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1
00:00:01,784 --> 00:00:03,568
[WHISTLE BLOWS]
2
00:00:03,612 --> 00:00:05,396
WOMAN: SPENCER,
AT TWO TOUCHDOWNS,
3
00:00:05,440 --> 00:00:07,920
147 YARDS RECEIVING,
YOU'VE REALLY BECOME A STAR
4
00:00:07,964 --> 00:00:10,923
THESE PAST FEW GAMES.
SPENCER: UM, I DON'T PAY NO MIND
5
00:00:10,967 --> 00:00:13,926
TO THAT INDIVIDUAL STUFF.
THIS WAS A TEAM EFFORT.
6
00:00:13,970 --> 00:00:16,277
WADE: HEH HEH!
LOOK, I'LL ANSWER THAT FOR HIM.
7
00:00:16,320 --> 00:00:18,931
EVERYONE CAN SEE THAT S.J.'s
GREATNESS IS UNDENIABLE.
8
00:00:18,975 --> 00:00:21,238
NOW HERE'S THE BRUTAL TRUTH.
JORDAN: "S.J."?
9
00:00:21,282 --> 00:00:22,892
WADE: SOME PLAYERS BELONG
ON THE BENCH...
10
00:00:22,935 --> 00:00:24,937
WELL, THOSE ARE
THE BOY'S INITIALS.
11
00:00:24,981 --> 00:00:26,548
IT'S JUST A TRAGEDY
S.J.'s CRAZY TALENT
12
00:00:26,591 --> 00:00:28,332
WAS WASTED FOR HALF
THE SEASON.
13
00:00:28,376 --> 00:00:30,334
ARE YOU CRITICIZING
COACH GARRETT'S
DECISION TO KEEP
14
00:00:30,378 --> 00:00:33,207
SPENCER ON SPECIAL TEAMS
FOR SUCH A LONG TIME?
15
00:00:33,250 --> 00:00:34,860
HEH HEH!
YOU'RE LOOKING
FOR A QUOTE.
16
00:00:34,904 --> 00:00:36,775
IT'S A NICE TRY,
BUT IT'S LIKE THIS.
17
00:00:36,819 --> 00:00:39,387
WATER RISES
TO ITS LEVEL, RIGHT?
18
00:00:39,430 --> 00:00:42,216
WELL, I'M WATERS.
SPENCER'S THE LEVEL.
19
00:00:42,259 --> 00:00:45,697
WADE: I MEAN, HIS PRESENCE
ALONE RAISES THE CALIBER
OF PLAY ON THE FIELD.
20
00:00:45,741 --> 00:00:48,048
AIN'T THAT RIGHT?
SPENCER: AHEM.
21
00:00:50,615 --> 00:00:53,009
ALL I KNOW IS
WADE WATERS
22
00:00:53,053 --> 00:00:56,056
IS THE BEST Q.B. IN
THE COUNTRY, AND SO
23
00:00:56,099 --> 00:00:59,320
PLAYING WITH HIM PUTS
GREATNESS WITHIN REACH
FOR ALL OF US.
24
00:00:59,363 --> 00:01:03,063
WADE: HEY, NOW HOW'S THAT
FOR A QUOTE? COME HERE.
GOOD GAME.
25
00:01:11,636 --> 00:01:14,596
WADE: EVERYONE CAN SEE
THAT S.J.'s GREATNESS
IS UNDENIABLE.
26
00:01:14,639 --> 00:01:16,685
NOW HERE'S
THE BRUTAL TRUTH.
SOME PLAYERS BELONG
27
00:01:16,728 --> 00:01:18,774
ON THE BENCH, OTHERS
BELONG ON THE FIELD.
[KNOCK ON DOOR]
28
00:01:18,817 --> 00:01:20,732
ASHER: YOU WANTED
TO SEE ME, COACH?
WADE: IT'S JUST A TRAGEDY--
29
00:01:20,776 --> 00:01:22,343
TELL ME
ABOUT SPENCER JAMES.
30
00:01:22,386 --> 00:01:24,780
HEH! WELL, HE'S
THE BEST FOOTBALL PLAYER
31
00:01:24,823 --> 00:01:27,130
I'VE EVER PLAYED WITH
OR AGAINST.
32
00:01:27,174 --> 00:01:29,350
WELL, AS YOU KNOW, WE'RE
PLAYING HIM AT HOMECOMING.
33
00:01:29,393 --> 00:01:31,178
THERE'S NOT A LOT
OF GAME FILM ON HIM YET.
34
00:01:31,221 --> 00:01:33,049
ALL WE KNOW IS THAT HE WAS
A HIGH-SCHOOL ALL-AMERICAN
35
00:01:33,093 --> 00:01:34,529
AND A SPECIAL-TEAMS PLAYER
FOR MOST OF THIS YEAR.
36
00:01:34,572 --> 00:01:36,183
NOW HE SEEMS TO BE
THE PRIMARY FOCUS
37
00:01:36,226 --> 00:01:38,837
OF G.A.U.'s OFFENSE,
AND AS A TRUE FRESHMAN,
38
00:01:38,881 --> 00:01:41,971
THAT'S IMPRESSIVE.
ASHER: LIKE I SAID,
HE'S THE BEST I'VE EVER SEEN.
39
00:01:42,014 --> 00:01:44,800
[INHALES DEEPLY]
AND YOU'RE HIS
ROOMMATE, RIGHT?
40
00:01:46,193 --> 00:01:48,499
YEAH. WHY?
41
00:01:48,543 --> 00:01:51,154
'CAUSE I'M GONNA NEED YOU
TO DO A FULL SCOUTING
REPORT BY TOMORROW.
42
00:01:51,198 --> 00:01:53,069
- WHAT, BECAUSE
HE'S MY ROOMMATE?
- NO.
43
00:01:53,113 --> 00:01:55,027
NO, BECAUSE YOU
PLAYED WITH HIM
AND AGAINST HIM.
44
00:01:55,071 --> 00:01:56,855
YOU KNOW HIM BETTER
THAN ANYONE.
45
00:01:56,899 --> 00:01:58,683
I NEED TO KNOW
HIS STRENGTHS,
HIS WEAKNESSES.
46
00:01:58,727 --> 00:02:00,729
I WANT TO MAKE HIM
A NONFACTOR
AT HOMECOMING.
47
00:02:00,772 --> 00:02:02,731
LOOK, ASHER, IF THIS
IS A PROBLEM FOR YOU,
48
00:02:02,774 --> 00:02:04,733
I CAN GIVE IT
TO SOMEONE ELSE.
49
00:02:04,776 --> 00:02:06,474
I JUST THOUGHT
YOU'D BE EXCITED
ABOUT YOUR FIRST
50
00:02:06,517 --> 00:02:09,085
COACHING ASSIGNMENT.
ASHER: NO, NO, NO, I--I AM.
51
00:02:09,129 --> 00:02:12,393
I AM. THANK YOU.
MONTES: THIS ISN'T
JUST ABOUT SPENCER JAMES.
52
00:02:12,436 --> 00:02:15,396
HE'S THE FOCUS, BUT I
NEED A FULL SUMMARY
53
00:02:15,439 --> 00:02:17,876
ON THAT ENTIRE OFFENSE,
TOP TO BOTTOM.
54
00:02:17,920 --> 00:02:19,487
THINK YOU COULD PUT
THAT TOGETHER FOR US?
55
00:02:19,530 --> 00:02:21,576
YES, SIR.
56
00:02:30,672 --> 00:02:33,022
"BEST QUARTERBACK
IN THE COUNTRY."
57
00:02:33,065 --> 00:02:34,893
WELL, THE BOY CAN
SLING THAT BALL.
58
00:02:34,937 --> 00:02:37,505
- THANKS, DAD.
- WAIT. OK.
59
00:02:37,548 --> 00:02:39,811
ARE WE NOT SUPPOSED TO
LIKE HIM OR SOMETHING?
WHAT'S GOING ON?
60
00:02:39,855 --> 00:02:43,075
- WADE IS MY COMPETITION.
- I KNOW, BUT HE'S ALSO
YOUR TEAMMATE.
61
00:02:43,119 --> 00:02:45,861
YOUR REAL COMPETITION IS
WEARING A DIFFERENT UNIFORM.
62
00:02:45,904 --> 00:02:47,906
I KNOW YOU DON'T WANT TO BE
PLAYING AGAINST HIM, RIGHT?
63
00:02:47,950 --> 00:02:50,257
OK, SO YOU THINK
HE'S THE BEST IN
THE COUNTRY, TOO?
64
00:02:50,300 --> 00:02:53,085
J., AT YOUR LEVEL,
YOU'RE EITHER PLAYING
WITH OR AGAINST
65
00:02:53,129 --> 00:02:55,131
THE BEST IN THE COUNTRY.
I DON'T KNOW WHAT
YOU WANT ME TO SAY.
66
00:02:55,175 --> 00:02:57,133
I WISH YOU WOULD HAVE
GIVEN ME THAT ADVICE
BEFORE I TOLD WADE I WAS
67
00:02:57,177 --> 00:02:59,744
COMING FOR HIS SPOT.
NOW I JUST FEEL
LIKE AN IDIOT.
68
00:02:59,788 --> 00:03:02,269
ALL I'VE DONE
EVER SINCE IS WEAR OUT
THE PAINT ON THE BENCH.
69
00:03:02,312 --> 00:03:04,358
EVEN SPENCER THINKS HE'S BETTER.
BILLY: OK.
70
00:03:04,401 --> 00:03:07,012
BABY BOY, YOU NEED
TO GET YOURSELF TOGETHER.
71
00:03:07,056 --> 00:03:09,580
- [SIGHS]
- YOU'RE BEING WAY
TOO SENSITIVE RIGHT NOW.
72
00:03:09,624 --> 00:03:11,800
YOU GOT TO GET OVER IT.
YOU FEEL ME?
73
00:03:11,843 --> 00:03:13,323
DO YOU FEEL ME?
74
00:03:13,367 --> 00:03:15,456
- YEAH.
- ALL RIGHT. GIMME THAT JUICE.
75
00:03:15,499 --> 00:03:18,023
[SIGHS]
76
00:03:21,331 --> 00:03:23,942
SINCE WHEN DO YOU COOK?
77
00:03:23,986 --> 00:03:27,555
MMM, SINCE THE SERVICE FEES
ON THOSE FOOD DELIVERY APPS
78
00:03:27,598 --> 00:03:30,079
BECAME MORE EXPENSIVE
THAN THE ACTUAL FOOD.
79
00:03:30,122 --> 00:03:31,689
- YEAH, YOU'RE RIGHT.
- HEH!
80
00:03:31,733 --> 00:03:33,778
IT DOES SMELL PRETTY GOOD
IN HERE, THOUGH.
81
00:03:33,822 --> 00:03:36,781
GIRL, KELIS AIN'T JUST,
LIKE, A SINGER-SONGWRITER.
82
00:03:36,825 --> 00:03:39,262
SIS GOT RECIPES, TOO.
83
00:03:39,306 --> 00:03:41,264
[SIGHS]
YEAH.
84
00:03:41,308 --> 00:03:44,136
OH. WOW.
THOSE ARE GORGEOUS.
85
00:03:44,180 --> 00:03:46,878
YEAH.
THEY'RE...FOR YOU.
86
00:03:46,922 --> 00:03:48,880
[SIGHS]
87
00:03:48,924 --> 00:03:50,708
COOP--
COOP: I DIDN'T SEND 'EM,
88
00:03:50,752 --> 00:03:52,841
ALL RIGHT?
THEY WAS AT THE DOOR.
89
00:03:52,884 --> 00:03:54,930
WHAT?
90
00:03:58,847 --> 00:04:00,805
OH, MY GOD.
91
00:04:00,849 --> 00:04:02,807
OH, WOW.
THESE ARE FROM SABINE.
92
00:04:02,851 --> 00:04:05,810
HA! OK.
I'M GONNA, UH,
93
00:04:05,854 --> 00:04:08,813
I'M GONNA PUT
THESE IN A VASE.
94
00:04:08,857 --> 00:04:10,815
THAT'S SO NICE.
95
00:04:10,859 --> 00:04:12,600
[CHUCKLES]
96
00:04:13,992 --> 00:04:16,343
[POP MUSIC PLAYING]
97
00:04:16,386 --> 00:04:18,170
MALE SINGER: ♪ HOLD UP,
WHAT YOU WAITING FOR? ♪
98
00:04:18,214 --> 00:04:19,911
J.J.: UP, UP. HERE WE GO.
FOUR SECONDS LEFT.
99
00:04:19,955 --> 00:04:21,435
NUMBER 11 NEARS
THE END ZONE.
100
00:04:21,478 --> 00:04:23,393
OH, HE TOUCHES BACK
INSIDE, CROSSES
101
00:04:23,437 --> 00:04:26,440
THE 10-YARD LINE.
WILL HE MAKE IT?
102
00:04:26,483 --> 00:04:28,790
J.J. AND ASHER: TOUCHDOWN!
HA HA! TOUCHDOWN!
103
00:04:28,833 --> 00:04:31,445
J.J.: WITH A BEAUTY! HA HA!
ASHER: HE'S UNSTOPPABLE!
104
00:04:31,488 --> 00:04:33,447
Y'ALL ARE STUPID, MAN.
WHAT'S UP?
105
00:04:33,490 --> 00:04:35,231
J.J.: WHAT'S UP, MAN?
ASHER: HEY, MAN, SERIOUSLY,
106
00:04:35,275 --> 00:04:36,798
GREAT GAME, DUDE.
SPENCER: THANKS, BRUH.
107
00:04:36,841 --> 00:04:38,147
PAYING FOR IT NOW,
THOUGH.
108
00:04:38,190 --> 00:04:39,931
I FEEL LIKE I GOT
RUN OVER BY A BUS.
109
00:04:39,975 --> 00:04:41,542
ASHER: YEAH?
SPENCER: MM-HMM.
110
00:04:41,585 --> 00:04:43,587
WHAT HURTS?
YOUR ANKLE?
111
00:04:43,631 --> 00:04:44,936
NO.
112
00:04:44,980 --> 00:04:47,852
BACK? HANDS?
HOW YOUR HANDS FEEL?
113
00:04:47,896 --> 00:04:51,465
MY HANDS ARE FINE, BRUH.
YOU GETTING INTO PHYSICAL
THERAPY NOW OR SOMETHING?
114
00:04:51,508 --> 00:04:54,294
J.J.: COACH MR. MONTES
HAS ASH ON SOME
SECRET-AGENT BIZ
115
00:04:54,337 --> 00:04:56,600
FOR THE BIG G.A.U.-
COASTAL HOMECOMING GAME.
116
00:04:56,644 --> 00:04:58,341
ASHER: YEAH, HE ASKED ME TO DO
A FULL SCOUTING REPORT
117
00:04:58,385 --> 00:05:00,604
ON YOU, JORDAN, SOME OF
THE OTHER G.A.U. GUYS.
118
00:05:00,648 --> 00:05:02,606
SPENCER: FOR REAL?
ASHER: YEAH. IT'S MY FIRST
119
00:05:02,650 --> 00:05:05,087
OFFICIAL ASSISTANT COACH
ASSIGNMENT, SO...
120
00:05:05,130 --> 00:05:07,698
- THAT IS DOPE. CONGRATS, MAN.
- HEY, THANK YOU.
121
00:05:07,742 --> 00:05:09,874
- I'M HAPPY FOR YOU.
SO WHAT YOU GOT ON ME?
- OH, UH,
122
00:05:09,918 --> 00:05:11,876
YOU'LL HAVE TO WAIT
AND SEE, GAME NIGHT.
123
00:05:11,920 --> 00:05:14,139
OH, IT'S LIKE THAT?
OK, OK, WELL, WHILE
124
00:05:14,183 --> 00:05:16,838
YOU'RE WRITING YOUR
LITTLE REPORT THERE,
JUST REMEMBER, I'M 6'1".
125
00:05:16,881 --> 00:05:18,187
J.J.: HA HA HA!
ASHER: 6'1"?
126
00:05:18,230 --> 00:05:19,406
NO, YOU--YOU'RE NOT
LISTENING.
127
00:05:19,449 --> 00:05:21,364
YOU GOT TO FACTOR IN
THE CLEATS.
128
00:05:21,408 --> 00:05:23,018
THE CLEATS ARE A PART
OF THE WHOLE--
J.J.: OH, OH,
129
00:05:23,061 --> 00:05:24,715
DO THE CLEATS HAVE
HEELS NOW? IS THAT--
130
00:05:24,759 --> 00:05:26,282
ASHER: I THINK THAT'S A--
THAT'S A BIG HEEL.
131
00:05:26,326 --> 00:05:27,979
J.J.: HA HA HA!
SPENCER: Y'ALL GOT JOKES.
132
00:05:28,023 --> 00:05:29,590
OK, OK. Y'ALL SUPPOSED
TO BE MY FRIENDS,
133
00:05:29,633 --> 00:05:31,243
BUT OK, DON'T EVEN
WORRY 'BOUT IT.
134
00:05:31,287 --> 00:05:32,854
JORDAN: YEAH, WELL,
REAL FRIENDS KEEP YOU
135
00:05:32,897 --> 00:05:34,464
GROUNDED, SO...
136
00:05:34,508 --> 00:05:36,858
ASHER: UH, EXACTLY.
THAT'S WHY WE CAN'T
137
00:05:36,901 --> 00:05:38,468
LET YOU GET TOO HIGH
ON YOUR OWN GREATNESS.
138
00:05:38,512 --> 00:05:40,514
FEEL ME?
SPENCER: GREATNESS?
139
00:05:40,557 --> 00:05:42,690
YEAH, THAT'S WHAT
THAT REPORTER SAID
IN THAT INTERVIEW.
140
00:05:42,733 --> 00:05:46,911
IT'S CRAZY, MAN.
TWO WEEKS AGO, COACH GARRETT
DIDN'T EVEN KNOW MY NAME,
141
00:05:46,955 --> 00:05:50,306
AND NOW I'M THE HEART
OF THE ENTIRE OFFENSE?
IT FEELS LIKE A FLUKE.
142
00:05:50,350 --> 00:05:52,917
I DON'T EVEN KNOW
IF THAT'S SUSTAINABLE
GAME TO GAME.
143
00:05:52,961 --> 00:05:54,919
JORDAN: YEAH, WELL,
I DON'T KNOW.
144
00:05:54,963 --> 00:05:56,530
I WOULDN'T WORRY
ABOUT IT TOO MUCH, S.J.
145
00:05:56,573 --> 00:05:58,401
I THINK YOU'LL BE FINE.
146
00:05:58,445 --> 00:06:00,011
I MEAN, YOU DO HAVE ONE
OF THE BEST QUARTERBACKS
147
00:06:00,055 --> 00:06:01,839
IN THE COUNTRY TOSSING
YOU THE ROCK, RIGHT?
148
00:06:01,883 --> 00:06:03,972
AM I MISSING SOMETHING, MAN?
YOU WALKED IN HERE
149
00:06:04,015 --> 00:06:06,104
LIKE YOU HAD SOMETHING
TO SAY, SO YOU MIGHT
AS WELL JUST SAY IT.
150
00:06:06,148 --> 00:06:08,106
I MEAN, YOU CHANGED
YOUR MIND ABOUT WADE
PRETTY DAMN QUICK
151
00:06:08,150 --> 00:06:10,152
THE MINUTE HE STARTED
TALKING YOU UP.
152
00:06:10,195 --> 00:06:11,675
THAT'S SOME SERIOUS
BACKPEDALING.
153
00:06:11,719 --> 00:06:13,851
THIS TENSION IS
BUMMIN' ME OUT.
154
00:06:13,895 --> 00:06:16,941
ALL RIGHT, LOOK, MAN.
IT AIN'T LIKE I'M
BEST FRIENDS WITH THE DUDE.
155
00:06:16,985 --> 00:06:19,204
AND SINCE WHEN
IS IT A CRIME TO CHANGE
YOUR MIND ABOUT SOMEBODY?
156
00:06:19,248 --> 00:06:22,338
WHEN YOU AND I FIRST MET,
WE DIDN'T EVEN LIKE EACH
OTHER. YOU REMEMBER THAT?
157
00:06:22,382 --> 00:06:24,427
YEAH, SUDDENLY I
REMEMBER IT REALLY WELL.
158
00:06:24,471 --> 00:06:26,298
WHOA, WHOA, WHOA.
GUYS, HEH! COME ON.
159
00:06:26,342 --> 00:06:27,952
WE'RE ALL FRIENDS
HERE, RIGHT?
160
00:06:27,996 --> 00:06:29,693
MAYBE YOU SHOULD BOTH
JUST WALK AWAY, RELAX
161
00:06:29,737 --> 00:06:31,391
BEFORE YOU SAY
SOMETHING YOU CAN'T
162
00:06:31,434 --> 00:06:33,393
TAKE BACK, YEAH?
163
00:06:33,436 --> 00:06:35,090
GUYS?
164
00:06:43,446 --> 00:06:45,796
IT'S NOT LIKE I SAID
JORDAN WASN'T A GREAT QB.
165
00:06:45,840 --> 00:06:48,233
ALL I DID WAS
COMPLIMENT WADE'S SKILLS
AFTER A GOOD GAME.
166
00:06:48,277 --> 00:06:51,236
WELL, WE BOTH KNOW
HOW BAD JORDAN WANTS TO
GET BACK OUT ON THE FIELD.
167
00:06:51,280 --> 00:06:52,934
IT'S ONLY A MATTER
OF TIME.
168
00:06:52,977 --> 00:06:54,805
THAT BOY IS TOO
TALENTED NOT TO PLAY.
169
00:06:54,849 --> 00:06:57,460
WHATEVER.
WE'LL FIGURE IT OUT.
170
00:06:57,504 --> 00:07:00,071
IT'S NOT
OUR FIRST FIGHT,
AND WE FAMILY.
171
00:07:00,115 --> 00:07:02,073
WE GOT EVERYTHING WE
NEED HERE?
172
00:07:02,117 --> 00:07:03,684
- A BLANKET?
- CHECK.
173
00:07:03,727 --> 00:07:05,599
SNACKS
AND REFRESHMENTS?
174
00:07:05,642 --> 00:07:07,427
CHECK.
175
00:07:07,470 --> 00:07:10,038
AND...CHECK.
176
00:07:10,081 --> 00:07:12,649
ALL RIGHT.
WE ARE ALL SET FOR OUR
ALL-DAY SNACK BREAK.
177
00:07:12,693 --> 00:07:14,303
IT'S GONNA BE GOOD
TO GET AWAY.
178
00:07:14,346 --> 00:07:15,913
WE'VE BOTH BEEN
SO BUSY LATELY.
179
00:07:15,957 --> 00:07:17,785
- MMM.
- FOOTBALL, YOUR ARTICLE.
180
00:07:17,828 --> 00:07:20,222
YOU KNOW, WHY DON'T WE
TAKE IT ONE STEP FURTHER?
181
00:07:20,265 --> 00:07:22,354
WHAT DO YOU SAY WE DON'T
TALK ABOUT FOOTBALL OR
MY N.I.L. ARTICLE TODAY?
182
00:07:22,398 --> 00:07:24,792
MY BAD.
WHAT IS FOOTBALL?
183
00:07:24,835 --> 00:07:26,184
LET'S GO.
184
00:07:26,228 --> 00:07:27,577
WHOA, WHOA,
WHOA, WHOA.
185
00:07:27,621 --> 00:07:29,231
LET ME GET THAT
FOR YOU.
186
00:07:29,274 --> 00:07:31,842
OH. SO CHIVALROUS.
187
00:07:31,886 --> 00:07:34,062
- [KISS]
- WELL, I HOPE YOU
188
00:07:34,105 --> 00:07:36,847
PACKED MORE
WHERE THAT CAME FROM.
SPENCER: HEH HEH!
189
00:07:36,891 --> 00:07:40,851
OFTEN RUNS INSIDE BLITZ.
INSIDE, INSIDE.
190
00:07:40,895 --> 00:07:45,552
OOH, "A PROTOTYPICAL
LINEBACKER"? NICE.
THAT BETTER BE ABOUT ME.
191
00:07:45,595 --> 00:07:47,989
- HEY, I'M WORKING, J.J.
- HOW AM I SUPPOSED
TO GET AN EDGE
192
00:07:48,032 --> 00:07:50,339
OVER THE G.A.U. GUYS IF YOU
DON'T EVEN LET ME PEEP
193
00:07:50,382 --> 00:07:52,733
THE SCOUTING REPORT?
ASHER: HEY, HEY, HEY.
194
00:07:52,776 --> 00:07:55,039
NO ONE IS PEEPING
ANYTHING UNTIL
IT'S FINISHED,
195
00:07:55,083 --> 00:07:57,172
IF IT'S EVER FINISHED.
[SIGHS]
196
00:07:57,215 --> 00:08:00,044
HEY, YOU THINK
G.A.U.'s DOING
SCOUTING REPORTS ON US?
197
00:08:00,088 --> 00:08:01,829
WHAT DO YOU THINK
MINE WOULD SAY?
198
00:08:01,872 --> 00:08:03,918
J.J., ENOUGH.
THIS IS NOT
A JOKE, DUDE.
199
00:08:03,961 --> 00:08:06,268
I HAVE ONE SHOT
TO NAIL THIS REPORT
AND PROVE TO MONTES
200
00:08:06,311 --> 00:08:08,836
THAT I HAVE
WHAT IT TAKES TO BE
AN ASSISTANT COACH,
201
00:08:08,879 --> 00:08:10,838
AND HE'S
ALREADY SKEPTICAL
ON WHETHER OR NOT
202
00:08:10,881 --> 00:08:13,101
I CAN DELIVER THIS, SO JUST--
J.J.: DID HE SAY THAT?
203
00:08:13,144 --> 00:08:15,712
[SIGHS]
NO...
204
00:08:15,756 --> 00:08:19,368
NOT IN SO MANY
WORDS, BUT...
205
00:08:19,411 --> 00:08:22,371
I JUST DON'T WANT
TO MESS THIS UP,
206
00:08:22,414 --> 00:08:25,461
AND I HAVE NO IDEA
IF WHAT I HAVE
IS--IS ANY GOOD.
207
00:08:25,505 --> 00:08:28,072
OK, SO GET SOMEONE
TO GIVE IT A ONCE-OVER
208
00:08:28,116 --> 00:08:30,553
BEFORE YOU TURN IT IN.
209
00:08:30,597 --> 00:08:33,774
SOMEONE LIKE...ME.
210
00:08:33,817 --> 00:08:35,776
[CHUCKLES]
NO SHADE, J.J., BUT YOU
211
00:08:35,819 --> 00:08:38,343
AND MONTES DON'T EXACTLY
THINK THE SAME WAY.
212
00:08:38,387 --> 00:08:40,345
[SIGHS]
213
00:08:41,825 --> 00:08:45,220
BUT...YOU'RE
DEFINITELY ON
TO SOMETHING.
214
00:08:45,263 --> 00:08:48,005
THANKS, MAN.
J.J.: YEAH.
215
00:08:48,049 --> 00:08:49,746
YEAH.
216
00:08:51,269 --> 00:08:53,837
PATIENCE: HEY.
SKYE: HEY, GIRL. IS COOP HERE?
217
00:08:53,881 --> 00:08:56,492
PATIENCE: UH--
COOP: WHEW! RIGHT ON TIME.
218
00:08:56,536 --> 00:08:58,886
SKYE: I'M, LIKE,
A HALF-HOUR LATE.
COOP: REALLY?
219
00:08:58,929 --> 00:09:00,627
YEAH.
YOU JUST TEXTED,
"WHERE ARE YOU?"
220
00:09:00,670 --> 00:09:02,716
COOP: OH. OH. OK.
221
00:09:02,759 --> 00:09:05,153
WHATEVER. WORTH THE WAIT.
YEAH, YOU LOOK GOOD.
YOU READY?
222
00:09:05,196 --> 00:09:08,112
SKYE: YEAH, LET'S DO IT.
PATIENCE: HMM. Y'ALL TWO
GOING ON A DATE?
223
00:09:08,156 --> 00:09:10,114
SKYE:
YEAH. COOP CALLED
OUT OF THE BLUE.
224
00:09:10,158 --> 00:09:11,855
GUESS SHE FINALLY
CAME TO HER SENSES.
225
00:09:11,899 --> 00:09:14,423
LOOK, IT--IT WASN'T
OUT THE BLUE, OK?
226
00:09:14,466 --> 00:09:16,512
BUT WHATEVER.
LET'S GO GET SOME FOOD
'CAUSE I AIN'T GONNA LIE.
227
00:09:16,556 --> 00:09:18,601
THAT HALF-HOUR WAIT
GOT ME EXTRA-HUNGRY.
228
00:09:18,645 --> 00:09:20,603
[CHUCKLES]
229
00:09:20,647 --> 00:09:22,736
OK, WELL,
Y'ALL HAVE FUN.
230
00:09:28,785 --> 00:09:30,831
[DOOR CLOSES]
231
00:09:33,224 --> 00:09:36,445
OLIVIA: OK.
SPENCER: MAN, I AM STARVING.
WHAT YOU GOT IN THERE, GIRL?
232
00:09:36,488 --> 00:09:38,795
MMM. IT'S KIND
OF A SURPRISE.
233
00:09:38,839 --> 00:09:40,754
OH. OK.
234
00:09:40,797 --> 00:09:42,843
OOH.
235
00:09:44,453 --> 00:09:47,021
DOPE. DOPE.
236
00:09:47,064 --> 00:09:49,763
WAIT. I THOUGHT...
THESE WERE
YOUR FAVORITES.
237
00:09:49,806 --> 00:09:51,852
NO, NO, I LOVE 'EM.
IT'S JUST
238
00:09:51,895 --> 00:09:54,768
THE TEAM NUTRITIONIST
MANDATED WE CUT BACK
ON BREAD AND SUGAR, SO...
239
00:09:54,811 --> 00:09:56,770
- I SHOULD HAVE
ASKED. I'M SORRY.
- NO, IT'S ALL GOOD.
240
00:09:56,813 --> 00:09:58,989
YOU KNOW WHAT? THE HELL
WITH THAT MANDATE.
WATCH THIS.
241
00:09:59,033 --> 00:10:00,991
MMM.
OLIVIA: YEAH? OH. OK.
242
00:10:01,035 --> 00:10:03,385
- MMM. I MISSED
THESE BAD BOYS.
- YEAH, YOU DID.
243
00:10:03,428 --> 00:10:05,387
[PAPER CRINKLES]
OH, HERE.
244
00:10:05,430 --> 00:10:07,737
I WENT
TO SLAUSON CAFEÉ
AND PICKED UP
245
00:10:07,781 --> 00:10:10,174
YOUR USUAL.
OLIVIA: OH! YES.
246
00:10:10,218 --> 00:10:12,481
- HA HA.
- THANK YOU.
247
00:10:12,524 --> 00:10:14,483
OOH.
- WHOA. THERE YOU GO.
248
00:10:14,526 --> 00:10:16,485
- THANK YOU.
- MM-HMM.
249
00:10:16,528 --> 00:10:18,574
AHEM.
250
00:10:21,490 --> 00:10:24,058
SSS.
THIS WHOLE MILK?
251
00:10:24,101 --> 00:10:27,365
THAT'S A...VENTI, NO WHIP
AND EXTRA HONEY, RIGHT?
252
00:10:27,409 --> 00:10:29,803
I KINDA SWITCHED
TO OAT MILK AFTER WE
253
00:10:29,846 --> 00:10:31,892
DID THAT ARTICLE ON
THE DAIRY INDUSTRY.
254
00:10:31,935 --> 00:10:34,546
OH. OK.
UH, I CAN, UM--
255
00:10:34,590 --> 00:10:37,158
UH, YOU KNOW WHAT?
NO. IT'S FINE.
IT'S SO SILLY.
256
00:10:37,201 --> 00:10:39,639
SEE? IT'S GOOD.
257
00:10:41,118 --> 00:10:43,164
AHEM.
258
00:10:46,646 --> 00:10:49,213
SO, UH, YOU AND
THE GIRLS DOING A'IGHT?
259
00:10:49,257 --> 00:10:51,476
- YEAH. WE'RE GOOD.
- COOL.
260
00:10:51,520 --> 00:10:53,696
- YEAH.
- COOL.
261
00:10:53,740 --> 00:10:55,916
ACTUALLY, UM,
PATIENCE AND I,
262
00:10:55,959 --> 00:10:58,483
WE SAW LAST NIGHT'S
FOOTBALL HIGHLIGHTS.
263
00:10:58,527 --> 00:11:01,486
AND WE ARE
NOT SUPPOSED
264
00:11:01,530 --> 00:11:03,488
TO BE TALKING
ABOUT ARTICLES
OR FOOTBALL TODAY.
265
00:11:03,532 --> 00:11:05,490
- HEH HEH HEH!
- I'M SORRY.
266
00:11:05,534 --> 00:11:08,276
IT'S ALL GOOD.
UM...
267
00:11:09,756 --> 00:11:12,715
GLAD THEY FINALLY GOT
TO RENOVATE THE PARK.
OLIVIA: YEAH.
268
00:11:12,759 --> 00:11:14,717
IT'S A LOT WINDIER
THAN I THOUGHT IT
WOULD BE, THOUGH.
269
00:11:14,761 --> 00:11:16,327
YEAH, I KNOW.
THAT--THAT SUCKS.
270
00:11:16,371 --> 00:11:18,025
YEAH.
271
00:11:19,635 --> 00:11:21,637
YOU GONNA FINISH
THAT COFFEE?
272
00:11:21,681 --> 00:11:23,987
PROBABLY NOT.
WANT IT?
273
00:11:24,031 --> 00:11:26,076
UH, YEAH, YEAH. SURE.
274
00:11:27,599 --> 00:11:29,558
YOU WANT THIS?
275
00:11:29,601 --> 00:11:31,516
SURE.
276
00:11:35,695 --> 00:11:37,261
AHEM.
277
00:11:37,305 --> 00:11:40,264
MALE SINGER:
♪ NO ALARM THIS MORNING
278
00:11:40,308 --> 00:11:43,485
♪ NOTHIN' GONNA TELL ME
WHERE I GOTTA BE ♪
279
00:11:43,528 --> 00:11:46,096
♪ WE CAN TAKE THIS SLOW
280
00:11:46,140 --> 00:11:48,098
[KNOCK ON DOOR]
JORDAN: HEY. WHOA.
281
00:11:48,142 --> 00:11:50,100
GO EASY
ON THE TREES, HUH?
282
00:11:50,144 --> 00:11:52,712
HEH! UH, HOW WAS
YOUR TRIP TO BRINGSTON?
283
00:11:52,755 --> 00:11:55,279
I FEEL LIKE I
HAVEN'T REALLY SEEN YOU
SINCE YOU'VE BEEN BACK.
284
00:11:55,323 --> 00:11:58,369
IT WAS--IT WAS GOOD,
YOU KNOW? TOO SHORT,
AS ALWAYS.
285
00:11:58,413 --> 00:12:01,546
- UH--
- UH, "CARRIE, IT'S
BEEN A LONG TIME."
286
00:12:01,590 --> 00:12:03,766
"CARRIE, I HOPE
THIS GE--"
287
00:12:03,810 --> 00:12:05,725
YOU HAVEN'T GONE
TO SEE CARRIE YET?
288
00:12:05,768 --> 00:12:07,727
I KNOW, OK? I...
289
00:12:07,770 --> 00:12:09,729
EVERY TIME I WANT TO DRIVE
DOWN TO SAN DIEGO,
290
00:12:09,772 --> 00:12:11,905
I DON'T KNOW WHAT I'M
GONNA SAY WHEN I SEE HER,
291
00:12:11,948 --> 00:12:14,385
SO WHEN I PEN
THE PERFECT SPEECH,
292
00:12:14,429 --> 00:12:15,996
I WILL GO.
I PROMISE.
293
00:12:16,039 --> 00:12:17,737
UH, DO YOU KNOW WHAT
THIS IS CALLED?
294
00:12:17,780 --> 00:12:19,347
UH, PREPARATION.
295
00:12:19,390 --> 00:12:21,479
STALLING. STALLING.
IF IT'S NOT
296
00:12:21,523 --> 00:12:24,439
THE PERFECT SPEECH,
IT'LL BE SOME
OTHER EXCUSE.
297
00:12:24,482 --> 00:12:26,963
OK, YOU KNOW WHAT?
GET UP.
298
00:12:27,007 --> 00:12:29,183
- WHAT? WHY?
- BECAUSE WE'RE GOING
TO SAN DIEGO, THAT'S WHY.
299
00:12:29,226 --> 00:12:31,185
- JORDAN--
- LAYLA, WHATEVER YOU WANT
300
00:12:31,228 --> 00:12:33,187
TO SAY TO CARRIE,
YOU CAN PRACTICE
ON ME IN THE CAR.
301
00:12:33,230 --> 00:12:35,580
- NO. JORDAN--
- LAYLA,
302
00:12:35,624 --> 00:12:38,583
IT'S TIME, FOR
YOUR SAKE AND HERS.
303
00:12:38,627 --> 00:12:41,630
[KEYS JINGLE]
I'LL BE IN THE CAR.
304
00:12:43,110 --> 00:12:45,155
GREAT.
[SIGHS]
305
00:12:50,378 --> 00:12:51,945
I JUST THOUGHT
THAT SPENCER WOULD BE
306
00:12:51,988 --> 00:12:53,947
IN MY CORNER, YOU KNOW?
LIKE NOT TELLING REPORTERS
307
00:12:53,990 --> 00:12:56,210
THAT WADE WAS
THE BEST QUARTERBACK
IN THE COUNTRY?
308
00:12:56,253 --> 00:12:58,255
DIDN'T YOU SAY HE WAS
THE BEST WHEN WE WERE
LOCKED IN MY STUDIO?
309
00:12:58,299 --> 00:13:00,780
MY POINT IS, IS THAT
SPENCER DID NOT HAVE
TO RUB IT IN MY FACE.
310
00:13:00,823 --> 00:13:03,478
JORDAN, IT'S BEEN, LIKE,
TWO HOURS OF THIS, OK?
311
00:13:03,521 --> 00:13:05,828
INCLUDING YOU TALKING
THROUGH MY FAVORITE
PODCAST ON SPOTIFY,
312
00:13:05,872 --> 00:13:08,135
AND NOW I HAVE TO LISTEN
TO THE EPISODE AGAIN.
313
00:13:08,178 --> 00:13:10,964
ALSO, I'M STARTING TO
THINK THAT YOU KIDNAPPING
ME TO SAN DIEGO IS
314
00:13:11,007 --> 00:13:12,966
MORE ABOUT YOU RUNNING
AWAY FROM YOUR PROBLEMS
315
00:13:13,009 --> 00:13:15,055
AND LESS ABOUT HELPING
WITH MINE.
316
00:13:15,098 --> 00:13:19,363
KIDNAPPING? WHAT?
NO. LAYLA, THIS IS--
THIS IS 100% ABOUT YOU.
317
00:13:20,887 --> 00:13:23,454
OK, M-MAYBE 80/20,
BUT THE 80 IS YOU.
318
00:13:23,498 --> 00:13:25,021
- OK.
- I PROMISE, OK?
319
00:13:25,065 --> 00:13:27,067
HOW'S THE SPEECH COMING?
LAYLA: HORRIBLY.
320
00:13:27,110 --> 00:13:28,982
OK, WELL, IF IT MAKES
YOU FEEL ANY BETTER,
I'M SURE THAT CARRIE IS
321
00:13:29,025 --> 00:13:30,722
FREAKING OUT ABOUT WHAT
TO SAY TO YOU AS WELL.
322
00:13:30,766 --> 00:13:32,899
WELL, I HIGHLY DOUBT THAT
SINCE SHE DOESN'T...
323
00:13:32,942 --> 00:13:35,902
KNOW THAT I'M COMING,
SO...
324
00:13:35,945 --> 00:13:38,556
OK, LAYLA, UM,
I'M NO EXPERT,
325
00:13:38,600 --> 00:13:40,776
BUT, UM, MAYBE IT'S
NOT THE BEST IDEA
326
00:13:40,820 --> 00:13:45,389
TO SURPRISE THE GIRL
WHO HISTORICALLY HAS NOT
BEEN THE MOST STABLE.
327
00:13:45,433 --> 00:13:48,305
OK, YEAH, I'M--
I'M GONNA TEXT HER.
328
00:13:48,349 --> 00:13:50,090
- GOOD IDEA.
- UM--[SIGHS]--
329
00:13:50,133 --> 00:13:52,092
I'M GONNA SAY
I'M IN TOWN...
[TEXTING]
330
00:13:52,135 --> 00:13:55,660
AND I WOULD REALLY LIKE
TO TALK IN PERSON.
331
00:13:55,704 --> 00:13:57,837
THAT'S GOOD. THERE.
332
00:13:57,880 --> 00:13:59,447
- BOOM.
- I DID IT.
333
00:13:59,490 --> 00:14:01,492
PROBABLY NOT GONNA
RESPOND--OH, MY GOD.
334
00:14:01,536 --> 00:14:05,192
WAIT. THE DOTS.
THE DOTS...
335
00:14:05,235 --> 00:14:07,150
AND THEY'RE GONE.
JORDAN: WHOA.
336
00:14:07,194 --> 00:14:08,935
LOOK AT THIS.
337
00:14:08,978 --> 00:14:11,067
CHECK IT OUT!
338
00:14:11,111 --> 00:14:13,591
THEY'RE HAVING
AN OUTDOOR SCREENING
OF "17 AGAIN."
339
00:14:13,635 --> 00:14:15,332
- HUH.
- DO YOU REMEMBER WHEN ME,
340
00:14:15,376 --> 00:14:16,943
YOU, AND LIV WATCHED
THIS AT THE HOUSE?
341
00:14:16,986 --> 00:14:18,945
YEAH, YEAH,
I REMEMBER YOU CRYING
342
00:14:18,988 --> 00:14:20,947
TO YOUR MOM.
JORDAN: I ONLY CRIED TO MY MOM
343
00:14:20,990 --> 00:14:23,340
BECAUSE YOU KICKED ME OUT
OF THE FORT THAT I BUILT US.
344
00:14:23,384 --> 00:14:26,343
[CELLPHONE CHIMES AND VIBRATES]
LAYLA: OH.
345
00:14:26,387 --> 00:14:29,172
OK, UM, SHE SAID SHE
CAN'T BELIEVE I'M HERE,
346
00:14:29,216 --> 00:14:31,174
AND SHE CAN'T WAIT TO
SEE ME, BUT SHE'S STUCK
347
00:14:31,218 --> 00:14:33,481
AT WORK FOR
THE NEXT 2 1/2 HOURS.
348
00:14:33,524 --> 00:14:36,179
2 1/2 HOURS.
DAMN. OK.
349
00:14:37,789 --> 00:14:40,357
OK. ALL RIGHT.
[TEXTING]
350
00:14:40,401 --> 00:14:43,230
WHAT DID YOU--WHAT DID
YOU SAY BACK TO HER?
351
00:14:43,273 --> 00:14:45,885
I SAID I'LL WAIT.
352
00:14:45,928 --> 00:14:48,626
YOU'RE RIGHT. IT'S--
IT'S TODAY OR NEVER.
353
00:14:51,020 --> 00:14:53,631
- TODAY IT IS.
- MM-HMM.
354
00:14:53,675 --> 00:14:55,982
[SIGHS]
355
00:14:56,025 --> 00:14:59,072
OLIVIA: OH. OH, SORRY.
SPENCER: HEH! MY BAD.
356
00:15:06,296 --> 00:15:08,995
OK, IT DOESN'T TRIP YOU OUT
THAT WE CAN'T FIND
357
00:15:09,038 --> 00:15:11,736
NOTHING TO TALK ABOUT
OUTSIDE OF FOOTBALL
AND WORK?
358
00:15:11,780 --> 00:15:14,348
I MEAN, I THINK "NOTHING"
IS A LITTLE EXTREME.
359
00:15:14,391 --> 00:15:16,785
I MEAN, BESIDES, LOOK--
WE'RE TALKING ABOUT HAVING
360
00:15:16,828 --> 00:15:18,787
NOTHING TO TALK ABOUT,
SO THAT'S SOMETHING.
SPENCER: HEH!
361
00:15:18,830 --> 00:15:20,397
OK, WELL,
THE DAY'S NOT OVER.
362
00:15:20,441 --> 00:15:22,269
WE STILL GOT TIME
TO COURSE-CORRECT,
363
00:15:22,312 --> 00:15:23,966
FIND OUR STRIDE.
WHAT ARE YOU DOING LATER?
364
00:15:24,010 --> 00:15:25,794
UM, I'M ACTUALLY KIND OF
HOSTING THIS, LIKE,
365
00:15:25,837 --> 00:15:28,101
LITTLE HAPPY-HOUR THING
FOR SOME OF MY CO-WORKERS
366
00:15:28,144 --> 00:15:30,886
FROM THE "TRIBUNE."
IT WAS SUPPOSED TO BE AT
CHRISTEL'S, BUT SHE HAS
367
00:15:30,930 --> 00:15:32,975
THE FLU, SO--
SPENCER: AND YOU FIGURED I'D
CRAMP YOUR STYLE BY INVITING ME?
368
00:15:33,019 --> 00:15:35,151
PLEASE. I JUST DOUBT
THAT YOU WANT TO HANG OUT
369
00:15:35,195 --> 00:15:37,371
WITH MY WORK FRIENDS.
SPENCER: WHY, THEY ALL
DRINK OAT MILK?
370
00:15:37,414 --> 00:15:38,981
NO!
371
00:15:39,025 --> 00:15:41,201
I MEAN, YEAH, MOST
OF THEM, BUT I JUST
372
00:15:41,244 --> 00:15:43,377
DIDN'T THINK IT'D BE
SOMETHING YOU'D BE
INTERESTED IN.
373
00:15:43,420 --> 00:15:46,293
ANYTHING INVOLVING YOU
I'M INTERESTED IN.
374
00:15:46,336 --> 00:15:47,947
OK.
375
00:15:47,990 --> 00:15:49,774
COME, THEN.
376
00:15:49,818 --> 00:15:51,776
- YOU SURE?
- YEAH, I'M SURE.
377
00:15:51,820 --> 00:15:54,910
I MEAN,
WHY WOULDN'T I WANT
MY BOYFRIEND THERE?
378
00:15:54,954 --> 00:15:56,825
[KISS]
379
00:16:03,919 --> 00:16:06,226
BILLY: OK, UH, WELL,
380
00:16:06,269 --> 00:16:09,229
AT LEAST MONTES CAN'T SAY
THAT YOU WEREN'T THOROUGH.
381
00:16:09,272 --> 00:16:10,970
TOO LONG?
382
00:16:11,013 --> 00:16:12,710
UH, A LITTLE BIT,
383
00:16:12,754 --> 00:16:14,582
BUT, WELL, YEAH,
THIS IS D1,
384
00:16:14,625 --> 00:16:16,584
SO ANYBODY CAN LOOK
AT FILM AND SEE
385
00:16:16,627 --> 00:16:19,021
THAT THESE PLAYERS
ARE BIGGER, FASTER,
AND STRONGER.
386
00:16:19,065 --> 00:16:20,980
[SIGHS]
ASHER: SO IT'S TOO
LONG AND IT SUCKS.
387
00:16:21,023 --> 00:16:23,808
NO, IT DOESN'T SUCK.
UM, YOU GOT TO DIG DEEPER
388
00:16:23,852 --> 00:16:26,550
THAN THESE PLAYERS'
PHYSICAL ATTRIBUTES.
389
00:16:28,857 --> 00:16:31,816
FOR EXAMPLE, UM, IF YOU
KNOW A PLAYER IS SUFFERING
390
00:16:31,860 --> 00:16:34,167
FROM A RECENT INJURY,
THEN YOU GOT TO HIGHLIGHT
391
00:16:34,210 --> 00:16:36,647
THE FACT THAT THEY COULD
POSSIBLY BE A WEAK LINK.
392
00:16:36,691 --> 00:16:39,259
UH, IF SOMEBODY
JUST BROKE UP WITH
THEIR GIRLFRIEND,
393
00:16:39,302 --> 00:16:41,696
YOU NEED TO HIGHLIGHT
THE FACT THAT THEY'RE,
394
00:16:41,739 --> 00:16:43,915
YOU KNOW, CYBERSTALKING
THEIR GIRL ONLINE
395
00:16:43,959 --> 00:16:46,527
WHEN THEY SHOULD BE
PAYING MORE ATTENTION
ON THE FIELD.
396
00:16:46,570 --> 00:16:48,964
- IT'S REALLY KICKING A MAN
WHILE HE'S DOWN, THOUGH.
- LOOK, IF YOU WANT
397
00:16:49,008 --> 00:16:52,141
YOUR REPORT TO ADD VALUE,
THEN YOU'RE GONNA
398
00:16:52,185 --> 00:16:54,796
HAVE TO FIND
THESE PLAYERS' SORE SPOTS.
399
00:16:54,839 --> 00:16:57,407
THAT'S WHAT COMPETITIVE
ADVANTAGES ARE BUILT ON.
400
00:16:57,451 --> 00:16:59,409
COME ON, COACH.
401
00:16:59,453 --> 00:17:02,238
JORDAN AND SPENCER ARE
MY FRIENDS, MY ROOMMATES.
402
00:17:02,282 --> 00:17:06,068
I HAVE INSIDER KNOWLEDGE,
AND I KNOW THAT'S WHY MONTES
GAVE ME THIS ASSIGNMENT.
403
00:17:06,112 --> 00:17:10,072
I--I MEAN, IS IT MESSED UP
TO USE THAT TO BREAK THEM
DOWN IN A REPORT?
404
00:17:10,116 --> 00:17:14,076
DO I THINK YOU SHOULD
BETRAY YOUR FRIENDSHIPS?
NO, ABSOLUTELY NOT,
405
00:17:14,120 --> 00:17:16,600
BUT THERE IS
A FINE LINE,
406
00:17:16,644 --> 00:17:19,038
AND YOU GOT TO FIND IT
BECAUSE OUR JOB
407
00:17:19,081 --> 00:17:21,040
AS COACHES,
WE NEED TO FIND
408
00:17:21,083 --> 00:17:23,912
EVERY BIT OF INFORMATION
THAT IS ACCESSIBLE TO US
409
00:17:23,955 --> 00:17:26,480
AND USE IT TO WIN.
IT'S JUST ABOUT WINNING.
410
00:17:26,523 --> 00:17:28,482
SO YOU HAVE TO
ASK YOURSELF
411
00:17:28,525 --> 00:17:30,484
IF YOU WANT
TO COACH OR NOT
412
00:17:30,527 --> 00:17:33,226
BECAUSE
FROM HERE ON OUT,
413
00:17:33,269 --> 00:17:36,098
IT'S ONLY GONNA
GET HARDER.
414
00:17:42,583 --> 00:17:44,150
WOMAN: GO.
LET'S GO, LET'S GO.
415
00:17:44,193 --> 00:17:45,803
MAN: HE'S OPEN,
HE'S OPEN, HE'S OPEN.
416
00:17:45,847 --> 00:17:47,936
OH, JULIE HAS IT.
WOMAN: LET'S GET IT!
417
00:17:47,979 --> 00:17:51,461
JORDAN: LAYLA, UM,
ARE WE REALLY GONNA SIT
HERE FOR ANOTHER HOUR?
418
00:17:51,505 --> 00:17:53,942
[JORDAN WHISPERS]
Oh, my God.
419
00:17:53,985 --> 00:17:55,944
YOU KNOW,
I'VE BEEN THINKING.
420
00:17:55,987 --> 00:17:58,947
I DON'T THINK
YOUR PROBLEM IS
SPENCER OR WADE.
421
00:17:58,990 --> 00:18:02,255
- [SIGHS]
- I THINK IT'S YOU. I THINK
YOU'RE PSYCHING YOURSELF OUT.
422
00:18:02,298 --> 00:18:04,257
- WHAT? NO, NO, NO, NO.
- MM-HMM.
423
00:18:04,300 --> 00:18:06,259
THE PROBLEM IS
I'M STUCK DROWNING
ON THE DEPTH CHART
424
00:18:06,302 --> 00:18:08,913
AND NO ONE WANTS TO SAVE ME.
LAYLA: THEN SAVE YOURSELF.
425
00:18:08,957 --> 00:18:10,915
- I--
- NO, THAT'S WHAT
I'M SAYING, JORDAN.
426
00:18:10,959 --> 00:18:12,917
YOU HAVE TO MAKE
IT HAPPEN.
427
00:18:12,961 --> 00:18:15,268
OK. COME ON.
428
00:18:15,311 --> 00:18:17,096
JORDAN: WAIT.
WHAT ARE YOU DOING?
429
00:18:17,139 --> 00:18:19,141
I NEED TO STOP THINKING
ABOUT WHAT'S GONNA HAPPEN
430
00:18:19,185 --> 00:18:21,317
WHEN CARRIE GETS HERE,
AND YOU NEED TO FORGET
431
00:18:21,361 --> 00:18:23,972
ABOUT WADE AND SPENCER
AND JUST PLAY
SOME FOOTBALL.
432
00:18:24,015 --> 00:18:26,975
IT'S NOT LIKE THEY
COULDN'T USE YOUR HELP.
433
00:18:27,018 --> 00:18:29,151
[SCOFFS]
YOU CAN'T BE SERIOUS.
434
00:18:29,195 --> 00:18:30,761
OH, OK.
435
00:18:30,805 --> 00:18:32,763
IS JORDAN BAKER
AFRAID HE CAN'T, UM,
436
00:18:32,807 --> 00:18:35,157
CAN'T KEEP UP WITH
THE YMCA ALL-STARS?
437
00:18:35,201 --> 00:18:38,160
HEH! OK.
YOU KNOW WHAT, KEATING?
438
00:18:38,204 --> 00:18:40,467
GAME ON.
FIRE UP THOSE HANDS.
439
00:18:40,510 --> 00:18:42,730
- ARE YOU SURE? NOT SCARED?
- COME ON. WARM UP THOSE HANDS.
LET'S GO.
440
00:18:42,773 --> 00:18:45,211
OK, SQUAD, ALL RIGHT.
I WANT YOU TO GIVE ME
A SKINNY POST.
441
00:18:45,254 --> 00:18:46,734
YOU GIVE ME THE BACK
LEFT PYLON.
442
00:18:46,777 --> 00:18:48,823
YOU GIVE ME A DRAG
ACROSS THE MIDDLE.
443
00:18:48,866 --> 00:18:51,260
LAYLA, CHOP UP THOSE FEET,
HIT THAT BACK RIGHT PYLON, OK?
444
00:18:51,304 --> 00:18:53,610
ON 1, ON 1. READY? HERE WE GO.
HERE WE GO. HERE WE GO.
445
00:18:53,654 --> 00:18:55,351
DOWN, SET! RIGHT 60.
446
00:18:55,395 --> 00:18:57,179
FEMALE SINGER:
♪ ACTIVATE IT ALL THE WAY
447
00:18:57,223 --> 00:18:58,354
WIDE SET-SET!
448
00:18:59,877 --> 00:19:01,357
♪ WE GO IN
449
00:19:01,401 --> 00:19:03,533
♪ WHEN WE GO OUT
450
00:19:03,577 --> 00:19:05,535
♪ WE GET UP
451
00:19:05,579 --> 00:19:07,885
♪ WHEN WE GET DOWN
452
00:19:07,929 --> 00:19:09,974
♪ GOT YOU SPINNIN'
453
00:19:10,018 --> 00:19:11,628
♪ ROUND AND ROUND
454
00:19:11,672 --> 00:19:15,502
♪ WE GO IN WHEN WE GO OUT
455
00:19:15,545 --> 00:19:18,157
♪ GO OUT, GO OUT
JORDAN: WIDE 80!
456
00:19:18,200 --> 00:19:21,203
[SINGER WHISTLING TO SONG]
JORDAN: WIDE 80, SET!
457
00:19:23,553 --> 00:19:25,512
♪ GO OUT, GO OUT
458
00:19:25,555 --> 00:19:27,253
♪ HEY
459
00:19:29,516 --> 00:19:32,214
♪ OOH, OOH, OOH,
GO OUT, GO OUT ♪
460
00:19:32,258 --> 00:19:35,478
[PEOPLE CHUCKLING]
NOAH: I ADMIT, I CAN BE
A LITTLE TERRITORIAL
461
00:19:35,522 --> 00:19:38,481
WHEN IT COMES TO BYLINES,
BUT IT'S NOT AS BAD AS
WHEN LIV LISTENS TO JAZZ.
462
00:19:38,525 --> 00:19:40,222
- OH!
- WHY? WHAT HAPPENS?
463
00:19:40,266 --> 00:19:42,616
OH, THEY THINK THAT
JAZZ HYPNOTIZES ME,
464
00:19:42,659 --> 00:19:45,096
WHICH IT DOESN'T.
NOAH: DUDE, A NUKE COULD HIT
465
00:19:45,140 --> 00:19:48,230
L.A. AND LIV WOULDN'T KNOW
'CAUSE THELONIOUS MONK PUT
HER IN A HAPPY TRANCE.
466
00:19:48,274 --> 00:19:50,537
I DIDN'T KNOW YOU WERE
INTO THELONIOUS MONK
LIKE THAT.
467
00:19:50,580 --> 00:19:52,930
IT'S NOTHING, BUT I DO
KNOW ANDREW'S LOVE FOR--
468
00:19:52,974 --> 00:19:54,932
WHAT DO YOU CALL IT,
ECLECTIC PUNK?
NOAH: HEH!
469
00:19:54,976 --> 00:19:57,413
OLIVIA: NOW, THAT IS
A SITUATION THAT REQUIRES
470
00:19:57,457 --> 00:19:59,589
SOME PROFESSIONAL HELP.
NOAH: YOU KNOW WHERE HE
GOT IT FROM, THOUGH, RIGHT?
471
00:19:59,633 --> 00:20:01,243
WHEN HE DATED
BRESHA OVER AT
472
00:20:01,287 --> 00:20:03,245
THE "WESTSIDE STAR,"
SHE GOT HIM INTO THAT.
473
00:20:03,289 --> 00:20:05,421
I MEAN,
WHAT'S IT SOUND LIKE?
CAN'T BE THAT BAD.
474
00:20:05,465 --> 00:20:06,857
W-WAIT. I'M STILL
STUCK ON BRESHA.
475
00:20:06,901 --> 00:20:08,424
YOU DATED BRESHA?
ANDREW: YEAH.
476
00:20:08,468 --> 00:20:10,209
OLIVIA: BROODY BRESHA?
ANDREW: HEH! YEAH.
477
00:20:10,252 --> 00:20:12,254
SHE'S OUR COMPETITOR!
NOAH: AND SHE CAN'T WRITE.
478
00:20:12,298 --> 00:20:14,343
ANDREW: AND SHE IS BROODY
AS HELL--I'LL ADMIT IT--
479
00:20:14,387 --> 00:20:16,476
BUT, HEY, IT MADE FOR
AN INTERESTING TWO YEARS.
480
00:20:16,519 --> 00:20:19,348
OLIVIA: TWO YEARS?
NOAH: DUDE, YOU HAVE TO TELL HER
481
00:20:19,392 --> 00:20:21,350
HOW IT STARTED AND HOW THE
"WESTSIDE STAR" ENDED UP
482
00:20:21,394 --> 00:20:22,960
WITH YOUR ARTICLE
ON ENVIRONMENTAL DROUGHTS.
483
00:20:23,004 --> 00:20:24,571
- OH.
- I'M USING THE BATHROOM.
484
00:20:24,614 --> 00:20:26,225
OH, YEAH, YEAH, YEAH.
UM, I WANT TO HEAR
485
00:20:26,268 --> 00:20:28,052
ABOUT THAT.
ANDREW: UM, WE CAN SKIP--
486
00:20:28,096 --> 00:20:30,098
NO, LET'S GO WITH IT.
YEAH, YEAH, YEAH.
487
00:20:30,141 --> 00:20:32,622
ANDREW: YOU TELL HER.
NOAH: I'LL TELL YOU.
[LAUGHTER]
488
00:20:32,666 --> 00:20:35,625
[DISTANT HIP-HOP MUSIC PLAYING]
SKYE: GOT TO ADMIT,
489
00:20:35,669 --> 00:20:37,627
THIS WAS UNEXPECTED.
490
00:20:37,671 --> 00:20:39,629
COOP: WHAT, YOU DIDN'T
THINK I WOULD CALL YOU?
491
00:20:39,673 --> 00:20:41,631
OH, NO, I KNEW YOU'D
CALL EVENTUALLY.
492
00:20:41,675 --> 00:20:44,286
I MEANT THE FOOD TRUCK.
HOT DOGS?
493
00:20:44,330 --> 00:20:45,896
YOU'RE GONNA LOVE IT.
TRUST ME.
494
00:20:45,940 --> 00:20:48,508
SKYE 101--I DON'T DO
FOOD TRUCKS,
495
00:20:48,551 --> 00:20:50,510
AND CERTAINLY
NOT ON A DATE,
496
00:20:50,553 --> 00:20:52,773
BUT I'M MAKING
AN EXCEPTION FOR YOU.
497
00:20:52,816 --> 00:20:54,731
HMM. WHAT MAKES ME
SO SPECIAL?
498
00:20:54,775 --> 00:20:57,343
SKYE: WELL,
HOW MUCH TIME YOU GOT?
MAN: NEXT!
499
00:20:57,386 --> 00:20:59,693
COOP. WHAT'S GOOD?
500
00:20:59,736 --> 00:21:02,696
COOP: WHAT'S UP, MAN?
MAN: THAT IS A BIG DOG
WITH THE WORKS FOR YOU
501
00:21:02,739 --> 00:21:05,568
AND A HASH PUPPY DOG
FOR PATIENCE.
502
00:21:05,612 --> 00:21:07,962
NAH, MAN.
HER NAME IS SKYE.
503
00:21:10,399 --> 00:21:12,445
[MOUTHS "SORRY"]
504
00:21:17,450 --> 00:21:21,497
I AM SORRY.
THAT WAS...UNNECESSARY.
505
00:21:21,541 --> 00:21:23,717
ALL GOOD. [SIGHS]
SKYE 101--
506
00:21:23,760 --> 00:21:25,719
YOU'LL NEVER HAVE TO
GUESS WHAT I'M THINKING.
507
00:21:25,762 --> 00:21:27,808
IF I'M PISSED,
TRUST ME, YOU'LL KNOW.
508
00:21:27,851 --> 00:21:30,506
OK, GOOD. I JUST--
YOU KNOW, I DON'T
WANT YOU TO
509
00:21:30,550 --> 00:21:33,248
THINK THAT I'M OUT HERE
JUGGLING GIRLS BECAUSE
I'M NOT, ALL RIGHT?
510
00:21:33,292 --> 00:21:35,642
PATIENCE AND I ARE DONE.
I MEAN, DONE-DONE.
511
00:21:35,685 --> 00:21:38,688
I'M TALKING MARIAH CAREY
"I DON'T KNOW HER" DONE.
512
00:21:38,732 --> 00:21:41,169
YEAH, I GET IT.
YOU GUYS ARE DONE.
513
00:21:41,212 --> 00:21:43,954
YOU KNOW, I KNOW IT
PROBABLY LOOKS WEIRD
BECAUSE WE STILL LIVE
514
00:21:43,998 --> 00:21:46,609
TOGETHER, BUT THAT'S
JUST A ROOMMATE
SITUATION; I MEAN, SHE
515
00:21:46,653 --> 00:21:48,785
MOVED TO THE OTHER ROOM
UPSTAIRS REAL FAST,
516
00:21:48,829 --> 00:21:50,787
BUT IT'S ALL GOOD
'CAUSE NOW WE GOT
OUR OWN SPACE,
517
00:21:50,831 --> 00:21:53,181
AND SHE CAN FILL HERS
WITH ALL THE FLOWERS
518
00:21:53,224 --> 00:21:55,357
SHE WANTS FROM SABINE
AND WHOEVER ELSE IS
519
00:21:55,401 --> 00:21:57,272
SENDING 'EM. I MEAN,
YOU SHOULD HAVE SEEN
THE TULIPS THAT CAME
520
00:21:57,316 --> 00:21:59,883
TO THE CRIB LAST NIGHT.
I WAS--WAIT. WHAT--
521
00:21:59,927 --> 00:22:01,885
WHERE YOU GOING?
YOU NEED SOMETHING?
522
00:22:01,929 --> 00:22:04,453
- YEAH, SOME AIR.
- BUT WE OUTSIDE.
523
00:22:04,497 --> 00:22:07,717
YOU KNOW, I WAS COOL
WITH HAVING HOT DOGS
ON A DATE,
524
00:22:07,761 --> 00:22:10,981
AND I WAS COOL WITH OLD BOY
IN THE TRUCK CALLING ME
BY ANOTHER CHICK'S NAME,
525
00:22:11,025 --> 00:22:13,244
BUT SOMETHING I'LL
NEVER BE OK WITH IS YOU
526
00:22:13,288 --> 00:22:16,030
SPENDING THE ENTIRE DATE
TALKING ABOUT HER, AND I'M
527
00:22:16,073 --> 00:22:18,162
NOT EVEN GONNA GET
INTO THE FACT THAT YOUR
"OUT OF THE BLUE" CALL
528
00:22:18,206 --> 00:22:20,382
LAST NIGHT WAS
'CAUSE PATIENCE GOT
SOME DAMN TULIPS.
529
00:22:20,426 --> 00:22:21,992
OK, UH,
SKYE, I'M SORRY.
530
00:22:22,036 --> 00:22:23,603
NEXT TIME YOU WANT
TO PISS OFF YOUR EX,
531
00:22:23,646 --> 00:22:25,256
DON'T CALL ME.
532
00:22:25,300 --> 00:22:26,954
[SIGHS]
533
00:22:29,130 --> 00:22:31,393
[DISTANT CHATTER AND LAUGHTER]
534
00:22:31,437 --> 00:22:33,613
[FOOTSTEPS APPROACH]
535
00:22:33,656 --> 00:22:37,312
HEY, THERE YOU ARE.
IS EVERYTHING OK?
536
00:22:37,356 --> 00:22:39,314
- JUST TAKING A BREATHER.
- OK.
537
00:22:39,358 --> 00:22:41,577
WELL, UM, I REALLY WANT
TO INTRODUCE YOU TO ONE
538
00:22:41,621 --> 00:22:44,319
OF MY CO-WORKERS WHO IS
A HUGE G.A.U. FAN--
539
00:22:48,454 --> 00:22:51,021
SPENCER,
IS EVERYTHING OK?
540
00:22:51,065 --> 00:22:53,546
JAZZ?
541
00:22:53,589 --> 00:22:57,332
- YEAH, I LIKE JAZZ. SO WHAT?
- SINCE WHEN?
542
00:22:57,376 --> 00:23:00,335
[CHUCKLING]
SINCE CHRISTEL PLAYS IT
NONSTOP IN THE OFFICE,
543
00:23:00,379 --> 00:23:04,078
AND IT WAS EITHER LOVE IT
OR BE TORTURED EVERY DAY,
SO I CHOSE LOVE.
544
00:23:04,121 --> 00:23:06,907
OK, AND, UH,
WHAT ABOUT NOAH?
545
00:23:06,950 --> 00:23:09,779
I THOUGHT Y'ALL TWO
WERE BEEFING SINCE HE
STOLE YOUR ARTICLE.
546
00:23:09,823 --> 00:23:12,521
I MEAN, THAT WAS--
THAT WAS WEEKS AGO,
547
00:23:12,565 --> 00:23:15,306
AND HE'S ACTUALLY BEEN
REALLY SUPPORTIVE SINCE.
548
00:23:15,350 --> 00:23:17,134
SEE? I AIN'T KNOW
THAT, JUST LIKE
549
00:23:17,178 --> 00:23:18,919
I DON'T KNOW YOUR
COFFEE ORDER NO MORE.
550
00:23:18,962 --> 00:23:22,096
BABE, ALL OF THIS
OVER THELONIOUS MONK,
551
00:23:22,139 --> 00:23:24,098
SOME ANCIENT BEEF,
AND OAT MILK?
552
00:23:24,141 --> 00:23:27,188
I MEAN, IT'S JUST TRIVIA.
SPENCER: NOT TO ME.
553
00:23:27,231 --> 00:23:30,800
THE SPECIAL THINGS WE
KNOW ABOUT EACH OTHER
IS WHAT MAKES US US,
554
00:23:30,844 --> 00:23:33,237
AND YOUR CO-WORKERS
KNOW YOU BETTER
THAN I DO NOW.
555
00:23:33,281 --> 00:23:35,457
YEAH, WELL, THAT'S JUST
BECAUSE THEY SPEND
MORE TIME WITH ME.
556
00:23:35,501 --> 00:23:37,546
THEY DON'T KNOW ME
LIKE YOU DO.
THAT'S CRAZY.
557
00:23:37,590 --> 00:23:39,940
IS IT? LOOK,
THIS ISN'T JUST
558
00:23:39,983 --> 00:23:42,769
ABOUT THEM, LIV.
YOU DIDN'T FEEL
THAT TODAY?
559
00:23:42,812 --> 00:23:44,901
- FEEL WHAT?
- THAT SOMETHING'S OFF,
560
00:23:44,945 --> 00:23:48,427
THAT WE'RE OFF,
LIKE...
561
00:23:48,470 --> 00:23:51,430
"STARTING TO
GROW APART" OFF?
562
00:23:51,473 --> 00:23:53,867
UM...
563
00:23:55,825 --> 00:23:58,785
I MEAN--I MEAN,
YEAH, A LITTLE,
564
00:23:58,828 --> 00:24:01,440
BUT I...
565
00:24:01,483 --> 00:24:03,442
HEH!
566
00:24:03,485 --> 00:24:05,444
I SHOULD GO.
567
00:24:05,487 --> 00:24:07,446
YOU GOT GUESTS
DOWNSTAIRS,
568
00:24:07,489 --> 00:24:09,491
AND--AND NOW
AIN'T THE TIME.
569
00:24:09,535 --> 00:24:11,319
[KISS]
570
00:24:11,362 --> 00:24:13,930
I'MMA HOLLA
AT YOU LATER.
571
00:24:13,974 --> 00:24:16,019
[FOOTSTEPS RETREAT]
572
00:24:20,981 --> 00:24:23,026
[SIGHS]
573
00:24:27,596 --> 00:24:29,293
[CHUCKLES]
574
00:24:40,566 --> 00:24:42,524
[FOOTSTEPS APPROACH]
575
00:24:42,568 --> 00:24:45,048
HEY, DUDE,
WHAT THE HELL
ARE YOU DOING?
576
00:24:45,092 --> 00:24:47,094
ARE YOU SERIOUS
RIGHT NOW?
577
00:24:47,137 --> 00:24:49,313
"THOUGH HE'S FAST WITH
EXCELLENT FOOTBALL I.Q.,
578
00:24:49,357 --> 00:24:51,315
SPENCER JAMES LACKS CONFIDENCE"?
[ASHER SIGHS]
579
00:24:51,359 --> 00:24:53,492
YOU'RE READING
MY SCOUTING REPORT?
580
00:24:53,535 --> 00:24:56,146
"HE FEARS HIS ELEVATION
TO G.A.U.'s OFFENSE
MIGHT BE A FLUKE.
581
00:24:56,190 --> 00:24:59,149
"HE'S UNSURE HE'S
CAPABLE OF DELIVERING
A WINNING PERFORMANCE
582
00:24:59,193 --> 00:25:02,544
GAME AFTER GAME,
MAKING SPENCER EASY
TO DEMORALIZE"?
583
00:25:05,460 --> 00:25:08,028
WHY'D YOU GO
THROUGH MY LAPTOP?
584
00:25:08,071 --> 00:25:10,987
IT'S AN INVASION OF PRIVACY.
SPENCER: YOU LEFT IT OPEN
IN A PUBLIC PLACE.
585
00:25:11,031 --> 00:25:14,295
- I'M IN MY HOUSE.
- OUR HOUSE, AND YOU REALLY
GONNA COME AT ME ABOUT PRIVACY?
586
00:25:14,338 --> 00:25:16,906
THOSE WERE MY WORDS THAT
I CONFIDED TO MY FRIENDS,
587
00:25:16,950 --> 00:25:19,343
NOT SOME SNITCH.
ASHER: SNITCH?
588
00:25:19,387 --> 00:25:22,346
I'M NOT SNITCHING,
SPENCE, I'M SCOUTING.
589
00:25:22,390 --> 00:25:25,741
THAT'S THE JOB.
LIKE IT OR NOT, WE'RE
ON RIVAL TEAMS NOW.
590
00:25:25,785 --> 00:25:28,396
Y-YOU REALLY EXPECT ME
TO BELIEVE YOU'RE NOT
PLANNING ON USING ANY OF
591
00:25:28,439 --> 00:25:31,355
THE HISTORY YOU HAVE ON
J.J. TO YOUR ADVANTAGE
WHEN YOU PLAY US?
592
00:25:31,399 --> 00:25:34,794
ABOUT HIM ON THE FIELD?
ABSOLUTELY, BUT THE STUFF HE'S
CONFIDED TO ME AS HIS FRIEND?
593
00:25:34,837 --> 00:25:38,058
YOU SAY NO, YOU ARE
LYING TO YOURSELF
AS WELL AS ME, MAN!
594
00:25:38,101 --> 00:25:41,322
THIS IS D1 FOOTBALL.
WE ARE BOTH
TRYING TO WIN.
595
00:25:41,365 --> 00:25:43,933
I WANT A CAREER
AS A COACH; THAT MEANS
BREAKING DOWN PLAYERS
596
00:25:43,977 --> 00:25:46,588
IS A PART OF THE JOB.
THAT'S WHAT COACH BAKER
TOLD ME--
597
00:25:46,632 --> 00:25:49,243
HOLD UP, HOLD UP,
HOLD UP.
598
00:25:49,286 --> 00:25:52,812
YOU EXPECT ME
TO BELIEVE COACH BAKER
PUT YOU UP TO THIS?
599
00:25:54,335 --> 00:25:56,685
HE SAID DIG
A LITTLE DEEPER
INTO YOUR PSYCHE
600
00:25:56,729 --> 00:25:59,209
IF I WANT A BETTER
REPORT, YEAH.
601
00:26:05,172 --> 00:26:07,174
AFTER EVERYTHING
WE'VE BEEN THROUGH,
602
00:26:07,217 --> 00:26:10,177
YOU REALLY GONNA HAND IN
THAT SCOUTING REPORT
TO YOUR COACH, MAN,
603
00:26:10,220 --> 00:26:13,702
WITH ALL
THAT PERSONAL STUFF I
TOLD YOU AS A FRIEND?
604
00:26:15,922 --> 00:26:17,967
I ALREADY DID.
605
00:26:27,324 --> 00:26:29,065
I MEAN,
I--I NEED TO JOIN
606
00:26:29,109 --> 00:26:31,677
AN L.A. REC LEAGUE
AFTER THOSE STATS
I JUST PUT UP.
607
00:26:31,720 --> 00:26:33,679
OK, EASY THERE,
ODELL, OK?
608
00:26:33,722 --> 00:26:36,333
HA HA!
BUT YOU KNOW WHAT?
609
00:26:36,377 --> 00:26:39,162
IT WAS NICE
TO SEE YOU OUT THERE,
RELAXED AND LAUGHING.
610
00:26:39,206 --> 00:26:41,164
YEAH, WELL, UM,
I MEAN, THAT GAME WAS
611
00:26:41,208 --> 00:26:43,166
A GREAT DISTRACTION
FROM ALL THINGS CARRIE.
612
00:26:43,210 --> 00:26:45,560
I CAN ONLY IMAGINE HOW YOU FEEL.
JORDAN: MMM. WHAT DO YOU MEAN?
613
00:26:45,604 --> 00:26:47,606
YOU GOT TO FEEL
REJUVENATED.
614
00:26:47,649 --> 00:26:49,956
I MEAN, YOU HAD
SOME HELP FROM
YOUR BEST RECEIVER--
615
00:26:49,999 --> 00:26:51,958
ME, OF COURSE--
BUT, I DON'T KNOW.
616
00:26:52,001 --> 00:26:54,351
NO ONE EVEN CAME CLOSE
TO TOUCHING YOU
ON THAT FIELD.
617
00:26:54,395 --> 00:26:56,353
LAYLA, THAT WASN'T
A CHALLENGE.
618
00:26:56,397 --> 00:26:58,921
I'M A D1 COLLEGE QUARTERBACK.
I'M SUPPOSED TO BEAT THOSE GUYS.
619
00:26:58,965 --> 00:27:01,402
LAYLA: NO, JORDAN, I--
[CELLPHONE VIBRATES]
620
00:27:01,445 --> 00:27:02,838
SORRY.
621
00:27:02,882 --> 00:27:04,884
[SIGHS]
OK.
622
00:27:04,927 --> 00:27:08,539
CARRIE JUST PARKED,
SO SH-SHE'S HERE.
623
00:27:08,583 --> 00:27:10,541
UM...
624
00:27:10,585 --> 00:27:13,632
OK, THIS IS REALLY HAPPENING.
JORDAN: HEY, HEY.
625
00:27:13,675 --> 00:27:15,808
YOU CAN DO THIS.
626
00:27:15,851 --> 00:27:18,549
OK? I'LL BE RIGHT HERE
IF YOU NEED ME.
627
00:27:18,593 --> 00:27:20,160
OK.
628
00:27:20,203 --> 00:27:22,249
OK.
629
00:27:22,292 --> 00:27:24,251
OK.
630
00:27:24,294 --> 00:27:26,949
[DOOR CLOSES]
HELLO?
631
00:27:26,993 --> 00:27:28,951
HEY, BABY GIRL.
632
00:27:28,995 --> 00:27:30,953
WHAT'S HAPPENIN'?
633
00:27:30,997 --> 00:27:33,173
UH, DAD...
634
00:27:33,216 --> 00:27:37,090
YOU KNOW THERE'S PEOPLE
YOU CAN CALL TO FIX
THAT OLD THING, YEAH?
635
00:27:37,133 --> 00:27:39,875
NOTHING A LITTLE
DUCT TAPE CAN'T FIX.
636
00:27:39,919 --> 00:27:43,052
DO YOU WANT SOME HELP
WITH ANYTHING?
637
00:27:43,096 --> 00:27:45,751
[CHUCKLES]
UH-OH.
638
00:27:45,794 --> 00:27:48,405
SOMETHING'S GOING ON.
SIT DOWN.
639
00:27:48,449 --> 00:27:50,494
WHAT'S UP?
640
00:27:53,802 --> 00:27:56,457
BEFORE YOU GUYS
GOT MARRIED,
641
00:27:56,500 --> 00:27:59,765
HOW DID YOU AND MOM
MAKE IT WORK WHEN YOU
642
00:27:59,808 --> 00:28:03,377
HAD TO BE SUPER-FOCUSED
ON FOOTBALL AND HER ON LAW?
643
00:28:03,420 --> 00:28:05,988
THE OLD
BALANCING ACT, HUH?
644
00:28:06,032 --> 00:28:08,425
WELL, I STILL DON'T KNOW
IF WE EVER MADE IT WORK,
645
00:28:08,469 --> 00:28:12,299
BUT I CAN SAY THAT
WE, UH, WE NEVER
STOPPED TRYING.
646
00:28:14,127 --> 00:28:16,085
AND DID YOU GUYS EVER...
647
00:28:16,129 --> 00:28:18,087
DRIFT APART?
648
00:28:18,131 --> 00:28:20,307
OH, PLENTY OF TIMES,
BUT ONLY WHEN WE
649
00:28:20,350 --> 00:28:22,309
TOOK OUR EYES
OFF THE PRIZE, HMM?
650
00:28:22,352 --> 00:28:26,008
BUT THEN WE'D
REALIZE AND THEN
COURSE-CORRECT,
651
00:28:26,052 --> 00:28:29,795
ONLY BECAUSE WE--
WE BOTH WANTED
TO MAKE IT WORK.
652
00:28:31,448 --> 00:28:34,103
WHAT'S GOING ON
WITH YOU AND SPENCE?
653
00:28:35,583 --> 00:28:37,541
UM...
654
00:28:37,585 --> 00:28:40,806
I MEAN, WE'VE BOTH
JUST BEEN BUSIER
655
00:28:40,849 --> 00:28:43,765
THAN WE'VE EVER BEEN,
AND IT'S JUST,
LIKE, CAUSING
656
00:28:43,809 --> 00:28:47,421
THIS WEIRD DISCONNECT
BETWEEN US THAT WE
JUST CAN'T SHAKE.
657
00:28:48,901 --> 00:28:51,642
WHAT IF WE CAN'T
COURSE-CORRECT, DAD?
658
00:28:51,686 --> 00:28:54,471
LOOK,
EVERY RELATIONSHIP'S
GONNA HAVE THEIR UPS
659
00:28:54,515 --> 00:28:57,561
AND DOWNS, BUT YOU
HAVE TO FIGURE OUT
IF YOU'RE WILLING
660
00:28:57,605 --> 00:29:00,564
TO WEATHER THE EBBS
AND THE FLOWS.
661
00:29:00,608 --> 00:29:05,178
AND IF YOU ARE...
THEN YOU--YOU
NEVER STOP TRYING.
662
00:29:08,790 --> 00:29:10,749
SO, HOW WAS
THE DRIVE?
663
00:29:10,792 --> 00:29:12,751
UH, IT WAS GOOD.
YEAH, UM,
664
00:29:12,794 --> 00:29:14,796
IT'S NOT
TOO MUCH TRAFFIC,
665
00:29:14,840 --> 00:29:17,625
AND, UH, THE WEATHER HELPED.
CARRIE: GOOD.
666
00:29:17,668 --> 00:29:19,888
LAYLA,
YOU DIDN'T COME
667
00:29:19,932 --> 00:29:22,238
TO SAN DIEGO TO ASK ME
ABOUT THE WEATHER.
668
00:29:22,282 --> 00:29:24,588
YEAH, UM...
669
00:29:24,632 --> 00:29:26,852
I DON'T REALLY KNOW
WHAT TO SAY.
670
00:29:26,895 --> 00:29:28,810
SURE YOU DO.
671
00:29:28,854 --> 00:29:32,422
LAYLA, WHAT I DID
TO YOU WAS UNFORGIVABLE.
672
00:29:32,466 --> 00:29:35,643
AND YES, I WAS SICK
AND I WASN'T IN CONTROL,
673
00:29:35,686 --> 00:29:38,341
BUT THAT DOESN'T MEAN
THAT YOU DON'T GET
TO BE FURIOUS AT ME.
674
00:29:38,385 --> 00:29:40,822
YOU SHOULD BE.
IF YOU WANT TO SCREAM
675
00:29:40,866 --> 00:29:43,825
OR YELL OR HIT ME OR
WHATEVER, YOU CAN.
676
00:29:43,869 --> 00:29:46,697
I'M NOT GONNA
FIGHT YOU, CARRIE.
677
00:29:46,741 --> 00:29:50,745
IF I WAS, I WOULDN'T
NEED YOUR PERMISSION
TO DO SO.
678
00:29:52,399 --> 00:29:55,315
I WAS MAD AT YOU FOR
A REALLY LONG TIME.
679
00:29:55,358 --> 00:29:59,319
[SNIFFLES]
AND ON MY WAY DOWN HERE,
I REALIZED I'M NOT...
680
00:29:59,362 --> 00:30:02,931
I'M NOT ANGRY
ANYMORE, YOU KNOW?
I'M JUST EXHAUSTED.
681
00:30:02,975 --> 00:30:05,542
A LONG TIME AGO, I
ACCEPTED THAT I WASN'T
682
00:30:05,586 --> 00:30:08,545
ENOUGH TO KEEP
MY MOM ALIVE OR...
683
00:30:08,589 --> 00:30:12,158
MY DAD IN TOWN
OR MY BOYFRIEND
FAITHFUL, BUT...
684
00:30:12,201 --> 00:30:15,161
[SNIFFLES]
YOU KNOW, WITH YOU,
I REALLY--I REALLY
685
00:30:15,204 --> 00:30:17,163
THOUGHT I WAS MAKING
A DIFFERENCE.
686
00:30:17,206 --> 00:30:19,600
I TRIED SO HARD
TO BE THERE FOR YOU--
687
00:30:19,643 --> 00:30:22,603
INTRODUCING YOU TO
MY FRIENDS AND MOVING
YOU IN WITH ME, AND--
688
00:30:22,646 --> 00:30:24,605
[SNIFFLES]
GOD, AFTER ALL THAT,
689
00:30:24,648 --> 00:30:26,912
IT, LIKE, STILL
WASN'T ENOUGH;
690
00:30:26,955 --> 00:30:28,914
NOT ENOUGH TO KEEP YOU
OFF THAT CLIFF
691
00:30:28,957 --> 00:30:31,394
OR TO KEEP YOU
FROM TRYING TO
TAKE ME WITH YOU.
692
00:30:31,438 --> 00:30:34,397
- LAYLA--
- IT'S JUST THE STORY OF
MY LIFE, REALLY, 'CAUSE...
693
00:30:34,441 --> 00:30:37,400
KEEP TRYING
TO FIX EVERYTHING
AND--SURPRISE--
694
00:30:37,444 --> 00:30:40,012
I JUST FALL UP SHORT
AGAIN AND AGAIN AND--
695
00:30:40,055 --> 00:30:42,014
LAYLA, YOUR FRIENDSHIP
IS WHAT KEPT ME
696
00:30:42,057 --> 00:30:44,233
OFF THAT CLIFF LONGER.
697
00:30:44,277 --> 00:30:46,888
BEING UP THERE WAS
ABOUT ALL THE WAYS THAT I
698
00:30:46,932 --> 00:30:49,935
WAS DEFICIENT...
NOT YOU.
699
00:30:49,978 --> 00:30:52,807
YOU ARE THE REASON
THAT I HAVE MADE
700
00:30:52,851 --> 00:30:54,983
SO MUCH PROGRESS
701
00:30:55,027 --> 00:30:58,944
AND HAVE MY FAMILY
BACK, AND HAVE A JOB.
702
00:30:58,987 --> 00:31:02,077
I MEAN, YOU
GOT ME TO TRY AGAIN
AT RUNNING SPRINGS.
703
00:31:02,121 --> 00:31:05,211
YOU'RE THE REASON
I'M STILL HERE.
704
00:31:06,734 --> 00:31:11,739
I MEAN, IF THAT ISN'T
BEING ENOUGH, THEN...
I DON'T KNOW WHAT IS.
705
00:31:19,355 --> 00:31:21,923
AND I BET,
IF YOU LOOK CLOSELY,
706
00:31:21,967 --> 00:31:25,057
THERE'S A LOT OF PEOPLE
IN YOUR LIFE THAT FEEL
THIS WAY.
707
00:31:28,060 --> 00:31:30,105
[SNIFFLES]
708
00:31:32,325 --> 00:31:34,283
[DOOR CLOSES,
PATIENCE SIGHS]
709
00:31:34,327 --> 00:31:37,634
WOULDN'T KILL LIV'S FRIENDS
TO ACTUALLY CLEAN UP.
710
00:31:37,678 --> 00:31:39,636
[SIGHS]
711
00:31:39,680 --> 00:31:41,638
YOU'RE KIDDING ME,
RIGHT?
712
00:31:41,682 --> 00:31:44,032
- I DIDN'T EVEN SAY ANYTHING.
- SO IT WASN'T, LIKE, ENOUGH
713
00:31:44,076 --> 00:31:46,034
FOR YOU TO INVITE SKYE
TO RUB HER IN MY FACE,
714
00:31:46,078 --> 00:31:48,341
BUT YOU GONNA
TAKE HER TO OUR SPOT?
715
00:31:48,384 --> 00:31:50,038
YOU THE ONE THAT GOT
CHLORINE SENDING
716
00:31:50,082 --> 00:31:51,779
THE ENTIRE RAINFOREST
OVER TO OUR CRIB.
717
00:31:51,822 --> 00:31:53,128
OK, HER NAME
IS SABINE,
718
00:31:53,172 --> 00:31:54,521
AND THOSE FLOWERS
ARE PLATONIC.
719
00:31:54,564 --> 00:31:55,783
MAN, THOSE FLOWERS
ARE RED!
720
00:31:55,826 --> 00:31:57,176
THEY ARE NOT PLATONIC!
721
00:31:57,219 --> 00:31:59,265
OOH, YOU ABOUT
TO FEEL SO STUPID.
722
00:31:59,308 --> 00:32:01,267
MAN, WHATEVER.
AT LEAST MY NAME DON'T
SOUND LIKE SOMETHING
723
00:32:01,310 --> 00:32:03,922
THEY DUMP IN POOL WATER.
PATIENCE: MMM, OK.
724
00:32:03,965 --> 00:32:08,796
YEAH, UH, "CONGRATS ON
AN AMAZING ALBUM LAUNCH.
YOUR FRIEND, SABINE."
725
00:32:10,276 --> 00:32:11,886
HMM.
726
00:32:11,930 --> 00:32:13,975
SABINE DOES HAVE
NICE HANDWRITING.
727
00:32:14,019 --> 00:32:16,064
- NOW YOU KNOW HER NAME, HUH?
- LOOK, I'M SORRY,
728
00:32:16,108 --> 00:32:17,805
OK? I JUST THOUGHT--
PATIENCE: YEAH, YEAH, I KNOW
729
00:32:17,848 --> 00:32:19,807
WHAT YOU THOUGHT,
AND...
730
00:32:19,850 --> 00:32:21,940
[SCOFFS]
731
00:32:23,506 --> 00:32:26,074
OUR RELATIONSHIP?
732
00:32:26,118 --> 00:32:28,772
IT MEANT A LOT
TO ME, COOP.
733
00:32:28,816 --> 00:32:32,776
THE WAY THAT
WE'RE TRYING TO...
HURT EACH OTHER,
734
00:32:32,820 --> 00:32:35,779
WE'RE NOT ABOUT TO HAVE
A FRIENDSHIP LEFT,
735
00:32:35,823 --> 00:32:38,565
AND I DON'T WANT THAT.
COOP: I DON'T WANT THAT, EITHER.
736
00:32:38,608 --> 00:32:42,134
OK, SO...
WHAT DO WE DO?
737
00:32:42,177 --> 00:32:44,136
I MEAN...
738
00:32:44,179 --> 00:32:46,268
[SIGHS]
739
00:32:46,312 --> 00:32:49,228
- WE SHOULD AGREE
ON SOME GROUND RULES.
- I'M DOWN WITH THAT.
740
00:32:49,271 --> 00:32:51,230
WELL, FIRST OF ALL,
741
00:32:51,273 --> 00:32:53,884
BAKER HOUSE HAS
TO BE SWITZERLAND--
742
00:32:53,928 --> 00:32:56,452
NEUTRAL GROUND,
NO MORE DATES
IN THE HALLWAY.
743
00:32:56,496 --> 00:32:59,194
OK, FINE, AND NO MORE
FLOWERS FROM GIRLS YOU
TRIED TO GET WITH, EITHER.
744
00:32:59,238 --> 00:33:01,849
OK, DEAL, AND ALSO,
WE HAVE TO DECIDE
745
00:33:01,892 --> 00:33:04,460
ON WHERE IN L.A. IS
OFF-LIMITS BECAUSE
746
00:33:04,504 --> 00:33:06,985
I DON'T WANT YOU
TAKING GIRLS
TO OUR SPOTS.
747
00:33:07,028 --> 00:33:09,813
OK, BUT I
CAN GO TO D-DOGGS
BY MYSELF, RIGHT?
748
00:33:09,857 --> 00:33:13,252
YES, YES, OF COURSE.
WELL, LET'S HAVE COFFEE.
749
00:33:13,295 --> 00:33:16,081
OK, WELL, BEFORE YOU
START PLANTING YOUR FLAG
750
00:33:16,124 --> 00:33:19,171
IN ALL THE L.A. CAFEÉS,
I HAVE SOMETHING FOR YOU.
751
00:33:22,870 --> 00:33:25,612
- OOH.
- I'M SO USED TO GETTING
YOU FUNNEL CAKES BECAUSE
752
00:33:25,655 --> 00:33:29,137
I KNOW THAT YOU LIKE 'EM
THAT I GOT IT ANYWAY, EVEN
THOUGH YOU WASN'T THERE.
753
00:33:29,181 --> 00:33:31,139
OK.
754
00:33:31,183 --> 00:33:33,141
OOH, YES!
755
00:33:33,185 --> 00:33:35,143
OK.
756
00:33:35,187 --> 00:33:38,755
WELL, LET'S EAT...
AND NEGOTIATE.
757
00:33:40,279 --> 00:33:42,194
MMM.
758
00:33:43,673 --> 00:33:45,632
[KNOCK ON DOOR]
759
00:33:45,675 --> 00:33:48,243
HEY, MAN.
SHOOT, THIS HOUSE IS
GETTING MORE ACTION
760
00:33:48,287 --> 00:33:50,419
THAN WHEN I WAS
IN HIGH SCHOOL.
[SIGHS]
761
00:33:50,463 --> 00:33:52,552
SPENCER: WHY?
[DOOR CLOSES]
762
00:33:52,595 --> 00:33:54,641
WHAT'S GOING ON HERE?
BILLY: OH, DON'T ASK.
763
00:33:54,684 --> 00:33:57,687
[CHUCKLES]
WHAT CAN I HELP YOU
WITH, MR. JAMES?
764
00:33:59,211 --> 00:34:02,823
DID YOU TELL
ASHER TO DOG ME IN
HIS SCOUTING REPORT?
765
00:34:02,866 --> 00:34:05,217
NO, NO.
766
00:34:05,260 --> 00:34:08,046
I DID TELL HIM THAT
HE SHOULD DO HIS JOB.
767
00:34:08,089 --> 00:34:09,264
GREAT.
768
00:34:09,308 --> 00:34:11,397
THANKS TO YOUR ADVICE,
769
00:34:11,440 --> 00:34:13,138
MY RIVALS NOW THINK
I LACK CONFIDENCE
770
00:34:13,181 --> 00:34:15,140
AND THAT I'M EASY
TO DEMORALIZE.
771
00:34:15,183 --> 00:34:17,229
YEAH.
[INHALES DEEPLY]
772
00:34:17,272 --> 00:34:19,666
LOOK, SPENCE,
TELL ME COACH GARRETT
BLOWING HOT AND COLD
773
00:34:19,709 --> 00:34:22,060
AT YOU THIS WHOLE
SEASON DIDN'T MESS
WITH YOUR CONFIDENCE.
774
00:34:22,103 --> 00:34:24,105
AND SO IT WAS COOL
FOR ASH TO EXPLOIT THAT?
775
00:34:24,149 --> 00:34:26,194
THAT'S SCREWED UP, COACH.
BILLY: LOOK, SPENCE,
776
00:34:26,238 --> 00:34:27,848
YOU ARE GOOD
AT BATTLING LINEMEN,
777
00:34:27,891 --> 00:34:30,590
BREAKING TACKLES,
BUT THIS IS REAL LIFE.
778
00:34:30,633 --> 00:34:32,635
IT'S COMPLICATED.
YOU'LL HAVE TO LEARN
HOW TO BALANCE
779
00:34:32,679 --> 00:34:34,855
FRIENDSHIPS
AND--AND RELATIONSHIPS
780
00:34:34,898 --> 00:34:37,858
THAT--THAT DON'T QUITE
LOOK OR SEEM THE WAY
781
00:34:37,901 --> 00:34:39,990
YOU THOUGHT THEY
ONCE DID, YOU KNOW?
782
00:34:40,034 --> 00:34:42,602
WELCOME TO ADULTHOOD
AND BEING ON TOP.
783
00:34:42,645 --> 00:34:44,604
OK.
784
00:34:44,647 --> 00:34:47,302
SO I GUESS I NEED
TO BE WATCHING MY BACK
FROM NOW ON, HUH?
785
00:34:47,346 --> 00:34:48,956
OH, ABSOLUTELY.
786
00:34:48,999 --> 00:34:51,089
THESE JOURNALISTS,
787
00:34:51,132 --> 00:34:54,483
THEY'RE GONNA TEAR YOU
DOWN QUICKER THAN
THEY BUILT YOU UP.
788
00:34:54,527 --> 00:34:57,138
EVERYTHING YOU DO
IS GONNA BE UNDER
A MICROSCOPE,
789
00:34:57,182 --> 00:35:00,750
SO ASHER'S REPORT
IS JUST A TASTE OF--
OF YOUR NEW REALITY.
790
00:35:00,794 --> 00:35:02,535
A REALITY WITHOUT
ANY FRIENDS?
791
00:35:02,578 --> 00:35:05,538
NO, NO, ASH--ASH IS
STILL YOUR FRIEND.
792
00:35:05,581 --> 00:35:08,541
HE'S GOT A JOB TO DO,
YOU'VE GOT A JOB TO DO.
793
00:35:08,584 --> 00:35:10,543
YOU'RE BOTH GOOD.
794
00:35:10,586 --> 00:35:12,545
YOU JUST HAVE TO
NAVIGATE THE SCRUTINY
795
00:35:12,588 --> 00:35:15,069
THEN THAT'S AT YOUR
LEVEL OF GREATNESS.
796
00:35:15,113 --> 00:35:18,159
THERE'S THAT WORD
AGAIN--"GREATNESS."
797
00:35:18,203 --> 00:35:20,118
YEP.
798
00:35:20,161 --> 00:35:22,163
GET USED TO IT, SON.
799
00:35:40,790 --> 00:35:43,358
LISTEN, MAN,
ABOUT THE REPORT--
800
00:35:43,402 --> 00:35:45,491
I SHOULDN'T HAVE
READ IT. I MEAN,
801
00:35:45,534 --> 00:35:47,493
I AIN'T THINK IT WAS
A SECRET OR NOTHING.
802
00:35:47,536 --> 00:35:50,148
KINDA ASSUMED IT'D
BE POSITIVE, BUT...
803
00:35:50,191 --> 00:35:52,715
IT WASN'T MINE
TO READ, SO MY BAD.
804
00:35:52,759 --> 00:35:55,805
NO, NO, NO.
SPENCE, MOST OF THAT
REPORT WAS POSITIVE--
805
00:35:55,849 --> 00:35:57,807
NO EXPLANATION
NEEDED, BRUH.
806
00:35:57,851 --> 00:36:00,549
I UNDERSTAND WHY YOU
DID WHAT YOU DID NOW.
807
00:36:00,593 --> 00:36:02,551
OK.
808
00:36:02,595 --> 00:36:04,553
COOL. OK.
809
00:36:04,597 --> 00:36:06,729
THE LAST THING THAT
I WANT IS FOR THIS
TO AFFECT
810
00:36:06,773 --> 00:36:09,341
OUR FRIENDSHIP, YOU KNOW?
SPENCER: NO, I SAID
I UNDERSTAND.
811
00:36:09,384 --> 00:36:13,083
I AIN'T SAY NOTHING
ABOUT OUR FRIENDSHIP
NOT BEING AFFECTED.
812
00:36:14,955 --> 00:36:16,913
IT'S LIKE THAT?
813
00:36:16,957 --> 00:36:19,089
YOU ALL FOR TRUTH
AND HONESTY, RIGHT?
814
00:36:19,133 --> 00:36:22,223
I MEAN, YOU SAID
IT YOURSELF, ASH:
OUR TEAMS ARE RIVALS.
815
00:36:22,267 --> 00:36:24,573
OUR DREAMS AND OUR
CAREERS ARE WRAPPED UP
IN THOSE TEAMS.
816
00:36:24,617 --> 00:36:26,575
THAT MAKES US RIVALS.
817
00:36:26,619 --> 00:36:29,230
THAT'S WHY YOU DID
WHAT YOU DID.
818
00:36:29,274 --> 00:36:31,667
ALL FOUR OF US, MAN--
819
00:36:31,711 --> 00:36:33,887
ME, YOU, JORDAN,
AND J.J.--
820
00:36:33,930 --> 00:36:36,716
WE'VE BEEN BURYING
OUR HEADS IN THE SAND
THESE LAST FEW MONTHS,
821
00:36:36,759 --> 00:36:39,675
ACTING LIKE THE G.A.U.
AND COASTAL RIVALRY
DOESN'T AFFECT US.
822
00:36:39,719 --> 00:36:42,983
BUT WITH THIS
HOMECOMING GAME COMING UP,
823
00:36:43,026 --> 00:36:45,681
WE CAN'T LIE
TO OURSELVES NO MORE.
824
00:36:50,033 --> 00:36:52,601
WE ALL GOT JOBS TO DO.
825
00:36:52,645 --> 00:36:55,256
MINE IS TO MAKE SURE
THAT NOTHING
826
00:36:55,300 --> 00:36:58,259
AND NO ONE GETS
IN THE WAY OF ME
DOMINATING ON THAT FIELD.
827
00:36:58,303 --> 00:37:00,392
WHAT ARE YOU TRYING
TO SAY, SPENCER?
828
00:37:00,435 --> 00:37:03,046
FOUR OF US CAN'T BE
FRIENDS ANYMORE?
829
00:37:03,090 --> 00:37:05,135
UNTIL AFTER
THE HOMECOMING GAME,
THERE'S GONNA NEED TO BE
830
00:37:05,179 --> 00:37:07,225
A SEPARATION OF CHURCH
AND STATE IN THIS HOUSE.
831
00:37:07,268 --> 00:37:09,357
ME AND JORDAN
IN OUR CORNER,
832
00:37:09,401 --> 00:37:11,446
YOU AND J.J. IN YOURS
833
00:37:11,490 --> 00:37:14,101
'CAUSE I'LL BE DAMNED
834
00:37:14,144 --> 00:37:17,104
IF I LET A RIVAL USE
ANYTHING I SAY OR DO
835
00:37:17,147 --> 00:37:19,933
IN MY HOME
TO GET ONE OVER ON ME.
836
00:37:26,679 --> 00:37:28,594
[FOOTSTEPS RETREAT]
837
00:37:28,637 --> 00:37:29,943
HMM.
838
00:37:31,684 --> 00:37:34,295
[SLOW HIP-HOP MUSIC PLAYING]
FEMALE SINGER: ♪ SO GOOD...
839
00:37:34,339 --> 00:37:36,906
THANK YOU FOR MEETING ME.
840
00:37:36,950 --> 00:37:39,518
YEAH, WELL, I'VE GOT
A THING NEARBY
IN 23 MINUTES,
841
00:37:39,561 --> 00:37:42,521
BUT, YOU KNOW,
FIGURED I HAD TIME
FOR AN APOLOGY.
842
00:37:42,564 --> 00:37:44,523
[SIGHS]
843
00:37:44,566 --> 00:37:46,525
LOOK...
844
00:37:46,568 --> 00:37:48,570
I AM SORRY.
845
00:37:48,614 --> 00:37:51,225
I AIN'T NEVER MET
NOBODY LIKE YOU,
846
00:37:51,269 --> 00:37:53,401
AND I KNOW
I ASKED YOU OUT
847
00:37:53,445 --> 00:37:55,403
FOR THE WRONG
REASON, BUT
848
00:37:55,447 --> 00:37:58,058
BEFORE I MESSED UP
COLOSSALLY,
849
00:37:58,101 --> 00:38:01,061
I DON'T KNOW,
OUR VIBE, IT JUST...
850
00:38:01,104 --> 00:38:03,237
IT FELT RIGHT.
851
00:38:03,281 --> 00:38:06,849
KEEP GOING,
ON THE "HOW YOU
MESSED UP" PART.
852
00:38:06,893 --> 00:38:10,026
I MESSED UP SO BAD, I
ALMOST DON'T DESERVE
A SECOND CHANCE.
853
00:38:10,070 --> 00:38:11,463
- ALMOST?
- YEAH.
854
00:38:11,506 --> 00:38:13,465
I MEAN, HOW YOU GONNA
GIVE ME A HARD TIME
855
00:38:13,508 --> 00:38:15,467
IF YOU DON'T GO OUT
WITH ME AGAIN?
856
00:38:15,510 --> 00:38:19,209
THAT'S ALMOST LIKE
LETTING ME OFF TOO EASY.
857
00:38:20,733 --> 00:38:23,344
WHAT IF I DON'T BELIEVE
IN GIVING SECOND CHANCES?
858
00:38:23,388 --> 00:38:24,954
[SIGHS]
859
00:38:24,998 --> 00:38:26,956
LISTEN, I DON'T KNOW WHO
860
00:38:27,000 --> 00:38:29,611
THAT CRAZY, RANTING,
861
00:38:29,655 --> 00:38:32,440
TULIP-OBSESSED GIRL WAS
AT THE FOOD TRUCK.
862
00:38:32,484 --> 00:38:34,268
I'M NOT THAT GIRL.
863
00:38:34,312 --> 00:38:36,879
I PROMISE YOU THAT,
SO TECHNICALLY,
864
00:38:36,923 --> 00:38:39,055
I'M ASKING YOU
FOR A FIRST CHANCE.
865
00:38:40,579 --> 00:38:42,711
[SIGHS]
866
00:38:45,671 --> 00:38:49,631
DO YOU STILL
HAVE 21 MINUTES
AND 51 SECONDS?
867
00:38:49,675 --> 00:38:52,678
I GUESS WE COULD FIT
THAT CHANCE IN NOW.
868
00:38:57,813 --> 00:38:59,380
[DISTANT CHATTER]
869
00:38:59,424 --> 00:39:01,600
- CARRIE WAS RIGHT, YOU KNOW.
- HMM?
870
00:39:01,643 --> 00:39:03,819
YOU'VE ALWAYS BEEN
MORE THAN ENOUGH.
871
00:39:03,863 --> 00:39:07,040
[CHUCKLES]
WELL, I THINK THAT'S
SOMETHING I'M ALWAYS
872
00:39:07,083 --> 00:39:10,826
GONNA STRUGGLE WITH,
BUT...TODAY I
BELIEVED IT.
873
00:39:10,870 --> 00:39:13,829
I WAS STRONG ENOUGH
TO FACE HER AGAIN.
874
00:39:13,873 --> 00:39:16,702
GLAD I DID.
875
00:39:16,745 --> 00:39:20,140
AND IT FEELS GOOD
TO KNOW THAT SHE'S
GONNA BE OK
876
00:39:20,183 --> 00:39:23,143
AND--[INHALES]--
THAT I HELPED
IN SOME WAY.
877
00:39:23,186 --> 00:39:24,753
[CHUCKLING]
"SOME WAY"? LAYLA,
878
00:39:24,797 --> 00:39:27,365
YOU--YOU HELPED HER
IN A BIG WAY.
879
00:39:29,279 --> 00:39:32,239
I OWE A LOT
OF PEOPLE AN APOLOGY
880
00:39:32,282 --> 00:39:35,460
FOR HOW I, YOU KNOW,
ACTED THIS PAST YEAR,
881
00:39:35,503 --> 00:39:37,462
BUT TO YOU...
JORDAN: MM-HMM?
882
00:39:37,505 --> 00:39:39,464
I OWE A THANK YOU.
883
00:39:39,507 --> 00:39:41,248
UH, A THANK YOU?
884
00:39:41,291 --> 00:39:43,424
- YEAH.
- WHY? WHY'S THAT?
885
00:39:43,468 --> 00:39:46,079
UM, YOU KNOW, FOR NOT--
NOT GIVING UP ON ME
886
00:39:46,122 --> 00:39:48,124
WHEN I WAS PUSHING
EVERYONE AWAY.
887
00:39:48,168 --> 00:39:51,780
YOU'RE RESILIENT, JORDAN.
THAT'S HOW I KNOW YOU'RE
888
00:39:51,824 --> 00:39:54,870
GONNA FIND A WAY BACK
OUT ON THAT FIELD.
YOU ALWAYS DO.
889
00:39:54,914 --> 00:39:57,177
JUST FOCUS ON YOUR GAME,
890
00:39:57,220 --> 00:40:00,354
YOU KNOW?
FORGET EVERYONE ELSE.
891
00:40:01,834 --> 00:40:04,880
[BASKETBALL NET SWISHING,
BASKETBALL BOUNCING]
JORDAN: YEAH.
892
00:40:15,021 --> 00:40:17,327
[JAZZ PIANO PLAYING,
DOOR OPENS]
893
00:40:32,691 --> 00:40:35,563
WHAT? HEH HEH!
WHAT IS ALL THIS?
894
00:40:35,607 --> 00:40:37,565
HAVE A SEAT.
895
00:40:37,609 --> 00:40:39,654
[MUSIC CONTINUES]
896
00:40:43,789 --> 00:40:45,965
WHAT IS YOUR NAME?
897
00:40:46,008 --> 00:40:48,184
- SPENCER--
- JUST GO WITH IT.
898
00:40:48,228 --> 00:40:50,186
OK.
899
00:40:50,230 --> 00:40:52,188
OLIVIA BAKER.
900
00:40:52,232 --> 00:40:54,277
OLIVIA BAKER.
FAVORITE COLOR?
901
00:40:54,321 --> 00:40:55,888
BLACK.
902
00:40:55,931 --> 00:40:58,499
- FAVORITE FOOD?
- DUH. WHATEVER'S ON YOUR PLATE.
903
00:40:58,543 --> 00:41:01,154
[BOTH CHUCKLE]
904
00:41:01,197 --> 00:41:04,679
SERIOUSLY, WHAT IS--
WHAT IS ALL THIS?
905
00:41:04,723 --> 00:41:07,334
I'M STEPPING
MY GAME UP.
906
00:41:07,377 --> 00:41:09,945
LOOK, A LOT
OF RELATIONSHIPS
907
00:41:09,989 --> 00:41:12,165
HAVE BEEN FRACTURING
IN MY LIFE LATELY.
908
00:41:12,208 --> 00:41:14,210
I AIN'T LETTING OURS
BE ONE OF 'EM.
909
00:41:14,254 --> 00:41:16,299
I LOVE YOU.
910
00:41:17,823 --> 00:41:20,347
AND I AM NOT GOING
ANYWHERE, SPENCER,
911
00:41:20,390 --> 00:41:22,610
BUT YOU'RE RIGHT.
912
00:41:22,654 --> 00:41:25,265
I MEAN, WE'RE
BOTH EVOLVING,
913
00:41:25,308 --> 00:41:28,268
AND THAT MEANS MAYBE
A LITTLE MORE WORK
ON BOTH OF OUR PARTS
914
00:41:28,311 --> 00:41:31,097
TO MAKE SURE WE'RE RIDING
THIS GROWTH WAVE TOGETHER.
915
00:41:31,140 --> 00:41:34,274
WHICH IS WHY
I'VE DECIDED TO GET
TO KNOW OLIVIA 2.0.
916
00:41:34,317 --> 00:41:36,581
- MMM.
- OTHERWISE KNOWN AS
917
00:41:36,624 --> 00:41:38,234
O.M.O.
918
00:41:38,278 --> 00:41:41,107
- HMM?
- OAT MILK OLIVIA.
919
00:41:42,587 --> 00:41:44,850
- WE'RE GONNA HAVE
TO CHANGE THE NAME.
- [CHUCKLES]
920
00:41:44,893 --> 00:41:46,852
[KISS]
OLIVIA: HA HA HA!
921
00:41:46,895 --> 00:41:48,941
OK. AHEM.
BIGGEST PET PEEVE?
922
00:42:15,968 --> 00:42:17,535
GREG, MOVE YOUR HEAD!
68331
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