All language subtitles for All.American.S04E17.WEBRip.x264-ION10

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch Download
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek Download
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian Download
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian Download
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,784 --> 00:00:03,568 [WHISTLE BLOWS] 2 00:00:03,612 --> 00:00:05,396 WOMAN: SPENCER, AT TWO TOUCHDOWNS, 3 00:00:05,440 --> 00:00:07,920 147 YARDS RECEIVING, YOU'VE REALLY BECOME A STAR 4 00:00:07,964 --> 00:00:10,923 THESE PAST FEW GAMES. SPENCER: UM, I DON'T PAY NO MIND 5 00:00:10,967 --> 00:00:13,926 TO THAT INDIVIDUAL STUFF. THIS WAS A TEAM EFFORT. 6 00:00:13,970 --> 00:00:16,277 WADE: HEH HEH! LOOK, I'LL ANSWER THAT FOR HIM. 7 00:00:16,320 --> 00:00:18,931 EVERYONE CAN SEE THAT S.J.'s GREATNESS IS UNDENIABLE. 8 00:00:18,975 --> 00:00:21,238 NOW HERE'S THE BRUTAL TRUTH. JORDAN: "S.J."? 9 00:00:21,282 --> 00:00:22,892 WADE: SOME PLAYERS BELONG ON THE BENCH... 10 00:00:22,935 --> 00:00:24,937 WELL, THOSE ARE THE BOY'S INITIALS. 11 00:00:24,981 --> 00:00:26,548 IT'S JUST A TRAGEDY S.J.'s CRAZY TALENT 12 00:00:26,591 --> 00:00:28,332 WAS WASTED FOR HALF THE SEASON. 13 00:00:28,376 --> 00:00:30,334 ARE YOU CRITICIZING COACH GARRETT'S DECISION TO KEEP 14 00:00:30,378 --> 00:00:33,207 SPENCER ON SPECIAL TEAMS FOR SUCH A LONG TIME? 15 00:00:33,250 --> 00:00:34,860 HEH HEH! YOU'RE LOOKING FOR A QUOTE. 16 00:00:34,904 --> 00:00:36,775 IT'S A NICE TRY, BUT IT'S LIKE THIS. 17 00:00:36,819 --> 00:00:39,387 WATER RISES TO ITS LEVEL, RIGHT? 18 00:00:39,430 --> 00:00:42,216 WELL, I'M WATERS. SPENCER'S THE LEVEL. 19 00:00:42,259 --> 00:00:45,697 WADE: I MEAN, HIS PRESENCE ALONE RAISES THE CALIBER OF PLAY ON THE FIELD. 20 00:00:45,741 --> 00:00:48,048 AIN'T THAT RIGHT? SPENCER: AHEM. 21 00:00:50,615 --> 00:00:53,009 ALL I KNOW IS WADE WATERS 22 00:00:53,053 --> 00:00:56,056 IS THE BEST Q.B. IN THE COUNTRY, AND SO 23 00:00:56,099 --> 00:00:59,320 PLAYING WITH HIM PUTS GREATNESS WITHIN REACH FOR ALL OF US. 24 00:00:59,363 --> 00:01:03,063 WADE: HEY, NOW HOW'S THAT FOR A QUOTE? COME HERE. GOOD GAME. 25 00:01:11,636 --> 00:01:14,596 WADE: EVERYONE CAN SEE THAT S.J.'s GREATNESS IS UNDENIABLE. 26 00:01:14,639 --> 00:01:16,685 NOW HERE'S THE BRUTAL TRUTH. SOME PLAYERS BELONG 27 00:01:16,728 --> 00:01:18,774 ON THE BENCH, OTHERS BELONG ON THE FIELD. [KNOCK ON DOOR] 28 00:01:18,817 --> 00:01:20,732 ASHER: YOU WANTED TO SEE ME, COACH? WADE: IT'S JUST A TRAGEDY-- 29 00:01:20,776 --> 00:01:22,343 TELL ME ABOUT SPENCER JAMES. 30 00:01:22,386 --> 00:01:24,780 HEH! WELL, HE'S THE BEST FOOTBALL PLAYER 31 00:01:24,823 --> 00:01:27,130 I'VE EVER PLAYED WITH OR AGAINST. 32 00:01:27,174 --> 00:01:29,350 WELL, AS YOU KNOW, WE'RE PLAYING HIM AT HOMECOMING. 33 00:01:29,393 --> 00:01:31,178 THERE'S NOT A LOT OF GAME FILM ON HIM YET. 34 00:01:31,221 --> 00:01:33,049 ALL WE KNOW IS THAT HE WAS A HIGH-SCHOOL ALL-AMERICAN 35 00:01:33,093 --> 00:01:34,529 AND A SPECIAL-TEAMS PLAYER FOR MOST OF THIS YEAR. 36 00:01:34,572 --> 00:01:36,183 NOW HE SEEMS TO BE THE PRIMARY FOCUS 37 00:01:36,226 --> 00:01:38,837 OF G.A.U.'s OFFENSE, AND AS A TRUE FRESHMAN, 38 00:01:38,881 --> 00:01:41,971 THAT'S IMPRESSIVE. ASHER: LIKE I SAID, HE'S THE BEST I'VE EVER SEEN. 39 00:01:42,014 --> 00:01:44,800 [INHALES DEEPLY] AND YOU'RE HIS ROOMMATE, RIGHT? 40 00:01:46,193 --> 00:01:48,499 YEAH. WHY? 41 00:01:48,543 --> 00:01:51,154 'CAUSE I'M GONNA NEED YOU TO DO A FULL SCOUTING REPORT BY TOMORROW. 42 00:01:51,198 --> 00:01:53,069 - WHAT, BECAUSE HE'S MY ROOMMATE? - NO. 43 00:01:53,113 --> 00:01:55,027 NO, BECAUSE YOU PLAYED WITH HIM AND AGAINST HIM. 44 00:01:55,071 --> 00:01:56,855 YOU KNOW HIM BETTER THAN ANYONE. 45 00:01:56,899 --> 00:01:58,683 I NEED TO KNOW HIS STRENGTHS, HIS WEAKNESSES. 46 00:01:58,727 --> 00:02:00,729 I WANT TO MAKE HIM A NONFACTOR AT HOMECOMING. 47 00:02:00,772 --> 00:02:02,731 LOOK, ASHER, IF THIS IS A PROBLEM FOR YOU, 48 00:02:02,774 --> 00:02:04,733 I CAN GIVE IT TO SOMEONE ELSE. 49 00:02:04,776 --> 00:02:06,474 I JUST THOUGHT YOU'D BE EXCITED ABOUT YOUR FIRST 50 00:02:06,517 --> 00:02:09,085 COACHING ASSIGNMENT. ASHER: NO, NO, NO, I--I AM. 51 00:02:09,129 --> 00:02:12,393 I AM. THANK YOU. MONTES: THIS ISN'T JUST ABOUT SPENCER JAMES. 52 00:02:12,436 --> 00:02:15,396 HE'S THE FOCUS, BUT I NEED A FULL SUMMARY 53 00:02:15,439 --> 00:02:17,876 ON THAT ENTIRE OFFENSE, TOP TO BOTTOM. 54 00:02:17,920 --> 00:02:19,487 THINK YOU COULD PUT THAT TOGETHER FOR US? 55 00:02:19,530 --> 00:02:21,576 YES, SIR. 56 00:02:30,672 --> 00:02:33,022 "BEST QUARTERBACK IN THE COUNTRY." 57 00:02:33,065 --> 00:02:34,893 WELL, THE BOY CAN SLING THAT BALL. 58 00:02:34,937 --> 00:02:37,505 - THANKS, DAD. - WAIT. OK. 59 00:02:37,548 --> 00:02:39,811 ARE WE NOT SUPPOSED TO LIKE HIM OR SOMETHING? WHAT'S GOING ON? 60 00:02:39,855 --> 00:02:43,075 - WADE IS MY COMPETITION. - I KNOW, BUT HE'S ALSO YOUR TEAMMATE. 61 00:02:43,119 --> 00:02:45,861 YOUR REAL COMPETITION IS WEARING A DIFFERENT UNIFORM. 62 00:02:45,904 --> 00:02:47,906 I KNOW YOU DON'T WANT TO BE PLAYING AGAINST HIM, RIGHT? 63 00:02:47,950 --> 00:02:50,257 OK, SO YOU THINK HE'S THE BEST IN THE COUNTRY, TOO? 64 00:02:50,300 --> 00:02:53,085 J., AT YOUR LEVEL, YOU'RE EITHER PLAYING WITH OR AGAINST 65 00:02:53,129 --> 00:02:55,131 THE BEST IN THE COUNTRY. I DON'T KNOW WHAT YOU WANT ME TO SAY. 66 00:02:55,175 --> 00:02:57,133 I WISH YOU WOULD HAVE GIVEN ME THAT ADVICE BEFORE I TOLD WADE I WAS 67 00:02:57,177 --> 00:02:59,744 COMING FOR HIS SPOT. NOW I JUST FEEL LIKE AN IDIOT. 68 00:02:59,788 --> 00:03:02,269 ALL I'VE DONE EVER SINCE IS WEAR OUT THE PAINT ON THE BENCH. 69 00:03:02,312 --> 00:03:04,358 EVEN SPENCER THINKS HE'S BETTER. BILLY: OK. 70 00:03:04,401 --> 00:03:07,012 BABY BOY, YOU NEED TO GET YOURSELF TOGETHER. 71 00:03:07,056 --> 00:03:09,580 - [SIGHS] - YOU'RE BEING WAY TOO SENSITIVE RIGHT NOW. 72 00:03:09,624 --> 00:03:11,800 YOU GOT TO GET OVER IT. YOU FEEL ME? 73 00:03:11,843 --> 00:03:13,323 DO YOU FEEL ME? 74 00:03:13,367 --> 00:03:15,456 - YEAH. - ALL RIGHT. GIMME THAT JUICE. 75 00:03:15,499 --> 00:03:18,023 [SIGHS] 76 00:03:21,331 --> 00:03:23,942 SINCE WHEN DO YOU COOK? 77 00:03:23,986 --> 00:03:27,555 MMM, SINCE THE SERVICE FEES ON THOSE FOOD DELIVERY APPS 78 00:03:27,598 --> 00:03:30,079 BECAME MORE EXPENSIVE THAN THE ACTUAL FOOD. 79 00:03:30,122 --> 00:03:31,689 - YEAH, YOU'RE RIGHT. - HEH! 80 00:03:31,733 --> 00:03:33,778 IT DOES SMELL PRETTY GOOD IN HERE, THOUGH. 81 00:03:33,822 --> 00:03:36,781 GIRL, KELIS AIN'T JUST, LIKE, A SINGER-SONGWRITER. 82 00:03:36,825 --> 00:03:39,262 SIS GOT RECIPES, TOO. 83 00:03:39,306 --> 00:03:41,264 [SIGHS] YEAH. 84 00:03:41,308 --> 00:03:44,136 OH. WOW. THOSE ARE GORGEOUS. 85 00:03:44,180 --> 00:03:46,878 YEAH. THEY'RE...FOR YOU. 86 00:03:46,922 --> 00:03:48,880 [SIGHS] 87 00:03:48,924 --> 00:03:50,708 COOP-- COOP: I DIDN'T SEND 'EM, 88 00:03:50,752 --> 00:03:52,841 ALL RIGHT? THEY WAS AT THE DOOR. 89 00:03:52,884 --> 00:03:54,930 WHAT? 90 00:03:58,847 --> 00:04:00,805 OH, MY GOD. 91 00:04:00,849 --> 00:04:02,807 OH, WOW. THESE ARE FROM SABINE. 92 00:04:02,851 --> 00:04:05,810 HA! OK. I'M GONNA, UH, 93 00:04:05,854 --> 00:04:08,813 I'M GONNA PUT THESE IN A VASE. 94 00:04:08,857 --> 00:04:10,815 THAT'S SO NICE. 95 00:04:10,859 --> 00:04:12,600 [CHUCKLES] 96 00:04:13,992 --> 00:04:16,343 [POP MUSIC PLAYING] 97 00:04:16,386 --> 00:04:18,170 MALE SINGER: ♪ HOLD UP, WHAT YOU WAITING FOR? ♪ 98 00:04:18,214 --> 00:04:19,911 J.J.: UP, UP. HERE WE GO. FOUR SECONDS LEFT. 99 00:04:19,955 --> 00:04:21,435 NUMBER 11 NEARS THE END ZONE. 100 00:04:21,478 --> 00:04:23,393 OH, HE TOUCHES BACK INSIDE, CROSSES 101 00:04:23,437 --> 00:04:26,440 THE 10-YARD LINE. WILL HE MAKE IT? 102 00:04:26,483 --> 00:04:28,790 J.J. AND ASHER: TOUCHDOWN! HA HA! TOUCHDOWN! 103 00:04:28,833 --> 00:04:31,445 J.J.: WITH A BEAUTY! HA HA! ASHER: HE'S UNSTOPPABLE! 104 00:04:31,488 --> 00:04:33,447 Y'ALL ARE STUPID, MAN. WHAT'S UP? 105 00:04:33,490 --> 00:04:35,231 J.J.: WHAT'S UP, MAN? ASHER: HEY, MAN, SERIOUSLY, 106 00:04:35,275 --> 00:04:36,798 GREAT GAME, DUDE. SPENCER: THANKS, BRUH. 107 00:04:36,841 --> 00:04:38,147 PAYING FOR IT NOW, THOUGH. 108 00:04:38,190 --> 00:04:39,931 I FEEL LIKE I GOT RUN OVER BY A BUS. 109 00:04:39,975 --> 00:04:41,542 ASHER: YEAH? SPENCER: MM-HMM. 110 00:04:41,585 --> 00:04:43,587 WHAT HURTS? YOUR ANKLE? 111 00:04:43,631 --> 00:04:44,936 NO. 112 00:04:44,980 --> 00:04:47,852 BACK? HANDS? HOW YOUR HANDS FEEL? 113 00:04:47,896 --> 00:04:51,465 MY HANDS ARE FINE, BRUH. YOU GETTING INTO PHYSICAL THERAPY NOW OR SOMETHING? 114 00:04:51,508 --> 00:04:54,294 J.J.: COACH MR. MONTES HAS ASH ON SOME SECRET-AGENT BIZ 115 00:04:54,337 --> 00:04:56,600 FOR THE BIG G.A.U.- COASTAL HOMECOMING GAME. 116 00:04:56,644 --> 00:04:58,341 ASHER: YEAH, HE ASKED ME TO DO A FULL SCOUTING REPORT 117 00:04:58,385 --> 00:05:00,604 ON YOU, JORDAN, SOME OF THE OTHER G.A.U. GUYS. 118 00:05:00,648 --> 00:05:02,606 SPENCER: FOR REAL? ASHER: YEAH. IT'S MY FIRST 119 00:05:02,650 --> 00:05:05,087 OFFICIAL ASSISTANT COACH ASSIGNMENT, SO... 120 00:05:05,130 --> 00:05:07,698 - THAT IS DOPE. CONGRATS, MAN. - HEY, THANK YOU. 121 00:05:07,742 --> 00:05:09,874 - I'M HAPPY FOR YOU. SO WHAT YOU GOT ON ME? - OH, UH, 122 00:05:09,918 --> 00:05:11,876 YOU'LL HAVE TO WAIT AND SEE, GAME NIGHT. 123 00:05:11,920 --> 00:05:14,139 OH, IT'S LIKE THAT? OK, OK, WELL, WHILE 124 00:05:14,183 --> 00:05:16,838 YOU'RE WRITING YOUR LITTLE REPORT THERE, JUST REMEMBER, I'M 6'1". 125 00:05:16,881 --> 00:05:18,187 J.J.: HA HA HA! ASHER: 6'1"? 126 00:05:18,230 --> 00:05:19,406 NO, YOU--YOU'RE NOT LISTENING. 127 00:05:19,449 --> 00:05:21,364 YOU GOT TO FACTOR IN THE CLEATS. 128 00:05:21,408 --> 00:05:23,018 THE CLEATS ARE A PART OF THE WHOLE-- J.J.: OH, OH, 129 00:05:23,061 --> 00:05:24,715 DO THE CLEATS HAVE HEELS NOW? IS THAT-- 130 00:05:24,759 --> 00:05:26,282 ASHER: I THINK THAT'S A-- THAT'S A BIG HEEL. 131 00:05:26,326 --> 00:05:27,979 J.J.: HA HA HA! SPENCER: Y'ALL GOT JOKES. 132 00:05:28,023 --> 00:05:29,590 OK, OK. Y'ALL SUPPOSED TO BE MY FRIENDS, 133 00:05:29,633 --> 00:05:31,243 BUT OK, DON'T EVEN WORRY 'BOUT IT. 134 00:05:31,287 --> 00:05:32,854 JORDAN: YEAH, WELL, REAL FRIENDS KEEP YOU 135 00:05:32,897 --> 00:05:34,464 GROUNDED, SO... 136 00:05:34,508 --> 00:05:36,858 ASHER: UH, EXACTLY. THAT'S WHY WE CAN'T 137 00:05:36,901 --> 00:05:38,468 LET YOU GET TOO HIGH ON YOUR OWN GREATNESS. 138 00:05:38,512 --> 00:05:40,514 FEEL ME? SPENCER: GREATNESS? 139 00:05:40,557 --> 00:05:42,690 YEAH, THAT'S WHAT THAT REPORTER SAID IN THAT INTERVIEW. 140 00:05:42,733 --> 00:05:46,911 IT'S CRAZY, MAN. TWO WEEKS AGO, COACH GARRETT DIDN'T EVEN KNOW MY NAME, 141 00:05:46,955 --> 00:05:50,306 AND NOW I'M THE HEART OF THE ENTIRE OFFENSE? IT FEELS LIKE A FLUKE. 142 00:05:50,350 --> 00:05:52,917 I DON'T EVEN KNOW IF THAT'S SUSTAINABLE GAME TO GAME. 143 00:05:52,961 --> 00:05:54,919 JORDAN: YEAH, WELL, I DON'T KNOW. 144 00:05:54,963 --> 00:05:56,530 I WOULDN'T WORRY ABOUT IT TOO MUCH, S.J. 145 00:05:56,573 --> 00:05:58,401 I THINK YOU'LL BE FINE. 146 00:05:58,445 --> 00:06:00,011 I MEAN, YOU DO HAVE ONE OF THE BEST QUARTERBACKS 147 00:06:00,055 --> 00:06:01,839 IN THE COUNTRY TOSSING YOU THE ROCK, RIGHT? 148 00:06:01,883 --> 00:06:03,972 AM I MISSING SOMETHING, MAN? YOU WALKED IN HERE 149 00:06:04,015 --> 00:06:06,104 LIKE YOU HAD SOMETHING TO SAY, SO YOU MIGHT AS WELL JUST SAY IT. 150 00:06:06,148 --> 00:06:08,106 I MEAN, YOU CHANGED YOUR MIND ABOUT WADE PRETTY DAMN QUICK 151 00:06:08,150 --> 00:06:10,152 THE MINUTE HE STARTED TALKING YOU UP. 152 00:06:10,195 --> 00:06:11,675 THAT'S SOME SERIOUS BACKPEDALING. 153 00:06:11,719 --> 00:06:13,851 THIS TENSION IS BUMMIN' ME OUT. 154 00:06:13,895 --> 00:06:16,941 ALL RIGHT, LOOK, MAN. IT AIN'T LIKE I'M BEST FRIENDS WITH THE DUDE. 155 00:06:16,985 --> 00:06:19,204 AND SINCE WHEN IS IT A CRIME TO CHANGE YOUR MIND ABOUT SOMEBODY? 156 00:06:19,248 --> 00:06:22,338 WHEN YOU AND I FIRST MET, WE DIDN'T EVEN LIKE EACH OTHER. YOU REMEMBER THAT? 157 00:06:22,382 --> 00:06:24,427 YEAH, SUDDENLY I REMEMBER IT REALLY WELL. 158 00:06:24,471 --> 00:06:26,298 WHOA, WHOA, WHOA. GUYS, HEH! COME ON. 159 00:06:26,342 --> 00:06:27,952 WE'RE ALL FRIENDS HERE, RIGHT? 160 00:06:27,996 --> 00:06:29,693 MAYBE YOU SHOULD BOTH JUST WALK AWAY, RELAX 161 00:06:29,737 --> 00:06:31,391 BEFORE YOU SAY SOMETHING YOU CAN'T 162 00:06:31,434 --> 00:06:33,393 TAKE BACK, YEAH? 163 00:06:33,436 --> 00:06:35,090 GUYS? 164 00:06:43,446 --> 00:06:45,796 IT'S NOT LIKE I SAID JORDAN WASN'T A GREAT QB. 165 00:06:45,840 --> 00:06:48,233 ALL I DID WAS COMPLIMENT WADE'S SKILLS AFTER A GOOD GAME. 166 00:06:48,277 --> 00:06:51,236 WELL, WE BOTH KNOW HOW BAD JORDAN WANTS TO GET BACK OUT ON THE FIELD. 167 00:06:51,280 --> 00:06:52,934 IT'S ONLY A MATTER OF TIME. 168 00:06:52,977 --> 00:06:54,805 THAT BOY IS TOO TALENTED NOT TO PLAY. 169 00:06:54,849 --> 00:06:57,460 WHATEVER. WE'LL FIGURE IT OUT. 170 00:06:57,504 --> 00:07:00,071 IT'S NOT OUR FIRST FIGHT, AND WE FAMILY. 171 00:07:00,115 --> 00:07:02,073 WE GOT EVERYTHING WE NEED HERE? 172 00:07:02,117 --> 00:07:03,684 - A BLANKET? - CHECK. 173 00:07:03,727 --> 00:07:05,599 SNACKS AND REFRESHMENTS? 174 00:07:05,642 --> 00:07:07,427 CHECK. 175 00:07:07,470 --> 00:07:10,038 AND...CHECK. 176 00:07:10,081 --> 00:07:12,649 ALL RIGHT. WE ARE ALL SET FOR OUR ALL-DAY SNACK BREAK. 177 00:07:12,693 --> 00:07:14,303 IT'S GONNA BE GOOD TO GET AWAY. 178 00:07:14,346 --> 00:07:15,913 WE'VE BOTH BEEN SO BUSY LATELY. 179 00:07:15,957 --> 00:07:17,785 - MMM. - FOOTBALL, YOUR ARTICLE. 180 00:07:17,828 --> 00:07:20,222 YOU KNOW, WHY DON'T WE TAKE IT ONE STEP FURTHER? 181 00:07:20,265 --> 00:07:22,354 WHAT DO YOU SAY WE DON'T TALK ABOUT FOOTBALL OR MY N.I.L. ARTICLE TODAY? 182 00:07:22,398 --> 00:07:24,792 MY BAD. WHAT IS FOOTBALL? 183 00:07:24,835 --> 00:07:26,184 LET'S GO. 184 00:07:26,228 --> 00:07:27,577 WHOA, WHOA, WHOA, WHOA. 185 00:07:27,621 --> 00:07:29,231 LET ME GET THAT FOR YOU. 186 00:07:29,274 --> 00:07:31,842 OH. SO CHIVALROUS. 187 00:07:31,886 --> 00:07:34,062 - [KISS] - WELL, I HOPE YOU 188 00:07:34,105 --> 00:07:36,847 PACKED MORE WHERE THAT CAME FROM. SPENCER: HEH HEH! 189 00:07:36,891 --> 00:07:40,851 OFTEN RUNS INSIDE BLITZ. INSIDE, INSIDE. 190 00:07:40,895 --> 00:07:45,552 OOH, "A PROTOTYPICAL LINEBACKER"? NICE. THAT BETTER BE ABOUT ME. 191 00:07:45,595 --> 00:07:47,989 - HEY, I'M WORKING, J.J. - HOW AM I SUPPOSED TO GET AN EDGE 192 00:07:48,032 --> 00:07:50,339 OVER THE G.A.U. GUYS IF YOU DON'T EVEN LET ME PEEP 193 00:07:50,382 --> 00:07:52,733 THE SCOUTING REPORT? ASHER: HEY, HEY, HEY. 194 00:07:52,776 --> 00:07:55,039 NO ONE IS PEEPING ANYTHING UNTIL IT'S FINISHED, 195 00:07:55,083 --> 00:07:57,172 IF IT'S EVER FINISHED. [SIGHS] 196 00:07:57,215 --> 00:08:00,044 HEY, YOU THINK G.A.U.'s DOING SCOUTING REPORTS ON US? 197 00:08:00,088 --> 00:08:01,829 WHAT DO YOU THINK MINE WOULD SAY? 198 00:08:01,872 --> 00:08:03,918 J.J., ENOUGH. THIS IS NOT A JOKE, DUDE. 199 00:08:03,961 --> 00:08:06,268 I HAVE ONE SHOT TO NAIL THIS REPORT AND PROVE TO MONTES 200 00:08:06,311 --> 00:08:08,836 THAT I HAVE WHAT IT TAKES TO BE AN ASSISTANT COACH, 201 00:08:08,879 --> 00:08:10,838 AND HE'S ALREADY SKEPTICAL ON WHETHER OR NOT 202 00:08:10,881 --> 00:08:13,101 I CAN DELIVER THIS, SO JUST-- J.J.: DID HE SAY THAT? 203 00:08:13,144 --> 00:08:15,712 [SIGHS] NO... 204 00:08:15,756 --> 00:08:19,368 NOT IN SO MANY WORDS, BUT... 205 00:08:19,411 --> 00:08:22,371 I JUST DON'T WANT TO MESS THIS UP, 206 00:08:22,414 --> 00:08:25,461 AND I HAVE NO IDEA IF WHAT I HAVE IS--IS ANY GOOD. 207 00:08:25,505 --> 00:08:28,072 OK, SO GET SOMEONE TO GIVE IT A ONCE-OVER 208 00:08:28,116 --> 00:08:30,553 BEFORE YOU TURN IT IN. 209 00:08:30,597 --> 00:08:33,774 SOMEONE LIKE...ME. 210 00:08:33,817 --> 00:08:35,776 [CHUCKLES] NO SHADE, J.J., BUT YOU 211 00:08:35,819 --> 00:08:38,343 AND MONTES DON'T EXACTLY THINK THE SAME WAY. 212 00:08:38,387 --> 00:08:40,345 [SIGHS] 213 00:08:41,825 --> 00:08:45,220 BUT...YOU'RE DEFINITELY ON TO SOMETHING. 214 00:08:45,263 --> 00:08:48,005 THANKS, MAN. J.J.: YEAH. 215 00:08:48,049 --> 00:08:49,746 YEAH. 216 00:08:51,269 --> 00:08:53,837 PATIENCE: HEY. SKYE: HEY, GIRL. IS COOP HERE? 217 00:08:53,881 --> 00:08:56,492 PATIENCE: UH-- COOP: WHEW! RIGHT ON TIME. 218 00:08:56,536 --> 00:08:58,886 SKYE: I'M, LIKE, A HALF-HOUR LATE. COOP: REALLY? 219 00:08:58,929 --> 00:09:00,627 YEAH. YOU JUST TEXTED, "WHERE ARE YOU?" 220 00:09:00,670 --> 00:09:02,716 COOP: OH. OH. OK. 221 00:09:02,759 --> 00:09:05,153 WHATEVER. WORTH THE WAIT. YEAH, YOU LOOK GOOD. YOU READY? 222 00:09:05,196 --> 00:09:08,112 SKYE: YEAH, LET'S DO IT. PATIENCE: HMM. Y'ALL TWO GOING ON A DATE? 223 00:09:08,156 --> 00:09:10,114 SKYE: YEAH. COOP CALLED OUT OF THE BLUE. 224 00:09:10,158 --> 00:09:11,855 GUESS SHE FINALLY CAME TO HER SENSES. 225 00:09:11,899 --> 00:09:14,423 LOOK, IT--IT WASN'T OUT THE BLUE, OK? 226 00:09:14,466 --> 00:09:16,512 BUT WHATEVER. LET'S GO GET SOME FOOD 'CAUSE I AIN'T GONNA LIE. 227 00:09:16,556 --> 00:09:18,601 THAT HALF-HOUR WAIT GOT ME EXTRA-HUNGRY. 228 00:09:18,645 --> 00:09:20,603 [CHUCKLES] 229 00:09:20,647 --> 00:09:22,736 OK, WELL, Y'ALL HAVE FUN. 230 00:09:28,785 --> 00:09:30,831 [DOOR CLOSES] 231 00:09:33,224 --> 00:09:36,445 OLIVIA: OK. SPENCER: MAN, I AM STARVING. WHAT YOU GOT IN THERE, GIRL? 232 00:09:36,488 --> 00:09:38,795 MMM. IT'S KIND OF A SURPRISE. 233 00:09:38,839 --> 00:09:40,754 OH. OK. 234 00:09:40,797 --> 00:09:42,843 OOH. 235 00:09:44,453 --> 00:09:47,021 DOPE. DOPE. 236 00:09:47,064 --> 00:09:49,763 WAIT. I THOUGHT... THESE WERE YOUR FAVORITES. 237 00:09:49,806 --> 00:09:51,852 NO, NO, I LOVE 'EM. IT'S JUST 238 00:09:51,895 --> 00:09:54,768 THE TEAM NUTRITIONIST MANDATED WE CUT BACK ON BREAD AND SUGAR, SO... 239 00:09:54,811 --> 00:09:56,770 - I SHOULD HAVE ASKED. I'M SORRY. - NO, IT'S ALL GOOD. 240 00:09:56,813 --> 00:09:58,989 YOU KNOW WHAT? THE HELL WITH THAT MANDATE. WATCH THIS. 241 00:09:59,033 --> 00:10:00,991 MMM. OLIVIA: YEAH? OH. OK. 242 00:10:01,035 --> 00:10:03,385 - MMM. I MISSED THESE BAD BOYS. - YEAH, YOU DID. 243 00:10:03,428 --> 00:10:05,387 [PAPER CRINKLES] OH, HERE. 244 00:10:05,430 --> 00:10:07,737 I WENT TO SLAUSON CAFEÉ AND PICKED UP 245 00:10:07,781 --> 00:10:10,174 YOUR USUAL. OLIVIA: OH! YES. 246 00:10:10,218 --> 00:10:12,481 - HA HA. - THANK YOU. 247 00:10:12,524 --> 00:10:14,483 OOH. - WHOA. THERE YOU GO. 248 00:10:14,526 --> 00:10:16,485 - THANK YOU. - MM-HMM. 249 00:10:16,528 --> 00:10:18,574 AHEM. 250 00:10:21,490 --> 00:10:24,058 SSS. THIS WHOLE MILK? 251 00:10:24,101 --> 00:10:27,365 THAT'S A...VENTI, NO WHIP AND EXTRA HONEY, RIGHT? 252 00:10:27,409 --> 00:10:29,803 I KINDA SWITCHED TO OAT MILK AFTER WE 253 00:10:29,846 --> 00:10:31,892 DID THAT ARTICLE ON THE DAIRY INDUSTRY. 254 00:10:31,935 --> 00:10:34,546 OH. OK. UH, I CAN, UM-- 255 00:10:34,590 --> 00:10:37,158 UH, YOU KNOW WHAT? NO. IT'S FINE. IT'S SO SILLY. 256 00:10:37,201 --> 00:10:39,639 SEE? IT'S GOOD. 257 00:10:41,118 --> 00:10:43,164 AHEM. 258 00:10:46,646 --> 00:10:49,213 SO, UH, YOU AND THE GIRLS DOING A'IGHT? 259 00:10:49,257 --> 00:10:51,476 - YEAH. WE'RE GOOD. - COOL. 260 00:10:51,520 --> 00:10:53,696 - YEAH. - COOL. 261 00:10:53,740 --> 00:10:55,916 ACTUALLY, UM, PATIENCE AND I, 262 00:10:55,959 --> 00:10:58,483 WE SAW LAST NIGHT'S FOOTBALL HIGHLIGHTS. 263 00:10:58,527 --> 00:11:01,486 AND WE ARE NOT SUPPOSED 264 00:11:01,530 --> 00:11:03,488 TO BE TALKING ABOUT ARTICLES OR FOOTBALL TODAY. 265 00:11:03,532 --> 00:11:05,490 - HEH HEH HEH! - I'M SORRY. 266 00:11:05,534 --> 00:11:08,276 IT'S ALL GOOD. UM... 267 00:11:09,756 --> 00:11:12,715 GLAD THEY FINALLY GOT TO RENOVATE THE PARK. OLIVIA: YEAH. 268 00:11:12,759 --> 00:11:14,717 IT'S A LOT WINDIER THAN I THOUGHT IT WOULD BE, THOUGH. 269 00:11:14,761 --> 00:11:16,327 YEAH, I KNOW. THAT--THAT SUCKS. 270 00:11:16,371 --> 00:11:18,025 YEAH. 271 00:11:19,635 --> 00:11:21,637 YOU GONNA FINISH THAT COFFEE? 272 00:11:21,681 --> 00:11:23,987 PROBABLY NOT. WANT IT? 273 00:11:24,031 --> 00:11:26,076 UH, YEAH, YEAH. SURE. 274 00:11:27,599 --> 00:11:29,558 YOU WANT THIS? 275 00:11:29,601 --> 00:11:31,516 SURE. 276 00:11:35,695 --> 00:11:37,261 AHEM. 277 00:11:37,305 --> 00:11:40,264 MALE SINGER: ♪ NO ALARM THIS MORNING 278 00:11:40,308 --> 00:11:43,485 ♪ NOTHIN' GONNA TELL ME WHERE I GOTTA BE ♪ 279 00:11:43,528 --> 00:11:46,096 ♪ WE CAN TAKE THIS SLOW 280 00:11:46,140 --> 00:11:48,098 [KNOCK ON DOOR] JORDAN: HEY. WHOA. 281 00:11:48,142 --> 00:11:50,100 GO EASY ON THE TREES, HUH? 282 00:11:50,144 --> 00:11:52,712 HEH! UH, HOW WAS YOUR TRIP TO BRINGSTON? 283 00:11:52,755 --> 00:11:55,279 I FEEL LIKE I HAVEN'T REALLY SEEN YOU SINCE YOU'VE BEEN BACK. 284 00:11:55,323 --> 00:11:58,369 IT WAS--IT WAS GOOD, YOU KNOW? TOO SHORT, AS ALWAYS. 285 00:11:58,413 --> 00:12:01,546 - UH-- - UH, "CARRIE, IT'S BEEN A LONG TIME." 286 00:12:01,590 --> 00:12:03,766 "CARRIE, I HOPE THIS GE--" 287 00:12:03,810 --> 00:12:05,725 YOU HAVEN'T GONE TO SEE CARRIE YET? 288 00:12:05,768 --> 00:12:07,727 I KNOW, OK? I... 289 00:12:07,770 --> 00:12:09,729 EVERY TIME I WANT TO DRIVE DOWN TO SAN DIEGO, 290 00:12:09,772 --> 00:12:11,905 I DON'T KNOW WHAT I'M GONNA SAY WHEN I SEE HER, 291 00:12:11,948 --> 00:12:14,385 SO WHEN I PEN THE PERFECT SPEECH, 292 00:12:14,429 --> 00:12:15,996 I WILL GO. I PROMISE. 293 00:12:16,039 --> 00:12:17,737 UH, DO YOU KNOW WHAT THIS IS CALLED? 294 00:12:17,780 --> 00:12:19,347 UH, PREPARATION. 295 00:12:19,390 --> 00:12:21,479 STALLING. STALLING. IF IT'S NOT 296 00:12:21,523 --> 00:12:24,439 THE PERFECT SPEECH, IT'LL BE SOME OTHER EXCUSE. 297 00:12:24,482 --> 00:12:26,963 OK, YOU KNOW WHAT? GET UP. 298 00:12:27,007 --> 00:12:29,183 - WHAT? WHY? - BECAUSE WE'RE GOING TO SAN DIEGO, THAT'S WHY. 299 00:12:29,226 --> 00:12:31,185 - JORDAN-- - LAYLA, WHATEVER YOU WANT 300 00:12:31,228 --> 00:12:33,187 TO SAY TO CARRIE, YOU CAN PRACTICE ON ME IN THE CAR. 301 00:12:33,230 --> 00:12:35,580 - NO. JORDAN-- - LAYLA, 302 00:12:35,624 --> 00:12:38,583 IT'S TIME, FOR YOUR SAKE AND HERS. 303 00:12:38,627 --> 00:12:41,630 [KEYS JINGLE] I'LL BE IN THE CAR. 304 00:12:43,110 --> 00:12:45,155 GREAT. [SIGHS] 305 00:12:50,378 --> 00:12:51,945 I JUST THOUGHT THAT SPENCER WOULD BE 306 00:12:51,988 --> 00:12:53,947 IN MY CORNER, YOU KNOW? LIKE NOT TELLING REPORTERS 307 00:12:53,990 --> 00:12:56,210 THAT WADE WAS THE BEST QUARTERBACK IN THE COUNTRY? 308 00:12:56,253 --> 00:12:58,255 DIDN'T YOU SAY HE WAS THE BEST WHEN WE WERE LOCKED IN MY STUDIO? 309 00:12:58,299 --> 00:13:00,780 MY POINT IS, IS THAT SPENCER DID NOT HAVE TO RUB IT IN MY FACE. 310 00:13:00,823 --> 00:13:03,478 JORDAN, IT'S BEEN, LIKE, TWO HOURS OF THIS, OK? 311 00:13:03,521 --> 00:13:05,828 INCLUDING YOU TALKING THROUGH MY FAVORITE PODCAST ON SPOTIFY, 312 00:13:05,872 --> 00:13:08,135 AND NOW I HAVE TO LISTEN TO THE EPISODE AGAIN. 313 00:13:08,178 --> 00:13:10,964 ALSO, I'M STARTING TO THINK THAT YOU KIDNAPPING ME TO SAN DIEGO IS 314 00:13:11,007 --> 00:13:12,966 MORE ABOUT YOU RUNNING AWAY FROM YOUR PROBLEMS 315 00:13:13,009 --> 00:13:15,055 AND LESS ABOUT HELPING WITH MINE. 316 00:13:15,098 --> 00:13:19,363 KIDNAPPING? WHAT? NO. LAYLA, THIS IS-- THIS IS 100% ABOUT YOU. 317 00:13:20,887 --> 00:13:23,454 OK, M-MAYBE 80/20, BUT THE 80 IS YOU. 318 00:13:23,498 --> 00:13:25,021 - OK. - I PROMISE, OK? 319 00:13:25,065 --> 00:13:27,067 HOW'S THE SPEECH COMING? LAYLA: HORRIBLY. 320 00:13:27,110 --> 00:13:28,982 OK, WELL, IF IT MAKES YOU FEEL ANY BETTER, I'M SURE THAT CARRIE IS 321 00:13:29,025 --> 00:13:30,722 FREAKING OUT ABOUT WHAT TO SAY TO YOU AS WELL. 322 00:13:30,766 --> 00:13:32,899 WELL, I HIGHLY DOUBT THAT SINCE SHE DOESN'T... 323 00:13:32,942 --> 00:13:35,902 KNOW THAT I'M COMING, SO... 324 00:13:35,945 --> 00:13:38,556 OK, LAYLA, UM, I'M NO EXPERT, 325 00:13:38,600 --> 00:13:40,776 BUT, UM, MAYBE IT'S NOT THE BEST IDEA 326 00:13:40,820 --> 00:13:45,389 TO SURPRISE THE GIRL WHO HISTORICALLY HAS NOT BEEN THE MOST STABLE. 327 00:13:45,433 --> 00:13:48,305 OK, YEAH, I'M-- I'M GONNA TEXT HER. 328 00:13:48,349 --> 00:13:50,090 - GOOD IDEA. - UM--[SIGHS]-- 329 00:13:50,133 --> 00:13:52,092 I'M GONNA SAY I'M IN TOWN... [TEXTING] 330 00:13:52,135 --> 00:13:55,660 AND I WOULD REALLY LIKE TO TALK IN PERSON. 331 00:13:55,704 --> 00:13:57,837 THAT'S GOOD. THERE. 332 00:13:57,880 --> 00:13:59,447 - BOOM. - I DID IT. 333 00:13:59,490 --> 00:14:01,492 PROBABLY NOT GONNA RESPOND--OH, MY GOD. 334 00:14:01,536 --> 00:14:05,192 WAIT. THE DOTS. THE DOTS... 335 00:14:05,235 --> 00:14:07,150 AND THEY'RE GONE. JORDAN: WHOA. 336 00:14:07,194 --> 00:14:08,935 LOOK AT THIS. 337 00:14:08,978 --> 00:14:11,067 CHECK IT OUT! 338 00:14:11,111 --> 00:14:13,591 THEY'RE HAVING AN OUTDOOR SCREENING OF "17 AGAIN." 339 00:14:13,635 --> 00:14:15,332 - HUH. - DO YOU REMEMBER WHEN ME, 340 00:14:15,376 --> 00:14:16,943 YOU, AND LIV WATCHED THIS AT THE HOUSE? 341 00:14:16,986 --> 00:14:18,945 YEAH, YEAH, I REMEMBER YOU CRYING 342 00:14:18,988 --> 00:14:20,947 TO YOUR MOM. JORDAN: I ONLY CRIED TO MY MOM 343 00:14:20,990 --> 00:14:23,340 BECAUSE YOU KICKED ME OUT OF THE FORT THAT I BUILT US. 344 00:14:23,384 --> 00:14:26,343 [CELLPHONE CHIMES AND VIBRATES] LAYLA: OH. 345 00:14:26,387 --> 00:14:29,172 OK, UM, SHE SAID SHE CAN'T BELIEVE I'M HERE, 346 00:14:29,216 --> 00:14:31,174 AND SHE CAN'T WAIT TO SEE ME, BUT SHE'S STUCK 347 00:14:31,218 --> 00:14:33,481 AT WORK FOR THE NEXT 2 1/2 HOURS. 348 00:14:33,524 --> 00:14:36,179 2 1/2 HOURS. DAMN. OK. 349 00:14:37,789 --> 00:14:40,357 OK. ALL RIGHT. [TEXTING] 350 00:14:40,401 --> 00:14:43,230 WHAT DID YOU--WHAT DID YOU SAY BACK TO HER? 351 00:14:43,273 --> 00:14:45,885 I SAID I'LL WAIT. 352 00:14:45,928 --> 00:14:48,626 YOU'RE RIGHT. IT'S-- IT'S TODAY OR NEVER. 353 00:14:51,020 --> 00:14:53,631 - TODAY IT IS. - MM-HMM. 354 00:14:53,675 --> 00:14:55,982 [SIGHS] 355 00:14:56,025 --> 00:14:59,072 OLIVIA: OH. OH, SORRY. SPENCER: HEH! MY BAD. 356 00:15:06,296 --> 00:15:08,995 OK, IT DOESN'T TRIP YOU OUT THAT WE CAN'T FIND 357 00:15:09,038 --> 00:15:11,736 NOTHING TO TALK ABOUT OUTSIDE OF FOOTBALL AND WORK? 358 00:15:11,780 --> 00:15:14,348 I MEAN, I THINK "NOTHING" IS A LITTLE EXTREME. 359 00:15:14,391 --> 00:15:16,785 I MEAN, BESIDES, LOOK-- WE'RE TALKING ABOUT HAVING 360 00:15:16,828 --> 00:15:18,787 NOTHING TO TALK ABOUT, SO THAT'S SOMETHING. SPENCER: HEH! 361 00:15:18,830 --> 00:15:20,397 OK, WELL, THE DAY'S NOT OVER. 362 00:15:20,441 --> 00:15:22,269 WE STILL GOT TIME TO COURSE-CORRECT, 363 00:15:22,312 --> 00:15:23,966 FIND OUR STRIDE. WHAT ARE YOU DOING LATER? 364 00:15:24,010 --> 00:15:25,794 UM, I'M ACTUALLY KIND OF HOSTING THIS, LIKE, 365 00:15:25,837 --> 00:15:28,101 LITTLE HAPPY-HOUR THING FOR SOME OF MY CO-WORKERS 366 00:15:28,144 --> 00:15:30,886 FROM THE "TRIBUNE." IT WAS SUPPOSED TO BE AT CHRISTEL'S, BUT SHE HAS 367 00:15:30,930 --> 00:15:32,975 THE FLU, SO-- SPENCER: AND YOU FIGURED I'D CRAMP YOUR STYLE BY INVITING ME? 368 00:15:33,019 --> 00:15:35,151 PLEASE. I JUST DOUBT THAT YOU WANT TO HANG OUT 369 00:15:35,195 --> 00:15:37,371 WITH MY WORK FRIENDS. SPENCER: WHY, THEY ALL DRINK OAT MILK? 370 00:15:37,414 --> 00:15:38,981 NO! 371 00:15:39,025 --> 00:15:41,201 I MEAN, YEAH, MOST OF THEM, BUT I JUST 372 00:15:41,244 --> 00:15:43,377 DIDN'T THINK IT'D BE SOMETHING YOU'D BE INTERESTED IN. 373 00:15:43,420 --> 00:15:46,293 ANYTHING INVOLVING YOU I'M INTERESTED IN. 374 00:15:46,336 --> 00:15:47,947 OK. 375 00:15:47,990 --> 00:15:49,774 COME, THEN. 376 00:15:49,818 --> 00:15:51,776 - YOU SURE? - YEAH, I'M SURE. 377 00:15:51,820 --> 00:15:54,910 I MEAN, WHY WOULDN'T I WANT MY BOYFRIEND THERE? 378 00:15:54,954 --> 00:15:56,825 [KISS] 379 00:16:03,919 --> 00:16:06,226 BILLY: OK, UH, WELL, 380 00:16:06,269 --> 00:16:09,229 AT LEAST MONTES CAN'T SAY THAT YOU WEREN'T THOROUGH. 381 00:16:09,272 --> 00:16:10,970 TOO LONG? 382 00:16:11,013 --> 00:16:12,710 UH, A LITTLE BIT, 383 00:16:12,754 --> 00:16:14,582 BUT, WELL, YEAH, THIS IS D1, 384 00:16:14,625 --> 00:16:16,584 SO ANYBODY CAN LOOK AT FILM AND SEE 385 00:16:16,627 --> 00:16:19,021 THAT THESE PLAYERS ARE BIGGER, FASTER, AND STRONGER. 386 00:16:19,065 --> 00:16:20,980 [SIGHS] ASHER: SO IT'S TOO LONG AND IT SUCKS. 387 00:16:21,023 --> 00:16:23,808 NO, IT DOESN'T SUCK. UM, YOU GOT TO DIG DEEPER 388 00:16:23,852 --> 00:16:26,550 THAN THESE PLAYERS' PHYSICAL ATTRIBUTES. 389 00:16:28,857 --> 00:16:31,816 FOR EXAMPLE, UM, IF YOU KNOW A PLAYER IS SUFFERING 390 00:16:31,860 --> 00:16:34,167 FROM A RECENT INJURY, THEN YOU GOT TO HIGHLIGHT 391 00:16:34,210 --> 00:16:36,647 THE FACT THAT THEY COULD POSSIBLY BE A WEAK LINK. 392 00:16:36,691 --> 00:16:39,259 UH, IF SOMEBODY JUST BROKE UP WITH THEIR GIRLFRIEND, 393 00:16:39,302 --> 00:16:41,696 YOU NEED TO HIGHLIGHT THE FACT THAT THEY'RE, 394 00:16:41,739 --> 00:16:43,915 YOU KNOW, CYBERSTALKING THEIR GIRL ONLINE 395 00:16:43,959 --> 00:16:46,527 WHEN THEY SHOULD BE PAYING MORE ATTENTION ON THE FIELD. 396 00:16:46,570 --> 00:16:48,964 - IT'S REALLY KICKING A MAN WHILE HE'S DOWN, THOUGH. - LOOK, IF YOU WANT 397 00:16:49,008 --> 00:16:52,141 YOUR REPORT TO ADD VALUE, THEN YOU'RE GONNA 398 00:16:52,185 --> 00:16:54,796 HAVE TO FIND THESE PLAYERS' SORE SPOTS. 399 00:16:54,839 --> 00:16:57,407 THAT'S WHAT COMPETITIVE ADVANTAGES ARE BUILT ON. 400 00:16:57,451 --> 00:16:59,409 COME ON, COACH. 401 00:16:59,453 --> 00:17:02,238 JORDAN AND SPENCER ARE MY FRIENDS, MY ROOMMATES. 402 00:17:02,282 --> 00:17:06,068 I HAVE INSIDER KNOWLEDGE, AND I KNOW THAT'S WHY MONTES GAVE ME THIS ASSIGNMENT. 403 00:17:06,112 --> 00:17:10,072 I--I MEAN, IS IT MESSED UP TO USE THAT TO BREAK THEM DOWN IN A REPORT? 404 00:17:10,116 --> 00:17:14,076 DO I THINK YOU SHOULD BETRAY YOUR FRIENDSHIPS? NO, ABSOLUTELY NOT, 405 00:17:14,120 --> 00:17:16,600 BUT THERE IS A FINE LINE, 406 00:17:16,644 --> 00:17:19,038 AND YOU GOT TO FIND IT BECAUSE OUR JOB 407 00:17:19,081 --> 00:17:21,040 AS COACHES, WE NEED TO FIND 408 00:17:21,083 --> 00:17:23,912 EVERY BIT OF INFORMATION THAT IS ACCESSIBLE TO US 409 00:17:23,955 --> 00:17:26,480 AND USE IT TO WIN. IT'S JUST ABOUT WINNING. 410 00:17:26,523 --> 00:17:28,482 SO YOU HAVE TO ASK YOURSELF 411 00:17:28,525 --> 00:17:30,484 IF YOU WANT TO COACH OR NOT 412 00:17:30,527 --> 00:17:33,226 BECAUSE FROM HERE ON OUT, 413 00:17:33,269 --> 00:17:36,098 IT'S ONLY GONNA GET HARDER. 414 00:17:42,583 --> 00:17:44,150 WOMAN: GO. LET'S GO, LET'S GO. 415 00:17:44,193 --> 00:17:45,803 MAN: HE'S OPEN, HE'S OPEN, HE'S OPEN. 416 00:17:45,847 --> 00:17:47,936 OH, JULIE HAS IT. WOMAN: LET'S GET IT! 417 00:17:47,979 --> 00:17:51,461 JORDAN: LAYLA, UM, ARE WE REALLY GONNA SIT HERE FOR ANOTHER HOUR? 418 00:17:51,505 --> 00:17:53,942 [JORDAN WHISPERS] Oh, my God. 419 00:17:53,985 --> 00:17:55,944 YOU KNOW, I'VE BEEN THINKING. 420 00:17:55,987 --> 00:17:58,947 I DON'T THINK YOUR PROBLEM IS SPENCER OR WADE. 421 00:17:58,990 --> 00:18:02,255 - [SIGHS] - I THINK IT'S YOU. I THINK YOU'RE PSYCHING YOURSELF OUT. 422 00:18:02,298 --> 00:18:04,257 - WHAT? NO, NO, NO, NO. - MM-HMM. 423 00:18:04,300 --> 00:18:06,259 THE PROBLEM IS I'M STUCK DROWNING ON THE DEPTH CHART 424 00:18:06,302 --> 00:18:08,913 AND NO ONE WANTS TO SAVE ME. LAYLA: THEN SAVE YOURSELF. 425 00:18:08,957 --> 00:18:10,915 - I-- - NO, THAT'S WHAT I'M SAYING, JORDAN. 426 00:18:10,959 --> 00:18:12,917 YOU HAVE TO MAKE IT HAPPEN. 427 00:18:12,961 --> 00:18:15,268 OK. COME ON. 428 00:18:15,311 --> 00:18:17,096 JORDAN: WAIT. WHAT ARE YOU DOING? 429 00:18:17,139 --> 00:18:19,141 I NEED TO STOP THINKING ABOUT WHAT'S GONNA HAPPEN 430 00:18:19,185 --> 00:18:21,317 WHEN CARRIE GETS HERE, AND YOU NEED TO FORGET 431 00:18:21,361 --> 00:18:23,972 ABOUT WADE AND SPENCER AND JUST PLAY SOME FOOTBALL. 432 00:18:24,015 --> 00:18:26,975 IT'S NOT LIKE THEY COULDN'T USE YOUR HELP. 433 00:18:27,018 --> 00:18:29,151 [SCOFFS] YOU CAN'T BE SERIOUS. 434 00:18:29,195 --> 00:18:30,761 OH, OK. 435 00:18:30,805 --> 00:18:32,763 IS JORDAN BAKER AFRAID HE CAN'T, UM, 436 00:18:32,807 --> 00:18:35,157 CAN'T KEEP UP WITH THE YMCA ALL-STARS? 437 00:18:35,201 --> 00:18:38,160 HEH! OK. YOU KNOW WHAT, KEATING? 438 00:18:38,204 --> 00:18:40,467 GAME ON. FIRE UP THOSE HANDS. 439 00:18:40,510 --> 00:18:42,730 - ARE YOU SURE? NOT SCARED? - COME ON. WARM UP THOSE HANDS. LET'S GO. 440 00:18:42,773 --> 00:18:45,211 OK, SQUAD, ALL RIGHT. I WANT YOU TO GIVE ME A SKINNY POST. 441 00:18:45,254 --> 00:18:46,734 YOU GIVE ME THE BACK LEFT PYLON. 442 00:18:46,777 --> 00:18:48,823 YOU GIVE ME A DRAG ACROSS THE MIDDLE. 443 00:18:48,866 --> 00:18:51,260 LAYLA, CHOP UP THOSE FEET, HIT THAT BACK RIGHT PYLON, OK? 444 00:18:51,304 --> 00:18:53,610 ON 1, ON 1. READY? HERE WE GO. HERE WE GO. HERE WE GO. 445 00:18:53,654 --> 00:18:55,351 DOWN, SET! RIGHT 60. 446 00:18:55,395 --> 00:18:57,179 FEMALE SINGER: ♪ ACTIVATE IT ALL THE WAY 447 00:18:57,223 --> 00:18:58,354 WIDE SET-SET! 448 00:18:59,877 --> 00:19:01,357 ♪ WE GO IN 449 00:19:01,401 --> 00:19:03,533 ♪ WHEN WE GO OUT 450 00:19:03,577 --> 00:19:05,535 ♪ WE GET UP 451 00:19:05,579 --> 00:19:07,885 ♪ WHEN WE GET DOWN 452 00:19:07,929 --> 00:19:09,974 ♪ GOT YOU SPINNIN' 453 00:19:10,018 --> 00:19:11,628 ♪ ROUND AND ROUND 454 00:19:11,672 --> 00:19:15,502 ♪ WE GO IN WHEN WE GO OUT 455 00:19:15,545 --> 00:19:18,157 ♪ GO OUT, GO OUT JORDAN: WIDE 80! 456 00:19:18,200 --> 00:19:21,203 [SINGER WHISTLING TO SONG] JORDAN: WIDE 80, SET! 457 00:19:23,553 --> 00:19:25,512 ♪ GO OUT, GO OUT 458 00:19:25,555 --> 00:19:27,253 ♪ HEY 459 00:19:29,516 --> 00:19:32,214 ♪ OOH, OOH, OOH, GO OUT, GO OUT ♪ 460 00:19:32,258 --> 00:19:35,478 [PEOPLE CHUCKLING] NOAH: I ADMIT, I CAN BE A LITTLE TERRITORIAL 461 00:19:35,522 --> 00:19:38,481 WHEN IT COMES TO BYLINES, BUT IT'S NOT AS BAD AS WHEN LIV LISTENS TO JAZZ. 462 00:19:38,525 --> 00:19:40,222 - OH! - WHY? WHAT HAPPENS? 463 00:19:40,266 --> 00:19:42,616 OH, THEY THINK THAT JAZZ HYPNOTIZES ME, 464 00:19:42,659 --> 00:19:45,096 WHICH IT DOESN'T. NOAH: DUDE, A NUKE COULD HIT 465 00:19:45,140 --> 00:19:48,230 L.A. AND LIV WOULDN'T KNOW 'CAUSE THELONIOUS MONK PUT HER IN A HAPPY TRANCE. 466 00:19:48,274 --> 00:19:50,537 I DIDN'T KNOW YOU WERE INTO THELONIOUS MONK LIKE THAT. 467 00:19:50,580 --> 00:19:52,930 IT'S NOTHING, BUT I DO KNOW ANDREW'S LOVE FOR-- 468 00:19:52,974 --> 00:19:54,932 WHAT DO YOU CALL IT, ECLECTIC PUNK? NOAH: HEH! 469 00:19:54,976 --> 00:19:57,413 OLIVIA: NOW, THAT IS A SITUATION THAT REQUIRES 470 00:19:57,457 --> 00:19:59,589 SOME PROFESSIONAL HELP. NOAH: YOU KNOW WHERE HE GOT IT FROM, THOUGH, RIGHT? 471 00:19:59,633 --> 00:20:01,243 WHEN HE DATED BRESHA OVER AT 472 00:20:01,287 --> 00:20:03,245 THE "WESTSIDE STAR," SHE GOT HIM INTO THAT. 473 00:20:03,289 --> 00:20:05,421 I MEAN, WHAT'S IT SOUND LIKE? CAN'T BE THAT BAD. 474 00:20:05,465 --> 00:20:06,857 W-WAIT. I'M STILL STUCK ON BRESHA. 475 00:20:06,901 --> 00:20:08,424 YOU DATED BRESHA? ANDREW: YEAH. 476 00:20:08,468 --> 00:20:10,209 OLIVIA: BROODY BRESHA? ANDREW: HEH! YEAH. 477 00:20:10,252 --> 00:20:12,254 SHE'S OUR COMPETITOR! NOAH: AND SHE CAN'T WRITE. 478 00:20:12,298 --> 00:20:14,343 ANDREW: AND SHE IS BROODY AS HELL--I'LL ADMIT IT-- 479 00:20:14,387 --> 00:20:16,476 BUT, HEY, IT MADE FOR AN INTERESTING TWO YEARS. 480 00:20:16,519 --> 00:20:19,348 OLIVIA: TWO YEARS? NOAH: DUDE, YOU HAVE TO TELL HER 481 00:20:19,392 --> 00:20:21,350 HOW IT STARTED AND HOW THE "WESTSIDE STAR" ENDED UP 482 00:20:21,394 --> 00:20:22,960 WITH YOUR ARTICLE ON ENVIRONMENTAL DROUGHTS. 483 00:20:23,004 --> 00:20:24,571 - OH. - I'M USING THE BATHROOM. 484 00:20:24,614 --> 00:20:26,225 OH, YEAH, YEAH, YEAH. UM, I WANT TO HEAR 485 00:20:26,268 --> 00:20:28,052 ABOUT THAT. ANDREW: UM, WE CAN SKIP-- 486 00:20:28,096 --> 00:20:30,098 NO, LET'S GO WITH IT. YEAH, YEAH, YEAH. 487 00:20:30,141 --> 00:20:32,622 ANDREW: YOU TELL HER. NOAH: I'LL TELL YOU. [LAUGHTER] 488 00:20:32,666 --> 00:20:35,625 [DISTANT HIP-HOP MUSIC PLAYING] SKYE: GOT TO ADMIT, 489 00:20:35,669 --> 00:20:37,627 THIS WAS UNEXPECTED. 490 00:20:37,671 --> 00:20:39,629 COOP: WHAT, YOU DIDN'T THINK I WOULD CALL YOU? 491 00:20:39,673 --> 00:20:41,631 OH, NO, I KNEW YOU'D CALL EVENTUALLY. 492 00:20:41,675 --> 00:20:44,286 I MEANT THE FOOD TRUCK. HOT DOGS? 493 00:20:44,330 --> 00:20:45,896 YOU'RE GONNA LOVE IT. TRUST ME. 494 00:20:45,940 --> 00:20:48,508 SKYE 101--I DON'T DO FOOD TRUCKS, 495 00:20:48,551 --> 00:20:50,510 AND CERTAINLY NOT ON A DATE, 496 00:20:50,553 --> 00:20:52,773 BUT I'M MAKING AN EXCEPTION FOR YOU. 497 00:20:52,816 --> 00:20:54,731 HMM. WHAT MAKES ME SO SPECIAL? 498 00:20:54,775 --> 00:20:57,343 SKYE: WELL, HOW MUCH TIME YOU GOT? MAN: NEXT! 499 00:20:57,386 --> 00:20:59,693 COOP. WHAT'S GOOD? 500 00:20:59,736 --> 00:21:02,696 COOP: WHAT'S UP, MAN? MAN: THAT IS A BIG DOG WITH THE WORKS FOR YOU 501 00:21:02,739 --> 00:21:05,568 AND A HASH PUPPY DOG FOR PATIENCE. 502 00:21:05,612 --> 00:21:07,962 NAH, MAN. HER NAME IS SKYE. 503 00:21:10,399 --> 00:21:12,445 [MOUTHS "SORRY"] 504 00:21:17,450 --> 00:21:21,497 I AM SORRY. THAT WAS...UNNECESSARY. 505 00:21:21,541 --> 00:21:23,717 ALL GOOD. [SIGHS] SKYE 101-- 506 00:21:23,760 --> 00:21:25,719 YOU'LL NEVER HAVE TO GUESS WHAT I'M THINKING. 507 00:21:25,762 --> 00:21:27,808 IF I'M PISSED, TRUST ME, YOU'LL KNOW. 508 00:21:27,851 --> 00:21:30,506 OK, GOOD. I JUST-- YOU KNOW, I DON'T WANT YOU TO 509 00:21:30,550 --> 00:21:33,248 THINK THAT I'M OUT HERE JUGGLING GIRLS BECAUSE I'M NOT, ALL RIGHT? 510 00:21:33,292 --> 00:21:35,642 PATIENCE AND I ARE DONE. I MEAN, DONE-DONE. 511 00:21:35,685 --> 00:21:38,688 I'M TALKING MARIAH CAREY "I DON'T KNOW HER" DONE. 512 00:21:38,732 --> 00:21:41,169 YEAH, I GET IT. YOU GUYS ARE DONE. 513 00:21:41,212 --> 00:21:43,954 YOU KNOW, I KNOW IT PROBABLY LOOKS WEIRD BECAUSE WE STILL LIVE 514 00:21:43,998 --> 00:21:46,609 TOGETHER, BUT THAT'S JUST A ROOMMATE SITUATION; I MEAN, SHE 515 00:21:46,653 --> 00:21:48,785 MOVED TO THE OTHER ROOM UPSTAIRS REAL FAST, 516 00:21:48,829 --> 00:21:50,787 BUT IT'S ALL GOOD 'CAUSE NOW WE GOT OUR OWN SPACE, 517 00:21:50,831 --> 00:21:53,181 AND SHE CAN FILL HERS WITH ALL THE FLOWERS 518 00:21:53,224 --> 00:21:55,357 SHE WANTS FROM SABINE AND WHOEVER ELSE IS 519 00:21:55,401 --> 00:21:57,272 SENDING 'EM. I MEAN, YOU SHOULD HAVE SEEN THE TULIPS THAT CAME 520 00:21:57,316 --> 00:21:59,883 TO THE CRIB LAST NIGHT. I WAS--WAIT. WHAT-- 521 00:21:59,927 --> 00:22:01,885 WHERE YOU GOING? YOU NEED SOMETHING? 522 00:22:01,929 --> 00:22:04,453 - YEAH, SOME AIR. - BUT WE OUTSIDE. 523 00:22:04,497 --> 00:22:07,717 YOU KNOW, I WAS COOL WITH HAVING HOT DOGS ON A DATE, 524 00:22:07,761 --> 00:22:10,981 AND I WAS COOL WITH OLD BOY IN THE TRUCK CALLING ME BY ANOTHER CHICK'S NAME, 525 00:22:11,025 --> 00:22:13,244 BUT SOMETHING I'LL NEVER BE OK WITH IS YOU 526 00:22:13,288 --> 00:22:16,030 SPENDING THE ENTIRE DATE TALKING ABOUT HER, AND I'M 527 00:22:16,073 --> 00:22:18,162 NOT EVEN GONNA GET INTO THE FACT THAT YOUR "OUT OF THE BLUE" CALL 528 00:22:18,206 --> 00:22:20,382 LAST NIGHT WAS 'CAUSE PATIENCE GOT SOME DAMN TULIPS. 529 00:22:20,426 --> 00:22:21,992 OK, UH, SKYE, I'M SORRY. 530 00:22:22,036 --> 00:22:23,603 NEXT TIME YOU WANT TO PISS OFF YOUR EX, 531 00:22:23,646 --> 00:22:25,256 DON'T CALL ME. 532 00:22:25,300 --> 00:22:26,954 [SIGHS] 533 00:22:29,130 --> 00:22:31,393 [DISTANT CHATTER AND LAUGHTER] 534 00:22:31,437 --> 00:22:33,613 [FOOTSTEPS APPROACH] 535 00:22:33,656 --> 00:22:37,312 HEY, THERE YOU ARE. IS EVERYTHING OK? 536 00:22:37,356 --> 00:22:39,314 - JUST TAKING A BREATHER. - OK. 537 00:22:39,358 --> 00:22:41,577 WELL, UM, I REALLY WANT TO INTRODUCE YOU TO ONE 538 00:22:41,621 --> 00:22:44,319 OF MY CO-WORKERS WHO IS A HUGE G.A.U. FAN-- 539 00:22:48,454 --> 00:22:51,021 SPENCER, IS EVERYTHING OK? 540 00:22:51,065 --> 00:22:53,546 JAZZ? 541 00:22:53,589 --> 00:22:57,332 - YEAH, I LIKE JAZZ. SO WHAT? - SINCE WHEN? 542 00:22:57,376 --> 00:23:00,335 [CHUCKLING] SINCE CHRISTEL PLAYS IT NONSTOP IN THE OFFICE, 543 00:23:00,379 --> 00:23:04,078 AND IT WAS EITHER LOVE IT OR BE TORTURED EVERY DAY, SO I CHOSE LOVE. 544 00:23:04,121 --> 00:23:06,907 OK, AND, UH, WHAT ABOUT NOAH? 545 00:23:06,950 --> 00:23:09,779 I THOUGHT Y'ALL TWO WERE BEEFING SINCE HE STOLE YOUR ARTICLE. 546 00:23:09,823 --> 00:23:12,521 I MEAN, THAT WAS-- THAT WAS WEEKS AGO, 547 00:23:12,565 --> 00:23:15,306 AND HE'S ACTUALLY BEEN REALLY SUPPORTIVE SINCE. 548 00:23:15,350 --> 00:23:17,134 SEE? I AIN'T KNOW THAT, JUST LIKE 549 00:23:17,178 --> 00:23:18,919 I DON'T KNOW YOUR COFFEE ORDER NO MORE. 550 00:23:18,962 --> 00:23:22,096 BABE, ALL OF THIS OVER THELONIOUS MONK, 551 00:23:22,139 --> 00:23:24,098 SOME ANCIENT BEEF, AND OAT MILK? 552 00:23:24,141 --> 00:23:27,188 I MEAN, IT'S JUST TRIVIA. SPENCER: NOT TO ME. 553 00:23:27,231 --> 00:23:30,800 THE SPECIAL THINGS WE KNOW ABOUT EACH OTHER IS WHAT MAKES US US, 554 00:23:30,844 --> 00:23:33,237 AND YOUR CO-WORKERS KNOW YOU BETTER THAN I DO NOW. 555 00:23:33,281 --> 00:23:35,457 YEAH, WELL, THAT'S JUST BECAUSE THEY SPEND MORE TIME WITH ME. 556 00:23:35,501 --> 00:23:37,546 THEY DON'T KNOW ME LIKE YOU DO. THAT'S CRAZY. 557 00:23:37,590 --> 00:23:39,940 IS IT? LOOK, THIS ISN'T JUST 558 00:23:39,983 --> 00:23:42,769 ABOUT THEM, LIV. YOU DIDN'T FEEL THAT TODAY? 559 00:23:42,812 --> 00:23:44,901 - FEEL WHAT? - THAT SOMETHING'S OFF, 560 00:23:44,945 --> 00:23:48,427 THAT WE'RE OFF, LIKE... 561 00:23:48,470 --> 00:23:51,430 "STARTING TO GROW APART" OFF? 562 00:23:51,473 --> 00:23:53,867 UM... 563 00:23:55,825 --> 00:23:58,785 I MEAN--I MEAN, YEAH, A LITTLE, 564 00:23:58,828 --> 00:24:01,440 BUT I... 565 00:24:01,483 --> 00:24:03,442 HEH! 566 00:24:03,485 --> 00:24:05,444 I SHOULD GO. 567 00:24:05,487 --> 00:24:07,446 YOU GOT GUESTS DOWNSTAIRS, 568 00:24:07,489 --> 00:24:09,491 AND--AND NOW AIN'T THE TIME. 569 00:24:09,535 --> 00:24:11,319 [KISS] 570 00:24:11,362 --> 00:24:13,930 I'MMA HOLLA AT YOU LATER. 571 00:24:13,974 --> 00:24:16,019 [FOOTSTEPS RETREAT] 572 00:24:20,981 --> 00:24:23,026 [SIGHS] 573 00:24:27,596 --> 00:24:29,293 [CHUCKLES] 574 00:24:40,566 --> 00:24:42,524 [FOOTSTEPS APPROACH] 575 00:24:42,568 --> 00:24:45,048 HEY, DUDE, WHAT THE HELL ARE YOU DOING? 576 00:24:45,092 --> 00:24:47,094 ARE YOU SERIOUS RIGHT NOW? 577 00:24:47,137 --> 00:24:49,313 "THOUGH HE'S FAST WITH EXCELLENT FOOTBALL I.Q., 578 00:24:49,357 --> 00:24:51,315 SPENCER JAMES LACKS CONFIDENCE"? [ASHER SIGHS] 579 00:24:51,359 --> 00:24:53,492 YOU'RE READING MY SCOUTING REPORT? 580 00:24:53,535 --> 00:24:56,146 "HE FEARS HIS ELEVATION TO G.A.U.'s OFFENSE MIGHT BE A FLUKE. 581 00:24:56,190 --> 00:24:59,149 "HE'S UNSURE HE'S CAPABLE OF DELIVERING A WINNING PERFORMANCE 582 00:24:59,193 --> 00:25:02,544 GAME AFTER GAME, MAKING SPENCER EASY TO DEMORALIZE"? 583 00:25:05,460 --> 00:25:08,028 WHY'D YOU GO THROUGH MY LAPTOP? 584 00:25:08,071 --> 00:25:10,987 IT'S AN INVASION OF PRIVACY. SPENCER: YOU LEFT IT OPEN IN A PUBLIC PLACE. 585 00:25:11,031 --> 00:25:14,295 - I'M IN MY HOUSE. - OUR HOUSE, AND YOU REALLY GONNA COME AT ME ABOUT PRIVACY? 586 00:25:14,338 --> 00:25:16,906 THOSE WERE MY WORDS THAT I CONFIDED TO MY FRIENDS, 587 00:25:16,950 --> 00:25:19,343 NOT SOME SNITCH. ASHER: SNITCH? 588 00:25:19,387 --> 00:25:22,346 I'M NOT SNITCHING, SPENCE, I'M SCOUTING. 589 00:25:22,390 --> 00:25:25,741 THAT'S THE JOB. LIKE IT OR NOT, WE'RE ON RIVAL TEAMS NOW. 590 00:25:25,785 --> 00:25:28,396 Y-YOU REALLY EXPECT ME TO BELIEVE YOU'RE NOT PLANNING ON USING ANY OF 591 00:25:28,439 --> 00:25:31,355 THE HISTORY YOU HAVE ON J.J. TO YOUR ADVANTAGE WHEN YOU PLAY US? 592 00:25:31,399 --> 00:25:34,794 ABOUT HIM ON THE FIELD? ABSOLUTELY, BUT THE STUFF HE'S CONFIDED TO ME AS HIS FRIEND? 593 00:25:34,837 --> 00:25:38,058 YOU SAY NO, YOU ARE LYING TO YOURSELF AS WELL AS ME, MAN! 594 00:25:38,101 --> 00:25:41,322 THIS IS D1 FOOTBALL. WE ARE BOTH TRYING TO WIN. 595 00:25:41,365 --> 00:25:43,933 I WANT A CAREER AS A COACH; THAT MEANS BREAKING DOWN PLAYERS 596 00:25:43,977 --> 00:25:46,588 IS A PART OF THE JOB. THAT'S WHAT COACH BAKER TOLD ME-- 597 00:25:46,632 --> 00:25:49,243 HOLD UP, HOLD UP, HOLD UP. 598 00:25:49,286 --> 00:25:52,812 YOU EXPECT ME TO BELIEVE COACH BAKER PUT YOU UP TO THIS? 599 00:25:54,335 --> 00:25:56,685 HE SAID DIG A LITTLE DEEPER INTO YOUR PSYCHE 600 00:25:56,729 --> 00:25:59,209 IF I WANT A BETTER REPORT, YEAH. 601 00:26:05,172 --> 00:26:07,174 AFTER EVERYTHING WE'VE BEEN THROUGH, 602 00:26:07,217 --> 00:26:10,177 YOU REALLY GONNA HAND IN THAT SCOUTING REPORT TO YOUR COACH, MAN, 603 00:26:10,220 --> 00:26:13,702 WITH ALL THAT PERSONAL STUFF I TOLD YOU AS A FRIEND? 604 00:26:15,922 --> 00:26:17,967 I ALREADY DID. 605 00:26:27,324 --> 00:26:29,065 I MEAN, I--I NEED TO JOIN 606 00:26:29,109 --> 00:26:31,677 AN L.A. REC LEAGUE AFTER THOSE STATS I JUST PUT UP. 607 00:26:31,720 --> 00:26:33,679 OK, EASY THERE, ODELL, OK? 608 00:26:33,722 --> 00:26:36,333 HA HA! BUT YOU KNOW WHAT? 609 00:26:36,377 --> 00:26:39,162 IT WAS NICE TO SEE YOU OUT THERE, RELAXED AND LAUGHING. 610 00:26:39,206 --> 00:26:41,164 YEAH, WELL, UM, I MEAN, THAT GAME WAS 611 00:26:41,208 --> 00:26:43,166 A GREAT DISTRACTION FROM ALL THINGS CARRIE. 612 00:26:43,210 --> 00:26:45,560 I CAN ONLY IMAGINE HOW YOU FEEL. JORDAN: MMM. WHAT DO YOU MEAN? 613 00:26:45,604 --> 00:26:47,606 YOU GOT TO FEEL REJUVENATED. 614 00:26:47,649 --> 00:26:49,956 I MEAN, YOU HAD SOME HELP FROM YOUR BEST RECEIVER-- 615 00:26:49,999 --> 00:26:51,958 ME, OF COURSE-- BUT, I DON'T KNOW. 616 00:26:52,001 --> 00:26:54,351 NO ONE EVEN CAME CLOSE TO TOUCHING YOU ON THAT FIELD. 617 00:26:54,395 --> 00:26:56,353 LAYLA, THAT WASN'T A CHALLENGE. 618 00:26:56,397 --> 00:26:58,921 I'M A D1 COLLEGE QUARTERBACK. I'M SUPPOSED TO BEAT THOSE GUYS. 619 00:26:58,965 --> 00:27:01,402 LAYLA: NO, JORDAN, I-- [CELLPHONE VIBRATES] 620 00:27:01,445 --> 00:27:02,838 SORRY. 621 00:27:02,882 --> 00:27:04,884 [SIGHS] OK. 622 00:27:04,927 --> 00:27:08,539 CARRIE JUST PARKED, SO SH-SHE'S HERE. 623 00:27:08,583 --> 00:27:10,541 UM... 624 00:27:10,585 --> 00:27:13,632 OK, THIS IS REALLY HAPPENING. JORDAN: HEY, HEY. 625 00:27:13,675 --> 00:27:15,808 YOU CAN DO THIS. 626 00:27:15,851 --> 00:27:18,549 OK? I'LL BE RIGHT HERE IF YOU NEED ME. 627 00:27:18,593 --> 00:27:20,160 OK. 628 00:27:20,203 --> 00:27:22,249 OK. 629 00:27:22,292 --> 00:27:24,251 OK. 630 00:27:24,294 --> 00:27:26,949 [DOOR CLOSES] HELLO? 631 00:27:26,993 --> 00:27:28,951 HEY, BABY GIRL. 632 00:27:28,995 --> 00:27:30,953 WHAT'S HAPPENIN'? 633 00:27:30,997 --> 00:27:33,173 UH, DAD... 634 00:27:33,216 --> 00:27:37,090 YOU KNOW THERE'S PEOPLE YOU CAN CALL TO FIX THAT OLD THING, YEAH? 635 00:27:37,133 --> 00:27:39,875 NOTHING A LITTLE DUCT TAPE CAN'T FIX. 636 00:27:39,919 --> 00:27:43,052 DO YOU WANT SOME HELP WITH ANYTHING? 637 00:27:43,096 --> 00:27:45,751 [CHUCKLES] UH-OH. 638 00:27:45,794 --> 00:27:48,405 SOMETHING'S GOING ON. SIT DOWN. 639 00:27:48,449 --> 00:27:50,494 WHAT'S UP? 640 00:27:53,802 --> 00:27:56,457 BEFORE YOU GUYS GOT MARRIED, 641 00:27:56,500 --> 00:27:59,765 HOW DID YOU AND MOM MAKE IT WORK WHEN YOU 642 00:27:59,808 --> 00:28:03,377 HAD TO BE SUPER-FOCUSED ON FOOTBALL AND HER ON LAW? 643 00:28:03,420 --> 00:28:05,988 THE OLD BALANCING ACT, HUH? 644 00:28:06,032 --> 00:28:08,425 WELL, I STILL DON'T KNOW IF WE EVER MADE IT WORK, 645 00:28:08,469 --> 00:28:12,299 BUT I CAN SAY THAT WE, UH, WE NEVER STOPPED TRYING. 646 00:28:14,127 --> 00:28:16,085 AND DID YOU GUYS EVER... 647 00:28:16,129 --> 00:28:18,087 DRIFT APART? 648 00:28:18,131 --> 00:28:20,307 OH, PLENTY OF TIMES, BUT ONLY WHEN WE 649 00:28:20,350 --> 00:28:22,309 TOOK OUR EYES OFF THE PRIZE, HMM? 650 00:28:22,352 --> 00:28:26,008 BUT THEN WE'D REALIZE AND THEN COURSE-CORRECT, 651 00:28:26,052 --> 00:28:29,795 ONLY BECAUSE WE-- WE BOTH WANTED TO MAKE IT WORK. 652 00:28:31,448 --> 00:28:34,103 WHAT'S GOING ON WITH YOU AND SPENCE? 653 00:28:35,583 --> 00:28:37,541 UM... 654 00:28:37,585 --> 00:28:40,806 I MEAN, WE'VE BOTH JUST BEEN BUSIER 655 00:28:40,849 --> 00:28:43,765 THAN WE'VE EVER BEEN, AND IT'S JUST, LIKE, CAUSING 656 00:28:43,809 --> 00:28:47,421 THIS WEIRD DISCONNECT BETWEEN US THAT WE JUST CAN'T SHAKE. 657 00:28:48,901 --> 00:28:51,642 WHAT IF WE CAN'T COURSE-CORRECT, DAD? 658 00:28:51,686 --> 00:28:54,471 LOOK, EVERY RELATIONSHIP'S GONNA HAVE THEIR UPS 659 00:28:54,515 --> 00:28:57,561 AND DOWNS, BUT YOU HAVE TO FIGURE OUT IF YOU'RE WILLING 660 00:28:57,605 --> 00:29:00,564 TO WEATHER THE EBBS AND THE FLOWS. 661 00:29:00,608 --> 00:29:05,178 AND IF YOU ARE... THEN YOU--YOU NEVER STOP TRYING. 662 00:29:08,790 --> 00:29:10,749 SO, HOW WAS THE DRIVE? 663 00:29:10,792 --> 00:29:12,751 UH, IT WAS GOOD. YEAH, UM, 664 00:29:12,794 --> 00:29:14,796 IT'S NOT TOO MUCH TRAFFIC, 665 00:29:14,840 --> 00:29:17,625 AND, UH, THE WEATHER HELPED. CARRIE: GOOD. 666 00:29:17,668 --> 00:29:19,888 LAYLA, YOU DIDN'T COME 667 00:29:19,932 --> 00:29:22,238 TO SAN DIEGO TO ASK ME ABOUT THE WEATHER. 668 00:29:22,282 --> 00:29:24,588 YEAH, UM... 669 00:29:24,632 --> 00:29:26,852 I DON'T REALLY KNOW WHAT TO SAY. 670 00:29:26,895 --> 00:29:28,810 SURE YOU DO. 671 00:29:28,854 --> 00:29:32,422 LAYLA, WHAT I DID TO YOU WAS UNFORGIVABLE. 672 00:29:32,466 --> 00:29:35,643 AND YES, I WAS SICK AND I WASN'T IN CONTROL, 673 00:29:35,686 --> 00:29:38,341 BUT THAT DOESN'T MEAN THAT YOU DON'T GET TO BE FURIOUS AT ME. 674 00:29:38,385 --> 00:29:40,822 YOU SHOULD BE. IF YOU WANT TO SCREAM 675 00:29:40,866 --> 00:29:43,825 OR YELL OR HIT ME OR WHATEVER, YOU CAN. 676 00:29:43,869 --> 00:29:46,697 I'M NOT GONNA FIGHT YOU, CARRIE. 677 00:29:46,741 --> 00:29:50,745 IF I WAS, I WOULDN'T NEED YOUR PERMISSION TO DO SO. 678 00:29:52,399 --> 00:29:55,315 I WAS MAD AT YOU FOR A REALLY LONG TIME. 679 00:29:55,358 --> 00:29:59,319 [SNIFFLES] AND ON MY WAY DOWN HERE, I REALIZED I'M NOT... 680 00:29:59,362 --> 00:30:02,931 I'M NOT ANGRY ANYMORE, YOU KNOW? I'M JUST EXHAUSTED. 681 00:30:02,975 --> 00:30:05,542 A LONG TIME AGO, I ACCEPTED THAT I WASN'T 682 00:30:05,586 --> 00:30:08,545 ENOUGH TO KEEP MY MOM ALIVE OR... 683 00:30:08,589 --> 00:30:12,158 MY DAD IN TOWN OR MY BOYFRIEND FAITHFUL, BUT... 684 00:30:12,201 --> 00:30:15,161 [SNIFFLES] YOU KNOW, WITH YOU, I REALLY--I REALLY 685 00:30:15,204 --> 00:30:17,163 THOUGHT I WAS MAKING A DIFFERENCE. 686 00:30:17,206 --> 00:30:19,600 I TRIED SO HARD TO BE THERE FOR YOU-- 687 00:30:19,643 --> 00:30:22,603 INTRODUCING YOU TO MY FRIENDS AND MOVING YOU IN WITH ME, AND-- 688 00:30:22,646 --> 00:30:24,605 [SNIFFLES] GOD, AFTER ALL THAT, 689 00:30:24,648 --> 00:30:26,912 IT, LIKE, STILL WASN'T ENOUGH; 690 00:30:26,955 --> 00:30:28,914 NOT ENOUGH TO KEEP YOU OFF THAT CLIFF 691 00:30:28,957 --> 00:30:31,394 OR TO KEEP YOU FROM TRYING TO TAKE ME WITH YOU. 692 00:30:31,438 --> 00:30:34,397 - LAYLA-- - IT'S JUST THE STORY OF MY LIFE, REALLY, 'CAUSE... 693 00:30:34,441 --> 00:30:37,400 KEEP TRYING TO FIX EVERYTHING AND--SURPRISE-- 694 00:30:37,444 --> 00:30:40,012 I JUST FALL UP SHORT AGAIN AND AGAIN AND-- 695 00:30:40,055 --> 00:30:42,014 LAYLA, YOUR FRIENDSHIP IS WHAT KEPT ME 696 00:30:42,057 --> 00:30:44,233 OFF THAT CLIFF LONGER. 697 00:30:44,277 --> 00:30:46,888 BEING UP THERE WAS ABOUT ALL THE WAYS THAT I 698 00:30:46,932 --> 00:30:49,935 WAS DEFICIENT... NOT YOU. 699 00:30:49,978 --> 00:30:52,807 YOU ARE THE REASON THAT I HAVE MADE 700 00:30:52,851 --> 00:30:54,983 SO MUCH PROGRESS 701 00:30:55,027 --> 00:30:58,944 AND HAVE MY FAMILY BACK, AND HAVE A JOB. 702 00:30:58,987 --> 00:31:02,077 I MEAN, YOU GOT ME TO TRY AGAIN AT RUNNING SPRINGS. 703 00:31:02,121 --> 00:31:05,211 YOU'RE THE REASON I'M STILL HERE. 704 00:31:06,734 --> 00:31:11,739 I MEAN, IF THAT ISN'T BEING ENOUGH, THEN... I DON'T KNOW WHAT IS. 705 00:31:19,355 --> 00:31:21,923 AND I BET, IF YOU LOOK CLOSELY, 706 00:31:21,967 --> 00:31:25,057 THERE'S A LOT OF PEOPLE IN YOUR LIFE THAT FEEL THIS WAY. 707 00:31:28,060 --> 00:31:30,105 [SNIFFLES] 708 00:31:32,325 --> 00:31:34,283 [DOOR CLOSES, PATIENCE SIGHS] 709 00:31:34,327 --> 00:31:37,634 WOULDN'T KILL LIV'S FRIENDS TO ACTUALLY CLEAN UP. 710 00:31:37,678 --> 00:31:39,636 [SIGHS] 711 00:31:39,680 --> 00:31:41,638 YOU'RE KIDDING ME, RIGHT? 712 00:31:41,682 --> 00:31:44,032 - I DIDN'T EVEN SAY ANYTHING. - SO IT WASN'T, LIKE, ENOUGH 713 00:31:44,076 --> 00:31:46,034 FOR YOU TO INVITE SKYE TO RUB HER IN MY FACE, 714 00:31:46,078 --> 00:31:48,341 BUT YOU GONNA TAKE HER TO OUR SPOT? 715 00:31:48,384 --> 00:31:50,038 YOU THE ONE THAT GOT CHLORINE SENDING 716 00:31:50,082 --> 00:31:51,779 THE ENTIRE RAINFOREST OVER TO OUR CRIB. 717 00:31:51,822 --> 00:31:53,128 OK, HER NAME IS SABINE, 718 00:31:53,172 --> 00:31:54,521 AND THOSE FLOWERS ARE PLATONIC. 719 00:31:54,564 --> 00:31:55,783 MAN, THOSE FLOWERS ARE RED! 720 00:31:55,826 --> 00:31:57,176 THEY ARE NOT PLATONIC! 721 00:31:57,219 --> 00:31:59,265 OOH, YOU ABOUT TO FEEL SO STUPID. 722 00:31:59,308 --> 00:32:01,267 MAN, WHATEVER. AT LEAST MY NAME DON'T SOUND LIKE SOMETHING 723 00:32:01,310 --> 00:32:03,922 THEY DUMP IN POOL WATER. PATIENCE: MMM, OK. 724 00:32:03,965 --> 00:32:08,796 YEAH, UH, "CONGRATS ON AN AMAZING ALBUM LAUNCH. YOUR FRIEND, SABINE." 725 00:32:10,276 --> 00:32:11,886 HMM. 726 00:32:11,930 --> 00:32:13,975 SABINE DOES HAVE NICE HANDWRITING. 727 00:32:14,019 --> 00:32:16,064 - NOW YOU KNOW HER NAME, HUH? - LOOK, I'M SORRY, 728 00:32:16,108 --> 00:32:17,805 OK? I JUST THOUGHT-- PATIENCE: YEAH, YEAH, I KNOW 729 00:32:17,848 --> 00:32:19,807 WHAT YOU THOUGHT, AND... 730 00:32:19,850 --> 00:32:21,940 [SCOFFS] 731 00:32:23,506 --> 00:32:26,074 OUR RELATIONSHIP? 732 00:32:26,118 --> 00:32:28,772 IT MEANT A LOT TO ME, COOP. 733 00:32:28,816 --> 00:32:32,776 THE WAY THAT WE'RE TRYING TO... HURT EACH OTHER, 734 00:32:32,820 --> 00:32:35,779 WE'RE NOT ABOUT TO HAVE A FRIENDSHIP LEFT, 735 00:32:35,823 --> 00:32:38,565 AND I DON'T WANT THAT. COOP: I DON'T WANT THAT, EITHER. 736 00:32:38,608 --> 00:32:42,134 OK, SO... WHAT DO WE DO? 737 00:32:42,177 --> 00:32:44,136 I MEAN... 738 00:32:44,179 --> 00:32:46,268 [SIGHS] 739 00:32:46,312 --> 00:32:49,228 - WE SHOULD AGREE ON SOME GROUND RULES. - I'M DOWN WITH THAT. 740 00:32:49,271 --> 00:32:51,230 WELL, FIRST OF ALL, 741 00:32:51,273 --> 00:32:53,884 BAKER HOUSE HAS TO BE SWITZERLAND-- 742 00:32:53,928 --> 00:32:56,452 NEUTRAL GROUND, NO MORE DATES IN THE HALLWAY. 743 00:32:56,496 --> 00:32:59,194 OK, FINE, AND NO MORE FLOWERS FROM GIRLS YOU TRIED TO GET WITH, EITHER. 744 00:32:59,238 --> 00:33:01,849 OK, DEAL, AND ALSO, WE HAVE TO DECIDE 745 00:33:01,892 --> 00:33:04,460 ON WHERE IN L.A. IS OFF-LIMITS BECAUSE 746 00:33:04,504 --> 00:33:06,985 I DON'T WANT YOU TAKING GIRLS TO OUR SPOTS. 747 00:33:07,028 --> 00:33:09,813 OK, BUT I CAN GO TO D-DOGGS BY MYSELF, RIGHT? 748 00:33:09,857 --> 00:33:13,252 YES, YES, OF COURSE. WELL, LET'S HAVE COFFEE. 749 00:33:13,295 --> 00:33:16,081 OK, WELL, BEFORE YOU START PLANTING YOUR FLAG 750 00:33:16,124 --> 00:33:19,171 IN ALL THE L.A. CAFEÉS, I HAVE SOMETHING FOR YOU. 751 00:33:22,870 --> 00:33:25,612 - OOH. - I'M SO USED TO GETTING YOU FUNNEL CAKES BECAUSE 752 00:33:25,655 --> 00:33:29,137 I KNOW THAT YOU LIKE 'EM THAT I GOT IT ANYWAY, EVEN THOUGH YOU WASN'T THERE. 753 00:33:29,181 --> 00:33:31,139 OK. 754 00:33:31,183 --> 00:33:33,141 OOH, YES! 755 00:33:33,185 --> 00:33:35,143 OK. 756 00:33:35,187 --> 00:33:38,755 WELL, LET'S EAT... AND NEGOTIATE. 757 00:33:40,279 --> 00:33:42,194 MMM. 758 00:33:43,673 --> 00:33:45,632 [KNOCK ON DOOR] 759 00:33:45,675 --> 00:33:48,243 HEY, MAN. SHOOT, THIS HOUSE IS GETTING MORE ACTION 760 00:33:48,287 --> 00:33:50,419 THAN WHEN I WAS IN HIGH SCHOOL. [SIGHS] 761 00:33:50,463 --> 00:33:52,552 SPENCER: WHY? [DOOR CLOSES] 762 00:33:52,595 --> 00:33:54,641 WHAT'S GOING ON HERE? BILLY: OH, DON'T ASK. 763 00:33:54,684 --> 00:33:57,687 [CHUCKLES] WHAT CAN I HELP YOU WITH, MR. JAMES? 764 00:33:59,211 --> 00:34:02,823 DID YOU TELL ASHER TO DOG ME IN HIS SCOUTING REPORT? 765 00:34:02,866 --> 00:34:05,217 NO, NO. 766 00:34:05,260 --> 00:34:08,046 I DID TELL HIM THAT HE SHOULD DO HIS JOB. 767 00:34:08,089 --> 00:34:09,264 GREAT. 768 00:34:09,308 --> 00:34:11,397 THANKS TO YOUR ADVICE, 769 00:34:11,440 --> 00:34:13,138 MY RIVALS NOW THINK I LACK CONFIDENCE 770 00:34:13,181 --> 00:34:15,140 AND THAT I'M EASY TO DEMORALIZE. 771 00:34:15,183 --> 00:34:17,229 YEAH. [INHALES DEEPLY] 772 00:34:17,272 --> 00:34:19,666 LOOK, SPENCE, TELL ME COACH GARRETT BLOWING HOT AND COLD 773 00:34:19,709 --> 00:34:22,060 AT YOU THIS WHOLE SEASON DIDN'T MESS WITH YOUR CONFIDENCE. 774 00:34:22,103 --> 00:34:24,105 AND SO IT WAS COOL FOR ASH TO EXPLOIT THAT? 775 00:34:24,149 --> 00:34:26,194 THAT'S SCREWED UP, COACH. BILLY: LOOK, SPENCE, 776 00:34:26,238 --> 00:34:27,848 YOU ARE GOOD AT BATTLING LINEMEN, 777 00:34:27,891 --> 00:34:30,590 BREAKING TACKLES, BUT THIS IS REAL LIFE. 778 00:34:30,633 --> 00:34:32,635 IT'S COMPLICATED. YOU'LL HAVE TO LEARN HOW TO BALANCE 779 00:34:32,679 --> 00:34:34,855 FRIENDSHIPS AND--AND RELATIONSHIPS 780 00:34:34,898 --> 00:34:37,858 THAT--THAT DON'T QUITE LOOK OR SEEM THE WAY 781 00:34:37,901 --> 00:34:39,990 YOU THOUGHT THEY ONCE DID, YOU KNOW? 782 00:34:40,034 --> 00:34:42,602 WELCOME TO ADULTHOOD AND BEING ON TOP. 783 00:34:42,645 --> 00:34:44,604 OK. 784 00:34:44,647 --> 00:34:47,302 SO I GUESS I NEED TO BE WATCHING MY BACK FROM NOW ON, HUH? 785 00:34:47,346 --> 00:34:48,956 OH, ABSOLUTELY. 786 00:34:48,999 --> 00:34:51,089 THESE JOURNALISTS, 787 00:34:51,132 --> 00:34:54,483 THEY'RE GONNA TEAR YOU DOWN QUICKER THAN THEY BUILT YOU UP. 788 00:34:54,527 --> 00:34:57,138 EVERYTHING YOU DO IS GONNA BE UNDER A MICROSCOPE, 789 00:34:57,182 --> 00:35:00,750 SO ASHER'S REPORT IS JUST A TASTE OF-- OF YOUR NEW REALITY. 790 00:35:00,794 --> 00:35:02,535 A REALITY WITHOUT ANY FRIENDS? 791 00:35:02,578 --> 00:35:05,538 NO, NO, ASH--ASH IS STILL YOUR FRIEND. 792 00:35:05,581 --> 00:35:08,541 HE'S GOT A JOB TO DO, YOU'VE GOT A JOB TO DO. 793 00:35:08,584 --> 00:35:10,543 YOU'RE BOTH GOOD. 794 00:35:10,586 --> 00:35:12,545 YOU JUST HAVE TO NAVIGATE THE SCRUTINY 795 00:35:12,588 --> 00:35:15,069 THEN THAT'S AT YOUR LEVEL OF GREATNESS. 796 00:35:15,113 --> 00:35:18,159 THERE'S THAT WORD AGAIN--"GREATNESS." 797 00:35:18,203 --> 00:35:20,118 YEP. 798 00:35:20,161 --> 00:35:22,163 GET USED TO IT, SON. 799 00:35:40,790 --> 00:35:43,358 LISTEN, MAN, ABOUT THE REPORT-- 800 00:35:43,402 --> 00:35:45,491 I SHOULDN'T HAVE READ IT. I MEAN, 801 00:35:45,534 --> 00:35:47,493 I AIN'T THINK IT WAS A SECRET OR NOTHING. 802 00:35:47,536 --> 00:35:50,148 KINDA ASSUMED IT'D BE POSITIVE, BUT... 803 00:35:50,191 --> 00:35:52,715 IT WASN'T MINE TO READ, SO MY BAD. 804 00:35:52,759 --> 00:35:55,805 NO, NO, NO. SPENCE, MOST OF THAT REPORT WAS POSITIVE-- 805 00:35:55,849 --> 00:35:57,807 NO EXPLANATION NEEDED, BRUH. 806 00:35:57,851 --> 00:36:00,549 I UNDERSTAND WHY YOU DID WHAT YOU DID NOW. 807 00:36:00,593 --> 00:36:02,551 OK. 808 00:36:02,595 --> 00:36:04,553 COOL. OK. 809 00:36:04,597 --> 00:36:06,729 THE LAST THING THAT I WANT IS FOR THIS TO AFFECT 810 00:36:06,773 --> 00:36:09,341 OUR FRIENDSHIP, YOU KNOW? SPENCER: NO, I SAID I UNDERSTAND. 811 00:36:09,384 --> 00:36:13,083 I AIN'T SAY NOTHING ABOUT OUR FRIENDSHIP NOT BEING AFFECTED. 812 00:36:14,955 --> 00:36:16,913 IT'S LIKE THAT? 813 00:36:16,957 --> 00:36:19,089 YOU ALL FOR TRUTH AND HONESTY, RIGHT? 814 00:36:19,133 --> 00:36:22,223 I MEAN, YOU SAID IT YOURSELF, ASH: OUR TEAMS ARE RIVALS. 815 00:36:22,267 --> 00:36:24,573 OUR DREAMS AND OUR CAREERS ARE WRAPPED UP IN THOSE TEAMS. 816 00:36:24,617 --> 00:36:26,575 THAT MAKES US RIVALS. 817 00:36:26,619 --> 00:36:29,230 THAT'S WHY YOU DID WHAT YOU DID. 818 00:36:29,274 --> 00:36:31,667 ALL FOUR OF US, MAN-- 819 00:36:31,711 --> 00:36:33,887 ME, YOU, JORDAN, AND J.J.-- 820 00:36:33,930 --> 00:36:36,716 WE'VE BEEN BURYING OUR HEADS IN THE SAND THESE LAST FEW MONTHS, 821 00:36:36,759 --> 00:36:39,675 ACTING LIKE THE G.A.U. AND COASTAL RIVALRY DOESN'T AFFECT US. 822 00:36:39,719 --> 00:36:42,983 BUT WITH THIS HOMECOMING GAME COMING UP, 823 00:36:43,026 --> 00:36:45,681 WE CAN'T LIE TO OURSELVES NO MORE. 824 00:36:50,033 --> 00:36:52,601 WE ALL GOT JOBS TO DO. 825 00:36:52,645 --> 00:36:55,256 MINE IS TO MAKE SURE THAT NOTHING 826 00:36:55,300 --> 00:36:58,259 AND NO ONE GETS IN THE WAY OF ME DOMINATING ON THAT FIELD. 827 00:36:58,303 --> 00:37:00,392 WHAT ARE YOU TRYING TO SAY, SPENCER? 828 00:37:00,435 --> 00:37:03,046 FOUR OF US CAN'T BE FRIENDS ANYMORE? 829 00:37:03,090 --> 00:37:05,135 UNTIL AFTER THE HOMECOMING GAME, THERE'S GONNA NEED TO BE 830 00:37:05,179 --> 00:37:07,225 A SEPARATION OF CHURCH AND STATE IN THIS HOUSE. 831 00:37:07,268 --> 00:37:09,357 ME AND JORDAN IN OUR CORNER, 832 00:37:09,401 --> 00:37:11,446 YOU AND J.J. IN YOURS 833 00:37:11,490 --> 00:37:14,101 'CAUSE I'LL BE DAMNED 834 00:37:14,144 --> 00:37:17,104 IF I LET A RIVAL USE ANYTHING I SAY OR DO 835 00:37:17,147 --> 00:37:19,933 IN MY HOME TO GET ONE OVER ON ME. 836 00:37:26,679 --> 00:37:28,594 [FOOTSTEPS RETREAT] 837 00:37:28,637 --> 00:37:29,943 HMM. 838 00:37:31,684 --> 00:37:34,295 [SLOW HIP-HOP MUSIC PLAYING] FEMALE SINGER: ♪ SO GOOD... 839 00:37:34,339 --> 00:37:36,906 THANK YOU FOR MEETING ME. 840 00:37:36,950 --> 00:37:39,518 YEAH, WELL, I'VE GOT A THING NEARBY IN 23 MINUTES, 841 00:37:39,561 --> 00:37:42,521 BUT, YOU KNOW, FIGURED I HAD TIME FOR AN APOLOGY. 842 00:37:42,564 --> 00:37:44,523 [SIGHS] 843 00:37:44,566 --> 00:37:46,525 LOOK... 844 00:37:46,568 --> 00:37:48,570 I AM SORRY. 845 00:37:48,614 --> 00:37:51,225 I AIN'T NEVER MET NOBODY LIKE YOU, 846 00:37:51,269 --> 00:37:53,401 AND I KNOW I ASKED YOU OUT 847 00:37:53,445 --> 00:37:55,403 FOR THE WRONG REASON, BUT 848 00:37:55,447 --> 00:37:58,058 BEFORE I MESSED UP COLOSSALLY, 849 00:37:58,101 --> 00:38:01,061 I DON'T KNOW, OUR VIBE, IT JUST... 850 00:38:01,104 --> 00:38:03,237 IT FELT RIGHT. 851 00:38:03,281 --> 00:38:06,849 KEEP GOING, ON THE "HOW YOU MESSED UP" PART. 852 00:38:06,893 --> 00:38:10,026 I MESSED UP SO BAD, I ALMOST DON'T DESERVE A SECOND CHANCE. 853 00:38:10,070 --> 00:38:11,463 - ALMOST? - YEAH. 854 00:38:11,506 --> 00:38:13,465 I MEAN, HOW YOU GONNA GIVE ME A HARD TIME 855 00:38:13,508 --> 00:38:15,467 IF YOU DON'T GO OUT WITH ME AGAIN? 856 00:38:15,510 --> 00:38:19,209 THAT'S ALMOST LIKE LETTING ME OFF TOO EASY. 857 00:38:20,733 --> 00:38:23,344 WHAT IF I DON'T BELIEVE IN GIVING SECOND CHANCES? 858 00:38:23,388 --> 00:38:24,954 [SIGHS] 859 00:38:24,998 --> 00:38:26,956 LISTEN, I DON'T KNOW WHO 860 00:38:27,000 --> 00:38:29,611 THAT CRAZY, RANTING, 861 00:38:29,655 --> 00:38:32,440 TULIP-OBSESSED GIRL WAS AT THE FOOD TRUCK. 862 00:38:32,484 --> 00:38:34,268 I'M NOT THAT GIRL. 863 00:38:34,312 --> 00:38:36,879 I PROMISE YOU THAT, SO TECHNICALLY, 864 00:38:36,923 --> 00:38:39,055 I'M ASKING YOU FOR A FIRST CHANCE. 865 00:38:40,579 --> 00:38:42,711 [SIGHS] 866 00:38:45,671 --> 00:38:49,631 DO YOU STILL HAVE 21 MINUTES AND 51 SECONDS? 867 00:38:49,675 --> 00:38:52,678 I GUESS WE COULD FIT THAT CHANCE IN NOW. 868 00:38:57,813 --> 00:38:59,380 [DISTANT CHATTER] 869 00:38:59,424 --> 00:39:01,600 - CARRIE WAS RIGHT, YOU KNOW. - HMM? 870 00:39:01,643 --> 00:39:03,819 YOU'VE ALWAYS BEEN MORE THAN ENOUGH. 871 00:39:03,863 --> 00:39:07,040 [CHUCKLES] WELL, I THINK THAT'S SOMETHING I'M ALWAYS 872 00:39:07,083 --> 00:39:10,826 GONNA STRUGGLE WITH, BUT...TODAY I BELIEVED IT. 873 00:39:10,870 --> 00:39:13,829 I WAS STRONG ENOUGH TO FACE HER AGAIN. 874 00:39:13,873 --> 00:39:16,702 GLAD I DID. 875 00:39:16,745 --> 00:39:20,140 AND IT FEELS GOOD TO KNOW THAT SHE'S GONNA BE OK 876 00:39:20,183 --> 00:39:23,143 AND--[INHALES]-- THAT I HELPED IN SOME WAY. 877 00:39:23,186 --> 00:39:24,753 [CHUCKLING] "SOME WAY"? LAYLA, 878 00:39:24,797 --> 00:39:27,365 YOU--YOU HELPED HER IN A BIG WAY. 879 00:39:29,279 --> 00:39:32,239 I OWE A LOT OF PEOPLE AN APOLOGY 880 00:39:32,282 --> 00:39:35,460 FOR HOW I, YOU KNOW, ACTED THIS PAST YEAR, 881 00:39:35,503 --> 00:39:37,462 BUT TO YOU... JORDAN: MM-HMM? 882 00:39:37,505 --> 00:39:39,464 I OWE A THANK YOU. 883 00:39:39,507 --> 00:39:41,248 UH, A THANK YOU? 884 00:39:41,291 --> 00:39:43,424 - YEAH. - WHY? WHY'S THAT? 885 00:39:43,468 --> 00:39:46,079 UM, YOU KNOW, FOR NOT-- NOT GIVING UP ON ME 886 00:39:46,122 --> 00:39:48,124 WHEN I WAS PUSHING EVERYONE AWAY. 887 00:39:48,168 --> 00:39:51,780 YOU'RE RESILIENT, JORDAN. THAT'S HOW I KNOW YOU'RE 888 00:39:51,824 --> 00:39:54,870 GONNA FIND A WAY BACK OUT ON THAT FIELD. YOU ALWAYS DO. 889 00:39:54,914 --> 00:39:57,177 JUST FOCUS ON YOUR GAME, 890 00:39:57,220 --> 00:40:00,354 YOU KNOW? FORGET EVERYONE ELSE. 891 00:40:01,834 --> 00:40:04,880 [BASKETBALL NET SWISHING, BASKETBALL BOUNCING] JORDAN: YEAH. 892 00:40:15,021 --> 00:40:17,327 [JAZZ PIANO PLAYING, DOOR OPENS] 893 00:40:32,691 --> 00:40:35,563 WHAT? HEH HEH! WHAT IS ALL THIS? 894 00:40:35,607 --> 00:40:37,565 HAVE A SEAT. 895 00:40:37,609 --> 00:40:39,654 [MUSIC CONTINUES] 896 00:40:43,789 --> 00:40:45,965 WHAT IS YOUR NAME? 897 00:40:46,008 --> 00:40:48,184 - SPENCER-- - JUST GO WITH IT. 898 00:40:48,228 --> 00:40:50,186 OK. 899 00:40:50,230 --> 00:40:52,188 OLIVIA BAKER. 900 00:40:52,232 --> 00:40:54,277 OLIVIA BAKER. FAVORITE COLOR? 901 00:40:54,321 --> 00:40:55,888 BLACK. 902 00:40:55,931 --> 00:40:58,499 - FAVORITE FOOD? - DUH. WHATEVER'S ON YOUR PLATE. 903 00:40:58,543 --> 00:41:01,154 [BOTH CHUCKLE] 904 00:41:01,197 --> 00:41:04,679 SERIOUSLY, WHAT IS-- WHAT IS ALL THIS? 905 00:41:04,723 --> 00:41:07,334 I'M STEPPING MY GAME UP. 906 00:41:07,377 --> 00:41:09,945 LOOK, A LOT OF RELATIONSHIPS 907 00:41:09,989 --> 00:41:12,165 HAVE BEEN FRACTURING IN MY LIFE LATELY. 908 00:41:12,208 --> 00:41:14,210 I AIN'T LETTING OURS BE ONE OF 'EM. 909 00:41:14,254 --> 00:41:16,299 I LOVE YOU. 910 00:41:17,823 --> 00:41:20,347 AND I AM NOT GOING ANYWHERE, SPENCER, 911 00:41:20,390 --> 00:41:22,610 BUT YOU'RE RIGHT. 912 00:41:22,654 --> 00:41:25,265 I MEAN, WE'RE BOTH EVOLVING, 913 00:41:25,308 --> 00:41:28,268 AND THAT MEANS MAYBE A LITTLE MORE WORK ON BOTH OF OUR PARTS 914 00:41:28,311 --> 00:41:31,097 TO MAKE SURE WE'RE RIDING THIS GROWTH WAVE TOGETHER. 915 00:41:31,140 --> 00:41:34,274 WHICH IS WHY I'VE DECIDED TO GET TO KNOW OLIVIA 2.0. 916 00:41:34,317 --> 00:41:36,581 - MMM. - OTHERWISE KNOWN AS 917 00:41:36,624 --> 00:41:38,234 O.M.O. 918 00:41:38,278 --> 00:41:41,107 - HMM? - OAT MILK OLIVIA. 919 00:41:42,587 --> 00:41:44,850 - WE'RE GONNA HAVE TO CHANGE THE NAME. - [CHUCKLES] 920 00:41:44,893 --> 00:41:46,852 [KISS] OLIVIA: HA HA HA! 921 00:41:46,895 --> 00:41:48,941 OK. AHEM. BIGGEST PET PEEVE? 922 00:42:15,968 --> 00:42:17,535 GREG, MOVE YOUR HEAD! 68331

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.