All language subtitles for FBI S04E19 - Face Off (NetNaija.com)

- Sarin gas
is a valuable commodity

to a particular group
of people.

- You mean terrorists.

- They likely intend
on using that sarin gas

in New York City.

Unless we find them.

- We need to wait
for the protective gear,

and you have to trust me
on this one.

- Change of plans,
we do not have time

to wait for SWAT.

We need you to make entry now.

- No!
[gunfire]

[canister clinks]

- [grunts]
[gas hisses]

No, no, no, no!

Gotta get me out of here.
- Stay with me.

[grunts]
Maggie!

[dramatic music]

♪ ♪

- It's not even like she had
a fever or anything.

She was just coughing.

- Her parents
are being cautious,

which I, for one, appreciate.

Can you pass me the egg rolls?

Look, I know
you're disappointed,

but you can go to Rachel's
next weekend.

- I'm with Dad next weekend.

- I'll talk to your dad, okay?

But for now, can we try
to have a good time?

- I got you cookies
from Weaver Street Bakery.

- The double chocolate ones?

- Mm-hmm.
- [laughs]

[tense music]

- [breathing heavily]

♪ ♪

- [chokes]

- Oh, my God. Maria, no!

No.

Get off. No!

[groans]

Brooke, honey, wake up.
- What's going on?

- Wake up, we have to go.
- You're scaring me.

- Get in the closet.
- Mom.

- Shh.
- Mom!

- [grunts]

[grunting]

Ah!
[groans]

♪ ♪

[siren wailing]

♪ ♪

- Two of your agents
were exposed to sarin gas.

Agent Bell is still undergoing
treatment for nerve damage,

which I'm hearing will require
months--months of rehab.

You want to explain to me
how the hell we got here?

- There was an accident
at the lab,

and the doors
sealed automatically.

- Right.

What were your agents
even doing in the lab

without backup
in the first place?

- We had evidence
that the suspect

had been tipped off;
we had to confirm

that he was still on premises.

- Without Swat? Without HAZMAT?

Knowing there could be
chemical weapons inside?

- We were moving quickly.
- Yeah, too quickly.

You nearly cost
your agents their lives.

- I made
the best decision I had

with the information
I was given.

- Yeah, the problem is,
these big, impulsive decisions

are quickly becoming your MO.

- Excuse me?

- You're getting a reputation

for being
a bit of a cowboy, Isobel.

- What does that mean?

- It means I'm getting calls
from the deputy director

asking me if he
should be concerned.

Look.

My advice?

Take it easy for a while.

Okay, you played the game.

You beat out the boys,

made it to the top
of the pecking order.

You don't need to try so hard
to prove yourself anymore.

- Understood, sir.

♪ ♪

- So have you guys talked
to Maggie?

How is she doing?

- I went to the hospital
yesterday.

She's awake.
There is a lot

of residual nerve damage,
and she is looking

at a lot of physical therapy,
but Maggie's a fighter.

She's gonna get through it.
- Good.

- Hey.
- Hi.

- All right, folks.

Uh, heads up,
this is a rough one.

Last night,
morning show host Maria Blake

was brutally stabbed to death
in her house in Boerum Hills.

Her wife Olivia
was also attacked,

but she survived.

She's in critical condition
at Hope General.

Olivia's ten-year-old daughter
called 911.

- Was she there
during the attack?

- Uh, yeah, she was hiding
in a closet.

- Yeah, NYPD thinks
the MO of the attacker

matches two others across town.

They are asking for our help

in a potential
serial killer case.

- What do we know
about the earlier murders?

- First victim was 38-year-old

real estate broker
Chetna Burman.

Killed at her brownstone
on West 73rd Street

sometime around 2:00 a.m.
on March 20th.

Two weeks later,
bank president Jamie Merritt,

42, was found dead
with similar wounds

at her place on West 87th.

- Those are
Upper West Side addresses.

So the Blakes in Brooklyn
would be a departure.

- Yes, but the other
case markers all line up.

- Like townhouses
broken into late at night,

powerful women
in their 30s and 40s

being attacked
with a knife, so.

Yeah, let's get to work,
huh, people?

You four want to head
to the scene,

see what you can dig up?

- Oh, welcome aboard.
- Thanks.

- So, you're, uh--

- Oh, filling in
for Maggie temporarily, yeah.

I got the call this morning,

so I didn't have a chance
to tell you,

but, you know,
don't make it weird.

- This is a nice house.

The family doesn't have
a security system?

- House has one,
but it doesn't look

like they had it set up yet.

Neighbors said
they just moved in,

had workers in and out.

- Any sign of forced entry?
- No.

Back door was unlocked
when we arrived.

- Got markings
around the keyhole.

Looks like the guy
must have picked the lock.

- We're gonna need you

to touch base
with the neighbors again

to pull their security footage.

- You got it.

- I know you're
just doing your jobs,

but she's been through a lot.

Between the divorce,

her mom getting remarried,
and now this,

it's just--I mean, it's--

- We'll keep it brief, okay?

We just want
to ask her a few questions.

- Of course.

Now, Brooke, honey, I, um--

I need you to tell them
what you told me

about the guy that you saw,
kay?

- I'm not sure,
but he kind of looked

like the man
who worked on our house.

He had the same kind
of boots on.

- I think she said that,
uh, the guy was arguing

with her stepmother, Maria.

- Okay, uh,
when was this, Brooke?

- A few weeks ago.

- And do you remember
what they were arguing about?

- What did the man look like?

- He was tall.

- Do you know
how old he was?

Or what color skin he had?

- He was about your age.

And he was Black.

- Do you think
you would recognize the man

if we showed you a photo?

- Yeah, I think so.

- Yeah? Okay.

- Isobel Castille?

SSA Deon Marshall

from the
Behavioral Analysis unit.

I've been assigned
to your serial killer case.

- Well, thank you,
but I did not request

a profiler on this case.

ADIC Hawkins is an old friend.
He asked me to advise.

I'm sure you have
a handle on it.

Just here if you need
an extra set of eyes.

- Okay. Welcome aboard.

Okay, listen up, everyone.

This is Deon Marshall with BAU,

he will be assisting us
in this case.

- Great.
So, uh, the killer

did not leave
and forensics on the scene,

but we just got
the ME's report.

The knife wounds found
on Maria's body

are similar to those found
on Merritt and Burman,

so it seems like we are looking
for the same killer.

- Have you been able
to identify

any connection
between the victims?

- We're still digging
into their backgrounds,

but so far, no.
No clear nexus.

- Hey, I just talked to Scola.

ERT thinks Maria's wedding ring
was stolen.

There are lacerations
on her finger

like it was forcibly removed,

and they can't find it
in the house.

- Did any of the other victims
have jewelry taken?

- Yeah, uh, Burman wore
a diabetes bracelet

that NYPD never recovered.

No, there's nothing
about missing jewelry

in Merritt's file, though.

- It's not unusual
for serial killers

to take jewelry as trophies.

- Yeah, Kelly, you want
to make sure ERT is doing

a full inventory at Merritt's?
- Got it.

- Listen, did we ever alibi out
the ex-husband?

- Uh, yeah.
He was in Philly overnight

on a job interview.
- And we confirmed it?

- A theater there confirmed
he had an interview

to be their technical director,

and I talked to the host
at the Airbnb he stayed at.

She said Owen
checked in yesterday,

left early this morning.

- Not to mention
that he is a far cry

from the daughter's
description.

Okay, speaking of which,
we get an ID

on that construction worker?

- Yes, got a list
from the Blakes' contractor.

Showed the photos to Brooke
and she ID'd

a man named Jeremiah Carver.

- All right, eyes up.

What do we know about him?
- Not much.

Carpenter, 32 years old,
lives in Queens.

- All right.
Let's bring him in.

Have Tiffany and Scola
get over there.

- Look, I don't want
to overstep here,

but your killer's been careful
every step of the way.

It doesn't make
sense for him to attack

someone he's been working for.

- We just had
a witness ID him.

- Yes, but cross-racial
identifications

are less reliable,
and the witness is

a ten-year-old who saw him

from across the room
in the dark.

- I understand, but right now,
it's all we have.

[suspenseful music]

- I'm not seeing him anywhere.
We sure he's still here?

- Carver charged his card here
less than ten minutes ago,

and his crew says
he hasn't been

back to the house yet.

- Heads up.

- Jeremiah Carver?
We're with the FBI.

We have
a couple questions for you.

Hey!

[tense music]

♪ ♪

- [grunting]

Let me go,
I didn't do anything.

- Then running
wasn't the best move.

- Can you get these
out of my face?

- Do you find
the photos upsetting?

- Hell yeah,
I find those upsetting.

How do you think
their daughter feels?

Ten years old,
and she had to watch

the entire thing.

- That's messed up.

I--I got nothing
to do with that.

- Anything?
- Uh, ERT found

eight ounces of marijuana

and a few hundred dollars
in cash in Carver's bag,

but no sign
of our murder weapon.

- Where were you last night
at 1:00 a.m.?

- Bar in Crown Heights,
Grand Matador.

I told y'all, I haven't seen
those people in weeks.

- But you didn't exactly leave
things on good terms, did you?

Witness said they saw
you and Maria Blake

in a heated argument
a few weeks ago.

Said you seemed pretty upset.

- She was an entitled bitch.
That doesn't mean I killed her.

- What was your fight about?

- She got me fired.

Accused me of dealing weed
out of the house.

- Based on the stash we found,
I'm assuming

that's not far from the truth?

- So what?
Weed's legal in New York.

That lady blew things
out of proportion.

- Okay, one,
it's not legal to traffic,

but two, we're not trying
to roll you up

on some petty drug charge.

We are investigating a murder.

- I didn't kill nobody.

Like I said,
I was just pissed off.

She sent photos
to the general contractor

of me selling weed.

- Photos from her house?

Where'd she get them from?

- No clue.
She wasn't around much.

- The Blakes must have had
hidden surveillance

for the construction workers.
- Right.

[suspenseful music]

♪ ♪

- Okay, this is from the camera
we found in the clock

in the Blakes' kitchen.

12:45 a.m.,
night of the murder.

- Okay, here we go.

Figure crouched outside,
he's...

Obviously picking the lock,
and...

All right, here's our guy.

- That's not Carver.

- No, and we confirmed
his alibi.

Bartender at Grand Matador said
he was at the bar till close

the night of the Blake attack.

- Can you get facial rec?
- I'm running it now,

but the quality
isn't good enough.

- Yeah.
- No luck.

- OA, I need you to get up
to the Upper West Side.

Take Nina with you.

NYPD thinks
we have another victim.

♪ ♪

- Pulled footage
from an exterior camera

at the next-door
neighbor's house.

Caught him
breaking in the back.

- Same method of entry,
same hoodie, same height.

- What do we know
about the victim?

- Name's Joan Zoffer.

She's a surgeon
at Presbyterian.

Single, no kids, lives alone.

Her boss called NYPD
to do a wellness check

when she didn't show up
for her shift this morning.

- Two attacks in two nights.

Our killer's on a spree.

- Mm.
Ripped the earring right out.

Has anyone recovered that?
- No, not yet.

- Huh.
He must have took it with him

as another trophy.

- We've got a shoeprint.

- Hmm. What is that?

- I'm not sure.
Looks like glass.

I'll get ERT
to send it to the lab,

see if they can ID it.

- Well, a security camera
caught the killer

breaking
into the victim's house,

but he managed to avoid
the street cams in the area,

so that means
he did his homework.

He scoped the area out.

So we're checking for video
earlier in the day,

earlier in the week...
- Well, what about the victim?

Anything that connects
Zoffer to the others?

- I mean, there's--
there's some overlap

with Merritt and Burman,

but most of that
can be chalked up

to living
in the same neighborhood.

- The nexus may be
the women's success.

Killer's resentful,
attacks powerful women

as a way of regaining power.

- Right, all right,
so let's chase that.

That would mean the killer is

underemployed or unemployed,
someone on the fringe.

- Yeah, sounds right.

Someone bitter,
disenfranchised.

Statistically, it's probably
a blue-collar worker.

- Right, well, that--
that tracks

with the print
we found at the scene,

size 11 Starks--
common work boot.

- Jubal.
- Yeah?

- We got something.
- Lab ID'd the fragments

in the boot--
it's stained glass.

- Any stained glass found
at Zoffer's house?

- No, we think that the killer
must have tracked it in.

- Probably from a church.
- Right, good.

So let's get
boots on the ground.

I want agents canvassing
any and all churches

on the Upper West Side.

And schedule
a press conference.

I want to get
this guy's face out there.

Somebody knows who he is

or has seen him loiter
in the neighborhood.

- Yes, ma'am.

- Isobel, wait.

I don't think
this is a good idea.

- Excuse me?
- Holding a press conference,

blasting his face
out to the community--

I'm not sure
the person we see on camera

is the killer.
Something isn't adding up.

- We have video
of him breaking in.

- I know, I saw it.

But from
a statistical standpoint,

there are very few
Black serial killers,

and the ones we do know about
typically target

disenfranchised,
low-income victims.

- We have video of him
at various crime scenes.

We can see his face.

He's Black.
- I know.

Doesn't make sense
to me either.

But I think it's prudent
to hold off

on releasing a photo.

This guy kills
in order to feel powerful.

You give him
more media attention,

you're giving him more power.

You could trigger him
to strike again.

- He has killed
two nights in a row.

He's gonna strike again
regardless.

We have to find him
before that happens.

- I agree,
but the ADIC sent me

to offer my expertise,
and I'm telling you,

making a public announcement
based on shaky evidence--

- We have a photo.

How in God's name
is that shaky?

- Okay, wrong adjective.

It's...incongruous.

- Okay.
What is the alternative then?

We wait for him
to kill another woman,

hope he makes a mistake
that we can capitalize on?

If there is any chance
someone can identify

the man in this photo
before he strikes again,

I am taking it.

We have recently obtained
a photograph of the suspect.

If anyone has seen this man
or has any information

as to his whereabouts,

please contact
the FBI immediately.

In the meantime, there are ways
you can protect yourselves.

He is not
a particularly sophisticated

or adept criminal.

He is a coward
who is overpowering women

by ambushing them
when their guards are down.

Stay alert, stay diligent,

and I promise you,
we will find him.

Thank you.

[indistinct chatter]

♪ ♪

- All right, folks,
I know you're tired,

you're running on fumes,

but if this guy follows
the pattern,

he could strike at any time.

The clock is ticking.

All it takes
is one good tip to crack this.

- Any luck?

- Well, I just got off
the phone

with a 90-year-old woman
who claims

she might have dated our guy
back in high school.

75 years ago in Tampa.

- A lot to sift through,

but we'll work all night
if we have to.

- Thank you so much.
I think I got something.

- Yeah.
- Woman from Harlem said

she saw a man matching
the suspect's description

coming out
of a condemned church

at 98th and Amsterdam
late last night.

- That would explain
the stained glass.

[tense music]

♪ ♪

- FBI!

- Federal agent!

- Cover back!

- Covering!

- Get eyes on? Eyes on?

- You good?
- Yeah.

- Stage, clear!
- Front room, clear!

- It's clear.

- Uh, I got nothing
but old papers

and some moldy
Communion wafers.

- Oh, yum.

Hey, OA? Bloody clothes.

- Okay, he was here.

- Found a backpack too.

♪ ♪

Let's see.

Some clean clothes.

Notebook.

Let's see.

I think he was stalking them.
- Yeah.

- He has notes here
on their schedule,

the trains they take,
their home addresses...

- The addresses all match up
with our vics?

- Yeah, Zoffer, Merritt.

There's a new address here.

552 West 24th Street, Chelsea?

- Hey, what do you got?

- We found a notebook
with all of the addresses

from our victims,
but there's one

that we don't recognize.

We think he might be heading
after a new target.

- Okay, hit me.

- 552 West 24th Street
in Chelsea.

- OA, I need you to get over
to that address right now,

that is where Isobel lives.

Tommy, I need a patrol car

over at 552 West 24th Street
right now.

- I'm on it.
- Elise, get Isobel

on the phone.

[phone buzzing]

♪ ♪

- Hi, you've reached
FBI Special Agent in Charge

Isobel Castille.
I am not available to take--

- Kelly, how we coming?

- NYPD's five minutes away,

OA and Nina
another ten behind them.

- Okay, I'm heading over there.
Elise?

Keep trying her.

[alarm beeping]

[phone buzzing]

- Jubal?

- Isobel, thank God.

- Hey, just saw
I missed your calls.

What's going on?
- Listen to me.

The perp has your address.

You might be the next target.

- What?
That doesn't make any sense.

He'd have to be--
- No, you--you fit the profile.

He saw your press conference
or read about it.

Now, listen to me,
agents and cops are on the way,

but you need to get
out of the house right now.

[clattering]

- Jubal, hang on.
I hear something.

♪ ♪

Jubal, I have to go. He's here.

- All right,
keep me on the phone.

[phone beeps]

- Isobel? Isobel?

♪ ♪

- [grunts]

[sirens wailing]

[tires screeching]

I lost him.

- Hey, have your units
seal off this block.

I don't want anybody in or out.

Are you okay?
- Yeah.

- Good.

What do you mean
his face was a mask?

- It--it was silicone.
It--it was hyper-realistic.

Even in the same room,
I couldn't tell it was fake

until I actually felt it.

- So those photos
that we have--

- [sighs] They don't tell
the whole story.

- Did you get a look
at the guy's real face?

- No, but I saw his skin.

He was white.

I should--I should have
never released those photos.

I just told the public
to be on alert for a Black man

who is actually white.

- We all saw that video,
Isobel.

- No, I moved too quickly.

Marshall warned us
that something was off,

and--and this--
this guy set us up

to look for a Black killer,
and I took that bait.

- Hey, don't do that.

We'll--we'll put out
a press release.

We'll correct
the killer's description.

But that press conference--
that led us to the church,

which gave us evidence.

You should take a few days.

You rest up. We'll handle this.

- No, I'm good.
- Isobel.

You were attacked
in your own home.

- I am fine.

Let's get back to the JOC,

and let's catch
this son of a bitch.

- Yeah, and that's
gotta give us something.

Kelly, any leads
on the, uh--the mask?

- Not yet.

There are six companies
in New York

that carry
these hyper-realistic masks,

another 30 or so nationwide.

I've sent our perp's photo
around to all of them,

but so far--
- Okay, keep digging.

- You know, the fact
that he was wearing

a Black mask might give us
some insight to who he is.

- We think this is
racially motivated?

- Unlikely.
He seems to be choosing targets

based on gender and career.

- Or maybe the mask
is just meant to be

a good disguise.

Gets caught on camera,
hard to identify the suspect.

- And the cherry on top
is that he can use

the old "the Black guy did it"
to get away with murder.

- Right.
Hey, Elise,

we getting anywhere
with that journal?

- Well, he's thorough.

He cased the buildings,
took notes on the layouts,

victims' schedules.

- Any idea
how he got my address?

- Yeah, he has
your train route in here.

Looks like he followed you
from the office

to get the address,
circled back after dark.

- I mean, this much stalking
means a lot of exposure.

Kelly, uh, let's make sure
we track Isobel's movements

after leaving work.

We need to find
this guy on camera

without a mask on.
- Copy that.

- Can I see that one?

- You got something?
- He's classifying them.

"Chetna Burman, PX,"
"Jamie Merritt, PPX."

That's restaurant code for VIP.

PX means important,
PPX means very important.

Dated a waitress in college.

- So if that's
how he's labelling them,

he has to work at a restaurant,

or have worked at a restaurant,

where all three of them
have been.

Uh, Kelly,
you're charting overlap

between the victims, right?
- Uh, yes, but there wasn't

anything that applied
to all six of them.

- Uh-huh.

Well, maybe it's not
that straightforward.

We know Isobel was off-pattern.

- And maybe the Blakes
were too.

There's no PX
next to their names in here.

- Oh, okay, so let's focus

on just the Upper West Side
victims for now,

Merritt, Burman, Zoffer.

Anywhere all three of them
have been?

- Yeah, a few places.

Uh, an organic market
on 87th Street, Dave's Coffee.

- No, you're looking

for a high-end restaurant,
Kelly.

Place that's hard to get into.

- Okay.

Antonia's? West 72nd Street.

[suspenseful music]

- These are
the only four staff members

who worked all three nights
that the women were here.

Uh, our hostess, Anne,
our bartender, Lena,

and two
of our waitstaff members,

Kaitlin and Deshawn.

- I need you to think.
Are you sure

these are the only people
who could be aware

of their VIP status?

- Um, our reservationists,
I guess.

Um, Tracy and--
- David Owen.

That's Olivia Blake's
ex-husband.

- [exhales]
Let's go.

- All right, people,

what do we know
about David Owen?

Let's turn over some stones.

If he cheated
on a test in middle school,

I want to know about it.

- I thought we confirmed
that Owen was in Philadelphia

the night of the Blake attack?

- Well, we confirmed the trip,

but Philly's
less than two hours away.

He could have driven back
in the middle of the night.

And he had us looking
for a Black suspect

with the mask.

He couldn't wait
for his daughter

to tell us she'd seen
the construction worker,

Carver.
- So where's his daughter now?

- With her maternal
grandparents.

We already called.
They started her

back at school this morning.

- Yeah, uh,
looks like Owen worked

as a technical director
at an off-Broadway theater

for several years.

- That explains how he had
access to the masks.

- But he lost his job
during the shutdown,

started working at Antonia's.

Then Olivia divorced him,
started dating Maria.

They got married on March 20th.

- That's the night
Chetna Burman was killed.

- The marriage set him off.

To David, these women
tore his family apart.

He starts going after targets
with similar profiles.

- And there's no shortage
of powerful women

coming through
the hottest restaurant in town.

All right, where is he now?

- Uh, not sure.

Manager said he didn't come
into work today.

But they have
an address on file.

Washington Heights.
400 West 171st Street.

- Get Tiffany and Scola
over there now.

- FBI!

[tense music]

♪ ♪

- Go. Covering.

- Bathroom's clear!

- We're all clear.

- Looks like somebody
was trying

to get out of here in a hurry.

- I'll take the kitchen.

♪ ♪

- Think I found
our Black suspect.

Also, it seems
our trophy theory was correct.

- Nice.
- What's that?

- Uh, MetroCard receipt.
Found it in the trash.

Bought with cash last week.

- Okay, looks like
Owen got on the subway

at the Bedford/Nostrand stop.

- Any idea where he got off?
- Uh, not yet.

But there's good
camera coverage down there.

- I got him.

This is 20 minutes ago
near the 7th Avenue stop

in Park Slope.

- Okay, can we track
where he went from there?

- No, he hits
a dead zone outside

and we lose him again.

- Okay, so what's
in that area?

- Well, the Blakes' house is
a block away from there.

- Yeah, but why would he go
back to the house

if his ex is still
in the hospital?

- Where does his daughter
go to school?

- Middleton Elementary,
which is...

two blocks from there.

- He clearly cares about her.
Spared her in the attack.

If he got spooked

by what happened at your house
and he's running...

- Maybe he's taking her
with him.

- I didn't know what to do.

- It's not your fault.
Everything's gonna be okay.

- Agents Zidan and Chase, FBI.
What's going on?

- Possible abduction.

One of the parents came in

and pulled the kid
out of class.

- Was the student Brooke Owen?
- Yes.

- Okay, we can take it
from here.

- I--I'm so sorry.
- No, it's okay.

It's okay. Breathe, okay?
Tell us what happened.

- I was in the middle
of a lesson,

and Brooke's father barged in,
told her to get her stuff.

He--he looked really off,
almost deranged.

- Did he say
where he was taking her?

- No.

Just that it was
a family emergency.

I tried to tell him

that he couldn't
just take Brooke

out of class like that,
but, uh, he flashed a knife.

And I--I had
20 other kids in the class.

I--I just let him take her.

- Okay, when was this?
- About ten minutes ago.

- Which way did they go?
- I don't know.

I--I'm sorry.
It all happened so fast.

I'm sorry.
- It's all right.

It's all right.
We're gonna need to see

the school's
security footage ASAP.

- Okay.
- I'm so sorry.

- You did the right thing.

- All right, so David Owen
kidnapped his daughter

from school
about 15 minutes ago.

- The school just sent over
security footage.

- Great, throw it up.

- What is that car?
Can we get a license plate?

- Not from this angle.
Hang on.

- Yeah, there we go.
Let's run that plate.

2AYW082.
- On it.

[phone buzzes]

- It's the hospital.

- It's registered
to Owen's ex-wife,

Olivia Blake.
- Does it have GPS?

- No, it's an older model.

- All right, let's get
a BOLO out now.

- Okay, yeah. Thank you.

That was Hope General.
Olivia Blake is out

of surgery, awake,
and in stable condition.

- All right, maybe she knows
where he's going.

- Yeah.

- I--I don't know
where he could have taken her.

I--

I can't believe
this is happening.

- I know that this is
very difficult, okay?

But we need your help.

When was
the last time you spoke

with your ex-husband?

- Just a few days ago.

- Okay, did he mention
anything unusual?

Anything that might indicate
what he was planning?

- No--no, he--

I mean, he was upset.

He had an interview
in Philadelphia.

He wanted Brooke to move there.

I told him
that was never gonna happen.

But he didn't argue.

[phone beeps]
He just said,

"I'm sorry you feel that way,"

and hung up.
I thought he'd accepted it.

W--what is it?

- Your E-ZPass just went
through a toll

near Bear Mountain Bridge.

Does that mean anything to you?

- My family has
a house near there.

[tense music]

♪ ♪

- He's here.
- We got movement!

[gunshots]
- Shots fired!

- We have shots fired.
- [gasping]

- All right.
Stay back, all right?

Just stay back.

- We need you
to put the gun down.

We can talk about this.
- No!

No, no, no, no.
You don't come any closer

or I'll shoot, okay?

I swear to God I'll shoot.

Don't come any closer!

Just get back!

♪ ♪

[indistinct radio chatter]

[tense music]

♪ ♪

- All right.
JOC confirmed with Olivia,

there's a working landline
in the kitchen

we can use for contact.
- Okay, how are we looking?

- We don't have eyes inside.

He's got
all the windows covered.

- What are our options?

- Looks like the siding
on the house is vinyl.

We could possibly drill in
and get a pinhole camera

on the inside.

- Okay, but wouldn't
he hear that?

- Not if we can cover it.

We'd need
some sort of distraction.

- So what, flash bangs?

- Might not want to risk
startling him like that.

- That's too short anyway.

We need something
we can sustain

for at least ten seconds.

- What about a siren?

[sirens wailing]

[drill whirring]

♪ ♪

- Okay, we're in.

I'll take point
and make contact.

- Daddy, you're scaring me.
- No, no, no, no.

Sweetheart, everything's fine.

Daddy's got everything
under control, okay?

Um, uh.
[phone ringing]

What do you want?

- David Owen,
this is Special Agent Zidan.

We met the other day.
I'm here to help you.

- [laughs]
Oh, come on.

How are you gonna help me?

- I would like to start
by getting you

and your daughter
out of that house safely,

and you can help me with that.

- Okay.

- I need you
to come outside, unarmed,

with your hands up high,

and we'll take it from there,
okay?

- Come on, how--
how do I know

that you're not gonna shoot me

or you're not gonna shoot
me and my daughter?

- You have my word, David.

If you come out
with your hands up,

I promise you that--
- No, no, no.

No, 'cause I know you're lying.
You're lying to me right now.

I know it. I know that you are.

You're lying to me right now.
Okay.

- David, no. Listen to me.

- Oh, come on,
how are you gonna let me

walk out of here
with everything

that I've done, huh?

Yeah, everything I've done,
you're gonna let me just go--

No.
- David, that is

the last thing
that any of us want to do to--

- Come here.
Come with me, okay?

- What's he doing?

- He's taking her
to another room.

- Isobel, what's our move?

- He knows it's over.
He's spiraling.

I think we need
to hit that house

and get Brooke out of there.

- But we were making progress.

Might be worth another try.
Let him cool off.

- He has that little girl
barricaded in a house.

- If he wanted to kill her,
he would have done it

the night
that he attacked her mother.

Based on the profile--

- We cannot base
every damn decision we make

on his profile.

- What else do you want
to base it on?

A hunch?

This is exactly what the ADIC
is concerned about.

You're being reactive.
Data doesn't lie.

It's the best indication
of future actions.

- My hunches are based
on years of experience,

not algorithms or statistics.

- Isobel...

- Owen just used Brooke
as a human shield.

That tells me
when push comes to shove,

he doesn't give a damn
about his daughter.

This is about the way
he sees himself,

his own narcissistic fantasy.

And right now,
that fantasy is falling apart.

He will kill his daughter
and then kill himself

before he faces reality.

- If you're wrong about that...
- Then I will take the heat.

But I'm not gonna let
a little girl die

because I played it safe.

OA, we are going in now.

- Copy that.

♪ ♪

Put the gun down, David.
It's over.

Put it down.

- No.

- Put it down.
- No.

You stay back, okay?
- [whimpering]

- You stay away, okay?
You stay away

or I swear to God,
I will shoot her.

I will.
- Dad, you're hurting me!

- Owen, you gotta let her go.

Your daughter has
nothing to do with this, man.

She has
nothing to do with this.

- You're hurting me!
- No, no, no!

- [sobbing]
- Just stay away.

- Let her go.
- No.

- Let your daughter go.
- Dad, you're hurting me!

- Don't even think about it.

- Come on, no.
- It's gonna be okay, Brooke.

- Hey, hey, do not talk
to her, okay?

Do not speak to her.
I just need--

- Okay, okay.
- I just need a minute.

I just need a minute, okay?
- Listen, hey--

- [gasping]
- No.

- Let your daughter go.
- No, just--just--just--

- Okay, okay.

All right. Look at me.

- What?
- Hey, look at me, all right?

You don't want
it to end like this.

- [whimpering]

- Brooke has her whole life
ahead of her.

- Oh, shut up.
Will you just shut up?

Just shut up!
I wish you two would just--

[gunshot]

- Don't hurt him!

- Brooke!

- [grunting]

[groans]

- David Owen,
you're under arrest.

♪ ♪

- I just wanted
to say goodbye.

- Oh, right.
Um, let me walk you out.

Listen, I know that we have had
our differences,

but I really do appreciate
your help.

- You got the right result.

But...

- But what?

- You got lucky.

Owen actually harming
his daughter was remote.

Statistical anomaly.

- Hmm.

Well, I have been getting lucky
for 20 years.

Led me to being one
of only ten female SACs

in the FBI.

I'm sure you can find

the statistical anomaly
in that.

[pensive music]

♪ ♪

- Good night, Isobel.

♪ ♪

[tense music]

♪ ♪

[wolf howls]