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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 2 00:00:08,000 --> 00:00:13,000 3 00:00:35,209 --> 00:00:38,038 [MUSIC PLAYING] 4 00:01:26,173 --> 00:01:29,306 [TRAIN WHISTLE BLOWS] 5 00:01:45,975 --> 00:01:50,066 SNAP OUT OF IT, GRUBBER,MIRANDA SPEAR, ONE O'CLOCK. 6 00:01:50,936 --> 00:01:52,242 HEY, OSCAR. 7 00:01:52,286 --> 00:01:54,157 HI, MIRANDA. 8 00:01:54,201 --> 00:01:56,116 WHAT ARE YOU READING? 9 00:01:56,159 --> 00:01:57,334 VOLTAIRE. 10 00:01:57,378 --> 00:01:58,944 YOU SEE, OSCAR AND IWERE JUST DEBATING ON-- 11 00:01:58,988 --> 00:02:01,077 Miranda: VOLTAIRE? REALLY? 12 00:02:01,121 --> 00:02:04,080 THAT'S SO COOL. 13 00:02:04,994 --> 00:02:07,823 MY FRIENDS ARE WAITING, SO... 14 00:02:07,866 --> 00:02:09,955 SEE YOU AFTER BREAK. 15 00:02:09,999 --> 00:02:11,435 SURE. 16 00:02:11,479 --> 00:02:14,873 ALL RIGHT.I'LL SEE YOU, MIRANDA. 17 00:02:17,354 --> 00:02:18,225 OH, MY GOD. 18 00:02:18,268 --> 00:02:19,965 SHE'S TOTALLY HOT FOR YOU. 19 00:02:20,009 --> 00:02:21,880 SHE'S GOT FRIENDS. 20 00:02:21,924 --> 00:02:23,360 YOU'RE HOOKING ME UP. 21 00:02:23,404 --> 00:02:25,014 I'M NOT ASKING HER OUT. 22 00:02:25,057 --> 00:02:27,364 WHAT? 23 00:02:27,408 --> 00:02:29,105 WHY NOT?SHE'S PERFECT. 24 00:02:29,149 --> 00:02:30,759 DID YOU SEE HER HANDS? 25 00:02:30,802 --> 00:02:33,718 I--I WASN'T LOOKINGAT HER HANDS. 26 00:02:33,762 --> 00:02:35,546 EXPERIENCE, WIT, INTELLECT-- 27 00:02:35,590 --> 00:02:37,287 ALL REVEALED BY THE HANDS. 28 00:02:37,331 --> 00:02:39,855 DOES SHE HAVE FAT HANDS? 29 00:02:39,898 --> 00:02:41,552 SHE HAD HANDS LIKE A... 30 00:02:41,596 --> 00:02:42,901 LIKE A STEEL WORKER? 31 00:02:42,945 --> 00:02:47,950 SHE HAD HANDS LIKE A... 32 00:02:47,993 --> 00:02:49,865 CHILD. 33 00:02:50,866 --> 00:02:52,607 [MAN SINGING IN FRENCH] 34 00:02:52,650 --> 00:02:54,913 Charlie: I WORRYABOUT YOU, OSCAR. 35 00:02:54,957 --> 00:02:56,263 I REALLY DO. 36 00:02:56,306 --> 00:02:58,656 WHY, BECAUSE I'M INTERESTED IN MORE THAN WEBSITES? 37 00:02:58,700 --> 00:03:00,528 BECAUSE YOU'REFETISHIZING HANDS. 38 00:03:00,571 --> 00:03:01,877 I WOULDN'T CALL IT A FETISH. 39 00:03:01,920 --> 00:03:05,054 YOU FIND REASONSNOT TO LIKE THINGS. 40 00:03:05,097 --> 00:03:06,316 THAT'S NOT TRUE. 41 00:03:06,360 --> 00:03:07,143 LIKE WHAT? 42 00:03:07,187 --> 00:03:08,753 LIKE MIRANDA SPEAR. 43 00:03:08,797 --> 00:03:10,755 LIKE SIMPLEEXPLANATIONS. 44 00:03:10,799 --> 00:03:12,844 I LIKE THINGS I DON'T UNDERSTAND. 45 00:03:12,888 --> 00:03:14,411 NEVER GONNA GET LAIDTHAT WAY. 46 00:03:14,455 --> 00:03:17,022 IT'S NOT ALL ABOUT GETTING LAID, CHARLIE. 47 00:03:17,066 --> 00:03:18,067 YEAH, IT IS. 48 00:03:18,110 --> 00:03:19,155 NO, IT ISN'T. 49 00:03:19,199 --> 00:03:20,112 IT IS SO. 50 00:03:20,156 --> 00:03:21,375 WHAT ABOUT LOVE? 51 00:03:21,418 --> 00:03:23,028 YEAH. I'VE HEARD OF IT. 52 00:03:23,072 --> 00:03:26,510 IT'S NOT LIKE YOU'REIN LOVE WITH SOMEONE. 53 00:03:28,947 --> 00:03:31,776 I KNEW SOMETHING WAS UP. 54 00:03:31,820 --> 00:03:35,824 WOW. THE GRUBBER,IN LOVE. 55 00:03:35,867 --> 00:03:37,086 WHO THE HELL IS IT? 56 00:03:37,129 --> 00:03:40,045 SOMEONE I'VE KNOWN FOR A WHILE. 57 00:03:41,308 --> 00:03:42,483 DO I KNOW HER? 58 00:03:42,526 --> 00:03:44,441 SHE DOESN'T EVEN KNOW... 59 00:03:44,485 --> 00:03:46,226 YET. 60 00:03:47,183 --> 00:03:48,576 ALL RIGHT. 61 00:03:48,619 --> 00:03:50,839 WHEN DO YOU PLANON TELLING HER? 62 00:03:50,882 --> 00:03:51,796 THAT'S THE THING. 63 00:03:51,840 --> 00:03:53,102 I WANT TO FIND THE RIGHT TIME. 64 00:03:53,145 --> 00:03:55,974 DEFINITELY THIS WEEKEND. MAYBE TONIGHT. 65 00:03:56,018 --> 00:03:57,846 IS SHE COMING OVERFOR THANKSGIVING? 66 00:03:57,889 --> 00:04:00,892 SHE'LL BE THERE. WHY? 67 00:04:00,936 --> 00:04:01,937 I'M COMING OVER FOR PIE. 68 00:04:01,980 --> 00:04:04,853 NO, YOU'RE NOT. YOU'RE NOT INVITED. 69 00:04:04,896 --> 00:04:07,029 GRUBBS. 70 00:04:18,562 --> 00:04:19,520 HI, TADPOLE. 71 00:04:19,563 --> 00:04:20,303 HEY, JIMMY. 72 00:04:20,347 --> 00:04:22,305 HOME FOR THANKSGIVING? 73 00:04:22,349 --> 00:04:23,175 THAT'S RIGHT. 74 00:04:23,219 --> 00:04:25,700 WHAT HAPPENEDTO YOUR HAIR? 75 00:04:25,743 --> 00:04:27,919 I COMBED IT. 76 00:04:27,963 --> 00:04:30,879 WELL, I DON'T LIKE IT. 77 00:04:56,383 --> 00:04:59,037 [SOFT JAZZ PLAYING] 78 00:05:00,865 --> 00:05:04,434 [INDISTINCT CHATTER] 79 00:05:05,392 --> 00:05:06,349 HI, OSCAR. 80 00:05:06,393 --> 00:05:07,655 OH, HI, MRS. LODDER. 81 00:05:07,698 --> 00:05:08,656 DIANE, PLEASE. 82 00:05:08,699 --> 00:05:10,179 DIANE, HAVE YOU SEENEVE ANYWHERE? 83 00:05:10,222 --> 00:05:11,354 YEAH, SHE WAS JUST HERE. 84 00:05:11,398 --> 00:05:13,182 OH, SHE WENT TO GO GET SOME KEYS 85 00:05:13,225 --> 00:05:15,184 SO SHE COULD GET IN THE LAB TOMORROW. 86 00:05:15,227 --> 00:05:17,752 [HORN HONKING] CÇA VA? 87 00:05:17,795 --> 00:05:19,449 EXCUSE ME. 88 00:05:30,678 --> 00:05:33,245 SO, OSCAR... CAN WE PLAN ON 89 00:05:33,289 --> 00:05:34,986 SEEING YOU AT COLUMBIA? 90 00:05:35,030 --> 00:05:37,989 LEAVE HIM ALONE, DAD. HE'S ONLY A SOPHOMORE. 91 00:05:38,033 --> 00:05:38,903 IT'S NEVER TOO EARLY 92 00:05:38,947 --> 00:05:40,383 TO THINK ABOUT COLLEGE, DAPHNE, 93 00:05:40,427 --> 00:05:41,776 AS IT WOULD BEHOOVE YOU TO REALIZE. 94 00:05:41,819 --> 00:05:43,081 ACTUALLY,PROFESSOR TISCH, 95 00:05:43,125 --> 00:05:45,954 I HAVE GIVEN SOME THOUGHTTO COLUMBIA--PRE MED. 96 00:05:45,997 --> 00:05:46,868 NOT HISTORY? 97 00:05:46,911 --> 00:05:48,957 WELL, I--Stanley: EXCUSE ME. 98 00:05:49,000 --> 00:05:50,959 MAY I HAVE YOUR ATTENTION, EVERYBODY? 99 00:05:51,002 --> 00:05:53,048 I'M SORRY TO INTERRUPT, 100 00:05:53,091 --> 00:05:55,790 BUT I'D LIKE TO MAKE A SHORT THANKSGIVING TOAST 101 00:05:55,833 --> 00:05:59,881 AND THEN INVITE YOU ALL TO COMMENCE EATING. 102 00:05:59,924 --> 00:06:01,273 FIRST OF ALL, 103 00:06:01,317 --> 00:06:04,015 I'D LIKE TO APOLOGIZE TO NATIVE AMERICANS EVERYWHERE 104 00:06:04,059 --> 00:06:06,017 FOR DECIMATING THEIR POPULATION-- 105 00:06:06,061 --> 00:06:08,629 BASICALLY STEALING THIS COUNTRY FROM OUT-- 106 00:06:08,672 --> 00:06:09,847 STICK TO ANTIQUITIES,STANLEY. 107 00:06:09,891 --> 00:06:11,675 NO, NO, NO. I'M A TRADITIONALIST. 108 00:06:11,719 --> 00:06:14,591 AND FAR BE IT FROM ME TO DISPENSE WITH ANY EXCUSE 109 00:06:14,635 --> 00:06:16,985 TO EAT TURKEY AND PECAN PIE. 110 00:06:17,028 --> 00:06:18,073 AND SO... 111 00:06:18,116 --> 00:06:20,728 TO MY RECENTLY RETURNED PRODIGAL SON. 112 00:06:20,771 --> 00:06:22,425 Woman: HEAR, HEAR. 113 00:06:22,469 --> 00:06:24,601 TO MY DISTINGUISHED COLLEAGUES 114 00:06:24,645 --> 00:06:26,734 AT THE COLUMBIA HISTORY DEPARTMENT 115 00:06:26,777 --> 00:06:28,518 AND THEIR FAMILIES. 116 00:06:28,562 --> 00:06:29,737 AND, UH... 117 00:06:29,780 --> 00:06:31,565 AM I LEAVING ANYONE OUT? 118 00:06:31,608 --> 00:06:32,957 EVE. 119 00:06:33,001 --> 00:06:33,958 YES, OF COURSE, 120 00:06:34,002 --> 00:06:34,916 ALTHOUGH NOT HERE, SHE-- 121 00:06:34,959 --> 00:06:37,135 [DOOR UNLOCKS]COULD IT BE? 122 00:06:37,179 --> 00:06:38,920 COULD IT BE? 123 00:06:41,923 --> 00:06:44,665 TO MY LOVELY WIFE EVE. 124 00:06:44,708 --> 00:06:45,883 OHH, I'M SO SORRY. 125 00:06:45,927 --> 00:06:50,322 ♪ SHE MAY BE THE FACE I CAN'T FORGET ♪ 126 00:06:50,366 --> 00:06:54,065 ♪ A TRACE OF PLEASURE OR REGRET ♪ 127 00:06:54,109 --> 00:06:56,416 ♪ MAYBE THE TREASURE 128 00:06:56,459 --> 00:07:00,985 ♪ OR THE PRICE I HAVE TO PAY ♪ 129 00:07:01,029 --> 00:07:04,075 ♪ SHE 130 00:07:04,815 --> 00:07:07,165 ♪ SHE 131 00:07:07,209 --> 00:07:09,429 YOU TURN THE CORNER,THEN HIDDEN AWAY 132 00:07:09,472 --> 00:07:11,648 IN THIS SMALL FORGOTTENBACKSTREET, 133 00:07:11,692 --> 00:07:12,910 IS THIS OLD, OLD HOUSE-- 134 00:07:12,954 --> 00:07:14,782 Daphne: HOW'S YOUR MOM, OSCAR? 135 00:07:14,825 --> 00:07:15,957 SHE STILL IN FRANCE? 136 00:07:16,000 --> 00:07:17,741 Oscar: YEAH, SHE WENT BACK A WHILE AGO. 137 00:07:17,785 --> 00:07:19,569 WHEN'S THE LAST TIME YOU SAW HER? 138 00:07:19,613 --> 00:07:22,703 I WENT BACKLAST SUMMER. 139 00:07:22,746 --> 00:07:23,878 [SIGHS] 140 00:07:23,921 --> 00:07:27,098 I WISH I HAD AN EXOTIC FRENCH MOTHER. 141 00:07:27,142 --> 00:07:28,448 THERE'S NOTHING EXOTIC 142 00:07:28,491 --> 00:07:31,015 ABOUT MOTHERS WHO LIVE ON THE UPPER EAST SIDE. 143 00:07:31,059 --> 00:07:33,496 WELL, THEY CAN BE EXOTICIN THEIR OWN WAY. 144 00:07:33,540 --> 00:07:35,367 YOU WALK IN, AND IT'S A HOME, 145 00:07:35,411 --> 00:07:37,500 A TIMELESS HOME. YOU FEEL IT. 146 00:07:37,544 --> 00:07:38,936 IT'S HARD TO PUT IT INTO WORDS, BUT-- 147 00:07:38,980 --> 00:07:42,070 Daphne: MY MOM BRINGS ME BACK THE STUPIDEST THINGS. 148 00:07:42,113 --> 00:07:43,593 THAT'S NOT WHAT I'M SAYING. 149 00:07:43,637 --> 00:07:45,073 THERE WAS THISLOVELY FRESCO THAT-- 150 00:07:45,116 --> 00:07:45,943 IT'S VERY INTIMATE. 151 00:07:45,987 --> 00:07:46,988 COMPLETELYOUT OF CONTEXT. 152 00:07:47,031 --> 00:07:48,903 Daphne: ...TOO SMALL OR WHATEVER. 153 00:07:48,946 --> 00:07:50,208 THERE WAS SOME-- 154 00:07:50,252 --> 00:07:51,949 Daphne: THAT'S COOL. YOU'VE GOT, LIKE, 155 00:07:51,993 --> 00:07:53,995 THAT LOOK, THAT FARAWAY LOOK. 156 00:07:54,038 --> 00:07:55,126 THAT'S COOL. 157 00:07:55,170 --> 00:07:58,826 I'VE-BEEN-STUDYING FOR-4-DAYS THING. 158 00:08:01,829 --> 00:08:03,657 [SIGHS] 159 00:08:11,099 --> 00:08:13,710 IT SOUNDED BEAUTIFUL. 160 00:08:13,754 --> 00:08:14,972 WHAT'S THAT? 161 00:08:15,016 --> 00:08:16,321 THE TIMELESS HOME. 162 00:08:16,365 --> 00:08:19,760 OHH. THANKS.[LAUGHS] 163 00:08:19,803 --> 00:08:22,719 I GET A LITTLE CAUGHT UPIN THE WHOLE... 164 00:08:22,763 --> 00:08:23,894 I DON'T KNOW. 165 00:08:23,938 --> 00:08:24,765 NO, NO. THAT'S GOOD. 166 00:08:24,808 --> 00:08:26,331 IT'S GOOD TO GET CAUGHT UP 167 00:08:26,375 --> 00:08:28,943 IN THE FEELING OF SOMETHING, THE AURA. 168 00:08:28,986 --> 00:08:31,119 I MEAN, IF EVERYTHING COULD BE REDUCED 169 00:08:31,162 --> 00:08:32,599 TO VERBALIZABLE FACTS, 170 00:08:32,642 --> 00:08:36,298 WE WOULDN'T HAVE ANY NEED FOR MUSIC, WOULD WE? 171 00:08:37,342 --> 00:08:41,259 YOU MIGHTHAVE A POINT THERE. 172 00:08:41,303 --> 00:08:42,783 OF COURSE I HAVE A POINT. 173 00:08:42,826 --> 00:08:45,394 THE TIMELESS HOME, THAT'S LIKE... 174 00:08:45,437 --> 00:08:49,877 THE TITLE OF SOME GREAT LOST PUCCINI OPERETTA. 175 00:08:49,920 --> 00:08:53,620 HEH. YOU'RE SWEET,YOU KNOW THAT? 176 00:08:53,663 --> 00:08:54,621 [POURING WINE] 177 00:08:54,664 --> 00:08:56,971 SO, HOW ARE THINGS AT--AT CHAUNCEY? 178 00:08:57,014 --> 00:08:58,755 NOT BAD. 179 00:08:58,799 --> 00:09:01,323 ANY GIRLS THERE? 180 00:09:01,366 --> 00:09:02,759 SURE, THERE ARE GIRLS. 181 00:09:02,803 --> 00:09:05,240 WELL? ANY YOU LIKE? 182 00:09:05,283 --> 00:09:07,503 WELL, THEY'RE MOSTLYPRETTY DUMB. 183 00:09:07,547 --> 00:09:09,984 THEY CAN'T ALL BE DUMB. 184 00:09:10,027 --> 00:09:11,072 IT JUST SEEMS LIKE 185 00:09:11,115 --> 00:09:13,117 THEY HAVEN'T LIVEDTHAT MUCH, YOU KNOW? 186 00:09:13,161 --> 00:09:14,728 WELL... 187 00:09:14,771 --> 00:09:17,774 WE'RE TALKING ABOUT SOPHOMORES, RIGHT? 188 00:09:17,818 --> 00:09:18,993 YEAH. 189 00:09:19,036 --> 00:09:21,517 MAYBE YOU SHOULD GIVE THEM A CHANCE, OSCAR. 190 00:09:21,561 --> 00:09:22,649 I MEAN... 191 00:09:22,692 --> 00:09:26,957 THEY MIGHT'VE LIVED MORE THAN YOU THINK. 192 00:09:27,001 --> 00:09:29,177 SURE. 193 00:09:29,220 --> 00:09:35,009 YOU HAVE HIGH EXPECTATIONS,DON'T YOU, OSCAR? 194 00:09:40,580 --> 00:09:42,712 HEY. 195 00:09:44,366 --> 00:09:45,628 HOW ARE YOU? 196 00:09:45,672 --> 00:09:46,673 GOOD. 197 00:09:46,716 --> 00:09:49,676 [FOOTSTEPS] 198 00:09:49,719 --> 00:09:51,329 THAT'S BETTER. 199 00:09:51,373 --> 00:09:54,463 DON'T WANT BACK PROBLEMSBEFORE YOU'RE 40. 200 00:09:54,506 --> 00:09:58,032 SO, HOW'S THE CHIROPODY BUSINESS? 201 00:09:58,075 --> 00:09:59,860 HEH. CHIROPODY IS FEET. 202 00:09:59,903 --> 00:10:01,905 HUH. CHIROPRACTIC? 203 00:10:01,949 --> 00:10:04,429 IT'S PRETTY GOOD. 204 00:10:04,473 --> 00:10:05,648 I STARE AT BACKS ALL DAY. 205 00:10:05,692 --> 00:10:08,346 CAN TELL A LOT ABOUTA PERSON BY THEIR BACK. 206 00:10:08,390 --> 00:10:10,610 I'VE ALWAYS THOUGHT OF MY SPINE 207 00:10:10,653 --> 00:10:11,959 AS INCREDIBLY PERSONAL. 208 00:10:12,002 --> 00:10:14,222 I DON'T THINK I COULD SHOW MY SPINE TO JUST ANYONE. 209 00:10:14,265 --> 00:10:17,181 MAYBE IF YOU WERE INENOUGH PAIN, YOU COULD. 210 00:10:17,225 --> 00:10:18,487 NOT EVEN THEN, MAYBE. 211 00:10:18,530 --> 00:10:21,359 THROW A COUPLE CUBES IN THERE,WOULD YOU, DIANE? 212 00:10:21,403 --> 00:10:22,317 SURE. 213 00:10:22,360 --> 00:10:23,927 HOW'S THAT ENDODONTIST OF YOURS? 214 00:10:23,971 --> 00:10:24,972 GREAT. 215 00:10:25,015 --> 00:10:27,888 [SPEAKING FRENCH] 216 00:10:32,719 --> 00:10:34,068 OSCAR. 217 00:10:43,643 --> 00:10:45,688 WHAT IS THIS? 218 00:10:45,732 --> 00:10:48,212 VOLTAIRE? 219 00:10:48,256 --> 00:10:49,474 OSCAR. 220 00:10:49,518 --> 00:10:50,867 VOLTAIRE SAID, 221 00:10:50,911 --> 00:10:54,131 "IF GOD DID NOT EXIST,HE WOULD HAVE TO BE INVENTED." 222 00:10:55,393 --> 00:10:57,918 HE WAS A FUNNY GUY. 223 00:10:58,875 --> 00:11:01,922 Stanley: OSCAR! 224 00:11:01,965 --> 00:11:04,881 [SPEAKING FRENCH] 225 00:11:07,928 --> 00:11:10,147 PROFESSOR TISCH WANTSTO STAY AND GOSSIP 226 00:11:10,191 --> 00:11:11,975 ABOUT OUR COLLEAGUESA LITTLE LONGER. 227 00:11:12,019 --> 00:11:13,716 WILL YOU WALKDAPHNE HOME? 228 00:11:13,760 --> 00:11:14,674 DAD, NO. 229 00:11:14,717 --> 00:11:15,805 DAPHNE'S BEEN TAKING THE SUBWAYS 230 00:11:15,849 --> 00:11:16,980 SINCE SHE WAS 8. 231 00:11:17,024 --> 00:11:19,026 SHE'S A GOOD-LOOKING GIRL,DON'T YOU THINK? 232 00:11:19,069 --> 00:11:20,027 SHE'S ALL RIGHT. 233 00:11:20,070 --> 00:11:22,159 WELL, IT WOULD BEA NICE GESTURE. 234 00:11:22,203 --> 00:11:23,204 AN EMPTY GESTURE. 235 00:11:23,247 --> 00:11:24,727 NO, DAD. I'M FATIGUED THIS EVENING. 236 00:11:24,771 --> 00:11:26,294 I'VE BEEN ON TRAINS, IN CARS, 237 00:11:26,337 --> 00:11:27,687 I'VE HAD 2 LENGTHY DEBATES 238 00:11:27,730 --> 00:11:28,818 ON VOLTAIRE AND HENRY MILLER-- 239 00:11:28,862 --> 00:11:30,820 BOTH OF WHICH I WON, INCIDENTALLY-- 240 00:11:30,864 --> 00:11:31,865 I HAVEN'T UNPACKED YET, 241 00:11:31,908 --> 00:11:32,953 I'VE GOT A LOT OF THINGS TO DO, 242 00:11:32,996 --> 00:11:34,737 AND I'M NOT GONNA STAND HERE AND ARGUE 243 00:11:34,781 --> 00:11:35,956 WITH YOU ABOUT IT, ALL RIGHT? 244 00:11:35,999 --> 00:11:38,567 DO YOU WANNA GO WITH ME TO THE MOBY CONCERT 245 00:11:38,610 --> 00:11:39,742 ON SUNDAY? 246 00:11:39,786 --> 00:11:41,352 NOT REALLY. 247 00:11:41,396 --> 00:11:44,834 I DON'T GO IN MUCH FORCONTEMPORARY POP MUSIC. 248 00:11:44,878 --> 00:11:47,097 WHAT DO YOU GO IN FOR? 249 00:11:47,141 --> 00:11:48,838 YOU KNOW, REGULAR STUFF. 250 00:11:48,882 --> 00:11:51,101 OSCAR, CONTEMPORARY POP MUSIC 251 00:11:51,145 --> 00:11:54,670 ISREGULAR STUFF FOR A 15-YEAR-OLD. 252 00:11:54,714 --> 00:11:57,891 VOLTAIRE OR WHATEVER IS NOT REGULAR. 253 00:11:57,934 --> 00:11:59,675 WELL, WE DIFFER. 254 00:11:59,719 --> 00:12:01,068 YEAH. 255 00:12:01,111 --> 00:12:03,200 GOD, YOU'RE LIKE A 40-YEAR-OLD 256 00:12:03,244 --> 00:12:05,899 TRAPPED IN A 15-YEAR-OLD'S BODY. 257 00:12:05,942 --> 00:12:08,815 I MEAN, IT'S NOT A BAD BODY. 258 00:12:08,858 --> 00:12:10,338 TAXI! 259 00:12:13,820 --> 00:12:14,995 HOLD ON. 260 00:12:15,038 --> 00:12:17,737 COME ON. 261 00:12:19,826 --> 00:12:22,045 I LIVE 6 BLOCKS FROM HERE. 262 00:12:22,089 --> 00:12:24,004 IT'S COLD. 263 00:12:24,047 --> 00:12:27,703 78th AND LEX. I HAVE TO WAKE UP EARLY. 264 00:12:27,747 --> 00:12:29,574 YOU ARE SO WEIRD. 265 00:12:29,618 --> 00:12:31,794 OK. SAFE TRIP. 266 00:12:44,372 --> 00:12:48,419 [ROMANTIC SONG PLAYING ON JUKEBOX] 267 00:12:51,945 --> 00:12:54,817 HEY, HAPPY THANKSGIVING, PAL. 268 00:12:55,818 --> 00:13:00,867 [WOMAN ON JUKEBOX SINGING IN FRENCH] 269 00:13:08,570 --> 00:13:11,486 SAY, HOW OLD ARE YOU, ANYWAY? 270 00:13:11,529 --> 00:13:13,401 40. 271 00:13:13,444 --> 00:13:16,056 ME, TOO. 272 00:13:16,883 --> 00:13:18,972 DOESN'T IT SUCK? 273 00:13:19,015 --> 00:13:20,451 AH, IT'S NOT SO BAD. 274 00:13:20,495 --> 00:13:23,324 YOUR WIFE PROBABLY DIDN'T LEAVE YOU. 275 00:13:23,367 --> 00:13:26,370 I'M NOT MARRIED, ACTUALLY. 276 00:13:26,414 --> 00:13:28,285 WELL, DON'T WAIT TOO LONG. 277 00:13:28,329 --> 00:13:31,375 ALL THE BEST ONES GET TAKEN. 278 00:13:31,419 --> 00:13:34,639 I HEAR YOU THERE. 279 00:13:40,210 --> 00:13:43,257 [SPEAKING FRENCH] 280 00:13:48,653 --> 00:13:50,568 YOU'RE NOT FRENCH. 281 00:13:50,612 --> 00:13:52,788 IT'S PART OF MY ACT. 282 00:13:52,832 --> 00:13:53,658 WHAT ACT? 283 00:13:53,702 --> 00:13:56,357 YOU GONNA BUY ME A DRINK? 284 00:13:56,400 --> 00:14:00,013 BOB, THE LADY'S DRY. 285 00:14:00,883 --> 00:14:04,278 WELL, I GOT TO GO FEED THE CAT. 286 00:14:05,932 --> 00:14:07,977 WHY SO GLUM, CHUM? 287 00:14:08,021 --> 00:14:11,546 I HAVE HIGH EXPECTATIONS. 288 00:14:11,589 --> 00:14:14,288 YEAH, I KNOWWHAT YOU MEAN. 289 00:14:24,298 --> 00:14:27,518 YOU HAVE BEAUTIFUL HANDS. 290 00:15:00,377 --> 00:15:02,466 OH, JEEZ. 291 00:15:02,858 --> 00:15:04,904 OSCAR? 292 00:15:05,861 --> 00:15:07,819 OH, HIYA, DIANE. 293 00:15:07,863 --> 00:15:10,039 [SIGHS] 294 00:15:10,083 --> 00:15:11,954 TOP OF THE NIGHT TO YOU. 295 00:15:11,998 --> 00:15:14,478 OSCAR, YOU DON'T LOOKSO HOT. 296 00:15:14,522 --> 00:15:16,393 OH, DON'T WORRY ABOUT ME. 297 00:15:16,437 --> 00:15:17,307 HEY--OH, CAREFUL! 298 00:15:17,351 --> 00:15:18,004 CAREFUL. COME HERE. 299 00:15:18,047 --> 00:15:19,135 COME ON. COME ON. 300 00:15:19,179 --> 00:15:20,049 LET ME GET YOU SOME COFFEE. 301 00:15:20,093 --> 00:15:21,181 NO, NO, NO.I GOTTA GET HOME. 302 00:15:21,224 --> 00:15:23,052 NO, NO. YOU DON'T WANT YOUR FATHER 303 00:15:23,096 --> 00:15:25,968 TO SEE YOU LIKE THIS. 304 00:15:29,841 --> 00:15:31,800 MY WALLET WAS STOLEN. 305 00:15:31,843 --> 00:15:33,584 YOU GOT MUGGED? 306 00:15:33,628 --> 00:15:34,890 SORT OF. 307 00:15:34,934 --> 00:15:36,413 WHAT DO YOU MEAN,"SORT OF"? 308 00:15:36,457 --> 00:15:39,460 SHE WAS VERY PLEASANT ABOUT IT. 309 00:15:45,683 --> 00:15:46,902 TAKE YOUR COAT? 310 00:15:46,946 --> 00:15:48,686 NO. 311 00:15:51,733 --> 00:15:52,560 WELL, COME IN. 312 00:15:52,603 --> 00:15:55,041 MAKE YOURSELF COMFORTABLE. 313 00:16:01,003 --> 00:16:03,788 OHH. IT GOT CHILLYIN HERE. 314 00:16:03,832 --> 00:16:06,008 HEY, THAT'S EVE'S SCARF. 315 00:16:06,052 --> 00:16:07,923 YEAH, I KNOW.I LIKE IT. 316 00:16:07,967 --> 00:16:10,970 I MIGHT FORGETTO GIVE IT BACK. 317 00:16:29,292 --> 00:16:33,209 OHH! OH, DEAR. 318 00:16:33,253 --> 00:16:36,212 OK. WHAT HURTS? 319 00:16:36,256 --> 00:16:38,301 Oscar: EVERYTHING. 320 00:16:38,345 --> 00:16:39,650 OK. 321 00:16:39,694 --> 00:16:41,913 [SIGHS] 322 00:16:48,094 --> 00:16:49,008 DIANE?MM-HMM? 323 00:16:49,051 --> 00:16:51,140 WHAT'S IT LIKE BEING 40? 324 00:16:51,184 --> 00:16:52,054 [CHUCKLES] 325 00:16:52,098 --> 00:16:53,882 NOT AS BAD ASPEOPLE MAKE OUT. 326 00:16:53,925 --> 00:16:57,712 EXCEPT EVERYONE YOU KNOWSEEMS KIND OF TIRED. 327 00:16:57,755 --> 00:16:58,800 WORN OUT, YOU MEAN? 328 00:16:58,843 --> 00:17:02,978 YEAH, LIKE THEY'VESEEN IT ALL BEFORE. 329 00:17:03,022 --> 00:17:05,067 EVE'S NOT LIKE THAT. 330 00:17:05,111 --> 00:17:07,852 NO, EVE'S NOT LIKE THAT. 331 00:17:07,896 --> 00:17:10,768 AND YOU'RE NOT LIKE THAT. 332 00:17:10,812 --> 00:17:12,466 IT'S NICE. 333 00:17:12,509 --> 00:17:13,771 YOU KNOW WHAT? 334 00:17:13,815 --> 00:17:16,818 THIS IS REALLY HARD TO DOWITH YOUR SWEATER ON. 335 00:17:49,068 --> 00:17:51,244 [EXHALES DEEPLY] 336 00:17:58,207 --> 00:18:02,385 [EXHALES DEEPLY] 337 00:18:08,957 --> 00:18:12,656 Oscar: EVE. 338 00:18:26,931 --> 00:18:28,629 OW! 339 00:18:30,848 --> 00:18:33,460 OH, JEEZ. 340 00:19:02,184 --> 00:19:05,448 [TV PLAYING INDISTINCTLY] 341 00:19:49,362 --> 00:19:50,537 MORNING. 342 00:19:50,580 --> 00:19:54,193 DIANE'S GOOD, ISN'T SHE? 343 00:19:54,236 --> 00:19:57,631 YES. YES. 344 00:19:57,674 --> 00:20:00,460 I'M PHIL, THE BOYFRIEND. 345 00:20:00,503 --> 00:20:01,504 BOYFRIEND. 346 00:20:01,548 --> 00:20:04,507 I'M OSCAR GRUBMAN.I'M JUST A FRIEND. 347 00:20:04,551 --> 00:20:07,815 SO HOW LONG'S SHE BEEN DOING YOU? 348 00:20:07,858 --> 00:20:11,210 THIS WAS THE FIRST TIME,I SWEAR TO YOU, 349 00:20:11,253 --> 00:20:12,211 AND THE ONLY TIME. 350 00:20:12,254 --> 00:20:14,952 YOU'RE KIND OF YOUNG, AREN'T YOU? 351 00:20:14,996 --> 00:20:16,824 YES, WAY TOO YOUNG. 352 00:20:16,867 --> 00:20:18,521 YOUNG AND STUPID. 353 00:20:18,565 --> 00:20:20,828 PINCHED NERVE? 354 00:20:20,871 --> 00:20:21,916 EXCUSE ME? 355 00:20:21,959 --> 00:20:23,222 DID YOU TWIST YOUR NECK OR SOMETHING? 356 00:20:23,265 --> 00:20:24,962 HELL, I DIDN'T SEE A CHIROPRACTOR 357 00:20:25,006 --> 00:20:26,268 TILL I TURNED 40. 358 00:20:26,312 --> 00:20:27,748 OHH! YEAH. 359 00:20:27,791 --> 00:20:28,923 UM, VERY PINCHED NERVE. 360 00:20:28,966 --> 00:20:31,404 ACTUALLY 3 OF THEM.UM... 361 00:20:31,447 --> 00:20:32,883 MEDIAL COLLATERAL,COLLATERAL, 362 00:20:32,927 --> 00:20:34,058 AND HYPER COLLATERAL. 363 00:20:34,102 --> 00:20:36,017 ALTHOUGH THE HYPERWASN'T QUITE AS SEVERE. 364 00:20:36,060 --> 00:20:39,194 SO, THE OLD GIRL GIVE YOU YOUR MONEY'S WORTH? 365 00:20:39,238 --> 00:20:40,369 GOOD MORNING. 366 00:20:40,413 --> 00:20:41,718 DIDN'T HEAR YOU COME IN. 367 00:20:41,762 --> 00:20:44,243 I JUST GOT HERE. OSCAR HERE WAS SAYING 368 00:20:44,286 --> 00:20:45,766 YOU WORKED HIM OVER PRETTY GOOD. 369 00:20:45,809 --> 00:20:47,115 NO, I DIDN'T.I MEAN, 370 00:20:47,158 --> 00:20:49,509 YES, YOU WORKED OUTTHE PINCHED NERVE 371 00:20:49,552 --> 00:20:50,553 IN MY BACK. 372 00:20:50,597 --> 00:20:52,599 YEAH, HE HAD QUITE A KNOTTED MUSCLE. 373 00:20:52,642 --> 00:20:55,384 MY GOD, THE PAIN RIGHTHERE IN MY SHOULDER. 374 00:20:55,428 --> 00:20:56,646 TOOK A LOT OF WORK. 375 00:20:56,690 --> 00:20:59,083 THANK GOD MY VOCATION GIVES ME SUCH PLEASURE. 376 00:20:59,127 --> 00:21:01,869 WE SHOULD ALL BESO BLESSED. 377 00:21:01,912 --> 00:21:03,436 WELL, THANKS AGAIN,MRS. LODDER. 378 00:21:03,479 --> 00:21:05,220 I'LL PUT THAT CHECKIN THE MAIL PRONTO. 379 00:21:05,264 --> 00:21:06,830 NICE TO MEET YOU,PHIL. 380 00:21:06,874 --> 00:21:08,354 HEY, YOU TAKE CARE, BUDDY. 381 00:21:08,397 --> 00:21:09,180 I'LL WALK YOU OUT. 382 00:21:09,224 --> 00:21:10,747 UH, PLEASEDON'T BOTHER. 383 00:21:10,791 --> 00:21:12,836 NO. IT'S NO BOTHER. 384 00:21:21,018 --> 00:21:22,368 [YAWNS] 385 00:21:22,411 --> 00:21:24,935 DIANE, NO ONE CAN EVERFIND OUT ABOUT LAST NIGHT, OK? 386 00:21:24,979 --> 00:21:25,849 OK. 387 00:21:25,893 --> 00:21:27,503 I MEAN IT.I'M SERIOUS. 388 00:21:27,547 --> 00:21:29,940 IT'S VERY IMPORTANTTO ME THAT EVE... 389 00:21:29,984 --> 00:21:33,901 AND MY DAD NEVERFIND OUT ABOUT THIS. 390 00:21:33,944 --> 00:21:35,990 OK. ALL RIGHT. I WON'T TELL. 391 00:21:36,033 --> 00:21:38,688 GOOD. PHIL, EITHER.HE'S A LOT BIGGER THAN ME. 392 00:21:38,732 --> 00:21:41,300 HEH HEH. ACTUALLY, HE'S NOT. 393 00:21:41,343 --> 00:21:42,301 DIANE, PLEASE. 394 00:21:42,344 --> 00:21:44,955 OK. ALL RIGHT. MUM'S THE WORD. 395 00:21:44,999 --> 00:21:46,827 THANK YOU. 396 00:21:49,482 --> 00:21:52,833 Diane: GIVE THAT TO EVE FOR ME. 397 00:22:18,989 --> 00:22:19,773 HEY, OSCAR. 398 00:22:19,816 --> 00:22:22,384 THAT GIRL SURE WAS PRETTY. 399 00:22:22,428 --> 00:22:23,864 WHO? 400 00:22:23,907 --> 00:22:26,214 PROFESSOR TISCH'S GIRL. 401 00:22:26,257 --> 00:22:27,302 OH, DAPHNE. 402 00:22:27,346 --> 00:22:29,913 YEAH, I GUESSSHE'S PRETTY. 403 00:22:29,957 --> 00:22:32,438 IS SHE NEW TO THE POND, TADPOLE? 404 00:22:32,481 --> 00:22:35,571 DON'T YOU SLEEP? 405 00:22:45,407 --> 00:22:47,888 [FLOORBOARD CREAKS] 406 00:23:05,209 --> 00:23:07,560 Stanley: SO. 407 00:23:07,603 --> 00:23:08,952 HI, DAD. 408 00:23:08,996 --> 00:23:11,912 I DIDN'T HEAR YOU COME IN. 409 00:23:12,303 --> 00:23:15,437 DAPHNE AND I GOT TOTALKING LAST NIGHT. 410 00:23:15,481 --> 00:23:18,788 IS THAT RIGHT? 411 00:23:20,311 --> 00:23:22,052 IS EVE AROUND? 412 00:23:22,096 --> 00:23:25,012 NO. SHE LEFT FOR WORK AT DAWN. 413 00:23:25,055 --> 00:23:28,319 WHY IS SHE WORKING TODAY? 414 00:23:28,363 --> 00:23:29,408 SHE LIKES TO GO IN 415 00:23:29,451 --> 00:23:30,713 WHEN THERE'S NO ONE AROUND TO BUG HER. 416 00:23:30,757 --> 00:23:32,933 SO SHE'S BY HERSELF. 417 00:23:32,976 --> 00:23:33,760 WHAT'S THAT? 418 00:23:33,803 --> 00:23:36,545 NOTHING. NOTHING. 419 00:23:48,775 --> 00:23:50,559 PICNIC? 420 00:23:50,603 --> 00:23:51,647 SORT OF. 421 00:23:51,691 --> 00:23:54,128 BUT YOU HAVE TIME TO HELP OLD DAD 422 00:23:54,171 --> 00:23:56,478 DO SOME GROCERY SHOPPING, DON'T YOU? 423 00:23:56,522 --> 00:23:57,261 NOW? 424 00:23:57,305 --> 00:23:58,132 YEAH. COME ON. 425 00:23:58,175 --> 00:23:59,829 DAD, I THOUGHTYOU WERE GONNA 426 00:23:59,873 --> 00:24:02,136 TAKE SOME TIME TO WORKON YOUR BOOK TODAY. 427 00:24:02,179 --> 00:24:03,833 WELL, COME ON. I MEAN, THAT CAN WAIT. 428 00:24:03,877 --> 00:24:06,096 HOW MANY PEOPLE REALLY ARE DYING TO READ 429 00:24:06,140 --> 00:24:09,186 THE LIFE AND TIMES OF ARNOBIAS OF SICCA? 430 00:24:09,230 --> 00:24:12,059 WELL, I THINK YOU REALLYUNDERESTIMATE YOUR AUDIENCE. 431 00:24:12,102 --> 00:24:14,801 THERE ARE A LOT OFARNOBIAS OF SICCA FANS 432 00:24:14,844 --> 00:24:17,325 OUT THERE THAT YOU'RECOMPLETELY UNAWARE OF. 433 00:24:17,368 --> 00:24:18,935 REALLY? YOU THINK SO? 434 00:24:18,979 --> 00:24:20,676 YEAH. 435 00:24:20,720 --> 00:24:21,677 I MEAN,THE KIDS AT SCHOOL-- 436 00:24:21,721 --> 00:24:23,200 THE ONES IN THE KNOW,ANYWAY-- 437 00:24:23,244 --> 00:24:24,506 TALK ABOUT ARNOBIAS OF SICCA 438 00:24:24,550 --> 00:24:27,901 LIKE HE WAS THEHIPANCIENT SCHOLAR. 439 00:24:27,944 --> 00:24:29,729 ARNOBIAS. REALLY? 440 00:24:29,772 --> 00:24:30,773 YOU PICKED A WINNER. 441 00:24:30,817 --> 00:24:32,514 YOU SHOULD FEELREALLY GOOD ABOUT IT 442 00:24:32,558 --> 00:24:33,515 AND REALLY MOTIVATED. 443 00:24:33,559 --> 00:24:34,560 YOU PUT IT THAT WAY, 444 00:24:34,603 --> 00:24:36,562 I...I DO FEEL PRETTY DAMN MOTIVATED. 445 00:24:36,605 --> 00:24:39,826 EITHER WAY, WE NEED PAPER TOWELS, CEREAL, 446 00:24:39,869 --> 00:24:41,784 AND WE'RE COMPLETELY OUT OF CHEESECAKE. 447 00:24:41,828 --> 00:24:44,004 DAD, I'M NOT REALLYINTO CHEESECAKE ANYMORE. 448 00:24:44,047 --> 00:24:46,049 GRAB YOUR COAT. 449 00:24:47,921 --> 00:24:48,791 Woman: TAXI! 450 00:24:48,835 --> 00:24:50,489 [HORNS HONKING] 451 00:24:50,532 --> 00:24:52,534 WHO IS SHE, OSCAR? 452 00:24:52,578 --> 00:24:53,492 WHO, DAD? 453 00:24:53,535 --> 00:24:55,972 WHERE DID YOU SLEEP LAST NIGHT? 454 00:24:56,016 --> 00:24:58,932 I KNOW IT WASN'T AT CHARLIE'S. 455 00:24:58,975 --> 00:24:59,759 COME CLEAN. 456 00:24:59,802 --> 00:25:01,804 THIS IS YOUR OLD MAN HERE. 457 00:25:01,848 --> 00:25:03,806 WHAT HAPPENED? DID YOU, UH... 458 00:25:03,850 --> 00:25:08,376 RUN INTO SOME BUDDIES FROM CHAUNCEY... 459 00:25:08,419 --> 00:25:09,769 GO DOWNTOWN, GET A COUPLE OF BEERS, 460 00:25:09,812 --> 00:25:11,901 AND STARE AT THE HIPPIES IN GREENWICH VILLAGE? 461 00:25:11,945 --> 00:25:14,600 THERE ARE NO HIPPIES INGREENWICH VILLAGE ANYMORE, DAD. 462 00:25:14,643 --> 00:25:16,340 WHAT IS IT NOW? PUNKS, DRUGGIES, 463 00:25:16,384 --> 00:25:19,561 FOLK-MOPERS, CROSS DRESSERS, BIKERS? 464 00:25:19,605 --> 00:25:20,780 BANKERS. 465 00:25:20,823 --> 00:25:21,694 BANKERS? 466 00:25:21,737 --> 00:25:23,870 OH, GOD, HAS IT COME TO THAT? 467 00:25:23,913 --> 00:25:24,827 I'M AFRAID SO. 468 00:25:24,871 --> 00:25:28,483 WHAT A STATE OF AFFAIRS.BANKERS? 469 00:25:30,485 --> 00:25:32,705 SO WHERE DID YOUSPEND THE NIGHT? 470 00:25:32,748 --> 00:25:36,360 I RAN INTO A... INTO A GIRL. 471 00:25:36,404 --> 00:25:37,666 YES, A GIRL. 472 00:25:37,710 --> 00:25:38,580 A PRETTY GIRL? 473 00:25:38,624 --> 00:25:39,755 YES, A PRETTY GIRL. 474 00:25:39,799 --> 00:25:42,410 OH, OSCAR. 475 00:25:42,453 --> 00:25:45,021 IT WASN'T A... YOU KNOW... 476 00:25:45,065 --> 00:25:47,241 IT WASN'T A CALL GIRL? 477 00:25:47,284 --> 00:25:48,198 DAD! 478 00:25:48,242 --> 00:25:50,940 OF COURSE IT WASN'TA CALL GIRL. 479 00:25:50,984 --> 00:25:52,681 WHAT'S WRONG WITH YOU? 480 00:25:52,725 --> 00:25:54,683 KIDS ARE CRAZY THESE DAYS. 481 00:25:54,727 --> 00:25:55,815 I BUMPED INTO A GIRL. 482 00:25:55,858 --> 00:25:56,772 FROM CHAUNCEY? 483 00:25:56,816 --> 00:25:57,817 YES, A GIRL FROM CHAUNCEY. 484 00:25:57,860 --> 00:25:59,732 WELL, WHAT WASHER NAME, OSCAR? 485 00:25:59,775 --> 00:26:00,733 HER NAME? 486 00:26:00,776 --> 00:26:02,604 IS IT SOMEONEEVEN I SHOULD MEET? 487 00:26:02,648 --> 00:26:03,605 NO! 488 00:26:03,649 --> 00:26:06,608 I MEAN, THERE JUST ISN'T ANY POINT. 489 00:26:06,652 --> 00:26:09,829 HER NAME'S, UH, MIRANDA SPEAR, 490 00:26:09,872 --> 00:26:11,744 AND SHE'S JUST SOME DUMB GIRL-- 491 00:26:11,787 --> 00:26:14,485 HEY, HAVESOME RESPECT, OSCAR. 492 00:26:14,529 --> 00:26:17,358 MAYBE THIS GIRL'SONLY 15, 16. 493 00:26:17,401 --> 00:26:18,794 AND MAYBE RIGHT NOWHER INTERESTS 494 00:26:18,838 --> 00:26:20,579 ARE DIFFERENTFROM YOURS, BUT... 495 00:26:20,622 --> 00:26:22,798 GIRLS HAVE THINGSTO SAY. 496 00:26:22,842 --> 00:26:23,930 THEY CAN BE FUNNY. 497 00:26:23,973 --> 00:26:27,934 CONSIDER THEM, OSCAR.LISTEN TO THEM. 498 00:26:27,977 --> 00:26:29,631 SO, I SHOULD LISTEN TO GIRLS 499 00:26:29,675 --> 00:26:31,981 LIKE YOU LISTEN TO EVE, YOU MEAN. 500 00:26:32,025 --> 00:26:34,027 EXACTLY. 501 00:27:19,507 --> 00:27:22,118 [BIRDS TWITTERING] 502 00:27:27,950 --> 00:27:32,825 [MAN SINGING SHEIN FRENCH] 503 00:27:57,414 --> 00:27:58,851 [POP] 504 00:28:09,600 --> 00:28:11,472 [CLINK] 505 00:28:49,249 --> 00:28:51,294 [CLEARS THROAT] 506 00:28:52,469 --> 00:28:54,080 OSCAR. 507 00:28:54,123 --> 00:28:56,952 WHAT A NICE SURPRISE. 508 00:28:56,996 --> 00:28:58,780 I BROUGHT YOU LUNCH. 509 00:28:58,824 --> 00:29:00,521 YOU'RE KIDDING. 510 00:29:00,564 --> 00:29:02,218 HA HA! 511 00:29:02,262 --> 00:29:05,874 WAIT.WAIT ONE SECOND. 512 00:29:09,965 --> 00:29:11,924 WOW. COOKIES, TOO. 513 00:29:11,967 --> 00:29:13,969 YEAH. I KNOWYOU LIKE 'EM. 514 00:29:14,013 --> 00:29:16,058 THANK YOU. 515 00:29:18,147 --> 00:29:20,541 SO, WHAT ARE YOU WORKING ON? 516 00:29:20,584 --> 00:29:22,804 I'M MONITORINGTHE DEPOLARIZATION 517 00:29:22,848 --> 00:29:24,937 OF CARDIAC MYOCYTES. 518 00:29:24,980 --> 00:29:28,679 OH. HMM. 519 00:29:39,821 --> 00:29:41,301 PERICARDIUM. 520 00:29:41,344 --> 00:29:45,914 MITRAL, AORTA... 521 00:29:45,958 --> 00:29:49,700 SUCH BEAUTIFUL WORDS. 522 00:29:49,744 --> 00:29:51,354 POETRY. 523 00:29:51,398 --> 00:29:54,488 NEVER THOUGHT OF IT THAT WAY. 524 00:29:54,531 --> 00:29:57,491 IT'S, UH, PRETTYCOMPLICATED BUSINESS. 525 00:29:57,534 --> 00:30:00,320 NO. THE HEART IS SIMPLE. 526 00:30:00,363 --> 00:30:03,671 FIXING IT IS COMPLICATED. 527 00:30:05,847 --> 00:30:08,023 SO, WHEN YOU'RE... 528 00:30:08,067 --> 00:30:10,199 WORKING ON... 529 00:30:10,243 --> 00:30:13,550 WHATEVER IT ISYOU'RE WORKING ON, 530 00:30:13,594 --> 00:30:15,248 I MEAN... 531 00:30:15,291 --> 00:30:18,773 HOW DO YOU SEE THE HEARTAS ANYTHING MORE THAN A-- 532 00:30:18,817 --> 00:30:20,470 THAN A PUMP. 533 00:30:20,514 --> 00:30:21,732 YEAH. 534 00:30:21,776 --> 00:30:25,432 I MEAN, IN THE END,IT'S JUST AN ORGAN, RIGHT, 535 00:30:25,475 --> 00:30:27,956 BUT, SYMBOLICALLY... 536 00:30:28,000 --> 00:30:30,872 YOUR HEART CAN FIT RIGHT IN MY HAND. 537 00:30:30,916 --> 00:30:34,267 THE HEART IS THIS INCREDIBLY SMART MACHINE. 538 00:30:34,310 --> 00:30:36,878 IT BEATS 70-80 TIMES A MINUTE, 539 00:30:36,922 --> 00:30:38,532 AND IN THE SPACE OF EACH BEAT, 540 00:30:38,575 --> 00:30:40,577 SENDS DEOXYGENATED BLOOD TO YOUR LUNGS 541 00:30:40,621 --> 00:30:43,667 AND OXYGENATED BLOOD TO ALL YOUR ORGANS. 542 00:30:43,711 --> 00:30:45,539 CUT THE AORTA, AND YOU'LL RELEASE 543 00:30:45,582 --> 00:30:47,933 A JET OF BLOOD THAT HITS THE CEILING. 544 00:30:47,976 --> 00:30:50,457 NOW, WHO NEEDS TO USE IT AS A SYMBOL 545 00:30:50,500 --> 00:30:54,765 WHEN THE THING ITSELF IS SO MAGNIFICENT? 546 00:30:54,809 --> 00:30:56,680 THE THING ITSELF. 547 00:30:56,724 --> 00:30:59,466 HMM. 548 00:31:00,554 --> 00:31:03,905 WELL, AS A SYMBOL, IT SHOULD BE REPLACED. 549 00:31:03,949 --> 00:31:04,993 THE HEART'S HAD ITS DAY. 550 00:31:05,037 --> 00:31:07,866 WHY NOT THE KIDNEY AS A SYMBOL OF LOVE, 551 00:31:07,909 --> 00:31:08,910 OR THE LIVER? 552 00:31:08,954 --> 00:31:11,608 HMM."YOU BROKE MY LIVER." 553 00:31:11,652 --> 00:31:14,133 "MY LIVER ACHES FOR YOU"? 554 00:31:14,176 --> 00:31:15,786 DOESN'T RHYME AS WELL, 555 00:31:15,830 --> 00:31:19,442 YOU KNOW, FOR COUNTRY SONGSAND SHAKESPEARE. 556 00:31:19,486 --> 00:31:20,748 SURE IT DOES. 557 00:31:20,791 --> 00:31:22,793 I'M AQUIVER. 558 00:31:22,837 --> 00:31:25,927 PLEASE DELIVER. 559 00:31:25,971 --> 00:31:27,798 DEEP AS A RIVER, 560 00:31:27,842 --> 00:31:29,888 MY LOVE, MY LIVER. 561 00:31:30,366 --> 00:31:31,628 I JUST CAN'T-- 562 00:31:31,672 --> 00:31:33,630 [TELEPHONE RINGS] 563 00:31:33,674 --> 00:31:35,894 [RING] 564 00:31:37,373 --> 00:31:38,200 HELLO? 565 00:31:38,244 --> 00:31:42,596 HI. OSCAR'S HERE,VISITING. 566 00:31:42,639 --> 00:31:46,948 YEAH. I KNOW. 567 00:31:46,992 --> 00:31:47,906 OK. 568 00:31:47,949 --> 00:31:49,559 YOUR FATHER SAYS,"DON'T FORGET 569 00:31:49,603 --> 00:31:51,561 WE'RE HAVINGDINNER TONIGHT." 570 00:31:51,605 --> 00:31:54,260 I HAVEN'T FORGOTTEN! 571 00:31:55,174 --> 00:32:00,048 HE SAYS, "DID YOU ASKMIRANDA SPEAR TO JOIN US?" 572 00:32:00,092 --> 00:32:01,136 WHO? 573 00:32:01,180 --> 00:32:02,094 MIRANDA-- 574 00:32:02,137 --> 00:32:03,356 NO. NO! TONIGHT'S FAMILY NIGHT. 575 00:32:03,399 --> 00:32:05,706 WELL, DON'T WORRYABOUT THAT, OSCAR. 576 00:32:05,749 --> 00:32:07,186 I MEAN, DIANE IS COMING. 577 00:32:07,229 --> 00:32:10,189 DIANE? AND PHIL. 578 00:32:10,232 --> 00:32:12,931 IT SURE WOULD BE NICE TO SEE DIANE AND PHIL. 579 00:32:12,974 --> 00:32:16,325 HAVE YOU MET PHIL? 580 00:32:16,369 --> 00:32:18,762 I THINK SO. 581 00:32:18,806 --> 00:32:20,895 WELL, PHILISN'T COMING, OK? 582 00:32:20,939 --> 00:32:23,115 DIANE LIKES TO KEEPHER OPTIONS OPEN. 583 00:32:23,158 --> 00:32:27,554 IT'S JUST DIANE, RIGHT?YEAH. I THOUGHT SO. 584 00:32:27,597 --> 00:32:29,164 [DOORBELL RINGS] 585 00:32:29,208 --> 00:32:33,386 HEY, BUDDY. COME ON IN. 586 00:32:33,429 --> 00:32:35,779 IS DIANE AROUND? 587 00:32:35,823 --> 00:32:36,737 SHE ISN'T. 588 00:32:36,780 --> 00:32:37,781 IS YOUR BACK STILL BOTHERING YOU? 589 00:32:37,825 --> 00:32:38,782 WELL, COME ON IN. 590 00:32:38,826 --> 00:32:39,827 I'LL GIVE YOU A RUB-A-DUB. 591 00:32:39,870 --> 00:32:41,002 THANKS, ANYWAY. 592 00:32:41,046 --> 00:32:42,395 I'D RATHER NOT TRUSTMY BACK TO A DENTIST. 593 00:32:42,438 --> 00:32:44,875 EH, THE OLD GAL TAUGHT ME A FEW TRICKS. 594 00:32:44,919 --> 00:32:46,312 WHY DO YOU CALL HER"OLD GAL"? 595 00:32:46,355 --> 00:32:47,966 YOU MAKE HER SOUNDLIKE SHE'S A HORSE. 596 00:32:48,009 --> 00:32:50,577 ACTUALLY, SHE'S MORE OF A WILD CAT. 597 00:32:50,620 --> 00:32:52,622 DIANE'S WITH THE GIRLS DOWN AT PAYARD 598 00:32:52,666 --> 00:32:55,190 IF YOUR BACK'S REALLY THAT BAD. 599 00:32:55,712 --> 00:32:56,757 HEY, YOU KNOW, BUDDY! 600 00:32:56,800 --> 00:32:59,020 YOU'RE GONNA HAVE TO LEARN TO RELAX. 601 00:32:59,064 --> 00:33:03,068 YOU'RE GONNA BE DEAD BEFORE YOU REACH 20. 602 00:33:17,473 --> 00:33:19,475 [CAR HORN HONKS] 603 00:33:37,928 --> 00:33:39,756 [PIANO PLAYING] 604 00:33:39,800 --> 00:33:43,847 Man: THANK YOU VERY MUCH. 605 00:33:44,326 --> 00:33:45,110 HERE YOU GO. 606 00:33:45,153 --> 00:33:48,113 [INDISTINCT CHATTER] 607 00:33:48,156 --> 00:33:49,505 NO, YOU DIDN'T. 608 00:33:49,549 --> 00:33:51,420 [INDISTINCT] 609 00:33:51,464 --> 00:33:53,640 IS THAT RIGHT? 610 00:33:53,683 --> 00:33:56,121 DIANE. 611 00:33:56,730 --> 00:33:58,993 CAN I TALK TO YOU FOR A MINUTE, PLEASE? 612 00:33:59,037 --> 00:34:01,691 YOU MUST BE OSCAR. 613 00:34:01,735 --> 00:34:03,954 I'M SAMANTHA. 614 00:34:03,998 --> 00:34:05,652 SO, IT SOUNDS LIKEYOU HAVE SOME 615 00:34:05,695 --> 00:34:07,784 INTERESTING IDEASABOUT FRENCH PHILOSOPHY. 616 00:34:07,828 --> 00:34:10,352 YES. UH, DIANE WAS TELLING US 617 00:34:10,396 --> 00:34:12,224 THAT YOU REGARD VOLTAIRE 618 00:34:12,267 --> 00:34:14,356 AS A COMEDIAN. 619 00:34:20,145 --> 00:34:22,930 WELL, I THINK THAT WHEN YOU LOOK AT HIS BODY-- 620 00:34:22,973 --> 00:34:24,192 EXCUSE ME. 621 00:34:24,236 --> 00:34:25,672 DIANE, CAN I TALK TO YOU FOR A MINUTE, PLEASE? 622 00:34:25,715 --> 00:34:27,891 IN A MINUTE, OSCAR. 623 00:34:27,935 --> 00:34:32,853 OSCAR... HAVE SOME TEA. 624 00:34:34,028 --> 00:34:35,986 THE ASSERTION THAT ALL MAN'S ACTIONS 625 00:34:36,030 --> 00:34:37,379 ARE ESSENTIALLY SELF-SERVING 626 00:34:37,423 --> 00:34:39,947 HAS NEVER BEEN TAKEN IN THE SPIRIT IT WAS INTENDED, 627 00:34:39,990 --> 00:34:42,254 WHICH WAS A QUOTE, A QUOTE. 628 00:34:42,297 --> 00:34:44,908 AND THAT'S WHAT ADAM SMITH WAS REALLY SAYING 629 00:34:44,952 --> 00:34:46,084 IN THE WEALTH OF NATIONS. 630 00:34:46,127 --> 00:34:48,651 AT LEAST, THAT'S WHAT I'VE ALWAYS THOUGHT. 631 00:34:48,695 --> 00:34:49,957 MORE TEA, OSCAR? 632 00:34:50,000 --> 00:34:51,306 THANK YOU, ABIGAIL. 633 00:34:51,350 --> 00:34:54,135 NOW, MOST PEOPLE ARE GOING TO TELL YOU 634 00:34:54,179 --> 00:34:56,137 THAT QUINE'S BELIEF IN THE INHERENT GOODNESS-- 635 00:34:56,181 --> 00:34:58,139 BUT, OSCAR, I DON'T SEEHOW YOU CAN DISMISS 636 00:34:58,183 --> 00:34:59,836 MIRABAUD SO EASILY. 637 00:34:59,880 --> 00:35:02,404 MIRABAUD NEVER EVEN GOT OUT OF THE GATE. 638 00:35:02,448 --> 00:35:04,754 OH, YOU NAUGHTY GIRL. 639 00:35:04,798 --> 00:35:06,800 WHERE DID YOU FIND HIM? 640 00:35:06,843 --> 00:35:07,844 ISN'T HE LOVELY? 641 00:35:07,888 --> 00:35:09,411 HE'S SO PASSIONATE, 642 00:35:09,455 --> 00:35:11,196 AND HE REALLY LISTENS. 643 00:35:11,239 --> 00:35:14,242 DO YOU MIND IF I GIVE HIM MY NUMBER? 644 00:35:14,286 --> 00:35:15,765 NO. GO AHEAD. 645 00:35:15,809 --> 00:35:16,679 OSCAR... 646 00:35:16,723 --> 00:35:18,551 I'D LOVE TO CHATMORE WITH YOU 647 00:35:18,594 --> 00:35:19,465 ABOUT THIS SOMETIME, 648 00:35:19,508 --> 00:35:21,293 OR, UM, ABOUT ANYTHING. 649 00:35:21,336 --> 00:35:24,992 I'M PRETTY BUSY WITH MIDTERMS AND ALL. 650 00:35:25,035 --> 00:35:27,995 ANYTHING...ANYTIME. 651 00:35:28,038 --> 00:35:29,257 BYE, OSCAR. 652 00:35:29,301 --> 00:35:30,302 BYE, SAMANTHA. 653 00:35:30,345 --> 00:35:31,390 BYE, OSCAR. 654 00:35:31,433 --> 00:35:32,826 ABIGAIL. 655 00:35:32,869 --> 00:35:35,611 BYE, DIANE. BYE, GIRLS. 656 00:35:38,353 --> 00:35:39,398 WELL... 657 00:35:39,441 --> 00:35:42,401 OSCAR, IT WAS A PLEASURE TO MEET YOU. 658 00:35:42,444 --> 00:35:43,358 PLEASURE. 659 00:35:43,402 --> 00:35:46,056 YOU TWO BE GOOD. HEH HEH. 660 00:35:46,100 --> 00:35:49,582 I'LL CALL YOUTOMORROW. 661 00:35:51,236 --> 00:35:52,367 DIANE. 662 00:35:52,411 --> 00:35:53,194 MM-HMM. 663 00:35:53,238 --> 00:35:54,413 YOU DIDN'T, UH, 664 00:35:54,456 --> 00:35:56,980 TELL ANYBODY ABOUT WHAT HAPPENED LAST NIGHT, 665 00:35:57,024 --> 00:35:57,851 DID YOU? 666 00:35:57,894 --> 00:35:59,287 DOES IT MATTER IF I HAD? 667 00:35:59,331 --> 00:36:01,028 YOU'RE A GROWN-UP... 668 00:36:01,071 --> 00:36:03,073 OR CLOSE ENOUGH. 669 00:36:03,117 --> 00:36:05,250 DID YOU? 670 00:36:06,816 --> 00:36:10,124 I DIDN'T SAYANYTHING DEFINITE. 671 00:36:10,168 --> 00:36:12,909 I MAY HAVE HINTEDA LITTLE. 672 00:36:12,953 --> 00:36:14,128 HINTED? 673 00:36:14,172 --> 00:36:15,216 WHY DO THEY NEED HINTS? THIS ISN'T CHARADES. 674 00:36:15,260 --> 00:36:17,392 WHAT IF ONE OF THEM TELLS PHIL? 675 00:36:17,436 --> 00:36:18,915 PHIL, SCHMIL. 676 00:36:18,959 --> 00:36:20,047 "PHIL, SCHMIL?" 677 00:36:20,090 --> 00:36:21,570 THAT ISN'T VERY NICE. 678 00:36:21,614 --> 00:36:23,659 THAT ISN'T VERY SENSITIVE AT ALL. 679 00:36:23,703 --> 00:36:24,791 OSCAR, PLEASE. 680 00:36:24,834 --> 00:36:26,575 PHIL AND IARE NOT AN ITEM. 681 00:36:26,619 --> 00:36:30,536 AHEM. EXCUSE ME. THERE'S NO SMOKING. 682 00:36:30,579 --> 00:36:31,885 OK. 683 00:36:31,928 --> 00:36:34,279 FORGET ABOUT PHIL. 684 00:36:34,322 --> 00:36:37,847 DIANE, I'D LIKE TO ASK YOU 685 00:36:37,891 --> 00:36:39,588 NOT TO COME TO DINNER TONIGHT. 686 00:36:39,632 --> 00:36:41,851 NOT GO TO CAFE BALOU. 687 00:36:41,895 --> 00:36:43,505 ARE YOU KIDDING?YOUR FATHER'S PAYING. 688 00:36:43,549 --> 00:36:45,246 I WANT TO MINIMIZE THE LIKELIHOOD 689 00:36:45,290 --> 00:36:48,380 OF YOUR BLABBING TO EVE. 690 00:36:48,423 --> 00:36:50,382 MAYBE YOU'VE ALREADY TOLD EVE. 691 00:36:50,425 --> 00:36:52,297 I HAVEN'T EVENSEEN EVE YET. 692 00:36:52,340 --> 00:36:54,951 YET? DO YOU PLAN TO TELL HER? 693 00:36:54,995 --> 00:36:58,607 OSCAR, EVE AND IGREW UP TOGETHER. 694 00:36:58,651 --> 00:37:00,783 JEEZ, THE STORIESI COULD TELL YOU 695 00:37:00,827 --> 00:37:01,958 ABOUT EVE WHEN WE WERE 15. 696 00:37:02,002 --> 00:37:03,873 YOU WOULDN'T HAVERECOGNIZED HER. 697 00:37:03,917 --> 00:37:04,787 I DON'T WANT TO HEAR IT. 698 00:37:04,831 --> 00:37:05,875 WHEN WE WERE 15, 699 00:37:05,919 --> 00:37:08,661 EVE HAD THIS THINGFOR ELVIS. 700 00:37:08,704 --> 00:37:10,053 ELVIS PRESLEY? 701 00:37:10,097 --> 00:37:11,054 HMM. 702 00:37:11,098 --> 00:37:13,318 FLIPPED FOR ANY GUYIN SIDEBURNS. 703 00:37:13,361 --> 00:37:14,449 SIDEBURNS? 704 00:37:14,493 --> 00:37:16,669 WHAT'S SO GREAT ABOUT SIDEBURNS? 705 00:37:16,712 --> 00:37:17,713 I DON'T KNOW. 706 00:37:17,757 --> 00:37:19,672 THE STRANGEST THINGSMADE HER HAPPY. 707 00:37:19,715 --> 00:37:22,675 SHE WAS ALWAYS HAPPYBACK THEN. 708 00:37:22,718 --> 00:37:23,545 BACK THEN? 709 00:37:23,589 --> 00:37:27,070 ARE YOU SAYING NOW SHE ISN'T? 710 00:37:27,767 --> 00:37:30,813 NO. THAT WASN'TMY INTENTION. 711 00:37:30,857 --> 00:37:33,468 LOOK. YOU KNOW WHAT?LET'S JUST FORGET IT. 712 00:37:33,512 --> 00:37:34,513 I SHOULDN'T HAVESAID ANYTHING. 713 00:37:34,556 --> 00:37:35,688 NO. WE CAN'T JUST FORGET IT. 714 00:37:35,731 --> 00:37:38,778 WE'RE TALKING ABOUT EVE'S HAPPINESS HERE. 715 00:37:38,821 --> 00:37:40,823 WELL, I GUESSI CAN CONFIDE IN YOU. 716 00:37:40,867 --> 00:37:42,042 WE'RE CLOSE NOW, RIGHT? 717 00:37:42,085 --> 00:37:44,914 IN A MANNER OF SPEAKING. 718 00:37:44,958 --> 00:37:45,872 OK. AHEM. 719 00:37:45,915 --> 00:37:48,962 I DON'T THINKEVE IS HAPPY. 720 00:37:49,005 --> 00:37:51,573 THERE'S A VOID.SOMETHING'S MISSING. 721 00:37:51,617 --> 00:37:53,793 WHAT MAKES YOU SAY THAT? 722 00:37:53,836 --> 00:37:56,143 IT'S A WOMAN THING.I SENSE IT. 723 00:37:56,186 --> 00:37:57,318 I FEEL IT. 724 00:37:57,362 --> 00:37:59,625 PLUS, LAST WEEK,SHE SAID THERE WAS A VOID 725 00:37:59,668 --> 00:38:01,844 AND SOMETHING WAS MISSING. 726 00:38:01,888 --> 00:38:02,976 DID SHE SAY WHAT? 727 00:38:03,019 --> 00:38:06,719 COULDN'T PUTHER FINGER ON IT. 728 00:38:08,590 --> 00:38:12,986 I WOULDN'T WORRY ABOUT IT.SHE'LL GET OVER IT. 729 00:38:17,947 --> 00:38:20,341 Charlie: SO, WHO IS THIS GIRL? 730 00:38:20,385 --> 00:38:22,387 A FRIEND OF THE FAMILY'S. 731 00:38:22,430 --> 00:38:24,476 YOU GONNA SEEEACH OTHER AGAIN? 732 00:38:24,519 --> 00:38:25,607 TONIGHT. 733 00:38:25,651 --> 00:38:28,131 BUT HER BEST FRIEND'S GONNA BE THERE. 734 00:38:28,175 --> 00:38:30,003 WELL, IS THE FRIEND CUTE? 735 00:38:30,046 --> 00:38:32,179 I WOULDN'T CALL HER CUTE, EXACTLY. 736 00:38:32,222 --> 00:38:35,225 I MEAN,WOULD I LIKE HER? 737 00:38:35,269 --> 00:38:36,096 WELL, YOU KNOW, 738 00:38:36,139 --> 00:38:38,272 I SLEPT WITH HER LAST NIGHT. 739 00:38:39,882 --> 00:38:41,275 WITH THE FRIEND? 740 00:38:41,319 --> 00:38:42,755 DAMN! 741 00:38:42,798 --> 00:38:44,757 YEAH, WITH THE FRIEND. 742 00:38:44,800 --> 00:38:46,933 BUT YOU DON'T LIKETHE FRIEND. 743 00:38:46,976 --> 00:38:49,979 NOT REALLY. NOT LIKE THAT. 744 00:38:50,023 --> 00:38:52,895 BUT YOU'RE GOING TO DINNERWITH BOTH OF THEM-- 745 00:38:52,939 --> 00:38:54,419 THE WOMAN YOU LIKE 746 00:38:54,462 --> 00:38:56,290 AND THE WOMANYOU SLEPT WITH? 747 00:38:56,334 --> 00:38:59,946 YEAH. MY DAD'S COMING, TOO. 748 00:39:01,164 --> 00:39:04,951 NOTHING'S SIMPLE FOR THE GRUBBER. 749 00:39:09,608 --> 00:39:10,957 TALK TO ME, OSCAR. 750 00:39:11,000 --> 00:39:13,568 WHAT'S GOING ON HERE? 751 00:39:13,612 --> 00:39:15,744 I DON'T KNOW, CHARLIE. 752 00:39:15,788 --> 00:39:16,832 I FOUND HER. 753 00:39:16,876 --> 00:39:18,834 THE GIRL WITH THE GREAT HANDS. 754 00:39:18,878 --> 00:39:20,009 TERRIFIC HANDS. 755 00:39:20,053 --> 00:39:22,621 Charlie: ARE YOU GONNA TELL ME HER NAME? 756 00:39:26,407 --> 00:39:27,626 EVE. 757 00:39:27,669 --> 00:39:29,671 EVE...LIKE YOUR MOTHER. 758 00:39:29,715 --> 00:39:31,543 EVE'S NOT MY MOTHER.SHE'S MY STEPMOTHER. 759 00:39:31,586 --> 00:39:34,110 WE'RE NOT BLOODRELATIVES AT ALL. 760 00:39:35,503 --> 00:39:39,551 WAIT. SO, YOUR EVE IS THAT EVE? 761 00:39:39,594 --> 00:39:40,465 YOUR MOTHER. 762 00:39:40,508 --> 00:39:45,426 SHE'S VERY WISE...AND SOFT. 763 00:39:45,470 --> 00:39:47,950 ARE YOU OUT OF YOUR MIND? 764 00:39:47,994 --> 00:39:50,649 DO YOU WANT TO END UP IN HELL OR SOMETHING? 765 00:39:50,692 --> 00:39:52,085 CHARLIE, I LOVE HER. 766 00:39:52,128 --> 00:39:55,958 OSCAR, EVE IS MARRIED TO YOUR FATHER. 767 00:39:56,002 --> 00:39:58,439 I KNOW, BUT I SENSETHERE'S A VOID THERE. 768 00:39:58,483 --> 00:39:59,527 SOMETHING MISSING. 769 00:39:59,571 --> 00:40:01,007 SHE NEEDS SOMETHINGMORE IN HER LIFE. 770 00:40:01,050 --> 00:40:05,925 OH, AND THAT WOULD BE YOU...HER STEPSON. 771 00:40:07,143 --> 00:40:08,884 I MEAN, HEY, I KNOW YOU'RE FRENCH, 772 00:40:08,928 --> 00:40:10,843 AND YOU HAVE, LIKE, A DIFFERENT IDEA 773 00:40:10,886 --> 00:40:13,367 OF FAMILY RELATIONS, BUT-- 774 00:40:13,411 --> 00:40:17,980 WAIT...THIS MEANS YOU SLEPT WITH DIANE. 775 00:40:18,024 --> 00:40:19,721 I REALIZETHAT WAS A MISTAKE. 776 00:40:19,765 --> 00:40:22,724 SHE WAS WEARING EVE'S SCARF.IT SMELLED OF HER PERFUME. 777 00:40:22,768 --> 00:40:24,552 I GOT CONFUSED. 778 00:40:24,596 --> 00:40:26,815 UH...I MEAN, 779 00:40:26,859 --> 00:40:31,777 DIANE'S PRETTY HOT....FOR THAT AGE GROUP. 780 00:40:31,820 --> 00:40:34,127 THESE LOOK FAKE. 781 00:40:34,170 --> 00:40:36,259 YOU REALLY FUCKED UP. 782 00:40:36,303 --> 00:40:39,741 CHARLIE, HELP ME. I NEED SIDEBURNS. 783 00:40:39,785 --> 00:40:43,789 WELL...ALL RIGHT.LET ME THINK. 784 00:40:44,746 --> 00:40:47,096 [DOG BARKS, WHINES] 785 00:40:50,317 --> 00:40:52,754 [DOG BARKS] 786 00:41:04,853 --> 00:41:08,509 [HUMMING] 787 00:41:08,553 --> 00:41:10,250 Stanley: I KNOW WE'VE TALKED ABOUT IT 788 00:41:10,293 --> 00:41:11,599 JUST BEING THE TWO OF US, 789 00:41:11,643 --> 00:41:13,688 BUT THE SHERMANS LOVE BEETHOVEN, AS IT TURNS OUT. 790 00:41:13,732 --> 00:41:16,909 IS IT ALL RIGHT WITH YOU IF THEY COME WITH US? 791 00:41:17,605 --> 00:41:21,261 HONEY? DID YOU HEAR ME? 792 00:41:22,305 --> 00:41:23,742 Eve: SURE. FINE. 793 00:41:23,785 --> 00:41:25,308 Stanley: NORM KNOWS THE GALEA LIKE THE BACK OF HIS HAND. 794 00:41:25,352 --> 00:41:29,965 HE'LL BE HUMMING ALONG, LIKE HE DID WITHCARMEN. 795 00:41:30,009 --> 00:41:32,881 REMEMBER THAT? 796 00:41:36,842 --> 00:41:40,802 Stanley, loudly: EVE, HAVE YOU SEEN MY TIE? 797 00:41:41,542 --> 00:41:43,675 HONEY? 798 00:41:44,850 --> 00:41:45,938 HONEY, I WANT THE TIE 799 00:41:45,981 --> 00:41:47,853 THE SHERMANS GAVE ME FOR CHRISTMAS. 800 00:41:47,896 --> 00:41:51,944 [DOORBELL BUZZES] 801 00:41:53,902 --> 00:41:55,382 HI. 802 00:41:55,425 --> 00:41:57,558 HI. 803 00:41:59,473 --> 00:42:01,519 YOU LOOK NICE. 804 00:42:02,258 --> 00:42:07,307 YOU LOOK...UH... DIFFERENT. 805 00:42:07,350 --> 00:42:09,831 WORSE OR BETTER? 806 00:42:10,789 --> 00:42:11,703 VERY HANDSOME. 807 00:42:11,746 --> 00:42:13,313 YOU'RE MAKING ME NERVOUS. 808 00:42:13,356 --> 00:42:15,576 RELAX, I'LL BE VERY GOOD TONIGHT. 809 00:42:15,620 --> 00:42:18,318 JUST DON'T LET ME DRINK. 810 00:42:21,495 --> 00:42:22,975 [SIGHS] 811 00:42:23,018 --> 00:42:24,193 HE LOOKS OVER AT ME AND HE GOES, 812 00:42:24,237 --> 00:42:26,718 "YOU KNOW, YOU HAVE REALLY BEAUTIFUL EYES." 813 00:42:26,761 --> 00:42:29,895 I GO, "YEAH, I KNOW THAT." 814 00:42:29,938 --> 00:42:32,593 BUT, YOU KNOW, WE'RE IN A MOVIE THEATER. 815 00:42:32,637 --> 00:42:34,160 THERE'S NO WAY HE COULD SEE MY EYES. 816 00:42:34,203 --> 00:42:35,161 IT'S DARK. 817 00:42:35,204 --> 00:42:36,989 SO, HE GOES, "YOU KNOW WHAT'S WRONG 818 00:42:37,032 --> 00:42:38,904 "WITH THE MODERN WOMAN? 819 00:42:38,947 --> 00:42:40,601 THEY'RE ACUTELY SENSITIVE." 820 00:42:40,645 --> 00:42:43,909 SO, OSCAR...ARE YOU HAPPYAT CHAUNCEY? 821 00:42:43,952 --> 00:42:46,041 YOU ALREADY ASKED ME THAT, DAD. 822 00:42:46,085 --> 00:42:47,260 I DID? 823 00:42:47,303 --> 00:42:48,957 AND WHAT DID YOU SAY? 824 00:42:49,001 --> 00:42:50,524 I SAID IT WAS OK. 825 00:42:50,568 --> 00:42:52,352 SOMETIMES YOU DON'TLISTEN SO GOOD. 826 00:42:52,395 --> 00:42:54,397 SO WELL. LISTEN SO WELL. 827 00:42:54,441 --> 00:42:56,748 SEE, YOU CORRECT,OR YOU ADD FACTS, 828 00:42:56,791 --> 00:42:58,053 OR YOU GIVE YOUR OWNLITTLE ANECDOTES, 829 00:42:58,097 --> 00:42:59,794 BUT YOU DON'T REALLYABSORB THE REASON 830 00:42:59,838 --> 00:43:01,796 THE PERSON IS SAYINGTHE THING THAT SHE IS. 831 00:43:01,840 --> 00:43:03,885 SHE?ME, I MEAN. 832 00:43:03,929 --> 00:43:05,974 THE REASON I'MTELLING YOU SOMETHING. 833 00:43:06,018 --> 00:43:07,976 HMM, THAT'S INTERESTING. 834 00:43:08,020 --> 00:43:09,848 AND SILENCE, DAD. 835 00:43:09,891 --> 00:43:10,979 SILENCE? 836 00:43:11,023 --> 00:43:12,546 LISTEN TO WHATIT TELLS YOU. 837 00:43:12,590 --> 00:43:14,417 SOMETIMES IT'S PEACEFUL, 838 00:43:14,461 --> 00:43:17,943 SOMETIMES IT'SA SHRILL SCREAM. 839 00:43:21,729 --> 00:43:24,732 [CLASSICAL MUSIC PLAYING] 840 00:43:30,390 --> 00:43:32,087 HONEY, THIS IS BOB SPEAR. 841 00:43:32,131 --> 00:43:33,915 OH, PLEASED TO MEET YOU. 842 00:43:33,959 --> 00:43:35,177 THIS IS MY DAUGHTER,MIRANDA. 843 00:43:35,221 --> 00:43:37,745 OH, HOW'S CHAUNCEY TREATING YOU, MIRANDA? 844 00:43:37,789 --> 00:43:38,659 Miranda: GOOD. 845 00:43:38,703 --> 00:43:40,139 HAVE A NICE HOLIDAY.YOU, TOO. 846 00:43:40,182 --> 00:43:41,575 Bob Spear: NICE TO MEET YOU. 847 00:43:41,619 --> 00:43:43,446 Stanley: HELLO, I'M STANLEY GRUBMAN 848 00:43:43,490 --> 00:43:45,231 OSCAR'S FATHER. 849 00:43:45,274 --> 00:43:46,754 OSCAR GRUBMAN?HE'S HERE. 850 00:43:46,798 --> 00:43:48,277 Stanley: THIS IS SUCH A COINCIDENCE. 851 00:43:48,321 --> 00:43:50,018 WE WERE JUST TALKING ABOUT YOU, 852 00:43:50,062 --> 00:43:52,847 UH, TODAY. ABOUT, UH-- 853 00:43:52,891 --> 00:43:55,328 DAD! DAD! 854 00:43:55,371 --> 00:43:56,851 I WAS JUST MEETING YOUR FRIEND HERE. 855 00:43:56,895 --> 00:43:58,113 AND IF YOU DON'T MIND MY SAYING SO, 856 00:43:58,157 --> 00:43:59,419 SHE IS A LITTLE FIRECRACKER. 857 00:43:59,462 --> 00:44:00,942 Oscar: I THINK EVE WANTS TO SEE YOU. 858 00:44:00,986 --> 00:44:03,423 SHE HAS TO GIVE YOU A PILL OR SOMETHING. 859 00:44:03,466 --> 00:44:04,903 WHAT PILL? 860 00:44:04,946 --> 00:44:06,078 FOR YOUR...CONDITION. 861 00:44:06,121 --> 00:44:07,383 FOR MY CHOLESTEROL? 862 00:44:07,427 --> 00:44:09,429 YES. YES. YOUR CHOLESTEROL. 863 00:44:09,472 --> 00:44:11,866 I'M SORRY. HE GETS A LITTLE CONFUSED. 864 00:44:11,910 --> 00:44:13,302 HOW ARE YOU, OSCAR? 865 00:44:13,346 --> 00:44:14,564 UH, FINE. 866 00:44:14,608 --> 00:44:17,132 HAPPY THANKSGIVING. 867 00:44:17,829 --> 00:44:20,266 WHAT ARE YOU TWOTALKING ABOUT? 868 00:44:20,309 --> 00:44:21,833 COLORADO. 869 00:44:21,876 --> 00:44:23,095 WHAT'S THIS ABOUT PILLS? 870 00:44:23,138 --> 00:44:26,011 HE'S NEVER BEENTO COLORADO. 871 00:44:26,054 --> 00:44:28,753 OSCAR, YOU'RE ACTING VERY STRANGELY. 872 00:44:28,796 --> 00:44:30,319 WHAT PILLS? 873 00:44:30,363 --> 00:44:32,844 BON SOIR.WOULD YOU LIKE TO TAKE SOMETHING TO DRINK? 874 00:44:32,887 --> 00:44:35,977 MAY WE SEE A WINE LIST, PLEASE? 875 00:44:36,021 --> 00:44:38,893 [SPEAKING FRENCH] 876 00:44:39,372 --> 00:44:41,896 Waiter: WHAT'S THIS? NO WINE? 877 00:44:41,940 --> 00:44:43,245 PARDON? 878 00:44:43,289 --> 00:44:45,160 THE BOY, HE SAYS YOU ARE NOT IN THE MOOD FOR WINE. 879 00:44:45,204 --> 00:44:46,858 OSCAR... 880 00:44:50,122 --> 00:44:51,732 Stanley: OSCAR. 881 00:44:51,776 --> 00:44:54,430 I'M IN THE MOOD. 882 00:44:54,474 --> 00:44:56,694 SHOULDN'T WE TAKE A BREAKONCE IN A WHILE? 883 00:44:56,737 --> 00:44:57,869 I MEAN, WHAT ARE WE,DEPENDANT? 884 00:44:57,912 --> 00:44:59,218 WE CAN'T HAVE A GOOD TIMEWITHOUT ALCOHOL? 885 00:44:59,261 --> 00:45:00,393 OSCAR, YOU'RE MAKING IT SOUND 886 00:45:00,436 --> 00:45:02,351 AS IF WE HAVE A PROBLEM. 887 00:45:05,267 --> 00:45:06,878 FINE. 888 00:45:06,921 --> 00:45:09,184 WINE LIST, PLEASE. 889 00:45:13,798 --> 00:45:15,321 [CORK POPS] 890 00:45:15,364 --> 00:45:16,714 Stanley: BUT WHY PORTUGAL? 891 00:45:16,757 --> 00:45:17,976 WHEN PEOPLE GO TO PORTUGAL, 892 00:45:18,019 --> 00:45:20,065 I ALWAYS THINK ALL THE HOTEL ROOMS IN SPAIN 893 00:45:20,108 --> 00:45:21,283 MUST HAVE BEEN BOOKED. 894 00:45:21,327 --> 00:45:22,458 Eve: SEE, TO ME, 895 00:45:22,502 --> 00:45:23,764 PORTUGAL IS THE ONE THAT'S ALWAYS HELD 896 00:45:23,808 --> 00:45:27,376 THE ETERNAL MYSTERY. 897 00:45:27,420 --> 00:45:29,465 OH... 898 00:45:29,509 --> 00:45:32,599 NONE FOR ME, THANKS. 899 00:45:33,252 --> 00:45:36,255 [OSCAR ORDERING IN FRENCH] 900 00:45:52,706 --> 00:45:55,230 AND WHAT DO YOU WANT, DIANE? 901 00:45:55,274 --> 00:45:59,017 [WINE POURS] 902 00:46:00,845 --> 00:46:03,195 Oscar: PETER SAYS I MAY HAVEA SHOT AT THE ENGLISH PRIZE 903 00:46:03,238 --> 00:46:04,762 IF I READ BEOWULFPROPERLY. 904 00:46:04,805 --> 00:46:06,372 THAT IS, TAKING INTOACCOUNT THE TIMES, 905 00:46:06,415 --> 00:46:09,505 INSTEAD OF READING ITWITH A CONTEMPORARY SLANT. 906 00:46:09,549 --> 00:46:13,509 YOU CAN'T DISCOUNT HISTORY, OSCAR. 907 00:46:13,553 --> 00:46:15,947 NO, YOU CAN'T. 908 00:46:15,990 --> 00:46:17,818 YOU CAN'T DISCOUNT ITAT ALL. 909 00:46:17,862 --> 00:46:19,167 [WINE POURS] 910 00:46:19,211 --> 00:46:20,386 Stanley: THE SALES REPRESENTATIVE-- 911 00:46:20,429 --> 00:46:23,215 THIS 25-YEAR-OLD KID WHO'S TALKING TO ME 912 00:46:23,258 --> 00:46:25,739 ABOUT BOOK JACKETS FOR 4 HOURS. 913 00:46:25,783 --> 00:46:27,088 I WENT CROSS-EYED... 914 00:46:27,132 --> 00:46:28,873 Diane: HOW MANY PAGES YOU GOT THERE, STANLEY? 915 00:46:28,916 --> 00:46:31,614 Stanley: WELL, I HAVE ABOUT 715... 916 00:46:31,658 --> 00:46:32,746 HOW ARE YOU? 917 00:46:32,790 --> 00:46:34,835 I'M GOOD. 918 00:46:34,879 --> 00:46:38,752 NO...HOW ARE YOU? 919 00:46:38,796 --> 00:46:41,146 I'M GOOD, OSCAR. 920 00:46:41,189 --> 00:46:42,930 IT'S GOOD TO SEE YOU. 921 00:46:42,974 --> 00:46:44,105 YOU, TOO. 922 00:46:44,149 --> 00:46:46,934 ARE YOU SURE YOU DON'T HAVE A GIRLFRIEND 923 00:46:46,978 --> 00:46:47,935 AT CHAUNCEY? 924 00:46:47,979 --> 00:46:50,633 I WOULD THINK THEY'D BE LINING UP. 925 00:46:50,677 --> 00:46:56,770 EVE...I'VE BEEN THINKINGABOUT MAYBE GOING PREMED. 926 00:46:56,814 --> 00:46:58,380 MAYBE COLUMBIA. 927 00:46:58,424 --> 00:47:03,690 I'D BE IN THE CITY,WE COULD MEET... 928 00:47:03,733 --> 00:47:04,560 TO GO OVERMY HOMEWORK. 929 00:47:04,604 --> 00:47:06,693 I MEAN,IF YOU'D BE WILLING. 930 00:47:06,736 --> 00:47:08,216 WELL, I'D LOVE TO, OSCAR, 931 00:47:08,260 --> 00:47:11,437 BUT YOU LOVE LITERATURE. 932 00:47:11,480 --> 00:47:12,873 YOU'RE FLUENT IN FRENCH. 933 00:47:12,917 --> 00:47:14,266 YOU SHOULD BE A SCHOLAR. 934 00:47:14,309 --> 00:47:15,833 A LOT OF MEDICINE'SIN LATIN, RIGHT? 935 00:47:15,876 --> 00:47:17,922 SO I FIGURE,FRENCH, LATIN... 936 00:47:17,965 --> 00:47:20,228 I'M NOT DOING SO BADLYIN BIOLOGY. 937 00:47:20,272 --> 00:47:22,187 I MEAN, I KNOW WHATAN ISOTOPE IS. 938 00:47:22,230 --> 00:47:23,536 BUT IF YOU WENT PREMED, 939 00:47:23,579 --> 00:47:25,799 YOU COULDN'T GET CAUGHT UP IN THE POETRY 940 00:47:25,843 --> 00:47:27,801 OF THE PERICARDIUM. 941 00:47:27,845 --> 00:47:29,150 I WOULD GET CAUGHT UPIN THE POETRY 942 00:47:29,194 --> 00:47:31,022 OF THE THING ITSELF,LIKE YOU DO. 943 00:47:31,065 --> 00:47:33,763 Eve: DON'T QUOTE ME BACK TO MYSELF. 944 00:47:33,807 --> 00:47:36,810 IS THE WORLD REALLY WAITINGFOR ANOTHER ACADEMIC? 945 00:47:36,854 --> 00:47:37,767 Stanley: ...A NEW SUBJECT. 946 00:47:37,811 --> 00:47:39,813 SOMETHING I AM PASSIONATE... 947 00:47:39,857 --> 00:47:40,945 DIANE? 948 00:47:40,988 --> 00:47:43,208 DIANE, WOULD YOU PASS THE BREAD, PLEASE? 949 00:47:43,251 --> 00:47:45,950 AHEM. 950 00:47:50,868 --> 00:47:51,999 THANK YOU. 951 00:47:52,043 --> 00:47:53,914 ARE YOU COMING DOWNWITH SOMETHING? 952 00:47:53,958 --> 00:47:54,959 I'M FINE. 953 00:47:55,002 --> 00:47:56,786 ARE WE STILL PLAYING TENNIS TOMORROW? 954 00:47:56,830 --> 00:47:58,919 OH, IS THAT TOMORROW,TENNIS? 955 00:47:58,963 --> 00:48:00,573 DON'T YOU THINK YOU'VE HAD ENOUGH? 956 00:48:00,616 --> 00:48:02,705 Stanley: ...LOOK AT SOME FIRST EDITIONS 957 00:48:02,749 --> 00:48:03,663 HE JUST BOUGHT. 958 00:48:03,706 --> 00:48:06,187 HE SUSPECTSHE'S BEEN SWINDLED. 959 00:48:11,627 --> 00:48:13,891 OK. MAYBE YOU COULD GO TO NORM'S 960 00:48:13,934 --> 00:48:14,979 IN THE AFTERNOON. 961 00:48:15,022 --> 00:48:16,850 Stanley: I COULD. 962 00:48:16,894 --> 00:48:20,158 I COULD GO IN THE AFTERNOON... 963 00:48:26,816 --> 00:48:29,863 THE THING IS,I HATE TENNIS. 964 00:48:29,907 --> 00:48:31,386 I HAVE THE COURT BOOKED. 965 00:48:31,430 --> 00:48:32,822 I'LL PLAY TENNIS WITH YOU, EVE. 966 00:48:32,866 --> 00:48:34,476 I LOVE TENNIS. 967 00:48:34,912 --> 00:48:36,043 YES, OSCAR'S A WONDERFUL SPORT. 968 00:48:36,087 --> 00:48:38,089 THERE YOU GO.OSCAR'LL PLAY WITH YOU. 969 00:48:38,132 --> 00:48:40,526 YOU WILL? YOU DON'T MIND? 970 00:48:40,569 --> 00:48:41,440 NOT AT ALL. 971 00:48:41,483 --> 00:48:43,790 OSCAR IS VERY GALLANT. 972 00:48:43,833 --> 00:48:46,880 [WHISPERING]Oscar has a new girlfriend. 973 00:48:46,924 --> 00:48:48,664 REALLY?MM-HMM. 974 00:48:48,708 --> 00:48:49,839 IT SEEMS LAST EVENING 975 00:48:49,883 --> 00:48:52,973 HE HAD QUITE THE LATE NIGHTCONVERSATION. 976 00:48:53,017 --> 00:48:54,801 OH, TELL US ABOUT IT. 977 00:48:54,844 --> 00:48:57,935 DIANE, WINE IS BAD FOR YOUR HEART. 978 00:49:00,024 --> 00:49:01,112 I THOUGHT WINE WAS GOODFOR YOUR HEART. 979 00:49:01,155 --> 00:49:03,462 IT IS, IN MODERATION. 980 00:49:03,505 --> 00:49:05,116 SO, WHO IS THIS GIRL, OSCAR? 981 00:49:05,159 --> 00:49:07,770 SHE'S QUITE A LITTLE NUMBER,BY THE LOOKS OF HER. 982 00:49:07,814 --> 00:49:09,598 I THOUGHT THE GIRLS AT CHAUNCEY 983 00:49:09,642 --> 00:49:10,599 HADN'T LIVED ENOUGH. 984 00:49:10,643 --> 00:49:13,733 CAN WE CHANGE THE SUBJECT, PLEASE? 985 00:49:17,345 --> 00:49:18,564 WELL, IF WE'RE GOINGTO CHANGE THE SUBJECT, 986 00:49:18,607 --> 00:49:21,959 I'M GOING TO EXCUSE MYSELFFOR THE LADIES ROOM. 987 00:49:28,966 --> 00:49:30,402 EXCUSE ME. 988 00:49:33,492 --> 00:49:38,323 I think that's whyhe's acting so strangely. 989 00:49:39,193 --> 00:49:40,760 WHAT THE HELL ARE YOU DOING?! 990 00:49:40,803 --> 00:49:41,717 WHAT DO YOU MEAN? 991 00:49:41,761 --> 00:49:43,719 WHAT DO I MEAN? YOU'RE DRINKING, 992 00:49:43,763 --> 00:49:44,764 YOU'RE MAKING THESE JOKES, 993 00:49:44,807 --> 00:49:46,070 YOU HAVE YOUR FOOT IN MY CROTCH-- 994 00:49:46,113 --> 00:49:47,636 LOOSEN UP.LOOSEN UP? 995 00:49:47,680 --> 00:49:50,204 I ASKED YOU NOT TO LET THEM KNOW. 996 00:49:50,248 --> 00:49:51,814 [CHUCKLES] 997 00:49:51,858 --> 00:49:53,381 [CHOKES, COUGHS] 998 00:49:53,425 --> 00:49:54,034 OH, MY! 999 00:49:54,078 --> 00:49:56,994 Eve: WHAT IS IT? 1000 00:49:57,342 --> 00:49:59,997 SOMETHING VERY UNUSUAL. 1001 00:50:03,783 --> 00:50:06,916 [WHISPERING]No one knows anything. 1002 00:50:24,630 --> 00:50:27,546 Eve: WHAT IS THATON YOUR FACE? 1003 00:50:27,589 --> 00:50:29,852 WHAT? 1004 00:50:31,811 --> 00:50:33,987 OH!AAH! 1005 00:50:34,031 --> 00:50:35,336 OW! 1006 00:50:35,945 --> 00:50:36,772 DO YOU TWO HAVE SOMETHING 1007 00:50:36,816 --> 00:50:38,731 YOU'D LIKE TO SHARE WITH US? 1008 00:50:38,774 --> 00:50:40,602 WHAT? 1009 00:50:46,043 --> 00:50:48,306 OH, GOD. 1010 00:50:48,349 --> 00:50:50,047 WHAT'S GOING ON? 1011 00:50:50,090 --> 00:50:51,178 WELL? 1012 00:50:51,222 --> 00:50:53,224 OK, I THINK WHAT WE'RE TALKING ABOUT HERE 1013 00:50:53,267 --> 00:50:54,442 IS PRUFIGGER'S THEORY OF DISTORTION, 1014 00:50:54,486 --> 00:50:56,879 WHICH STATES THAT PRISMATIC EFFECT OF A BODY 1015 00:50:56,923 --> 00:50:59,491 REFLECTED ON A PLANE AT A CERTAIN ANGLE... 1016 00:50:59,534 --> 00:51:01,493 STANLEY, WHAT IS IT? 1017 00:51:01,536 --> 00:51:02,624 ...AN ILLUSION-- 1018 00:51:02,668 --> 00:51:05,453 OH, WHAT THE HELL, WE'RE ALL ADULTS HERE. 1019 00:51:05,497 --> 00:51:07,847 NO, ACTUALLY, WE'RE NOT. 1020 00:51:07,890 --> 00:51:10,197 EVE... 1021 00:51:10,241 --> 00:51:11,546 OSCAR AND I... 1022 00:51:11,590 --> 00:51:12,765 BOTH SPEAK FRENCH. 1023 00:51:12,808 --> 00:51:18,510 Diane: OSCAR AND I ARE LOVERS. 1024 00:51:18,553 --> 00:51:20,207 WHAT?! 1025 00:51:20,251 --> 00:51:21,469 WHAT?! ARE YOU DRUNK? 1026 00:51:21,513 --> 00:51:23,776 OSCAR, JUST RELAX. 1027 00:51:23,819 --> 00:51:24,951 I SAW THEM IN THE MIRROR. 1028 00:51:24,994 --> 00:51:26,996 I JUST HOPE MIRANDA SPEAR 1029 00:51:27,040 --> 00:51:28,563 DIDN'T SEE IT, TOO. 1030 00:51:28,607 --> 00:51:30,870 DAD, THERE IS NO MIRANDA SPEAR. 1031 00:51:30,913 --> 00:51:32,915 THERE IS NO MIR--WHAT ARE YOU TALKING ABOUT? 1032 00:51:32,959 --> 00:51:34,047 I JUST SHOOK HANDS WITH HER FATHER. 1033 00:51:34,091 --> 00:51:36,049 Eve: WHEN DID THIS HAPPEN? 1034 00:51:36,093 --> 00:51:37,224 LAST NIGHT? 1035 00:51:37,268 --> 00:51:39,661 MM-HMM. 1036 00:51:40,532 --> 00:51:41,707 STANLEY-- 1037 00:51:41,750 --> 00:51:42,751 OF COURSE, YOU KNOW,IT'S NOT THAT UNCOMMON. 1038 00:51:42,795 --> 00:51:44,971 IN ANCIENT ROME,50-YEAR-OLD MEN 1039 00:51:45,014 --> 00:51:46,755 WOULD MARRY 14-YEAR-OLD GIRLS. 1040 00:51:46,799 --> 00:51:48,496 THIS IS NOT ANCIENT ROME. 1041 00:51:48,540 --> 00:51:50,846 I AM NOWHERE NEAR 50! 1042 00:51:50,890 --> 00:51:53,284 WELL, IT IS ALL VERY THE GRADUATE. 1043 00:51:53,327 --> 00:51:57,070 EXCEPT THAT OSCAR HASN'T GRADUATED. 1044 00:52:10,257 --> 00:52:13,086 [THUNDER] 1045 00:52:15,654 --> 00:52:17,525 THERE. 1046 00:52:17,569 --> 00:52:19,571 THANKS. 1047 00:52:20,485 --> 00:52:22,182 SO, YOU COMING TO BED SOON? 1048 00:52:22,226 --> 00:52:23,357 UH, IN A WHILE. 1049 00:52:23,401 --> 00:52:26,360 I JUST HAVE TO FINISHTHESE CHAPTER NOTES. 1050 00:52:26,404 --> 00:52:29,102 GOOD NIGHT, SWEETHEART. 1051 00:52:45,945 --> 00:52:48,600 Diane: I JUST DON'T SEE WHY YOU'RE SO UPSET. 1052 00:52:48,643 --> 00:52:51,472 I'M ENTRUSTED WITH HIS WELFARE, DIANE. 1053 00:52:51,516 --> 00:52:52,343 I MEAN, CAN YOU IMAGINE 1054 00:52:52,386 --> 00:52:54,823 IF OSCAR'S MOTHER FOUND OUT? 1055 00:52:54,867 --> 00:52:56,477 SHE'S FRENCH,ISN'T SHE? 1056 00:52:56,521 --> 00:52:59,785 THEY'RE NOT ALL LIKE THAT, OK? 1057 00:52:59,828 --> 00:53:01,743 YOU'RE TAKING ADVANTAGE OF HIM. 1058 00:53:01,787 --> 00:53:03,832 OH, BULLSHIT, EVE. 1059 00:53:03,876 --> 00:53:05,921 OSCAR'S A SMART KID. 1060 00:53:05,965 --> 00:53:07,793 NOW, THERE ARESOME 40-YEAR-OLD MEN 1061 00:53:07,836 --> 00:53:09,011 OF WHOM I AMTAKING ADVANTAGE. 1062 00:53:09,055 --> 00:53:11,797 AM I OVERREACTING? HE'S 15! 1063 00:53:11,840 --> 00:53:13,842 WELL, YOU AND IWERE HARDLY INNOCENT 1064 00:53:13,886 --> 00:53:15,496 WHEN WE WERE 15. 1065 00:53:15,540 --> 00:53:17,585 WHO WENT TO THE JEFFERSONAIRPLANE CONCERT 1066 00:53:17,629 --> 00:53:20,109 AND PULLED DOWNTHEIR TUBE TOP AND-- 1067 00:53:20,153 --> 00:53:21,937 THAT'S DIFFERENT, OK? 1068 00:53:21,981 --> 00:53:24,984 [LAUGHS] ALL RIGHT,THAT'S DIFFERENT. 1069 00:53:25,027 --> 00:53:28,553 I KNOW WHY YOU'RE UPSET. 1070 00:53:28,596 --> 00:53:30,250 YOU'RE UPSET BECAUSE YOU KNOW 1071 00:53:30,294 --> 00:53:31,208 THE DEEP DOWN INSIDE, 1072 00:53:31,251 --> 00:53:32,818 IF OUR SITUATIONS WERE REVERSED, 1073 00:53:32,861 --> 00:53:35,647 YOU WOULD HAVE DONE THE EXACT SAME THING. 1074 00:53:35,690 --> 00:53:36,822 DON'T BE RIDICULOUS. 1075 00:53:36,865 --> 00:53:37,910 YOU WOULD HAVE. 1076 00:53:37,953 --> 00:53:41,130 WITH A 15-YEAR-OLD?!NOT ON YOUR LIFE. 1077 00:53:41,174 --> 00:53:42,262 NOT JUST A 15-YEAR-OLD. 1078 00:53:42,306 --> 00:53:46,048 A SMART, SWEET, PASSIONATE PERSON. 1079 00:53:46,092 --> 00:53:50,227 YOU'RE NOT THE ONLY ONE WITH SOMETHING MISSING. 1080 00:53:51,489 --> 00:53:52,925 SAMANTHA STEADMAN GAVE OSCAR 1081 00:53:52,968 --> 00:53:55,101 HER PHONE NUMBER. 1082 00:53:55,144 --> 00:53:57,756 AND YOU LET HER? 1083 00:53:57,799 --> 00:53:59,584 HE CAN TAKE CARE OF HIMSELF. 1084 00:53:59,627 --> 00:54:01,977 I'M NOT HIS MOTHER. NEITHER ARE YOU. 1085 00:54:02,021 --> 00:54:04,110 WHAT IS WRONGWITH YOUR FRIENDS? 1086 00:54:04,153 --> 00:54:05,677 NOTHING. JESUS. 1087 00:54:05,720 --> 00:54:07,983 AND IF YOU HADN'T MET SOMEBODY 1088 00:54:08,027 --> 00:54:09,028 IN A REALLY LONG TIME 1089 00:54:09,071 --> 00:54:11,291 WHO WAS VERY EXCITED ABOUT LIFE, 1090 00:54:11,335 --> 00:54:15,904 YOU WOULD CONSIDER A 15-YEAR-OLD. 1091 00:55:00,384 --> 00:55:02,734 Eve: LOVE-30. 1092 00:55:02,777 --> 00:55:05,693 OR, ZERO-30. 1093 00:55:05,737 --> 00:55:08,740 AS IF YOU KNOW WHAT LOVE MEANS. 1094 00:55:08,783 --> 00:55:11,569 COMES FROMTHE FRENCH WORD FOR EGG. 1095 00:55:11,612 --> 00:55:13,092 L'OEUF. 1096 00:55:13,135 --> 00:55:15,747 EVE... 1097 00:55:15,790 --> 00:55:17,531 I KNOW HOW IT MUST LOOK. 1098 00:55:17,575 --> 00:55:22,406 I UNDERSTAND HOW MISLED YOU MUST FEEL. 1099 00:55:22,449 --> 00:55:25,496 I SPOKE OF POETIC THOUGHTS... 1100 00:55:25,539 --> 00:55:27,889 OF LOVE AND LIVERS 1101 00:55:27,933 --> 00:55:30,152 MERELY HOURS AFTER HAVING CHEAP, 1102 00:55:30,196 --> 00:55:31,937 MEANINGLESS SEXUAL INTERCOURSE 1103 00:55:31,980 --> 00:55:33,982 WITH YOUR BEST FRIEND. 1104 00:55:34,026 --> 00:55:34,896 NO. 1105 00:55:34,940 --> 00:55:37,072 THAT'S 15-30, RIGHT? 1106 00:55:37,116 --> 00:55:39,858 SERVE! 1107 00:55:41,120 --> 00:55:43,557 EVE... 1108 00:55:43,601 --> 00:55:47,387 SOMETIMES THE NATURAL CALL OF MAN 1109 00:55:47,431 --> 00:55:50,782 IS JUST TOO STRONG TO-- NO. UGH. 1110 00:55:50,825 --> 00:55:53,785 SO THAT'S 15-40, RIGHT? 1111 00:55:53,828 --> 00:55:58,224 A RATIO YOU SEEM PARTICULARLY FOND OF. 1112 00:56:00,531 --> 00:56:04,839 AND, YES, EVE,TRUE PASSION DOES STILL EXIST, 1113 00:56:04,883 --> 00:56:06,232 AND I KNOW THIS 1114 00:56:06,275 --> 00:56:11,411 BECAUSE I'M A MAN WHO FEELS TRUE PASSION. 1115 00:56:24,468 --> 00:56:27,035 [SIGHS] 1116 00:56:30,996 --> 00:56:33,825 I THINK YOU'LL BE FINE. 1117 00:56:37,698 --> 00:56:39,004 Charlie: IF YOU'RE GONNA MESS WITH 1118 00:56:39,047 --> 00:56:40,788 THE STUFF OF GREEK TRAGEDIES, OSCAR, 1119 00:56:40,832 --> 00:56:43,400 YOU'RE GONNA HAVE TO BE PREPARED FOR THE FALLOUT. 1120 00:56:43,443 --> 00:56:46,403 CHARLIE, HELP ME. 1121 00:56:47,534 --> 00:56:50,232 OK, LET'S LOOK ATTHIS RATIONALLY. 1122 00:56:50,276 --> 00:56:53,322 IF YOU HAD MET EVEIN, SAY, A COFFEE SHOP, 1123 00:56:53,366 --> 00:56:54,976 WOULD YOU STILL BEATTRACTED TO HER? 1124 00:56:55,020 --> 00:56:57,936 I MEAN, IT'S NOT JUST 'CAUSESHE'S YOUR MOTHER, IS IT? 1125 00:56:57,979 --> 00:57:00,852 SHE'S NOT MY MOTHER. STOP SAYING THAT. 1126 00:57:00,895 --> 00:57:02,462 [DOG BARKING] 1127 00:57:02,506 --> 00:57:05,944 OK, LOOK,MAYBE IT'S NOT YOUR FAULT. 1128 00:57:05,987 --> 00:57:08,729 I MEAN, SINCE YOUR FATHER'SBEEN MARRIED TO ANOTHER WOMAN, 1129 00:57:08,773 --> 00:57:11,428 IN THE EYES OF THE CHURCH,HE'S A POLYGAMIST. 1130 00:57:11,471 --> 00:57:14,605 SO MAYBE YOU'RE JUSTGENETICALLY PREDISPOSED-- 1131 00:57:14,648 --> 00:57:18,304 THAT IS, PROGRAMMEDTO REPEAT THE MISTAKES 1132 00:57:18,347 --> 00:57:20,741 OR SINS OFYOUR BIOLOGICAL-- 1133 00:57:20,785 --> 00:57:23,178 SHUT UP, CHARLIE. 1134 00:57:23,222 --> 00:57:26,051 [KNOCKING ON DOOR] 1135 00:57:27,182 --> 00:57:28,357 YOU KIDS HAVING FUN? 1136 00:57:28,401 --> 00:57:30,490 DO YOU WANT SOME COOKIES OR ANYTHING? 1137 00:57:30,534 --> 00:57:32,187 NO, MA, WE'RE FINE. 1138 00:57:32,231 --> 00:57:33,275 MY, OSCAR, 1139 00:57:33,319 --> 00:57:34,886 I CAN'T BELIEVE HOW BIG YOU'VE GOTTEN. 1140 00:57:34,929 --> 00:57:37,541 YEAH, I GUESS I HITQUITE A SPURT THERE. 1141 00:57:37,584 --> 00:57:39,673 ALL RIGHT, YEAH, UH... 1142 00:57:39,717 --> 00:57:40,935 ALL RIGHT, MA, THANKS. 1143 00:57:40,979 --> 00:57:44,069 AND I'LL, UH, SEE YOU LATER. 1144 00:57:44,461 --> 00:57:47,246 STICK TO YOUR OWN MOM, WILL YOU? 1145 00:58:04,176 --> 00:58:05,525 HEY, JIMMY. 1146 00:58:05,569 --> 00:58:08,354 WHAT'S ON YOUR MIND, TADPOLE? 1147 00:58:08,397 --> 00:58:12,053 NOBODY CALLS ME THATANYMORE, JIMMY. 1148 00:58:12,576 --> 00:58:14,273 WHAT DO THEY CALL YOU NOW? 1149 00:58:14,316 --> 00:58:16,536 STUPID. 1150 00:58:17,929 --> 00:58:20,453 EVERYTHING'SMESSED UP. 1151 00:58:20,497 --> 00:58:23,325 WELL, WHAT'S THE TROUBLE, TADP-- 1152 00:58:23,369 --> 00:58:25,937 UH, STUPID? 1153 00:58:25,980 --> 00:58:29,462 WOMEN, I GUESS. 1154 00:58:29,506 --> 00:58:31,116 NOT GIRLS? 1155 00:58:31,159 --> 00:58:35,512 NO, THEY'REDEFINITELY WOMEN. 1156 00:58:36,600 --> 00:58:38,558 NO WOMEN... 1157 00:58:38,602 --> 00:58:41,387 NO CRY. 1158 00:58:43,041 --> 00:58:45,826 THANKS FOR THAT,JIMMY. 1159 00:59:24,125 --> 00:59:27,302 I MADE YOU A SANDWICH. 1160 00:59:27,346 --> 00:59:29,609 THANKS. 1161 00:59:31,829 --> 00:59:35,049 GRILLED CHEESE-- MY FAVORITE. 1162 00:59:36,050 --> 00:59:37,748 I KNOW. 1163 00:59:37,791 --> 00:59:42,317 GOOD THING IT'S SOMETHINGI CAN ACTUALLY COOK. 1164 00:59:42,361 --> 00:59:45,190 DAD ALWAYS BURNS THEM. 1165 00:59:45,233 --> 00:59:47,758 HE WON'T USE TEFLON. 1166 00:59:47,801 --> 00:59:50,891 WELL, HE'S A TRADITIONALIST. 1167 00:59:52,545 --> 00:59:55,461 THESE, UH--TEFLON MAKE 1168 00:59:55,504 --> 00:59:57,855 REPLACEMENT HEART VALVES, RIGHT? 1169 00:59:57,898 --> 01:00:01,336 YOU KNOW WAY TOO MUCHFOR A 15-YEAR-OLD. 1170 01:00:01,380 --> 01:00:03,164 NOTHING WORTH KNOWING. 1171 01:00:03,208 --> 01:00:08,213 THAT'S NOT TRUE, OSCAR--PLENTY WORTH KNOWING. 1172 01:00:11,651 --> 01:00:13,827 YOU KNOW... 1173 01:00:15,916 --> 01:00:17,962 WITH DIANE... 1174 01:00:18,005 --> 01:00:20,791 OSCAR,I'VE ALREADY DECIDED 1175 01:00:20,834 --> 01:00:22,793 IT'S REALLYNONE OF MY BUSINESS. 1176 01:00:22,836 --> 01:00:25,230 YOU ARE OLD ENOUGHTO MAKE YOUR OWN DECISIONS. 1177 01:00:25,273 --> 01:00:27,667 I WANT TO EXPLAIN. 1178 01:00:28,799 --> 01:00:32,629 WITH DIANE, WELL... 1179 01:00:33,760 --> 01:00:35,893 IT WAS TEFLON SEX. 1180 01:00:35,936 --> 01:00:37,155 PARDON ME? 1181 01:00:37,198 --> 01:00:39,070 SHE WAS DOING THIS THING TO MY BACK--PRESSING. 1182 01:00:39,113 --> 01:00:41,725 AND I WAS DRUNK, SHE'S A CHIROPRACTOR, 1183 01:00:41,768 --> 01:00:42,900 THAT KIND OF THING. 1184 01:00:42,943 --> 01:00:44,162 THAT KIND OF THING. 1185 01:00:44,205 --> 01:00:46,468 HORMONES RACING OUT OF CONTROL, OR PHEROMONES. 1186 01:00:46,512 --> 01:00:49,820 I'M NOT THAT KIND OF A PERSON. 1187 01:00:50,081 --> 01:00:53,780 YOU TOLD ME ONCE THAT IT COULD BE YEARS 1188 01:00:53,824 --> 01:00:55,782 BEFORE ANYONE REALLY UNDERSTOOD 1189 01:00:55,826 --> 01:00:57,741 WHAT THE HELL I WAS TALKING ABOUT 1190 01:00:57,784 --> 01:00:59,481 BUT THAT THE DAY WOULD COME 1191 01:00:59,525 --> 01:01:02,223 WHEN EVERYONE CAUGHT UP TO ME, 1192 01:01:02,267 --> 01:01:03,268 AND WHILE I KNEW 1193 01:01:03,311 --> 01:01:05,792 THAT MAYBE YOU WERE JUST BEING KIND, 1194 01:01:05,836 --> 01:01:08,142 I KNEW ONE THING. 1195 01:01:09,753 --> 01:01:11,842 THAT I LOVE... 1196 01:01:13,452 --> 01:01:15,802 THINGS. 1197 01:01:15,846 --> 01:01:17,717 AND, AND, UH-- 1198 01:01:17,761 --> 01:01:18,936 IT'S OK. 1199 01:01:18,979 --> 01:01:20,633 AND THERE WAS DIANE, 1200 01:01:20,677 --> 01:01:24,637 AND SHE WAS... 1201 01:01:24,681 --> 01:01:27,118 WEARING YOUR SCARF. 1202 01:01:48,052 --> 01:01:52,491 I BETTERDO THE DISHES. 1203 01:01:59,628 --> 01:02:01,935 [WATER RUNNING] 1204 01:04:04,666 --> 01:04:07,060 [DOOR SHUTS] 1205 01:04:09,933 --> 01:04:13,066 WELL, I LOSTBIG-TIME. 1206 01:04:13,110 --> 01:04:14,851 LOOK AT YOU. 1207 01:04:14,894 --> 01:04:17,331 YOU'RE A GOOD BOY,OSCAR. 1208 01:04:17,375 --> 01:04:18,855 WHERE'S EVE? 1209 01:04:18,898 --> 01:04:20,769 HOW SHOULD I KNOW? 1210 01:04:20,813 --> 01:04:23,860 IN BED, PROBABLY. 1211 01:04:24,817 --> 01:04:26,384 PROBABLY. 1212 01:04:27,254 --> 01:04:29,866 THAT PROFESSOR TISCH, I THINK HE'S A CHEAT. 1213 01:04:29,909 --> 01:04:34,566 I BET HE PALMS OFF THE BOTTOM OF THE DECK. 1214 01:04:45,055 --> 01:04:46,839 OSCAR, HAVE YOU NOTICED 1215 01:04:46,883 --> 01:04:50,669 ANYTHING DIFFERENT ABOUT EVE THIS WEEKEND? 1216 01:04:53,890 --> 01:04:55,587 DIFFERENT? 1217 01:04:55,630 --> 01:04:57,545 LIKE WHAT? 1218 01:04:57,589 --> 01:05:01,462 I DON'T KNOW, FOR THE LAST FEW MONTHS, 1219 01:05:01,506 --> 01:05:03,943 SHE'S BEEN GOING TO BED EARLIER. 1220 01:05:03,987 --> 01:05:08,295 MAYBE SHE'S JUST TIRED OR... 1221 01:05:10,994 --> 01:05:13,213 OR WHAT? 1222 01:05:14,345 --> 01:05:15,912 I DON'T KNOW WHAT. 1223 01:05:15,955 --> 01:05:17,914 MAYBE I'M MISSING SOMETHING. 1224 01:05:17,957 --> 01:05:20,133 I THOUGHT ABOUT WHAT YOU SAID LAST NIGHT. 1225 01:05:20,177 --> 01:05:24,659 MAYBE I HAVEN'T BEEN LISTENING TOO WELL. 1226 01:05:27,010 --> 01:05:30,665 THEN AGAIN, MAYBE I'M JUST IMAGINING THINGS. 1227 01:05:38,325 --> 01:05:40,937 [MUSIC PLAYING] 1228 01:05:50,033 --> 01:05:55,821 ♪ TOM, GET YOUR PLANE RIGHT ON TIME ♪ 1229 01:05:55,864 --> 01:06:02,959 ♪ I KNOW YOUR PART'LL GO FINE ♪ 1230 01:06:03,002 --> 01:06:08,486 ♪ FLY DOWN TO MEXICO 1231 01:06:08,529 --> 01:06:14,709 ♪ DO-N-DO-N-DO-N-DO AND HERE I AM ♪ 1232 01:06:14,753 --> 01:06:20,977 ♪ THE ONLY LIVING BOY IN NEW YORK ♪ 1233 01:06:22,369 --> 01:06:26,895 ♪ I GET THE NEWS I NEED ON THE WEATHER REPORT ♪ 1234 01:06:26,939 --> 01:06:34,816 ♪ I CAN GATHER ALL THE NEWS I NEED ON THE WEATHER REPORT ♪ 1235 01:06:34,860 --> 01:06:41,910 ♪ HEY, I GOT NOTHING TO DO TODAY BUT SMILE ♪ 1236 01:06:41,954 --> 01:06:47,133 ♪ DO-N-DO-N-DO-N-DO AND HERE I AM ♪ 1237 01:06:47,177 --> 01:06:52,834 ♪ THE ONLY LIVING BOY IN NEW YORK ♪ 1238 01:06:54,793 --> 01:06:59,145 ♪ HALF OF THE TIME WE'RE GONE, BUT WE DON'T KNOW WHERE ♪ 1239 01:06:59,189 --> 01:07:03,280 ♪ AND WE DON'T KNOW WHEN 1240 01:07:03,323 --> 01:07:03,932 ♪ AHH 1241 01:07:13,942 --> 01:07:15,857 [MUSIC FADES] 1242 01:07:15,901 --> 01:07:19,470 I'LL GET YOUR TICKET.I'LL BE RIGHT BACK. 1243 01:07:26,042 --> 01:07:29,654 YOU HAVE A LOOSE BUTTON. 1244 01:07:30,394 --> 01:07:33,745 I'D SEW IT FOR YOU, BUT I DON'T SEW. 1245 01:07:33,788 --> 01:07:35,399 I KNOW. 1246 01:07:35,442 --> 01:07:38,271 I'M NOT A VERY GOOD MOTHER-- 1247 01:07:38,315 --> 01:07:39,968 STEP-MOTHER. 1248 01:07:40,012 --> 01:07:42,797 WHO SAYS THEY HAVETO COOK AND SEW? 1249 01:07:42,841 --> 01:07:46,540 ANYWAY, YOU KNOWHOW TO MONITOR 1250 01:07:46,584 --> 01:07:50,762 CARDIAC MYOCYTES--THAT'S ENOUGH. 1251 01:07:56,637 --> 01:07:59,423 HOW'S YOUR LIVER? 1252 01:07:59,466 --> 01:08:01,251 HURTS. 1253 01:08:01,294 --> 01:08:02,991 BROKEN? 1254 01:08:03,035 --> 01:08:05,124 NO. 1255 01:08:05,168 --> 01:08:09,128 I LOVE YOUR FATHER VERY MUCH. 1256 01:08:09,172 --> 01:08:12,784 ME, TOO. 1257 01:08:13,393 --> 01:08:16,962 SO, SEE YOU BACK HERE IN ABOUT 3 WEEKS? 1258 01:08:17,005 --> 01:08:18,529 [FOOTSTEPS] 1259 01:08:18,572 --> 01:08:20,400 YOU TWO LOOK VERY SERIOUS. 1260 01:08:20,444 --> 01:08:22,620 WE'RE TALKING ABOUT CHRISTMAS. 1261 01:08:22,663 --> 01:08:25,797 OSCAR'S GOING TO HIS MOTHER'S IN FRANCE. 1262 01:08:25,840 --> 01:08:27,015 HE IS? 1263 01:08:27,059 --> 01:08:31,063 WE'RE GOING TO PORTUGAL, JUST THE TWO OF US. 1264 01:08:32,020 --> 01:08:33,239 WE ARE? 1265 01:08:33,283 --> 01:08:34,980 IF YOU WANT. 1266 01:08:35,023 --> 01:08:36,590 HEY. 1267 01:08:38,288 --> 01:08:40,725 BYE, SWEETIE. 1268 01:09:10,450 --> 01:09:11,799 HERE. 1269 01:09:11,843 --> 01:09:14,672 THANKS, OSCAR. 1270 01:09:14,715 --> 01:09:16,239 YOU'RE WELCOME. 1271 01:09:16,282 --> 01:09:18,110 SEE YOU AT SCHOOL. 1272 01:09:18,154 --> 01:09:19,764 OK. 1273 01:09:19,807 --> 01:09:21,940 IF WE DON'T FINDANYTHING PLEASANT, 1274 01:09:21,983 --> 01:09:25,683 AT LEAST WE SHALLFIND SOMETHING NEW. 1275 01:09:25,726 --> 01:09:28,686 WHAT'S THAT? 1276 01:09:28,729 --> 01:09:30,992 VOLTAIRE. 1277 01:09:32,342 --> 01:09:34,474 OH, RIGHT. 1278 01:09:35,823 --> 01:09:39,262 SEE YOU AT SCHOOL. 1279 01:09:47,400 --> 01:09:50,534 SHE IS SO HOTFOR YOU. 1280 01:09:51,491 --> 01:09:54,015 SHE SMELLS NICE. 1281 01:09:55,626 --> 01:09:57,758 SHE WHAT? 1282 01:09:58,368 --> 01:10:02,198 ♪ STILL DON'T KNOW WHAT I WAS WAITING FOR ♪ 1283 01:10:02,241 --> 01:10:06,027 ♪ AND MY TIME WAS RUNNING WILD ♪ 1284 01:10:06,071 --> 01:10:07,507 SO, WHAT HAPPENED WITH EVE? 1285 01:10:07,551 --> 01:10:11,511 ♪ EVERY TIME I THOUGHT I'D GOT IT MADE ♪ 1286 01:10:11,555 --> 01:10:13,861 COME ON, TALK TO ME, GRUBBER. 1287 01:10:13,905 --> 01:10:18,605 ♪ SO I TURNED MYSELF TO FACE ME ♪ 1288 01:10:18,649 --> 01:10:22,435 WELL, IT WASN'T AS IMPORTANTAS I THOUGHT IT WAS. 1289 01:10:22,479 --> 01:10:23,697 ♪ GLIMPSE 1290 01:10:23,741 --> 01:10:27,135 ♪ OF HOW THE OTHERS MUST SEE THE FAKER ♪ 1291 01:10:27,179 --> 01:10:31,488 ♪ I'M MUCH TOO FAST TO TAKE THAT TEST ♪ 1292 01:10:31,531 --> 01:10:33,620 ♪ CH-CH-CH-CH-CHANGES 1293 01:10:33,664 --> 01:10:36,057 ♪ TURN AND FACE THE STRAIN 1294 01:10:36,101 --> 01:10:38,190 ♪ CH-CH-CH-CHANGES 1295 01:10:38,234 --> 01:10:40,975 ♪ DON'T WANT TO BE A RICHER MAN ♪ 1296 01:10:41,019 --> 01:10:42,977 ♪ CH-CH-CH-CH-CHANGES 1297 01:10:43,021 --> 01:10:45,502 ♪ TURN AND FACE THE STRAIN 1298 01:10:45,545 --> 01:10:47,286 ♪ CH-CH-CH-CHANGES 1299 01:10:47,330 --> 01:10:50,376 ♪ JUST GONNA HAVE TO BE A DIFFERENT MAN ♪ 1300 01:10:50,420 --> 01:10:53,205 ♪ TIME MAY CHANGE ME 1301 01:10:53,249 --> 01:10:58,210 ♪ BUT I CAN'T TRACE TIME 1302 01:11:02,432 --> 01:11:05,261 ♪ OOH YEAH 1303 01:11:07,306 --> 01:11:10,788 ♪ I WATCH THE RIPPLES CHANGE THEIR SIZE ♪ 1304 01:11:10,831 --> 01:11:15,358 ♪ BUT NEVER LEAVE THE STREAM OF WARM IMPERMANENCE ♪ 1305 01:11:15,401 --> 01:11:19,362 ♪ AND SO THE DAYS FLOAT THROUGH MY EYES ♪ 1306 01:11:19,405 --> 01:11:23,540 ♪ BUT STILL THE DAYS SEEM THE SAME ♪ 1307 01:11:23,583 --> 01:11:27,935 ♪ AND THESE CHILDREN THAT YOU SPIT ON ♪ 1308 01:11:27,979 --> 01:11:31,896 ♪ AS THEY TRY TO CHANGE THEIR WORLDS ♪ 1309 01:11:31,939 --> 01:11:36,030 ♪ ARE IMMUNE TO YOUR CONSULTATIONS ♪ 1310 01:11:36,074 --> 01:11:39,773 ♪ THEY'RE QUITE AWARE OF WHAT THEY'RE GOING THROUGH ♪ 1311 01:11:39,817 --> 01:11:41,819 ♪ CH-CH-CH-CH-CHANGES 1312 01:11:41,862 --> 01:11:44,387 ♪ TURN AND FACE THE STRAIN 1313 01:11:44,430 --> 01:11:45,910 ♪ CH-CH-CHANGES 1314 01:11:45,953 --> 01:11:49,348 ♪ DON'T TELL THEM TO GROW UP AND OUT OF IT ♪ 1315 01:11:49,392 --> 01:11:51,350 ♪ CH-CH-CH-CH-CHANGES 1316 01:11:51,394 --> 01:11:53,961 ♪ TURN AND FACE THE STRAIN 1317 01:11:54,005 --> 01:11:55,354 ♪ CH-CH-CHANGES 1318 01:11:55,398 --> 01:11:56,616 ♪ WHERE'S YOUR SHAME? 1319 01:11:56,660 --> 01:11:58,879 ♪ YOU'VE LEFT US UP TO OUR NECKS IN IT ♪ 1320 01:11:58,923 --> 01:12:01,491 ♪ TIME MAY CHANGE ME 1321 01:12:01,534 --> 01:12:05,059 ♪ BUT YOU CAN'T TRACE TIME 1322 01:12:05,103 --> 01:12:13,111 ♪ STRANGE FASCINATION, FASCINATING ME ♪ 1323 01:12:13,154 --> 01:12:20,466 ♪ CHANGES ARE TAKING THE PACE I'M GOING THROUGH ♪ 1324 01:12:20,510 --> 01:12:22,250 ♪ CH-CH-CH-CH-CHANGES 1325 01:12:22,294 --> 01:12:24,949 ♪ TURN AND FACE THE STRAIN 1326 01:12:24,992 --> 01:12:26,124 ♪ CH-CH-CHANGES 1327 01:12:26,167 --> 01:12:29,432 ♪ OOH, LOOK OUT YOU ROCK 'N ROLLERS ♪ 1328 01:12:29,475 --> 01:12:31,738 ♪ CH-CH-CH-CH-CHANGES 1329 01:12:31,782 --> 01:12:34,045 ♪ TURN AND FACE THE STRAIN 1330 01:12:34,088 --> 01:12:35,568 ♪ CH-CH-CHANGES 1331 01:12:35,612 --> 01:12:38,615 ♪ PRETTY SOON NOW YOU'RE GONNA GET A LITTLE OLDER ♪ 1332 01:12:38,658 --> 01:12:41,705 ♪ TIME MAY CHANGE ME 1333 01:12:41,748 --> 01:12:44,011 ♪ BUT I CAN'T TRACE TIME 1334 01:12:44,055 --> 01:12:47,798 ♪ I SAID THAT TIME MAY CHANGE ME ♪ 1335 01:12:47,841 --> 01:12:55,153 ♪ BUT I CAN'T TRACE TIME 1336 01:13:06,251 --> 01:13:08,384 [SONG FADES OUT] 1337 01:13:08,427 --> 01:13:11,822 [ADAM COHEN'S "COUCHE-MOI" BEGINS] 1338 01:13:17,654 --> 01:13:20,700 [COHEN SINGING IN FRENCH] 81817

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