales i believe i talked about this in

scales i believe i talked about this in
my<00:45:38.960> video<00:45:39.359> for<00:45:39.599> pud<00:45:39.839> one<00:45:40.560> in<00:45:40.880> the<00:45:41.119> the<00:45:41.280> first

my video for pud one in the the first

my video for pud one in the the first
chord<00:45:42.079> of<00:45:42.240> the<00:45:42.400> tune<00:45:42.720> is<00:45:42.880> this<00:45:43.200> f<00:45:43.359> major<00:45:43.760> seven

chord of the tune is this f major seven

chord of the tune is this f major seven
sus<00:45:44.480> two

sus two

sus two
which<00:45:47.440> alan<00:45:47.839> wrote<00:45:48.240> d<00:45:48.480> dorian

which alan wrote d dorian

which alan wrote d dorian
but<00:45:49.920> then<00:45:50.160> when<00:45:50.319> that<00:45:50.560> chord<00:45:50.880> comes<00:45:51.200> around

but then when that chord comes around

but then when that chord comes around
again

again

again
it<00:45:52.720> he<00:45:52.960> plays

it he plays

it he plays
f<00:45:54.560> melodic<00:45:55.119> minor<00:45:55.839> and<00:45:56.000> the<00:45:56.160> reason<00:45:56.560> why<00:45:56.800> is

f melodic minor and the reason why is

f melodic minor and the reason why is
because

because

because
this<00:45:58.880> f<00:45:59.119> major<00:45:59.440> seven<00:45:59.680> says<00:46:00.000> two<00:46:00.240> doesn't<00:46:00.560> have

this f major seven says two doesn't have

this f major seven says two doesn't have
uh<00:46:02.000> a<00:46:02.240> third

uh a third

uh a third
a<00:46:03.520> major<00:46:03.839> third<00:46:04.079> would<00:46:04.160> be<00:46:04.319> an<00:46:04.480> a<00:46:04.720> and<00:46:04.880> the

a major third would be an a and the

a major third would be an a and the
minor<00:46:05.280> third<00:46:05.520> would<00:46:05.680> be<00:46:06.319> an<00:46:06.480> a<00:46:06.640> flat<00:46:07.200> so<00:46:07.520> you

minor third would be an a flat so you

minor third would be an a flat so you
can<00:46:07.920> pick<00:46:08.160> two<00:46:08.400> different<00:46:08.720> scales<00:46:09.119> for<00:46:09.280> that

can pick two different scales for that

can pick two different scales for that
now<00:46:10.240> if<00:46:10.319> we<00:46:10.400> were<00:46:10.560> to<00:46:10.640> play<00:46:10.880> dorian<00:46:11.280> over<00:46:11.440> that

now if we were to play dorian over that

now if we were to play dorian over that
uh<00:46:12.319> the<00:46:12.400> dorian<00:46:12.720> scale<00:46:12.960> would<00:46:13.119> have<00:46:13.280> an<00:46:13.440> a<00:46:13.680> note

uh the dorian scale would have an a note

uh the dorian scale would have an a note
and<00:46:14.079> a<00:46:14.240> b<00:46:14.480> note<00:46:15.119> over<00:46:15.359> this

and a b note over this

and a b note over this
but<00:46:16.560> then<00:46:16.800> if<00:46:16.880> you<00:46:17.040> played<00:46:17.359> f<00:46:17.520> melodic<00:46:18.000> minor

but then if you played f melodic minor

but then if you played f melodic minor
now<00:46:18.480> you<00:46:18.640> have<00:46:18.720> an<00:46:18.960> a<00:46:19.119> flat<00:46:19.440> and<00:46:19.599> a<00:46:19.680> b<00:46:19.920> flat

now you have an a flat and a b flat

now you have an a flat and a b flat
giving<00:46:20.880> it<00:46:21.040> a<00:46:21.200> very<00:46:21.599> different<00:46:22.160> tonal<00:46:22.560> quality

giving it a very different tonal quality

giving it a very different tonal quality
even<00:46:23.280> though<00:46:23.440> the<00:46:23.599> chord<00:46:23.920> itself<00:46:24.319> is<00:46:24.400> the<00:46:24.560> same

even though the chord itself is the same

even though the chord itself is the same
i<00:46:26.079> also<00:46:26.319> believe<00:46:26.640> that<00:46:26.800> to<00:46:27.040> allen<00:46:27.920> he<00:46:28.160> thinks

i also believe that to allen he thinks

i also believe that to allen he thinks
of<00:46:28.560> all<00:46:28.640> the<00:46:28.800> notes<00:46:29.119> having<00:46:29.920> equal<00:46:30.319> harmonic

of all the notes having equal harmonic

of all the notes having equal harmonic
value

value

value
no<00:46:32.079> really<00:46:32.319> no<00:46:32.800> no<00:46:32.960> notes<00:46:33.200> are<00:46:33.359> really<00:46:33.599> bad<00:46:34.240> but

no really no no notes are really bad but

no really no no notes are really bad but
improvisation<00:46:35.359> there<00:46:35.599> really<00:46:35.920> is<00:46:36.400> a<00:46:36.800> concept

improvisation there really is a concept

improvisation there really is a concept
called<00:46:37.760> an<00:46:37.839> avoid<00:46:38.240> note<00:46:38.560> that<00:46:38.960> is<00:46:39.200> important

called an avoid note that is important

called an avoid note that is important
to<00:46:39.680> know

to know

to know
an<00:46:40.960> avoid<00:46:41.359> note<00:46:41.839> is<00:46:42.160> really<00:46:42.560> any<00:46:42.800> note<00:46:42.960> that's

an avoid note is really any note that's

an avoid note is really any note that's
a<00:46:43.200> half<00:46:43.359> step<00:46:43.680> above<00:46:43.920> a<00:46:44.079> quarter<00:46:44.400> really<00:46:44.640> more

a half step above a quarter really more

a half step above a quarter really more
specifically<00:46:45.520> a<00:46:45.599> flat<00:46:45.920> nine<00:46:46.160> above<00:46:46.480> a<00:46:46.640> chord

specifically a flat nine above a chord

specifically a flat nine above a chord
uh<00:46:47.680> so<00:46:47.920> for<00:46:48.079> example<00:46:48.640> if<00:46:48.720> we're<00:46:48.960> playing<00:46:49.280> a<00:46:49.359> c

uh so for example if we're playing a c

uh so for example if we're playing a c
major<00:46:49.920> chord<00:46:50.720> the<00:46:50.960> avoid<00:46:51.280> note<00:46:51.520> would<00:46:51.680> be<00:46:52.160> the

major chord the avoid note would be the

major chord the avoid note would be the
perfect<00:46:52.800> fourth<00:46:53.200> which<00:46:53.520> is<00:46:54.000> f<00:46:54.480> because<00:46:54.720> it's<00:46:54.880> a

perfect fourth which is f because it's a

perfect fourth which is f because it's a
half<00:46:55.200> step<00:46:55.440> away<00:46:55.680> from<00:46:55.839> the<00:46:55.920> major<00:46:56.240> third<00:46:56.560> you

half step away from the major third you

half step away from the major third you
have<00:46:56.880> an<00:46:57.359> f<00:46:57.839> over<00:46:58.160> uh<00:46:58.800> on<00:46:58.960> top<00:46:59.119> of<00:46:59.280> an<00:46:59.440> e

have an f over uh on top of an e

have an f over uh on top of an e
you<00:47:00.240> get<00:47:00.400> this<00:47:00.640> sound<00:47:01.200> and<00:47:01.359> for<00:47:01.520> a<00:47:01.599> minor<00:47:02.000> chord

you get this sound and for a minor chord

you get this sound and for a minor chord
if<00:47:03.359> you're<00:47:03.440> playing<00:47:03.760> a<00:47:04.000> minor<00:47:04.319> the<00:47:04.480> avoid<00:47:04.800> note

if you're playing a minor the avoid note

if you're playing a minor the avoid note
is<00:47:05.119> the<00:47:05.200> flat<00:47:05.520> six<00:47:05.839> in<00:47:05.920> this<00:47:06.079> case<00:47:06.319> it's<00:47:06.480> also<00:47:06.880> f

is the flat six in this case it's also f

is the flat six in this case it's also f
because<00:47:08.160> it's<00:47:08.400> a<00:47:08.480> half<00:47:08.640> step<00:47:08.880> above<00:47:09.359> your

because it's a half step above your

because it's a half step above your
perfect<00:47:10.000> fifth<00:47:10.319> which<00:47:10.480> is<00:47:10.560> an<00:47:10.720> e

perfect fifth which is an e

perfect fifth which is an e
[Music]

[Music]

[Music]
these<00:47:12.800> avoid<00:47:13.200> notes<00:47:13.520> provide<00:47:13.920> a<00:47:14.160> lot<00:47:14.400> of

these avoid notes provide a lot of

these avoid notes provide a lot of
tension<00:47:15.119> and<00:47:15.359> if<00:47:15.520> used<00:47:15.760> incorrectly<00:47:16.400> can

tension and if used incorrectly can

tension and if used incorrectly can
really<00:47:16.880> sound<00:47:17.200> bad<00:47:17.680> but<00:47:17.839> sometimes<00:47:18.319> they're

really sound bad but sometimes they're

really sound bad but sometimes they're
used<00:47:18.800> to

used to

used to
uh<00:47:19.839> give<00:47:20.160> that<00:47:20.480> scale<00:47:20.880> or<00:47:21.040> that<00:47:21.359> um<00:47:22.000> mode<00:47:22.319> its

uh give that scale or that um mode its

uh give that scale or that um mode its
colored<00:47:23.200> uh<00:47:23.520> characteristic<00:47:24.400> to<00:47:24.640> it<00:47:25.040> so<00:47:25.359> you

colored uh characteristic to it so you

colored uh characteristic to it so you
have<00:47:25.760> to<00:47:26.079> play<00:47:26.400> it<00:47:26.480> but<00:47:26.720> you<00:47:26.880> have<00:47:27.040> to<00:47:27.200> use<00:47:27.440> it

have to play it but you have to use it

have to play it but you have to use it
in<00:47:27.839> a

in a

in a
smart<00:47:28.960> way<00:47:29.119> usually<00:47:29.440> by<00:47:29.599> playing<00:47:29.920> through<00:47:30.079> the

smart way usually by playing through the

smart way usually by playing through the
note<00:47:30.480> and<00:47:30.640> a<00:47:30.720> lot<00:47:30.800> of<00:47:30.960> times<00:47:31.200> these<00:47:31.599> these

note and a lot of times these these

note and a lot of times these these
notes<00:47:32.319> have<00:47:32.559> a<00:47:32.640> tendency<00:47:33.040> to<00:47:33.119> resolve

notes have a tendency to resolve

notes have a tendency to resolve
downward<00:47:34.400> so<00:47:34.559> if<00:47:34.720> we're<00:47:34.880> playing<00:47:35.200> that

downward so if we're playing that

downward so if we're playing that
perfect<00:47:36.079> fourth<00:47:36.400> over<00:47:36.839> c

perfect fourth over c

perfect fourth over c
you<00:47:38.640> kind<00:47:38.800> of<00:47:38.880> want<00:47:39.119> to<00:47:39.200> resolve<00:47:39.599> it<00:47:39.680> back<00:47:39.920> to

you kind of want to resolve it back to

you kind of want to resolve it back to
down<00:47:40.480> to<00:47:40.640> e<00:47:41.119> and<00:47:41.359> same<00:47:41.520> thing<00:47:41.680> with<00:47:41.760> that<00:47:41.920> e

down to e and same thing with that e

down to e and same thing with that e
minor<00:47:42.559> of<00:47:42.720> the<00:47:43.040> a<00:47:43.200> minor<00:47:43.520> you<00:47:43.599> have<00:47:43.680> that<00:47:43.839> e

minor of the a minor you have that e

minor of the a minor you have that e
note

note

note
kind<00:47:45.440> of<00:47:45.520> wants<00:47:45.760> to<00:47:45.839> resolve<00:47:46.160> downward<00:47:46.480> it<00:47:46.559> can

kind of wants to resolve downward it can

kind of wants to resolve downward it can
also<00:47:46.960> resolve<00:47:47.359> upward<00:47:47.760> as<00:47:47.839> well<00:47:48.400> but<00:47:48.720> knowing

also resolve upward as well but knowing

also resolve upward as well but knowing
how<00:47:49.280> these<00:47:49.599> notes<00:47:49.920> are<00:47:50.000> being<00:47:50.240> used<00:47:50.559> and<00:47:50.640> where

how these notes are being used and where

how these notes are being used and where
to<00:47:50.880> use<00:47:51.119> them<00:47:51.280> is<00:47:51.359> really<00:47:51.680> important

to use them is really important

to use them is really important
especially<00:47:52.960> in<00:47:53.599> uh<00:47:53.920> functional<00:47:54.400> harmony<00:47:55.280> how

especially in uh functional harmony how

especially in uh functional harmony how
this<00:47:55.760> relates<00:47:56.079> to<00:47:56.240> alan<00:47:56.720> is<00:47:56.800> that<00:47:57.040> sometimes

this relates to alan is that sometimes

this relates to alan is that sometimes
uh<00:47:58.319> the<00:47:58.480> chord<00:47:58.720> that<00:47:58.800> he's<00:47:58.960> playing<00:47:59.200> has<00:47:59.359> so

uh the chord that he's playing has so

uh the chord that he's playing has so
much<00:47:59.760> tension<00:48:00.079> that<00:48:00.240> you<00:48:00.319> can't<00:48:00.559> even<00:48:00.720> really

much tension that you can't even really

much tension that you can't even really
tell<00:48:01.680> like<00:48:01.920> uh<00:48:02.160> he<00:48:02.319> might<00:48:02.559> play<00:48:02.880> a<00:48:03.119> c<00:48:03.280> major

tell like uh he might play a c major

tell like uh he might play a c major
seven<00:48:03.920> chord<00:48:04.640> with<00:48:04.880> the

seven chord with the

seven chord with the
major<00:48:06.079> seven<00:48:06.400> in<00:48:06.480> the<00:48:06.559> bass

major seven in the bass

major seven in the bass
and<00:48:07.599> you<00:48:07.760> have<00:48:08.079> now<00:48:08.319> this<00:48:08.480> flat<00:48:08.800> nine<00:48:09.040> interval

and you have now this flat nine interval

and you have now this flat nine interval
that<00:48:10.640> avoid<00:48:11.040> note<00:48:11.760> or<00:48:11.920> sometimes<00:48:12.400> the<00:48:12.640> avoid

that avoid note or sometimes the avoid

that avoid note or sometimes the avoid
note<00:48:13.280> is<00:48:13.440> in<00:48:13.520> the<00:48:13.680> chord<00:48:14.000> itself<00:48:14.800> so<00:48:15.040> like<00:48:15.280> i

note is in the chord itself so like i

note is in the chord itself so like i
said<00:48:15.599> the<00:48:15.760> c<00:48:16.000> major<00:48:16.559> and<00:48:16.640> we're<00:48:16.880> adding<00:48:17.040> in

said the c major and we're adding in

said the c major and we're adding in
that<00:48:17.280> perfect<00:48:17.680> fourth<00:48:18.000> or<00:48:18.240> the<00:48:18.400> eleventh<00:48:19.040> i

that perfect fourth or the eleventh i

that perfect fourth or the eleventh i
can<00:48:19.440> play<00:48:19.680> this<00:48:19.920> c<00:48:20.079> major<00:48:20.480> triad

can play this c major triad

can play this c major triad
and<00:48:21.920> then<00:48:22.160> add

and then add

and then add
the<00:48:23.520> uh<00:48:23.839> the<00:48:24.000> 11<00:48:24.240> in<00:48:24.319> there<00:48:24.480> and<00:48:24.559> there<00:48:24.640> it

the uh the 11 in there and there it

the uh the 11 in there and there it
sounds<00:48:25.040> good

sounds good

sounds good
so<00:48:26.319> now<00:48:26.480> when<00:48:26.640> you<00:48:26.720> play<00:48:26.880> that<00:48:27.040> c<00:48:27.280> major<00:48:27.599> scale

so now when you play that c major scale

so now when you play that c major scale
all<00:48:28.000> the<00:48:28.160> notes<00:48:28.400> are<00:48:28.480> going<00:48:28.640> to<00:48:28.720> work<00:48:28.880> and

all the notes are going to work and

all the notes are going to work and
sound<00:48:29.359> okay<00:48:29.680> and<00:48:29.760> that<00:48:30.000> makes<00:48:30.240> more<00:48:30.480> sense<00:48:30.720> for

sound okay and that makes more sense for

sound okay and that makes more sense for
alan's<00:48:31.200> music<00:48:31.920> and<00:48:32.160> really<00:48:32.400> what<00:48:32.559> i<00:48:32.720> learned

alan's music and really what i learned

alan's music and really what i learned
from<00:48:33.200> all<00:48:33.280> this<00:48:33.599> is<00:48:33.760> that<00:48:34.079> every<00:48:34.400> note<00:48:34.720> works

from all this is that every note works

from all this is that every note works
it's<00:48:35.599> just<00:48:35.920> how<00:48:36.240> you<00:48:36.400> use<00:48:36.720> it<00:48:36.880> i<00:48:36.960> think<00:48:37.200> of<00:48:37.359> it

it's just how you use it i think of it

it's just how you use it i think of it
as<00:48:37.760> a<00:48:37.920> sliding<00:48:38.400> scale<00:48:38.800> of<00:48:39.040> consonants<00:48:39.920> to

as a sliding scale of consonants to

as a sliding scale of consonants to
dissonance<00:48:41.200> so<00:48:41.520> for<00:48:41.760> example<00:48:42.559> your<00:48:42.720> most

dissonance so for example your most

dissonance so for example your most
consonant<00:48:43.520> or<00:48:43.680> nice<00:48:43.920> sounding<00:48:44.240> notes<00:48:44.559> are

consonant or nice sounding notes are

consonant or nice sounding notes are
going<00:48:44.800> to<00:48:44.880> be

going to be

going to be
like<00:48:45.920> your<00:48:46.160> octave<00:48:46.640> or<00:48:46.720> unison<00:48:47.119> notes<00:48:47.440> or<00:48:47.520> your

like your octave or unison notes or your

like your octave or unison notes or your
chord<00:48:48.079> tones<00:48:48.960> uh<00:48:49.200> then<00:48:49.359> the<00:48:49.520> next<00:48:50.000> nicer

chord tones uh then the next nicer

chord tones uh then the next nicer
sounding<00:48:51.040> uh<00:48:51.280> notes<00:48:51.599> are<00:48:51.760> going<00:48:51.920> to<00:48:52.000> be<00:48:52.319> your

sounding uh notes are going to be your

sounding uh notes are going to be your
uh<00:48:53.280> color<00:48:53.680> tones<00:48:54.319> like<00:48:54.559> your<00:48:54.880> uh<00:48:55.119> if<00:48:55.280> you're

uh color tones like your uh if you're

uh color tones like your uh if you're
like<00:48:55.520> your<00:48:55.680> nines<00:48:56.079> like<00:48:56.240> if<00:48:56.319> you're<00:48:56.400> playing<00:48:56.559> a

like your nines like if you're playing a

like your nines like if you're playing a
major<00:48:56.960> chord<00:48:57.280> you're<00:48:57.440> playing<00:48:57.680> a<00:48:57.839> d<00:48:58.000> note<00:48:58.720> uh

major chord you're playing a d note uh

major chord you're playing a d note uh
then<00:48:59.280> the<00:48:59.440> next<00:48:59.760> ones<00:49:00.000> that<00:49:00.079> are<00:49:00.160> going<00:49:00.319> to

then the next ones that are going to

then the next ones that are going to
sound<00:49:00.640> nice<00:49:00.960> are<00:49:01.119> your<00:49:01.280> color<00:49:01.599> tones<00:49:01.920> that

sound nice are your color tones that

sound nice are your color tones that
might<00:49:02.319> not<00:49:02.480> be<00:49:02.640> in<00:49:02.800> a<00:49:02.880> key<00:49:03.599> uh<00:49:03.839> in<00:49:03.920> your<00:49:04.160> keys<00:49:04.400> so

might not be in a key uh in your keys so

might not be in a key uh in your keys so
for<00:49:04.720> example<00:49:04.960> if<00:49:05.119> you're<00:49:05.200> playing<00:49:05.440> a<00:49:05.520> c<00:49:05.680> major

for example if you're playing a c major

for example if you're playing a c major
chord<00:49:06.800> uh<00:49:07.520> you<00:49:07.680> can<00:49:08.000> let's<00:49:08.160> say<00:49:08.400> play<00:49:08.559> the

chord uh you can let's say play the

chord uh you can let's say play the
sharp<00:49:09.119> four<00:49:09.440> which<00:49:09.599> might<00:49:09.760> not<00:49:09.920> be<00:49:10.079> in<00:49:10.160> the<00:49:10.240> key

sharp four which might not be in the key

sharp four which might not be in the key
that<00:49:10.559> you're<00:49:10.720> playing<00:49:10.960> but<00:49:11.040> it<00:49:11.119> could<00:49:11.280> sound

that you're playing but it could sound

that you're playing but it could sound
nice<00:49:11.760> depending<00:49:12.160> on<00:49:12.319> how<00:49:12.480> you<00:49:12.640> use<00:49:12.880> it<00:49:12.960> or

nice depending on how you use it or

nice depending on how you use it or
uh

uh

uh
interesting<00:49:16.079> sounding<00:49:16.400> notes<00:49:16.640> like<00:49:16.800> let's

interesting sounding notes like let's

interesting sounding notes like let's
say<00:49:17.119> if<00:49:17.200> you're<00:49:17.359> playing<00:49:17.599> a<00:49:17.680> minor<00:49:18.000> chord<00:49:18.720> uh

say if you're playing a minor chord uh

say if you're playing a minor chord uh
the<00:49:19.200> major<00:49:19.599> seven<00:49:19.920> could<00:49:20.079> sound<00:49:20.319> a<00:49:20.400> little

the major seven could sound a little

the major seven could sound a little
weird<00:49:20.880> but<00:49:21.119> not<00:49:21.359> totally<00:49:21.839> wrong<00:49:22.400> so<00:49:22.880> that's

weird but not totally wrong so that's

weird but not totally wrong so that's
where<00:49:23.280> it<00:49:23.359> starts<00:49:23.599> to<00:49:23.839> blur<00:49:24.160> the<00:49:24.240> line<00:49:24.559> between

where it starts to blur the line between

where it starts to blur the line between
uh<00:49:26.000> consonants<00:49:26.559> and<00:49:26.640> distance<00:49:27.359> and<00:49:27.440> then<00:49:27.599> you

uh consonants and distance and then you

uh consonants and distance and then you
get<00:49:27.839> into<00:49:28.160> more<00:49:28.480> stronger<00:49:29.040> dissonant

get into more stronger dissonant

get into more stronger dissonant
sounding<00:49:30.160> notes<00:49:30.960> uh<00:49:31.359> which<00:49:31.920> would<00:49:32.160> be<00:49:32.400> like

sounding notes uh which would be like

sounding notes uh which would be like
your<00:49:33.200> flat<00:49:33.599> fives<00:49:34.079> in<00:49:34.240> a<00:49:34.559> like<00:49:34.800> in<00:49:34.880> a<00:49:35.040> minor

your flat fives in a like in a minor

your flat fives in a like in a minor
chord<00:49:36.160> uh<00:49:36.480> or<00:49:36.640> your<00:49:36.800> major<00:49:37.119> third<00:49:37.440> but<00:49:37.599> they

chord uh or your major third but they

chord uh or your major third but they
still<00:49:38.079> sound<00:49:38.400> good<00:49:38.559> in<00:49:38.720> context<00:49:39.200> because<00:49:39.440> it's

still sound good in context because it's

still sound good in context because it's
how<00:49:39.839> you<00:49:40.079> use<00:49:40.319> them<00:49:41.040> uh<00:49:41.359> then<00:49:41.920> the<00:49:42.240> next<00:49:42.960> worst

how you use them uh then the next worst

how you use them uh then the next worst
sounding<00:49:43.680> notes<00:49:44.000> are<00:49:44.079> going<00:49:44.160> to<00:49:44.240> be<00:49:44.480> your

sounding notes are going to be your

sounding notes are going to be your
avoid<00:49:45.119> notes<00:49:45.440> that<00:49:45.599> are<00:49:45.760> in<00:49:45.839> your<00:49:46.079> key

avoid notes that are in your key

avoid notes that are in your key
uh

uh

uh
like<00:49:48.000> i<00:49:48.079> said<00:49:48.319> in<00:49:48.640> in<00:49:48.960> c<00:49:49.119> major<00:49:49.599> and<00:49:49.839> f<00:49:50.160> or<00:49:50.559> in<00:49:50.960> uh

like i said in in c major and f or in uh

like i said in in c major and f or in uh
a<00:49:51.680> minor<00:49:52.160> and<00:49:52.319> f<00:49:52.559> as<00:49:52.640> well<00:49:53.119> and<00:49:53.280> then<00:49:53.440> the<00:49:53.599> worst

a minor and f as well and then the worst

a minor and f as well and then the worst
sounding<00:49:54.319> notes<00:49:54.800> are<00:49:54.960> your<00:49:55.200> avoid<00:49:55.599> notes<00:49:55.839> that

sounding notes are your avoid notes that

sounding notes are your avoid notes that
aren't<00:49:56.240> even<00:49:56.480> any<00:49:56.720> key<00:49:57.040> so<00:49:57.760> uh<00:49:58.400> like<00:49:58.640> if<00:49:58.800> you're

aren't even any key so uh like if you're

aren't even any key so uh like if you're
playing<00:49:59.599> c<00:49:59.839> major<00:50:00.319> and<00:50:00.400> you<00:50:00.559> play<00:50:00.960> a<00:50:01.119> c<00:50:01.520> sharp

playing c major and you play a c sharp

playing c major and you play a c sharp
uh<00:50:02.559> that<00:50:02.720> can<00:50:02.960> sound<00:50:03.200> pretty<00:50:03.440> bad<00:50:03.839> once<00:50:04.000> again

uh that can sound pretty bad once again

uh that can sound pretty bad once again
it depends<00:50:04.559> on<00:50:04.720> context<00:50:05.520> but<00:50:05.839> there's<00:50:06.079> sort

it depends on context but there's sort

it depends on context but there's sort
of<00:50:06.400> a<00:50:06.480> sliding<00:50:07.040> scale<00:50:07.599> of

of a sliding scale of

of a sliding scale of
consonant<00:50:08.800> notes<00:50:09.040> and<00:50:09.119> dissident<00:50:09.599> notes<00:50:09.920> and

consonant notes and dissident notes and

consonant notes and dissident notes and
basically<00:50:11.040> you<00:50:11.280> want<00:50:11.520> a<00:50:11.599> nice<00:50:11.920> sounding

basically you want a nice sounding

basically you want a nice sounding
a<00:50:13.200> line<00:50:13.520> you<00:50:13.680> play<00:50:13.839> more<00:50:14.000> of<00:50:14.079> the<00:50:14.240> consonant

a line you play more of the consonant

a line you play more of the consonant
notes<00:50:14.960> than<00:50:15.200> the<00:50:15.440> dissonant<00:50:15.920> notes<00:50:16.559> and<00:50:16.720> you

notes than the dissonant notes and you

notes than the dissonant notes and you
jumble<00:50:17.440> them<00:50:17.760> up<00:50:17.839> and<00:50:18.000> use<00:50:18.240> them<00:50:18.400> in<00:50:18.559> a<00:50:19.119> in<00:50:19.200> a

jumble them up and use them in a in a

jumble them up and use them in a in a
way<00:50:19.599> where<00:50:19.839> it<00:50:20.000> makes<00:50:20.240> your<00:50:20.319> phrase<00:50:20.559> sound

way where it makes your phrase sound

way where it makes your phrase sound
more<00:50:20.960> interesting

more interesting

more interesting
so<00:50:22.240> with<00:50:22.400> that<00:50:22.559> when<00:50:22.720> you're<00:50:22.960> improvising

so with that when you're improvising

so with that when you're improvising
every<00:50:24.240> note<00:50:24.640> basically<00:50:25.119> works<00:50:25.440> and<00:50:25.599> i<00:50:25.680> think

every note basically works and i think

every note basically works and i think
that's<00:50:26.240> kind<00:50:26.400> of<00:50:26.480> how<00:50:26.720> alan<00:50:27.040> thought<00:50:27.280> about

that's kind of how alan thought about

that's kind of how alan thought about
improvisation<00:50:28.400> as<00:50:28.559> well<00:50:28.720> and<00:50:28.880> especially

improvisation as well and especially

improvisation as well and especially
outside<00:50:29.680> playing<00:50:29.920> which<00:50:30.640> when<00:50:30.800> we<00:50:30.880> get<00:50:31.040> to

outside playing which when we get to

outside playing which when we get to
that<00:50:31.280> section<00:50:31.599> i'll<00:50:31.760> talk<00:50:31.920> about<00:50:32.319> now<00:50:32.559> with

that section i'll talk about now with

that section i'll talk about now with
how<00:50:33.040> alan<00:50:33.359> sort<00:50:33.520> of<00:50:33.680> chooses<00:50:34.079> and<00:50:34.240> places

how alan sort of chooses and places

how alan sort of chooses and places
scales<00:50:35.440> another<00:50:35.920> thing<00:50:36.160> that<00:50:36.319> makes

scales another thing that makes

scales another thing that makes
following<00:50:37.920> his<00:50:38.400> solo<00:50:38.720> so<00:50:38.880> difficult<00:50:39.359> is<00:50:39.520> the

following his solo so difficult is the

following his solo so difficult is the
harmony<00:50:40.079> behind<00:50:40.400> it

harmony behind it

harmony behind it
a<00:50:41.200> lot<00:50:41.440> of<00:50:41.760> times<00:50:42.160> functional<00:50:42.720> harmony<00:50:43.599> is

a lot of times functional harmony is

a lot of times functional harmony is
something<00:50:44.319> like<00:50:44.800> uh<00:50:44.960> you<00:50:45.040> might<00:50:45.200> have<00:50:45.280> heard

something like uh you might have heard

something like uh you might have heard
of<00:50:45.520> jessica<00:50:45.920> 2<00:50:46.160> 5<00:50:46.480> 1<00:50:47.040> so<00:50:47.280> d<00:50:47.520> minor<00:50:47.839> 7<00:50:48.640> to<00:50:48.880> g<00:50:49.119> 7

of jessica 2 5 1 so d minor 7 to g 7

of jessica 2 5 1 so d minor 7 to g 7
to<00:50:50.720> c<00:50:50.880> major<00:50:51.200> 7

to c major 7

to c major 7
or<00:50:53.119> even<00:50:53.440> like<00:50:53.680> a<00:50:53.839> one<00:50:54.079> four<00:50:54.480> five<00:50:55.040> in<00:50:55.200> a<00:50:55.280> major

or even like a one four five in a major

or even like a one four five in a major
key<00:50:56.160> c<00:50:56.319> major<00:50:57.119> f<00:50:57.280> major<00:50:58.000> g<00:50:58.240> major<00:50:58.880> and<00:50:59.200> c<00:50:59.440> mac<00:50:59.599> to

key c major f major g major and c mac to

key c major f major g major and c mac to
c<00:50:59.920> major<00:51:00.559> this<00:51:00.720> is<00:51:00.880> all<00:51:01.119> functional<00:51:01.599> harmony

c major this is all functional harmony

c major this is all functional harmony
and<00:51:02.400> even<00:51:02.720> if<00:51:02.880> you<00:51:03.040> were<00:51:03.200> to<00:51:03.280> move<00:51:03.520> to<00:51:03.680> a<00:51:03.760> new

and even if you were to move to a new

and even if you were to move to a new
key<00:51:04.319> let's<00:51:04.480> say<00:51:04.640> that<00:51:04.880> jazz<00:51:05.119> two<00:51:05.359> five<00:51:05.599> one

key let's say that jazz two five one

key let's say that jazz two five one
and<00:51:07.839> then<00:51:08.000> you<00:51:08.160> start<00:51:08.400> two<00:51:08.559> five<00:51:08.800> one<00:51:09.040> from

and then you start two five one from

and then you start two five one from
that<00:51:09.440> same<00:51:09.680> chord

that same chord

that same chord
[Music]

[Music]

[Music]
there's<00:51:11.920> still<00:51:12.160> some<00:51:12.400> logic<00:51:12.880> and<00:51:13.040> function

there's still some logic and function

there's still some logic and function
behind<00:51:13.839> that<00:51:14.480> uh<00:51:14.880> and<00:51:15.119> also<00:51:15.599> in<00:51:16.000> uh<00:51:16.319> jazz<00:51:16.800> when

behind that uh and also in uh jazz when

behind that uh and also in uh jazz when
we<00:51:17.119> get<00:51:17.280> to<00:51:17.440> let's<00:51:17.599> say<00:51:17.760> that<00:51:18.079> tensioning

we get to let's say that tensioning

we get to let's say that tensioning
chord<00:51:18.800> of<00:51:18.880> that<00:51:19.119> g7<00:51:20.000> yes<00:51:20.319> i'll<00:51:20.720> do<00:51:20.880> it<00:51:20.960> over

chord of that g7 yes i'll do it over

chord of that g7 yes i'll do it over
here<00:51:21.359> like<00:51:21.599> that

something like that over that g7 chord

something like that over that g7 chord
we<00:51:27.839> can<00:51:28.000> just<00:51:28.160> add<00:51:28.319> a<00:51:28.400> little<00:51:28.559> bit<00:51:28.720> more

we can just add a little bit more

we can just add a little bit more
tension<00:51:29.280> like<00:51:29.440> what<00:51:29.599> if<00:51:29.760> i<00:51:30.240> add<00:51:30.559> in<00:51:30.800> the<00:51:30.960> sharp

tension like what if i add in the sharp

tension like what if i add in the sharp
11<00:51:32.000> you<00:51:32.160> know<00:51:32.400> i<00:51:32.480> play<00:51:32.640> something<00:51:32.800> like<00:51:32.960> this

11 you know i play something like this

11 you know i play something like this
you<00:51:34.160> know<00:51:34.400> or<00:51:34.640> even<00:51:35.040> um<00:51:35.760> the<00:51:36.319> the<00:51:36.800> sharp<00:51:37.040> 11

you know or even um the the sharp 11

you know or even um the the sharp 11
with<00:51:37.599> the<00:51:37.760> flat<00:51:38.079> 9<00:51:38.400> or<00:51:38.559> something<00:51:39.119> you<00:51:39.200> know

with the flat 9 or something you know

with the flat 9 or something you know
like<00:51:39.680> like<00:51:39.920> this

like like this

like like this
all<00:51:41.200> we're<00:51:41.359> just<00:51:41.599> doing<00:51:41.839> is<00:51:42.160> adding<00:51:42.800> more

all we're just doing is adding more

all we're just doing is adding more
tension<00:51:43.520> to<00:51:43.680> the<00:51:43.839> chord<00:51:44.319> to<00:51:44.480> be<00:51:44.720> resolved

tension to the chord to be resolved

tension to the chord to be resolved
afterwards<00:51:46.400> so<00:51:46.640> i<00:51:46.720> could<00:51:46.880> do<00:51:47.040> the<00:51:47.200> d<00:51:47.359> minor<00:51:47.680> 7

afterwards so i could do the d minor 7

afterwards so i could do the d minor 7
the<00:51:48.559> g7<00:51:49.599> the

the g7 the

the g7 the
the

the

the
sharp<00:51:51.680> 11<00:51:52.160> and<00:51:52.240> then<00:51:52.480> back<00:51:52.640> to<00:51:52.800> c<00:51:52.960> major

sharp 11 and then back to c major

sharp 11 and then back to c major
so<00:51:54.559> it<00:51:54.880> all<00:51:55.200> has<00:51:55.520> some<00:51:55.680> sort<00:51:55.839> of<00:51:56.000> function<00:51:56.240> too

so it all has some sort of function too

so it all has some sort of function too
we're<00:51:56.559> just<00:51:56.720> adding<00:51:57.119> in<00:51:57.359> a<00:51:57.440> little<00:51:57.599> bit<00:51:57.760> more

we're just adding in a little bit more

we're just adding in a little bit more
tension<00:51:58.319> that's<00:51:58.559> going<00:51:58.640> to<00:51:58.800> be<00:51:58.960> resolved

tension that's going to be resolved

tension that's going to be resolved
afterwards<00:52:00.480> and<00:52:00.640> adding<00:52:01.040> any<00:52:01.200> of<00:52:01.280> those<00:52:01.680> uh

afterwards and adding any of those uh

afterwards and adding any of those uh
extensions<00:52:03.200> and<00:52:03.359> sort<00:52:03.520> of<00:52:03.760> weird<00:52:04.000> notes<00:52:04.319> to

extensions and sort of weird notes to

extensions and sort of weird notes to
your<00:52:04.640> seventh<00:52:05.040> chord<00:52:05.520> it's<00:52:05.680> basically<00:52:06.319> uh

your seventh chord it's basically uh

your seventh chord it's basically uh
what<00:52:06.720> an<00:52:06.880> altered<00:52:07.280> chord<00:52:07.599> is<00:52:08.000> and<00:52:08.160> just<00:52:08.400> adds

what an altered chord is and just adds

what an altered chord is and just adds
more<00:52:09.280> tension<00:52:09.920> that<00:52:10.160> you<00:52:10.240> can<00:52:10.400> basically

more tension that you can basically

more tension that you can basically
strip<00:52:10.960> away<00:52:11.200> and<00:52:11.359> it's<00:52:11.520> still<00:52:11.760> a<00:52:12.000> g<00:52:12.160> major

strip away and it's still a g major

strip away and it's still a g major
chord<00:52:12.880> essentially<00:52:13.839> just<00:52:14.160> with<00:52:14.559> you<00:52:14.720> know

chord essentially just with you know

chord essentially just with you know
more<00:52:15.599> dissonance<00:52:16.079> to<00:52:16.240> it<00:52:16.319> that's<00:52:16.559> going<00:52:16.640> to<00:52:16.720> be

more dissonance to it that's going to be

more dissonance to it that's going to be
resolved<00:52:17.760> uh<00:52:18.079> and<00:52:18.160> then<00:52:18.319> you<00:52:18.480> can<00:52:18.559> do<00:52:18.800> other

resolved uh and then you can do other

resolved uh and then you can do other
things<00:52:19.359> like<00:52:20.000> flat<00:52:20.319> five<00:52:20.640> substitutions<00:52:22.000> uh

things like flat five substitutions uh

things like flat five substitutions uh
so<00:52:22.480> let's<00:52:22.640> say<00:52:22.800> instead<00:52:23.040> of<00:52:23.119> doing<00:52:23.280> d<00:52:23.440> minor

so let's say instead of doing d minor

so let's say instead of doing d minor
seven<00:52:24.079> to<00:52:24.240> g<00:52:24.559> seven<00:52:25.200> to<00:52:25.440> c<00:52:25.599> major<00:52:25.920> seven<00:52:26.559> you

seven to g seven to c major seven you

seven to g seven to c major seven you
can<00:52:26.880> do<00:52:27.119> a<00:52:27.520> substitution<00:52:28.160> so<00:52:28.400> instead<00:52:28.640> of<00:52:28.800> g

can do a substitution so instead of g

can do a substitution so instead of g
seven<00:52:29.280> you<00:52:29.359> could<00:52:29.440> do<00:52:29.760> c<00:52:30.079> sharp<00:52:30.400> seven<00:52:30.960> yeah

seven you could do c sharp seven yeah

seven you could do c sharp seven yeah
something<00:52:33.680> like<00:52:33.920> that<00:52:34.640> all<00:52:34.880> that<00:52:35.119> stuff<00:52:35.520> even

something like that all that stuff even

something like that all that stuff even
with<00:52:36.079> all<00:52:36.240> these<00:52:36.480> extensions<00:52:37.119> and

with all these extensions and

with all these extensions and
substitutions<00:52:38.000> and<00:52:38.160> whatnot<00:52:38.720> that's<00:52:39.040> all

substitutions and whatnot that's all

substitutions and whatnot that's all
functional<00:52:39.760> because<00:52:40.000> there<00:52:40.319> is<00:52:40.480> some<00:52:40.720> sort<00:52:40.960> of

functional because there is some sort of

functional because there is some sort of
harmonic<00:52:42.319> logic<00:52:42.880> behind<00:52:43.280> it<00:52:43.359> that<00:52:43.520> you<00:52:43.680> can

harmonic logic behind it that you can

harmonic logic behind it that you can
follow<00:52:44.640> and<00:52:44.880> this<00:52:45.040> is<00:52:45.119> the<00:52:45.359> approach<00:52:45.760> that<00:52:45.839> you

follow and this is the approach that you

follow and this is the approach that you
see<00:52:46.400> in<00:52:46.559> more<00:52:46.800> traditional<00:52:47.599> jazz<00:52:48.240> uh<00:52:48.880> harmony

see in more traditional jazz uh harmony

see in more traditional jazz uh harmony
uh<00:52:50.240> because<00:52:50.480> it's<00:52:50.640> also<00:52:50.880> predictable<00:52:51.440> you<00:52:51.599> can

uh because it's also predictable you can

uh because it's also predictable you can
tell<00:52:52.000> where<00:52:52.160> you're<00:52:52.319> going<00:52:52.400> to<00:52:52.480> hear<00:52:52.640> the

tell where you're going to hear the

tell where you're going to hear the
tension<00:52:53.200> and<00:52:53.359> the<00:52:53.440> resolve<00:52:53.920> to<00:52:54.160> it<00:52:54.319> again

tension and the resolve to it again

tension and the resolve to it again
relating<00:52:55.040> to<00:52:55.200> alan<00:52:55.839> he<00:52:56.160> mostly<00:52:56.480> uses

relating to alan he mostly uses

relating to alan he mostly uses
non-functional<00:52:57.680> harmony<00:52:58.559> and

non-functional harmony and

non-functional harmony and
non-functional<00:52:59.440> harmony<00:52:59.920> is<00:53:00.079> basically

non-functional harmony is basically

non-functional harmony is basically
where<00:53:00.960> the<00:53:01.280> melody<00:53:01.760> of<00:53:02.000> your<00:53:02.800> of<00:53:02.880> your<00:53:03.119> tune

where the melody of your of your tune

where the melody of your of your tune
can<00:53:03.920> be<00:53:04.079> a<00:53:04.480> part<00:53:04.800> of<00:53:05.040> any<00:53:05.440> chord

can be a part of any chord

can be a part of any chord
uh<00:53:06.880> that<00:53:07.040> you<00:53:07.280> that<00:53:07.520> you<00:53:07.599> can<00:53:07.760> use<00:53:08.400> so<00:53:08.720> like<00:53:08.960> for

uh that you that you can use so like for

uh that you that you can use so like for
example<00:53:09.520> a<00:53:09.599> c<00:53:09.839> note

example a c note

example a c note
can<00:53:11.440> belong<00:53:11.839> to<00:53:12.160> six<00:53:12.720> different<00:53:13.440> uh<00:53:13.920> major<00:53:14.240> and

can belong to six different uh major and

can belong to six different uh major and
minor<00:53:14.640> triads<00:53:15.440> it<00:53:15.599> can<00:53:15.839> be<00:53:16.400> the<00:53:16.640> one<00:53:17.119> note<00:53:17.359> it

minor triads it can be the one note it

minor triads it can be the one note it
could<00:53:17.599> be<00:53:17.680> the<00:53:17.839> one<00:53:18.480> of<00:53:18.640> your<00:53:18.960> c<00:53:19.200> major<00:53:19.520> chord

could be the one of your c major chord

could be the one of your c major chord
or<00:53:19.920> it<00:53:20.000> could<00:53:20.160> be<00:53:20.240> the<00:53:20.319> one<00:53:20.480> of<00:53:20.640> your<00:53:20.720> c<00:53:20.880> minor

or it could be the one of your c minor

or it could be the one of your c minor
chord

chord

chord
it<00:53:22.640> can<00:53:22.800> also<00:53:23.119> be<00:53:23.440> the<00:53:24.079> five<00:53:24.400> of<00:53:24.480> your<00:53:24.720> f<00:53:24.960> major

it can also be the five of your f major

it can also be the five of your f major
chord<00:53:26.000> or<00:53:26.240> the<00:53:26.400> my<00:53:26.640> are<00:53:26.800> the

chord or the my are the

chord or the my are the
five<00:53:27.839> of<00:53:27.920> your<00:53:28.079> f<00:53:28.240> minor<00:53:28.559> chord

five of your f minor chord

five of your f minor chord
it<00:53:29.680> can<00:53:29.839> also<00:53:30.000> be<00:53:30.160> the<00:53:30.319> minor<00:53:30.640> third<00:53:30.960> of<00:53:31.040> a

it can also be the minor third of a

it can also be the minor third of a
minor

minor

minor
and<00:53:32.640> it<00:53:32.720> could<00:53:32.960> be<00:53:33.599> the<00:53:33.760> major<00:53:34.079> third<00:53:34.319> of<00:53:34.480> a

and it could be the major third of a

and it could be the major third of a
flat<00:53:34.880> major

flat major

flat major
all<00:53:36.480> containing<00:53:37.280> that<00:53:37.520> c<00:53:37.760> note<00:53:38.079> in<00:53:38.240> it<00:53:38.559> of

all containing that c note in it of

all containing that c note in it of
course<00:53:39.040> you<00:53:39.200> can<00:53:39.359> also<00:53:39.760> extend<00:53:40.160> this<00:53:40.480> to

course you can also extend this to

course you can also extend this to
any<00:53:41.839> degree<00:53:42.319> within<00:53:42.640> your<00:53:42.880> chord<00:53:43.280> nines<00:53:43.760> the

any degree within your chord nines the

any degree within your chord nines the
11s<00:53:44.800> any<00:53:44.960> of<00:53:45.040> that<00:53:45.200> stuff<00:53:45.760> so<00:53:45.920> for<00:53:46.079> example

11s any of that stuff so for example

11s any of that stuff so for example
let's<00:53:46.720> say<00:53:46.880> i<00:53:46.960> have<00:53:47.040> a<00:53:47.200> simple<00:53:47.440> melody<00:53:47.920> like<00:53:48.559> c

let's say i have a simple melody like c

let's say i have a simple melody like c
d<00:53:50.079> and<00:53:50.160> then<00:53:50.400> e

d and then e

d and then e
that<00:53:51.680> could<00:53:51.839> belong<00:53:52.240> to<00:53:52.400> the<00:53:52.559> key<00:53:52.880> of<00:53:53.280> uh<00:53:53.839> c

that could belong to the key of uh c

that could belong to the key of uh c
major<00:53:54.400> or<00:53:54.640> g<00:53:54.880> major<00:53:55.599> and<00:53:56.000> i<00:53:56.079> can<00:53:56.240> play<00:53:56.400> the

major or g major and i can play the

major or g major and i can play the
chords<00:53:57.119> like<00:53:57.520> c<00:53:57.760> major

chords like c major

chords like c major
d<00:53:58.960> major<00:53:59.760> and<00:53:59.920> e<00:54:00.079> minor

d major and e minor

d major and e minor
and<00:54:01.359> that<00:54:01.599> melody's<00:54:02.079> in<00:54:02.160> there

and that melody's in there

and that melody's in there
[Music]

for non-functional harmony i can take

for non-functional harmony i can take
those<00:54:10.960> same<00:54:11.280> three<00:54:11.520> notes

those same three notes

those same three notes
and<00:54:12.800> apply<00:54:13.119> them<00:54:13.280> to<00:54:13.599> chords<00:54:14.319> that<00:54:14.559> are<00:54:14.640> not

and apply them to chords that are not

and apply them to chords that are not
related<00:54:15.280> at<00:54:15.440> all<00:54:15.839> so<00:54:16.400> uh<00:54:16.720> f<00:54:17.200> seven<00:54:17.520> sus4

related at all so uh f seven sus4

related at all so uh f seven sus4
so<00:54:19.920> b<00:54:20.160> minor<00:54:20.480> and<00:54:20.640> nine

so b minor and nine

so b minor and nine
and<00:54:22.240> then<00:54:22.480> to<00:54:22.640> a<00:54:22.720> b<00:54:22.960> flat<00:54:23.200> major<00:54:23.520> 7<00:54:23.839> sharp<00:54:24.079> 11.

and then to a b flat major 7 sharp 11.

and then to a b flat major 7 sharp 11.
so<00:54:26.079> those<00:54:26.319> three<00:54:26.640> chords<00:54:26.960> are<00:54:27.040> not<00:54:27.200> related

so those three chords are not related

so those three chords are not related
but<00:54:28.000> they<00:54:28.240> still<00:54:28.480> contain<00:54:28.800> the<00:54:28.880> melody<00:54:29.280> of<00:54:29.440> c<00:54:29.760> d

but they still contain the melody of c d

but they still contain the melody of c d
and<00:54:30.319> e

even though the melody is within a key

even though the melody is within a key
because<00:54:39.280> of<00:54:39.359> those<00:54:39.599> chords<00:54:39.920> you<00:54:40.079> would<00:54:40.160> need

because of those chords you would need

because of those chords you would need
to<00:54:40.480> use<00:54:40.799> three<00:54:41.119> different<00:54:41.440> scales<00:54:41.760> to

to use three different scales to

to use three different scales to
improvise<00:54:42.400> over<00:54:42.640> that<00:54:42.799> with<00:54:43.359> and<00:54:43.520> this<00:54:43.760> is

improvise over that with and this is

improvise over that with and this is
mostly<00:54:44.319> how<00:54:44.480> allen's<00:54:44.960> music<00:54:45.359> works<00:54:46.079> uh

mostly how allen's music works uh

mostly how allen's music works uh
instead<00:54:46.720> of<00:54:46.960> every<00:54:47.440> chord<00:54:48.079> belonging<00:54:48.559> to<00:54:48.799> a

instead of every chord belonging to a

instead of every chord belonging to a
key<00:54:49.040> with<00:54:49.200> a<00:54:49.280> few<00:54:49.440> that<00:54:49.680> are<00:54:49.839> in<00:54:50.079> pretty<00:54:50.400> much

key with a few that are in pretty much

key with a few that are in pretty much
every<00:54:51.119> chord<00:54:52.000> is<00:54:52.160> going<00:54:52.319> to<00:54:52.400> belong<00:54:52.720> to<00:54:52.960> a

every chord is going to belong to a

every chord is going to belong to a
different<00:54:53.440> key<00:54:54.000> so<00:54:54.240> you<00:54:54.400> need<00:54:54.559> to<00:54:54.720> play<00:54:54.960> a

different key so you need to play a

different key so you need to play a
different<00:54:55.280> scale<00:54:55.599> for<00:54:55.760> each<00:54:55.920> one<00:54:56.079> of<00:54:56.160> those

different scale for each one of those

different scale for each one of those
chords<00:54:56.799> the<00:54:56.960> switching<00:54:57.440> between<00:54:57.680> the<00:54:57.839> new

chords the switching between the new

chords the switching between the new
keys<00:54:58.640> can<00:54:58.799> be<00:54:59.040> really<00:54:59.359> difficult<00:54:59.839> to<00:55:00.000> hear

keys can be really difficult to hear

keys can be really difficult to hear
especially<00:55:00.799> if<00:55:00.960> you<00:55:01.119> don't<00:55:01.280> know<00:55:01.440> where<00:55:01.599> it's

especially if you don't know where it's

especially if you don't know where it's
going<00:55:01.920> to<00:55:02.079> go

going to go

going to go
and<00:55:03.200> it<00:55:03.280> can<00:55:03.440> sound<00:55:03.680> abrupt<00:55:04.079> and<00:55:04.160> almost<00:55:04.400> like

and it can sound abrupt and almost like

and it can sound abrupt and almost like
you're<00:55:04.720> playing<00:55:05.040> weird<00:55:05.359> or<00:55:05.440> wrong<00:55:05.680> notes<00:55:06.000> and

you're playing weird or wrong notes and

you're playing weird or wrong notes and
that's<00:55:06.400> exactly<00:55:06.799> what<00:55:06.960> happened<00:55:07.200> to<00:55:07.359> me<00:55:07.520> when

that's exactly what happened to me when

that's exactly what happened to me when
i<00:55:07.760> first<00:55:08.000> started<00:55:08.240> listening<00:55:08.559> to<00:55:08.720> allen<00:55:09.119> way

i first started listening to allen way

i first started listening to allen way
back<00:55:09.920> this<00:55:10.160> is<00:55:10.319> why<00:55:10.799> in<00:55:11.119> uh<00:55:11.520> interviews<00:55:12.000> alan

back this is why in uh interviews alan

back this is why in uh interviews alan
had<00:55:12.400> mentioned<00:55:12.720> that<00:55:13.040> the<00:55:13.200> numbering<00:55:13.680> system

had mentioned that the numbering system

had mentioned that the numbering system
that's<00:55:14.319> a<00:55:14.640> 251<00:55:15.359> concept<00:55:16.240> doesn't<00:55:16.559> really<00:55:16.880> work

that's a 251 concept doesn't really work

that's a 251 concept doesn't really work
with<00:55:17.280> his<00:55:17.520> music<00:55:18.160> because<00:55:18.480> it<00:55:18.640> modulates<00:55:19.200> and

with his music because it modulates and

with his music because it modulates and
moves<00:55:19.520> all<00:55:19.680> over<00:55:19.920> the<00:55:20.000> place<00:55:20.240> or<00:55:20.400> it<00:55:20.480> gets

moves all over the place or it gets

moves all over the place or it gets
transposed<00:55:21.760> when<00:55:21.920> it<00:55:22.000> repeats<00:55:22.400> there's<00:55:22.559> a

transposed when it repeats there's a

transposed when it repeats there's a
little<00:55:22.799> part<00:55:23.040> that<00:55:23.200> moves<00:55:23.599> up<00:55:23.839> a<00:55:23.920> half<00:55:24.160> step

little part that moves up a half step

little part that moves up a half step
there's<00:55:25.119> a<00:55:25.280> lot<00:55:25.520> of<00:55:25.680> weird<00:55:26.000> stuff<00:55:26.240> that's

there's a lot of weird stuff that's

there's a lot of weird stuff that's
going<00:55:26.720> on<00:55:26.880> that's<00:55:27.119> a<00:55:27.200> lot<00:55:27.440> harder<00:55:27.680> to<00:55:27.839> follow

going on that's a lot harder to follow

going on that's a lot harder to follow
and<00:55:29.200> that<00:55:29.520> really<00:55:29.839> came<00:55:30.079> from<00:55:30.240> his<00:55:30.559> love<00:55:30.880> of

and that really came from his love of

and that really came from his love of
modern<00:55:31.440> classical<00:55:31.920> music<00:55:32.240> which<00:55:32.400> is<00:55:32.559> not

modern classical music which is not

modern classical music which is not
actually<00:55:33.280> written<00:55:33.760> uh<00:55:34.079> in<00:55:34.240> a<00:55:34.400> key<00:55:35.119> and<00:55:35.359> uh

actually written uh in a key and uh

actually written uh in a key and uh
here's<00:55:35.839> a<00:55:36.000> clip<00:55:36.240> of<00:55:36.319> my<00:55:36.640> friend<00:55:37.200> uh<00:55:37.440> greg

here's a clip of my friend uh greg

here's a clip of my friend uh greg
bendian<00:55:38.240> from<00:55:38.480> the<00:55:38.640> broadcast<00:55:39.359> actually<00:55:39.920> uh

bendian from the broadcast actually uh

bendian from the broadcast actually uh
asking<00:55:40.720> alan<00:55:41.040> about<00:55:41.359> this<00:55:42.079> uh<00:55:42.400> at<00:55:42.559> a<00:55:42.640> clinic

asking alan about this uh at a clinic

asking alan about this uh at a clinic
that<00:55:43.200> you<00:55:43.280> can<00:55:43.440> see<00:55:43.599> here

that you can see here

that you can see here
alan<00:55:45.760> one<00:55:45.920> of<00:55:46.079> the<00:55:46.240> most<00:55:46.559> interesting<00:55:47.119> things

alan one of the most interesting things

alan one of the most interesting things
for<00:55:47.760> me<00:55:48.079> about<00:55:48.400> your<00:55:48.559> music<00:55:49.119> is<00:55:49.599> your

for me about your music is your

for me about your music is your
compositions

compositions

compositions
and

and

and
there<00:55:53.040> are<00:55:53.200> two<00:55:53.440> things<00:55:53.760> in<00:55:53.839> particular<00:55:54.720> that

there are two things in particular that

there are two things in particular that
are<00:55:56.160> fascinating<00:55:56.720> to<00:55:56.880> me<00:55:57.119> one<00:55:57.440> is<00:55:57.680> that<00:55:58.240> when

are fascinating to me one is that when

are fascinating to me one is that when
you're<00:55:58.720> repeating<00:55:59.200> a<00:55:59.280> melody

you're repeating a melody

you're repeating a melody
there<00:56:00.640> are<00:56:00.960> often<00:56:01.359> instances<00:56:01.839> where<00:56:02.000> the

there are often instances where the

there are often instances where the
melody<00:56:02.480> comes<00:56:02.720> back<00:56:02.960> in<00:56:03.119> a<00:56:03.200> different<00:56:03.599> key

melody comes back in a different key

melody comes back in a different key
than<00:56:04.640> it<00:56:04.799> started<00:56:05.200> in<00:56:05.839> and<00:56:06.000> the<00:56:06.160> other<00:56:06.480> is<00:56:06.720> the

than it started in and the other is the

than it started in and the other is the
blowing<00:56:07.440> changes<00:56:08.000> not<00:56:08.240> being<00:56:08.559> the<00:56:08.720> same

blowing changes not being the same

blowing changes not being the same
as<00:56:09.920> the<00:56:10.240> chord<00:56:10.480> changes<00:56:10.880> for<00:56:11.040> the<00:56:11.200> melody<00:56:11.599> and

as the chord changes for the melody and

as the chord changes for the melody and
i<00:56:11.760> was<00:56:11.839> just<00:56:12.000> wondering

i was just wondering

i was just wondering
where<00:56:13.440> that<00:56:14.079> inspiration<00:56:14.720> came<00:56:15.040> from<00:56:15.359> and<00:56:15.680> how

where that inspiration came from and how

where that inspiration came from and how
you<00:56:16.079> started<00:56:16.319> messing<00:56:16.640> around<00:56:16.880> with<00:56:17.040> that

you started messing around with that

you started messing around with that
well<00:56:18.480> it<00:56:18.640> came<00:56:18.880> from<00:56:19.200> like<00:56:19.599> i<00:56:19.760> guess<00:56:20.000> like<00:56:20.160> kind

well it came from like i guess like kind

well it came from like i guess like kind
of<00:56:20.480> listening<00:56:20.799> to<00:56:20.960> classical<00:56:21.440> music<00:56:21.760> and<00:56:21.839> i

of listening to classical music and i

of listening to classical music and i
was<00:56:22.079> always<00:56:22.319> fascinated<00:56:22.960> with<00:56:23.200> uh

was always fascinated with uh

was always fascinated with uh
i've<00:56:24.400> always<00:56:24.640> been<00:56:24.880> fascinated<00:56:25.440> with<00:56:25.599> the

i've always been fascinated with the

i've always been fascinated with the
modulation

modulation

modulation
i'm<00:56:27.520> modulating<00:56:28.240> something

i'm modulating something

i'm modulating something
you<00:56:29.520> know<00:56:29.680> keep<00:56:30.319> keep<00:56:30.559> the<00:56:30.640> thing<00:56:31.200> light

you know keep keep the thing light

you know keep keep the thing light
moving

moving

moving
so<00:56:33.200> you<00:56:33.359> know<00:56:33.520> it's<00:56:33.760> a<00:56:33.839> pain<00:56:34.079> in<00:56:34.240> the<00:56:34.400> butt<00:56:34.640> to

so you know it's a pain in the butt to

so you know it's a pain in the butt to
play<00:56:35.119> over<00:56:35.440> because<00:56:35.680> it's<00:56:35.920> moving<00:56:36.240> all<00:56:36.400> the

play over because it's moving all the

play over because it's moving all the
time<00:56:36.799> but

time but

time but
but<00:56:38.000> the<00:56:38.160> thing<00:56:38.319> that<00:56:38.480> i<00:56:38.559> like<00:56:38.799> about<00:56:39.040> it<00:56:39.200> is

but the thing that i like about it is

but the thing that i like about it is
one<00:56:39.839> of<00:56:39.920> the<00:56:40.480> key<00:56:40.720> things<00:56:40.960> he's<00:56:41.200> trying<00:56:41.440> to

one of the key things he's trying to

one of the key things he's trying to
find<00:56:42.400> a<00:56:42.480> way<00:56:42.640> to<00:56:42.799> make<00:56:43.040> it<00:56:43.200> sound<00:56:43.440> like<00:56:43.680> it

find a way to make it sound like it

find a way to make it sound like it
didn't<00:56:44.240> change<00:56:44.640> but<00:56:44.880> then<00:56:45.119> it

didn't change but then it

didn't change but then it
then<00:56:46.000> it<00:56:46.160> is<00:56:46.720> when<00:56:46.960> you<00:56:47.119> try<00:56:47.280> to<00:56:47.440> analyze<00:56:47.839> it

then it is when you try to analyze it

then it is when you try to analyze it
you<00:56:48.000> go<00:56:48.160> like<00:56:48.400> oh<00:56:48.559> wait<00:56:48.720> a<00:56:48.799> minute<00:56:49.119> that's<00:56:49.359> not

you go like oh wait a minute that's not

you go like oh wait a minute that's not
in<00:56:49.760> the<00:56:49.839> same<00:56:50.160> keys

in the same keys

in the same keys
so<00:56:51.760> but<00:56:52.000> but<00:56:52.240> it's<00:56:52.480> just<00:56:52.640> trying<00:56:52.799> to<00:56:52.880> make<00:56:53.119> it

so but but it's just trying to make it

so but but it's just trying to make it
so

so

so
you<00:56:54.160> don't<00:56:54.400> hear<00:56:54.640> that<00:56:55.280> so<00:56:55.520> it's<00:56:55.599> like<00:56:55.839> a

you don't hear that so it's like a

you don't hear that so it's like a
seamless<00:56:56.400> transition<00:56:56.960> even<00:56:57.200> though<00:56:57.359> it<00:56:57.440> kind

seamless transition even though it kind

seamless transition even though it kind
of

of

of
morphs<00:56:59.599> back<00:56:59.760> to<00:56:59.920> where<00:57:00.079> it<00:57:00.640> started<00:57:01.040> from<00:57:01.280> i

morphs back to where it started from i

morphs back to where it started from i
mean<00:57:01.599> one<00:57:01.839> example<00:57:02.319> for<00:57:02.480> me<00:57:02.720> was

mean one example for me was

mean one example for me was
sometimes<00:57:04.480> it<00:57:04.559> takes<00:57:04.799> me<00:57:04.960> a<00:57:05.040> long<00:57:05.280> time<00:57:05.920> to

sometimes it takes me a long time to

sometimes it takes me a long time to
finish<00:57:06.400> a<00:57:06.480> piece<00:57:06.720> of<00:57:06.799> music<00:57:07.119> and<00:57:07.200> sometimes

finish a piece of music and sometimes

finish a piece of music and sometimes
really<00:57:08.000> quick

really quick

really quick
like<00:57:09.119> i<00:57:09.200> remember<00:57:09.760> on<00:57:10.079> i<00:57:10.160> think<00:57:10.319> it's<00:57:10.480> on<00:57:10.640> one

like i remember on i think it's on one

like i remember on i think it's on one
with<00:57:11.200> tower<00:57:11.520> i<00:57:11.599> wrote<00:57:11.839> a<00:57:12.000> two<00:57:12.319> called<00:57:12.640> sphere

with tower i wrote a two called sphere

with tower i wrote a two called sphere
of<00:57:13.119> innocence

of innocence

of innocence
i<00:57:14.799> don't<00:57:14.960> know<00:57:15.040> what<00:57:15.200> i'll<00:57:15.280> but<00:57:15.520> it's<00:57:15.680> on<00:57:15.839> but

i don't know what i'll but it's on but

i don't know what i'll but it's on but
i<00:57:17.440> wrote<00:57:17.760> the<00:57:18.319> uh

i wrote the uh

i wrote the uh
the<00:57:20.480> tune<00:57:20.880> really<00:57:21.280> in<00:57:21.680> a<00:57:21.760> very<00:57:22.079> short<00:57:22.400> space<00:57:22.720> of

the tune really in a very short space of

the tune really in a very short space of
time

time

time
except

except

except
i<00:57:25.920> couldn't<00:57:26.319> get<00:57:26.559> it<00:57:26.640> to<00:57:26.880> go<00:57:27.119> back<00:57:27.359> to<00:57:27.520> the<00:57:27.839> i

i couldn't get it to go back to the i

i couldn't get it to go back to the i
couldn't<00:57:28.240> get<00:57:28.400> it<00:57:28.480> to<00:57:28.640> modulate

couldn't get it to modulate

couldn't get it to modulate
and<00:57:30.240> it<00:57:30.400> took<00:57:30.880> even<00:57:31.119> though<00:57:31.359> the<00:57:31.520> basic<00:57:31.920> tune

and it took even though the basic tune

and it took even though the basic tune
was<00:57:32.400> written<00:57:32.640> in<00:57:32.799> like<00:57:33.040> a<00:57:33.280> few<00:57:33.599> hours<00:57:34.240> it<00:57:34.400> took

was written in like a few hours it took

was written in like a few hours it took
me<00:57:34.799> six<00:57:35.119> months<00:57:35.440> to<00:57:35.599> finish<00:57:36.000> it<00:57:36.559> to<00:57:36.799> get

me six months to finish it to get

me six months to finish it to get
to<00:57:38.000> where

to where

to where
you<00:57:39.280> couldn't<00:57:39.599> hear<00:57:39.839> it

you couldn't hear it

you couldn't hear it
you<00:57:40.640> couldn't<00:57:40.880> hear<00:57:41.040> the<00:57:41.200> key<00:57:41.440> change<00:57:41.760> it<00:57:41.920> went

you couldn't hear the key change it went

you couldn't hear the key change it went
back<00:57:42.880> so<00:57:43.119> i<00:57:43.280> was<00:57:43.440> not<00:57:43.680> always<00:57:43.920> fascinated<00:57:44.480> with

back so i was not always fascinated with

back so i was not always fascinated with
modulation<00:57:45.280> i<00:57:45.440> guess<00:57:45.680> that<00:57:46.319> comes<00:57:46.640> from

modulation i guess that comes from

modulation i guess that comes from
listening<00:57:47.200> to<00:57:47.359> a<00:57:47.440> lot<00:57:47.520> of<00:57:47.599> classical<00:57:48.160> music

listening to a lot of classical music

listening to a lot of classical music
but

but

but
it's<00:57:49.839> always<00:57:50.160> fascinating<00:57:50.720> me<00:57:50.880> that<00:57:51.359> i<00:57:51.520> really

it's always fascinating me that i really

it's always fascinating me that i really
love<00:57:52.319> that<00:57:52.480> about<00:57:52.799> music<00:57:54.079> so<00:57:54.480> like<00:57:54.640> if

love that about music so like if

love that about music so like if
somebody<00:57:55.119> listens<00:57:55.440> to<00:57:55.599> your<00:57:55.760> tune<00:57:56.000> they'll<00:57:56.160> go

somebody listens to your tune they'll go

somebody listens to your tune they'll go
oh<00:57:56.799> yeah<00:57:57.040> i<00:57:57.119> know<00:57:57.280> that<00:57:57.440> melody<00:57:57.920> and<00:57:58.000> then<00:57:58.400> if

oh yeah i know that melody and then if

oh yeah i know that melody and then if
you<00:57:58.720> try<00:57:58.880> to<00:57:59.119> actually<00:57:59.440> play<00:57:59.760> it<00:57:59.839> later<00:58:00.160> you're

you try to actually play it later you're

you try to actually play it later you're
like<00:58:00.640> wait<00:58:00.799> a<00:58:00.880> minute<00:58:01.599> it's<00:58:01.760> not<00:58:02.000> in<00:58:02.079> the<00:58:02.240> same

like wait a minute it's not in the same

like wait a minute it's not in the same
key<00:58:02.880> it's<00:58:03.200> changed<00:58:03.680> like<00:58:03.920> maybe<00:58:04.160> two<00:58:04.319> or<00:58:04.480> three

key it's changed like maybe two or three

key it's changed like maybe two or three
times<00:58:05.520> without<00:58:05.920> really<00:58:06.160> noticing<00:58:06.799> it

times without really noticing it

times without really noticing it
it's<00:58:07.599> like<00:58:07.839> a<00:58:07.920> little<00:58:08.319> magic<00:58:08.799> puzzle<00:58:09.599> i<00:58:09.760> like

it's like a little magic puzzle i like

it's like a little magic puzzle i like
that

that

that
and<00:58:10.880> then<00:58:11.040> the<00:58:11.200> tunes<00:58:11.680> like<00:58:12.160> uh

and then the tunes like uh

and then the tunes like uh
looking<00:58:13.839> glass<00:58:14.319> where<00:58:14.559> the<00:58:14.720> chord<00:58:15.040> changes

looking glass where the chord changes

looking glass where the chord changes
for<00:58:15.599> the<00:58:15.760> soloing<00:58:16.559> are<00:58:16.720> different<00:58:17.200> than<00:58:17.520> the

for the soloing are different than the

for the soloing are different than the
the

the

the
head<00:58:20.400> yeah<00:58:20.839> um<00:58:21.760> is<00:58:21.920> that<00:58:22.240> how<00:58:22.400> do<00:58:22.559> you<00:58:22.640> go<00:58:22.799> about

head yeah um is that how do you go about

head yeah um is that how do you go about
approaching<00:58:23.760> that<00:58:24.319> well<00:58:24.480> what<00:58:24.559> i<00:58:24.720> usually<00:58:24.960> do

approaching that well what i usually do

approaching that well what i usually do
is<00:58:25.359> i<00:58:25.520> i'll<00:58:25.760> take<00:58:26.000> a<00:58:26.079> section<00:58:26.480> of<00:58:26.640> the<00:58:26.799> head<00:58:27.200> it

is i i'll take a section of the head it

is i i'll take a section of the head it
will<00:58:27.520> easily<00:58:27.920> be<00:58:28.319> related

will easily be related

will easily be related
almost<00:58:30.079> always<00:58:30.559> it'll<00:58:30.799> be<00:58:31.200> i'll<00:58:31.440> take<00:58:31.760> a

almost always it'll be i'll take a

almost always it'll be i'll take a
certain<00:58:32.319> section<00:58:32.640> of<00:58:32.799> it<00:58:32.960> in<00:58:33.040> that<00:58:33.280> tube<00:58:33.680> for

certain section of it in that tube for

certain section of it in that tube for
example<00:58:34.319> that<00:58:34.880> a<00:58:34.960> lot<00:58:35.119> of<00:58:35.200> the<00:58:35.359> solar<00:58:35.760> changes

example that a lot of the solar changes

example that a lot of the solar changes
are<00:58:36.400> from

are from

are from
the<00:58:37.520> middle<00:58:37.839> part<00:58:38.079> of<00:58:38.160> the<00:58:38.319> head

the middle part of the head

the middle part of the head
and<00:58:39.599> then<00:58:39.839> i'll<00:58:40.079> just<00:58:40.400> kind<00:58:40.559> of<00:58:40.720> modify<00:58:41.119> it<00:58:41.359> and

and then i'll just kind of modify it and

and then i'll just kind of modify it and
morph<00:58:42.400> it<00:58:42.559> until<00:58:42.880> it<00:58:43.359> until<00:58:43.680> it<00:58:43.760> gets<00:58:44.000> back<00:58:44.240> to

morph it until it until it gets back to

morph it until it until it gets back to
square<00:58:44.960> one<00:58:45.119> and<00:58:45.200> then<00:58:45.359> we<00:58:45.440> go<00:58:45.599> back<00:58:45.839> into<00:58:46.000> the

square one and then we go back into the

square one and then we go back into the
head<00:58:46.799> and<00:58:46.880> that<00:58:47.119> is<00:58:47.359> interesting<00:58:47.920> because

head and that is interesting because

head and that is interesting because
it's<00:58:48.319> in<00:58:48.480> two<00:58:48.720> different<00:58:49.040> keys<00:58:49.359> and<00:58:49.440> there's

it's in two different keys and there's

it's in two different keys and there's
two<00:58:49.839> different<00:58:50.160> lenses<00:58:50.640> in<00:58:50.799> each<00:58:51.040> beat

two different lenses in each beat

two different lenses in each beat
but<00:58:52.799> uh

but uh

but uh
so<00:58:54.079> it's<00:58:54.160> just<00:58:54.400> like<00:58:54.559> a

so it's just like a

so it's just like a
yeah<00:58:56.079> it's<00:58:56.160> just<00:58:56.400> like<00:58:56.640> a<00:58:56.799> little

yeah it's just like a little

yeah it's just like a little
modulation<00:58:58.720> warfare<00:58:59.520> i<00:58:59.680> like<00:58:59.839> those<00:59:00.319> so

modulation warfare i like those so

modulation warfare i like those so
and<00:59:01.920> there's<00:59:02.240> only<00:59:02.400> a<00:59:02.480> few<00:59:02.720> tunes<00:59:03.119> i<00:59:03.359> wrote

and there's only a few tunes i wrote

and there's only a few tunes i wrote
where

the head and the changes are the same

the head and the changes are the same
you<00:59:08.480> know<00:59:08.640> i<00:59:08.720> have<00:59:08.960> done<00:59:09.119> that<00:59:09.280> actually<00:59:09.680> like

you know i have done that actually like

you know i have done that actually like
funnels<00:59:10.720> was<00:59:10.960> one<00:59:11.200> example

funnels was one example

funnels was one example
trying<00:59:12.720> to<00:59:12.799> think<00:59:12.960> of<00:59:13.119> another<00:59:13.359> one<00:59:13.599> i<00:59:13.680> can't

trying to think of another one i can't

trying to think of another one i can't
think<00:59:14.079> of<00:59:14.160> one<00:59:14.319> right<00:59:14.480> now

think of one right now

think of one right now
yeah<00:59:16.480> there's<00:59:16.799> a<00:59:16.880> few<00:59:17.040> of<00:59:17.200> them<00:59:17.359> where<00:59:17.520> the<00:59:17.920> the

yeah there's a few of them where the the

yeah there's a few of them where the the
the<00:59:19.760> it's<00:59:20.000> like<00:59:20.240> a<00:59:20.319> traditional<00:59:21.280> tune<00:59:21.520> where

the it's like a traditional tune where

the it's like a traditional tune where
the<00:59:21.839> head<00:59:22.079> and<00:59:22.240> the<00:59:22.400> changes<00:59:22.799> are<00:59:23.040> exactly<00:59:23.440> the

the head and the changes are exactly the

the head and the changes are exactly the
same

same

same
thank<00:59:24.880> you<00:59:25.280> you're<00:59:25.440> welcome<00:59:25.839> thank<00:59:26.079> you

thank you you're welcome thank you

thank you you're welcome thank you
if<00:59:27.920> at<00:59:28.079> all

well i did a lot of that a long time ago

well i did a lot of that a long time ago
because<00:59:33.839> the<00:59:33.920> one<00:59:34.160> thing<00:59:34.480> that<00:59:34.720> i<00:59:34.960> i<00:59:35.040> can't

because the one thing that i i can't

because the one thing that i i can't
read<00:59:35.520> music<00:59:35.839> when<00:59:36.000> there's<00:59:36.160> key<00:59:36.400> signatures

read music when there's key signatures

read music when there's key signatures
right<00:59:37.760> but<00:59:37.920> the<00:59:38.000> way<00:59:38.160> it<00:59:38.240> was<00:59:38.400> written<00:59:38.720> was

right but the way it was written was

right but the way it was written was
then<00:59:39.040> harmonically<00:59:39.599> so<00:59:39.839> you<00:59:39.920> just<00:59:40.079> had<00:59:40.240> all

then harmonically so you just had all

then harmonically so you just had all
the<00:59:40.480> accidentals<00:59:41.040> in<00:59:41.119> there<00:59:41.280> and<00:59:41.440> that's<00:59:41.599> how

the accidentals in there and that's how

the accidentals in there and that's how
i<00:59:41.839> think<00:59:42.000> it<00:59:42.160> should<00:59:42.319> be<00:59:42.559> anyway<00:59:43.200> that's<00:59:43.520> just

i think it should be anyway that's just

i think it should be anyway that's just
my<00:59:43.920> opinion

my opinion

my opinion
just<00:59:45.040> like<00:59:45.280> i<00:59:45.359> think<00:59:45.520> the<00:59:45.680> guitar<00:59:46.000> should<00:59:46.160> be

just like i think the guitar should be

just like i think the guitar should be
tuned<00:59:46.480> like<00:59:46.640> this

but um

but um
it<00:59:50.559> just<00:59:50.720> made<00:59:50.960> a<00:59:51.040> lot<00:59:51.200> of<00:59:51.359> sense

because even as slow as i read which is

because even as slow as i read which is
extremely<00:59:56.880> slow<00:59:57.440> i<00:59:57.599> could<00:59:57.920> you<00:59:58.000> know<00:59:58.319> my<00:59:58.480> own

extremely slow i could you know my own

extremely slow i could you know my own
time<00:59:58.960> in<00:59:59.040> my<00:59:59.280> own<00:59:59.760> little<01:00:00.079> room<01:00:00.400> i<01:00:00.480> could<01:00:00.720> kind

time in my own little room i could kind

time in my own little room i could kind
of<01:00:00.960> work<01:00:01.119> through<01:00:01.280> it<01:00:01.359> whereas<01:00:01.680> if<01:00:01.760> there's<01:00:01.920> a

of work through it whereas if there's a

of work through it whereas if there's a
key<01:00:02.160> signature<01:00:02.720> oh<01:00:02.960> my<01:00:03.119> god<01:00:03.359> you<01:00:03.520> know<01:00:04.000> i<01:00:04.160> can

key signature oh my god you know i can

key signature oh my god you know i can
deal<01:00:04.559> with<01:00:04.720> it<01:00:04.799> so

deal with it so

deal with it so
i<01:00:06.000> really<01:00:06.240> like<01:00:06.400> the<01:00:06.559> way<01:00:06.720> they<01:00:07.119> write<01:00:07.440> modern

i really like the way they write modern

i really like the way they write modern
classical<01:00:08.319> music<01:00:08.640> because<01:00:08.960> apparently<01:00:09.440> it's

classical music because apparently it's

classical music because apparently it's
already<01:00:10.000> like<01:00:10.160> that<01:00:10.400> now

already like that now

already like that now
with<01:00:11.359> no<01:00:11.599> key<01:00:11.760> signatures

with no key signatures

with no key signatures
there<01:00:14.400> really<01:00:14.720> isn't<01:00:15.200> you<01:00:15.280> know<01:00:15.760> so<01:00:15.920> you<01:00:16.079> can't

there really isn't you know so you can't

there really isn't you know so you can't
really<01:00:16.480> give<01:00:16.720> codes<01:00:17.119> numbers<01:00:17.760> anymore

really give codes numbers anymore

really give codes numbers anymore
oh<01:00:20.079> you<01:00:20.319> can<01:00:20.559> but<01:00:20.880> you<01:00:21.040> know

oh you can but you know

oh you can but you know
there's<01:00:23.040> a<01:00:23.119> new<01:00:23.440> one

there's a new one

there's a new one
well<01:00:24.559> this<01:00:24.799> tune<01:00:25.040> there

well this tune there

well this tune there
is<01:00:26.079> called<01:00:26.400> house<01:00:26.720> of<01:00:26.960> mirrors<01:00:27.599> because

is called house of mirrors because

is called house of mirrors because
it<01:00:29.040> kind<01:00:29.200> of<01:00:29.359> reminds<01:00:29.760> me<01:00:29.920> of<01:00:30.079> like<01:00:30.319> being<01:00:30.559> in<01:00:30.640> a

it kind of reminds me of like being in a

it kind of reminds me of like being in a
house<01:00:31.040> of<01:00:31.119> mirrors<01:00:31.520> because

house of mirrors because

house of mirrors because
it<01:00:33.440> modulates<01:00:34.160> a<01:00:34.319> lot<01:00:34.960> and<01:00:35.680> i<01:00:35.839> like<01:00:36.079> that<01:00:36.559> you

it modulates a lot and i like that you

it modulates a lot and i like that you
know<01:00:36.799> i've<01:00:37.040> always<01:00:37.280> that's<01:00:37.520> why<01:00:37.760> that<01:00:38.000> system

know i've always that's why that system

know i've always that's why that system
of<01:00:38.480> numbering<01:00:38.960> codes<01:00:39.359> like<01:00:39.520> for<01:00:39.680> example<01:00:40.240> 251

of numbering codes like for example 251

of numbering codes like for example 251
or<01:00:41.119> whatever<01:00:42.000> doesn't<01:00:42.400> really<01:00:42.640> work<01:00:43.280> too<01:00:43.520> well

or whatever doesn't really work too well

or whatever doesn't really work too well
for<01:00:44.960> me<01:00:45.200> with<01:00:45.440> my<01:00:45.680> music<01:00:45.920> because<01:00:46.160> they<01:00:46.319> move

for me with my music because they move

for me with my music because they move
around<01:00:46.960> too<01:00:47.119> much<01:00:47.440> to<01:00:47.680> ever<01:00:47.920> have<01:00:48.559> one<01:00:48.799> that

around too much to ever have one that

around too much to ever have one that
stays<01:00:49.440> a<01:00:49.599> one

stays a one

stays a one
so<01:00:51.119> not<01:00:51.359> only<01:00:51.680> with<01:00:51.839> alan's<01:00:52.480> uh<01:00:52.880> solos<01:00:53.359> that<01:00:53.520> we

so not only with alan's uh solos that we

so not only with alan's uh solos that we
have<01:00:53.920> chords<01:00:54.400> where<01:00:54.640> different<01:00:54.960> scales<01:00:55.359> can

have chords where different scales can

have chords where different scales can
be<01:00:55.599> used

be used

be used
and<01:00:56.880> every<01:00:57.599> chord<01:00:58.000> being<01:00:58.319> a<01:00:58.400> new<01:00:58.720> key<01:00:59.280> but<01:00:59.520> also

and every chord being a new key but also

and every chord being a new key but also
the<01:01:00.160> form<01:01:00.559> of<01:01:00.720> the<01:01:00.880> solo<01:01:01.280> itself<01:01:01.760> is<01:01:02.000> also<01:01:02.559> uh

the form of the solo itself is also uh

the form of the solo itself is also uh
not<01:01:03.359> standard<01:01:03.920> and<01:01:04.319> weird<01:01:04.880> usually<01:01:05.520> simpler

not standard and weird usually simpler

not standard and weird usually simpler
music<01:01:06.880> are<01:01:07.119> easier<01:01:07.440> to<01:01:07.520> follow<01:01:07.839> music<01:01:08.640> follows

music are easier to follow music follows

music are easier to follow music follows
some<01:01:09.200> sort<01:01:09.359> of<01:01:09.520> simpler<01:01:10.160> structure<01:01:10.799> that<01:01:11.119> has

some sort of simpler structure that has

some sort of simpler structure that has
a<01:01:11.359> lot<01:01:11.520> of<01:01:11.599> symmetry<01:01:12.160> to<01:01:12.319> it<01:01:12.880> uh<01:01:13.119> so<01:01:13.359> for

a lot of symmetry to it uh so for

a lot of symmetry to it uh so for
example<01:01:14.480> uh<01:01:14.799> four<01:01:15.119> four<01:01:15.440> time<01:01:16.079> means<01:01:16.400> four

example uh four four time means four

example uh four four time means four
beats<01:01:16.880> per<01:01:17.040> measure<01:01:17.440> and<01:01:17.599> usually<01:01:18.240> the<01:01:18.480> chord

beats per measure and usually the chord

beats per measure and usually the chord
structure<01:01:19.119> repeats<01:01:19.599> in<01:01:19.839> four<01:01:20.160> measures<01:01:20.640> or

structure repeats in four measures or

structure repeats in four measures or
eight<01:01:21.200> measures<01:01:21.920> or<01:01:22.079> something<01:01:22.319> like<01:01:22.480> that

eight measures or something like that

eight measures or something like that
with<01:01:23.119> allen's<01:01:23.680> that's<01:01:24.000> not<01:01:24.240> the<01:01:24.400> case<01:01:24.720> because

with allen's that's not the case because

with allen's that's not the case because
you<01:01:25.119> can<01:01:25.280> have<01:01:25.680> measures<01:01:26.079> where<01:01:26.799> um<01:01:27.119> this<01:01:27.359> one

you can have measures where um this one

you can have measures where um this one
chord<01:01:27.920> is<01:01:28.000> like<01:01:28.240> seven<01:01:28.640> beats<01:01:28.960> and<01:01:29.040> then<01:01:29.200> the

chord is like seven beats and then the

chord is like seven beats and then the
next<01:01:29.680> part<01:01:29.920> is<01:01:30.079> held<01:01:30.319> for<01:01:30.480> about<01:01:31.040> four<01:01:31.760> and

next part is held for about four and

next part is held for about four and
then<01:01:32.000> the<01:01:32.079> next<01:01:32.240> one<01:01:32.400> goes<01:01:32.640> back<01:01:32.799> to<01:01:32.960> five<01:01:33.280> then

then the next one goes back to five then

then the next one goes back to five then
it<01:01:33.520> goes<01:01:33.760> back<01:01:33.920> to<01:01:34.079> four<01:01:34.400> beats<01:01:34.720> it's<01:01:34.880> really

it goes back to four beats it's really

it goes back to four beats it's really
free<01:01:35.520> like<01:01:35.760> that<01:01:36.480> uh<01:01:36.880> and<01:01:36.960> then<01:01:37.280> also<01:01:38.000> the

free like that uh and then also the

free like that uh and then also the
amount<01:01:38.400> of<01:01:38.559> measures<01:01:38.880> that<01:01:39.040> you<01:01:39.200> have<01:01:39.359> in<01:01:39.599> in

amount of measures that you have in in

amount of measures that you have in in
the<01:01:40.000> solo<01:01:40.400> can<01:01:40.960> or<01:01:41.119> could<01:01:41.280> be<01:01:41.440> odd<01:01:41.760> like<01:01:41.920> you

the solo can or could be odd like you

the solo can or could be odd like you
can<01:01:42.160> have<01:01:42.319> 13<01:01:43.280> measures<01:01:43.920> before<01:01:44.240> it<01:01:44.319> repeats

can have 13 measures before it repeats

can have 13 measures before it repeats
and<01:01:44.880> it's<01:01:45.040> very<01:01:45.359> hard<01:01:45.599> to<01:01:45.760> kind<01:01:45.920> of<01:01:46.079> follow

and it's very hard to kind of follow

and it's very hard to kind of follow
unless<01:01:46.799> you<01:01:46.960> actually<01:01:47.280> know<01:01:48.000> the<01:01:48.160> soul

unless you actually know the soul

unless you actually know the soul
harmony<01:01:48.880> in<01:01:48.960> the<01:01:49.119> form<01:01:49.359> behind<01:01:49.839> it<01:01:50.319> and

harmony in the form behind it and

harmony in the form behind it and
sometimes<01:01:51.040> in<01:01:51.119> that<01:01:51.280> structure<01:01:52.240> the<01:01:52.400> chords

sometimes in that structure the chords

sometimes in that structure the chords
that<01:01:52.799> provide<01:01:53.200> tension<01:01:53.520> are<01:01:53.599> not<01:01:53.839> in<01:01:53.920> a

that provide tension are not in a

that provide tension are not in a
predictable<01:01:54.640> place

predictable place

predictable place
uh<01:01:56.160> so<01:01:56.400> for<01:01:56.559> example<01:01:57.200> uh<01:01:57.520> if<01:01:57.680> we're<01:01:57.839> playing<01:01:58.160> a

uh so for example uh if we're playing a

uh so for example uh if we're playing a
one<01:01:58.640> six<01:01:58.960> four<01:01:59.359> five<01:01:59.760> in<01:01:59.920> c<01:02:00.160> major<01:02:00.480> which<01:02:00.640> is<01:02:00.799> c

one six four five in c major which is c

one six four five in c major which is c
major<01:02:01.760> this<01:02:01.920> is<01:02:02.000> our<01:02:02.160> one

major this is our one

major this is our one
a<01:02:03.119> minor<01:02:03.440> are<01:02:03.599> six

a minor are six

a minor are six
f<01:02:04.880> majors<01:02:05.280> are<01:02:05.440> four<01:02:06.079> and<01:02:06.240> g<01:02:06.480> major<01:02:06.960> is<01:02:07.119> our

f majors are four and g major is our

f majors are four and g major is our
five<01:02:08.000> or<01:02:08.160> i'm<01:02:08.319> going<01:02:08.400> to<01:02:08.480> do<01:02:08.640> something<01:02:08.960> like

five or i'm going to do something like

five or i'm going to do something like
g7

g7

g7
that<01:02:10.559> goes<01:02:10.880> back<01:02:11.039> to<01:02:11.200> c<01:02:11.359> major<01:02:12.240> we<01:02:12.480> have

that goes back to c major we have

that goes back to c major we have
tension<01:02:13.599> and<01:02:13.760> a<01:02:13.839> release<01:02:14.160> that<01:02:14.319> makes<01:02:14.720> sense

tension and a release that makes sense

tension and a release that makes sense
uh<01:02:15.839> in<01:02:16.000> allen's<01:02:16.480> music<01:02:16.880> sometimes<01:02:17.280> you<01:02:17.359> have

uh in allen's music sometimes you have

uh in allen's music sometimes you have
tension<01:02:17.920> in<01:02:18.079> an<01:02:18.240> area<01:02:18.720> where<01:02:18.960> it's<01:02:19.119> completely

tension in an area where it's completely

tension in an area where it's completely
unexpected<01:02:20.240> and<01:02:20.400> it<01:02:20.480> just<01:02:20.720> sounds

unexpected and it just sounds

unexpected and it just sounds
uh<01:02:21.920> sort<01:02:22.079> of<01:02:22.240> abrupt<01:02:22.640> and<01:02:22.799> unusual

uh sort of abrupt and unusual

uh sort of abrupt and unusual
other<01:02:24.400> times

other times

other times
i'll<01:02:25.760> be<01:02:25.920> a<01:02:25.920> little<01:02:26.079> sneaky<01:02:26.480> but<01:02:26.640> the<01:02:26.880> form

i'll be a little sneaky but the form

i'll be a little sneaky but the form
where<01:02:28.000> the<01:02:28.240> solo<01:02:28.640> section<01:02:28.960> is<01:02:29.119> actually<01:02:29.599> two

where the solo section is actually two

where the solo section is actually two
parts<01:02:30.480> there's<01:02:30.720> like<01:02:30.880> an<01:02:31.039> a<01:02:31.200> and<01:02:31.359> a<01:02:31.440> b<01:02:31.760> section

parts there's like an a and a b section

parts there's like an a and a b section
but<01:02:32.480> what<01:02:32.640> he'll<01:02:32.799> do<01:02:33.039> is<01:02:33.119> he'll<01:02:33.359> play<01:02:33.599> the

but what he'll do is he'll play the

but what he'll do is he'll play the
chords<01:02:34.160> of<01:02:34.240> the<01:02:34.400> a<01:02:34.720> section<01:02:35.119> and<01:02:35.280> then<01:02:35.520> start

chords of the a section and then start

chords of the a section and then start
the<01:02:36.079> solo<01:02:36.480> on<01:02:36.559> the<01:02:36.720> b<01:02:36.960> section<01:02:37.440> and<01:02:37.520> then<01:02:37.760> go

the solo on the b section and then go

the solo on the b section and then go
back<01:02:38.160> and<01:02:38.240> solo<01:02:38.480> for<01:02:38.640> the<01:02:38.720> a<01:02:38.960> and<01:02:39.119> b

back and solo for the a and b

back and solo for the a and b
uh<01:02:40.240> the<01:02:40.480> two<01:02:40.720> examples<01:02:41.200> that<01:02:41.359> i<01:02:41.520> know<01:02:42.000> the<01:02:42.160> best

uh the two examples that i know the best

uh the two examples that i know the best
for<01:02:42.559> this<01:02:43.200> are<01:02:43.640> o274<01:02:44.960> and<01:02:45.119> lanyard<01:02:45.520> loop<01:02:45.760> and

for this are o274 and lanyard loop and

for this are o274 and lanyard loop and
if<01:02:46.000> you<01:02:46.079> want<01:02:46.240> more<01:02:46.480> information<01:02:47.119> on<01:02:47.280> those

if you want more information on those

if you want more information on those
you<01:02:47.680> can<01:02:47.920> find<01:02:48.240> those<01:02:48.400> videos<01:02:48.720> on<01:02:48.799> this

you can find those videos on this

you can find those videos on this
channel<01:02:49.280> where<01:02:49.520> i<01:02:49.599> go<01:02:49.839> through<01:02:50.079> it<01:02:50.640> um<01:02:51.359> but

channel where i go through it um but

channel where i go through it um but
when<01:02:52.480> they<01:02:52.720> repeat<01:02:53.119> like<01:02:53.359> for<01:02:53.520> example<01:02:54.000> uh

when they repeat like for example uh

when they repeat like for example uh
let's<01:02:54.319> say<01:02:54.480> oh<01:02:54.720> two<01:02:54.880> seven<01:02:55.280> four<01:02:55.760> the<01:02:55.920> chords

let's say oh two seven four the chords

let's say oh two seven four the chords
are<01:02:56.319> the<01:02:56.480> same<01:02:56.720> but<01:02:56.880> then<01:02:57.200> for<01:02:57.520> like<01:02:58.240> these

are the same but then for like these

are the same but then for like these
sections<01:02:58.880> of<01:02:59.039> chords<01:02:59.440> it's<01:02:59.599> modulated<01:03:00.160> down<01:03:00.400> a

sections of chords it's modulated down a

sections of chords it's modulated down a
minor<01:03:00.799> third<01:03:01.039> then<01:03:01.280> it<01:03:01.359> goes<01:03:01.680> back<01:03:02.079> and<01:03:02.240> then

minor third then it goes back and then

minor third then it goes back and then
it<01:03:02.880> has<01:03:03.119> a<01:03:03.200> different<01:03:03.520> ending<01:03:03.839> to<01:03:04.079> it<01:03:04.559> uh<01:03:04.880> and

it has a different ending to it uh and

it has a different ending to it uh and
that<01:03:05.280> stuff<01:03:05.440> can<01:03:05.599> be<01:03:05.760> really<01:03:06.000> hard<01:03:06.160> to<01:03:06.319> follow

that stuff can be really hard to follow

that stuff can be really hard to follow
if<01:03:06.880> you're<01:03:06.960> not<01:03:07.200> familiar<01:03:07.599> with<01:03:07.760> the<01:03:07.920> tune

if you're not familiar with the tune

if you're not familiar with the tune
already<01:03:08.559> and<01:03:08.720> of<01:03:08.799> course<01:03:09.039> you<01:03:09.200> would<01:03:09.440> not<01:03:09.599> be

already and of course you would not be

already and of course you would not be
able<01:03:09.920> to<01:03:10.000> know<01:03:10.160> because<01:03:10.319> you<01:03:10.480> can't<01:03:10.799> follow<01:03:11.200> it

able to know because you can't follow it

able to know because you can't follow it
you<01:03:11.920> know<01:03:12.000> alan's<01:03:12.400> not<01:03:12.480> handing<01:03:12.799> you<01:03:12.960> out<01:03:13.039> the

you know alan's not handing you out the

you know alan's not handing you out the
chart<01:03:13.440> for<01:03:13.520> you<01:03:13.680> to<01:03:13.760> follow<01:03:14.319> but<01:03:14.480> once<01:03:14.720> you<01:03:14.960> do

chart for you to follow but once you do

chart for you to follow but once you do
know<01:03:15.440> the<01:03:15.599> form<01:03:16.319> then<01:03:16.480> his<01:03:16.640> solos<01:03:17.200> are<01:03:17.359> easier

know the form then his solos are easier

know the form then his solos are easier
to<01:03:17.839> understand<01:03:18.400> because<01:03:18.640> you<01:03:18.799> can<01:03:19.039> tell<01:03:19.280> sort

to understand because you can tell sort

to understand because you can tell sort
of<01:03:19.520> where<01:03:19.680> the<01:03:19.839> changes<01:03:20.240> are<01:03:20.319> going<01:03:20.480> to<01:03:20.559> be<01:03:21.200> and

of where the changes are going to be and

of where the changes are going to be and
lastly<01:03:21.839> even<01:03:22.000> when<01:03:22.160> it<01:03:22.240> comes<01:03:22.480> to<01:03:22.640> the

lastly even when it comes to the

lastly even when it comes to the
harmonies<01:03:23.200> for<01:03:23.440> solos<01:03:23.760> there's<01:03:24.000> really<01:03:24.319> four

harmonies for solos there's really four

harmonies for solos there's really four
main<01:03:24.960> types<01:03:25.280> and<01:03:25.440> i'll<01:03:25.599> show<01:03:25.760> the<01:03:25.920> list<01:03:26.240> of<01:03:26.400> the

main types and i'll show the list of the

main types and i'll show the list of the
tunes<01:03:26.799> that<01:03:26.960> kind<01:03:27.119> of<01:03:27.200> have<01:03:27.359> these<01:03:27.599> forms

tunes that kind of have these forms

tunes that kind of have these forms
the<01:03:29.119> simplest<01:03:29.599> ones<01:03:29.839> to<01:03:30.079> follow<01:03:30.799> are<01:03:31.039> the<01:03:31.280> ones

the simplest ones to follow are the ones

the simplest ones to follow are the ones
where<01:03:32.319> the<01:03:32.480> chords<01:03:32.799> that<01:03:32.960> you<01:03:33.119> hear<01:03:33.440> or<01:03:33.520> the

where the chords that you hear or the

where the chords that you hear or the
solo<01:03:34.000> section<01:03:34.400> always<01:03:34.640> repeats<01:03:35.039> the<01:03:35.200> same

solo section always repeats the same

solo section always repeats the same
chords<01:03:36.160> a<01:03:36.319> great<01:03:36.559> example<01:03:37.039> that<01:03:37.280> is<01:03:37.680> like

chords a great example that is like

chords a great example that is like
funnels<01:03:38.400> or<01:03:38.559> pud<01:03:38.880> wood<01:03:39.280> plays<01:03:39.599> the<01:03:39.760> chords<01:03:40.240> and

funnels or pud wood plays the chords and

funnels or pud wood plays the chords and
then<01:03:40.640> he<01:03:40.880> solos<01:03:41.280> over<01:03:41.520> those<01:03:41.760> chords<01:03:42.160> and<01:03:42.240> they

then he solos over those chords and they

then he solos over those chords and they
never<01:03:42.720> deviate<01:03:43.280> from<01:03:43.520> them

never deviate from them

never deviate from them
now<01:03:44.559> most<01:03:44.880> of<01:03:44.960> the<01:03:45.039> time<01:03:45.280> when<01:03:45.520> alan<01:03:46.000> solos

now most of the time when alan solos

now most of the time when alan solos
over<01:03:47.119> a<01:03:47.760> particular<01:03:48.400> section

over a particular section

over a particular section
that<01:03:49.599> section<01:03:50.480> is<01:03:50.640> related<01:03:51.200> some<01:03:51.440> way<01:03:51.599> to<01:03:51.760> the

that section is related some way to the

that section is related some way to the
chords<01:03:52.160> that<01:03:52.240> you<01:03:52.400> already<01:03:52.720> heard<01:03:53.039> either

chords that you already heard either

chords that you already heard either
there's<01:03:53.920> a<01:03:54.079> part<01:03:54.400> in<01:03:54.480> there<01:03:54.720> that's<01:03:55.520> exactly

there's a part in there that's exactly

there's a part in there that's exactly
like<01:03:56.240> what<01:03:56.400> you<01:03:56.480> heard<01:03:56.720> or<01:03:56.799> maybe<01:03:57.200> the<01:03:57.440> entire

like what you heard or maybe the entire

like what you heard or maybe the entire
solo<01:03:58.160> section<01:03:58.400> is<01:03:58.559> in<01:03:58.640> sort<01:03:58.799> of<01:03:58.880> like<01:03:59.119> a

solo section is in sort of like a

solo section is in sort of like a
similar<01:03:59.680> vein<01:04:00.319> of<01:04:00.480> course<01:04:00.720> it<01:04:00.799> makes<01:04:00.960> it

similar vein of course it makes it

similar vein of course it makes it
harder<01:04:01.359> because<01:04:01.520> you<01:04:01.599> didn't<01:04:01.760> hear<01:04:02.000> the

harder because you didn't hear the

harder because you didn't hear the
chords<01:04:02.480> that<01:04:02.720> same<01:04:02.960> exact<01:04:03.359> way<01:04:03.599> but<01:04:03.839> there<01:04:04.079> is

chords that same exact way but there is

chords that same exact way but there is
some<01:04:04.559> sort<01:04:04.799> of

some sort of

some sort of
uh<01:04:05.760> similarity<01:04:06.480> between<01:04:06.799> them<01:04:06.960> that<01:04:07.119> you<01:04:07.200> can

uh similarity between them that you can

uh similarity between them that you can
kind<01:04:07.520> of<01:04:07.680> follow<01:04:08.400> a<01:04:08.720> good<01:04:08.960> example<01:04:09.359> of<01:04:09.520> that

kind of follow a good example of that

kind of follow a good example of that
would<01:04:09.839> be<01:04:10.000> like<01:04:10.240> house<01:04:10.480> and<01:04:10.559> mirrors<01:04:11.280> the

would be like house and mirrors the

would be like house and mirrors the
hardest<01:04:12.079> types<01:04:12.400> of<01:04:12.480> solos<01:04:12.960> to<01:04:13.119> follow<01:04:13.839> are

hardest types of solos to follow are

hardest types of solos to follow are
these<01:04:14.559> uh<01:04:14.880> ones<01:04:15.119> where<01:04:15.280> the<01:04:15.440> harmony<01:04:16.319> is

these uh ones where the harmony is

these uh ones where the harmony is
completely<01:04:17.039> unique<01:04:17.359> to<01:04:17.520> the<01:04:17.680> rest<01:04:17.920> of<01:04:18.000> the

completely unique to the rest of the

completely unique to the rest of the
tune<01:04:18.799> uh<01:04:18.960> like<01:04:19.200> for<01:04:19.359> example<01:04:20.319> uh<01:04:20.640> letters<01:04:20.960> of

tune uh like for example uh letters of

tune uh like for example uh letters of
mark<01:04:21.520> that<01:04:21.680> whole<01:04:21.920> solo<01:04:22.240> section<01:04:22.720> is<01:04:22.880> not

mark that whole solo section is not

mark that whole solo section is not
anything<01:04:23.440> like<01:04:23.680> the<01:04:23.839> chords<01:04:24.079> that<01:04:24.240> you<01:04:24.319> heard

anything like the chords that you heard

anything like the chords that you heard
before<01:04:25.440> lastly<01:04:25.839> the<01:04:26.000> other<01:04:26.240> types<01:04:26.480> of<01:04:26.640> solo

before lastly the other types of solo

before lastly the other types of solo
harmony<01:04:27.440> that<01:04:27.599> allen<01:04:27.920> employs<01:04:28.480> are<01:04:28.720> ones

harmony that allen employs are ones

harmony that allen employs are ones
where<01:04:29.760> there<01:04:30.000> is<01:04:30.160> no<01:04:30.319> harmony<01:04:30.799> or<01:04:31.039> the

where there is no harmony or the

where there is no harmony or the
structure<01:04:31.599> is<01:04:31.760> very<01:04:32.079> very<01:04:32.480> very<01:04:32.880> loose

structure is very very very loose

structure is very very very loose
something<01:04:33.760> like<01:04:33.920> devil<01:04:34.240> take<01:04:34.400> the<01:04:34.559> hindmost

something like devil take the hindmost

something like devil take the hindmost
which<01:04:35.359> that's<01:04:35.680> mostly<01:04:36.160> just<01:04:36.480> over<01:04:36.799> a

which that's mostly just over a

which that's mostly just over a
g<01:04:37.839> minor<01:04:38.160> kind<01:04:38.400> of<01:04:38.480> sound<01:04:39.280> uh<01:04:39.520> or<01:04:39.680> ones<01:04:39.920> where

g minor kind of sound uh or ones where

g minor kind of sound uh or ones where
there's<01:04:40.240> no<01:04:40.400> harmony<01:04:40.799> at<01:04:40.960> all<01:04:41.119> so<01:04:41.280> they<01:04:41.440> like

there's no harmony at all so they like

there's no harmony at all so they like
the

the

the
the<01:04:42.640> drums<01:04:42.960> are<01:04:43.119> yellow<01:04:43.520> he's<01:04:43.760> just

the drums are yellow he's just

the drums are yellow he's just
improvising<01:04:44.640> freely<01:04:45.039> over<01:04:45.280> that<01:04:45.920> uh<01:04:46.160> he's<01:04:46.400> not

improvising freely over that uh he's not

improvising freely over that uh he's not
following<01:04:46.960> any<01:04:47.119> particular<01:04:47.599> chords

following any particular chords

following any particular chords
so

so

so
these<01:04:49.599> are<01:04:49.839> all<01:04:49.920> the<01:04:50.079> things<01:04:50.400> that<01:04:50.640> makes

these are all the things that makes

these are all the things that makes
trying<01:04:52.000> to<01:04:52.240> find<01:04:52.720> and<01:04:52.799> figure<01:04:53.119> out<01:04:53.200> alan<01:04:53.520> solos

trying to find and figure out alan solos

trying to find and figure out alan solos
so<01:04:54.079> difficult<01:04:54.880> it's<01:04:55.039> a<01:04:55.200> very<01:04:55.440> simple<01:04:55.839> concept

so difficult it's a very simple concept

so difficult it's a very simple concept
but<01:04:56.559> it's<01:04:56.799> just<01:04:57.119> made<01:04:57.359> as<01:04:57.599> complex<01:04:58.160> as

but it's just made as complex as

but it's just made as complex as
possible

possible

possible
uh<01:05:00.319> different<01:05:00.799> types<01:05:01.119> of<01:05:01.200> scales<01:05:01.680> of<01:05:01.760> records

uh different types of scales of records

uh different types of scales of records
every<01:05:03.200> every<01:05:03.520> chord<01:05:03.760> being<01:05:04.000> a<01:05:04.160> different<01:05:04.480> key

every every chord being a different key

every every chord being a different key
uh<01:05:05.680> measures<01:05:06.079> being<01:05:06.400> different<01:05:06.960> uh<01:05:08.240> having

uh measures being different uh having

uh measures being different uh having
different<01:05:08.960> uh<01:05:09.359> beats

different uh beats

different uh beats
irregular<01:05:11.119> measures

irregular measures

irregular measures
uh<01:05:12.480> things<01:05:12.799> not<01:05:12.960> repeating<01:05:13.440> the<01:05:13.599> same<01:05:13.839> way<01:05:14.319> all

uh things not repeating the same way all

uh things not repeating the same way all
this<01:05:14.720> stuff<01:05:14.960> to<01:05:15.039> throw<01:05:15.280> you<01:05:15.520> off

this stuff to throw you off

this stuff to throw you off
so

so

so
hopefully

hopefully

hopefully
being<01:05:19.280> able<01:05:19.520> to<01:05:19.680> now<01:05:20.000> listen<01:05:20.319> to<01:05:20.480> some<01:05:20.640> of

being able to now listen to some of

being able to now listen to some of
these<01:05:21.039> lines<01:05:21.440> you<01:05:21.599> might<01:05:21.760> be<01:05:21.920> able<01:05:22.079> to<01:05:22.240> sort<01:05:22.400> of

these lines you might be able to sort of

these lines you might be able to sort of
hear<01:05:22.799> how<01:05:22.960> much<01:05:23.200> simpler<01:05:23.520> they<01:05:23.680> are<01:05:23.760> because

hear how much simpler they are because

hear how much simpler they are because
they'll<01:05:24.400> be<01:05:24.640> isolated

all right now we're going to be getting

all right now we're going to be getting
almost<01:05:33.520> to<01:05:33.680> the<01:05:33.839> good<01:05:34.079> stuff<01:05:34.559> but<01:05:34.799> before<01:05:35.119> we

almost to the good stuff but before we

almost to the good stuff but before we
do<01:05:35.440> that<01:05:35.599> i<01:05:35.680> need<01:05:35.839> to<01:05:36.000> talk<01:05:36.160> about<01:05:36.480> a<01:05:36.559> few<01:05:36.799> of

do that i need to talk about a few of

do that i need to talk about a few of
the

the

the
uh<01:05:38.160> little<01:05:38.559> things<01:05:38.960> that<01:05:39.359> alan<01:05:39.760> does<01:05:40.079> that's

uh little things that alan does that's

uh little things that alan does that's
not<01:05:40.799> enough<01:05:41.039> for<01:05:41.440> a<01:05:41.920> section<01:05:42.160> but<01:05:42.319> things<01:05:42.640> that

not enough for a section but things that

not enough for a section but things that
you'll<01:05:42.960> frequently<01:05:43.440> see

you'll frequently see

you'll frequently see
uh<01:05:44.480> in<01:05:44.559> the<01:05:44.720> lives<01:05:44.960> that<01:05:45.119> i'm<01:05:45.200> gonna<01:05:45.440> show<01:05:45.839> as

uh in the lives that i'm gonna show as

uh in the lives that i'm gonna show as
well<01:05:46.240> as<01:05:46.400> a<01:05:46.799> large<01:05:47.200> misconception<01:05:48.079> about

well as a large misconception about

well as a large misconception about
alan's<01:05:48.720> play<01:05:49.440> by<01:05:49.760> far<01:05:50.000> the<01:05:50.160> biggest

alan's play by far the biggest

alan's play by far the biggest
misconception<01:05:51.280> about<01:05:51.440> allen's<01:05:51.839> playing<01:05:52.160> is

misconception about allen's playing is

misconception about allen's playing is
his<01:05:52.480> use<01:05:52.640> of<01:05:52.799> four<01:05:53.039> note<01:05:53.200> per<01:05:53.440> string<01:05:53.760> scales

his use of four note per string scales

his use of four note per string scales
in<01:05:55.440> all<01:05:55.680> the<01:05:55.839> stuff<01:05:56.079> that<01:05:56.240> i<01:05:56.400> transcribed<01:05:57.280> i

in all the stuff that i transcribed i

in all the stuff that i transcribed i
did<01:05:57.680> not<01:05:58.000> find<01:05:58.480> one<01:05:58.960> instance<01:05:59.680> of<01:05:59.920> him<01:06:00.319> using

did not find one instance of him using

did not find one instance of him using
the<01:06:01.520> four<01:06:01.839> note<01:06:02.079> per<01:06:02.319> string<01:06:02.720> fingerings<01:06:03.200> that

the four note per string fingerings that

the four note per string fingerings that
he<01:06:03.440> shows<01:06:03.680> in<01:06:03.760> his<01:06:03.920> reach<01:06:04.400> video<01:06:05.119> uh<01:06:05.359> he'll<01:06:05.599> do

he shows in his reach video uh he'll do

he shows in his reach video uh he'll do
stuff<01:06:06.160> with<01:06:06.400> four<01:06:06.720> fingers<01:06:07.200> mostly<01:06:07.599> chromatic

stuff with four fingers mostly chromatic

stuff with four fingers mostly chromatic
stuff<01:06:08.319> like<01:06:08.400> he<01:06:08.559> might<01:06:08.640> do<01:06:08.799> something<01:06:09.039> like

stuff like he might do something like

stuff like he might do something like
this

this

this
or<01:06:11.119> even<01:06:11.359> something<01:06:11.680> like<01:06:11.920> um

or even something like um

or even something like um
but<01:06:14.400> never<01:06:15.280> in<01:06:15.440> the<01:06:15.599> way<01:06:15.839> that<01:06:16.000> he<01:06:16.240> actually

but never in the way that he actually

but never in the way that he actually
shows<01:06:17.280> how<01:06:17.440> to<01:06:17.599> play<01:06:17.760> the<01:06:17.920> major<01:06:18.240> scale<01:06:19.119> in<01:06:19.200> his

shows how to play the major scale in his

shows how to play the major scale in his
rh<01:06:19.839> instructional<01:06:20.400> video<01:06:21.200> i<01:06:21.359> think<01:06:21.599> a<01:06:21.680> good

rh instructional video i think a good

rh instructional video i think a good
way<01:06:22.000> to<01:06:22.240> begin<01:06:22.640> practicing<01:06:23.280> scales<01:06:23.839> basically

way to begin practicing scales basically

way to begin practicing scales basically
is<01:06:24.559> to

is to

is to
try<01:06:25.680> playing

try playing

try playing
more<01:06:26.799> than

more than

more than
three<01:06:28.079> notes<01:06:28.400> on<01:06:28.559> a<01:06:28.640> string<01:06:29.039> just<01:06:29.200> so<01:06:29.359> you<01:06:29.520> can

three notes on a string just so you can

three notes on a string just so you can
break<01:06:29.920> away<01:06:30.240> from<01:06:30.480> playing<01:06:30.720> in<01:06:30.880> a<01:06:30.960> pattern

break away from playing in a pattern

break away from playing in a pattern
like<01:06:31.520> this<01:06:32.079> f<01:06:32.240> major<01:06:32.559> or<01:06:32.720> something

like this f major or something

like this f major or something
[Music]

[Music]

[Music]
and<01:06:39.680> just<01:06:40.079> start<01:06:40.400> thinking<01:06:40.720> of<01:06:40.880> it<01:06:41.039> more<01:06:41.200> like

and just start thinking of it more like

and just start thinking of it more like
that<01:06:41.760> that<01:06:41.920> way<01:06:42.160> you<01:06:42.319> end<01:06:42.559> up<01:06:42.720> in<01:06:42.799> different

that that way you end up in different

that that way you end up in different
parts<01:06:43.359> of<01:06:43.520> the<01:06:43.599> guitar<01:06:44.079> you<01:06:44.160> know<01:06:44.319> you<01:06:44.400> can

parts of the guitar you know you can

parts of the guitar you know you can
start<01:06:44.799> on<01:06:44.960> the<01:06:45.039> low<01:06:45.280> f<01:06:45.440> and<01:06:45.599> end<01:06:45.760> up<01:06:46.240> on<01:06:46.400> a<01:06:46.480> high

start on the low f and end up on a high

start on the low f and end up on a high
a<01:06:46.880> or<01:06:46.960> something

a or something

a or something
so<01:06:48.160> what<01:06:48.400> i<01:06:48.480> think<01:06:48.640> allen<01:06:48.960> was<01:06:49.200> actually

so what i think allen was actually

so what i think allen was actually
trying<01:06:49.760> to<01:06:49.920> say<01:06:50.640> is<01:06:51.119> breaking<01:06:51.599> out<01:06:51.760> of<01:06:51.920> your

trying to say is breaking out of your

trying to say is breaking out of your
normal<01:06:52.480> scale<01:06:52.880> box<01:06:53.599> uh<01:06:54.319> by<01:06:54.559> knowing<01:06:54.799> the<01:06:54.960> notes

normal scale box uh by knowing the notes

normal scale box uh by knowing the notes
sort<01:06:55.359> of<01:06:55.520> behind<01:06:56.240> and<01:06:56.640> after<01:06:56.960> it<01:06:57.039> so<01:06:57.200> for

sort of behind and after it so for

sort of behind and after it so for
example<01:06:57.680> if<01:06:57.760> you're<01:06:57.920> in<01:06:58.079> c<01:06:58.319> major<01:06:59.039> knowing

example if you're in c major knowing

example if you're in c major knowing
where<01:06:59.520> the<01:06:59.680> notes<01:07:00.000> are<01:07:00.319> behind

where the notes are behind

where the notes are behind
in<01:07:01.599> that<01:07:01.839> position<01:07:02.400> and<01:07:02.559> also<01:07:02.880> ahead<01:07:03.119> of<01:07:03.280> that

in that position and also ahead of that

in that position and also ahead of that
position<01:07:04.160> and<01:07:04.319> i<01:07:04.400> think<01:07:04.559> that's<01:07:04.799> a<01:07:04.880> much

position and i think that's a much

position and i think that's a much
easier<01:07:05.599> way

easier way

easier way
to<01:07:06.880> think<01:07:07.039> about<01:07:07.280> it<01:07:07.359> and<01:07:07.599> also<01:07:07.920> to<01:07:08.079> be<01:07:08.319> able<01:07:08.480> to

to think about it and also to be able to

to think about it and also to be able to
do<01:07:08.880> that<01:07:09.200> in<01:07:09.440> every<01:07:09.760> one<01:07:09.920> of<01:07:10.079> the<01:07:10.240> positions

do that in every one of the positions

do that in every one of the positions
on<01:07:11.520> the<01:07:11.680> neck

on the neck

on the neck
but<01:07:13.359> maybe<01:07:13.760> alan<01:07:14.079> did<01:07:14.400> practice<01:07:14.799> that<01:07:15.039> or

but maybe alan did practice that or

but maybe alan did practice that or
maybe<01:07:15.520> in<01:07:15.680> a<01:07:15.760> live<01:07:16.079> video<01:07:16.559> he<01:07:16.720> did<01:07:16.960> use<01:07:17.200> it

maybe in a live video he did use it

maybe in a live video he did use it
somewhere<01:07:18.319> but<01:07:18.880> i<01:07:19.039> can<01:07:19.200> only<01:07:19.359> go<01:07:19.520> by<01:07:19.680> what<01:07:19.920> i've

somewhere but i can only go by what i've

somewhere but i can only go by what i've
seen<01:07:20.319> and<01:07:20.400> like<01:07:20.640> i<01:07:20.720> said<01:07:20.880> out<01:07:20.960> of<01:07:21.039> those<01:07:21.440> 200

seen and like i said out of those 200

seen and like i said out of those 200
plus<01:07:22.160> solos<01:07:22.480> that<01:07:22.640> i<01:07:22.720> combed<01:07:23.039> through<01:07:23.280> i<01:07:23.599> never

plus solos that i combed through i never

plus solos that i combed through i never
found<01:07:24.319> one<01:07:24.480> instance<01:07:24.880> of<01:07:25.200> him<01:07:25.599> using

found one instance of him using

found one instance of him using
any<01:07:26.799> of<01:07:26.960> those<01:07:27.200> fingerings<01:07:27.760> that<01:07:27.920> he<01:07:28.160> showed

any of those fingerings that he showed

any of those fingerings that he showed
in<01:07:28.960> the<01:07:29.119> video<01:07:29.680> or<01:07:29.839> playing<01:07:30.240> scale<01:07:30.640> in<01:07:30.720> that

in the video or playing scale in that

in the video or playing scale in that
way<01:07:31.440> it's<01:07:31.760> almost<01:07:32.079> always<01:07:32.400> the<01:07:32.559> normal<01:07:32.880> three

way it's almost always the normal three

way it's almost always the normal three
note<01:07:33.359> per<01:07:33.520> string<01:07:33.760> scales<01:07:34.160> that<01:07:34.319> we<01:07:34.480> all

note per string scales that we all

note per string scales that we all
basically<01:07:35.520> have<01:07:35.760> learned

basically have learned

basically have learned
again<01:07:37.119> i'm<01:07:37.359> not<01:07:37.520> in<01:07:37.760> allen's<01:07:38.079> head<01:07:38.400> i<01:07:38.480> don't

again i'm not in allen's head i don't

again i'm not in allen's head i don't
know<01:07:38.799> how<01:07:38.960> he<01:07:39.200> sees<01:07:39.440> the<01:07:39.599> neck<01:07:39.839> he<01:07:40.000> says<01:07:40.240> he

know how he sees the neck he says he

know how he sees the neck he says he
sees<01:07:40.720> the<01:07:40.799> neck<01:07:41.119> as<01:07:41.280> a<01:07:41.440> whole<01:07:42.319> but<01:07:42.640> once<01:07:42.960> i

sees the neck as a whole but once i

sees the neck as a whole but once i
started<01:07:43.440> to<01:07:43.599> learn<01:07:43.760> those<01:07:44.000> solos<01:07:44.400> i<01:07:44.480> realize

started to learn those solos i realize

started to learn those solos i realize
he<01:07:44.960> plays<01:07:45.280> very<01:07:46.000> positionally<01:07:46.799> up<01:07:46.960> and<01:07:47.119> down

he plays very positionally up and down

he plays very positionally up and down
with<01:07:47.599> the<01:07:47.760> modes<01:07:48.319> that<01:07:48.480> we<01:07:48.640> know<01:07:48.880> but<01:07:49.039> it's<01:07:49.280> not

with the modes that we know but it's not

with the modes that we know but it's not
really<01:07:49.760> calling<01:07:50.079> them<01:07:50.240> modes<01:07:50.559> you<01:07:50.720> should

really calling them modes you should

really calling them modes you should
really<01:07:51.200> still<01:07:51.520> you<01:07:51.680> should<01:07:51.839> think<01:07:52.079> of<01:07:52.160> them<01:07:52.400> as

really still you should think of them as

really still you should think of them as
sections<01:07:54.000> of<01:07:54.160> whatever<01:07:54.640> key<01:07:54.960> that<01:07:55.200> is<01:07:55.440> which

sections of whatever key that is which

sections of whatever key that is which
i'll

i'll

i'll
talk<01:07:56.799> about<01:07:57.039> later<01:07:57.359> and<01:07:57.440> i<01:07:57.599> think<01:07:57.760> that's

talk about later and i think that's

talk about later and i think that's
really<01:07:58.720> really<01:07:59.119> really<01:07:59.520> important<01:07:59.839> that<01:08:00.000> i

really really really important that i

really really really important that i
really<01:08:00.400> want<01:08:00.559> to<01:08:00.799> uh

really want to uh

really want to uh
to<01:08:01.920> uh<01:08:02.559> to<01:08:02.720> hammer<01:08:03.039> home<01:08:03.280> when<01:08:03.440> we<01:08:03.520> get<01:08:03.680> to<01:08:03.760> that

to uh to hammer home when we get to that

to uh to hammer home when we get to that
section<01:08:04.400> is<01:08:04.559> not<01:08:04.799> to<01:08:05.039> think<01:08:05.359> of<01:08:05.839> each<01:08:06.160> one<01:08:06.319> of

section is not to think of each one of

section is not to think of each one of
these<01:08:06.640> positions<01:08:07.280> as<01:08:07.520> a<01:08:07.680> mode<01:08:08.240> but<01:08:08.480> as<01:08:08.720> a

these positions as a mode but as a

these positions as a mode but as a
section<01:08:09.359> of<01:08:09.520> one<01:08:09.839> part<01:08:10.000> of<01:08:10.079> the<01:08:10.240> scale<01:08:10.960> and

section of one part of the scale and

section of one part of the scale and
when<01:08:11.680> i<01:08:11.760> come<01:08:12.000> through<01:08:12.160> all<01:08:12.240> those<01:08:12.400> solos

when i come through all those solos

when i come through all those solos
you'll<01:08:13.119> see<01:08:13.359> all<01:08:13.520> the<01:08:13.680> different<01:08:14.000> scales<01:08:14.319> that

you'll see all the different scales that

you'll see all the different scales that
fit<01:08:14.720> those<01:08:14.960> patterns<01:08:15.839> and<01:08:16.000> with<01:08:16.239> that<01:08:16.719> one

fit those patterns and with that one

fit those patterns and with that one
other<01:08:17.279> major<01:08:17.679> theme<01:08:17.839> about<01:08:18.080> his<01:08:18.319> playing<01:08:19.040> is

other major theme about his playing is

other major theme about his playing is
position<01:08:19.920> shifting<01:08:20.640> being<01:08:20.880> able<01:08:21.120> to<01:08:21.359> shift

position shifting being able to shift

position shifting being able to shift
from<01:08:22.400> one<01:08:22.640> position<01:08:23.279> of<01:08:23.359> the<01:08:23.520> neck<01:08:23.759> to<01:08:23.920> the<01:08:24.239> uh

from one position of the neck to the uh

from one position of the neck to the uh
to<01:08:24.560> the<01:08:24.640> next<01:08:25.359> very<01:08:25.759> easily<01:08:26.640> and<01:08:26.880> once<01:08:27.120> you<01:08:27.279> can

to the next very easily and once you can

to the next very easily and once you can
do<01:08:27.679> that<01:08:28.159> and<01:08:28.480> sort<01:08:28.719> of<01:08:28.880> see<01:08:29.120> the<01:08:29.279> hand<01:08:29.520> logic

do that and sort of see the hand logic

do that and sort of see the hand logic
you'll<01:08:30.080> realize<01:08:30.400> how<01:08:30.799> simple<01:08:31.120> a<01:08:31.199> lot<01:08:31.359> of<01:08:31.440> his

you'll realize how simple a lot of his

you'll realize how simple a lot of his
lines<01:08:32.080> actually<01:08:32.400> really<01:08:32.719> are<01:08:32.960> physically

lines actually really are physically

lines actually really are physically
another<01:08:34.239> major<01:08:34.560> component<01:08:34.960> of<01:08:35.120> alan's

another major component of alan's

another major component of alan's
playing<01:08:35.759> is<01:08:36.000> string<01:08:36.319> skipping

playing is string skipping

playing is string skipping
this<01:08:38.080> was<01:08:38.239> sometimes<01:08:38.640> a<01:08:38.719> little<01:08:38.880> bit<01:08:39.040> tough<01:08:39.279> to

this was sometimes a little bit tough to

this was sometimes a little bit tough to
figure<01:08:39.920> out

figure out

figure out
because<01:08:41.440> some<01:08:41.600> of<01:08:41.679> you<01:08:41.839> may<01:08:42.000> not<01:08:42.239> know<01:08:42.480> this

because some of you may not know this

because some of you may not know this
but

but

but
anything<01:08:44.159> that<01:08:44.319> you<01:08:44.480> play<01:08:44.719> on<01:08:44.799> the<01:08:44.960> a<01:08:45.440> d<01:08:45.920> g<01:08:46.319> and

anything that you play on the a d g and

anything that you play on the a d g and
high<01:08:46.880> e<01:08:47.120> string

high e string

high e string
is<01:08:48.640> symmetrically<01:08:49.279> the<01:08:49.440> same<01:08:49.679> that<01:08:49.839> you<01:08:50.000> can

is symmetrically the same that you can

is symmetrically the same that you can
play<01:08:50.560> on<01:08:50.719> the<01:08:50.960> e<01:08:51.440> a<01:08:51.679> d<01:08:52.159> and<01:08:52.480> b<01:08:52.719> string<01:08:53.359> so<01:08:53.600> for

play on the e a d and b string so for

play on the e a d and b string so for
example<01:08:54.080> if<01:08:54.159> i<01:08:54.319> play<01:08:54.560> this<01:08:54.799> line<01:08:55.600> on<01:08:55.679> the<01:08:56.080> a

example if i play this line on the a

example if i play this line on the a
string

that's the same exact position that i

that's the same exact position that i
can<01:09:03.279> use<01:09:03.839> if<01:09:04.080> i<01:09:04.159> was<01:09:04.319> to<01:09:04.400> play<01:09:04.560> instead<01:09:04.799> of<01:09:04.960> on

can use if i was to play instead of on

can use if i was to play instead of on
the<01:09:05.679> fifth<01:09:05.920> fret<01:09:06.159> on<01:09:06.239> the<01:09:06.400> a<01:09:06.640> string<01:09:06.880> but<01:09:06.960> i'm

the fifth fret on the a string but i'm

the fifth fret on the a string but i'm
playing<01:09:07.359> on<01:09:07.440> the<01:09:07.520> tenth<01:09:07.759> fret<01:09:07.920> on<01:09:08.000> the<01:09:08.080> low<01:09:08.319> e

playing on the tenth fret on the low e

playing on the tenth fret on the low e
string

same exact notes so sometimes trying to

same exact notes so sometimes trying to
figure<01:09:15.520> out<01:09:15.759> where<01:09:16.000> on<01:09:16.080> the<01:09:16.159> neck<01:09:16.400> that<01:09:16.560> kind

figure out where on the neck that kind

figure out where on the neck that kind
of<01:09:16.880> stuff<01:09:17.120> is<01:09:17.279> played<01:09:17.679> but<01:09:17.920> string<01:09:18.159> skipping

of stuff is played but string skipping

of stuff is played but string skipping
is<01:09:18.719> a<01:09:18.880> huge<01:09:19.359> huge<01:09:19.600> part<01:09:19.839> of<01:09:20.000> it<01:09:20.159> especially

is a huge huge part of it especially

is a huge huge part of it especially
that<01:09:21.040> the

that the

that the
there's<01:09:22.239> so<01:09:22.400> much<01:09:22.560> symmetry<01:09:23.040> to<01:09:23.279> it<01:09:23.600> all<01:09:23.679> right

there's so much symmetry to it all right

there's so much symmetry to it all right
so<01:09:24.000> another<01:09:24.239> thing<01:09:24.480> that<01:09:24.560> makes<01:09:24.799> allen's

so another thing that makes allen's

so another thing that makes allen's
playing<01:09:25.520> so<01:09:25.759> difficult<01:09:26.239> to<01:09:26.400> figure<01:09:26.719> out<01:09:26.880> is

playing so difficult to figure out is

playing so difficult to figure out is
his<01:09:27.359> use<01:09:27.600> of<01:09:27.679> unison<01:09:28.159> notes<01:09:28.719> this<01:09:28.880> is

his use of unison notes this is

his use of unison notes this is
sometimes<01:09:29.279> what<01:09:29.440> i<01:09:29.520> see<01:09:29.839> missing<01:09:30.159> on

sometimes what i see missing on

sometimes what i see missing on
transcriptions<01:09:31.359> something<01:09:31.600> like<01:09:31.839> he<01:09:32.000> might

transcriptions something like he might

transcriptions something like he might
go<01:09:32.400> like

go like

go like
where<01:09:34.239> he's<01:09:34.799> playing<01:09:34.960> a<01:09:35.040> unison<01:09:35.440> no<01:09:35.600> he's

where he's playing a unison no he's

where he's playing a unison no he's
playing<01:09:36.000> two<01:09:36.159> d's

playing two d's

playing two d's
or<01:09:37.440> even<01:09:37.679> within<01:09:38.000> the<01:09:38.080> scale<01:09:38.400> you<01:09:38.480> might<01:09:38.640> do

or even within the scale you might do

or even within the scale you might do
like<01:09:38.960> something<01:09:39.199> like

where i'm playing

where i'm playing
a<01:09:43.520> unison<01:09:44.000> note<01:09:44.239> there<01:09:44.640> and<01:09:44.799> doing<01:09:45.040> that<01:09:45.199> can

a unison note there and doing that can

a unison note there and doing that can
really<01:09:45.600> throw<01:09:45.759> the<01:09:45.920> phrasing<01:09:46.239> off<01:09:46.400> in<01:09:46.480> an

really throw the phrasing off in an

really throw the phrasing off in an
interesting<01:09:47.040> way<01:09:47.440> but<01:09:47.600> that's<01:09:47.839> something

interesting way but that's something

interesting way but that's something
that<01:09:48.239> you'll<01:09:48.480> see<01:09:48.719> pretty<01:09:49.120> commonly<01:09:49.920> sort<01:09:50.080> of

that you'll see pretty commonly sort of

that you'll see pretty commonly sort of
on<01:09:50.319> the<01:09:50.400> topic<01:09:50.719> of<01:09:50.799> unison<01:09:51.199> notes<01:09:51.440> sometimes

on the topic of unison notes sometimes

on the topic of unison notes sometimes
al<01:09:51.920> will<01:09:52.000> just<01:09:52.239> play<01:09:52.560> an<01:09:52.719> octave<01:09:53.040> he'll<01:09:53.199> just

al will just play an octave he'll just

al will just play an octave he'll just
play<01:09:53.600> that<01:09:53.759> note<01:09:54.000> an<01:09:54.159> octave<01:09:54.400> higher<01:09:54.640> so<01:09:54.719> you

play that note an octave higher so you

play that note an octave higher so you
might<01:09:54.880> do<01:09:55.040> something<01:09:55.280> like<01:09:55.360> this<01:09:55.600> as<01:09:55.679> well

might do something like this as well

might do something like this as well
and<01:09:57.280> then<01:09:57.520> start<01:09:57.840> up<01:09:58.000> there<01:09:58.560> one<01:09:58.719> of<01:09:58.800> the

and then start up there one of the

and then start up there one of the
surprising<01:09:59.520> things<01:09:59.679> that<01:09:59.760> i<01:09:59.920> found<01:10:00.159> in<01:10:00.320> alan's

surprising things that i found in alan's

surprising things that i found in alan's
playing<01:10:00.880> is<01:10:00.960> and<01:10:01.120> a<01:10:01.440> lot<01:10:01.600> of<01:10:01.760> his<01:10:01.920> lines<01:10:02.239> are

playing is and a lot of his lines are

playing is and a lot of his lines are
really<01:10:02.560> just<01:10:02.719> the<01:10:02.880> first<01:10:03.280> second<01:10:03.760> and<01:10:04.080> fourth

really just the first second and fourth

really just the first second and fourth
finger<01:10:04.719> he<01:10:04.880> did<01:10:05.040> use<01:10:05.280> one<01:10:05.440> and<01:10:05.600> three<01:10:06.080> uh

finger he did use one and three uh

finger he did use one and three uh
often<01:10:07.679> but<01:10:07.840> a<01:10:07.920> lot<01:10:08.080> of<01:10:08.159> these<01:10:08.400> lines<01:10:08.719> make<01:10:08.960> the

often but a lot of these lines make the

often but a lot of these lines make the
most<01:10:09.280> sense<01:10:09.840> with<01:10:10.480> these<01:10:10.719> three<01:10:10.960> fingers<01:10:11.360> your

most sense with these three fingers your

most sense with these three fingers your
first<01:10:11.679> second<01:10:12.000> and<01:10:12.159> fourth<01:10:12.800> and<01:10:13.040> with<01:10:13.280> that

first second and fourth and with that

first second and fourth and with that
one<01:10:13.679> of<01:10:13.760> the<01:10:13.840> most<01:10:14.239> common<01:10:14.640> phrases<01:10:15.120> that

one of the most common phrases that

one of the most common phrases that
allen<01:10:15.679> does<01:10:15.920> in<01:10:16.000> his<01:10:16.159> plan<01:10:16.400> that<01:10:16.480> you'll<01:10:16.640> see<01:10:16.880> a

allen does in his plan that you'll see a

allen does in his plan that you'll see a
ton<01:10:17.679> is<01:10:18.000> he'll<01:10:18.239> play<01:10:18.480> two<01:10:18.719> notes<01:10:18.960> on<01:10:19.120> one

ton is he'll play two notes on one

ton is he'll play two notes on one
string<01:10:19.840> then<01:10:20.080> move<01:10:20.239> to<01:10:20.400> the<01:10:20.560> next<01:10:20.800> string<01:10:21.199> and

string then move to the next string and

string then move to the next string and
then

then

then
bar<01:10:22.560> it<01:10:22.719> and<01:10:22.800> then<01:10:22.880> do<01:10:23.040> an<01:10:23.199> upstroke<01:10:23.600> and<01:10:23.679> go

bar it and then do an upstroke and go

bar it and then do an upstroke and go
back<01:10:24.000> to<01:10:24.080> the<01:10:24.159> original<01:10:24.560> string<01:10:24.880> and<01:10:24.960> that

back to the original string and that

back to the original string and that
works<01:10:25.360> for<01:10:25.600> any<01:10:26.000> group<01:10:26.320> of<01:10:26.480> strings<01:10:27.040> so

works for any group of strings so

works for any group of strings so
something<01:10:27.520> like<01:10:28.000> b<01:10:28.480> c<01:10:29.120> e<01:10:29.679> b

uh that's very common and even moving

uh that's very common and even moving
that<01:10:35.360> to<01:10:35.520> a<01:10:35.679> whole<01:10:35.920> step

that to a whole step

that to a whole step
even<01:10:37.920> a<01:10:38.000> minor<01:10:38.320> third

even a minor third

even a minor third
and<01:10:40.640> you<01:10:40.800> know<01:10:41.199> on<01:10:41.440> different<01:10:41.760> strings<01:10:42.159> string

and you know on different strings string

and you know on different strings string
skipping<01:10:42.960> different<01:10:43.280> fingerings

skipping different fingerings

skipping different fingerings
anything<01:10:46.159> so<01:10:46.480> that's<01:10:46.800> very<01:10:47.199> very<01:10:47.679> very<01:10:48.000> common

anything so that's very very very common

anything so that's very very very common
with<01:10:48.480> his<01:10:48.719> playing<01:10:49.440> talking<01:10:49.760> about<01:10:50.000> using

with his playing talking about using

with his playing talking about using
your<01:10:50.400> first<01:10:50.719> second<01:10:51.120> and<01:10:51.280> fourth<01:10:51.679> finger<01:10:52.159> a

your first second and fourth finger a

your first second and fourth finger a
lot<01:10:52.480> of<01:10:52.640> times<01:10:52.960> when<01:10:53.120> alan<01:10:53.600> is<01:10:53.920> ascending<01:10:54.480> a

lot of times when alan is ascending a

lot of times when alan is ascending a
scale

scale

scale
moving<01:10:56.159> up<01:10:56.480> he<01:10:56.719> really<01:10:57.040> implies<01:10:58.080> these<01:10:58.719> three

moving up he really implies these three

moving up he really implies these three
positions<01:10:59.679> or<01:10:59.840> these<01:11:00.080> three<01:11:00.320> fingerings<01:11:00.719> the

positions or these three fingerings the

positions or these three fingerings the
most<01:11:01.120> often<01:11:01.679> he<01:11:01.840> might<01:11:02.080> do<01:11:02.239> something<01:11:02.560> like

most often he might do something like

most often he might do something like
this

or then continue whatever or he'll take

or then continue whatever or he'll take
that<01:11:09.600> and<01:11:09.679> sort<01:11:09.840> of<01:11:10.080> uh<01:11:10.320> start<01:11:10.560> on<01:11:10.640> the<01:11:10.719> pinky

that and sort of uh start on the pinky

that and sort of uh start on the pinky
and<01:11:11.199> kind<01:11:11.360> of<01:11:11.600> play<01:11:11.840> the<01:11:11.920> scale<01:11:12.159> backwards<01:11:12.560> and

and kind of play the scale backwards and

and kind of play the scale backwards and
forwards

and then the more trickier one is sort

and then the more trickier one is sort
of<01:11:20.640> um

of um

of um
moving<01:11:22.080> between<01:11:22.400> your<01:11:22.560> first<01:11:23.040> and<01:11:23.199> then

moving between your first and then

moving between your first and then
second<01:11:23.760> finger<01:11:24.080> while<01:11:24.320> putting<01:11:24.640> the<01:11:24.719> pinky<01:11:25.199> in

second finger while putting the pinky in

second finger while putting the pinky in
between<01:11:25.600> them<01:11:25.760> so<01:11:25.840> something<01:11:26.080> like<01:11:26.239> this

[Music]

[Music]
just<01:11:33.199> as<01:11:33.360> an<01:11:33.600> example<01:11:34.239> that's<01:11:34.560> pretty<01:11:34.960> common

just as an example that's pretty common

just as an example that's pretty common
as<01:11:35.520> well<01:11:36.000> now<01:11:36.159> we<01:11:36.400> all<01:11:36.640> know<01:11:36.800> about<01:11:37.280> allen's

as well now we all know about allen's

as well now we all know about allen's
ability<01:11:38.000> to<01:11:38.159> stretch<01:11:38.800> but<01:11:39.040> believe<01:11:39.360> it<01:11:39.440> or<01:11:39.600> not

ability to stretch but believe it or not

ability to stretch but believe it or not
a<01:11:39.920> lot<01:11:40.080> of<01:11:40.159> the<01:11:40.320> lines<01:11:40.640> he's<01:11:40.880> playing<01:11:41.199> are

a lot of the lines he's playing are

a lot of the lines he's playing are
really<01:11:42.000> within<01:11:42.480> a<01:11:42.640> five<01:11:42.960> and<01:11:43.199> six<01:11:43.600> fret<01:11:44.159> uh

really within a five and six fret uh

really within a five and six fret uh
i<01:11:45.199> guess<01:11:45.440> distance<01:11:45.840> and<01:11:46.000> that<01:11:46.080> doesn't<01:11:46.560> that

i guess distance and that doesn't that

i guess distance and that doesn't that
sounds<01:11:47.120> like<01:11:47.360> a<01:11:47.440> lot<01:11:47.600> but<01:11:47.760> it's<01:11:48.000> really<01:11:48.239> not

sounds like a lot but it's really not

sounds like a lot but it's really not
here's<01:11:48.800> five<01:11:49.120> frets<01:11:49.840> you<01:11:49.920> know<01:11:50.080> six<01:11:50.320> frets<01:11:50.560> is

here's five frets you know six frets is

here's five frets you know six frets is
a little<01:11:50.960> crazier<01:11:51.360> like<01:11:51.520> this<01:11:51.760> but<01:11:51.920> it's<01:11:52.080> not

a little crazier like this but it's not

a little crazier like this but it's not
really<01:11:52.560> too<01:11:52.800> bad<01:11:53.520> um<01:11:54.239> some<01:11:54.400> of<01:11:54.480> the<01:11:54.640> really

really too bad um some of the really

really too bad um some of the really
crazy<01:11:55.280> stretching<01:11:55.760> stuff<01:11:56.000> is<01:11:56.080> higher<01:11:56.480> up<01:11:56.640> on

crazy stretching stuff is higher up on

crazy stretching stuff is higher up on
the<01:11:56.880> neck<01:11:57.440> and<01:11:58.000> uh<01:11:58.400> it's<01:11:58.719> also<01:11:59.120> he'll<01:11:59.360> do<01:11:59.520> a<01:11:59.600> lot

the neck and uh it's also he'll do a lot

the neck and uh it's also he'll do a lot
of<01:11:59.920> that<01:12:00.159> stuff<01:12:00.320> when<01:12:00.480> he's<01:12:00.719> playing<01:12:01.120> outside

of that stuff when he's playing outside

of that stuff when he's playing outside
not<01:12:02.320> really<01:12:02.480> within<01:12:02.880> a<01:12:02.960> scale<01:12:03.600> so<01:12:03.760> any<01:12:04.000> of<01:12:04.080> the

not really within a scale so any of the

not really within a scale so any of the
super<01:12:04.719> wide<01:12:05.040> kind<01:12:05.280> of<01:12:05.440> weird<01:12:05.760> stuff<01:12:06.080> is<01:12:06.320> stuff

super wide kind of weird stuff is stuff

super wide kind of weird stuff is stuff
where<01:12:06.640> he's<01:12:06.800> just<01:12:06.960> playing<01:12:07.280> outside<01:12:08.000> but<01:12:08.159> when

where he's just playing outside but when

where he's just playing outside but when
it<01:12:08.400> comes<01:12:08.560> to<01:12:08.719> just<01:12:08.880> playing<01:12:09.120> with<01:12:09.280> any<01:12:09.520> key

it comes to just playing with any key

it comes to just playing with any key
the<01:12:10.000> stretching<01:12:10.560> itself<01:12:11.120> isn't<01:12:11.360> really<01:12:11.679> too

the stretching itself isn't really too

the stretching itself isn't really too
bad<01:12:12.560> on<01:12:12.719> the<01:12:12.800> topic<01:12:13.199> of<01:12:13.360> stretching<01:12:13.920> the<01:12:14.159> other

bad on the topic of stretching the other

bad on the topic of stretching the other
thing<01:12:14.640> that<01:12:14.800> you<01:12:14.880> see<01:12:15.120> allen<01:12:15.360> do<01:12:15.600> frequently

thing that you see allen do frequently

thing that you see allen do frequently
is<01:12:16.960> his<01:12:17.280> first<01:12:17.679> finger<01:12:18.159> because<01:12:18.640> it's<01:12:18.960> his

is his first finger because it's his

is his first finger because it's his
first<01:12:19.440> finger<01:12:19.679> is<01:12:19.760> so<01:12:20.000> long<01:12:20.239> as<01:12:20.480> he's<01:12:21.040> moving

first finger is so long as he's moving

first finger is so long as he's moving
up<01:12:21.520> like<01:12:21.679> this<01:12:21.920> you<01:12:22.080> can<01:12:22.159> see<01:12:22.320> how<01:12:22.400> my<01:12:22.560> first

up like this you can see how my first

up like this you can see how my first
finger<01:12:23.120> is<01:12:23.199> kind<01:12:23.360> of<01:12:23.600> barred<01:12:24.320> his<01:12:24.560> would<01:12:24.719> be

finger is kind of barred his would be

finger is kind of barred his would be
barred<01:12:25.360> even<01:12:25.840> even<01:12:26.159> greater<01:12:26.480> than<01:12:26.719> that<01:12:26.960> and

barred even even greater than that and

barred even even greater than that and
sometimes<01:12:28.080> he'd<01:12:28.400> actually<01:12:28.880> do<01:12:29.120> this<01:12:29.360> bar

sometimes he'd actually do this bar

sometimes he'd actually do this bar
where<01:12:29.679> he'd<01:12:29.840> be<01:12:30.000> playing<01:12:30.320> between<01:12:30.719> two<01:12:30.880> frets

where he'd be playing between two frets

where he'd be playing between two frets
something<01:12:31.520> like<01:12:31.679> the<01:12:31.840> ninth<01:12:32.400> tenth<01:12:32.640> fret<01:12:32.880> here

something like the ninth tenth fret here

something like the ninth tenth fret here
and<01:12:34.159> then<01:12:34.400> the<01:12:34.719> ninth<01:12:35.040> fret<01:12:35.440> on<01:12:35.520> the<01:12:35.840> high<01:12:36.080> e

and then the ninth fret on the high e

and then the ninth fret on the high e
string<01:12:37.040> um<01:12:37.760> i<01:12:38.080> once<01:12:38.320> again<01:12:38.640> don't<01:12:38.800> know<01:12:38.960> if

string um i once again don't know if

string um i once again don't know if
it's<01:12:39.280> intentional<01:12:39.840> and<01:12:39.920> i<01:12:40.159> i<01:12:40.320> don't<01:12:40.640> think<01:12:40.800> so

it's intentional and i i don't think so

it's intentional and i i don't think so
i<01:12:41.120> think<01:12:41.280> he's<01:12:41.440> going<01:12:41.679> for<01:12:41.840> the<01:12:42.000> bar<01:12:42.239> but<01:12:42.400> like

i think he's going for the bar but like

i think he's going for the bar but like
i<01:12:42.719> said<01:12:42.880> his<01:12:43.120> finger<01:12:43.520> is<01:12:43.760> so

i said his finger is so

i said his finger is so
long<01:12:45.199> as<01:12:45.360> he<01:12:45.440> gets<01:12:45.679> higher<01:12:46.000> up<01:12:46.239> like<01:12:46.480> this

long as he gets higher up like this

long as he gets higher up like this
he's<01:12:47.679> you<01:12:47.760> can<01:12:47.920> almost<01:12:48.159> see<01:12:48.320> my<01:12:48.560> first<01:12:48.800> finger

he's you can almost see my first finger

he's you can almost see my first finger
between<01:12:49.520> these<01:12:49.679> two<01:12:49.920> frets<01:12:50.320> here<01:12:50.719> he'll<01:12:50.880> do

between these two frets here he'll do

between these two frets here he'll do
something<01:12:51.280> like<01:12:51.440> that<01:12:51.600> that<01:12:51.760> means<01:12:52.320> trying<01:12:52.560> to

something like that that means trying to

something like that that means trying to
figure<01:12:52.960> out<01:12:53.040> some<01:12:53.199> stuff<01:12:53.520> really<01:12:53.760> difficult

figure out some stuff really difficult

figure out some stuff really difficult
uh<01:12:55.199> sometimes<01:12:55.600> you'll<01:12:55.760> see<01:12:55.920> that<01:12:56.080> but<01:12:56.239> it's

uh sometimes you'll see that but it's

uh sometimes you'll see that but it's
very<01:12:56.800> rare<01:12:57.440> i<01:12:57.600> don't<01:12:57.840> care<01:12:58.400> i<01:12:58.480> think<01:12:58.640> it's

very rare i don't care i think it's

very rare i don't care i think it's
accidental<01:12:59.520> now<01:12:59.679> with<01:13:00.000> stretching<01:13:00.719> one<01:13:00.960> of

accidental now with stretching one of

accidental now with stretching one of
the<01:13:01.120> things<01:13:01.360> that<01:13:01.440> i<01:13:01.600> see<01:13:01.920> in<01:13:02.080> other

the things that i see in other

the things that i see in other
transcriptions<01:13:03.040> that<01:13:03.199> are<01:13:03.440> off<01:13:03.760> that<01:13:04.000> make<01:13:04.239> it

transcriptions that are off that make it

transcriptions that are off that make it
a<01:13:04.480> little<01:13:04.719> tough<01:13:04.960> is<01:13:05.120> that<01:13:05.600> when<01:13:05.760> you<01:13:06.000> are

a little tough is that when you are

a little tough is that when you are
stretching<01:13:06.880> past

stretching past

stretching past
uh<01:13:08.000> the<01:13:08.239> fifth<01:13:08.560> fret<01:13:09.120> what<01:13:09.360> ends<01:13:09.600> up<01:13:09.760> happening

uh the fifth fret what ends up happening

uh the fifth fret what ends up happening
is<01:13:10.400> the<01:13:10.640> sixth<01:13:10.960> seventh<01:13:11.280> or<01:13:11.360> whatever<01:13:11.679> it<01:13:11.760> may

is the sixth seventh or whatever it may

is the sixth seventh or whatever it may
be<01:13:12.159> that<01:13:12.480> note<01:13:12.719> is<01:13:12.880> now<01:13:13.120> higher<01:13:13.440> in<01:13:13.520> pitch<01:13:13.760> than

be that note is now higher in pitch than

be that note is now higher in pitch than
the<01:13:14.000> string<01:13:14.320> below<01:13:14.640> it<01:13:15.040> so<01:13:15.199> for<01:13:15.440> example<01:13:15.760> if<01:13:15.920> i

the string below it so for example if i

the string below it so for example if i
did<01:13:16.159> something<01:13:16.480> like<01:13:16.719> this<01:13:17.199> where<01:13:17.360> i'm<01:13:17.600> 12

did something like this where i'm 12

did something like this where i'm 12
14<01:13:19.520> and<01:13:19.600> then<01:13:19.920> on<01:13:20.080> the<01:13:20.400> i<01:13:20.480> don't<01:13:20.640> know

14 and then on the i don't know

14 and then on the i don't know
17th<01:13:22.000> fret

17th fret

17th fret
that's<01:13:24.400> a<01:13:24.480> unison<01:13:24.880> note<01:13:25.040> but<01:13:25.199> if<01:13:25.280> i<01:13:25.440> move<01:13:25.600> that

that's a unison note but if i move that

that's a unison note but if i move that
up<01:13:25.840> to<01:13:26.000> 18

up to 18

up to 18
now<01:13:28.640> this<01:13:28.800> note<01:13:29.120> is<01:13:29.199> higher<01:13:29.520> in<01:13:29.679> pitch

now this note is higher in pitch

now this note is higher in pitch
than<01:13:30.719> the<01:13:30.880> one<01:13:31.040> underneath<01:13:31.520> it<01:13:31.760> so<01:13:32.000> sometimes

than the one underneath it so sometimes

than the one underneath it so sometimes
a<01:13:32.560> lot<01:13:32.719> of<01:13:32.800> the<01:13:32.880> phrasing<01:13:33.280> is<01:13:33.440> really<01:13:33.679> weird

a lot of the phrasing is really weird

a lot of the phrasing is really weird
but<01:13:34.560> it's<01:13:34.719> actually<01:13:35.040> physically<01:13:35.440> very<01:13:35.760> simple

but it's actually physically very simple

but it's actually physically very simple
sonically<01:13:36.960> it<01:13:37.120> sounds<01:13:37.440> weird<01:13:37.679> because

sonically it sounds weird because

sonically it sounds weird because
uh<01:13:38.880> the<01:13:39.040> notes<01:13:39.360> keep<01:13:39.600> on<01:13:39.760> jumping<01:13:40.159> in<01:13:40.320> a

uh the notes keep on jumping in a

uh the notes keep on jumping in a
different<01:13:41.040> they're<01:13:41.199> not<01:13:41.440> in<01:13:41.600> a<01:13:42.000> logical<01:13:42.480> kind

different they're not in a logical kind

different they're not in a logical kind
of<01:13:42.800> order<01:13:43.520> interesting<01:13:44.000> when<01:13:44.159> it<01:13:44.239> comes<01:13:44.480> to

of order interesting when it comes to

of order interesting when it comes to
chromatics<01:13:45.280> i<01:13:45.360> don't<01:13:45.520> think<01:13:45.679> i've<01:13:45.920> ever<01:13:46.159> seen

chromatics i don't think i've ever seen

chromatics i don't think i've ever seen
alan<01:13:46.719> play<01:13:47.360> the<01:13:47.520> chromatic<01:13:48.000> scale<01:13:48.320> going

alan play the chromatic scale going

alan play the chromatic scale going
forward<01:13:48.960> like<01:13:49.120> this

i don't think i've ever seen him do that

i don't think i've ever seen him do that
every<01:13:53.679> time<01:13:53.840> he's<01:13:54.000> using<01:13:54.239> chromatics<01:13:54.719> it

every time he's using chromatics it

every time he's using chromatics it
always<01:13:55.280> seems<01:13:55.520> to<01:13:55.679> be<01:13:55.920> descending<01:13:56.480> like

always seems to be descending like

always seems to be descending like
or<01:13:57.679> sometimes<01:13:58.239> he'll<01:13:58.480> do<01:13:58.640> like<01:13:58.800> little

or sometimes he'll do like little

or sometimes he'll do like little
staccato<01:13:59.440> stuff<01:13:59.600> like

something like that but the his

something like that but the his
chromatic<01:14:04.239> playing<01:14:04.560> always<01:14:04.800> seems<01:14:05.040> to<01:14:05.120> be

chromatic playing always seems to be

chromatic playing always seems to be
going<01:14:05.679> uh<01:14:06.000> descending<01:14:06.560> instead<01:14:06.800> of<01:14:06.880> ascending

going uh descending instead of ascending

going uh descending instead of ascending
i<01:14:07.679> could<01:14:07.840> be<01:14:08.080> wrong<01:14:08.400> going<01:14:08.640> off<01:14:08.719> the<01:14:08.800> top<01:14:08.960> of<01:14:09.040> my

i could be wrong going off the top of my

i could be wrong going off the top of my
head<01:14:09.840> uh

head uh

head uh
to<01:14:11.040> when<01:14:11.280> i<01:14:11.360> was<01:14:11.600> transcribing<01:14:12.159> but<01:14:12.239> i'm

to when i was transcribing but i'm

to when i was transcribing but i'm
pretty<01:14:12.719> sure<01:14:12.960> it's<01:14:13.120> almost<01:14:13.520> always<01:14:14.000> if<01:14:14.320> every

pretty sure it's almost always if every

pretty sure it's almost always if every
time<01:14:14.800> descending<01:14:15.440> another<01:14:16.000> very<01:14:16.400> common

time descending another very common

time descending another very common
thing<01:14:16.960> that<01:14:17.040> you'll<01:14:17.199> see<01:14:17.360> in<01:14:17.440> allen's<01:14:17.840> play<01:14:18.480> is

thing that you'll see in allen's play is

thing that you'll see in allen's play is
this<01:14:18.960> quick<01:14:19.360> position<01:14:20.000> shift<01:14:20.400> up<01:14:20.560> and<01:14:20.719> down

this quick position shift up and down

this quick position shift up and down
with<01:14:21.120> the<01:14:21.280> pinky<01:14:21.840> so<01:14:22.000> for<01:14:22.080> example<01:14:22.400> if<01:14:22.560> i'm

with the pinky so for example if i'm

with the pinky so for example if i'm
playing<01:14:23.120> gabc

might go back to the b note here

might go back to the b note here
and<01:14:28.960> move<01:14:29.280> up<01:14:29.520> a<01:14:29.679> path

something like that

something like that
or<01:14:35.440> even<01:14:35.679> doing<01:14:36.000> it<01:14:36.080> up<01:14:36.239> a<01:14:36.320> whole<01:14:36.560> step

or even doing it up a whole step

or even doing it up a whole step
something<01:14:37.040> like

uh but something like that is very

uh but something like that is very
common<01:14:42.719> especially<01:14:43.120> also<01:14:43.280> with<01:14:43.520> outside

common especially also with outside

common especially also with outside
playing<01:14:44.239> he<01:14:44.400> might<01:14:44.480> be<01:14:44.640> doing<01:14:44.880> something<01:14:45.199> he's

playing he might be doing something he's

playing he might be doing something he's
really<01:14:45.520> getting<01:14:45.760> a<01:14:45.840> weird<01:14:46.159> sound<01:14:46.400> and<01:14:46.480> when<01:14:46.640> he

really getting a weird sound and when he

really getting a weird sound and when he
gets<01:14:46.880> to<01:14:46.960> his<01:14:47.120> peak<01:14:47.280> you<01:14:47.360> know

gets to his peak you know

gets to his peak you know
he's<01:14:48.960> doing<01:14:49.199> something

he's doing something

he's doing something
he's<01:14:51.120> moving<01:14:51.360> that<01:14:51.520> pinky<01:14:51.920> up<01:14:52.000> and<01:14:52.080> down<01:14:52.239> that

he's moving that pinky up and down that

he's moving that pinky up and down that
can<01:14:52.560> be<01:14:52.640> difficult<01:14:53.040> for<01:14:53.199> some<01:14:53.360> people<01:14:53.679> but<01:14:54.320> uh

can be difficult for some people but uh

can be difficult for some people but uh
you'll<01:14:54.800> see<01:14:54.960> that<01:14:55.120> very<01:14:55.440> often<01:14:55.840> especially

you'll see that very often especially

you'll see that very often especially
live<01:14:57.040> and<01:14:57.199> the<01:14:57.360> last<01:14:57.600> little<01:14:57.920> thing<01:14:58.159> that<01:14:58.320> i'll

live and the last little thing that i'll

live and the last little thing that i'll
mention<01:14:58.800> that's<01:14:59.120> often<01:14:59.600> uh<01:14:59.840> seen<01:15:00.080> in<01:15:00.239> this

mention that's often uh seen in this

mention that's often uh seen in this
play<01:15:00.719> but<01:15:00.800> it's<01:15:00.960> not<01:15:01.199> unique<01:15:01.440> to<01:15:01.600> him<01:15:02.159> it's<01:15:02.400> the

play but it's not unique to him it's the

play but it's not unique to him it's the
concept<01:15:03.040> of<01:15:03.360> changing

concept of changing

concept of changing
to<01:15:04.560> the<01:15:04.719> next<01:15:04.960> scale<01:15:05.360> or<01:15:05.520> key<01:15:05.760> before<01:15:06.159> the

to the next scale or key before the

to the next scale or key before the
chord<01:15:06.640> does<01:15:07.120> so<01:15:07.360> for<01:15:07.520> example<01:15:08.400> if<01:15:08.640> i<01:15:08.719> was

chord does so for example if i was

chord does so for example if i was
playing<01:15:09.520> in<01:15:09.679> the<01:15:09.840> key<01:15:10.080> of<01:15:10.159> c<01:15:10.400> major<01:15:10.719> and<01:15:10.800> let's

playing in the key of c major and let's

playing in the key of c major and let's
say<01:15:11.120> that's<01:15:11.440> for<01:15:12.159> uh<01:15:12.480> two<01:15:12.640> measures<01:15:13.120> or<01:15:13.280> let's

say that's for uh two measures or let's

say that's for uh two measures or let's
say<01:15:13.600> eight<01:15:13.920> beats<01:15:14.560> allen<01:15:14.880> might<01:15:15.040> be<01:15:15.199> solving

say eight beats allen might be solving

say eight beats allen might be solving
for<01:15:15.840> let's<01:15:16.000> say<01:15:16.400> six<01:15:16.640> of<01:15:16.800> them<01:15:17.440> and<01:15:17.679> then<01:15:18.400> let's

for let's say six of them and then let's

for let's say six of them and then let's
say<01:15:18.719> the<01:15:18.800> key<01:15:19.040> changes<01:15:19.360> the<01:15:19.520> e<01:15:19.760> flat<01:15:20.080> he'll

say the key changes the e flat he'll

say the key changes the e flat he'll
start<01:15:20.800> soloing<01:15:21.360> in<01:15:21.440> the<01:15:21.600> key<01:15:21.840> of<01:15:22.080> e<01:15:22.320> flat<01:15:22.640> let's

start soloing in the key of e flat let's

start soloing in the key of e flat let's
say<01:15:22.960> on<01:15:23.040> the<01:15:23.199> seventh<01:15:23.520> or<01:15:23.600> eight<01:15:23.920> measure

say on the seventh or eight measure

say on the seventh or eight measure
then

then

then
when<01:15:26.480> the<01:15:26.719> chord<01:15:27.040> comes<01:15:27.360> in<01:15:27.600> it'll<01:15:27.840> make<01:15:28.080> sense

when the chord comes in it'll make sense

when the chord comes in it'll make sense
of<01:15:28.400> what<01:15:28.560> he's<01:15:28.719> playing<01:15:29.040> so<01:15:29.199> it's<01:15:29.360> like<01:15:29.520> an

of what he's playing so it's like an

of what he's playing so it's like an
easy<01:15:30.000> way<01:15:30.159> to<01:15:30.320> drum<01:15:30.640> up<01:15:30.800> tension<01:15:31.679> with<01:15:31.920> your

easy way to drum up tension with your

easy way to drum up tension with your
playing<01:15:32.320> without<01:15:32.560> really<01:15:32.719> having<01:15:32.960> to<01:15:33.120> do<01:15:33.360> much

playing without really having to do much

playing without really having to do much
so<01:15:34.320> um

so um

so um
you<01:15:35.360> can<01:15:35.520> actually<01:15:35.840> start<01:15:36.159> the<01:15:36.320> scale<01:15:36.800> a

you can actually start the scale a

you can actually start the scale a
little<01:15:37.120> bit<01:15:37.360> earlier<01:15:37.840> before

little bit earlier before

little bit earlier before
this<01:15:39.360> the<01:15:39.600> chord<01:15:39.840> does<01:15:40.080> or<01:15:40.159> the<01:15:40.239> harmony<01:15:40.640> gets

this the chord does or the harmony gets

this the chord does or the harmony gets
there<01:15:41.040> for<01:15:41.199> a<01:15:41.280> little<01:15:41.440> bit<01:15:41.520> of<01:15:41.679> extra<01:15:41.920> tension

there for a little bit of extra tension

there for a little bit of extra tension
so<01:15:42.640> that<01:15:42.800> sometimes<01:15:43.199> allen's<01:15:43.600> lines<01:15:44.000> don't

so that sometimes allen's lines don't

so that sometimes allen's lines don't
line<01:15:44.480> up<01:15:44.640> perfectly<01:15:45.040> for<01:15:45.199> that<01:15:45.440> reason<01:15:46.080> uh

line up perfectly for that reason uh

line up perfectly for that reason uh
with<01:15:47.360> the<01:15:47.679> the<01:15:47.840> chord<01:15:48.080> when<01:15:48.239> you're<01:15:48.320> following

with the the chord when you're following

with the the chord when you're following
it<01:15:48.800> you<01:15:48.880> might<01:15:49.040> be<01:15:49.120> playing<01:15:49.360> the<01:15:49.440> scale

it you might be playing the scale

it you might be playing the scale
earlier

earlier

earlier
but<01:15:51.760> i<01:15:51.840> think<01:15:52.000> that's<01:15:52.320> it<01:15:52.480> that's<01:15:52.719> all<01:15:52.880> the

but i think that's it that's all the

but i think that's it that's all the
little<01:15:54.400> mannerisms<01:15:55.120> that<01:15:55.280> alan<01:15:55.679> employs<01:15:56.159> and

little mannerisms that alan employs and

little mannerisms that alan employs and
different<01:15:56.640> techniques

different techniques

different techniques
now<01:15:57.920> it's<01:15:58.080> time<01:15:58.239> to<01:15:58.400> get<01:15:58.480> to<01:15:58.560> the<01:15:58.640> bigger<01:15:58.960> stuff

for majority of this video i included

for majority of this video i included
lines<01:16:06.880> and<01:16:07.040> phrases<01:16:07.360> that<01:16:07.600> really<01:16:07.840> belong<01:16:08.080> to

lines and phrases that really belong to

lines and phrases that really belong to
one<01:16:08.480> specific<01:16:09.040> key

one specific key

one specific key
but<01:16:10.080> just<01:16:10.320> like<01:16:10.480> in<01:16:10.640> my<01:16:10.800> book<01:16:11.040> there's<01:16:11.199> some

but just like in my book there's some

but just like in my book there's some
chords<01:16:11.760> that<01:16:12.000> kind<01:16:12.159> of<01:16:12.480> can<01:16:12.719> be<01:16:12.880> in<01:16:13.040> a<01:16:13.120> few

chords that kind of can be in a few

chords that kind of can be in a few
others<01:16:13.840> there<01:16:14.000> are<01:16:14.080> also<01:16:14.400> some<01:16:14.560> lines<01:16:14.880> and

others there are also some lines and

others there are also some lines and
licks<01:16:15.280> that<01:16:15.360> can<01:16:15.520> kind<01:16:15.679> of<01:16:15.760> be<01:16:15.920> in<01:16:16.000> two

licks that can kind of be in two

licks that can kind of be in two
different<01:16:16.480> keys<01:16:17.199> or<01:16:17.600> multiple<01:16:18.000> ones<01:16:18.159> so<01:16:18.320> i'm

different keys or multiple ones so i'm

different keys or multiple ones so i'm
going<01:16:18.560> to<01:16:18.719> include<01:16:19.040> them<01:16:19.360> uh<01:16:19.679> here

going to include them uh here

going to include them uh here
also<01:16:20.960> the<01:16:21.199> examples<01:16:21.679> that<01:16:21.840> i'm<01:16:21.920> going<01:16:22.000> to<01:16:22.159> give

also the examples that i'm going to give

also the examples that i'm going to give
here<01:16:23.040> are<01:16:23.199> not<01:16:23.360> the<01:16:23.520> only<01:16:23.679> ones<01:16:23.840> that<01:16:23.920> you're

here are not the only ones that you're

here are not the only ones that you're
just<01:16:24.239> going<01:16:24.400> to<01:16:24.480> see<01:16:24.719> there<01:16:24.880> are<01:16:24.960> plenty

just going to see there are plenty

just going to see there are plenty
others<01:16:25.679> but<01:16:26.159> i<01:16:26.320> either<01:16:26.560> couldn't<01:16:26.800> use<01:16:26.960> them

others but i either couldn't use them

others but i either couldn't use them
because<01:16:27.280> they're<01:16:27.520> in<01:16:27.600> a<01:16:27.679> longer<01:16:28.080> phrase<01:16:28.560> or

because they're in a longer phrase or

because they're in a longer phrase or
for<01:16:29.360> some<01:16:29.520> reason<01:16:29.840> i<01:16:29.920> just<01:16:30.159> felt<01:16:30.320> like<01:16:30.480> they

for some reason i just felt like they

for some reason i just felt like they
wouldn't<01:16:30.800> be<01:16:31.040> uh<01:16:31.360> good<01:16:31.600> for<01:16:32.159> for<01:16:32.320> this<01:16:32.560> video

wouldn't be uh good for for this video

wouldn't be uh good for for this video
but<01:16:33.280> if<01:16:33.360> you<01:16:33.520> keep<01:16:33.760> watching<01:16:34.320> some<01:16:34.480> of<01:16:34.560> these

but if you keep watching some of these

but if you keep watching some of these
lines<01:16:35.199> you'll<01:16:35.440> see<01:16:36.080> uh<01:16:36.480> over<01:16:36.880> in<01:16:37.280> later<01:16:37.600> ones

lines you'll see uh over in later ones

lines you'll see uh over in later ones
so<01:16:38.159> like<01:16:38.480> the<01:16:38.719> the<01:16:38.960> more<01:16:39.120> lines<01:16:39.440> you<01:16:39.520> know<01:16:39.679> now

so like the the more lines you know now

so like the the more lines you know now
uh<01:16:40.880> you'll<01:16:41.360> see<01:16:41.600> them<01:16:41.760> more<01:16:42.000> often<01:16:42.719> when<01:16:42.960> you

uh you'll see them more often when you

uh you'll see them more often when you
get<01:16:43.280> further<01:16:43.600> into<01:16:43.840> the<01:16:43.920> video<01:16:44.320> so<01:16:44.480> it'll

get further into the video so it'll

get further into the video so it'll
reinforce<01:16:45.520> that<01:16:46.159> so<01:16:46.480> the<01:16:46.640> first<01:16:46.880> line<01:16:47.040> that

reinforce that so the first line that

reinforce that so the first line that
i'm<01:16:47.280> going<01:16:47.360> to<01:16:47.520> show<01:16:47.760> is<01:16:47.840> what<01:16:48.000> i<01:16:48.239> call<01:16:48.880> the

i'm going to show is what i call the

i'm going to show is what i call the
lick<01:16:49.920> uh<01:16:50.640> this<01:16:50.880> is<01:16:51.520> the<01:16:51.760> most<01:16:52.080> used<01:16:52.320> phrase

lick uh this is the most used phrase

lick uh this is the most used phrase
that<01:16:52.880> allen<01:16:53.120> uses<01:16:53.520> by<01:16:53.760> a<01:16:53.920> wide<01:16:54.320> margin<01:16:55.120> i

that allen uses by a wide margin i

that allen uses by a wide margin i
counted<01:16:55.840> over<01:16:56.360> 250<01:16:57.520> different<01:16:57.920> variations<01:16:59.199> of

counted over 250 different variations of

counted over 250 different variations of
this<01:16:59.760> kind<01:17:00.000> of<01:17:00.159> line<01:17:00.800> uh<01:17:01.040> in<01:17:01.199> all<01:17:01.440> sites<01:17:01.760> of<01:17:02.159> all

this kind of line uh in all sites of all

this kind of line uh in all sites of all
sorts<01:17:02.719> of<01:17:02.880> uh<01:17:03.280> playing<01:17:03.600> even<01:17:03.840> in<01:17:03.920> different

sorts of uh playing even in different

sorts of uh playing even in different
tunings<01:17:04.560> and<01:17:04.719> so<01:17:04.880> forth<01:17:05.440> the<01:17:05.600> earliest<01:17:06.000> use<01:17:06.239> of

tunings and so forth the earliest use of

tunings and so forth the earliest use of
this<01:17:06.480> line<01:17:06.719> that<01:17:06.800> i<01:17:06.960> found<01:17:07.120> was<01:17:07.360> actually<01:17:07.600> on

this line that i found was actually on

this line that i found was actually on
letters<01:17:08.080> of<01:17:08.159> mark<01:17:08.719> and<01:17:08.800> it's<01:17:08.960> the<01:17:09.040> only<01:17:09.280> times

letters of mark and it's the only times

letters of mark and it's the only times
if<01:17:09.840> it<01:17:10.000> happens<01:17:10.320> in<01:17:10.400> the<01:17:10.560> entire<01:17:10.880> iou<01:17:11.520> album

if it happens in the entire iou album

if it happens in the entire iou album
but<01:17:12.480> this<01:17:12.640> line<01:17:12.880> gets<01:17:13.199> used<01:17:13.440> a<01:17:13.600> lot<01:17:13.840> more

but this line gets used a lot more

but this line gets used a lot more
especially

especially

especially
towards<01:17:15.520> the<01:17:15.679> late<01:17:15.920> 80s<01:17:16.400> and<01:17:16.880> and<01:17:17.120> further<01:17:17.920> in

towards the late 80s and and further in

towards the late 80s and and further in
fact<01:17:18.560> even<01:17:18.880> on<01:17:19.040> the<01:17:19.280> album<01:17:19.679> hardhat<01:17:20.080> area<01:17:20.320> i

fact even on the album hardhat area i

fact even on the album hardhat area i
found<01:17:20.719> 26<01:17:21.520> different<01:17:21.920> versions<01:17:22.400> of<01:17:22.560> this<01:17:22.800> lick

found 26 different versions of this lick

found 26 different versions of this lick
and<01:17:23.600> then<01:17:23.760> once<01:17:24.000> you<01:17:24.080> see<01:17:24.239> it<01:17:24.400> you'll<01:17:24.640> be<01:17:24.800> able

and then once you see it you'll be able

and then once you see it you'll be able
to<01:17:25.120> see<01:17:25.280> it<01:17:25.360> a<01:17:25.520> ton<01:17:25.840> in<01:17:25.920> live<01:17:26.239> videos<01:17:27.040> this

to see it a ton in live videos this

to see it a ton in live videos this
phrase<01:17:27.840> has<01:17:28.000> a<01:17:28.080> major<01:17:28.400> tonality<01:17:28.880> to<01:17:29.040> it<01:17:29.120> but<01:17:29.280> it

phrase has a major tonality to it but it

phrase has a major tonality to it but it
can<01:17:29.520> belong<01:17:29.760> in<01:17:29.920> two<01:17:30.080> different<01:17:30.400> keys<01:17:31.040> it's

can belong in two different keys it's

can belong in two different keys it's
basically<01:17:32.159> if<01:17:32.239> i<01:17:32.400> played<01:17:32.640> in<01:17:32.800> c<01:17:33.040> a<01:17:33.199> c<01:17:33.360> major

basically if i played in c a c major

basically if i played in c a c major
seven<01:17:34.000> arpeggio<01:17:34.560> with<01:17:34.719> an<01:17:34.960> a<01:17:35.199> minor<01:17:35.520> arpeggio

and uh because of this there's no f in

and uh because of this there's no f in
there<01:17:43.760> or<01:17:44.080> f<01:17:44.320> sharp<01:17:44.880> so<01:17:45.199> this<01:17:45.440> phrase<01:17:45.760> could

there or f sharp so this phrase could

there or f sharp so this phrase could
belong<01:17:46.400> to<01:17:46.560> the<01:17:46.719> key<01:17:46.960> of<01:17:47.280> c<01:17:47.760> or<01:17:48.159> g<01:17:48.400> major

belong to the key of c or g major

belong to the key of c or g major
[Music]

there are two very common uh variations

there are two very common uh variations
of<01:18:18.640> this<01:18:18.880> line<01:18:19.280> one<01:18:19.520> is<01:18:19.679> adding<01:18:20.000> in<01:18:20.080> this<01:18:20.239> note

of this line one is adding in this note

of this line one is adding in this note
here<01:18:20.640> on<01:18:20.719> the<01:18:20.800> b<01:18:21.040> string

so you're going from a to b

so you're going from a to b
and<01:18:27.199> the<01:18:27.360> other<01:18:27.600> one<01:18:27.920> is<01:18:28.239> playing<01:18:28.560> basically<01:18:29.120> a

and the other one is playing basically a

and the other one is playing basically a
major<01:18:30.239> triad<01:18:30.880> on<01:18:30.960> the<01:18:31.120> high<01:18:31.440> e<01:18:31.679> string<01:18:32.000> so

major triad on the high e string so

major triad on the high e string so
you're<01:18:32.320> going<01:18:32.400> to<01:18:32.480> be<01:18:32.560> adding<01:18:32.800> in<01:18:32.960> a<01:18:33.040> g

you're going to be adding in a g

you're going to be adding in a g
[Music]

[Music]

[Music]
so<01:18:36.719> you<01:18:36.800> can<01:18:36.960> think<01:18:37.040> of<01:18:37.120> it<01:18:37.199> as<01:18:37.280> like<01:18:37.440> a<01:18:37.520> c<01:18:37.679> major

so you can think of it as like a c major

so you can think of it as like a c major
7<01:18:38.239> arpeggio<01:18:38.719> with<01:18:38.880> an<01:18:39.040> a<01:18:39.199> minor<01:18:39.520> 7<01:18:39.760> arpeggio<01:18:40.239> on

7 arpeggio with an a minor 7 arpeggio on

7 arpeggio with an a minor 7 arpeggio on
the<01:18:40.400> top<01:18:40.640> but<01:18:40.800> i<01:18:40.960> really<01:18:41.120> don't<01:18:41.280> think<01:18:41.520> alan's

the top but i really don't think alan's

the top but i really don't think alan's
thinking<01:18:42.239> of<01:18:42.400> it<01:18:42.480> that<01:18:42.640> way<01:18:43.199> he's<01:18:43.440> just

thinking of it that way he's just

thinking of it that way he's just
thinking<01:18:44.000> of<01:18:44.320> the<01:18:44.560> shape<01:18:44.800> itself<01:18:45.280> and<01:18:45.679> how<01:18:45.840> it

thinking of the shape itself and how it

thinking of the shape itself and how it
belongs<01:18:46.239> to<01:18:46.400> the<01:18:46.480> scale<01:18:47.199> that<01:18:47.360> he's<01:18:47.679> viewing

belongs to the scale that he's viewing

belongs to the scale that he's viewing
it

the other type of phrase that allen uses

the other type of phrase that allen uses
quite<01:19:11.040> a<01:19:11.120> lot<01:19:11.360> is<01:19:11.520> perfect<01:19:12.000> fourths<01:19:12.800> this<01:19:13.040> one

quite a lot is perfect fourths this one

quite a lot is perfect fourths this one
fits<01:19:13.600> the<01:19:13.760> major<01:19:14.080> scale<01:19:14.400> a<01:19:14.480> little<01:19:14.640> bit<01:19:14.960> better

fits the major scale a little bit better

fits the major scale a little bit better
so<01:19:15.840> if<01:19:16.000> once<01:19:16.239> again<01:19:16.480> we're<01:19:16.640> in<01:19:16.880> c<01:19:17.280> we<01:19:17.440> have

so if once again we're in c we have

so if once again we're in c we have
something<01:19:17.920> like<01:19:18.239> this

but then we're going to move up to here

but then we're going to move up to here
so<01:19:23.360> now<01:19:23.520> we<01:19:23.679> have<01:19:23.760> two<01:19:23.920> major<01:19:24.239> thirds<01:19:24.560> on<01:19:24.719> top

so now we have two major thirds on top

so now we have two major thirds on top
[Music]

[Music]

[Music]
another<01:19:33.040> way<01:19:33.199> that<01:19:33.280> alan<01:19:33.600> sort<01:19:33.760> of<01:19:33.920> used<01:19:34.159> the

another way that alan sort of used the

another way that alan sort of used the
neck<01:19:34.480> is<01:19:34.640> up<01:19:34.800> here<01:19:35.040> what<01:19:35.199> i<01:19:35.280> call<01:19:35.520> it<01:19:35.679> sort<01:19:35.840> of

neck is up here what i call it sort of

neck is up here what i call it sort of
looks<01:19:36.159> like<01:19:36.320> a<01:19:36.640> a<01:19:37.120> major<01:19:37.440> pentatonic<01:19:38.480> kind<01:19:38.640> of

looks like a a major pentatonic kind of

looks like a a major pentatonic kind of
phrase

you have some of those notes in there

you have some of those notes in there
or<01:19:44.800> that<01:19:44.960> particular<01:19:45.440> phrase<01:19:46.000> now<01:19:46.159> the<01:19:46.239> thing

or that particular phrase now the thing

or that particular phrase now the thing
is<01:19:46.560> that<01:19:46.800> doesn't<01:19:47.120> belong<01:19:47.760> to

is that doesn't belong to

is that doesn't belong to
c<01:19:48.960> major<01:19:49.440> because<01:19:49.840> it<01:19:49.920> doesn't<01:19:50.159> have<01:19:50.239> a<01:19:50.400> b<01:19:50.560> in

c major because it doesn't have a b in

c major because it doesn't have a b in
it<01:19:50.880> it<01:19:50.960> also<01:19:51.280> could<01:19:51.440> have<01:19:51.600> a<01:19:51.679> b<01:19:51.920> flat<01:19:52.320> so<01:19:52.960> this

it it also could have a b flat so this

it it also could have a b flat so this
line<01:19:53.760> or<01:19:53.920> this<01:19:54.159> shape<01:19:54.800> can<01:19:55.040> really<01:19:55.199> belong<01:19:55.840> to

line or this shape can really belong to

line or this shape can really belong to
the<01:19:56.159> key<01:19:56.320> of<01:19:56.480> f<01:19:56.560> major<01:19:56.880> or<01:19:57.040> c<01:19:57.199> major

[Music]

[Music]
[Applause]

and finally the last phrase for these

and finally the last phrase for these
little<01:20:09.920> major<01:20:10.159> scale<01:20:10.400> tonalities<01:20:11.120> is<01:20:11.280> really

little major scale tonalities is really

little major scale tonalities is really
built<01:20:11.840> on<01:20:12.000> how<01:20:12.239> allen<01:20:12.639> views<01:20:13.199> the<01:20:13.360> major<01:20:13.760> scale

built on how allen views the major scale

built on how allen views the major scale
uh<01:20:14.880> at<01:20:14.960> least<01:20:15.199> the<01:20:15.280> position<01:20:16.080> so<01:20:16.320> it's

uh at least the position so it's

uh at least the position so it's
something<01:20:16.719> like<01:20:16.880> i<01:20:17.040> think<01:20:17.199> of<01:20:17.280> it<01:20:17.360> as<01:20:17.440> like<01:20:17.600> the

something like i think of it as like the

something like i think of it as like the
outside<01:20:18.239> lines<01:20:18.480> for<01:20:18.639> this<01:20:18.800> shape

something like that now once again

something like that now once again
because<01:20:24.080> there's<01:20:24.320> no<01:20:24.560> perfect<01:20:24.960> fourth<01:20:25.280> it<01:20:25.360> can

because there's no perfect fourth it can

because there's no perfect fourth it can
belong<01:20:25.840> to<01:20:26.000> the<01:20:26.159> key<01:20:26.480> of

belong to the key of

belong to the key of
g<01:20:27.760> major<01:20:28.159> or<01:20:28.480> c<01:20:28.719> major

g major or c major

g major or c major
but<01:20:30.000> once<01:20:30.239> you<01:20:30.400> get<01:20:30.639> to<01:20:30.800> the<01:20:30.960> ionian<01:20:31.520> section

but once you get to the ionian section

but once you get to the ionian section
you'll<01:20:32.080> see<01:20:32.480> uh<01:20:33.199> the<01:20:33.360> scale<01:20:33.760> shape<01:20:34.000> and<01:20:34.080> you'll

you'll see uh the scale shape and you'll

you'll see uh the scale shape and you'll
see<01:20:34.400> more<01:20:34.639> examples<01:20:35.120> of<01:20:35.280> this<01:20:35.520> and

see more examples of this and

see more examples of this and
how<01:20:37.280> the<01:20:37.600> allen<01:20:37.920> views<01:20:38.159> the<01:20:38.239> major<01:20:38.560> scale

[Music]

[Music]
[Applause]

now these group of ideas really are

now these group of ideas really are
based<01:21:02.480> more<01:21:02.880> upon<01:21:03.360> either<01:21:03.600> a<01:21:03.679> minor<01:21:04.000> tonality

based more upon either a minor tonality

based more upon either a minor tonality
or<01:21:04.880> built<01:21:05.120> around<01:21:05.440> a<01:21:05.600> minor<01:21:06.080> uh<01:21:06.400> scale<01:21:06.800> shape

or built around a minor uh scale shape

or built around a minor uh scale shape
uh<01:21:07.520> this<01:21:07.679> one's<01:21:07.920> a<01:21:08.000> good<01:21:08.159> example<01:21:08.639> i<01:21:08.719> see<01:21:08.960> allen

uh this one's a good example i see allen

uh this one's a good example i see allen
use<01:21:09.440> this<01:21:09.520> one<01:21:09.760> frequently<01:21:10.159> where<01:21:10.320> he's<01:21:10.880> uh

use this one frequently where he's uh

use this one frequently where he's uh
design<01:21:11.920> descending<01:21:12.480> a<01:21:12.719> minor<01:21:13.120> triad<01:21:13.760> on<01:21:13.920> the<01:21:14.080> g

design descending a minor triad on the g

design descending a minor triad on the g
d<01:21:14.800> and<01:21:15.040> a<01:21:15.199> string<01:21:15.520> like<01:21:15.679> this

d and a string like this

d and a string like this
[Music]

[Music]

[Music]
uh<01:21:18.480> once<01:21:18.719> again<01:21:18.880> i<01:21:18.960> think<01:21:19.120> he's<01:21:19.280> sort<01:21:19.440> of

uh once again i think he's sort of

uh once again i think he's sort of
thinking<01:21:19.840> of<01:21:20.400> the<01:21:20.560> pattern<01:21:20.960> of<01:21:21.040> course

thinking of the pattern of course

thinking of the pattern of course
because<01:21:21.679> of<01:21:21.760> this<01:21:22.239> it<01:21:22.320> can<01:21:22.480> belong<01:21:22.800> to<01:21:22.960> a<01:21:23.040> bunch

because of this it can belong to a bunch

because of this it can belong to a bunch
of<01:21:23.520> different<01:21:23.920> keys<01:21:24.639> sometimes<01:21:25.120> i'll<01:21:25.280> see

of different keys sometimes i'll see

of different keys sometimes i'll see
alan<01:21:25.920> descend<01:21:26.320> a<01:21:26.480> minor<01:21:26.880> triad<01:21:27.360> up<01:21:27.520> on<01:21:27.600> the

alan descend a minor triad up on the

alan descend a minor triad up on the
high<01:21:28.000> e<01:21:28.159> string<01:21:28.480> like

high e string like

high e string like
but<01:21:29.920> that<01:21:30.080> really<01:21:30.320> doesn't<01:21:30.560> happen<01:21:30.880> that

but that really doesn't happen that

but that really doesn't happen that
often<01:21:31.679> it's<01:21:31.840> definitely<01:21:32.320> more<01:21:32.639> upon<01:21:33.199> uh<01:21:33.600> the<01:21:33.920> g

often it's definitely more upon uh the g

often it's definitely more upon uh the g
d<01:21:34.639> and<01:21:34.880> a<01:21:35.120> string<01:21:35.679> so<01:21:35.840> you<01:21:35.920> might<01:21:36.080> see<01:21:36.239> a<01:21:36.320> phrase

d and a string so you might see a phrase

d and a string so you might see a phrase
where<01:21:36.719> it's<01:21:36.800> like

something like that and then continuing

something like that and then continuing
on

on

on
[Music]

[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

[Music]

[Music]
just<01:21:58.159> like<01:21:58.320> the<01:21:58.480> previous<01:21:58.880> example<01:21:59.199> we<01:21:59.360> saw<01:21:59.920> it

just like the previous example we saw it

just like the previous example we saw it
could<01:22:00.239> be<01:22:00.639> used<01:22:00.960> in<01:22:01.199> larger<01:22:01.600> lines<01:22:02.080> so<01:22:02.239> can

could be used in larger lines so can

could be used in larger lines so can
this<01:22:02.639> one<01:22:02.880> as<01:22:02.960> well<01:22:03.679> it's<01:22:04.000> really<01:22:04.239> how<01:22:04.480> allen

this one as well it's really how allen

this one as well it's really how allen
plays<01:22:05.120> this<01:22:05.280> major<01:22:05.679> seven<01:22:05.920> type<01:22:06.080> of<01:22:06.239> arpeggio

plays this major seven type of arpeggio

plays this major seven type of arpeggio
kind<01:22:06.880> of<01:22:06.960> plays<01:22:07.120> it<01:22:07.199> like<01:22:07.360> this

kind of plays it like this

kind of plays it like this
uh<01:22:10.320> and<01:22:10.480> if<01:22:10.639> we<01:22:10.800> were<01:22:10.960> to<01:22:11.199> play<01:22:11.520> that<01:22:11.760> let's<01:22:11.920> say

uh and if we were to play that let's say

uh and if we were to play that let's say
i<01:22:12.159> played<01:22:12.400> it<01:22:12.560> in<01:22:12.719> g<01:22:12.960> major

and let's say continue um that could

and let's say continue um that could
belong<01:22:18.320> to<01:22:18.480> the<01:22:18.560> key<01:22:18.719> of<01:22:18.800> g<01:22:19.040> major<01:22:19.440> or<01:22:19.679> d<01:22:19.920> major

belong to the key of g major or d major

belong to the key of g major or d major
or<01:22:20.960> if<01:22:21.040> you<01:22:21.120> want<01:22:21.280> to<01:22:21.360> think<01:22:21.600> of<01:22:21.760> it<01:22:21.920> modally<01:22:22.719> as

or if you want to think of it modally as

or if you want to think of it modally as
uh<01:22:23.440> e<01:22:23.760> aeolian<01:22:24.400> or<01:22:24.560> e<01:22:24.800> dorian<01:22:25.520> but<01:22:25.760> once<01:22:26.000> we<01:22:26.080> get

uh e aeolian or e dorian but once we get

uh e aeolian or e dorian but once we get
to<01:22:26.320> the<01:22:26.400> next

to the next

to the next
section<01:22:27.520> i<01:22:28.000> i<01:22:28.560> want<01:22:28.719> you<01:22:28.880> to<01:22:28.960> think<01:22:29.199> of<01:22:29.280> those

section i i want you to think of those

section i i want you to think of those
as<01:22:30.080> the<01:22:30.320> scale<01:22:30.639> shape<01:22:30.880> not<01:22:31.120> by<01:22:31.280> its<01:22:31.520> tonality

as the scale shape not by its tonality

as the scale shape not by its tonality
[Music]

[Music]

[Music]
here's<01:22:52.560> a<01:22:52.719> great<01:22:52.960> example<01:22:53.280> of<01:22:53.360> how<01:22:53.600> allen

here's a great example of how allen

here's a great example of how allen
could<01:22:54.320> jumble<01:22:54.719> around<01:22:55.040> the<01:22:55.199> notes<01:22:55.520> in<01:22:55.600> a<01:22:55.760> very

could jumble around the notes in a very

could jumble around the notes in a very
unusual<01:22:56.639> fashion<01:22:57.600> uh<01:22:57.920> this<01:22:58.159> again<01:22:58.480> will<01:22:58.719> work

unusual fashion uh this again will work

unusual fashion uh this again will work
in<01:22:59.280> some<01:22:59.600> minor<01:23:00.000> shapes<01:23:00.320> as<01:23:00.400> well<01:23:00.719> just<01:23:00.880> like

in some minor shapes as well just like

in some minor shapes as well just like
before<01:23:01.280> where<01:23:01.440> i<01:23:01.520> was<01:23:01.600> saying<01:23:01.760> when<01:23:01.920> you<01:23:02.000> could

before where i was saying when you could

before where i was saying when you could
stretch<01:23:02.400> really<01:23:02.719> far<01:23:03.040> and<01:23:03.120> then<01:23:03.520> the<01:23:03.760> next

stretch really far and then the next

stretch really far and then the next
note<01:23:04.239> that<01:23:04.320> you<01:23:04.480> play<01:23:04.800> is<01:23:04.880> actually<01:23:05.120> lower<01:23:05.440> in

note that you play is actually lower in

note that you play is actually lower in
pitch<01:23:06.000> this<01:23:06.159> is<01:23:06.239> something<01:23:06.480> that<01:23:06.639> he'll<01:23:06.800> do

pitch this is something that he'll do

pitch this is something that he'll do
often<01:23:07.760> let's<01:23:08.000> say<01:23:08.480> we're<01:23:08.719> in<01:23:08.880> the<01:23:09.040> key<01:23:09.199> of<01:23:09.360> g

often let's say we're in the key of g

often let's say we're in the key of g
major<01:23:09.920> you<01:23:10.000> can<01:23:10.159> play<01:23:10.480> g

major you can play g

major you can play g
a

a

a
c

c

c
and<01:23:13.280> then<01:23:13.520> i<01:23:13.600> can<01:23:13.760> play<01:23:13.920> a<01:23:14.000> b<01:23:14.159> note<01:23:14.480> here<01:23:15.120> and

and then i can play a b note here and

and then i can play a b note here and
then<01:23:15.440> back

something like that so this type of

something like that so this type of
phrase<01:23:21.600> can<01:23:21.760> belong<01:23:22.080> in<01:23:22.239> the<01:23:22.320> key<01:23:22.560> of<01:23:22.719> g<01:23:22.960> major

phrase can belong in the key of g major

phrase can belong in the key of g major
or<01:23:23.520> c<01:23:23.679> major<01:23:24.320> or<01:23:24.560> if<01:23:24.719> you<01:23:24.800> want<01:23:24.960> to<01:23:25.040> think<01:23:25.280> of<01:23:25.440> it

or c major or if you want to think of it

or c major or if you want to think of it
positionally<01:23:26.159> it<01:23:26.239> can<01:23:26.400> belong<01:23:26.880> to<01:23:27.199> e<01:23:27.440> aeolian

positionally it can belong to e aeolian

positionally it can belong to e aeolian
or<01:23:28.400> e<01:23:28.639> phrygian

or e phrygian

or e phrygian
[Music]

in the major tunnel we talked about the

in the major tunnel we talked about the
perfect<01:23:51.840> fourths<01:23:52.159> and<01:23:52.320> we<01:23:52.480> can<01:23:52.639> see<01:23:52.800> them<01:23:53.040> here

perfect fourths and we can see them here

perfect fourths and we can see them here
uh<01:23:54.000> but<01:23:54.239> now<01:23:54.480> they're<01:23:54.639> based<01:23:54.960> around<01:23:55.280> these

uh but now they're based around these

uh but now they're based around these
minor<01:23:55.920> shapes<01:23:56.560> again<01:23:56.960> just<01:23:57.120> like<01:23:57.360> the

minor shapes again just like the

minor shapes again just like the
other<01:23:58.560> performance<01:23:59.120> notice<01:23:59.440> the<01:23:59.600> symmetry

other performance notice the symmetry

other performance notice the symmetry
across<01:24:00.480> the<01:24:00.719> neck<01:24:01.360> so<01:24:01.840> here's<01:24:02.400> the<01:24:02.560> c<01:24:02.800> major

across the neck so here's the c major

across the neck so here's the c major
scale<01:24:03.920> across<01:24:04.320> the<01:24:04.400> whole<01:24:04.639> fretboard<01:24:05.600> now<01:24:05.840> if

scale across the whole fretboard now if

scale across the whole fretboard now if
we<01:24:06.239> look<01:24:06.480> on<01:24:06.719> the<01:24:06.880> frets<01:24:07.280> the<01:24:07.440> fifth<01:24:07.760> fret<01:24:08.080> the

we look on the frets the fifth fret the

we look on the frets the fifth fret the
10th<01:24:08.560> fret<01:24:08.880> the<01:24:09.120> 12th<01:24:09.600> fret<01:24:10.159> and<01:24:10.400> the<01:24:10.639> 17th

10th fret the 12th fret and the 17th

10th fret the 12th fret and the 17th
fret<01:24:12.080> we<01:24:12.239> see<01:24:12.480> these<01:24:12.639> like<01:24:12.960> pillars<01:24:13.840> of<01:24:14.080> notes

fret we see these like pillars of notes

fret we see these like pillars of notes
across<01:24:15.040> them<01:24:15.679> and<01:24:15.840> that'll<01:24:16.159> allow<01:24:16.480> you<01:24:16.560> to

across them and that'll allow you to

across them and that'll allow you to
play<01:24:16.960> these<01:24:17.199> perfect<01:24:17.679> fourths<01:24:18.480> completely

play these perfect fourths completely

play these perfect fourths completely
down<01:24:19.280> symmetrically<01:24:20.320> like<01:24:20.560> this

and of course i can do that on the 12th

and of course i can do that on the 12th
fret<01:24:25.360> as<01:24:25.440> well

each group of these can belong to two

each group of these can belong to two
different<01:24:30.800> keys<01:24:31.280> if<01:24:31.440> i'm<01:24:31.679> playing<01:24:32.000> between

different keys if i'm playing between

different keys if i'm playing between
the<01:24:32.560> fifth<01:24:32.800> and<01:24:32.960> tenth<01:24:33.199> fret

the fifth and tenth fret

the fifth and tenth fret
[Music]

[Music]

[Music]
that<01:24:35.760> can<01:24:36.000> either<01:24:36.320> be<01:24:36.480> in<01:24:36.560> the<01:24:36.639> key<01:24:36.880> of<01:24:36.960> c<01:24:37.280> or

that can either be in the key of c or

that can either be in the key of c or
the<01:24:37.520> key<01:24:37.679> of<01:24:37.920> f<01:24:38.159> and<01:24:38.239> if<01:24:38.400> i'm<01:24:38.560> playing<01:24:38.800> it<01:24:39.040> up

the key of f and if i'm playing it up

the key of f and if i'm playing it up
here

here

here
that<01:24:41.360> can<01:24:41.520> belong<01:24:41.840> to<01:24:42.000> the<01:24:42.080> key<01:24:42.320> of<01:24:42.560> c<01:24:42.800> or<01:24:42.960> the

that can belong to the key of c or the

that can belong to the key of c or the
key<01:24:43.360> of<01:24:43.520> g<01:24:44.080> again<01:24:44.320> i<01:24:44.480> don't<01:24:44.560> think<01:24:44.719> that's<01:24:44.960> that

key of g again i don't think that's that

key of g again i don't think that's that
important<01:24:45.600> it's<01:24:45.760> more<01:24:46.159> about<01:24:46.639> looking<01:24:46.960> at<01:24:47.280> the

important it's more about looking at the

important it's more about looking at the
symmetry<01:24:48.400> and<01:24:48.560> all<01:24:48.639> these<01:24:48.800> different

symmetry and all these different

symmetry and all these different
patterns<01:24:49.920> uh<01:24:50.239> visual

patterns uh visual

patterns uh visual
shapes<01:24:51.440> across<01:24:51.760> the<01:24:51.920> fretboard

shapes across the fretboard

shapes across the fretboard
also<01:24:54.239> uh<01:24:54.639> the<01:24:54.800> fifth<01:24:55.040> to<01:24:55.120> the<01:24:55.280> tenth<01:24:55.520> fret<01:24:55.760> we

also uh the fifth to the tenth fret we

also uh the fifth to the tenth fret we
can<01:24:56.080> see<01:24:56.400> is<01:24:56.560> a<01:24:56.719> perfect<01:24:57.199> fourth<01:24:57.520> but<01:24:57.600> if<01:24:57.679> we<01:24:57.760> do

can see is a perfect fourth but if we do

can see is a perfect fourth but if we do
the<01:24:58.159> fifth<01:24:58.400> to<01:24:58.480> the<01:24:58.639> twelfth<01:24:58.880> fret<01:24:59.120> we<01:24:59.280> can

the fifth to the twelfth fret we can

the fifth to the twelfth fret we can
think<01:24:59.600> of<01:24:59.679> that<01:25:00.000> as<01:25:00.159> a<01:25:00.320> perfect<01:25:00.719> fifth<01:25:01.120> i<01:25:01.280> can't

think of that as a perfect fifth i can't

think of that as a perfect fifth i can't
really<01:25:01.760> reach<01:25:02.080> but<01:25:02.400> you<01:25:02.560> could<01:25:02.719> do<01:25:02.880> the<01:25:03.040> same

really reach but you could do the same

really reach but you could do the same
thing<01:25:03.600> up<01:25:03.840> here<01:25:04.239> where<01:25:04.480> if<01:25:04.639> instead<01:25:04.880> of<01:25:05.040> doing

thing up here where if instead of doing

thing up here where if instead of doing
12<01:25:05.840> to<01:25:06.239> 17<01:25:06.719> i<01:25:06.800> can<01:25:06.960> do<01:25:07.360> 10<01:25:07.679> to<01:25:07.840> 17<01:25:08.560> and<01:25:08.639> then<01:25:08.800> i

12 to 17 i can do 10 to 17 and then i

12 to 17 i can do 10 to 17 and then i
have<01:25:09.280> a<01:25:09.760> perfect<01:25:10.159> fifth<01:25:10.400> interval<01:25:10.800> here

have a perfect fifth interval here

have a perfect fifth interval here
symmetrically<01:25:11.679> down<01:25:11.920> the<01:25:12.000> neck

uh i don't think i've seen alan do this

uh i don't think i've seen alan do this
often<01:25:16.719> maybe<01:25:17.040> just<01:25:17.280> once

often maybe just once

often maybe just once
[Music]

[Music]

[Music]
so

[Music]

[Music]
[Applause]

right that's it for the more ambiguous

right that's it for the more ambiguous
lines<01:25:54.880> time<01:25:55.120> to<01:25:55.199> move<01:25:55.360> on<01:25:55.520> to<01:25:55.600> the<01:25:55.679> bigger

lines time to move on to the bigger

lines time to move on to the bigger
scales<01:25:56.719> major<01:25:57.040> scale<01:25:57.360> melodic<01:25:57.840> minor<01:25:58.159> and<01:25:58.239> so

scales major scale melodic minor and so

scales major scale melodic minor and so
forth

so with no surprise the plain old major

so with no surprise the plain old major
scale

scale

scale
is<01:26:07.360> the<01:26:07.440> scale<01:26:07.760> that<01:26:07.920> alan<01:26:08.159> used<01:26:08.400> the<01:26:08.480> most

is the scale that alan used the most

is the scale that alan used the most
because<01:26:09.199> it's<01:26:09.360> the<01:26:09.520> most<01:26:09.760> consonant<01:26:10.239> and<01:26:10.560> nice

because it's the most consonant and nice

because it's the most consonant and nice
sounding<01:26:11.679> so

sounding so

sounding so
again<01:26:12.719> allen<01:26:13.040> doesn't<01:26:13.440> really

again allen doesn't really

again allen doesn't really
he<01:26:14.480> thinks<01:26:14.719> of<01:26:14.800> the<01:26:14.880> scale<01:26:15.120> revolving<01:26:15.520> around

he thinks of the scale revolving around

he thinks of the scale revolving around
dorian<01:26:16.719> or<01:26:16.880> the<01:26:17.199> second<01:26:17.520> position

dorian or the second position

dorian or the second position
but<01:26:18.960> sometimes<01:26:19.440> in<01:26:19.600> his<01:26:19.760> charts<01:26:20.080> you<01:26:20.239> will<01:26:20.480> see

but sometimes in his charts you will see

but sometimes in his charts you will see
something<01:26:21.040> like<01:26:21.280> c<01:26:21.600> slash<01:26:22.159> dx<01:26:23.040> or<01:26:23.280> just<01:26:23.600> c

something like c slash dx or just c

something like c slash dx or just c
which<01:26:24.320> to<01:26:24.480> me<01:26:24.719> implies<01:26:25.120> that<01:26:25.280> he<01:26:25.600> does<01:26:26.080> think

which to me implies that he does think

which to me implies that he does think
of<01:26:26.639> the<01:26:26.800> scale<01:26:27.280> as<01:26:27.520> a<01:26:27.600> major<01:26:28.000> tonality<01:26:28.639> as<01:26:28.800> well

of the scale as a major tonality as well

of the scale as a major tonality as well
and<01:26:29.679> the<01:26:29.840> dorian<01:26:30.239> one<01:26:30.400> sort<01:26:30.560> of<01:26:30.639> being<01:26:30.880> his

and the dorian one sort of being his

and the dorian one sort of being his
minor<01:26:31.600> tonality<01:26:32.480> so<01:26:32.639> with<01:26:32.800> that<01:26:32.960> what<01:26:33.199> i<01:26:33.280> think

minor tonality so with that what i think

minor tonality so with that what i think
is<01:26:33.760> much<01:26:34.000> easier<01:26:34.400> to<01:26:34.560> understand<01:26:35.280> is<01:26:35.520> instead

is much easier to understand is instead

is much easier to understand is instead
of<01:26:36.239> thinking<01:26:36.960> of<01:26:37.120> the<01:26:37.280> scale<01:26:37.679> modally<01:26:38.639> c

of thinking of the scale modally c

of thinking of the scale modally c
ionian<01:26:39.360> d<01:26:39.600> dorian<01:26:40.080> e<01:26:40.320> phrygian<01:26:41.040> f<01:26:41.280> lydian<01:26:41.600> g

ionian d dorian e phrygian f lydian g

ionian d dorian e phrygian f lydian g
mixolydian<01:26:42.800> a<01:26:43.120> aeolian<01:26:43.920> and<01:26:44.239> b<01:26:44.480> locrian<01:26:45.440> is<01:26:45.679> to

mixolydian a aeolian and b locrian is to

mixolydian a aeolian and b locrian is to
really<01:26:46.239> think<01:26:46.400> of<01:26:46.560> them<01:26:47.040> positionally<01:26:48.320> pretty

really think of them positionally pretty

really think of them positionally pretty
much<01:26:48.719> just<01:26:48.880> thinking<01:26:49.280> c<01:26:49.440> major<01:26:49.760> or<01:26:49.920> d<01:26:50.239> dorian

much just thinking c major or d dorian

much just thinking c major or d dorian
and<01:26:51.520> reusing<01:26:52.080> those<01:26:52.320> different<01:26:52.719> modal<01:26:53.120> shapes

and reusing those different modal shapes

and reusing those different modal shapes
and<01:26:54.320> thinking<01:26:54.560> of<01:26:54.639> them<01:26:54.800> in<01:26:54.880> a<01:26:55.040> different<01:26:55.360> way

and thinking of them in a different way

and thinking of them in a different way
and<01:26:56.239> once<01:26:56.480> we<01:26:56.560> get<01:26:56.719> to<01:26:56.800> the<01:26:56.960> other<01:26:57.120> scale

and once we get to the other scale

and once we get to the other scale
shapes<01:26:57.760> it'll<01:26:57.920> be<01:26:58.080> more<01:26:58.320> obvious<01:26:58.800> what<01:26:59.040> i'm

shapes it'll be more obvious what i'm

shapes it'll be more obvious what i'm
talking<01:26:59.440> about<01:27:00.159> so<01:27:00.320> alan<01:27:00.719> may<01:27:00.960> say<01:27:01.199> that<01:27:01.440> he

talking about so alan may say that he

talking about so alan may say that he
sees<01:27:02.000> the<01:27:02.159> neck<01:27:02.480> as<01:27:02.639> a<01:27:02.719> whole<01:27:03.199> but<01:27:03.440> if<01:27:03.520> we<01:27:03.600> look

sees the neck as a whole but if we look

sees the neck as a whole but if we look
at<01:27:03.920> a<01:27:04.000> lot<01:27:04.159> of<01:27:04.239> the<01:27:04.400> lines<01:27:04.800> we'll<01:27:05.040> see

at a lot of the lines we'll see

at a lot of the lines we'll see
those<01:27:06.159> different<01:27:06.560> positions<01:27:07.600> so<01:27:07.920> instead<01:27:08.320> of

those different positions so instead of

those different positions so instead of
thinking<01:27:09.040> of<01:27:09.199> them<01:27:09.520> as

thinking of them as

thinking of them as
e<01:27:10.800> phrygian

e phrygian

e phrygian
think<01:27:12.400> of<01:27:12.480> it<01:27:12.639> as<01:27:12.960> c<01:27:13.280> major<01:27:14.159> starting<01:27:14.560> in<01:27:14.639> a

think of it as c major starting in a

think of it as c major starting in a
different<01:27:15.120> area<01:27:15.840> and

different area and

different area and
alan<01:27:17.600> i<01:27:17.679> think<01:27:17.920> does<01:27:18.159> that<01:27:18.320> because<01:27:18.480> you'll

alan i think does that because you'll

alan i think does that because you'll
see<01:27:18.800> his<01:27:18.960> lines<01:27:19.280> are<01:27:19.360> very<01:27:19.600> positional<01:27:20.080> and<01:27:20.159> he

see his lines are very positional and he

see his lines are very positional and he
switches<01:27:20.800> between<01:27:21.280> these<01:27:21.920> these<01:27:22.239> other<01:27:22.960> uh

switches between these these other uh

switches between these these other uh
model<01:27:23.520> positions<01:27:24.080> that<01:27:24.239> we're<01:27:24.480> all<01:27:24.719> familiar

model positions that we're all familiar

model positions that we're all familiar
with<01:27:25.360> and<01:27:25.440> that<01:27:25.600> was<01:27:25.840> really<01:27:26.080> surprising<01:27:26.560> to

with and that was really surprising to

with and that was really surprising to
me<01:27:26.880> because<01:27:27.679> i<01:27:27.840> thought<01:27:28.000> they<01:27:28.159> were<01:27:28.239> going<01:27:28.320> to

me because i thought they were going to

me because i thought they were going to
be<01:27:28.560> some<01:27:28.719> really<01:27:29.040> interesting<01:27:29.440> kind<01:27:29.600> of

be some really interesting kind of

be some really interesting kind of
shapes<01:27:30.159> but<01:27:30.400> they<01:27:30.560> really<01:27:30.800> weren't<01:27:31.120> i

shapes but they really weren't i

shapes but they really weren't i
actually<01:27:31.679> was<01:27:31.920> already<01:27:32.159> familiar<01:27:32.560> with<01:27:32.800> all

actually was already familiar with all

actually was already familiar with all
of<01:27:33.120> them<01:27:33.440> the<01:27:33.679> key<01:27:33.840> was<01:27:34.080> repurposing<01:27:35.199> uh<01:27:35.440> them

of them the key was repurposing uh them

of them the key was repurposing uh them
in<01:27:36.080> a<01:27:36.239> different<01:27:36.480> way<01:27:36.719> you<01:27:36.800> don't<01:27:36.880> have<01:27:37.040> to

in a different way you don't have to

in a different way you don't have to
learn<01:27:37.280> a<01:27:37.440> different<01:27:37.760> fingering<01:27:38.159> you<01:27:38.320> have<01:27:38.480> to

learn a different fingering you have to

learn a different fingering you have to
uh<01:27:39.760> see<01:27:40.000> it<01:27:40.159> a<01:27:40.239> different<01:27:40.560> way<01:27:41.199> uh<01:27:41.840> when<01:27:42.000> i<01:27:42.080> get

uh see it a different way uh when i get

uh see it a different way uh when i get
to<01:27:42.320> e<01:27:42.480> fridging<01:27:42.800> it'll<01:27:43.040> be<01:27:43.120> a<01:27:43.199> little<01:27:43.360> bit

to e fridging it'll be a little bit

to e fridging it'll be a little bit
easier<01:27:44.080> and<01:27:44.159> this<01:27:44.400> kind<01:27:44.560> of<01:27:44.719> modal<01:27:45.199> thinking

easier and this kind of modal thinking

easier and this kind of modal thinking
or<01:27:46.000> thinking<01:27:46.320> of<01:27:46.400> those<01:27:46.639> modes<01:27:46.960> just<01:27:47.199> as

or thinking of those modes just as

or thinking of those modes just as
one<01:27:48.320> or<01:27:48.560> two<01:27:48.880> the<01:27:49.040> same<01:27:49.280> scale<01:27:49.600> either<01:27:50.000> ionian

one or two the same scale either ionian

one or two the same scale either ionian
or<01:27:50.639> dorian<01:27:51.360> really<01:27:51.600> only<01:27:51.920> exists<01:27:52.480> for<01:27:52.719> this<01:27:53.199> uh

or dorian really only exists for this uh

or dorian really only exists for this uh
the<01:27:53.840> plain<01:27:54.080> old<01:27:54.159> major<01:27:54.480> scale<01:27:55.120> all<01:27:55.280> the<01:27:55.440> other

the plain old major scale all the other

the plain old major scale all the other
uh<01:27:56.080> scales<01:27:56.400> that<01:27:56.560> allen<01:27:56.880> used<01:27:57.280> he

uh scales that allen used he

uh scales that allen used he
surprisingly<01:27:58.239> uses<01:27:58.560> just<01:27:58.960> of<01:27:59.440> very<01:27:59.679> few

surprisingly uses just of very few

surprisingly uses just of very few
positions<01:28:00.400> like<01:28:00.560> melodic<01:28:01.040> minor<01:28:01.440> it's<01:28:01.679> mostly

positions like melodic minor it's mostly

positions like melodic minor it's mostly
just<01:28:02.320> two<01:28:02.560> different<01:28:02.880> positions<01:28:03.920> and<01:28:04.320> maybe<01:28:04.960> a

just two different positions and maybe a

just two different positions and maybe a
little<01:28:05.360> bit<01:28:05.520> of<01:28:05.679> one<01:28:05.840> of<01:28:05.920> the<01:28:06.159> others

little bit of one of the others

little bit of one of the others
but<01:28:07.280> with<01:28:07.440> the<01:28:07.600> major<01:28:07.920> scale<01:28:08.320> alan<01:28:08.639> you<01:28:08.880> does

but with the major scale alan you does

but with the major scale alan you does
utilize<01:28:09.520> the<01:28:09.679> entire<01:28:10.159> neck<01:28:10.719> so

utilize the entire neck so

utilize the entire neck so
the<01:28:12.080> best<01:28:12.320> way<01:28:12.480> to<01:28:12.560> make<01:28:12.800> these<01:28:12.960> changes<01:28:13.280> is

the best way to make these changes is

the best way to make these changes is
really<01:28:13.600> to<01:28:13.840> think<01:28:14.080> about<01:28:14.320> them<01:28:14.400> in<01:28:14.480> different

really to think about them in different

really to think about them in different
ways<01:28:15.520> so<01:28:15.679> most<01:28:15.920> of<01:28:16.000> the<01:28:16.080> chords<01:28:16.400> that<01:28:16.560> allen<01:28:16.880> is

ways so most of the chords that allen is

ways so most of the chords that allen is
playing<01:28:17.760> really<01:28:18.080> belong<01:28:18.480> to<01:28:18.639> this<01:28:18.800> scale<01:28:19.679> and

playing really belong to this scale and

playing really belong to this scale and
uh<01:28:20.560> allen's<01:28:21.040> super<01:28:21.280> powers<01:28:21.679> really<01:28:21.920> being

uh allen's super powers really being

uh allen's super powers really being
able<01:28:22.400> to<01:28:23.120> move<01:28:23.440> from<01:28:24.080> one<01:28:24.320> of<01:28:24.400> these

able to move from one of these

able to move from one of these
to<01:28:25.520> the<01:28:25.679> ma<01:28:26.000> different<01:28:26.239> major<01:28:26.560> scale

to the ma different major scale

to the ma different major scale
positions<01:28:27.600> so<01:28:27.840> going<01:28:28.080> from<01:28:28.320> c<01:28:28.639> major<01:28:29.199> to<01:28:29.840> f

positions so going from c major to f

positions so going from c major to f
major<01:28:30.560> to<01:28:30.880> b<01:28:31.040> flat<01:28:31.360> major<01:28:31.679> or<01:28:31.920> he's<01:28:32.080> thinking

major to b flat major or he's thinking

major to b flat major or he's thinking
as<01:28:32.719> dorian<01:28:33.440> and<01:28:33.679> when<01:28:33.920> he's<01:28:34.159> doing<01:28:34.400> that<01:28:34.639> he's

as dorian and when he's doing that he's

as dorian and when he's doing that he's
really<01:28:35.199> playing<01:28:35.920> to<01:28:36.080> those<01:28:36.480> uh<01:28:36.719> chords<01:28:37.120> pretty

really playing to those uh chords pretty

really playing to those uh chords pretty
diatonically<01:28:38.239> with<01:28:38.480> some<01:28:39.040> minor

diatonically with some minor

diatonically with some minor
chromaticism<01:28:40.159> in<01:28:40.239> there<01:28:40.800> and<01:28:40.880> that<01:28:41.040> was<01:28:41.280> also

chromaticism in there and that was also

chromaticism in there and that was also
really<01:28:41.760> surprising<01:28:42.239> to<01:28:42.400> me<01:28:42.560> as<01:28:42.639> well

really surprising to me as well

really surprising to me as well
and<01:28:43.840> thinking<01:28:44.159> of<01:28:44.560> the<01:28:44.800> scales<01:28:45.280> like<01:28:45.440> this

and thinking of the scales like this

and thinking of the scales like this
actually<01:28:46.080> really<01:28:46.320> helped<01:28:46.560> me<01:28:46.800> out<01:28:47.040> a<01:28:47.199> lot

actually really helped me out a lot

actually really helped me out a lot
because<01:28:47.840> instead<01:28:48.080> of<01:28:48.239> thinking<01:28:48.480> of<01:28:48.639> all<01:28:48.800> the

because instead of thinking of all the

because instead of thinking of all the
different<01:28:49.199> modes<01:28:49.440> i<01:28:49.600> was<01:28:49.760> always<01:28:50.000> just

different modes i was always just

different modes i was always just
thinking<01:28:50.560> of

thinking of

thinking of
one<01:28:51.679> scale<01:28:52.480> and<01:28:52.800> where<01:28:53.040> do<01:28:53.199> i<01:28:53.280> have<01:28:53.440> to<01:28:53.520> use<01:28:53.760> it

one scale and where do i have to use it

one scale and where do i have to use it
so<01:28:54.080> if<01:28:54.239> i'm<01:28:54.480> playing<01:28:54.719> between<01:28:55.120> different<01:28:55.440> keys

so if i'm playing between different keys

so if i'm playing between different keys
i<01:28:56.400> can<01:28:56.639> just<01:28:56.880> have<01:28:57.040> to<01:28:57.120> think<01:28:57.360> of

i can just have to think of

i can just have to think of
how<01:28:58.560> what's<01:28:58.880> the<01:28:58.960> major<01:28:59.280> scale<01:28:59.440> in<01:28:59.600> this

how what's the major scale in this

how what's the major scale in this
position<01:29:00.159> what's<01:29:00.320> the<01:29:00.400> major<01:29:00.719> scale<01:29:00.880> in<01:29:00.960> that

position what's the major scale in that

position what's the major scale in that
position<01:29:01.600> or<01:29:01.760> the<01:29:01.920> dorian<01:29:02.320> position<01:29:02.800> it

position or the dorian position it

position or the dorian position it
doesn't<01:29:03.040> really<01:29:03.199> make<01:29:03.440> a<01:29:03.520> difference<01:29:03.840> how<01:29:04.000> you

doesn't really make a difference how you

doesn't really make a difference how you
want<01:29:04.239> to<01:29:04.320> do<01:29:04.560> it<01:29:04.960> but<01:29:05.280> it's<01:29:05.520> about<01:29:05.760> thinking<01:29:06.080> of

want to do it but it's about thinking of

want to do it but it's about thinking of
one<01:29:06.880> scale

one scale

one scale
in<01:29:08.000> seven<01:29:08.320> different<01:29:08.560> ways<01:29:08.960> instead<01:29:09.280> of<01:29:09.600> seven

in seven different ways instead of seven

in seven different ways instead of seven
different<01:29:10.159> scales<01:29:10.560> if<01:29:10.639> that<01:29:10.800> makes<01:29:11.040> sense

different scales if that makes sense

different scales if that makes sense
uh

uh

uh
although<01:29:13.440> for<01:29:13.600> functional<01:29:14.000> harmony<01:29:14.480> this

although for functional harmony this

although for functional harmony this
sometimes<01:29:15.199> this<01:29:15.360> approach<01:29:15.679> doesn't<01:29:15.920> work<01:29:16.159> the

sometimes this approach doesn't work the

sometimes this approach doesn't work the
best<01:29:16.960> uh<01:29:17.199> things<01:29:17.520> can<01:29:17.760> have<01:29:18.000> a<01:29:18.080> modal<01:29:18.400> tonality

best uh things can have a modal tonality

best uh things can have a modal tonality
to<01:29:19.199> it

to it

to it
but<01:29:20.239> for<01:29:20.400> alan's<01:29:20.800> music<01:29:21.040> it<01:29:21.199> does<01:29:21.360> it<01:29:21.679> it's

but for alan's music it does it it's

but for alan's music it does it it's
really<01:29:22.159> good<01:29:22.400> to<01:29:22.480> be<01:29:22.639> able<01:29:22.800> to<01:29:22.960> do<01:29:23.199> both<01:29:23.920> but<01:29:24.400> uh

really good to be able to do both but uh

really good to be able to do both but uh
i<01:29:25.920> would<01:29:26.080> say<01:29:26.320> playing<01:29:26.639> allen<01:29:27.040> stuff<01:29:27.440> thinking

i would say playing allen stuff thinking

i would say playing allen stuff thinking
that<01:29:27.920> it's<01:29:28.080> just<01:29:28.239> the<01:29:28.320> one<01:29:28.480> scale<01:29:28.800> where<01:29:28.960> you

that it's just the one scale where you

that it's just the one scale where you
have<01:29:29.199> to<01:29:29.280> play<01:29:29.440> it<01:29:29.520> everywhere<01:29:29.840> on<01:29:29.920> the<01:29:30.000> neck

have to play it everywhere on the neck

have to play it everywhere on the neck
is<01:29:30.719> the<01:29:30.880> easiest<01:29:31.280> way<01:29:31.440> to<01:29:31.520> make<01:29:31.679> the<01:29:31.840> changes

is the easiest way to make the changes

is the easiest way to make the changes
so<01:29:33.040> from<01:29:33.360> here

so from here

so from here
i'm<01:29:34.480> going<01:29:34.560> to<01:29:34.719> call<01:29:34.960> each<01:29:35.280> section<01:29:35.600> by<01:29:35.840> its

i'm going to call each section by its

i'm going to call each section by its
mode<01:29:37.040> but<01:29:37.679> really<01:29:38.000> refer<01:29:38.320> to<01:29:38.480> it<01:29:38.639> how<01:29:38.800> i<01:29:38.960> think

mode but really refer to it how i think

mode but really refer to it how i think
alan<01:29:39.679> is<01:29:39.920> relating<01:29:40.400> it<01:29:40.480> to<01:29:40.719> either<01:29:40.960> major<01:29:41.280> or

alan is relating it to either major or

alan is relating it to either major or
dorian<01:29:42.320> and<01:29:42.560> i<01:29:42.719> suggest<01:29:43.120> you<01:29:43.280> do<01:29:43.440> the<01:29:43.600> same

dorian and i suggest you do the same

dorian and i suggest you do the same
thing<01:29:44.000> so<01:29:44.159> again<01:29:44.480> the<01:29:44.560> mode<01:29:44.880> is<01:29:44.960> not<01:29:45.120> by<01:29:45.360> how<01:29:45.520> it

thing so again the mode is not by how it

thing so again the mode is not by how it
sounds<01:29:45.920> harmonically<01:29:46.560> but<01:29:46.800> how

sounds harmonically but how

sounds harmonically but how
uh<01:29:47.920> the<01:29:48.159> notes<01:29:48.400> are<01:29:48.480> viewed<01:29:48.800> on<01:29:48.880> the<01:29:49.040> neck

uh the notes are viewed on the neck

uh the notes are viewed on the neck
so<01:29:50.000> this<01:29:50.239> is<01:29:50.320> how<01:29:50.560> i<01:29:50.719> think<01:29:50.960> allen<01:29:51.360> thinks<01:29:51.760> of

so this is how i think allen thinks of

so this is how i think allen thinks of
the<01:29:52.800> major<01:29:53.040> scale<01:29:53.280> that<01:29:53.440> ionian<01:29:54.000> position<01:29:54.800> and

the major scale that ionian position and

the major scale that ionian position and
interestingly<01:29:56.080> enough<01:29:56.400> i<01:29:56.480> was<01:29:56.719> already

interestingly enough i was already

interestingly enough i was already
familiar<01:29:57.520> with<01:29:57.679> this<01:29:58.080> position

familiar with this position

familiar with this position
because<01:29:59.679> i<01:29:59.920> actually<01:30:00.320> saw<01:30:00.480> it<01:30:00.639> about<01:30:01.280> over<01:30:01.520> 10

because i actually saw it about over 10

because i actually saw it about over 10
years<01:30:02.000> ago

years ago

years ago
in<01:30:02.960> charlene's<01:30:03.440> instructional<01:30:03.920> video<01:30:04.639> so<01:30:04.800> a

in charlene's instructional video so a

in charlene's instructional video so a
good<01:30:05.040> exercise<01:30:05.520> for<01:30:05.679> that<01:30:06.080> is<01:30:06.239> this

good exercise for that is this

good exercise for that is this
[Music]

and now if we look what makes the scale

and now if we look what makes the scale
interesting<01:30:21.440> is<01:30:21.520> that<01:30:21.760> we<01:30:22.000> have<01:30:22.480> two<01:30:22.639> of<01:30:22.800> the

interesting is that we have two of the

interesting is that we have two of the
same<01:30:23.280> notes<01:30:24.000> we<01:30:24.159> have

so i'm playing this g but now instead of

so i'm playing this g but now instead of
moving<01:30:28.880> up<01:30:29.040> to<01:30:29.199> a<01:30:29.360> i'm<01:30:29.520> playing<01:30:29.760> another<01:30:30.159> g

moving up to a i'm playing another g

moving up to a i'm playing another g
and<01:30:32.320> what<01:30:32.560> was<01:30:32.800> interesting<01:30:33.199> to<01:30:33.280> me<01:30:33.360> is<01:30:33.520> i

and what was interesting to me is i

and what was interesting to me is i
never<01:30:33.840> thought<01:30:34.000> of<01:30:34.080> playing<01:30:34.320> the<01:30:34.400> scale<01:30:34.639> like

never thought of playing the scale like

never thought of playing the scale like
that<01:30:34.880> and<01:30:35.040> of<01:30:35.120> course<01:30:35.440> who<01:30:35.600> says<01:30:35.840> you<01:30:36.000> can't<01:30:36.639> so

that and of course who says you can't so

that and of course who says you can't so
a<01:30:37.280> lot<01:30:37.440> of<01:30:37.600> these<01:30:37.840> different<01:30:38.159> scales<01:30:38.480> and

a lot of these different scales and

a lot of these different scales and
positions<01:30:39.199> i'm<01:30:39.280> going<01:30:39.360> to<01:30:39.440> show<01:30:39.600> you<01:30:39.920> often

positions i'm going to show you often

positions i'm going to show you often
have<01:30:40.480> some<01:30:40.719> sort<01:30:40.880> of<01:30:41.040> unison<01:30:41.520> note<01:30:41.920> and<01:30:42.080> again

have some sort of unison note and again

have some sort of unison note and again
we<01:30:42.480> can<01:30:42.639> look<01:30:42.800> at<01:30:42.880> the<01:30:43.040> symmetry<01:30:43.600> between

we can look at the symmetry between

we can look at the symmetry between
uh<01:30:44.960> two<01:30:45.120> whole<01:30:45.360> steps

uh two whole steps

uh two whole steps
a<01:30:47.520> half<01:30:47.760> in<01:30:47.840> a<01:30:47.920> whole<01:30:48.159> step

a half in a whole step

a half in a whole step
and<01:30:49.199> then<01:30:49.360> the<01:30:49.520> same<01:30:49.679> thing

and then the same thing

and then the same thing
so<01:30:51.440> with<01:30:51.600> this<01:30:51.840> you<01:30:51.920> can<01:30:52.080> come<01:30:52.239> up<01:30:52.320> with<01:30:52.400> a<01:30:52.480> lot

so with this you can come up with a lot

so with this you can come up with a lot
of<01:30:52.800> really<01:30:53.120> interesting<01:30:53.600> phrasing<01:30:54.000> because

of really interesting phrasing because

of really interesting phrasing because
of<01:30:54.400> that<01:30:54.639> doubled<01:30:55.120> g<01:30:55.360> note

me

me
[Music]

so like i was saying before now that we

so like i was saying before now that we
know<01:32:19.120> that<01:32:19.360> scale<01:32:19.840> shape<01:32:20.159> and<01:32:20.320> allen<01:32:20.639> plays

know that scale shape and allen plays

know that scale shape and allen plays
those<01:32:21.280> outside<01:32:21.840> notes<01:32:22.400> uh<01:32:22.719> these<01:32:23.040> are<01:32:23.120> those

those outside notes uh these are those

those outside notes uh these are those
outside<01:32:23.920> notes<01:32:24.159> that<01:32:24.400> have<01:32:24.719> more<01:32:24.960> of<01:32:25.120> this

outside notes that have more of this

outside notes that have more of this
ionian<01:32:26.080> position<01:32:26.560> because<01:32:26.800> they'll<01:32:27.040> either

ionian position because they'll either

ionian position because they'll either
they'll<01:32:27.920> probably<01:32:28.239> include<01:32:28.560> this<01:32:28.800> f<01:32:29.040> in<01:32:29.120> there

they'll probably include this f in there

they'll probably include this f in there
something<01:32:31.600> like<01:32:31.760> that<01:32:31.920> or<01:32:32.080> even<01:32:32.239> maybe<01:32:32.480> moving

something like that or even maybe moving

something like that or even maybe moving
up

up

up
[Music]

and finally these are the examples that

and finally these are the examples that
i<01:32:57.600> found<01:32:57.840> that<01:32:58.000> contain<01:32:58.800> what<01:32:58.960> i<01:32:59.040> call<01:32:59.280> the

i found that contain what i call the

i found that contain what i call the
lick<01:32:59.840> but<01:33:00.000> now<01:33:00.159> these<01:33:00.400> are<01:33:00.639> explicitly<01:33:01.600> ionian

lick but now these are explicitly ionian

lick but now these are explicitly ionian
because<01:33:02.639> they<01:33:02.800> contain<01:33:03.600> that<01:33:03.920> f<01:33:04.159> in<01:33:04.239> there<01:33:04.400> so

because they contain that f in there so

because they contain that f in there so
it<01:33:04.639> might<01:33:04.800> be<01:33:04.880> something

it might be something

it might be something
moving<01:33:07.280> up<01:33:07.360> like<01:33:07.520> that<01:33:07.679> or<01:33:07.760> maybe<01:33:08.000> like<01:33:08.239> um

[Music]

[Music]
[Applause]

[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

so now we're on to the second position

so now we're on to the second position
of<01:34:22.639> the<01:34:22.719> c<01:34:22.880> major<01:34:23.199> scale<01:34:23.520> which<01:34:23.840> is<01:34:24.080> d<01:34:24.400> dorian

of the c major scale which is d dorian

of the c major scale which is d dorian
uh<01:34:25.440> and<01:34:25.520> that's<01:34:25.760> where<01:34:25.840> i<01:34:25.920> said<01:34:26.080> his<01:34:26.239> symbol

uh and that's where i said his symbol

uh and that's where i said his symbol
for<01:34:26.719> this<01:34:27.120> is<01:34:27.360> x<01:34:27.600> so<01:34:27.760> when<01:34:27.920> he<01:34:28.480> writes<01:34:28.800> x<01:34:28.960> he's

for this is x so when he writes x he's

for this is x so when he writes x he's
thinking<01:34:29.440> of<01:34:29.520> d<01:34:29.760> dorian<01:34:30.080> or<01:34:30.239> these<01:34:30.480> collection

thinking of d dorian or these collection

thinking of d dorian or these collection
of<01:34:31.360> uh<01:34:31.679> intervals<01:34:32.639> um

of uh intervals um

of uh intervals um
i<01:34:33.760> think<01:34:34.080> alan<01:34:34.560> sees<01:34:34.960> this<01:34:35.280> scale<01:34:35.679> in<01:34:35.920> two

i think alan sees this scale in two

i think alan sees this scale in two
different<01:34:36.560> ways<01:34:37.440> uh<01:34:37.679> and<01:34:37.840> one<01:34:38.000> of<01:34:38.080> them<01:34:38.320> is

different ways uh and one of them is

different ways uh and one of them is
because<01:34:38.800> you<01:34:38.960> have<01:34:39.199> this<01:34:39.840> part<01:34:40.080> of<01:34:40.159> the<01:34:40.239> scale

because you have this part of the scale

because you have this part of the scale
up<01:34:40.719> here

and then once you do that now you're in

and then once you do that now you're in
that<01:34:45.119> ionian<01:34:45.679> position<01:34:46.159> so<01:34:46.320> i<01:34:46.560> think<01:34:47.040> you<01:34:47.199> can

that ionian position so i think you can

that ionian position so i think you can
think<01:34:47.520> of<01:34:47.600> the<01:34:47.760> scale<01:34:48.000> like<01:34:48.239> this

think of the scale like this

think of the scale like this
[Music]

[Music]

[Music]
or<01:34:52.080> the<01:34:52.239> other<01:34:52.400> position<01:34:52.800> that<01:34:52.960> i<01:34:53.040> think<01:34:53.199> alan

or the other position that i think alan

or the other position that i think alan
plays<01:34:54.080> is<01:34:54.320> more<01:34:54.560> like<01:34:54.800> this

plays is more like this

plays is more like this
[Music]

notice again the two a's that i'm

notice again the two a's that i'm
playing<01:35:02.480> here

playing here

playing here
and<01:35:04.239> um

and um

and um
like<01:35:05.440> i<01:35:05.520> said<01:35:05.840> what's<01:35:06.080> really<01:35:06.320> important<01:35:06.639> is

like i said what's really important is

like i said what's really important is
knowing<01:35:07.119> how<01:35:07.520> these<01:35:07.840> two<01:35:08.080> different

knowing how these two different

knowing how these two different
positions<01:35:09.360> uh<01:35:09.679> interact<01:35:10.080> with<01:35:10.159> each<01:35:10.400> other<01:35:10.560> so

positions uh interact with each other so

positions uh interact with each other so
you<01:35:10.800> can<01:35:11.040> move<01:35:11.360> smoothly<01:35:11.840> between<01:35:12.239> each<01:35:12.480> one

you can move smoothly between each one

you can move smoothly between each one
of<01:35:12.719> them

of them

of them
[Music]

[Music]

[Music]
[Applause]

uh

uh
[Music]

[Music]

[Music]
so

[Music]

[Music]
[Applause]

so when you think of the dorian scale or

so when you think of the dorian scale or
dorian<01:37:26.239> shape<01:37:26.480> in<01:37:26.639> this<01:37:26.880> matter<01:37:27.360> you've<01:37:27.520> got

dorian shape in this matter you've got

dorian shape in this matter you've got
this<01:37:27.840> little<01:37:28.159> two<01:37:28.400> whole<01:37:28.639> step<01:37:29.040> string<01:37:29.360> thing

this little two whole step string thing

this little two whole step string thing
[Music]

[Music]

[Music]
and<01:37:32.080> of<01:37:32.239> course<01:37:32.639> it's<01:37:32.800> very<01:37:33.119> boxy<01:37:34.080> and<01:37:34.639> alan

and of course it's very boxy and alan

and of course it's very boxy and alan
utilizes<01:37:35.679> this<01:37:35.920> sort<01:37:36.080> of<01:37:36.239> symmetry<01:37:36.639> to<01:37:36.800> its

utilizes this sort of symmetry to its

utilizes this sort of symmetry to its
fullest

once again talking about symmetry if we

once again talking about symmetry if we
extend<01:38:18.080> this<01:38:18.320> a<01:38:18.400> little<01:38:18.560> bit<01:38:18.800> further<01:38:19.679> uh<01:38:20.080> we

extend this a little bit further uh we

extend this a little bit further uh we
can<01:38:20.400> get<01:38:20.639> this<01:38:20.960> really<01:38:21.199> cool<01:38:21.520> idea<01:38:21.920> where<01:38:22.159> now

can get this really cool idea where now

can get this really cool idea where now
we're<01:38:22.560> playing<01:38:22.960> a<01:38:23.280> major<01:38:23.840> triad<01:38:24.480> on<01:38:24.639> three

we're playing a major triad on three

we're playing a major triad on three
different<01:38:25.119> strings<01:38:25.360> so<01:38:25.520> i'm<01:38:25.679> playing

different strings so i'm playing

different strings so i'm playing
10<01:38:27.199> 12<01:38:27.520> up<01:38:27.679> sorry<01:38:28.000> 10<01:38:28.239> 14

10 12 up sorry 10 14

10 12 up sorry 10 14
but<01:38:29.280> then<01:38:29.440> if<01:38:29.520> i<01:38:29.600> use<01:38:29.760> my<01:38:29.920> pinky<01:38:30.239> to<01:38:30.320> play<01:38:30.480> the

but then if i use my pinky to play the

but then if i use my pinky to play the
17th<01:38:31.119> fret

17th fret

17th fret
i<01:38:32.320> have<01:38:32.560> a<01:38:32.639> g<01:38:32.880> major<01:38:33.360> arpeggio<01:38:33.920> and<01:38:34.080> i<01:38:34.159> have<01:38:34.239> g

i have a g major arpeggio and i have g

i have a g major arpeggio and i have g
major

major

major
c<01:38:35.760> major

c major

c major
and<01:38:36.880> f<01:38:37.119> major

and f major

and f major
now<01:38:38.880> i've<01:38:39.040> only<01:38:39.280> seen<01:38:39.520> alan<01:38:39.840> do<01:38:40.000> this<01:38:40.159> once<01:38:40.480> but

now i've only seen alan do this once but

now i've only seen alan do this once but
this<01:38:41.040> is<01:38:41.199> exactly<01:38:41.520> one<01:38:41.679> of<01:38:41.760> the<01:38:41.840> things<01:38:42.080> i'm

this is exactly one of the things i'm

this is exactly one of the things i'm
talking<01:38:42.480> about<01:38:42.719> all<01:38:42.800> these<01:38:42.960> little<01:38:43.199> like<01:38:43.440> uh

talking about all these little like uh

talking about all these little like uh
visual<01:38:44.400> patterns<01:38:44.800> that<01:38:44.960> you<01:38:45.040> can<01:38:45.119> kind<01:38:45.360> of<01:38:45.440> see

visual patterns that you can kind of see

visual patterns that you can kind of see
that<01:38:45.760> you<01:38:45.920> can<01:38:46.080> implement<01:38:46.480> in<01:38:46.560> your<01:38:46.719> own

that you can implement in your own

that you can implement in your own
improvisation

improvisation

improvisation
[Music]

[Music]

[Music]
so<01:38:50.239> this<01:38:50.480> pattern<01:38:50.800> within<01:38:51.119> the<01:38:51.280> dorian<01:38:51.760> shape

so this pattern within the dorian shape

so this pattern within the dorian shape
is<01:38:52.480> something<01:38:52.800> that<01:38:52.960> allen<01:38:53.280> uses<01:38:53.760> very

is something that allen uses very

is something that allen uses very
commonly<01:38:54.960> on

commonly on

commonly on
on<01:38:56.639> his<01:38:56.800> recorded<01:38:57.280> solos<01:38:58.000> not<01:38:58.239> so<01:38:58.400> much<01:38:58.800> live

on his recorded solos not so much live

on his recorded solos not so much live
but<01:38:59.840> definitely<01:39:00.239> on<01:39:00.400> the<01:39:00.560> record<01:39:00.880> and<01:39:00.960> what's

but definitely on the record and what's

but definitely on the record and what's
interesting<01:39:01.600> is<01:39:01.760> that<01:39:02.080> when<01:39:02.239> we<01:39:02.320> were<01:39:02.480> talking

interesting is that when we were talking

interesting is that when we were talking
about<01:39:02.960> those<01:39:03.280> kind<01:39:03.440> of<01:39:03.920> pillars<01:39:04.320> of<01:39:04.400> notes<01:39:04.719> in

about those kind of pillars of notes in

about those kind of pillars of notes in
our<01:39:04.960> c<01:39:05.119> major<01:39:05.520> scale<01:39:06.239> uh<01:39:06.480> alan<01:39:06.719> will<01:39:06.880> sometimes

our c major scale uh alan will sometimes

our c major scale uh alan will sometimes
play<01:39:07.440> the<01:39:07.600> 10th<01:39:07.920> 12th<01:39:08.239> and<01:39:08.639> 17th<01:39:09.280> fret<01:39:09.760> and<01:39:09.920> a

play the 10th 12th and 17th fret and a

play the 10th 12th and 17th fret and a
lot<01:39:10.239> and<01:39:10.480> almost<01:39:11.280> always<01:39:11.760> employing<01:39:12.080> some

lot and almost always employing some

lot and almost always employing some
sort<01:39:12.400> of<01:39:12.560> string<01:39:12.800> skipping<01:39:13.199> so<01:39:13.360> he<01:39:13.520> might<01:39:13.679> do

sort of string skipping so he might do

sort of string skipping so he might do
this<01:39:14.000> string<01:39:14.320> skipping<01:39:14.719> from<01:39:14.880> the<01:39:15.360> a<01:39:15.679> to<01:39:15.840> the<01:39:16.000> g

this string skipping from the a to the g

this string skipping from the a to the g
to<01:39:16.400> the<01:39:16.480> e<01:39:16.719> string

or maybe the d

or maybe the d
uh<01:39:20.800> the<01:39:20.960> e<01:39:21.280> d<01:39:21.600> and<01:39:21.760> e<01:39:22.000> string

or even inside of that you can employ

or even inside of that you can employ
this<01:39:27.119> shape<01:39:27.360> and

this shape and

this shape and
produce<01:39:28.480> other<01:39:28.800> finger<01:39:29.119> patterns<01:39:29.840> and<01:39:30.080> if<01:39:30.159> you

produce other finger patterns and if you

produce other finger patterns and if you
want<01:39:30.400> to<01:39:30.480> think<01:39:30.560> of<01:39:30.639> it<01:39:30.800> a<01:39:30.880> different<01:39:31.119> way<01:39:31.280> you

want to think of it a different way you

want to think of it a different way you
can<01:39:31.600> see<01:39:31.760> them<01:39:32.000> as<01:39:32.239> a<01:39:32.480> sus2<01:39:33.040> arpeggio<01:39:33.920> and

can see them as a sus2 arpeggio and

can see them as a sus2 arpeggio and
because<01:39:34.480> we're<01:39:34.880> playing<01:39:35.119> them<01:39:35.280> on<01:39:35.440> five

because we're playing them on five

because we're playing them on five
different<01:39:36.080> strings<01:39:36.400> you<01:39:36.560> can<01:39:36.719> think<01:39:36.960> of<01:39:37.360> this

different strings you can think of this

different strings you can think of this
as<01:39:38.239> five<01:39:38.639> different<01:39:39.360> sus2<01:39:40.000> arpeggios<01:39:40.880> and<01:39:41.040> of

as five different sus2 arpeggios and of

as five different sus2 arpeggios and of
course<01:39:41.360> you<01:39:41.520> can<01:39:41.679> notice<01:39:42.080> that<01:39:42.639> the<01:39:42.800> last<01:39:43.119> note

course you can notice that the last note

course you can notice that the last note
that<01:39:43.440> i'm<01:39:43.520> playing<01:39:43.760> on<01:39:43.840> the<01:39:43.920> string<01:39:44.239> is<01:39:44.320> higher

that i'm playing on the string is higher

that i'm playing on the string is higher
pitched<01:39:44.880> than<01:39:44.960> the<01:39:45.040> one<01:39:45.280> below<01:39:45.600> it

pitched than the one below it

pitched than the one below it
[Music]

[Music]

[Music]
like<01:39:48.159> that<01:39:48.800> uh<01:39:49.119> and<01:39:49.280> of<01:39:49.360> course<01:39:49.600> a<01:39:49.679> sus2<01:39:50.239> chord

like that uh and of course a sus2 chord

like that uh and of course a sus2 chord
can<01:39:50.639> belong<01:39:50.960> to<01:39:51.119> five<01:39:51.440> different<01:39:51.760> places<01:39:52.560> uh

can belong to five different places uh

can belong to five different places uh
it<01:39:52.960> could<01:39:53.119> be<01:39:53.280> your<01:39:53.440> one<01:39:53.920> your<01:39:54.159> two<01:39:54.480> your<01:39:54.719> four

it could be your one your two your four

it could be your one your two your four
five<01:39:55.360> or<01:39:55.600> six<01:39:56.239> position<01:39:56.880> uh<01:39:57.360> in<01:39:57.440> the<01:39:57.600> scale<01:39:58.000> but

five or six position uh in the scale but

five or six position uh in the scale but
i<01:39:58.320> don't<01:39:58.400> think<01:39:58.560> allen's<01:39:59.040> thinking<01:39:59.280> of<01:39:59.360> it

i don't think allen's thinking of it

i don't think allen's thinking of it
like<01:39:59.679> that<01:40:00.000> he<01:40:00.159> just<01:40:00.400> sees<01:40:00.800> all<01:40:00.960> these<01:40:01.199> notes

like that he just sees all these notes

like that he just sees all these notes
in<01:40:02.239> a<01:40:02.320> row<01:40:02.560> like<01:40:02.800> that<01:40:03.199> and<01:40:03.280> then<01:40:03.520> you<01:40:03.679> can

in a row like that and then you can

in a row like that and then you can
explore<01:40:04.239> that<01:40:04.400> position<01:40:04.880> and<01:40:04.960> come<01:40:05.119> up<01:40:05.199> with

explore that position and come up with

explore that position and come up with
really<01:40:06.159> uh<01:40:06.560> cool<01:40:07.040> intervallic<01:40:08.080> wide

really uh cool intervallic wide

really uh cool intervallic wide
intervalic<01:40:08.880> phrasing

[Music]

[Music]
so

so

so
[Music]

here's another idea that's very common

here's another idea that's very common
and<01:41:45.040> not<01:41:45.199> just<01:41:45.440> this<01:41:45.679> position

and not just this position

and not just this position
but<01:41:46.960> in<01:41:47.119> other<01:41:47.280> ones<01:41:47.520> mostly<01:41:47.840> in<01:41:47.920> the<01:41:48.080> mixed

but in other ones mostly in the mixed

but in other ones mostly in the mixed
listing<01:41:48.719> position<01:41:49.040> when<01:41:49.119> we<01:41:49.280> get<01:41:49.520> there<01:41:50.000> is<01:41:50.320> uh

listing position when we get there is uh

listing position when we get there is uh
when<01:41:50.960> alan<01:41:51.280> is<01:41:51.600> string<01:41:52.000> skipping<01:41:52.639> uh<01:41:52.960> when

when alan is string skipping uh when

when alan is string skipping uh when
he's<01:41:53.280> going<01:41:53.440> from<01:41:53.600> the<01:41:53.679> low<01:41:53.840> strings<01:41:54.159> to<01:41:54.239> the

he's going from the low strings to the

he's going from the low strings to the
high<01:41:54.560> strings<01:41:54.960> what<01:41:55.119> he'll<01:41:55.280> do<01:41:55.520> is<01:41:55.600> his<01:41:55.840> pinky

high strings what he'll do is his pinky

high strings what he'll do is his pinky
for<01:41:56.639> every<01:41:56.960> string<01:41:57.679> will<01:41:58.080> uh

for every string will uh

for every string will uh
move<01:41:59.280> over<01:41:59.600> a<01:41:59.679> fret

move over a fret

move over a fret
so<01:42:01.119> in<01:42:01.199> this<01:42:01.360> instance<01:42:01.679> i<01:42:01.760> could<01:42:01.920> play

so in this instance i could play

so in this instance i could play
something<01:42:02.400> like<01:42:02.639> 10<01:42:02.880> 12<01:42:03.199> 15

something like 10 12 15

something like 10 12 15
and<01:42:04.320> then<01:42:04.560> go<01:42:04.719> to<01:42:05.119> 10<01:42:05.520> 12

and then go to 10 12

and then go to 10 12
16<01:42:06.960> on<01:42:07.199> the<01:42:07.520> uh<01:42:07.840> g<01:42:08.080> string

16 on the uh g string

16 on the uh g string
and<01:42:09.119> then<01:42:09.280> when<01:42:09.440> i<01:42:09.520> get<01:42:09.679> to<01:42:09.840> the<01:42:10.000> high<01:42:10.159> e<01:42:10.320> string

and then when i get to the high e string

and then when i get to the high e string
i<01:42:10.639> go<01:42:10.800> to<01:42:10.880> the<01:42:10.960> 17th<01:42:11.440> fret

i go to the 17th fret

i go to the 17th fret
so<01:42:12.400> my<01:42:12.560> pinky<01:42:12.880> is<01:42:12.960> going<01:42:13.520> uh

so my pinky is going uh

so my pinky is going uh
15<01:42:14.560> to<01:42:14.719> 16<01:42:15.199> to<01:42:15.520> 17<01:42:16.000> on<01:42:16.159> each<01:42:16.320> string<01:42:16.639> while<01:42:16.800> my

15 to 16 to 17 on each string while my

15 to 16 to 17 on each string while my
first<01:42:17.199> two<01:42:17.440> fingers<01:42:18.000> are<01:42:18.320> uh<01:42:18.639> in<01:42:18.719> the<01:42:18.880> same<01:42:19.440> uh

first two fingers are uh in the same uh

first two fingers are uh in the same uh
frets<01:42:20.480> like<01:42:20.639> i<01:42:20.719> said<01:42:20.880> that's<01:42:21.040> very<01:42:21.360> common

frets like i said that's very common

frets like i said that's very common
where<01:42:22.000> that<01:42:22.159> pink<01:42:22.400> will<01:42:22.560> just<01:42:22.719> move<01:42:23.040> up<01:42:23.520> a<01:42:23.679> half

where that pink will just move up a half

where that pink will just move up a half
step<01:42:24.480> or<01:42:24.639> sometimes<01:42:25.280> you<01:42:25.360> might<01:42:25.520> be<01:42:25.679> playing

step or sometimes you might be playing

step or sometimes you might be playing
the<01:42:26.000> same<01:42:26.159> thing<01:42:26.320> another<01:42:26.719> last<01:42:26.960> string<01:42:27.199> the

the same thing another last string the

the same thing another last string the
pinky<01:42:27.760> uh<01:42:28.159> moves<01:42:28.480> up<01:42:28.719> a<01:42:28.880> whole<01:42:29.119> step<01:42:29.360> or<01:42:29.520> a<01:42:29.600> half

pinky uh moves up a whole step or a half

pinky uh moves up a whole step or a half
step<01:42:30.480> again<01:42:30.800> there<01:42:30.960> are<01:42:31.119> a<01:42:31.199> lot<01:42:31.440> more<01:42:31.760> examples

step again there are a lot more examples

step again there are a lot more examples
of<01:42:32.320> this<01:42:32.560> but<01:42:32.880> it's<01:42:33.119> usually<01:42:33.520> buried<01:42:33.840> within<01:42:34.239> a

of this but it's usually buried within a

of this but it's usually buried within a
much<01:42:34.560> larger<01:42:34.960> phrase<01:42:35.360> so<01:42:35.840> this<01:42:36.080> is<01:42:36.400> the<01:42:36.560> only

much larger phrase so this is the only

much larger phrase so this is the only
ones<01:42:37.040> that<01:42:37.119> i<01:42:37.199> found<01:42:37.360> that<01:42:37.520> i<01:42:37.600> thought<01:42:37.760> were

ones that i found that i thought were

ones that i found that i thought were
good<01:42:38.239> for<01:42:38.560> this<01:42:38.800> video

so now we're at the third position of

so now we're at the third position of
the<01:42:55.920> c<01:42:56.080> major<01:42:56.400> scale<01:42:56.800> which<01:42:57.040> is<01:42:57.199> e<01:42:57.440> phrygian

the c major scale which is e phrygian

the c major scale which is e phrygian
but<01:42:58.639> again<01:42:58.960> i<01:42:59.040> said<01:42:59.280> it<01:42:59.440> might<01:42:59.600> be<01:42:59.760> easier<01:43:00.080> to

but again i said it might be easier to

but again i said it might be easier to
think<01:43:00.480> of<01:43:00.639> it<01:43:00.800> as<01:43:01.440> c<01:43:01.760> major<01:43:02.639> because<01:43:03.280> there's<01:43:03.520> a

think of it as c major because there's a

think of it as c major because there's a
very<01:43:04.320> easy<01:43:04.639> to<01:43:04.800> find<01:43:05.119> c<01:43:05.280> major<01:43:05.679> arpeggio<01:43:06.239> in

very easy to find c major arpeggio in

very easy to find c major arpeggio in
here

so of course i think the scale shape

so of course i think the scale shape
that<01:43:10.960> allen<01:43:11.199> uses<01:43:11.520> is<01:43:11.760> the<01:43:11.920> common<01:43:12.239> one

but if you think of it as c major it

but if you think of it as c major it
might<01:43:17.920> be<01:43:18.080> easier<01:43:18.400> because<01:43:18.560> i<01:43:18.639> get<01:43:18.880> it

might be easier because i get it

might be easier because i get it
you<01:43:20.159> have<01:43:20.239> that<01:43:20.400> c<01:43:20.639> major<01:43:20.960> arpeggio<01:43:21.440> there

you have that c major arpeggio there

you have that c major arpeggio there
plus<01:43:21.920> you<01:43:22.080> can<01:43:22.239> see<01:43:22.560> the<01:43:22.719> f<01:43:23.360> right<01:43:23.600> underneath

plus you can see the f right underneath

plus you can see the f right underneath
that<01:43:24.320> c

[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

now the one interesting symmetrical

now the one interesting symmetrical
shape<01:43:51.440> and<01:43:51.600> idea<01:43:51.920> that<01:43:52.080> you<01:43:52.159> can<01:43:52.320> see<01:43:52.400> in<01:43:52.480> this

shape and idea that you can see in this

shape and idea that you can see in this
position<01:43:53.360> is<01:43:53.520> that<01:43:53.679> you<01:43:53.760> have<01:43:53.920> these<01:43:54.159> two

position is that you have these two

position is that you have these two
minor<01:43:54.719> third<01:43:54.960> intervals<01:43:55.440> on<01:43:55.600> the<01:43:55.760> a<01:43:56.239> and<01:43:56.400> d

minor third intervals on the a and d

minor third intervals on the a and d
string

string

string
and<01:43:58.560> then<01:43:58.719> you<01:43:58.880> also<01:43:59.040> have<01:43:59.199> it<01:43:59.360> on<01:43:59.520> the<01:44:00.080> b

and then you also have it on the b

and then you also have it on the b
string<01:44:00.480> and<01:44:00.639> e<01:44:00.719> string

string and e string

string and e string
and<01:44:02.320> you<01:44:02.480> can<01:44:02.639> think<01:44:02.800> of<01:44:02.880> this<01:44:03.199> as<01:44:03.760> like<01:44:04.159> a<01:44:04.719> d

and you can think of this as like a d

and you can think of this as like a d
minor<01:44:05.360> seven<01:44:05.679> arpeggio<01:44:06.080> because<01:44:06.239> we<01:44:06.320> have<01:44:06.560> d<01:44:07.199> f

minor seven arpeggio because we have d f

minor seven arpeggio because we have d f
a<01:44:08.239> and<01:44:08.400> c<01:44:08.880> and<01:44:09.040> then<01:44:09.199> here<01:44:09.360> in<01:44:09.520> e<01:44:09.760> minor<01:44:10.080> seven

a and c and then here in e minor seven

a and c and then here in e minor seven
arpeggio<01:44:11.360> e<01:44:11.679> g

arpeggio e g

arpeggio e g
b

b

b
d<01:44:13.520> but<01:44:13.760> i<01:44:13.840> don't<01:44:14.000> think<01:44:14.159> alan's<01:44:14.639> thinking<01:44:14.880> of

d but i don't think alan's thinking of

d but i don't think alan's thinking of
it<01:44:15.119> that<01:44:15.280> way<01:44:15.520> it's<01:44:15.760> just<01:44:16.560> uh<01:44:16.960> that<01:44:17.199> symmetry

it that way it's just uh that symmetry

it that way it's just uh that symmetry
in<01:44:18.159> that<01:44:18.400> position

you can also see this phrase descending

you can also see this phrase descending
as<01:45:02.960> well<01:45:03.600> uh<01:45:03.840> now<01:45:04.159> also<01:45:04.400> what<01:45:04.560> we<01:45:04.719> can<01:45:04.800> do<01:45:04.880> is<01:45:05.040> we

as well uh now also what we can do is we

as well uh now also what we can do is we
can<01:45:05.280> modify<01:45:05.760> the<01:45:05.920> shape<01:45:06.159> a<01:45:06.239> little<01:45:06.480> bit<01:45:06.880> and

can modify the shape a little bit and

can modify the shape a little bit and
just<01:45:07.440> do<01:45:07.679> this<01:45:07.920> where<01:45:08.080> we're<01:45:08.400> barring<01:45:08.960> on<01:45:09.280> our

just do this where we're barring on our

just do this where we're barring on our
first<01:45:09.920> finger<01:45:10.560> on<01:45:10.719> the<01:45:10.800> 12th<01:45:11.119> fret

first finger on the 12th fret

first finger on the 12th fret
and<01:45:12.560> then<01:45:12.719> do<01:45:12.880> the<01:45:13.040> same<01:45:13.360> thing<01:45:14.000> on<01:45:14.159> the<01:45:14.239> next

and then do the same thing on the next

and then do the same thing on the next
group<01:45:14.719> of<01:45:14.840> strings<01:45:16.080> so<01:45:16.239> we<01:45:16.320> have<01:45:16.480> like<01:45:16.719> a<01:45:16.800> d

group of strings so we have like a d

group of strings so we have like a d
minor<01:45:17.440> arpeggio<01:45:18.000> because<01:45:18.159> we<01:45:18.320> have<01:45:18.560> a<01:45:18.719> dfa<01:45:19.600> and

minor arpeggio because we have a dfa and

minor arpeggio because we have a dfa and
an<01:45:19.920> e<01:45:20.080> minor<01:45:20.480> arpeggio<01:45:21.040> egb

this is also very common and also can be

this is also very common and also can be
done<01:45:26.480> descending<01:45:26.960> as<01:45:27.040> well

done descending as well

done descending as well
but<01:45:28.960> a<01:45:29.040> little<01:45:29.199> bit<01:45:29.760> harder<01:45:30.000> to<01:45:30.159> play

[Music]

[Music]
my

i do want to point out that this type of

i do want to point out that this type of
string<01:46:40.960> skipping<01:46:41.679> or<01:46:41.840> doing<01:46:42.080> this<01:46:42.320> arpeggio

string skipping or doing this arpeggio

string skipping or doing this arpeggio
shape<01:46:43.280> on<01:46:43.360> the<01:46:43.520> d<01:46:43.760> and<01:46:43.840> e<01:46:44.000> string

shape on the d and e string

shape on the d and e string
is<01:46:45.840> something<01:46:46.159> that<01:46:46.400> alan<01:46:46.960> would<01:46:47.199> do<01:46:47.520> in<01:46:47.760> other

is something that alan would do in other

is something that alan would do in other
positions<01:46:48.960> again<01:46:49.280> what<01:46:49.440> makes<01:46:49.679> this

positions again what makes this

positions again what makes this
challenging<01:46:50.400> is<01:46:50.560> the<01:46:50.719> difficulty<01:46:51.280> of<01:46:51.440> placing

challenging is the difficulty of placing

challenging is the difficulty of placing
where<01:46:52.560> some<01:46:52.719> of<01:46:52.880> these<01:46:53.520> uh<01:46:53.760> different

where some of these uh different

where some of these uh different
arpeggios<01:46:54.560> could<01:46:54.639> be<01:46:54.800> played<01:46:55.520> so<01:46:56.000> uh<01:46:56.639> this

arpeggios could be played so uh this

arpeggios could be played so uh this
type<01:46:57.119> of<01:46:57.280> arpeggio<01:46:57.840> the<01:46:58.000> minor<01:46:58.320> arpeggio<01:46:59.040> can

type of arpeggio the minor arpeggio can

type of arpeggio the minor arpeggio can
only<01:46:59.440> be<01:46:59.600> played<01:47:00.000> in<01:47:00.080> the<01:47:00.239> phrygian<01:47:00.639> position

only be played in the phrygian position

only be played in the phrygian position
uh<01:47:01.760> and<01:47:01.840> then<01:47:02.000> the<01:47:02.159> major<01:47:02.480> one<01:47:02.719> is<01:47:02.880> in<01:47:03.040> another

uh and then the major one is in another

uh and then the major one is in another
position<01:47:04.080> but<01:47:04.320> another<01:47:04.800> one<01:47:04.960> that<01:47:05.119> allen<01:47:05.520> does

position but another one that allen does

position but another one that allen does
use<01:47:06.080> frequently<01:47:06.639> is<01:47:06.800> a<01:47:06.960> sus<01:47:07.440> 4<01:47:07.840> position<01:47:08.560> once

use frequently is a sus 4 position once

use frequently is a sus 4 position once
again<01:47:09.040> it's<01:47:09.119> the<01:47:09.280> same<01:47:09.520> idea<01:47:09.920> but<01:47:10.080> now<01:47:10.239> if<01:47:10.400> i

again it's the same idea but now if i

again it's the same idea but now if i
was<01:47:10.719> here<01:47:10.960> i'm<01:47:11.119> playing<01:47:11.440> between<01:47:11.760> the<01:47:11.920> 12th

was here i'm playing between the 12th

was here i'm playing between the 12th
and<01:47:12.400> 17th<01:47:12.960> fret

like that and once again it's

like that and once again it's
challenging<01:47:18.960> because<01:47:19.360> that<01:47:20.000> concept<01:47:20.560> can

challenging because that concept can

challenging because that concept can
belong<01:47:21.199> to<01:47:21.440> different<01:47:21.840> positions<01:47:22.639> so<01:47:22.960> using

belong to different positions so using

belong to different positions so using
those<01:47:23.520> sus<01:47:23.920> 4<01:47:24.239> triads<01:47:24.880> on<01:47:24.960> the<01:47:25.119> d<01:47:25.440> and<01:47:25.600> e<01:47:25.840> string

those sus 4 triads on the d and e string

those sus 4 triads on the d and e string
could<01:47:26.639> basically<01:47:27.040> belong<01:47:27.440> to<01:47:28.000> any<01:47:28.159> of<01:47:28.239> the

could basically belong to any of the

could basically belong to any of the
three<01:47:29.119> minor

three minor

three minor
tonality<01:47:30.560> positions<01:47:31.119> dorian<01:47:31.679> phrygian<01:47:32.159> or

tonality positions dorian phrygian or

tonality positions dorian phrygian or
aeolian<01:47:33.199> now<01:47:34.000> instead<01:47:34.320> of<01:47:34.480> playing<01:47:34.800> the

aeolian now instead of playing the

aeolian now instead of playing the
arpeggio<01:47:36.159> across<01:47:36.639> two<01:47:36.880> strings<01:47:37.760> you<01:47:37.920> can<01:47:38.159> play

arpeggio across two strings you can play

arpeggio across two strings you can play
them<01:47:38.639> on<01:47:38.880> one<01:47:39.119> string<01:47:39.760> so<01:47:39.920> i<01:47:40.080> could<01:47:40.239> do

them on one string so i could do

them on one string so i could do
something<01:47:40.880> like<01:47:41.199> this<01:47:41.840> instead<01:47:42.159> of<01:47:42.320> doing<01:47:43.199> um

something like this instead of doing um

something like this instead of doing um
playing<01:47:45.360> like<01:47:45.440> this<01:47:45.679> i<01:47:45.760> can<01:47:45.920> do<01:47:46.000> a<01:47:46.080> minor<01:47:46.480> triad

playing like this i can do a minor triad

playing like this i can do a minor triad
on<01:47:48.000> the<01:47:48.320> a<01:47:48.840> string

on the a string

on the a string
i<01:47:50.560> can<01:47:50.800> also<01:47:51.119> do<01:47:51.360> it<01:47:51.520> on<01:47:51.679> the<01:47:51.920> d<01:47:52.159> string

i can also do it on the d string

i can also do it on the d string
and<01:47:53.840> i<01:47:53.920> can<01:47:54.080> also<01:47:54.239> do<01:47:54.400> it<01:47:54.560> on<01:47:54.639> the<01:47:54.719> high<01:47:54.960> e

and i can also do it on the high e

and i can also do it on the high e
string

string

string
now<01:47:56.800> what's<01:47:57.040> a<01:47:57.119> little<01:47:57.520> challenging<01:47:58.320> is

now what's a little challenging is

now what's a little challenging is
um

um

um
a<01:48:00.480> lot<01:48:00.639> of<01:48:00.800> times<01:48:01.199> like<01:48:01.440> i'm<01:48:01.600> saying<01:48:01.920> alan<01:48:02.159> uses

a lot of times like i'm saying alan uses

a lot of times like i'm saying alan uses
his<01:48:02.560> pinky<01:48:02.880> a<01:48:02.960> half<01:48:03.199> step<01:48:03.520> up<01:48:03.679> you<01:48:03.760> can<01:48:03.920> do<01:48:04.080> the

his pinky a half step up you can do the

his pinky a half step up you can do the
same<01:48:04.480> thing<01:48:04.800> here<01:48:05.280> and<01:48:05.520> moving<01:48:05.840> that<01:48:06.159> note<01:48:06.400> a

same thing here and moving that note a

same thing here and moving that note a
half<01:48:06.800> step<01:48:07.199> up<01:48:07.760> so<01:48:08.000> if<01:48:08.159> i'm<01:48:08.320> doing<01:48:08.480> an<01:48:08.560> e<01:48:08.719> minor

half step up so if i'm doing an e minor

half step up so if i'm doing an e minor
triad<01:48:09.440> here

triad here

triad here
egb

egb

egb
then<01:48:12.000> if<01:48:12.080> i<01:48:12.159> move<01:48:12.320> this<01:48:12.480> up<01:48:12.560> a<01:48:12.639> half<01:48:12.800> step<01:48:13.040> it

then if i move this up a half step it

then if i move this up a half step it
comes<01:48:13.360> to<01:48:13.440> c<01:48:13.679> now<01:48:13.840> we<01:48:13.920> have<01:48:14.400> basically<01:48:14.960> uh

comes to c now we have basically uh

comes to c now we have basically uh
first<01:48:15.440> inversion<01:48:15.840> c<01:48:16.000> major

first inversion c major

first inversion c major
but<01:48:17.760> i<01:48:18.000> think<01:48:18.239> allen<01:48:18.639> of<01:48:18.719> course<01:48:18.960> is<01:48:19.040> not

but i think allen of course is not

but i think allen of course is not
thinking<01:48:19.440> about<01:48:19.679> that<01:48:19.840> he's<01:48:20.000> thinking<01:48:20.400> of<01:48:20.560> the

thinking about that he's thinking of the

thinking about that he's thinking of the
visual<01:48:21.280> symmetry<01:48:22.080> uh<01:48:22.320> i<01:48:22.560> call<01:48:22.800> this<01:48:23.040> one<01:48:23.280> the

visual symmetry uh i call this one the

visual symmetry uh i call this one the
city<01:48:23.840> night<01:48:24.080> slick<01:48:24.400> because<01:48:24.800> it's<01:48:25.520> that's<01:48:25.760> how

city night slick because it's that's how

city night slick because it's that's how
i<01:48:26.000> think<01:48:26.239> of<01:48:26.400> it<01:48:26.480> even<01:48:26.719> though<01:48:26.960> this<01:48:27.520> is<01:48:27.760> not<01:48:28.000> in

i think of it even though this is not in

i think of it even though this is not in
city<01:48:28.400> nights<01:48:28.960> it's<01:48:29.040> not<01:48:29.520> that's<01:48:29.920> we'll<01:48:30.080> get<01:48:30.239> to

city nights it's not that's we'll get to

city nights it's not that's we'll get to
the<01:48:30.480> aeolian<01:48:30.960> position

the aeolian position

the aeolian position
but<01:48:32.719> once<01:48:32.960> again<01:48:33.199> you<01:48:33.280> can<01:48:33.360> look<01:48:33.520> at<01:48:33.600> the

but once again you can look at the

but once again you can look at the
symmetry<01:48:34.159> and<01:48:34.320> of<01:48:34.400> course<01:48:34.639> sometimes<01:48:35.040> some<01:48:35.199> of

symmetry and of course sometimes some of

symmetry and of course sometimes some of
the<01:48:35.440> lines<01:48:35.679> i'm<01:48:35.760> going<01:48:35.840> to<01:48:35.920> show<01:48:36.239> could<01:48:36.400> be<01:48:36.639> a

the lines i'm going to show could be a

the lines i'm going to show could be a
little<01:48:36.960> ambiguous<01:48:37.520> because<01:48:37.679> they<01:48:37.840> can<01:48:37.920> belong

little ambiguous because they can belong

little ambiguous because they can belong
to<01:48:38.480> different<01:48:38.800> keys<01:48:39.280> it's<01:48:39.440> hard<01:48:39.679> to<01:48:39.840> tell<01:48:40.159> but

to different keys it's hard to tell but

to different keys it's hard to tell but
i<01:48:40.880> think<01:48:41.119> for<01:48:41.280> the<01:48:41.360> majority<01:48:41.760> of<01:48:41.840> the<01:48:41.920> time<01:48:42.159> you

i think for the majority of the time you

i think for the majority of the time you
can<01:48:42.320> think<01:48:42.480> of<01:48:42.639> them<01:48:42.719> as<01:48:42.800> belonging<01:48:43.199> to<01:48:43.360> this

can think of them as belonging to this

can think of them as belonging to this
phrygian<01:48:44.320> position<01:48:44.880> mostly<01:48:45.199> because<01:48:45.679> like<01:48:45.920> i

phrygian position mostly because like i

phrygian position mostly because like i
said<01:48:46.080> that<01:48:46.239> pinky<01:48:46.480> moves<01:48:46.800> up<01:48:46.880> a<01:48:46.960> half<01:48:47.199> step

said that pinky moves up a half step

said that pinky moves up a half step
something

[Applause]

[Applause]
[Music]

so now the next position is f lydian and

so now the next position is f lydian and
for<01:49:53.040> this<01:49:53.520> shape

for this shape

for this shape
it's<01:49:54.560> easier<01:49:54.880> to<01:49:55.040> sort<01:49:55.199> of<01:49:55.280> think<01:49:55.520> of<01:49:55.599> it<01:49:55.679> as<01:49:55.920> c

it's easier to sort of think of it as c

it's easier to sort of think of it as c
major<01:49:56.560> or<01:49:56.800> d<01:49:57.040> dorian<01:49:57.599> i<01:49:57.679> think<01:49:57.920> it's<01:49:58.159> up<01:49:58.320> to<01:49:58.480> you

major or d dorian i think it's up to you

major or d dorian i think it's up to you
uh<01:49:59.599> i<01:49:59.760> think<01:50:00.000> it's<01:50:00.159> easier<01:50:00.400> to<01:50:00.480> think<01:50:00.719> of<01:50:00.880> it<01:50:01.280> as

uh i think it's easier to think of it as

uh i think it's easier to think of it as
a<01:50:01.599> major<01:50:02.080> shape<01:50:02.480> not<01:50:02.639> only<01:50:02.800> because<01:50:03.119> we<01:50:03.199> have

a major shape not only because we have

a major shape not only because we have
this<01:50:03.760> c<01:50:04.080> d<01:50:04.480> and<01:50:04.719> e<01:50:05.040> line<01:50:05.280> here<01:50:05.520> on<01:50:05.679> the<01:50:05.760> b<01:50:05.920> string

this c d and e line here on the b string

this c d and e line here on the b string
but<01:50:07.360> also<01:50:07.679> this<01:50:07.920> c<01:50:08.159> note<01:50:08.560> here<01:50:08.800> on<01:50:08.880> the<01:50:08.960> a

but also this c note here on the a

but also this c note here on the a
string

string

string
again<01:50:11.280> the<01:50:11.440> most<01:50:11.679> logical<01:50:12.159> positioning<01:50:12.719> for

again the most logical positioning for

again the most logical positioning for
this<01:50:13.119> fingering<01:50:13.520> it's<01:50:13.679> just<01:50:13.920> like<01:50:14.080> how<01:50:14.239> we<01:50:14.480> did

this fingering it's just like how we did

this fingering it's just like how we did
the<01:50:14.800> iodine<01:50:15.360> shape<01:50:15.599> but<01:50:15.840> now<01:50:16.560> uh

the iodine shape but now uh

the iodine shape but now uh
moving<01:50:18.400> one<01:50:18.560> of<01:50:18.639> the<01:50:18.719> notes<01:50:19.040> so<01:50:19.280> it<01:50:19.360> fits<01:50:19.599> our<01:50:19.760> c

moving one of the notes so it fits our c

moving one of the notes so it fits our c
major<01:50:20.239> scale<01:50:20.560> so<01:50:21.119> we<01:50:21.280> have<01:50:21.840> the<01:50:22.159> b<01:50:22.400> flat<01:50:22.719> here

major scale so we have the b flat here

major scale so we have the b flat here
if<01:50:23.040> we<01:50:23.199> played<01:50:23.360> it

has to become b so now we have this

has to become b so now we have this
position

so that's how i think allen thinks of

so that's how i think allen thinks of
the<01:50:34.560> c<01:50:34.800> major<01:50:35.199> scale<01:50:35.840> with<01:50:36.000> the<01:50:36.159> root<01:50:36.880> on<01:50:37.040> the<01:50:37.119> a

the c major scale with the root on the a

the c major scale with the root on the a
string<01:50:38.000> that's<01:50:38.159> why<01:50:38.320> again<01:50:38.560> it's<01:50:38.719> tough<01:50:38.960> to

string that's why again it's tough to

string that's why again it's tough to
find<01:50:39.440> out<01:50:39.840> from<01:50:40.000> the<01:50:40.159> line<01:50:40.480> what<01:50:40.719> key<01:50:40.960> allen's

find out from the line what key allen's

find out from the line what key allen's
thinking<01:50:41.679> because<01:50:42.400> uh<01:50:42.639> the<01:50:42.719> scale<01:50:43.040> shapes<01:50:43.280> are

thinking because uh the scale shapes are

thinking because uh the scale shapes are
so<01:50:43.599> similar<01:50:43.920> that<01:50:44.000> you<01:50:44.159> can<01:50:44.239> play<01:50:44.480> some<01:50:44.639> of

so similar that you can play some of

so similar that you can play some of
those<01:50:44.960> outside<01:50:45.520> notes<01:50:46.159> uh<01:50:46.400> the<01:50:46.560> outside<01:50:46.880> scale

those outside notes uh the outside scale

those outside notes uh the outside scale
notes

notes

notes
and<01:50:49.440> it's<01:50:49.599> hard<01:50:49.840> to<01:50:50.000> see<01:50:50.400> what<01:50:50.880> actually<01:50:51.199> key

and it's hard to see what actually key

and it's hard to see what actually key
that<01:50:51.520> it<01:50:51.599> belongs<01:50:52.159> to<01:50:52.560> again<01:50:52.800> when<01:50:53.040> we're

that it belongs to again when we're

that it belongs to again when we're
playing<01:50:53.440> the<01:50:53.520> scale<01:50:54.159> notice<01:50:54.560> the<01:50:54.960> unison<01:50:55.599> c

playing the scale notice the unison c

playing the scale notice the unison c
here

there's not much i can say about this

there's not much i can say about this
shape<01:51:03.280> when<01:51:03.520> alan<01:51:03.840> plays<01:51:04.159> it<01:51:04.400> he's<01:51:04.639> usually

shape when alan plays it he's usually

shape when alan plays it he's usually
playing<01:51:05.360> it<01:51:05.520> uh<01:51:05.679> somewhat<01:51:06.080> linearly<01:51:06.480> there's

playing it uh somewhat linearly there's

playing it uh somewhat linearly there's
no<01:51:06.880> real<01:51:07.199> interesting<01:51:07.679> patterns<01:51:08.239> the<01:51:08.400> only

no real interesting patterns the only

no real interesting patterns the only
thing<01:51:08.719> i<01:51:08.800> can<01:51:08.960> really<01:51:09.280> uh<01:51:09.679> mention<01:51:10.080> is<01:51:10.159> that

thing i can really uh mention is that

thing i can really uh mention is that
sometimes<01:51:10.719> when<01:51:10.880> he<01:51:10.960> gets<01:51:11.199> to<01:51:11.360> this<01:51:11.920> note<01:51:12.159> here

sometimes when he gets to this note here

sometimes when he gets to this note here
in<01:51:12.560> the<01:51:12.639> scale<01:51:13.040> shape

in the scale shape

in the scale shape
he'll<01:51:15.760> bend<01:51:16.080> up<01:51:16.239> a<01:51:16.320> half<01:51:16.560> step<01:51:16.800> for<01:51:16.960> whatever

he'll bend up a half step for whatever

he'll bend up a half step for whatever
reason

[Music]

[Music]
so

of course like i said before the lick

of course like i said before the lick
can<01:52:53.119> be<01:52:53.280> also<01:52:53.520> be<01:52:53.679> played<01:52:54.080> here

with all of its other variations with

with all of its other variations with
the<01:52:58.320> note<01:52:58.560> on<01:52:58.719> the<01:52:58.800> b<01:52:58.960> string

the note on the b string

the note on the b string
or<01:53:01.440> the<01:53:01.679> uh<01:53:02.080> major<01:53:02.400> triad<01:53:02.800> on<01:53:02.960> the<01:53:03.040> top

or the uh major triad on the top

or the uh major triad on the top
or<01:53:05.520> any<01:53:05.760> other<01:53:06.000> combination<01:53:06.719> of<01:53:06.880> it<01:53:07.199> again

or any other combination of it again

or any other combination of it again
because<01:53:07.840> we<01:53:07.920> don't<01:53:08.159> have<01:53:08.400> the

because we don't have the

because we don't have the
sharp<01:53:09.679> four<01:53:09.920> there

sharp four there

sharp four there
here<01:53:12.080> are<01:53:12.239> some<01:53:12.560> phrases<01:53:13.199> that<01:53:13.840> you<01:53:14.000> can<01:53:14.159> see

here are some phrases that you can see

here are some phrases that you can see
allen<01:53:14.639> uses<01:53:14.880> this<01:53:15.440> lick<01:53:15.760> in<01:53:15.840> this<01:53:16.080> position

allen uses this lick in this position

allen uses this lick in this position
because<01:53:16.800> it<01:53:16.960> somehow<01:53:17.440> includes<01:53:17.920> the<01:53:18.239> sharp<01:53:18.480> 11

because it somehow includes the sharp 11

because it somehow includes the sharp 11
or<01:53:18.960> in<01:53:19.040> this<01:53:19.280> case

or in this case

or in this case
a<01:53:20.320> b<01:53:20.560> note

a b note

a b note
[Music]

[Music]

[Music]
hey

hey

hey
[Music]

now we're up to the fifth position of

now we're up to the fifth position of
the<01:54:05.199> c<01:54:05.360> major<01:54:05.760> scale<01:54:06.400> uh<01:54:06.719> g<01:54:06.960> mixolydian<01:54:08.080> and

the c major scale uh g mixolydian and

the c major scale uh g mixolydian and
what<01:54:08.639> makes<01:54:08.880> this<01:54:08.960> one<01:54:09.119> a<01:54:09.199> bit<01:54:09.360> of<01:54:09.520> a<01:54:09.599> toughy<01:54:10.159> is

what makes this one a bit of a toughy is

what makes this one a bit of a toughy is
i<01:54:10.639> think<01:54:10.880> allen<01:54:11.199> views<01:54:11.440> the<01:54:11.599> scale<01:54:11.920> in<01:54:12.080> two

i think allen views the scale in two

i think allen views the scale in two
different<01:54:12.560> ways

different ways

different ways
so<01:54:13.840> i<01:54:13.920> think<01:54:14.080> the<01:54:14.239> best<01:54:14.480> way<01:54:14.639> to<01:54:14.880> show<01:54:15.119> it<01:54:15.280> is

so i think the best way to show it is

so i think the best way to show it is
either<01:54:16.639> position<01:54:17.440> with<01:54:17.679> just<01:54:17.920> the<01:54:18.080> scale

either position with just the scale

either position with just the scale
extended<01:54:19.199> a<01:54:19.280> little<01:54:19.520> bit<01:54:19.760> so<01:54:19.920> you<01:54:20.000> can<01:54:20.239> see<01:54:20.560> how

extended a little bit so you can see how

extended a little bit so you can see how
they<01:54:20.880> kind<01:54:21.119> of<01:54:21.360> move<01:54:21.599> together<01:54:22.239> and<01:54:22.320> what

they kind of move together and what

they kind of move together and what
makes<01:54:22.719> this<01:54:22.880> one<01:54:23.119> tough<01:54:23.360> is<01:54:23.520> because<01:54:23.760> it<01:54:23.920> sort

makes this one tough is because it sort

makes this one tough is because it sort
of<01:54:24.239> blends<01:54:24.560> into<01:54:24.800> the<01:54:24.960> aeolian<01:54:25.520> position

of blends into the aeolian position

of blends into the aeolian position
pretty<01:54:26.400> easily<01:54:26.880> so<01:54:27.040> a<01:54:27.119> lot<01:54:27.280> of<01:54:27.360> times<01:54:27.599> when

pretty easily so a lot of times when

pretty easily so a lot of times when
alan's<01:54:28.239> playing<01:54:28.960> it's<01:54:29.199> hard<01:54:29.360> to<01:54:29.520> see<01:54:29.840> if<01:54:30.000> he's

alan's playing it's hard to see if he's

alan's playing it's hard to see if he's
thinking<01:54:30.560> of<01:54:30.719> that<01:54:30.960> position<01:54:31.360> or<01:54:31.520> he's<01:54:31.760> just

thinking of that position or he's just

thinking of that position or he's just
shifting<01:54:32.719> into

shifting into

shifting into
from<01:54:34.159> the<01:54:34.320> aolian<01:54:34.880> position<01:54:35.360> into<01:54:35.679> the

from the aolian position into the

from the aolian position into the
mixolydian<01:54:36.800> position<01:54:37.760> again<01:54:38.080> if<01:54:38.159> we<01:54:38.320> look<01:54:38.480> at

mixolydian position again if we look at

mixolydian position again if we look at
this<01:54:38.880> position<01:54:39.360> here<01:54:39.520> on<01:54:39.599> the<01:54:39.760> scale

this position here on the scale

this position here on the scale
notice<01:54:42.159> the<01:54:42.320> double<01:54:42.639> the<01:54:42.800> d<01:54:43.040> note<01:54:43.360> again<01:54:44.080> uh

notice the double the d note again uh

notice the double the d note again uh
but<01:54:45.280> once<01:54:45.520> again<01:54:45.760> like<01:54:45.920> i<01:54:46.000> said<01:54:46.320> if<01:54:46.480> you<01:54:46.639> think

but once again like i said if you think

but once again like i said if you think
you<01:54:46.880> can<01:54:47.040> figure<01:54:47.280> it<01:54:47.440> out<01:54:47.760> uh<01:54:48.080> either<01:54:48.400> way<01:54:48.639> but

you can figure it out uh either way but

you can figure it out uh either way but
you<01:54:48.880> have<01:54:49.040> these<01:54:49.280> different<01:54:49.920> other<01:54:50.159> avenues

you have these different other avenues

you have these different other avenues
that<01:54:50.800> you<01:54:50.960> can<01:54:51.119> go<01:54:51.679> with<01:54:51.920> that<01:54:52.159> position

that you can go with that position

that you can go with that position
moving<01:54:53.280> between<01:54:53.679> the<01:54:53.840> two<01:54:54.159> either<01:54:54.719> with<01:54:54.960> this

moving between the two either with this

moving between the two either with this
position<01:54:55.599> up<01:54:55.679> here

position up here

position up here
or<01:54:57.760> moving<01:54:58.080> up

or moving up

or moving up
into<01:55:00.080> the<01:55:00.239> aeolian<01:55:00.800> position<01:55:01.520> as<01:55:01.760> far<01:55:02.080> as<01:55:02.800> how

into the aeolian position as far as how

into the aeolian position as far as how
to<01:55:03.199> call<01:55:03.440> this<01:55:03.599> scale<01:55:03.920> whether<01:55:04.320> ionian<01:55:04.880> or

to call this scale whether ionian or

to call this scale whether ionian or
dorian<01:55:05.599> or<01:55:05.760> c<01:55:06.000> or<01:55:06.080> d<01:55:06.639> that's<01:55:07.040> another<01:55:07.440> tough

dorian or c or d that's another tough

dorian or c or d that's another tough
one<01:55:07.920> because<01:55:08.560> you<01:55:08.719> plainly<01:55:09.119> have<01:55:09.280> a<01:55:09.440> c<01:55:09.679> major

one because you plainly have a c major

one because you plainly have a c major
over<01:55:10.400> here

over here

over here
[Music]

[Music]

[Music]
c<01:55:13.679> major<01:55:14.000> scale<01:55:14.320> or<01:55:14.560> you<01:55:14.639> can<01:55:14.800> think<01:55:14.960> of<01:55:15.119> dorian

c major scale or you can think of dorian

c major scale or you can think of dorian
starting<01:55:15.920> here<01:55:16.159> in<01:55:16.239> the<01:55:16.400> middle<01:55:16.880> and<01:55:17.119> of

starting here in the middle and of

starting here in the middle and of
course<01:55:17.440> we<01:55:17.520> have<01:55:17.679> this<01:55:17.840> little<01:55:18.000> box<01:55:18.320> shape

course we have this little box shape

course we have this little box shape
here

here

here
[Music]

[Music]

[Music]
so

so

so
either<01:55:23.040> way<01:55:23.440> whatever<01:55:23.840> works<01:55:24.080> for<01:55:24.239> you

either way whatever works for you

either way whatever works for you
[Music]

and just like dorian allen would utilize

and just like dorian allen would utilize
that<01:55:53.199> box<01:55:53.520> shape<01:55:53.840> in<01:55:53.920> different<01:55:54.239> ways

[Music]

[Music]
so<01:56:01.440> once<01:56:01.679> again<01:56:02.000> it's<01:56:02.159> a<01:56:02.239> very<01:56:02.480> visual<01:56:02.880> thing

so once again it's a very visual thing

so once again it's a very visual thing
so<01:56:03.280> maybe<01:56:03.520> he's<01:56:03.679> thinking<01:56:04.000> of<01:56:04.080> dooring<01:56:04.400> there

so maybe he's thinking of dooring there

so maybe he's thinking of dooring there
because<01:56:04.960> of<01:56:05.119> the<01:56:05.280> box<01:56:05.599> shape

because of the box shape

because of the box shape
[Music]

just like i talked about in the fridge

just like i talked about in the fridge
uh<01:56:15.360> section<01:56:15.920> with<01:56:16.159> those<01:56:16.639> arpeggios<01:56:17.440> on<01:56:17.520> the<01:56:17.760> d

uh section with those arpeggios on the d

uh section with those arpeggios on the d
and<01:56:18.159> the<01:56:18.320> e<01:56:18.560> string<01:56:19.280> uh<01:56:19.599> they<01:56:19.760> were<01:56:20.000> there<01:56:20.239> they

and the e string uh they were there they

and the e string uh they were there they
were<01:56:20.560> a<01:56:20.800> minor<01:56:21.119> tonality<01:56:21.599> here<01:56:21.760> they're<01:56:21.920> a

were a minor tonality here they're a

were a minor tonality here they're a
major<01:56:22.239> tonality<01:56:22.719> here<01:56:22.960> i<01:56:23.040> have<01:56:23.119> an<01:56:23.360> f<01:56:23.520> major

major tonality here i have an f major

major tonality here i have an f major
and<01:56:25.280> a<01:56:25.360> g<01:56:25.520> major

and a g major

and a g major
uh<01:56:27.599> this<01:56:27.760> is<01:56:27.840> the<01:56:27.920> only<01:56:28.159> example<01:56:28.560> i<01:56:28.719> found<01:56:28.960> of

uh this is the only example i found of

uh this is the only example i found of
that<01:56:29.679> uh<01:56:30.080> in<01:56:30.320> all<01:56:30.400> the<01:56:30.800> lines<01:56:31.040> that<01:56:31.199> i

that uh in all the lines that i

that uh in all the lines that i
transcribed<01:56:31.840> but<01:56:32.480> there<01:56:32.719> it<01:56:32.800> is

[Music]

[Music]
but<01:56:38.719> this<01:56:39.040> pattern<01:56:39.440> is<01:56:39.679> definitely<01:56:40.320> the

but this pattern is definitely the

but this pattern is definitely the
second<01:56:40.960> most<01:56:41.280> common<01:56:41.599> one<01:56:41.760> that<01:56:41.920> you'll<01:56:42.159> see

second most common one that you'll see

second most common one that you'll see
in<01:56:42.400> allen's<01:56:42.800> playing<01:56:43.360> again<01:56:43.599> he's<01:56:43.920> utilizing

in allen's playing again he's utilizing

in allen's playing again he's utilizing
that<01:56:44.880> uh<01:56:45.599> whole<01:56:45.840> step<01:56:46.320> pattern<01:56:46.800> a<01:56:46.960> little<01:56:47.280> box

that uh whole step pattern a little box

that uh whole step pattern a little box
shape<01:56:47.920> but<01:56:48.159> he'll

shape but he'll

shape but he'll
string<01:56:49.679> skip<01:56:50.000> from<01:56:50.159> the<01:56:50.320> e<01:56:50.480> string<01:56:50.800> to<01:56:50.960> the<01:56:51.119> d

string skip from the e string to the d

string skip from the e string to the d
string<01:56:51.920> and<01:56:52.080> then<01:56:52.239> back<01:56:52.480> to<01:56:52.560> the<01:56:52.719> high<01:56:52.960> e

string and then back to the high e

string and then back to the high e
string

uh that one's very common sometimes

uh that one's very common sometimes
he'll<01:56:58.239> even<01:56:58.400> move<01:56:58.639> up<01:56:58.800> to<01:56:59.040> uh<01:56:59.360> the

he'll even move up to uh the

he'll even move up to uh the
up<01:57:00.880> there<01:57:01.040> as<01:57:01.199> well<01:57:01.360> to<01:57:01.520> the<01:57:01.840> to<01:57:02.000> the<01:57:02.159> sus4<01:57:02.719> or

up there as well to the to the sus4 or

up there as well to the to the sus4 or
to<01:57:03.199> the

to the

to the
uh<01:57:04.320> c<01:57:04.560> up<01:57:04.719> there<01:57:05.119> not<01:57:05.360> only<01:57:05.520> can<01:57:05.679> you<01:57:05.840> play<01:57:06.080> this

uh c up there not only can you play this

uh c up there not only can you play this
phrase<01:57:06.800> on<01:57:06.960> the<01:57:07.119> e<01:57:07.599> d<01:57:07.920> and<01:57:08.080> e<01:57:08.239> string<01:57:08.480> but<01:57:08.639> also

phrase on the e d and e string but also

phrase on the e d and e string but also
the<01:57:08.960> a<01:57:09.119> string

the a string

the a string
[Music]

[Music]

[Music]
so<01:57:12.080> you<01:57:12.239> can<01:57:12.480> find<01:57:12.719> plenty<01:57:12.960> of<01:57:13.040> those<01:57:13.360> types<01:57:13.599> of

so you can find plenty of those types of

so you can find plenty of those types of
examples<01:57:14.239> as<01:57:14.320> well<01:57:14.639> pretty<01:57:14.800> much<01:57:14.960> you<01:57:15.119> have

examples as well pretty much you have

examples as well pretty much you have
this<01:57:15.599> box<01:57:15.840> shape<01:57:16.080> here

and then you can move up with your pinky

and then you can move up with your pinky
down

[Applause]

[Applause]
[Music]

[Music]

[Music]
more

[Music]

[Music]
[Applause]

[Applause]

[Applause]
um

again another thing you can do that

again another thing you can do that
moving<01:59:26.719> that<01:59:26.880> pinky<01:59:27.360> up<01:59:27.520> a<01:59:27.599> half<01:59:27.760> step<01:59:28.000> i<01:59:28.159> have

moving that pinky up a half step i have

moving that pinky up a half step i have
to<01:59:28.320> play<01:59:28.480> it<01:59:28.560> up<01:59:28.719> on<01:59:28.800> the<01:59:28.960> 15th<01:59:29.440> fret<01:59:29.679> because

to play it up on the 15th fret because

to play it up on the 15th fret because
of<01:59:30.159> the

of the

of the
how<01:59:31.199> wide<01:59:31.440> it<01:59:31.599> is<01:59:32.080> but<01:59:32.400> sometimes<01:59:32.880> allen<01:59:33.599> might

how wide it is but sometimes allen might

how wide it is but sometimes allen might
play<01:59:34.639> uh<01:59:35.280> on<01:59:35.440> this<01:59:35.599> case<01:59:35.840> the<01:59:36.080> 15th<01:59:37.040> uh<01:59:37.440> 17th

play uh on this case the 15th uh 17th

play uh on this case the 15th uh 17th
but<01:59:38.080> instead<01:59:38.320> of<01:59:38.400> the<01:59:38.560> 19th<01:59:38.960> fret<01:59:39.679> start<01:59:40.159> here

but instead of the 19th fret start here

but instead of the 19th fret start here
on<01:59:40.880> the<01:59:41.119> 20th<01:59:41.520> so<01:59:41.679> now<01:59:41.840> you<01:59:42.000> have<01:59:42.159> a<01:59:42.320> minor

on the 20th so now you have a minor

on the 20th so now you have a minor
third<01:59:43.040> between<01:59:43.360> your<01:59:43.599> second<01:59:43.920> and<01:59:44.080> third

third between your second and third

third between your second and third
finger<01:59:44.880> i<01:59:45.040> mean<01:59:45.199> second<01:59:45.599> finger<01:59:45.840> and<01:59:45.920> pinky

finger i mean second finger and pinky

finger i mean second finger and pinky
then<01:59:47.920> when<01:59:48.080> you<01:59:48.159> go<01:59:48.320> to<01:59:48.480> the<01:59:48.800> d<01:59:49.119> string<01:59:49.840> you<01:59:50.000> can

then when you go to the d string you can

then when you go to the d string you can
move<01:59:50.480> that<01:59:50.800> up<01:59:50.960> a<01:59:51.119> half<01:59:51.360> step<01:59:51.520> so<01:59:51.679> now<01:59:51.760> you<01:59:51.840> have

move that up a half step so now you have

move that up a half step so now you have
a<01:59:52.080> major<01:59:52.400> third<01:59:52.639> between<01:59:53.040> your<01:59:53.520> middle<01:59:53.840> finger

a major third between your middle finger

a major third between your middle finger
and<01:59:54.320> pinky

and pinky

and pinky
and<01:59:56.080> then<01:59:56.400> you<01:59:56.560> can<01:59:56.719> go<01:59:56.880> down<01:59:57.040> to<01:59:57.199> the<01:59:57.280> high<01:59:57.520> e

and then you can go down to the high e

and then you can go down to the high e
string<01:59:58.000> and<01:59:58.080> then<01:59:58.239> move<01:59:58.480> that<01:59:58.639> up<01:59:58.719> to<01:59:58.880> a<01:59:59.040> fourth

string and then move that up to a fourth

string and then move that up to a fourth
so<02:00:00.239> you<02:00:00.320> have<02:00:00.400> something<02:00:00.719> like<02:00:00.880> this

again every string that pinky moves up a

again every string that pinky moves up a
half<02:00:07.520> step

half step

half step
[Music]

[Music]

[Music]
this<02:00:34.000> one

this one

this one
you<02:00:35.440> can<02:00:35.599> think<02:00:35.760> of<02:00:35.920> it<02:00:36.000> as<02:00:36.400> belonging<02:00:36.960> to<02:00:37.119> the

you can think of it as belonging to the

you can think of it as belonging to the
uh<02:00:38.000> f<02:00:38.159> lydian<02:00:38.560> position<02:00:39.040> but<02:00:39.280> i'm<02:00:39.520> going<02:00:39.679> to

uh f lydian position but i'm going to

uh f lydian position but i'm going to
put<02:00:40.560> it<02:00:40.639> to<02:00:40.800> the<02:00:41.040> g<02:00:41.280> mixolydian<02:00:41.920> position

put it to the g mixolydian position

put it to the g mixolydian position
because<02:00:43.199> the<02:00:43.360> lowest<02:00:43.679> note<02:00:43.840> here<02:00:44.080> is<02:00:44.320> g<02:00:44.800> the

because the lowest note here is g the

because the lowest note here is g the
concept<02:00:45.520> is<02:00:45.840> i'm<02:00:46.000> also<02:00:46.239> going<02:00:46.320> to<02:00:46.400> do<02:00:46.480> it<02:00:46.639> on

concept is i'm also going to do it on

concept is i'm also going to do it on
the<02:00:46.800> 15th<02:00:47.280> fret<02:00:47.520> because<02:00:47.679> it's<02:00:47.840> a<02:00:47.920> little<02:00:48.080> bit

the 15th fret because it's a little bit

the 15th fret because it's a little bit
easier<02:00:48.960> it's<02:00:49.440> two<02:00:50.000> major<02:00:50.480> arpeggios<02:00:51.760> a<02:00:51.920> flat

easier it's two major arpeggios a flat

easier it's two major arpeggios a flat
seventh<02:00:52.639> apart<02:00:53.119> so<02:00:53.360> i'm<02:00:53.520> basically<02:00:53.920> playing<02:00:54.239> a

seventh apart so i'm basically playing a

seventh apart so i'm basically playing a
major<02:00:54.719> arpeggio<02:00:55.360> on<02:00:55.440> the<02:00:55.599> low<02:00:55.840> e<02:00:56.000> string

major arpeggio on the low e string

major arpeggio on the low e string
and<02:00:57.520> then<02:00:57.760> doing<02:00:58.000> the<02:00:58.159> same<02:00:58.320> thing<02:00:58.560> on<02:00:58.639> the<02:00:58.800> d

and then doing the same thing on the d

and then doing the same thing on the d
string

string

string
look<02:01:00.560> at<02:01:00.639> that<02:01:00.800> symmetry

look at that symmetry

look at that symmetry
and<02:01:02.719> then<02:01:02.880> what's<02:01:03.119> interesting<02:01:03.520> is<02:01:03.599> that

and then what's interesting is that

and then what's interesting is that
allen<02:01:04.080> will<02:01:04.239> then<02:01:04.480> play<02:01:05.280> uh<02:01:05.599> like<02:01:05.840> a<02:01:06.080> g

allen will then play uh like a g

allen will then play uh like a g
sus4

sus4

sus4
arpeggio<02:01:09.199> here<02:01:09.360> so<02:01:09.520> he's<02:01:09.599> playing<02:01:09.920> it<02:01:10.000> like<02:01:10.159> a

arpeggio here so he's playing it like a

arpeggio here so he's playing it like a
d<02:01:10.639> a<02:01:10.800> g<02:01:11.119> and<02:01:11.199> then<02:01:11.360> with<02:01:11.520> his<02:01:11.679> pinky<02:01:12.000> he'll<02:01:12.159> go

d a g and then with his pinky he'll go

d a g and then with his pinky he'll go
up<02:01:12.480> to<02:01:12.639> c

up to c

up to c
and<02:01:13.599> then<02:01:13.760> sometimes<02:01:14.239> he'll<02:01:14.480> do<02:01:14.639> the<02:01:14.800> major

and then sometimes he'll do the major

and then sometimes he'll do the major
third<02:01:15.520> or<02:01:15.760> the<02:01:15.920> pinky<02:01:16.239> but<02:01:16.480> the<02:01:16.639> concept<02:01:17.119> is

of that two major triads a flat seven

of that two major triads a flat seven
apart

here again we have that

here again we have that
major<02:02:17.280> pentatonic<02:02:17.920> box<02:02:18.320> section

major pentatonic box section

major pentatonic box section
but<02:02:20.639> this<02:02:20.880> one<02:02:21.040> is<02:02:21.199> more<02:02:21.440> specific<02:02:22.080> to<02:02:22.239> have

but this one is more specific to have

but this one is more specific to have
that<02:02:22.880> note<02:02:23.119> that<02:02:23.280> would<02:02:23.440> make<02:02:23.679> it<02:02:23.840> in<02:02:24.000> this<02:02:24.560> g

that note that would make it in this g

that note that would make it in this g
mixolydian<02:02:25.280> position

all right now on to the sixth position

all right now on to the sixth position
aeolian<02:02:39.840> uh<02:02:40.159> the<02:02:40.320> best<02:02:40.639> way<02:02:40.800> to<02:02:40.880> view<02:02:41.119> this<02:02:41.440> is

aeolian uh the best way to view this is

aeolian uh the best way to view this is
as<02:02:41.840> d<02:02:42.159> dorian<02:02:42.480> again<02:02:42.719> but<02:02:42.880> now<02:02:43.119> starting<02:02:43.599> on

as d dorian again but now starting on

as d dorian again but now starting on
the<02:02:44.080> a<02:02:44.320> string

the a string

the a string
and<02:02:45.840> the<02:02:46.080> shape<02:02:46.320> is<02:02:46.480> not<02:02:46.719> anything<02:02:47.040> different

and the shape is not anything different

and the shape is not anything different
from<02:02:47.840> anything<02:02:48.239> that<02:02:48.320> we've<02:02:48.480> learned<02:02:48.719> before

from anything that we've learned before

from anything that we've learned before
for<02:02:49.199> the<02:02:49.520> regular<02:02:49.920> a<02:02:50.159> minor<02:02:50.560> in<02:02:50.639> natural<02:02:51.040> minor

for the regular a minor in natural minor

for the regular a minor in natural minor
scale

[Music]

[Music]
i<02:02:56.000> do<02:02:56.239> want<02:02:56.400> to<02:02:56.480> note<02:02:56.719> that<02:02:56.960> i<02:02:57.040> don't<02:02:57.199> think

i do want to note that i don't think

i do want to note that i don't think
i've<02:02:57.679> ever<02:02:58.000> seen<02:02:58.320> alan<02:02:58.800> play<02:02:59.599> this<02:03:00.000> five<02:03:00.320> seven

i've ever seen alan play this five seven

i've ever seen alan play this five seven
eight<02:03:00.880> five<02:03:01.199> seven<02:03:01.599> eight<02:03:01.840> idea

eight five seven eight idea

eight five seven eight idea
on<02:03:04.080> the<02:03:04.320> low<02:03:04.800> e<02:03:05.040> and<02:03:05.199> a<02:03:05.360> string<02:03:05.679> i've<02:03:05.840> seen<02:03:06.000> it

on the low e and a string i've seen it

on the low e and a string i've seen it
on<02:03:06.320> the<02:03:06.639> uh

on the uh

on the uh
a<02:03:07.920> e<02:03:08.159> and<02:03:08.400> d<02:03:08.639> string<02:03:08.960> but<02:03:09.119> never<02:03:09.440> that<02:03:09.679> low<02:03:10.159> and

a e and d string but never that low and

a e and d string but never that low and
usually<02:03:10.560> when<02:03:10.719> he's<02:03:10.960> playing<02:03:11.199> the<02:03:11.440> shape<02:03:12.000> he's

usually when he's playing the shape he's

usually when he's playing the shape he's
moving<02:03:12.639> into<02:03:12.880> that<02:03:13.119> mixolydian<02:03:14.000> position<02:03:14.480> so

moving into that mixolydian position so

moving into that mixolydian position so
that's<02:03:14.880> what<02:03:15.040> makes<02:03:15.280> this<02:03:15.360> one<02:03:15.520> a<02:03:15.599> little<02:03:15.760> bit

that's what makes this one a little bit

that's what makes this one a little bit
uh<02:03:16.480> tricky<02:03:17.199> to<02:03:17.360> see<02:03:17.599> which

uh tricky to see which

uh tricky to see which
uh

uh

uh
scale<02:03:19.679> this<02:03:19.840> belongs<02:03:20.320> to<02:03:20.560> is<02:03:21.040> he's<02:03:21.280> thinking

scale this belongs to is he's thinking

scale this belongs to is he's thinking
of<02:03:21.760> aeolian<02:03:22.400> or<02:03:22.719> dorian<02:03:23.119> that<02:03:23.280> way<02:03:23.440> or<02:03:23.679> he's

of aeolian or dorian that way or he's

of aeolian or dorian that way or he's
just<02:03:24.080> moving<02:03:24.400> into<02:03:24.639> that<02:03:24.960> g<02:03:25.199> mixolydian

just moving into that g mixolydian

just moving into that g mixolydian
position

[Applause]

[Applause]
[Music]

in this position i didn't find too many

in this position i didn't find too many
really<02:04:34.960> interesting<02:04:35.520> examples

really interesting examples

really interesting examples
but<02:04:37.679> i<02:04:37.760> thought<02:04:38.000> this<02:04:38.079> one<02:04:38.239> was<02:04:38.480> actually

but i thought this one was actually

but i thought this one was actually
pretty<02:04:38.960> cool<02:04:39.599> this<02:04:39.760> is<02:04:39.840> the<02:04:39.920> only<02:04:40.159> time<02:04:40.400> i

pretty cool this is the only time i

pretty cool this is the only time i
actually<02:04:40.800> saw<02:04:41.040> this<02:04:41.199> in<02:04:41.280> one<02:04:41.440> of<02:04:41.599> allen's

actually saw this in one of allen's

actually saw this in one of allen's
solos<02:04:42.639> but<02:04:42.800> once<02:04:43.040> again<02:04:43.280> you<02:04:43.440> can<02:04:43.520> notice<02:04:43.840> the

solos but once again you can notice the

solos but once again you can notice the
symmetry<02:04:44.880> here<02:04:45.440> we<02:04:45.599> can<02:04:45.840> look<02:04:46.400> and<02:04:46.639> see<02:04:46.800> that

symmetry here we can look and see that

symmetry here we can look and see that
we've<02:04:47.199> got<02:04:47.360> this<02:04:47.599> whole<02:04:47.840> step<02:04:48.239> and<02:04:48.320> then<02:04:48.480> a

we've got this whole step and then a

we've got this whole step and then a
minor<02:04:48.960> third<02:04:49.280> and<02:04:49.440> we<02:04:49.599> can<02:04:49.920> uh<02:04:50.560> do<02:04:50.800> that<02:04:51.040> on<02:04:51.199> the

minor third and we can uh do that on the

minor third and we can uh do that on the
a

a

a
d

d

d
and<02:04:54.800> then<02:04:55.040> the<02:04:55.199> g<02:04:55.360> string

and then the g string

and then the g string
and<02:04:56.320> then

and then

and then
adam<02:04:57.440> actually<02:04:57.760> on<02:04:57.920> the<02:04:58.079> in<02:04:58.159> the<02:04:58.320> example<02:04:58.639> also

adam actually on the in the example also

adam actually on the in the example also
uses<02:04:59.599> his<02:04:59.679> finger<02:04:59.920> to<02:05:00.079> play<02:05:00.239> the

uses his finger to play the

uses his finger to play the
uh

uh

uh
note<02:05:02.079> on<02:05:02.159> the<02:05:02.400> on<02:05:02.480> the<02:05:02.639> b<02:05:02.800> string

note on the on the b string

note on the on the b string
[Music]

[Music]

[Music]
uh<02:05:07.360> this<02:05:07.599> also<02:05:07.920> works<02:05:08.239> in<02:05:08.320> the<02:05:08.400> fridging

uh this also works in the fridging

uh this also works in the fridging
position<02:05:09.280> as<02:05:09.360> well<02:05:09.679> but<02:05:09.920> i<02:05:10.079> believe<02:05:10.480> in<02:05:10.560> the

position as well but i believe in the

position as well but i believe in the
example<02:05:10.960> that<02:05:11.119> i<02:05:11.199> took<02:05:11.440> it<02:05:11.520> from<02:05:12.079> um<02:05:12.480> the

example that i took it from um the

example that i took it from um the
aeolian<02:05:13.199> position<02:05:13.599> made<02:05:13.840> the<02:05:13.920> most<02:05:14.239> sense

also you can employ that city night

also you can employ that city night
slick<02:05:23.840> that<02:05:23.920> i<02:05:24.000> was<02:05:24.159> talking<02:05:24.480> about<02:05:24.639> but<02:05:24.800> this

slick that i was talking about but this

slick that i was talking about but this
time<02:05:25.280> you<02:05:25.440> can't<02:05:25.760> play<02:05:25.920> the<02:05:26.079> minor<02:05:26.480> triad<02:05:27.360> on

time you can't play the minor triad on

time you can't play the minor triad on
the<02:05:27.920> uh<02:05:28.320> d<02:05:28.560> string<02:05:29.119> so<02:05:29.280> this<02:05:29.440> is<02:05:29.520> only<02:05:29.679> for<02:05:29.840> the

the uh d string so this is only for the

the uh d string so this is only for the
really<02:05:30.239> the<02:05:30.480> a<02:05:30.880> the<02:05:31.599> uh<02:05:32.320> b<02:05:32.560> string<02:05:33.040> and<02:05:33.199> then

really the a the uh b string and then

really the a the uh b string and then
the<02:05:33.599> high<02:05:33.920> e<02:05:34.079> string<02:05:34.560> it's<02:05:34.639> good<02:05:34.880> i'm

the high e string it's good i'm

the high e string it's good i'm
not<02:05:35.920> going<02:05:36.000> to<02:05:36.079> be<02:05:36.159> able<02:05:36.320> to<02:05:36.400> play<02:05:36.560> it<02:05:36.719> here

not going to be able to play it here

not going to be able to play it here
because<02:05:37.040> of<02:05:37.199> the<02:05:37.360> stretch<02:05:37.679> but

that's where they would all be so you

that's where they would all be so you
have<02:05:42.560> a<02:05:42.880> d<02:05:43.119> minor<02:05:43.440> triad<02:05:43.679> an<02:05:43.840> e<02:05:44.000> minor<02:05:44.239> triad

have a d minor triad an e minor triad

have a d minor triad an e minor triad
and<02:05:44.639> an<02:05:44.800> a<02:05:44.960> minor<02:05:45.199> triad<02:05:45.679> and<02:05:45.840> again<02:05:46.159> you<02:05:46.239> can

and an a minor triad and again you can

and an a minor triad and again you can
notice<02:05:46.719> how<02:05:46.880> the<02:05:47.040> pinky<02:05:47.360> can<02:05:47.599> move<02:05:47.840> up<02:05:48.000> a<02:05:48.079> half

notice how the pinky can move up a half

notice how the pinky can move up a half
step<02:05:48.880> you<02:05:49.040> have<02:05:49.199> the<02:05:49.360> c<02:05:49.599> and<02:05:49.679> the<02:05:49.840> f<02:05:50.079> here

again when this a lot of these positions

again when this a lot of these positions
like<02:05:56.639> you're<02:05:56.800> not<02:05:56.960> going<02:05:57.040> to<02:05:57.119> be<02:05:57.199> able<02:05:57.280> to<02:05:57.360> play

like you're not going to be able to play

like you're not going to be able to play
that<02:05:57.599> here<02:05:57.760> but<02:05:57.920> if<02:05:58.000> you're<02:05:58.159> playing<02:05:58.320> let's

that here but if you're playing let's

that here but if you're playing let's
say<02:05:59.199> a<02:05:59.920> uh<02:06:00.400> dorian<02:06:01.040> then<02:06:01.280> you<02:06:01.360> can<02:06:01.599> imply<02:06:02.000> that

say a uh dorian then you can imply that

say a uh dorian then you can imply that
over<02:06:02.400> there<02:06:02.880> and<02:06:03.360> play<02:06:03.520> it<02:06:03.679> and<02:06:03.840> that's<02:06:04.000> what

over there and play it and that's what

over there and play it and that's what
alan's<02:06:04.480> doing<02:06:04.719> for<02:06:04.880> the<02:06:05.040> uh<02:06:05.280> intro<02:06:05.520> to<02:06:05.679> city

alan's doing for the uh intro to city

alan's doing for the uh intro to city
knights<02:06:06.320> and<02:06:06.639> of<02:06:06.719> course<02:06:06.960> he<02:06:07.119> would<02:06:07.280> use<02:06:07.440> that

knights and of course he would use that

knights and of course he would use that
frequently<02:06:08.320> in<02:06:08.400> different<02:06:08.719> solos<02:06:09.040> just<02:06:09.199> as

frequently in different solos just as

frequently in different solos just as
they<02:06:09.440> get<02:06:09.599> flash<02:06:10.079> a<02:06:10.239> fast<02:06:10.880> cool<02:06:11.199> flurry<02:06:11.599> of

they get flash a fast cool flurry of

they get flash a fast cool flurry of
notes<02:06:11.920> that<02:06:12.079> just<02:06:12.159> sort<02:06:12.320> of<02:06:12.480> grabs<02:06:12.800> you<02:06:12.880> by

notes that just sort of grabs you by

notes that just sort of grabs you by
your<02:06:13.280> ear<02:06:13.760> because<02:06:13.920> again<02:06:14.239> he's<02:06:14.880> just<02:06:15.040> knows<02:06:15.360> i

your ear because again he's just knows i

your ear because again he's just knows i
have this<02:06:15.679> position<02:06:16.079> i<02:06:16.159> know<02:06:16.320> i<02:06:16.400> can<02:06:16.560> use<02:06:16.719> that

have this position i know i can use that

have this position i know i can use that
shape<02:06:17.520> and<02:06:17.920> sounds<02:06:18.239> really<02:06:18.480> cool

[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

[Music]

[Music]
[Applause]

well just like i was talking about

well just like i was talking about
dorian<02:06:39.280> how<02:06:39.440> we<02:06:39.520> had<02:06:39.679> that<02:06:39.840> sus2<02:06:40.480> shape

dorian how we had that sus2 shape

dorian how we had that sus2 shape
because<02:06:41.040> we<02:06:41.199> have<02:06:41.920> 10<02:06:42.239> 12<02:06:42.639> and<02:06:42.800> then<02:06:42.960> the<02:06:43.280> 17th

because we have 10 12 and then the 17th

because we have 10 12 and then the 17th
fret<02:06:44.320> well<02:06:44.480> then<02:06:44.639> if<02:06:44.719> we<02:06:44.960> start<02:06:45.360> where<02:06:45.520> that

fret well then if we start where that

fret well then if we start where that
17th<02:06:46.239> fret<02:06:46.400> would<02:06:46.560> be<02:06:46.719> well<02:06:46.800> i'm<02:06:46.880> just<02:06:47.040> moving

17th fret would be well i'm just moving

17th fret would be well i'm just moving
down<02:06:47.440> here<02:06:47.599> to<02:06:47.760> five<02:06:48.239> then<02:06:48.480> we<02:06:48.639> also<02:06:48.880> have<02:06:49.119> the

down here to five then we also have the

down here to five then we also have the
fif<02:06:50.239> uh<02:06:50.480> the<02:06:50.800> tenth<02:06:51.199> and<02:06:51.440> the<02:06:51.679> twelfth<02:06:52.079> fret<02:06:52.320> to

fif uh the tenth and the twelfth fret to

fif uh the tenth and the twelfth fret to
use<02:06:52.639> and<02:06:52.719> then<02:06:52.880> we<02:06:52.960> have<02:06:53.119> that<02:06:53.360> sus4<02:06:54.000> shape

use and then we have that sus4 shape

use and then we have that sus4 shape
i'm<02:06:55.119> not<02:06:55.440> gonna<02:06:55.520> be<02:06:55.599> able<02:06:55.760> to<02:06:55.920> play<02:06:56.079> it<02:06:56.639> but<02:06:56.800> of

i'm not gonna be able to play it but of

i'm not gonna be able to play it but of
course<02:06:57.199> this<02:06:57.360> is<02:06:57.520> something<02:06:57.760> that<02:06:57.840> you<02:06:57.920> can<02:06:58.079> do

course this is something that you can do

course this is something that you can do
when<02:06:58.400> you're<02:06:58.560> higher<02:06:58.880> up<02:06:59.040> on<02:06:59.119> the<02:06:59.199> neck<02:06:59.360> so<02:06:59.520> if

when you're higher up on the neck so if

when you're higher up on the neck so if
you<02:06:59.679> were<02:06:59.840> let's<02:07:00.000> say<02:07:00.239> playing<02:07:00.960> uh<02:07:01.360> a<02:07:01.599> aeolian

you were let's say playing uh a aeolian

you were let's say playing uh a aeolian
again<02:07:02.480> it<02:07:02.639> would<02:07:02.719> be<02:07:02.880> the<02:07:02.960> 17th<02:07:03.520> and<02:07:03.599> then<02:07:03.760> the

again it would be the 17th and then the

again it would be the 17th and then the
19th<02:07:04.239> fret

and again you can move your pinky up a

and again you can move your pinky up a
half<02:07:09.199> step

half step

half step
uh<02:07:10.480> from<02:07:10.639> this<02:07:10.880> kind<02:07:11.040> of<02:07:11.199> shape<02:07:11.599> too<02:07:12.079> so<02:07:12.239> you

uh from this kind of shape too so you

uh from this kind of shape too so you
actually<02:07:12.719> will<02:07:12.880> have<02:07:13.119> these<02:07:13.440> up

actually will have these up

actually will have these up
that<02:07:15.280> kind<02:07:15.440> of<02:07:15.599> the<02:07:16.000> mic<02:07:16.239> is<02:07:16.560> a<02:07:16.639> minor<02:07:16.960> shape

that kind of the mic is a minor shape

that kind of the mic is a minor shape
yeah<02:07:17.520> you<02:07:17.599> have<02:07:17.679> like<02:07:17.840> an<02:07:18.000> a<02:07:18.159> minor<02:07:18.480> and<02:07:18.639> an<02:07:18.800> a

yeah you have like an a minor and an a

yeah you have like an a minor and an a
minor<02:07:19.280> up<02:07:19.360> there<02:07:19.679> too<02:07:20.239> so<02:07:20.719> a<02:07:20.800> little<02:07:21.040> stretchy

minor up there too so a little stretchy

minor up there too so a little stretchy
but<02:07:21.760> more<02:07:22.000> cool<02:07:22.239> stuff<02:07:22.400> you<02:07:22.560> can<02:07:22.639> do<02:07:22.800> in<02:07:22.880> this

but more cool stuff you can do in this

but more cool stuff you can do in this
position

position

position
[Music]

[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

[Music]

[Music]
by<02:07:53.760> now<02:07:54.000> you<02:07:54.079> should<02:07:54.320> be<02:07:54.480> seeing<02:07:54.800> all<02:07:54.880> the

by now you should be seeing all the

by now you should be seeing all the
different<02:07:55.520> sort<02:07:55.760> of<02:07:55.920> uh<02:07:56.480> symmetry<02:07:57.040> that<02:07:57.199> i've

different sort of uh symmetry that i've

different sort of uh symmetry that i've
been<02:07:57.520> talking<02:07:57.840> about<02:07:58.079> so<02:07:58.239> heavily<02:07:58.560> and

been talking about so heavily and

been talking about so heavily and
there's<02:07:58.880> still<02:07:59.040> plenty<02:07:59.440> more<02:08:00.079> um<02:08:00.800> this<02:08:01.040> one<02:08:01.280> is

there's still plenty more um this one is

there's still plenty more um this one is
also<02:08:01.679> something<02:08:02.000> that<02:08:02.239> i<02:08:02.320> haven't<02:08:02.639> seen<02:08:02.880> alan

also something that i haven't seen alan

also something that i haven't seen alan
do<02:08:03.440> a<02:08:03.599> lot<02:08:03.840> i<02:08:04.000> only<02:08:04.239> found<02:08:04.560> three<02:08:04.880> souls<02:08:05.199> or<02:08:05.280> i

do a lot i only found three souls or i

do a lot i only found three souls or i
did

did

did
something<02:08:06.719> like<02:08:06.880> this<02:08:07.119> but<02:08:07.360> it<02:08:07.440> does<02:08:07.599> belong

something like this but it does belong

something like this but it does belong
in<02:08:08.079> this<02:08:08.239> aeolian<02:08:08.880> shape<02:08:09.520> where<02:08:10.000> we're

in this aeolian shape where we're

in this aeolian shape where we're
playing<02:08:10.639> a<02:08:11.119> major<02:08:11.520> third

playing a major third

playing a major third
and<02:08:13.040> then<02:08:13.520> the<02:08:13.760> fourth<02:08:14.079> so<02:08:14.239> it's<02:08:14.480> 5<02:08:14.880> 9<02:08:15.360> 10

and then the fourth so it's 5 9 10

and then the fourth so it's 5 9 10
and<02:08:16.320> doing<02:08:16.560> that<02:08:16.719> on<02:08:16.800> the<02:08:16.880> next<02:08:17.119> string

and then octave jumping to the 8th fret

and then octave jumping to the 8th fret
and<02:08:22.159> then<02:08:22.320> 8<02:08:22.560> 12<02:08:23.119> 13<02:08:24.000> and<02:08:24.079> then<02:08:24.239> 8<02:08:24.480> 12<02:08:24.719> 13

and then 8 12 13 and then 8 12 13

and then 8 12 13 and then 8 12 13
and<02:08:25.760> of<02:08:25.840> course<02:08:26.079> you<02:08:26.239> can<02:08:26.400> use<02:08:26.639> that<02:08:27.040> to<02:08:27.199> play

and of course you can use that to play

and of course you can use that to play
within<02:08:27.840> your<02:08:28.000> key<02:08:28.239> or<02:08:28.480> you<02:08:28.560> could<02:08:28.719> do<02:08:29.119> some

within your key or you could do some

within your key or you could do some
outside<02:08:29.840> stuff

outside stuff

outside stuff
octave<02:08:31.199> jumps<02:08:31.599> is<02:08:31.679> something<02:08:32.000> that<02:08:32.239> allen

octave jumps is something that allen

octave jumps is something that allen
does<02:08:32.880> pretty

does pretty

does pretty
frequently<02:08:34.239> and<02:08:34.480> i<02:08:34.560> have<02:08:34.719> a<02:08:34.800> little<02:08:35.040> section

frequently and i have a little section

frequently and i have a little section
dedicated<02:08:35.920> to<02:08:36.079> just<02:08:36.320> that<02:08:36.800> but<02:08:37.199> that's<02:08:37.440> what

dedicated to just that but that's what

dedicated to just that but that's what
you<02:08:37.760> can<02:08:37.920> see<02:08:38.159> in<02:08:38.239> this<02:08:38.400> position<02:08:38.800> if<02:08:38.960> you

you can see in this position if you

you can see in this position if you
wanted<02:08:39.280> to<02:08:39.440> utilize<02:08:39.840> it<02:08:39.920> you<02:08:40.079> could<02:08:40.159> do<02:08:40.400> it

wanted to utilize it you could do it

wanted to utilize it you could do it
there

all right now lastly we're at the

all right now lastly we're at the
seventh<02:09:07.760> and<02:09:07.920> final<02:09:08.239> position<02:09:08.639> of<02:09:08.800> the<02:09:08.880> major

seventh and final position of the major

seventh and final position of the major
scale<02:09:09.679> b<02:09:09.920> locrian<02:09:10.880> uh<02:09:11.280> of<02:09:11.360> course<02:09:11.679> the<02:09:11.840> easiest

scale b locrian uh of course the easiest

scale b locrian uh of course the easiest
way<02:09:12.400> of<02:09:12.560> thinking<02:09:12.880> of<02:09:12.960> this<02:09:13.199> is<02:09:13.360> c<02:09:13.520> major<02:09:13.920> but

way of thinking of this is c major but

way of thinking of this is c major but
you're<02:09:14.320> starting<02:09:14.639> a<02:09:14.719> half<02:09:14.960> step<02:09:15.280> down<02:09:15.760> and

you're starting a half step down and

you're starting a half step down and
this<02:09:16.079> is<02:09:16.159> kind<02:09:16.320> of<02:09:16.400> what<02:09:16.560> i<02:09:16.639> was<02:09:16.800> saying<02:09:16.960> before

this is kind of what i was saying before

this is kind of what i was saying before
about<02:09:17.440> thinking<02:09:17.679> about<02:09:18.000> the<02:09:18.159> shapes<02:09:18.480> but

about thinking about the shapes but

about thinking about the shapes but
extending<02:09:19.360> them<02:09:20.000> uh<02:09:20.400> and<02:09:20.800> the<02:09:20.960> way<02:09:21.119> that<02:09:21.280> alan

extending them uh and the way that alan

extending them uh and the way that alan
places<02:09:21.920> is<02:09:22.000> really<02:09:22.159> not<02:09:22.400> anything<02:09:22.800> different

places is really not anything different

places is really not anything different
from<02:09:23.920> uh<02:09:24.159> how<02:09:24.400> we've<02:09:24.639> learned<02:09:24.960> it<02:09:25.040> again<02:09:25.599> so

from uh how we've learned it again so

from uh how we've learned it again so
something<02:09:26.159> like

something like

something like
[Music]

[Music]

[Music]
but<02:09:29.360> again<02:09:29.920> notice<02:09:30.639> we<02:09:30.800> have<02:09:31.119> two<02:09:31.360> f's<02:09:31.599> here

but again notice we have two f's here

but again notice we have two f's here
a<02:09:32.800> unison

a unison

a unison
and<02:09:35.199> then<02:09:35.360> we<02:09:35.520> can<02:09:35.679> continue<02:09:36.079> onward<02:09:36.960> uh<02:09:37.360> the

and then we can continue onward uh the

and then we can continue onward uh the
example<02:09:38.239> what<02:09:38.400> i<02:09:38.480> was<02:09:38.560> saying<02:09:38.800> where<02:09:38.960> you<02:09:39.040> can

example what i was saying where you can

example what i was saying where you can
sort<02:09:39.280> of<02:09:39.520> extend<02:09:40.000> the<02:09:40.159> c<02:09:40.400> major<02:09:40.800> shape<02:09:41.520> uh<02:09:42.079> so

sort of extend the c major shape uh so

sort of extend the c major shape uh so
you<02:09:42.400> can<02:09:42.639> sort<02:09:42.719> of<02:09:42.880> apply<02:09:43.119> this<02:09:43.280> sort<02:09:43.440> of<02:09:43.599> b

you can sort of apply this sort of b

you can sort of apply this sort of b
locrian<02:09:44.239> position<02:09:44.800> into<02:09:45.360> the<02:09:45.520> c<02:09:45.679> major<02:09:46.000> one<02:09:46.320> is

locrian position into the c major one is

locrian position into the c major one is
something<02:09:46.719> that<02:09:46.880> he<02:09:46.960> does<02:09:47.360> in<02:09:47.440> the<02:09:47.679> reh<02:09:48.159> video

[Music]

[Music]
just<02:09:54.719> as<02:09:54.960> an<02:09:55.119> example<02:09:55.520> of

just as an example of

just as an example of
juggling<02:09:56.880> things<02:09:57.119> around

juggling things around

juggling things around
[Music]

and again this is what i was saying

and again this is what i was saying
about<02:10:05.679> sort<02:10:05.920> of<02:10:06.320> what<02:10:06.480> he<02:10:06.719> meant<02:10:07.040> by<02:10:07.760> breaking

about sort of what he meant by breaking

about sort of what he meant by breaking
out<02:10:08.480> of<02:10:08.560> that<02:10:08.800> box<02:10:09.199> pattern<02:10:09.520> instead<02:10:09.760> of<02:10:09.920> the

out of that box pattern instead of the

out of that box pattern instead of the
four<02:10:10.239> notebook<02:10:10.639> string<02:10:10.880> scales<02:10:11.280> thinking<02:10:11.599> of

four notebook string scales thinking of

four notebook string scales thinking of
the<02:10:12.239> one<02:10:12.400> position<02:10:12.880> you<02:10:12.960> know<02:10:13.199> and<02:10:13.280> then<02:10:13.440> the

the one position you know and then the

the one position you know and then the
notes<02:10:13.920> that<02:10:14.079> are<02:10:14.400> sort<02:10:14.639> of<02:10:14.719> behind<02:10:15.199> it<02:10:15.360> in

notes that are sort of behind it in

notes that are sort of behind it in
front<02:10:15.679> of<02:10:15.840> it<02:10:16.320> because<02:10:16.560> your<02:10:16.719> hand<02:10:16.880> can<02:10:17.040> only

front of it because your hand can only

front of it because your hand can only
do<02:10:17.360> so<02:10:17.599> much<02:10:17.840> anyway<02:10:18.159> so<02:10:18.400> if<02:10:18.560> i'm<02:10:18.719> in<02:10:18.800> the<02:10:18.960> c

do so much anyway so if i'm in the c

do so much anyway so if i'm in the c
major<02:10:19.520> position<02:10:20.239> you<02:10:20.320> know<02:10:20.560> you<02:10:20.719> can<02:10:21.360> sort<02:10:21.599> of

major position you know you can sort of

major position you know you can sort of
go<02:10:21.920> down<02:10:22.239> one<02:10:22.480> fret<02:10:22.719> and<02:10:22.800> kind<02:10:22.960> of<02:10:23.040> go<02:10:23.280> up<02:10:23.520> a

go down one fret and kind of go up a

go down one fret and kind of go up a
fret<02:10:23.920> or<02:10:24.000> two<02:10:24.239> frets<02:10:24.800> and<02:10:24.960> if<02:10:25.119> you<02:10:25.199> can<02:10:25.440> see

fret or two frets and if you can see

fret or two frets and if you can see
that<02:10:26.000> in<02:10:26.159> every<02:10:26.480> position<02:10:27.440> uh

that in every position uh

that in every position uh
that's<02:10:28.800> probably<02:10:29.119> much<02:10:29.360> easier<02:10:29.599> way<02:10:29.760> than

that's probably much easier way than

that's probably much easier way than
thinking<02:10:30.159> of<02:10:30.320> all<02:10:30.400> the<02:10:30.560> different<02:10:30.960> fingerings

thinking of all the different fingerings

thinking of all the different fingerings
for<02:10:31.520> the<02:10:31.679> four<02:10:32.000> note<02:10:32.159> per<02:10:32.320> string<02:10:32.560> scales

for the four note per string scales

for the four note per string scales
which<02:10:33.199> i<02:10:33.679> could<02:10:33.840> never<02:10:34.079> attempt

which i could never attempt

which i could never attempt
[Music]

the only other interesting thing that i

the only other interesting thing that i
found<02:11:13.360> in<02:11:13.440> this<02:11:13.679> position<02:11:14.639> uh<02:11:15.199> i've<02:11:15.440> only<02:11:15.679> seen

found in this position uh i've only seen

found in this position uh i've only seen
alan<02:11:16.159> do<02:11:16.400> once<02:11:17.040> and<02:11:17.280> it's<02:11:17.520> sort<02:11:17.679> of<02:11:17.760> like<02:11:17.920> the

alan do once and it's sort of like the

alan do once and it's sort of like the
city<02:11:18.400> nights<02:11:18.719> lick<02:11:19.040> with<02:11:19.199> the<02:11:19.440> minor

city nights lick with the minor

city nights lick with the minor
arpeggios<02:11:20.320> but<02:11:20.480> now<02:11:21.119> they're<02:11:21.520> major

arpeggios but now they're major

arpeggios but now they're major
uh<02:11:22.960> arpeggios<02:11:23.679> but<02:11:23.760> in<02:11:24.000> first<02:11:24.320> position<02:11:25.280> so<02:11:25.599> i

uh arpeggios but in first position so i

uh arpeggios but in first position so i
don't<02:11:25.920> first<02:11:26.159> present<02:11:26.560> first<02:11:26.800> inversion<02:11:27.679> so

don't first present first inversion so

don't first present first inversion so
uh<02:11:28.400> for<02:11:28.639> something<02:11:28.880> like<02:11:29.040> this<02:11:29.280> it<02:11:29.440> would<02:11:29.599> be

uh for something like this it would be

uh for something like this it would be
um<02:11:31.199> like<02:11:31.520> this<02:11:31.840> like<02:11:32.079> e

um like this like e

um like this like e
g<02:11:33.360> and<02:11:33.440> then<02:11:33.760> c<02:11:34.400> and<02:11:34.560> then<02:11:34.719> you<02:11:34.800> can<02:11:34.960> do<02:11:35.280> that

g and then c and then you can do that

g and then c and then you can do that
uh<02:11:36.400> on<02:11:36.480> the<02:11:36.639> next<02:11:36.800> string<02:11:37.040> on<02:11:37.119> the<02:11:37.199> d<02:11:37.440> string

uh on the next string on the d string

uh on the next string on the d string
and<02:11:38.719> then<02:11:38.880> the<02:11:38.960> high<02:11:39.199> e<02:11:39.360> string

and then the high e string

and then the high e string
and<02:11:40.800> of<02:11:40.880> course<02:11:41.119> on<02:11:41.199> the<02:11:41.280> low<02:11:41.440> e<02:11:41.599> string<02:11:41.840> as

and of course on the low e string as

and of course on the low e string as
well

well

well
now<02:11:43.119> of<02:11:43.199> course<02:11:43.440> this<02:11:43.599> is<02:11:43.679> something<02:11:43.840> that's

now of course this is something that's

now of course this is something that's
really<02:11:44.159> hard<02:11:44.320> to<02:11:44.480> grab<02:11:44.719> here<02:11:44.960> but<02:11:45.119> would<02:11:45.360> make

really hard to grab here but would make

really hard to grab here but would make
more<02:11:45.920> sense<02:11:46.400> if<02:11:46.560> you<02:11:46.639> were<02:11:46.800> playing<02:11:47.440> higher<02:11:47.760> up

more sense if you were playing higher up

more sense if you were playing higher up
on<02:11:48.239> the<02:11:48.400> next<02:11:48.639> so<02:11:48.800> let's<02:11:48.880> say<02:11:49.040> if<02:11:49.199> you<02:11:49.280> were<02:11:49.520> in

on the next so let's say if you were in

on the next so let's say if you were in
g<02:11:50.159> major<02:11:50.719> something<02:11:51.040> like<02:11:51.199> this

now that we've encountered all these

now that we've encountered all these
different<02:12:04.480> positions<02:12:05.040> all<02:12:05.280> seven<02:12:05.760> positions

different positions all seven positions

different positions all seven positions
of<02:12:06.639> the<02:12:06.800> major<02:12:07.199> scale<02:12:07.920> uh<02:12:08.159> here<02:12:08.400> are<02:12:08.480> some

of the major scale uh here are some

of the major scale uh here are some
examples<02:12:09.119> of<02:12:09.280> some<02:12:09.440> lines<02:12:09.760> that<02:12:09.840> i<02:12:10.000> found<02:12:10.400> i

examples of some lines that i found i

examples of some lines that i found i
think<02:12:11.119> think<02:12:11.280> of<02:12:11.360> them<02:12:11.520> as<02:12:11.679> like

think think of them as like

think think of them as like
multi-positional<02:12:12.719> lines<02:12:12.960> where<02:12:13.119> allen's

multi-positional lines where allen's

multi-positional lines where allen's
using<02:12:13.840> some<02:12:14.079> of<02:12:14.159> these<02:12:14.400> shapes<02:12:15.119> uh<02:12:15.440> and<02:12:15.920> uh

using some of these shapes uh and uh

using some of these shapes uh and uh
symmetrical<02:12:17.199> ideas<02:12:17.679> and<02:12:17.840> moving<02:12:18.159> them<02:12:18.639> either

symmetrical ideas and moving them either

symmetrical ideas and moving them either
from<02:12:19.760> one<02:12:20.000> shape<02:12:20.159> to<02:12:20.320> the<02:12:20.400> next<02:12:20.639> or<02:12:20.719> just

from one shape to the next or just

from one shape to the next or just
showing<02:12:21.199> how<02:12:21.440> alan<02:12:21.840> kind<02:12:22.079> of<02:12:22.639> plays<02:12:23.119> the<02:12:23.280> neck

showing how alan kind of plays the neck

showing how alan kind of plays the neck
in<02:12:23.679> different<02:12:24.000> positions<02:12:24.719> sometimes<02:12:25.119> there

in different positions sometimes there

in different positions sometimes there
might<02:12:25.360> be<02:12:25.440> a<02:12:25.520> little<02:12:26.000> line<02:12:26.239> that<02:12:26.320> has<02:12:26.480> a<02:12:26.560> little

might be a little line that has a little

might be a little line that has a little
key<02:12:27.040> change<02:12:27.440> thing<02:12:27.679> in<02:12:27.840> there<02:12:28.000> but<02:12:28.159> they

key change thing in there but they

key change thing in there but they
should<02:12:28.560> all<02:12:28.719> be<02:12:29.119> uh<02:12:29.679> pretty<02:12:29.920> easy<02:12:30.159> to<02:12:30.320> see

should all be uh pretty easy to see

should all be uh pretty easy to see
[Music]

[Applause]

[Applause]
so

me

me
[Music]

my

my
[Music]

so like i was mentioning before in the

so like i was mentioning before in the
aeolian<02:13:58.960> section<02:13:59.440> about<02:14:00.079> jumping<02:14:00.400> an<02:14:00.639> octave

aeolian section about jumping an octave

aeolian section about jumping an octave
uh<02:14:02.000> that's<02:14:02.239> something<02:14:02.560> that<02:14:02.719> you<02:14:02.880> see<02:14:03.040> alan<02:14:03.360> do

uh that's something that you see alan do

uh that's something that you see alan do
often<02:14:03.920> where<02:14:04.079> he'll<02:14:04.400> take<02:14:05.040> uh<02:14:05.360> a<02:14:05.520> four<02:14:05.760> note

often where he'll take uh a four note

often where he'll take uh a four note
phrase<02:14:06.400> and<02:14:06.560> moving<02:14:06.880> up<02:14:07.040> an<02:14:07.199> octave<02:14:07.840> uh<02:14:08.000> and

phrase and moving up an octave uh and

phrase and moving up an octave uh and
what<02:14:08.239> i<02:14:08.320> mean<02:14:08.480> by<02:14:08.639> that<02:14:08.800> is<02:14:08.880> let's<02:14:09.040> see<02:14:09.119> if

what i mean by that is let's see if

what i mean by that is let's see if
we're<02:14:09.360> playing<02:14:09.599> something<02:14:10.000> on<02:14:10.159> the<02:14:10.639> fifth

we're playing something on the fifth

we're playing something on the fifth
fret<02:14:12.239> the<02:14:12.400> octave<02:14:12.800> is<02:14:12.960> also<02:14:13.280> on<02:14:13.440> the<02:14:13.599> seventh

fret the octave is also on the seventh

fret the octave is also on the seventh
fret<02:14:14.159> on<02:14:14.239> the<02:14:14.320> d<02:14:14.480> string

fret on the d string

fret on the d string
and<02:14:15.599> then<02:14:15.840> the<02:14:16.480> tenth<02:14:16.800> fret<02:14:17.040> on<02:14:17.199> the<02:14:17.360> b<02:14:17.520> string

and then the tenth fret on the b string

and then the tenth fret on the b string
so<02:14:18.719> he<02:14:18.800> would<02:14:18.960> take<02:14:19.199> a<02:14:19.280> phrase<02:14:19.760> like

so he would take a phrase like

so he would take a phrase like
let's<02:14:21.920> say<02:14:22.079> something<02:14:22.400> like<02:14:22.560> that<02:14:23.199> this<02:14:23.440> two

let's say something like that this two

let's say something like that this two
note<02:14:23.840> phrase<02:14:24.480> and<02:14:24.560> then<02:14:24.719> move

and uh sometimes in these lines uh there

and uh sometimes in these lines uh there
are<02:14:30.639> little<02:14:30.800> mistakes<02:14:31.199> because<02:14:31.360> it's<02:14:31.440> not

are little mistakes because it's not

are little mistakes because it's not
perfect<02:14:32.000> every<02:14:32.159> time<02:14:32.320> and<02:14:32.480> i<02:14:32.560> think<02:14:32.719> that's<02:14:32.960> a

perfect every time and i think that's a

perfect every time and i think that's a
positional<02:14:33.599> thing<02:14:33.840> as<02:14:34.000> he's<02:14:34.159> moving<02:14:34.480> up<02:14:34.639> he

positional thing as he's moving up he

positional thing as he's moving up he
might<02:14:34.880> be<02:14:35.040> hitting<02:14:35.360> notes<02:14:35.599> that<02:14:35.679> he<02:14:35.840> doesn't

might be hitting notes that he doesn't

might be hitting notes that he doesn't
necessarily<02:14:36.639> mean<02:14:36.880> to<02:14:37.040> hit<02:14:37.520> once<02:14:37.760> again<02:14:38.239> i

necessarily mean to hit once again i

necessarily mean to hit once again i
can't<02:14:38.639> tell<02:14:38.880> on<02:14:38.960> the<02:14:39.119> intention<02:14:39.679> but<02:14:39.920> i<02:14:40.159> think

can't tell on the intention but i think

can't tell on the intention but i think
there<02:14:40.480> are<02:14:40.560> mistakes<02:14:41.040> that<02:14:41.119> he<02:14:41.280> probably

there are mistakes that he probably

there are mistakes that he probably
meant<02:14:41.679> to<02:14:41.840> play<02:14:42.000> the<02:14:42.159> same<02:14:42.480> thing<02:14:42.800> each<02:14:43.040> time

meant to play the same thing each time

meant to play the same thing each time
for<02:14:43.599> each<02:14:43.840> octave

a surprising amount of allen's playing

a surprising amount of allen's playing
is<02:15:17.520> actually<02:15:18.400> pentatonic<02:15:19.040> based

is actually pentatonic based

is actually pentatonic based
mostly<02:15:20.239> in<02:15:20.320> that<02:15:20.560> one<02:15:20.800> position<02:15:21.280> that<02:15:21.760> we<02:15:22.000> all

mostly in that one position that we all

mostly in that one position that we all
know<02:15:22.480> and<02:15:22.560> love<02:15:22.880> and<02:15:23.040> also<02:15:23.280> with<02:15:23.440> the<02:15:23.599> root<02:15:23.840> on

know and love and also with the root on

know and love and also with the root on
the<02:15:24.159> fifth<02:15:24.400> strike<02:15:24.960> he<02:15:25.119> may<02:15:25.360> use<02:15:25.599> some<02:15:25.760> of<02:15:25.840> the

the fifth strike he may use some of the

the fifth strike he may use some of the
other<02:15:26.239> positions<02:15:27.360> but<02:15:27.599> i<02:15:27.679> really<02:15:27.840> haven't

other positions but i really haven't

other positions but i really haven't
seen<02:15:28.400> too<02:15:28.560> much<02:15:28.719> evidence<02:15:29.119> of<02:15:29.280> it<02:15:29.679> so<02:15:29.840> here's

seen too much evidence of it so here's

seen too much evidence of it so here's
our<02:15:30.239> normal<02:15:30.560> pentatonic<02:15:31.119> shape

our normal pentatonic shape

our normal pentatonic shape
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sometimes allen uh throws the nine in

sometimes allen uh throws the nine in
there<02:15:37.199> actually<02:15:37.440> pretty<02:15:37.679> often<02:15:38.000> so<02:15:38.159> it's

there actually pretty often so it's

there actually pretty often so it's
actually<02:15:38.560> a<02:15:38.639> six<02:15:38.880> note<02:15:39.040> scale<02:15:39.360> now

or sometimes you can play the nine over

or sometimes you can play the nine over
here

of course with this you can add

of course with this you can add
chromaticism<02:15:47.760> the<02:15:47.840> flat<02:15:48.159> five<02:15:48.480> the<02:15:48.639> major

chromaticism the flat five the major

chromaticism the flat five the major
third<02:15:49.280> and<02:15:49.440> all<02:15:49.520> that<02:15:49.679> kind<02:15:49.920> of<02:15:50.000> stuff

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you

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you may have noticed some of the

you may have noticed some of the
frequency<02:18:05.120> of<02:18:05.200> those<02:18:05.439> blues<02:18:05.760> lines<02:18:06.000> that

frequency of those blues lines that

frequency of those blues lines that
allen<02:18:06.399> used<02:18:06.639> but<02:18:06.960> he<02:18:07.120> did<02:18:07.280> come<02:18:07.599> from<02:18:07.760> a<02:18:07.840> blues

allen used but he did come from a blues

allen used but he did come from a blues
background<02:18:09.120> and<02:18:09.679> uh<02:18:10.160> i<02:18:10.319> guess<02:18:10.479> was<02:18:10.639> a<02:18:10.719> little

background and uh i guess was a little

background and uh i guess was a little
cheeky<02:18:11.840> to<02:18:12.000> admit<02:18:12.240> that<02:18:12.319> he<02:18:12.479> would<02:18:12.559> use<02:18:12.800> them

cheeky to admit that he would use them

cheeky to admit that he would use them
but<02:18:13.120> they're<02:18:13.359> certainly<02:18:13.760> there<02:18:14.319> uh<02:18:14.559> here's

but they're certainly there uh here's

but they're certainly there uh here's
the<02:18:15.040> same<02:18:15.439> shape<02:18:15.679> but<02:18:15.920> now<02:18:16.399> with<02:18:16.559> the<02:18:16.800> root<02:18:17.040> on

the same shape but now with the root on

the same shape but now with the root on
the<02:18:17.359> a<02:18:17.599> string<02:18:18.399> uh<02:18:18.800> again<02:18:19.439> i<02:18:19.679> added<02:18:19.920> where<02:18:20.080> the

the a string uh again i added where the

the a string uh again i added where the
nine<02:18:20.479> would<02:18:20.639> be<02:18:20.800> as<02:18:21.040> alan<02:18:21.359> might<02:18:21.679> uh<02:18:22.160> play<02:18:22.399> it

nine would be as alan might uh play it

nine would be as alan might uh play it
that<02:18:22.639> way<02:18:22.880> as<02:18:23.040> well<02:18:23.840> something<02:18:24.160> like<02:18:24.319> this

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do

some of you may not know this but uh the

some of you may not know this but uh the
regular<02:19:19.200> minor<02:19:19.439> pentatonic<02:19:20.080> scale<02:19:20.880> appears

regular minor pentatonic scale appears

regular minor pentatonic scale appears
more<02:19:21.519> than<02:19:21.760> once<02:19:22.319> so<02:19:22.559> for<02:19:22.719> example<02:19:23.280> if<02:19:23.439> we're

more than once so for example if we're

more than once so for example if we're
in<02:19:23.760> the<02:19:23.920> key<02:19:24.080> of<02:19:24.240> c<02:19:24.559> most<02:19:24.800> people<02:19:25.040> would<02:19:25.280> know

in the key of c most people would know

in the key of c most people would know
that<02:19:25.840> you<02:19:25.920> can<02:19:26.080> play<02:19:26.319> the<02:19:26.399> a<02:19:26.639> minor<02:19:26.960> pentatonic

that you can play the a minor pentatonic

that you can play the a minor pentatonic
but<02:19:28.000> that's<02:19:28.319> actually<02:19:28.639> not<02:19:28.800> the<02:19:28.960> case<02:19:29.200> you<02:19:29.359> can

but that's actually not the case you can

but that's actually not the case you can
play<02:19:29.760> them<02:19:29.840> in<02:19:30.000> three<02:19:30.319> different<02:19:30.639> places<02:19:31.359> you

play them in three different places you

play them in three different places you
can<02:19:31.760> play<02:19:32.000> it<02:19:32.479> uh

can play it uh

can play it uh
in<02:19:33.519> the<02:19:34.000> an<02:19:34.240> a<02:19:34.880> and<02:19:35.280> d<02:19:35.920> and<02:19:36.160> in<02:19:36.319> e<02:19:36.719> and<02:19:36.880> the

in the an a and d and in e and the

in the an a and d and in e and the
reason<02:19:37.359> why<02:19:37.599> is<02:19:37.760> because<02:19:38.080> each<02:19:38.319> one<02:19:38.479> of<02:19:38.559> those

reason why is because each one of those

reason why is because each one of those
positions<02:19:39.280> contain<02:19:39.760> a<02:19:39.920> one

positions contain a one

positions contain a one
the<02:19:40.960> flat<02:19:41.280> three<02:19:42.000> the<02:19:42.240> four<02:19:42.800> the<02:19:42.960> five<02:19:43.439> and<02:19:43.519> the

the flat three the four the five and the

the flat three the four the five and the
flat<02:19:43.920> seven

flat seven

flat seven
the<02:19:45.280> only<02:19:45.519> thing<02:19:45.760> that<02:19:46.000> distinguishes<02:19:47.200> each

the only thing that distinguishes each

the only thing that distinguishes each
one<02:19:47.599> of<02:19:47.679> those

one of those

one of those
i'll<02:19:48.640> use<02:19:48.960> modes<02:19:49.520> uh<02:19:50.240> to<02:19:50.399> be<02:19:50.640> different<02:19:51.359> is<02:19:51.760> the

i'll use modes uh to be different is the

i'll use modes uh to be different is the
order<02:19:52.479> of<02:19:52.640> the<02:19:52.960> two<02:19:53.200> and<02:19:53.280> the<02:19:53.439> six<02:19:53.760> whether

order of the two and the six whether

order of the two and the six whether
it's<02:19:54.160> a<02:19:54.240> flat<02:19:54.560> two<02:19:54.880> or<02:19:55.040> a<02:19:55.120> flat<02:19:55.439> six<02:19:55.680> or<02:19:55.840> a

it's a flat two or a flat six or a

it's a flat two or a flat six or a
combination<02:19:56.560> of<02:19:56.720> both<02:19:57.439> the<02:19:57.600> same<02:19:57.920> idea<02:19:58.240> can

combination of both the same idea can

combination of both the same idea can
also<02:19:58.720> be<02:19:58.960> applied<02:19:59.439> to<02:20:00.000> uh<02:20:00.240> the<02:20:00.319> major

also be applied to uh the major

also be applied to uh the major
pythagorean<02:20:01.200> scale<02:20:01.359> so<02:20:01.680> again<02:20:01.920> if<02:20:02.080> we're<02:20:02.319> in

pythagorean scale so again if we're in

pythagorean scale so again if we're in
the<02:20:02.560> key<02:20:02.800> of<02:20:02.960> c<02:20:03.680> we<02:20:03.840> could<02:20:04.000> play<02:20:04.240> c<02:20:04.479> major

the key of c we could play c major

the key of c we could play c major
pentatonic

also f major pentatonic

also f major pentatonic
and<02:20:10.720> g<02:20:10.880> major<02:20:11.200> pentatonic

and g major pentatonic

and g major pentatonic
uh<02:20:13.520> the<02:20:13.680> reason<02:20:13.920> why<02:20:14.160> is<02:20:14.240> because<02:20:14.479> the<02:20:14.560> major

uh the reason why is because the major

uh the reason why is because the major
pentatonics<02:20:15.439> here<02:20:15.600> contain<02:20:16.000> a<02:20:16.160> one<02:20:16.800> two<02:20:17.520> three

pentatonics here contain a one two three

pentatonics here contain a one two three
five<02:20:19.200> and<02:20:19.359> the<02:20:19.520> six<02:20:20.240> for<02:20:20.479> each<02:20:20.720> one<02:20:20.880> of<02:20:20.960> those

five and the six for each one of those

five and the six for each one of those
positions<02:20:22.000> and<02:20:22.240> in<02:20:22.319> this<02:20:22.560> case<02:20:22.800> the<02:20:22.960> only

positions and in this case the only

positions and in this case the only
thing<02:20:23.280> that<02:20:23.439> really<02:20:23.680> separates<02:20:24.160> these<02:20:24.399> modes

thing that really separates these modes

thing that really separates these modes
to<02:20:24.800> be<02:20:24.960> different<02:20:25.680> is<02:20:26.399> uh<02:20:26.640> the<02:20:26.800> four<02:20:27.120> and<02:20:27.200> the

to be different is uh the four and the

to be different is uh the four and the
seven<02:20:27.840> whether<02:20:28.160> it<02:20:28.240> has<02:20:28.399> a<02:20:28.479> major<02:20:28.880> seven<02:20:29.520> uh<02:20:29.840> or

seven whether it has a major seven uh or

seven whether it has a major seven uh or
a<02:20:30.000> flat<02:20:30.399> seven<02:20:30.960> or<02:20:31.200> a<02:20:31.439> sharp<02:20:31.920> four

a flat seven or a sharp four

a flat seven or a sharp four
now<02:20:32.880> that<02:20:33.040> means<02:20:33.359> each<02:20:33.520> of<02:20:33.680> these<02:20:33.920> ideas<02:20:34.399> can

now that means each of these ideas can

now that means each of these ideas can
be<02:20:34.800> used<02:20:35.200> in<02:20:35.280> those<02:20:35.600> positions<02:20:36.080> of<02:20:36.160> course<02:20:36.640> not

be used in those positions of course not

be used in those positions of course not
where<02:20:37.120> they<02:20:37.280> have<02:20:37.439> the<02:20:37.520> nine<02:20:37.760> and<02:20:37.920> depending

where they have the nine and depending

where they have the nine and depending
on<02:20:38.479> where<02:20:38.640> you<02:20:38.880> are<02:20:39.439> um<02:20:39.920> but<02:20:40.160> just<02:20:40.399> the<02:20:40.560> strict

on where you are um but just the strict

on where you are um but just the strict
pentatonic<02:20:41.680> shape<02:20:41.840> can<02:20:42.000> be<02:20:42.080> used<02:20:42.240> in<02:20:42.399> those

pentatonic shape can be used in those

pentatonic shape can be used in those
areas<02:20:43.280> now<02:20:43.920> in<02:20:44.160> allen's<02:20:44.479> music<02:20:44.800> you<02:20:44.880> could

areas now in allen's music you could

areas now in allen's music you could
pretty<02:20:45.280> much<02:20:45.439> use<02:20:45.680> it<02:20:45.840> anywhere<02:20:46.560> but<02:20:46.800> remember

pretty much use it anywhere but remember

pretty much use it anywhere but remember
when<02:20:47.280> we<02:20:47.439> talked<02:20:47.680> about<02:20:47.840> the<02:20:48.000> avoid<02:20:48.399> notes<02:20:48.640> you

when we talked about the avoid notes you

when we talked about the avoid notes you
have<02:20:48.960> to<02:20:49.120> be<02:20:49.280> a<02:20:49.359> little<02:20:49.520> bit<02:20:49.680> more<02:20:49.920> careful

have to be a little bit more careful

have to be a little bit more careful
about<02:20:51.200> uh<02:20:51.760> using<02:20:52.080> the<02:20:52.160> pentatonics<02:20:52.800> in<02:20:52.880> those

about uh using the pentatonics in those

about uh using the pentatonics in those
different<02:20:53.920> places<02:20:54.560> so<02:20:54.720> for<02:20:54.960> example<02:20:55.680> let's

different places so for example let's

different places so for example let's
say

say

say
we<02:20:56.800> have<02:20:56.960> a<02:20:57.359> c<02:20:57.520> major<02:20:57.840> chord

we have a c major chord

we have a c major chord
we<02:20:59.280> can<02:20:59.439> play<02:20:59.680> a<02:20:59.840> minor<02:21:00.080> pentatonic<02:21:00.720> and<02:21:00.800> we're

we can play a minor pentatonic and we're

we can play a minor pentatonic and we're
okay<02:21:01.359> there<02:21:01.600> because<02:21:01.840> the<02:21:02.000> notes<02:21:02.240> are<02:21:02.399> a<02:21:02.800> c<02:21:03.200> d<02:21:03.600> e

okay there because the notes are a c d e

okay there because the notes are a c d e
g

g

g
and<02:21:05.439> we<02:21:05.600> can<02:21:05.760> do<02:21:06.000> e<02:21:06.160> minor<02:21:06.479> pentatonic<02:21:07.359> e<02:21:07.840> g

and we can do e minor pentatonic e g

and we can do e minor pentatonic e g
a<02:21:08.960> b<02:21:09.280> and<02:21:09.439> d

a b and d

a b and d
but<02:21:10.560> if<02:21:10.800> we<02:21:10.960> were<02:21:11.120> to<02:21:11.280> play<02:21:11.680> the<02:21:12.000> d<02:21:12.240> minor

but if we were to play the d minor

but if we were to play the d minor
pentatonic<02:21:13.760> then<02:21:13.920> we'd<02:21:14.160> have<02:21:14.240> to<02:21:14.399> be<02:21:14.720> uh

pentatonic then we'd have to be uh

pentatonic then we'd have to be uh
pretty<02:21:15.600> careful<02:21:16.000> or<02:21:16.160> at<02:21:16.240> least<02:21:16.560> uh<02:21:17.040> not<02:21:17.359> use<02:21:17.600> it

pretty careful or at least uh not use it

pretty careful or at least uh not use it
because<02:21:18.479> now<02:21:18.640> we're<02:21:18.800> introducing<02:21:19.359> an<02:21:19.520> f<02:21:19.760> and

because now we're introducing an f and

because now we're introducing an f and
we<02:21:20.000> know<02:21:20.160> that<02:21:20.240> that's<02:21:20.479> our<02:21:20.720> void<02:21:20.960> note

we know that that's our void note

we know that that's our void note
because<02:21:21.359> it's<02:21:21.520> a<02:21:21.600> half<02:21:21.840> step<02:21:22.080> above

because it's a half step above

because it's a half step above
the<02:21:23.040> major<02:21:23.439> third<02:21:23.680> there<02:21:24.160> because<02:21:24.319> another<02:21:24.720> d

the major third there because another d

the major third there because another d
which<02:21:25.280> would<02:21:25.439> be<02:21:25.600> the<02:21:25.760> nine<02:21:26.080> to<02:21:26.319> c<02:21:26.479> but<02:21:26.640> then<02:21:26.800> we

which would be the nine to c but then we

which would be the nine to c but then we
have<02:21:27.120> f<02:21:27.600> which<02:21:27.840> is<02:21:27.920> kind<02:21:28.080> of<02:21:28.560> pretty<02:21:28.800> bad<02:21:29.040> to

have f which is kind of pretty bad to

have f which is kind of pretty bad to
hear<02:21:29.760> and<02:21:29.840> then<02:21:30.000> we<02:21:30.160> have<02:21:30.720> uh<02:21:31.040> g<02:21:31.359> a<02:21:31.920> and<02:21:32.319> c<02:21:32.800> so

hear and then we have uh g a and c so

hear and then we have uh g a and c so
all<02:21:33.280> the<02:21:33.359> other<02:21:33.520> notes<02:21:33.760> would<02:21:33.920> work<02:21:34.160> but<02:21:34.319> that

all the other notes would work but that

all the other notes would work but that
f<02:21:34.800> wouldn't<02:21:35.439> so<02:21:35.760> like<02:21:36.000> i<02:21:36.080> said<02:21:36.240> for<02:21:36.399> functional

f wouldn't so like i said for functional

f wouldn't so like i said for functional
harmony<02:21:37.680> uh<02:21:38.399> it's<02:21:38.720> a<02:21:38.800> little<02:21:38.960> bit<02:21:39.120> tougher<02:21:39.439> to

harmony uh it's a little bit tougher to

harmony uh it's a little bit tougher to
do<02:21:40.000> but<02:21:40.319> for<02:21:41.040> allen's<02:21:41.520> music<02:21:41.840> or<02:21:41.920> music<02:21:42.240> in

do but for allen's music or music in

do but for allen's music or music in
that<02:21:42.479> same<02:21:42.720> kind<02:21:42.880> of<02:21:43.040> vein<02:21:43.520> you<02:21:43.680> could<02:21:43.920> pretty

that same kind of vein you could pretty

that same kind of vein you could pretty
much<02:21:44.319> apply<02:21:44.640> these<02:21:44.880> ideas<02:21:45.280> to<02:21:45.760> those<02:21:46.240> uh<02:21:46.479> three

much apply these ideas to those uh three

much apply these ideas to those uh three
different<02:21:47.040> positions<02:21:47.760> one<02:21:47.920> of<02:21:48.000> the<02:21:48.080> things

different positions one of the things

different positions one of the things
that<02:21:48.479> alan<02:21:48.720> does<02:21:48.960> when<02:21:49.120> playing<02:21:49.359> the

that alan does when playing the

that alan does when playing the
pentatonic<02:21:49.920> scale<02:21:50.240> is<02:21:50.399> the<02:21:50.560> use<02:21:50.800> of<02:21:50.960> unison

pentatonic scale is the use of unison

pentatonic scale is the use of unison
notes<02:21:51.760> because<02:21:51.920> he<02:21:52.080> then<02:21:52.399> takes<02:21:52.640> that

notes because he then takes that

notes because he then takes that
pentatonic<02:21:53.359> scale<02:21:53.680> and<02:21:53.760> basically<02:21:54.399> makes<02:21:54.640> a

pentatonic scale and basically makes a

pentatonic scale and basically makes a
three<02:21:55.120> note<02:21:55.359> per<02:21:55.520> string<02:21:55.760> scale<02:21:56.080> out<02:21:56.240> of<02:21:56.399> it<02:21:56.800> so

three note per string scale out of it so

three note per string scale out of it so
if<02:21:57.120> we're<02:21:57.359> in<02:21:57.840> uh<02:21:58.080> d<02:21:58.319> minor<02:21:58.560> pentatonic<02:21:59.120> let's

if we're in uh d minor pentatonic let's

if we're in uh d minor pentatonic let's
take<02:21:59.520> the<02:22:00.000> the<02:22:00.160> root<02:22:00.399> five<02:22:00.640> shape<02:22:00.800> because

take the the root five shape because

take the the root five shape because
this<02:22:01.120> is<02:22:01.200> where<02:22:01.359> he<02:22:01.760> uh<02:22:02.000> uses<02:22:02.399> it<02:22:02.479> usually<02:22:02.800> with

this is where he uh uses it usually with

this is where he uh uses it usually with
the<02:22:03.280> on<02:22:03.439> the<02:22:03.520> a<02:22:03.760> string<02:22:04.240> we<02:22:04.399> have<02:22:04.800> d<02:22:05.439> f<02:22:05.840> and<02:22:06.000> g

the on the a string we have d f and g

the on the a string we have d f and g
and<02:22:06.800> then

and then

and then
another<02:22:08.000> g<02:22:08.399> on<02:22:08.479> the<02:22:08.960> a<02:22:09.439> on<02:22:09.520> the<02:22:09.760> d<02:22:10.000> string

another g on the a on the d string

another g on the a on the d string
so<02:22:11.280> something<02:22:11.520> like<02:22:11.600> this

[Music]

[Music]
uh<02:22:15.280> he<02:22:15.439> does<02:22:15.680> that<02:22:15.920> pretty<02:22:16.240> often<02:22:17.040> also<02:22:17.439> if<02:22:17.600> you

uh he does that pretty often also if you

uh he does that pretty often also if you
were<02:22:17.760> to<02:22:17.920> move<02:22:18.240> that<02:22:18.560> position<02:22:19.200> up<02:22:19.359> a<02:22:19.439> whole

were to move that position up a whole

were to move that position up a whole
step<02:22:20.000> and<02:22:20.160> back

something like that then we're sort of

something like that then we're sort of
doing<02:22:25.200> a<02:22:25.280> d<02:22:25.520> minor<02:22:26.080> and<02:22:26.240> e<02:22:26.399> minor<02:22:26.720> pentatonic

doing a d minor and e minor pentatonic

doing a d minor and e minor pentatonic
thing<02:22:27.920> and<02:22:28.399> that<02:22:28.560> would<02:22:29.040> fit<02:22:29.280> perfectly<02:22:29.760> with

thing and that would fit perfectly with

thing and that would fit perfectly with
c<02:22:30.560> major<02:22:30.960> so<02:22:31.200> you<02:22:31.280> could<02:22:31.439> see<02:22:31.680> that<02:22:31.760> that's

c major so you could see that that's

c major so you could see that that's
definitely<02:22:32.319> like<02:22:32.479> a<02:22:32.560> dorian<02:22:32.960> position<02:22:33.359> that

definitely like a dorian position that

definitely like a dorian position that
alan's<02:22:34.000> thinking<02:22:34.319> of

now by far the most common place that

now by far the most common place that
alan<02:23:07.439> uses<02:23:07.840> this<02:23:08.080> unison<02:23:08.560> note<02:23:08.800> is<02:23:08.960> actually

alan uses this unison note is actually

alan uses this unison note is actually
on<02:23:09.439> the<02:23:09.680> b<02:23:10.000> and<02:23:10.160> the<02:23:10.240> e<02:23:10.479> string<02:23:10.960> using<02:23:11.200> that

on the b and the e string using that

on the b and the e string using that
same<02:23:11.680> three<02:23:11.920> note<02:23:12.080> per<02:23:12.240> string<02:23:12.560> idea<02:23:13.120> but<02:23:13.439> if

same three note per string idea but if

same three note per string idea but if
we're<02:23:13.760> doing<02:23:14.080> it<02:23:14.160> let's<02:23:14.319> say<02:23:14.560> in<02:23:14.640> that<02:23:14.800> fifth

we're doing it let's say in that fifth

we're doing it let's say in that fifth
position<02:23:15.359> or<02:23:15.439> a<02:23:15.600> minor<02:23:15.840> pentatonic<02:23:16.720> we're

position or a minor pentatonic we're

position or a minor pentatonic we're
going<02:23:16.960> to<02:23:17.040> have<02:23:17.200> a<02:23:17.280> unison

going to have a unison

going to have a unison
a<02:23:18.720> note

like that

like that
and<02:23:23.760> mixing<02:23:24.160> that<02:23:24.399> up<02:23:24.640> all<02:23:24.880> in<02:23:24.960> different<02:23:25.200> ways

and mixing that up all in different ways

and mixing that up all in different ways
you<02:23:25.600> can<02:23:25.760> actually<02:23:25.920> get<02:23:26.160> some<02:23:26.319> really

you can actually get some really

you can actually get some really
interesting<02:23:27.120> and<02:23:27.200> different<02:23:27.520> lines<02:23:27.840> out<02:23:27.920> of

interesting and different lines out of

interesting and different lines out of
it

it

it
[Music]

[Music]

[Music]
[Applause]

[Music]

[Music]
so

[Music]

[Music]
[Applause]

[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

i do want to make a note here that when

i do want to make a note here that when
alan<02:24:39.760> does<02:24:40.000> play<02:24:40.240> the<02:24:40.319> minor<02:24:40.560> pentatonic

alan does play the minor pentatonic

alan does play the minor pentatonic
scale<02:24:41.280> he's<02:24:41.439> not<02:24:41.600> always<02:24:41.840> just<02:24:42.000> using<02:24:42.240> his

scale he's not always just using his

scale he's not always just using his
first<02:24:42.720> and<02:24:42.880> third

first and third

first and third
first<02:24:45.200> and<02:24:45.359> fourth<02:24:45.600> finger<02:24:46.240> because<02:24:46.560> his<02:24:46.720> hand

first and fourth finger because his hand

first and fourth finger because his hand
is<02:24:47.280> so<02:24:47.920> large<02:24:48.319> he'll<02:24:48.560> a<02:24:48.640> lot<02:24:48.800> of<02:24:48.960> times<02:24:49.280> play

is so large he'll a lot of times play

is so large he'll a lot of times play
with<02:24:49.920> his<02:24:50.080> first<02:24:50.399> and<02:24:50.560> second<02:24:50.880> finger

with his first and second finger

with his first and second finger
[Music]

[Music]

[Music]
so<02:24:55.200> he's<02:24:55.439> playing<02:24:55.680> that<02:24:55.920> line<02:24:56.240> actually<02:24:56.399> with

so he's playing that line actually with

so he's playing that line actually with
this<02:24:56.800> second<02:24:57.120> and<02:24:57.280> fourth<02:24:57.520> finger

and that actually might be a little bit

and that actually might be a little bit
easier<02:25:02.000> to<02:25:02.240> use<02:25:02.800> to<02:25:02.960> play<02:25:03.200> those<02:25:03.359> lines<02:25:03.600> like

easier to use to play those lines like

easier to use to play those lines like
that<02:25:03.840> instead<02:25:04.080> of<02:25:04.240> using<02:25:04.560> the<02:25:04.720> weaker<02:25:05.120> third

that instead of using the weaker third

that instead of using the weaker third
and<02:25:05.439> fourth<02:25:05.760> finger<02:25:06.319> i<02:25:06.560> found<02:25:06.800> that<02:25:06.880> the<02:25:07.040> most

and fourth finger i found that the most

and fourth finger i found that the most
interesting<02:25:07.760> way<02:25:07.920> that<02:25:08.160> alan<02:25:08.479> does<02:25:08.800> play<02:25:09.040> the

interesting way that alan does play the

interesting way that alan does play the
pentatonic<02:25:09.840> scale<02:25:10.160> is<02:25:10.319> with<02:25:10.479> this<02:25:10.640> kind<02:25:10.800> of

pentatonic scale is with this kind of

pentatonic scale is with this kind of
string<02:25:11.280> skipping<02:25:12.000> he'll<02:25:12.240> do<02:25:12.479> something<02:25:12.880> like

string skipping he'll do something like

string skipping he'll do something like
this<02:25:13.280> so<02:25:13.439> let's<02:25:13.600> say<02:25:13.760> we're<02:25:14.000> an<02:25:14.160> a<02:25:14.240> minor

this so let's say we're an a minor

this so let's say we're an a minor
pentatonic<02:25:15.600> uh<02:25:16.160> you<02:25:16.319> can<02:25:16.399> have<02:25:16.560> this<02:25:16.800> shape

pentatonic uh you can have this shape

pentatonic uh you can have this shape
then<02:25:17.920> you<02:25:18.000> can<02:25:18.240> skip<02:25:18.640> the<02:25:18.960> uh<02:25:19.280> the<02:25:19.439> d<02:25:19.600> string

then you can skip the uh the d string

then you can skip the uh the d string
and<02:25:19.920> go<02:25:20.080> to<02:25:20.160> the<02:25:20.240> g<02:25:20.399> string

and go to the g string

and go to the g string
and<02:25:21.439> then<02:25:21.680> skip<02:25:21.920> the<02:25:22.160> b<02:25:22.319> string<02:25:22.560> and<02:25:22.640> go<02:25:22.800> to<02:25:22.880> the

and then skip the b string and go to the

and then skip the b string and go to the
e<02:25:23.120> string<02:25:23.920> and<02:25:24.080> of<02:25:24.160> course<02:25:24.399> you<02:25:24.479> can<02:25:24.640> kind<02:25:24.800> of

e string and of course you can kind of

e string and of course you can kind of
see<02:25:25.040> the<02:25:25.200> symmetry<02:25:25.600> with<02:25:25.840> it

see the symmetry with it

see the symmetry with it
[Music]

[Music]

[Music]
of<02:25:29.040> course<02:25:29.600> the<02:25:29.680> g<02:25:29.840> string<02:25:30.080> is<02:25:30.160> a<02:25:30.160> little<02:25:30.319> bit

of course the g string is a little bit

of course the g string is a little bit
different<02:25:30.800> but<02:25:30.960> your<02:25:31.280> first<02:25:31.520> finger<02:25:31.760> and

different but your first finger and

different but your first finger and
pinky<02:25:32.160> are<02:25:32.319> all<02:25:32.479> on<02:25:32.560> the<02:25:32.640> same<02:25:32.960> fret

pinky are all on the same fret

pinky are all on the same fret
now<02:25:34.399> also<02:25:34.720> remember<02:25:35.200> because<02:25:35.520> of<02:25:35.600> the<02:25:35.760> way

now also remember because of the way

now also remember because of the way
that<02:25:36.240> the<02:25:36.319> guitar<02:25:36.720> is<02:25:36.800> tuned<02:25:37.040> with<02:25:37.120> that

that the guitar is tuned with that

that the guitar is tuned with that
string<02:25:37.520> skipping<02:25:38.240> you<02:25:38.399> can<02:25:38.640> also<02:25:39.120> imply<02:25:39.520> the

string skipping you can also imply the

string skipping you can also imply the
same<02:25:40.479> scale<02:25:40.880> position<02:25:41.359> to<02:25:41.600> the<02:25:41.920> low<02:25:42.240> e<02:25:42.399> string

same scale position to the low e string

same scale position to the low e string
and<02:25:43.359> the<02:25:43.680> and<02:25:43.760> the<02:25:43.920> d<02:25:44.080> string<02:25:44.399> and<02:25:44.479> the<02:25:44.640> b

and the and the d string and the b

and the and the d string and the b
string

string

string
[Music]

both contain the same notes but i think

both contain the same notes but i think
i<02:25:52.319> only<02:25:52.479> found<02:25:52.720> one<02:25:52.960> instance<02:25:53.200> where<02:25:53.439> alan

i only found one instance where alan

i only found one instance where alan
does<02:25:53.920> play<02:25:54.080> it<02:25:54.160> on<02:25:54.240> the<02:25:54.319> low<02:25:54.560> e<02:25:54.800> string<02:25:55.439> uh<02:25:55.920> but

does play it on the low e string uh but

does play it on the low e string uh but
once<02:25:56.640> again<02:25:57.280> uh<02:25:57.439> some<02:25:57.600> of<02:25:57.680> the<02:25:57.760> beauty<02:25:58.080> about

once again uh some of the beauty about

once again uh some of the beauty about
the<02:25:58.880> way<02:25:59.040> that<02:25:59.200> the<02:25:59.280> guitar<02:25:59.600> is<02:25:59.760> tuned<02:26:00.000> that

the way that the guitar is tuned that

the way that the guitar is tuned that
you<02:26:00.240> can<02:26:00.399> actually<02:26:00.640> play<02:26:00.960> the<02:26:01.359> same<02:26:01.920> exact

you can actually play the same exact

you can actually play the same exact
scale<02:26:02.800> with<02:26:02.960> the<02:26:03.040> same<02:26:03.280> fingerings<02:26:03.760> in<02:26:03.920> two

scale with the same fingerings in two

scale with the same fingerings in two
different<02:26:04.399> ways

and of course just like how that

and of course just like how that
pentatonic<02:27:32.720> scale<02:27:33.040> is<02:27:33.120> played

pentatonic scale is played

pentatonic scale is played
we<02:27:35.520> have<02:27:36.000> perfect<02:27:36.399> fourths

we have perfect fourths

we have perfect fourths
and<02:27:38.800> uh<02:27:39.040> here's<02:27:39.280> a<02:27:39.359> bunch<02:27:39.600> of<02:27:39.680> lines<02:27:39.920> where

and uh here's a bunch of lines where

and uh here's a bunch of lines where
alan's<02:27:40.399> using<02:27:40.640> them<02:27:40.720> like<02:27:40.880> this<02:27:41.040> and<02:27:41.120> i

alan's using them like this and i

alan's using them like this and i
include<02:27:41.520> them<02:27:41.680> with<02:27:41.840> the<02:27:41.920> pentatonic<02:27:42.560> and<02:27:42.640> not

include them with the pentatonic and not

include them with the pentatonic and not
the<02:27:42.960> other<02:27:43.200> way<02:27:43.439> because

the other way because

the other way because
of<02:27:44.479> the<02:27:44.640> string<02:27:44.960> skipping<02:27:45.600> seems<02:27:45.840> to<02:27:45.920> makes

of the string skipping seems to makes

of the string skipping seems to makes
more<02:27:46.399> sense<02:27:46.640> that<02:27:46.800> it's<02:27:46.960> based<02:27:47.280> off<02:27:47.520> of

more sense that it's based off of

more sense that it's based off of
that<02:27:49.200> pentatonic<02:27:49.840> shape

that pentatonic shape

that pentatonic shape
[Music]

[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

[Music]

[Music]
and<02:28:19.840> one<02:28:20.000> of<02:28:20.080> the<02:28:20.319> more<02:28:20.560> interesting<02:28:20.960> ways

and one of the more interesting ways

and one of the more interesting ways
that<02:28:21.280> allan<02:28:21.520> would<02:28:21.760> use<02:28:22.000> that<02:28:22.319> pentatonic

that allan would use that pentatonic

that allan would use that pentatonic
string<02:28:23.280> skipping<02:28:23.760> shape<02:28:24.479> uh<02:28:24.880> would<02:28:25.120> be<02:28:25.439> with

string skipping shape uh would be with

string skipping shape uh would be with
uh<02:28:26.160> the<02:28:26.319> lick<02:28:27.040> that<02:28:27.280> i<02:28:27.359> called<02:28:27.680> it<02:28:28.000> so

uh the lick that i called it so

uh the lick that i called it so
sometimes<02:28:29.200> he<02:28:29.280> might<02:28:29.439> do<02:28:29.520> something<02:28:29.680> like

sometimes he might do something like

sometimes he might do something like
this<02:28:30.000> and<02:28:30.080> of<02:28:30.240> course<02:28:30.399> you<02:28:30.479> can<02:28:30.640> sort<02:28:30.800> of<02:28:30.960> do

this and of course you can sort of do

this and of course you can sort of do
the<02:28:31.200> same<02:28:31.439> thing<02:28:31.680> on<02:28:31.760> the<02:28:31.920> next<02:28:32.160> string<02:28:32.399> like

the same thing on the next string like

the same thing on the next string like
this

this

this
so<02:28:33.520> let's<02:28:33.760> say<02:28:33.920> we're<02:28:34.160> in<02:28:34.319> the<02:28:34.479> key<02:28:34.640> of<02:28:34.800> c<02:28:34.960> major

so let's say we're in the key of c major

so let's say we're in the key of c major
allen<02:28:36.160> could<02:28:36.319> employ<02:28:36.720> something<02:28:36.960> like<02:28:37.280> this

allen could employ something like this

allen could employ something like this
and<02:28:39.439> then<02:28:39.680> start<02:28:40.000> the<02:28:40.160> lick

and then start the lick

and then start the lick
and<02:28:42.240> all<02:28:42.399> the<02:28:42.560> different<02:28:42.800> variations<02:28:43.439> of<02:28:43.520> it

and all the different variations of it

and all the different variations of it
or<02:28:43.760> you<02:28:43.840> can<02:28:44.000> even<02:28:44.240> string<02:28:44.560> skip<02:28:44.880> it

or you can even string skip it

or you can even string skip it
[Music]

[Music]

[Music]
so<02:28:47.840> on<02:28:48.000> and<02:28:48.160> so<02:28:48.399> forth

[Music]

[Music]
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[Applause]

[Applause]
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[Music]

[Music]
hmm

hmm

hmm
[Music]

all right now we're on to melodic minor

all right now we're on to melodic minor
allen's<02:29:45.760> symbol<02:29:46.080> for<02:29:46.319> this<02:29:46.640> is<02:29:46.880> x<02:29:47.120> with<02:29:47.280> the

allen's symbol for this is x with the

allen's symbol for this is x with the
circle<02:29:47.760> around<02:29:48.160> it<02:29:48.640> and<02:29:49.040> uh<02:29:49.520> that's<02:29:49.760> kind<02:29:49.920> of

circle around it and uh that's kind of

circle around it and uh that's kind of
interesting<02:29:50.399> because<02:29:50.560> i<02:29:50.720> think<02:29:51.439> uh<02:29:51.760> yoshinori

interesting because i think uh yoshinori

interesting because i think uh yoshinori
seki<02:29:52.880> figured<02:29:53.280> out<02:29:53.680> why<02:29:54.240> that's<02:29:54.720> alan's

seki figured out why that's alan's

seki figured out why that's alan's
symbol<02:29:55.439> for<02:29:55.680> but<02:29:55.920> i'll<02:29:56.080> talk<02:29:56.240> about<02:29:56.479> that

symbol for but i'll talk about that

symbol for but i'll talk about that
later<02:29:57.200> in<02:29:57.359> the<02:29:57.439> video<02:29:57.760> when<02:29:58.000> i'm<02:29:58.319> discussing

later in the video when i'm discussing

later in the video when i'm discussing
all<02:29:58.960> of<02:29:59.120> alan's<02:29:59.439> symbols<02:30:00.000> surprisingly<02:30:01.280> there

all of alan's symbols surprisingly there

all of alan's symbols surprisingly there
weren't<02:30:01.840> many<02:30:02.240> positions<02:30:02.720> that<02:30:02.880> allen<02:30:03.120> played

weren't many positions that allen played

weren't many positions that allen played
melodic<02:30:03.840> miter<02:30:04.160> and<02:30:04.399> usually<02:30:04.640> with<02:30:04.800> the<02:30:04.960> root

melodic miter and usually with the root

melodic miter and usually with the root
on<02:30:05.520> the<02:30:05.760> low<02:30:06.000> e<02:30:06.240> string<02:30:06.560> or<02:30:06.720> the<02:30:06.880> root<02:30:07.200> on<02:30:07.359> the<02:30:07.520> a

on the low e string or the root on the a

on the low e string or the root on the a
string<02:30:08.479> i<02:30:08.560> think<02:30:08.800> the<02:30:09.040> main<02:30:09.359> scale<02:30:09.840> shape<02:30:10.399> alan

string i think the main scale shape alan

string i think the main scale shape alan
sort<02:30:10.960> of<02:30:11.040> sees<02:30:11.280> like<02:30:11.520> this<02:30:11.840> and<02:30:12.000> of<02:30:12.160> course

sort of sees like this and of course

sort of sees like this and of course
like<02:30:12.720> i<02:30:12.800> said<02:30:12.960> you<02:30:13.120> kind<02:30:13.280> of<02:30:13.840> extend<02:30:14.640> the<02:30:14.960> shape

like i said you kind of extend the shape

like i said you kind of extend the shape
to<02:30:16.160> the<02:30:16.399> notes<02:30:16.640> sort<02:30:16.800> of

to the notes sort of

to the notes sort of
behind<02:30:18.240> that<02:30:18.479> position<02:30:18.880> and<02:30:18.960> sort<02:30:19.120> of<02:30:19.359> after

behind that position and sort of after

behind that position and sort of after
it<02:30:20.000> so<02:30:20.160> you<02:30:20.319> can<02:30:20.399> kind<02:30:20.640> of<02:30:20.800> think<02:30:21.040> of<02:30:21.200> the<02:30:21.359> scale

it so you can kind of think of the scale

it so you can kind of think of the scale
shape<02:30:22.080> in<02:30:22.240> two<02:30:22.479> different<02:30:22.800> ways<02:30:23.439> and<02:30:23.600> for

shape in two different ways and for

shape in two different ways and for
whatever<02:30:24.080> reason<02:30:24.479> allen<02:30:24.880> really<02:30:25.200> liked<02:30:25.439> to

whatever reason allen really liked to

whatever reason allen really liked to
use<02:30:26.160> a<02:30:26.240> lot<02:30:26.479> of<02:30:26.640> symmetrical<02:30:27.280> string<02:30:27.600> skipping

use a lot of symmetrical string skipping

use a lot of symmetrical string skipping
with<02:30:28.399> melodic<02:30:28.960> minor<02:30:29.520> so<02:30:29.680> for<02:30:29.920> example<02:30:30.479> if

with melodic minor so for example if

with melodic minor so for example if
we're<02:30:30.960> in

we're in

we're in
c<02:30:32.160> melodic<02:30:32.640> minor<02:30:32.960> stuff<02:30:33.200> like<02:30:33.439> this

or maybe like

or maybe like
stuff<02:30:38.720> like<02:30:38.880> that

stuff like that

stuff like that
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so

so

so
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[Music]

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baby

baby

baby
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[Music]

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you

me

me
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[Applause]

[Applause]
[Music]

[Music]

[Music]
this<02:33:09.760> is<02:33:09.920> how<02:33:10.160> i<02:33:10.319> think<02:33:10.560> allen<02:33:10.960> views<02:33:11.439> uh<02:33:11.840> the

this is how i think allen views uh the

this is how i think allen views uh the
melodic<02:33:12.800> minor<02:33:13.280> scale<02:33:13.840> with<02:33:14.080> the<02:33:14.240> root

melodic minor scale with the root

melodic minor scale with the root
starting<02:33:14.960> on<02:33:15.120> the<02:33:15.280> fifth<02:33:15.520> string

starting on the fifth string

starting on the fifth string
once<02:33:17.359> again<02:33:17.680> notice<02:33:18.080> how<02:33:18.240> we<02:33:18.399> can<02:33:18.640> have<02:33:18.880> this

once again notice how we can have this

once again notice how we can have this
unison<02:33:19.600> note<02:33:20.080> between<02:33:20.560> the<02:33:21.120> uh<02:33:21.439> g<02:33:21.760> and<02:33:21.920> the<02:33:22.000> b

unison note between the uh g and the b

unison note between the uh g and the b
string

so in here we actually have a doubled d

so in here we actually have a doubled d
note<02:33:27.920> sometimes<02:33:28.319> within<02:33:28.560> the<02:33:28.720> shape<02:33:28.960> i<02:33:29.120> would

note sometimes within the shape i would

note sometimes within the shape i would
notice<02:33:29.680> alan<02:33:30.319> using<02:33:30.640> the<02:33:30.800> flat<02:33:31.120> six<02:33:31.439> as<02:33:31.600> a

notice alan using the flat six as a

notice alan using the flat six as a
passing<02:33:32.080> tone<02:33:32.560> so<02:33:32.800> in<02:33:32.960> this<02:33:33.120> case<02:33:33.359> for<02:33:33.520> c

passing tone so in this case for c

passing tone so in this case for c
melodic<02:33:34.160> minor<02:33:34.479> something<02:33:34.720> like<02:33:34.880> this

maybe as an example so that passing tone

maybe as an example so that passing tone
for<02:33:40.880> c<02:33:41.120> would<02:33:41.280> actually<02:33:41.520> be<02:33:41.840> uh<02:33:42.080> a<02:33:42.319> flat<02:33:43.040> but

for c would actually be uh a flat but

for c would actually be uh a flat but
i've<02:33:43.520> only<02:33:43.760> really<02:33:44.080> seen<02:33:44.319> it<02:33:44.479> used<02:33:45.280> that<02:33:45.520> part

i've only really seen it used that part

i've only really seen it used that part
of<02:33:45.840> the<02:33:46.000> neck<02:33:46.240> not<02:33:46.720> anywhere<02:33:47.200> else

of the neck not anywhere else

of the neck not anywhere else
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[Music]

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[Applause]

[Applause]
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[Music]

[Music]
man

man

man
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[Music]

[Music]
this<02:34:18.720> scale<02:34:19.200> shape<02:34:19.520> allen<02:34:19.840> didn't<02:34:20.080> really<02:34:20.399> use

this scale shape allen didn't really use

this scale shape allen didn't really use
a<02:34:20.800> lot<02:34:21.040> but<02:34:21.200> i<02:34:21.280> think<02:34:21.520> it's<02:34:21.680> good<02:34:21.920> to<02:34:22.080> know<02:34:22.640> and

a lot but i think it's good to know and

a lot but i think it's good to know and
i<02:34:22.960> think<02:34:23.120> of<02:34:23.280> it<02:34:23.359> as<02:34:23.520> a<02:34:23.680> c<02:34:24.000> minor<02:34:24.399> shape<02:34:24.640> because

i think of it as a c minor shape because

i think of it as a c minor shape because
there's<02:34:25.120> a<02:34:25.280> really<02:34:25.520> nice<02:34:25.760> c<02:34:26.080> minor<02:34:26.640> arpeggio

there's a really nice c minor arpeggio

there's a really nice c minor arpeggio
here

here

here
uh<02:34:29.439> so<02:34:29.680> i<02:34:29.840> think<02:34:30.000> this<02:34:30.160> is<02:34:30.240> a<02:34:30.319> pretty<02:34:30.640> good<02:34:30.800> one

uh so i think this is a pretty good one

uh so i think this is a pretty good one
to<02:34:31.200> use<02:34:31.359> and<02:34:31.439> again<02:34:31.680> the<02:34:31.840> root<02:34:32.160> is<02:34:32.479> on<02:34:32.640> the<02:34:32.880> a

to use and again the root is on the a

to use and again the root is on the a
string<02:34:33.680> except<02:34:34.080> instead<02:34:34.319> of<02:34:34.399> where<02:34:34.560> your

string except instead of where your

string except instead of where your
first<02:34:34.880> finger<02:34:35.120> would<02:34:35.200> be<02:34:35.359> would<02:34:35.520> be<02:34:35.600> where

first finger would be would be where

first finger would be would be where
your<02:34:36.000> pinky<02:34:36.399> is

your pinky is

your pinky is
[Music]

now i would say this concept is probably

now i would say this concept is probably
the<02:34:56.240> most<02:34:56.720> interesting<02:34:57.120> way<02:34:57.280> that<02:34:57.520> alan<02:34:57.840> would

the most interesting way that alan would

the most interesting way that alan would
play<02:34:58.399> melodic<02:34:58.880> minor<02:34:59.600> remember<02:35:00.080> how<02:35:00.240> we

play melodic minor remember how we

play melodic minor remember how we
talked<02:35:00.640> about<02:35:00.880> that<02:35:01.040> mixolydian<02:35:01.680> shape<02:35:01.840> where

talked about that mixolydian shape where

talked about that mixolydian shape where
we've<02:35:02.240> got<02:35:02.399> this<02:35:02.640> whole<02:35:02.880> step<02:35:03.200> idea<02:35:03.680> on<02:35:03.840> the<02:35:04.080> e

we've got this whole step idea on the e

we've got this whole step idea on the e
d<02:35:04.880> and<02:35:05.040> e<02:35:05.200> string

d and e string

d and e string
well<02:35:07.680> you<02:35:07.840> could<02:35:08.000> do<02:35:08.240> that<02:35:08.560> in<02:35:08.640> melodic<02:35:09.120> minor

well you could do that in melodic minor

well you could do that in melodic minor
and<02:35:09.760> also<02:35:10.160> if<02:35:10.319> you<02:35:10.479> move<02:35:10.720> it<02:35:10.960> down<02:35:11.280> a<02:35:11.359> whole

and also if you move it down a whole

and also if you move it down a whole
step<02:35:11.920> you<02:35:12.080> can<02:35:12.240> do<02:35:12.399> the<02:35:12.560> same<02:35:12.960> thing<02:35:13.520> so<02:35:13.760> if

step you can do the same thing so if

step you can do the same thing so if
we're<02:35:14.240> in<02:35:14.399> the<02:35:14.560> key<02:35:14.880> of<02:35:15.600> c<02:35:15.840> melodic<02:35:16.399> minor<02:35:16.960> i

we're in the key of c melodic minor i

we're in the key of c melodic minor i
can<02:35:17.280> play<02:35:17.600> that<02:35:18.240> in<02:35:18.319> this<02:35:18.720> uh

can play that in this uh

can play that in this uh
in<02:35:19.760> that's<02:35:20.240> the<02:35:20.800> root<02:35:21.120> five<02:35:21.439> position

and i can even move that down a whole

and i can even move that down a whole
step

so you can get a lot of really

so you can get a lot of really
interesting<02:35:32.240> phrasing<02:35:32.640> that<02:35:32.800> way<02:35:33.439> like

stuff like that i've even seen one time

stuff like that i've even seen one time
where<02:35:42.160> alan<02:35:42.560> actually<02:35:43.280> skips<02:35:43.840> the<02:35:44.000> note<02:35:44.560> uh

where alan actually skips the note uh

where alan actually skips the note uh
here<02:35:45.200> and<02:35:45.280> then<02:35:45.439> plays<02:35:45.600> it<02:35:45.680> like<02:35:45.840> this

but again these are all ideas you're

but again these are all ideas you're
sort<02:35:51.200> of<02:35:51.439> thinking<02:35:51.680> of<02:35:51.840> that<02:35:52.080> form<02:35:52.399> and<02:35:52.479> then

sort of thinking of that form and then

sort of thinking of that form and then
you're<02:35:52.880> improvising<02:35:53.600> around<02:35:54.000> that<02:35:54.240> now

you're improvising around that now

you're improvising around that now
what's<02:35:54.640> interesting<02:35:55.040> in<02:35:55.120> this<02:35:55.359> pattern<02:35:55.760> i

what's interesting in this pattern i

what's interesting in this pattern i
think<02:35:56.160> it<02:35:56.319> has<02:35:56.479> to<02:35:56.640> do<02:35:56.880> with<02:35:57.040> how<02:35:57.280> allen<02:35:57.680> thinks

think it has to do with how allen thinks

think it has to do with how allen thinks
of<02:35:58.160> the<02:35:58.240> melodic<02:35:58.800> minor

of the melodic minor

of the melodic minor
scale<02:36:00.000> symbol<02:36:00.720> and<02:36:01.120> uh<02:36:01.520> remember<02:36:01.920> this<02:36:02.000> when

scale symbol and uh remember this when

scale symbol and uh remember this when
we<02:36:02.319> get<02:36:02.479> to<02:36:02.640> that<02:36:02.960> uh<02:36:03.520> later<02:36:03.840> in<02:36:03.920> the<02:36:04.000> video

[Music]

[Music]
and<02:36:55.280> here<02:36:55.439> are<02:36:55.600> a<02:36:55.680> few<02:36:55.920> interesting<02:36:56.240> melodic

and here are a few interesting melodic

and here are a few interesting melodic
minors<02:36:56.960> that<02:36:57.120> i<02:36:57.200> found<02:36:57.359> that<02:36:57.520> don't<02:36:57.760> really

minors that i found that don't really

minors that i found that don't really
fit<02:36:58.319> this<02:36:58.560> uh<02:36:58.800> those<02:36:59.120> those<02:36:59.280> scale<02:36:59.680> shapes<02:37:00.240> i

fit this uh those those scale shapes i

fit this uh those those scale shapes i
think<02:37:00.479> the<02:37:00.560> most<02:37:00.880> interesting<02:37:01.359> one<02:37:01.920> is<02:37:02.160> from

think the most interesting one is from

think the most interesting one is from
alan<02:37:03.200> solo<02:37:04.240> on<02:37:04.399> this<02:37:04.560> tune<02:37:04.800> called<02:37:05.120> skippy<02:37:06.000> uh

alan solo on this tune called skippy uh

alan solo on this tune called skippy uh
i<02:37:06.479> never<02:37:06.800> saw<02:37:06.960> him<02:37:07.200> use<02:37:07.600> this<02:37:07.920> position<02:37:08.960> or

i never saw him use this position or

i never saw him use this position or
scale<02:37:09.600> shape<02:37:09.840> before<02:37:10.640> or<02:37:10.880> since<02:37:11.200> it's<02:37:11.359> the

scale shape before or since it's the

scale shape before or since it's the
only<02:37:11.600> time<02:37:11.840> that<02:37:11.920> i<02:37:12.080> found<02:37:12.319> it<02:37:12.479> and<02:37:12.720> what's

only time that i found it and what's

only time that i found it and what's
interesting<02:37:13.439> is<02:37:13.600> that<02:37:14.160> uh<02:37:14.640> it<02:37:14.800> definitely

interesting is that uh it definitely

interesting is that uh it definitely
belongs<02:37:15.439> to<02:37:15.680> c<02:37:15.840> melodic<02:37:16.399> minor<02:37:16.720> but<02:37:17.040> also<02:37:17.359> can

belongs to c melodic minor but also can

belongs to c melodic minor but also can
belong<02:37:18.000> to

belong to

belong to
d<02:37:19.359> phrygian<02:37:19.920> which<02:37:20.080> is<02:37:20.240> part<02:37:20.479> of<02:37:20.560> the<02:37:20.640> b<02:37:20.880> flat

d phrygian which is part of the b flat

d phrygian which is part of the b flat
major<02:37:21.439> scale<02:37:21.840> and<02:37:21.920> the<02:37:22.000> reason<02:37:22.240> why<02:37:22.399> is<02:37:22.560> that

major scale and the reason why is that

major scale and the reason why is that
it<02:37:22.800> doesn't<02:37:23.040> contain<02:37:23.520> a<02:37:23.840> b<02:37:24.080> or<02:37:24.240> a<02:37:24.399> b<02:37:24.640> flat<02:37:25.200> so

it doesn't contain a b or a b flat so

it doesn't contain a b or a b flat so
once<02:37:25.840> again<02:37:26.160> you<02:37:26.240> can<02:37:26.399> have<02:37:26.560> a<02:37:26.640> little<02:37:26.800> bit<02:37:26.960> of

once again you can have a little bit of

once again you can have a little bit of
you<02:37:29.200> know<02:37:29.439> choice<02:37:29.680> of<02:37:29.760> how<02:37:29.920> you<02:37:30.000> want<02:37:30.160> to<02:37:30.240> view

you know choice of how you want to view

you know choice of how you want to view
and<02:37:30.479> you<02:37:30.560> can<02:37:30.880> use<02:37:31.120> it<02:37:31.200> in<02:37:31.359> two<02:37:31.520> different<02:37:31.840> ways

and you can use it in two different ways

and you can use it in two different ways
[Music]

[Music]

[Music]
now<02:37:50.080> with<02:37:50.240> that<02:37:50.399> example<02:37:50.800> from<02:37:51.040> skippy<02:37:51.439> we're

now with that example from skippy we're

now with that example from skippy we're
going<02:37:51.760> to<02:37:51.840> get<02:37:52.000> into<02:37:52.160> some<02:37:52.399> lines<02:37:52.640> and<02:37:52.800> it's

going to get into some lines and it's

going to get into some lines and it's
going<02:37:52.960> to<02:37:53.040> be<02:37:53.200> really<02:37:53.439> hard<02:37:53.600> to<02:37:53.840> interpret

going to be really hard to interpret

going to be really hard to interpret
what<02:37:54.880> key<02:37:55.120> they<02:37:55.280> really<02:37:55.520> belong<02:37:56.000> to<02:37:56.479> so<02:37:56.640> for

what key they really belong to so for

what key they really belong to so for
example<02:37:57.760> with<02:37:58.160> melodic<02:37:58.800> minor

example with melodic minor

example with melodic minor
six<02:38:00.240> out<02:38:00.399> of<02:38:00.479> the<02:38:00.640> notes<02:38:00.960> of<02:38:01.040> melodic<02:38:01.520> minor

six out of the notes of melodic minor

six out of the notes of melodic minor
also<02:38:02.160> belong<02:38:02.640> to<02:38:02.800> the<02:38:02.960> diminished<02:38:03.520> scale<02:38:04.240> so

also belong to the diminished scale so

also belong to the diminished scale so
if<02:38:04.800> we<02:38:05.040> play<02:38:05.359> this<02:38:05.520> kind<02:38:05.760> of<02:38:05.920> line<02:38:06.560> let's<02:38:06.720> say

if we play this kind of line let's say

if we play this kind of line let's say
in<02:38:07.040> c<02:38:07.200> melodic<02:38:07.600> minor

all belong to uh

all belong to uh
c<02:38:18.640> melodic<02:38:19.120> minor<02:38:19.760> but<02:38:20.080> also

c melodic minor but also

c melodic minor but also
uh<02:38:21.520> if<02:38:21.600> you<02:38:21.680> want<02:38:21.760> to<02:38:21.840> think<02:38:22.000> of<02:38:22.080> it<02:38:22.160> as<02:38:22.240> the<02:38:22.399> a

uh if you want to think of it as the a

uh if you want to think of it as the a
diminished<02:38:22.960> scale<02:38:23.200> or<02:38:23.280> really<02:38:23.439> how<02:38:23.600> although

diminished scale or really how although

diminished scale or really how although
it<02:38:24.160> is<02:38:24.240> the<02:38:24.319> b<02:38:24.479> diminished<02:38:24.880> scale<02:38:25.359> the

it is the b diminished scale the

it is the b diminished scale the
difference<02:38:25.920> is<02:38:26.080> melodic<02:38:26.560> minor<02:38:26.960> has<02:38:27.200> this

difference is melodic minor has this

difference is melodic minor has this
g<02:38:28.640> in<02:38:28.800> it<02:38:28.960> whereas<02:38:29.439> the<02:38:29.520> diminished<02:38:30.000> scale<02:38:30.399> has

g in it whereas the diminished scale has

g in it whereas the diminished scale has
an<02:38:30.800> f<02:38:30.960> sharp<02:38:31.200> and<02:38:31.359> a<02:38:31.439> g<02:38:31.680> sharp

an f sharp and a g sharp

an f sharp and a g sharp
so<02:38:32.640> a<02:38:32.720> lot<02:38:32.880> of<02:38:32.960> times<02:38:33.200> alan<02:38:33.520> might<02:38:33.760> play<02:38:34.080> things

so a lot of times alan might play things

so a lot of times alan might play things
that<02:38:34.960> are<02:38:35.040> a<02:38:35.120> little<02:38:35.280> bit<02:38:35.439> more<02:38:35.600> ambiguous

that are a little bit more ambiguous

that are a little bit more ambiguous
because<02:38:36.479> they<02:38:36.640> can<02:38:36.880> belong<02:38:37.280> to<02:38:37.520> two<02:38:37.840> different

because they can belong to two different

because they can belong to two different
types<02:38:38.560> of<02:38:38.640> scales

types of scales

types of scales
[Music]

and with that let's get to the

and with that let's get to the
diminished<02:38:48.640> scale

now even though i call this the

now even though i call this the
diminished<02:38:56.720> scale<02:38:57.040> it's<02:38:57.280> technically<02:38:57.920> not

diminished scale it's technically not

diminished scale it's technically not
the<02:38:58.720> diminished<02:38:59.120> scale<02:38:59.359> is<02:38:59.520> a<02:38:59.600> symmetrical

the diminished scale is a symmetrical

the diminished scale is a symmetrical
scale<02:39:00.640> that<02:39:00.880> starts<02:39:01.280> with<02:39:01.520> a<02:39:01.600> whole<02:39:01.840> step<02:39:02.080> and

scale that starts with a whole step and

scale that starts with a whole step and
a<02:39:02.319> half<02:39:02.560> step<02:39:02.880> and<02:39:02.960> then<02:39:03.120> repeats<02:39:03.840> whole<02:39:04.240> half

a half step and then repeats whole half

a half step and then repeats whole half
whole<02:39:04.800> half

whole half

whole half
and<02:39:06.160> then<02:39:06.399> the<02:39:06.640> other<02:39:06.960> position<02:39:07.920> is<02:39:08.240> a<02:39:08.399> half

and then the other position is a half

and then the other position is a half
step<02:39:09.040> and<02:39:09.200> a<02:39:09.280> whole<02:39:09.520> step<02:39:10.240> so<02:39:10.479> because<02:39:10.720> it's

step and a whole step so because it's

step and a whole step so because it's
symmetrical<02:39:11.359> we<02:39:11.520> only<02:39:11.760> get<02:39:12.000> two<02:39:12.240> positions

symmetrical we only get two positions

symmetrical we only get two positions
throughout<02:39:13.040> the<02:39:13.200> entire<02:39:13.600> neck

throughout the entire neck

throughout the entire neck
in<02:39:14.880> the<02:39:15.120> first<02:39:15.760> one<02:39:16.000> with<02:39:16.160> the<02:39:16.240> whole<02:39:16.399> step<02:39:16.640> and

in the first one with the whole step and

in the first one with the whole step and
a half<02:39:17.040> step<02:39:17.280> you<02:39:17.359> can<02:39:17.439> think<02:39:17.680> of<02:39:17.840> it<02:39:17.920> as<02:39:18.160> two

a half step you can think of it as two

a half step you can think of it as two
diminished<02:39:18.960> chords<02:39:19.600> diminished<02:39:20.000> seventh

diminished chords diminished seventh

diminished chords diminished seventh
chords<02:39:20.960> that<02:39:21.280> are<02:39:21.680> a<02:39:21.760> whole<02:39:22.000> step<02:39:22.240> apart<02:39:22.960> and

chords that are a whole step apart and

chords that are a whole step apart and
with<02:39:23.280> the<02:39:23.520> half<02:39:23.840> hole<02:39:24.160> version<02:39:24.800> it's<02:39:25.120> two

with the half hole version it's two

with the half hole version it's two
diminished<02:39:25.680> seven<02:39:26.000> chords<02:39:26.240> that<02:39:26.399> are<02:39:26.560> a<02:39:26.640> half

diminished seven chords that are a half

diminished seven chords that are a half
step<02:39:27.120> apart<02:39:27.760> now<02:39:27.920> the<02:39:28.080> way<02:39:28.240> that<02:39:28.479> alan<02:39:28.880> thinks

step apart now the way that alan thinks

step apart now the way that alan thinks
of<02:39:29.359> the<02:39:29.520> diminished<02:39:30.000> scale<02:39:30.319> is<02:39:30.479> starting<02:39:30.800> with

of the diminished scale is starting with

of the diminished scale is starting with
the<02:39:31.120> half<02:39:31.359> step<02:39:31.840> because<02:39:32.160> he<02:39:32.399> says<02:39:32.640> he<02:39:32.800> relates

the half step because he says he relates

the half step because he says he relates
it<02:39:33.200> to<02:39:33.359> a<02:39:33.520> seven<02:39:33.840> flat<02:39:34.160> nine<02:39:34.479> chord<02:39:34.960> which<02:39:35.120> he

it to a seven flat nine chord which he

it to a seven flat nine chord which he
talks<02:39:35.520> about<02:39:35.760> in<02:39:35.840> his<02:39:36.000> instructional<02:39:36.840> video

talks about in his instructional video

talks about in his instructional video
the<02:39:37.920> actual<02:39:38.319> name<02:39:38.640> for<02:39:38.800> it<02:39:39.040> is<02:39:39.200> usually<02:39:39.840> a<02:39:40.000> half

the actual name for it is usually a half

the actual name for it is usually a half
step<02:39:40.560> away<02:39:40.880> from<02:39:41.359> the<02:39:41.520> name<02:39:41.840> that<02:39:42.000> i<02:39:42.240> use

step away from the name that i use

step away from the name that i use
because<02:39:43.359> i<02:39:43.520> always<02:39:43.840> think<02:39:44.080> of<02:39:44.160> this<02:39:44.319> scale<02:39:44.720> as

because i always think of this scale as

because i always think of this scale as
being<02:39:45.120> related<02:39:45.439> to<02:39:45.680> an<02:39:45.840> altered<02:39:46.240> dominant

being related to an altered dominant

being related to an altered dominant
code

code

code
for<02:39:47.920> example<02:39:48.399> if<02:39:48.720> if

for example if if

for example if if
if<02:39:50.479> i<02:39:50.640> play<02:39:50.960> this<02:39:51.120> scale<02:39:51.520> which<02:39:51.680> is

if i play this scale which is

if i play this scale which is
essentially<02:39:52.399> these<02:39:52.720> notes

essentially these notes

essentially these notes
[Music]

[Music]

[Music]
it's<02:40:00.960> actually<02:40:01.520> a<02:40:01.760> g<02:40:02.000> sharp<02:40:02.319> diminished<02:40:02.800> chord

it's actually a g sharp diminished chord

it's actually a g sharp diminished chord
but<02:40:04.960> i<02:40:05.120> think<02:40:05.280> of<02:40:05.439> it<02:40:05.600> more<02:40:05.840> as<02:40:06.080> being<02:40:06.319> like<02:40:06.640> a

but i think of it more as being like a

but i think of it more as being like a
you<02:40:07.439> know<02:40:07.600> like<02:40:07.840> a<02:40:08.399> g7<02:40:09.200> flat<02:40:09.520> 9<02:40:09.760> chord

you know like a g7 flat 9 chord

you know like a g7 flat 9 chord
[Music]

[Music]

[Music]
so<02:40:12.960> that's<02:40:13.279> why<02:40:13.520> i<02:40:13.680> use<02:40:13.920> that<02:40:14.080> name<02:40:14.399> again<02:40:14.720> like

so that's why i use that name again like

so that's why i use that name again like
i<02:40:15.040> said<02:40:15.279> the<02:40:15.439> name<02:40:15.840> might<02:40:16.000> be<02:40:16.160> a<02:40:16.160> little

i said the name might be a little

i said the name might be a little
confusing<02:40:17.040> but<02:40:17.200> the<02:40:17.359> scale<02:40:17.680> is<02:40:17.840> good<02:40:18.080> it<02:40:18.240> works

confusing but the scale is good it works

confusing but the scale is good it works
but<02:40:19.200> what's<02:40:19.520> interesting<02:40:20.319> is<02:40:20.560> that<02:40:21.200> in<02:40:21.359> the

but what's interesting is that in the

but what's interesting is that in the
video<02:40:21.920> allen<02:40:22.319> shows<02:40:22.560> that<02:40:22.720> it's<02:40:22.880> a<02:40:23.040> g

video allen shows that it's a g

video allen shows that it's a g
diminished<02:40:23.680> scale<02:40:24.399> but<02:40:24.720> in<02:40:24.880> the<02:40:25.200> book<02:40:25.680> it

diminished scale but in the book it

diminished scale but in the book it
actually<02:40:26.399> alters<02:40:26.960> the<02:40:27.120> definition<02:40:28.240> of<02:40:28.640> the

actually alters the definition of the

actually alters the definition of the
diminished<02:40:29.600> scale<02:40:29.920> to<02:40:30.080> what<02:40:30.240> it's<02:40:30.399> officially

diminished scale to what it's officially

diminished scale to what it's officially
supposed<02:40:31.200> to<02:40:31.359> be<02:40:31.439> called<02:40:31.840> even<02:40:32.080> though<02:40:32.240> it's

supposed to be called even though it's

supposed to be called even though it's
the<02:40:32.560> same<02:40:32.800> exact<02:40:33.279> notes<02:40:33.840> it's<02:40:34.080> just<02:40:34.319> how<02:40:34.560> you

the same exact notes it's just how you

the same exact notes it's just how you
interpret<02:40:35.279> it<02:40:35.680> and<02:40:35.920> alan<02:40:36.319> sees<02:40:36.640> it<02:40:36.720> starting

interpret it and alan sees it starting

interpret it and alan sees it starting
with<02:40:37.120> a<02:40:37.200> half<02:40:37.439> step<02:40:37.680> he<02:40:37.760> calls<02:40:38.000> that<02:40:38.080> the

with a half step he calls that the

with a half step he calls that the
diminished<02:40:38.640> scale<02:40:39.040> and<02:40:39.600> uh<02:40:39.920> the<02:40:40.160> book<02:40:40.479> says<02:40:40.800> g

diminished scale and uh the book says g

diminished scale and uh the book says g
sharp<02:40:41.279> diminished<02:40:41.680> because<02:40:41.920> it<02:40:42.080> goes<02:40:42.319> by<02:40:42.479> the

sharp diminished because it goes by the

sharp diminished because it goes by the
official<02:40:42.960> definition<02:40:43.520> by<02:40:43.760> starting<02:40:44.080> with<02:40:44.160> the

official definition by starting with the

official definition by starting with the
whole<02:40:44.479> step<02:40:45.040> so<02:40:45.359> allen's<02:40:45.760> symbol<02:40:46.080> for<02:40:46.240> the

whole step so allen's symbol for the

whole step so allen's symbol for the
diminished<02:40:46.720> scale<02:40:47.279> is<02:40:47.600> two<02:40:47.840> circles<02:40:48.640> sort<02:40:48.800> of

diminished scale is two circles sort of

diminished scale is two circles sort of
like<02:40:49.040> an<02:40:49.200> infinity<02:40:49.600> sign<02:40:49.760> but<02:40:49.920> it's<02:40:50.000> just<02:40:50.160> two

like an infinity sign but it's just two

like an infinity sign but it's just two
circles<02:40:51.040> and<02:40:51.200> because<02:40:51.520> of<02:40:51.680> its<02:40:51.840> symmetrical

circles and because of its symmetrical

circles and because of its symmetrical
nature<02:40:53.200> anything<02:40:53.680> that<02:40:53.840> you<02:40:54.080> play<02:40:54.399> can<02:40:54.560> be

nature anything that you play can be

nature anything that you play can be
repeated<02:40:55.279> in<02:40:55.520> minor<02:40:55.920> thirds<02:40:56.560> flat<02:40:56.960> fives<02:40:57.359> and

repeated in minor thirds flat fives and

repeated in minor thirds flat fives and
in<02:40:57.680> major<02:40:58.000> six<02:40:58.319> intervals

in major six intervals

in major six intervals
this<02:40:59.760> is<02:40:59.920> one<02:41:00.080> of<02:41:00.160> the<02:41:00.240> main<02:41:00.479> ways<02:41:00.720> that<02:41:00.880> alan

this is one of the main ways that alan

this is one of the main ways that alan
sees<02:41:01.439> the<02:41:01.520> diminished<02:41:01.920> scale<02:41:02.560> now<02:41:03.120> in<02:41:03.279> the

sees the diminished scale now in the

sees the diminished scale now in the
chart<02:41:03.760> that<02:41:03.920> i<02:41:04.080> made<02:41:04.479> i<02:41:04.640> sort<02:41:04.880> of<02:41:05.120> did<02:41:05.359> not<02:41:05.600> fill

chart that i made i sort of did not fill

chart that i made i sort of did not fill
in<02:41:05.840> the<02:41:06.000> notes<02:41:06.319> on<02:41:06.399> the<02:41:06.479> e<02:41:06.640> and<02:41:06.720> the<02:41:06.880> a<02:41:07.120> string

in the notes on the e and the a string

in the notes on the e and the a string
because<02:41:07.680> for<02:41:07.840> the<02:41:08.000> most<02:41:08.240> part<02:41:08.479> allen<02:41:08.720> doesn't

because for the most part allen doesn't

because for the most part allen doesn't
really<02:41:09.279> play<02:41:09.520> the<02:41:09.680> diminished<02:41:10.080> scale

really play the diminished scale

really play the diminished scale
on<02:41:11.200> those<02:41:11.439> strings<02:41:11.760> it's<02:41:11.840> mostly<02:41:12.160> from<02:41:12.319> the<02:41:12.479> d

on those strings it's mostly from the d

on those strings it's mostly from the d
string<02:41:12.880> to<02:41:13.040> the<02:41:13.120> high<02:41:13.279> e<02:41:13.439> string<02:41:14.160> again<02:41:14.560> this

string to the high e string again this

string to the high e string again this
scale<02:41:15.120> can<02:41:15.279> be<02:41:15.439> moved<02:41:15.920> in<02:41:16.080> minor<02:41:16.399> thirds<02:41:16.800> and

scale can be moved in minor thirds and

scale can be moved in minor thirds and
flat<02:41:17.279> fives<02:41:17.760> and<02:41:18.080> in<02:41:18.240> a<02:41:18.319> major<02:41:18.640> six<02:41:18.880> so<02:41:19.040> this<02:41:19.120> is

flat fives and in a major six so this is

flat fives and in a major six so this is
what<02:41:19.359> it<02:41:19.439> looks<02:41:19.680> like<02:41:19.840> across<02:41:20.240> the<02:41:20.319> neck<02:41:21.040> uh<02:41:21.359> i

what it looks like across the neck uh i

what it looks like across the neck uh i
don't<02:41:21.600> know<02:41:21.760> how<02:41:21.920> easy<02:41:22.240> it<02:41:22.399> is<02:41:22.560> to<02:41:22.720> kind<02:41:22.880> of<02:41:23.040> see

don't know how easy it is to kind of see

don't know how easy it is to kind of see
how<02:41:23.520> all<02:41:23.600> this<02:41:23.920> the<02:41:24.240> the<02:41:24.399> scales<02:41:24.880> interlock

how all this the the scales interlock

how all this the the scales interlock
but<02:41:26.319> you<02:41:26.479> can<02:41:26.640> think<02:41:26.880> of<02:41:27.040> that<02:41:27.279> position

but you can think of that position

but you can think of that position
starting<02:41:28.479> on<02:41:28.880> a<02:41:29.840> c

starting on a c

starting on a c
e<02:41:31.040> flat<02:41:31.840> and<02:41:32.240> g<02:41:32.560> flat<02:41:32.880> or<02:41:33.040> f<02:41:33.200> sharp<02:41:33.520> and<02:41:33.600> then<02:41:33.840> it

e flat and g flat or f sharp and then it

e flat and g flat or f sharp and then it
continues<02:41:34.479> back<02:41:34.720> to<02:41:34.880> a<02:41:35.359> i<02:41:35.520> should<02:41:35.760> mention

continues back to a i should mention

continues back to a i should mention
that<02:41:36.240> the<02:41:36.479> actual<02:41:36.800> pitches<02:41:37.200> could<02:41:37.359> be<02:41:37.439> a

that the actual pitches could be a

that the actual pitches could be a
little<02:41:37.680> bit<02:41:37.840> off<02:41:38.080> because<02:41:38.319> now<02:41:38.560> we<02:41:38.640> have<02:41:38.880> an

little bit off because now we have an

little bit off because now we have an
eight<02:41:39.279> note<02:41:39.520> scale<02:41:40.319> and<02:41:40.560> typically<02:41:41.279> in

eight note scale and typically in

eight note scale and typically in
a<02:41:42.560> seven<02:41:42.960> note<02:41:43.200> scale<02:41:43.760> we<02:41:43.920> want<02:41:44.240> each<02:41:44.479> note<02:41:44.720> to

a seven note scale we want each note to

a seven note scale we want each note to
be<02:41:45.040> represented<02:41:45.760> by<02:41:46.000> itself<02:41:46.399> so<02:41:46.560> we<02:41:46.640> have<02:41:46.880> a<02:41:47.120> b

be represented by itself so we have a b

be represented by itself so we have a b
c<02:41:47.520> d<02:41:47.680> e<02:41:47.920> f<02:41:48.080> and<02:41:48.160> g<02:41:48.560> and<02:41:48.720> when<02:41:48.880> you<02:41:48.960> have<02:41:49.600> uh<02:41:50.319> an

c d e f and g and when you have uh an

c d e f and g and when you have uh an
eight<02:41:50.720> note<02:41:50.960> scale<02:41:51.359> one<02:41:51.520> of<02:41:51.600> them<02:41:51.680> has<02:41:51.760> got<02:41:51.920> to

eight note scale one of them has got to

eight note scale one of them has got to
be<02:41:52.160> doubled

be doubled

be doubled
[Music]

alright so with that scale shape this

alright so with that scale shape this
sort<02:42:39.920> of<02:42:40.080> smaller<02:42:40.560> scale<02:42:40.960> shape<02:42:41.359> one<02:42:41.520> of<02:42:41.600> the

sort of smaller scale shape one of the

sort of smaller scale shape one of the
things<02:42:42.080> that<02:42:42.240> alan<02:42:42.560> does<02:42:42.800> commonly<02:42:43.200> to<02:42:43.359> sort

things that alan does commonly to sort

things that alan does commonly to sort
of<02:42:43.680> start<02:42:44.080> the<02:42:44.240> phrase<02:42:44.880> is<02:42:45.040> almost<02:42:45.359> like<02:42:45.600> this

of start the phrase is almost like this

of start the phrase is almost like this
uh<02:42:46.240> pentatonic<02:42:46.960> kind<02:42:47.120> of<02:42:47.279> thing<02:42:47.680> where<02:42:47.840> he'll

uh pentatonic kind of thing where he'll

uh pentatonic kind of thing where he'll
hammer<02:42:48.479> on<02:42:48.560> the<02:42:48.720> d<02:42:48.960> string

hammer on the d string

hammer on the d string
and<02:42:50.080> then<02:42:50.240> go<02:42:50.399> to<02:42:50.479> the<02:42:50.560> g<02:42:50.800> string<02:42:51.200> and<02:42:51.279> then

and then go to the g string and then

and then go to the g string and then
back<02:42:51.680> to<02:42:51.760> the<02:42:51.920> d

back to the d

back to the d
something<02:42:53.520> like<02:42:53.600> that

something like that

something like that
along<02:42:55.680> those<02:42:55.920> lines<02:42:56.160> or<02:42:56.240> even

so it's just on the bottom and then it

so it's just on the bottom and then it
just<02:43:01.279> plays<02:43:01.680> whatever<02:43:02.160> but<02:43:02.560> sort<02:43:02.720> of<02:43:02.800> like<02:43:03.040> a

just plays whatever but sort of like a

just plays whatever but sort of like a
starting<02:43:04.000> line<02:43:04.240> that<02:43:04.399> alan<02:43:04.720> does

starting line that alan does

starting line that alan does
[Music]

[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

[Music]

[Music]
now<02:43:43.760> of<02:43:43.920> course<02:43:44.240> within<02:43:44.880> that<02:43:45.040> scale<02:43:45.439> shape<02:43:45.680> we

now of course within that scale shape we

now of course within that scale shape we
have<02:43:45.920> all<02:43:46.080> these<02:43:46.319> other<02:43:46.640> patterns<02:43:47.279> so<02:43:47.520> if

have all these other patterns so if

have all these other patterns so if
we're<02:43:47.920> playing

we're playing

we're playing
a<02:43:49.120> diminished

a diminished

a diminished
we<02:43:50.960> can<02:43:51.120> also<02:43:51.439> play<02:43:51.600> this<02:43:51.840> note<02:43:52.080> here

we can also play this note here

we can also play this note here
so<02:43:53.279> now<02:43:53.520> we<02:43:53.600> have<02:43:53.840> what<02:43:54.000> i<02:43:54.240> consider<02:43:54.720> a

so now we have what i consider a

so now we have what i consider a
phrygian<02:43:55.359> dominant<02:43:55.760> phrase<02:43:56.080> because<02:43:56.319> we<02:43:56.399> have

phrygian dominant phrase because we have

phrygian dominant phrase because we have
a<02:43:56.720> flat<02:43:57.520> two<02:43:58.160> and<02:43:58.240> then<02:43:58.399> we<02:43:58.479> have<02:43:58.640> the<02:43:58.720> major

a flat two and then we have the major

a flat two and then we have the major
third

third

third
and<02:44:00.000> of<02:44:00.080> course<02:44:00.399> this<02:44:00.560> is<02:44:00.720> also<02:44:01.040> on<02:44:01.120> the<02:44:01.200> g

and of course this is also on the g

and of course this is also on the g
string<02:44:01.680> as<02:44:01.760> well

string as well

string as well
and<02:44:04.000> also<02:44:04.399> you<02:44:04.560> can<02:44:04.720> play<02:44:04.960> this<02:44:05.600> on<02:44:05.840> the<02:44:06.080> um<02:44:06.560> on

and also you can play this on the um on

and also you can play this on the um on
the<02:44:06.880> d<02:44:07.120> and<02:44:07.200> the<02:44:07.359> b<02:44:07.600> string

and of course you can use that uh up and

and of course you can use that uh up and
down<02:44:14.000> and<02:44:14.080> minor<02:44:14.479> thirds<02:44:14.880> and<02:44:15.120> flat<02:44:15.520> fives<02:44:15.920> and

down and minor thirds and flat fives and

down and minor thirds and flat fives and
all<02:44:16.319> that<02:44:16.479> symmetricalness

you can also do the same exact thing but

you can also do the same exact thing but
now<02:44:33.600> starting<02:44:33.920> on<02:44:34.000> the<02:44:34.160> next<02:44:34.479> note<02:44:34.720> we'll<02:44:35.040> have

now starting on the next note we'll have

now starting on the next note we'll have
a<02:44:35.760> minor<02:44:36.160> third<02:44:36.479> and<02:44:36.640> a<02:44:36.720> major<02:44:37.040> third

a minor third and a major third

a minor third and a major third
and<02:44:39.279> all<02:44:39.359> the<02:44:39.520> symmetry<02:44:39.920> that<02:44:40.000> goes<02:44:40.240> with<02:44:40.319> that

and all the symmetry that goes with that

and all the symmetry that goes with that
as<02:44:40.640> well

as well

as well
[Music]

[Music]

[Music]
this<02:45:11.680> pattern<02:45:11.920> might<02:45:12.080> be<02:45:12.240> a<02:45:12.240> little<02:45:12.479> tough<02:45:12.720> to

this pattern might be a little tough to

this pattern might be a little tough to
see<02:45:13.040> but<02:45:13.200> it's<02:45:13.359> kind<02:45:13.520> of<02:45:13.600> built<02:45:14.000> on<02:45:14.240> the<02:45:14.479> sh<02:45:14.800> on

see but it's kind of built on the sh on

see but it's kind of built on the sh on
the<02:45:15.200> previous<02:45:15.600> kind<02:45:15.760> of<02:45:15.840> shape<02:45:16.160> ideas<02:45:16.640> where

the previous kind of shape ideas where

the previous kind of shape ideas where
we<02:45:17.359> have<02:45:17.600> this<02:45:18.080> that<02:45:18.240> frigid<02:45:18.640> dominant<02:45:19.040> shape

we have this that frigid dominant shape

we have this that frigid dominant shape
that<02:45:20.560> we<02:45:20.720> can<02:45:20.880> string<02:45:21.120> skip<02:45:21.680> and<02:45:21.840> then<02:45:22.000> we<02:45:22.160> can

that we can string skip and then we can

that we can string skip and then we can
also<02:45:22.800> move<02:45:23.040> to<02:45:23.200> the<02:45:23.359> next<02:45:23.680> position<02:45:24.080> and<02:45:24.160> now

also move to the next position and now

also move to the next position and now
what<02:45:24.479> we'll<02:45:24.560> have<02:45:24.720> is<02:45:24.880> a<02:45:24.960> whole<02:45:25.120> step<02:45:25.359> and<02:45:25.520> a

what we'll have is a whole step and a

what we'll have is a whole step and a
minor<02:45:25.920> third

minor third

minor third
and<02:45:27.680> we<02:45:27.840> can<02:45:28.000> continue<02:45:28.479> with<02:45:28.640> that<02:45:28.880> up<02:45:28.960> the

and we can continue with that up the

and we can continue with that up the
next

next

next
and<02:45:30.319> of<02:45:30.399> course<02:45:30.640> play<02:45:30.960> with<02:45:31.120> any<02:45:31.359> sort<02:45:31.600> of<02:45:31.840> uh

and of course play with any sort of uh

and of course play with any sort of uh
finger<02:45:32.720> pattern<02:45:33.040> that<02:45:33.120> we<02:45:33.279> want<02:45:33.600> any<02:45:33.760> sort<02:45:33.920> of

finger pattern that we want any sort of

finger pattern that we want any sort of
symmetry<02:45:34.640> and<02:45:34.800> of<02:45:34.960> course<02:45:35.680> it'll<02:45:35.920> work<02:45:36.240> also

symmetry and of course it'll work also

symmetry and of course it'll work also
on<02:45:36.880> the<02:45:37.120> uh<02:45:37.760> d<02:45:38.080> and<02:45:38.240> b<02:45:38.399> string<02:45:38.720> as<02:45:38.880> well

[Applause]

[Applause]
[Music]

now even with that shape instead of just

now even with that shape instead of just
playing<02:47:09.840> it<02:47:10.000> straight<02:47:10.319> up<02:47:10.479> or<02:47:10.560> straight<02:47:10.960> down

playing it straight up or straight down

playing it straight up or straight down
a<02:47:12.000> lot<02:47:12.160> of<02:47:12.319> times<02:47:12.640> especially<02:47:13.120> with<02:47:13.279> the

a lot of times especially with the

a lot of times especially with the
diminished<02:47:13.840> scale<02:47:14.080> allen<02:47:14.479> does<02:47:14.640> a<02:47:14.800> lot<02:47:15.040> of

diminished scale allen does a lot of

diminished scale allen does a lot of
like<02:47:15.760> this<02:47:16.160> symmetrical<02:47:17.359> alternate<02:47:17.840> string

like this symmetrical alternate string

like this symmetrical alternate string
sort<02:47:19.439> of<02:47:19.600> phrase<02:47:20.240> where<02:47:20.479> let's<02:47:20.640> say<02:47:20.800> he'll<02:47:20.960> do

sort of phrase where let's say he'll do

sort of phrase where let's say he'll do
something<02:47:21.439> like<02:47:21.920> let's<02:47:22.080> take<02:47:22.240> that<02:47:22.399> phrygian

something like let's take that phrygian

something like let's take that phrygian
dominant<02:47:23.120> phrase

dominant phrase

dominant phrase
and<02:47:24.399> do<02:47:24.560> something<02:47:24.800> like<02:47:24.960> this<02:47:25.120> like

and do something like this like

and do something like this like
[Music]

and of course and that'll work in any of

and of course and that'll work in any of
those<02:47:32.000> other<02:47:32.240> positions

[Applause]

[Applause]
[Music]

[Music]

[Music]
this<02:48:39.520> is<02:48:39.680> another<02:48:40.000> common<02:48:40.399> thing<02:48:40.560> that<02:48:40.720> alan

this is another common thing that alan

this is another common thing that alan
would<02:48:41.200> do<02:48:41.760> and<02:48:42.080> if<02:48:42.240> we<02:48:42.399> saw<02:48:42.640> that<02:48:42.960> small

would do and if we saw that small

would do and if we saw that small
diminished<02:48:44.319> scale<02:48:44.720> shape

we can see that we have like a pillar of

we can see that we have like a pillar of
notes<02:48:50.319> here<02:48:50.640> and<02:48:50.880> here<02:48:51.680> and<02:48:51.920> of<02:48:52.080> course

notes here and here and of course

notes here and here and of course
because<02:48:52.960> of<02:48:53.120> this<02:48:53.439> uh<02:48:53.840> symmetry<02:48:54.399> of<02:48:54.640> the

because of this uh symmetry of the

because of this uh symmetry of the
diminished<02:48:55.200> scale<02:48:55.680> that<02:48:55.920> happens<02:48:56.319> in<02:48:56.479> minor

diminished scale that happens in minor

diminished scale that happens in minor
thirds<02:48:57.120> and<02:48:57.200> flat<02:48:57.439> fives<02:48:57.680> and<02:48:57.840> major<02:48:58.160> sixes<02:48:58.720> so

thirds and flat fives and major sixes so

thirds and flat fives and major sixes so
what<02:48:59.040> happens<02:48:59.359> is<02:48:59.439> you've<02:48:59.600> got<02:48:59.840> this<02:49:00.319> group

what happens is you've got this group

what happens is you've got this group
and<02:49:00.720> it's<02:49:00.960> actually<02:49:01.200> a<02:49:01.279> minor<02:49:01.600> seven<02:49:01.920> arpeggio

and it's actually a minor seven arpeggio

and it's actually a minor seven arpeggio
this<02:49:02.560> is<02:49:02.640> like<02:49:02.800> a<02:49:02.960> minor<02:49:03.359> seven<02:49:03.680> to<02:49:03.840> c<02:49:04.080> minor

this is like a minor seven to c minor

this is like a minor seven to c minor
seven<02:49:04.720> to<02:49:05.279> e<02:49:05.600> flat<02:49:05.920> minor<02:49:06.240> seven<02:49:06.560> to<02:49:06.800> g<02:49:07.040> flat

seven to e flat minor seven to g flat

seven to e flat minor seven to g flat
minor<02:49:07.600> seven<02:49:08.399> um<02:49:08.880> but<02:49:09.040> you<02:49:09.279> have<02:49:09.680> these<02:49:10.160> notes

minor seven um but you have these notes

minor seven um but you have these notes
in<02:49:10.720> a<02:49:10.800> row<02:49:11.040> like<02:49:11.200> this<02:49:11.359> and<02:49:11.600> you<02:49:11.680> can<02:49:11.920> exploit

in a row like this and you can exploit

in a row like this and you can exploit
that<02:49:13.439> finger<02:49:13.760> position<02:49:14.240> as<02:49:14.319> well<02:49:14.720> so<02:49:14.880> what<02:49:15.040> you

that finger position as well so what you

that finger position as well so what you
can<02:49:15.359> do<02:49:15.520> with<02:49:15.760> that<02:49:16.000> is<02:49:16.160> you<02:49:16.319> can<02:49:16.479> play<02:49:16.800> them

can do with that is you can play them

can do with that is you can play them
three<02:49:17.439> notes<02:49:17.760> per<02:49:17.920> string

notice again as you move to the next

notice again as you move to the next
string<02:49:24.640> the<02:49:24.720> pitch<02:49:24.960> on<02:49:25.040> the<02:49:25.120> next<02:49:25.359> one<02:49:25.520> goes

string the pitch on the next one goes

string the pitch on the next one goes
down

down

down
uh<02:49:26.800> i<02:49:26.960> was<02:49:27.200> first<02:49:27.680> actually<02:49:28.240> i<02:49:28.399> first<02:49:28.640> saw<02:49:28.800> this

uh i was first actually i first saw this

uh i was first actually i first saw this
from<02:49:29.279> sean<02:49:29.600> lane's<02:49:29.840> instructional<02:49:30.399> video<02:49:30.880> the

from sean lane's instructional video the

from sean lane's instructional video the
same<02:49:31.279> one<02:49:31.439> that<02:49:31.600> i<02:49:31.680> saw<02:49:31.920> that<02:49:32.160> major<02:49:32.399> scale

same one that i saw that major scale

same one that i saw that major scale
just<02:49:33.200> try<02:49:33.359> to<02:49:33.439> mix<02:49:33.680> it<02:49:33.840> up<02:49:34.000> get<02:49:34.160> a<02:49:34.240> real

just try to mix it up get a real

just try to mix it up get a real
outside<02:49:34.880> kind<02:49:35.040> of<02:49:35.200> sound

again it's just a different way of

again it's just a different way of
viewing<02:50:04.479> the<02:50:04.640> neck<02:50:05.200> you<02:50:05.359> can<02:50:05.520> play<02:50:05.840> with<02:50:06.080> any

viewing the neck you can play with any

viewing the neck you can play with any
sort<02:50:06.399> of<02:50:06.560> finger<02:50:06.960> pattern<02:50:07.279> you<02:50:07.439> want<02:50:07.920> as<02:50:08.080> long

sort of finger pattern you want as long

sort of finger pattern you want as long
as<02:50:08.479> you<02:50:08.560> can<02:50:08.720> see<02:50:08.960> those<02:50:09.279> notes<02:50:09.600> in<02:50:09.760> that<02:50:10.080> order

as you can see those notes in that order

as you can see those notes in that order
you<02:50:10.960> can<02:50:11.200> you<02:50:11.279> know<02:50:11.600> make<02:50:11.840> up<02:50:12.000> your<02:50:12.160> own<02:50:12.319> kind

you can you know make up your own kind

you can you know make up your own kind
of<02:50:12.640> pattern<02:50:13.120> and<02:50:13.279> sometimes<02:50:13.600> what<02:50:13.760> allen

of pattern and sometimes what allen

of pattern and sometimes what allen
would<02:50:14.160> do<02:50:14.479> with<02:50:14.640> that<02:50:15.040> diminished<02:50:15.680> scale

would do with that diminished scale

would do with that diminished scale
shape<02:50:16.399> three<02:50:16.560> notes<02:50:16.800> per<02:50:16.960> string<02:50:17.200> diminished

would use this playing outside sometimes

would use this playing outside sometimes
but<02:50:23.120> for<02:50:23.279> the<02:50:23.439> most<02:50:23.680> part<02:50:24.080> in<02:50:24.160> this<02:50:24.399> instance

but for the most part in this instance

but for the most part in this instance
it's<02:50:24.960> really<02:50:25.200> against<02:50:25.520> some<02:50:25.680> sort<02:50:25.920> of

it's really against some sort of

it's really against some sort of
diminished<02:50:26.479> scale<02:50:26.720> quarter<02:50:27.359> seven<02:50:27.680> flat<02:50:28.080> nine

diminished scale quarter seven flat nine

diminished scale quarter seven flat nine
tonality<02:50:28.960> you<02:50:29.040> know<02:50:29.120> whatever<02:50:29.520> however<02:50:29.920> allen

tonality you know whatever however allen

tonality you know whatever however allen
wants<02:50:30.319> to<02:50:30.479> use<02:50:30.640> it<02:50:30.960> even<02:50:31.120> though<02:50:31.279> i<02:50:31.359> haven't

wants to use it even though i haven't

wants to use it even though i haven't
seen<02:50:31.920> alan<02:50:32.240> play<02:50:32.479> that<02:50:32.720> three<02:50:32.960> note<02:50:33.120> per

seen alan play that three note per

seen alan play that three note per
string<02:50:33.520> diminished<02:50:34.000> scale

string diminished scale

string diminished scale
pattern<02:50:35.120> like<02:50:35.359> this<02:50:35.760> i<02:50:35.920> thought<02:50:36.080> it'd<02:50:36.160> be<02:50:36.319> good

pattern like this i thought it'd be good

pattern like this i thought it'd be good
to<02:50:36.720> see<02:50:37.040> because<02:50:37.359> once<02:50:37.600> again<02:50:37.840> it's<02:50:37.920> just

to see because once again it's just

to see because once again it's just
another<02:50:38.479> way<02:50:38.720> of<02:50:39.279> viewing<02:50:39.520> the<02:50:39.680> neck<02:50:39.920> and

another way of viewing the neck and

another way of viewing the neck and
seeing<02:50:40.240> where<02:50:40.399> those<02:50:40.640> notes<02:50:40.960> are<02:50:41.200> and<02:50:41.439> you<02:50:41.520> can

seeing where those notes are and you can

seeing where those notes are and you can
make<02:50:41.840> your<02:50:42.080> own<02:50:42.240> pattern<02:50:42.640> out<02:50:42.720> of<02:50:42.800> that<02:50:43.040> as

make your own pattern out of that as

make your own pattern out of that as
well

[Applause]

[Applause]
[Music]

my

my
[Music]

here's yet another thing that you can do

here's yet another thing that you can do
uh<02:52:22.880> to<02:52:23.200> sort<02:52:23.359> of<02:52:23.520> extend<02:52:23.920> that<02:52:24.160> shape<02:52:24.720> so<02:52:25.040> uh

uh to sort of extend that shape so uh

uh to sort of extend that shape so uh
alan<02:52:25.760> hasn't<02:52:26.080> done<02:52:26.240> this<02:52:26.640> very<02:52:26.960> often<02:52:27.279> on<02:52:27.439> the

alan hasn't done this very often on the

alan hasn't done this very often on the
record<02:52:27.840> but<02:52:28.000> i<02:52:28.080> have<02:52:28.240> seen<02:52:28.479> him<02:52:28.560> do<02:52:28.720> it<02:52:28.800> live<02:52:29.040> a

record but i have seen him do it live a

record but i have seen him do it live a
couple<02:52:29.359> of<02:52:29.520> times

couple of times

couple of times
once<02:52:30.880> again<02:52:31.120> just<02:52:31.279> another<02:52:31.520> way<02:52:31.600> of<02:52:31.680> viewing

once again just another way of viewing

once again just another way of viewing
the<02:52:32.080> neck

the neck

the neck
multiplying<02:52:33.680> that<02:52:33.840> three<02:52:34.160> note<02:52:34.399> per<02:52:34.560> string

multiplying that three note per string

multiplying that three note per string
diminished<02:52:35.200> scale<02:52:35.439> state

what you could do is you can skip this

what you could do is you can skip this
one<02:52:41.200> and<02:52:41.279> then<02:52:41.520> extend<02:52:42.000> it<02:52:42.399> to<02:52:42.640> the<02:52:42.880> other<02:52:43.120> ones

one and then extend it to the other ones

one and then extend it to the other ones
so<02:52:44.000> you've<02:52:44.160> got<02:52:44.319> this<02:52:44.560> stupidly<02:52:45.279> wide<02:52:45.600> stretch

so you've got this stupidly wide stretch

so you've got this stupidly wide stretch
and<02:52:46.080> the<02:52:46.240> intervals<02:52:46.640> are<02:52:46.800> all<02:52:47.040> real<02:52:47.279> crazy

something like that

something like that
very<02:52:54.560> hard<02:52:54.800> to<02:52:54.880> do<02:52:55.120> and<02:52:55.359> only<02:52:55.760> you<02:52:55.920> can<02:52:56.000> really

very hard to do and only you can really

very hard to do and only you can really
do<02:52:56.399> it<02:52:56.479> very<02:52:56.720> high<02:52:56.880> up<02:52:57.040> on<02:52:57.120> the<02:52:57.200> neck<02:52:57.439> i<02:52:57.520> think

do it very high up on the neck i think

do it very high up on the neck i think
when<02:52:57.920> alan<02:52:58.240> does<02:52:58.479> it<02:52:58.560> it's<02:52:58.800> like<02:52:58.960> the<02:52:59.120> 13th<02:52:59.600> or

when alan does it it's like the 13th or

when alan does it it's like the 13th or
maybe<02:53:00.000> even<02:53:00.240> the<02:53:00.399> 12th<02:53:01.040> fret<02:53:01.279> if<02:53:01.439> you<02:53:01.520> can

maybe even the 12th fret if you can

maybe even the 12th fret if you can
reach<02:53:01.920> it<02:53:02.319> once<02:53:02.560> again<02:53:02.800> just<02:53:02.960> another<02:53:03.760> uh

reach it once again just another uh

reach it once again just another uh
symmetrical<02:53:05.439> visual<02:53:05.760> idea<02:53:06.000> that<02:53:06.160> you<02:53:06.240> can<02:53:06.399> do

symmetrical visual idea that you can do

symmetrical visual idea that you can do
to<02:53:06.640> build<02:53:06.880> your<02:53:07.040> own<02:53:07.120> lines<02:53:07.279> and<02:53:07.439> of<02:53:07.520> course<02:53:07.760> if

to build your own lines and of course if

to build your own lines and of course if
you<02:53:07.920> can't<02:53:08.319> stretch<02:53:09.040> you<02:53:09.200> can<02:53:09.439> always<02:53:09.760> utilize

you can't stretch you can always utilize

you can't stretch you can always utilize
your<02:53:10.319> right<02:53:10.479> finger<02:53:10.720> and<02:53:10.880> tap

your right finger and tap

your right finger and tap
[Music]

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[Music]

[Music]
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[Music]

[Music]
here's<02:53:31.120> another<02:53:31.439> thing<02:53:31.600> that<02:53:31.760> i<02:53:31.840> would<02:53:32.000> see

here's another thing that i would see

here's another thing that i would see
allen<02:53:32.399> do<02:53:32.720> uh<02:53:33.040> pretty<02:53:33.279> frequently<02:53:34.080> sort<02:53:34.240> of

allen do uh pretty frequently sort of

allen do uh pretty frequently sort of
play<02:53:34.800> a<02:53:35.040> seven<02:53:35.359> flat<02:53:35.680> nine<02:53:35.920> arpeggio<02:53:36.800> or

play a seven flat nine arpeggio or

play a seven flat nine arpeggio or
really<02:53:37.920> uh<02:53:38.319> playing<02:53:39.120> a<02:53:39.359> half<02:53:39.680> step<02:53:40.080> on<02:53:40.319> the<02:53:40.800> g

really uh playing a half step on the g

really uh playing a half step on the g
string<02:53:41.840> and<02:53:42.000> then<02:53:42.160> a<02:53:42.399> full<02:53:42.800> diminished

string and then a full diminished

string and then a full diminished
seventh<02:53:43.680> arpeggio

seventh arpeggio

seventh arpeggio
on<02:53:46.080> the<02:53:46.240> next<02:53:46.399> string<02:53:46.800> and<02:53:46.880> then<02:53:47.120> usually<02:53:47.439> the

on the next string and then usually the

on the next string and then usually the
top<02:53:47.760> string<02:53:48.000> has<02:53:48.160> some<02:53:48.319> sort<02:53:48.560> of

top string has some sort of

top string has some sort of
like<02:53:49.600> stretching<02:53:50.160> to<02:53:50.399> it

like stretching to it

like stretching to it
but<02:53:52.080> this<02:53:52.319> once<02:53:52.560> again<02:53:52.880> is<02:53:53.040> a<02:53:53.040> little<02:53:53.200> bit

but this once again is a little bit

but this once again is a little bit
tough<02:53:53.840> to<02:53:54.160> decide<02:53:54.640> what<02:53:54.800> scale<02:53:55.120> it<02:53:55.200> belongs<02:53:55.520> to

tough to decide what scale it belongs to

tough to decide what scale it belongs to
because<02:53:56.080> even<02:53:56.319> though

because even though

because even though
allen<02:53:57.600> uses<02:53:57.840> the<02:53:58.000> diminished<02:53:58.319> scale<02:53:58.640> over

allen uses the diminished scale over

allen uses the diminished scale over
seven<02:53:59.120> flat<02:53:59.439> nine<02:53:59.680> chords<02:53:59.920> and<02:54:00.000> this<02:54:00.160> is<02:54:00.319> a

seven flat nine chords and this is a

seven flat nine chords and this is a
seven<02:54:00.640> flat<02:54:00.880> nine<02:54:01.120> arpeggio<02:54:01.920> i<02:54:02.000> don't<02:54:02.160> think

seven flat nine arpeggio i don't think

seven flat nine arpeggio i don't think
he's<02:54:02.399> thinking<02:54:02.720> of<02:54:02.800> it<02:54:02.880> like<02:54:03.120> this<02:54:03.760> but<02:54:04.160> that

he's thinking of it like this but that

he's thinking of it like this but that
particular<02:54:05.040> group<02:54:05.279> of<02:54:05.359> notes<02:54:05.600> can<02:54:05.840> belong<02:54:06.160> to

particular group of notes can belong to

particular group of notes can belong to
quite<02:54:06.720> a<02:54:06.800> few<02:54:07.040> different<02:54:07.439> scales

quite a few different scales

quite a few different scales
so<02:54:08.720> for<02:54:08.960> example<02:54:09.359> if<02:54:09.520> i<02:54:09.600> was<02:54:09.760> to<02:54:09.920> play<02:54:10.080> this<02:54:10.319> in

so for example if i was to play this in

so for example if i was to play this in
b<02:54:10.800> and<02:54:10.880> it's<02:54:11.120> basically<02:54:11.520> a<02:54:11.680> b7<02:54:12.240> flat<02:54:12.479> 9

b and it's basically a b7 flat 9

b and it's basically a b7 flat 9
arpeggio

this can belong to not only b diminished

this can belong to not only b diminished
and<02:54:18.319> all<02:54:18.560> the<02:54:18.720> other<02:54:18.880> patterns<02:54:19.359> for<02:54:19.520> it<02:54:19.920> but<02:54:20.160> it

and all the other patterns for it but it

and all the other patterns for it but it
can<02:54:20.399> belong<02:54:20.720> to<02:54:20.880> e<02:54:21.120> harmonic<02:54:21.600> minor

can belong to e harmonic minor

can belong to e harmonic minor
e<02:54:23.600> and<02:54:24.000> flat<02:54:24.399> six<02:54:24.720> as<02:54:24.880> well<02:54:25.120> as<02:54:25.439> g<02:54:25.680> and<02:54:25.840> flat<02:54:26.160> six

e and flat six as well as g and flat six

e and flat six as well as g and flat six
and<02:54:26.720> e<02:54:26.880> harmonic<02:54:27.439> major<02:54:27.920> and<02:54:28.319> uh<02:54:28.720> g<02:54:28.960> harmonic

and e harmonic major and uh g harmonic

and e harmonic major and uh g harmonic
major<02:54:30.240> so<02:54:30.720> if<02:54:30.880> you<02:54:31.040> just<02:54:31.200> see<02:54:31.359> it<02:54:31.439> it<02:54:31.520> doesn't

major so if you just see it it doesn't

major so if you just see it it doesn't
really<02:54:31.920> tell<02:54:32.080> you<02:54:32.160> it<02:54:32.240> doesn't<02:54:32.479> give<02:54:32.560> you

really tell you it doesn't give you

really tell you it doesn't give you
enough<02:54:32.880> information<02:54:33.279> to<02:54:33.359> say<02:54:33.600> what<02:54:34.000> sort<02:54:34.240> of

enough information to say what sort of

enough information to say what sort of
scale<02:54:35.040> it<02:54:35.120> could<02:54:35.279> be<02:54:35.359> in<02:54:35.520> but<02:54:35.680> this<02:54:35.840> is<02:54:35.920> what<02:54:36.000> i

scale it could be in but this is what i

scale it could be in but this is what i
was<02:54:36.240> saying<02:54:36.560> we<02:54:36.720> have<02:54:36.880> so<02:54:37.040> much<02:54:37.200> overlap<02:54:37.760> now

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[Music]

[Music]
mmm

[Music]

[Music]
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[Music]
these<02:55:29.200> group<02:55:29.439> of<02:55:29.600> examples

these group of examples

these group of examples
i<02:55:30.960> can't<02:55:31.200> really<02:55:31.520> describe<02:55:31.920> what<02:55:32.080> the<02:55:32.399> exact

i can't really describe what the exact

i can't really describe what the exact
pattern<02:55:33.359> is<02:55:33.680> a<02:55:33.840> lot<02:55:34.000> of<02:55:34.160> it<02:55:34.319> is<02:55:34.399> this<02:55:34.640> kind<02:55:34.800> of

pattern is a lot of it is this kind of

pattern is a lot of it is this kind of
barring<02:55:35.439> and<02:55:35.600> sweeping<02:55:36.160> like<02:55:36.479> um

on the in that smaller scale shape but

on the in that smaller scale shape but
none<02:55:41.600> of<02:55:41.760> them<02:55:41.920> are<02:55:42.080> really<02:55:42.319> identical

none of them are really identical

none of them are really identical
they're<02:55:43.120> all<02:55:43.279> just<02:55:43.439> kind<02:55:43.680> of<02:55:43.840> similar

they're all just kind of similar

they're all just kind of similar
i<02:55:45.200> call<02:55:45.439> this<02:55:45.680> one<02:55:45.920> the<02:55:46.160> house<02:55:46.479> of<02:55:46.640> mirrors

i call this one the house of mirrors

i call this one the house of mirrors
line<02:55:47.279> because<02:55:47.600> i<02:55:47.840> first<02:55:48.160> recognize<02:55:48.560> it<02:55:48.640> at<02:55:48.720> the

line because i first recognize it at the

line because i first recognize it at the
end<02:55:49.040> of<02:55:49.520> house<02:55:49.840> of<02:55:49.920> mirrors<02:55:50.319> so

end of house of mirrors so

end of house of mirrors so
if<02:55:51.279> you<02:55:51.359> have<02:55:51.439> a<02:55:51.520> better<02:55:51.760> way<02:55:51.920> of<02:55:52.080> describing

if you have a better way of describing

if you have a better way of describing
what's<02:55:52.880> similar<02:55:53.200> between<02:55:53.600> these<02:55:53.840> lines

what's similar between these lines

what's similar between these lines
please<02:55:55.840> let<02:55:56.000> me<02:55:56.160> know

please let me know

please let me know
but<02:55:57.680> i<02:55:57.760> didn't<02:55:57.920> really<02:55:58.160> see<02:55:58.399> allen<02:55:58.720> use<02:55:58.880> it

but i didn't really see allen use it

but i didn't really see allen use it
that<02:55:59.200> much<02:55:59.439> i<02:55:59.520> have<02:55:59.840> seen<02:56:00.080> him<02:56:00.319> using<02:56:00.560> more<02:56:00.800> in

that much i have seen him using more in

that much i have seen him using more in
larger<02:56:01.359> lines<02:56:01.680> but<02:56:01.840> not<02:56:02.000> where<02:56:02.160> there's

larger lines but not where there's

larger lines but not where there's
really<02:56:02.560> a<02:56:02.640> lot<02:56:02.800> of<02:56:02.880> clear-cut<02:56:03.439> examples<02:56:03.920> so

really a lot of clear-cut examples so

really a lot of clear-cut examples so
it's<02:56:04.800> hard<02:56:05.040> to<02:56:05.200> really<02:56:05.520> say

it's hard to really say

it's hard to really say
what<02:56:06.720> the<02:56:06.880> exact<02:56:07.359> pattern<02:56:07.760> is<02:56:07.920> here

what the exact pattern is here

what the exact pattern is here
[Music]

[Music]

[Music]
me

then finally here are some really

then finally here are some really
interesting<02:56:45.279> uh<02:56:45.520> diminished<02:56:46.000> scale<02:56:46.319> concepts

interesting uh diminished scale concepts

interesting uh diminished scale concepts
that<02:56:47.040> i<02:56:47.200> found<02:56:47.760> now<02:56:48.160> some<02:56:48.399> of<02:56:48.479> these<02:56:49.200> it's<02:56:49.439> hard

that i found now some of these it's hard

that i found now some of these it's hard
to<02:56:49.840> tell<02:56:50.080> if<02:56:50.240> alan's<02:56:50.640> just<02:56:50.800> thinking<02:56:51.200> of<02:56:51.439> a

to tell if alan's just thinking of a

to tell if alan's just thinking of a
hand<02:56:52.720> position<02:56:53.200> and<02:56:53.279> just<02:56:53.439> moving<02:56:53.760> up<02:56:53.920> in<02:56:54.080> a

hand position and just moving up in a

hand position and just moving up in a
flat<02:56:54.560> five<02:56:55.040> uh<02:56:55.680> uh<02:56:56.160> concept<02:56:56.640> like<02:56:56.800> we're<02:56:56.960> going

flat five uh uh concept like we're going

flat five uh uh concept like we're going
to<02:56:57.120> talk<02:56:57.359> about<02:56:57.520> in<02:56:57.600> the<02:56:57.760> outside<02:56:58.240> section<02:56:58.960> or

to talk about in the outside section or

to talk about in the outside section or
if<02:56:59.359> he's<02:56:59.600> actually<02:56:59.920> really<02:57:00.240> thinking<02:57:00.560> of<02:57:00.720> the

if he's actually really thinking of the

if he's actually really thinking of the
diminished<02:57:01.200> scale<02:57:01.840> i<02:57:02.000> don't<02:57:02.240> know<02:57:02.479> but<02:57:02.880> i<02:57:03.040> put

diminished scale i don't know but i put

diminished scale i don't know but i put
him<02:57:03.359> in<02:57:03.439> here<02:57:03.680> because<02:57:03.920> they<02:57:04.160> are<02:57:04.319> diatonic<02:57:04.880> to

him in here because they are diatonic to

him in here because they are diatonic to
the<02:57:05.120> diminished<02:57:05.520> scale

the diminished scale

the diminished scale
[Applause]

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[Music]

now this is the first of the four jazz

now this is the first of the four jazz
scales<02:57:27.120> that<02:57:27.200> allen<02:57:27.520> talks<02:57:27.840> about<02:57:28.080> in<02:57:28.240> his<02:57:28.399> reh

scales that allen talks about in his reh

scales that allen talks about in his reh
video<02:57:29.680> and<02:57:29.840> this<02:57:30.080> one<02:57:30.399> really<02:57:30.720> gets<02:57:30.960> used<02:57:31.279> the

video and this one really gets used the

video and this one really gets used the
most<02:57:31.680> the<02:57:31.840> other<02:57:32.160> three<02:57:32.560> i<02:57:32.640> don't<02:57:32.800> think<02:57:33.040> i've

most the other three i don't think i've

most the other three i don't think i've
really<02:57:33.439> ever<02:57:33.680> seen<02:57:33.920> and<02:57:34.000> if<02:57:34.160> i<02:57:34.319> have

really ever seen and if i have

really ever seen and if i have
i<02:57:35.279> haven't<02:57:35.520> noticed<02:57:35.920> it<02:57:36.080> because<02:57:36.399> it's<02:57:36.560> hard

i haven't noticed it because it's hard

i haven't noticed it because it's hard
to<02:57:36.880> really<02:57:37.200> tell<02:57:37.920> uh<02:57:38.240> if<02:57:38.319> you're<02:57:38.479> just<02:57:38.880> playing

to really tell uh if you're just playing

to really tell uh if you're just playing
a<02:57:39.520> different<02:57:39.840> scale<02:57:40.160> and<02:57:40.319> adding<02:57:40.560> some

a different scale and adding some

a different scale and adding some
chromaticism<02:57:41.520> in<02:57:41.600> there<02:57:42.240> but<02:57:42.479> this<02:57:42.720> one<02:57:42.960> is

chromaticism in there but this one is

chromaticism in there but this one is
special<02:57:43.600> because<02:57:43.840> this<02:57:44.000> one<02:57:44.240> does<02:57:44.560> appear<02:57:44.880> on

special because this one does appear on

special because this one does appear on
alan's<02:57:45.600> charts

alan's charts

alan's charts
and<02:57:46.720> the<02:57:46.880> symbol<02:57:47.200> for<02:57:47.359> it<02:57:47.760> is<02:57:47.920> this<02:57:48.080> little

and the symbol for it is this little

and the symbol for it is this little
lowercase<02:57:48.880> gamma<02:57:49.279> or<02:57:49.359> like<02:57:49.520> this<02:57:49.760> little

lowercase gamma or like this little

lowercase gamma or like this little
pineapple<02:57:50.560> thing

pineapple thing

pineapple thing
uh<02:57:52.080> now<02:57:52.479> the<02:57:52.720> other<02:57:52.880> name<02:57:53.040> for<02:57:53.200> this<02:57:53.359> scale<02:57:53.600> is

uh now the other name for this scale is

uh now the other name for this scale is
a<02:57:53.840> diminished<02:57:54.319> sixth<02:57:54.560> scale

a diminished sixth scale

a diminished sixth scale
as<02:57:55.680> for<02:57:55.920> barry<02:57:56.240> harris<02:57:56.880> and<02:57:57.040> what's

as for barry harris and what's

as for barry harris and what's
interesting<02:57:57.920> about<02:57:58.319> this<02:57:58.560> particular<02:57:59.120> scale

interesting about this particular scale

interesting about this particular scale
is<02:58:00.080> that

is that

is that
all<02:58:01.439> the<02:58:01.680> inversions<02:58:02.319> if<02:58:02.479> you<02:58:02.640> take<02:58:02.960> each<02:58:03.520> if

all the inversions if you take each if

all the inversions if you take each if
you<02:58:03.760> take<02:58:04.000> every<02:58:04.240> other<02:58:04.479> note<02:58:05.040> so<02:58:05.359> if<02:58:05.520> you<02:58:05.840> if

you take every other note so if you if

you take every other note so if you if
you<02:58:06.080> take<02:58:06.240> the<02:58:06.399> first<02:58:06.640> note<02:58:06.960> skip<02:58:07.200> the<02:58:07.359> second

you take the first note skip the second

you take the first note skip the second
go<02:58:07.840> to<02:58:08.000> the<02:58:08.160> third<02:58:08.479> skip<02:58:08.800> the<02:58:08.960> fourth<02:58:09.279> go<02:58:09.439> to

go to the third skip the fourth go to

go to the third skip the fourth go to
the<02:58:09.760> fifth

the fifth

the fifth
skip<02:58:10.960> the<02:58:11.200> sharp<02:58:11.520> five<02:58:11.840> and<02:58:11.920> then<02:58:12.080> go<02:58:12.240> to<02:58:12.399> the

skip the sharp five and then go to the

skip the sharp five and then go to the
six<02:58:12.960> and<02:58:13.040> you<02:58:13.279> take<02:58:14.000> those<02:58:14.399> four<02:58:14.720> notes<02:58:15.279> you

six and you take those four notes you

six and you take those four notes you
get<02:58:15.520> a<02:58:15.680> c6<02:58:16.319> chord<02:58:16.720> then<02:58:16.880> when<02:58:17.040> you<02:58:17.200> switch<02:58:17.439> it

get a c6 chord then when you switch it

get a c6 chord then when you switch it
over<02:58:17.920> and<02:58:18.080> you<02:58:18.240> start<02:58:18.479> on<02:58:18.640> d<02:58:19.120> you<02:58:19.279> get<02:58:19.439> a<02:58:19.600> d

over and you start on d you get a d

over and you start on d you get a d
fully<02:58:20.240> diminished<02:58:20.640> seventh<02:58:21.120> but<02:58:21.359> then<02:58:21.520> what's

fully diminished seventh but then what's

fully diminished seventh but then what's
interesting<02:58:22.160> is<02:58:22.319> that<02:58:22.399> when<02:58:22.560> you<02:58:22.720> move<02:58:22.880> to<02:58:23.120> e

interesting is that when you move to e

interesting is that when you move to e
it's<02:58:24.080> now<02:58:24.319> a<02:58:24.399> first<02:58:24.720> inversion<02:58:25.279> c<02:58:25.520> six<02:58:25.760> chord

it's now a first inversion c six chord

it's now a first inversion c six chord
and<02:58:26.160> then<02:58:26.319> when<02:58:26.479> you<02:58:26.640> move<02:58:26.800> to<02:58:27.040> f<02:58:27.520> it's<02:58:27.760> f<02:58:27.920> fully

and then when you move to f it's f fully

and then when you move to f it's f fully
diminished<02:58:28.960> so<02:58:29.200> it's<02:58:29.439> only<02:58:29.840> every<02:58:30.560> every<02:58:31.040> of

diminished so it's only every every of

diminished so it's only every every of
those<02:58:31.760> uh<02:58:32.240> chords<02:58:32.560> are<02:58:32.720> either<02:58:32.960> built<02:58:33.279> from<02:58:33.520> an

those uh chords are either built from an

those uh chords are either built from an
inversion<02:58:34.080> of<02:58:34.240> a<02:58:34.399> c6<02:58:35.439> or<02:58:36.000> it's<02:58:36.240> an<02:58:36.399> inversion

inversion of a c6 or it's an inversion

inversion of a c6 or it's an inversion
of<02:58:37.120> a<02:58:37.439> d<02:58:37.760> fully<02:58:38.000> diminished<02:58:38.399> seventh<02:58:38.720> chord

of a d fully diminished seventh chord

of a d fully diminished seventh chord
which<02:58:39.200> we<02:58:39.359> all<02:58:39.520> know<02:58:39.680> is<02:58:39.840> already<02:58:40.080> symmetrical

which we all know is already symmetrical

which we all know is already symmetrical
uh<02:58:41.520> across<02:58:41.840> the<02:58:41.920> neck<02:58:42.160> anyway

uh across the neck anyway

uh across the neck anyway
well<02:58:43.439> for<02:58:43.680> completeness<02:58:44.240> i<02:58:44.399> might<02:58:44.560> as<02:58:44.640> well

well for completeness i might as well

well for completeness i might as well
talk<02:58:45.040> about<02:58:45.279> the<02:58:45.439> three<02:58:45.840> other<02:58:46.319> uh<02:58:46.640> jazz

talk about the three other uh jazz

talk about the three other uh jazz
scales<02:58:47.760> the<02:58:47.920> first<02:58:48.240> one<02:58:48.560> is<02:58:48.720> melodic<02:58:49.200> minor

scales the first one is melodic minor

scales the first one is melodic minor
with<02:58:49.680> an<02:58:49.840> added<02:58:50.240> flat<02:58:50.560> six<02:58:51.120> which<02:58:51.359> i<02:58:51.439> talked

with an added flat six which i talked

with an added flat six which i talked
about<02:58:51.920> before<02:58:52.240> for<02:58:52.399> melodic<02:58:52.880> minor<02:58:53.439> the

about before for melodic minor the

about before for melodic minor the
symbol<02:58:54.000> for<02:58:54.160> that<02:58:54.560> is<02:58:55.120> alan's<02:58:55.520> melodic<02:58:55.920> minor

symbol for that is alan's melodic minor

symbol for that is alan's melodic minor
symbol<02:58:56.479> which<02:58:56.720> is<02:58:56.880> x<02:58:57.040> with<02:58:57.200> the<02:58:57.359> circle<02:58:57.840> and<02:58:58.000> a

symbol which is x with the circle and a

symbol which is x with the circle and a
uh

uh

uh
case<02:58:59.600> gamma<02:59:00.319> the<02:59:00.560> other<02:59:00.800> one<02:59:01.120> is<02:59:01.279> a<02:59:01.439> mixolydian

case gamma the other one is a mixolydian

case gamma the other one is a mixolydian
scale<02:59:02.479> with<02:59:02.640> an<02:59:02.800> added<02:59:03.200> major<02:59:03.520> seven<02:59:03.920> that's

scale with an added major seven that's

scale with an added major seven that's
also<02:59:04.399> known<02:59:04.560> as<02:59:04.640> the<02:59:04.800> bebop<02:59:05.359> scale

also known as the bebop scale

also known as the bebop scale
that<02:59:06.720> allen<02:59:07.040> symbol<02:59:07.279> for<02:59:07.439> that<02:59:07.680> is<02:59:07.920> a<02:59:08.160> seven

that allen symbol for that is a seven

that allen symbol for that is a seven
with<02:59:08.720> the<02:59:08.800> lowercase<02:59:09.439> gamma<02:59:10.240> and<02:59:10.399> then<02:59:10.560> the

with the lowercase gamma and then the

with the lowercase gamma and then the
last<02:59:11.200> one<02:59:11.760> is<02:59:12.080> actually<02:59:12.640> dorian<02:59:13.439> with<02:59:13.680> an

last one is actually dorian with an

last one is actually dorian with an
added<02:59:14.880> major<02:59:15.279> 7<02:59:15.920> which<02:59:16.160> is<02:59:16.240> kind<02:59:16.479> of<02:59:16.560> like

added major 7 which is kind of like

added major 7 which is kind of like
combining

combining

combining
dorian<02:59:18.720> and<02:59:18.800> melodic<02:59:19.200> minor<02:59:19.520> together<02:59:20.319> and

dorian and melodic minor together and

dorian and melodic minor together and
the<02:59:20.800> symbol<02:59:21.200> for<02:59:21.439> that<02:59:21.760> for<02:59:21.920> alan<02:59:22.240> is<02:59:22.479> x<02:59:23.040> with

the symbol for that for alan is x with

the symbol for that for alan is x with
the<02:59:23.359> lowercase<02:59:23.920> gamma<02:59:24.319> as<02:59:24.399> well

the lowercase gamma as well

the lowercase gamma as well
most<02:59:25.600> often<02:59:26.080> alan<02:59:26.399> really<02:59:26.640> uses<02:59:26.960> this<02:59:27.200> scale

most often alan really uses this scale

most often alan really uses this scale
as<02:59:28.080> an<02:59:28.640> alternate<02:59:29.120> scale<02:59:29.760> i<02:59:29.920> think<02:59:30.160> there<02:59:30.399> are

as an alternate scale i think there are

as an alternate scale i think there are
maybe<02:59:30.880> a<02:59:30.960> couple<02:59:31.279> of<02:59:31.439> tunes<02:59:31.840> where<02:59:32.479> this<02:59:32.800> is

maybe a couple of tunes where this is

maybe a couple of tunes where this is
specifically<02:59:34.000> written<02:59:34.240> down<02:59:34.479> to<02:59:34.640> be<02:59:34.800> used<02:59:35.439> but

specifically written down to be used but

specifically written down to be used but
uh<02:59:36.080> in<02:59:36.240> most<02:59:36.560> cases<02:59:37.120> it's<02:59:37.439> just<02:59:37.680> used<02:59:37.920> as<02:59:38.000> an

uh in most cases it's just used as an

uh in most cases it's just used as an
alternate<02:59:38.640> so<02:59:39.040> it<02:59:39.120> would<02:59:39.359> say<02:59:39.840> play<02:59:40.080> this

alternate so it would say play this

alternate so it would say play this
scale<02:59:40.720> or<02:59:40.960> you<02:59:41.120> can<02:59:41.279> also<02:59:41.520> play<02:59:41.760> that<02:59:42.000> one<02:59:42.240> and

scale or you can also play that one and

scale or you can also play that one and
sort<02:59:42.560> of<02:59:42.720> jumble<02:59:43.040> between<02:59:43.439> them<02:59:43.840> i'll<02:59:44.000> talk

sort of jumble between them i'll talk

sort of jumble between them i'll talk
about<02:59:44.399> that<02:59:44.560> a<02:59:44.640> little<02:59:44.800> bit<02:59:44.960> later<02:59:45.439> as<02:59:45.680> far<02:59:45.920> as

about that a little bit later as far as

about that a little bit later as far as
how<02:59:46.720> alan<02:59:47.200> sees<02:59:47.520> this<02:59:47.840> uh<02:59:48.000> scale<02:59:48.399> across<02:59:48.720> the

how alan sees this uh scale across the

how alan sees this uh scale across the
neck<02:59:49.120> there<02:59:49.279> really<02:59:49.520> aren't<02:59:49.840> many<02:59:50.160> patterns

neck there really aren't many patterns

neck there really aren't many patterns
uh<02:59:51.439> but<02:59:52.080> of<02:59:52.240> course<02:59:52.640> if<02:59:52.720> you<02:59:52.880> want<02:59:53.120> you<02:59:53.200> can

uh but of course if you want you can

uh but of course if you want you can
take<02:59:53.600> any<02:59:53.760> of<02:59:53.840> the<02:59:53.920> other<02:59:54.080> patterns<02:59:54.319> that<02:59:54.399> we

take any of the other patterns that we

take any of the other patterns that we
did<02:59:54.720> and<02:59:54.800> then<02:59:54.960> just<02:59:55.120> integrate<02:59:55.520> this<02:59:55.680> note<02:59:56.000> in

did and then just integrate this note in

did and then just integrate this note in
there<02:59:56.479> but<02:59:56.720> by<02:59:57.120> far<02:59:57.920> the<02:59:58.160> most<02:59:58.640> uh<02:59:59.040> common<02:59:59.520> way

there but by far the most uh common way

there but by far the most uh common way
that<02:59:59.840> alan<03:00:00.240> plays<03:00:00.479> his<03:00:00.640> ad<03:00:00.800> flat<03:00:01.120> sixth<03:00:01.359> scale

that alan plays his ad flat sixth scale

that alan plays his ad flat sixth scale
is<03:00:02.479> in<03:00:02.640> that<03:00:02.800> first<03:00:03.120> ionian<03:00:03.680> position<03:00:04.560> another

is in that first ionian position another

is in that first ionian position another
interesting<03:00:05.279> way<03:00:05.520> of<03:00:05.680> thinking<03:00:05.920> of<03:00:06.000> this

interesting way of thinking of this

interesting way of thinking of this
scale<03:00:06.479> which<03:00:06.720> might<03:00:06.880> be<03:00:07.200> a<03:00:07.439> bit<03:00:07.680> easier<03:00:08.000> for

scale which might be a bit easier for

scale which might be a bit easier for
other<03:00:08.399> people<03:00:09.120> is<03:00:09.359> think<03:00:09.600> of<03:00:09.760> it<03:00:09.920> as<03:00:10.240> dorian

other people is think of it as dorian

other people is think of it as dorian
with<03:00:11.200> an<03:00:11.359> added<03:00:11.680> flat<03:00:12.000> five<03:00:12.640> and<03:00:12.800> what<03:00:12.960> makes

with an added flat five and what makes

with an added flat five and what makes
it<03:00:13.279> a<03:00:13.359> bit<03:00:13.600> easier<03:00:13.840> is<03:00:14.000> that<03:00:14.160> for<03:00:14.319> the<03:00:14.399> most

it a bit easier is that for the most

it a bit easier is that for the most
part<03:00:14.960> the<03:00:15.040> flat<03:00:15.359> five<03:00:15.600> is<03:00:15.680> a<03:00:15.760> very<03:00:16.080> common

part the flat five is a very common

part the flat five is a very common
passing<03:00:16.880> tone<03:00:17.200> for

passing tone for

passing tone for
minor<03:00:18.399> scales<03:00:19.040> so<03:00:19.279> if<03:00:19.439> you<03:00:19.520> just<03:00:19.680> add<03:00:19.840> it<03:00:20.000> in

minor scales so if you just add it in

minor scales so if you just add it in
there<03:00:20.479> it's<03:00:20.720> really<03:00:20.960> the<03:00:21.120> same<03:00:21.439> thing

there it's really the same thing

there it's really the same thing
so<03:00:22.479> like<03:00:22.640> i<03:00:22.800> said<03:00:23.439> allen<03:00:23.760> really<03:00:24.000> uses<03:00:24.240> this<03:00:24.479> a

so like i said allen really uses this a

so like i said allen really uses this a
lot<03:00:24.720> in<03:00:24.880> the<03:00:25.200> ionian<03:00:25.840> position<03:00:26.240> and<03:00:26.319> what

lot in the ionian position and what

lot in the ionian position and what
really<03:00:26.720> gives<03:00:26.960> it<03:00:27.040> away<03:00:27.279> is<03:00:27.439> you<03:00:27.520> can<03:00:27.680> really

really gives it away is you can really

really gives it away is you can really
notice<03:00:28.240> the<03:00:28.399> symmetry<03:00:29.359> on<03:00:29.520> the<03:00:30.080> d<03:00:30.640> g<03:00:30.960> and<03:00:31.120> b

notice the symmetry on the d g and b

notice the symmetry on the d g and b
strings<03:00:31.760> we<03:00:31.920> all<03:00:32.160> have<03:00:32.319> the<03:00:32.479> ninth<03:00:33.200> tenth<03:00:33.840> and

strings we all have the ninth tenth and

strings we all have the ninth tenth and
twelfth<03:00:34.319> fret

twelfth fret

twelfth fret
and<03:00:35.920> then<03:00:36.160> here

and then here

and then here
there's<03:00:37.279> our<03:00:37.439> add<03:00:37.680> flat<03:00:38.080> six<03:00:38.399> note<03:00:38.720> the<03:00:38.880> g

there's our add flat six note the g

there's our add flat six note the g
sharp<03:00:39.680> well<03:00:40.000> technically<03:00:40.399> a<03:00:40.640> flat

sharp well technically a flat

sharp well technically a flat
and<03:00:43.040> then<03:00:43.200> continuing<03:00:43.840> up

and then continuing up

and then continuing up
so

so

so
once<03:00:46.319> again<03:00:46.880> notice<03:00:47.200> the<03:00:47.359> symmetry<03:00:48.080> on<03:00:48.240> those

once again notice the symmetry on those

once again notice the symmetry on those
three<03:00:48.800> strings

[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

[Music]

[Music]
[Laughter]

[Laughter]

[Laughter]
[Music]

[Music]

[Music]
um

the other most common way that i see

the other most common way that i see
allen<03:03:21.439> use<03:03:21.680> this<03:03:21.920> scale<03:03:22.560> is<03:03:22.720> in<03:03:22.880> the<03:03:22.960> aeolian

allen use this scale is in the aeolian

allen use this scale is in the aeolian
position<03:03:24.319> you<03:03:24.479> can<03:03:24.640> kind<03:03:24.880> of<03:03:24.960> think<03:03:25.200> of<03:03:25.359> it<03:03:25.600> as

position you can kind of think of it as

position you can kind of think of it as
a<03:03:26.399> aeolian<03:03:26.960> with<03:03:27.120> an<03:03:27.279> added<03:03:27.680> major<03:03:28.000> seven<03:03:28.640> i<03:03:28.800> do

a aeolian with an added major seven i do

a aeolian with an added major seven i do
want<03:03:29.040> to<03:03:29.120> know<03:03:29.359> when<03:03:29.600> most<03:03:29.760> of<03:03:29.920> this<03:03:30.080> time<03:03:30.240> the

want to know when most of this time the

want to know when most of this time the
scale<03:03:30.720> is<03:03:30.800> being<03:03:31.040> used<03:03:31.359> it's<03:03:31.520> really<03:03:31.760> just<03:03:32.000> on

scale is being used it's really just on

scale is being used it's really just on
the<03:03:32.319> top<03:03:32.640> four<03:03:32.880> strings<03:03:33.520> and<03:03:33.600> then<03:03:33.760> allen

the top four strings and then allen

the top four strings and then allen
continues<03:03:34.640> elsewhere

continues elsewhere

continues elsewhere
but<03:03:35.920> what<03:03:36.160> makes<03:03:36.479> this<03:03:36.800> shape<03:03:37.120> a<03:03:37.279> little<03:03:37.520> bit

but what makes this shape a little bit

but what makes this shape a little bit
more<03:03:38.000> difficult<03:03:38.479> to<03:03:38.720> really<03:03:39.120> decide<03:03:39.600> if<03:03:39.760> it<03:03:39.920> is

more difficult to really decide if it is

more difficult to really decide if it is
an<03:03:40.560> ad<03:03:40.720> flat<03:03:41.040> sixth<03:03:41.279> scale<03:03:41.840> is<03:03:42.000> because<03:03:42.399> it's

an ad flat sixth scale is because it's

an ad flat sixth scale is because it's
very<03:03:43.359> similar<03:03:43.920> to<03:03:44.160> how<03:03:44.399> allen<03:03:44.720> plays<03:03:45.279> that

very similar to how allen plays that

very similar to how allen plays that
messian<03:03:46.240> third<03:03:46.560> mode<03:03:47.200> so

messian third mode so

messian third mode so
if<03:03:48.240> we<03:03:48.319> look<03:03:48.560> here<03:03:48.800> in<03:03:48.880> the<03:03:49.120> a<03:03:49.439> aeolian

if we look here in the a aeolian

if we look here in the a aeolian
position

position

position
if<03:03:51.840> we<03:03:52.080> move<03:03:52.640> that<03:03:52.960> same<03:03:53.200> finger<03:03:53.520> position

if we move that same finger position

if we move that same finger position
down<03:03:54.240> a<03:03:54.319> string<03:03:54.560> and<03:03:54.720> over<03:03:54.880> a<03:03:55.040> fret

down a string and over a fret

down a string and over a fret
that's<03:03:57.120> very<03:03:57.439> similar<03:03:57.680> to<03:03:57.840> how<03:03:58.080> allen<03:03:58.399> plays

that's very similar to how allen plays

that's very similar to how allen plays
the<03:03:59.439> messian<03:04:00.000> position<03:04:00.319> or<03:04:00.479> what<03:04:00.560> he<03:04:00.640> calls<03:04:00.880> a

the messian position or what he calls a

the messian position or what he calls a
symmetrical<03:04:01.520> scale

and then you slide down a half step and

and then you slide down a half step and
then<03:04:05.760> you're<03:04:05.920> back<03:04:06.160> into<03:04:06.319> the<03:04:06.720> alien<03:04:07.040> position

like that

like that
[Music]

[Music]

[Music]
i'm<03:04:50.479> not<03:04:50.720> a<03:04:50.800> hundred<03:04:51.120> percent<03:04:51.840> certain<03:04:52.160> about

i'm not a hundred percent certain about

i'm not a hundred percent certain about
this<03:04:52.800> particular<03:04:53.359> position<03:04:53.840> but<03:04:54.319> uh<03:04:54.479> this<03:04:54.720> is

this particular position but uh this is

this particular position but uh this is
how<03:04:54.960> allen<03:04:55.279> would<03:04:55.520> see<03:04:56.240> uh<03:04:56.479> the<03:04:56.640> ad<03:04:56.800> flat<03:04:57.120> six

how allen would see uh the ad flat six

how allen would see uh the ad flat six
scale<03:04:57.840> in<03:04:58.000> the<03:04:58.160> lydian<03:04:58.560> position<03:04:59.359> the<03:04:59.520> only

scale in the lydian position the only

scale in the lydian position the only
reason<03:05:00.000> why<03:05:00.240> i'm<03:05:00.399> uncertain<03:05:00.720> is<03:05:00.880> because<03:05:01.040> this

reason why i'm uncertain is because this

reason why i'm uncertain is because this
is<03:05:01.359> the<03:05:01.439> only<03:05:01.760> time<03:05:02.080> that<03:05:02.240> i've<03:05:02.399> seen<03:05:02.640> alan<03:05:02.960> use

is the only time that i've seen alan use

is the only time that i've seen alan use
this<03:05:03.359> position

this position

this position
uh<03:05:04.960> in<03:05:05.040> one<03:05:05.200> of<03:05:05.279> his<03:05:05.439> solos

uh in one of his solos

uh in one of his solos
and

and

and
it's<03:05:07.680> possible<03:05:08.240> because<03:05:09.040> as<03:05:09.279> i<03:05:09.359> talked<03:05:09.520> about

it's possible because as i talked about

it's possible because as i talked about
lydian<03:05:10.160> is<03:05:10.240> also<03:05:10.640> a<03:05:10.800> good<03:05:11.200> area<03:05:11.600> to<03:05:11.760> see<03:05:12.399> the

lydian is also a good area to see the

lydian is also a good area to see the
regular<03:05:13.120> major<03:05:13.520> scale<03:05:14.080> just<03:05:14.319> starting<03:05:14.640> on<03:05:14.720> the

regular major scale just starting on the

regular major scale just starting on the
a<03:05:15.040> string<03:05:15.359> or<03:05:15.520> even<03:05:16.160> starting<03:05:16.479> on<03:05:16.720> the<03:05:16.960> b

a string or even starting on the b

a string or even starting on the b
string<03:05:17.439> here<03:05:17.920> so<03:05:18.080> you<03:05:18.240> would<03:05:18.399> basically<03:05:18.880> have

string here so you would basically have

string here so you would basically have
this<03:05:19.200> sort<03:05:19.359> of<03:05:19.520> passing<03:05:20.000> tone<03:05:20.640> of<03:05:20.880> a<03:05:21.120> g<03:05:21.359> sharp

this sort of passing tone of a g sharp

this sort of passing tone of a g sharp
here

you know and then maybe over there

you know and then maybe over there
on<03:05:28.240> and<03:05:28.399> on<03:05:28.560> so<03:05:28.800> it<03:05:28.880> does

on and on so it does

on and on so it does
make<03:05:29.840> some<03:05:30.240> uh<03:05:30.640> visual<03:05:31.120> sense<03:05:32.160> also<03:05:32.800> i<03:05:32.960> believe

make some uh visual sense also i believe

make some uh visual sense also i believe
i<03:05:33.439> got<03:05:33.680> this<03:05:34.000> example<03:05:34.479> from<03:05:34.800> tantrum<03:05:35.200> to<03:05:35.359> blind

i got this example from tantrum to blind

i got this example from tantrum to blind
and

and

and
a<03:05:37.439> lot<03:05:37.680> of<03:05:37.840> the<03:05:38.160> ad<03:05:38.399> flat<03:05:38.720> six<03:05:38.960> lines<03:05:39.200> that<03:05:39.279> i

a lot of the ad flat six lines that i

a lot of the ad flat six lines that i
got<03:05:39.760> came<03:05:40.000> from<03:05:40.160> that<03:05:40.319> so<03:05:40.560> i'm<03:05:40.720> assuming

got came from that so i'm assuming

got came from that so i'm assuming
that's<03:05:41.279> how<03:05:41.439> alan's<03:05:41.760> thinking<03:05:42.000> about<03:05:42.319> it

here are just some examples that i found

here are just some examples that i found
where<03:05:50.240> i<03:05:50.319> think<03:05:50.640> allen's<03:05:50.960> just<03:05:51.200> using<03:05:51.600> that<03:05:52.080> ad

where i think allen's just using that ad

where i think allen's just using that ad
flat<03:05:52.720> sixth<03:05:52.960> scale<03:05:53.680> uh<03:05:54.000> as<03:05:54.160> a<03:05:54.319> passing<03:05:54.800> tone<03:05:55.439> so

flat sixth scale uh as a passing tone so

flat sixth scale uh as a passing tone so
he's<03:05:56.399> not<03:05:56.640> playing<03:05:56.960> that<03:05:57.200> note<03:05:57.439> maybe

he's not playing that note maybe

he's not playing that note maybe
multiple<03:05:58.160> times<03:05:58.479> it<03:05:58.560> might<03:05:58.720> just<03:05:58.880> be<03:05:59.120> once<03:06:00.000> or

multiple times it might just be once or

multiple times it might just be once or
just<03:06:00.880> could<03:06:01.120> just<03:06:01.279> be<03:06:01.439> a<03:06:01.760> win-win<03:06:02.240> situation

just could just be a win-win situation

just could just be a win-win situation
for

for

for
uh<03:06:04.080> finger<03:06:04.399> ease<03:06:04.640> because<03:06:04.800> you're<03:06:04.960> using<03:06:05.279> the

uh finger ease because you're using the

uh finger ease because you're using the
same<03:06:05.600> fingers<03:06:05.920> on<03:06:06.080> those<03:06:06.319> three<03:06:06.560> strings<03:06:06.960> with

same fingers on those three strings with

same fingers on those three strings with
some<03:06:07.600> harmonic<03:06:08.240> interest<03:06:09.040> so<03:06:09.439> uh<03:06:10.000> i<03:06:10.080> decided

some harmonic interest so uh i decided

some harmonic interest so uh i decided
to<03:06:11.120> not<03:06:11.439> put<03:06:11.600> them<03:06:11.840> in<03:06:11.920> the<03:06:12.240> ionian<03:06:12.720> position

to not put them in the ionian position

to not put them in the ionian position
or<03:06:13.200> anything<03:06:13.359> i<03:06:13.439> just<03:06:13.600> thought<03:06:13.840> that<03:06:14.000> these

or anything i just thought that these

or anything i just thought that these
were

were

were
ways<03:06:15.200> of<03:06:15.279> thinking<03:06:15.600> of<03:06:15.760> the<03:06:15.920> ionian<03:06:16.479> scale<03:06:16.720> but

ways of thinking of the ionian scale but

ways of thinking of the ionian scale but
just<03:06:17.040> using<03:06:17.359> that<03:06:17.439> flat<03:06:17.760> six<03:06:18.000> as<03:06:18.160> a<03:06:18.240> passing

just using that flat six as a passing

just using that flat six as a passing
tone

home is the only tune that alan wrote

home is the only tune that alan wrote
that<03:07:07.279> i<03:07:07.520> feel<03:07:07.840> has<03:07:08.080> a<03:07:08.319> particular<03:07:09.040> section

that i feel has a particular section

that i feel has a particular section
that<03:07:10.319> you<03:07:10.479> have<03:07:10.720> to<03:07:10.960> use<03:07:11.200> that<03:07:11.520> add<03:07:11.760> flat<03:07:12.080> six

that you have to use that add flat six

that you have to use that add flat six
scale<03:07:13.200> because<03:07:13.520> of<03:07:13.600> the<03:07:13.760> chords<03:07:14.160> and<03:07:14.240> the

scale because of the chords and the

scale because of the chords and the
harmony<03:07:14.800> involved<03:07:15.680> so<03:07:16.000> this<03:07:16.240> particular

harmony involved so this particular

harmony involved so this particular
position<03:07:17.680> i<03:07:17.920> only<03:07:18.240> really<03:07:18.560> saw<03:07:18.960> for

position i only really saw for

position i only really saw for
this<03:07:20.240> song<03:07:20.560> in<03:07:20.720> general<03:07:21.439> uh<03:07:21.840> but<03:07:22.080> there<03:07:22.319> could

this song in general uh but there could

this song in general uh but there could
be<03:07:22.720> other<03:07:22.960> places<03:07:23.439> where<03:07:23.840> the<03:07:24.080> flat<03:07:24.399> 6<03:07:24.640> scale

be other places where the flat 6 scale

be other places where the flat 6 scale
is<03:07:25.279> supposed<03:07:25.680> to<03:07:25.760> be<03:07:25.920> used<03:07:26.160> and<03:07:26.240> not<03:07:26.479> as<03:07:26.640> an

is supposed to be used and not as an

is supposed to be used and not as an
alternate<03:07:27.200> are<03:07:27.279> not<03:07:27.600> grouped<03:07:27.840> with<03:07:28.000> those

alternate are not grouped with those

alternate are not grouped with those
three<03:07:28.800> other<03:07:28.960> scales<03:07:29.279> as<03:07:29.439> i<03:07:29.520> showed<03:07:29.760> before

so the reason why that this scale is

so the reason why that this scale is
used<03:07:35.439> as<03:07:35.600> an<03:07:35.840> alternate<03:07:36.479> is<03:07:36.640> because

used as an alternate is because

used as an alternate is because
some<03:07:37.920> of<03:07:38.080> the<03:07:38.160> chords<03:07:38.560> found<03:07:38.880> in<03:07:39.040> it<03:07:39.120> can<03:07:39.279> be

some of the chords found in it can be

some of the chords found in it can be
found<03:07:39.680> in<03:07:39.760> other<03:07:40.000> places<03:07:40.399> that<03:07:40.640> might<03:07:40.880> work

found in other places that might work

found in other places that might work
better<03:07:42.000> uh<03:07:42.319> here's<03:07:42.560> an<03:07:42.720> example<03:07:43.439> let's<03:07:43.680> say

better uh here's an example let's say

better uh here's an example let's say
we're<03:07:44.160> in<03:07:44.319> the<03:07:44.800> key<03:07:44.960> of<03:07:45.120> c<03:07:45.359> major<03:07:46.080> so<03:07:46.319> a<03:07:46.479> c<03:07:46.800> major

we're in the key of c major so a c major

we're in the key of c major so a c major
with<03:07:47.279> an<03:07:47.439> ad<03:07:47.600> flat<03:07:47.920> 6<03:07:48.319> adds<03:07:49.040> a<03:07:49.279> flat<03:07:49.600> or<03:07:49.920> g<03:07:50.160> sharp

with an ad flat 6 adds a flat or g sharp

with an ad flat 6 adds a flat or g sharp
so<03:07:51.120> what<03:07:51.359> that<03:07:51.600> does<03:07:52.000> is<03:07:52.240> now<03:07:52.720> our<03:07:52.960> three<03:07:53.359> chord

so what that does is now our three chord

so what that does is now our three chord
uh<03:07:54.800> is<03:07:54.960> e<03:07:55.200> minor<03:07:55.680> e<03:07:56.080> g<03:07:56.399> and<03:07:56.640> b<03:07:56.880> but<03:07:57.040> now<03:07:57.279> we<03:07:57.439> also

uh is e minor e g and b but now we also

uh is e minor e g and b but now we also
have<03:07:58.080> a<03:07:58.240> g<03:07:58.560> sharp<03:07:59.040> so<03:07:59.200> we<03:07:59.439> also<03:07:59.680> have<03:07:59.920> a<03:08:00.399> uh<03:08:00.960> e

have a g sharp so we also have a uh e

have a g sharp so we also have a uh e
major<03:08:01.520> chord<03:08:01.760> in<03:08:01.840> there<03:08:02.240> so<03:08:02.399> if<03:08:02.560> i<03:08:02.640> take<03:08:02.880> that<03:08:03.120> e

major chord in there so if i take that e

major chord in there so if i take that e
major<03:08:03.680> chord

major chord

major chord
and<03:08:05.120> then<03:08:05.279> i<03:08:05.439> add<03:08:05.680> in<03:08:06.240> a<03:08:06.399> c<03:08:06.640> base

and then i add in a c base

and then i add in a c base
now<03:08:08.000> i<03:08:08.080> have<03:08:08.319> a<03:08:08.560> c<03:08:08.800> major<03:08:09.200> seven<03:08:09.600> sharp<03:08:09.920> five

now i have a c major seven sharp five

now i have a c major seven sharp five
chord<03:08:10.880> well<03:08:11.120> this<03:08:11.439> chord

chord well this chord

chord well this chord
also<03:08:12.800> belongs<03:08:13.200> to<03:08:13.439> a<03:08:13.600> melodic<03:08:14.160> minor

also belongs to a melodic minor

also belongs to a melodic minor
but<03:08:15.359> also<03:08:15.680> belongs<03:08:16.160> to<03:08:16.640> c<03:08:17.040> major<03:08:17.520> add<03:08:17.760> flat<03:08:18.080> six

but also belongs to c major add flat six

but also belongs to c major add flat six
you<03:08:19.359> may<03:08:19.520> have<03:08:19.680> seen<03:08:20.000> this<03:08:20.399> in<03:08:20.479> the<03:08:20.640> previous

you may have seen this in the previous

you may have seen this in the previous
examples<03:08:21.520> for<03:08:21.760> home<03:08:22.319> where<03:08:22.560> there's<03:08:22.880> a

examples for home where there's a

examples for home where there's a
section<03:08:23.279> where<03:08:23.439> it<03:08:23.520> looks<03:08:23.760> like<03:08:24.240> it's<03:08:24.560> a<03:08:24.880> major

section where it looks like it's a major

section where it looks like it's a major
with<03:08:25.359> an<03:08:25.520> ad<03:08:25.680> flat<03:08:26.160> six<03:08:26.800> also<03:08:27.200> blended<03:08:27.600> with<03:08:27.840> f

with an ad flat six also blended with f

with an ad flat six also blended with f
sharp<03:08:28.319> melodic<03:08:28.880> minor<03:08:29.680> uh<03:08:30.160> 16<03:08:30.560> meditain<03:08:31.120> is<03:08:31.200> a

sharp melodic minor uh 16 meditain is a

sharp melodic minor uh 16 meditain is a
perfect<03:08:31.680> example<03:08:32.000> where<03:08:32.160> you<03:08:32.240> see<03:08:32.399> this

perfect example where you see this

perfect example where you see this
relationship<03:08:33.439> and<03:08:33.520> you<03:08:33.680> can<03:08:33.920> see<03:08:34.080> it<03:08:34.319> in<03:08:34.399> this

relationship and you can see it in this

relationship and you can see it in this
chart<03:08:34.960> here

and the example that i'm about to show

and the example that i'm about to show
shows<03:08:41.840> you<03:08:42.000> how<03:08:42.240> these<03:08:42.560> two<03:08:42.720> scales<03:08:43.040> can<03:08:43.200> be

shows you how these two scales can be

shows you how these two scales can be
blended<03:08:43.680> together<03:08:44.560> so<03:08:44.880> in<03:08:45.040> this<03:08:45.279> particular

blended together so in this particular

blended together so in this particular
section<03:08:46.720> the<03:08:46.960> chord<03:08:47.439> that's<03:08:47.680> being<03:08:47.920> played

section the chord that's being played

section the chord that's being played
behind

behind

behind
this<03:08:49.600> line<03:08:50.160> is<03:08:50.319> a<03:08:50.399> d<03:08:50.640> major

with a b flat in the bass so we can play

with a b flat in the bass so we can play
g<03:08:56.560> melodic<03:08:57.040> minor<03:08:57.600> or<03:08:58.000> b<03:08:58.319> flat<03:08:58.640> with<03:08:58.880> an<03:08:59.040> add

g melodic minor or b flat with an add

g melodic minor or b flat with an add
flat<03:08:59.600> six

flat six

flat six
note<03:09:00.640> in<03:09:00.800> it<03:09:01.279> and<03:09:01.600> you<03:09:01.760> can<03:09:02.000> see<03:09:02.319> that<03:09:02.560> in<03:09:02.720> the

note in it and you can see that in the

note in it and you can see that in the
uh<03:09:03.279> line<03:09:03.520> that<03:09:03.760> alan<03:09:04.080> plays<03:09:04.399> it's<03:09:04.560> sort<03:09:04.720> of<03:09:04.880> a

uh line that alan plays it's sort of a

uh line that alan plays it's sort of a
combination<03:09:05.680> of<03:09:05.840> both<03:09:06.640> the<03:09:06.880> difference<03:09:07.359> being

combination of both the difference being

combination of both the difference being
g<03:09:08.319> melodic<03:09:08.880> minor<03:09:09.439> has<03:09:09.680> an<03:09:09.840> e<03:09:10.000> in<03:09:10.160> it

g melodic minor has an e in it

g melodic minor has an e in it
and<03:09:11.040> the<03:09:11.279> b

and the b

and the b
flat<03:09:12.240> major<03:09:12.560> with<03:09:12.640> the<03:09:12.960> flat<03:09:13.200> six<03:09:13.520> has<03:09:13.760> an<03:09:13.920> e

flat major with the flat six has an e

flat major with the flat six has an e
flat<03:09:14.640> in<03:09:14.800> it<03:09:15.120> and<03:09:15.520> you<03:09:15.600> can<03:09:15.760> see<03:09:16.000> both<03:09:16.240> of<03:09:16.399> those

flat in it and you can see both of those

flat in it and you can see both of those
notes<03:09:16.960> in<03:09:17.040> this<03:09:17.279> line

so before i get into the other scales i

so before i get into the other scales i
do<03:09:30.000> want<03:09:30.160> to<03:09:30.319> show<03:09:30.640> how

do want to show how

do want to show how
this<03:09:31.760> relationship<03:09:32.319> of<03:09:32.399> the<03:09:32.479> n<03:09:32.720> flat<03:09:33.040> sixth

this relationship of the n flat sixth

this relationship of the n flat sixth
scale<03:09:33.600> is<03:09:33.760> also<03:09:34.479> could<03:09:34.640> be<03:09:34.880> seen<03:09:35.279> with

scale is also could be seen with

scale is also could be seen with
harmonic<03:09:36.080> minor<03:09:36.560> and<03:09:36.720> harmonic<03:09:37.200> major

i talked about this extensively in

i talked about this extensively in
another<03:09:45.120> video<03:09:45.520> but<03:09:45.920> uh<03:09:46.160> i<03:09:46.319> feel<03:09:46.479> like<03:09:46.560> i<03:09:46.640> have

another video but uh i feel like i have

another video but uh i feel like i have
to<03:09:46.800> touch<03:09:46.960> upon<03:09:47.279> it<03:09:47.439> for<03:09:47.600> anyone<03:09:47.840> that<03:09:47.920> hasn't

to touch upon it for anyone that hasn't

to touch upon it for anyone that hasn't
seen<03:09:48.399> the<03:09:48.560> video<03:09:48.880> and<03:09:49.359> people<03:09:49.600> who<03:09:49.760> don't<03:09:50.000> know

seen the video and people who don't know

seen the video and people who don't know
what<03:09:50.560> i'm<03:09:50.720> talking<03:09:51.040> about

what i'm talking about

what i'm talking about
if<03:09:52.160> you<03:09:52.319> notice<03:09:52.720> i<03:09:52.800> haven't<03:09:53.120> talked<03:09:53.439> about<03:09:53.920> two

if you notice i haven't talked about two

if you notice i haven't talked about two
scales<03:09:54.880> so<03:09:55.120> far<03:09:55.439> harmonic<03:09:55.920> major<03:09:56.319> and

scales so far harmonic major and

scales so far harmonic major and
harmonic<03:09:56.880> minor<03:09:57.520> and<03:09:57.600> the<03:09:57.760> reason<03:09:58.160> why<03:09:58.800> is

harmonic minor and the reason why is

harmonic minor and the reason why is
because<03:09:59.359> they<03:09:59.520> can<03:09:59.760> be<03:10:00.000> seen<03:10:00.239> as<03:10:00.560> seven<03:10:00.960> note

because they can be seen as seven note

because they can be seen as seven note
subsets<03:10:02.319> of<03:10:02.800> uh<03:10:03.200> the<03:10:03.359> ad<03:10:03.600> flat<03:10:03.920> six<03:10:04.160> scale

subsets of uh the ad flat six scale

subsets of uh the ad flat six scale
which<03:10:04.560> is<03:10:04.720> an<03:10:04.880> eight<03:10:05.040> note<03:10:05.359> scale<03:10:06.160> this<03:10:06.319> is<03:10:06.479> a

which is an eight note scale this is a

which is an eight note scale this is a
picture<03:10:06.800> that<03:10:06.960> i<03:10:07.040> found<03:10:07.279> on<03:10:07.359> the<03:10:07.439> internet

picture that i found on the internet

picture that i found on the internet
that<03:10:07.840> i<03:10:08.000> use<03:10:08.160> for<03:10:08.319> my<03:10:08.479> video<03:10:08.800> and<03:10:08.960> you<03:10:09.040> can<03:10:09.279> see

that i use for my video and you can see

that i use for my video and you can see
where<03:10:09.760> i<03:10:09.840> have<03:10:10.160> it<03:10:10.319> circled<03:10:11.200> um<03:10:11.920> there<03:10:12.080> are

where i have it circled um there are

where i have it circled um there are
four<03:10:12.880> columns<03:10:13.680> the<03:10:13.840> first<03:10:14.160> column<03:10:14.560> in<03:10:14.800> allen's

four columns the first column in allen's

four columns the first column in allen's
notation<03:10:15.840> is<03:10:16.160> a<03:10:16.479> melodic<03:10:16.960> minor<03:10:17.279> with<03:10:17.439> the

notation is a melodic minor with the

notation is a melodic minor with the
flat<03:10:17.920> six

flat six

flat six
then<03:10:19.359> c<03:10:19.760> and<03:10:20.000> flat<03:10:20.399> six<03:10:21.120> then<03:10:21.279> the<03:10:21.439> next<03:10:21.680> one<03:10:22.000> is

then c and flat six then the next one is

then c and flat six then the next one is
d<03:10:23.200> x<03:10:23.520> plus<03:10:23.920> four<03:10:24.640> and<03:10:24.800> then<03:10:25.040> the<03:10:25.279> last<03:10:25.600> one<03:10:25.920> is

d x plus four and then the last one is

d x plus four and then the last one is
f<03:10:27.439> melodic<03:10:28.000> minor<03:10:28.640> plus<03:10:29.040> 4.<03:10:29.760> or<03:10:30.080> if<03:10:30.160> you<03:10:30.239> want

f melodic minor plus 4. or if you want

f melodic minor plus 4. or if you want
to<03:10:30.479> call<03:10:30.640> them<03:10:30.800> with<03:10:30.880> the<03:10:30.960> scales<03:10:31.279> that<03:10:31.359> we're

to call them with the scales that we're

to call them with the scales that we're
familiar<03:10:31.920> with<03:10:32.399> it's<03:10:32.720> a<03:10:32.960> harmonic<03:10:33.520> minor

familiar with it's a harmonic minor

familiar with it's a harmonic minor
c<03:10:34.720> major<03:10:35.120> add<03:10:35.279> flat<03:10:35.680> 6

c major add flat 6

c major add flat 6
d<03:10:37.200> now<03:10:37.520> the<03:10:37.760> x<03:10:38.000> with<03:10:38.160> the<03:10:38.399> plus<03:10:38.720> 4<03:10:39.040> is<03:10:39.200> dorian

d now the x with the plus 4 is dorian

d now the x with the plus 4 is dorian
sharp<03:10:40.080> 4

sharp 4

sharp 4
and<03:10:41.600> the<03:10:41.760> last<03:10:42.080> one<03:10:42.239> is<03:10:42.880> f

and the last one is f

and the last one is f
lydian<03:10:44.399> minor<03:10:44.880> or<03:10:45.520> lydian<03:10:46.319> diminished

lydian minor or lydian diminished

lydian minor or lydian diminished
depending<03:10:47.279> on<03:10:47.680> how<03:10:47.840> you<03:10:47.920> want<03:10:48.080> to<03:10:48.239> call<03:10:48.479> it

depending on how you want to call it

depending on how you want to call it
which<03:10:49.120> is<03:10:49.279> actually

which is actually

which is actually
the

the

the
fourth<03:10:51.760> position<03:10:52.479> of<03:10:52.880> c<03:10:53.120> harmonic<03:10:53.600> major

fourth position of c harmonic major

fourth position of c harmonic major
what's<03:10:54.800> interesting<03:10:55.279> about<03:10:55.600> this<03:10:55.840> is<03:10:56.000> that

what's interesting about this is that

what's interesting about this is that
allen<03:10:56.560> has<03:10:57.200> a<03:10:57.359> harmonic<03:10:57.920> minor<03:10:58.399> and<03:10:58.560> d<03:10:58.800> dorian

allen has a harmonic minor and d dorian

allen has a harmonic minor and d dorian
sharp<03:10:59.520> four<03:10:59.760> which<03:11:00.000> are<03:11:00.080> really<03:11:00.399> part<03:11:00.640> of<03:11:00.800> the

sharp four which are really part of the

sharp four which are really part of the
same<03:11:01.200> scale<03:11:02.000> and<03:11:02.239> as<03:11:02.479> i<03:11:02.640> talked<03:11:02.880> about<03:11:03.120> before

same scale and as i talked about before

same scale and as i talked about before
allen<03:11:03.760> doesn't<03:11:04.000> really<03:11:04.239> think<03:11:04.479> of<03:11:04.560> modes<03:11:04.960> and

allen doesn't really think of modes and

allen doesn't really think of modes and
these<03:11:05.760> at<03:11:06.319> dorian<03:11:06.800> sharp<03:11:07.040> 4<03:11:07.279> is<03:11:07.439> a<03:11:07.520> mode<03:11:07.760> of

these at dorian sharp 4 is a mode of

these at dorian sharp 4 is a mode of
harmonic<03:11:08.560> minor<03:11:09.200> so<03:11:09.520> i'm<03:11:09.680> going<03:11:09.840> to<03:11:09.920> just

harmonic minor so i'm going to just

harmonic minor so i'm going to just
group<03:11:10.720> them<03:11:10.960> together<03:11:11.680> so<03:11:11.920> now<03:11:12.080> what<03:11:12.239> we<03:11:12.399> have

group them together so now what we have

group them together so now what we have
is<03:11:12.800> a<03:11:13.200> harmonic<03:11:13.760> minor<03:11:14.319> c<03:11:14.800> major<03:11:15.120> and<03:11:15.359> flat<03:11:15.600> 6

is a harmonic minor c major and flat 6

is a harmonic minor c major and flat 6
and<03:11:16.720> f

and f

and f
i'm<03:11:18.080> going<03:11:18.160> to<03:11:18.239> call<03:11:18.319> it<03:11:18.399> lydian<03:11:18.800> minor<03:11:19.600> so

i'm going to call it lydian minor so

i'm going to call it lydian minor so
what<03:11:20.000> we<03:11:20.160> can<03:11:20.319> do<03:11:20.479> is<03:11:20.560> we<03:11:20.640> can<03:11:20.960> put<03:11:21.200> all<03:11:21.359> the

what we can do is we can put all the

what we can do is we can put all the
roots<03:11:21.760> to<03:11:21.920> be<03:11:22.080> the<03:11:22.239> same<03:11:22.399> so<03:11:22.560> we're<03:11:22.720> going<03:11:22.800> to

roots to be the same so we're going to

roots to be the same so we're going to
start<03:11:23.200> on<03:11:23.359> c<03:11:23.600> so<03:11:23.760> we<03:11:23.840> have<03:11:24.000> a<03:11:24.160> c<03:11:24.319> with<03:11:24.479> the<03:11:24.560> add

start on c so we have a c with the add

start on c so we have a c with the add
flat<03:11:25.040> six

flat six

flat six
f<03:11:26.640> lady<03:11:26.880> and<03:11:27.040> minor<03:11:27.359> becomes<03:11:27.840> c

f lady and minor becomes c

f lady and minor becomes c
harmonic<03:11:29.680> major<03:11:30.160> or<03:11:30.319> you<03:11:30.399> could<03:11:30.560> think<03:11:30.720> of<03:11:30.800> it

harmonic major or you could think of it

harmonic major or you could think of it
as<03:11:31.040> c<03:11:31.279> ionian<03:11:31.840> with<03:11:31.920> the<03:11:32.080> flat<03:11:32.399> six<03:11:33.040> and<03:11:33.359> a

as c ionian with the flat six and a

as c ionian with the flat six and a
harmonic<03:11:34.239> minor<03:11:34.960> can<03:11:35.200> become<03:11:36.000> c<03:11:36.399> ionian<03:11:36.880> with

harmonic minor can become c ionian with

harmonic minor can become c ionian with
the<03:11:37.200> sharp<03:11:37.520> five<03:11:38.319> so<03:11:38.560> since<03:11:38.800> harmonic<03:11:39.279> minor

the sharp five so since harmonic minor

the sharp five so since harmonic minor
harmonic<03:11:40.080> major<03:11:40.479> are<03:11:40.640> kind<03:11:40.880> of<03:11:41.040> subsets<03:11:41.600> of

harmonic major are kind of subsets of

harmonic major are kind of subsets of
that<03:11:41.840> ad<03:11:42.080> flip<03:11:42.560> flat<03:11:42.880> sixth<03:11:43.200> scale<03:11:43.840> i<03:11:44.000> kind<03:11:44.160> of

that ad flip flat sixth scale i kind of

that ad flip flat sixth scale i kind of
see<03:11:44.399> them<03:11:44.640> all<03:11:44.880> as<03:11:45.200> grouped<03:11:45.520> together<03:11:46.080> and<03:11:46.239> you

see them all as grouped together and you

see them all as grouped together and you
can<03:11:46.560> also<03:11:46.880> see<03:11:47.120> that<03:11:47.600> uh<03:11:47.920> on<03:11:48.160> alan's<03:11:48.560> charts<03:11:49.200> i

can also see that uh on alan's charts i

can also see that uh on alan's charts i
still<03:11:49.680> haven't<03:11:50.080> seen<03:11:50.479> one<03:11:50.800> instance<03:11:51.279> where

still haven't seen one instance where

still haven't seen one instance where
alan<03:11:51.840> just<03:11:52.160> wrote<03:11:52.880> a<03:11:53.359> harmonic<03:11:53.920> minor<03:11:54.800> or<03:11:55.279> uh

alan just wrote a harmonic minor or uh

alan just wrote a harmonic minor or uh
lydian<03:11:57.279> minor<03:11:57.680> down<03:11:58.080> just<03:11:58.319> by<03:11:58.560> itself

lydian minor down just by itself

lydian minor down just by itself
all<03:11:59.840> the<03:12:00.000> time<03:12:00.319> i've<03:12:00.640> always<03:12:01.040> seen<03:12:01.279> these

all the time i've always seen these

all the time i've always seen these
scales<03:12:02.000> grouped<03:12:02.319> together<03:12:02.960> i<03:12:03.040> know<03:12:03.200> that

scales grouped together i know that

scales grouped together i know that
there<03:12:03.520> are<03:12:03.680> some<03:12:04.239> solos<03:12:04.720> that<03:12:04.800> allen<03:12:05.120> did

there are some solos that allen did

there are some solos that allen did
where<03:12:05.600> i<03:12:05.760> can<03:12:05.920> clearly<03:12:06.319> hear<03:12:06.640> that<03:12:06.800> it's<03:12:07.520> a

where i can clearly hear that it's a

where i can clearly hear that it's a
harmonic<03:12:08.720> minor<03:12:09.359> i<03:12:09.520> know<03:12:09.760> warden<03:12:10.080> cliff<03:12:10.319> tower

harmonic minor i know warden cliff tower

harmonic minor i know warden cliff tower
uh<03:12:10.960> comes<03:12:11.279> to<03:12:11.439> mind<03:12:11.920> and<03:12:12.080> i'm<03:12:12.160> sure<03:12:12.399> if<03:12:12.479> we<03:12:12.640> saw

uh comes to mind and i'm sure if we saw

uh comes to mind and i'm sure if we saw
those<03:12:13.359> charts<03:12:13.920> you'd<03:12:14.239> be<03:12:14.399> able<03:12:14.560> to<03:12:14.720> see<03:12:14.880> that

those charts you'd be able to see that

those charts you'd be able to see that
that<03:12:15.200> was<03:12:15.439> the<03:12:15.520> symbol<03:12:15.840> that<03:12:16.000> alan<03:12:16.399> used<03:12:17.120> but

that was the symbol that alan used but

that was the symbol that alan used but
i'm<03:12:17.920> just<03:12:18.080> guessing<03:12:18.399> here<03:12:18.640> it<03:12:18.800> could<03:12:19.279> be<03:12:19.439> that

i'm just guessing here it could be that

i'm just guessing here it could be that
he's<03:12:19.840> thinking<03:12:20.239> of<03:12:20.399> it<03:12:20.560> as<03:12:20.800> grouped

he's thinking of it as grouped

he's thinking of it as grouped
altogether<03:12:21.520> like<03:12:21.680> that<03:12:21.920> as<03:12:22.000> well<03:12:22.479> still<03:12:23.200> with

altogether like that as well still with

altogether like that as well still with
that<03:12:23.600> being<03:12:23.920> said

that being said

that being said
uh<03:12:25.040> there<03:12:25.279> weren't<03:12:25.680> really<03:12:25.920> a<03:12:26.000> lot<03:12:26.160> of

uh there weren't really a lot of

uh there weren't really a lot of
instances<03:12:26.960> where<03:12:27.359> what<03:12:27.600> allen<03:12:27.840> played<03:12:28.080> was

instances where what allen played was

instances where what allen played was
explicitly<03:12:28.960> harmonic<03:12:29.439> major<03:12:29.760> harmonic<03:12:30.239> minor

explicitly harmonic major harmonic minor

explicitly harmonic major harmonic minor
which<03:12:30.720> was<03:12:30.880> kind<03:12:31.120> of<03:12:31.200> surprising<03:12:31.920> and<03:12:32.160> in

which was kind of surprising and in

which was kind of surprising and in
order<03:12:32.640> to<03:12:33.120> understand<03:12:34.080> where<03:12:34.239> those<03:12:34.479> scales

order to understand where those scales

order to understand where those scales
were<03:12:35.120> used<03:12:35.760> i<03:12:35.840> had<03:12:36.080> to<03:12:36.239> go<03:12:36.960> and<03:12:37.200> find<03:12:37.680> every

were used i had to go and find every

were used i had to go and find every
possible

possible

possible
chord<03:12:39.840> for<03:12:40.080> all<03:12:40.239> the<03:12:40.399> transcriptions<03:12:41.040> that

chord for all the transcriptions that

chord for all the transcriptions that
i've<03:12:41.359> done<03:12:42.000> uh<03:12:42.399> remember<03:12:42.800> of<03:12:42.960> the<03:12:43.120> ones<03:12:43.359> that

i've done uh remember of the ones that

i've done uh remember of the ones that
alan<03:12:44.160> tunes<03:12:44.399> and<03:12:44.479> allen<03:12:44.720> wrote<03:12:44.960> himself<03:12:45.680> and

alan tunes and allen wrote himself and

alan tunes and allen wrote himself and
tried<03:12:46.160> to<03:12:46.399> find

tried to find

tried to find
where<03:12:47.840> these<03:12:48.080> scales<03:12:48.479> would<03:12:48.720> have<03:12:48.880> been<03:12:49.200> used

where these scales would have been used

where these scales would have been used
and<03:12:50.080> you<03:12:50.239> can<03:12:50.479> see<03:12:50.800> with<03:12:50.960> this<03:12:51.200> video<03:12:51.520> all<03:12:51.680> the

and you can see with this video all the

and you can see with this video all the
research<03:12:52.239> that<03:12:52.399> i<03:12:52.479> had<03:12:52.640> to<03:12:52.720> do<03:12:52.880> to<03:12:53.040> find<03:12:53.359> that

so i want to talk about the chords that

so i want to talk about the chords that
are<03:13:18.319> most<03:13:18.560> associated<03:13:19.120> with<03:13:19.279> that<03:13:19.600> scale

are most associated with that scale

are most associated with that scale
group<03:13:20.560> so<03:13:20.800> i'm<03:13:20.960> going<03:13:21.040> to<03:13:21.120> assume<03:13:21.520> that<03:13:21.680> we're

group so i'm going to assume that we're

group so i'm going to assume that we're
in<03:13:22.160> the<03:13:22.319> key<03:13:22.560> of<03:13:22.880> c<03:13:23.200> major<03:13:24.000> so<03:13:24.479> c<03:13:24.720> major<03:13:25.040> with

in the key of c major so c major with

in the key of c major so c major with
the<03:13:25.200> add<03:13:25.359> flat<03:13:25.680> six<03:13:25.920> and<03:13:26.000> then<03:13:26.239> all<03:13:26.319> the<03:13:26.479> other

the add flat six and then all the other

the add flat six and then all the other
scales<03:13:27.120> that<03:13:27.200> are<03:13:27.279> associated<03:13:27.680> the<03:13:27.840> a

scales that are associated the a

scales that are associated the a
harmonic<03:13:28.560> minor<03:13:29.040> d<03:13:29.279> dorian<03:13:29.680> sharp<03:13:29.920> four<03:13:30.319> and<03:13:30.880> f

harmonic minor d dorian sharp four and f

harmonic minor d dorian sharp four and f
lydian<03:13:31.680> minor<03:13:32.239> uh<03:13:32.479> the<03:13:32.640> scale<03:13:33.040> that<03:13:33.439> seems<03:13:34.000> the

lydian minor uh the scale that seems the

lydian minor uh the scale that seems the
chord<03:13:34.399> that<03:13:34.479> seems<03:13:34.720> to<03:13:34.800> be<03:13:34.880> the<03:13:34.960> most<03:13:35.439> uh

chord that seems to be the most uh

chord that seems to be the most uh
associated<03:13:36.239> with<03:13:36.399> those<03:13:37.120> is<03:13:37.680> like<03:13:37.920> an<03:13:38.080> e<03:13:38.319> major

associated with those is like an e major

associated with those is like an e major
triad<03:13:39.200> with<03:13:39.439> a<03:13:39.600> c<03:13:39.840> in<03:13:39.920> the<03:13:40.080> bass<03:13:40.479> and<03:13:40.800> an<03:13:41.040> f<03:13:41.279> in

triad with a c in the bass and an f in

triad with a c in the bass and an f in
the<03:13:41.520> bass<03:13:42.239> uh<03:13:42.479> you<03:13:42.560> can<03:13:42.720> see<03:13:42.880> that<03:13:43.040> on<03:13:43.200> alan's

the bass uh you can see that on alan's

the bass uh you can see that on alan's
chart<03:13:43.840> for<03:13:43.920> alfred's<03:13:44.399> allen

chart for alfred's allen

chart for alfred's allen
now<03:13:46.000> um

now um

now um
the<03:13:47.279> way<03:13:47.439> that<03:13:47.600> i<03:13:47.680> think<03:13:48.239> allen<03:13:48.640> plays<03:13:48.960> it<03:13:49.120> is

the way that i think allen plays it is

the way that i think allen plays it is
that<03:13:49.439> he's<03:13:49.760> playing<03:13:50.080> it<03:13:50.160> as<03:13:50.319> an<03:13:50.399> e<03:13:50.560> major<03:13:50.800> with

that he's playing it as an e major with

that he's playing it as an e major with
the<03:13:51.040> c<03:13:51.279> in<03:13:51.359> the<03:13:51.439> bass<03:13:51.680> or<03:13:51.920> you<03:13:52.000> can<03:13:52.080> think<03:13:52.239> of<03:13:52.319> it

the c in the bass or you can think of it

the c in the bass or you can think of it
as<03:13:52.560> a<03:13:52.720> c<03:13:53.359> uh<03:13:53.600> major<03:13:54.000> seven<03:13:54.319> sharp<03:13:54.640> five<03:13:54.960> and<03:13:55.120> the

as a c uh major seven sharp five and the

as a c uh major seven sharp five and the
bass<03:13:55.680> is<03:13:55.920> playing<03:13:56.160> an<03:13:56.399> f<03:13:56.560> note<03:13:57.200> the<03:13:57.439> other

bass is playing an f note the other

bass is playing an f note the other
common<03:13:58.080> chord<03:13:58.319> that<03:13:58.479> you<03:13:58.560> would<03:13:58.720> see

common chord that you would see

common chord that you would see
associate<03:13:59.439> this<03:13:59.680> was<03:13:59.840> actually<03:14:00.560> a<03:14:00.960> 7<03:14:01.279> flat<03:14:01.600> 9

associate this was actually a 7 flat 9

associate this was actually a 7 flat 9
so<03:14:02.160> in<03:14:02.319> this<03:14:02.640> particular<03:14:03.200> key<03:14:03.439> it<03:14:03.520> would<03:14:03.600> be<03:14:04.080> an

so in this particular key it would be an

so in this particular key it would be an
e7<03:14:05.040> with<03:14:05.200> the<03:14:05.359> flat<03:14:05.680> 9<03:14:06.239> or<03:14:06.479> even<03:14:06.880> with<03:14:07.040> an<03:14:07.279> e

e7 with the flat 9 or even with an e

e7 with the flat 9 or even with an e
with<03:14:07.760> an<03:14:07.920> f<03:14:08.080> in<03:14:08.239> the<03:14:08.319> bass<03:14:08.880> or<03:14:09.040> with<03:14:09.279> any<03:14:09.520> flat

with an f in the bass or with any flat

with an f in the bass or with any flat
nine<03:14:10.239> or<03:14:10.479> even<03:14:10.800> with<03:14:11.040> an<03:14:11.279> f<03:14:11.439> major<03:14:11.920> triad<03:14:12.640> and

nine or even with an f major triad and

nine or even with an f major triad and
an<03:14:13.040> e<03:14:13.200> major<03:14:13.600> triad<03:14:13.920> played<03:14:14.160> at<03:14:14.239> the<03:14:14.319> same<03:14:14.640> time

an e major triad played at the same time

an e major triad played at the same time
so<03:14:15.840> uh<03:14:16.160> those<03:14:16.319> are<03:14:16.479> the<03:14:16.560> chords<03:14:16.880> that<03:14:17.120> if<03:14:17.279> alan

so uh those are the chords that if alan

so uh those are the chords that if alan
was<03:14:17.680> playing<03:14:18.319> you<03:14:18.560> would<03:14:18.800> probably<03:14:19.439> use<03:14:19.920> that

was playing you would probably use that

was playing you would probably use that
group<03:14:20.399> of<03:14:20.560> scales<03:14:20.960> to<03:14:21.200> play<03:14:21.439> over<03:14:21.680> them

group of scales to play over them

group of scales to play over them
alright<03:14:22.399> with<03:14:22.640> all<03:14:22.720> that<03:14:22.960> said<03:14:23.200> i<03:14:23.279> think<03:14:23.520> i

alright with all that said i think i

alright with all that said i think i
want<03:14:23.680> to<03:14:23.840> go<03:14:24.000> to<03:14:24.160> harmonic<03:14:24.640> minor<03:14:24.960> now

so since this scale doesn't get really

so since this scale doesn't get really
used<03:14:32.640> that<03:14:32.880> often<03:14:33.279> it<03:14:33.439> was<03:14:33.600> kind<03:14:33.760> of<03:14:33.840> hard<03:14:34.080> to

used that often it was kind of hard to

used that often it was kind of hard to
really<03:14:34.640> figure<03:14:34.960> out<03:14:35.120> some<03:14:35.279> of<03:14:35.439> the<03:14:36.080> scale

really figure out some of the scale

really figure out some of the scale
positions<03:14:36.800> i<03:14:36.880> think<03:14:37.200> alan<03:14:37.520> sees<03:14:37.760> it<03:14:37.920> at<03:14:38.319> but<03:14:38.560> i

positions i think alan sees it at but i

positions i think alan sees it at but i
think<03:14:38.880> they<03:14:39.040> really<03:14:39.200> just<03:14:39.439> boil<03:14:39.680> down<03:14:39.920> to<03:14:40.080> two

think they really just boil down to two

think they really just boil down to two
once<03:14:40.800> again<03:14:41.200> uh<03:14:41.520> with<03:14:41.680> the<03:14:41.760> root<03:14:42.000> on<03:14:42.080> the<03:14:42.160> e

once again uh with the root on the e

once again uh with the root on the e
string<03:14:42.640> and<03:14:42.720> the<03:14:42.800> root<03:14:43.120> on<03:14:43.200> the<03:14:43.359> a<03:14:43.600> string<03:14:44.399> uh

string and the root on the a string uh

string and the root on the a string uh
with<03:14:44.880> this<03:14:45.200> one<03:14:45.760> i<03:14:45.920> think<03:14:46.319> there<03:14:46.479> are<03:14:46.560> once

with this one i think there are once

with this one i think there are once
again<03:14:47.120> sort<03:14:47.279> of<03:14:47.359> two<03:14:47.600> ways<03:14:47.920> you<03:14:48.000> can<03:14:48.160> kind<03:14:48.319> of

again sort of two ways you can kind of

again sort of two ways you can kind of
see<03:14:48.720> it<03:14:49.040> and<03:14:49.279> i'm<03:14:49.439> going<03:14:49.600> to<03:14:49.680> play<03:14:49.920> it<03:14:50.160> as<03:14:50.399> a

see it and i'm going to play it as a

see it and i'm going to play it as a
harmonic<03:14:51.120> minor<03:14:51.439> as<03:14:51.760> its<03:14:52.000> relation<03:14:52.479> to<03:14:52.960> c<03:14:53.359> and

harmonic minor as its relation to c and

harmonic minor as its relation to c and
flat<03:14:54.000> six<03:14:54.479> so<03:14:54.640> i<03:14:54.720> think<03:14:54.880> the<03:14:54.960> first<03:14:55.279> finger

flat six so i think the first finger

flat six so i think the first finger
position<03:14:56.000> kind<03:14:56.160> of<03:14:56.239> looks<03:14:56.479> like<03:14:56.640> this

the other way that you can play it is

the other way that you can play it is
like<03:15:02.960> this

i think that's how alan uh sees it and

i think that's how alan uh sees it and
again<03:15:10.560> you<03:15:10.720> can<03:15:10.800> just<03:15:10.960> think<03:15:11.120> of<03:15:11.200> it<03:15:11.279> as<03:15:11.439> a<03:15:11.520> one

again you can just think of it as a one

again you can just think of it as a one
scale<03:15:12.160> shape<03:15:12.479> with<03:15:12.960> the<03:15:13.120> other<03:15:13.359> notes<03:15:14.160> sort<03:15:14.319> of

scale shape with the other notes sort of

scale shape with the other notes sort of
as<03:15:14.560> an<03:15:14.720> extension<03:15:15.279> in<03:15:15.359> front<03:15:15.520> of<03:15:15.600> it<03:15:15.760> or<03:15:16.000> behind

as an extension in front of it or behind

as an extension in front of it or behind
it

now this particular phrase uh can be

now this particular phrase uh can be
seen<03:15:37.200> in<03:15:37.359> both<03:15:37.600> harmonic<03:15:38.399> uh<03:15:38.720> minor<03:15:39.200> and<03:15:39.359> also

seen in both harmonic uh minor and also

seen in both harmonic uh minor and also
melodic<03:15:40.160> minor<03:15:40.560> because<03:15:40.800> remember<03:15:41.600> uh<03:15:41.840> the

melodic minor because remember uh the

melodic minor because remember uh the
only<03:15:42.160> difference<03:15:42.479> between<03:15:42.800> harmonic<03:15:43.359> minor

only difference between harmonic minor

only difference between harmonic minor
and<03:15:43.840> melodic<03:15:44.399> minor<03:15:45.040> is<03:15:45.359> melodic<03:15:45.840> minor<03:15:46.319> has<03:15:46.479> a

and melodic minor is melodic minor has a

and melodic minor is melodic minor has a
natural<03:15:47.120> six<03:15:47.359> where<03:15:47.439> a<03:15:47.520> whole<03:15:47.920> harmonic<03:15:48.399> minor

natural six where a whole harmonic minor

natural six where a whole harmonic minor
has<03:15:49.040> a<03:15:49.600> flat<03:15:50.000> six<03:15:50.640> so<03:15:51.200> uh<03:15:51.439> with<03:15:51.600> this<03:15:51.920> kind<03:15:52.160> of

has a flat six so uh with this kind of

has a flat six so uh with this kind of
uh<03:15:52.640> scale<03:15:53.040> shape

you can see that in there sort of those

you can see that in there sort of those
outside<03:15:57.840> notes<03:15:58.080> very<03:15:58.319> similar<03:15:58.560> to<03:15:58.720> the<03:15:58.800> ones

outside notes very similar to the ones

outside notes very similar to the ones
that<03:15:59.120> we<03:15:59.200> did<03:15:59.359> in<03:15:59.439> the<03:15:59.600> ionian<03:16:00.239> uh<03:16:00.479> position

that we did in the ionian uh position

that we did in the ionian uh position
but<03:16:01.520> of<03:16:01.680> course<03:16:02.319> uh<03:16:02.640> if<03:16:02.800> it<03:16:02.880> was<03:16:03.040> harmonic

but of course uh if it was harmonic

but of course uh if it was harmonic
minor<03:16:04.399> then<03:16:04.560> we'd<03:16:04.800> need<03:16:04.960> an<03:16:05.120> f<03:16:05.279> in<03:16:05.359> there<03:16:05.520> if<03:16:05.680> it

minor then we'd need an f in there if it

minor then we'd need an f in there if it
was<03:16:05.840> melodic<03:16:06.239> minor<03:16:06.479> there<03:16:06.640> being<03:16:06.960> f<03:16:07.120> sharp

was melodic minor there being f sharp

was melodic minor there being f sharp
but<03:16:07.520> since<03:16:07.760> that<03:16:08.000> note<03:16:08.239> is<03:16:08.319> omitted<03:16:09.120> uh<03:16:09.600> it

but since that note is omitted uh it

but since that note is omitted uh it
could<03:16:09.920> be<03:16:10.080> either<03:16:10.399> or<03:16:10.880> i<03:16:11.200> put<03:16:11.439> it<03:16:11.760> in<03:16:12.000> harmonic

could be either or i put it in harmonic

could be either or i put it in harmonic
minor<03:16:12.880> because<03:16:13.279> i<03:16:13.520> saw<03:16:13.680> it<03:16:13.840> a<03:16:13.920> few<03:16:14.160> times<03:16:14.720> in<03:16:15.120> a

minor because i saw it a few times in a

minor because i saw it a few times in a
warden<03:16:16.399> cliff<03:16:16.720> tower<03:16:17.520> and

warden cliff tower and

warden cliff tower and
that<03:16:19.200> definitely<03:16:19.520> has<03:16:19.680> a<03:16:19.760> very<03:16:20.000> strong

that definitely has a very strong

that definitely has a very strong
harmonic<03:16:20.960> minor<03:16:21.279> sound<03:16:21.600> so<03:16:22.000> i<03:16:22.239> included<03:16:22.560> it

harmonic minor sound so i included it

harmonic minor sound so i included it
with<03:16:22.800> this

with this

with this
[Music]

[Music]

[Music]
and<03:16:29.840> the<03:16:30.000> other<03:16:30.239> common<03:16:30.560> way<03:16:30.720> that<03:16:30.880> alan<03:16:31.279> sees

and the other common way that alan sees

and the other common way that alan sees
this<03:16:31.760> scale<03:16:32.080> i<03:16:32.239> believe<03:16:32.640> is<03:16:32.800> with<03:16:32.960> the<03:16:33.040> root<03:16:33.359> on

this scale i believe is with the root on

this scale i believe is with the root on
the<03:16:33.600> a<03:16:33.840> string<03:16:34.239> and<03:16:34.560> i<03:16:34.800> think<03:16:35.040> most<03:16:35.279> people

the a string and i think most people

the a string and i think most people
would<03:16:36.160> uh<03:16:36.640> see<03:16:36.880> that<03:16:37.120> as<03:16:37.439> e<03:16:37.680> phrygian<03:16:38.239> dominant

would uh see that as e phrygian dominant

would uh see that as e phrygian dominant
as<03:16:38.720> it's<03:16:38.960> a<03:16:39.040> pretty<03:16:39.439> uh<03:16:39.760> common<03:16:40.239> uh<03:16:40.720> finger

as it's a pretty uh common uh finger

as it's a pretty uh common uh finger
position<03:16:41.680> so<03:16:41.840> i<03:16:41.920> think<03:16:42.160> allen<03:16:42.399> sort<03:16:42.560> of<03:16:42.720> sees

position so i think allen sort of sees

position so i think allen sort of sees
the<03:16:43.040> scale<03:16:43.359> like<03:16:43.520> this

or of course that g sharp can also be

or of course that g sharp can also be
played<03:16:50.080> on<03:16:50.239> the<03:16:50.319> low<03:16:50.560> e<03:16:50.720> string<03:16:51.040> as<03:16:51.120> well

played on the low e string as well

played on the low e string as well
[Music]

so since alan does use dorian sharp four

so since alan does use dorian sharp four
as<03:17:06.080> at<03:17:06.160> least<03:17:06.319> written<03:17:06.720> in<03:17:07.279> his<03:17:07.520> uh<03:17:08.160> charts<03:17:08.960> i

as at least written in his uh charts i

as at least written in his uh charts i
do<03:17:09.680> think<03:17:09.920> he<03:17:10.160> does<03:17:10.560> think<03:17:10.800> of<03:17:10.960> this<03:17:11.279> position

do think he does think of this position

do think he does think of this position
this<03:17:12.080> way<03:17:12.319> and<03:17:12.399> of<03:17:12.479> course<03:17:12.880> i'm<03:17:13.120> relating<03:17:13.600> it

this way and of course i'm relating it

this way and of course i'm relating it
to<03:17:13.920> a<03:17:14.080> harmonic<03:17:14.560> minor<03:17:14.880> so<03:17:15.040> in<03:17:15.120> this<03:17:15.279> case

to a harmonic minor so in this case

to a harmonic minor so in this case
we're<03:17:15.680> playing<03:17:15.920> it<03:17:16.399> uh<03:17:16.720> in<03:17:16.880> d<03:17:17.120> so<03:17:17.359> d<03:17:17.600> dorian

we're playing it uh in d so d dorian

we're playing it uh in d so d dorian
sharp<03:17:18.319> four<03:17:18.720> so<03:17:18.880> i<03:17:19.040> think<03:17:19.600> alan<03:17:19.920> would<03:17:20.160> play

sharp four so i think alan would play

sharp four so i think alan would play
something<03:17:20.720> like<03:17:21.040> this<03:17:21.279> scale<03:17:21.680> shape

something like that then

something like that then
maybe<03:17:28.960> dorian<03:17:29.359> that<03:17:29.520> way<03:17:29.920> and<03:17:30.080> you<03:17:30.160> could<03:17:30.399> see

maybe dorian that way and you could see

maybe dorian that way and you could see
how

how

how
easy<03:17:32.000> it<03:17:32.080> would<03:17:32.160> be<03:17:32.319> to<03:17:32.479> sort<03:17:32.720> of<03:17:32.800> slip<03:17:33.279> into

easy it would be to sort of slip into

easy it would be to sort of slip into
that<03:17:34.000> uh<03:17:34.319> c<03:17:34.560> major<03:17:34.880> with<03:17:34.960> the<03:17:35.040> add<03:17:35.279> flat<03:17:35.520> six

that uh c major with the add flat six

that uh c major with the add flat six
right<03:17:37.200> there

[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

in his reh video allen says he likes to

in his reh video allen says he likes to
use<03:18:22.319> this<03:18:22.479> scale<03:18:22.880> quite<03:18:23.120> a<03:18:23.200> lot<03:18:23.520> the<03:18:24.080> f<03:18:24.319> lydian

use this scale quite a lot the f lydian

use this scale quite a lot the f lydian
minor<03:18:26.160> but<03:18:26.319> honestly<03:18:26.800> i<03:18:26.960> haven't<03:18:27.200> found<03:18:27.439> too

minor but honestly i haven't found too

minor but honestly i haven't found too
many<03:18:27.840> examples<03:18:28.239> of<03:18:28.399> him<03:18:28.640> using<03:18:28.960> it<03:18:29.279> so<03:18:29.600> maybe

many examples of him using it so maybe

many examples of him using it so maybe
he's<03:18:30.080> blending<03:18:30.399> it<03:18:30.479> with<03:18:30.640> other<03:18:30.880> things<03:18:31.200> i'm

he's blending it with other things i'm

he's blending it with other things i'm
not<03:18:31.680> sure<03:18:32.239> i<03:18:32.479> just<03:18:32.720> found<03:18:32.960> the<03:18:33.120> lines<03:18:33.439> that

not sure i just found the lines that

not sure i just found the lines that
were<03:18:33.840> explicit<03:18:34.399> to<03:18:35.040> this<03:18:35.279> scale<03:18:36.080> and<03:18:36.479> uh<03:18:36.880> the

were explicit to this scale and uh the

were explicit to this scale and uh the
way<03:18:37.120> that<03:18:37.279> i<03:18:37.359> think<03:18:37.600> allen<03:18:38.000> plays<03:18:38.399> it<03:18:38.720> is<03:18:38.880> with

way that i think allen plays it is with

way that i think allen plays it is with
actually<03:18:39.439> the<03:18:39.600> root<03:18:39.920> on<03:18:40.160> the<03:18:40.319> a<03:18:40.560> string

actually the root on the a string

actually the root on the a string
because<03:18:41.279> if<03:18:41.439> we<03:18:41.600> look<03:18:41.840> that's<03:18:42.080> like<03:18:42.319> playing<03:18:42.800> c

because if we look that's like playing c

because if we look that's like playing c
major<03:18:43.600> with<03:18:43.920> uh<03:18:44.160> the<03:18:44.319> flat<03:18:44.800> six<03:18:45.520> uh<03:18:45.840> but<03:18:46.080> not

major with uh the flat six uh but not

major with uh the flat six uh but not
the<03:18:46.479> natural<03:18:46.880> six<03:18:47.120> or<03:18:47.200> something<03:18:47.439> like<03:18:47.600> this

again just another subset of the add

again just another subset of the add
flat<03:18:55.600> sixth<03:18:55.760> scale<03:18:56.080> it's<03:18:56.239> like<03:18:56.399> you<03:18:56.560> know<03:18:56.720> just

flat sixth scale it's like you know just

flat sixth scale it's like you know just
omitting<03:18:57.520> a<03:18:57.600> note

the only other place where i've seen

the only other place where i've seen
allen<03:19:25.920> use<03:19:26.160> lydian<03:19:26.640> miner<03:19:27.200> just<03:19:27.439> a<03:19:27.840> subset

allen use lydian miner just a subset

allen use lydian miner just a subset
some<03:19:28.479> people<03:19:28.960> will<03:19:29.200> call<03:19:29.439> it<03:19:29.680> uh<03:19:29.920> lydia

some people will call it uh lydia

some people will call it uh lydia
diminished<03:19:30.880> i<03:19:31.040> like<03:19:31.200> to<03:19:31.279> think<03:19:31.439> of<03:19:31.520> it<03:19:31.600> as

diminished i like to think of it as

diminished i like to think of it as
linear<03:19:32.000> minor<03:19:32.319> because<03:19:32.479> it's<03:19:32.640> the<03:19:32.720> lydian

linear minor because it's the lydian

linear minor because it's the lydian
mode<03:19:33.279> with<03:19:33.439> the<03:19:33.600> flat<03:19:33.840> three<03:19:34.560> uh<03:19:34.800> in<03:19:34.960> any<03:19:35.120> case

mode with the flat three uh in any case

mode with the flat three uh in any case
uh<03:19:35.840> the<03:19:36.000> only<03:19:36.160> time<03:19:36.319> i've<03:19:36.560> seen<03:19:36.720> him<03:19:36.960> play

uh the only time i've seen him play

uh the only time i've seen him play
other<03:19:37.600> in<03:19:37.680> the<03:19:37.840> uh<03:19:38.080> other<03:19:38.560> than<03:19:38.800> the<03:19:39.040> positions

other in the uh other than the positions

other in the uh other than the positions
that<03:19:39.600> i<03:19:39.680> just<03:19:39.920> showed<03:19:40.640> was<03:19:40.880> in<03:19:41.040> downside<03:19:41.680> up<03:19:41.920> he

that i just showed was in downside up he

that i just showed was in downside up he
plays<03:19:42.319> it<03:19:42.399> with<03:19:42.640> the<03:19:42.800> root<03:19:43.120> on<03:19:43.279> the<03:19:43.439> d<03:19:43.680> string

plays it with the root on the d string

plays it with the root on the d string
or<03:19:44.000> on<03:19:44.080> the<03:19:44.239> fourth<03:19:44.479> string<03:19:44.800> something<03:19:45.120> like

or on the fourth string something like

or on the fourth string something like
this

so who knows there might be more

so who knows there might be more
positions<03:19:51.520> where<03:19:51.680> allen<03:19:52.000> does<03:19:52.239> play<03:19:52.479> this

positions where allen does play this

positions where allen does play this
live

live

live
but<03:19:53.920> i<03:19:54.080> just<03:19:54.239> haven't<03:19:54.560> seen<03:19:54.800> it<03:19:54.960> in<03:19:55.040> a<03:19:55.120> lot<03:19:55.279> of

but i just haven't seen it in a lot of

but i just haven't seen it in a lot of
his<03:19:55.680> uh<03:19:56.000> solos<03:19:56.720> and<03:19:56.800> that's<03:19:57.040> about<03:19:57.359> it<03:19:57.520> for

his uh solos and that's about it for

his uh solos and that's about it for
harmonic<03:19:58.160> major

okay time for some more fun stuff

okay time for some more fun stuff
uh<03:20:11.120> from<03:20:11.359> this<03:20:11.600> point<03:20:11.840> on<03:20:12.080> it's<03:20:12.239> still<03:20:12.479> gonna

uh from this point on it's still gonna

uh from this point on it's still gonna
be<03:20:12.800> harder<03:20:13.040> for<03:20:13.200> intent<03:20:13.600> because<03:20:13.840> so<03:20:14.000> many<03:20:14.160> of

be harder for intent because so many of

be harder for intent because so many of
the<03:20:14.399> same<03:20:14.640> ideas<03:20:15.040> kind<03:20:15.200> of<03:20:15.439> overlap<03:20:16.000> so<03:20:16.560> once

the same ideas kind of overlap so once

the same ideas kind of overlap so once
again<03:20:17.439> just<03:20:17.680> my<03:20:18.000> opinion<03:20:18.720> in<03:20:18.880> his<03:20:19.120> reh<03:20:19.600> video

again just my opinion in his reh video

again just my opinion in his reh video
allen<03:20:20.319> called<03:20:20.560> this<03:20:20.800> scale<03:20:21.520> uh<03:20:21.760> the

allen called this scale uh the

allen called this scale uh the
symmetrical<03:20:22.640> scale<03:20:23.279> and<03:20:23.439> his<03:20:23.600> symbol<03:20:23.920> for

symmetrical scale and his symbol for

symmetrical scale and his symbol for
that<03:20:24.239> was<03:20:24.720> uh<03:20:24.960> three<03:20:25.200> circles<03:20:25.680> in<03:20:25.760> a<03:20:25.840> row<03:20:26.319> and

that was uh three circles in a row and

that was uh three circles in a row and
i'll<03:20:26.800> get<03:20:26.960> to<03:20:27.120> what<03:20:27.359> all<03:20:27.520> of<03:20:27.920> allen<03:20:28.239> symbols

i'll get to what all of allen symbols

i'll get to what all of allen symbols
mean<03:20:28.960> in<03:20:29.120> the<03:20:29.439> section<03:20:29.840> after<03:20:30.080> this<03:20:30.800> uh

mean in the section after this uh

mean in the section after this uh
and

and

and
what's<03:20:33.040> interesting<03:20:33.600> is<03:20:33.680> that<03:20:33.840> this<03:20:34.080> is<03:20:34.239> known

what's interesting is that this is known

what's interesting is that this is known
as<03:20:34.800> the<03:20:35.040> messian<03:20:35.600> mode<03:20:36.239> but<03:20:36.479> alan<03:20:36.880> never<03:20:37.200> heard

as the messian mode but alan never heard

as the messian mode but alan never heard
of<03:20:37.760> who<03:20:38.000> messian<03:20:38.560> was<03:20:39.200> when<03:20:39.439> i<03:20:39.520> was<03:20:39.680> talking<03:20:40.000> to

of who messian was when i was talking to

of who messian was when i was talking to
allen's<03:20:40.560> friend<03:20:40.960> chip<03:20:41.760> uh<03:20:42.239> allen<03:20:42.560> would<03:20:42.800> say

allen's friend chip uh allen would say

allen's friend chip uh allen would say
that<03:20:43.200> he'd<03:20:43.359> never<03:20:43.600> even<03:20:43.840> heard<03:20:44.000> of<03:20:44.080> this

that he'd never even heard of this

that he'd never even heard of this
messian<03:20:44.800> guy<03:20:45.040> before<03:20:45.680> uh<03:20:45.840> the<03:20:45.920> reason<03:20:46.239> because

messian guy before uh the reason because

messian guy before uh the reason because
allen<03:20:46.800> figured<03:20:47.120> out<03:20:47.279> the<03:20:47.439> scale<03:20:47.920> himself<03:20:48.720> just

allen figured out the scale himself just

allen figured out the scale himself just
by<03:20:49.279> i<03:20:49.439> told<03:20:49.680> you<03:20:49.920> mathematically<03:20:50.640> and<03:20:50.720> i<03:20:50.800> guess

by i told you mathematically and i guess

by i told you mathematically and i guess
he<03:20:51.120> saw<03:20:51.279> it<03:20:51.439> and<03:20:51.520> thought<03:20:51.680> it<03:20:51.760> was<03:20:51.920> a<03:20:52.399> pretty

he saw it and thought it was a pretty

he saw it and thought it was a pretty
cool<03:20:52.880> to<03:20:53.040> use<03:20:53.520> so<03:20:53.760> him<03:20:54.239> and<03:20:54.399> oliver<03:20:54.720> messian

cool to use so him and oliver messian

cool to use so him and oliver messian
both<03:20:55.439> came<03:20:55.600> to<03:20:55.760> the<03:20:55.840> same<03:20:56.080> conclusion<03:20:56.560> but

both came to the same conclusion but

both came to the same conclusion but
independently<03:20:57.920> briefly<03:20:58.399> oliver<03:20:58.800> messian<03:20:59.279> was

independently briefly oliver messian was

independently briefly oliver messian was
a<03:20:59.520> composer<03:21:00.080> that<03:21:00.319> tried<03:21:00.479> to<03:21:00.640> figure<03:21:00.960> out

a composer that tried to figure out

a composer that tried to figure out
every<03:21:01.279> symmetrical<03:21:01.920> scale<03:21:02.239> you<03:21:02.319> can<03:21:02.479> with

every symmetrical scale you can with

every symmetrical scale you can with
within<03:21:03.200> the<03:21:03.359> 12<03:21:03.680> notes<03:21:04.239> and<03:21:04.399> it<03:21:04.479> got<03:21:04.800> 10.

within the 12 notes and it got 10.

within the 12 notes and it got 10.
the<03:21:06.399> first<03:21:06.880> two<03:21:07.279> are<03:21:07.439> the<03:21:07.680> most<03:21:08.000> common<03:21:08.319> ones

the first two are the most common ones

the first two are the most common ones
the<03:21:08.960> first<03:21:09.200> one<03:21:09.439> being<03:21:09.600> the<03:21:09.680> whole<03:21:10.000> tone<03:21:10.239> scale

the first one being the whole tone scale

the first one being the whole tone scale
and<03:21:10.720> the<03:21:10.800> second<03:21:11.120> one<03:21:11.279> being<03:21:11.520> the<03:21:11.680> diminished

and the second one being the diminished

and the second one being the diminished
scale

scale

scale
but<03:21:13.439> i<03:21:13.600> believe<03:21:14.000> that<03:21:14.160> those<03:21:14.319> scales<03:21:14.720> were

but i believe that those scales were

but i believe that those scales were
already<03:21:15.200> known<03:21:15.520> before<03:21:16.239> uh<03:21:16.880> he

already known before uh he

already known before uh he
included<03:21:18.000> them<03:21:18.479> so<03:21:18.640> one<03:21:18.800> of<03:21:18.880> the<03:21:19.040> things<03:21:19.200> that

included them so one of the things that

included them so one of the things that
makes<03:21:19.760> this<03:21:20.000> a<03:21:20.080> little<03:21:20.239> bit<03:21:20.399> tricky<03:21:20.800> is<03:21:20.880> that

makes this a little bit tricky is that

makes this a little bit tricky is that
some<03:21:21.439> of<03:21:21.520> these<03:21:22.319> uh

some of these uh

some of these uh
symmetrical<03:21:23.760> scales<03:21:24.080> that<03:21:24.160> oliver<03:21:24.479> messian

symmetrical scales that oliver messian

symmetrical scales that oliver messian
found<03:21:25.279> you<03:21:25.439> can<03:21:25.600> also<03:21:25.920> find<03:21:26.239> smaller<03:21:26.720> subsets

found you can also find smaller subsets

found you can also find smaller subsets
of<03:21:28.000> other<03:21:28.239> scales<03:21:28.640> within<03:21:29.040> it<03:21:29.439> so<03:21:30.000> in<03:21:30.239> this

of other scales within it so in this

of other scales within it so in this
third<03:21:31.120> this<03:21:31.279> is<03:21:31.359> the<03:21:31.520> third<03:21:31.760> messian<03:21:32.319> mode<03:21:32.880> you

third this is the third messian mode you

third this is the third messian mode you
can<03:21:33.279> also<03:21:33.600> find<03:21:33.840> the<03:21:33.920> whole<03:21:34.239> tone<03:21:34.479> scale<03:21:34.800> which

can also find the whole tone scale which

can also find the whole tone scale which
is<03:21:35.120> the<03:21:35.279> first<03:21:35.680> mode<03:21:35.920> that<03:21:36.080> he<03:21:36.479> uh<03:21:36.960> that<03:21:37.120> he

is the first mode that he uh that he

is the first mode that he uh that he
discovered<03:21:38.000> buried<03:21:38.319> within<03:21:38.560> it<03:21:38.720> as<03:21:38.800> well

discovered buried within it as well

discovered buried within it as well
so<03:21:39.920> for<03:21:40.080> convenience<03:21:40.640> sake<03:21:40.960> i'm<03:21:41.120> just<03:21:41.279> gonna

so for convenience sake i'm just gonna

so for convenience sake i'm just gonna
be<03:21:41.680> calling<03:21:42.000> it<03:21:42.080> the<03:21:42.160> third<03:21:42.479> messian<03:21:43.040> mode

be calling it the third messian mode

be calling it the third messian mode
because<03:21:43.840> that's<03:21:44.160> how<03:21:44.319> most<03:21:44.640> people<03:21:45.040> uh<03:21:45.359> know

because that's how most people uh know

because that's how most people uh know
it<03:21:45.760> as<03:21:46.319> uh<03:21:46.640> it's<03:21:46.800> also<03:21:47.200> possible<03:21:47.600> that<03:21:47.840> alan

it as uh it's also possible that alan

it as uh it's also possible that alan
figured<03:21:48.720> out<03:21:48.960> and<03:21:49.200> used<03:21:49.520> all<03:21:49.680> the<03:21:49.840> other

figured out and used all the other

figured out and used all the other
messian<03:21:50.560> modes<03:21:50.880> as<03:21:50.960> well<03:21:51.200> the<03:21:51.359> fourth<03:21:51.680> and<03:21:51.840> the

messian modes as well the fourth and the

messian modes as well the fourth and the
fifth<03:21:52.640> uh<03:21:53.120> but<03:21:53.760> i<03:21:53.920> haven't<03:21:54.239> really<03:21:55.040> seen

fifth uh but i haven't really seen

fifth uh but i haven't really seen
anything<03:21:55.760> where<03:21:56.000> alan<03:21:56.239> did<03:21:56.560> especially<03:21:56.880> with

anything where alan did especially with

anything where alan did especially with
his<03:21:57.359> charts<03:21:57.840> i<03:21:58.000> haven't<03:21:58.319> seen<03:21:58.560> allen<03:21:58.880> write

his charts i haven't seen allen write

his charts i haven't seen allen write
these<03:21:59.600> uh<03:22:00.239> that<03:22:00.479> symbol<03:22:00.800> out<03:22:00.960> on<03:22:01.120> any<03:22:01.279> one<03:22:01.439> of

these uh that symbol out on any one of

these uh that symbol out on any one of
his<03:22:01.680> charts<03:22:02.319> because<03:22:02.479> i<03:22:02.720> think<03:22:02.960> he<03:22:03.200> uses<03:22:03.600> it<03:22:03.760> in

his charts because i think he uses it in

his charts because i think he uses it in
a<03:22:03.920> different<03:22:04.319> way<03:22:04.560> and<03:22:04.720> i'll<03:22:04.880> talk<03:22:05.120> about<03:22:05.359> that

a different way and i'll talk about that

a different way and i'll talk about that
during<03:22:05.840> the<03:22:06.000> outside<03:22:06.479> section<03:22:07.120> this<03:22:07.279> is<03:22:07.439> why<03:22:07.600> i

during the outside section this is why i

during the outside section this is why i
said<03:22:08.000> again<03:22:08.319> intent<03:22:08.720> is<03:22:08.800> impossible<03:22:09.279> to

said again intent is impossible to

said again intent is impossible to
figure<03:22:09.840> out<03:22:10.000> because<03:22:10.640> no<03:22:10.800> one<03:22:10.960> really<03:22:11.279> knows

figure out because no one really knows

figure out because no one really knows
uh<03:22:12.479> how<03:22:12.960> alan<03:22:13.279> was<03:22:13.439> thinking<03:22:13.760> by<03:22:13.920> doing<03:22:14.239> these

uh how alan was thinking by doing these

uh how alan was thinking by doing these
things<03:22:15.040> but<03:22:15.279> i<03:22:15.520> feel<03:22:16.160> if<03:22:16.319> we<03:22:16.399> had<03:22:16.560> more<03:22:16.720> of<03:22:16.800> his

things but i feel if we had more of his

things but i feel if we had more of his
charts<03:22:17.520> maybe<03:22:17.760> it<03:22:17.840> would<03:22:18.479> help<03:22:18.800> us<03:22:18.960> out<03:22:19.439> i<03:22:19.600> can

charts maybe it would help us out i can

charts maybe it would help us out i can
only<03:22:20.000> use<03:22:20.239> what<03:22:20.479> i<03:22:20.560> can<03:22:20.720> find<03:22:20.960> on<03:22:21.120> the<03:22:21.200> internet

only use what i can find on the internet

only use what i can find on the internet
and<03:22:22.080> you<03:22:22.239> know<03:22:22.479> what<03:22:22.880> what's<03:22:23.200> been<03:22:23.359> already

and you know what what's been already

and you know what what's been already
been<03:22:23.840> discovered<03:22:24.640> so<03:22:24.960> you<03:22:25.120> know<03:22:25.200> if<03:22:25.279> there

been discovered so you know if there

been discovered so you know if there
were<03:22:25.520> more<03:22:25.760> charts<03:22:26.080> out<03:22:26.160> there<03:22:26.319> it<03:22:26.479> would<03:22:26.640> be

were more charts out there it would be

were more charts out there it would be
easier<03:22:27.680> to<03:22:27.840> sort<03:22:28.000> of<03:22:28.160> hone<03:22:28.479> in<03:22:28.560> how<03:22:28.800> alan<03:22:29.200> might

easier to sort of hone in how alan might

easier to sort of hone in how alan might
have<03:22:29.439> been<03:22:29.600> thinking<03:22:29.920> of<03:22:30.000> certain<03:22:30.319> things<03:22:30.960> so

have been thinking of certain things so

have been thinking of certain things so
alan<03:22:31.520> said<03:22:31.840> this<03:22:32.239> scale<03:22:32.560> is<03:22:32.720> kind<03:22:32.880> of<03:22:33.040> hard<03:22:33.279> to

alan said this scale is kind of hard to

alan said this scale is kind of hard to
name<03:22:33.680> because<03:22:34.160> of<03:22:34.319> its<03:22:34.479> symmetrical<03:22:35.120> nature

name because of its symmetrical nature

name because of its symmetrical nature
uh<03:22:36.399> the<03:22:36.640> way<03:22:36.800> that<03:22:36.960> it's<03:22:37.600> built<03:22:37.920> is<03:22:38.080> basically

uh the way that it's built is basically

uh the way that it's built is basically
a<03:22:38.560> whole<03:22:38.800> step<03:22:39.359> and<03:22:39.439> then<03:22:39.680> a<03:22:39.760> minor<03:22:40.160> third<03:22:40.800> so

a whole step and then a minor third so

a whole step and then a minor third so
you<03:22:41.200> have<03:22:41.840> like<03:22:42.080> a

you have like a

you have like a
a<03:22:43.600> a<03:22:44.239> one<03:22:44.560> a<03:22:44.720> two<03:22:44.960> and<03:22:45.040> then<03:22:45.200> a<03:22:45.279> flat<03:22:45.600> three<03:22:46.319> and

a a one a two and then a flat three and

a a one a two and then a flat three and
so<03:22:46.880> it's<03:22:47.040> got<03:22:47.200> that<03:22:47.439> minor

so it's got that minor

so it's got that minor
concept<03:22:49.439> but<03:22:49.600> it<03:22:49.760> repeats<03:22:50.239> in<03:22:50.479> major<03:22:50.880> thirds

concept but it repeats in major thirds

concept but it repeats in major thirds
so<03:22:51.359> if<03:22:51.439> you<03:22:51.520> were<03:22:51.600> playing<03:22:51.920> it<03:22:52.000> on<03:22:52.239> c

so if you were playing it on c

so if you were playing it on c
you<03:22:53.600> can<03:22:53.760> also<03:22:54.080> do<03:22:54.239> it<03:22:54.479> on<03:22:54.720> uh<03:22:54.960> e

you can also do it on uh e

you can also do it on uh e
and<03:22:56.080> also<03:22:56.399> a<03:22:56.560> flat

and also a flat

and also a flat
this<03:22:58.160> particular<03:22:58.720> scale

this particular scale

this particular scale
i've<03:23:00.080> used<03:23:00.399> quite<03:23:00.640> a<03:23:00.720> lot<03:23:01.120> as<03:23:01.439> a<03:23:01.600> scale<03:23:01.920> to

i've used quite a lot as a scale to

i've used quite a lot as a scale to
modulate<03:23:02.720> from<03:23:02.960> one<03:23:03.200> code<03:23:03.520> to<03:23:03.680> another<03:23:04.080> of<03:23:04.479> you

modulate from one code to another of you

modulate from one code to another of you
know

know

know
or<03:23:05.920> because<03:23:06.239> it<03:23:06.399> has<03:23:06.720> a<03:23:07.200> it's<03:23:07.439> a<03:23:07.520> symmetrical

or because it has a it's a symmetrical

or because it has a it's a symmetrical
scale<03:23:08.560> so<03:23:08.720> it<03:23:08.880> has<03:23:09.120> a<03:23:09.279> sound<03:23:09.600> that<03:23:09.760> you<03:23:09.920> can

scale so it has a sound that you can

scale so it has a sound that you can
recognize<03:23:10.640> when<03:23:10.800> you<03:23:10.960> when<03:23:11.120> you<03:23:11.359> kind<03:23:11.520> of<03:23:11.600> hear

recognize when you when you kind of hear

recognize when you when you kind of hear
it

it

it
and

and

and
i'm<03:23:14.800> not<03:23:14.960> sure<03:23:15.120> how<03:23:15.359> you'd<03:23:15.520> go<03:23:15.680> about<03:23:16.080> naming

i'm not sure how you'd go about naming

i'm not sure how you'd go about naming
what<03:23:17.040> key<03:23:17.600> it<03:23:17.920> belongs<03:23:18.479> to

what key it belongs to

what key it belongs to
um

um

um
but<03:23:21.920> for<03:23:22.080> me<03:23:22.479> i<03:23:22.800> uh<03:23:23.200> think<03:23:23.439> of<03:23:23.520> this<03:23:23.760> one<03:23:24.000> as

but for me i uh think of this one as

but for me i uh think of this one as
basically<03:23:25.520> like<03:23:25.840> a<03:23:25.920> c<03:23:26.239> minor

basically like a c minor

basically like a c minor
because

because

because
a<03:23:28.399> c<03:23:28.640> minor<03:23:29.040> an<03:23:29.120> e<03:23:29.359> minor<03:23:29.680> or<03:23:29.920> an<03:23:30.080> a<03:23:30.239> flat<03:23:30.560> minor

a c minor an e minor or an a flat minor

a c minor an e minor or an a flat minor
because

because

because
here

here

here
you've<03:23:33.840> got<03:23:34.000> like<03:23:34.399> the<03:23:34.560> a<03:23:34.800> flat<03:23:35.040> minor<03:23:35.520> and<03:23:35.680> an

you've got like the a flat minor and an

you've got like the a flat minor and an
a<03:23:35.920> flat<03:23:36.160> major<03:23:36.560> triad<03:23:37.200> an<03:23:37.359> a<03:23:37.520> flat

a flat major triad an a flat

a flat major triad an a flat
a<03:23:38.960> g<03:23:39.200> minor<03:23:39.600> and<03:23:39.760> a<03:23:39.840> g<03:23:40.080> major<03:23:40.399> triad

a g minor and a g major triad

a g minor and a g major triad
at<03:23:41.600> the<03:23:41.760> same<03:23:42.080> time

at the same time

at the same time
but<03:23:43.439> as<03:23:43.680> you<03:23:43.760> can<03:23:43.920> see<03:23:44.160> it's<03:23:44.319> a<03:23:44.399> perfectly

but as you can see it's a perfectly

but as you can see it's a perfectly
symmetrical<03:23:45.600> scale<03:23:46.000> so<03:23:46.319> you<03:23:46.399> can<03:23:46.560> have<03:23:46.720> some

symmetrical scale so you can have some

symmetrical scale so you can have some
fun<03:23:47.200> with<03:23:47.359> that<03:23:47.600> one

so the way that alan plays it in his

so the way that alan plays it in his
instructional<03:23:58.399> video<03:23:58.720> was<03:23:58.960> like<03:23:59.200> this

instructional video was like this

instructional video was like this
thinking<03:24:00.000> of<03:24:00.160> it<03:24:00.239> more<03:24:00.479> like<03:24:00.720> c<03:24:00.960> minor

thinking of it more like c minor

thinking of it more like c minor
[Applause]

[Applause]

[Applause]
[Music]

[Music]

[Music]
and<03:24:06.880> uh<03:24:07.200> once<03:24:07.439> again<03:24:07.680> like<03:24:07.840> i<03:24:07.920> said<03:24:08.080> when<03:24:08.239> he's

and uh once again like i said when he's

and uh once again like i said when he's
playing<03:24:08.640> outside<03:24:08.960> it's<03:24:09.120> really<03:24:09.359> hard<03:24:09.600> to<03:24:09.760> tell

playing outside it's really hard to tell

playing outside it's really hard to tell
if<03:24:10.560> he's<03:24:10.800> thinking<03:24:11.120> of<03:24:11.200> this<03:24:11.439> specifically<03:24:12.160> or

if he's thinking of this specifically or

if he's thinking of this specifically or
not<03:24:12.479> or<03:24:12.640> if<03:24:12.720> he's<03:24:12.880> using<03:24:13.279> shapes<03:24:14.000> but<03:24:14.239> uh<03:24:14.479> here

not or if he's using shapes but uh here

not or if he's using shapes but uh here
are<03:24:14.880> some<03:24:15.600> uh<03:24:15.840> patterns<03:24:16.239> that<03:24:16.399> i<03:24:16.560> found<03:24:16.800> that

are some uh patterns that i found that

are some uh patterns that i found that
could<03:24:17.200> definitely<03:24:17.520> be<03:24:17.680> related<03:24:18.080> to<03:24:18.239> it<03:24:18.399> and

could definitely be related to it and

could definitely be related to it and
this<03:24:18.800> first<03:24:19.040> one<03:24:19.279> is<03:24:19.359> just

this first one is just

this first one is just
examples<03:24:20.479> that<03:24:20.560> i<03:24:20.720> found<03:24:20.880> when<03:24:21.040> he's<03:24:21.200> just

examples that i found when he's just

examples that i found when he's just
basically<03:24:22.080> playing<03:24:22.399> that<03:24:22.560> scale<03:24:22.960> with<03:24:23.120> a

basically playing that scale with a

basically playing that scale with a
little<03:24:23.359> bit<03:24:23.520> of<03:24:23.600> variation

little bit of variation

little bit of variation
[Music]

[Music]

[Music]
this<03:25:05.120> particular<03:25:05.680> pattern<03:25:06.080> i<03:25:06.239> call<03:25:06.479> the

this particular pattern i call the

this particular pattern i call the
spokes<03:25:07.120> lick<03:25:07.359> because<03:25:08.080> that's<03:25:08.399> the<03:25:08.720> uh<03:25:09.040> tune

spokes lick because that's the uh tune

spokes lick because that's the uh tune
that<03:25:09.439> i<03:25:09.600> associate<03:25:10.080> it<03:25:10.160> with<03:25:10.399> but<03:25:10.560> it's<03:25:10.800> also

that i associate it with but it's also

that i associate it with but it's also
at<03:25:11.439> the<03:25:11.600> very<03:25:12.000> end<03:25:12.239> of<03:25:12.479> rokuka<03:25:13.200> i<03:25:13.279> think<03:25:13.439> that's

at the very end of rokuka i think that's

at the very end of rokuka i think that's
how<03:25:13.760> you<03:25:13.920> say<03:25:14.080> it<03:25:14.640> um<03:25:15.279> rekuka

how you say it um rekuka

how you say it um rekuka
but<03:25:16.800> in<03:25:16.960> any<03:25:17.200> case

but in any case

but in any case
this<03:25:18.160> is<03:25:18.319> a<03:25:18.399> very<03:25:18.880> interesting<03:25:19.279> kind<03:25:19.439> of

this is a very interesting kind of

this is a very interesting kind of
pattern<03:25:19.920> and<03:25:20.080> it's<03:25:20.239> completely<03:25:20.640> diatonic<03:25:21.359> to

pattern and it's completely diatonic to

pattern and it's completely diatonic to
the<03:25:21.760> messiah<03:25:22.239> mode<03:25:22.479> but<03:25:22.640> i<03:25:22.720> don't<03:25:22.880> think

the messiah mode but i don't think

the messiah mode but i don't think
alan's<03:25:23.520> thinking<03:25:23.920> of<03:25:24.080> that<03:25:24.640> because<03:25:25.439> this

alan's thinking of that because this

alan's thinking of that because this
finger<03:25:26.160> pattern<03:25:26.560> appears<03:25:27.120> with<03:25:27.439> other<03:25:27.920> uh

finger pattern appears with other uh

finger pattern appears with other uh
types<03:25:28.800> of<03:25:29.040> interval<03:25:29.520> shapes<03:25:30.239> uh<03:25:30.880> at<03:25:31.040> different

types of interval shapes uh at different

types of interval shapes uh at different
phrases<03:25:31.680> but<03:25:31.840> the<03:25:32.239> the<03:25:32.479> actual<03:25:33.279> pattern<03:25:33.600> that

phrases but the the actual pattern that

phrases but the the actual pattern that
you<03:25:33.840> play<03:25:34.000> on<03:25:34.080> the<03:25:34.160> strings<03:25:34.479> is<03:25:34.640> always<03:25:34.880> the

you play on the strings is always the

you play on the strings is always the
same<03:25:35.680> in<03:25:35.760> this<03:25:36.080> instance<03:25:36.560> the<03:25:36.720> way<03:25:36.960> that<03:25:37.279> uh

same in this instance the way that uh

same in this instance the way that uh
it's<03:25:37.840> diatonic<03:25:38.479> to<03:25:38.640> the<03:25:38.720> messian<03:25:39.279> mode<03:25:39.920> is

it's diatonic to the messian mode is

it's diatonic to the messian mode is
once<03:25:40.720> again<03:25:40.960> alan<03:25:41.200> plays<03:25:41.520> two<03:25:41.680> notes

once again alan plays two notes

once again alan plays two notes
and<03:25:43.359> then<03:25:44.000> goes<03:25:44.239> to<03:25:44.319> the<03:25:44.399> next<03:25:44.640> string

and then goes to the next string

and then goes to the next string
uh<03:25:46.399> like<03:25:46.640> the<03:25:46.720> e<03:25:46.800> string<03:25:47.040> and<03:25:47.120> then<03:25:47.279> goes<03:25:47.439> back

uh like the e string and then goes back

uh like the e string and then goes back
up<03:25:47.760> to<03:25:47.920> the<03:25:48.000> b<03:25:48.239> string

up to the b string

up to the b string
and<03:25:50.319> then<03:25:50.560> plays<03:25:50.960> a<03:25:51.040> major<03:25:51.439> third<03:25:51.760> interval

and then plays a major third interval

and then plays a major third interval
here

here

here
and<03:25:54.160> then<03:25:54.399> plays<03:25:54.800> a<03:25:54.880> note<03:25:55.120> a<03:25:55.200> flat<03:25:55.439> five<03:25:55.680> away

and then from there sort of repeats the

and then from there sort of repeats the
pattern<03:26:01.279> he<03:26:01.439> bars<03:26:01.760> out<03:26:01.920> his<03:26:02.160> first<03:26:02.399> finger

pattern he bars out his first finger

pattern he bars out his first finger
again<03:26:03.200> on<03:26:03.359> the

again on the

again on the
b<03:26:04.399> and<03:26:04.560> g<03:26:04.800> string

b and g string

b and g string
and<03:26:06.479> then<03:26:06.720> hammers<03:26:07.120> on<03:26:07.279> and<03:26:07.359> major<03:26:07.680> third

and then hammers on and major third

and then hammers on and major third
and<03:26:08.640> then<03:26:09.200> plays<03:26:09.520> the<03:26:09.600> note<03:26:09.760> the<03:26:09.920> perfect

and then plays the note the perfect

and then plays the note the perfect
fifth<03:26:10.399> away

fifth away

fifth away
and<03:26:11.760> then<03:26:11.920> repeats<03:26:12.319> that<03:26:12.479> pattern<03:26:12.720> again

and then repeats that pattern again

and then repeats that pattern again
[Music]

[Music]

[Music]
so<03:26:16.880> something<03:26:17.200> like<03:26:17.439> this

so something like this

so something like this
[Music]

now of course when it only plays it

now of course when it only plays it
doesn't<03:26:23.760> have<03:26:23.920> to<03:26:24.000> go<03:26:24.239> all<03:26:24.399> the<03:26:24.479> way<03:26:24.640> straight

doesn't have to go all the way straight

doesn't have to go all the way straight
down<03:26:25.200> sometimes<03:26:25.520> you<03:26:25.600> use<03:26:25.760> it<03:26:25.920> just<03:26:26.080> for<03:26:26.239> a

down sometimes you use it just for a

down sometimes you use it just for a
little<03:26:26.560> bit<03:26:27.040> but<03:26:27.279> as<03:26:27.439> i<03:26:27.520> said<03:26:27.680> i've<03:26:27.840> seen<03:26:28.080> alan

little bit but as i said i've seen alan

little bit but as i said i've seen alan
use<03:26:28.560> this<03:26:28.800> shape<03:26:29.520> uh<03:26:30.000> or<03:26:30.160> this<03:26:30.319> sort<03:26:30.560> of<03:26:30.640> finger

use this shape uh or this sort of finger

use this shape uh or this sort of finger
pattern<03:26:31.680> in<03:26:31.920> a<03:26:32.239> diminished<03:26:32.800> sort<03:26:33.040> of<03:26:33.120> way<03:26:33.680> or

pattern in a diminished sort of way or

pattern in a diminished sort of way or
just<03:26:34.080> moving<03:26:34.399> his<03:26:34.560> fingers<03:26:34.880> over

you know in all different types of

you know in all different types of
variations<03:26:39.680> so<03:26:40.160> again<03:26:40.479> like<03:26:40.720> i<03:26:40.800> said<03:26:40.960> intent

variations so again like i said intent

variations so again like i said intent
impossible<03:26:42.000> to<03:26:42.080> know<03:26:42.399> but<03:26:42.960> playing<03:26:43.279> it<03:26:43.439> that

impossible to know but playing it that

impossible to know but playing it that
way<03:26:43.920> it<03:26:44.080> is<03:26:44.399> 100<03:26:45.120> diatonic<03:26:45.840> to<03:26:46.239> uh<03:26:46.640> the<03:26:46.800> third

way it is 100 diatonic to uh the third

way it is 100 diatonic to uh the third
messian<03:26:47.600> mode<03:26:48.319> but<03:26:48.560> we'll<03:26:48.800> see<03:26:48.960> this<03:26:49.279> more<03:26:49.680> on

messian mode but we'll see this more on

messian mode but we'll see this more on
the<03:26:50.000> outside<03:26:50.479> section<03:26:50.880> and<03:26:51.040> in<03:26:51.200> other<03:26:51.359> places

the outside section and in other places

the outside section and in other places
that<03:26:51.840> makes<03:26:52.080> me<03:26:52.239> think<03:26:52.399> that<03:26:52.640> alan's<03:26:52.960> not

that makes me think that alan's not

that makes me think that alan's not
thinking<03:26:53.520> of<03:26:53.680> it<03:26:53.920> as<03:26:54.640> belonging<03:26:55.120> to<03:26:55.279> this

thinking of it as belonging to this

thinking of it as belonging to this
scale

here's another way that uh allen would

here's another way that uh allen would
use<03:27:15.200> the<03:27:15.359> messian<03:27:15.920> mode<03:27:16.399> once<03:27:16.640> again<03:27:16.880> mostly

use the messian mode once again mostly

use the messian mode once again mostly
for<03:27:17.279> outside<03:27:17.760> playing<03:27:18.000> but<03:27:18.160> this<03:27:18.399> little<03:27:18.720> idea

for outside playing but this little idea

for outside playing but this little idea
is<03:27:19.439> diatonic<03:27:20.239> to

is diatonic to

is diatonic to
uh<03:27:21.359> this<03:27:21.760> scale<03:27:22.399> so<03:27:22.640> if<03:27:22.720> we<03:27:22.960> like<03:27:23.200> i<03:27:23.279> said<03:27:23.520> if<03:27:23.600> we

uh this scale so if we like i said if we

uh this scale so if we like i said if we
look<03:27:23.840> at<03:27:23.920> the<03:27:24.080> scale<03:27:24.399> we<03:27:24.479> have<03:27:24.720> this<03:27:24.880> little

look at the scale we have this little

look at the scale we have this little
minor<03:27:25.920> third<03:27:26.239> thing<03:27:26.399> and<03:27:26.479> then<03:27:26.640> we<03:27:26.800> start<03:27:27.040> on<03:27:27.279> e

minor third thing and then we start on e

minor third thing and then we start on e
we<03:27:28.080> have<03:27:28.239> these<03:27:28.560> three<03:27:28.800> notes<03:27:29.600> in<03:27:29.760> a<03:27:29.920> row<03:27:30.560> and

we have these three notes in a row and

we have these three notes in a row and
we<03:27:30.960> can<03:27:31.200> play<03:27:31.439> that<03:27:31.680> in<03:27:31.840> major<03:27:32.160> thirds<03:27:32.479> going

we can play that in major thirds going

we can play that in major thirds going
down

down

down
[Applause]

and this is something that alan would

and this is something that alan would
often<03:27:38.239> do<03:27:38.640> he<03:27:38.800> would<03:27:39.040> string<03:27:39.439> skip<03:27:39.680> this

often do he would string skip this

often do he would string skip this
between<03:27:40.239> two<03:27:40.840> strings<03:27:41.840> and<03:27:41.920> then<03:27:42.080> the<03:27:42.160> next

between two strings and then the next

between two strings and then the next
one

one

one
and<03:27:44.319> so<03:27:44.479> on<03:27:44.720> and<03:27:44.800> so<03:27:44.960> forth<03:27:45.200> like<03:27:45.359> i<03:27:45.439> said

and so on and so forth like i said

and so on and so forth like i said
mostly<03:27:46.000> for<03:27:46.160> outside<03:27:46.560> playing<03:27:47.279> now<03:27:47.760> for<03:27:47.920> the

mostly for outside playing now for the

mostly for outside playing now for the
most<03:27:48.319> part<03:27:48.560> it<03:27:48.640> does<03:27:48.880> fit<03:27:49.040> that<03:27:49.279> messian<03:27:49.760> mode

most part it does fit that messian mode

most part it does fit that messian mode
shape<03:27:50.239> but<03:27:50.399> i<03:27:50.479> have<03:27:50.720> seen<03:27:50.960> him<03:27:51.120> use<03:27:51.279> it<03:27:51.520> uh<03:27:51.760> in

shape but i have seen him use it uh in

shape but i have seen him use it uh in
other<03:27:52.239> ways<03:27:52.560> that<03:27:52.640> makes<03:27:52.880> me<03:27:53.040> again<03:27:53.359> think

other ways that makes me again think

other ways that makes me again think
that<03:27:53.840> it's<03:27:54.319> just<03:27:54.479> this<03:27:54.720> concept<03:27:55.120> or<03:27:55.200> maybe<03:27:55.439> he

that it's just this concept or maybe he

that it's just this concept or maybe he
took<03:27:55.760> the<03:27:55.920> idea<03:27:56.239> from<03:27:56.399> the<03:27:56.479> messiah<03:27:56.880> mode<03:27:57.120> and

took the idea from the messiah mode and

took the idea from the messiah mode and
then<03:27:57.359> just<03:27:57.600> played<03:27:57.840> around<03:27:58.160> with<03:27:58.319> it<03:27:58.399> however

then just played around with it however

then just played around with it however
he<03:27:58.880> saw<03:27:59.120> fit<03:27:59.600> interestingly<03:28:00.319> enough<03:28:00.720> i<03:28:00.880> have

he saw fit interestingly enough i have

he saw fit interestingly enough i have
seen<03:28:01.680> uh<03:28:02.000> sean<03:28:02.399> lane<03:28:02.720> use<03:28:03.040> this<03:28:03.359> lick<03:28:03.600> a<03:28:03.680> couple

seen uh sean lane use this lick a couple

seen uh sean lane use this lick a couple
of<03:28:04.160> times<03:28:04.800> uh<03:28:05.439> i<03:28:05.600> believe<03:28:05.920> i<03:28:06.080> also<03:28:06.399> saw<03:28:06.560> it<03:28:06.800> in

of times uh i believe i also saw it in

of times uh i believe i also saw it in
his<03:28:07.279> uh<03:28:07.600> solo<03:28:07.920> for<03:28:08.239> kaiser<03:28:08.640> non<03:28:08.880> cairo<03:28:09.279> even

his uh solo for kaiser non cairo even

his uh solo for kaiser non cairo even
though<03:28:09.680> he<03:28:09.840> sequenced<03:28:10.319> that<03:28:10.960> but<03:28:11.120> i<03:28:11.200> have<03:28:11.359> seen

though he sequenced that but i have seen

though he sequenced that but i have seen
him<03:28:11.680> use<03:28:11.840> it<03:28:11.920> live<03:28:12.160> as<03:28:12.239> well

[Music]

[Music]
so

so

so
[Applause]

[Applause]

[Applause]
[Music]

so finally this is the only other way

so finally this is the only other way
that<03:28:42.000> i've<03:28:42.239> seen<03:28:42.479> alan<03:28:42.880> use<03:28:43.200> this<03:28:43.520> messian

that i've seen alan use this messian

that i've seen alan use this messian
scale<03:28:45.120> um

scale um

scale um
but<03:28:46.479> once<03:28:46.800> again<03:28:47.200> intent<03:28:47.680> and<03:28:47.760> possible<03:28:48.160> to

but once again intent and possible to

but once again intent and possible to
figure<03:28:48.640> out<03:28:48.800> if<03:28:48.880> we<03:28:49.200> talk<03:28:49.520> about<03:28:49.840> that

figure out if we talk about that

figure out if we talk about that
diminished<03:28:50.800> scale<03:28:51.040> sort<03:28:51.200> of<03:28:51.359> pattern<03:28:51.600> with

diminished scale sort of pattern with

diminished scale sort of pattern with
the<03:28:51.920> minor<03:28:52.160> third<03:28:52.399> and<03:28:52.479> the<03:28:52.560> major<03:28:52.880> third<03:28:53.200> this

the minor third and the major third this

the minor third and the major third this
thing

thing

thing
this<03:28:55.200> you<03:28:55.279> can<03:28:55.439> also<03:28:55.680> find<03:28:55.920> within<03:28:56.319> that<03:28:56.640> scale

this you can also find within that scale

this you can also find within that scale
and<03:28:57.520> if<03:28:57.680> you<03:28:57.840> play<03:28:58.160> that<03:28:58.399> symmetrically<03:28:59.040> on

and if you play that symmetrically on

and if you play that symmetrically on
the<03:28:59.359> g<03:28:59.600> b<03:28:59.840> and<03:29:00.000> e<03:29:00.239> strings

this also belongs to the third messian

this also belongs to the third messian
mode<03:29:06.239> but<03:29:06.479> again

mode but again

mode but again
this<03:29:07.680> is<03:29:07.760> the<03:29:07.920> only<03:29:08.160> time<03:29:08.319> that<03:29:08.479> i've<03:29:08.720> seen<03:29:08.880> him

this is the only time that i've seen him

this is the only time that i've seen him
where<03:29:09.200> he<03:29:09.359> plays<03:29:09.760> it<03:29:09.920> in<03:29:10.080> a<03:29:10.160> way<03:29:10.399> where<03:29:10.560> it

where he plays it in a way where it

where he plays it in a way where it
actually<03:29:11.520> was<03:29:12.000> diatonic<03:29:12.800> to<03:29:13.120> uh<03:29:13.439> the<03:29:13.600> messiah

actually was diatonic to uh the messiah

actually was diatonic to uh the messiah
mode<03:29:14.479> he<03:29:14.640> uses<03:29:14.960> the<03:29:15.120> shape<03:29:15.439> very

mode he uses the shape very

mode he uses the shape very
frequently<03:29:16.800> for<03:29:17.120> outside<03:29:17.600> playing<03:29:18.239> and<03:29:18.399> we'll

frequently for outside playing and we'll

frequently for outside playing and we'll
see<03:29:18.720> that<03:29:18.880> a<03:29:18.960> bit<03:29:19.120> later<03:29:19.439> used<03:29:19.680> in<03:29:19.920> all

see that a bit later used in all

see that a bit later used in all
different<03:29:20.560> ways<03:29:20.800> so<03:29:20.960> it's<03:29:21.120> possible<03:29:22.000> this<03:29:22.239> is

different ways so it's possible this is

different ways so it's possible this is
accidental<03:29:23.439> or<03:29:23.600> maybe<03:29:23.840> he<03:29:23.840> did<03:29:24.000> it<03:29:24.160> on<03:29:24.239> purpose

accidental or maybe he did it on purpose

accidental or maybe he did it on purpose
once<03:29:24.960> again<03:29:25.200> we'll<03:29:25.359> never<03:29:25.600> know<03:29:26.000> but

once again we'll never know but

once again we'll never know but
here<03:29:27.200> once<03:29:27.439> again<03:29:27.600> it's<03:29:27.760> diatonic<03:29:28.399> so<03:29:28.880> i<03:29:29.040> put

here once again it's diatonic so i put

here once again it's diatonic so i put
it<03:29:29.359> here

it here

it here
[Music]

so before i get into the whole tone

so before i get into the whole tone
lines<03:29:45.840> i<03:29:45.920> want<03:29:46.080> to<03:29:46.160> talk<03:29:46.399> about<03:29:46.560> how<03:29:46.880> alan<03:29:47.520> uh

lines i want to talk about how alan uh

lines i want to talk about how alan uh
probably<03:29:48.880> wrote<03:29:49.200> out<03:29:49.439> his<03:29:49.680> symbols<03:29:50.080> to<03:29:50.239> mean

probably wrote out his symbols to mean

probably wrote out his symbols to mean
uh<03:29:51.520> because<03:29:52.319> i<03:29:52.640> think<03:29:53.120> i<03:29:53.600> i<03:29:53.840> know<03:29:54.000> what<03:29:54.239> alan's

uh because i think i i know what alan's

uh because i think i i know what alan's
symbol<03:29:54.960> for<03:29:55.200> the<03:29:55.279> whole<03:29:55.520> tone<03:29:55.760> scale<03:29:56.080> is<03:29:56.479> and<03:29:56.720> i

symbol for the whole tone scale is and i

symbol for the whole tone scale is and i
didn't<03:29:57.120> come<03:29:57.359> up<03:29:57.439> with<03:29:57.680> it<03:29:58.080> i<03:29:58.239> got<03:29:58.399> it<03:29:58.560> from

didn't come up with it i got it from

didn't come up with it i got it from
yoshiniro<03:29:59.680> seki's<03:30:00.160> video<03:30:00.960> uh<03:30:01.200> he<03:30:01.439> was<03:30:01.840> talking

yoshiniro seki's video uh he was talking

yoshiniro seki's video uh he was talking
about<03:30:02.800> some<03:30:03.600> uh<03:30:03.920> solo<03:30:04.239> that<03:30:04.479> allen<03:30:04.800> did<03:30:05.200> and<03:30:05.359> he

about some uh solo that allen did and he

about some uh solo that allen did and he
showed<03:30:05.840> alan's<03:30:06.160> symbol<03:30:06.479> for<03:30:06.640> the<03:30:06.960> whole<03:30:07.200> tone

showed alan's symbol for the whole tone

showed alan's symbol for the whole tone
scale<03:30:08.160> and<03:30:08.399> i<03:30:08.479> had<03:30:08.720> messaged<03:30:09.200> him<03:30:09.840> uh<03:30:10.080> how<03:30:10.239> does

scale and i had messaged him uh how does

scale and i had messaged him uh how does
he<03:30:10.560> know<03:30:11.120> what<03:30:11.279> the<03:30:11.520> symbol<03:30:11.760> would<03:30:11.920> be<03:30:12.160> because

he know what the symbol would be because

he know what the symbol would be because
i<03:30:12.560> haven't<03:30:12.880> seen<03:30:13.279> any<03:30:13.600> other<03:30:13.920> instance<03:30:14.319> of<03:30:14.479> it

i haven't seen any other instance of it

i haven't seen any other instance of it
he<03:30:14.640> never<03:30:14.880> wrote<03:30:15.120> it<03:30:15.279> out<03:30:15.439> on<03:30:15.520> a<03:30:15.680> chart

he never wrote it out on a chart

he never wrote it out on a chart
i<03:30:16.560> forgot<03:30:17.040> exactly<03:30:17.439> what<03:30:17.680> he<03:30:17.840> wrote<03:30:18.080> back<03:30:18.319> to

i forgot exactly what he wrote back to

i forgot exactly what he wrote back to
me<03:30:18.640> but<03:30:18.800> whatever<03:30:19.200> he<03:30:19.359> wrote<03:30:19.600> back<03:30:19.760> to<03:30:19.920> me

me but whatever he wrote back to me

me but whatever he wrote back to me
finally<03:30:21.040> uh<03:30:21.439> planted

finally uh planted

finally uh planted
uh<03:30:22.960> this<03:30:23.200> seed<03:30:23.439> in<03:30:23.600> my<03:30:23.680> head<03:30:23.840> because<03:30:24.000> i<03:30:24.160> never

uh this seed in my head because i never

uh this seed in my head because i never
saw<03:30:24.560> it<03:30:24.720> before<03:30:25.359> of<03:30:26.000> how<03:30:26.239> alan's<03:30:26.720> thinking<03:30:27.040> of

saw it before of how alan's thinking of

saw it before of how alan's thinking of
these<03:30:27.359> scales<03:30:27.840> and<03:30:28.000> the<03:30:28.160> symbols<03:30:28.560> that<03:30:28.640> he's

these scales and the symbols that he's

these scales and the symbols that he's
using<03:30:29.279> for<03:30:29.520> him<03:30:30.000> so<03:30:30.319> alan's<03:30:30.880> symbol<03:30:31.600> for

using for him so alan's symbol for

using for him so alan's symbol for
uh<03:30:32.800> the<03:30:33.359> third<03:30:33.600> messiah<03:30:34.080> mode<03:30:34.319> of<03:30:34.479> friends<03:30:34.800> the

uh the third messiah mode of friends the

uh the third messiah mode of friends the
symmetrical<03:30:35.520> scale<03:30:36.160> is<03:30:36.720> three<03:30:37.040> dots<03:30:37.760> and<03:30:38.000> if

symmetrical scale is three dots and if

symmetrical scale is three dots and if
you<03:30:38.479> lay<03:30:38.800> all<03:30:38.960> the<03:30:39.120> notes<03:30:39.520> out<03:30:39.760> on<03:30:39.920> one<03:30:40.160> string

you lay all the notes out on one string

you lay all the notes out on one string
the<03:30:41.120> way<03:30:41.359> that<03:30:41.680> the<03:30:42.239> notes<03:30:42.560> line<03:30:42.800> up<03:30:42.960> is<03:30:43.040> you

the way that the notes line up is you

the way that the notes line up is you
see<03:30:43.840> three<03:30:44.080> notes<03:30:44.560> then<03:30:44.720> you<03:30:44.880> skip<03:30:45.200> a<03:30:45.279> fret

see three notes then you skip a fret

see three notes then you skip a fret
then<03:30:45.760> three<03:30:46.000> notes<03:30:46.319> then<03:30:46.479> skip<03:30:46.800> a<03:30:46.880> frame<03:30:47.600> if

then three notes then skip a frame if

then three notes then skip a frame if
you<03:30:47.840> go<03:30:48.000> to<03:30:48.080> the<03:30:48.239> diminished<03:30:48.800> scale<03:30:49.439> allen's

you go to the diminished scale allen's

you go to the diminished scale allen's
symbol<03:30:50.319> is<03:30:50.640> two<03:30:50.880> notes<03:30:51.520> and<03:30:51.680> if<03:30:51.840> we<03:30:52.399> put<03:30:52.640> the

symbol is two notes and if we put the

symbol is two notes and if we put the
diminished<03:30:53.520> scale<03:30:54.080> all<03:30:54.319> on<03:30:54.479> one<03:30:54.720> string<03:30:55.439> we

diminished scale all on one string we

diminished scale all on one string we
get<03:30:56.080> two<03:30:56.319> notes<03:30:57.120> then<03:30:57.359> a<03:30:57.439> fret<03:30:57.920> then<03:30:58.239> two<03:30:58.479> notes

get two notes then a fret then two notes

get two notes then a fret then two notes
then<03:30:59.040> a<03:30:59.200> fret

then a fret

then a fret
i<03:31:00.479> guess<03:31:00.720> you<03:31:00.800> can<03:31:00.960> see<03:31:01.120> the<03:31:01.200> pattern<03:31:01.520> by<03:31:01.680> now

i guess you can see the pattern by now

i guess you can see the pattern by now
so<03:31:02.640> with<03:31:02.880> that<03:31:03.600> uh<03:31:03.760> yoshiniro<03:31:04.560> was<03:31:04.800> saying

so with that uh yoshiniro was saying

so with that uh yoshiniro was saying
that<03:31:05.600> allen's<03:31:06.000> symbol<03:31:06.319> for<03:31:06.479> the<03:31:06.640> whole<03:31:06.880> tone

that allen's symbol for the whole tone

that allen's symbol for the whole tone
scale<03:31:07.439> is<03:31:07.680> probably<03:31:08.080> just<03:31:08.319> a<03:31:08.479> circle<03:31:09.200> because

scale is probably just a circle because

scale is probably just a circle because
if<03:31:09.840> we<03:31:10.000> look<03:31:10.160> at<03:31:10.319> the<03:31:10.399> whole<03:31:10.720> tone<03:31:10.960> scale<03:31:11.600> on

if we look at the whole tone scale on

if we look at the whole tone scale on
one<03:31:12.080> string<03:31:12.800> it's<03:31:13.359> note<03:31:14.000> then<03:31:14.399> uh

one string it's note then uh

one string it's note then uh
a<03:31:15.359> fret<03:31:15.680> then<03:31:15.840> a<03:31:15.920> note<03:31:16.160> then<03:31:16.399> a<03:31:16.479> fret<03:31:16.720> then<03:31:16.880> a

a fret then a note then a fret then a

a fret then a note then a fret then a
note<03:31:17.200> and<03:31:17.359> a<03:31:17.439> fret<03:31:17.840> so<03:31:18.080> it's<03:31:18.239> basically<03:31:18.880> would

note and a fret so it's basically would

note and a fret so it's basically would
probably<03:31:19.359> just<03:31:19.600> be<03:31:19.760> a<03:31:19.920> circle<03:31:20.640> and<03:31:20.800> yet<03:31:21.040> here's

probably just be a circle and yet here's

probably just be a circle and yet here's
another<03:31:21.760> thing<03:31:21.920> that<03:31:22.080> i<03:31:22.399> learned<03:31:22.720> from

another thing that i learned from

another thing that i learned from
yoshiniro<03:31:24.080> that<03:31:24.319> once<03:31:24.640> again<03:31:25.040> made<03:31:25.279> me

yoshiniro that once again made me

yoshiniro that once again made me
start<03:31:27.200> to<03:31:27.359> understand<03:31:27.840> a<03:31:27.840> little<03:31:28.000> bit<03:31:28.160> more<03:31:28.319> of

start to understand a little bit more of

start to understand a little bit more of
alan's<03:31:28.800> process

alan's process

alan's process
so

so

so
alan's<03:31:31.279> symbol<03:31:31.600> for<03:31:31.760> dorian<03:31:32.160> is<03:31:32.399> x<03:31:32.800> for

alan's symbol for dorian is x for

alan's symbol for dorian is x for
experiment<03:31:33.600> which<03:31:33.920> i<03:31:34.080> showed<03:31:34.479> earlier<03:31:35.359> um<03:31:35.760> but

experiment which i showed earlier um but

experiment which i showed earlier um but
why<03:31:36.160> is<03:31:36.319> melodic<03:31:36.880> minor<03:31:37.520> x<03:31:37.760> with<03:31:37.920> the<03:31:38.080> circle

why is melodic minor x with the circle

why is melodic minor x with the circle
around<03:31:38.880> it<03:31:39.279> well<03:31:39.920> let's<03:31:40.160> look<03:31:40.399> at<03:31:40.479> the<03:31:40.880> dorian

around it well let's look at the dorian

around it well let's look at the dorian
scale<03:31:42.399> uh<03:31:42.800> all<03:31:43.040> on<03:31:43.120> one<03:31:43.359> string<03:31:43.840> and<03:31:44.080> we<03:31:44.239> see

scale uh all on one string and we see

scale uh all on one string and we see
all<03:31:44.560> the<03:31:44.720> notes<03:31:44.960> laid<03:31:45.200> out<03:31:45.359> here<03:31:45.840> so<03:31:46.080> now<03:31:46.319> if<03:31:46.479> we

all the notes laid out here so now if we

all the notes laid out here so now if we
want<03:31:46.800> to<03:31:46.880> make<03:31:47.120> it<03:31:47.279> melodic<03:31:47.920> minor<03:31:48.640> what<03:31:48.800> we<03:31:48.960> do

want to make it melodic minor what we do

want to make it melodic minor what we do
is<03:31:49.359> we<03:31:49.600> take<03:31:49.840> that<03:31:50.080> flat<03:31:50.479> seven<03:31:50.960> or<03:31:51.120> that<03:31:51.439> c

is we take that flat seven or that c

is we take that flat seven or that c
note<03:31:52.319> and<03:31:52.479> we<03:31:52.640> make<03:31:52.880> it<03:31:53.200> c-sharp

note and we make it c-sharp

note and we make it c-sharp
now<03:31:54.960> we<03:31:55.120> start<03:31:55.359> to<03:31:55.439> see<03:31:55.680> this<03:31:55.840> interesting

now we start to see this interesting

now we start to see this interesting
pattern<03:31:57.200> where<03:31:57.760> after<03:31:58.160> the<03:31:58.399> first<03:31:58.880> two<03:31:59.120> notes

pattern where after the first two notes

pattern where after the first two notes
after<03:32:00.479> uh<03:32:00.720> this<03:32:01.040> f

after uh this f

after uh this f
then<03:32:03.120> we<03:32:03.359> have

then we have

then we have
five<03:32:04.479> notes<03:32:04.800> in<03:32:04.960> a<03:32:05.120> row<03:32:05.840> that<03:32:06.080> are<03:32:06.239> almost

five notes in a row that are almost

five notes in a row that are almost
identical<03:32:07.760> to<03:32:08.000> the<03:32:08.080> whole<03:32:08.319> tone<03:32:08.560> scale<03:32:08.960> out<03:32:09.120> of

identical to the whole tone scale out of

identical to the whole tone scale out of
the<03:32:09.439> six<03:32:09.760> notes<03:32:10.239> so<03:32:10.479> it's<03:32:10.640> almost<03:32:10.960> like<03:32:11.120> alan's

the six notes so it's almost like alan's

the six notes so it's almost like alan's
symbol<03:32:12.000> is<03:32:12.160> basically<03:32:12.640> saying<03:32:13.279> the<03:32:13.520> dorian

symbol is basically saying the dorian

symbol is basically saying the dorian
mode<03:32:14.479> or<03:32:14.640> that<03:32:14.880> experiment<03:32:15.520> with<03:32:15.920> that<03:32:16.239> kind

mode or that experiment with that kind

mode or that experiment with that kind
of<03:32:16.640> whole<03:32:16.880> tone<03:32:17.279> symmetry<03:32:18.239> and<03:32:18.319> this<03:32:18.720> makes<03:32:19.040> a

of whole tone symmetry and this makes a

of whole tone symmetry and this makes a
little<03:32:19.279> bit<03:32:19.439> of<03:32:19.600> sense<03:32:19.920> because<03:32:20.640> like<03:32:20.880> i<03:32:20.960> said

little bit of sense because like i said

little bit of sense because like i said
before<03:32:21.520> if<03:32:21.600> you<03:32:21.760> go<03:32:22.000> to<03:32:22.080> this<03:32:22.319> time<03:32:22.560> stamp

before if you go to this time stamp

before if you go to this time stamp
earlier<03:32:23.359> in<03:32:23.520> the<03:32:23.680> video<03:32:24.479> i<03:32:24.560> was<03:32:24.800> talking<03:32:25.120> about

earlier in the video i was talking about

earlier in the video i was talking about
how<03:32:25.600> alan<03:32:26.319> exploits<03:32:27.120> uh<03:32:27.439> melodic<03:32:27.840> minor<03:32:28.160> with

how alan exploits uh melodic minor with

how alan exploits uh melodic minor with
all<03:32:28.479> that<03:32:28.720> whole<03:32:29.040> step<03:32:29.439> stuff<03:32:29.840> and<03:32:30.000> it<03:32:30.160> seems

all that whole step stuff and it seems

all that whole step stuff and it seems
to<03:32:30.640> be<03:32:30.800> that<03:32:30.960> he<03:32:31.200> might<03:32:31.439> be<03:32:31.680> thinking<03:32:32.160> of

to be that he might be thinking of

to be that he might be thinking of
a<03:32:34.000> melodic<03:32:34.560> minor<03:32:35.359> uh<03:32:35.520> with<03:32:35.760> that<03:32:36.080> whole<03:32:36.399> tone

a melodic minor uh with that whole tone

a melodic minor uh with that whole tone
kind<03:32:36.960> of<03:32:37.120> concept<03:32:37.760> and<03:32:38.160> playing<03:32:38.640> within<03:32:39.200> that

kind of concept and playing within that

kind of concept and playing within that
area<03:32:40.319> and<03:32:40.640> making<03:32:41.040> it<03:32:41.200> sound<03:32:41.520> like<03:32:41.680> it's<03:32:41.840> a

area and making it sound like it's a

area and making it sound like it's a
whole<03:32:42.080> tone<03:32:42.239> scale<03:32:42.479> when<03:32:42.720> it's<03:32:42.880> really<03:32:43.200> not

whole tone scale when it's really not

whole tone scale when it's really not
when<03:32:43.680> it's<03:32:43.840> actually<03:32:44.160> belonging<03:32:44.720> to<03:32:45.200> melodic

when it's actually belonging to melodic

when it's actually belonging to melodic
minor<03:32:46.479> so<03:32:47.040> i<03:32:47.200> think<03:32:47.359> that<03:32:47.520> was<03:32:47.760> a<03:32:47.920> very<03:32:48.560> very

minor so i think that was a very very

minor so i think that was a very very
accurate<03:32:49.680> insight<03:32:50.319> to<03:32:50.560> how<03:32:50.800> alan<03:32:51.120> sort<03:32:51.279> of

accurate insight to how alan sort of

accurate insight to how alan sort of
thinks<03:32:51.840> of<03:32:52.000> these<03:32:52.239> scales<03:32:52.880> and<03:32:53.040> as<03:32:53.200> you<03:32:53.359> can

thinks of these scales and as you can

thinks of these scales and as you can
see<03:32:54.160> it's<03:32:54.399> not<03:32:54.560> about<03:32:54.960> harmonic<03:32:55.439> content<03:32:56.000> it's

see it's not about harmonic content it's

see it's not about harmonic content it's
almost<03:32:56.880> visual<03:32:57.439> it's<03:32:57.520> just<03:32:57.760> how<03:32:58.000> the<03:32:58.560> the

almost visual it's just how the the

almost visual it's just how the the
scale<03:32:59.120> looks<03:32:59.359> like<03:32:59.600> on<03:32:59.760> the<03:32:59.920> neck<03:33:00.160> and<03:33:00.319> those

scale looks like on the neck and those

scale looks like on the neck and those
patterns<03:33:00.960> and<03:33:01.120> how<03:33:01.279> to<03:33:01.920> exploit<03:33:02.399> those

patterns and how to exploit those

patterns and how to exploit those
patterns<03:33:03.120> and<03:33:03.200> make<03:33:03.439> melodies<03:33:03.920> out<03:33:04.080> of<03:33:04.160> them<03:33:04.560> i

patterns and make melodies out of them i

patterns and make melodies out of them i
don't<03:33:04.880> know<03:33:05.040> about<03:33:05.200> you<03:33:05.359> but<03:33:05.600> i<03:33:05.760> love<03:33:05.920> finding

don't know about you but i love finding

don't know about you but i love finding
this<03:33:06.479> stuff<03:33:06.800> out<03:33:07.359> uh<03:33:08.080> but<03:33:08.319> the<03:33:08.479> only<03:33:08.640> other

this stuff out uh but the only other

this stuff out uh but the only other
symbol<03:33:09.200> that<03:33:09.359> i<03:33:09.439> want<03:33:09.600> to<03:33:09.680> talk<03:33:09.920> about<03:33:10.560> is<03:33:10.720> i've

symbol that i want to talk about is i've

symbol that i want to talk about is i've
seen<03:33:11.200> it<03:33:11.279> in<03:33:11.439> two<03:33:11.680> of<03:33:11.840> alan's<03:33:12.239> charts<03:33:12.560> in<03:33:12.720> boat

seen it in two of alan's charts in boat

seen it in two of alan's charts in boat
peep<03:33:13.439> and<03:33:13.600> on<03:33:13.840> lanyard<03:33:14.399> loop<03:33:15.040> and

peep and on lanyard loop and

peep and on lanyard loop and
i<03:33:16.160> came<03:33:16.399> to<03:33:16.560> a<03:33:16.640> conclusion<03:33:17.040> what<03:33:17.200> i<03:33:17.279> thought<03:33:17.520> it

i came to a conclusion what i thought it

i came to a conclusion what i thought it
was<03:33:17.920> and<03:33:18.080> i<03:33:18.160> had<03:33:18.800> asked<03:33:19.279> yoshinero<03:33:19.920> also<03:33:20.160> for

was and i had asked yoshinero also for

was and i had asked yoshinero also for
some<03:33:20.560> help<03:33:20.720> for<03:33:20.880> him<03:33:21.040> to<03:33:21.359> uh<03:33:21.920> analyze<03:33:22.479> it<03:33:22.560> and

some help for him to uh analyze it and

some help for him to uh analyze it and
come<03:33:23.040> up<03:33:23.200> with<03:33:23.359> something<03:33:23.760> and<03:33:24.080> see<03:33:24.239> if<03:33:24.319> we

come up with something and see if we

come up with something and see if we
came<03:33:24.640> to<03:33:24.800> the<03:33:24.880> same<03:33:25.040> conclusion<03:33:25.600> and<03:33:25.760> we<03:33:26.000> did

came to the same conclusion and we did

came to the same conclusion and we did
uh<03:33:26.880> we<03:33:27.040> both<03:33:27.279> came<03:33:27.439> to<03:33:27.600> the<03:33:27.680> conclusion<03:33:28.160> that

uh we both came to the conclusion that

uh we both came to the conclusion that
when<03:33:29.359> uh<03:33:29.920> that<03:33:30.160> symbol<03:33:30.399> is<03:33:30.560> an<03:33:30.720> x<03:33:30.960> with<03:33:31.200> a

when uh that symbol is an x with a

when uh that symbol is an x with a
circle<03:33:32.000> next<03:33:32.239> to<03:33:32.399> it<03:33:32.560> or<03:33:32.640> a<03:33:32.800> circle<03:33:33.200> under<03:33:33.520> it

circle next to it or a circle under it

circle next to it or a circle under it
and<03:33:34.399> uh<03:33:34.960> it<03:33:35.200> seems<03:33:35.520> to<03:33:35.680> mean<03:33:36.000> just<03:33:36.479> to<03:33:36.640> play

and uh it seems to mean just to play

and uh it seems to mean just to play
dorian<03:33:37.600> or<03:33:37.920> as<03:33:38.080> an<03:33:38.239> alternate<03:33:38.640> melodic<03:33:39.120> minor

dorian or as an alternate melodic minor

dorian or as an alternate melodic minor
i<03:33:39.840> don't<03:33:40.000> know<03:33:40.080> why<03:33:40.239> he<03:33:40.399> just<03:33:40.479> didn't<03:33:40.720> write<03:33:40.960> x

i don't know why he just didn't write x

i don't know why he just didn't write x
and<03:33:41.279> then<03:33:41.520> x<03:33:41.680> with<03:33:41.840> the<03:33:42.000> circle<03:33:42.319> around<03:33:42.560> it<03:33:42.720> or

and then x with the circle around it or

and then x with the circle around it or
do<03:33:42.960> something<03:33:43.279> different<03:33:43.680> but<03:33:44.319> uh

do something different but uh

do something different but uh
when<03:33:45.439> we<03:33:45.600> analyzed<03:33:46.080> the<03:33:46.239> solos<03:33:46.640> we<03:33:46.800> mostly

when we analyzed the solos we mostly

when we analyzed the solos we mostly
found<03:33:47.600> either<03:33:47.840> dorian<03:33:48.720> or<03:33:49.439> uh<03:33:49.920> melodic<03:33:50.479> minor

found either dorian or uh melodic minor

found either dorian or uh melodic minor
and<03:33:51.520> the<03:33:51.760> chord<03:33:52.160> that<03:33:52.319> usually<03:33:52.640> was

and the chord that usually was

and the chord that usually was
associated<03:33:54.080> uh<03:33:54.399> with<03:33:54.640> that<03:33:54.880> scale<03:33:55.200> or<03:33:55.279> what

associated uh with that scale or what

associated uh with that scale or what
was<03:33:55.600> being<03:33:55.840> played<03:33:56.160> underneath<03:33:56.960> is<03:33:57.120> some<03:33:57.359> sort

was being played underneath is some sort

was being played underneath is some sort
of<03:33:57.760> minor<03:33:58.160> six<03:33:58.399> over<03:33:58.720> nine<03:33:59.040> chord<03:33:59.439> because

of minor six over nine chord because

of minor six over nine chord because
remember<03:34:00.000> the<03:34:00.080> difference<03:34:00.399> between<03:34:00.640> dorian

remember the difference between dorian

remember the difference between dorian
and<03:34:01.279> melodic<03:34:01.760> minor<03:34:02.080> is<03:34:02.239> dorian<03:34:02.560> has<03:34:02.720> a<03:34:02.800> flat

and melodic minor is dorian has a flat

and melodic minor is dorian has a flat
seven<03:34:03.439> and<03:34:03.520> melodic<03:34:04.000> minor<03:34:04.239> has<03:34:04.399> a<03:34:04.479> sharp

seven and melodic minor has a sharp

seven and melodic minor has a sharp
seven<03:34:05.359> and<03:34:05.520> the<03:34:05.760> chord<03:34:06.239> that<03:34:06.479> allen<03:34:06.720> would

seven and the chord that allen would

seven and the chord that allen would
play<03:34:07.120> would<03:34:07.279> be<03:34:07.600> let's<03:34:07.840> say<03:34:08.160> like<03:34:08.399> a<03:34:08.479> d<03:34:08.800> minor

play would be let's say like a d minor

play would be let's say like a d minor
uh<03:34:10.000> six<03:34:10.239> over<03:34:10.479> nine<03:34:10.720> so<03:34:10.880> something<03:34:11.120> like<03:34:11.359> this

uh six over nine so something like this

uh six over nine so something like this
[Music]

[Music]

[Music]
so<03:34:13.760> we<03:34:13.920> have<03:34:14.080> a<03:34:14.239> root

so we have a root

so we have a root
our<03:34:15.279> six

our six

our six
our<03:34:16.640> nine<03:34:17.279> and<03:34:17.359> then<03:34:17.600> our<03:34:17.680> flat<03:34:18.000> three<03:34:18.640> so<03:34:18.800> this

our nine and then our flat three so this

our nine and then our flat three so this
doesn't<03:34:19.279> have<03:34:19.520> a<03:34:19.600> seven<03:34:20.080> or<03:34:20.319> a<03:34:20.720> flat<03:34:21.040> seven<03:34:21.359> in

doesn't have a seven or a flat seven in

doesn't have a seven or a flat seven in
it<03:34:21.680> so<03:34:21.920> you<03:34:22.080> can<03:34:22.239> use<03:34:22.800> d<03:34:23.040> dorian<03:34:23.600> or<03:34:24.000> d<03:34:24.160> melodic

it so you can use d dorian or d melodic

it so you can use d dorian or d melodic
minor<03:34:25.040> there

minor there

minor there
so<03:34:26.479> uh<03:34:27.040> that's<03:34:27.279> it<03:34:27.359> for<03:34:27.600> alan<03:34:27.840> simple<03:34:28.160> so<03:34:28.319> now

so uh that's it for alan simple so now

so uh that's it for alan simple so now
let's<03:34:28.720> talk<03:34:28.880> about<03:34:29.120> the<03:34:29.200> whole<03:34:29.439> tone<03:34:29.680> scale<03:34:30.319> oh

let's talk about the whole tone scale oh

let's talk about the whole tone scale oh
before<03:34:30.880> we<03:34:30.960> go<03:34:31.120> to<03:34:31.200> the<03:34:31.279> whole<03:34:31.359> time<03:34:31.600> i

before we go to the whole time i

before we go to the whole time i
completely<03:34:32.080> forgot<03:34:32.479> uh<03:34:32.720> i<03:34:32.880> still<03:34:33.120> know<03:34:33.279> what

completely forgot uh i still know what

completely forgot uh i still know what
gamma<03:34:33.760> means<03:34:34.000> it<03:34:34.080> just<03:34:34.239> seems<03:34:34.479> to<03:34:34.560> be<03:34:34.720> added

gamma means it just seems to be added

gamma means it just seems to be added
note<03:34:35.200> but<03:34:35.359> it<03:34:35.439> doesn't<03:34:35.760> seem<03:34:36.000> to<03:34:36.080> have<03:34:36.239> any

note but it doesn't seem to have any

note but it doesn't seem to have any
particular<03:34:37.520> uh<03:34:38.239> doesn't<03:34:38.479> tell<03:34:38.640> you<03:34:38.800> what<03:34:39.359> note

particular uh doesn't tell you what note

particular uh doesn't tell you what note
needs<03:34:39.760> to<03:34:39.840> be<03:34:40.080> added<03:34:40.560> so<03:34:40.880> hopefully<03:34:41.200> if<03:34:41.279> we<03:34:41.359> had

needs to be added so hopefully if we had

needs to be added so hopefully if we had
more<03:34:41.680> balanced<03:34:42.080> charts<03:34:42.319> or<03:34:42.479> something<03:34:42.800> i

more balanced charts or something i

more balanced charts or something i
could<03:34:43.200> figure<03:34:43.520> it<03:34:43.680> out<03:34:44.239> now<03:34:44.399> let's<03:34:44.560> get<03:34:44.720> to<03:34:44.800> the

could figure it out now let's get to the

could figure it out now let's get to the
whole<03:34:45.040> tone<03:34:45.279> scale

so the whole tone scale like i said can

so the whole tone scale like i said can
fit<03:34:52.479> inside<03:34:53.040> of<03:34:53.200> the<03:34:53.359> third<03:34:53.520> and<03:34:53.680> seon<03:34:54.080> mode

fit inside of the third and seon mode

fit inside of the third and seon mode
and<03:34:54.399> you<03:34:54.479> can<03:34:54.640> see<03:34:54.960> here<03:34:55.200> how<03:34:55.359> they<03:34:55.520> sort<03:34:55.680> of

and you can see here how they sort of

and you can see here how they sort of
fit<03:34:56.080> together<03:34:56.720> it's<03:34:56.960> totally<03:34:57.359> possible<03:34:57.760> that

fit together it's totally possible that

fit together it's totally possible that
alan<03:34:58.160> thinks<03:34:58.399> of<03:34:58.479> this<03:34:58.640> scale<03:34:59.040> independently

alan thinks of this scale independently

alan thinks of this scale independently
or<03:35:00.080> part<03:35:00.319> of<03:35:00.880> the<03:35:01.040> messian<03:35:01.600> mode<03:35:02.239> uh<03:35:02.720> i<03:35:02.960> can't

or part of the messian mode uh i can't

or part of the messian mode uh i can't
tell<03:35:03.600> and<03:35:03.680> if<03:35:03.840> he<03:35:03.920> does<03:35:04.160> his<03:35:04.319> scale<03:35:04.720> simple<03:35:04.960> is

tell and if he does his scale simple is

tell and if he does his scale simple is
probably<03:35:05.439> just<03:35:05.680> a<03:35:05.840> circle

probably just a circle

probably just a circle
most<03:35:06.960> of<03:35:07.120> you<03:35:07.279> are<03:35:07.359> probably<03:35:07.760> already

most of you are probably already

most of you are probably already
familiar<03:35:08.479> with<03:35:08.560> the<03:35:08.640> whole<03:35:08.880> tone<03:35:09.200> scale<03:35:09.920> it's

familiar with the whole tone scale it's

familiar with the whole tone scale it's
a<03:35:10.640> scale<03:35:10.960> that's<03:35:11.200> just<03:35:11.359> built<03:35:11.600> on<03:35:11.760> whole<03:35:12.000> steps

a scale that's just built on whole steps

a scale that's just built on whole steps
and<03:35:12.880> it's<03:35:13.040> got<03:35:13.279> six<03:35:13.520> notes<03:35:13.840> in<03:35:14.000> it<03:35:14.160> and<03:35:14.319> since

and it's got six notes in it and since

and it's got six notes in it and since
it's<03:35:14.640> symmetrical<03:35:15.680> uh<03:35:16.000> each<03:35:16.319> note<03:35:16.560> is<03:35:16.720> a

it's symmetrical uh each note is a

it's symmetrical uh each note is a
starting<03:35:17.200> point<03:35:17.439> so<03:35:17.600> if<03:35:17.680> you're<03:35:17.920> on<03:35:18.160> c

starting point so if you're on c

starting point so if you're on c
c<03:35:19.359> d<03:35:19.840> e<03:35:20.319> f<03:35:20.479> sharp<03:35:20.800> g<03:35:21.040> sharp<03:35:21.520> and<03:35:22.160> a<03:35:22.399> sharp<03:35:23.120> uh<03:35:24.080> you

c d e f sharp g sharp and a sharp uh you

c d e f sharp g sharp and a sharp uh you
can<03:35:24.319> start<03:35:24.560> the<03:35:24.640> scale<03:35:24.960> at<03:35:25.040> any<03:35:25.439> one<03:35:25.600> of<03:35:25.680> those

can start the scale at any one of those

can start the scale at any one of those
notes<03:35:26.640> and<03:35:26.720> you<03:35:26.880> can<03:35:27.040> also<03:35:27.200> think<03:35:27.439> of<03:35:27.600> it<03:35:27.760> as<03:35:28.000> a

notes and you can also think of it as a

notes and you can also think of it as a
um

um

um
two<03:35:30.399> augmented<03:35:30.880> chords<03:35:31.200> that<03:35:31.279> are<03:35:31.439> a<03:35:31.520> whole

two augmented chords that are a whole

two augmented chords that are a whole
step<03:35:32.000> apart<03:35:32.720> and<03:35:32.960> again<03:35:33.359> because<03:35:33.680> it's<03:35:33.840> a

step apart and again because it's a

step apart and again because it's a
symmetrical<03:35:34.560> scale<03:35:35.439> uh<03:35:35.680> alan<03:35:36.080> exploits<03:35:36.640> all

symmetrical scale uh alan exploits all

symmetrical scale uh alan exploits all
the<03:35:37.040> symmetry<03:35:37.520> to<03:35:37.680> its<03:35:37.920> fullest<03:35:38.319> as<03:35:38.479> we'll<03:35:38.640> see

the symmetry to its fullest as we'll see

the symmetry to its fullest as we'll see
in<03:35:38.880> some<03:35:39.040> of<03:35:39.120> these<03:35:39.359> lines

my

my
[Music]

[Music]

[Music]
my

finally the only other scale that you

finally the only other scale that you
can<03:36:41.359> find<03:36:41.760> within<03:36:42.160> the<03:36:42.319> third<03:36:42.560> messeon<03:36:43.120> mode

can find within the third messeon mode

can find within the third messeon mode
is<03:36:44.399> the<03:36:44.640> augmented<03:36:45.200> scale<03:36:45.920> and<03:36:46.080> it's

is the augmented scale and it's

is the augmented scale and it's
different<03:36:46.640> from<03:36:46.800> the<03:36:46.880> whole<03:36:47.120> tone<03:36:47.439> scale

different from the whole tone scale

different from the whole tone scale
because

because

because
you<03:36:48.560> can<03:36:48.720> think<03:36:48.960> of<03:36:49.120> it<03:36:49.279> as<03:36:50.080> two<03:36:50.399> augmented

you can think of it as two augmented

you can think of it as two augmented
triads<03:36:51.680> that<03:36:51.840> are<03:36:52.000> a<03:36:52.080> half<03:36:52.319> step<03:36:52.640> apart<03:36:53.439> and

triads that are a half step apart and

triads that are a half step apart and
that<03:36:54.319> idea<03:36:54.800> repeats<03:36:55.359> in<03:36:55.600> major<03:36:56.000> thirds<03:36:56.560> and

that idea repeats in major thirds and

that idea repeats in major thirds and
it's<03:36:56.960> really<03:36:57.200> this<03:36:57.439> phrygian<03:36:58.080> that<03:36:58.319> phrygian

it's really this phrygian that phrygian

it's really this phrygian that phrygian
dominant<03:36:59.200> fingering<03:36:59.520> that<03:36:59.680> i<03:36:59.760> was<03:36:59.920> talking

dominant fingering that i was talking

dominant fingering that i was talking
about<03:37:00.479> this<03:37:00.720> kind<03:37:00.880> of<03:37:01.040> thing

about this kind of thing

about this kind of thing
and<03:37:02.800> then<03:37:02.960> that<03:37:03.120> repeats<03:37:03.520> in<03:37:03.600> major<03:37:04.000> thirds

and the only place that i saw allen use

and the only place that i saw allen use
the<03:37:12.160> augmented<03:37:12.720> scale<03:37:13.040> is<03:37:13.120> in<03:37:13.279> that<03:37:13.439> famous

the augmented scale is in that famous

the augmented scale is in that famous
section<03:37:14.239> of<03:37:14.399> devil<03:37:14.720> take<03:37:14.880> the<03:37:15.040> hidemost<03:37:16.080> again

section of devil take the hidemost again

section of devil take the hidemost again
intent<03:37:17.359> is<03:37:17.520> impossible<03:37:18.000> to<03:37:18.160> know<03:37:18.720> was<03:37:18.960> he

intent is impossible to know was he

intent is impossible to know was he
thinking<03:37:19.600> of<03:37:19.680> the<03:37:19.840> augmented<03:37:20.319> scale<03:37:20.640> was<03:37:20.800> he

thinking of the augmented scale was he

thinking of the augmented scale was he
thinking<03:37:21.279> of<03:37:21.359> the<03:37:21.439> messian<03:37:22.000> mode<03:37:22.239> just<03:37:22.399> with

thinking of the messian mode just with

thinking of the messian mode just with
that<03:37:22.720> finger<03:37:23.040> pattern<03:37:23.359> there<03:37:24.000> uh<03:37:24.319> was<03:37:24.560> he<03:37:24.640> just

that finger pattern there uh was he just

that finger pattern there uh was he just
thinking<03:37:25.120> of<03:37:25.200> that<03:37:25.359> finger<03:37:25.680> pattern<03:37:26.080> in<03:37:26.160> major

thinking of that finger pattern in major

thinking of that finger pattern in major
thirds<03:37:26.800> and<03:37:26.880> not<03:37:26.960> even<03:37:27.200> relating<03:37:27.600> it<03:37:27.680> to<03:37:27.760> that

thirds and not even relating it to that

thirds and not even relating it to that
scale<03:37:28.560> uh<03:37:28.880> we'll<03:37:29.040> never<03:37:29.359> know<03:37:30.000> but

scale uh we'll never know but

scale uh we'll never know but
once<03:37:31.120> again<03:37:31.520> because<03:37:31.760> it's<03:37:32.000> diatonic<03:37:32.640> to<03:37:32.880> this

once again because it's diatonic to this

once again because it's diatonic to this
mode<03:37:33.439> i<03:37:33.600> put<03:37:33.760> it<03:37:33.920> in<03:37:34.080> here<03:37:34.319> and<03:37:35.040> here's<03:37:35.279> the

mode i put it in here and here's the

mode i put it in here and here's the
example

example

example
[Music]

[Music]

[Music]
all<03:37:51.680> right<03:37:51.920> so<03:37:52.160> that's<03:37:52.399> all<03:37:52.640> i<03:37:52.800> found<03:37:52.960> for<03:37:53.120> the

all right so that's all i found for the

all right so that's all i found for the
messiah<03:37:53.680> mode<03:37:53.840> and<03:37:53.920> i'm<03:37:54.000> going<03:37:54.080> to<03:37:54.160> talk<03:37:54.319> about

messiah mode and i'm going to talk about

messiah mode and i'm going to talk about
it<03:37:54.720> more<03:37:54.880> in<03:37:54.960> the<03:37:55.040> next<03:37:55.359> section<03:37:56.080> which<03:37:56.399> is<03:37:56.560> the

it more in the next section which is the

it more in the next section which is the
outside<03:37:57.520> playing<03:37:58.000> part<03:37:58.560> uh<03:37:58.880> how<03:37:59.120> i<03:37:59.279> think

outside playing part uh how i think

outside playing part uh how i think
allen<03:37:59.840> actually<03:38:00.239> really<03:38:00.560> is<03:38:00.720> using<03:38:01.359> this

allen actually really is using this

allen actually really is using this
scale

scale

scale
as<03:38:02.720> well<03:38:02.880> as<03:38:03.040> some<03:38:03.200> of<03:38:03.279> the<03:38:03.439> other<03:38:03.760> things<03:38:04.399> that

as well as some of the other things that

as well as some of the other things that
he<03:38:04.800> employs<03:38:05.200> for<03:38:05.359> outside<03:38:05.760> playing

so here's one of the most interesting

so here's one of the most interesting
and<03:38:13.359> exciting<03:38:13.760> parts<03:38:14.000> of<03:38:14.160> allen's<03:38:14.479> playing

and exciting parts of allen's playing

and exciting parts of allen's playing
his<03:38:15.200> ability<03:38:15.520> to<03:38:15.680> play<03:38:15.920> outside<03:38:16.720> and<03:38:16.800> that

his ability to play outside and that

his ability to play outside and that
basically<03:38:17.359> means<03:38:17.760> playing<03:38:18.000> notes<03:38:18.319> that

basically means playing notes that

basically means playing notes that
really<03:38:18.720> aren't<03:38:18.960> in<03:38:19.120> a<03:38:19.200> key<03:38:19.439> but<03:38:19.600> before

really aren't in a key but before

really aren't in a key but before
showing<03:38:20.319> you<03:38:20.479> some<03:38:20.640> more<03:38:20.800> of<03:38:20.880> the<03:38:21.120> uh<03:38:21.520> cool

showing you some more of the uh cool

showing you some more of the uh cool
lines<03:38:22.239> and<03:38:22.560> phrases<03:38:22.960> i<03:38:23.040> wanted<03:38:23.279> to<03:38:23.359> talk<03:38:23.600> about

lines and phrases i wanted to talk about

lines and phrases i wanted to talk about
this<03:38:23.920> a<03:38:24.000> little<03:38:24.160> bit<03:38:24.239> more<03:38:24.479> because<03:38:25.200> it<03:38:25.359> was

this a little bit more because it was

this a little bit more because it was
with<03:38:25.760> trying<03:38:25.920> to<03:38:26.080> transcribing<03:38:26.640> these<03:38:26.800> lines

with trying to transcribing these lines

with trying to transcribing these lines
that<03:38:27.199> actually<03:38:28.000> helped<03:38:28.720> and<03:38:28.960> made<03:38:29.120> me<03:38:29.279> feel

that actually helped and made me feel

that actually helped and made me feel
more<03:38:29.680> confident<03:38:30.080> on<03:38:30.239> my<03:38:30.319> own<03:38:30.560> play<03:38:31.279> my<03:38:31.439> opinion

more confident on my own play my opinion

more confident on my own play my opinion
is<03:38:31.920> when<03:38:32.160> alan's<03:38:32.479> playing<03:38:32.800> outside<03:38:33.279> he's<03:38:33.439> kind

is when alan's playing outside he's kind

is when alan's playing outside he's kind
of<03:38:33.840> playing

of playing

of playing
physical<03:38:35.199> hand<03:38:35.520> shapes<03:38:35.840> and<03:38:35.920> almost<03:38:36.239> random

physical hand shapes and almost random

physical hand shapes and almost random
notes<03:38:36.880> to<03:38:37.040> create<03:38:37.520> tension<03:38:38.399> only<03:38:38.720> for<03:38:38.800> it<03:38:38.960> to

notes to create tension only for it to

notes to create tension only for it to
be<03:38:39.199> resolved<03:38:39.760> afterwards<03:38:40.640> once<03:38:40.880> again<03:38:41.120> like<03:38:41.279> i

be resolved afterwards once again like i

be resolved afterwards once again like i
said<03:38:41.520> sort<03:38:41.680> of<03:38:41.840> thinking<03:38:42.239> in<03:38:42.399> general<03:38:42.960> terms

said sort of thinking in general terms

said sort of thinking in general terms
and<03:38:44.000> i<03:38:44.239> understand<03:38:44.720> how<03:38:44.960> sort<03:38:45.120> of<03:38:45.279> crazy<03:38:45.680> and

and i understand how sort of crazy and

and i understand how sort of crazy and
ridiculous<03:38:46.319> that<03:38:46.560> sounds<03:38:47.199> but<03:38:47.359> i<03:38:47.439> think<03:38:47.600> with

ridiculous that sounds but i think with

ridiculous that sounds but i think with
some<03:38:48.000> of<03:38:48.080> these<03:38:48.239> patterns<03:38:48.560> that<03:38:48.640> i'm<03:38:48.720> going<03:38:48.880> to

some of these patterns that i'm going to

some of these patterns that i'm going to
show<03:38:49.120> you<03:38:49.279> you<03:38:49.520> might<03:38:49.920> end<03:38:50.160> up<03:38:50.640> possibly

show you you might end up possibly

show you you might end up possibly
believing<03:38:51.439> what<03:38:51.600> i<03:38:51.680> have<03:38:51.840> to<03:38:52.000> say<03:38:52.479> i<03:38:52.640> feel<03:38:52.880> that

believing what i have to say i feel that

believing what i have to say i feel that
thinking<03:38:53.439> in<03:38:53.520> broader<03:38:53.920> terms<03:38:54.239> makes<03:38:54.560> it<03:38:54.720> much

thinking in broader terms makes it much

thinking in broader terms makes it much
easier<03:38:55.600> for<03:38:55.760> you<03:38:55.840> to<03:38:56.000> use<03:38:56.239> in<03:38:56.319> your<03:38:56.479> own<03:38:56.720> play

easier for you to use in your own play

easier for you to use in your own play
remember<03:38:57.760> when<03:38:57.920> i<03:38:58.080> said<03:38:58.319> my<03:38:58.479> friend<03:38:58.800> dave<03:38:59.120> said

remember when i said my friend dave said

remember when i said my friend dave said
i<03:38:59.439> was<03:38:59.520> thinking<03:38:59.840> too<03:39:00.000> much<03:39:00.399> well<03:39:00.560> this<03:39:00.640> is

i was thinking too much well this is

i was thinking too much well this is
what<03:39:00.880> he<03:39:00.960> was<03:39:01.120> talking<03:39:01.520> about

what he was talking about

what he was talking about
and<03:39:02.800> what<03:39:02.960> i've<03:39:03.120> come<03:39:03.279> to<03:39:03.439> realize<03:39:04.160> at<03:39:04.239> least

and what i've come to realize at least

and what i've come to realize at least
for<03:39:04.640> me<03:39:04.960> is<03:39:05.120> that<03:39:05.760> the<03:39:06.000> notes<03:39:06.239> you<03:39:06.399> play<03:39:06.960> are

for me is that the notes you play are

for me is that the notes you play are
not<03:39:07.520> as<03:39:07.840> important<03:39:08.319> as<03:39:08.560> when<03:39:08.800> you<03:39:08.960> play<03:39:09.279> them

not as important as when you play them

not as important as when you play them
this<03:39:09.920> is<03:39:10.080> why<03:39:10.319> intent<03:39:10.720> is<03:39:10.880> so<03:39:11.120> difficult<03:39:11.760> to

this is why intent is so difficult to

this is why intent is so difficult to
define<03:39:13.199> maybe<03:39:13.600> alan<03:39:13.920> was<03:39:14.160> thinking<03:39:14.479> of<03:39:14.560> all

define maybe alan was thinking of all

define maybe alan was thinking of all
these<03:39:14.880> different<03:39:15.199> scales<03:39:15.600> and<03:39:15.760> all<03:39:15.840> these<03:39:16.080> and

these different scales and all these and

these different scales and all these and
just<03:39:16.399> using<03:39:16.640> these<03:39:16.880> patterns<03:39:17.279> freely

just using these patterns freely

just using these patterns freely
we'll<03:39:18.399> never<03:39:18.720> know<03:39:19.279> but<03:39:19.680> truthfully<03:39:20.239> who

we'll never know but truthfully who

we'll never know but truthfully who
really<03:39:20.720> cares<03:39:21.120> the<03:39:21.279> real<03:39:21.439> important<03:39:21.840> thing<03:39:22.080> is

really cares the real important thing is

really cares the real important thing is
getting<03:39:22.479> to<03:39:22.720> where<03:39:22.880> you<03:39:23.040> want<03:39:23.199> to<03:39:23.359> get<03:39:23.600> to<03:39:24.160> with

getting to where you want to get to with

getting to where you want to get to with
being<03:39:24.640> able<03:39:24.880> to<03:39:25.040> use<03:39:25.279> these<03:39:25.520> ideas<03:39:26.000> and<03:39:26.399> feel

being able to use these ideas and feel

being able to use these ideas and feel
that<03:39:26.720> you're<03:39:27.439> comfortable<03:39:28.000> doing<03:39:28.319> them<03:39:28.960> i<03:39:29.199> did

that you're comfortable doing them i did

that you're comfortable doing them i did
find<03:39:29.840> this<03:39:30.160> quote<03:39:30.479> from<03:39:30.720> neville<03:39:31.040> martin<03:39:31.439> that

find this quote from neville martin that

find this quote from neville martin that
was<03:39:32.080> published<03:39:32.560> after<03:39:32.800> allen<03:39:33.120> had<03:39:33.359> passed

was published after allen had passed

was published after allen had passed
that<03:39:34.160> i<03:39:34.239> found<03:39:34.560> very<03:39:34.880> interesting<03:39:35.680> uh<03:39:35.840> neville

that i found very interesting uh neville

that i found very interesting uh neville
martin<03:39:36.960> uh<03:39:37.279> was<03:39:37.439> the<03:39:37.600> guy<03:39:37.760> that's<03:39:38.000> in<03:39:38.080> the

martin uh was the guy that's in the

martin uh was the guy that's in the
synthax<03:39:38.720> demo<03:39:39.359> and<03:39:39.439> he<03:39:39.600> also<03:39:39.920> is<03:39:40.000> a<03:39:40.080> writer<03:39:40.399> and

synthax demo and he also is a writer and

synthax demo and he also is a writer and
editor<03:39:40.800> for<03:39:41.359> various<03:39:41.680> guitar<03:39:42.080> magazines<03:39:43.040> in

editor for various guitar magazines in

editor for various guitar magazines in
the<03:39:43.359> quote<03:39:43.600> he<03:39:43.840> says<03:39:44.239> our<03:39:44.479> conversation<03:39:45.279> then

the quote he says our conversation then

the quote he says our conversation then
turned<03:39:45.760> to<03:39:46.000> music<03:39:46.720> i<03:39:46.960> asked<03:39:47.279> him<03:39:47.359> how<03:39:47.520> it<03:39:47.600> was

turned to music i asked him how it was

turned to music i asked him how it was
that<03:39:48.080> he<03:39:48.319> can<03:39:48.479> make<03:39:48.800> any<03:39:49.120> note<03:39:49.279> from<03:39:49.439> the

that he can make any note from the

that he can make any note from the
chromatic<03:39:50.080> scale<03:39:50.399> sound<03:39:50.720> right<03:39:51.120> whereas<03:39:51.520> if<03:39:51.680> i

chromatic scale sound right whereas if i

chromatic scale sound right whereas if i
were<03:39:52.080> to<03:39:52.239> play<03:39:52.399> the<03:39:52.560> same<03:39:52.880> thing<03:39:53.439> it<03:39:53.600> would<03:39:53.760> be

were to play the same thing it would be

were to play the same thing it would be
seen<03:39:54.239> as<03:39:54.479> wrong

seen as wrong

seen as wrong
he<03:39:55.439> told<03:39:55.680> me<03:39:55.840> was<03:39:56.000> all<03:39:56.239> about<03:39:56.560> conviction<03:39:57.120> and

he told me was all about conviction and

he told me was all about conviction and
went<03:39:57.520> on<03:39:57.760> to<03:39:57.920> give<03:39:58.160> a<03:39:58.319> rare<03:39:58.640> insight<03:39:59.120> into<03:39:59.359> the

went on to give a rare insight into the

went on to give a rare insight into the
working<03:39:59.920> of<03:40:00.000> his<03:40:00.160> musical<03:40:00.640> mind

working of his musical mind

working of his musical mind
he<03:40:01.920> said<03:40:02.239> if<03:40:02.319> we<03:40:02.479> took<03:40:02.720> the<03:40:02.880> c<03:40:03.120> major<03:40:03.520> scale

he said if we took the c major scale

he said if we took the c major scale
every<03:40:04.640> note<03:40:04.880> could<03:40:05.040> be<03:40:05.199> the<03:40:05.439> starting<03:40:05.840> point

every note could be the starting point

every note could be the starting point
of<03:40:06.319> another<03:40:06.720> scale<03:40:07.439> although<03:40:07.920> not<03:40:08.239> once<03:40:08.560> did

of another scale although not once did

of another scale although not once did
he<03:40:08.880> mention<03:40:09.199> the<03:40:09.359> word<03:40:09.680> mode<03:40:10.479> and<03:40:10.640> that<03:40:10.960> every

he mention the word mode and that every

he mention the word mode and that every
note<03:40:11.600> in<03:40:11.760> those<03:40:12.000> scales<03:40:12.720> can<03:40:12.960> be<03:40:13.120> yet<03:40:13.359> another

note in those scales can be yet another

note in those scales can be yet another
starting<03:40:14.160> place<03:40:14.960> in<03:40:15.120> that<03:40:15.359> way<03:40:15.600> he<03:40:15.840> insisted

starting place in that way he insisted

starting place in that way he insisted
every<03:40:17.199> note<03:40:17.439> in<03:40:17.520> the<03:40:17.760> chromatic<03:40:18.239> scale<03:40:18.800> would

every note in the chromatic scale would

every note in the chromatic scale would
somehow<03:40:19.520> be<03:40:19.680> related<03:40:20.080> to<03:40:20.239> c<03:40:20.560> major<03:40:21.359> the<03:40:21.520> rest

somehow be related to c major the rest

somehow be related to c major the rest
is<03:40:22.000> down<03:40:22.239> to<03:40:22.399> the<03:40:22.479> conviction<03:40:23.040> of<03:40:23.120> the<03:40:23.359> player

is down to the conviction of the player

is down to the conviction of the player
concerned

concerned

concerned
i<03:40:24.960> feel<03:40:25.279> this<03:40:25.520> is<03:40:25.600> spot<03:40:26.000> on<03:40:26.640> i<03:40:26.800> think<03:40:27.040> what<03:40:27.199> alan

i feel this is spot on i think what alan

i feel this is spot on i think what alan
was<03:40:27.760> trying<03:40:28.000> to<03:40:28.160> say<03:40:28.399> is<03:40:28.479> that<03:40:28.720> if<03:40:28.800> you're

was trying to say is that if you're

was trying to say is that if you're
trying<03:40:29.279> to<03:40:29.439> employ<03:40:29.840> these<03:40:30.080> ideas<03:40:30.560> you<03:40:30.720> have<03:40:30.880> to

trying to employ these ideas you have to

trying to employ these ideas you have to
use<03:40:31.199> them<03:40:31.439> confidently<03:40:32.399> which<03:40:32.640> is<03:40:32.720> why<03:40:32.960> i

use them confidently which is why i

use them confidently which is why i
think<03:40:33.359> thinking<03:40:33.680> in<03:40:33.840> broader<03:40:34.319> terms<03:40:34.880> really

think thinking in broader terms really

think thinking in broader terms really
helps<03:40:35.920> because<03:40:36.720> you're<03:40:37.040> thinking<03:40:37.600> not<03:40:37.920> so

helps because you're thinking not so

helps because you're thinking not so
much<03:40:38.319> about<03:40:38.560> the<03:40:38.720> notes<03:40:39.120> but<03:40:39.279> just

much about the notes but just

much about the notes but just
sort<03:40:40.239> of<03:40:40.399> creating<03:40:40.880> chaos<03:40:41.439> and<03:40:41.680> tension

sort of creating chaos and tension

sort of creating chaos and tension
because<03:40:42.399> you<03:40:42.560> know<03:40:42.720> where<03:40:42.880> you're<03:40:43.040> going<03:40:43.120> to

because you know where you're going to

because you know where you're going to
resolve<03:40:43.600> it<03:40:43.760> afterwards

resolve it afterwards

resolve it afterwards
this<03:40:45.199> also<03:40:45.680> i<03:40:45.840> believe<03:40:46.160> supports<03:40:46.720> my<03:40:47.120> idea

this also i believe supports my idea

this also i believe supports my idea
that<03:40:47.680> alan<03:40:48.000> thinks<03:40:48.319> of<03:40:48.479> every<03:40:48.800> note<03:40:49.040> with

that alan thinks of every note with

that alan thinks of every note with
equal<03:40:49.920> value<03:40:50.640> that<03:40:50.880> basically<03:40:51.840> any<03:40:52.399> note<03:40:52.640> can

equal value that basically any note can

equal value that basically any note can
work<03:40:53.120> over<03:40:53.439> any<03:40:53.680> chord<03:40:54.000> it's<03:40:54.080> just<03:40:54.239> how<03:40:54.479> you

work over any chord it's just how you

work over any chord it's just how you
use<03:40:54.880> it<03:40:55.279> or<03:40:55.680> uh<03:40:56.080> more<03:40:56.319> simply<03:40:56.720> playing<03:40:57.120> more

use it or uh more simply playing more

use it or uh more simply playing more
consonant<03:40:58.080> sounding<03:40:58.399> notes<03:40:58.640> and<03:40:58.800> being<03:40:58.960> able

consonant sounding notes and being able

consonant sounding notes and being able
to<03:40:59.359> pepper<03:40:59.680> in<03:40:59.840> some<03:41:00.000> of<03:41:00.080> the<03:41:00.160> more<03:41:00.399> dissonant

to pepper in some of the more dissonant

to pepper in some of the more dissonant
ones<03:41:01.439> with<03:41:01.600> this<03:41:01.840> in<03:41:02.000> mind<03:41:02.399> i<03:41:02.640> think<03:41:02.800> this<03:41:03.040> is

ones with this in mind i think this is

ones with this in mind i think this is
much<03:41:03.439> easier<03:41:03.920> to<03:41:04.160> understand<03:41:04.640> how<03:41:04.880> alan's

much easier to understand how alan's

much easier to understand how alan's
playing<03:41:05.600> outside<03:41:06.640> because<03:41:07.040> he's<03:41:07.279> just

playing outside because he's just

playing outside because he's just
creating<03:41:08.000> a<03:41:08.080> bunch<03:41:08.319> of<03:41:08.399> tension<03:41:08.720> that<03:41:08.880> he's

creating a bunch of tension that he's

creating a bunch of tension that he's
going<03:41:09.359> to<03:41:09.520> resolve<03:41:10.000> afterwards<03:41:11.040> i<03:41:11.199> gotta

going to resolve afterwards i gotta

going to resolve afterwards i gotta
reiterate<03:41:11.920> again<03:41:12.239> though<03:41:12.479> that<03:41:12.800> intent<03:41:13.279> is

reiterate again though that intent is

reiterate again though that intent is
impossible<03:41:13.920> to<03:41:14.080> figure<03:41:14.479> out<03:41:14.640> this<03:41:14.880> is<03:41:15.040> just<03:41:15.279> my

impossible to figure out this is just my

impossible to figure out this is just my
opinion<03:41:16.239> so<03:41:16.479> where<03:41:16.640> would<03:41:16.880> you<03:41:17.199> employ<03:41:17.600> this

opinion so where would you employ this

opinion so where would you employ this
kind<03:41:17.920> of<03:41:18.080> tension<03:41:18.399> or<03:41:18.479> where<03:41:18.640> would<03:41:18.800> you<03:41:18.960> use

kind of tension or where would you use

kind of tension or where would you use
it<03:41:19.840> uh<03:41:20.160> in<03:41:20.319> transcribing<03:41:21.199> uh<03:41:21.439> allen's

it uh in transcribing uh allen's

it uh in transcribing uh allen's
tunes<03:41:22.880> and<03:41:22.960> his<03:41:23.120> chord<03:41:23.359> progressions

tunes and his chord progressions

tunes and his chord progressions
including<03:41:24.160> the<03:41:24.319> solo<03:41:24.640> harmony<03:41:25.040> or<03:41:25.120> the<03:41:25.199> chords

including the solo harmony or the chords

including the solo harmony or the chords
under<03:41:25.840> the<03:41:26.000> solo<03:41:26.720> i<03:41:26.880> started<03:41:27.120> to<03:41:27.279> find

under the solo i started to find

under the solo i started to find
patterns<03:41:28.239> where<03:41:28.960> these<03:41:29.279> lines<03:41:29.600> would<03:41:29.840> pop<03:41:30.160> up

patterns where these lines would pop up

patterns where these lines would pop up
more<03:41:30.479> often<03:41:30.800> than<03:41:31.040> others<03:41:31.600> there<03:41:31.760> are<03:41:31.840> really

more often than others there are really

more often than others there are really
three<03:41:32.640> main<03:41:32.960> types<03:41:33.359> of<03:41:33.520> things<03:41:33.760> that<03:41:33.920> alan

three main types of things that alan

three main types of things that alan
does<03:41:34.560> to<03:41:34.880> use<03:41:35.120> these<03:41:35.359> lines<03:41:36.239> and<03:41:36.479> i'll<03:41:36.880> go

does to use these lines and i'll go

does to use these lines and i'll go
through<03:41:37.279> them<03:41:37.439> and<03:41:37.520> show<03:41:37.680> you<03:41:37.840> lists<03:41:38.080> of<03:41:38.239> all

through them and show you lists of all

through them and show you lists of all
the<03:41:38.479> tunes<03:41:38.880> that<03:41:39.120> they<03:41:39.359> could<03:41:39.520> be<03:41:39.760> found<03:41:40.080> in

the tunes that they could be found in

the tunes that they could be found in
the<03:41:40.640> first<03:41:40.960> type<03:41:41.199> where<03:41:41.359> you<03:41:41.439> can<03:41:41.600> use<03:41:41.760> this

the first type where you can use this

the first type where you can use this
kind<03:41:42.160> of<03:41:42.640> outside<03:41:43.040> playing<03:41:43.680> is<03:41:43.840> the<03:41:44.000> simplest

kind of outside playing is the simplest

kind of outside playing is the simplest
is<03:41:44.640> where<03:41:44.800> there<03:41:44.960> is<03:41:45.120> no<03:41:45.279> harmony<03:41:46.160> tunes<03:41:46.560> like

is where there is no harmony tunes like

is where there is no harmony tunes like
um

um

um
all<03:41:48.080> our<03:41:48.239> yesterdays<03:41:48.960> or<03:41:49.120> the<03:41:49.279> drums<03:41:49.600> were

all our yesterdays or the drums were

all our yesterdays or the drums were
yellow<03:41:50.319> are<03:41:50.479> completely<03:41:50.880> improvised<03:41:51.439> and

yellow are completely improvised and

yellow are completely improvised and
there's<03:41:51.760> no<03:41:52.000> core<03:41:52.239> changes<03:41:52.640> to<03:41:52.800> match<03:41:53.040> so<03:41:53.199> you

there's no core changes to match so you

there's no core changes to match so you
can<03:41:53.439> use<03:41:53.680> as<03:41:53.840> many<03:41:54.080> of<03:41:54.080> these<03:41:54.319> kind<03:41:54.479> of<03:41:54.560> lines

can use as many of these kind of lines

can use as many of these kind of lines
as<03:41:55.040> you<03:41:55.120> want<03:41:55.600> other<03:41:55.920> tunes<03:41:56.239> like<03:41:56.479> secrets

as you want other tunes like secrets

as you want other tunes like secrets
have<03:41:57.199> smaller<03:41:57.680> sections<03:41:58.239> that

have smaller sections that

have smaller sections that
have<03:41:59.359> parts<03:41:59.600> where<03:41:59.760> there's<03:42:00.000> not<03:42:00.239> no<03:42:00.479> real

have parts where there's not no real

have parts where there's not no real
harmony<03:42:01.439> uh<03:42:01.680> and<03:42:01.840> again<03:42:02.080> you<03:42:02.239> can<03:42:02.399> see<03:42:02.560> the

harmony uh and again you can see the

harmony uh and again you can see the
list<03:42:02.960> that<03:42:03.120> i'm<03:42:03.279> generating<03:42:03.680> here<03:42:03.840> of<03:42:04.000> all

list that i'm generating here of all

list that i'm generating here of all
those<03:42:04.319> tunes<03:42:04.640> that<03:42:04.720> have<03:42:04.960> something<03:42:05.199> like

those tunes that have something like

those tunes that have something like
that<03:42:05.520> in<03:42:05.680> it<03:42:06.160> another<03:42:06.560> way<03:42:06.800> of<03:42:07.359> employing<03:42:07.680> this

that in it another way of employing this

that in it another way of employing this
tension<03:42:08.160> is<03:42:08.319> when<03:42:08.479> you<03:42:08.560> have<03:42:08.720> a<03:42:08.880> lot<03:42:09.120> of<03:42:09.359> fast

tension is when you have a lot of fast

tension is when you have a lot of fast
tensioning<03:42:10.479> chords<03:42:11.279> maybe<03:42:11.600> the<03:42:11.760> chords<03:42:12.160> have

tensioning chords maybe the chords have

tensioning chords maybe the chords have
some<03:42:12.640> sort<03:42:12.880> of<03:42:13.120> loose<03:42:13.840> uh<03:42:14.319> general

some sort of loose uh general

some sort of loose uh general
connection<03:42:16.160> to<03:42:16.319> some<03:42:16.560> sort<03:42:16.800> of<03:42:16.960> scale<03:42:17.439> or<03:42:17.680> key

connection to some sort of scale or key

connection to some sort of scale or key
but<03:42:19.040> if<03:42:19.199> the<03:42:19.439> chords<03:42:19.760> have<03:42:19.920> a<03:42:20.000> lot<03:42:20.160> of<03:42:20.239> tension

but if the chords have a lot of tension

but if the chords have a lot of tension
and<03:42:20.720> flying<03:42:21.120> by<03:42:21.760> you<03:42:21.920> can<03:42:22.160> almost<03:42:22.479> do<03:42:22.720> anything

and flying by you can almost do anything

and flying by you can almost do anything
and<03:42:23.600> i<03:42:23.760> think<03:42:23.920> the<03:42:24.080> best<03:42:24.399> example<03:42:24.720> of<03:42:24.800> this<03:42:25.040> is

and i think the best example of this is

and i think the best example of this is
funnels<03:42:26.080> where<03:42:26.560> uh<03:42:26.880> steve<03:42:27.279> hunt<03:42:27.760> asked<03:42:28.160> alan

funnels where uh steve hunt asked alan

funnels where uh steve hunt asked alan
about<03:42:28.960> what's<03:42:29.279> going<03:42:29.520> on<03:42:29.840> in<03:42:30.000> that<03:42:30.399> funnels

about what's going on in that funnels

about what's going on in that funnels
section<03:42:31.760> uh<03:42:32.319> and<03:42:32.560> alan<03:42:32.880> said<03:42:33.120> kind<03:42:33.359> of

section uh and alan said kind of

section uh and alan said kind of
diminished<03:42:34.479> and<03:42:34.960> there<03:42:35.279> it<03:42:35.600> does<03:42:35.760> have<03:42:35.920> a

diminished and there it does have a

diminished and there it does have a
loose<03:42:36.319> diminished<03:42:36.800> tonality<03:42:37.359> to<03:42:37.600> it<03:42:38.000> but

loose diminished tonality to it but

loose diminished tonality to it but
since<03:42:38.640> it's<03:42:38.880> there's<03:42:39.120> so<03:42:39.279> much<03:42:39.439> tension<03:42:39.840> going

since it's there's so much tension going

since it's there's so much tension going
on<03:42:40.319> you<03:42:40.479> could<03:42:40.640> basically<03:42:41.120> play<03:42:41.359> anything

on you could basically play anything

on you could basically play anything
because<03:42:41.840> you<03:42:42.000> know<03:42:42.160> that<03:42:42.239> it's

because you know that it's

because you know that it's
gonna<03:42:43.359> resolve<03:42:43.680> afterwards

gonna resolve afterwards

gonna resolve afterwards
there's<03:42:45.120> not<03:42:45.199> really<03:42:45.439> many<03:42:45.760> tunes<03:42:46.080> that<03:42:46.319> have

there's not really many tunes that have

there's not really many tunes that have
this<03:42:47.120> kind<03:42:47.359> of<03:42:47.680> uh<03:42:48.319> chord<03:42:48.560> progression<03:42:49.120> type

this kind of uh chord progression type

this kind of uh chord progression type
to<03:42:49.600> it<03:42:50.000> uh<03:42:50.399> of<03:42:50.479> course<03:42:50.720> you<03:42:50.880> can<03:42:50.960> see<03:42:51.120> the<03:42:51.279> list

to it uh of course you can see the list

to it uh of course you can see the list
here<03:42:51.760> of<03:42:51.920> the<03:42:52.000> ones<03:42:52.399> i<03:42:52.640> think<03:42:53.120> uh<03:42:53.439> you<03:42:53.520> could

here of the ones i think uh you could

here of the ones i think uh you could
find<03:42:54.000> them<03:42:54.160> in<03:42:54.640> finally<03:42:54.960> the<03:42:55.120> other<03:42:55.359> place<03:42:55.600> you

find them in finally the other place you

find them in finally the other place you
can<03:42:55.840> find<03:42:56.080> these<03:42:56.319> things<03:42:56.960> are<03:42:57.279> when<03:42:57.520> the<03:42:57.760> solo

can find these things are when the solo

can find these things are when the solo
has<03:42:58.239> a<03:42:58.399> very<03:42:58.720> loose<03:42:59.199> framework<03:42:59.600> for<03:42:59.840> tonality

has a very loose framework for tonality

has a very loose framework for tonality
uh<03:43:01.120> the<03:43:01.279> best<03:43:01.520> example<03:43:02.000> again<03:43:02.319> is<03:43:02.479> devil<03:43:02.800> take

uh the best example again is devil take

uh the best example again is devil take
the<03:43:03.120> hindmost<03:43:03.600> where<03:43:03.760> a<03:43:03.920> majority<03:43:04.640> of<03:43:05.040> what

the hindmost where a majority of what

the hindmost where a majority of what
alan<03:43:05.600> sullivan<03:43:06.080> is<03:43:06.239> over<03:43:06.800> a<03:43:06.960> very<03:43:07.279> basic<03:43:07.680> kind

alan sullivan is over a very basic kind

alan sullivan is over a very basic kind
of<03:43:08.000> g<03:43:08.319> minor<03:43:08.720> tonality<03:43:09.680> uh<03:43:09.920> and<03:43:10.000> then

of g minor tonality uh and then

of g minor tonality uh and then
eventually<03:43:10.640> when<03:43:10.800> he's<03:43:11.040> done<03:43:11.279> playing<03:43:11.600> he'll

eventually when he's done playing he'll

eventually when he's done playing he'll
cue<03:43:12.080> the<03:43:12.239> band<03:43:12.880> to<03:43:13.040> play<03:43:13.359> the<03:43:13.520> changes<03:43:13.840> that<03:43:13.920> he

cue the band to play the changes that he

cue the band to play the changes that he
has<03:43:14.239> to<03:43:14.399> make<03:43:14.720> and<03:43:14.800> then<03:43:15.040> goes<03:43:15.279> back<03:43:15.520> to<03:43:16.160> uh

has to make and then goes back to uh

has to make and then goes back to uh
improvising<03:43:17.279> pretty<03:43:17.600> freely<03:43:17.920> over<03:43:18.160> this<03:43:18.399> kind

improvising pretty freely over this kind

improvising pretty freely over this kind
of<03:43:19.120> a<03:43:19.359> simple<03:43:19.760> tonality<03:43:20.640> and<03:43:20.720> here<03:43:20.960> are<03:43:21.040> a<03:43:21.120> list

of a simple tonality and here are a list

of a simple tonality and here are a list
of<03:43:21.520> tunes<03:43:21.840> where<03:43:22.080> i<03:43:22.239> feel<03:43:22.479> there's<03:43:22.640> some<03:43:22.960> sort

of tunes where i feel there's some sort

of tunes where i feel there's some sort
of

of

of
section<03:43:24.239> that<03:43:24.479> has<03:43:24.800> a<03:43:25.199> a<03:43:25.600> very<03:43:25.840> loose

section that has a a very loose

section that has a a very loose
framework<03:43:26.560> for<03:43:26.800> tonality<03:43:27.359> that<03:43:27.520> allows<03:43:27.920> you

framework for tonality that allows you

framework for tonality that allows you
to

to

to
be<03:43:29.040> able<03:43:29.279> to<03:43:29.439> improvise<03:43:29.920> very<03:43:30.319> freely<03:43:30.800> over<03:43:31.040> it

be able to improvise very freely over it

be able to improvise very freely over it
now<03:43:33.199> not<03:43:33.439> all<03:43:33.600> of<03:43:33.760> them<03:43:33.920> have<03:43:34.080> to<03:43:34.160> be<03:43:34.399> major<03:43:34.800> or

now not all of them have to be major or

now not all of them have to be major or
minor<03:43:35.359> and<03:43:35.439> you<03:43:35.600> can<03:43:35.680> see<03:43:35.840> that<03:43:35.920> i'm<03:43:36.080> using

minor and you can see that i'm using

minor and you can see that i'm using
alan's<03:43:37.199> symbols<03:43:37.680> here<03:43:38.239> uh<03:43:38.880> the<03:43:39.359> the<03:43:39.520> most

alan's symbols here uh the the most

alan's symbols here uh the the most
famous<03:43:40.080> one<03:43:40.319> is<03:43:40.479> letters<03:43:40.800> of<03:43:40.960> mark<03:43:41.199> where<03:43:41.359> it

famous one is letters of mark where it

famous one is letters of mark where it
has<03:43:41.760> that<03:43:42.080> eight<03:43:42.399> measures<03:43:42.880> of<03:43:43.439> harmonic

has that eight measures of harmonic

has that eight measures of harmonic
major<03:43:44.720> where<03:43:45.040> you<03:43:45.279> can<03:43:45.520> play<03:43:45.840> harmonic<03:43:46.399> major

major where you can play harmonic major

major where you can play harmonic major
over<03:43:47.120> it<03:43:47.520> or<03:43:47.920> you<03:43:48.080> can<03:43:48.319> just<03:43:48.800> use<03:43:49.120> these

over it or you can just use these

over it or you can just use these
outside<03:43:50.000> lines<03:43:50.319> to<03:43:50.399> create<03:43:50.720> tension<03:43:51.040> because

outside lines to create tension because

outside lines to create tension because
again<03:43:51.520> you<03:43:51.600> know<03:43:51.760> where<03:43:51.920> you're<03:43:52.000> going<03:43:52.080> to

again you know where you're going to

again you know where you're going to
resolve<03:43:52.479> it<03:43:52.560> to<03:43:52.800> afterwards<03:43:53.840> now<03:43:54.000> this

resolve it to afterwards now this

resolve it to afterwards now this
doesn't<03:43:54.479> mean<03:43:54.640> these<03:43:54.800> are<03:43:54.960> the<03:43:55.120> only<03:43:55.439> places

doesn't mean these are the only places

doesn't mean these are the only places
that<03:43:56.000> you<03:43:56.080> can<03:43:56.239> play<03:43:56.479> like<03:43:56.640> that<03:43:57.120> sometimes

that you can play like that sometimes

that you can play like that sometimes
you<03:43:57.760> can<03:43:57.920> play<03:43:58.080> with<03:43:58.239> some<03:43:58.479> chromaticism<03:43:59.279> of

you can play with some chromaticism of

you can play with some chromaticism of
record<03:44:00.239> or<03:44:00.399> maybe<03:44:00.720> if<03:44:00.800> you're<03:44:01.040> transitioning

record or maybe if you're transitioning

record or maybe if you're transitioning
to<03:44:01.840> one<03:44:02.080> scale<03:44:02.399> to<03:44:02.560> the<03:44:02.720> next<03:44:03.279> so<03:44:03.680> instead<03:44:03.920> of

to one scale to the next so instead of

to one scale to the next so instead of
just<03:44:04.399> starting<03:44:04.720> it<03:44:04.880> on<03:44:05.040> a<03:44:05.199> dime<03:44:05.520> so<03:44:05.920> let's<03:44:06.160> say

just starting it on a dime so let's say

just starting it on a dime so let's say
for<03:44:06.479> example<03:44:07.439> uh<03:44:07.840> you're<03:44:08.080> playing<03:44:08.560> in

for example uh you're playing in

for example uh you're playing in
a<03:44:09.520> dorian<03:44:10.479> and<03:44:10.640> then<03:44:11.199> the<03:44:11.359> next<03:44:11.680> scale<03:44:12.000> that

a dorian and then the next scale that

a dorian and then the next scale that
you<03:44:12.239> want<03:44:12.399> to<03:44:12.560> play<03:44:12.800> is<03:44:13.040> c<03:44:13.279> dorian<03:44:13.920> well<03:44:14.160> you

you want to play is c dorian well you

you want to play is c dorian well you
can<03:44:14.479> kind<03:44:14.720> of<03:44:14.800> just<03:44:14.960> play<03:44:15.359> diatonically<03:44:16.080> to<03:44:16.160> a

can kind of just play diatonically to a

can kind of just play diatonically to a
dorian<03:44:16.880> and<03:44:16.960> then<03:44:17.120> right<03:44:17.359> before<03:44:17.600> you<03:44:17.760> do<03:44:17.920> the

dorian and then right before you do the

dorian and then right before you do the
change<03:44:18.399> you<03:44:18.560> can<03:44:18.720> sort<03:44:18.880> of<03:44:19.040> play<03:44:19.359> outside<03:44:19.920> or

change you can sort of play outside or

change you can sort of play outside or
create<03:44:20.319> some<03:44:20.560> tension<03:44:21.040> and<03:44:21.199> then<03:44:21.760> sort<03:44:22.000> of

create some tension and then sort of

create some tension and then sort of
stumble<03:44:22.479> within<03:44:22.960> c<03:44:23.199> dorian<03:44:24.000> and<03:44:24.239> then<03:44:24.399> make

stumble within c dorian and then make

stumble within c dorian and then make
the<03:44:24.720> change<03:44:25.040> that<03:44:25.279> way<03:44:25.840> and<03:44:26.000> i<03:44:26.160> believe<03:44:26.640> that

the change that way and i believe that

the change that way and i believe that
is<03:44:27.040> how<03:44:27.279> allen's<03:44:27.680> using<03:44:27.920> the<03:44:28.000> messian<03:44:28.560> mode

is how allen's using the messian mode

is how allen's using the messian mode
he's<03:44:28.960> not<03:44:29.199> using<03:44:29.520> it<03:44:29.600> sort<03:44:29.840> of<03:44:30.000> diatonically

he's not using it sort of diatonically

he's not using it sort of diatonically
he's<03:44:31.120> using<03:44:31.520> it<03:44:32.000> as<03:44:32.239> a<03:44:32.319> way<03:44:32.560> to<03:44:32.720> kind<03:44:32.880> of<03:44:33.199> pivot

he's using it as a way to kind of pivot

he's using it as a way to kind of pivot
from<03:44:33.920> one<03:44:34.160> scale<03:44:35.040> or<03:44:35.279> one<03:44:35.600> position<03:44:36.479> of<03:44:36.800> that

from one scale or one position of that

from one scale or one position of that
key<03:44:37.520> that<03:44:37.680> he's<03:44:37.920> in<03:44:38.080> to<03:44:38.239> another<03:44:39.040> so<03:44:39.199> from<03:44:39.359> this

key that he's in to another so from this

key that he's in to another so from this
point<03:44:39.840> on<03:44:40.000> i<03:44:40.080> can't<03:44:40.319> give<03:44:40.960> any<03:44:41.120> more<03:44:41.359> scale

point on i can't give any more scale

point on i can't give any more scale
diagrams<03:44:42.239> because<03:44:42.399> they're<03:44:42.479> mostly<03:44:42.800> going<03:44:42.960> to

diagrams because they're mostly going to

diagrams because they're mostly going to
be<03:44:43.439> finger<03:44:43.840> patterns<03:44:44.560> and<03:44:44.800> sometimes<03:44:45.279> they're

be finger patterns and sometimes they're

be finger patterns and sometimes they're
very<03:44:45.760> small<03:44:46.080> finger<03:44:46.399> patterns<03:44:47.120> but<03:44:47.279> you'll

very small finger patterns but you'll

very small finger patterns but you'll
see<03:44:47.840> as<03:44:48.560> the<03:44:48.720> line<03:44:49.040> go<03:44:49.439> the<03:44:49.760> the<03:44:49.920> list<03:44:50.160> of<03:44:50.239> these

see as the line go the the list of these

see as the line go the the list of these
patterns<03:44:50.800> go<03:44:51.040> on<03:44:51.199> you'll<03:44:51.359> start<03:44:51.520> to<03:44:51.680> see<03:44:51.920> the

patterns go on you'll start to see the

patterns go on you'll start to see the
combinations<03:44:52.960> of<03:44:53.120> these<03:44:53.279> finger<03:44:53.600> patterns

combinations of these finger patterns

combinations of these finger patterns
sort<03:44:54.000> of<03:44:54.160> be<03:44:54.319> put<03:44:54.560> together<03:44:54.960> into

sort of be put together into

sort of be put together into
larger<03:44:56.479> lines<03:44:57.120> the<03:44:57.359> first<03:44:57.760> idea<03:44:58.080> that<03:44:58.160> i<03:44:58.319> want

larger lines the first idea that i want

larger lines the first idea that i want
to<03:44:58.479> talk<03:44:58.640> about<03:44:58.880> is<03:44:58.960> something<03:44:59.199> that<03:44:59.279> i<03:44:59.439> call

to talk about is something that i call

to talk about is something that i call
staircase<03:45:00.319> pattern<03:45:00.880> and<03:45:01.120> again<03:45:01.840> i<03:45:02.239> was<03:45:02.479> first

staircase pattern and again i was first

staircase pattern and again i was first
introduced<03:45:03.199> to<03:45:03.359> this<03:45:03.600> idea<03:45:04.080> from<03:45:04.399> sean<03:45:04.720> lane's

introduced to this idea from sean lane's

introduced to this idea from sean lane's
instructional<03:45:05.680> video<03:45:06.239> this<03:45:06.479> has<03:45:06.560> a<03:45:06.720> strange

instructional video this has a strange

instructional video this has a strange
sound<03:45:07.279> because<03:45:07.520> you're<03:45:07.680> moving<03:45:08.080> up<03:45:08.319> the<03:45:08.479> neck

sound because you're moving up the neck

sound because you're moving up the neck
but<03:45:09.199> the<03:45:09.359> pitch<03:45:09.680> usually<03:45:10.000> isn't<03:45:10.160> going<03:45:10.399> up<03:45:10.560> the

but the pitch usually isn't going up the

but the pitch usually isn't going up the
pitch<03:45:10.800> is<03:45:10.960> either<03:45:11.120> staying<03:45:11.359> the<03:45:11.439> same<03:45:11.680> or

pitch is either staying the same or

pitch is either staying the same or
going<03:45:12.160> down

the clip i just played isn't where sean

the clip i just played isn't where sean
lane<03:45:40.080> said<03:45:40.319> it<03:45:40.399> sounds<03:45:40.720> like<03:45:40.880> falling<03:45:41.199> down

lane said it sounds like falling down

lane said it sounds like falling down
stairs

stairs

stairs
but<03:45:42.720> when<03:45:42.880> he<03:45:43.040> does<03:45:43.279> say<03:45:43.439> that<03:45:43.680> line<03:45:43.840> it's<03:45:44.000> to<03:45:44.160> a

but when he does say that line it's to a

but when he does say that line it's to a
line<03:45:44.479> that's<03:45:44.720> very<03:45:44.960> similar<03:45:45.279> to<03:45:45.359> that<03:45:45.680> when

line that's very similar to that when

line that's very similar to that when
alan<03:45:46.319> does<03:45:46.479> it<03:45:46.640> it's<03:45:46.800> usually<03:45:47.199> based<03:45:47.520> within<03:45:47.840> a

alan does it it's usually based within a

alan does it it's usually based within a
minor<03:45:48.239> shape<03:45:48.479> but<03:45:48.640> not<03:45:48.880> always<03:45:49.520> this<03:45:49.680> is<03:45:49.760> why

minor shape but not always this is why

minor shape but not always this is why
teaching<03:45:50.319> this<03:45:50.479> stuff<03:45:50.720> is<03:45:50.960> kind<03:45:51.199> of<03:45:51.359> hard

teaching this stuff is kind of hard

teaching this stuff is kind of hard
because

because

because
there's<03:45:53.920> no<03:45:54.399> exact<03:45:55.040> pattern<03:45:55.680> the<03:45:55.840> sort<03:45:56.000> of<03:45:56.080> the

there's no exact pattern the sort of the

there's no exact pattern the sort of the
finger<03:45:56.720> movements<03:45:57.199> that<03:45:57.279> you<03:45:57.439> make<03:45:57.680> from<03:45:58.239> fret

finger movements that you make from fret

finger movements that you make from fret
to<03:45:58.640> fret<03:45:58.800> and<03:45:58.880> strength<03:45:59.279> to<03:45:59.359> string<03:45:59.680> are<03:45:59.760> kind

to fret and strength to string are kind

to fret and strength to string are kind
of<03:46:00.160> the<03:46:00.319> same<03:46:01.120> but<03:46:01.439> the<03:46:01.680> notes<03:46:02.000> that<03:46:02.160> you're

of the same but the notes that you're

of the same but the notes that you're
actually<03:46:02.720> using<03:46:03.040> or<03:46:03.120> the<03:46:03.279> distance<03:46:03.680> between

actually using or the distance between

actually using or the distance between
the<03:46:04.080> notes<03:46:04.720> can<03:46:04.880> be<03:46:05.040> different<03:46:05.520> every<03:46:05.760> time

the notes can be different every time

the notes can be different every time
there's<03:46:06.319> sort<03:46:06.479> of<03:46:06.560> like<03:46:06.720> a<03:46:06.880> loose<03:46:07.279> finger

there's sort of like a loose finger

there's sort of like a loose finger
framework<03:46:08.239> that<03:46:08.399> you're<03:46:08.640> using<03:46:09.439> this<03:46:09.680> pattern

framework that you're using this pattern

framework that you're using this pattern
is<03:46:10.160> very<03:46:10.399> similar<03:46:10.720> to<03:46:10.960> the

is very similar to the

is very similar to the
four<03:46:11.920> note<03:46:12.160> groupings<03:46:12.560> that<03:46:12.720> we're<03:46:12.880> all<03:46:13.040> kind

four note groupings that we're all kind

four note groupings that we're all kind
of<03:46:13.279> familiar<03:46:13.760> with<03:46:13.920> this<03:46:14.160> kind<03:46:14.319> of

that kind of pattern but instead of

that kind of pattern but instead of
playing<03:46:19.920> it<03:46:20.080> in<03:46:20.399> three<03:46:20.800> groups<03:46:21.600> of<03:46:21.760> four<03:46:22.239> we're

playing it in three groups of four we're

playing it in three groups of four we're
basically<03:46:22.880> doing<03:46:23.279> two<03:46:23.520> groups<03:46:24.239> and<03:46:24.479> we're

basically doing two groups and we're

basically doing two groups and we're
moving<03:46:25.279> up<03:46:25.520> a<03:46:25.680> half<03:46:25.920> step<03:46:26.239> each<03:46:26.399> time<03:46:26.640> we<03:46:26.720> play

moving up a half step each time we play

moving up a half step each time we play
that<03:46:27.120> group

that group

that group
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[Applause]

[Applause]
and<03:46:30.640> then<03:46:30.880> from<03:46:31.199> there<03:46:31.359> we're<03:46:31.600> actually

and then from there we're actually

and then from there we're actually
playing<03:46:32.160> the<03:46:32.239> note<03:46:32.479> on<03:46:32.560> the<03:46:32.640> e<03:46:32.800> string<03:46:33.439> and

playing the note on the e string and

playing the note on the e string and
then<03:46:33.920> barring<03:46:34.720> to<03:46:34.880> move<03:46:35.120> back<03:46:35.359> to<03:46:35.439> the<03:46:35.600> b

then barring to move back to the b

then barring to move back to the b
string<03:46:36.479> and<03:46:36.560> then<03:46:36.960> starting<03:46:37.279> the<03:46:37.439> pattern

string and then starting the pattern

string and then starting the pattern
over<03:46:38.000> again

something along those lines

something along those lines
[Music]

[Music]

[Music]
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[Applause]

[Applause]
[Music]

[Music]

[Music]
so

[Music]

[Music]
so

so

so
[Music]

often when alan is employing this

often when alan is employing this
outside<03:48:09.040> uh<03:48:09.520> pattern<03:48:10.160> it's<03:48:10.399> really<03:48:10.720> for<03:48:10.880> the

outside uh pattern it's really for the

outside uh pattern it's really for the
first<03:48:11.359> two<03:48:11.600> or<03:48:11.760> three<03:48:11.920> strings<03:48:12.319> and<03:48:12.399> moves<03:48:12.640> on

first two or three strings and moves on

first two or three strings and moves on
to<03:48:12.960> another<03:48:13.279> pattern<03:48:13.600> or<03:48:13.760> into<03:48:14.080> a<03:48:14.160> new<03:48:14.399> key

to another pattern or into a new key

to another pattern or into a new key
this<03:48:15.359> is<03:48:15.680> one<03:48:15.840> of<03:48:15.920> the<03:48:16.080> most<03:48:16.399> common<03:48:16.720> if<03:48:16.880> not

this is one of the most common if not

this is one of the most common if not
the<03:48:17.120> most<03:48:17.439> common<03:48:17.760> sort<03:48:18.000> of<03:48:18.160> outside<03:48:18.720> thing<03:48:19.120> or

the most common sort of outside thing or

the most common sort of outside thing or
outside<03:48:19.760> concept<03:48:20.080> that<03:48:20.239> alan<03:48:20.560> uses<03:48:21.120> that<03:48:21.359> once

outside concept that alan uses that once

outside concept that alan uses that once
you<03:48:21.680> start<03:48:21.840> to<03:48:22.000> pick<03:48:22.239> up<03:48:22.399> on<03:48:22.560> you'll<03:48:22.800> start<03:48:22.960> to

you start to pick up on you'll start to

you start to pick up on you'll start to
see<03:48:23.359> everywhere<03:48:24.399> the<03:48:24.560> most<03:48:24.880> common<03:48:25.279> variation

see everywhere the most common variation

see everywhere the most common variation
of<03:48:26.080> alan<03:48:26.319> doing<03:48:26.560> this<03:48:26.880> is<03:48:27.279> sort<03:48:27.520> of<03:48:27.600> within<03:48:27.920> a

of alan doing this is sort of within a

of alan doing this is sort of within a
pentatonic<03:48:28.720> shape<03:48:29.279> so<03:48:29.520> it's<03:48:29.680> the<03:48:29.840> same<03:48:30.080> idea

pentatonic shape so it's the same idea

pentatonic shape so it's the same idea
but<03:48:30.560> it's<03:48:30.720> really<03:48:30.960> built<03:48:31.279> around<03:48:31.600> this<03:48:31.840> kind

but it's really built around this kind

but it's really built around this kind
of<03:48:32.160> like

you

you
[Music]

me

me
[Music]

this pattern is kind of like the

this pattern is kind of like the
opposite<03:50:01.040> of<03:50:01.199> the<03:50:01.279> pattern<03:50:01.600> of<03:50:01.680> the<03:50:01.840> staircase

opposite of the pattern of the staircase

opposite of the pattern of the staircase
pattern<03:50:02.640> that<03:50:02.720> we<03:50:02.880> just<03:50:03.120> saw<03:50:03.600> but<03:50:03.760> with<03:50:03.920> the

pattern that we just saw but with the

pattern that we just saw but with the
same<03:50:04.239> kind<03:50:04.479> of<03:50:04.640> movement<03:50:05.359> and<03:50:05.520> i<03:50:05.600> think<03:50:05.840> of<03:50:05.920> it

same kind of movement and i think of it

same kind of movement and i think of it
based<03:50:06.399> off<03:50:06.640> of<03:50:06.960> like<03:50:07.120> that<03:50:07.359> dueling<03:50:07.760> banjos

based off of like that dueling banjos

based off of like that dueling banjos
kind<03:50:08.640> of<03:50:08.880> uh<03:50:09.359> that<03:50:09.600> lick<03:50:09.920> this

but we're moving forward a half step

but we're moving forward a half step
each<03:50:16.319> time<03:50:16.720> but<03:50:16.880> with<03:50:17.040> this<03:50:17.279> pattern<03:50:17.600> it

each time but with this pattern it

each time but with this pattern it
usually<03:50:18.239> starts<03:50:18.640> with<03:50:18.880> that<03:50:19.120> group<03:50:19.359> of<03:50:19.520> three

usually starts with that group of three

usually starts with that group of three
notes<03:50:20.399> but<03:50:20.560> then<03:50:20.800> once<03:50:21.040> you<03:50:21.199> transition<03:50:21.600> to

notes but then once you transition to

notes but then once you transition to
the<03:50:21.920> next<03:50:22.160> string<03:50:22.880> then<03:50:23.120> it's<03:50:23.279> really<03:50:23.600> only

the next string then it's really only

the next string then it's really only
two<03:50:24.160> groups<03:50:24.800> so<03:50:25.439> let's<03:50:25.600> say<03:50:25.760> we<03:50:25.920> were<03:50:26.080> able<03:50:26.319> to

two groups so let's say we were able to

two groups so let's say we were able to
pick<03:50:26.720> a<03:50:26.800> shape<03:50:27.040> let's<03:50:27.279> do<03:50:27.520> uh<03:50:27.600> this<03:50:27.840> whole<03:50:28.000> step

pick a shape let's do uh this whole step

pick a shape let's do uh this whole step
shape<03:50:28.800> you're<03:50:29.040> playing<03:50:29.680> something<03:50:29.920> like<03:50:30.080> this

shape you're playing something like this

shape you're playing something like this
and<03:50:31.760> then<03:50:32.000> moving<03:50:32.319> up<03:50:32.560> a<03:50:32.640> half<03:50:32.880> step<03:50:34.239> so<03:50:34.399> you're

and then moving up a half step so you're

and then moving up a half step so you're
playing<03:50:34.800> two<03:50:34.960> notes<03:50:35.120> on<03:50:35.199> the<03:50:35.279> e<03:50:35.439> string<03:50:35.680> and

playing two notes on the e string and

playing two notes on the e string and
then<03:50:35.920> a<03:50:36.000> note<03:50:36.239> on<03:50:36.399> the<03:50:36.560> b<03:50:36.800> string<03:50:37.120> which<03:50:37.279> is

then a note on the b string which is

then a note on the b string which is
usually<03:50:37.760> like<03:50:38.000> a<03:50:38.080> hammer<03:50:38.479> on<03:50:38.640> from<03:50:38.800> nowhere

usually like a hammer on from nowhere

usually like a hammer on from nowhere
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[Applause]

[Applause]
and<03:50:42.239> then<03:50:42.479> the<03:50:42.640> next<03:50:42.960> one<03:50:43.120> you're<03:50:43.279> playing<03:50:43.680> one

and then the next one you're playing one

and then the next one you're playing one
note<03:50:44.080> on<03:50:44.239> the<03:50:44.319> e<03:50:44.560> string<03:50:45.040> i'll<03:50:45.199> usually<03:50:45.439> do

note on the e string i'll usually do

note on the e string i'll usually do
like<03:50:45.760> an<03:50:45.920> upstroke

like an upstroke

like an upstroke
and<03:50:47.199> then<03:50:47.359> an<03:50:47.520> upstroke<03:50:48.000> again<03:50:48.399> on<03:50:48.640> the<03:50:49.199> b

and then an upstroke again on the b

and then an upstroke again on the b
string<03:50:50.160> and<03:50:50.319> then<03:50:50.479> hammer<03:50:50.880> on<03:50:51.279> the<03:50:51.439> b<03:50:51.680> string

and then from there it's usually

and then from there it's usually
alternates<03:50:57.840> between<03:50:58.160> those<03:50:58.399> last<03:50:58.720> two<03:50:58.880> groups

alternates between those last two groups

alternates between those last two groups
of<03:50:59.359> three

of three

of three
[Music]

[Music]

[Music]
and<03:51:06.880> with<03:51:07.040> this<03:51:07.359> shape<03:51:08.000> a<03:51:08.080> lot<03:51:08.239> of<03:51:08.399> times<03:51:08.720> as

and with this shape a lot of times as

and with this shape a lot of times as
allen<03:51:09.279> is<03:51:09.439> moving<03:51:09.840> forward<03:51:10.560> he'll<03:51:10.880> just<03:51:11.199> start

allen is moving forward he'll just start

allen is moving forward he'll just start
to<03:51:12.000> widen<03:51:12.479> out<03:51:12.640> his<03:51:12.960> fingers<03:51:13.439> as<03:51:13.600> he's<03:51:13.840> playing

to widen out his fingers as he's playing

to widen out his fingers as he's playing
it<03:51:14.319> so<03:51:14.479> you<03:51:14.560> might<03:51:14.720> get<03:51:14.960> something<03:51:15.359> where<03:51:16.000> it

it so you might get something where it

it so you might get something where it
starts<03:51:16.560> out<03:51:17.120> you<03:51:17.279> know<03:51:17.439> maybe<03:51:18.080> uh<03:51:18.319> with<03:51:18.560> this

starts out you know maybe uh with this

starts out you know maybe uh with this
little<03:51:18.960> phrygian<03:51:19.439> shape<03:51:19.920> and<03:51:20.000> then<03:51:20.239> a<03:51:20.319> whole

little phrygian shape and then a whole

little phrygian shape and then a whole
step<03:51:20.880> shape<03:51:21.120> and<03:51:21.199> then<03:51:21.439> a<03:51:21.520> diminished<03:51:22.080> kind<03:51:22.239> of

step shape and then a diminished kind of

step shape and then a diminished kind of
shape<03:51:22.720> and<03:51:22.800> then<03:51:22.960> he<03:51:23.040> just<03:51:23.199> gets<03:51:23.439> wider<03:51:23.840> and

shape and then he just gets wider and

shape and then he just gets wider and
wider<03:51:24.640> so<03:51:25.279> the<03:51:25.439> finger<03:51:25.760> pattern<03:51:26.080> is<03:51:26.239> the<03:51:26.399> same

wider so the finger pattern is the same

wider so the finger pattern is the same
but<03:51:27.279> he's<03:51:27.600> just<03:51:27.840> sort<03:51:28.000> of<03:51:28.239> whitening<03:51:28.640> it<03:51:28.800> out

but he's just sort of whitening it out

but he's just sort of whitening it out
and<03:51:29.439> playing<03:51:29.680> all<03:51:29.840> these<03:51:30.720> different<03:51:31.279> finger

and playing all these different finger

and playing all these different finger
shapes<03:51:31.920> and<03:51:32.080> intervals<03:51:32.479> to<03:51:32.640> create<03:51:32.960> just

shapes and intervals to create just

shapes and intervals to create just
chaos<03:51:34.319> it<03:51:34.479> was<03:51:34.720> these<03:51:34.960> kind<03:51:35.199> of<03:51:35.359> patterns<03:51:35.760> that

chaos it was these kind of patterns that

chaos it was these kind of patterns that
to<03:51:36.160> me

to me

to me
started<03:51:37.199> to<03:51:37.359> make<03:51:37.680> sense<03:51:38.000> where

started to make sense where

started to make sense where
i<03:51:38.960> was<03:51:39.199> going<03:51:39.600> oh<03:51:39.840> the<03:51:40.080> notes<03:51:40.399> don't<03:51:40.640> really

i was going oh the notes don't really

i was going oh the notes don't really
make<03:51:41.040> that<03:51:41.279> much<03:51:41.600> sense<03:51:42.080> it's<03:51:42.319> just<03:51:42.560> creating

make that much sense it's just creating

make that much sense it's just creating
tension<03:51:43.520> because

tension because

tension because
these<03:51:44.720> patterns<03:51:45.199> were<03:51:45.439> not<03:51:45.680> diatonic<03:51:46.319> to<03:51:46.479> some

these patterns were not diatonic to some

these patterns were not diatonic to some
sort<03:51:46.960> of<03:51:47.040> scale

sort of scale

sort of scale
all<03:51:48.319> the<03:51:48.479> notes<03:51:48.800> were<03:51:48.960> seemingly<03:51:49.439> random<03:51:49.920> but

all the notes were seemingly random but

all the notes were seemingly random but
there<03:51:50.319> was<03:51:50.560> still<03:51:50.800> a<03:51:50.960> pattern<03:51:51.359> there<03:51:51.520> there

there was still a pattern there there

there was still a pattern there there
was<03:51:51.840> some<03:51:52.080> sort<03:51:52.319> of<03:51:52.880> hand<03:51:53.199> logic<03:51:53.600> that<03:51:53.760> i<03:51:53.840> was

was some sort of hand logic that i was

was some sort of hand logic that i was
able<03:51:54.239> to<03:51:54.479> follow<03:51:55.199> especially<03:51:56.080> that<03:51:56.319> once<03:51:56.560> we

able to follow especially that once we

able to follow especially that once we
get<03:51:56.800> into<03:51:57.040> fifth<03:51:57.279> tuning<03:51:57.600> you'll<03:51:57.840> see<03:51:58.080> some<03:51:58.319> of

get into fifth tuning you'll see some of

get into fifth tuning you'll see some of
this<03:51:58.560> stuff<03:51:58.880> and<03:51:59.040> it'll<03:51:59.279> realize<03:51:59.680> that<03:51:59.760> the

this stuff and it'll realize that the

this stuff and it'll realize that the
notes<03:52:00.319> themselves<03:52:00.800> don't<03:52:01.040> really<03:52:01.359> matter

[Music]

[Music]
me

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[Applause]
[Music]

[Music]

[Music]
[Applause]

[Applause]

[Applause]
so

so

so
[Music]

another very common aspect of allen's

another very common aspect of allen's
outside<03:53:23.279> playing<03:53:24.000> is<03:53:24.399> playing<03:53:24.720> something<03:53:25.040> in

outside playing is playing something in

outside playing is playing something in
flat<03:53:25.520> fives<03:53:26.000> or<03:53:26.239> basically<03:53:26.800> playing

flat fives or basically playing

flat fives or basically playing
something<03:53:27.760> and<03:53:27.920> then<03:53:28.160> moving<03:53:28.640> over<03:53:29.279> a<03:53:29.439> fret

something and then moving over a fret

something and then moving over a fret
and<03:53:30.080> down<03:53:30.319> a<03:53:30.399> string<03:53:30.960> so<03:53:31.199> something<03:53:31.439> like

[Music]

[Music]
this<03:53:36.720> wouldn't<03:53:36.960> be<03:53:37.120> limited<03:53:37.439> to<03:53:37.600> just<03:53:37.920> two<03:53:38.160> or

this wouldn't be limited to just two or

this wouldn't be limited to just two or
three<03:53:38.479> notes<03:53:38.800> per<03:53:39.040> string<03:53:39.840> uh<03:53:40.160> you<03:53:40.319> can<03:53:40.479> do<03:53:40.720> it

three notes per string uh you can do it

three notes per string uh you can do it
also<03:53:41.760> um<03:53:42.319> playing<03:53:42.720> between<03:53:43.120> two<03:53:43.439> strings<03:53:44.239> or

also um playing between two strings or

also um playing between two strings or
string<03:53:45.120> skipping<03:53:45.760> so<03:53:45.920> something<03:53:46.239> like

like that on and on so i think he took

like that on and on so i think he took
this<03:53:56.399> idea<03:53:56.880> from<03:53:57.120> the

this idea from the

this idea from the
slominsky<03:53:58.560> book<03:53:58.800> the<03:53:59.040> thesaurus<03:53:59.600> of<03:53:59.680> scales

slominsky book the thesaurus of scales

slominsky book the thesaurus of scales
and<03:54:00.080> melodic<03:54:00.560> patterns<03:54:01.359> the<03:54:01.520> reason<03:54:01.840> why<03:54:02.000> i

and melodic patterns the reason why i

and melodic patterns the reason why i
say<03:54:02.319> that<03:54:02.560> is<03:54:02.640> because<03:54:03.520> the<03:54:03.680> way<03:54:03.840> that<03:54:04.000> that

say that is because the way that that

say that is because the way that that
book<03:54:04.399> is<03:54:04.560> built<03:54:04.800> is<03:54:04.960> just<03:54:05.199> all<03:54:05.359> different<03:54:05.760> sort

book is built is just all different sort

book is built is just all different sort
of<03:54:06.160> mathematical<03:54:07.040> permutations<03:54:07.840> for

of mathematical permutations for

of mathematical permutations for
melodies<03:54:09.120> and<03:54:09.279> right<03:54:09.600> in<03:54:09.680> the<03:54:09.760> beginning<03:54:10.160> of

melodies and right in the beginning of

melodies and right in the beginning of
the<03:54:10.399> book<03:54:10.640> the<03:54:10.880> first<03:54:11.120> thing<03:54:11.279> that<03:54:11.359> they<03:54:11.600> talk

the book the first thing that they talk

the book the first thing that they talk
about<03:54:12.399> is<03:54:13.040> taking<03:54:13.680> the<03:54:13.840> octave<03:54:14.319> in<03:54:14.479> c<03:54:14.800> so<03:54:14.960> you

about is taking the octave in c so you

about is taking the octave in c so you
have<03:54:15.120> two<03:54:15.359> c's

have two c's

have two c's
and<03:54:16.560> then<03:54:16.880> splitting<03:54:17.359> that<03:54:17.760> in<03:54:18.000> half<03:54:18.399> so<03:54:18.640> six

and then splitting that in half so six

and then splitting that in half so six
notes<03:54:19.120> on<03:54:19.199> one<03:54:19.439> side<03:54:19.680> and<03:54:19.760> six<03:54:20.000> notes<03:54:20.239> to<03:54:20.399> the

notes on one side and six notes to the

notes on one side and six notes to the
other<03:54:20.720> so<03:54:20.880> the<03:54:20.960> halfway<03:54:21.439> point<03:54:21.680> is<03:54:21.840> f<03:54:22.080> sharp

other so the halfway point is f sharp

other so the halfway point is f sharp
that's<03:54:23.840> your<03:54:24.000> flat<03:54:24.399> five<03:54:25.040> and<03:54:25.199> then<03:54:25.760> taking

that's your flat five and then taking

that's your flat five and then taking
two<03:54:26.319> notes<03:54:26.640> and<03:54:26.800> playing<03:54:27.199> it<03:54:27.680> and<03:54:27.840> then<03:54:28.239> doing

two notes and playing it and then doing

two notes and playing it and then doing
the<03:54:28.640> same<03:54:28.880> thing<03:54:29.120> on<03:54:29.199> the<03:54:29.359> opposite<03:54:29.920> side<03:54:30.479> so

the same thing on the opposite side so

the same thing on the opposite side so
let's<03:54:30.880> say<03:54:31.120> you<03:54:31.199> were<03:54:31.279> doing<03:54:31.600> half<03:54:31.840> steps<03:54:32.080> you

let's say you were doing half steps you

let's say you were doing half steps you
play<03:54:32.479> c<03:54:32.720> c<03:54:32.960> sharp

play c c sharp

play c c sharp
and<03:54:34.080> then

and then

and then
f<03:54:35.279> sharp<03:54:35.600> and<03:54:35.680> g

and then doing a whole step so c and d

and then doing a whole step so c and d
and<03:54:42.319> then<03:54:42.560> f<03:54:42.800> sharp<03:54:43.199> g<03:54:43.439> sharp

and then f sharp g sharp

and then f sharp g sharp
and<03:54:44.560> then<03:54:44.960> same<03:54:45.120> thing<03:54:45.359> on<03:54:45.920> minor<03:54:46.239> thirds

and then same thing on minor thirds

and then same thing on minor thirds
etc<03:54:48.640> get<03:54:48.800> all<03:54:48.880> these<03:54:49.040> different<03:54:49.439> sort<03:54:49.600> of

etc get all these different sort of

etc get all these different sort of
patterns<03:54:50.160> to<03:54:50.319> them<03:54:50.720> and<03:54:50.960> i<03:54:51.120> think<03:54:51.279> that's

patterns to them and i think that's

patterns to them and i think that's
where<03:54:51.760> alan<03:54:52.080> uh<03:54:52.479> got<03:54:52.720> that<03:54:52.960> concept<03:54:53.359> from<03:54:54.000> and

where alan uh got that concept from and

where alan uh got that concept from and
uh<03:54:54.560> when<03:54:54.800> i<03:54:54.960> talked<03:54:55.199> to<03:54:55.439> chip<03:54:55.680> flynn

uh when i talked to chip flynn

uh when i talked to chip flynn
uh

uh

uh
he<03:54:57.760> had<03:54:57.920> told<03:54:58.160> me<03:54:58.319> that<03:54:58.560> alan<03:54:58.880> only<03:54:59.120> really

he had told me that alan only really

he had told me that alan only really
used<03:54:59.760> that<03:55:00.080> uh<03:55:00.720> slominsky<03:55:01.439> book<03:55:01.840> in<03:55:02.000> like<03:55:02.239> the

used that uh slominsky book in like the

used that uh slominsky book in like the
late<03:55:02.560> 60s<03:55:03.040> and<03:55:03.199> early<03:55:03.439> 70s<03:55:03.920> and<03:55:04.000> never<03:55:04.239> really

late 60s and early 70s and never really

late 60s and early 70s and never really
used<03:55:04.800> it<03:55:04.880> again<03:55:05.520> so<03:55:05.680> i<03:55:05.760> feel<03:55:05.920> that<03:55:06.080> he<03:55:06.239> just

used it again so i feel that he just

used it again so i feel that he just
took<03:55:06.560> some<03:55:06.800> concepts<03:55:07.359> and<03:55:07.520> ideas<03:55:07.840> from<03:55:08.080> it<03:55:08.160> and

took some concepts and ideas from it and

took some concepts and ideas from it and
then<03:55:08.399> just<03:55:08.640> made<03:55:08.800> it<03:55:08.960> his<03:55:09.120> own<03:55:09.760> another<03:55:10.319> thing

then just made it his own another thing

then just made it his own another thing
that<03:55:10.640> i<03:55:10.880> think<03:55:11.359> uh<03:55:11.600> why<03:55:11.920> alan's<03:55:12.399> just<03:55:12.640> playing

that i think uh why alan's just playing

that i think uh why alan's just playing
it<03:55:13.279> in<03:55:13.359> terms<03:55:13.680> of<03:55:13.840> pattern<03:55:14.239> and<03:55:14.319> not<03:55:14.560> so<03:55:14.800> much

it in terms of pattern and not so much

it in terms of pattern and not so much
the<03:55:15.680> notational<03:55:16.319> symmetry<03:55:16.800> is<03:55:16.880> because<03:55:17.279> as

the notational symmetry is because as

the notational symmetry is because as
you<03:55:17.600> go<03:55:17.840> down<03:55:18.080> in<03:55:18.160> flat<03:55:18.479> fives<03:55:18.800> you're<03:55:18.960> moving

you go down in flat fives you're moving

you go down in flat fives you're moving
down<03:55:19.680> a<03:55:19.760> string<03:55:20.080> and<03:55:20.239> over<03:55:20.479> a<03:55:20.560> fret

down a string and over a fret

down a string and over a fret
but<03:55:22.319> once<03:55:22.479> you<03:55:22.640> get<03:55:22.720> to<03:55:22.880> the<03:55:23.040> g<03:55:23.199> and<03:55:23.279> the<03:55:23.439> b

but once you get to the g and the b

but once you get to the g and the b
string<03:55:24.000> to<03:55:24.160> maintain<03:55:24.640> that<03:55:24.800> flat<03:55:25.120> five

string to maintain that flat five

string to maintain that flat five
relationship<03:55:26.000> you<03:55:26.160> can't<03:55:26.399> go<03:55:26.720> over<03:55:26.960> one<03:55:27.199> fret

relationship you can't go over one fret

relationship you can't go over one fret
because<03:55:27.680> that's<03:55:27.920> actually<03:55:28.160> a<03:55:28.319> fourth

because that's actually a fourth

because that's actually a fourth
you<03:55:29.279> actually<03:55:29.600> have<03:55:29.680> to<03:55:29.840> go<03:55:30.160> over

you actually have to go over

you actually have to go over
a<03:55:31.680> fret<03:55:32.160> over<03:55:32.560> and<03:55:32.640> then<03:55:32.880> continue<03:55:33.359> going<03:55:33.680> down

a fret over and then continue going down

a fret over and then continue going down
and<03:55:34.399> sometimes<03:55:34.960> a<03:55:35.040> lot<03:55:35.279> of<03:55:35.359> his<03:55:35.920> patterns<03:55:36.319> like

and sometimes a lot of his patterns like

and sometimes a lot of his patterns like
that<03:55:37.279> uh<03:55:37.680> just<03:55:38.080> follow<03:55:38.479> the

that uh just follow the

that uh just follow the
neck<03:55:39.920> symmetry<03:55:40.720> so<03:55:40.960> it's<03:55:41.120> just<03:55:41.279> moving<03:55:41.600> down<03:55:42.000> a

neck symmetry so it's just moving down a

neck symmetry so it's just moving down a
string<03:55:42.399> and<03:55:42.479> over<03:55:42.720> a<03:55:42.880> fret<03:55:43.199> even<03:55:43.439> when<03:55:43.600> you<03:55:43.680> get

string and over a fret even when you get

string and over a fret even when you get
to<03:55:44.000> the<03:55:44.080> g<03:55:44.239> and<03:55:44.319> the<03:55:44.399> b<03:55:44.560> string<03:55:44.720> so<03:55:44.880> something

to the g and the b string so something

to the g and the b string so something
like

[Music]

[Music]
something<03:55:50.160> like<03:55:50.319> that<03:55:50.560> for<03:55:50.720> example<03:55:51.600> so<03:55:52.000> uh

something like that for example so uh

something like that for example so uh
that's<03:55:52.640> why<03:55:52.880> i<03:55:52.960> said<03:55:53.199> i<03:55:53.279> don't<03:55:53.439> think<03:55:53.600> the

that's why i said i don't think the

that's why i said i don't think the
notes<03:55:54.000> so<03:55:54.160> much<03:55:54.399> mattered<03:55:54.720> but<03:55:54.960> most<03:55:55.199> of<03:55:55.359> the

notes so much mattered but most of the

notes so much mattered but most of the
the<03:55:56.479> tension<03:55:56.800> that<03:55:56.960> you're<03:55:57.199> creating<03:55:57.600> from<03:55:57.840> it

the tension that you're creating from it

the tension that you're creating from it
there<03:55:58.399> are<03:55:58.479> a<03:55:58.560> lot<03:55:58.800> more<03:55:59.040> patterns<03:55:59.439> in<03:55:59.520> this

there are a lot more patterns in this

there are a lot more patterns in this
but<03:56:00.000> i<03:56:00.080> couldn't<03:56:00.560> find<03:56:01.040> uh<03:56:01.439> really<03:56:01.760> good

but i couldn't find uh really good

but i couldn't find uh really good
examples<03:56:03.040> uh<03:56:03.279> so<03:56:03.520> this<03:56:03.680> is<03:56:03.840> all<03:56:04.000> i<03:56:04.080> could

examples uh so this is all i could

examples uh so this is all i could
really<03:56:04.479> drum<03:56:04.800> up<03:56:04.960> but<03:56:05.199> you'll<03:56:05.439> see<03:56:05.680> this

really drum up but you'll see this

really drum up but you'll see this
plenty<03:56:06.399> more<03:56:06.720> especially<03:56:07.359> in<03:56:07.680> all<03:56:07.840> my

plenty more especially in all my

plenty more especially in all my
transcription<03:56:08.880> stuff

now the most common pattern i would say

now the most common pattern i would say
from<03:56:49.279> all<03:56:49.520> of<03:56:49.600> these<03:56:50.160> is<03:56:50.239> this<03:56:50.479> little<03:56:50.640> major

from all of these is this little major

from all of these is this little major
seven<03:56:51.359> kind<03:56:51.520> of<03:56:51.760> pattern<03:56:52.399> where<03:56:52.640> allen's

seven kind of pattern where allen's

seven kind of pattern where allen's
basically<03:56:53.520> playing<03:56:53.840> major<03:56:54.239> seventh

basically playing major seventh

basically playing major seventh
arpeggios<03:56:55.359> in<03:56:55.520> flat<03:56:55.840> fives<03:56:56.399> and<03:56:56.640> it's

arpeggios in flat fives and it's

arpeggios in flat fives and it's
something<03:56:57.040> like<03:56:57.199> this<03:56:57.520> if<03:56:57.680> i<03:56:57.760> was<03:56:57.920> to<03:56:58.080> play<03:56:58.399> i

something like this if i was to play i

something like this if i was to play i
don't<03:56:58.720> know<03:56:58.800> let's<03:56:59.040> say<03:56:59.279> in<03:56:59.520> a<03:56:59.680> i'll<03:57:00.000> do<03:57:00.239> c

don't know let's say in a i'll do c

don't know let's say in a i'll do c
major<03:57:00.720> you<03:57:00.880> start<03:57:01.120> on<03:57:01.279> b

major you start on b

major you start on b
so<03:57:02.239> b<03:57:02.720> c

so b c

so b c
e<03:57:04.560> g<03:57:04.880> and<03:57:05.040> then<03:57:05.199> you<03:57:05.359> pull<03:57:05.600> off

e g and then you pull off

e g and then you pull off
to<03:57:06.960> e<03:57:07.439> and<03:57:07.600> then<03:57:08.160> you<03:57:08.399> start<03:57:08.640> with<03:57:08.720> your<03:57:08.880> first

to e and then you start with your first

to e and then you start with your first
finger<03:57:09.439> to<03:57:09.520> play<03:57:09.840> f<03:57:10.479> and<03:57:10.560> then<03:57:10.720> you<03:57:10.800> move<03:57:11.040> up

finger to play f and then you move up

finger to play f and then you move up
the<03:57:11.279> half<03:57:11.439> step<03:57:11.600> so<03:57:11.760> now<03:57:11.920> that's<03:57:12.160> the<03:57:12.319> major

the half step so now that's the major

the half step so now that's the major
seven<03:57:13.040> to<03:57:13.199> the<03:57:13.359> flat<03:57:13.760> five<03:57:14.479> so<03:57:14.640> now<03:57:14.800> you're

seven to the flat five so now you're

seven to the flat five so now you're
going<03:57:15.279> from<03:57:15.520> f<03:57:15.760> sharp<03:57:16.080> major<03:57:16.399> seven

[Music]

[Music]
[Applause]

[Applause]

[Applause]
on<03:57:24.000> and<03:57:24.160> on<03:57:24.640> uh<03:57:25.040> once<03:57:25.279> again<03:57:25.760> this<03:57:26.000> happens<03:57:26.560> a

on and on uh once again this happens a

on and on uh once again this happens a
ton<03:57:27.600> but<03:57:27.760> there<03:57:28.000> aren't<03:57:28.319> really<03:57:28.720> good<03:57:29.359> simple

ton but there aren't really good simple

ton but there aren't really good simple
examples<03:57:30.160> of<03:57:30.239> that<03:57:30.479> so<03:57:30.640> there's<03:57:30.880> only<03:57:31.040> one

examples of that so there's only one

examples of that so there's only one
here<03:57:31.600> but<03:57:31.840> you<03:57:32.000> will<03:57:32.239> see<03:57:32.479> this

here but you will see this

here but you will see this
very<03:57:34.000> often<03:57:34.640> in

very often in

very often in
longer<03:57:35.760> lines<03:57:36.000> at<03:57:36.160> allen<03:57:36.479> plays

[Music]

[Music]
[Applause]

another pretty common one that allen

another pretty common one that allen
employs<03:57:51.760> is<03:57:52.479> uh<03:57:52.720> what<03:57:52.960> i<03:57:53.040> would<03:57:53.199> think<03:57:53.439> of<03:57:53.600> as

employs is uh what i would think of as

employs is uh what i would think of as
like<03:57:53.920> a<03:57:54.160> seven

like a seven

like a seven
sus4<03:57:56.000> arpeggio<03:57:56.960> but<03:57:57.199> of<03:57:57.279> course<03:57:57.520> i<03:57:57.600> don't

sus4 arpeggio but of course i don't

sus4 arpeggio but of course i don't
think<03:57:57.920> alan's<03:57:58.319> thinking<03:57:58.640> of<03:57:58.720> that<03:57:59.279> in<03:57:59.439> that

think alan's thinking of that in that

think alan's thinking of that in that
way<03:58:00.239> it's<03:58:00.479> more<03:58:00.720> like<03:58:00.960> playing<03:58:01.279> a<03:58:01.359> whole<03:58:01.600> step

way it's more like playing a whole step

way it's more like playing a whole step
on<03:58:02.160> one<03:58:02.399> string

on one string

on one string
and<03:58:03.439> then<03:58:03.680> on<03:58:03.760> the<03:58:03.840> next<03:58:04.080> string<03:58:04.399> playing<03:58:04.880> a

and then on the next string playing a

and then on the next string playing a
perfect<03:58:05.439> fourth

perfect fourth

perfect fourth
and<03:58:07.760> then<03:58:08.000> doing<03:58:08.239> that<03:58:08.479> in<03:58:08.560> flat<03:58:08.880> fives

and of course uh some of the notes can

and of course uh some of the notes can
move<03:58:14.560> around<03:58:14.960> a<03:58:15.040> little<03:58:15.279> bit<03:58:15.920> but<03:58:16.160> a<03:58:16.239> lot<03:58:16.399> of

move around a little bit but a lot of

move around a little bit but a lot of
times<03:58:16.640> when<03:58:16.800> allen's<03:58:17.120> playing<03:58:17.359> it<03:58:17.439> he<03:58:17.600> starts

times when allen's playing it he starts

times when allen's playing it he starts
on<03:58:18.000> the<03:58:18.080> low<03:58:18.319> e<03:58:18.479> string<03:58:18.800> and<03:58:18.960> goes<03:58:19.359> through

on the low e string and goes through

on the low e string and goes through
with<03:58:20.000> like<03:58:20.239> the<03:58:20.399> first<03:58:20.720> three<03:58:21.040> strings<03:58:21.439> and

with like the first three strings and

with like the first three strings and
then<03:58:21.680> moves<03:58:21.920> on<03:58:22.000> to<03:58:22.160> another<03:58:22.479> pattern<03:58:22.800> so<03:58:22.960> it's

then moves on to another pattern so it's

then moves on to another pattern so it's
not<03:58:23.359> fully<03:58:23.840> up<03:58:24.080> the<03:58:24.239> neck<03:58:24.880> it's<03:58:25.120> just<03:58:25.680> for<03:58:25.840> the

not fully up the neck it's just for the

not fully up the neck it's just for the
first<03:58:26.479> few<03:58:26.800> strings<03:58:27.439> uh<03:58:27.760> well<03:58:27.920> the<03:58:28.000> lowest<03:58:28.399> few

first few strings uh well the lowest few

first few strings uh well the lowest few
strings<03:58:28.960> and<03:58:29.040> then<03:58:29.199> continues<03:58:29.680> into

strings and then continues into

strings and then continues into
something<03:58:30.239> else

[Music]

[Music]
so

the other very common flat five concept

the other very common flat five concept
that<03:59:19.120> allen<03:59:19.359> would<03:59:19.520> use<03:59:19.760> would<03:59:19.920> be<03:59:20.160> playing<03:59:20.960> uh

that allen would use would be playing uh

that allen would use would be playing uh
arpeggios<03:59:22.080> or<03:59:22.239> triads<03:59:22.720> in<03:59:22.880> flat<03:59:23.199> fives<03:59:23.920> and

arpeggios or triads in flat fives and

arpeggios or triads in flat fives and
that<03:59:24.239> includes<03:59:24.880> minor<03:59:25.279> arpeggios<03:59:26.000> major<03:59:26.479> and

that includes minor arpeggios major and

that includes minor arpeggios major and
even<03:59:26.960> sus4<03:59:28.000> and<03:59:28.399> uh<03:59:28.720> they<03:59:28.960> usually<03:59:29.600> they<03:59:29.760> start

even sus4 and uh they usually they start

even sus4 and uh they usually they start
off<03:59:30.239> with<03:59:30.399> the<03:59:30.560> bar<03:59:30.800> so<03:59:30.960> you're<03:59:31.120> starting<03:59:31.520> on

off with the bar so you're starting on

off with the bar so you're starting on
the<03:59:32.080> fifth<03:59:32.479> of<03:59:32.640> the<03:59:32.880> arpeggio

the fifth of the arpeggio

the fifth of the arpeggio
uh<03:59:34.479> and<03:59:34.640> then<03:59:35.199> the<03:59:35.359> root<03:59:35.680> and<03:59:35.760> then<03:59:35.920> the<03:59:36.080> third

uh and then the root and then the third

uh and then the root and then the third
so<03:59:38.000> if<03:59:38.160> i<03:59:38.239> was<03:59:38.399> doing<03:59:38.560> minor<03:59:38.960> thirds<03:59:39.359> you<03:59:39.520> plug

but what's interesting is that notice on

but what's interesting is that notice on
these<03:59:44.800> phrases<03:59:45.279> that<03:59:45.520> once<03:59:45.760> alan<03:59:46.000> gets<03:59:46.239> to<03:59:46.479> the

these phrases that once alan gets to the

these phrases that once alan gets to the
g<03:59:47.040> and<03:59:47.279> the<03:59:47.520> b<03:59:47.760> string

g and the b string

g and the b string
he<03:59:49.040> continues<03:59:50.000> with<03:59:50.239> the<03:59:50.960> harmonic<03:59:51.520> symmetry

he continues with the harmonic symmetry

he continues with the harmonic symmetry
and<03:59:52.080> not<03:59:52.239> the<03:59:52.399> physical<03:59:52.800> symmetry<03:59:53.520> so<03:59:53.680> what

and not the physical symmetry so what

and not the physical symmetry so what
that<03:59:54.000> means<03:59:54.239> is<03:59:54.319> he<03:59:54.560> doesn't<03:59:54.880> bar<03:59:55.199> on<03:59:55.279> the<03:59:55.439> g

that means is he doesn't bar on the g

that means is he doesn't bar on the g
and<03:59:55.840> b<03:59:56.000> string<03:59:56.319> that<03:59:56.399> he<03:59:56.640> actually<03:59:56.960> uses<03:59:57.359> his

and b string that he actually uses his

and b string that he actually uses his
second<03:59:57.920> finger<03:59:58.319> to<03:59:58.479> play<03:59:59.199> uh<03:59:59.439> the<03:59:59.600> perfect

second finger to play uh the perfect

second finger to play uh the perfect
fourth<04:00:00.319> interval<04:00:00.880> so<04:00:01.120> something<04:00:01.359> like<04:00:01.600> this

fourth interval so something like this

fourth interval so something like this
let's<04:00:01.920> say<04:00:02.160> in<04:00:02.239> major<04:00:02.640> thirds

using the first second finger

using the first second finger
and<04:00:10.000> then

and then

and then
continuing

continuing

continuing
[Music]

[Music]

[Music]
something<04:00:15.439> like<04:00:15.600> that<04:00:16.319> uh<04:00:16.800> so<04:00:17.359> you<04:00:17.439> can<04:00:17.600> see

something like that uh so you can see

something like that uh so you can see
that<04:00:17.920> in<04:00:18.080> minor<04:00:18.640> uh<04:00:19.040> a<04:00:19.199> minor<04:00:19.520> arpeggio<04:00:20.160> major

that in minor uh a minor arpeggio major

that in minor uh a minor arpeggio major
arpeggio<04:00:20.960> and<04:00:21.120> sus4

arpeggio and sus4

arpeggio and sus4
[Applause]

[Music]

[Music]
this<04:01:11.359> physical<04:01:11.760> idea<04:01:12.000> is<04:01:12.080> something<04:01:12.319> that's

this physical idea is something that's

this physical idea is something that's
very<04:01:12.880> common<04:01:13.600> uh<04:01:13.920> allen's<04:01:14.479> playing<04:01:14.800> in<04:01:14.880> the

very common uh allen's playing in the

very common uh allen's playing in the
early<04:01:15.520> 80s<04:01:16.080> outside<04:01:16.479> playing<04:01:17.199> i<04:01:17.359> think<04:01:17.600> of<04:01:17.760> it

early 80s outside playing i think of it

early 80s outside playing i think of it
as<04:01:18.080> like<04:01:18.239> a<04:01:18.399> major<04:01:18.960> triad<04:01:19.520> only<04:01:19.760> because

as like a major triad only because

as like a major triad only because
you're<04:01:20.640> barring<04:01:21.120> two<04:01:21.359> strings<04:01:21.760> with<04:01:21.920> your

you're barring two strings with your

you're barring two strings with your
first<04:01:22.399> finger<04:01:22.960> and<04:01:23.120> then<04:01:23.359> playing<04:01:23.600> another

first finger and then playing another

first finger and then playing another
one<04:01:24.160> on<04:01:24.239> the<04:01:24.399> g<04:01:24.640> string

one on the g string

one on the g string
[Music]

[Music]

[Music]
so<04:01:26.560> this<04:01:26.720> is<04:01:26.800> like<04:01:26.960> e<04:01:27.120> major<04:01:27.920> uh<04:01:28.160> the<04:01:28.399> most<04:01:29.120> uh

so this is like e major uh the most uh

so this is like e major uh the most uh
famous<04:01:30.239> example<04:01:30.640> of<04:01:30.800> this<04:01:31.040> is<04:01:31.199> the<04:01:31.359> intro<04:01:31.680> to

famous example of this is the intro to

famous example of this is the intro to
road<04:01:32.160> games<04:01:32.800> but<04:01:32.960> he's<04:01:33.199> used<04:01:33.439> it<04:01:33.600> in<04:01:33.840> uh<04:01:34.399> any

road games but he's used it in uh any

road games but he's used it in uh any
other<04:01:35.120> possible<04:01:35.600> way<04:01:36.160> uh<04:01:36.399> string<04:01:36.720> skipping<04:01:37.520> uh

other possible way uh string skipping uh

other possible way uh string skipping uh
you<04:01:37.840> name<04:01:38.080> it<04:01:38.479> the<04:01:38.960> concept<04:01:39.439> is<04:01:39.520> really<04:01:39.760> you're

you name it the concept is really you're

you name it the concept is really you're
taking<04:01:40.640> uh<04:01:40.960> the<04:01:41.040> e<04:01:41.199> string<04:01:41.520> and<04:01:41.680> pulling<04:01:42.000> off

taking uh the e string and pulling off

taking uh the e string and pulling off
on<04:01:42.479> a<04:01:42.560> note<04:01:42.720> whether<04:01:42.960> it's<04:01:43.120> a<04:01:43.199> minor<04:01:43.600> third

on a note whether it's a minor third

on a note whether it's a minor third
or<04:01:44.880> a<04:01:45.040> major<04:01:45.439> third<04:01:45.840> or<04:01:46.000> a<04:01:46.080> sus4

or a major third or a sus4

or a major third or a sus4
playing<04:01:47.520> that<04:01:47.600> little<04:01:47.840> major<04:01:48.160> triad<04:01:49.040> and

playing that little major triad and

playing that little major triad and
pulling<04:01:49.600> off<04:01:49.760> with<04:01:49.920> your<04:01:50.160> finger<04:01:50.720> to<04:01:50.880> the

pulling off with your finger to the

pulling off with your finger to the
first<04:01:51.279> fret<04:01:52.000> to<04:01:52.160> your<04:01:52.319> first<04:01:52.560> finger<04:01:52.880> sorry

first fret to your first finger sorry

first fret to your first finger sorry
and<04:01:53.600> then<04:01:53.840> moving<04:01:54.160> down<04:01:54.399> a<04:01:54.479> half<04:01:54.800> step<04:01:55.120> or

and then moving down a half step or

and then moving down a half step or
forward<04:01:55.600> a<04:01:55.680> half<04:01:55.920> step<04:01:56.239> so<04:01:56.479> something<04:01:56.720> like

forward a half step so something like

forward a half step so something like
this

this

this
and<04:01:58.880> then<04:01:59.120> back<04:01:59.359> up<04:01:59.840> and<04:02:00.000> then

and then you can slide and move in all

and then you can slide and move in all
these<04:02:04.720> different<04:02:04.960> positions<04:02:05.680> but<04:02:05.840> they<04:02:06.080> all

these different positions but they all

these different positions but they all
have<04:02:06.640> this<04:02:06.960> little<04:02:07.520> major<04:02:07.840> triad<04:02:08.479> uh<04:02:08.880> in

have this little major triad uh in

have this little major triad uh in
common<04:02:09.359> but<04:02:09.520> of<04:02:09.600> course<04:02:09.760> it's<04:02:09.840> not<04:02:10.000> a<04:02:10.080> major

common but of course it's not a major

common but of course it's not a major
triumph<04:02:10.640> because<04:02:10.960> over<04:02:11.199> here<04:02:11.760> it's<04:02:11.920> an

triumph because over here it's an

triumph because over here it's an
augmented<04:02:12.960> here<04:02:13.120> it's<04:02:13.279> a<04:02:13.359> minor<04:02:14.160> but<04:02:14.319> it's

augmented here it's a minor but it's

augmented here it's a minor but it's
that<04:02:14.800> finger<04:02:15.120> shape<04:02:15.359> that<04:02:15.520> you<04:02:15.680> see<04:02:16.000> very

that finger shape that you see very

that finger shape that you see very
frequently

[Music]

[Music]
this<04:02:42.000> is<04:02:42.160> a<04:02:42.319> very

this is a very

this is a very
small<04:02:43.600> little<04:02:44.000> finger<04:02:44.399> pattern<04:02:44.720> that<04:02:44.880> alan

small little finger pattern that alan

small little finger pattern that alan
does<04:02:45.920> uh<04:02:46.479> i've<04:02:46.800> really<04:02:47.040> saw<04:02:47.199> this<04:02:47.520> mostly

does uh i've really saw this mostly

does uh i've really saw this mostly
towards<04:02:48.080> the<04:02:48.239> end<04:02:48.399> of<04:02:48.479> his<04:02:48.640> career<04:02:48.880> and<04:02:49.040> it's

towards the end of his career and it's

towards the end of his career and it's
kind<04:02:49.359> of<04:02:49.439> like<04:02:49.600> that<04:02:49.920> uh

kind of like that uh

kind of like that uh
deliver<04:02:51.600> deliverance<04:02:52.080> pattern<04:02:52.399> that<04:02:52.479> i<04:02:52.560> was

deliver deliverance pattern that i was

deliver deliverance pattern that i was
talking<04:02:53.040> about<04:02:53.520> but<04:02:53.760> just<04:02:54.000> a<04:02:54.080> little<04:02:54.399> bit<04:02:54.640> of

talking about but just a little bit of

talking about but just a little bit of
it<04:02:55.199> the<04:02:55.359> main<04:02:55.600> concept<04:02:56.080> is<04:02:56.239> it's<04:02:56.399> usually<04:02:56.720> this

it the main concept is it's usually this

it the main concept is it's usually this
phrygian<04:02:57.520> phrase<04:02:58.160> where<04:02:58.319> you're<04:02:58.479> playing

phrygian phrase where you're playing

phrygian phrase where you're playing
your<04:02:58.880> first<04:02:59.199> second<04:02:59.520> and<04:02:59.680> fourth<04:03:00.000> finger

your first second and fourth finger

your first second and fourth finger
and<04:03:01.439> then<04:03:01.600> moving<04:03:01.920> up<04:03:02.080> a<04:03:02.160> half<04:03:02.399> step

and then moving up a half step

and then moving up a half step
but<04:03:03.600> then<04:03:03.840> instead<04:03:04.080> of<04:03:04.239> playing<04:03:04.880> the<04:03:05.199> uh<04:03:05.600> note

but then instead of playing the uh note

but then instead of playing the uh note
on<04:03:05.920> the<04:03:06.000> g<04:03:06.160> string<04:03:06.399> with<04:03:06.479> your<04:03:06.640> pinky<04:03:07.199> you<04:03:07.439> play

on the g string with your pinky you play

on the g string with your pinky you play
it<04:03:07.840> on<04:03:08.000> the<04:03:08.319> um<04:03:08.800> on<04:03:08.960> the<04:03:09.040> d<04:03:09.279> string

it on the um on the d string

it on the um on the d string
usually<04:03:11.520> with<04:03:11.680> the<04:03:11.760> hammer<04:03:12.080> on<04:03:12.160> from<04:03:12.319> nowhere

usually with the hammer on from nowhere

usually with the hammer on from nowhere
and<04:03:13.040> then

and then

and then
you<04:03:14.000> play<04:03:14.319> back<04:03:14.479> that<04:03:14.720> g<04:03:14.960> string<04:03:15.199> on<04:03:15.279> your

you play back that g string on your

you play back that g string on your
first<04:03:15.680> finger<04:03:16.000> and<04:03:16.080> then<04:03:16.319> usually<04:03:16.720> like<04:03:16.960> some

first finger and then usually like some

first finger and then usually like some
chromatic<04:03:17.840> thing<04:03:18.080> on<04:03:18.160> the<04:03:18.319> d<04:03:18.479> string

chromatic thing on the d string

chromatic thing on the d string
so<04:03:19.520> something<04:03:19.840> like<04:03:20.000> this

and you move down sometimes this line is

and you move down sometimes this line is
even<04:03:24.960> preceded<04:03:25.439> by<04:03:25.680> that<04:03:25.920> little

even preceded by that little

even preceded by that little
major<04:03:27.279> arpeggio<04:03:28.080> position<04:03:28.479> i<04:03:28.560> was<04:03:28.720> talking

major arpeggio position i was talking

major arpeggio position i was talking
about<04:03:29.120> something<04:03:29.439> like<04:03:29.600> this

about something like this

about something like this
[Music]

so um here are a bunch of examples of

so um here are a bunch of examples of
that

other things that alan will do is

other things that alan will do is
sometimes<04:04:06.080> just<04:04:06.319> take<04:04:06.479> a<04:04:06.560> finger<04:04:06.880> position

sometimes just take a finger position

sometimes just take a finger position
and<04:04:07.439> just<04:04:07.600> sort<04:04:07.760> of<04:04:07.920> move<04:04:08.160> it<04:04:08.319> chromatically

and just sort of move it chromatically

and just sort of move it chromatically
up<04:04:09.279> and<04:04:09.439> down<04:04:10.080> uh<04:04:10.319> this<04:04:10.479> one<04:04:10.720> is<04:04:10.800> built<04:04:11.120> on

up and down uh this one is built on

up and down uh this one is built on
whole<04:04:11.520> steps<04:04:12.160> uh<04:04:12.399> you<04:04:12.560> don't<04:04:12.640> really<04:04:12.880> see<04:04:13.120> this

whole steps uh you don't really see this

whole steps uh you don't really see this
that<04:04:13.600> often<04:04:14.319> but<04:04:14.479> we'll<04:04:14.720> see<04:04:14.880> it<04:04:15.040> much<04:04:15.279> later

that often but we'll see it much later

that often but we'll see it much later
in<04:04:15.840> the<04:04:16.239> fifth<04:04:16.479> tuning<04:04:16.880> one<04:04:17.199> but<04:04:17.439> it's

in the fifth tuning one but it's

in the fifth tuning one but it's
basically<04:04:18.000> just<04:04:18.160> two<04:04:18.319> hall<04:04:18.479> steps

basically just two hall steps

basically just two hall steps
and<04:04:20.560> then<04:04:20.720> you<04:04:20.800> can<04:04:20.960> just<04:04:21.120> sort<04:04:21.279> of<04:04:21.439> move<04:04:21.600> it

and then you can just sort of move it

and then you can just sort of move it
however<04:04:22.080> maybe<04:04:22.319> like

however maybe like

however maybe like
up<04:04:23.760> like<04:04:24.000> that<04:04:24.319> or

then you just get the idea but it's that

then you just get the idea but it's that
pattern<04:04:30.560> the<04:04:30.640> whole<04:04:30.880> time<04:04:31.040> just<04:04:31.279> moving<04:04:31.680> up

pattern the whole time just moving up

pattern the whole time just moving up
and<04:04:31.920> down<04:04:32.399> chromatically<04:04:33.040> on<04:04:33.199> different

and down chromatically on different

and down chromatically on different
strings

strings

strings
[Music]

other finger patterns that allen would

other finger patterns that allen would
do<04:04:50.399> uh<04:04:50.560> this<04:04:50.800> one's<04:04:51.040> more<04:04:51.359> common<04:04:51.920> is<04:04:52.080> that

do uh this one's more common is that

do uh this one's more common is that
phrygian<04:04:52.800> dominant<04:04:53.279> pattern<04:04:53.600> that<04:04:53.680> i<04:04:53.760> was

phrygian dominant pattern that i was

phrygian dominant pattern that i was
talking<04:04:54.239> about<04:04:54.720> this<04:04:54.960> one<04:04:55.600> we<04:04:55.840> got<04:04:56.000> the<04:04:56.080> flat

talking about this one we got the flat

talking about this one we got the flat
nine<04:04:56.560> and<04:04:56.720> the<04:04:56.800> major<04:04:57.120> third

nine and the major third

nine and the major third
[Applause]

[Applause]

[Applause]
something<04:05:01.520> like<04:05:01.680> that<04:05:02.000> you<04:05:02.160> can<04:05:02.399> see<04:05:02.640> pretty

something like that you can see pretty

something like that you can see pretty
commonly<04:05:03.279> alan<04:05:03.520> doing<04:05:04.160> and<04:05:04.399> of<04:05:04.560> course<04:05:05.120> it's

commonly alan doing and of course it's

commonly alan doing and of course it's
tough<04:05:05.520> to<04:05:05.680> say<04:05:05.920> where<04:05:06.479> this<04:05:06.800> uh<04:05:07.120> position

tough to say where this uh position

tough to say where this uh position
comes<04:05:07.840> from<04:05:08.080> because<04:05:08.319> you<04:05:08.399> can<04:05:08.560> see<04:05:08.720> it<04:05:08.880> as

comes from because you can see it as

comes from because you can see it as
part<04:05:09.279> of<04:05:09.840> uh<04:05:10.080> harmonic<04:05:10.560> minor<04:05:10.960> melodic<04:05:11.439> minor

part of uh harmonic minor melodic minor

part of uh harmonic minor melodic minor
the<04:05:11.840> diminished<04:05:12.239> scale<04:05:13.120> you<04:05:13.199> get<04:05:13.359> the<04:05:13.520> idea

[Music]

[Music]
[Applause]

the finger pattern that's way more

the finger pattern that's way more
common<04:05:39.520> than<04:05:39.760> that<04:05:40.080> phrygian<04:05:40.640> dominant<04:05:41.120> one

common than that phrygian dominant one

common than that phrygian dominant one
is<04:05:42.160> the<04:05:42.479> one<04:05:42.720> where<04:05:42.960> you<04:05:43.120> it's<04:05:43.279> sort<04:05:43.439> of<04:05:43.520> like

is the one where you it's sort of like

is the one where you it's sort of like
you<04:05:43.840> have<04:05:43.920> the<04:05:44.560> the<04:05:44.720> minor<04:05:44.960> third<04:05:45.199> and<04:05:45.279> the

you have the the minor third and the

you have the the minor third and the
major<04:05:45.760> third<04:05:46.239> this<04:05:46.399> one<04:05:46.640> is<04:05:46.960> very<04:05:47.359> frequently

major third this one is very frequently

major third this one is very frequently
used<04:05:48.080> and<04:05:48.239> of<04:05:48.319> course<04:05:48.560> with<04:05:48.720> both<04:05:49.040> examples

used and of course with both examples

used and of course with both examples
there's<04:05:49.680> strength<04:05:50.000> skipping<04:05:50.800> the<04:05:50.960> whole<04:05:51.439> bit

there's strength skipping the whole bit

there's strength skipping the whole bit
of<04:05:51.840> it<04:05:52.239> but<04:05:52.399> this<04:05:52.640> one<04:05:53.120> is<04:05:53.279> this<04:05:53.439> shape

[Music]

[Music]
on<04:06:00.960> and<04:06:01.120> on<04:06:01.600> uh<04:06:01.920> of<04:06:02.000> course<04:06:02.319> both<04:06:02.560> of<04:06:02.640> these

on and on uh of course both of these

on and on uh of course both of these
patterns<04:06:03.120> sometimes<04:06:03.439> might<04:06:03.600> have<04:06:03.760> more<04:06:03.920> of<04:06:04.000> a

patterns sometimes might have more of a

patterns sometimes might have more of a
diminished<04:06:04.479> tonality<04:06:04.960> so<04:06:05.199> like<04:06:05.439> i<04:06:05.520> said<04:06:05.920> maybe

diminished tonality so like i said maybe

diminished tonality so like i said maybe
alan's<04:06:06.720> thinking<04:06:07.120> diminished<04:06:07.920> and<04:06:08.080> moving<04:06:08.399> up

alan's thinking diminished and moving up

alan's thinking diminished and moving up
chromatically<04:06:09.279> but<04:06:09.760> you'll<04:06:10.000> see<04:06:10.160> once<04:06:10.399> again

chromatically but you'll see once again

chromatically but you'll see once again
all<04:06:10.960> the<04:06:11.199> symmetry<04:06:11.760> and<04:06:11.920> all<04:06:12.000> the<04:06:12.160> patterns<04:06:12.800> of

all the symmetry and all the patterns of

all the symmetry and all the patterns of
just<04:06:13.279> using<04:06:13.600> this<04:06:13.920> uh<04:06:14.319> handshape<04:06:15.120> moving<04:06:15.439> it

just using this uh handshape moving it

just using this uh handshape moving it
up<04:06:15.680> and<04:06:15.840> down<04:06:16.399> chromatically<04:06:17.359> even<04:06:17.680> sometimes

up and down chromatically even sometimes

up and down chromatically even sometimes
you'll<04:06:18.239> see<04:06:18.479> alan<04:06:18.800> take<04:06:19.040> that<04:06:19.439> that<04:06:19.680> shape<04:06:20.000> and

you'll see alan take that that shape and

you'll see alan take that that shape and
just<04:06:20.319> move<04:06:20.560> it<04:06:20.720> up<04:06:21.120> in<04:06:21.279> perfect<04:06:21.680> fourths<04:06:22.000> like

just move it up in perfect fourths like

just move it up in perfect fourths like
a<04:06:22.319> scale<04:06:22.720> something<04:06:22.960> like

so there obviously it's not diminished

so there obviously it's not diminished
or<04:06:27.840> really<04:06:28.080> belongs<04:06:28.399> to<04:06:28.560> any<04:06:28.720> scale<04:06:29.120> it's<04:06:29.279> just

or really belongs to any scale it's just

or really belongs to any scale it's just
that<04:06:29.840> finger<04:06:30.160> pattern<04:06:30.560> moved<04:06:30.880> up<04:06:30.960> and<04:06:31.120> forth

that finger pattern moved up and forth

that finger pattern moved up and forth
[Music]

[Applause]

[Applause]
[Music]

you can even take some of the shapes

you can even take some of the shapes
that<04:10:00.239> we<04:10:00.319> did<04:10:00.560> before<04:10:00.960> and<04:10:01.120> move<04:10:01.279> them

that we did before and move them

that we did before and move them
chromatically<04:10:02.319> that<04:10:02.479> way<04:10:02.960> uh<04:10:03.279> in<04:10:03.359> this

chromatically that way uh in this

chromatically that way uh in this
example<04:10:04.479> allen's<04:10:04.960> taking<04:10:05.600> the<04:10:05.920> that<04:10:06.239> dorian

example allen's taking the that dorian

example allen's taking the that dorian
sus2<04:10:07.520> concept<04:10:08.399> you<04:10:08.479> know<04:10:08.640> this<04:10:08.880> one

sus2 concept you know this one

sus2 concept you know this one
[Applause]

[Applause]

[Applause]
and<04:10:12.080> he's<04:10:12.319> moving<04:10:12.640> it<04:10:12.800> up<04:10:12.960> and<04:10:13.040> down

and he's moving it up and down

and he's moving it up and down
chromatically<04:10:13.840> although<04:10:14.080> this<04:10:14.239> is<04:10:14.399> the<04:10:14.479> only

chromatically although this is the only

chromatically although this is the only
time<04:10:15.040> i<04:10:15.199> really<04:10:15.520> uh<04:10:15.920> saw<04:10:16.159> this<04:10:16.399> example<04:10:17.439> uh

time i really uh saw this example uh

time i really uh saw this example uh
from<04:10:17.840> this<04:10:18.080> solo<04:10:18.800> uh<04:10:19.359> it<04:10:19.520> just<04:10:19.680> once<04:10:19.920> again

from this solo uh it just once again

from this solo uh it just once again
reinforces<04:10:20.640> the<04:10:20.800> idea<04:10:21.120> you<04:10:21.199> can<04:10:21.359> just<04:10:21.520> take

reinforces the idea you can just take

reinforces the idea you can just take
some<04:10:21.840> of<04:10:21.920> these<04:10:22.159> shapes<04:10:22.479> and<04:10:22.560> move<04:10:22.800> them<04:10:22.960> up

some of these shapes and move them up

some of these shapes and move them up
and<04:10:23.120> down<04:10:23.359> chromatically<04:10:23.920> just<04:10:24.080> to<04:10:24.239> create

and down chromatically just to create

and down chromatically just to create
tension

getting back to that forward staircase

getting back to that forward staircase
pattern<04:10:33.680> that<04:10:33.760> i<04:10:33.840> was<04:10:34.080> talking<04:10:34.399> about<04:10:34.880> this

pattern that i was talking about this

pattern that i was talking about this
got

got

got
uh<04:10:37.279> when<04:10:37.520> alex<04:10:37.760> stretches<04:10:38.239> really<04:10:38.479> wide<04:10:39.279> a<04:10:39.680> lot

uh when alex stretches really wide a lot

uh when alex stretches really wide a lot
of<04:10:39.920> times<04:10:40.319> he'll<04:10:40.479> get<04:10:40.640> to<04:10:40.720> a<04:10:40.880> certain<04:10:41.199> area<04:10:41.520> and

of times he'll get to a certain area and

of times he'll get to a certain area and
then<04:10:41.760> he'll<04:10:42.319> he'll<04:10:42.800> just<04:10:43.040> move<04:10:43.199> on<04:10:43.359> to<04:10:43.520> another

then he'll he'll just move on to another

then he'll he'll just move on to another
pattern<04:10:44.159> and<04:10:44.399> one<04:10:44.560> of<04:10:44.640> the<04:10:44.720> things<04:10:44.960> that<04:10:45.040> he

pattern and one of the things that he

pattern and one of the things that he
likes<04:10:45.439> to<04:10:45.520> do<04:10:46.159> is<04:10:46.720> bar<04:10:47.120> three<04:10:47.439> strings

likes to do is bar three strings

likes to do is bar three strings
sometimes<04:10:48.399> it's<04:10:48.560> the<04:10:48.720> top<04:10:49.120> three<04:10:49.359> strings<04:10:50.000> but

sometimes it's the top three strings but

sometimes it's the top three strings but
it<04:10:50.239> can<04:10:50.399> be<04:10:50.560> any<04:10:50.800> group<04:10:51.040> of<04:10:51.120> three<04:10:51.439> strings<04:10:52.000> and

it can be any group of three strings and

it can be any group of three strings and
sort<04:10:52.319> of<04:10:52.720> stretch<04:10:53.120> his<04:10:53.199> hand<04:10:53.600> wide<04:10:54.239> and<04:10:54.399> then

sort of stretch his hand wide and then

sort of stretch his hand wide and then
also<04:10:55.120> sweep<04:10:55.680> the<04:10:55.920> three<04:10:56.159> strings<04:10:56.479> underneath

also sweep the three strings underneath

also sweep the three strings underneath
it<04:10:56.960> so<04:10:57.040> i'm<04:10:57.120> still<04:10:57.359> like

i'm not really good at it

i'm not really good at it
[Music]

[Music]

[Music]
and<04:11:03.520> of<04:11:03.680> course<04:11:03.920> you<04:11:04.080> can<04:11:04.239> use<04:11:04.479> that<04:11:04.720> with<04:11:04.880> uh

and of course you can use that with uh

and of course you can use that with uh
moving<04:11:05.600> your<04:11:05.680> pinky<04:11:06.000> up<04:11:06.159> a<04:11:06.239> half<04:11:06.399> step<04:11:06.640> like

moving your pinky up a half step like

moving your pinky up a half step like
[Music]

[Music]

[Music]
i<04:11:08.720> can't<04:11:08.880> even<04:11:09.040> do<04:11:09.199> it

something like that a very awful

something like that a very awful
performance<04:11:15.840> of<04:11:15.920> it<04:11:16.080> but<04:11:16.159> once<04:11:16.399> again<04:11:16.640> you<04:11:16.720> get

performance of it but once again you get

performance of it but once again you get
the<04:11:17.040> idea<04:11:17.439> you<04:11:17.520> can<04:11:17.760> see<04:11:17.920> it<04:11:18.399> in<04:11:18.479> these

the idea you can see it in these

the idea you can see it in these
examples

examples

examples
this<04:11:20.800> kind<04:11:20.960> of<04:11:21.040> stuff<04:11:21.279> was<04:11:21.520> really<04:11:21.760> hard<04:11:22.000> to

this kind of stuff was really hard to

this kind of stuff was really hard to
transcribe<04:11:22.880> because<04:11:23.680> uh<04:11:24.080> especially<04:11:24.560> when

transcribe because uh especially when

transcribe because uh especially when
he's<04:11:24.960> just<04:11:25.279> moving<04:11:25.760> up

he's just moving up

he's just moving up
uh<04:11:26.640> the<04:11:26.880> neck<04:11:27.120> really<04:11:27.359> fast<04:11:27.680> with<04:11:27.760> these

uh the neck really fast with these

uh the neck really fast with these
stretches

stretches

stretches
i<04:11:29.439> can<04:11:29.600> tell<04:11:29.840> it's<04:11:30.000> kind<04:11:30.159> of<04:11:30.319> random<04:11:30.720> because

i can tell it's kind of random because

i can tell it's kind of random because
he<04:11:31.279> misses<04:11:31.680> notes<04:11:32.000> sometimes<04:11:32.720> and<04:11:33.199> uh<04:11:33.439> usually

he misses notes sometimes and uh usually

he misses notes sometimes and uh usually
when<04:11:33.920> you<04:11:34.080> play<04:11:34.319> something<04:11:34.640> that's<04:11:34.800> more<04:11:34.960> of<04:11:35.120> a

when you play something that's more of a

when you play something that's more of a
pattern

pattern

pattern
it's<04:11:36.479> easier<04:11:36.720> to<04:11:36.800> hit<04:11:37.040> all<04:11:37.120> the<04:11:37.199> notes<04:11:37.520> because

it's easier to hit all the notes because

it's easier to hit all the notes because
there's<04:11:37.920> some<04:11:38.080> sort<04:11:38.319> of<04:11:38.399> logic<04:11:38.720> there<04:11:38.880> but<04:11:39.040> if

there's some sort of logic there but if

there's some sort of logic there but if
you're<04:11:39.439> just<04:11:40.000> moving<04:11:40.319> your<04:11:40.479> fingers<04:11:40.880> randomly

you're just moving your fingers randomly

you're just moving your fingers randomly
up<04:11:41.520> there

you know something like that

you know something like that
[Music]

you know it's hard to tell what's

you know it's hard to tell what's
deliberate<04:11:52.800> what's<04:11:53.120> not<04:11:53.680> what's<04:11:53.920> a<04:11:54.000> mistake

deliberate what's not what's a mistake

deliberate what's not what's a mistake
you<04:11:54.960> know

you know

you know
what<04:11:56.239> you<04:11:56.319> know<04:11:56.640> if<04:11:56.960> if<04:11:57.439> you<04:11:57.600> know<04:11:57.680> you<04:11:57.840> meant

what you know if if you know you meant

what you know if if you know you meant
to<04:11:58.159> hit<04:11:58.319> the<04:11:58.800> uh<04:11:59.040> the<04:11:59.199> b<04:11:59.439> string<04:11:59.680> but<04:11:59.840> hit<04:12:00.080> the<04:12:00.239> g

to hit the uh the b string but hit the g

to hit the uh the b string but hit the g
string<04:12:00.720> instead<04:12:01.120> all<04:12:01.279> that<04:12:01.520> kind<04:12:01.680> of<04:12:01.840> stuff

string instead all that kind of stuff

string instead all that kind of stuff
that<04:12:03.199> sort<04:12:03.359> of<04:12:03.520> stretching<04:12:04.000> chaos<04:12:04.399> stuff<04:12:04.720> is

that sort of stretching chaos stuff is

that sort of stretching chaos stuff is
the<04:12:05.120> hardest<04:12:05.439> stuff<04:12:05.600> to<04:12:05.760> transcribe<04:12:06.319> and

the hardest stuff to transcribe and

the hardest stuff to transcribe and
probably<04:12:06.720> the<04:12:06.880> stuff<04:12:07.120> that's

probably the stuff that's

probably the stuff that's
that<04:12:08.560> might<04:12:08.800> be<04:12:08.960> the<04:12:09.120> least<04:12:09.439> accurate

that might be the least accurate

that might be the least accurate
although<04:12:10.159> i<04:12:10.239> think<04:12:10.479> i<04:12:10.560> kind<04:12:10.720> of<04:12:10.880> got<04:12:11.279> most<04:12:11.520> of

although i think i kind of got most of

although i think i kind of got most of
it<04:12:11.840> right<04:12:12.479> but<04:12:12.720> any<04:12:12.880> case<04:12:13.279> these<04:12:13.520> are<04:12:13.680> examples

it right but any case these are examples

it right but any case these are examples
of<04:12:14.399> alan<04:12:15.120> doing<04:12:15.359> these<04:12:15.600> kind<04:12:15.760> of<04:12:15.920> wide<04:12:16.239> stretch

of alan doing these kind of wide stretch

of alan doing these kind of wide stretch
things<04:12:16.800> with<04:12:16.960> this<04:12:17.199> three<04:12:17.520> string

things with this three string

things with this three string
sort<04:12:18.640> of<04:12:18.800> sweep<04:12:19.120> on<04:12:19.279> the<04:12:19.359> top

[Applause]

[Applause]
so

one of the other more exciting places

one of the other more exciting places
where<04:13:01.279> alan<04:13:01.520> would<04:13:01.760> uh<04:13:02.080> take<04:13:02.319> this<04:13:02.479> kind<04:13:02.640> of

where alan would uh take this kind of

where alan would uh take this kind of
bar<04:13:03.279> shape<04:13:03.920> is<04:13:04.159> actually<04:13:04.560> on<04:13:04.720> the<04:13:05.040> g<04:13:05.279> and<04:13:05.359> the<04:13:05.520> b

bar shape is actually on the g and the b

bar shape is actually on the g and the b
string<04:13:06.080> because<04:13:06.880> we<04:13:07.040> have<04:13:07.120> a<04:13:07.199> major<04:13:07.520> third

string because we have a major third

string because we have a major third
interval<04:13:08.159> there<04:13:08.560> so<04:13:08.720> what<04:13:08.880> he'll<04:13:09.040> do<04:13:09.120> is<04:13:09.279> he'll

interval there so what he'll do is he'll

interval there so what he'll do is he'll
do<04:13:09.600> this<04:13:09.760> kind<04:13:09.920> of<04:13:10.239> uh

do this kind of uh

do this kind of uh
rising<04:13:12.159> stretch<04:13:12.560> thing<04:13:12.800> on<04:13:12.880> the<04:13:12.960> g<04:13:13.199> in<04:13:13.279> the<04:13:13.359> b

rising stretch thing on the g in the b

rising stretch thing on the g in the b
string<04:13:13.760> while<04:13:14.000> barring<04:13:14.399> it<04:13:14.479> but<04:13:14.720> also<04:13:15.120> up

string while barring it but also up

string while barring it but also up
stroking<04:13:15.760> the<04:13:15.920> b<04:13:16.159> string<04:13:16.479> to<04:13:16.640> the<04:13:16.800> g<04:13:17.040> string<04:13:17.840> uh

stroking the b string to the g string uh

stroking the b string to the g string uh
so<04:13:18.479> the<04:13:18.640> notes<04:13:18.880> are<04:13:19.199> really<04:13:19.600> weird<04:13:19.920> areas<04:13:20.159> so

so the notes are really weird areas so

so the notes are really weird areas so
you<04:13:20.319> get<04:13:20.479> something<04:13:20.720> like

you get something like

you get something like
[Music]

[Music]

[Music]
something<04:13:27.520> like<04:13:27.760> that<04:13:28.319> uh<04:13:28.640> and<04:13:28.800> of<04:13:28.880> course

something like that uh and of course

something like that uh and of course
it's<04:13:29.359> really<04:13:29.600> hard<04:13:29.840> to<04:13:30.000> tell<04:13:30.319> what<04:13:30.720> intent<04:13:31.439> is

it's really hard to tell what intent is

it's really hard to tell what intent is
there<04:13:32.399> um<04:13:33.040> because<04:13:33.840> i<04:13:34.000> can't<04:13:34.239> tell<04:13:34.399> if<04:13:34.560> he's

there um because i can't tell if he's

there um because i can't tell if he's
going<04:13:34.960> i'm<04:13:35.199> he's<04:13:35.600> thinking<04:13:35.920> i'm<04:13:36.080> just<04:13:36.239> gonna

going i'm he's thinking i'm just gonna

going i'm he's thinking i'm just gonna
move<04:13:36.640> every<04:13:36.880> fret<04:13:37.120> or<04:13:37.199> he's<04:13:37.439> just<04:13:37.600> sliding<04:13:38.080> his

move every fret or he's just sliding his

move every fret or he's just sliding his
hands<04:13:38.640> up<04:13:38.800> while<04:13:38.960> just<04:13:39.120> moving<04:13:39.439> his<04:13:39.520> fingers

hands up while just moving his fingers

hands up while just moving his fingers
like<04:13:40.000> this

like this

like this
and<04:13:41.359> just<04:13:41.680> playing<04:13:42.319> you<04:13:42.399> know<04:13:42.960> almost

and just playing you know almost

and just playing you know almost
anything<04:13:43.520> that<04:13:43.680> he<04:13:43.760> can<04:13:43.920> hit<04:13:44.159> because

anything that he can hit because

anything that he can hit because
remember

remember

remember
i<04:13:45.680> feel<04:13:46.000> that<04:13:46.159> the<04:13:46.319> notes<04:13:46.560> are<04:13:46.640> not<04:13:46.880> important

i feel that the notes are not important

i feel that the notes are not important
it's<04:13:47.600> just<04:13:47.840> the<04:13:48.159> tension<04:13:48.479> that<04:13:48.640> you're

it's just the tension that you're

it's just the tension that you're
creating<04:13:49.359> so<04:13:49.600> it<04:13:49.680> doesn't<04:13:50.000> make<04:13:50.159> a<04:13:50.319> difference

creating so it doesn't make a difference

creating so it doesn't make a difference
sort<04:13:51.359> of<04:13:51.439> what<04:13:51.600> you<04:13:51.760> do<04:13:51.920> there<04:13:52.159> as<04:13:52.319> long<04:13:52.479> as<04:13:52.640> you

sort of what you do there as long as you

sort of what you do there as long as you
get<04:13:52.880> the<04:13:53.199> point<04:13:53.520> across

get the point across

get the point across
and<04:13:54.560> sometimes<04:13:54.960> with<04:13:55.120> these<04:13:55.439> lines<04:13:55.760> like<04:13:56.000> i

and sometimes with these lines like i

and sometimes with these lines like i
said<04:13:56.319> because<04:13:56.560> al<04:13:56.800> is<04:13:56.880> stretching<04:13:57.760> uh<04:13:58.000> he

said because al is stretching uh he

said because al is stretching uh he
might<04:13:58.560> instead<04:13:58.800> of<04:13:58.960> playing<04:13:59.199> a<04:13:59.279> major<04:13:59.600> third

might instead of playing a major third

might instead of playing a major third
here

here

here
his<04:14:01.600> fingers<04:14:02.000> curved<04:14:02.319> and<04:14:02.399> he's<04:14:02.560> actually

his fingers curved and he's actually

his fingers curved and he's actually
playing<04:14:03.040> a<04:14:03.120> minor<04:14:03.439> third

playing a minor third

playing a minor third
and<04:14:05.040> that<04:14:05.359> makes<04:14:05.920> trying<04:14:06.159> to<04:14:06.239> figure<04:14:06.560> out<04:14:06.880> some

and that makes trying to figure out some

and that makes trying to figure out some
of<04:14:07.120> that<04:14:07.359> stuff<04:14:07.680> really<04:14:08.000> really<04:14:08.399> tricky

of that stuff really really tricky

of that stuff really really tricky
but<04:14:10.560> it's<04:14:10.800> just<04:14:11.040> a<04:14:11.279> concept<04:14:11.680> that<04:14:11.840> he<04:14:11.920> does<04:14:12.159> and

but it's just a concept that he does and

but it's just a concept that he does and
here<04:14:12.399> are<04:14:12.479> some<04:14:12.720> examples

[Applause]

[Applause]
[Music]

getting back to more pattern oriented

getting back to more pattern oriented
shapes<04:14:51.920> here's<04:14:52.239> one<04:14:52.880> uh<04:14:53.199> that<04:14:53.520> i<04:14:53.680> started<04:14:53.920> to

shapes here's one uh that i started to

shapes here's one uh that i started to
notice<04:14:54.319> sort<04:14:54.479> of<04:14:54.560> later<04:14:54.800> in<04:14:54.960> his<04:14:55.040> career<04:14:55.600> so

notice sort of later in his career so

notice sort of later in his career so
once<04:14:56.000> again<04:14:56.239> a<04:14:56.319> lot<04:14:56.399> of<04:14:56.479> these<04:14:56.640> patterns

once again a lot of these patterns

once again a lot of these patterns
follow<04:14:57.600> this<04:14:57.760> kind<04:14:57.920> of<04:14:58.080> flat<04:14:58.399> five<04:14:58.720> concept

follow this kind of flat five concept

follow this kind of flat five concept
where<04:14:59.760> what<04:15:00.000> allen<04:15:00.239> will<04:15:00.319> do<04:15:00.479> is<04:15:00.560> he'll<04:15:00.720> play

where what allen will do is he'll play

where what allen will do is he'll play
two<04:15:01.199> notes

two notes

two notes
and<04:15:02.720> then<04:15:02.880> move<04:15:03.040> to<04:15:03.199> the<04:15:03.279> next<04:15:03.520> string<04:15:04.319> and

and then move to the next string and

and then move to the next string and
then<04:15:04.640> slide<04:15:04.960> up<04:15:05.120> a<04:15:05.199> half<04:15:05.359> step

then slide up a half step

then slide up a half step
and<04:15:06.960> then<04:15:07.120> from<04:15:07.359> there<04:15:07.760> do<04:15:07.920> a<04:15:08.000> little<04:15:08.319> uh<04:15:08.640> that

and then from there do a little uh that

and then from there do a little uh that
major<04:15:09.279> triad<04:15:09.680> shape<04:15:09.920> that<04:15:10.000> i<04:15:10.080> was<04:15:10.239> talking

major triad shape that i was talking

major triad shape that i was talking
about

about

about
and<04:15:11.840> then<04:15:11.920> once<04:15:12.159> again<04:15:12.319> just<04:15:12.479> know<04:15:12.640> maybe

and then once again just know maybe

and then once again just know maybe
slide<04:15:13.199> up<04:15:13.279> a<04:15:13.359> half<04:15:13.600> step<04:15:13.920> or<04:15:14.080> maybe<04:15:14.319> even<04:15:14.720> slide

slide up a half step or maybe even slide

slide up a half step or maybe even slide
up<04:15:15.760> uh<04:15:16.080> on<04:15:16.239> the<04:15:16.640> original<04:15:17.040> a<04:15:17.279> string

but that concept is there of just moving

but that concept is there of just moving
these<04:15:22.000> little<04:15:22.239> two<04:15:22.399> fingers

up a half step like that

up a half step like that
[Music]

[Music]

[Music]
and<04:15:45.279> of<04:15:45.359> course<04:15:45.680> it<04:15:45.760> just<04:15:45.920> doesn't<04:15:46.159> have<04:15:46.319> to<04:15:46.399> be

and of course it just doesn't have to be

and of course it just doesn't have to be
half<04:15:46.800> steps<04:15:47.199> you<04:15:47.279> could<04:15:47.439> do<04:15:47.600> whole<04:15:47.840> steps<04:15:48.640> uh

half steps you could do whole steps uh

half steps you could do whole steps uh
this<04:15:49.120> one<04:15:49.279> is<04:15:49.439> more<04:15:49.680> common<04:15:49.920> for<04:15:50.080> alan's

this one is more common for alan's

this one is more common for alan's
playing<04:15:50.880> and<04:15:51.199> also<04:15:51.520> appeared<04:15:51.840> a<04:15:51.920> bit<04:15:52.159> earlier

playing and also appeared a bit earlier

playing and also appeared a bit earlier
so<04:15:52.720> i<04:15:52.880> think<04:15:53.120> this<04:15:53.359> is<04:15:53.439> something<04:15:53.840> that<04:15:54.560> really

so i think this is something that really

so i think this is something that really
stemmed<04:15:55.279> from

stemmed from

stemmed from
some<04:15:56.319> of<04:15:56.399> those<04:15:56.560> minor<04:15:56.880> pentatonic<04:15:57.680> shapes<04:15:58.239> so

some of those minor pentatonic shapes so

some of those minor pentatonic shapes so
it's<04:15:58.640> the<04:15:58.800> same<04:15:59.120> sort<04:15:59.279> of<04:15:59.359> concept<04:15:59.760> but<04:15:59.920> now

it's the same sort of concept but now

it's the same sort of concept but now
you're<04:16:00.239> doing<04:16:00.560> it<04:16:00.720> in<04:16:00.800> this<04:16:00.960> little<04:16:01.279> a<04:16:01.520> whole

you're doing it in this little a whole

you're doing it in this little a whole
step<04:16:02.000> box

step box

step box
but<04:16:04.159> with<04:16:04.399> this<04:16:04.640> there's

but with this there's

but with this there's
all<04:16:05.920> these<04:16:06.159> different<04:16:06.399> ways<04:16:06.640> you<04:16:06.800> can<04:16:07.040> move<04:16:07.520> up

all these different ways you can move up

all these different ways you can move up
and<04:16:07.840> down

and down

and down
so<04:16:09.439> sometimes<04:16:09.760> what<04:16:09.920> alan<04:16:10.159> will<04:16:10.239> do<04:16:10.399> is<04:16:10.479> he'll

so sometimes what alan will do is he'll

so sometimes what alan will do is he'll
play<04:16:10.800> that<04:16:10.960> little<04:16:11.359> uh<04:16:11.680> four<04:16:11.920> note<04:16:12.159> box

play that little uh four note box

play that little uh four note box
move<04:16:13.439> up<04:16:13.600> a<04:16:13.680> half<04:16:14.000> step<04:16:14.319> and<04:16:14.479> then

move up a half step and then

move up a half step and then
on<04:16:15.680> this<04:16:16.399> on<04:16:16.479> the<04:16:16.640> g<04:16:16.880> string

on this on the g string

on this on the g string
bar<04:16:18.239> the<04:16:18.399> g<04:16:18.640> and<04:16:18.800> the<04:16:18.880> d<04:16:19.040> string<04:16:19.279> with<04:16:19.439> an<04:16:19.600> up

bar the g and the d string with an up

bar the g and the d string with an up
and<04:16:20.880> then<04:16:21.520> play<04:16:21.760> the<04:16:22.080> um

and then play the um

and then play the um
play<04:16:23.520> the<04:16:23.680> d<04:16:23.920> string<04:16:24.239> note

play the d string note

play the d string note
and<04:16:26.560> then<04:16:26.800> slide<04:16:27.120> up<04:16:27.279> a<04:16:27.359> half<04:16:27.520> step<04:16:28.080> and<04:16:28.159> then

and then slide up a half step and then

and then slide up a half step and then
bar<04:16:28.640> that<04:16:28.800> to<04:16:28.960> the<04:16:29.040> a<04:16:29.279> string

and then bar the first fret uh first

and then bar the first fret uh first
finger<04:16:34.159> again

finger again

finger again
and<04:16:35.520> then

and then

and then
hammer<04:16:36.640> the<04:16:36.800> next<04:16:37.120> note<04:16:37.680> and<04:16:37.760> then<04:16:38.000> move<04:16:38.239> up<04:16:38.319> a

hammer the next note and then move up a

hammer the next note and then move up a
half<04:16:38.560> step<04:16:39.279> and<04:16:39.359> then<04:16:39.680> use<04:16:39.840> your<04:16:40.000> third<04:16:40.239> finger

half step and then use your third finger

half step and then use your third finger
to<04:16:40.560> bar<04:16:40.800> again

to bar again

to bar again
[Music]

[Music]

[Music]
stuff<04:16:49.279> like<04:16:49.439> that<04:16:49.600> and<04:16:49.680> of<04:16:49.840> course<04:16:50.399> all<04:16:51.040> all

stuff like that and of course all all

stuff like that and of course all all
you<04:16:51.359> can<04:16:51.439> use<04:16:51.680> any<04:16:51.920> type<04:16:52.080> of<04:16:52.239> variation<04:16:52.720> with

you can use any type of variation with

you can use any type of variation with
that<04:16:53.040> sliding<04:16:53.439> up<04:16:53.520> with<04:16:53.680> your<04:16:53.840> third<04:16:54.080> finger

that sliding up with your third finger

that sliding up with your third finger
sliding<04:16:54.720> up<04:16:54.880> with<04:16:54.960> your<04:16:55.120> first<04:16:55.439> finger<04:16:55.920> but

sliding up with your first finger but

sliding up with your first finger but
you<04:16:56.239> can<04:16:56.399> see<04:16:56.560> it's<04:16:56.720> just<04:16:56.880> that<04:16:57.120> box<04:16:57.439> moving

you can see it's just that box moving

you can see it's just that box moving
box<04:16:58.399> pattern<04:16:58.720> moving<04:16:59.040> up<04:16:59.520> with<04:16:59.840> the

box pattern moving up with the

box pattern moving up with the
occasional<04:17:00.560> barring<04:17:01.040> to<04:17:01.359> move<04:17:01.680> down<04:17:02.000> a<04:17:02.080> group

occasional barring to move down a group

occasional barring to move down a group
of<04:17:02.399> strings

[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

and this one instead of doing a whole

and this one instead of doing a whole
step<04:18:19.279> now<04:18:19.439> we're<04:18:19.600> doing<04:18:19.920> a<04:18:20.000> minor<04:18:20.399> third<04:18:20.880> but

step now we're doing a minor third but

step now we're doing a minor third but
this<04:18:21.279> one<04:18:21.439> has<04:18:21.680> a<04:18:21.760> little<04:18:21.920> bit<04:18:22.159> more<04:18:22.319> of<04:18:22.479> a

this one has a little bit more of a

this one has a little bit more of a
strict<04:18:23.199> pattern<04:18:23.520> to<04:18:23.760> it<04:18:24.080> so<04:18:24.239> you<04:18:24.399> would<04:18:24.560> play

strict pattern to it so you would play

strict pattern to it so you would play
that<04:18:25.199> minor<04:18:25.520> third<04:18:25.840> box<04:18:26.159> shape

that minor third box shape

that minor third box shape
move<04:18:28.000> up<04:18:28.159> a<04:18:28.239> half<04:18:28.399> step

move up a half step

move up a half step
bar<04:18:30.479> from<04:18:30.720> the<04:18:30.960> g<04:18:31.199> to<04:18:31.359> the<04:18:31.520> d<04:18:31.760> with<04:18:31.920> an

bar from the g to the d with an

bar from the g to the d with an
upstroke<04:18:33.920> like<04:18:34.159> that

upstroke like that

upstroke like that
back<04:18:35.279> to<04:18:35.439> the<04:18:35.680> pinky<04:18:36.080> note<04:18:36.319> a<04:18:36.479> minor<04:18:36.720> third

back to the pinky note a minor third

back to the pinky note a minor third
away

like that pull off the d string note and

like that pull off the d string note and
then<04:18:43.120> play<04:18:43.439> the<04:18:43.600> a<04:18:43.840> string<04:18:44.159> note

and then play this note a flat five away

and then play this note a flat five away
pull<04:18:49.760> off<04:18:49.920> with<04:18:50.080> your<04:18:50.159> first<04:18:50.399> finger

and then do a little chromatic line

and then do a little chromatic line
moving<04:18:55.680> down

[Music]

[Music]
this<04:19:00.080> is<04:19:00.239> also<04:19:00.560> much<04:19:00.800> more<04:19:01.040> common<04:19:01.359> in<04:19:01.600> allen's

this is also much more common in allen's

this is also much more common in allen's
uh<04:19:02.319> later<04:19:02.720> playing<04:19:03.359> uh<04:19:03.600> later<04:19:04.000> outside<04:19:04.399> play

uh later playing uh later outside play

uh later playing uh later outside play
again<04:19:05.680> notice<04:19:06.080> how<04:19:06.319> some<04:19:06.479> of<04:19:06.560> these<04:19:06.720> things

again notice how some of these things

again notice how some of these things
incorporate<04:19:07.680> that<04:19:08.000> minor<04:19:08.560> uh<04:19:09.040> that<04:19:09.279> sort<04:19:09.439> of

incorporate that minor uh that sort of

incorporate that minor uh that sort of
minor<04:19:09.920> third<04:19:10.159> major<04:19:10.560> third<04:19:10.880> kind<04:19:11.040> of<04:19:11.199> thing

minor third major third kind of thing

minor third major third kind of thing
but<04:19:12.479> instead<04:19:12.720> of<04:19:13.120> actually<04:19:13.520> playing<04:19:13.840> it<04:19:13.920> with

but instead of actually playing it with

but instead of actually playing it with
your<04:19:14.159> finger<04:19:14.479> you're<04:19:14.640> just<04:19:14.880> sliding<04:19:15.199> it<04:19:15.359> up

your finger you're just sliding it up

your finger you're just sliding it up
[Music]

[Music]

[Music]
and<04:19:18.319> this<04:19:18.720> kind<04:19:18.960> of<04:19:19.120> concept<04:19:19.600> can<04:19:19.920> usually

and this kind of concept can usually

and this kind of concept can usually
begins<04:19:20.960> a<04:19:21.359> phrase<04:19:22.000> but<04:19:22.159> can<04:19:22.399> also<04:19:22.640> be<04:19:22.880> in<04:19:23.040> the

begins a phrase but can also be in the

begins a phrase but can also be in the
middle<04:19:23.359> of<04:19:23.520> a<04:19:23.600> phrase<04:19:23.840> or<04:19:24.000> an<04:19:24.080> end<04:19:24.239> of<04:19:24.399> it<04:19:24.479> could

middle of a phrase or an end of it could

middle of a phrase or an end of it could
be<04:19:24.720> anywhere

be anywhere

be anywhere
[Music]

[Applause]

[Applause]
bye

bye

bye
[Music]

[Music]

[Music]
foreign

what's cool about this outside phrase is

what's cool about this outside phrase is
that<04:21:11.359> allen<04:21:11.600> has<04:21:11.840> actually<04:21:12.080> mentioned<04:21:12.399> this

that allen has actually mentioned this

that allen has actually mentioned this
in<04:21:12.800> an<04:21:12.960> interview<04:21:13.279> before<04:21:13.840> the<04:21:14.080> concept<04:21:14.560> of

in an interview before the concept of

in an interview before the concept of
this<04:21:14.960> is<04:21:15.279> allen's<04:21:15.680> playing<04:21:16.080> triads<04:21:17.199> but

this is allen's playing triads but

this is allen's playing triads but
uh<04:21:18.479> a<04:21:18.640> half<04:21:18.880> step<04:21:19.199> down<04:21:19.520> while<04:21:19.840> going<04:21:20.159> up<04:21:20.560> so

uh a half step down while going up so

uh a half step down while going up so
kind<04:21:20.960> of<04:21:21.120> in<04:21:21.279> major<04:21:21.680> sevens<04:21:22.399> and<04:21:22.640> of<04:21:22.800> course

kind of in major sevens and of course

kind of in major sevens and of course
the<04:21:23.199> triads<04:21:23.600> don't<04:21:23.840> have<04:21:24.000> to<04:21:24.080> be<04:21:24.239> major<04:21:24.960> they

the triads don't have to be major they

the triads don't have to be major they
can<04:21:25.279> be<04:21:25.600> minor<04:21:26.000> they<04:21:26.159> could<04:21:26.319> be<04:21:26.479> augmented

can be minor they could be augmented

can be minor they could be augmented
they<04:21:27.199> could<04:21:27.359> be<04:21:27.520> anything<04:21:28.399> uh<04:21:28.800> it's<04:21:29.040> sometimes

they could be anything uh it's sometimes

they could be anything uh it's sometimes
like<04:21:30.479> the<04:21:30.720> first<04:21:30.960> one<04:21:31.120> might<04:21:31.279> be<04:21:31.439> major

like the first one might be major

like the first one might be major
but<04:21:32.800> then<04:21:32.960> the<04:21:33.120> second<04:21:33.439> one<04:21:33.680> is<04:21:33.840> augmented

but then the second one is augmented

but then the second one is augmented
you<04:21:35.840> know<04:21:35.920> they<04:21:36.080> can<04:21:36.159> be<04:21:36.319> a<04:21:36.399> little<04:21:36.560> bit

you know they can be a little bit

you know they can be a little bit
different<04:21:37.279> once<04:21:37.600> again<04:21:38.159> i<04:21:38.239> don't<04:21:38.399> know<04:21:38.560> the

different once again i don't know the

different once again i don't know the
intent<04:21:39.600> uh<04:21:39.920> i<04:21:40.080> would<04:21:40.319> assume<04:21:40.720> that<04:21:40.960> it's

intent uh i would assume that it's

intent uh i would assume that it's
possible<04:21:41.600> that<04:21:41.840> it's<04:21:42.000> just<04:21:42.239> uh<04:21:42.720> he's<04:21:42.880> just

possible that it's just uh he's just

possible that it's just uh he's just
missing<04:21:43.439> it<04:21:43.520> with<04:21:43.680> his<04:21:43.840> finger<04:21:44.159> because<04:21:44.399> it's

missing it with his finger because it's

missing it with his finger because it's
so<04:21:44.800> fast<04:21:45.120> and<04:21:45.279> he's<04:21:45.520> moving<04:21:45.840> up<04:21:46.000> the<04:21:46.239> neck<04:21:46.960> uh

so fast and he's moving up the neck uh

so fast and he's moving up the neck uh
but<04:21:47.680> that's<04:21:47.920> really<04:21:48.159> the<04:21:48.319> core<04:21:48.560> it's<04:21:48.720> these

but that's really the core it's these

but that's really the core it's these
kind<04:21:49.199> of<04:21:49.840> triads<04:21:50.960> moving<04:21:51.840> down<04:21:52.080> in<04:21:52.239> half<04:21:52.479> steps

kind of triads moving down in half steps

kind of triads moving down in half steps
but<04:21:52.880> you're<04:21:53.040> going<04:21:53.359> up<04:21:53.600> in<04:21:53.760> pitch<04:21:54.239> once<04:21:54.479> again

but you're going up in pitch once again

but you're going up in pitch once again
you<04:21:54.880> can<04:21:55.040> have<04:21:55.199> variations<04:21:55.840> with<04:21:55.920> this

you can have variations with this

you can have variations with this
approach<04:21:56.560> you<04:21:56.640> can<04:21:56.800> maybe<04:21:57.120> only<04:21:57.359> do

approach you can maybe only do

approach you can maybe only do
uh<04:21:58.319> two<04:21:58.560> triads<04:21:59.680> uh<04:22:00.319> you<04:22:00.479> know<04:22:00.720> you<04:22:00.880> can<04:22:01.199> do

uh two triads uh you know you can do

uh two triads uh you know you can do
anything<04:22:01.680> with<04:22:01.840> this<04:22:02.080> it's<04:22:02.239> once<04:22:02.479> again<04:22:02.720> it's

anything with this it's once again it's

anything with this it's once again it's
just<04:22:02.960> the<04:22:03.120> concept<04:22:03.600> of<04:22:03.680> the<04:22:03.920> shell<04:22:04.159> of<04:22:04.239> the

just the concept of the shell of the

just the concept of the shell of the
idea<04:22:04.720> that<04:22:04.960> you<04:22:05.040> can<04:22:05.199> play<04:22:05.520> with<04:22:06.159> uh<04:22:06.479> i<04:22:06.800> want<04:22:06.960> to

idea that you can play with uh i want to

idea that you can play with uh i want to
thank<04:22:07.279> again<04:22:07.520> jill<04:22:07.760> britton<04:22:08.000> for<04:22:08.159> this<04:22:08.399> uh

thank again jill britton for this uh

thank again jill britton for this uh
because<04:22:08.800> i<04:22:08.880> remember<04:22:09.120> him<04:22:09.279> mentioning<04:22:09.680> this

because i remember him mentioning this

because i remember him mentioning this
to<04:22:10.000> me<04:22:10.159> even<04:22:10.479> before

to me even before

to me even before
uh

uh

uh
i<04:22:12.560> did<04:22:12.800> this<04:22:13.120> project<04:22:13.920> and<04:22:14.159> the<04:22:14.479> the<04:22:14.880> quote

i did this project and the the quote

i did this project and the the quote
about<04:22:15.439> it<04:22:15.520> so<04:22:15.920> thanks<04:22:16.239> joe

about it so thanks joe

about it so thanks joe
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my

my
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once again another finger shape that you

once again another finger shape that you
can<04:23:26.640> use<04:23:26.880> that<04:23:27.040> i've<04:23:27.120> seen<04:23:27.359> alan<04:23:27.600> do<04:23:27.760> although

can use that i've seen alan do although

can use that i've seen alan do although
this<04:23:28.080> one<04:23:28.239> is<04:23:28.399> not<04:23:28.560> as<04:23:28.720> common<04:23:29.439> is<04:23:29.840> playing

this one is not as common is playing

this one is not as common is playing
perfect<04:23:30.560> fourths<04:23:31.120> and<04:23:31.279> unison<04:23:31.840> notes<04:23:32.159> stuff

perfect fourths and unison notes stuff

perfect fourths and unison notes stuff
like<04:23:32.479> this

like this

like this
or

and of course you can play that up and

and of course you can play that up and
down<04:23:38.319> chromatically

down chromatically

down chromatically
like<04:23:39.680> i<04:23:39.760> said<04:23:39.920> you<04:23:40.000> don't<04:23:40.159> really<04:23:40.319> see<04:23:40.479> this

like i said you don't really see this

like i said you don't really see this
often<04:23:41.040> but<04:23:41.279> once<04:23:41.520> again<04:23:41.760> it's<04:23:41.840> just<04:23:42.000> another

often but once again it's just another

often but once again it's just another
idea<04:23:42.560> to<04:23:42.720> build<04:23:43.040> tension

idea to build tension

idea to build tension
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now the last concept that i've seen alan

now the last concept that i've seen alan
do<04:24:05.120> is<04:24:05.279> actually<04:24:05.760> pretty<04:24:06.159> rare<04:24:06.880> i've<04:24:07.199> only

do is actually pretty rare i've only

do is actually pretty rare i've only
seen<04:24:07.840> it<04:24:08.000> twice<04:24:08.640> i've<04:24:08.960> seen<04:24:09.279> it<04:24:09.439> in<04:24:09.680> one<04:24:10.159> tune

seen it twice i've seen it in one tune

seen it twice i've seen it in one tune
and<04:24:11.359> uh<04:24:11.680> i<04:24:12.000> saw<04:24:12.319> it<04:24:12.479> in<04:24:12.640> joe<04:24:12.880> britton's

and uh i saw it in joe britton's

and uh i saw it in joe britton's
transcription<04:24:13.920> of<04:24:14.239> tell<04:24:14.399> me<04:24:14.560> from<04:24:14.720> the<04:24:14.800> rh

transcription of tell me from the rh

transcription of tell me from the rh
video<04:24:15.600> and<04:24:15.680> i<04:24:15.840> didn't<04:24:16.080> even<04:24:16.239> really<04:24:16.479> believe

video and i didn't even really believe

video and i didn't even really believe
it<04:24:16.880> until<04:24:17.199> i<04:24:17.600> sort<04:24:17.840> of<04:24:17.920> double<04:24:18.239> checked<04:24:18.399> what

it until i sort of double checked what

it until i sort of double checked what
he<04:24:18.720> wrote<04:24:18.960> with<04:24:19.120> the<04:24:19.279> video<04:24:20.080> the<04:24:20.239> concept<04:24:20.720> is

he wrote with the video the concept is

he wrote with the video the concept is
you're<04:24:21.040> basically<04:24:21.520> playing<04:24:21.840> some<04:24:22.080> of<04:24:22.159> those

you're basically playing some of those

you're basically playing some of those
uh<04:24:23.199> shapes<04:24:23.600> but<04:24:23.760> you're<04:24:24.080> moving<04:24:24.640> up<04:24:24.800> with<04:24:25.040> your

uh shapes but you're moving up with your

uh shapes but you're moving up with your
pinky<04:24:25.840> a<04:24:25.920> half<04:24:26.159> step<04:24:26.479> and<04:24:26.560> then<04:24:26.800> going<04:24:27.199> to<04:24:27.439> the

pinky a half step and then going to the

pinky a half step and then going to the
next<04:24:28.000> string<04:24:28.479> this<04:24:28.720> is<04:24:28.800> what<04:24:28.960> i<04:24:29.120> mean<04:24:29.520> so<04:24:29.760> for

next string this is what i mean so for

next string this is what i mean so for
example<04:24:30.319> if<04:24:30.399> we<04:24:30.479> were<04:24:30.640> to<04:24:30.800> play<04:24:31.040> the<04:24:31.680> 10th<04:24:32.000> fret

example if we were to play the 10th fret

example if we were to play the 10th fret
or<04:24:33.359> play<04:24:33.760> 10

or play 10

or play 10
14<04:24:35.600> 12<04:24:36.159> 14<04:24:36.479> let's<04:24:36.640> say<04:24:36.800> something<04:24:37.040> like<04:24:37.199> that

14 12 14 let's say something like that

14 12 14 let's say something like that
but<04:24:38.640> instead<04:24:38.880> of<04:24:39.040> going<04:24:39.279> back<04:24:39.520> to<04:24:39.600> the<04:24:39.840> 14th

but instead of going back to the 14th

but instead of going back to the 14th
fret<04:24:40.720> i'm<04:24:40.880> going<04:24:40.960> to<04:24:41.120> move<04:24:41.520> up<04:24:41.600> to<04:24:41.760> the<04:24:42.000> 15th

fret i'm going to move up to the 15th

fret i'm going to move up to the 15th
fret

fret

fret
and<04:24:44.479> now<04:24:44.800> my<04:24:44.960> figures<04:24:45.279> are<04:24:45.359> on<04:24:45.600> 11

and now my figures are on 11

and now my figures are on 11
13<04:24:47.199> and<04:24:47.439> 15.

and of course you can stretch do all

and of course you can stretch do all
that<04:24:52.399> sort<04:24:52.560> of<04:24:52.640> crazy<04:24:53.040> stuff<04:24:53.279> with<04:24:53.520> it<04:24:53.760> and

that sort of crazy stuff with it and

that sort of crazy stuff with it and
it's<04:24:54.159> physically<04:24:54.640> a<04:24:54.720> little<04:24:55.040> hard<04:24:55.279> to<04:24:55.439> do<04:24:55.760> as

it's physically a little hard to do as

it's physically a little hard to do as
well

well

well
but<04:24:57.439> uh<04:24:57.920> it's<04:24:58.159> in<04:24:58.319> one<04:24:58.560> tune<04:24:58.800> that<04:24:58.960> i<04:24:59.040> found<04:24:59.359> and

but uh it's in one tune that i found and

but uh it's in one tune that i found and
it's<04:24:59.840> in<04:24:59.920> the<04:25:00.080> rh<04:25:00.560> video<04:25:00.800> which<04:25:00.960> you<04:25:01.120> can<04:25:01.199> see

it's in the rh video which you can see

it's in the rh video which you can see
here

as we close out this section here are a

as we close out this section here are a
bunch<04:25:17.199> of<04:25:17.359> lines<04:25:17.760> that<04:25:17.920> i<04:25:18.080> found<04:25:18.640> that<04:25:18.880> i<04:25:18.960> think

bunch of lines that i found that i think

bunch of lines that i found that i think
are<04:25:19.359> pretty<04:25:19.600> good<04:25:19.840> of<04:25:20.000> showing<04:25:20.479> different

are pretty good of showing different

are pretty good of showing different
combinations<04:25:21.680> of<04:25:21.760> some<04:25:21.920> of<04:25:22.000> these<04:25:22.239> lines<04:25:22.479> that

combinations of some of these lines that

combinations of some of these lines that
we<04:25:22.720> just<04:25:22.960> talked<04:25:23.199> about<04:25:23.920> keep<04:25:24.239> in<04:25:24.399> mind<04:25:24.800> all<04:25:25.040> of

we just talked about keep in mind all of

we just talked about keep in mind all of
these<04:25:25.680> uh<04:25:26.159> little<04:25:26.720> physical<04:25:27.199> ideas<04:25:28.080> we're

these uh little physical ideas we're

these uh little physical ideas we're
gonna<04:25:28.560> see<04:25:29.040> in<04:25:29.199> the<04:25:29.439> tuning<04:25:29.840> section<04:25:30.239> so<04:25:30.640> keep

gonna see in the tuning section so keep

gonna see in the tuning section so keep
in<04:25:31.040> mind

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uh

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my

my
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and that's it this that's pretty much

and that's it this that's pretty much
all<04:28:49.439> the<04:28:49.600> major<04:28:50.000> concepts<04:28:50.479> that<04:28:50.640> allen's

all the major concepts that allen's

all the major concepts that allen's
really<04:28:51.279> using<04:28:51.680> while<04:28:52.159> playing<04:28:52.800> regular

really using while playing regular

really using while playing regular
standard<04:28:53.600> tuning<04:28:54.319> uh<04:28:54.640> so<04:28:54.800> just<04:28:55.040> as<04:28:55.199> a<04:28:55.439> quick

standard tuning uh so just as a quick

standard tuning uh so just as a quick
example<04:28:56.239> here<04:28:56.479> is<04:28:56.560> some<04:28:56.800> lines<04:28:57.199> where<04:28:57.840> allen's

example here is some lines where allen's

example here is some lines where allen's
combining<04:28:58.640> all<04:28:58.800> these<04:28:59.040> ideas<04:28:59.359> he's<04:28:59.600> playing

combining all these ideas he's playing

combining all these ideas he's playing
he's<04:29:00.319> he's<04:29:00.560> combining<04:29:00.960> the<04:29:01.120> scalar<04:29:01.439> playing

he's he's combining the scalar playing

he's he's combining the scalar playing
with<04:29:01.840> some<04:29:02.000> of<04:29:02.080> these<04:29:02.239> outside<04:29:02.800> shapes<04:29:03.120> and

with some of these outside shapes and

with some of these outside shapes and
putting<04:29:03.520> it<04:29:03.680> all<04:29:03.760> together

tapping is a technique that alan really

tapping is a technique that alan really
didn't<04:29:29.040> use<04:29:29.279> that<04:29:29.520> often

didn't use that often

didn't use that often
the<04:29:30.640> majority<04:29:31.199> of<04:29:31.279> the<04:29:31.439> tapping<04:29:31.840> lines<04:29:32.640> uh<04:29:33.279> i

the majority of the tapping lines uh i

the majority of the tapping lines uh i
think<04:29:33.680> all<04:29:33.920> but<04:29:34.159> one<04:29:34.479> really<04:29:34.720> come<04:29:34.960> from<04:29:35.120> two

think all but one really come from two

think all but one really come from two
records<04:29:35.840> it<04:29:35.920> comes<04:29:36.239> from<04:29:36.560> the<04:29:36.800> uh<04:29:37.199> road<04:29:37.520> games

records it comes from the uh road games

records it comes from the uh road games
record<04:29:38.239> and<04:29:38.399> metal<04:29:38.640> fatigue<04:29:39.600> and<04:29:39.840> i<04:29:40.000> found<04:29:40.159> i

record and metal fatigue and i found i

record and metal fatigue and i found i
think<04:29:40.479> one<04:29:40.640> other<04:29:40.880> instance<04:29:41.439> uh<04:29:41.760> just

think one other instance uh just

think one other instance uh just
randomly<04:29:42.960> uh<04:29:43.359> but<04:29:44.000> alan<04:29:44.319> stopped<04:29:44.560> using<04:29:44.800> it

randomly uh but alan stopped using it

randomly uh but alan stopped using it
because<04:29:45.040> i<04:29:45.120> guess<04:29:45.279> everyone<04:29:45.520> was<04:29:45.760> doing<04:29:46.080> it<04:29:46.239> i

because i guess everyone was doing it i

because i guess everyone was doing it i
think<04:29:46.479> he<04:29:46.640> mentioned<04:29:46.960> that<04:29:47.279> but<04:29:47.439> he<04:29:47.600> did<04:29:47.840> use

think he mentioned that but he did use

think he mentioned that but he did use
it<04:29:48.319> as<04:29:48.479> a<04:29:48.640> compositional<04:29:49.439> tool<04:29:50.080> so<04:29:50.560> for

it as a compositional tool so for

it as a compositional tool so for
example<04:29:51.760> any<04:29:52.000> note<04:29:52.159> that<04:29:52.319> he<04:29:52.399> couldn't<04:29:52.640> reach

example any note that he couldn't reach

example any note that he couldn't reach
he<04:29:53.120> might<04:29:53.279> be<04:29:53.439> able<04:29:53.680> to<04:29:53.760> just<04:29:54.000> tap<04:29:54.239> i<04:29:54.399> know<04:29:54.560> like

he might be able to just tap i know like

he might be able to just tap i know like
sphere<04:29:55.040> of<04:29:55.199> innocence<04:29:55.680> has<04:29:56.000> one<04:29:56.239> note<04:29:56.560> that<04:29:56.880> he

sphere of innocence has one note that he

sphere of innocence has one note that he
taps<04:29:57.439> with<04:29:57.600> his<04:29:57.760> right<04:29:58.000> hand<04:29:58.640> house<04:29:58.960> and

taps with his right hand house and

taps with his right hand house and
mirrors<04:29:59.760> i've<04:30:00.000> even<04:30:00.239> seen<04:30:00.560> in<04:30:00.640> some<04:30:00.960> zone

mirrors i've even seen in some zone

mirrors i've even seen in some zone
sections<04:30:01.840> where<04:30:02.080> he's<04:30:02.399> like<04:30:03.120> swelling<04:30:03.520> in

sections where he's like swelling in

sections where he's like swelling in
with<04:30:03.920> chords<04:30:04.399> he<04:30:04.640> might<04:30:04.800> be<04:30:04.880> playing<04:30:05.120> some

with chords he might be playing some

with chords he might be playing some
weird<04:30:05.600> chord<04:30:05.920> this<04:30:06.080> way<04:30:06.479> and<04:30:06.560> then<04:30:07.120> holding

weird chord this way and then holding

weird chord this way and then holding
down<04:30:07.680> a<04:30:07.760> note<04:30:07.920> with<04:30:08.159> his<04:30:08.319> right<04:30:08.560> hand

down a note with his right hand

down a note with his right hand
strumming<04:30:09.359> with<04:30:09.600> his<04:30:09.760> thumb<04:30:10.080> and<04:30:10.319> swelling

strumming with his thumb and swelling

strumming with his thumb and swelling
the<04:30:10.880> whole<04:30:11.520> chord<04:30:11.840> in<04:30:12.239> and<04:30:12.479> of<04:30:12.560> course

the whole chord in and of course

the whole chord in and of course
something<04:30:13.520> like<04:30:13.680> tokyo<04:30:14.159> dream<04:30:14.479> if<04:30:14.640> you<04:30:14.720> saw<04:30:14.880> my

something like tokyo dream if you saw my

something like tokyo dream if you saw my
videos<04:30:15.359> got<04:30:15.439> all<04:30:15.600> this<04:30:15.760> crazy<04:30:16.159> tapping<04:30:16.479> stuff

videos got all this crazy tapping stuff

videos got all this crazy tapping stuff
that<04:30:16.800> he's<04:30:16.960> doing<04:30:17.600> uh<04:30:17.760> that<04:30:17.920> i<04:30:18.080> think<04:30:18.239> he

that he's doing uh that i think he

that he's doing uh that i think he
eventually<04:30:18.800> just<04:30:19.120> stopped<04:30:19.359> doing<04:30:19.600> because

eventually just stopped doing because

eventually just stopped doing because
either<04:30:20.000> was<04:30:20.159> a<04:30:20.239> pain<04:30:20.399> in<04:30:20.560> the<04:30:20.640> butt<04:30:20.880> or<04:30:21.120> just

either was a pain in the butt or just

either was a pain in the butt or just
you<04:30:21.600> know<04:30:22.159> was<04:30:22.399> always<04:30:22.720> worked<04:30:22.960> for<04:30:23.120> nothing<04:30:23.680> i

you know was always worked for nothing i

you know was always worked for nothing i
would<04:30:24.000> say<04:30:24.239> the<04:30:24.399> most<04:30:24.720> popular<04:30:25.199> tapping

would say the most popular tapping

would say the most popular tapping
section<04:30:26.000> that<04:30:26.159> allen<04:30:26.479> did<04:30:27.120> is<04:30:27.520> uh<04:30:27.760> the<04:30:27.920> tapping

section that allen did is uh the tapping

section that allen did is uh the tapping
section<04:30:28.640> from<04:30:28.800> rogue<04:30:29.120> games<04:30:29.359> because<04:30:29.520> it's

section from rogue games because it's

section from rogue games because it's
actually<04:30:30.239> part<04:30:30.640> of<04:30:30.880> the<04:30:31.120> song<04:30:31.439> it's<04:30:31.680> like<04:30:31.920> part

actually part of the song it's like part

actually part of the song it's like part
of<04:30:32.319> i<04:30:32.399> guess<04:30:32.640> the

of i guess the

of i guess the
bridge<04:30:33.760> or<04:30:33.920> chorus<04:30:34.239> or<04:30:34.399> whatever<04:30:34.720> it<04:30:34.880> is<04:30:35.279> i<04:30:35.439> do

bridge or chorus or whatever it is i do

bridge or chorus or whatever it is i do
want<04:30:35.760> to<04:30:35.840> mention<04:30:36.640> one<04:30:36.800> thing<04:30:36.960> that<04:30:37.120> i<04:30:37.279> got

want to mention one thing that i got

want to mention one thing that i got
wrong<04:30:37.840> which<04:30:38.080> is<04:30:38.560> very<04:30:39.040> indicative<04:30:39.680> of

wrong which is very indicative of

wrong which is very indicative of
allen's<04:30:40.159> style<04:30:40.479> when<04:30:40.640> he's<04:30:40.880> tapping<04:30:41.600> i<04:30:41.840> think

allen's style when he's tapping i think

allen's style when he's tapping i think
every<04:30:42.479> line<04:30:42.960> that<04:30:43.120> i'm<04:30:43.279> going<04:30:43.439> to<04:30:43.520> show<04:30:43.680> you

every line that i'm going to show you

every line that i'm going to show you
actually<04:30:44.159> has<04:30:44.479> this<04:30:45.040> i<04:30:45.279> thought<04:30:45.520> when<04:30:45.680> i<04:30:45.840> first

actually has this i thought when i first

actually has this i thought when i first
did<04:30:46.479> the<04:30:47.120> the<04:30:47.279> road<04:30:47.600> games<04:30:47.840> video<04:30:48.159> it<04:30:48.239> might

did the the road games video it might

did the the road games video it might
have<04:30:48.479> been<04:30:48.640> a<04:30:48.720> mistake

have been a mistake

have been a mistake
uh<04:30:50.239> what<04:30:50.479> allen<04:30:50.800> will<04:30:50.960> do<04:30:51.199> is<04:30:51.359> let's<04:30:51.520> say<04:30:51.680> he's

uh what allen will do is let's say he's

uh what allen will do is let's say he's
tapping<04:30:52.239> a<04:30:52.399> line<04:30:52.640> like<04:30:52.880> this

usually what ends up happening is the

usually what ends up happening is the
person<04:30:57.920> will<04:30:58.159> then<04:30:58.479> tap<04:30:58.800> the<04:30:58.960> next<04:30:59.359> note<04:30:59.840> first

person will then tap the next note first

person will then tap the next note first
and<04:31:01.120> then<04:31:01.359> pull<04:31:01.520> off

something like that what alan usually

something like that what alan usually
does<04:31:07.359> is<04:31:07.520> he'll<04:31:07.840> play<04:31:08.159> the<04:31:08.399> next<04:31:08.720> note<04:31:08.960> with

does is he'll play the next note with

does is he'll play the next note with
his<04:31:09.439> pinky<04:31:10.159> like<04:31:10.319> this

his pinky like this

his pinky like this
and<04:31:12.720> then<04:31:12.960> tap

and that's what he does in road games i

and that's what he does in road games i
forgot<04:31:21.120> exactly<04:31:21.439> what<04:31:21.600> the<04:31:21.680> tapping<04:31:22.000> thing<04:31:22.239> is

forgot exactly what the tapping thing is

forgot exactly what the tapping thing is
it's<04:31:22.640> like

i can't i can't do it it's so far to me

i can't i can't do it it's so far to me
but<04:31:32.960> it's<04:31:33.680> uh<04:31:34.080> indicative<04:31:34.640> to<04:31:35.199> what<04:31:35.439> alan's

but it's uh indicative to what alan's

but it's uh indicative to what alan's
style<04:31:36.239> is

style is

style is
so<04:31:37.279> like<04:31:37.520> i<04:31:37.600> said<04:31:37.840> allen<04:31:38.159> uses<04:31:38.399> that<04:31:38.720> messian

so like i said allen uses that messian

so like i said allen uses that messian
scale<04:31:40.000> uh<04:31:40.319> to<04:31:40.479> do<04:31:40.640> that<04:31:40.800> tapping<04:31:41.040> thing<04:31:41.279> in

scale uh to do that tapping thing in

scale uh to do that tapping thing in
road<04:31:41.600> games<04:31:42.159> and<04:31:42.479> here<04:31:42.640> are<04:31:42.720> some<04:31:42.960> other

road games and here are some other

road games and here are some other
examples<04:31:43.760> of<04:31:43.840> some<04:31:44.080> symmetrical<04:31:44.800> whole<04:31:45.040> tone

examples of some symmetrical whole tone

examples of some symmetrical whole tone
and<04:31:46.080> messian<04:31:46.800> scale<04:31:47.199> tapping<04:31:47.600> that<04:31:48.000> i<04:31:48.159> found

and messian scale tapping that i found

and messian scale tapping that i found
in<04:31:49.040> some<04:31:49.199> of<04:31:49.279> his<04:31:49.439> tunes

here is some symmetrical diminished

here is some symmetrical diminished
scale<04:32:06.239> tapping<04:32:06.800> and<04:32:06.960> once<04:32:07.199> again<04:32:07.439> notice<04:32:07.760> some

scale tapping and once again notice some

scale tapping and once again notice some
of<04:32:08.000> these<04:32:08.239> patterns<04:32:08.640> that<04:32:08.800> we<04:32:08.960> talked<04:32:09.199> about

of these patterns that we talked about

of these patterns that we talked about
in<04:32:09.600> the<04:32:09.680> diminished<04:32:10.399> scale<04:32:10.720> section

in the diminished scale section

in the diminished scale section
[Music]

[Music]

[Music]
and<04:32:22.560> finally<04:32:22.960> here's<04:32:23.199> just<04:32:23.439> a<04:32:23.520> couple<04:32:23.760> of

and finally here's just a couple of

and finally here's just a couple of
tapping<04:32:24.239> lines<04:32:24.560> that<04:32:24.640> have<04:32:24.880> some<04:32:25.040> symmetry<04:32:25.520> to

tapping lines that have some symmetry to

tapping lines that have some symmetry to
them

them

them
[Music]

this is it the final section of the

this is it the final section of the
video<04:32:36.239> and<04:32:36.479> to<04:32:36.640> me

video and to me

video and to me
the<04:32:37.680> most<04:32:38.399> interesting<04:32:38.960> part<04:32:39.359> of<04:32:39.600> alan's

the most interesting part of alan's

the most interesting part of alan's
playing<04:32:40.319> and<04:32:40.399> again<04:32:40.720> more<04:32:40.960> stuff<04:32:41.199> that<04:32:41.359> helped

playing and again more stuff that helped

playing and again more stuff that helped
open<04:32:42.080> up<04:32:42.159> my<04:32:42.319> eyes<04:32:42.640> to<04:32:43.279> uh<04:32:43.439> what<04:32:43.600> was<04:32:43.840> going<04:32:44.080> on

open up my eyes to uh what was going on

open up my eyes to uh what was going on
uh<04:32:45.040> when<04:32:45.279> alan<04:32:45.520> was<04:32:45.680> improvising<04:32:46.560> so

uh when alan was improvising so

uh when alan was improvising so
since<04:32:48.080> a<04:32:48.239> majority<04:32:48.800> of<04:32:48.880> this<04:32:49.040> section<04:32:49.359> is

since a majority of this section is

since a majority of this section is
going<04:32:49.520> to<04:32:49.600> be<04:32:49.760> about<04:32:49.920> the<04:32:50.000> syntax<04:32:50.560> i<04:32:50.640> got<04:32:50.720> to

going to be about the syntax i got to

going to be about the syntax i got to
talk<04:32:51.040> about<04:32:51.279> what<04:32:51.439> it<04:32:51.600> is<04:32:51.760> and<04:32:51.920> what<04:32:52.080> it<04:32:52.159> can<04:32:52.399> do

talk about what it is and what it can do

talk about what it is and what it can do
the<04:32:53.359> syntax<04:32:54.319> was<04:32:54.720> a<04:32:55.120> midi<04:32:55.439> controller<04:32:56.159> it

the syntax was a midi controller it

the syntax was a midi controller it
didn't<04:32:56.560> make<04:32:56.960> any<04:32:57.359> sound<04:32:57.840> it<04:32:58.239> think<04:32:58.479> of<04:32:58.640> it

didn't make any sound it think of it

didn't make any sound it think of it
like

like

like
like<04:32:59.680> a<04:32:59.920> midi<04:33:00.239> keyboard<04:33:00.800> that<04:33:01.279> isn't<04:33:01.600> plugged

like a midi keyboard that isn't plugged

like a midi keyboard that isn't plugged
in<04:33:02.399> it's<04:33:02.560> all<04:33:02.720> it<04:33:02.800> was<04:33:03.120> except<04:33:03.359> that<04:33:03.600> a<04:33:03.680> guitar

in it's all it was except that a guitar

in it's all it was except that a guitar
player<04:33:04.480> could<04:33:04.719> actually<04:33:05.199> play<04:33:05.520> it<04:33:05.840> and<04:33:06.000> the

player could actually play it and the

player could actually play it and the
way<04:33:06.240> that<04:33:06.400> it<04:33:06.561> produced<04:33:06.959> the<04:33:07.119> sound<04:33:07.520> was<04:33:07.840> when

way that it produced the sound was when

way that it produced the sound was when
you<04:33:08.799> press<04:33:09.039> the<04:33:09.199> string<04:33:09.520> against<04:33:09.840> the<04:33:10.000> fret<04:33:10.240> it

you press the string against the fret it

you press the string against the fret it
would<04:33:10.480> make<04:33:10.719> a<04:33:10.799> contact<04:33:11.359> and<04:33:11.439> the<04:33:11.600> syntax

would make a contact and the syntax

would make a contact and the syntax
would<04:33:12.320> know<04:33:12.959> what<04:33:13.199> pitch<04:33:13.520> that<04:33:14.240> string<04:33:14.639> should

would know what pitch that string should

would know what pitch that string should
be<04:33:15.119> and<04:33:15.199> then<04:33:15.439> would<04:33:15.600> just<04:33:15.840> output<04:33:16.160> it<04:33:16.240> to<04:33:16.400> your

be and then would just output it to your

be and then would just output it to your
computer<04:33:17.119> or<04:33:17.279> to<04:33:17.520> uh<04:33:17.920> a<04:33:18.080> synth<04:33:18.400> because<04:33:18.639> you'd

computer or to uh a synth because you'd

computer or to uh a synth because you'd
have<04:33:18.879> to<04:33:18.959> hook<04:33:19.199> it<04:33:19.279> up<04:33:19.439> to<04:33:19.600> a<04:33:19.680> keyboard<04:33:20.480> now

have to hook it up to a keyboard now

have to hook it up to a keyboard now
because<04:33:21.760> of<04:33:21.920> this<04:33:22.400> that<04:33:22.719> all<04:33:22.959> the<04:33:23.199> sounds<04:33:23.600> are

because of this that all the sounds are

because of this that all the sounds are
coming<04:33:24.080> from<04:33:24.400> the

coming from the

coming from the
brain<04:33:25.760> of<04:33:25.920> the<04:33:26.080> unit<04:33:26.719> you<04:33:26.879> can<04:33:27.039> tune<04:33:27.359> the

brain of the unit you can tune the

brain of the unit you can tune the
syntax<04:33:27.920> to<04:33:28.080> whatever<04:33:28.480> you<04:33:28.639> want

syntax to whatever you want

syntax to whatever you want
you<04:33:29.840> can<04:33:30.080> even<04:33:30.320> tune<04:33:30.561> it<04:33:30.719> up<04:33:30.959> and<04:33:31.039> down<04:33:31.279> an

you can even tune it up and down an

you can even tune it up and down an
octave<04:33:31.760> and<04:33:31.920> you<04:33:32.000> can<04:33:32.080> see<04:33:32.240> that<04:33:32.480> pretty

octave and you can see that pretty

octave and you can see that pretty
clearly<04:33:33.279> in<04:33:33.439> this<04:33:33.680> picture<04:33:34.400> right<04:33:34.639> from<04:33:34.799> the

clearly in this picture right from the

clearly in this picture right from the
console<04:33:35.760> that<04:33:35.920> you<04:33:36.080> can<04:33:36.400> uh<04:33:37.119> transpose

console that you can uh transpose

console that you can uh transpose
whatever<04:33:37.920> you're<04:33:38.000> doing<04:33:38.639> an<04:33:38.799> octave<04:33:39.199> up<04:33:39.439> an

whatever you're doing an octave up an

whatever you're doing an octave up an
octave<04:33:39.920> down<04:33:40.719> or<04:33:41.039> even<04:33:41.760> half<04:33:42.000> steps<04:33:42.320> up<04:33:42.480> or

octave down or even half steps up or

octave down or even half steps up or
down<04:33:43.119> this<04:33:43.359> is<04:33:43.520> important<04:33:43.920> to<04:33:44.000> know<04:33:44.240> because

down this is important to know because

down this is important to know because
you<04:33:44.719> may<04:33:44.879> have<04:33:45.119> seen<04:33:45.359> in<04:33:45.439> some<04:33:45.600> of<04:33:45.760> the<04:33:45.840> lines

you may have seen in some of the lines

you may have seen in some of the lines
that<04:33:46.240> i've<04:33:46.320> provided<04:33:47.039> that<04:33:47.279> sometimes<04:33:47.760> the

that i've provided that sometimes the

that i've provided that sometimes the
pitch<04:33:48.160> of<04:33:48.320> everything<04:33:48.639> was<04:33:49.279> higher<04:33:49.600> or<04:33:49.760> lower

pitch of everything was higher or lower

pitch of everything was higher or lower
than<04:33:50.240> it<04:33:50.400> should<04:33:50.639> be<04:33:51.039> and<04:33:51.199> alan<04:33:51.520> used<04:33:51.760> this

than it should be and alan used this

than it should be and alan used this
function<04:33:52.320> a<04:33:52.400> lot<04:33:52.719> and<04:33:52.879> in<04:33:53.039> fact<04:33:53.600> in<04:33:53.840> the<04:33:54.320> syntax

function a lot and in fact in the syntax

function a lot and in fact in the syntax
demo<04:33:55.039> that<04:33:55.199> neville<04:33:55.520> martin<04:33:55.840> did<04:33:56.080> he

demo that neville martin did he

demo that neville martin did he
demonstrates<04:33:56.799> how<04:33:57.039> simple<04:33:57.359> it<04:33:57.520> is

demonstrates how simple it is

demonstrates how simple it is
now<04:34:00.080> as<04:34:00.240> well<04:34:00.400> as<04:34:00.561> individual<04:34:01.119> string<04:34:01.439> tuning

now as well as individual string tuning

now as well as individual string tuning
i<04:34:02.160> can<04:34:02.320> transpose<04:34:02.799> the<04:34:02.959> whole<04:34:03.199> thing<04:34:03.520> up<04:34:03.680> or

i can transpose the whole thing up or

i can transpose the whole thing up or
down<04:34:04.240> in<04:34:04.400> semitones<04:34:05.039> or<04:34:05.279> octaves<04:34:05.840> and<04:34:05.920> then

down in semitones or octaves and then

down in semitones or octaves and then
back<04:34:06.320> to<04:34:06.480> normal<04:34:07.039> or<04:34:07.279> from<04:34:07.439> here

[Music]

[Music]
now<04:34:24.639> the<04:34:24.879> two<04:34:25.279> main<04:34:25.600> tunings<04:34:26.000> that<04:34:26.160> allen<04:34:26.480> did

now the two main tunings that allen did

now the two main tunings that allen did
was<04:34:27.119> straight<04:34:27.600> fourths<04:34:28.160> and<04:34:28.400> fifths<04:34:28.799> tuning

was straight fourths and fifths tuning

was straight fourths and fifths tuning
fourth<04:34:30.080> tuning<04:34:30.400> is<04:34:30.561> tuned<04:34:30.879> just<04:34:31.119> like<04:34:31.279> the

fourth tuning is tuned just like the

fourth tuning is tuned just like the
guitar<04:34:31.920> normal<04:34:32.240> but<04:34:32.799> uh<04:34:33.119> instead<04:34:33.520> of<04:34:34.080> going<04:34:34.400> e

guitar normal but uh instead of going e

guitar normal but uh instead of going e
a<04:34:34.879> d<04:34:35.279> g<04:34:35.520> and<04:34:35.760> b

a d g and b

a d g and b
that<04:34:36.719> g<04:34:36.879> and<04:34:36.959> the<04:34:37.039> b<04:34:37.279> is<04:34:37.359> a<04:34:37.439> major<04:34:37.760> third

that g and the b is a major third

that g and the b is a major third
interval<04:34:38.480> you<04:34:38.639> would<04:34:38.879> tune<04:34:39.199> that<04:34:39.600> b<04:34:39.920> to<04:34:40.160> a<04:34:40.320> c

interval you would tune that b to a c

interval you would tune that b to a c
and<04:34:40.959> then<04:34:41.199> the<04:34:41.359> next<04:34:42.080> string<04:34:42.400> would<04:34:42.719> go<04:34:42.959> from<04:34:43.199> e

and then the next string would go from e

and then the next string would go from e
to<04:34:43.680> an<04:34:43.920> f<04:34:44.320> so<04:34:44.799> e<04:34:45.199> a<04:34:45.520> d

to an f so e a d

to an f so e a d
g

g

g
c<04:34:47.279> f<04:34:47.920> that<04:34:48.080> would<04:34:48.320> be<04:34:48.959> fourths<04:34:49.359> tuning<04:34:49.840> the

c f that would be fourths tuning the

c f that would be fourths tuning the
other<04:34:50.240> tuning<04:34:50.561> that<04:34:50.719> allen<04:34:51.039> used<04:34:51.279> was<04:34:51.520> fifth

other tuning that allen used was fifth

other tuning that allen used was fifth
tunings

tunings

tunings
fifth<04:34:53.279> tuning<04:34:53.600> is<04:34:53.760> pretty<04:34:54.080> common<04:34:54.480> on<04:34:54.561> the

fifth tuning is pretty common on the

fifth tuning is pretty common on the
violin<04:34:55.279> and<04:34:55.439> other<04:34:55.680> classical<04:34:56.080> string

violin and other classical string

violin and other classical string
instruments<04:34:56.799> which<04:34:56.959> is<04:34:57.039> i<04:34:57.119> think<04:34:57.279> where<04:34:57.520> alan

instruments which is i think where alan

instruments which is i think where alan
got<04:34:58.320> it<04:34:58.400> from<04:34:59.119> the<04:34:59.279> violin<04:34:59.760> is<04:34:59.920> tuned<04:35:00.561> g<04:35:01.039> d<04:35:01.359> a<04:35:01.760> e

got it from the violin is tuned g d a e

got it from the violin is tuned g d a e
which<04:35:02.240> is<04:35:02.400> kind<04:35:02.561> of<04:35:02.719> like<04:35:02.959> the<04:35:03.600> uh

which is kind of like the uh

which is kind of like the uh
lower<04:35:04.879> four<04:35:05.119> strings<04:35:05.520> on<04:35:05.600> the<04:35:05.680> guitar<04:35:06.080> just

lower four strings on the guitar just

lower four strings on the guitar just
backwards<04:35:07.039> now<04:35:07.359> allen's<04:35:07.760> tuning<04:35:08.160> of<04:35:08.240> that

backwards now allen's tuning of that

backwards now allen's tuning of that
from<04:35:08.959> the<04:35:09.039> lowest<04:35:09.359> string<04:35:09.600> to<04:35:09.760> the<04:35:09.840> high

from the lowest string to the high

from the lowest string to the high
string<04:35:10.719> was<04:35:11.279> f<04:35:11.840> c

string was f c

string was f c
g

g

g
d<04:35:13.840> a<04:35:14.320> e<04:35:14.799> with<04:35:15.039> the<04:35:15.199> high<04:35:15.600> e<04:35:15.840> string<04:35:16.639> being<04:35:16.959> at

d a e with the high e string being at

d a e with the high e string being at
the<04:35:17.439> same<04:35:18.080> pitch<04:35:18.480> that<04:35:18.639> it<04:35:18.799> is<04:35:18.959> on<04:35:19.119> a<04:35:19.199> normal

the same pitch that it is on a normal

the same pitch that it is on a normal
guitar<04:35:20.240> and<04:35:20.639> that<04:35:20.959> low<04:35:21.279> f<04:35:21.600> is<04:35:21.840> now

guitar and that low f is now

guitar and that low f is now
uh<04:35:23.279> the<04:35:23.520> same<04:35:23.840> note<04:35:24.080> as<04:35:24.240> if<04:35:24.400> you<04:35:24.480> took<04:35:24.719> a<04:35:24.879> base

uh the same note as if you took a base

uh the same note as if you took a base
and<04:35:25.359> you<04:35:25.680> played<04:35:26.000> the<04:35:26.160> first<04:35:26.480> fret<04:35:26.719> on<04:35:26.799> the<04:35:26.879> low

and you played the first fret on the low

and you played the first fret on the low
e<04:35:27.359> string<04:35:27.920> so<04:35:28.080> that's<04:35:28.400> how<04:35:28.719> wide<04:35:28.959> that<04:35:29.199> range

e string so that's how wide that range

e string so that's how wide that range
is<04:35:30.160> and<04:35:30.400> with<04:35:30.639> fifths<04:35:31.039> tuning<04:35:31.600> you<04:35:31.760> can<04:35:32.000> play

is and with fifths tuning you can play

is and with fifths tuning you can play
these<04:35:32.639> really<04:35:33.039> wide<04:35:33.520> chords<04:35:33.920> that<04:35:34.080> are<04:35:34.320> pretty

these really wide chords that are pretty

these really wide chords that are pretty
much<04:35:34.799> impossible<04:35:35.520> in<04:35:35.680> any<04:35:35.920> other<04:35:36.080> way<04:35:36.400> even<04:35:36.639> on

much impossible in any other way even on

much impossible in any other way even on
a<04:35:36.879> keyboard<04:35:37.199> it<04:35:37.279> can<04:35:37.439> be<04:35:37.600> really<04:35:37.920> tough<04:35:38.561> and<04:35:38.799> in

a keyboard it can be really tough and in

a keyboard it can be really tough and in
the<04:35:39.039> beginning<04:35:39.680> when<04:35:39.840> alan<04:35:40.240> experimented

the beginning when alan experimented

the beginning when alan experimented
with<04:35:40.959> fifth<04:35:41.279> tuning<04:35:41.920> uh<04:35:42.160> i<04:35:42.320> believe<04:35:42.639> he<04:35:42.719> had<04:35:42.879> a

with fifth tuning uh i believe he had a

with fifth tuning uh i believe he had a
five<04:35:43.359> string<04:35:43.760> guitar<04:35:44.240> that<04:35:44.400> he<04:35:44.561> tuned<04:35:44.879> to

five string guitar that he tuned to

five string guitar that he tuned to
fifths<04:35:45.680> and<04:35:45.840> in<04:35:46.080> fact<04:35:46.639> there<04:35:46.799> were<04:35:46.879> a<04:35:46.959> couple

fifths and in fact there were a couple

fifths and in fact there were a couple
of<04:35:47.439> solos<04:35:47.920> that<04:35:48.000> he<04:35:48.160> did<04:35:48.320> with<04:35:48.480> that<04:35:48.719> guitar

of solos that he did with that guitar

of solos that he did with that guitar
the<04:35:49.279> most<04:35:49.520> famous<04:35:49.920> one<04:35:50.160> being<04:35:50.400> in<04:35:50.561> the<04:35:50.719> mystery

the most famous one being in the mystery

the most famous one being in the mystery
allen<04:35:51.760> used<04:35:52.000> a

allen used a

allen used a
five<04:35:53.199> string<04:35:53.680> guitar<04:35:54.160> that<04:35:54.320> was<04:35:54.561> tuned<04:35:54.799> in

five string guitar that was tuned in

five string guitar that was tuned in
fifth<04:35:55.199> so<04:35:55.359> it's<04:35:55.520> the<04:35:55.600> same<04:35:55.840> tuning<04:35:56.160> but<04:35:56.320> now

fifth so it's the same tuning but now

fifth so it's the same tuning but now
instead<04:35:56.799> of<04:35:56.879> the<04:35:57.039> low<04:35:57.279> f

instead of the low f

instead of the low f
just<04:35:58.400> ended<04:35:58.719> at<04:35:58.959> c<04:35:59.359> in<04:35:59.520> the<04:35:59.600> mystery<04:35:59.920> which<04:36:00.080> is

just ended at c in the mystery which is

just ended at c in the mystery which is
off<04:36:00.400> of<04:36:00.480> metal<04:36:00.719> fatigue<04:36:01.199> was<04:36:01.359> the<04:36:01.600> first<04:36:02.000> time

off of metal fatigue was the first time

off of metal fatigue was the first time
allen<04:36:02.639> recorded<04:36:03.199> a<04:36:03.359> guitar<04:36:03.760> solo<04:36:04.160> in<04:36:04.320> fifths

allen recorded a guitar solo in fifths

allen recorded a guitar solo in fifths
and<04:36:05.279> that<04:36:05.520> was<04:36:05.760> 1985<04:36:06.639> and<04:36:06.719> that<04:36:06.959> same<04:36:07.279> years

and that was 1985 and that same years

and that was 1985 and that same years
when<04:36:07.680> the<04:36:07.840> syntax<04:36:08.320> came<04:36:08.561> out<04:36:08.959> so<04:36:09.199> eventually

when the syntax came out so eventually

when the syntax came out so eventually
allen<04:36:09.920> was<04:36:10.080> able<04:36:10.240> to<04:36:10.400> just<04:36:10.719> ditch<04:36:11.039> that<04:36:11.279> guitar

allen was able to just ditch that guitar

allen was able to just ditch that guitar
because<04:36:12.160> now<04:36:12.320> the<04:36:12.480> synthax<04:36:12.959> hall<04:36:13.119> that<04:36:13.279> had

because now the synthax hall that had

because now the synthax hall that had
all<04:36:13.600> that<04:36:13.760> capability<04:36:14.879> here's<04:36:15.119> a<04:36:15.199> clip<04:36:15.439> of

all that capability here's a clip of

all that capability here's a clip of
alan<04:36:15.920> talking<04:36:16.240> about<04:36:16.561> some<04:36:16.719> of<04:36:16.799> the<04:36:16.959> different

alan talking about some of the different

alan talking about some of the different
tunings<04:36:17.680> that<04:36:17.760> he<04:36:17.920> used<04:36:18.240> in<04:36:18.400> a<04:36:18.639> 2014<04:36:19.359> clinic

tunings that he used in a 2014 clinic

tunings that he used in a 2014 clinic
well<04:36:20.080> the<04:36:20.240> only<04:36:20.639> the<04:36:20.799> only<04:36:21.199> time<04:36:21.520> i

well the only the only time i

well the only the only time i
uh

uh

uh
tuned<04:36:23.439> anything<04:36:23.760> in<04:36:23.920> fifths<04:36:24.320> beside<04:36:24.639> the

tuned anything in fifths beside the

tuned anything in fifths beside the
violin<04:36:25.279> was<04:36:25.520> the<04:36:26.160> because<04:36:26.400> i<04:36:26.480> like<04:36:26.639> that

violin was the because i like that

violin was the because i like that
tuning<04:36:27.279> but<04:36:27.840> it's<04:36:28.080> kind<04:36:28.240> of<04:36:28.320> gnarly<04:36:28.719> on<04:36:28.959> chords

tuning but it's kind of gnarly on chords

tuning but it's kind of gnarly on chords
but<04:36:29.680> you<04:36:29.760> know<04:36:30.160> kind<04:36:30.320> of<04:36:30.480> limited<04:36:30.959> but<04:36:31.920> was

but you know kind of limited but was

but you know kind of limited but was
with<04:36:32.400> the<04:36:32.480> syntax<04:36:33.119> because<04:36:33.279> it<04:36:33.439> was<04:36:33.600> easy<04:36:33.840> to

with the syntax because it was easy to

with the syntax because it was easy to
do<04:36:34.400> so<04:36:34.561> i<04:36:34.639> could<04:36:34.959> i<04:36:35.119> could<04:36:35.359> uh

do so i could i could uh

do so i could i could uh
tune<04:36:36.719> in<04:36:36.879> straight<04:36:37.279> false<04:36:37.600> which<04:36:37.840> is<04:36:38.080> my

tune in straight false which is my

tune in straight false which is my
opinion<04:36:38.561> which<04:36:38.879> is<04:36:39.279> if<04:36:39.520> i<04:36:39.600> was<04:36:39.760> starting<04:36:40.000> to

opinion which is if i was starting to

opinion which is if i was starting to
learn<04:36:40.400> to<04:36:40.561> play<04:36:40.799> the<04:36:40.959> guitar<04:36:41.359> today

learn to play the guitar today

learn to play the guitar today
and<04:36:43.199> somebody<04:36:43.520> gave<04:36:43.680> me<04:36:43.840> we<04:36:44.000> found<04:36:44.240> that<04:36:44.320> they

and somebody gave me we found that they

and somebody gave me we found that they
had<04:36:44.639> too<04:36:44.799> many<04:36:45.119> straight<04:36:45.439> faults<04:36:45.760> without<04:36:46.160> it

had too many straight faults without it

had too many straight faults without it
now

now

now
just<04:36:48.320> just<04:36:48.480> like<04:36:48.719> this<04:36:48.959> extreme<04:36:49.359> base

just just like this extreme base

just just like this extreme base
boom

boom

boom
because<04:36:51.680> the<04:36:52.160> final<04:36:52.639> b<04:36:52.879> string<04:36:53.199> is<04:36:53.279> a<04:36:53.520> pain

because the final b string is a pain

because the final b string is a pain
and

and

and
it's<04:36:56.320> unnecessary<04:36:57.039> because<04:36:57.199> you<04:36:57.359> play<04:36:57.760> you

it's unnecessary because you play you

it's unnecessary because you play you
know<04:36:58.000> there's<04:36:58.240> only<04:36:58.400> a<04:36:58.480> viewers<04:36:58.879> like<04:36:59.039> go

know there's only a viewers like go

know there's only a viewers like go
around<04:36:59.680> bashing<04:37:00.080> out<04:37:00.320> power<04:37:00.639> codes<04:37:00.959> anymore

around bashing out power codes anymore

around bashing out power codes anymore
besides<04:37:02.160> you<04:37:02.320> don't<04:37:02.480> need<04:37:02.719> that<04:37:02.879> anyway<04:37:03.279> so

besides you don't need that anyway so

besides you don't need that anyway so
if<04:37:04.719> i<04:37:04.799> was<04:37:04.959> to<04:37:05.039> learn<04:37:05.279> again<04:37:05.520> it's<04:37:05.680> just<04:37:05.920> that<04:37:06.000> i

if i was to learn again it's just that i

if i was to learn again it's just that i
spent<04:37:06.480> so<04:37:06.639> many<04:37:06.879> years

trying to beat the b string that i can't

trying to beat the b string that i can't
go

so so are any of the syntax tunes in

so so are any of the syntax tunes in
fifths<04:37:29.920> on<04:37:30.080> the<04:37:30.160> record<04:37:30.480> zone<04:37:31.119> yes<04:37:31.520> yes<04:37:31.840> they

fifths on the record zone yes yes they

fifths on the record zone yes yes they
are<04:37:32.320> you<04:37:32.400> know

are you know

are you know
yeah<04:37:33.680> uh<04:37:34.240> but<04:37:34.480> i<04:37:34.799> figured<04:37:35.119> out<04:37:35.199> how<04:37:35.359> to<04:37:35.439> play

yeah uh but i figured out how to play

yeah uh but i figured out how to play
them<04:37:35.760> in<04:37:35.920> pause<04:37:36.320> too<04:37:36.561> because<04:37:37.119> that<04:37:37.279> was<04:37:37.439> one

them in pause too because that was one

them in pause too because that was one
of<04:37:37.760> the<04:37:37.920> things<04:37:38.400> that<04:37:38.561> was<04:37:38.719> one<04:37:38.879> of<04:37:39.039> my<04:37:39.279> uh

of the things that was one of my uh

of the things that was one of my uh
pet<04:37:40.959> projects<04:37:41.520> because<04:37:41.840> i<04:37:42.000> like<04:37:42.160> to<04:37:42.320> figure

pet projects because i like to figure

pet projects because i like to figure
out

out

out
if<04:37:43.600> i<04:37:43.680> can<04:37:43.840> play<04:37:44.080> the<04:37:44.240> same<04:37:44.480> thing<04:37:44.719> in<04:37:44.879> fifths

if i can play the same thing in fifths

if i can play the same thing in fifths
as<04:37:45.359> false<04:37:45.680> and<04:37:45.920> actually

as false and actually

as false and actually
most<04:37:47.119> of<04:37:47.279> the<04:37:47.439> time<04:37:47.680> you<04:37:47.840> can

most of the time you can

most of the time you can
except<04:37:49.199> for<04:37:49.520> the<04:37:49.680> syntax<04:37:50.160> that<04:37:50.400> kind<04:37:50.561> of

except for the syntax that kind of

except for the syntax that kind of
unlimited<04:37:51.439> range<04:37:51.840> so<04:37:52.080> some<04:37:52.240> of<04:37:52.320> the<04:37:52.480> low<04:37:52.639> notes

unlimited range so some of the low notes

unlimited range so some of the low notes
they<04:37:53.920> weren't<04:37:54.160> available<04:37:54.719> you<04:37:54.879> know<04:37:55.039> so<04:37:55.279> but

they weren't available you know so but

they weren't available you know so but
like<04:37:55.760> uh

like uh

like uh
looking<04:37:56.959> glass<04:37:57.279> i<04:37:57.439> wrote<04:37:57.680> that<04:37:57.920> in<04:37:58.000> the<04:37:58.080> fifths

looking glass i wrote that in the fifths

looking glass i wrote that in the fifths
and<04:37:58.799> number<04:37:59.279> continent<04:37:59.760> was<04:37:59.920> investigating

and number continent was investigating

and number continent was investigating
play

play

play
on<04:38:02.000> a<04:38:02.080> regular<04:38:02.400> guitar<04:38:02.879> he<04:38:03.039> played<04:38:03.279> the<04:38:03.439> same

on a regular guitar he played the same

on a regular guitar he played the same
thing<04:38:03.840> on<04:38:03.920> the<04:38:04.000> guitar<04:38:04.561> and<04:38:04.719> the<04:38:04.799> solos<04:38:05.279> are<04:38:05.760> in

thing on the guitar and the solos are in

thing on the guitar and the solos are in
standard<04:38:07.119> or<04:38:07.439> did<04:38:07.600> you<04:38:07.760> see<04:38:08.000> they<04:38:08.080> sold<04:38:08.400> the

standard or did you see they sold the

standard or did you see they sold the
solo

that was in fifths because i was trying

that was in fifths because i was trying
to<04:38:14.959> i<04:38:15.119> was<04:38:15.199> just<04:38:15.439> trying<04:38:15.600> to<04:38:15.760> play<04:38:16.000> a<04:38:16.080> fake

to i was just trying to play a fake

to i was just trying to play a fake
player

just use a regular children

just use a regular children
as<04:38:26.719> much<04:38:27.039> as<04:38:27.199> i'd<04:38:27.359> like<04:38:27.520> to<04:38:27.680> change<04:38:28.000> it<04:38:28.160> like

as much as i'd like to change it like

as much as i'd like to change it like
i<04:38:29.600> always<04:38:29.840> end<04:38:30.000> up<04:38:30.080> dropping<04:38:30.480> back<04:38:30.799> you<04:38:30.959> know

i always end up dropping back you know

i always end up dropping back you know
i<04:38:32.000> tried<04:38:32.320> it<04:38:32.400> but<04:38:32.639> failed<04:38:32.959> miserably

so the first album that the syntax was

so the first album that the syntax was
used<04:38:38.639> was<04:38:38.879> on<04:38:39.119> otavacron<04:38:40.320> and<04:38:40.719> the<04:38:40.959> tunings

used was on otavacron and the tunings

used was on otavacron and the tunings
used<04:38:41.600> there<04:38:41.760> were<04:38:41.920> pretty<04:38:42.160> straightforward

used there were pretty straightforward

used there were pretty straightforward
it<04:38:42.959> was<04:38:43.119> either<04:38:43.439> standard<04:38:44.000> tuning<04:38:44.400> or<04:38:44.561> fixed

it was either standard tuning or fixed

it was either standard tuning or fixed
tuning<04:38:45.680> uh<04:38:46.080> non-brute<04:38:46.639> condiment<04:38:47.199> and

tuning uh non-brute condiment and

tuning uh non-brute condiment and
looking<04:38:47.680> glass<04:38:48.400> the<04:38:48.959> chord<04:38:49.359> sections<04:38:49.760> were

looking glass the chord sections were

looking glass the chord sections were
all<04:38:50.240> in<04:38:50.480> fifths<04:38:51.119> whereas<04:38:51.760> the<04:38:52.240> solo<04:38:52.719> section

all in fifths whereas the solo section

all in fifths whereas the solo section
for<04:38:53.199> non-brown<04:38:53.680> condiment<04:38:54.160> was<04:38:54.320> tuned<04:38:54.639> in

for non-brown condiment was tuned in

for non-brown condiment was tuned in
fifths<04:38:55.520> and<04:38:56.000> the<04:38:56.240> entire

fifths and the entire

fifths and the entire
uh

uh

uh
solo<04:38:58.719> section<04:38:59.119> for<04:38:59.520> all<04:38:59.680> our<04:39:00.000> yesterdays<04:39:00.639> was

solo section for all our yesterdays was

solo section for all our yesterdays was
in<04:39:01.119> fifth<04:39:01.520> whereas<04:39:01.840> the<04:39:02.000> chord<04:39:02.320> section

in fifth whereas the chord section

in fifth whereas the chord section
actually<04:39:03.279> switched<04:39:03.680> between<04:39:04.080> fourths<04:39:04.400> and

actually switched between fourths and

actually switched between fourths and
fifths<04:39:04.959> as<04:39:05.039> well<04:39:05.520> everything<04:39:05.920> else<04:39:06.160> was

fifths as well everything else was

fifths as well everything else was
either<04:39:06.561> on<04:39:06.719> a<04:39:06.799> normal<04:39:07.119> guitar<04:39:07.600> or<04:39:07.920> it<04:39:08.000> was

either on a normal guitar or it was

either on a normal guitar or it was
tuned<04:39:08.400> instead<04:39:08.719> like<04:39:08.959> uh<04:39:09.520> the<04:39:09.680> actual<04:39:10.000> tuna

tuned instead like uh the actual tuna

tuned instead like uh the actual tuna
tavicron<04:39:11.199> was<04:39:11.520> all<04:39:11.760> in<04:39:12.080> standard<04:39:12.480> tuning<04:39:13.039> so

tavicron was all in standard tuning so

tavicron was all in standard tuning so
these<04:39:13.520> tunings<04:39:13.920> can<04:39:14.080> be<04:39:14.400> stored<04:39:14.879> in<04:39:15.039> the<04:39:15.199> bank

these tunings can be stored in the bank

these tunings can be stored in the bank
of<04:39:15.840> the<04:39:16.160> syntax<04:39:16.959> the<04:39:17.119> brain<04:39:17.359> of<04:39:17.439> the<04:39:17.600> unit<04:39:18.240> and

of the syntax the brain of the unit and

of the syntax the brain of the unit and
uh<04:39:18.879> you<04:39:18.959> can<04:39:19.119> use<04:39:19.279> a<04:39:19.359> little<04:39:19.600> foot<04:39:19.840> switch<04:39:20.160> to

uh you can use a little foot switch to

uh you can use a little foot switch to
move<04:39:20.561> forward<04:39:20.959> and<04:39:21.119> back<04:39:21.359> so<04:39:21.520> you<04:39:21.600> can<04:39:21.680> switch

move forward and back so you can switch

move forward and back so you can switch
between<04:39:22.480> tunings<04:39:23.199> now<04:39:23.359> when<04:39:23.520> the<04:39:23.600> synthx

between tunings now when the synthx

between tunings now when the synthx
first<04:39:24.480> came<04:39:24.719> out<04:39:24.879> it<04:39:25.039> actually<04:39:25.279> didn't<04:39:25.520> have

first came out it actually didn't have

first came out it actually didn't have
this<04:39:25.920> foot<04:39:26.080> switch<04:39:26.480> pedal<04:39:27.199> and<04:39:27.600> uh<04:39:28.000> you<04:39:28.080> would

this foot switch pedal and uh you would

this foot switch pedal and uh you would
have<04:39:28.400> to<04:39:28.639> manually<04:39:29.119> change<04:39:29.359> the<04:39:29.600> tuning<04:39:30.080> on

have to manually change the tuning on

have to manually change the tuning on
the<04:39:30.480> console<04:39:31.199> and<04:39:31.359> in<04:39:31.520> fact<04:39:31.840> you<04:39:31.920> can<04:39:32.160> actually

the console and in fact you can actually

the console and in fact you can actually
see<04:39:32.799> this<04:39:33.119> in<04:39:33.279> the<04:39:33.439> 1986<04:39:34.480> frankfurt<04:39:35.199> concert

see this in the 1986 frankfurt concert

see this in the 1986 frankfurt concert
and<04:39:35.760> that<04:39:35.920> dvd<04:39:36.879> you<04:39:37.039> can<04:39:37.280> see<04:39:38.000> uh<04:39:38.320> allen's

and that dvd you can see uh allen's

and that dvd you can see uh allen's
playing<04:39:39.040> non-brute<04:39:39.440> condiment<04:39:39.920> which

playing non-brute condiment which

playing non-brute condiment which
switches<04:39:40.560> between<04:39:41.360> uh<04:39:41.920> fifth<04:39:42.240> tuning<04:39:42.638> and

switches between uh fifth tuning and

switches between uh fifth tuning and
standard<04:39:43.200> when<04:39:43.360> he<04:39:43.520> solos<04:39:43.920> you<04:39:44.080> can<04:39:44.240> see<04:39:44.480> alan

standard when he solos you can see alan

standard when he solos you can see alan
start<04:39:45.360> to

start to

start to
push<04:39:46.560> a<04:39:46.638> couple<04:39:46.878> of<04:39:46.958> buns<04:39:47.280> on<04:39:47.440> the<04:39:47.520> bank<04:39:47.760> so<04:39:47.920> he

push a couple of buns on the bank so he

push a couple of buns on the bank so he
can<04:39:48.240> go<04:39:48.400> into<04:39:48.798> back<04:39:49.040> into<04:39:49.280> fifth<04:39:49.600> tuning<04:39:49.840> and

can go into back into fifth tuning and

can go into back into fifth tuning and
then<04:39:50.400> complete<04:39:50.718> the<04:39:50.878> song

then complete the song

then complete the song
[Music]

[Music]

[Music]
so<04:40:13.040> alan<04:40:13.440> used<04:40:13.680> the<04:40:13.760> synthax<04:40:14.320> on<04:40:14.480> tour<04:40:14.798> from

so alan used the synthax on tour from

so alan used the synthax on tour from
probably<04:40:15.920> early<04:40:16.400> 86<04:40:17.200> to<04:40:17.520> sometime<04:40:18.000> i<04:40:18.080> think<04:40:18.320> in

probably early 86 to sometime i think in

probably early 86 to sometime i think in
1990<04:40:19.360> maybe<04:40:19.680> 89

1990 maybe 89

1990 maybe 89
but<04:40:21.520> the<04:40:21.760> problem<04:40:22.080> is<04:40:22.240> this<04:40:22.480> index<04:40:22.878> became

but the problem is this index became

but the problem is this index became
less<04:40:23.440> and<04:40:23.520> less<04:40:23.760> reliable<04:40:24.798> so<04:40:25.040> in<04:40:25.200> order<04:40:25.440> to

less and less reliable so in order to

less and less reliable so in order to
play<04:40:25.840> some<04:40:26.000> of<04:40:26.160> those<04:40:26.480> tunes<04:40:26.958> that<04:40:27.280> uh<04:40:27.680> the

play some of those tunes that uh the

play some of those tunes that uh the
chords<04:40:28.320> are<04:40:28.480> in<04:40:28.638> fifths<04:40:29.520> uh<04:40:29.760> what<04:40:29.920> allen

chords are in fifths uh what allen

chords are in fifths uh what allen
decided<04:40:30.560> to<04:40:30.638> do<04:40:30.878> is<04:40:31.120> use<04:40:31.360> a<04:40:31.440> double<04:40:31.760> neck<04:40:32.160> so<04:40:32.320> he

decided to do is use a double neck so he

decided to do is use a double neck so he
had<04:40:32.718> a<04:40:33.120> double<04:40:33.440> knack<04:40:33.840> the<04:40:34.000> lap<04:40:34.400> built<04:40:34.718> where

had a double knack the lap built where

had a double knack the lap built where
one<04:40:35.120> of<04:40:35.200> the<04:40:35.280> necks<04:40:35.520> was<04:40:35.680> tuned<04:40:35.920> in<04:40:36.080> fifths<04:40:36.400> and

one of the necks was tuned in fifths and

one of the necks was tuned in fifths and
the<04:40:36.718> other<04:40:36.878> was<04:40:37.040> tuned<04:40:37.280> in<04:40:37.440> standard<04:40:37.760> so<04:40:38.000> he

the other was tuned in standard so he

the other was tuned in standard so he
could<04:40:38.638> switch<04:40:39.040> between<04:40:39.680> playing<04:40:40.000> the<04:40:40.160> chords

could switch between playing the chords

could switch between playing the chords
and<04:40:41.040> improvising<04:40:42.000> and<04:40:42.240> actually<04:40:42.560> in<04:40:42.638> this

and improvising and actually in this

and improvising and actually in this
video<04:40:43.360> you<04:40:43.440> can<04:40:43.600> see<04:40:43.840> allen<04:40:44.320> playing<04:40:44.638> non-brew

video you can see allen playing non-brew

video you can see allen playing non-brew
condiment<04:40:45.600> with<04:40:45.840> a<04:40:46.320> double<04:40:46.638> neck<04:40:46.878> guitar<04:40:47.360> and

condiment with a double neck guitar and

condiment with a double neck guitar and
you<04:40:47.600> can<04:40:47.760> see<04:40:48.000> that<04:40:48.560> he<04:40:48.798> plays<04:40:49.120> the<04:40:49.280> chords<04:40:50.080> in

you can see that he plays the chords in

you can see that he plays the chords in
fifths<04:40:50.878> and<04:40:50.958> the<04:40:51.120> main<04:40:51.360> line<04:40:51.680> and<04:40:51.760> then

fifths and the main line and then

fifths and the main line and then
switches<04:40:52.480> to<04:40:52.878> the<04:40:53.120> standard<04:40:53.680> neck<04:40:54.240> to<04:40:54.480> solo

switches to the standard neck to solo

switches to the standard neck to solo
and<04:40:55.360> then<04:40:55.520> once<04:40:55.760> he's<04:40:55.920> done<04:40:56.160> soloing<04:40:56.878> jumps

and then once he's done soloing jumps

and then once he's done soloing jumps
back<04:40:57.520> to<04:40:57.680> the<04:40:57.920> fifth<04:40:58.160> neck<04:40:58.400> to<04:40:58.718> complete<04:40:59.040> the

back to the fifth neck to complete the

back to the fifth neck to complete the
tune

then again just to make life easier on

then again just to make life easier on
the<04:41:49.920> road<04:41:50.160> instead<04:41:50.638> instead<04:41:50.878> of<04:41:50.958> having<04:41:51.280> to

the road instead instead of having to

the road instead instead of having to
use<04:41:51.600> a<04:41:51.760> double<04:41:52.000> neck<04:41:52.560> alan<04:41:52.878> just<04:41:53.120> then<04:41:53.360> learned

use a double neck alan just then learned

use a double neck alan just then learned
to<04:41:53.760> play<04:41:54.000> some<04:41:54.160> of<04:41:54.240> those<04:41:54.400> tunes<04:41:54.718> on<04:41:54.878> a<04:41:54.958> guitar

to play some of those tunes on a guitar

to play some of those tunes on a guitar
for<04:41:55.520> standard<04:41:56.320> so<04:41:56.958> uh<04:41:57.280> looking<04:41:57.600> glass<04:41:57.920> and

for standard so uh looking glass and

for standard so uh looking glass and
non-brute<04:41:58.480> condiment<04:41:58.958> were<04:41:59.120> both<04:41:59.440> switched

non-brute condiment were both switched

non-brute condiment were both switched
over<04:42:00.160> with<04:42:00.400> some<04:42:00.798> uh<04:42:01.120> modern<04:42:01.680> modifications

over with some uh modern modifications

over with some uh modern modifications
they're<04:42:02.638> not<04:42:02.878> exactly<04:42:03.280> the<04:42:03.440> same<04:42:03.600> but<04:42:03.760> they're

they're not exactly the same but they're

they're not exactly the same but they're
pretty<04:42:04.160> close<04:42:04.718> to<04:42:04.878> standard<04:42:05.360> tuning<04:42:06.000> and<04:42:06.160> the

pretty close to standard tuning and the

pretty close to standard tuning and the
only<04:42:06.560> other<04:42:06.798> tune<04:42:07.040> i<04:42:07.120> think<04:42:07.360> at<04:42:07.440> that<04:42:07.600> time

only other tune i think at that time

only other tune i think at that time
that<04:42:07.920> was<04:42:08.080> played<04:42:08.400> in<04:42:08.560> fifths<04:42:08.958> uh<04:42:09.440> sphere<04:42:09.680> of

that was played in fifths uh sphere of

that was played in fifths uh sphere of
innocence<04:42:10.400> which<04:42:10.638> was<04:42:10.718> never<04:42:10.958> played<04:42:11.200> on<04:42:11.280> the

innocence which was never played on the

innocence which was never played on the
syntax<04:42:11.840> it<04:42:11.920> was<04:42:12.080> just<04:42:12.240> played<04:42:12.400> on<04:42:12.480> the<04:42:12.560> double

syntax it was just played on the double

syntax it was just played on the double
neck<04:42:13.280> which<04:42:13.520> just<04:42:13.760> abandoned<04:42:14.320> it's<04:42:14.560> possible

neck which just abandoned it's possible

neck which just abandoned it's possible
you<04:42:14.958> can<04:42:15.040> play<04:42:15.200> it<04:42:15.360> in<04:42:15.440> standard<04:42:15.840> but<04:42:16.160> uh<04:42:16.718> alan

you can play it in standard but uh alan

you can play it in standard but uh alan
just<04:42:17.200> abandoned<04:42:17.520> which<04:42:17.680> is<04:42:17.760> a<04:42:17.840> shame<04:42:18.080> because

just abandoned which is a shame because

just abandoned which is a shame because
it's<04:42:18.320> one<04:42:18.480> of<04:42:18.560> my<04:42:18.718> favorites<04:42:19.440> now<04:42:19.920> in<04:42:20.080> that

it's one of my favorites now in that

it's one of my favorites now in that
clip<04:42:20.480> that<04:42:20.638> i<04:42:20.798> showed<04:42:21.040> where<04:42:21.200> allen<04:42:21.440> was

clip that i showed where allen was

clip that i showed where allen was
talking<04:42:21.840> about<04:42:22.000> the<04:42:22.160> tunings<04:42:22.560> he<04:42:22.718> wasn't

talking about the tunings he wasn't

talking about the tunings he wasn't
really<04:42:23.520> being<04:42:23.840> fully<04:42:24.160> honest<04:42:25.040> and<04:42:25.440> uh<04:42:26.160> i'm<04:42:26.560> not

really being fully honest and uh i'm not

really being fully honest and uh i'm not
sure<04:42:27.120> exactly<04:42:27.600> why<04:42:28.080> it<04:42:28.160> could<04:42:28.320> be<04:42:28.480> he<04:42:28.638> just

sure exactly why it could be he just

sure exactly why it could be he just
forgot<04:42:29.600> or<04:42:29.760> maybe<04:42:30.080> he<04:42:30.240> felt<04:42:30.560> pressure<04:42:30.958> for

forgot or maybe he felt pressure for

forgot or maybe he felt pressure for
some<04:42:31.280> of<04:42:31.360> the<04:42:31.520> fans<04:42:31.760> to<04:42:31.920> sort<04:42:32.160> of<04:42:32.320> create<04:42:32.718> all

some of the fans to sort of create all

some of the fans to sort of create all
these<04:42:33.200> crazy<04:42:33.760> kind<04:42:34.000> of<04:42:34.160> lines<04:42:34.958> uh<04:42:35.280> but<04:42:35.600> what

these crazy kind of lines uh but what

these crazy kind of lines uh but what
was<04:42:36.000> surprising<04:42:36.718> is<04:42:36.878> he<04:42:37.040> says<04:42:37.200> you<04:42:37.360> know<04:42:37.440> not

was surprising is he says you know not

was surprising is he says you know not
rude<04:42:37.920> kind<04:42:38.080> of<04:42:38.240> he<04:42:38.400> played<04:42:38.638> in<04:42:38.718> fifth<04:42:39.040> because

rude kind of he played in fifth because

rude kind of he played in fifth because
he<04:42:39.360> was<04:42:39.520> trying<04:42:39.760> to<04:42:40.160> emulate<04:42:40.480> a<04:42:40.638> violin<04:42:41.680> but

he was trying to emulate a violin but

he was trying to emulate a violin but
i'm<04:42:42.160> pretty<04:42:42.480> sure<04:42:42.878> every<04:42:43.280> single<04:42:44.000> uh<04:42:44.560> synthx

i'm pretty sure every single uh synthx

i'm pretty sure every single uh synthx
solo<04:42:45.440> that<04:42:45.520> i<04:42:45.680> found<04:42:46.000> except<04:42:46.400> for<04:42:46.560> maybe<04:42:46.958> one

solo that i found except for maybe one

solo that i found except for maybe one
has<04:42:48.080> at<04:42:48.320> least<04:42:48.718> one<04:42:48.958> line<04:42:49.200> and<04:42:49.360> fifths<04:42:49.680> in<04:42:49.760> it

has at least one line and fifths in it

has at least one line and fifths in it
and<04:42:50.400> what's<04:42:50.638> interesting<04:42:51.120> with<04:42:51.360> that<04:42:51.840> is<04:42:52.320> i

and what's interesting with that is i

and what's interesting with that is i
have<04:42:52.718> never<04:42:53.040> seen<04:42:53.360> alan<04:42:54.160> solo<04:42:54.638> in<04:42:54.878> fifths<04:42:55.600> live

have never seen alan solo in fifths live

have never seen alan solo in fifths live
now<04:42:56.958> uh<04:42:57.520> during<04:42:57.840> that<04:42:58.000> 86<04:42:58.560> tour<04:42:59.360> uh<04:42:59.680> there<04:42:59.920> is<04:43:00.000> a

now uh during that 86 tour uh there is a

now uh during that 86 tour uh there is a
section<04:43:00.480> where<04:43:00.638> allen<04:43:00.958> would<04:43:01.120> play<04:43:01.280> the

section where allen would play the

section where allen would play the
chords<04:43:01.760> to<04:43:01.920> sand<04:43:02.240> which<04:43:02.400> is<04:43:02.480> tuned<04:43:02.798> in<04:43:02.878> fifths

chords to sand which is tuned in fifths

chords to sand which is tuned in fifths
solo<04:43:04.160> in<04:43:04.400> fifths<04:43:05.040> and<04:43:05.200> then<04:43:05.680> uh<04:43:06.160> play<04:43:06.320> the

solo in fifths and then uh play the

solo in fifths and then uh play the
chords<04:43:06.878> to<04:43:07.120> sand<04:43:07.440> again<04:43:07.920> but<04:43:08.080> that<04:43:08.240> was

chords to sand again but that was

chords to sand again but that was
unaccompanied<04:43:09.520> uh<04:43:09.760> i've<04:43:10.000> never<04:43:10.240> seen<04:43:10.560> video

unaccompanied uh i've never seen video

unaccompanied uh i've never seen video
of<04:43:11.040> him<04:43:11.280> actually<04:43:11.680> make<04:43:11.920> the<04:43:12.080> changes<04:43:12.718> live<04:43:13.600> uh

of him actually make the changes live uh

of him actually make the changes live uh
while<04:43:14.878> improvising<04:43:15.440> in<04:43:15.600> fifths<04:43:16.160> and<04:43:16.400> you<04:43:16.560> can

while improvising in fifths and you can

while improvising in fifths and you can
see

see

see
uh

uh

uh
when<04:43:19.360> he<04:43:19.520> did<04:43:19.920> solo<04:43:20.240> and<04:43:20.320> fifth<04:43:20.560> it<04:43:20.638> was<04:43:20.798> just

when he did solo and fifth it was just

when he did solo and fifth it was just
for<04:43:21.120> a<04:43:21.200> little<04:43:21.440> bit<04:43:21.680> because<04:43:21.920> he<04:43:22.080> had<04:43:22.240> to<04:43:22.320> move

for a little bit because he had to move

for a little bit because he had to move
on<04:43:22.638> to<04:43:22.798> the<04:43:22.878> next<04:43:23.040> thing<04:43:23.200> he<04:43:23.360> wasn't<04:43:23.760> making

on to the next thing he wasn't making

on to the next thing he wasn't making
the<04:43:24.240> changes<04:43:25.120> so<04:43:25.680> maybe<04:43:26.080> he<04:43:26.240> just<04:43:26.480> wasn't

the changes so maybe he just wasn't

the changes so maybe he just wasn't
comfortable<04:43:27.360> making<04:43:27.680> the<04:43:27.840> changes<04:43:28.320> live<04:43:29.120> uh

comfortable making the changes live uh

comfortable making the changes live uh
but<04:43:30.000> you'll<04:43:30.320> see<04:43:30.638> how<04:43:30.878> many<04:43:31.200> different<04:43:31.680> lines

but you'll see how many different lines

but you'll see how many different lines
there<04:43:32.320> are<04:43:32.400> in<04:43:32.560> fifths<04:43:32.798> from<04:43:32.958> all<04:43:33.200> these

there are in fifths from all these

there are in fifths from all these
different<04:43:33.840> tunings<04:43:34.560> which<04:43:34.878> leads<04:43:35.120> me<04:43:35.280> to

different tunings which leads me to

different tunings which leads me to
believe<04:43:36.400> that<04:43:37.200> uh

believe that uh

believe that uh
the<04:43:38.400> way<04:43:38.638> that<04:43:38.878> allen<04:43:39.200> recorded<04:43:39.680> the<04:43:39.920> syntax

the way that allen recorded the syntax

the way that allen recorded the syntax
stuff<04:43:41.120> might<04:43:41.280> not<04:43:41.520> have<04:43:41.600> been<04:43:41.840> all<04:43:42.000> in<04:43:42.160> one

stuff might not have been all in one

stuff might not have been all in one
shot<04:43:42.958> probably<04:43:43.200> not<04:43:43.440> all<04:43:43.600> in<04:43:43.760> one<04:43:44.000> shot<04:43:44.400> but

shot probably not all in one shot but

shot probably not all in one shot but
could<04:43:44.798> be<04:43:45.040> either<04:43:45.440> different<04:43:46.240> uh<04:43:46.560> solos<04:43:46.958> that

could be either different uh solos that

could be either different uh solos that
he<04:43:47.360> that<04:43:47.520> he<04:43:47.840> moved<04:43:48.080> together<04:43:48.560> or<04:43:48.798> maybe<04:43:49.120> he

he that he moved together or maybe he

he that he moved together or maybe he
you<04:43:49.680> know<04:43:49.840> played<04:43:50.240> the<04:43:50.320> solo<04:43:50.638> in<04:43:50.718> one<04:43:50.958> tuning

you know played the solo in one tuning

you know played the solo in one tuning
and<04:43:51.680> then<04:43:51.840> got<04:43:52.000> to<04:43:52.160> a<04:43:52.240> different<04:43:52.560> part<04:43:52.878> get<04:43:53.040> to

and then got to a different part get to

and then got to a different part get to
one<04:43:53.280> part<04:43:53.440> said<04:43:53.600> oh<04:43:53.760> then<04:43:53.920> i'm<04:43:54.000> gonna<04:43:54.080> switch

one part said oh then i'm gonna switch

one part said oh then i'm gonna switch
the<04:43:54.480> fifths<04:43:54.798> and<04:43:54.878> play<04:43:55.120> there<04:43:55.360> for<04:43:55.520> a<04:43:55.600> little

the fifths and play there for a little

the fifths and play there for a little
bit<04:43:56.000> and<04:43:56.080> then<04:43:56.240> go<04:43:56.480> back<04:43:56.718> and<04:43:56.878> forth<04:43:57.520> and<04:43:57.680> it's

bit and then go back and forth and it's

bit and then go back and forth and it's
really<04:43:58.160> hard<04:43:58.400> to<04:43:58.560> tell<04:43:59.280> but<04:43:59.440> you'll<04:43:59.680> start<04:44:00.000> to

really hard to tell but you'll start to

really hard to tell but you'll start to
see<04:44:00.878> like<04:44:01.120> i<04:44:01.200> said<04:44:01.360> how<04:44:01.520> many<04:44:01.680> different<04:44:02.160> of

see like i said how many different of

see like i said how many different of
these<04:44:02.718> solos<04:44:03.120> have<04:44:03.440> lines<04:44:03.680> in<04:44:03.760> them<04:44:03.920> and

these solos have lines in them and

these solos have lines in them and
fifths<04:44:04.480> and<04:44:04.638> this<04:44:04.798> will<04:44:04.958> be<04:44:05.120> even<04:44:05.360> more

fifths and this will be even more

fifths and this will be even more
evident<04:44:05.920> later<04:44:06.160> when<04:44:06.320> we<04:44:06.400> get<04:44:06.638> to<04:44:06.958> some<04:44:07.120> of<04:44:07.200> the

evident later when we get to some of the

evident later when we get to some of the
other<04:44:07.440> sneakier<04:44:08.000> tunings

all right so let's get down to the

all right so let's get down to the
actual<04:44:15.280> phrases<04:44:15.840> now<04:44:16.320> i'm<04:44:16.480> not<04:44:16.638> going<04:44:16.718> to<04:44:16.798> tune

actual phrases now i'm not going to tune

actual phrases now i'm not going to tune
the<04:44:17.120> guitar<04:44:17.520> in<04:44:17.680> fifths<04:44:18.000> to<04:44:18.080> show<04:44:18.240> you<04:44:18.320> that

the guitar in fifths to show you that

the guitar in fifths to show you that
stuff<04:44:18.878> but<04:44:19.120> i'll<04:44:19.840> uh<04:44:20.160> talk<04:44:20.400> about<04:44:20.798> a<04:44:20.878> little

stuff but i'll uh talk about a little

stuff but i'll uh talk about a little
bit<04:44:21.280> about<04:44:21.680> what<04:44:21.840> i<04:44:22.080> what's<04:44:22.320> interesting

bit about what i what's interesting

bit about what i what's interesting
about<04:44:22.878> fifth<04:44:23.120> tuning<04:44:23.760> so<04:44:24.080> like<04:44:24.320> i<04:44:24.400> said<04:44:24.560> the

about fifth tuning so like i said the

about fifth tuning so like i said the
tuning<04:44:25.120> is<04:44:25.760> f<04:44:26.400> c<04:44:26.878> g<04:44:27.280> d<04:44:27.600> a<04:44:28.000> e<04:44:28.560> and<04:44:29.040> i'm<04:44:29.360> not<04:44:29.520> sure

tuning is f c g d a e and i'm not sure

tuning is f c g d a e and i'm not sure
if<04:44:29.760> you<04:44:29.920> realize<04:44:30.320> this<04:44:30.400> but<04:44:30.560> that's<04:44:30.878> fourth

if you realize this but that's fourth

if you realize this but that's fourth
tuning<04:44:31.840> upside<04:44:32.320> down<04:44:33.040> so<04:44:33.440> and<04:44:33.680> even<04:44:33.840> with<04:44:34.080> that

tuning upside down so and even with that

tuning upside down so and even with that
the<04:44:34.798> low<04:44:35.440> f<04:44:35.760> and<04:44:35.920> c<04:44:36.240> strings<04:44:36.798> are<04:44:37.200> too<04:44:37.360> low<04:44:37.520> so

the low f and c strings are too low so

the low f and c strings are too low so
you're<04:44:37.840> probably<04:44:38.080> not<04:44:38.160> even<04:44:38.320> going<04:44:38.400> to<04:44:38.480> really

you're probably not even going to really

you're probably not even going to really
play<04:44:38.878> that<04:44:39.040> much<04:44:39.280> in<04:44:39.360> there<04:44:39.600> so<04:44:40.320> if<04:44:40.560> you<04:44:40.718> can

play that much in there so if you can

play that much in there so if you can
think<04:44:41.280> of<04:44:41.600> your<04:44:41.920> scales<04:44:42.560> upside<04:44:42.958> down<04:44:43.200> you<04:44:43.360> can

think of your scales upside down you can

think of your scales upside down you can
actually<04:44:43.840> play<04:44:44.638> uh

actually play uh

actually play uh
you<04:44:45.600> can<04:44:45.760> actually<04:44:45.920> play<04:44:46.160> in<04:44:46.240> fixed<04:44:46.560> tuning<04:44:47.280> uh

you can actually play in fixed tuning uh

you can actually play in fixed tuning uh
and<04:44:47.680> you<04:44:47.760> can<04:44:47.920> sort<04:44:48.080> of<04:44:48.240> see<04:44:48.958> i<04:44:49.120> put<04:44:49.280> the<04:44:49.440> scales

and you can sort of see i put the scales

and you can sort of see i put the scales
here<04:44:50.000> but<04:44:50.240> c<04:44:50.400> major<04:44:50.718> looks<04:44:50.958> like<04:44:51.120> in<04:44:51.280> standard

here but c major looks like in standard

here but c major looks like in standard
and<04:44:51.920> c<04:44:52.160> major<04:44:52.480> and<04:44:52.638> fifth<04:44:52.958> tuning<04:44:53.360> so<04:44:53.840> you<04:44:54.000> can

and c major and fifth tuning so you can

and c major and fifth tuning so you can
kind<04:44:54.400> of<04:44:54.718> if<04:44:54.878> you<04:44:54.958> could<04:44:55.120> play<04:44:55.280> the<04:44:55.440> scale<04:44:55.680> sort

kind of if you could play the scale sort

kind of if you could play the scale sort
of<04:44:56.000> upside<04:44:56.480> down<04:44:56.798> you<04:44:56.878> can<04:44:57.120> actually<04:44:57.440> play<04:44:58.160> in

of upside down you can actually play in

of upside down you can actually play in
fifths<04:44:59.120> so<04:44:59.280> with<04:44:59.520> this<04:44:59.840> i<04:44:59.920> had<04:45:00.080> to<04:45:00.240> categorize

fifths so with this i had to categorize

fifths so with this i had to categorize
some<04:45:01.200> of<04:45:01.360> these<04:45:01.760> fifth<04:45:02.160> lines<04:45:02.560> in<04:45:02.718> some<04:45:02.878> of<04:45:02.958> the

some of these fifth lines in some of the

some of these fifth lines in some of the
patterns<04:45:03.440> that<04:45:03.520> we<04:45:03.680> see<04:45:03.920> so<04:45:04.320> here<04:45:04.560> are<04:45:04.638> some

patterns that we see so here are some

patterns that we see so here are some
examples<04:45:05.520> of

examples of

examples of
fifth<04:45:06.718> tuning<04:45:07.040> using<04:45:07.520> kind<04:45:07.680> of<04:45:07.840> like<04:45:08.000> that

fifth tuning using kind of like that

fifth tuning using kind of like that
ionian<04:45:08.798> shape

ionian shape

ionian shape
[Music]

[Music]

[Music]
here's<04:45:17.920> some<04:45:18.480> examples<04:45:18.798> in<04:45:18.878> the<04:45:19.040> dorian<04:45:19.440> shape

here's some examples in the dorian shape

here's some examples in the dorian shape
[Music]

what's kind of funny is because of the

what's kind of funny is because of the
way<04:45:38.798> that<04:45:39.120> the<04:45:39.440> uh<04:45:39.840> notes<04:45:40.240> line<04:45:40.480> up<04:45:40.878> in<04:45:41.040> the<04:45:41.760> uh

way that the uh notes line up in the uh

way that the uh notes line up in the uh
ionian<04:45:42.798> shape<04:45:43.440> is<04:45:43.600> that<04:45:44.160> once<04:45:44.480> again<04:45:44.798> you<04:45:44.958> can

ionian shape is that once again you can

ionian shape is that once again you can
still<04:45:45.600> play<04:45:46.320> the<04:45:46.560> lick<04:45:47.120> that<04:45:47.360> i<04:45:47.440> talked<04:45:47.680> about

still play the lick that i talked about

still play the lick that i talked about
in<04:45:48.320> fifths<04:45:48.638> tuning<04:45:49.120> the<04:45:49.360> same<04:45:49.680> exact<04:45:50.000> finger

in fifths tuning the same exact finger

in fifths tuning the same exact finger
pattern<04:45:51.040> again<04:45:51.360> the<04:45:51.520> notes<04:45:51.840> are<04:45:51.920> going<04:45:52.080> to<04:45:52.160> be

pattern again the notes are going to be

pattern again the notes are going to be
different<04:45:52.638> but<04:45:52.798> this<04:45:53.040> is<04:45:53.120> what<04:45:53.200> i<04:45:53.280> was<04:45:53.440> saying

different but this is what i was saying

different but this is what i was saying
before<04:45:54.000> which<04:45:54.240> is<04:45:54.320> pretty<04:45:54.638> cool<04:45:54.878> that<04:45:55.040> you<04:45:55.200> can

before which is pretty cool that you can

before which is pretty cool that you can
get<04:45:55.520> more<04:45:55.840> mileage<04:45:56.400> by<04:45:56.878> using<04:45:57.200> the<04:45:57.360> same

get more mileage by using the same

get more mileage by using the same
finger<04:45:58.080> shapes<04:45:58.320> and<04:45:58.480> even<04:45:58.638> though<04:45:58.798> the<04:45:59.040> notes

finger shapes and even though the notes

finger shapes and even though the notes
are<04:45:59.440> different<04:45:59.840> under<04:46:00.080> your<04:46:00.240> fingers

are different under your fingers

are different under your fingers
you<04:46:01.360> can<04:46:01.520> get<04:46:01.680> different<04:46:02.080> phrasing<04:46:02.560> by<04:46:02.798> still

you can get different phrasing by still

you can get different phrasing by still
using<04:46:03.520> the<04:46:03.760> same<04:46:04.400> finger<04:46:04.718> pattern<04:46:05.040> so<04:46:05.200> you<04:46:05.520> you

using the same finger pattern so you you

using the same finger pattern so you you
know<04:46:05.760> you<04:46:06.080> you<04:46:06.240> can<04:46:06.400> do<04:46:06.560> more<04:46:06.798> interesting

know you you can do more interesting

know you you can do more interesting
stuff<04:46:07.520> with<04:46:07.680> the<04:46:07.840> least<04:46:08.160> amount<04:46:08.480> of<04:46:09.040> uh

stuff with the least amount of uh

stuff with the least amount of uh
knowledge<04:46:10.160> put<04:46:10.400> into<04:46:10.638> it

knowledge put into it

knowledge put into it
[Music]

[Music]

[Music]
[Applause]

[Applause]

[Applause]
so<04:46:19.760> here<04:46:19.920> are<04:46:20.000> some<04:46:20.240> other<04:46:20.480> cool<04:46:20.878> fixed<04:46:21.200> lines

so here are some other cool fixed lines

so here are some other cool fixed lines
that<04:46:21.840> i<04:46:22.000> found<04:46:22.320> that<04:46:22.638> uh<04:46:23.280> could<04:46:23.440> be

that i found that uh could be

that i found that uh could be
interesting<04:46:24.000> to<04:46:24.160> show

[Music]

[Music]
that<04:46:48.400> dorian<04:46:48.878> sus2<04:46:49.440> shape<04:46:49.680> that<04:46:49.840> i<04:46:49.920> was

that dorian sus2 shape that i was

that dorian sus2 shape that i was
talking<04:46:50.400> about<04:46:51.040> uh<04:46:51.360> hears<04:46:51.760> it<04:46:51.920> in<04:46:52.080> fifths<04:46:52.638> uh

talking about uh hears it in fifths uh

talking about uh hears it in fifths uh
that<04:46:53.600> you<04:46:53.760> can<04:46:53.920> find<04:46:54.160> in<04:46:54.320> one<04:46:54.560> solo

a good amount of allen's playing in fizz

a good amount of allen's playing in fizz
was<04:47:05.040> also<04:47:05.360> just<04:47:05.520> straight<04:47:05.840> pentatonic

was also just straight pentatonic

was also just straight pentatonic
playing<04:47:07.200> uh<04:47:07.520> sometimes<04:47:08.000> pentatonic<04:47:08.878> mixed<04:47:09.200> in

playing uh sometimes pentatonic mixed in

playing uh sometimes pentatonic mixed in
with<04:47:09.600> some<04:47:09.840> regular<04:47:10.240> major<04:47:10.560> scale<04:47:11.360> stuff<04:47:11.680> but

with some regular major scale stuff but

with some regular major scale stuff but
uh<04:47:12.638> here's<04:47:13.040> some<04:47:13.280> examples<04:47:13.680> of<04:47:13.760> some

uh here's some examples of some

uh here's some examples of some
pentatonic<04:47:14.480> lines

pentatonic lines

pentatonic lines
[Applause]

[Applause]

[Applause]
[Music]

and here's even one little section that

and here's even one little section that
has<04:47:47.600> some<04:47:47.760> of<04:47:47.920> that<04:47:48.080> pentatonic<04:47:48.638> string

has some of that pentatonic string

has some of that pentatonic string
skipping<04:47:49.520> uh<04:47:50.080> phrase<04:47:50.400> that<04:47:50.958> i<04:47:51.120> showed<04:47:51.360> you

skipping uh phrase that i showed you

skipping uh phrase that i showed you
before

now we're going to talk about some of

now we're going to talk about some of
the<04:47:58.480> really<04:47:58.718> cool<04:47:59.040> outside<04:47:59.680> shapes<04:48:00.320> if<04:48:00.480> you

the really cool outside shapes if you

the really cool outside shapes if you
remember<04:48:00.958> them<04:48:01.120> and<04:48:01.200> now<04:48:01.440> see<04:48:01.600> them<04:48:01.840> in<04:48:01.920> fits

remember them and now see them in fits

remember them and now see them in fits
tuning<04:48:02.958> and<04:48:03.440> if<04:48:03.520> you<04:48:03.680> notice

tuning and if you notice

tuning and if you notice
all<04:48:04.798> we've<04:48:05.040> seen<04:48:05.280> so<04:48:05.520> far<04:48:05.840> are<04:48:06.240> the<04:48:06.480> major

all we've seen so far are the major

all we've seen so far are the major
scale<04:48:07.120> type<04:48:07.360> of<04:48:07.520> fixed<04:48:07.840> tunings<04:48:08.400> uh<04:48:08.878> lines<04:48:09.360> and

scale type of fixed tunings uh lines and

scale type of fixed tunings uh lines and
stuff<04:48:10.480> in

stuff in

stuff in
the<04:48:11.600> pentatonic<04:48:12.160> scale

the pentatonic scale

the pentatonic scale
i<04:48:13.360> haven't<04:48:13.760> found<04:48:14.080> any<04:48:14.320> melodic<04:48:14.798> minor<04:48:15.280> any<04:48:15.440> of

i haven't found any melodic minor any of

i haven't found any melodic minor any of
the<04:48:15.600> other<04:48:15.840> weird<04:48:16.160> scale<04:48:16.480> stuff<04:48:16.878> that's<04:48:17.200> in

the other weird scale stuff that's in

the other weird scale stuff that's in
fifths<04:48:18.240> so<04:48:18.400> once<04:48:18.718> again<04:48:18.958> it<04:48:19.040> leads<04:48:19.280> me<04:48:19.440> to

fifths so once again it leads me to

fifths so once again it leads me to
believe<04:48:20.000> that<04:48:20.160> some<04:48:20.320> of<04:48:20.400> this<04:48:20.560> outside<04:48:21.120> stuff

believe that some of this outside stuff

believe that some of this outside stuff
is<04:48:21.600> really<04:48:22.000> physical<04:48:22.480> shapes<04:48:22.798> just<04:48:23.040> apply<04:48:23.360> to

is really physical shapes just apply to

is really physical shapes just apply to
this<04:48:23.760> fifth<04:48:24.000> tuning<04:48:24.320> for<04:48:24.480> the<04:48:24.560> same<04:48:24.798> concept

this fifth tuning for the same concept

this fifth tuning for the same concept
of<04:48:26.240> creating<04:48:26.798> tension<04:48:27.280> and<04:48:27.760> interesting

of creating tension and interesting

of creating tension and interesting
sounding<04:48:28.560> lines<04:48:28.958> because<04:48:29.600> they're<04:48:29.760> going<04:48:30.000> to

sounding lines because they're going to

sounding lines because they're going to
be<04:48:30.320> resolved<04:48:30.798> again<04:48:31.120> after<04:48:31.440> i<04:48:31.520> know<04:48:31.680> it's<04:48:31.760> not

be resolved again after i know it's not

be resolved again after i know it's not
like<04:48:32.080> a<04:48:32.160> broken<04:48:32.560> record<04:48:32.878> but<04:48:33.520> uh<04:48:34.080> i<04:48:34.240> want<04:48:34.400> to

like a broken record but uh i want to

like a broken record but uh i want to
emphasize<04:48:35.760> this<04:48:35.920> as<04:48:36.000> much<04:48:36.240> as<04:48:36.320> possible

emphasize this as much as possible

emphasize this as much as possible
because<04:48:37.040> like<04:48:37.280> i<04:48:37.360> said<04:48:37.520> this<04:48:37.680> is<04:48:37.760> what<04:48:37.920> helped

because like i said this is what helped

because like i said this is what helped
me<04:48:38.480> hopefully<04:48:39.280> might<04:48:39.440> help<04:48:39.680> somebody<04:48:40.080> else

me hopefully might help somebody else

me hopefully might help somebody else
that<04:48:40.560> might<04:48:40.718> be<04:48:40.958> in<04:48:41.120> the<04:48:41.760> stuck<04:48:42.000> in<04:48:42.080> the<04:48:42.240> same

that might be in the stuck in the same

that might be in the stuck in the same
rut<04:48:42.718> that<04:48:42.878> i<04:48:43.040> was<04:48:43.440> so<04:48:43.760> here<04:48:44.000> are<04:48:44.080> some<04:48:44.400> outside

rut that i was so here are some outside

rut that i was so here are some outside
shapes<04:48:45.120> in<04:48:45.280> fixed<04:48:45.520> tuning

shapes in fixed tuning

shapes in fixed tuning
[Music]

[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

you'll notice in those previous examples

you'll notice in those previous examples
some<04:49:17.760> of<04:49:17.840> them<04:49:18.080> still<04:49:18.320> contain<04:49:18.718> that<04:49:19.040> sort<04:49:19.200> of

some of them still contain that sort of

some of them still contain that sort of
flat<04:49:19.600> 5<04:49:19.920> shape<04:49:20.080> where<04:49:20.240> you're<04:49:20.400> moving<04:49:20.958> uh<04:49:21.360> a

flat 5 shape where you're moving uh a

flat 5 shape where you're moving uh a
string<04:49:22.240> down<04:49:22.480> and<04:49:22.560> then<04:49:22.718> a<04:49:22.798> fret<04:49:23.120> over<04:49:23.680> but<04:49:23.840> now

string down and then a fret over but now

string down and then a fret over but now
since<04:49:24.320> we're<04:49:24.480> in<04:49:24.718> fifths<04:49:25.200> instead<04:49:25.440> of<04:49:25.600> being<04:49:25.840> a

since we're in fifths instead of being a

since we're in fifths instead of being a
flat<04:49:26.240> five<04:49:26.480> it's<04:49:26.718> actually<04:49:26.958> you're<04:49:27.120> moving<04:49:27.440> up

flat five it's actually you're moving up

flat five it's actually you're moving up
in<04:49:27.920> sharp<04:49:28.240> fives<04:49:28.560> or<04:49:28.718> flat<04:49:29.040> sixes

in sharp fives or flat sixes

in sharp fives or flat sixes
uh<04:49:30.400> this<04:49:30.638> particular<04:49:31.200> shape<04:49:31.520> i've<04:49:31.840> only

uh this particular shape i've only

uh this particular shape i've only
really<04:49:32.480> seen

really seen

really seen
allen<04:49:33.680> playing<04:49:33.920> in<04:49:34.160> fifths<04:49:34.718> it's<04:49:35.040> a

allen playing in fifths it's a

allen playing in fifths it's a
diminished<04:49:35.760> scale<04:49:36.240> shape<04:49:36.480> that<04:49:36.638> you're

diminished scale shape that you're

diminished scale shape that you're
playing<04:49:37.040> between<04:49:37.440> two<04:49:37.680> strings<04:49:38.160> but<04:49:38.320> then

playing between two strings but then

playing between two strings but then
you're<04:49:38.718> moving<04:49:39.200> down<04:49:39.520> a<04:49:40.560> back<04:49:40.798> of<04:49:40.958> fret<04:49:41.200> and

you're moving down a back of fret and

you're moving down a back of fret and
then<04:49:41.520> going<04:49:41.840> back<04:49:42.160> up<04:49:42.400> again

then going back up again

then going back up again
so

so

so
the<04:49:44.240> diminished<04:49:44.718> line<04:49:45.040> is<04:49:45.200> moving<04:49:45.520> in<04:49:45.680> flat

the diminished line is moving in flat

the diminished line is moving in flat
five<04:49:46.240> because<04:49:46.480> if<04:49:46.560> you<04:49:46.718> move<04:49:47.440> a<04:49:48.000> string<04:49:48.320> down

five because if you move a string down

five because if you move a string down
and<04:49:48.798> backwards<04:49:49.360> that's<04:49:49.600> a<04:49:49.680> flat<04:49:50.000> five<04:49:50.240> but<04:49:50.400> if

and backwards that's a flat five but if

and backwards that's a flat five but if
you<04:49:50.560> move<04:49:50.798> a<04:49:50.878> string<04:49:51.200> down<04:49:51.600> and<04:49:51.920> a<04:49:52.000> fret<04:49:52.320> over

you move a string down and a fret over

you move a string down and a fret over
that's<04:49:53.120> sharp<04:49:53.440> five<04:49:54.000> so<04:49:54.560> this<04:49:54.798> is<04:49:54.958> a<04:49:55.440> a

that's sharp five so this is a a

that's sharp five so this is a a
diminished<04:49:56.400> scale<04:49:56.798> phrase<04:49:57.360> or<04:49:57.600> diminished

diminished scale phrase or diminished

diminished scale phrase or diminished
pattern<04:49:58.480> phrase<04:49:58.718> that<04:49:58.878> i<04:49:58.958> saw<04:49:59.120> a<04:49:59.200> couple<04:49:59.440> of

pattern phrase that i saw a couple of

pattern phrase that i saw a couple of
times<04:49:59.840> in<04:50:00.000> fifths<04:50:00.240> tuning

this one uses that same diminished scale

this one uses that same diminished scale
idea<04:50:11.680> but<04:50:11.840> now<04:50:12.000> once<04:50:12.240> it<04:50:12.320> gets<04:50:12.560> to<04:50:12.718> the<04:50:12.958> uh

idea but now once it gets to the uh

idea but now once it gets to the uh
upper<04:50:13.840> two<04:50:14.080> strings<04:50:14.718> it<04:50:14.878> turns<04:50:15.280> into<04:50:15.760> that

upper two strings it turns into that

upper two strings it turns into that
forward<04:50:16.638> staircase<04:50:17.200> pattern<04:50:17.520> that<04:50:17.760> i<04:50:17.920> showed

forward staircase pattern that i showed

forward staircase pattern that i showed
you<04:50:18.240> before

speaking of the staircase pattern here's

speaking of the staircase pattern here's
another<04:50:26.480> one

another one

another one
[Music]

[Music]

[Music]
and<04:50:37.680> here<04:50:38.080> is<04:50:38.240> that<04:50:38.400> staircase<04:50:39.040> pattern<04:50:39.440> again

and here is that staircase pattern again

and here is that staircase pattern again
but<04:50:40.000> now<04:50:40.160> we're<04:50:40.400> doing<04:50:40.718> this<04:50:40.958> in<04:50:41.040> these<04:50:41.280> three

but now we're doing this in these three

but now we're doing this in these three
note<04:50:41.760> chromatic<04:50:42.480> little<04:50:42.638> clumps<04:50:43.040> which<04:50:43.200> is

note chromatic little clumps which is

note chromatic little clumps which is
kind<04:50:43.440> of<04:50:43.520> similar<04:50:43.840> to<04:50:44.000> the<04:50:44.160> messian<04:50:44.718> mode<04:50:44.958> but

kind of similar to the messian mode but

kind of similar to the messian mode but
obviously<04:50:46.400> he's<04:50:46.480> not<04:50:46.718> thinking<04:50:46.958> about<04:50:47.200> that

obviously he's not thinking about that

obviously he's not thinking about that
he's<04:50:47.600> just<04:50:48.160> playing<04:50:48.958> these<04:50:49.360> uh<04:50:50.000> three<04:50:50.480> notes

he's just playing these uh three notes

he's just playing these uh three notes
in<04:50:50.878> a<04:50:51.040> row<04:50:51.600> using<04:50:51.840> that<04:50:52.000> staircase<04:50:52.560> pattern

[Music]

[Music]
that<04:51:04.878> chromatic<04:51:05.520> box<04:51:05.840> pattern<04:51:06.160> that<04:51:06.320> i<04:51:06.480> showed

that chromatic box pattern that i showed

that chromatic box pattern that i showed
you<04:51:06.878> before

you before

you before
you<04:51:07.840> know<04:51:08.000> what<04:51:08.240> the

you know what the

you know what the
that<04:51:09.200> was<04:51:09.360> based<04:51:09.600> off<04:51:09.760> of<04:51:09.840> the<04:51:09.920> minor

that was based off of the minor

that was based off of the minor
pentatonic<04:51:11.120> box<04:51:11.600> shape<04:51:12.160> here<04:51:12.400> it<04:51:12.480> is<04:51:12.638> in

pentatonic box shape here it is in

pentatonic box shape here it is in
fifths

fifths

fifths
[Music]

[Music]

[Music]
here<04:51:36.400> are<04:51:36.560> some<04:51:36.718> of<04:51:36.798> those<04:51:37.280> phrygian<04:51:37.840> dominant

here are some of those phrygian dominant

here are some of those phrygian dominant
phrases<04:51:38.958> and<04:51:39.120> that<04:51:39.600> line<04:51:39.840> with<04:51:40.000> the<04:51:40.160> minor

phrases and that line with the minor

phrases and that line with the minor
third<04:51:41.440> and<04:51:41.600> the<04:51:41.760> major<04:51:42.160> third

third and the major third

third and the major third
moving<04:51:43.440> around<04:51:44.000> chromatically<04:51:44.798> on<04:51:44.958> the<04:51:45.120> neck

moving around chromatically on the neck

moving around chromatically on the neck
and<04:51:45.440> fifths

and fifths

and fifths
[Music]

[Music]

[Music]
to

to

to
[Music]

[Music]

[Music]
so

still got a few more that whole step

still got a few more that whole step
pattern<04:53:22.560> yeah<04:53:22.958> where<04:53:23.120> you're<04:53:23.360> playing<04:53:23.600> two

pattern yeah where you're playing two

pattern yeah where you're playing two
whole<04:53:23.920> steps<04:53:24.240> so<04:53:24.400> like<04:53:24.560> c<04:53:24.878> d<04:53:25.040> and<04:53:25.200> e<04:53:25.840> uh<04:53:26.320> here<04:53:26.480> it

whole steps so like c d and e uh here it

whole steps so like c d and e uh here it
is<04:53:26.718> in<04:53:26.878> fifth<04:53:27.200> tuning<04:53:27.520> moving<04:53:27.840> around<04:53:28.160> a<04:53:28.240> bit

is in fifth tuning moving around a bit

is in fifth tuning moving around a bit
chromatically

that major arpeggio that i told you is

that major arpeggio that i told you is
really<04:53:50.000> not<04:53:50.160> a<04:53:50.240> major<04:53:50.560> arpeggio<04:53:50.958> arpeggio

really not a major arpeggio arpeggio

really not a major arpeggio arpeggio
that<04:53:51.600> sort<04:53:51.760> of<04:53:51.840> finger<04:53:52.160> pattern<04:53:52.798> uh<04:53:53.040> here<04:53:53.200> are

that sort of finger pattern uh here are

that sort of finger pattern uh here are
different<04:53:53.600> variations<04:53:54.240> that<04:53:54.400> you<04:53:54.480> can<04:53:54.638> see<04:53:54.878> it

different variations that you can see it

different variations that you can see it
in<04:53:55.200> this<04:53:55.440> tuning

[Music]

[Music]
here's<04:54:10.320> even<04:54:10.560> just<04:54:10.798> one<04:54:11.040> example<04:54:11.440> that<04:54:11.600> i

here's even just one example that i

here's even just one example that i
found<04:54:12.080> that<04:54:12.160> this<04:54:12.320> is<04:54:12.400> probably<04:54:12.638> the<04:54:12.798> only<04:54:12.958> one

found that this is probably the only one

found that this is probably the only one
of<04:54:13.760> alan<04:54:14.080> taking<04:54:14.400> that<04:54:14.638> triads<04:54:15.280> moving<04:54:15.920> a<04:54:16.000> half

of alan taking that triads moving a half

of alan taking that triads moving a half
step<04:54:16.638> down

step down

step down
in<04:54:17.840> fifths<04:54:18.160> tuning

in fifths tuning

in fifths tuning
finally<04:54:21.040> that<04:54:21.280> spoke<04:54:21.600> slick<04:54:21.920> that<04:54:22.080> i<04:54:22.160> was

finally that spoke slick that i was

finally that spoke slick that i was
talking<04:54:22.718> about<04:54:23.200> you<04:54:23.360> see<04:54:23.520> it<04:54:23.600> a<04:54:23.680> bunch<04:54:23.920> of

talking about you see it a bunch of

talking about you see it a bunch of
times<04:54:24.320> here<04:54:24.480> in<04:54:24.560> this<04:54:24.798> fifth<04:54:25.120> tunic<04:54:25.600> so

times here in this fifth tunic so

times here in this fifth tunic so
obviously<04:54:26.958> if<04:54:27.120> you<04:54:27.280> play<04:54:27.600> this<04:54:27.840> line<04:54:28.160> in<04:54:28.320> this

obviously if you play this line in this

obviously if you play this line in this
tuning<04:54:29.360> those<04:54:29.680> notes<04:54:29.920> don't<04:54:30.160> belong<04:54:30.480> to<04:54:30.638> the

tuning those notes don't belong to the

tuning those notes don't belong to the
messian<04:54:31.360> mode<04:54:31.600> the<04:54:31.760> messy<04:54:32.080> on<04:54:32.240> third<04:54:32.560> mode<04:54:32.878> so

messian mode the messy on third mode so

messian mode the messy on third mode so
it's<04:54:33.680> possible<04:54:34.160> he's<04:54:34.320> just<04:54:34.560> using<04:54:34.878> that

it's possible he's just using that

it's possible he's just using that
finger<04:54:35.520> pattern<04:54:36.000> just<04:54:36.240> purely<04:54:36.638> to<04:54:36.798> create

finger pattern just purely to create

finger pattern just purely to create
tension<04:54:37.600> or<04:54:37.840> just<04:54:38.080> saying<04:54:38.240> well<04:54:38.400> i<04:54:38.560> know<04:54:38.718> i<04:54:38.798> can

tension or just saying well i know i can

tension or just saying well i know i can
do<04:54:39.120> this<04:54:39.280> and<04:54:39.440> i<04:54:39.520> know<04:54:39.680> i<04:54:39.760> can<04:54:40.320> come<04:54:40.480> up<04:54:40.638> with

do this and i know i can come up with

do this and i know i can come up with
some<04:54:40.958> interesting<04:54:41.360> line<04:54:41.600> and<04:54:41.680> then<04:54:41.840> move<04:54:42.080> on

some interesting line and then move on

some interesting line and then move on
from<04:54:42.480> there<04:54:43.120> again<04:54:43.520> this<04:54:43.760> reinforces<04:54:44.480> that

from there again this reinforces that

from there again this reinforces that
the<04:54:44.718> notes<04:54:45.040> don't<04:54:45.360> really<04:54:45.680> matter<04:54:46.080> so<04:54:46.240> much<04:54:46.480> as

the notes don't really matter so much as

the notes don't really matter so much as
much<04:54:46.878> as<04:54:47.360> the<04:54:47.600> context<04:54:48.080> in<04:54:48.240> how<04:54:48.400> you<04:54:48.560> use<04:54:48.798> these

much as the context in how you use these

much as the context in how you use these
phrases

phrases

phrases
[Music]

here's something that's a little crazy

here's something that's a little crazy
that<04:55:06.480> uh

that uh

that uh
i<04:55:07.920> actually<04:55:08.240> did<04:55:08.638> not<04:55:08.878> find<04:55:09.280> but<04:55:09.520> once<04:55:09.840> again

i actually did not find but once again

i actually did not find but once again
my<04:55:10.560> friend<04:55:10.798> joe<04:55:11.120> britton<04:55:11.520> found<04:55:11.840> out<04:55:12.240> he<04:55:12.480> came

my friend joe britton found out he came

my friend joe britton found out he came
to<04:55:12.878> me<04:55:13.040> with<04:55:13.280> this<04:55:13.840> um

to me with this um

to me with this um
line<04:55:15.120> from<04:55:15.360> spokes<04:55:16.240> and<04:55:16.718> he<04:55:16.878> asked<04:55:17.120> me<04:55:17.360> about

line from spokes and he asked me about

line from spokes and he asked me about
it<04:55:18.000> and<04:55:18.240> i<04:55:18.480> tried<04:55:18.798> figuring<04:55:19.200> it<04:55:19.360> out<04:55:19.520> and<04:55:19.680> i

it and i tried figuring it out and i

it and i tried figuring it out and i
came<04:55:20.080> to<04:55:20.240> basically<04:55:20.718> the<04:55:20.878> same<04:55:21.120> conclusion

came to basically the same conclusion

came to basically the same conclusion
this<04:55:22.638> line<04:55:23.200> alan<04:55:23.680> starts<04:55:24.000> out<04:55:24.240> playing<04:55:24.560> in

this line alan starts out playing in

this line alan starts out playing in
fifths<04:55:25.600> and<04:55:25.840> in<04:55:26.080> the<04:55:26.240> middle<04:55:26.560> of<04:55:26.718> the<04:55:26.958> line<04:55:27.360> it

fifths and in the middle of the line it

fifths and in the middle of the line it
switches<04:55:28.000> to<04:55:28.160> standard<04:55:28.718> tuning<04:55:29.360> and<04:55:29.520> if<04:55:29.680> you

switches to standard tuning and if you

switches to standard tuning and if you
listen<04:55:30.240> closely<04:55:30.878> from<04:55:31.120> where<04:55:31.440> it<04:55:31.600> actually<04:55:32.320> uh

listen closely from where it actually uh

listen closely from where it actually uh
switches<04:55:33.120> to<04:55:33.280> standard<04:55:33.680> you<04:55:33.840> can<04:55:34.000> hear<04:55:34.240> it

switches to standard you can hear it

switches to standard you can hear it
almost<04:55:34.878> it<04:55:35.040> almost<04:55:35.280> fades<04:55:35.680> in<04:55:36.160> so<04:55:36.400> it's<04:55:36.560> like

almost it almost fades in so it's like

almost it almost fades in so it's like
those<04:55:36.958> two<04:55:37.280> parts<04:55:37.600> are<04:55:37.840> spliced<04:55:38.400> together

those two parts are spliced together

those two parts are spliced together
once<04:55:39.600> again<04:55:40.160> giving<04:55:40.480> me<04:55:40.638> the<04:55:40.798> impression<04:55:41.440> that

once again giving me the impression that

once again giving me the impression that
um<04:55:42.638> these<04:55:42.958> solos<04:55:43.520> were<04:55:43.680> sort<04:55:43.840> of<04:55:44.400> bits<04:55:44.638> and

um these solos were sort of bits and

um these solos were sort of bits and
pieces<04:55:45.200> joined<04:55:45.520> together<04:55:45.840> they<04:55:46.000> weren't<04:55:46.560> done

pieces joined together they weren't done

pieces joined together they weren't done
in<04:55:46.958> one<04:55:47.280> big<04:55:47.600> uh<04:55:48.240> you<04:55:48.320> know<04:55:48.560> the<04:55:48.718> one<04:55:48.958> big<04:55:49.200> solo

in one big uh you know the one big solo

in one big uh you know the one big solo
they<04:55:49.680> kind<04:55:49.840> of<04:55:49.920> like<04:55:50.160> bits<04:55:50.400> and<04:55:50.480> pieces<04:55:50.798> of<04:55:50.958> i

they kind of like bits and pieces of i

they kind of like bits and pieces of i
like<04:55:51.280> this<04:55:51.520> part<04:55:51.840> and<04:55:51.920> then<04:55:52.080> i<04:55:52.160> want<04:55:52.320> to<04:55:52.400> go<04:55:52.560> to

like this part and then i want to go to

like this part and then i want to go to
this<04:55:52.878> part<04:55:53.520> although<04:55:53.920> i<04:55:54.000> must<04:55:54.240> admit<04:55:54.480> this<04:55:54.718> is

this part although i must admit this is

this part although i must admit this is
the<04:55:54.958> only<04:55:55.200> time<04:55:55.520> i<04:55:55.760> found<04:55:56.000> this<04:55:56.560> you<04:55:56.718> can<04:55:56.958> find

the only time i found this you can find

the only time i found this you can find
other<04:55:57.520> examples<04:55:57.920> like<04:55:58.080> this<04:55:58.320> on<04:55:58.400> the<04:55:58.560> flat

other examples like this on the flat

other examples like this on the flat
tire<04:55:59.280> out<04:55:59.520> but<04:55:59.760> i'm<04:55:59.920> going<04:56:00.000> to<04:56:00.080> get<04:56:00.320> to<04:56:00.480> that<04:56:00.958> at

tire out but i'm going to get to that at

tire out but i'm going to get to that at
the<04:56:01.280> very<04:56:01.680> very<04:56:02.000> end

now the last major tuning that we're

now the last major tuning that we're
talking<04:56:14.718> about<04:56:15.120> is<04:56:15.520> fourths<04:56:16.480> now<04:56:16.958> uh<04:56:17.520> alan

talking about is fourths now uh alan

talking about is fourths now uh alan
didn't<04:56:18.160> really<04:56:18.480> seem<04:56:18.638> to<04:56:18.798> use<04:56:18.958> this<04:56:19.280> tuning

didn't really seem to use this tuning

didn't really seem to use this tuning
quite<04:56:19.920> a<04:56:20.000> bit<04:56:20.240> and<04:56:20.400> if<04:56:20.560> he<04:56:20.718> did<04:56:21.360> it's<04:56:21.920> obviously

quite a bit and if he did it's obviously

quite a bit and if he did it's obviously
hard<04:56:22.638> to<04:56:22.798> tell<04:56:23.120> because<04:56:23.440> there's<04:56:23.760> no<04:56:23.920> way<04:56:24.080> for

hard to tell because there's no way for

hard to tell because there's no way for
you<04:56:24.320> to<04:56:24.480> really<04:56:24.798> figure<04:56:25.200> out<04:56:25.520> you<04:56:25.600> know<04:56:26.000> uh<04:56:26.160> if

you to really figure out you know uh if

you to really figure out you know uh if
he's<04:56:26.480> playing<04:56:26.718> a<04:56:26.798> scale<04:56:27.200> or<04:56:27.280> not<04:56:27.840> so<04:56:28.320> almost

he's playing a scale or not so almost

he's playing a scale or not so almost
every<04:56:29.360> time<04:56:29.600> i<04:56:29.680> think<04:56:29.920> actually<04:56:30.240> every<04:56:30.480> time

every time i think actually every time

every time i think actually every time
that<04:56:30.798> i<04:56:30.958> found<04:56:31.280> these<04:56:31.600> fourth<04:56:31.920> lines<04:56:32.320> being

that i found these fourth lines being

that i found these fourth lines being
used<04:56:32.878> are<04:56:33.040> really<04:56:33.280> for<04:56:33.680> outside<04:56:34.240> playing<04:56:34.878> and

used are really for outside playing and

used are really for outside playing and
once<04:56:35.200> again<04:56:35.440> if<04:56:35.520> he's<04:56:35.760> playing<04:56:36.000> the<04:56:36.080> major

once again if he's playing the major

once again if he's playing the major
scale<04:56:36.718> in<04:56:36.878> force<04:56:37.200> it's

scale in force it's

scale in force it's
impossible<04:56:38.638> to<04:56:38.798> tell<04:56:39.040> without

impossible to tell without

impossible to tell without
looking<04:56:40.400> at<04:56:40.560> it

looking at it

looking at it
but

but

but
in<04:56:42.320> these<04:56:42.638> outside<04:56:43.680> phrases<04:56:44.480> there<04:56:44.638> was

in these outside phrases there was

in these outside phrases there was
something<04:56:45.280> about<04:56:45.600> it<04:56:45.760> that<04:56:46.000> made<04:56:46.400> sense

something about it that made sense

something about it that made sense
symmetrically<04:56:48.160> once<04:56:48.400> you<04:56:48.798> put<04:56:48.958> the<04:56:49.120> tuning<04:56:49.520> in

symmetrically once you put the tuning in

symmetrically once you put the tuning in
force<04:56:49.920> you<04:56:50.080> can<04:56:50.320> see<04:56:50.638> the<04:56:50.958> symmetrical<04:56:51.600> string

force you can see the symmetrical string

force you can see the symmetrical string
skipping<04:56:52.400> to<04:56:52.638> it<04:56:53.200> anyway<04:56:53.680> i've<04:56:54.000> already

skipping to it anyway i've already

skipping to it anyway i've already
talked<04:56:54.560> to<04:56:54.718> death<04:56:54.958> about<04:56:55.280> all<04:56:55.360> these

talked to death about all these

talked to death about all these
different<04:56:55.920> outside<04:56:56.320> patterns<04:56:56.798> and<04:56:57.200> here<04:56:57.440> you

different outside patterns and here you

different outside patterns and here you
can<04:56:57.760> see<04:56:57.920> them<04:56:58.160> and<04:56:58.240> fourth<04:56:58.560> so<04:56:58.798> i'm<04:56:58.958> just

can see them and fourth so i'm just

can see them and fourth so i'm just
gonna

gonna

gonna
sort<04:57:00.320> of<04:57:00.480> bring<04:57:00.718> them<04:57:00.878> out<04:57:00.958> like<04:57:01.200> a<04:57:01.280> carousel

sort of bring them out like a carousel

sort of bring them out like a carousel
all<04:57:01.840> the<04:57:02.000> different<04:57:02.400> uh<04:57:02.958> outside<04:57:03.360> patterns

all the different uh outside patterns

all the different uh outside patterns
that<04:57:03.760> we<04:57:03.920> talked<04:57:04.160> about<04:57:04.320> but<04:57:04.480> now<04:57:04.718> and<04:57:04.798> fourths

[Music]

[Music]
[Applause]

[Applause]

[Applause]
[Music]

[Music]

[Music]
so

so

so
[Music]

[Music]

[Music]
[Applause]

[Applause]

[Applause]
so

so

so
[Music]

now this this is the really cool stuff

now this this is the really cool stuff
uh<04:58:25.840> when<04:58:26.080> alan<04:58:26.560> said<04:58:26.878> that<04:58:27.040> he<04:58:27.280> was<04:58:27.760> tuning<04:58:28.160> in

uh when alan said that he was tuning in

uh when alan said that he was tuning in
fourth<04:58:28.878> and<04:58:29.040> fifth<04:58:29.440> like<04:58:29.600> i<04:58:29.760> said<04:58:30.000> he<04:58:30.400> wasn't

fourth and fifth like i said he wasn't

fourth and fifth like i said he wasn't
really<04:58:31.200> fully<04:58:31.600> telling<04:58:31.920> the<04:58:32.080> truth<04:58:32.718> so<04:58:32.958> i'll

really fully telling the truth so i'll

really fully telling the truth so i'll
tell<04:58:33.440> you<04:58:33.600> how

tell you how

tell you how
uh<04:58:35.200> this<04:58:35.440> sort<04:58:35.600> of<04:58:35.760> came<04:58:36.000> to<04:58:36.080> be<04:58:36.320> this<04:58:36.480> kind<04:58:36.638> of

uh this sort of came to be this kind of

uh this sort of came to be this kind of
revelation

revelation

revelation
so<04:58:38.240> i<04:58:38.400> was

so i was

so i was
transcribing<04:58:40.560> the<04:58:40.798> chord<04:58:41.360> section<04:58:41.920> after<04:58:42.400> the

transcribing the chord section after the

transcribing the chord section after the
solos<04:58:43.280> in<04:58:43.520> uh<04:58:43.840> eidolon<04:58:44.878> and

solos in uh eidolon and

solos in uh eidolon and
i<04:58:45.920> just<04:58:46.320> couldn't<04:58:46.718> quite<04:58:47.200> figure<04:58:47.600> out<04:58:47.920> how<04:58:48.240> to

i just couldn't quite figure out how to

i just couldn't quite figure out how to
have<04:58:49.520> everything<04:58:49.840> played<04:58:50.400> on<04:58:50.718> one<04:58:50.958> you<04:58:51.040> know

have everything played on one you know

have everything played on one you know
one<04:58:51.520> hand<04:58:52.160> all<04:58:52.320> the<04:58:52.480> notes<04:58:52.718> seem<04:58:52.958> to<04:58:53.120> be<04:58:53.280> there

one hand all the notes seem to be there

one hand all the notes seem to be there
but<04:58:53.680> i<04:58:53.760> could<04:58:54.000> never<04:58:54.400> find<04:58:54.798> the<04:58:55.040> right<04:58:55.360> voicing

but i could never find the right voicing

but i could never find the right voicing
for<04:58:55.920> it<04:58:56.080> it<04:58:56.160> didn't<04:58:56.400> make<04:58:56.638> sense<04:58:57.280> this<04:58:57.520> is<04:58:57.680> why

for it it didn't make sense this is why

for it it didn't make sense this is why
i<04:58:58.160> thank<04:58:58.480> my<04:58:58.718> friends<04:58:59.040> andre<04:58:59.600> livio<04:59:00.160> and<04:59:00.400> joe

i thank my friends andre livio and joe

i thank my friends andre livio and joe
because<04:59:01.040> i<04:59:01.200> would<04:59:01.360> bring<04:59:01.600> them<04:59:01.840> things<04:59:02.080> like

because i would bring them things like

because i would bring them things like
this<04:59:02.480> and<04:59:02.560> say<04:59:03.280> uh

this and say uh

this and say uh
i'm<04:59:04.400> having<04:59:04.718> trouble<04:59:04.958> with<04:59:05.120> this<04:59:05.840> is<04:59:06.000> there

i'm having trouble with this is there

i'm having trouble with this is there
can<04:59:06.480> you<04:59:06.638> see<04:59:06.798> this<04:59:06.958> another<04:59:07.280> way<04:59:07.440> or<04:59:07.680> hearing

can you see this another way or hearing

can you see this another way or hearing
something<04:59:08.560> that<04:59:08.958> uh<04:59:09.280> i'm<04:59:09.520> not<04:59:09.760> hearing<04:59:10.160> maybe

something that uh i'm not hearing maybe

something that uh i'm not hearing maybe
i've<04:59:10.958> you<04:59:11.120> know<04:59:11.200> i<04:59:11.280> did<04:59:11.440> something<04:59:11.760> really<04:59:12.240> you

i've you know i did something really you

i've you know i did something really you
know<04:59:12.480> really<04:59:12.718> silly<04:59:13.040> i<04:59:13.120> need<04:59:13.280> your<04:59:13.440> input<04:59:14.080> so

know really silly i need your input so

know really silly i need your input so
we<04:59:14.400> talked<04:59:14.638> about<04:59:14.958> it<04:59:15.040> nothing<04:59:15.360> really<04:59:15.600> made

we talked about it nothing really made

we talked about it nothing really made
sense<04:59:16.240> but<04:59:16.480> then<04:59:16.958> joe<04:59:17.680> what<04:59:18.160> i<04:59:18.240> don't<04:59:18.400> know<04:59:18.480> how

sense but then joe what i don't know how

sense but then joe what i don't know how
he<04:59:18.798> figured<04:59:19.040> this<04:59:19.280> out<04:59:19.440> had<04:59:19.680> an<04:59:19.840> idea

he figured this out had an idea

he figured this out had an idea
where

where

where
every<04:59:22.638> other<04:59:23.120> string<04:59:23.520> was<04:59:23.760> played<04:59:24.160> an<04:59:24.320> octave

every other string was played an octave

every other string was played an octave
higher

higher

higher
this<04:59:26.400> is<04:59:26.560> really<04:59:26.958> kind<04:59:27.120> of<04:59:27.280> sneaky<04:59:27.760> but<04:59:27.920> then

this is really kind of sneaky but then

this is really kind of sneaky but then
once<04:59:28.480> i

once i

once i
looked<04:59:29.680> at<04:59:29.920> what<04:59:30.320> he<04:59:30.878> wrote<04:59:31.280> i<04:59:31.520> realized<04:59:31.920> hey

looked at what he wrote i realized hey

looked at what he wrote i realized hey
that<04:59:32.480> actually<04:59:32.958> is<04:59:33.200> possible<04:59:33.680> to<04:59:33.840> be<04:59:34.000> played

that actually is possible to be played

that actually is possible to be played
so<04:59:35.440> i<04:59:35.680> thought<04:59:35.920> oh<04:59:36.080> maybe<04:59:36.320> this<04:59:36.560> is<04:59:36.638> one<04:59:36.878> sort

so i thought oh maybe this is one sort

so i thought oh maybe this is one sort
of<04:59:37.200> unique<04:59:37.600> instance<04:59:38.000> of<04:59:38.240> it<04:59:38.638> but<04:59:38.878> i<04:59:39.120> sort<04:59:39.360> of

of unique instance of it but i sort of

of unique instance of it but i sort of
you<04:59:39.840> know<04:59:40.000> kept<04:59:40.320> it<04:59:40.560> in<04:59:40.718> the<04:59:40.798> back<04:59:41.040> of<04:59:41.120> my<04:59:41.360> mind

you know kept it in the back of my mind

you know kept it in the back of my mind
just<04:59:41.760> to<04:59:42.400> you<04:59:42.560> know<04:59:42.798> oh<04:59:43.040> this<04:59:43.200> might<04:59:43.360> be<04:59:43.520> used

just to you know oh this might be used

just to you know oh this might be used
again<04:59:44.160> somewhere<04:59:44.638> so<04:59:44.878> i'll<04:59:45.120> i'll<04:59:45.520> you<04:59:45.600> know

again somewhere so i'll i'll you know

again somewhere so i'll i'll you know
wait<04:59:46.080> till<04:59:46.560> i<04:59:46.638> have<04:59:46.798> to<04:59:47.200> come<04:59:47.440> across

wait till i have to come across

wait till i have to come across
something<04:59:47.920> else<04:59:48.080> and<04:59:48.160> maybe<04:59:48.400> i<04:59:48.480> can<04:59:48.638> think

something else and maybe i can think

something else and maybe i can think
about<04:59:49.200> it<04:59:49.280> but<04:59:49.440> it<04:59:49.520> was<04:59:49.760> quite<04:59:49.920> a<04:59:50.000> revelation

about it but it was quite a revelation

about it but it was quite a revelation
at<04:59:50.718> the<04:59:50.878> time<04:59:51.600> so<04:59:51.840> later<04:59:52.240> i<04:59:52.400> was<04:59:52.638> talking<04:59:52.958> to

at the time so later i was talking to

at the time so later i was talking to
joe<04:59:53.440> about<04:59:53.760> spokes<04:59:54.240> and<04:59:54.560> spokes<04:59:55.120> always<04:59:55.600> kind

joe about spokes and spokes always kind

joe about spokes and spokes always kind
of<04:59:55.920> bothered<04:59:56.320> me<04:59:56.480> because<04:59:57.200> i<04:59:57.360> spent<04:59:57.760> more<04:59:58.080> time

of bothered me because i spent more time

of bothered me because i spent more time
on<04:59:58.480> that<04:59:58.718> tune<04:59:59.040> trying<04:59:59.280> to<04:59:59.360> get<04:59:59.520> it<04:59:59.680> right<04:59:59.920> than

on that tune trying to get it right than

on that tune trying to get it right than
anything<05:00:00.718> else<05:00:01.440> and<05:00:01.760> uh<05:00:02.080> we<05:00:02.240> were<05:00:02.480> talking

anything else and uh we were talking

anything else and uh we were talking
about<05:00:03.280> the<05:00:04.000> intro<05:00:04.400> line<05:00:04.638> that<05:00:04.798> allen<05:00:05.040> plays

about the intro line that allen plays

about the intro line that allen plays
for<05:00:05.440> the<05:00:05.520> solo<05:00:05.840> because<05:00:06.000> it's<05:00:06.160> so<05:00:06.400> wacky<05:00:07.120> uh

for the solo because it's so wacky uh

for the solo because it's so wacky uh
here's<05:00:07.760> a<05:00:07.920> quote<05:00:08.160> of<05:00:08.400> an<05:00:08.638> interviewer<05:00:09.280> asking

here's a quote of an interviewer asking

here's a quote of an interviewer asking
alan<05:00:10.000> about<05:00:10.320> it<05:00:10.480> because<05:00:10.878> it's<05:00:11.200> you<05:00:11.360> know<05:00:11.600> so

alan about it because it's you know so

alan about it because it's you know so
weird<05:00:12.400> and<05:00:12.638> in<05:00:12.798> that<05:00:13.040> solo<05:00:13.760> there's<05:00:14.080> phrasing

weird and in that solo there's phrasing

weird and in that solo there's phrasing
and<05:00:14.718> weird<05:00:14.958> stuff<05:00:15.280> in<05:00:15.360> there<05:00:15.600> just<05:00:15.920> sounds<05:00:16.240> so

and weird stuff in there just sounds so

and weird stuff in there just sounds so
far<05:00:16.798> that<05:00:16.958> i<05:00:17.040> never<05:00:17.360> would<05:00:17.520> have<05:00:17.600> been<05:00:17.840> able<05:00:18.000> to

far that i never would have been able to

far that i never would have been able to
figure<05:00:18.480> out<05:00:18.638> and<05:00:18.798> of<05:00:18.878> course<05:00:19.120> it<05:00:19.280> could<05:00:19.440> be<05:00:19.520> a

figure out and of course it could be a

figure out and of course it could be a
little<05:00:19.760> disheartening<05:00:20.240> because<05:00:20.480> you<05:00:20.638> don't

little disheartening because you don't

little disheartening because you don't
know<05:00:20.878> what's<05:00:21.040> going<05:00:21.280> on<05:00:21.760> how<05:00:21.920> can<05:00:22.080> i<05:00:22.160> ever<05:00:22.400> play

know what's going on how can i ever play

know what's going on how can i ever play
like<05:00:22.798> that<05:00:23.520> uh<05:00:23.760> but<05:00:23.920> when<05:00:24.160> i<05:00:24.320> talked<05:00:24.560> to<05:00:24.718> joe

like that uh but when i talked to joe

like that uh but when i talked to joe
about<05:00:25.280> it<05:00:25.840> uh<05:00:26.240> he<05:00:26.480> said<05:00:26.718> he's<05:00:27.040> uh<05:00:27.280> he<05:00:27.360> said<05:00:27.600> i

about it uh he said he's uh he said i

about it uh he said he's uh he said i
got<05:00:27.920> an<05:00:28.160> idea<05:00:28.718> let<05:00:28.878> me<05:00:29.520> let<05:00:29.680> me<05:00:29.760> work<05:00:30.080> on<05:00:30.240> it<05:00:30.718> and

got an idea let me let me work on it and

got an idea let me let me work on it and
like<05:00:31.360> a<05:00:31.440> few<05:00:31.680> minutes<05:00:32.000> later<05:00:32.240> he<05:00:32.480> sent<05:00:32.718> me<05:00:32.958> this

like a few minutes later he sent me this

like a few minutes later he sent me this
and<05:00:33.440> i<05:00:33.520> was<05:00:33.920> totally<05:00:34.320> stunned

and i was totally stunned

and i was totally stunned
[Music]

[Music]

[Music]
and<05:00:38.480> there<05:00:38.718> it<05:00:38.878> was<05:00:39.280> it<05:00:39.440> was<05:00:39.680> clear<05:00:40.080> as<05:00:40.240> crystal

and there it was it was clear as crystal

and there it was it was clear as crystal
it's<05:00:41.520> the<05:00:42.240> that<05:00:42.480> messy<05:00:42.958> online<05:00:43.360> that<05:00:43.440> i<05:00:43.520> was

it's the that messy online that i was

it's the that messy online that i was
talking<05:00:44.000> about<05:00:44.160> so<05:00:44.320> i<05:00:44.480> call<05:00:44.638> it<05:00:44.718> the<05:00:44.878> spokes

talking about so i call it the spokes

talking about so i call it the spokes
line

line

line
but

but

but
the<05:00:47.360> guitar<05:00:47.760> is<05:00:47.840> tuned<05:00:48.080> to<05:00:48.320> fourths<05:00:48.798> and<05:00:49.040> not

the guitar is tuned to fourths and not

the guitar is tuned to fourths and not
only<05:00:49.520> is<05:00:49.680> it<05:00:49.760> tuned<05:00:50.000> to<05:00:50.160> fourths<05:00:50.480> but<05:00:50.718> every

only is it tuned to fourths but every

only is it tuned to fourths but every
other<05:00:51.200> stream<05:00:51.520> is<05:00:51.760> string<05:00:52.080> is<05:00:52.160> tuned<05:00:52.400> and

other stream is string is tuned and

other stream is string is tuned and
octave<05:00:52.878> higher<05:00:53.360> which<05:00:53.600> is<05:00:53.680> how<05:00:53.840> you<05:00:53.920> can<05:00:54.000> get

octave higher which is how you can get

octave higher which is how you can get
those<05:00:54.320> crazy<05:00:54.798> octave<05:00:55.200> jumps<05:00:55.840> but<05:00:56.000> once<05:00:56.240> again

those crazy octave jumps but once again

those crazy octave jumps but once again
doing<05:00:56.798> the<05:00:56.958> least<05:00:57.200> amount<05:00:57.440> of<05:00:57.520> work<05:00:57.760> because

doing the least amount of work because

doing the least amount of work because
it's<05:00:58.080> a<05:00:58.160> pattern<05:00:58.480> that<05:00:58.638> alan's<05:00:58.958> already<05:00:59.440> done

it's a pattern that alan's already done

it's a pattern that alan's already done
so

so

so
that<05:01:01.520> was<05:01:02.080> quite<05:01:02.400> a<05:01:02.480> surprise<05:01:02.958> to<05:01:03.120> me<05:01:03.200> so<05:01:03.360> once

that was quite a surprise to me so once

that was quite a surprise to me so once
i<05:01:03.760> got<05:01:03.920> to<05:01:04.000> the<05:01:04.160> syntax<05:01:04.638> solos<05:01:05.280> i<05:01:05.520> had<05:01:05.760> to

i got to the syntax solos i had to

i got to the syntax solos i had to
remember<05:01:06.320> this<05:01:06.560> because<05:01:06.958> i<05:01:07.120> knew<05:01:07.280> this<05:01:07.520> is

remember this because i knew this is

remember this because i knew this is
something<05:01:07.920> that

something that

something that
i<05:01:08.798> could<05:01:08.958> potentially<05:01:09.600> see<05:01:09.840> if<05:01:09.920> there<05:01:10.080> was<05:01:10.240> a

i could potentially see if there was a

i could potentially see if there was a
line<05:01:10.560> i<05:01:10.718> just<05:01:10.878> couldn't<05:01:11.120> figure<05:01:11.520> out<05:01:11.760> maybe

line i just couldn't figure out maybe

line i just couldn't figure out maybe
he's<05:01:12.240> using<05:01:12.560> some<05:01:12.718> wacky<05:01:13.120> tuning<05:01:13.760> and<05:01:14.000> these

he's using some wacky tuning and these

he's using some wacky tuning and these
kind<05:01:14.958> of<05:01:15.200> weird<05:01:15.520> tunings<05:01:16.000> are<05:01:16.240> like

kind of weird tunings are like

kind of weird tunings are like
suspicious<05:01:17.120> tunings<05:01:17.440> are<05:01:17.600> the<05:01:17.680> ones<05:01:17.920> that<05:01:18.000> i

suspicious tunings are the ones that i

suspicious tunings are the ones that i
was<05:01:18.240> talking<05:01:18.638> about<05:01:18.878> where<05:01:19.120> alan<05:01:19.360> really

was talking about where alan really

was talking about where alan really
wasn't<05:01:19.920> being<05:01:20.560> uh

wasn't being uh

wasn't being uh
straightforward<05:01:22.320> with<05:01:22.878> what<05:01:23.280> he<05:01:23.440> was<05:01:23.680> doing

straightforward with what he was doing

straightforward with what he was doing
on<05:01:24.080> the<05:01:24.240> syntax<05:01:24.958> now<05:01:25.200> i<05:01:25.280> don't<05:01:25.520> know<05:01:26.080> once

on the syntax now i don't know once

on the syntax now i don't know once
again<05:01:26.638> it<05:01:26.718> was<05:01:26.878> because<05:01:27.440> he<05:01:27.600> felt<05:01:27.920> pressure<05:01:28.240> to

again it was because he felt pressure to

again it was because he felt pressure to
play<05:01:28.560> all<05:01:28.718> these<05:01:28.958> weird<05:01:29.280> things<05:01:30.000> from<05:01:30.240> his<05:01:30.400> fan

play all these weird things from his fan

play all these weird things from his fan
base<05:01:30.878> you<05:01:31.040> know<05:01:31.120> how<05:01:31.280> am<05:01:31.440> i<05:01:31.520> going<05:01:31.600> to<05:01:31.680> keep<05:01:31.920> on

base you know how am i going to keep on

base you know how am i going to keep on
coming<05:01:32.480> up<05:01:32.560> with<05:01:32.718> stuff<05:01:32.878> that<05:01:33.040> they<05:01:33.120> never

coming up with stuff that they never

coming up with stuff that they never
heard<05:01:33.600> before<05:01:34.560> and<05:01:34.878> how<05:01:35.040> would<05:01:35.200> anyone<05:01:35.600> know

heard before and how would anyone know

heard before and how would anyone know
because<05:01:36.160> unless<05:01:36.638> uh<05:01:36.958> you<05:01:37.120> had<05:01:37.280> a<05:01:37.360> synthax<05:01:37.920> you

because unless uh you had a synthax you

because unless uh you had a synthax you
couldn't<05:01:38.320> do<05:01:38.480> this<05:01:38.718> and<05:01:38.798> it<05:01:38.958> would<05:01:39.040> be

couldn't do this and it would be

couldn't do this and it would be
incredibly<05:01:39.920> hard<05:01:40.160> to<05:01:40.320> try<05:01:40.480> to<05:01:40.560> figure<05:01:40.958> out<05:01:41.600> um

incredibly hard to try to figure out um

incredibly hard to try to figure out um
but

but

but
this<05:01:43.280> kind<05:01:43.520> of<05:01:43.680> weird<05:01:44.000> tuning<05:01:44.320> stuff<05:01:44.638> only

this kind of weird tuning stuff only

this kind of weird tuning stuff only
appears<05:01:45.440> on

appears on

appears on
stuff<05:01:46.400> from<05:01:46.638> the<05:01:46.798> late<05:01:47.120> 80s<05:01:47.840> so<05:01:48.240> uh<05:01:48.560> the

stuff from the late 80s so uh the

stuff from the late 80s so uh the
secrets<05:01:49.280> album<05:01:49.920> uh<05:01:50.320> watercliff<05:01:50.958> tower<05:01:51.280> i

secrets album uh watercliff tower i

secrets album uh watercliff tower i
think<05:01:51.600> has<05:01:51.840> a<05:01:51.920> little<05:01:52.080> bit<05:01:52.240> even<05:01:52.400> though

think has a little bit even though

think has a little bit even though
that's<05:01:52.798> not<05:01:52.958> an<05:01:53.120> 80s<05:01:53.440> one<05:01:54.080> um

that's not an 80s one um

that's not an 80s one um
but<05:01:55.440> also

but also

but also
the<05:01:57.680> truth<05:01:57.920> and<05:01:58.080> shredding<05:01:58.480> record<05:01:58.878> and<05:01:59.040> the

the truth and shredding record and the

the truth and shredding record and the
record<05:01:59.600> with<05:01:59.680> gordon<05:02:00.080> beck<05:02:00.320> has<05:02:00.560> some<05:02:00.798> weird

record with gordon beck has some weird

record with gordon beck has some weird
syntax<05:02:01.600> tuning<05:02:01.920> stuff<05:02:02.240> in<05:02:02.400> it<05:02:02.798> so<05:02:03.120> armed<05:02:03.440> with

syntax tuning stuff in it so armed with

syntax tuning stuff in it so armed with
this<05:02:03.760> information<05:02:04.400> i<05:02:04.560> had<05:02:04.718> to<05:02:04.958> sort<05:02:05.120> of<05:02:05.520> think

this information i had to sort of think

this information i had to sort of think
of<05:02:05.920> every<05:02:06.240> possible<05:02:06.718> tuning<05:02:07.040> that<05:02:07.200> you<05:02:07.360> can

of every possible tuning that you can

of every possible tuning that you can
have<05:02:08.320> so<05:02:08.878> with<05:02:09.120> the<05:02:09.360> first<05:02:10.080> third<05:02:10.400> and<05:02:10.480> fifth

have so with the first third and fifth

have so with the first third and fifth
strings<05:02:11.040> being<05:02:11.280> an<05:02:11.440> octave<05:02:11.760> higher<05:02:12.160> or<05:02:12.320> an

strings being an octave higher or an

strings being an octave higher or an
octave<05:02:12.798> lower<05:02:13.360> the<05:02:13.600> second<05:02:14.000> fourth<05:02:14.400> and<05:02:14.638> six

octave lower the second fourth and six

octave lower the second fourth and six
strings<05:02:15.200> being<05:02:15.360> an<05:02:15.520> octave<05:02:15.760> higher<05:02:16.080> or<05:02:16.240> lower

strings being an octave higher or lower

strings being an octave higher or lower
the<05:02:17.520> top<05:02:17.760> three<05:02:18.080> strings<05:02:18.400> being<05:02:18.638> an<05:02:18.798> octave

the top three strings being an octave

the top three strings being an octave
higher<05:02:19.440> or<05:02:19.600> lower<05:02:20.400> and<05:02:20.638> then<05:02:20.878> not<05:02:21.040> only<05:02:21.280> taking

higher or lower and then not only taking

higher or lower and then not only taking
them<05:02:21.840> from<05:02:22.080> those<05:02:22.320> tunings<05:02:22.638> but<05:02:22.798> then<05:02:23.120> also

them from those tunings but then also

them from those tunings but then also
uh

uh

uh
moving<05:02:25.440> them<05:02:25.680> to

moving them to

moving them to
fifth<05:02:27.040> and<05:02:27.280> fourth<05:02:27.600> tuning<05:02:27.920> as<05:02:28.000> well<05:02:28.160> as

fifth and fourth tuning as well as

fifth and fourth tuning as well as
standard<05:02:29.040> and<05:02:29.200> i<05:02:29.280> think<05:02:29.520> i<05:02:29.600> ended<05:02:29.840> up<05:02:30.000> coming

standard and i think i ended up coming

standard and i think i ended up coming
up<05:02:30.400> with<05:02:30.560> like

up with like

up with like
28<05:02:32.160> or<05:02:32.320> 30<05:02:32.718> different<05:02:33.120> tunings<05:02:33.520> so<05:02:33.680> when<05:02:33.840> i

28 or 30 different tunings so when i

28 or 30 different tunings so when i
would<05:02:34.080> try<05:02:34.240> to<05:02:34.400> figure<05:02:34.638> out<05:02:34.798> a<05:02:34.878> line<05:02:35.120> i'd<05:02:35.280> have

would try to figure out a line i'd have

would try to figure out a line i'd have
to<05:02:35.520> say<05:02:35.680> well<05:02:35.920> what<05:02:36.160> kind<05:02:36.320> of<05:02:36.480> tuning<05:02:36.958> is<05:02:37.120> this

to say well what kind of tuning is this

to say well what kind of tuning is this
in<05:02:37.520> and<05:02:37.600> what<05:02:37.760> makes<05:02:38.080> the<05:02:38.160> most<05:02:38.400> hand<05:02:38.718> sense

in and what makes the most hand sense

in and what makes the most hand sense
and<05:02:39.440> it<05:02:39.520> was<05:02:39.680> really<05:02:40.000> frustrating<05:02:40.560> at<05:02:40.718> first

and it was really frustrating at first

and it was really frustrating at first
trying<05:02:41.120> to<05:02:41.280> figure<05:02:41.520> it<05:02:41.680> out<05:02:41.920> because

trying to figure it out because

trying to figure it out because
there's<05:02:43.520> it's<05:02:43.680> really<05:02:44.000> difficult<05:02:44.400> to<05:02:44.560> figure

there's it's really difficult to figure

there's it's really difficult to figure
out<05:02:44.878> what's<05:02:45.120> going<05:02:45.360> on<05:02:45.440> there<05:02:45.600> when<05:02:45.840> you're

out what's going on there when you're

out what's going on there when you're
just<05:02:46.160> hearing<05:02:46.560> notes<05:02:47.360> but

just hearing notes but

just hearing notes but
once<05:02:48.400> you<05:02:48.638> figure<05:02:49.040> out<05:02:49.200> the<05:02:49.360> first<05:02:49.760> few<05:02:50.160> parts

once you figure out the first few parts

once you figure out the first few parts
especially<05:02:50.798> when<05:02:50.958> there's<05:02:51.120> a<05:02:51.200> string

especially when there's a string

especially when there's a string
transition

transition

transition
the<05:02:52.958> rest<05:02:53.200> of<05:02:53.360> it<05:02:53.440> just<05:02:53.840> falls<05:02:54.160> into<05:02:54.480> place

the rest of it just falls into place

the rest of it just falls into place
because<05:02:55.280> like<05:02:55.520> in<05:02:55.680> fixed<05:02:56.000> tuning

because like in fixed tuning

because like in fixed tuning
though<05:02:57.520> a<05:02:57.600> lot<05:02:57.760> of<05:02:57.920> these<05:02:58.160> lines<05:02:58.560> can<05:02:58.718> only<05:02:58.958> be

though a lot of these lines can only be

though a lot of these lines can only be
played<05:02:59.520> one<05:02:59.760> specific<05:03:00.480> way

played one specific way

played one specific way
uh<05:03:01.680> because<05:03:02.000> of<05:03:02.080> the<05:03:02.160> way<05:03:02.400> everything's<05:03:02.798> tuned

uh because of the way everything's tuned

uh because of the way everything's tuned
whereas<05:03:03.360> and<05:03:03.600> standard<05:03:04.480> uh<05:03:04.718> you<05:03:04.878> can<05:03:05.040> play

whereas and standard uh you can play

whereas and standard uh you can play
notes<05:03:05.520> in<05:03:05.600> multiple<05:03:06.080> areas<05:03:06.638> and<05:03:06.798> it<05:03:06.958> could<05:03:07.120> be

notes in multiple areas and it could be

notes in multiple areas and it could be
a<05:03:07.360> little<05:03:07.600> weird<05:03:07.840> to<05:03:07.920> get<05:03:08.080> different

a little weird to get different

a little weird to get different
positions<05:03:08.878> but<05:03:09.120> like<05:03:09.360> i<05:03:09.440> said<05:03:09.600> in<05:03:09.760> these<05:03:10.000> kind

positions but like i said in these kind

positions but like i said in these kind
of<05:03:10.320> weird<05:03:10.560> tunings<05:03:11.040> it's<05:03:11.360> this<05:03:11.600> is<05:03:11.680> the<05:03:11.840> only

of weird tunings it's this is the only

of weird tunings it's this is the only
way<05:03:12.160> that<05:03:12.320> it<05:03:12.480> could<05:03:12.638> be<05:03:12.798> played<05:03:13.360> so<05:03:13.680> with<05:03:14.000> all

way that it could be played so with all

way that it could be played so with all
of<05:03:14.240> that<05:03:14.560> here<05:03:14.958> are<05:03:15.280> all<05:03:15.520> these

of that here are all these

of that here are all these
weird

weird

weird
uh<05:03:17.760> tuning<05:03:18.080> things<05:03:18.320> that<05:03:18.480> i<05:03:18.560> found<05:03:18.878> all

uh tuning things that i found all

uh tuning things that i found all
grouped<05:03:19.280> together<05:03:19.760> from<05:03:20.000> as<05:03:20.160> many<05:03:20.480> uh<05:03:20.798> solos

grouped together from as many uh solos

grouped together from as many uh solos
that<05:03:21.280> i<05:03:21.360> could<05:03:21.520> find

that i could find

that i could find
in<05:03:22.798> this<05:03:23.040> section

in this section

in this section
this<05:03:24.320> has<05:03:24.718> the<05:03:24.958> e<05:03:25.440> d

this has the e d

this has the e d
and<05:03:26.480> b<05:03:26.718> strings<05:03:27.600> up<05:03:27.760> an<05:03:27.920> octave

and b strings up an octave

and b strings up an octave
[Music]

[Music]

[Music]
now<05:04:03.520> for<05:04:03.680> these<05:04:04.000> lines<05:04:04.320> these<05:04:04.560> are<05:04:04.958> they're

now for these lines these are they're

now for these lines these are they're
all<05:04:05.440> in<05:04:05.600> standard<05:04:06.160> now<05:04:06.320> we<05:04:06.480> have<05:04:06.638> the<05:04:06.798> a<05:04:07.280> g<05:04:07.600> and

all in standard now we have the a g and

all in standard now we have the a g and
e<05:04:08.080> strings

e strings

e strings
down<05:04:09.520> an<05:04:09.680> octave

down an octave

down an octave
[Music]

[Music]

[Music]
it

it

it
[Music]

[Music]

[Music]
now<05:04:40.798> keep<05:04:41.040> in<05:04:41.200> mind<05:04:41.600> even<05:04:41.840> with<05:04:42.080> these<05:04:42.400> tuning

now keep in mind even with these tuning

now keep in mind even with these tuning
systems<05:04:43.200> that<05:04:43.360> allen<05:04:44.000> programmed

systems that allen programmed

systems that allen programmed
with<05:04:45.680> the<05:04:46.240> the<05:04:46.480> syntax<05:04:46.958> you<05:04:47.040> can<05:04:47.200> still<05:04:47.440> move

with the the syntax you can still move

with the the syntax you can still move
it<05:04:47.840> up<05:04:48.000> an<05:04:48.160> octave<05:04:48.560> or<05:04:48.718> down<05:04:48.958> an<05:04:49.120> octave<05:04:49.520> as

it up an octave or down an octave as

it up an octave or down an octave as
well<05:04:50.240> so<05:04:50.400> for<05:04:50.638> example<05:04:51.360> here's<05:04:51.680> a<05:04:51.840> phrase

well so for example here's a phrase

well so for example here's a phrase
that's<05:04:52.798> in<05:04:53.040> fits<05:04:53.440> tuning<05:04:54.160> where<05:04:54.320> the<05:04:54.638> f<05:04:55.040> g<05:04:55.360> and

that's in fits tuning where the f g and

that's in fits tuning where the f g and
a<05:04:55.840> strings<05:04:56.240> are<05:04:56.400> an<05:04:56.560> octave<05:04:56.878> higher<05:04:57.520> and<05:04:57.760> then

a strings are an octave higher and then

a strings are an octave higher and then
on<05:04:58.160> top<05:04:58.480> of<05:04:58.638> it<05:04:58.958> the<05:04:59.200> entire<05:04:59.760> tuning<05:05:00.160> is<05:05:00.400> also

on top of it the entire tuning is also

on top of it the entire tuning is also
moved<05:05:00.878> up<05:05:01.040> an<05:05:01.200> octave<05:05:01.520> as<05:05:01.680> well

again i can't take credit for this

again i can't take credit for this
tuning<05:05:09.280> it<05:05:09.440> once<05:05:09.760> again<05:05:10.000> goes<05:05:10.240> to<05:05:10.480> joe

tuning it once again goes to joe

tuning it once again goes to joe
and<05:05:11.680> i<05:05:11.760> had<05:05:11.920> told<05:05:12.160> him<05:05:12.400> i<05:05:12.560> wish<05:05:12.798> he<05:05:12.958> had<05:05:13.120> put<05:05:13.360> out

and i had told him i wish he had put out

and i had told him i wish he had put out
videos<05:05:14.080> showing<05:05:14.480> all<05:05:14.560> this<05:05:14.798> stuff<05:05:14.958> because<05:05:15.280> i

videos showing all this stuff because i

videos showing all this stuff because i
didn't<05:05:15.600> want<05:05:15.760> to<05:05:16.320> be<05:05:16.480> the<05:05:16.638> first<05:05:16.958> one<05:05:17.120> to<05:05:17.520> sort

didn't want to be the first one to sort

didn't want to be the first one to sort
of<05:05:17.840> talk<05:05:18.080> about<05:05:18.480> it<05:05:18.638> because<05:05:19.200> he<05:05:19.440> discovered

of talk about it because he discovered

of talk about it because he discovered
it<05:05:20.400> i<05:05:20.560> guess<05:05:20.718> he's<05:05:20.878> just<05:05:21.120> busier<05:05:21.440> than<05:05:21.600> i<05:05:21.840> am

it i guess he's just busier than i am

it i guess he's just busier than i am
but<05:05:22.798> uh<05:05:23.520> here's<05:05:23.840> another<05:05:24.400> bizarre<05:05:24.958> type<05:05:25.200> of

but uh here's another bizarre type of

but uh here's another bizarre type of
tuning<05:05:25.600> that<05:05:26.320> he<05:05:26.560> figured<05:05:26.958> out<05:05:27.280> so<05:05:27.440> once<05:05:27.680> again

tuning that he figured out so once again

tuning that he figured out so once again
we<05:05:28.160> were<05:05:28.320> talking<05:05:28.638> about<05:05:28.958> spokes<05:05:29.440> and<05:05:29.520> i<05:05:29.600> was

we were talking about spokes and i was

we were talking about spokes and i was
showing<05:05:30.080> him<05:05:30.240> some<05:05:30.400> of<05:05:30.480> the<05:05:30.638> lines<05:05:30.958> that<05:05:31.120> i<05:05:31.280> had

showing him some of the lines that i had

showing him some of the lines that i had
and<05:05:32.080> i<05:05:32.240> think<05:05:32.400> i<05:05:32.480> said<05:05:32.718> oh<05:05:32.958> this<05:05:33.120> kind<05:05:33.360> of

and i think i said oh this kind of

and i think i said oh this kind of
phrase<05:05:33.840> doesn't<05:05:34.160> really<05:05:34.400> make<05:05:34.638> any<05:05:34.878> sense<05:05:35.200> you

phrase doesn't really make any sense you

phrase doesn't really make any sense you
know<05:05:35.360> what<05:05:35.520> do<05:05:35.600> you<05:05:35.680> think<05:05:35.840> about<05:05:36.080> it<05:05:36.240> and

know what do you think about it and

know what do you think about it and
again<05:05:36.638> he<05:05:36.798> goes<05:05:37.440> i<05:05:37.600> got<05:05:37.760> a<05:05:37.840> crazy<05:05:38.240> idea<05:05:38.798> let<05:05:38.958> me

again he goes i got a crazy idea let me

again he goes i got a crazy idea let me
try<05:05:39.280> to<05:05:39.360> figure<05:05:39.680> this<05:05:39.920> out<05:05:40.400> and<05:05:40.798> a<05:05:41.120> few<05:05:41.280> minutes

try to figure this out and a few minutes

try to figure this out and a few minutes
later<05:05:41.920> he<05:05:42.080> sent<05:05:42.240> me<05:05:42.480> something<05:05:42.798> and<05:05:42.878> i<05:05:42.958> looked

later he sent me something and i looked

later he sent me something and i looked
at<05:05:43.440> it<05:05:43.760> and<05:05:43.920> as<05:05:44.000> soon<05:05:44.240> as<05:05:44.400> i<05:05:44.560> saw<05:05:44.798> it<05:05:44.878> i<05:05:45.040> said<05:05:45.200> to

at it and as soon as i saw it i said to

at it and as soon as i saw it i said to
myself<05:05:45.680> that's<05:05:45.920> 100<05:05:46.560> right<05:05:46.718> that's<05:05:46.958> the<05:05:47.120> only

myself that's 100 right that's the only

myself that's 100 right that's the only
way<05:05:47.440> that<05:05:47.680> it<05:05:47.760> could<05:05:47.920> be<05:05:48.240> and<05:05:48.400> what<05:05:48.638> it<05:05:48.798> was<05:05:49.280> is

way that it could be and what it was is

way that it could be and what it was is
how<05:05:49.680> he<05:05:49.920> called<05:05:50.240> it<05:05:50.878> reverse<05:05:51.680> tuning<05:05:52.560> so

how he called it reverse tuning so

how he called it reverse tuning so
imagine<05:05:53.360> the<05:05:53.520> guitar<05:05:54.000> being<05:05:54.240> tuned<05:05:54.638> e<05:05:54.958> a<05:05:55.200> d<05:05:55.520> g<05:05:55.760> b

imagine the guitar being tuned e a d g b

imagine the guitar being tuned e a d g b
e<05:05:56.320> but<05:05:56.480> the<05:05:56.638> low<05:05:56.878> pitch<05:05:57.200> strings<05:05:57.840> are<05:05:58.000> on<05:05:58.080> the

e but the low pitch strings are on the

e but the low pitch strings are on the
bottom<05:05:58.560> and<05:05:58.638> the<05:05:58.718> high<05:05:59.040> pitched<05:05:59.280> strings<05:05:59.680> are

bottom and the high pitched strings are

bottom and the high pitched strings are
on<05:05:59.920> the<05:06:00.080> top<05:06:00.798> what<05:06:01.040> if<05:06:01.120> that's<05:06:01.440> reverse<05:06:02.080> so<05:06:02.240> the

on the top what if that's reverse so the

on the top what if that's reverse so the
highest<05:06:02.958> pitch<05:06:03.280> string<05:06:03.840> is<05:06:04.480> the<05:06:04.798> e<05:06:05.040> string<05:06:05.600> and

highest pitch string is the e string and

highest pitch string is the e string and
then<05:06:06.000> it<05:06:06.160> goes

then it goes

then it goes
slightly<05:06:07.600> lower<05:06:07.920> in<05:06:08.000> pitch<05:06:08.240> as<05:06:08.400> you<05:06:08.560> go<05:06:08.798> down<05:06:09.280> a

slightly lower in pitch as you go down a

slightly lower in pitch as you go down a
d<05:06:09.920> g<05:06:10.240> b<05:06:10.798> and<05:06:10.958> then<05:06:11.680> the<05:06:11.920> last<05:06:12.320> e<05:06:12.560> string<05:06:12.878> on<05:06:13.040> the

d g b and then the last e string on the

d g b and then the last e string on the
top<05:06:13.440> is<05:06:13.680> actually<05:06:14.000> the<05:06:14.160> lowest<05:06:14.638> pitch<05:06:14.958> strike

top is actually the lowest pitch strike

top is actually the lowest pitch strike
this<05:06:16.080> was

this was

this was
absolutely<05:06:17.440> bonkers<05:06:18.400> but<05:06:18.798> uh

absolutely bonkers but uh

absolutely bonkers but uh
it<05:06:20.160> totally<05:06:20.560> made<05:06:20.878> sense<05:06:21.120> with<05:06:21.280> that<05:06:21.520> spokes

it totally made sense with that spokes

it totally made sense with that spokes
line<05:06:22.400> and<05:06:22.560> what's<05:06:22.798> really<05:06:23.440> genius<05:06:23.840> about<05:06:24.080> this

line and what's really genius about this

line and what's really genius about this
tuning<05:06:24.718> is<05:06:24.878> that<05:06:25.520> once<05:06:25.840> again<05:06:26.080> you<05:06:26.320> don't<05:06:26.560> have

tuning is that once again you don't have

tuning is that once again you don't have
to<05:06:26.958> learn<05:06:27.200> where<05:06:27.440> the<05:06:27.600> notes<05:06:28.000> are<05:06:28.320> differently

to learn where the notes are differently

to learn where the notes are differently
like<05:06:28.958> if<05:06:29.040> you<05:06:29.120> were<05:06:29.280> to<05:06:29.440> tune<05:06:29.680> the<05:06:29.760> guitar<05:06:30.400> uh

like if you were to tune the guitar uh

like if you were to tune the guitar uh
i<05:06:31.200> don't<05:06:31.360> know<05:06:31.600> to<05:06:31.760> like<05:06:32.000> dad<05:06:32.240> get<05:06:32.480> or

i don't know to like dad get or

i don't know to like dad get or
something<05:06:32.878> you<05:06:32.958> don't<05:06:33.040> know<05:06:33.200> where<05:06:33.520> the<05:06:33.600> notes

something you don't know where the notes

something you don't know where the notes
are<05:06:34.000> on<05:06:34.080> the<05:06:34.240> neck

are on the neck

are on the neck
all<05:06:35.520> the<05:06:35.680> notes<05:06:36.000> are<05:06:36.080> still<05:06:36.240> in<05:06:36.400> the<05:06:36.480> same<05:06:36.798> spot

all the notes are still in the same spot

all the notes are still in the same spot
still<05:06:37.360> goes<05:06:37.600> c<05:06:37.920> d<05:06:38.160> e<05:06:38.480> f<05:06:38.718> g<05:06:38.958> a<05:06:39.120> b<05:06:39.440> c<05:06:39.680> for<05:06:39.840> the<05:06:40.000> c

still goes c d e f g a b c for the c

still goes c d e f g a b c for the c
major<05:06:40.480> scale<05:06:40.798> it's<05:06:40.958> just<05:06:41.280> that<05:06:41.520> the<05:06:41.760> octaves

major scale it's just that the octaves

major scale it's just that the octaves
that<05:06:42.320> they're<05:06:42.638> in<05:06:42.878> are<05:06:43.040> just<05:06:43.280> so<05:06:43.520> weird<05:06:43.760> so

that they're in are just so weird so

that they're in are just so weird so
once<05:06:44.320> again<05:06:44.638> you<05:06:44.718> can<05:06:44.878> take<05:06:45.120> all<05:06:45.280> of<05:06:45.360> your

once again you can take all of your

once again you can take all of your
shapes<05:06:45.760> and<05:06:45.840> move<05:06:46.080> them<05:06:46.240> around<05:06:46.560> and<05:06:46.718> come<05:06:46.958> up

shapes and move them around and come up

shapes and move them around and come up
with<05:06:47.520> something<05:06:47.920> so<05:06:48.320> bizarre<05:06:48.718> and<05:06:48.878> unique<05:06:49.680> and

with something so bizarre and unique and

with something so bizarre and unique and
uh<05:06:50.480> once<05:06:50.718> again<05:06:50.958> i<05:06:51.120> wonder<05:06:51.440> how<05:06:51.680> alan<05:06:51.920> sort<05:06:52.080> of

uh once again i wonder how alan sort of

uh once again i wonder how alan sort of
came<05:06:52.400> up<05:06:52.560> with<05:06:52.638> this<05:06:52.798> and<05:06:52.958> i<05:06:53.040> thought<05:06:53.280> maybe<05:06:53.600> he

came up with this and i thought maybe he

came up with this and i thought maybe he
got<05:06:54.080> this<05:06:54.320> idea<05:06:55.120> from<05:06:55.280> the<05:06:55.520> fourth<05:06:55.840> and<05:06:56.000> fifth

got this idea from the fourth and fifth

got this idea from the fourth and fifth
tunic<05:06:56.560> because<05:06:56.718> you<05:06:56.958> like<05:06:57.120> i<05:06:57.200> said<05:06:57.360> if<05:06:57.520> you

tunic because you like i said if you

tunic because you like i said if you
think<05:06:57.840> of

think of

think of
fifth<05:06:58.958> tuning

fifth tuning

fifth tuning
uh<05:07:00.560> with<05:07:00.958> f<05:07:01.600> c

uh with f c

uh with f c
uh<05:07:02.798> g<05:07:03.120> d<05:07:03.360> a<05:07:03.600> e<05:07:04.160> that's<05:07:04.560> like<05:07:05.280> a<05:07:05.520> fourth<05:07:06.000> tuning

uh g d a e that's like a fourth tuning

uh g d a e that's like a fourth tuning
but<05:07:06.798> reversed<05:07:07.680> so<05:07:07.920> i<05:07:08.000> thought<05:07:08.240> maybe<05:07:08.638> he<05:07:08.798> had

but reversed so i thought maybe he had

but reversed so i thought maybe he had
that<05:07:09.200> idea<05:07:09.680> and<05:07:09.760> just<05:07:10.000> implemented<05:07:10.638> in

that idea and just implemented in

that idea and just implemented in
standard<05:07:11.280> tuning<05:07:12.000> so<05:07:12.560> here<05:07:12.798> are<05:07:12.878> some<05:07:13.120> lines

standard tuning so here are some lines

standard tuning so here are some lines
in<05:07:13.920> what<05:07:14.240> joe<05:07:14.560> called<05:07:14.878> reverse<05:07:15.360> tuning

in what joe called reverse tuning

in what joe called reverse tuning
[Music]

so just like that initial spokes line

so just like that initial spokes line
that<05:08:07.920> joe<05:08:08.160> figured<05:08:08.560> out<05:08:09.040> where<05:08:09.280> you're<05:08:09.440> tuned

that joe figured out where you're tuned

that joe figured out where you're tuned
in<05:08:09.920> fourths<05:08:10.400> and<05:08:10.560> the<05:08:11.040> a<05:08:11.280> g<05:08:11.600> and<05:08:11.760> f<05:08:11.920> strings<05:08:12.320> are

in fourths and the a g and f strings are

in fourths and the a g and f strings are
an<05:08:12.638> octave<05:08:13.040> higher<05:08:13.840> uh

an octave higher uh

an octave higher uh
that's<05:08:15.280> the<05:08:15.520> only<05:08:16.160> tune<05:08:16.480> that<05:08:16.560> i<05:08:16.718> found<05:08:16.958> that

that's the only tune that i found that

that's the only tune that i found that
has<05:08:17.280> that<05:08:17.600> fourth<05:08:18.000> tuning<05:08:18.400> in<05:08:18.638> it<05:08:18.958> so<05:08:19.200> here<05:08:19.360> are

has that fourth tuning in it so here are

has that fourth tuning in it so here are
a<05:08:19.520> bunch<05:08:19.760> of<05:08:19.920> lines<05:08:20.240> from<05:08:20.400> spokes<05:08:21.040> that<05:08:21.360> use

a bunch of lines from spokes that use

a bunch of lines from spokes that use
this<05:08:21.840> tuning<05:08:22.160> so<05:08:22.320> once<05:08:22.560> again<05:08:22.798> you<05:08:22.958> can<05:08:23.360> you

this tuning so once again you can you

this tuning so once again you can you
can<05:08:23.680> see<05:08:23.840> how<05:08:24.160> accurate<05:08:24.718> joe<05:08:24.958> actually<05:08:25.280> was

[Music]

[Music]
so<05:08:57.840> finally<05:08:58.240> this<05:08:58.400> is<05:08:58.480> the<05:08:58.638> last<05:08:59.440> tuning<05:08:59.920> thing

so finally this is the last tuning thing

so finally this is the last tuning thing
that<05:09:00.320> i<05:09:00.480> found<05:09:00.718> at<05:09:00.798> least<05:09:01.040> for<05:09:01.280> alan's<05:09:01.680> uh

that i found at least for alan's uh

that i found at least for alan's uh
solo<05:09:02.878> playing<05:09:03.760> um

solo playing um

solo playing um
when<05:09:04.878> i<05:09:04.958> was<05:09:05.120> transcribing<05:09:05.840> the<05:09:06.080> tune<05:09:06.560> so<05:09:06.878> long

when i was transcribing the tune so long

when i was transcribing the tune so long
i<05:09:07.920> noticed<05:09:08.240> there<05:09:08.320> was<05:09:08.480> a<05:09:08.638> section<05:09:09.520> maybe<05:09:09.760> the

i noticed there was a section maybe the

i noticed there was a section maybe the
whole<05:09:10.000> thing<05:09:10.160> i<05:09:10.240> don't<05:09:10.400> remember<05:09:11.200> where<05:09:11.360> the

whole thing i don't remember where the

whole thing i don't remember where the
top<05:09:11.840> three<05:09:12.080> strings<05:09:12.400> are<05:09:12.560> in<05:09:12.638> standard<05:09:13.120> well

top three strings are in standard well

top three strings are in standard well
the<05:09:13.360> whole<05:09:13.520> thing<05:09:13.680> isn't<05:09:13.920> standard<05:09:14.160> but<05:09:14.320> the

the whole thing isn't standard but the

the whole thing isn't standard but the
top<05:09:14.560> three<05:09:14.798> strings<05:09:15.120> are<05:09:15.200> down<05:09:15.520> an<05:09:15.680> octave<05:09:16.400> and

top three strings are down an octave and

top three strings are down an octave and
that<05:09:16.798> allows<05:09:17.120> you<05:09:17.280> to<05:09:17.360> get<05:09:17.520> some<05:09:17.680> really

that allows you to get some really

that allows you to get some really
interesting<05:09:18.560> voicings<05:09:19.120> because<05:09:19.520> now<05:09:19.840> all

interesting voicings because now all

interesting voicings because now all
those<05:09:20.240> notes<05:09:20.560> are<05:09:20.638> moved<05:09:20.878> down<05:09:21.120> you<05:09:21.200> get<05:09:21.360> them

those notes are moved down you get them

those notes are moved down you get them
really<05:09:22.000> close<05:09:22.798> and<05:09:22.958> i<05:09:23.040> think<05:09:23.280> there<05:09:23.440> is<05:09:23.520> a<05:09:23.680> part

really close and i think there is a part

really close and i think there is a part
and<05:09:24.000> don't<05:09:24.240> you<05:09:24.400> know<05:09:24.560> that's<05:09:24.798> like<05:09:25.040> that<05:09:25.200> as

and don't you know that's like that as

and don't you know that's like that as
well<05:09:26.160> and<05:09:26.560> i<05:09:26.798> found<05:09:27.200> this

well and i found this

well and i found this
uh

uh

uh
tuning<05:09:29.360> in<05:09:29.600> another<05:09:30.080> flat<05:09:30.400> tire<05:09:30.958> uh<05:09:31.520> solo<05:09:32.320> but

tuning in another flat tire uh solo but

tuning in another flat tire uh solo but
i'm<05:09:32.798> unsure<05:09:33.440> if<05:09:33.600> it<05:09:33.840> actually<05:09:34.480> was<05:09:34.718> played

i'm unsure if it actually was played

i'm unsure if it actually was played
because<05:09:35.600> you<05:09:35.680> can<05:09:35.840> see<05:09:36.080> that<05:09:36.240> allen<05:09:36.560> uses<05:09:37.040> the

because you can see that allen uses the

because you can see that allen uses the
the<05:09:37.600> lick<05:09:37.920> that<05:09:38.160> i<05:09:38.320> call<05:09:38.560> it<05:09:38.958> in<05:09:39.040> the<05:09:39.200> beginning

the lick that i call it in the beginning

the lick that i call it in the beginning
and<05:09:39.920> also<05:09:40.160> the<05:09:40.320> end<05:09:40.480> makes<05:09:40.798> sense<05:09:41.040> but<05:09:41.280> the

and also the end makes sense but the

and also the end makes sense but the
middle<05:09:41.760> part<05:09:42.160> doesn't<05:09:42.798> quite<05:09:43.440> make<05:09:43.760> physical

middle part doesn't quite make physical

middle part doesn't quite make physical
sense<05:09:44.480> that's<05:09:44.638> probably<05:09:44.958> the<05:09:45.040> best<05:09:45.360> way<05:09:45.520> that

sense that's probably the best way that

sense that's probably the best way that
i<05:09:45.760> could<05:09:45.920> put<05:09:46.160> it<05:09:46.638> but<05:09:47.040> i<05:09:47.200> figured<05:09:47.520> since<05:09:47.760> he

i could put it but i figured since he

i could put it but i figured since he
uses<05:09:48.160> the<05:09:48.240> lick<05:09:48.560> i'll<05:09:48.798> just<05:09:49.120> show<05:09:49.360> it<05:09:49.440> as<05:09:49.600> an

uses the lick i'll just show it as an

uses the lick i'll just show it as an
example<05:09:50.240> here

so with all that information you can see

so with all that information you can see
how<05:09:59.360> alan<05:09:59.760> kind<05:10:00.000> of

how alan kind of

how alan kind of
stitched<05:10:01.200> these<05:10:01.440> solos<05:10:01.920> together<05:10:02.320> with

stitched these solos together with

stitched these solos together with
different<05:10:02.958> tunings<05:10:03.920> uh<05:10:04.240> for<05:10:04.480> example<05:10:05.520> us<05:10:05.840> a

different tunings uh for example us a

different tunings uh for example us a
tune<05:10:06.240> like<05:10:06.480> spokes<05:10:06.958> has<05:10:07.280> four<05:10:07.600> different

tune like spokes has four different

tune like spokes has four different
tunings<05:10:08.480> in<05:10:08.560> it<05:10:08.958> it<05:10:09.120> has<05:10:09.440> standard

tunings in it it has standard

tunings in it it has standard
fifths<05:10:11.360> reverse<05:10:11.920> tuning<05:10:12.798> and<05:10:13.040> fourth<05:10:13.440> tuning

fifths reverse tuning and fourth tuning

fifths reverse tuning and fourth tuning
where

where

where
every<05:10:15.120> other<05:10:15.440> string<05:10:15.760> the<05:10:15.840> a<05:10:16.240> g<05:10:16.560> and<05:10:16.718> f<05:10:16.878> strings

every other string the a g and f strings

every other string the a g and f strings
are<05:10:17.360> an<05:10:17.520> octave<05:10:17.840> higher<05:10:18.480> secrets<05:10:19.120> uses<05:10:19.520> three

are an octave higher secrets uses three

are an octave higher secrets uses three
different<05:10:20.160> tunings<05:10:20.798> it<05:10:20.958> has<05:10:21.680> fifth<05:10:22.160> standards

different tunings it has fifth standards

different tunings it has fifth standards
and<05:10:23.040> the<05:10:23.280> e<05:10:23.840> b<05:10:24.240> and<05:10:24.480> uh

and the e b and uh

and the e b and uh
e<05:10:25.600> d<05:10:25.840> and<05:10:25.920> b<05:10:26.160> strings<05:10:26.638> down<05:10:26.878> an<05:10:27.040> octave<05:10:27.520> secrets

e d and b strings down an octave secrets

e d and b strings down an octave secrets
uses<05:10:28.320> three<05:10:28.638> tunings<05:10:29.280> standard<05:10:30.320> fifths<05:10:31.040> and

uses three tunings standard fifths and

uses three tunings standard fifths and
the<05:10:31.600> e<05:10:32.000> d<05:10:32.240> and<05:10:32.400> b<05:10:32.638> strings<05:10:33.120> up<05:10:33.280> an<05:10:33.440> octave

the e d and b strings up an octave

the e d and b strings up an octave
and<05:10:34.958> even<05:10:35.280> a<05:10:35.760> short<05:10:36.080> solo<05:10:36.400> like<05:10:36.638> 54<05:10:37.280> duncan

and even a short solo like 54 duncan

and even a short solo like 54 duncan
terrace<05:10:38.080> has<05:10:38.320> a<05:10:38.400> bunch<05:10:38.638> of<05:10:38.718> different<05:10:38.958> tunings

terrace has a bunch of different tunings

terrace has a bunch of different tunings
in<05:10:39.520> it<05:10:39.840> it<05:10:40.080> also<05:10:40.400> has<05:10:40.878> standard<05:10:41.920> reverse

in it it also has standard reverse

in it it also has standard reverse
tuning<05:10:43.040> in<05:10:43.200> it<05:10:43.680> uh

tuning in it uh

tuning in it uh
fifths<05:10:46.160> and<05:10:46.400> also<05:10:47.040> uh

fifths and also uh

fifths and also uh
the<05:10:48.080> a<05:10:48.320> g<05:10:48.560> and<05:10:48.718> e<05:10:48.878> strings<05:10:49.440> up<05:10:49.680> an<05:10:49.840> octave

the a g and e strings up an octave

the a g and e strings up an octave
so

so

so
obviously<05:10:52.718> you<05:10:52.958> could<05:10:53.120> do<05:10:53.280> that<05:10:53.520> with<05:10:53.680> the

obviously you could do that with the

obviously you could do that with the
pedal<05:10:54.080> but<05:10:54.240> that<05:10:54.400> would<05:10:54.560> just<05:10:54.798> be<05:10:55.040> cumbersome

pedal but that would just be cumbersome

pedal but that would just be cumbersome
it<05:10:55.840> makes<05:10:56.160> more<05:10:56.400> sense<05:10:56.638> that<05:10:56.798> album<05:10:57.120> is<05:10:57.200> sort

it makes more sense that album is sort

it makes more sense that album is sort
of

of

of
doing<05:10:58.638> each<05:10:59.120> part<05:10:59.440> by<05:10:59.760> part<05:11:00.080> and<05:11:00.240> just

doing each part by part and just

doing each part by part and just
creating<05:11:00.878> these<05:11:01.200> different<05:11:01.760> uh

creating these different uh

creating these different uh
solos<05:11:04.160> are<05:11:04.480> these<05:11:04.718> different<05:11:05.040> phrases<05:11:05.440> using

solos are these different phrases using

solos are these different phrases using
those<05:11:06.000> tunings<05:11:06.400> which<05:11:06.560> is<05:11:06.638> why<05:11:06.878> some<05:11:07.120> of<05:11:07.200> that

those tunings which is why some of that

those tunings which is why some of that
stuff<05:11:07.680> is<05:11:07.760> so<05:11:08.080> hard<05:11:08.798> uh<05:11:09.120> for<05:11:09.280> people<05:11:09.600> to<05:11:10.240> play

stuff is so hard uh for people to play

stuff is so hard uh for people to play
and<05:11:10.718> transcribe<05:11:11.600> because<05:11:11.920> they<05:11:12.000> don't

and transcribe because they don't

and transcribe because they don't
realize<05:11:12.560> all<05:11:12.638> those<05:11:12.798> different<05:11:13.040> tunings<05:11:13.360> i

realize all those different tunings i

realize all those different tunings i
found<05:11:13.760> somebody<05:11:14.160> forgot<05:11:14.400> who<05:11:14.560> it<05:11:14.638> was<05:11:14.798> they

found somebody forgot who it was they

found somebody forgot who it was they
did<05:11:15.120> such<05:11:15.360> an<05:11:15.520> incredible<05:11:16.000> job<05:11:16.320> playing

did such an incredible job playing

did such an incredible job playing
uh<05:11:17.440> the<05:11:17.680> solo<05:11:18.000> to<05:11:18.160> secrets

uh the solo to secrets

uh the solo to secrets
and<05:11:19.520> uh<05:11:19.920> i<05:11:20.080> told<05:11:20.320> him<05:11:20.400> like<05:11:20.638> he<05:11:20.798> actually<05:11:21.440> did<05:11:21.600> a

and uh i told him like he actually did a

and uh i told him like he actually did a
better<05:11:22.000> job<05:11:22.480> than<05:11:22.718> alan<05:11:23.120> because<05:11:23.840> once<05:11:24.080> you

better job than alan because once you

better job than alan because once you
learn<05:11:24.480> it<05:11:24.718> in<05:11:24.878> the<05:11:25.360> the<05:11:26.000> different<05:11:26.320> tunics

learn it in the the different tunics

learn it in the the different tunics
it's<05:11:26.878> much<05:11:27.120> easier<05:11:27.840> to<05:11:28.080> try<05:11:28.240> to<05:11:28.400> play<05:11:28.718> all<05:11:28.878> that

it's much easier to try to play all that

it's much easier to try to play all that
stuff<05:11:29.440> in<05:11:29.520> the<05:11:29.680> same<05:11:29.920> tuning<05:11:30.320> is<05:11:30.560> almost

stuff in the same tuning is almost

stuff in the same tuning is almost
impossible<05:11:31.600> i<05:11:31.760> don't<05:11:31.840> know<05:11:31.920> how<05:11:32.080> he<05:11:32.160> did<05:11:32.320> it

impossible i don't know how he did it

impossible i don't know how he did it
but<05:11:32.560> he<05:11:32.638> did<05:11:32.798> a<05:11:32.878> great<05:11:33.120> job<05:11:33.360> with<05:11:33.600> it

and this leads me to the absolute last

and this leads me to the absolute last
section<05:11:41.840> that<05:11:42.000> i'm<05:11:42.160> going<05:11:42.240> to<05:11:42.400> talk<05:11:42.560> about

section that i'm going to talk about

section that i'm going to talk about
something<05:11:43.520> that<05:11:43.760> i<05:11:44.000> didn't<05:11:44.400> even<05:11:44.798> expect<05:11:45.440> to

something that i didn't even expect to

something that i didn't even expect to
learn<05:11:46.718> about<05:11:47.040> alan's<05:11:47.440> playing<05:11:48.160> and<05:11:48.320> that's

learn about alan's playing and that's

learn about alan's playing and that's
sequenced<05:11:49.600> solos

sequenced solos

sequenced solos
now<05:11:51.200> the<05:11:51.440> way<05:11:51.680> that<05:11:51.840> i<05:11:52.080> found<05:11:52.320> this<05:11:52.638> out<05:11:52.878> was

now the way that i found this out was

now the way that i found this out was
as<05:11:54.638> i<05:11:54.798> was<05:11:55.040> transcribing<05:11:55.680> the<05:11:55.840> stuff<05:11:56.560> from<05:11:56.878> iou

as i was transcribing the stuff from iou

as i was transcribing the stuff from iou
to<05:11:58.718> road<05:11:59.040> games<05:11:59.360> and<05:11:59.520> on<05:11:59.680> and<05:11:59.520> on<05:12:00.000> i<05:12:00.400> like<05:12:00.638> i

to road games and on and on i like i

to road games and on and on i like i
mentioned<05:12:01.200> earlier<05:12:01.760> it<05:12:01.920> became<05:12:02.480> easier<05:12:02.798> for

mentioned earlier it became easier for

mentioned earlier it became easier for
me<05:12:03.120> to<05:12:03.280> sort<05:12:03.440> of<05:12:03.520> figure<05:12:03.760> out<05:12:03.840> what<05:12:04.240> was<05:12:04.400> going

me to sort of figure out what was going

me to sort of figure out what was going
on<05:12:04.958> because<05:12:05.200> i<05:12:05.280> could<05:12:05.520> pick<05:12:05.680> up<05:12:05.840> on<05:12:05.920> all<05:12:06.000> these

on because i could pick up on all these

on because i could pick up on all these
phrases

phrases

phrases
until<05:12:07.680> i<05:12:07.840> got<05:12:08.000> to<05:12:08.160> flat<05:12:08.480> tire

until i got to flat tire

until i got to flat tire
even<05:12:10.480> armed<05:12:10.798> with<05:12:11.120> some<05:12:11.280> of<05:12:11.440> those<05:12:11.920> uh

even armed with some of those uh

even armed with some of those uh
interesting<05:12:13.600> tunings<05:12:14.080> that<05:12:14.240> i<05:12:14.400> knew<05:12:14.638> about

interesting tunings that i knew about

interesting tunings that i knew about
nothing<05:12:16.240> made<05:12:16.560> sense<05:12:17.360> and<05:12:17.600> i<05:12:18.080> tried

nothing made sense and i tried

nothing made sense and i tried
everything<05:12:19.120> and<05:12:19.280> i<05:12:19.360> was<05:12:19.680> really<05:12:20.080> racking<05:12:20.480> my

everything and i was really racking my

everything and i was really racking my
brain<05:12:20.958> and<05:12:21.040> ripping<05:12:21.360> my<05:12:21.520> hair<05:12:21.840> out<05:12:22.240> where<05:12:22.480> i

brain and ripping my hair out where i

brain and ripping my hair out where i
said<05:12:22.798> is<05:12:22.958> there<05:12:23.200> some<05:12:23.840> like<05:12:24.160> weird<05:12:24.400> tuning

said is there some like weird tuning

said is there some like weird tuning
that<05:12:24.878> i<05:12:24.958> don't<05:12:25.120> know<05:12:25.280> about<05:12:25.520> is<05:12:25.680> alan<05:12:26.000> tuning

that i don't know about is alan tuning

that i don't know about is alan tuning
in<05:12:26.560> major<05:12:26.958> thirds<05:12:27.360> you<05:12:27.440> know<05:12:27.600> it<05:12:27.680> could<05:12:27.920> be

in major thirds you know it could be

in major thirds you know it could be
practically<05:12:28.958> anything<05:12:29.680> and<05:12:29.840> the<05:12:30.000> phrasing<05:12:30.560> on

practically anything and the phrasing on

practically anything and the phrasing on
that<05:12:30.958> record<05:12:31.360> is<05:12:31.520> just<05:12:31.760> ridiculous<05:12:32.400> so<05:12:32.560> i

that record is just ridiculous so i

that record is just ridiculous so i
would<05:12:33.280> write<05:12:33.680> out<05:12:34.000> the<05:12:34.240> notes

would write out the notes

would write out the notes
in<05:12:35.520> standard<05:12:36.080> no<05:12:36.240> matter<05:12:36.400> how<05:12:36.638> weird<05:12:36.958> it<05:12:37.120> is

in standard no matter how weird it is

in standard no matter how weird it is
and<05:12:37.520> then<05:12:37.760> try<05:12:37.920> to<05:12:38.080> fit<05:12:38.240> it<05:12:38.320> to<05:12:38.480> one<05:12:38.638> of<05:12:38.798> those

and then try to fit it to one of those

and then try to fit it to one of those
30<05:12:39.360> tunings<05:12:39.680> that<05:12:39.760> i<05:12:39.920> was<05:12:40.000> doing<05:12:40.320> and<05:12:40.480> nothing

30 tunings that i was doing and nothing

30 tunings that i was doing and nothing
made<05:12:41.200> sense<05:12:41.520> i<05:12:41.600> couldn't<05:12:41.840> figure<05:12:42.240> out<05:12:42.718> and

made sense i couldn't figure out and

made sense i couldn't figure out and
eventually

eventually

eventually
i<05:12:44.718> posted<05:12:45.360> in<05:12:45.440> the<05:12:45.680> unreal<05:12:46.080> allen<05:12:46.320> holdsworth

i posted in the unreal allen holdsworth

i posted in the unreal allen holdsworth
facebook<05:12:47.280> group<05:12:47.840> looking<05:12:48.080> for<05:12:48.400> any

facebook group looking for any

facebook group looking for any
information<05:12:49.360> if<05:12:49.520> maybe<05:12:50.080> uh<05:12:50.480> alan<05:12:50.878> talked

information if maybe uh alan talked

information if maybe uh alan talked
about<05:12:51.360> it<05:12:51.520> somewhere<05:12:52.000> or<05:12:52.160> maybe<05:12:52.400> to<05:12:52.560> one<05:12:52.718> of

about it somewhere or maybe to one of

about it somewhere or maybe to one of
his<05:12:52.958> friends<05:12:53.280> and<05:12:53.360> mentioned<05:12:53.760> a<05:12:53.840> different

his friends and mentioned a different

his friends and mentioned a different
tuning

tuning

tuning
but<05:12:55.920> just<05:12:56.160> any<05:12:56.320> sort<05:12:56.480> of<05:12:56.638> information<05:12:57.520> luckily

but just any sort of information luckily

but just any sort of information luckily
someone<05:12:58.480> responded<05:12:59.360> with<05:12:59.760> a<05:13:00.240> conversation

someone responded with a conversation

someone responded with a conversation
they<05:13:01.040> had<05:13:01.200> with<05:13:01.440> alan

they had with alan

they had with alan
so<05:13:02.718> thanks<05:13:02.958> to<05:13:03.120> sean<05:13:03.520> whalen<05:13:03.840> for<05:13:04.000> this<05:13:04.240> quote

briefly what alan was saying to sean was

briefly what alan was saying to sean was
that<05:13:12.638> he<05:13:12.798> wanted<05:13:13.120> to<05:13:13.280> remove<05:13:13.680> the<05:13:13.920> human

that he wanted to remove the human

that he wanted to remove the human
element

element

element
from<05:13:15.680> that<05:13:16.000> record<05:13:16.718> and<05:13:16.878> this<05:13:17.120> starts<05:13:17.440> to<05:13:17.680> now

from that record and this starts to now

from that record and this starts to now
make<05:13:18.080> more<05:13:18.400> sense<05:13:18.718> that<05:13:19.360> uh<05:13:19.680> some<05:13:19.840> of<05:13:20.000> those

make more sense that uh some of those

make more sense that uh some of those
solos<05:13:20.638> might<05:13:20.878> have<05:13:20.958> been<05:13:21.200> sequenced<05:13:21.680> and<05:13:21.840> i'm

solos might have been sequenced and i'm

solos might have been sequenced and i'm
not<05:13:22.080> saying<05:13:22.320> this<05:13:22.480> as<05:13:22.638> a<05:13:22.718> bad<05:13:22.958> thing<05:13:23.120> i'm

not saying this as a bad thing i'm

not saying this as a bad thing i'm
thinking<05:13:23.680> about<05:13:23.840> this<05:13:24.080> more<05:13:24.400> in<05:13:24.560> a

thinking about this more in a

thinking about this more in a
compositional<05:13:25.520> way<05:13:25.920> and<05:13:26.000> then<05:13:26.240> again<05:13:26.560> when

compositional way and then again when

compositional way and then again when
talking<05:13:27.040> to<05:13:27.200> chip<05:13:27.440> flynn<05:13:27.760> i<05:13:27.840> had<05:13:28.080> emailed<05:13:28.560> him

talking to chip flynn i had emailed him

talking to chip flynn i had emailed him
about<05:13:29.360> uh<05:13:29.760> flat<05:13:30.160> tire<05:13:30.798> and<05:13:30.878> this<05:13:31.120> is<05:13:31.200> what<05:13:31.360> he

about uh flat tire and this is what he

about uh flat tire and this is what he
sent<05:13:31.680> back<05:13:31.920> to<05:13:32.080> me

so with that response that chip uh sent

so with that response that chip uh sent
me

me

me
it<05:13:39.760> started<05:13:40.000> to<05:13:40.160> make<05:13:40.480> a<05:13:40.638> lot<05:13:40.878> more<05:13:41.280> sense

it started to make a lot more sense

it started to make a lot more sense
uh<05:13:42.638> that<05:13:42.958> some<05:13:43.120> of<05:13:43.200> that<05:13:43.360> stuff<05:13:43.920> not<05:13:44.080> only<05:13:44.240> was

uh that some of that stuff not only was

uh that some of that stuff not only was
sequence<05:13:44.878> maybe<05:13:45.120> it<05:13:45.200> was<05:13:45.360> played<05:13:45.760> slowly<05:13:46.240> on

sequence maybe it was played slowly on

sequence maybe it was played slowly on
the<05:13:46.480> c<05:13:46.958> syntax<05:13:47.680> and<05:13:47.840> then<05:13:48.080> sped<05:13:48.480> up<05:13:49.200> or<05:13:49.600> uh

the c syntax and then sped up or uh

the c syntax and then sped up or uh
maybe<05:13:50.240> it<05:13:50.320> was<05:13:50.560> written<05:13:50.798> out<05:13:50.958> on<05:13:51.040> a<05:13:51.120> computer

maybe it was written out on a computer

maybe it was written out on a computer
uh<05:13:52.160> there's<05:13:52.480> a<05:13:52.638> very<05:13:52.958> large<05:13:53.360> line<05:13:53.600> at<05:13:53.680> the<05:13:53.840> end

uh there's a very large line at the end

uh there's a very large line at the end
of<05:13:54.400> post<05:13:54.718> loot<05:13:55.040> that<05:13:55.680> uh<05:13:56.160> i<05:13:56.400> try<05:13:56.560> to<05:13:56.718> write<05:13:56.878> out

of post loot that uh i try to write out

of post loot that uh i try to write out
in<05:13:57.120> fifth<05:13:57.440> and<05:13:57.520> it<05:13:57.680> just<05:13:57.920> made<05:13:58.240> no<05:13:58.560> sense<05:13:59.360> uh

in fifth and it just made no sense uh

in fifth and it just made no sense uh
and<05:13:59.840> then<05:14:00.080> thinking<05:14:00.400> about<05:14:00.718> it<05:14:00.958> oh<05:14:01.200> maybe<05:14:01.600> alan

and then thinking about it oh maybe alan

and then thinking about it oh maybe alan
might<05:14:02.320> have<05:14:02.480> started<05:14:03.040> uh<05:14:03.360> sequencing<05:14:04.160> a<05:14:04.320> line

might have started uh sequencing a line

might have started uh sequencing a line
from<05:14:05.280> there<05:14:05.520> or<05:14:05.680> maybe<05:14:06.160> uh<05:14:06.560> playing<05:14:06.878> it<05:14:07.040> in<05:14:07.120> a

from there or maybe uh playing it in a

from there or maybe uh playing it in a
different<05:14:07.680> way

different way

different way
and<05:14:08.878> uh<05:14:09.440> other

and uh other

and uh other
uh<05:14:10.480> tunes<05:14:10.798> that<05:14:10.958> have<05:14:11.200> really<05:14:11.520> out<05:14:11.760> there

uh tunes that have really out there

uh tunes that have really out there
wacky<05:14:12.400> freezing<05:14:12.878> is<05:14:13.520> above<05:14:13.920> and<05:14:14.000> below<05:14:14.480> the

wacky freezing is above and below the

wacky freezing is above and below the
reprise<05:14:15.280> where<05:14:15.520> alan<05:14:15.840> solos<05:14:16.240> over<05:14:16.400> the<05:14:17.040> the

reprise where alan solos over the the

reprise where alan solos over the the
chords<05:14:18.000> and<05:14:18.320> eidolon<05:14:19.280> and<05:14:19.520> just<05:14:19.760> to<05:14:19.920> show<05:14:20.160> you

chords and eidolon and just to show you

chords and eidolon and just to show you
i<05:14:20.400> have<05:14:20.638> some<05:14:20.878> lines<05:14:21.200> transcribed<05:14:21.760> from<05:14:21.920> both

i have some lines transcribed from both

i have some lines transcribed from both
of<05:14:22.240> those<05:14:22.480> tunes<05:14:22.798> from<05:14:23.120> above<05:14:23.440> and<05:14:23.520> below<05:14:23.920> and

of those tunes from above and below and

of those tunes from above and below and
uh<05:14:24.320> eidolon<05:14:25.040> and<05:14:25.200> i<05:14:25.360> remember<05:14:25.760> somebody

uh eidolon and i remember somebody

uh eidolon and i remember somebody
asking<05:14:26.718> me<05:14:26.958> about<05:14:27.440> or<05:14:27.760> somebody<05:14:28.160> who's<05:14:28.320> saying

asking me about or somebody who's saying

asking me about or somebody who's saying
something's<05:14:29.200> uh<05:14:29.760> about<05:14:30.160> transcribing<05:14:31.440> parts

something's uh about transcribing parts

something's uh about transcribing parts
from<05:14:31.920> einolot<05:14:32.400> and<05:14:32.480> them<05:14:32.718> not<05:14:32.878> making<05:14:33.360> sense

from einolot and them not making sense

from einolot and them not making sense
and<05:14:34.240> once<05:14:34.480> you<05:14:34.560> look<05:14:34.798> at<05:14:34.878> these<05:14:35.120> lines<05:14:35.840> they

and once you look at these lines they

and once you look at these lines they
have<05:14:36.240> to<05:14:36.400> be<05:14:36.638> sequenced<05:14:37.040> because<05:14:37.280> a<05:14:37.360> lot<05:14:37.520> of

have to be sequenced because a lot of

have to be sequenced because a lot of
times<05:14:37.840> they<05:14:38.080> make<05:14:38.320> sense<05:14:38.638> physically<05:14:39.120> and

times they make sense physically and

times they make sense physically and
standard<05:14:39.760> it's<05:14:39.920> just<05:14:40.160> at<05:14:40.320> their<05:14:40.560> speed<05:14:41.120> it

standard it's just at their speed it

standard it's just at their speed it
just<05:14:41.440> seems<05:14:41.840> inhuman<05:14:42.560> so<05:14:42.718> you<05:14:42.878> get<05:14:43.040> these

just seems inhuman so you get these

just seems inhuman so you get these
really<05:14:43.920> awesomely<05:14:44.718> cool<05:14:45.040> phrases<05:14:45.840> but

really awesomely cool phrases but

really awesomely cool phrases but
they're<05:14:46.160> just<05:14:46.400> impossible<05:14:47.040> to<05:14:47.200> do<05:14:47.440> for<05:14:47.600> real

they're just impossible to do for real

they're just impossible to do for real
or<05:14:48.560> at<05:14:48.638> least<05:14:48.878> impossible<05:14:49.520> to

or at least impossible to

or at least impossible to
play<05:14:51.120> off<05:14:51.440> the<05:14:51.760> the<05:14:51.920> top<05:14:52.160> of<05:14:52.240> your<05:14:52.400> head<05:14:52.560> they'd

play off the the top of your head they'd

play off the the top of your head they'd
have<05:14:52.878> to<05:14:53.040> be<05:14:53.200> either<05:14:53.440> written<05:14:53.840> out<05:14:54.080> or<05:14:54.480> uh

have to be either written out or uh

have to be either written out or uh
you<05:14:56.400> know<05:14:56.560> charted<05:14:56.958> out<05:14:57.040> in<05:14:57.200> some<05:14:57.360> way

you know charted out in some way

you know charted out in some way
[Music]

[Music]

[Music]
do

do

do
[Music]

[Music]

[Music]
my

so on flat tire

so on flat tire
uh<05:15:45.120> a<05:15:45.280> majority

uh a majority

uh a majority
if<05:15:46.638> not<05:15:46.878> all<05:15:47.040> the<05:15:47.200> lines<05:15:47.600> might<05:15:47.760> have<05:15:47.920> been

if not all the lines might have been

if not all the lines might have been
sequenced<05:15:48.638> or<05:15:48.718> at<05:15:48.798> least<05:15:49.040> played<05:15:49.360> slowly<05:15:49.840> on

sequenced or at least played slowly on

sequenced or at least played slowly on
the<05:15:50.080> synthetics<05:15:50.560> like<05:15:50.718> i<05:15:50.798> said<05:15:51.040> and<05:15:51.120> then<05:15:51.360> sped

the synthetics like i said and then sped

the synthetics like i said and then sped
up<05:15:52.240> eenie<05:15:52.560> meenie<05:15:52.878> comes<05:15:53.200> to<05:15:53.360> mind<05:15:54.000> because<05:15:54.320> i

up eenie meenie comes to mind because i

up eenie meenie comes to mind because i
believe<05:15:54.878> i<05:15:55.200> uh<05:15:55.520> transcribe<05:15:56.160> the<05:15:56.320> chords

believe i uh transcribe the chords

believe i uh transcribe the chords
underneath<05:15:57.440> the<05:15:57.680> solo<05:15:58.160> and<05:15:58.480> it<05:15:58.638> was<05:15:58.878> just

underneath the solo and it was just

underneath the solo and it was just
bonkers<05:15:59.440> i<05:15:59.520> said<05:15:59.680> i<05:15:59.760> don't<05:15:59.920> know<05:16:00.000> how<05:16:00.160> anyone

bonkers i said i don't know how anyone

bonkers i said i don't know how anyone
would<05:16:00.718> be<05:16:00.798> able<05:16:00.958> to<05:16:01.120> figure<05:16:01.360> out<05:16:01.440> to<05:16:01.760> improvise

would be able to figure out to improvise

would be able to figure out to improvise
over<05:16:02.480> this

over this

over this
[Music]

so i really only found it on those of

so i really only found it on those of
those<05:16:14.000> tunes<05:16:14.400> and<05:16:14.560> also<05:16:15.040> on<05:16:15.440> uh<05:16:16.000> highway<05:16:16.480> star

those tunes and also on uh highway star

those tunes and also on uh highway star
by<05:16:17.040> snoo<05:16:17.760> the<05:16:17.920> first<05:16:18.480> guitar<05:16:18.878> celebrity<05:16:19.440> is

by snoo the first guitar celebrity is

by snoo the first guitar celebrity is
for<05:16:19.680> real<05:16:19.840> but<05:16:20.080> there's<05:16:20.320> an<05:16:20.480> oregon<05:16:20.798> solo<05:16:21.120> at

for real but there's an oregon solo at

for real but there's an oregon solo at
the<05:16:21.360> end<05:16:21.520> that's<05:16:21.760> played<05:16:22.080> on<05:16:22.160> the<05:16:22.400> syntax<05:16:23.040> but

the end that's played on the syntax but

the end that's played on the syntax but
once<05:16:23.760> again<05:16:24.000> it<05:16:24.080> just<05:16:24.240> has<05:16:24.480> really<05:16:24.958> ridiculous

once again it just has really ridiculous

once again it just has really ridiculous
phrasing<05:16:26.000> and<05:16:26.160> i'm<05:16:26.320> pretty<05:16:26.560> sure<05:16:26.718> that<05:16:27.040> was

phrasing and i'm pretty sure that was

phrasing and i'm pretty sure that was
sequenced<05:16:27.760> as<05:16:28.000> well

sequenced as well

sequenced as well
now<05:16:29.360> as<05:16:29.520> i<05:16:29.680> said<05:16:30.320> i<05:16:30.480> think<05:16:30.638> the<05:16:30.798> main<05:16:31.040> reason

now as i said i think the main reason

now as i said i think the main reason
why<05:16:31.440> alec<05:16:31.760> did<05:16:31.920> this<05:16:32.080> especially<05:16:32.480> on<05:16:32.638> flat

why alec did this especially on flat

why alec did this especially on flat
tire

tire

tire
uh<05:16:34.480> is<05:16:34.958> compositionally

uh is compositionally

uh is compositionally
because<05:16:36.878> like<05:16:37.360> uh<05:16:37.920> alan<05:16:38.320> said<05:16:38.560> to<05:16:38.718> sean<05:16:39.040> or<05:16:39.200> he

because like uh alan said to sean or he

because like uh alan said to sean or he
wanted<05:16:39.520> to<05:16:39.600> remove<05:16:40.000> the<05:16:40.160> human<05:16:40.480> element<05:16:41.200> when

wanted to remove the human element when

wanted to remove the human element when
you<05:16:41.600> are<05:16:41.840> improvising<05:16:42.638> or<05:16:42.798> playing<05:16:43.040> the

you are improvising or playing the

you are improvising or playing the
guitar

guitar

guitar
you<05:16:44.480> are<05:16:44.718> limited<05:16:45.120> to<05:16:45.280> what<05:16:45.520> your<05:16:45.760> hand<05:16:46.000> can

you are limited to what your hand can

you are limited to what your hand can
kind<05:16:46.480> of<05:16:46.638> do<05:16:47.280> and<05:16:47.520> on<05:16:47.760> that<05:16:48.080> record<05:16:48.560> on<05:16:48.718> flat

kind of do and on that record on flat

kind of do and on that record on flat
tire<05:16:49.360> it's<05:16:49.600> more<05:16:49.760> of<05:16:49.920> a

tire it's more of a

tire it's more of a
like

like

like
classical<05:16:52.560> album<05:16:53.120> in<05:16:53.280> a<05:16:53.360> way<05:16:53.600> where<05:16:53.840> you<05:16:53.920> know

classical album in a way where you know

classical album in a way where you know
it's<05:16:54.400> uh<05:16:55.040> supposed<05:16:55.440> to<05:16:55.520> be<05:16:55.600> music<05:16:55.920> for<05:16:56.080> like<05:16:56.240> a

it's uh supposed to be music for like a

it's uh supposed to be music for like a
movie

movie

movie
but

but

but
each<05:16:58.958> of<05:16:59.040> the<05:16:59.120> syntax<05:16:59.680> stuff<05:17:00.320> he<05:17:00.480> wasn't

each of the syntax stuff he wasn't

each of the syntax stuff he wasn't
trying<05:17:01.040> to<05:17:01.120> make<05:17:01.280> sound<05:17:01.440> like<05:17:01.600> a<05:17:01.680> guitar<05:17:02.000> so<05:17:02.160> he

trying to make sound like a guitar so he

trying to make sound like a guitar so he
would<05:17:02.400> write<05:17:02.560> this<05:17:02.798> chord<05:17:03.040> sequence<05:17:03.600> and<05:17:03.680> then

would write this chord sequence and then

would write this chord sequence and then
let's<05:17:04.560> say

let's say

let's say
having<05:17:05.760> an<05:17:06.240> oboe<05:17:06.718> solo<05:17:07.120> over<05:17:07.360> it<05:17:07.680> but<05:17:08.000> if<05:17:08.160> you

having an oboe solo over it but if you

having an oboe solo over it but if you
were<05:17:08.480> to<05:17:08.638> take<05:17:08.878> an<05:17:09.040> oboe<05:17:09.520> sound<05:17:09.840> and<05:17:10.080> then<05:17:10.320> play

were to take an oboe sound and then play

were to take an oboe sound and then play
on<05:17:10.798> guitar

on guitar

on guitar
it<05:17:11.920> would<05:17:12.160> still<05:17:12.400> sound<05:17:12.560> like<05:17:12.718> guitar

it would still sound like guitar

it would still sound like guitar
phrasing<05:17:14.000> so<05:17:14.240> i'm<05:17:14.560> sure<05:17:14.878> that<05:17:15.200> in<05:17:15.360> some<05:17:15.600> way<05:17:15.840> he

phrasing so i'm sure that in some way he

phrasing so i'm sure that in some way he
said<05:17:16.160> well<05:17:16.400> if<05:17:16.638> i'm<05:17:16.958> able<05:17:17.200> to

said well if i'm able to

said well if i'm able to
uh

uh

uh
sequence<05:17:19.520> or<05:17:19.680> write<05:17:19.920> out<05:17:20.080> this<05:17:20.320> solo<05:17:20.718> i<05:17:20.798> can

sequence or write out this solo i can

sequence or write out this solo i can
come<05:17:21.200> up<05:17:21.280> with<05:17:21.440> phrasing<05:17:21.840> that<05:17:22.000> doesn't<05:17:22.400> sound

come up with phrasing that doesn't sound

come up with phrasing that doesn't sound
like<05:17:22.798> guitar<05:17:23.280> phrasing<05:17:23.680> it<05:17:23.760> might<05:17:24.000> sound<05:17:24.240> like

like guitar phrasing it might sound like

like guitar phrasing it might sound like
phrasing<05:17:25.120> for<05:17:25.360> another<05:17:25.840> instrument<05:17:26.400> and

phrasing for another instrument and

phrasing for another instrument and
that's<05:17:26.798> what<05:17:26.958> i<05:17:27.040> mean<05:17:27.280> by<05:17:27.600> compositionally<05:17:28.718> to

that's what i mean by compositionally to

that's what i mean by compositionally to
make<05:17:29.200> it<05:17:29.360> almost<05:17:29.680> sound<05:17:29.920> more<05:17:30.160> authentic

make it almost sound more authentic

make it almost sound more authentic
instead<05:17:31.120> of<05:17:31.280> a<05:17:31.360> guitar<05:17:32.240> or<05:17:32.480> guitar<05:17:32.878> phrasing

instead of a guitar or guitar phrasing

instead of a guitar or guitar phrasing
just<05:17:33.840> with<05:17:34.400> a<05:17:34.560> flute<05:17:34.958> sound<05:17:35.600> you<05:17:35.760> know<05:17:35.920> or<05:17:36.080> a

just with a flute sound you know or a

just with a flute sound you know or a
trumpet<05:17:36.718> sound<05:17:37.360> so<05:17:37.520> that's<05:17:37.680> why<05:17:37.840> those<05:17:38.080> solos

trumpet sound so that's why those solos

trumpet sound so that's why those solos
sound<05:17:38.718> so<05:17:39.200> crazy<05:17:39.600> and<05:17:39.680> what's<05:17:40.000> interesting<05:17:40.400> is

sound so crazy and what's interesting is

sound so crazy and what's interesting is
that<05:17:40.638> you<05:17:40.798> don't<05:17:40.958> even<05:17:41.120> really<05:17:41.280> notice<05:17:41.600> it

that you don't even really notice it

that you don't even really notice it
until<05:17:41.920> you<05:17:42.080> try<05:17:42.240> to<05:17:42.400> figure<05:17:42.798> it<05:17:42.958> out<05:17:43.680> uh<05:17:44.400> it's

until you try to figure it out uh it's

until you try to figure it out uh it's
so<05:17:45.040> it's<05:17:45.280> completely<05:17:45.760> about<05:17:46.080> melody<05:17:46.560> and<05:17:46.718> not

so it's completely about melody and not

so it's completely about melody and not
sort<05:17:47.120> of<05:17:47.280> what<05:17:47.440> your<05:17:47.840> hand<05:17:48.240> is<05:17:48.480> sort<05:17:48.638> of

sort of what your hand is sort of

sort of what your hand is sort of
limited<05:17:49.120> to<05:17:49.280> do<05:17:49.440> and<05:17:49.600> what<05:17:49.680> your<05:17:49.840> fingers<05:17:50.320> sort

limited to do and what your fingers sort

limited to do and what your fingers sort
of<05:17:50.560> grab<05:17:50.878> in<05:17:50.958> that<05:17:51.200> position<05:17:52.240> uh<05:17:52.638> also<05:17:53.280> alan

of grab in that position uh also alan

of grab in that position uh also alan
did<05:17:53.920> use<05:17:54.400> a

did use a

did use a
starlab<05:17:55.840> z<05:17:56.080> board<05:17:56.240> which<05:17:56.480> is<05:17:56.560> sort<05:17:56.718> of<05:17:56.798> like<05:17:56.958> a

starlab z board which is sort of like a

starlab z board which is sort of like a
keyboard<05:17:58.000> looking<05:17:58.320> thing<05:17:58.560> with<05:17:58.878> all<05:17:59.040> these

keyboard looking thing with all these

keyboard looking thing with all these
little<05:17:59.360> buttons<05:17:59.760> on<05:18:00.000> it<05:18:00.320> and<05:18:00.480> i<05:18:00.560> know<05:18:00.718> he<05:18:00.958> used

little buttons on it and i know he used

little buttons on it and i know he used
that<05:18:01.520> on<05:18:01.840> chad<05:18:02.080> wackerman's<05:18:02.798> uh<05:18:03.040> dreams

that on chad wackerman's uh dreams

that on chad wackerman's uh dreams
nightmares<05:18:03.920> and<05:18:04.000> improvisations

nightmares and improvisations

nightmares and improvisations
record

record

record
and<05:18:07.120> also<05:18:07.680> on<05:18:08.160> his<05:18:08.480> cover<05:18:08.958> of<05:18:09.440> pat<05:18:09.760> smith's<05:18:10.400> new

and also on his cover of pat smith's new

and also on his cover of pat smith's new
dawn<05:18:11.040> which<05:18:11.200> is<05:18:11.440> on<05:18:11.600> the<05:18:11.920> tails<05:18:12.240> from<05:18:12.400> the

dawn which is on the tails from the

dawn which is on the tails from the
vault<05:18:12.958> record

and that's it that's absolutely

and that's it that's absolutely
everything<05:18:21.840> that<05:18:22.080> i've<05:18:22.320> discovered<05:18:23.120> in

everything that i've discovered in

everything that i've discovered in
uh

uh

uh
a<05:18:25.040> year<05:18:25.280> and<05:18:25.360> a<05:18:25.440> half<05:18:25.760> of<05:18:25.920> transcribing<05:18:26.798> 40

a year and a half of transcribing 40

a year and a half of transcribing 40
years<05:18:27.600> of<05:18:28.080> uh<05:18:28.480> allen<05:18:28.718> hallsworth<05:18:29.200> guitar

years of uh allen hallsworth guitar

years of uh allen hallsworth guitar
solos<05:18:30.080> or<05:18:30.160> just<05:18:30.320> solos<05:18:30.718> in<05:18:30.798> general<05:18:31.120> so<05:18:31.280> if<05:18:31.440> you

solos or just solos in general so if you

solos or just solos in general so if you
stuck<05:18:31.840> around<05:18:32.080> for<05:18:32.240> this<05:18:32.320> whole<05:18:32.560> thing<05:18:32.878> i<05:18:32.958> have

stuck around for this whole thing i have

stuck around for this whole thing i have
no<05:18:33.360> idea<05:18:33.600> how<05:18:33.760> long<05:18:34.000> it's<05:18:34.080> gonna<05:18:34.320> be<05:18:34.480> until<05:18:34.718> i

no idea how long it's gonna be until i

no idea how long it's gonna be until i
edit<05:18:35.120> it<05:18:35.600> uh<05:18:36.240> you're<05:18:36.480> amazing<05:18:37.280> uh<05:18:37.680> we'll<05:18:37.840> have

edit it uh you're amazing uh we'll have

edit it uh you're amazing uh we'll have
pizza<05:18:38.320> together<05:18:38.638> or<05:18:38.798> something<05:18:39.040> something<05:18:39.360> if

pizza together or something something if

pizza together or something something if
you<05:18:39.520> can<05:18:39.680> sit<05:18:39.920> through<05:18:40.080> all<05:18:40.240> this<05:18:40.480> nonsense<05:18:41.520> uh

you can sit through all this nonsense uh

you can sit through all this nonsense uh
i<05:18:42.080> really<05:18:42.400> appreciate<05:18:42.958> it<05:18:43.520> and<05:18:43.760> really<05:18:44.000> what

i really appreciate it and really what

i really appreciate it and really what
i'm<05:18:44.320> hoping<05:18:44.718> for<05:18:45.040> is<05:18:45.280> i<05:18:45.520> really<05:18:45.680> hope<05:18:46.000> that<05:18:46.160> you

i'm hoping for is i really hope that you

i'm hoping for is i really hope that you
at<05:18:46.400> least<05:18:46.718> learn<05:18:47.040> something<05:18:47.440> that<05:18:47.680> you<05:18:47.840> can

at least learn something that you can

at least learn something that you can
take<05:18:48.320> and<05:18:48.480> make<05:18:48.718> your<05:18:48.958> own<05:18:49.600> or<05:18:50.080> something<05:18:50.400> that

take and make your own or something that

take and make your own or something that
really<05:18:50.958> helped<05:18:51.280> and<05:18:51.440> improved<05:18:51.840> your<05:18:52.000> own

really helped and improved your own

really helped and improved your own
playing<05:18:52.718> or<05:18:53.120> seeing<05:18:53.360> the<05:18:53.520> neck<05:18:53.760> or<05:18:53.840> make<05:18:54.080> you

playing or seeing the neck or make you

playing or seeing the neck or make you
feel<05:18:54.718> more<05:18:54.958> comfortable<05:18:55.360> with<05:18:55.920> uh<05:18:56.560> trying

feel more comfortable with uh trying

feel more comfortable with uh trying
things<05:18:57.280> that<05:18:57.440> you<05:18:57.600> might<05:18:57.760> not<05:18:57.920> have<05:18:58.080> been

things that you might not have been

things that you might not have been
comfortable<05:18:59.120> trying<05:18:59.520> before<05:19:00.160> using<05:19:00.480> sort<05:19:00.638> of

comfortable trying before using sort of

comfortable trying before using sort of
alan<05:19:01.200> as<05:19:01.280> a<05:19:01.360> conduit<05:19:01.840> to<05:19:01.920> say<05:19:02.080> hey<05:19:02.320> this<05:19:02.560> is

alan as a conduit to say hey this is

alan as a conduit to say hey this is
what<05:19:02.798> he<05:19:03.040> does<05:19:03.440> why<05:19:03.680> can't<05:19:03.920> you<05:19:04.160> do<05:19:04.320> this<05:19:04.878> so

what he does why can't you do this so

what he does why can't you do this so
especially<05:19:05.440> if<05:19:05.600> you're<05:19:05.680> a<05:19:05.840> beginner<05:19:06.160> to

especially if you're a beginner to

especially if you're a beginner to
improvisation<05:19:06.958> i<05:19:07.040> know<05:19:07.200> it<05:19:07.200> could<05:19:07.360> be

improvisation i know it could be

improvisation i know it could be
intimidating<05:19:08.638> uh

intimidating uh

intimidating uh
i<05:19:09.760> suggest<05:19:10.400> trying<05:19:10.878> it<05:19:11.040> because<05:19:11.680> uh<05:19:12.240> you<05:19:12.400> know

i suggest trying it because uh you know

i suggest trying it because uh you know
i<05:19:12.718> really<05:19:12.958> enjoy<05:19:13.360> it<05:19:13.840> and<05:19:14.400> when<05:19:14.638> it<05:19:14.718> comes<05:19:14.958> to

i really enjoy it and when it comes to

i really enjoy it and when it comes to
improvising<05:19:15.760> i<05:19:15.920> say<05:19:16.080> it's<05:19:16.240> like<05:19:16.400> this<05:19:16.718> it's

improvising i say it's like this it's

improvising i say it's like this it's
like<05:19:17.040> trying<05:19:17.280> to<05:19:17.360> learn<05:19:17.600> to<05:19:17.840> swim<05:19:18.160> without

like trying to learn to swim without

like trying to learn to swim without
being<05:19:18.878> in<05:19:19.040> water<05:19:19.440> you<05:19:19.600> can't<05:19:19.920> really<05:19:20.240> do<05:19:20.480> it<05:19:20.638> so

being in water you can't really do it so

being in water you can't really do it so
in<05:19:21.040> order<05:19:21.360> to<05:19:21.520> just<05:19:21.840> learning<05:19:22.160> how<05:19:22.400> to<05:19:22.718> solo

in order to just learning how to solo

in order to just learning how to solo
and<05:19:23.200> improvise<05:19:23.600> on<05:19:23.680> the<05:19:23.760> guitar<05:19:24.080> you<05:19:24.240> just

and improvise on the guitar you just

and improvise on the guitar you just
kind<05:19:24.560> of<05:19:24.638> have<05:19:24.798> to<05:19:24.958> do<05:19:25.200> it<05:19:25.760> and<05:19:26.480> you<05:19:26.638> can<05:19:26.878> use

kind of have to do it and you can use

kind of have to do it and you can use
these<05:19:27.520> ideas<05:19:28.000> that<05:19:28.160> alan<05:19:28.480> did<05:19:29.040> and<05:19:29.280> like<05:19:29.520> i

these ideas that alan did and like i

these ideas that alan did and like i
said<05:19:29.760> make<05:19:30.000> them<05:19:30.240> your<05:19:30.480> own<05:19:30.638> and<05:19:30.878> hopefully

said make them your own and hopefully

said make them your own and hopefully
just<05:19:31.520> make<05:19:31.760> you<05:19:31.920> a<05:19:32.000> better<05:19:32.320> player

just make you a better player

just make you a better player
so

so

so
as<05:19:34.560> i<05:19:34.718> said<05:19:35.360> uh<05:19:35.680> i<05:19:35.920> transcribed<05:19:36.638> a<05:19:36.718> whole<05:19:37.040> ton

as i said uh i transcribed a whole ton

as i said uh i transcribed a whole ton
of<05:19:37.360> stuff<05:19:37.840> they're<05:19:38.000> just<05:19:38.320> lines<05:19:39.040> um<05:19:39.280> not<05:19:39.520> full

of stuff they're just lines um not full

of stuff they're just lines um not full
transcriptions<05:19:40.480> and<05:19:40.560> like<05:19:40.798> i<05:19:40.878> said<05:19:41.120> the<05:19:41.680> the

transcriptions and like i said the the

transcriptions and like i said the the
the<05:19:42.160> notation<05:19:42.878> the<05:19:43.280> the<05:19:43.520> rhythm<05:19:43.840> is

the notation the the rhythm is

the notation the the rhythm is
inaccurate<05:19:44.560> and<05:19:44.718> even<05:19:44.958> some<05:19:45.120> of<05:19:45.200> the<05:19:45.440> phrasing

inaccurate and even some of the phrasing

inaccurate and even some of the phrasing
isn't<05:19:46.080> 100<05:19:46.878> accurate<05:19:47.680> but<05:19:47.920> that's<05:19:48.240> up<05:19:48.320> for

isn't 100 accurate but that's up for

isn't 100 accurate but that's up for
sale<05:19:48.878> you<05:19:49.040> can<05:19:49.200> get<05:19:49.360> that<05:19:49.680> at<05:19:49.760> the<05:19:49.920> link<05:19:50.240> below

sale you can get that at the link below

sale you can get that at the link below
or<05:19:51.040> you<05:19:51.200> can<05:19:51.360> email<05:19:51.760> me<05:19:52.000> personally

or you can email me personally

or you can email me personally
also<05:19:55.040> this<05:19:55.200> is<05:19:55.280> the<05:19:55.360> only<05:19:55.600> time<05:19:55.760> that<05:19:55.920> i'll<05:19:56.160> do

also this is the only time that i'll do

also this is the only time that i'll do
this<05:19:56.878> but<05:19:57.200> if<05:19:57.360> you<05:19:57.520> just<05:19:57.680> want<05:19:57.920> to<05:19:58.080> tip<05:19:58.240> me<05:19:58.400> as<05:19:58.560> a

this but if you just want to tip me as a

this but if you just want to tip me as a
thank<05:19:58.958> you<05:19:59.280> because<05:19:59.440> you<05:19:59.600> learned<05:19:59.840> something

thank you because you learned something

thank you because you learned something
or<05:20:00.320> for<05:20:00.480> all<05:20:00.638> the<05:20:00.718> allen<05:20:01.120> videos<05:20:01.440> that<05:20:01.520> i've

or for all the allen videos that i've

or for all the allen videos that i've
done<05:20:02.240> uh<05:20:02.480> you<05:20:02.638> can<05:20:02.878> do<05:20:03.040> that<05:20:03.360> on<05:20:03.520> the<05:20:03.600> link

done uh you can do that on the link

done uh you can do that on the link
below<05:20:04.320> you<05:20:04.480> don't<05:20:04.718> have<05:20:04.958> to<05:20:05.520> this<05:20:05.760> video<05:20:06.160> is

below you don't have to this video is

below you don't have to this video is
for<05:20:06.560> free<05:20:06.798> because<05:20:07.040> as<05:20:07.280> i<05:20:07.360> said<05:20:07.520> i<05:20:07.600> think<05:20:07.760> the

for free because as i said i think the

for free because as i said i think the
information<05:20:08.480> is<05:20:09.120> the<05:20:09.280> most<05:20:09.520> important<05:20:10.000> thing

information is the most important thing

information is the most important thing
not<05:20:10.958> necessarily<05:20:11.920> uh<05:20:12.638> you<05:20:12.798> know<05:20:13.200> trying<05:20:13.440> to

not necessarily uh you know trying to

not necessarily uh you know trying to
squeeze<05:20:14.560> as<05:20:14.718> much<05:20:14.958> money<05:20:15.200> as<05:20:15.360> i<05:20:15.440> can<05:20:15.760> i<05:20:15.920> want<05:20:16.160> to

squeeze as much money as i can i want to

squeeze as much money as i can i want to
put<05:20:16.400> this<05:20:16.638> out<05:20:16.798> there<05:20:17.120> to<05:20:17.280> help<05:20:17.600> other<05:20:17.840> people

put this out there to help other people

put this out there to help other people
the<05:20:18.320> way<05:20:18.638> alan

the way alan

the way alan
helped<05:20:20.000> me<05:20:20.560> without<05:20:21.120> you<05:20:21.200> know<05:20:21.840> telling<05:20:22.080> me

helped me without you know telling me

helped me without you know telling me
how<05:20:22.400> to<05:20:22.480> do<05:20:22.638> it<05:20:22.718> but<05:20:22.878> made<05:20:23.120> me<05:20:23.360> a<05:20:23.440> better

how to do it but made me a better

how to do it but made me a better
improviser<05:20:24.400> i'm<05:20:24.480> not<05:20:24.718> the<05:20:24.798> world's<05:20:25.040> greatest

improviser i'm not the world's greatest

improviser i'm not the world's greatest
improviser<05:20:26.000> but<05:20:26.320> uh

improviser but uh

improviser but uh
i<05:20:27.280> really<05:20:27.600> enjoy<05:20:28.000> it<05:20:28.240> and<05:20:28.638> uh<05:20:29.040> again<05:20:29.360> i<05:20:29.520> can't

i really enjoy it and uh again i can't

i really enjoy it and uh again i can't
thank<05:20:30.080> him<05:20:30.240> enough<05:20:30.638> for<05:20:31.040> uh<05:20:31.840> making<05:20:32.240> me<05:20:32.480> better

thank him enough for uh making me better

thank him enough for uh making me better
so<05:20:33.040> my<05:20:33.440> the<05:20:33.600> only<05:20:33.680> way<05:20:33.840> that<05:20:34.000> i<05:20:34.080> can<05:20:34.240> thank<05:20:34.480> him

so my the only way that i can thank him

so my the only way that i can thank him
is<05:20:34.798> by<05:20:35.440> putting<05:20:35.760> this<05:20:36.000> information<05:20:36.638> out<05:20:36.798> there

is by putting this information out there

is by putting this information out there
for<05:20:37.120> all<05:20:37.280> of<05:20:37.440> you<05:20:37.600> guys<05:20:37.920> and<05:20:38.000> hopefully<05:20:38.480> you'll

for all of you guys and hopefully you'll

for all of you guys and hopefully you'll
learn<05:20:38.958> something<05:20:39.840> uh<05:20:40.240> and<05:20:40.480> be<05:20:40.718> as<05:20:40.958> content<05:20:41.520> as

learn something uh and be as content as

learn something uh and be as content as
i<05:20:41.920> am<05:20:42.080> with<05:20:42.240> my<05:20:42.480> playing<05:20:42.958> so

i am with my playing so

i am with my playing so
uh<05:20:44.080> with<05:20:44.240> that<05:20:44.480> being<05:20:44.798> said

uh with that being said

uh with that being said
thank<05:20:46.080> you<05:20:46.400> thank<05:20:46.638> you<05:20:47.040> thank<05:20:47.280> you<05:20:47.440> thank<05:20:47.600> you

thank you thank you thank you thank you

thank you thank you thank you thank you
for<05:20:47.920> sitting<05:20:48.160> through<05:20:48.320> this<05:20:48.480> whole<05:20:48.718> thing<05:20:49.520> uh

for sitting through this whole thing uh

for sitting through this whole thing uh
i<05:20:50.638> not<05:20:50.878> looking<05:20:51.120> forward<05:20:51.360> to<05:20:51.440> ending<05:20:51.760> this

i not looking forward to ending this

i not looking forward to ending this
editing<05:20:52.400> this<05:20:52.638> now<05:20:52.958> but<05:20:53.360> uh<05:20:54.000> thank<05:20:54.240> you<05:20:54.400> so

editing this now but uh thank you so

editing this now but uh thank you so
much<05:20:55.040> and

much and

much and
hopefully<05:20:57.280> i'll<05:20:57.360> see<05:20:57.520> you<05:20:57.680> guys<05:20:57.840> soon