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WWW.MY-SUBS.COM
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♪ IN THESE DANGEROUS TIMES WHERE
THE WORLD ♪
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♪ IS RIPPING APART
AT THE SEAMS ♪
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♪ WE CAN LEARN FROM THOSE
WHO STARE DEATH
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IN THE FACE EVERY DAY ♪
♪ BY REACHING OUT TOEACH OTHER AND ♪
♪ BONDING AS A COMMUNITY
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RATHER THAN HIDING
FROM THE TERRORS ♪
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♪ OF LIFE
♪ DECEMBER 24
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♪ 9:00 PM
♪ 1991
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I START TO SHOOT MY
LATEST FILM TODAY ♪
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♪ LET'S SEE IF I'VE GOT
ANYTHING TO SAY ♪
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>> I DOUBT IT!
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♪ FIRST SHOT â "" ROGER
TUNING HIS FENDER GUITAR
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HE HASN'T PLAYED IN A YEAR ♪
>> THIS WON'T TUNE.
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♪ SO WE HEAR
HE'S JUST COMING BACK ♪♪ FROM HALF A YEAR
OF WITHDRAWAL ♪♪ ARE YOU TALKING TO ME?
♪ NOT AT ALL
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TELL THE FOLKS AT HOME
WHAT YOU'RE DOING, ROGER ♪♪ I'M WRITING ONE GREAT
[ PHONE RINGING ]
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♪ SAVED!
[ PHONE RINGING ]
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00:00:52,834 --> 00:00:53,999
♪ WE SCREEN ZOOM IN ON THE
ANSWERING MACHINE ♪
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♪ SPEAK
♪ THAT WAS A VERY LOUD
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BEEP ♪
♪ I DON'T EVEN KNOW
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IF THIS IS WORKING ♪
♪ MARK MARK
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ARE YOU THERE ♪
♪ ARE YOU SCREENING
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YOUR CALLS, IT'S MOM ♪
♪ WE WANTED
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>> SCREEN? WHO, ME?
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♪ TELL THE FOLKS AT HOME
WHAT YOU'RE DOING ROGER ♪
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♪ I'M WRITING
ONE GREAT SONG ♪[ PHONE RINGING ]
[ PHONE RINGING ]
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♪ YESSS
♪ WE SCREEN
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♪ SPEAK
♪ "CHESTNUTS ROASTING"
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>> COLLINS!
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♪ I'M DOWNSTAIRS
>> HEY!
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>> THROW DOWN THE KEY.
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♪ A WILD NIGHT IS
NOW PRE-ORDAINED ♪
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>> I MAY BE DETAINED.
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>> DETAINED?
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COLLINS?
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HELLO?
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WHAT DOES HE MEAN?
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[ PHONE RINGING ]
WHAT DO YOU MEAN â "" DETAINED?
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>> HO HO HO.
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>> BENNY!
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>> CRAP!
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>> DUDES, I'M ON MY WAY.
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>> GREAT!
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>> DAMN.
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>> I NEED THE RENT.
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>> WHAT RENT?>> THIS PAST YEAR'S RENT, WHICH
I LET SLIDE.
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>> LET SLIDE?
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YOU SAID WE WERE "GOLDEN."
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>> WHEN YOU BOUGHT THE BUILDING.
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>> WITH YOUR FATHER-IN-LAW'S
MONEY.REMEMBER -- YOU USED TO LIVE
HERE.
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>> HOW COULD I FORGET?
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YOU, ME, COLLINS AND MAUREEN.
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HOW IS THE DRAMA QUEEN?
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>> SHE'S PERFORMING TONIGHT.
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YOU KNOW THAT PROTEST?
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AT THE LOT?
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>> OH, I KNOW.
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00:02:28,167 --> 00:02:29,417
♪ STILL HER PRODUCTION
MANAGER? ♪
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>> TWO DAYS AGO I WAS BUMPED.
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♪ YOU STILL DATING HER?
>> LAST MONTH I WAS DUMPED.
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♪ SHE'S IN LOVE
>> SHE'S GOT A NEW MAN?
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>> WELL, NO.
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>> WHAT'S HIS NAME?
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>> JOANNE.
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>> RENT, MY AMIGOS, IS DUE.
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OR I WILL HAVE TO EVICT YOU.
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BE THERE IN A FEW.
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BE THERE IN A FEW.
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>> THE POWER BLOWS.
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♪♪
♪ THIS IS NOT THE FIRST TIME
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THEY'VE LOST THE POWER
HOW DO YOU DOCUMENT
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REAL LIFE ♪
♪ WHEN REAL LIFE'S
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GETTING MORE
LIKE FICTION EACH DAY ♪
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♪ HEADLINES BREAD-LINE
BLOW MY MIND
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AND NOW THIS DEADLINE ♪
♪ EVICTION OR PAY
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♪♪
♪♪
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♪ RENT
♪ HOW DO YOU DOCUMENT
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REAL LIFE
WHEN REAL LIFE'S GETTING MORE
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LIKE FICTION EACH DAY ♪
♪ HEADLINES BREAD-LINES
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BLOW MY MIND
AND NOW THIS DEADLINE
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EVICTION OR PAY ♪
♪ HOW DO YOU WRITE A SONG
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WHEN THE CHORDS SOUND WRONG
THOUGH THEY ONCE SOUNDEDRIGHT AND RARE ♪
♪ WHEN THE NOTES ARE SOUR
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WHERE IS THE POWER
YOU ONCE HAD TO
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IGNITE THE AIR ♪
♪ WE'RE HUNGRY AND FROZENSOME LIFE THAT WE'VE CHOSEN
HOW WE GONNA PAY ♪
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♪ HOW WE GONNA PAY
HOW WE GONNA PAY
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LAST YEAR'S RENT ♪
♪♪
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♪♪
♪ HOW DO YOU START A FIRE
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WHEN THERE'S NOTHING TO BURN
AND IT FEELS LIKE SOMETHING'S
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STUCK IN YOUR FLUE ♪
♪ HOW CAN YOU GENERATE HEAT
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00:04:15,999 --> 00:04:20,125
WHEN YOU CAN'T FEEL YOUR FEET
AND THEY'RE TURNING BLUE ♪
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♪ YOU LIGHT UP A MEAN BLAZE
WITH POSTERS
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00:04:25,167 --> 00:04:26,417
AND SCREENPLAYS ♪
♪ HOW WE GONNA PAY
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HOW WE GONNA PAY
HOW WE GONNA PAY
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LAST YEAR'S RENT ♪
♪ DON'T SCREEN, MAUREEN
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IT'S ME JOANNE
YOUR SUBSTITUTE
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PRODUCTION MANAGER ♪
♪ HEY HEY HEY DID YOU EAT
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DON'T CHANGE THE
SUBJECT MAUREEN
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BUT DARLING ♪
♪ YOU HAVEN'T EATEN ALL DAY
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00:04:50,167 --> 00:04:52,042
YOU WON'T THROW UP
YOU WON'T THROW UP
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THE DIGITAL DELAY ♪
♪ DIDN'T BLOW UP, EXACTLY
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00:04:53,250 --> 00:04:56,584
THERE MAY HAVE BEEN
ONE TEENY TINY SPARK
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00:04:56,584 --> 00:04:59,792
YOU'RE NOT CALLING MARK ♪
♪ HOW DO YOU STAY ON YOUR FEET
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00:05:01,876 --> 00:05:05,584
WHEN ON EVERY STREET
IT'S TRICK OR TREAT
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00:05:05,584 --> 00:05:07,209
AND TONIGHT IT'S TRICK ♪
♪ WELCOME BACK TO TOWN
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00:05:07,209 --> 00:05:10,959
I SHOULD LIE DOWN
EVERYTHING'S BROWN ♪
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00:05:13,626 --> 00:05:17,042
♪ AND UH-OH
I FEEL SICK ♪
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>> WHERE IS HE?
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♪ HOW WE GONNA PAY
HOW WE GONNA PAY
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HOW WE GONNA PAY
LAST YEAR'S RENT ♪
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HOW WE GONNA PAY
LAST YEAR'S RENT ♪
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♪ ALISON BABY
YOU SOUND SAD
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I CAN'T BELIEVE THOSE TWO
AFTER EVERYTHING I'VE DONE ♪
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♪ EVER SINCE OUR WEDDING
I'M DIRT
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THEY'LL SEE ♪
♪ I CAN HELP THEM ALL OUT
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IN THE LONG RUN ♪
>> UGH!
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"THE MUSIC IGNITES THE NIGHT ARE
GATHERING UGH --
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00:05:57,501 --> 00:06:01,125
WITH PASSIONATE FIRE" FORCES
UGH --
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00:06:01,125 --> 00:06:02,667
>> MAUREEN, I'M NOT A THEATRE
PERSON ARE GATHERING UGH --
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00:06:02,667 --> 00:06:04,999
>> THE NARRATION CAN'T UGH --
CRACKLES AND POPS TURN AWAY UGH --
WITH INCENDIARY WIT" FORCES
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00:06:04,999 --> 00:06:05,999
UGH --
>> COULD NEVER BE A THEATRE
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00:06:05,999 --> 00:06:07,667
PERSON ARE GATHERING I CAN'T
THINK.
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00:06:08,584 --> 00:06:12,417
>> ZOOM IN AS THEY BURN THE PAST
FORCES UGH --
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TO THE GROUND ARE GATHERING
UGH --
122
00:06:13,667 --> 00:06:14,667
[ PHONE RINGS ]
>> AND FEEL THE HEAT HELLO?
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00:06:14,667 --> 00:06:15,959
UGH --
>> HELLO?
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00:06:15,959 --> 00:06:16,417
>> HELLO?
125
00:06:16,417 --> 00:06:16,999
MAUREEN?
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YOUR EQUIPMENT WON'T WORK?
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OKAY, ALL RIGHT, I'LL GO!
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00:06:18,375 --> 00:06:19,375
♪ HOW DO YOU LEAVE
THE PAST BEHIND
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00:06:19,375 --> 00:06:22,999
WHEN IT KEEPS FINDING WAYS
TO GET TO YOUR HEART ♪
130
00:06:22,999 --> 00:06:24,999
♪ IT REACHES WAY DOWN DEEP
AND TEARS YOU INSIDE OUT
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'TIL YOU'RE TORN APART ♪
♪ HOW CAN YOU CONNECT
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IN AN AGE
WHERE STRANGERS
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LANDLORDS, LOVERS ♪
♪ YOUR OWN BLOOD
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CELLS BETRAY
CONFIDENT, RIOTOUS
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ANGRY, HOPEFUL ♪
♪ WHAT BINDS THE
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00:06:41,417 --> 00:06:42,459
FABRIC TOGETHER
WHEN THE RAGING ♪
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00:06:42,459 --> 00:06:44,000
♪ SHIFTING WINDS OF CHANGE
KEEP RIPPING AWAY ♪
138
00:06:44,000 --> 00:06:47,999
♪ DRAW A LINE IN THE SAND
AND THEN MAKE A STAND ♪
139
00:06:47,999 --> 00:06:51,250
♪ USE YOUR CAMERA TO SPAR
USE YOUR GUITAR
140
00:06:51,250 --> 00:06:53,250
WHEN THEY ACT TOUGH
YOU CALL THEIR BLUFF ♪
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♪ WE'RE NOT GONNA PAY
WE'RE NOT GONNA PAY
142
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WE'RE NOT GONNA PAY
LAST YEAR'S RENT ♪
143
00:07:04,167 --> 00:07:07,999
♪ THIS YEAR'S RENT
NEXT YEAR'S RENT
144
00:07:09,042 --> 00:07:12,792
RENT RENT RENT ♪
♪ RENT RENT
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WE'RE NOT GONNA PAY RENT
CAUSE EVERYTHING IS RENT ♪♪
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WE'RE NOT GONNA PAY RENT
CAUSE EVERYTHING IS RENT ♪♪
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[ BELLS CHIME ]
♪ CHRISTMAS BELLS
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00:07:39,876 --> 00:07:43,334
ARE RINGING
CHRISTMAS BELLS
149
00:07:43,334 --> 00:07:44,959
ARE RINGING ♪
♪ CHRISTMAS BELLS
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ARE RINGING
SOMEWHERE ELSE!
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00:07:48,959 --> 00:07:50,999
NOT HERE ♪
♪♪
152
00:07:51,959 --> 00:07:55,167
♪ YOU OKAY HONEY?
153
00:07:55,167 --> 00:07:57,000
I'M AFRAID SO
THEY GET ANY MONEY? ♪
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♪ NO
♪ HAD NONE TO GET
155
00:08:00,999 --> 00:08:04,999
BUT THEY PURLOINED MY COAT ♪
>> WELL YOU MISSED A SLEEVE!
156
00:08:06,999 --> 00:08:10,250
>> THANKS.
157
00:08:10,250 --> 00:08:12,250
>> HELL, IT'S CHRISTMAS EVE.
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I'M ANGEL.
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00:08:15,959 --> 00:08:18,999
ANGEL DUMOTT SCHUNARD.
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00:08:18,999 --> 00:08:21,834
WELL, THAT'S WHO I'M GOING FOR
THIS WEEK, AT LEAST.
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>> FRIENDS CALL ME COLLINS.
>> YOU MADE THAT TREE?
162
00:08:25,999 --> 00:08:29,334
>> I HAVE MANY TALENTS.
163
00:08:29,334 --> 00:08:30,584
>> LET'S GET A BAND-AID FOR YOUR
KNEE.
164
00:08:30,584 --> 00:08:33,209
♪ I'LL CHANGE
THEN A "LIFE SUPPORT" MEETING
165
00:08:33,209 --> 00:08:35,209
AT 9:30 ♪
♪ YES, THIS BODY PROVIDES
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00:08:35,209 --> 00:08:38,459
A COMFORTABLE HOME
FOR THE ACQUIRED IMMUNE
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00:08:38,459 --> 00:08:41,125
DEFICIENCY SYNDROME ♪
♪ AS DOES MINE
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00:08:42,876 --> 00:08:46,834
OH, WE'LL GET ALONG FINE
GET YOU A COAT, HAVE A BITE
169
00:08:46,834 --> 00:08:48,417
MAKE A NIGHT ♪
♪ I'M FLUSH
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00:08:48,417 --> 00:08:51,000
MY FRIENDS ARE WAITING --
YOU'RE CUTE WHEN YOU BLUSH ♪
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♪ THE MORE THE MERRY
HO HO HO
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00:08:55,000 --> 00:08:58,250
AND I DO NOT TAKE NO ♪
>> I DON'T SUPPOSE YOU'D LIKE TO
173
00:09:05,459 --> 00:09:09,459
SEE HER PERFORMANCE PROTEST
THING IN THE LOT TONIGHT?
174
00:09:09,459 --> 00:09:12,167
MAYBE COME TO DINNER?
175
00:09:12,334 --> 00:09:15,834
BUT THINK ABOUT IT.
176
00:09:15,834 --> 00:09:17,417
WOULD BE GOOD FOR YOU TO GET OUT
OF THE HOUSE.
177
00:09:17,417 --> 00:09:20,584
AND IT'S TIME TO TAKE YOUR AZT.
178
00:09:22,375 --> 00:09:26,542
>> HIS GIRLFRIEND APRIL LEFT A
NOTE SAYING "WE'VE GOT AIDS"
179
00:09:26,542 --> 00:09:29,209
BEFORE SLITTING HER WRISTS IN
THE BATHROOM.
180
00:09:34,375 --> 00:09:37,999
>> I'LL CHECK UP ON YOU LATER.
181
00:09:37,999 --> 00:09:38,667
CHANGE YOUR MIND.
182
00:09:40,042 --> 00:09:43,999
>> I'M WRITING ONE GREAT SONG
BEFORE I --
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♪♪
♪♪
184
00:10:04,999 --> 00:10:08,334
♪♪
♪♪
185
00:10:18,792 --> 00:10:22,459
♪ ONE SONG GLORY
ONE SONG BEFORE I GO
186
00:10:24,209 --> 00:10:27,999
GLORY ♪
♪ ONE SONG TO LEAVE BEHIND
187
00:10:30,918 --> 00:10:34,417
FIND ONE SONG
ONE LAST REFRAIN
188
00:10:34,417 --> 00:10:37,584
GLORY ♪
♪ FROM THE PRETTY BOY
189
00:10:37,584 --> 00:10:40,417
FRONT MAN
WHO WASTED OPPORTUNITY
190
00:10:44,167 --> 00:10:47,959
ONE SONG ♪
♪ HE HAD THE WORLD
191
00:10:47,959 --> 00:10:50,125
AT HIS FEET
GLORY ♪
192
00:10:50,125 --> 00:10:53,959
♪ IN THE EYES
OF A YOUNG GIRL
193
00:10:53,959 --> 00:10:55,250
A YOUNG GIRL
FIND GLORY ♪
194
00:10:59,834 --> 00:11:03,417
♪ BEYOND THE CHEAP
COLORED LIGHTS
195
00:11:03,417 --> 00:11:05,042
ONE SONG ♪
♪ BEFORE THE SUN SETS
196
00:11:05,042 --> 00:11:07,751
GLORY
ON ANOTHER EMPTY LIFE
197
00:11:07,999 --> 00:11:11,751
TIME FLIES TIME DIES ♪
♪ GLORY
198
00:11:18,000 --> 00:11:21,792
TIME FLIES TIME DIES ♪
♪ GLORY
199
00:11:26,999 --> 00:11:30,792
ONE BLAZE OF GLORY
ONE BLAZE OF GLORY
200
00:11:34,876 --> 00:11:38,209
GLORY ♪
♪ FIND GLORY
201
00:11:44,626 --> 00:11:47,999
GLORY ♪
♪ FIND GLORY
202
00:11:49,459 --> 00:11:53,417
IN A SONG THAT RINGS TRUE
TRUTH LIKE A BLAZING FIRE
203
00:11:55,999 --> 00:11:59,792
AN ETERNAL FLAME ♪
♪ FIND ONE SONG
204
00:12:03,292 --> 00:12:06,959
A SONG ABOUT LOVE
GLORY ♪
205
00:12:07,626 --> 00:12:11,125
♪ FROM THE SOUL
OF A YOUNG MAN
206
00:12:11,125 --> 00:12:14,834
A YOUNG MAN
FIND THE ONE SONG ♪
207
00:12:17,501 --> 00:12:21,000
♪ BEFORE THE VIRUS
TAKES HOLD
208
00:12:21,000 --> 00:12:23,167
GLORY ♪
♪ LIKE A SUNSET
209
00:12:23,167 --> 00:12:26,209
ONE SONG
TO REDEEM THIS EMPTY LIFE
210
00:12:27,083 --> 00:12:30,751
TIME FLIES ♪
♪ AND THEN
211
00:12:33,834 --> 00:12:37,459
NO NEED TO ENDURE ANYMORE
TIME DIES
212
00:12:46,667 --> 00:12:50,167
[ KNOCK AT DOOR ]
THE DOOR ♪
213
00:12:52,751 --> 00:12:55,999
>> DAMN IT, MARK.
214
00:12:55,999 --> 00:12:57,209
WHAT'D YOU FORGET?
215
00:12:57,209 --> 00:12:59,125
>> GOT A LIGHT?
216
00:12:59,125 --> 00:12:59,999
♪ I KNOW YOU
YOU'RE --
217
00:12:59,999 --> 00:13:02,959
YOU'RE SHIVERING ♪
♪ IT'S NOTHING
218
00:13:02,959 --> 00:13:06,250
THEY TURNED OFF MY HEAT
AND I'M JUST A LITTLE
219
00:13:06,250 --> 00:13:09,667
WEAK ON MY FEET ♪
♪ WOULD YOU LIGHT MY CANDLE?
220
00:13:12,999 --> 00:13:16,792
WHAT ARE YOU STARING AT? ♪
♪ NOTHING
221
00:13:16,959 --> 00:13:20,792
YOUR HAIR IN THE MOONLIGHT
YOU LOOK FAMILIAR ♪
222
00:13:24,459 --> 00:13:27,959
♪ CAN YOU MAKE IT?
223
00:13:27,959 --> 00:13:31,417
JUST HAVEN'T EATEN MUCH TODAY
AT LEAST THE ROOM STOPPED
224
00:13:31,417 --> 00:13:34,167
SPINNING ANYWAY ♪
>> WHAT?
225
00:13:34,167 --> 00:13:37,250
>> NOTHING.
226
00:13:37,250 --> 00:13:39,792
>> YOUR SMILE REMINDED ME OF --
>> I ALWAYS REMIND PEOPLE OF --
227
00:13:39,792 --> 00:13:42,542
WHO IS SHE?
228
00:13:42,542 --> 00:13:43,999
>> SHE DIED.
229
00:13:43,999 --> 00:13:45,334
HER NAME WAS APRIL.
230
00:13:45,334 --> 00:13:46,542
♪ IT'S OUT AGAIN
SORRY ABOUT YOUR FRIEND
231
00:13:48,751 --> 00:13:52,459
WOULD YOU LIGHT MY CANDLE? ♪
>> WELL --
232
00:13:55,584 --> 00:13:58,834
>> YEAH.
233
00:13:58,834 --> 00:13:59,999
>> OW!
234
00:13:59,999 --> 00:14:01,042
>> OH.
235
00:14:01,042 --> 00:14:02,417
THE WAX -- IT'S --
>> DRIPPING!
236
00:14:02,417 --> 00:14:05,167
I LIKE IT -- BETWEEN MY --
>> FINGERS.
237
00:14:05,167 --> 00:14:08,334
I FIGURED --
OH, WELL.
238
00:14:08,334 --> 00:14:10,792
GOODNIGHT.
239
00:14:16,999 --> 00:14:20,209
IT BLEW OUT AGAIN?
240
00:14:20,209 --> 00:14:22,209
>> NO.
241
00:14:22,209 --> 00:14:23,959
I THINK THAT I DROPPED MY STASH.
242
00:14:23,959 --> 00:14:25,250
♪ I KNOW I'VE SEEN YOU
OUT AND ABOUT
243
00:14:25,250 --> 00:14:28,042
WHEN I USED TO GO OUT
YOUR CANDLE'S OUT ♪
244
00:14:28,375 --> 00:14:32,000
♪ I'M ILLIN'
I HAD IT WHEN I WALKED
245
00:14:32,000 --> 00:14:35,209
IN THE DOOR
IT WAS PURE ♪
246
00:14:35,209 --> 00:14:37,209
♪ IS IT ON THE FLOOR?
247
00:14:37,209 --> 00:14:37,792
THE FLOOR?
248
00:14:38,083 --> 00:14:41,999
THEY SAY I HAVE THE BEST ASS
BELOW 14TH STREET ♪
249
00:14:41,999 --> 00:14:45,250
♪ IS IT TRUE?
>> WHAT?
250
00:14:45,250 --> 00:14:48,000
>> YOU'RE STARING AGAIN.
251
00:14:48,000 --> 00:14:50,000
>> OH NO.
252
00:14:50,000 --> 00:14:52,250
I MEAN YOU DO -- HAVE A NICE--
I MEAN -- YOU LOOK FAMILIAR.
253
00:14:52,250 --> 00:14:55,667
>> LIKE YOUR DEAD GIRLFRIEND?
254
00:14:55,667 --> 00:14:57,584
>> ONLY WHEN YOU SMILE.
255
00:14:57,584 --> 00:14:59,999
BUT I'M SURE I'VE SEEN YOU
SOMEWHERE ELSE.
256
00:14:59,999 --> 00:15:02,792
>> DO YOU GO TO THE CAT SCRATCH
CLUB?
257
00:15:02,792 --> 00:15:05,167
THAT'S WHERE I WORK I DANCE
HELP ME LOOK
258
00:15:06,209 --> 00:15:09,459
>> YES!
259
00:15:09,459 --> 00:15:10,584
♪ THEY USED TO TIE YOU UP
IT'S A LIVING
260
00:15:10,584 --> 00:15:12,999
I DIDN'T RECOGNIZE YOU
WITHOUT THE HANDCUFFS ♪
261
00:15:12,999 --> 00:15:16,042
♪ WE COULD LIGHT THE CANDLE
OH WON'T YOU LIGHT THE CANDLE
262
00:15:22,042 --> 00:15:26,125
♪ WE COULD LIGHT THE CANDLE
OH WON'T YOU LIGHT THE CANDLE
263
00:15:27,751 --> 00:15:31,334
WHY DON'T YOU FORGET
THAT STUFF ♪
264
00:15:31,334 --> 00:15:33,250
♪ YOU LOOK LIKE YOU'RE 16
I'M 19
265
00:15:33,250 --> 00:15:37,125
BUT I'M OLD FOR MY AGE
I'M JUST BORN TO BE BAD ♪
266
00:15:38,417 --> 00:15:42,417
♪ I ONCE WAS BORN TO BE BAD
I USED TO SHIVER LIKE THAT
267
00:15:43,125 --> 00:15:46,834
I HAVE NO HEAT
I TOLD YOU ♪
268
00:15:46,834 --> 00:15:48,417
♪ I USED TO SWEAT
I GOT A COLD
269
00:15:48,417 --> 00:15:50,209
UH-UH
I USED TO BE A JUNKIE ♪
270
00:15:50,209 --> 00:15:52,417
♪ BUT NOW AND THEN I LIKE TO
UH-HUH
271
00:15:52,417 --> 00:15:53,999
FEEL GOOD
HERE IT..
272
00:15:53,999 --> 00:15:56,334
UM...
273
00:15:56,334 --> 00:15:56,999
>> WHAT'S THAT?
274
00:15:56,999 --> 00:15:57,626
>> A CANDY BAR WRAPPER.
275
00:15:57,626 --> 00:16:00,125
♪ WE COULD LIGHT THE CANDLE
WHAT'D YOU DO TO MY CANDLE?
276
00:16:06,125 --> 00:16:10,167
♪ WE COULD LIGHT THE CANDLE
WHAT'D YOU DO TO MY CANDLE?
277
00:16:11,918 --> 00:16:15,792
THAT WAS MY LAST MATCH ♪
♪ OUR EYES'LL ADJUST
278
00:16:15,792 --> 00:16:19,209
THANK GOD FOR THE MOON
MAYBE IT'S NOT
279
00:16:19,209 --> 00:16:22,167
THE MOON AT ALL ♪
♪ I HEAR SPIKE LEE'S
280
00:16:22,375 --> 00:16:25,999
SHOOTING DOWN THE STREET
BAH HUMBUG
281
00:16:27,250 --> 00:16:30,959
BAH HUMBUG ♪
♪ COLD HANDS
282
00:16:30,959 --> 00:16:34,417
YOURS TOO ♪
>> BIG LIKE MY FATHER'S.
283
00:16:36,250 --> 00:16:39,999
>> YOU WANNA DANCE?
>> WITH YOU?
284
00:16:39,999 --> 00:16:43,167
>> NO.
285
00:16:43,167 --> 00:16:43,999
♪ WITH MY FATHER
I'M ROGER
286
00:16:46,667 --> 00:16:50,209
THEY CALL ME
THEY CALL ME MIMI ♪
287
00:16:56,417 --> 00:16:59,999
THEY CALL ME
THEY CALL ME MIMI ♪
288
00:17:06,167 --> 00:17:10,250
>> LAST NIGHT ONE OF OUR CAST
MEMBERS SUSTAINED AN INJURY.
289
00:17:11,125 --> 00:17:15,209
BRENDAN HUNT, OUR ROGER, HAS
BROKEN HIS FOOT AND WILL BE
290
00:17:15,209 --> 00:17:18,999
UNABLE TO PERFORM TONIGHT.
>> BUT BRENT HAS ALWAYS BEEN
291
00:17:18,999 --> 00:17:21,999
ABOUT COMMUNITY, RESILIENCY AND
BOUNCING BACK.
292
00:17:22,375 --> 00:17:25,959
SO THE SHOW MUST GO ON.
293
00:17:25,959 --> 00:17:27,999
>> MOST OF WHAT YOU'LL SEE
TONIGHT WILL COME FROM LAST
294
00:17:27,999 --> 00:17:31,250
NIGHT'S PERFORMANCE, BUT WE HAVE
ALL RALLIED TOGETHER TO REWORK
295
00:17:31,250 --> 00:17:35,167
THE FINAL ACT SO THAT ALL OF US
INCLUDING BRENNAN AND THE
296
00:17:35,834 --> 00:17:39,959
ORIGINAL BROADWAY CAST OF "RENT"
CAN PERFORM IT FOR YOU LIVE.
297
00:17:40,709 --> 00:17:44,334
IN THE WORDS OF JONATHAN
LARSON --
298
00:17:44,334 --> 00:17:46,834
>> NO DAY BUT TODAY!
299
00:17:47,542 --> 00:17:50,999
>> LOOK WHO I FOUND!
300
00:17:50,999 --> 00:17:53,167
ENTER TOM COLLINS: COMPUTER
GENIUS, ADJUNCT PROFESSOR, AND
301
00:17:53,959 --> 00:17:57,999
THE UNDISPUTED COOLEST MAN TO
EVER LIVE IN OUR APARTMENT.
302
00:18:01,709 --> 00:18:04,999
♪ BUSTELO
MARLBORO
303
00:18:04,999 --> 00:18:06,999
BANANA BY THE BUNCH
A BOX OF CAPTAIN CRUNCH ♪
304
00:18:08,999 --> 00:18:12,667
♪ WILL TASTE SO GOOD
AND FIREWOOD
305
00:18:12,667 --> 00:18:14,667
LOOK IT'S SANTA CLAUS
HOLD YOUR APPLAUSE ♪
306
00:18:16,000 --> 00:18:19,834
♪ OH HI
OH HI AFTER SEVEN MONTHS?
307
00:18:19,834 --> 00:18:21,042
SORRY ♪
♪ THIS BOY COULD
308
00:18:21,042 --> 00:18:22,999
USE SOME STOLI
OH HOLY NIGHT
309
00:18:25,375 --> 00:18:29,209
YOU STRUCK GOLD AT MIT? ♪
♪ THEY EXPELLED ME
310
00:18:29,209 --> 00:18:32,042
FOR MY THEORY
OF ACTUAL REALITY
311
00:18:32,042 --> 00:18:35,209
WHICH I'LL SOON IMPART ♪
♪ TO THE COUCH POTATOES
312
00:18:35,209 --> 00:18:37,250
AT NEW YORK UNIVERSITY
STILL HAVEN'T
313
00:18:37,250 --> 00:18:39,459
LEFT THE HOUSE? ♪
♪ I WAS WAITING FOR YOU
314
00:18:39,459 --> 00:18:41,125
DON'T YOU KNOW
WELL, TONIGHT'S THE NIGHT
315
00:18:41,125 --> 00:18:43,999
COME TO THE LIFE CAFE ♪
♪ AFTER MAUREEN'S SHOW
316
00:18:43,999 --> 00:18:45,667
NO FLOW
GENTLEMEN, OUR BENEFACTOR
317
00:18:45,667 --> 00:18:49,667
ON THIS CHRISTMAS EVE ♪
♪ WHOSE CHARITY IS ONLY
318
00:18:49,667 --> 00:18:53,167
MATCHED BY TALENT
I BELIEVE ♪
319
00:18:53,167 --> 00:18:56,334
♪ A NEW MEMBER
OF THE ALPHABET CITY
320
00:18:56,334 --> 00:18:59,542
AVANT GARDE
ANGEL DUMOTT SCHUNARD ♪
321
00:19:05,959 --> 00:19:09,584
AVANT GARDE
ANGEL DUMOTT SCHUNARD ♪
322
00:19:12,584 --> 00:19:16,167
♪ TODAY FOR YOU
TOMORROW FOR ME ♪
323
00:19:17,626 --> 00:19:21,209
♪ TODAY FOR YOU
TOMORROW FOR ME ♪
324
00:19:23,709 --> 00:19:27,209
>> AND YOU SHOULD HEAR HER BEAT!
325
00:19:27,209 --> 00:19:29,250
>> YOU EARNED THAT ON THE
STREET?
326
00:19:29,250 --> 00:19:30,459
♪ IT WAS MY LUCKY DAY TODAY
ON AVENUE A
327
00:19:30,459 --> 00:19:34,000
WHEN A LADY IN A LIMOUSINE
DROVE MY WAY ♪
328
00:19:34,000 --> 00:19:37,042
♪ SHE SAID, "DAHLING
BE A DEAR
329
00:19:37,042 --> 00:19:39,667
HAVEN'T SLEPT IN A YEAR
I NEED YOUR HELP ♪
330
00:19:39,667 --> 00:19:42,417
♪ TO MAKE MY NEIGHBOR'S
YAPPY DOG DISAPPEAR
331
00:19:42,417 --> 00:19:46,209
THIS AKITA EVITA
JUST WON'T SHUT UP ♪
332
00:19:46,209 --> 00:19:48,999
♪ I BELIEVE IF
YOU PLAY NON-STOP
333
00:19:48,999 --> 00:19:51,999
THAT PUP WILL BREATHE
ITS VERY LAST ♪
334
00:19:51,999 --> 00:19:55,042
♪ HIGH STRUNG BREATH
I'M CERTAIN THAT CUR
335
00:19:55,042 --> 00:19:58,250
WILL BARK ITSELF TO DEATH" ♪
♪ TODAY FOR YOU
336
00:19:58,250 --> 00:20:01,959
TOMORROW FOR ME ♪
♪ TODAY FOR YOU
337
00:20:01,959 --> 00:20:05,250
TOMORROW FOR ME ♪
♪ WE AGREED ON A FEE
338
00:20:05,250 --> 00:20:08,999
A THOUSAND DOLLAR GUARANTEE
TAX-FREE AND BONUS
339
00:20:08,999 --> 00:20:12,999
IF I TRIM HER TREE ♪
♪ NOW WHO COULD FORETELL
340
00:20:13,918 --> 00:20:17,751
THAT IT WOULD GO SO WELL
BUT SURE AS I AM HERE
341
00:20:17,751 --> 00:20:19,209
THAT DOG IS NOW ♪
♪ IN DOGGY HELL
342
00:20:19,209 --> 00:20:22,959
AFTER AN HOUR, EVITA
IN ALL HER GLORY
343
00:20:22,959 --> 00:20:26,417
ON THE WINDOW LEDGE
OF THAT 23RD STORY ♪
344
00:20:26,417 --> 00:20:29,667
♪ LIKE THELMA AND LOUISE DID
WHEN THEY GOT THE BLUES
345
00:20:29,667 --> 00:20:33,042
SWAN DOVE INTO THE COURTYARD
OF THE GRACIE MEWS ♪
346
00:20:33,042 --> 00:20:35,999
♪ TODAY FOR YOU
TOMORROW FOR ME ♪
347
00:20:36,167 --> 00:20:39,999
♪ TODAY FOR YOU
TOMORROW FOR ME ♪
348
00:20:43,918 --> 00:20:47,042
♪♪
♪♪
349
00:20:54,834 --> 00:20:58,667
♪ THEN BACK ON THE STREET
WHERE I MET MY SWEET
350
00:20:58,667 --> 00:21:02,000
AS HE WAS MOANING
AND GROANING ♪
351
00:21:02,000 --> 00:21:04,000
♪ ON THE COLD CONCRETE
THE NURSE TOOK HIM HOME
352
00:21:04,000 --> 00:21:07,751
FOR SOME MERCUROCHROME
AND I DRESSED HIS WOUNDS ♪
353
00:21:07,751 --> 00:21:09,999
♪ AND GOT HIM BACK
ON HIS FEET
354
00:21:09,999 --> 00:21:11,751
SINGING ♪
♪ TODAY FOR YOU
355
00:21:11,751 --> 00:21:14,459
TOMORROW FOR ME ♪
♪ TODAY FOR YOU
356
00:21:14,459 --> 00:21:17,209
TOMORROW FOR ME ♪
♪ I SAID TODAY FOR YOU TOMORROW
357
00:21:18,125 --> 00:21:21,667
FOR ME
TODAY FOR YOU
358
00:21:21,667 --> 00:21:24,417
TOMORROW FOR ME ♪
♪ OH OH OH
359
00:21:26,876 --> 00:21:30,417
FOR ME
[ CHEERS AND APPLAUSE ]
360
00:21:36,959 --> 00:21:40,209
>> JOY TO THE WORLD.
361
00:21:40,209 --> 00:21:42,667
>> BENNY STILL HAS A KEY?
362
00:21:42,667 --> 00:21:44,125
>> BENNY OWNS THE BUILDING.
363
00:21:44,125 --> 00:21:46,667
>> HEY YOU BUM!
364
00:21:46,667 --> 00:21:47,000
YEAH, YOU!
365
00:21:47,000 --> 00:21:47,667
MOVE OVER!
366
00:21:47,667 --> 00:21:48,626
GET YOUR ASS OFF THAT RANGE
ROVER!
367
00:21:48,626 --> 00:21:50,167
>> THAT ATTITUDE TOWARD THE
HOMELESS IS EXACTLY WHAT MAUREEN
368
00:21:50,167 --> 00:21:53,417
IS PROTESTING TONIGHT.
369
00:21:53,417 --> 00:21:56,000
>> MAUREEN IS PROTESTING LOSING
HER PERFORMANCE SPACE.
370
00:21:56,000 --> 00:21:58,167
NOT MY ATTITUDE.
371
00:21:58,167 --> 00:22:00,542
SHE'S NOT WORRIED ABOUT THE
PEOPLE WHO LIVE IN THAT EMPTY
372
00:22:01,999 --> 00:22:05,042
LOT.
373
00:22:05,042 --> 00:22:06,584
SHE'S WORRIED ABOUT LOSING A
HOME FOR HER ANGRY LITTLE
374
00:22:06,584 --> 00:22:07,792
PROTEST SKITS.>> WHAT'S HAPPENED TO BENNY?
375
00:22:07,792 --> 00:22:08,459
WHAT HAPPENED TO HIS HEART?
376
00:22:08,459 --> 00:22:10,959
AND THE IDEALS HE ONCE PURSUED?
377
00:22:10,959 --> 00:22:13,999
>> ANY OWNER OF THAT LOT NEXT
DOOR HAS THE RIGHT TO DO WITH IT
378
00:22:14,292 --> 00:22:17,667
AS HE PLEASES.
379
00:22:17,667 --> 00:22:20,417
>> HAPPY BIRTHDAY, JESUS!
380
00:22:20,417 --> 00:22:22,417
>> THE RENT --
>> YOU'RE WASTING YOUR TIME.
381
00:22:22,417 --> 00:22:23,999
>> WE'RE BROKE.
382
00:22:23,999 --> 00:22:25,167
AND YOU BROKE YOUR WORD.
383
00:22:25,876 --> 00:22:29,042
THIS IS ABSURD.
384
00:22:29,042 --> 00:22:30,209
>> THERE IS ONE WAY YOU WON'T
HAVE TO PAY.
385
00:22:30,209 --> 00:22:31,042
>> I KNEW IT!
386
00:22:31,042 --> 00:22:32,209
>> NEXT DOOR THE HOME OF
CYBERARTS YOU SEE.
387
00:22:32,209 --> 00:22:36,209
AND NOW THAT THE BLOCK IS
RE-ZONED, OUR DREAM CAN BECOME A
388
00:22:36,209 --> 00:22:39,417
REALITY YOU'LL SEE BOYS YOU'LL
A STATE OF THE ART DIGITAL
389
00:22:45,042 --> 00:22:49,209
VIRTUAL INTERACTIVE STUDIO I'LL
FOREGO YOUR RENT AND ON PAPER
390
00:22:51,000 --> 00:22:55,209
GUARANTEE THAT YOU CAN STAY HERE
FOR FREE IF YOU DO ME ONE SMALL
391
00:22:55,209 --> 00:22:57,999
FAVOR.
392
00:22:57,999 --> 00:23:00,959
>> WHAT?
393
00:23:00,959 --> 00:23:01,999
>> CONVINCE MAUREEN TO CANCEL
HER PROTEST.
394
00:23:01,999 --> 00:23:05,667
>> WHY NOT JUST GET AN
INJUNCTION OR CALL THE COPS?>> I DID AND THEY'RE ON STANDBY.
395
00:23:05,667 --> 00:23:09,167
BUT MY INVESTORS WOULD RATHER I
HANDLE THIS QUIETLY YOU CAN'T
396
00:23:09,167 --> 00:23:12,250
QUIETLY WIPE OUT AN ENTIRE TENT
CITY, THEN WATCH 'IT'S A
397
00:23:12,250 --> 00:23:15,167
WONDERFUL LIFE' ON TV!
398
00:23:15,167 --> 00:23:17,167
YOU WANT TO PRODUCE FILMS AND
WRITE SONGS?
399
00:23:17,167 --> 00:23:18,999
YOU NEED SOMEWHERE TO PERFECT
IT.
400
00:23:18,999 --> 00:23:22,209
IT'S WHAT WE USED TO DREAM
ABOUT, THINK TWICE BEFORE YOU
401
00:23:22,209 --> 00:23:23,667
REJECT IT.
402
00:23:23,667 --> 00:23:25,959
YOU'LL SEE BOYS YOU'LL SEE BOYS
YOU'LL SEE THE BEAUTY OF A
403
00:23:30,000 --> 00:23:34,209
STUDIO THAT LETS US DO OUR WORK
AND GET PAID WITH CONDOS ON THE
404
00:23:35,999 --> 00:23:40,000
TOP WHOSE RENT KEEPS OPEN OUR
SHOP JUST STOP HER PROTEST AND
405
00:23:44,999 --> 00:23:48,999
YOU'LL HAVE IT MADE YOU'LL SEE
OR YOU'LL PACK.
406
00:23:51,751 --> 00:23:55,250
THAT BOY COULD USE SOME PROZAC.
407
00:23:55,250 --> 00:23:56,000
OR HEAVY DRUGS.
408
00:23:56,000 --> 00:23:56,751
OR GROUP HUGS.
409
00:23:56,751 --> 00:24:00,959
>> WHICH REMINDS ME -â "" WE HAVE
A DETOUR TO MAKE TONIGHT.
410
00:24:04,417 --> 00:24:08,042
ANYONE WHO WANTS TO CAN COME
ALONG.
411
00:24:08,042 --> 00:24:09,584
>> LIFE SUPPORT IS A GROUP FOR
PEOPLE COPING WITH LIFE.
412
00:24:09,584 --> 00:24:10,959
>> WE DON'T HAVE TO STAY TOO
LONG.
413
00:24:10,959 --> 00:24:11,959
>> FIRST I'VE GOT THAT PROTEST
TO SAVE.
414
00:24:11,959 --> 00:24:12,999
>> ROGER?
415
00:24:12,999 --> 00:24:13,999
♪ I'M NOT MUCH COMPANY
YOU'LL FIND
416
00:24:13,999 --> 00:24:14,999
BEHAVE ♪
♪ HE'LL CATCH UP LATER
417
00:24:14,999 --> 00:24:19,250
HE'S JUST GOT
OTHER THINGS ON HIS MINDYOU'LL SEE BOYS ♪
♪ WE'LL SEE BOYS
418
00:24:19,250 --> 00:24:22,667
LET IT BE BOYS!
419
00:24:23,999 --> 00:24:27,417
I LIKE BOYS
BOYS LIKE ME
420
00:24:28,667 --> 00:24:32,167
♪ WE'LL SEE♪
[ PHONE RINGS ]
421
00:24:40,375 --> 00:24:44,042
[ BEEP ]
>> YOU'VE REACHED MAUREEN AND
422
00:24:44,042 --> 00:24:45,209
JOANNE.
423
00:24:45,209 --> 00:24:46,417
BE AT MY SHOW TONIGHT AT THE
11TH STREET LOT.
424
00:24:46,999 --> 00:24:50,959
♪ WELL, JOANNE, WE'RE OFF
I TRIED YOU AT THE OFFICE
425
00:24:50,959 --> 00:24:53,167
AND THEY SAID
YOU'RE STAGE MANAGING ♪
426
00:24:53,167 --> 00:24:54,999
♪ OR SOMETHING
THE HEARINGS OH YES KITTEN
427
00:24:54,999 --> 00:24:58,209
MUMMY'S CONFIRMATION HEARING
BEGINS ON THE TENTH ♪
428
00:24:58,209 --> 00:25:00,792
♪ WE'LL NEED YOU ALONE
BY THE SIXTH ♪
429
00:25:00,792 --> 00:25:01,999
>> HAROLD!
430
00:25:01,999 --> 00:25:02,999
♪ FOR MUMMY'S SAKE, KITTEN
NO DOC MARTENS THIS TIME
431
00:25:02,999 --> 00:25:06,209
AND WEAR A DRESS
OH AND KITTEN HAVE A MERRY ♪
432
00:25:08,999 --> 00:25:12,209
>> AND A BRA!!!
433
00:25:12,999 --> 00:25:17,000
>> TONIGHT'S BIG SHOW IS IN
MORTAL DANGER DUE TO TECHNICAL
434
00:25:17,000 --> 00:25:19,250
DIFFICULTIES.
435
00:25:19,250 --> 00:25:21,834
CAN MAUREEN'S PATHETIC EX SAVE
THE DAY?
436
00:25:21,999 --> 00:25:25,209
>> MARK?
437
00:25:25,209 --> 00:25:26,000
>> YEAH.
438
00:25:26,000 --> 00:25:26,876
AND YOU MUST BE JOANNE.
439
00:25:26,876 --> 00:25:29,792
♪♪
♪ I TOLD HER NOT TO CALL YOU
440
00:25:30,417 --> 00:25:34,209
THAT'S MAUREEN
BUT CAN I HELP SINCE I'M HERE
441
00:25:34,209 --> 00:25:35,459
I HIRED AN ENGINEER ♪
♪ GREAT
442
00:25:38,375 --> 00:25:41,999
SO, NICE TO HAVE MET YOU
WAIT
443
00:25:41,999 --> 00:25:44,417
SHE'S THREE HOURS LATE ♪
♪ THE SAMPLES WON'T DELAY
444
00:25:48,626 --> 00:25:52,209
BUT THE CABLE
THERE'S ANOTHER WAY
445
00:25:52,209 --> 00:25:53,542
SAY SOMETHING ♪
♪ ANYTHING
446
00:25:53,542 --> 00:25:56,792
TEST ONE TWO THREE
ANYTHING BUT THAT
447
00:25:59,000 --> 00:26:02,751
THIS IS WEIRD ♪
♪ IT'S WEIRD
448
00:26:02,751 --> 00:26:04,125
VERY WEIRD
SUPER WEIRD
449
00:26:04,125 --> 00:26:07,000
I'M SO MAD ♪
♪ THAT I DON'T KNOW
450
00:26:07,000 --> 00:26:08,250
WHAT TO DO
FIGHTING WITH MICROPHONES
451
00:26:08,250 --> 00:26:12,167
FREEZING DOWN TO MY BONES ♪
♪ AND TO TOP IT ALL OFF
452
00:26:12,167 --> 00:26:15,417
I'M WITH YOU
FEEL LIKE GOING INSANE?
453
00:26:16,042 --> 00:26:19,999
GOT A FIRE IN YOUR BRAIN? ♪
♪ AND YOU'RE THINKING
454
00:26:19,999 --> 00:26:23,334
OF DRINKING GASOLINE?
455
00:26:23,334 --> 00:26:25,250
AS A MATTER OF FACT
HONEY, I KNOW THIS ACT ♪
456
00:26:25,709 --> 00:26:29,250
♪ IT'S CALLED
THE TANGO MAUREEN
457
00:26:29,501 --> 00:26:33,209
THE TANGO MAUREEN
IT'S A DARK, DIZZY ♪
458
00:26:35,250 --> 00:26:39,042
♪ MERRY-GO-ROUND
AS SHE KEEPS YOU DANGLING
459
00:26:39,250 --> 00:26:43,000
YOU'RE WRONG
YOUR HEART SHE IS MANGLING ♪
460
00:26:43,000 --> 00:26:46,792
♪ IT'S DIFFERENT WITH ME
AND YOU TOSS AND YOU TURN
461
00:26:46,792 --> 00:26:50,334
'CAUSE HER COLD EYES CAN BURN
YET YOU YEARN ♪
462
00:26:50,334 --> 00:26:52,751
♪ AND YOU CHURN AND REBOUND
I THINK I KNOW WHAT YOU MEAN
463
00:26:53,834 --> 00:26:57,459
THE TANGO MAUREEN ♪
♪ HAS SHE EVER
464
00:27:00,501 --> 00:27:04,209
POUTED HER LIPS
AND CALLED YOU 'POOKIE'
465
00:27:05,834 --> 00:27:09,209
NEVER ♪
♪ HAVE YOU EVER
466
00:27:09,459 --> 00:27:12,999
DOUBTED A KISS OR TWO?
467
00:27:12,999 --> 00:27:14,167
THIS IS SPOOKY
DID YOU SWOON ♪
468
00:27:15,083 --> 00:27:18,959
♪ WHEN SHE WALKED
THROUGH THE DOOR?
469
00:27:18,959 --> 00:27:20,042
EVERY TIME
SO BE CAUTIOUS ♪
470
00:27:21,667 --> 00:27:25,209
♪ DID SHE MOON
OVER OTHER BOYS?
471
00:27:25,209 --> 00:27:28,250
MORE THAN MOON
I'M GETTING NAUSEOUS ♪
472
00:27:28,999 --> 00:27:32,834
♪♪
>> WHERE'D YOU LEARN TO TANGO?
473
00:27:39,000 --> 00:27:42,876
♪♪
>> WHERE'D YOU LEARN TO TANGO?
474
00:27:44,042 --> 00:27:48,209
>> WITH THE SPANISH AMBASSADOR'S
DAUGHTER IN HER DORM ROOM AT
475
00:27:48,209 --> 00:27:49,751
MISS PORTER'S.
476
00:27:49,751 --> 00:27:50,667
AND YOU?
477
00:27:50,667 --> 00:27:53,959
>> WITH NANETTE HIMMELFARB, THE
RABBI'S DAUGHTER, AT THE
478
00:27:53,959 --> 00:27:55,542
SCARSDALE JEWISH COMMUNITY
CENTER.
479
00:27:56,417 --> 00:28:00,000
>> IT'S HARD TO DO THIS
BACKWARDS.
480
00:28:00,000 --> 00:28:01,792
>> YOU SHOULD TRY IT IN HEELS!
481
00:28:01,792 --> 00:28:05,209
♪ SHE CHEATED
SHE CHEATED
482
00:28:05,209 --> 00:28:06,542
MAUREEN CHEATED
YUP SHE CHEATED ♪
483
00:28:06,542 --> 00:28:08,999
♪ I'M DEFEATED
I SHOULD GIVE UP RIGHT NOW
484
00:28:08,999 --> 00:28:11,751
GOTTA LOOK ON THE BRIGHT SIDE
WITH ALL YOUR MIGHT ♪
485
00:28:11,751 --> 00:28:15,125
♪ I'D FALL FOR HER
STILL ANYHOW
486
00:28:15,584 --> 00:28:19,667
WHEN YOU'RE DANCING HER DANCE
YOU DON'T STAND A CHANCE ♪
487
00:28:20,167 --> 00:28:23,999
♪ HER GRIP OF ROMANCE
MAKES YOU FALL
488
00:28:23,999 --> 00:28:27,999
SO YOU THINK, 'MIGHT AS WELL'
DANCE A TANGO TO HELL ♪
489
00:28:28,167 --> 00:28:31,999
♪ AT LEAST I'LL HAVE
TANGOED AT ALL
490
00:28:31,999 --> 00:28:34,209
THE TANGO MAUREEN ♪
♪ GOTTA DANCE 'TIL
491
00:28:35,209 --> 00:28:39,042
YOUR DIVA IS THROUGH
YOU PRETEND TO BELIEVE HER
492
00:28:42,042 --> 00:28:45,959
CAUSE IN THE END
YOU CAN'T LEAVE HER ♪
493
00:28:47,375 --> 00:28:51,417
♪ BUT THE END IT WILL COME
STILL YOU HAVE TO PLAY DUMB
494
00:28:51,417 --> 00:28:54,000
'TIL YOU'RE GLUM AND YOU BUM
AND TURN BLUE ♪
495
00:28:54,000 --> 00:28:57,209
♪ WHY DO WE LOVE
WHEN SHE'S MEAN? ♪
496
00:29:02,751 --> 00:29:06,584
♪ AND SHE CAN BE SO OBSCENE TRY
THE MIKE ♪
497
00:29:07,999 --> 00:29:11,542
MY MAUREEN ♪
>> PATCHED.
498
00:29:11,542 --> 00:29:12,334
>> THANKS.
499
00:29:12,334 --> 00:29:13,959
>> YOU KNOW, I FEEL GREAT NOW!
500
00:29:13,959 --> 00:29:15,459
>> I FEEL LOUSY.
501
00:29:15,459 --> 00:29:16,999
[ PHONE RINGS ]
>> HI, HONEY, WE'RE --
502
00:29:21,667 --> 00:29:25,417
"POOKIE?"
YOU'VE NEVER CALLED ME "POOKIE."
503
00:29:28,876 --> 00:29:32,000
>> TOLD YA SO.
504
00:29:32,000 --> 00:29:32,999
>> FORGET IT.WE'RE PATCHED.
505
00:29:32,999 --> 00:29:35,999
♪ THE TANGO: MAUREEN!
>>> BY THE END OF 1991, NEARLY
506
00:29:48,999 --> 00:29:53,042
TEN MILLION PEOPLE WORLDWIDE,
INCLUDING ONE MILLION AMERICANS
507
00:29:53,042 --> 00:29:56,999
HAVE BEEN DIAGNOSED WITH HIV.
THERE ARE 206,563 REPORTED CASES
508
00:29:57,417 --> 00:30:00,667
OF AIDS.
509
00:30:00,667 --> 00:30:01,999
WHILE THE ANTIRETROVIRAL
MEDICATION KNOWN AS AZT SHOWS
510
00:30:01,999 --> 00:30:05,209
PROMISE AS A TREATMENT,
PROMISE AS A TREATMENT, ITS
511
00:30:07,542 --> 00:30:11,042
EFFECTIVENESS REMAINS UNCERTAIN.
512
00:30:11,042 --> 00:30:12,542
156,143 PEOPLE HAVE DIED FROM
THE DISEASE.
513
00:30:16,375 --> 00:30:20,459
MORE THAN 31,000 PEOPLE HAVE
DIED IN NEW YORK CITY ALONE.
514
00:30:21,709 --> 00:30:24,959
>> PAM.
515
00:30:24,959 --> 00:30:27,042
>> GORDON.
516
00:30:27,042 --> 00:30:29,042
>> ALI.
517
00:30:29,042 --> 00:30:30,417
>> STEVE.
518
00:30:30,417 --> 00:30:33,167
>> SUE.
519
00:30:33,876 --> 00:30:37,000
>> I'M ANGEL.
520
00:30:37,000 --> 00:30:38,334
>> TOM.
521
00:30:38,334 --> 00:30:39,542
>> COLLINS.
522
00:30:39,542 --> 00:30:40,209
>> I'M CY.
523
00:30:40,209 --> 00:30:41,042
LET'S BEGIN.
524
00:30:41,250 --> 00:30:44,751
>> THERE'S ONLY US.
525
00:30:45,792 --> 00:30:49,000
THERE'S ONLY THIS.
526
00:30:49,000 --> 00:30:52,167
>> SORRY EXCUSE ME.
527
00:30:52,167 --> 00:30:53,250
OOPS.
528
00:30:53,250 --> 00:30:53,834
>> AND YOU ARE?
529
00:30:53,834 --> 00:30:56,000
>> OH I'M NOT -- I'M JUST HERE
TO -- I DON'T HAVE --
530
00:30:56,000 --> 00:30:58,000
I'M HERE WITH --
MARK, I'M MARK.
531
00:31:01,292 --> 00:31:05,209
WELL, THIS IS QUITE AN OPERATION
>> SIT DOWN, MARK.
532
00:31:06,959 --> 00:31:10,459
WE'LL CONTINUE THE AFFIRMATION.
533
00:31:10,459 --> 00:31:12,459
>> FORGET REGRET, OR LIFE IS
YOURS TO MISS.
534
00:31:13,626 --> 00:31:17,667
>> EXCUSE ME, FOLKS I'M HAVING A
PROBLEM WITH THIS CREDO.
535
00:31:24,167 --> 00:31:27,667
MY T CELLS ARE LOW.
536
00:31:27,667 --> 00:31:28,375
I REGRET THAT NEWS, OKAY?
537
00:31:28,375 --> 00:31:30,334
>> ALL RIGHT.
538
00:31:30,334 --> 00:31:31,542
>> BUT GORDON, HOW DO YOU FEEL
TODAY?
539
00:31:31,542 --> 00:31:32,751
>> WHAT DO YOU MEAN?
540
00:31:32,751 --> 00:31:33,417
>> HOW DO YOU FEEL TODAY?
541
00:31:33,417 --> 00:31:33,999
>> OKAY.
542
00:31:33,999 --> 00:31:34,542
>> IS THAT ALL?
543
00:31:34,542 --> 00:31:35,959
>> BEST I'VE FELT ALL YEAR.
544
00:31:35,959 --> 00:31:37,959
>> THEN WHY CHOOSE FEAR?
>> I'M A NEW YORKER!
545
00:31:38,959 --> 00:31:42,125
FEAR'S MY LIFE!
546
00:31:42,125 --> 00:31:46,209
LOOK I FIND SOME OF WHAT YOU
TEACH SUSPECT BECAUSE I'M USED
547
00:31:47,250 --> 00:31:51,417
TO RELYING ON INTELLECT BUT I
TRY TO OPEN UP TO WHAT I DON'T
548
00:31:52,000 --> 00:31:55,209
KNOW.
549
00:31:55,667 --> 00:31:59,751
>> BECAUSE REASON SAYS I SHOULD
HAVE DIED SIX MONTHS AGO.
550
00:32:04,501 --> 00:32:08,417
>> NO OTHER ROAD, NO OTHER WAY,
NO DAY BUT TODAY.
551
00:32:16,542 --> 00:32:20,209
♪ WHAT'S THE TIME
WELL IT'S GOTTA BE
552
00:32:26,292 --> 00:32:29,999
♪ WHAT'S THE TIME
WELL IT'S GOTTA BE
553
00:32:32,876 --> 00:32:36,667
CLOSE TO MIDNIGHT
MY BODY'S TALKING TO ME ♪
554
00:32:37,999 --> 00:32:41,834
♪ IT SAYS TIME FOR DANGER
IT SAYS I WANNA
555
00:32:43,542 --> 00:32:47,209
COMMIT A CRIME
WANNA BE THE CAUSE ♪
556
00:32:47,626 --> 00:32:51,334
♪ OF A FIGHT
WANNA PUT ON A TIGHT SKIRT
557
00:32:52,999 --> 00:32:56,959
AND FLIRT WITH A STRANGER
I'VE HAD A KNACK ♪
558
00:33:00,167 --> 00:33:03,999
♪ FROM WAY BACK
AT BREAKING THE RULES
559
00:33:03,999 --> 00:33:05,999
ONCE I LEARN THE GAMES
GET UP LIFE'S TOO QUICK ♪
560
00:33:05,999 --> 00:33:09,584
♪ I KNOW SOMEPLACE SICK
WHERE THIS CHICK'LL
561
00:33:09,584 --> 00:33:10,959
DANCE IN THE FLAMES
WE DON'T NEED ANY MONEY ♪
562
00:33:14,417 --> 00:33:18,250
♪ I ALWAYS GET IN FOR FREE
YOU CAN GET IN TOO
563
00:33:19,125 --> 00:33:22,999
IF YOU GET IN WITH ME
LET'S GO OUT TONIGHT ♪
564
00:33:31,999 --> 00:33:35,792
♪ I HAVE TO GO OUT TONIGHT
YOU WANNA PLAY
565
00:33:40,375 --> 00:33:43,999
LET'S RUN AWAY
WE WON'T BE BACK ♪
566
00:33:43,999 --> 00:33:46,959
♪ BEFORE IT'S CHRISTMAS DAY
WHEN I GET A WINK
567
00:33:52,999 --> 00:33:56,999
♪ BEFORE IT'S CHRISTMAS DAY
WHEN I GET A WINK
568
00:34:02,250 --> 00:34:06,209
FROM THE DOORMAN DO YOU
KNOW HOW LUCKY YOU'LL BE ♪
569
00:34:07,459 --> 00:34:11,167
♪ THAT YOU'RE ON LINE
WITH THE FELINE
570
00:34:11,334 --> 00:34:14,999
OF AVENUE B
LET'S GO OUT TONIGHT ♪
571
00:34:21,125 --> 00:34:25,250
♪ I HAVE TO GO OUT TONIGHT
YOU WANNA PROWL BE MY NIGHT OWL
572
00:34:31,999 --> 00:34:35,792
WELL TAKE MY HAND ♪
♪ WE'RE GONNA HOWL
573
00:34:36,042 --> 00:34:39,751
OUT TONIGHT
IN THE EVENING
574
00:34:42,167 --> 00:34:46,000
I'VE GOT TO ROAM ♪
♪ CAN'T SLEEP IN THE CITY
575
00:34:46,209 --> 00:34:49,999
OF NEON AND CHROME
FEELS TOO DAMN
576
00:34:52,999 --> 00:34:56,792
MUCH LIKE HOME ♪
♪ WHEN THE BABIES CRY
577
00:34:56,792 --> 00:35:00,334
SO LET'S FIND A BAR
SO DARK WE FORGET
578
00:35:00,334 --> 00:35:02,999
WHO WE ARE ♪
♪ WHERE ALL THE SCARS
579
00:35:03,584 --> 00:35:07,042
OF THE NEVERS
AND MAYBES DIE
580
00:35:10,125 --> 00:35:14,042
LET'S GO OUT TONIGHT ♪
♪ HAVE TO GO OUT TONIGHT
581
00:35:20,959 --> 00:35:24,584
YOU'RE SWEET WANNA
HIT THE STREET
582
00:35:27,334 --> 00:35:31,209
WANNA WAIL AT THE MOON ♪
♪ LIKE A CAT IN HEAT
583
00:35:32,042 --> 00:35:35,999
JUST TAKE ME OUT TONIGHT
PLEASE TAKE ME OUT TONIGHT
584
00:35:41,999 --> 00:35:45,584
DON'T FORSAKE ME ♪
♪ OUT TONIGHT
585
00:35:50,209 --> 00:35:53,999
I'LL LET YOU MAKE ME
OUT TONIGHT
586
00:35:57,959 --> 00:36:01,959
TONIGHT TONIGHT TONIGHT ♪
♪ WHO DO YOU THINK YOU ARE
587
00:36:07,999 --> 00:36:11,999
TONIGHT TONIGHT TONIGHT ♪
♪ WHO DO YOU THINK YOU ARE
588
00:36:16,459 --> 00:36:19,999
BARGING IN ON
ME AND MY GUITAR
589
00:36:19,999 --> 00:36:23,751
LITTLE GIRL HEY ♪
♪ THE DOOR IS THAT WAY
590
00:36:23,751 --> 00:36:26,459
YOU BETTER GO YOU KNOW
THE FIRE'S OUT ANYWAY
591
00:36:26,459 --> 00:36:29,999
TAKE YOUR POWDER ♪
♪ TAKE YOUR CANDLE
592
00:36:29,999 --> 00:36:33,042
YOUR SWEET WHISPER
I JUST CAN'T HANDLE
593
00:36:33,292 --> 00:36:37,042
WELL TAKE YOUR HAIR ♪
♪ IN THE MOONLIGHT
594
00:36:37,042 --> 00:36:39,999
YOUR BROWN EYES
GOODBYE, GOODNIGHT
595
00:36:41,834 --> 00:36:45,542
I SHOULD TELL YOU ♪
♪ I SHOULD TELL YOU
596
00:36:46,834 --> 00:36:50,334
I SHOULD TELL YOU
I SHOULD NO
597
00:36:50,334 --> 00:36:51,959
ANOTHER TIME ANOTHER PLACE ♪
♪ OUR TEMPERATURE
598
00:36:51,959 --> 00:36:54,667
WOULD CLIMB
THERE'D BE A
599
00:36:54,667 --> 00:36:55,792
LONG EMBRACE ♪
♪ WE'D DO ANOTHER DANCE
600
00:36:55,792 --> 00:36:58,999
IT'D BE ANOTHER PLAY
LOOKING FOR ROMANCE
601
00:36:58,999 --> 00:37:01,834
COME BACK ANOTHER DAY ♪
♪ THE HEART MAY FREEZE
602
00:37:11,751 --> 00:37:15,209
OR IT CAN BURN
THE PAIN WILL
603
00:37:16,667 --> 00:37:20,459
EASE IF I CAN LEARN ♪
♪ THERE IS NO FUTURE
604
00:37:23,999 --> 00:37:27,667
THERE IS NO PAST
I LIVE THIS MOMENT
605
00:37:29,417 --> 00:37:33,000
AS MY LAST ♪
♪ THERE'S ONLY US
606
00:37:41,751 --> 00:37:45,459
THERE'S ONLY THIS
FORGET REGRET OR LIFE
607
00:37:45,459 --> 00:37:49,000
IS YOURS TO MISS ♪
♪ NO OTHER ROAD
608
00:37:51,375 --> 00:37:54,999
NO OTHER WAY
NO DAY BUT TODAY
609
00:37:59,999 --> 00:38:03,999
EXCUSE ME IF I'M OFF TRACK ♪
♪ BUT IF YOU'RE SO WISE
610
00:38:03,999 --> 00:38:07,751
THEN TELL ME WHY DO
YOU NEED SMACK
611
00:38:07,751 --> 00:38:09,999
TAKE YOUR NEEDLE ♪
♪ TAKE YOUR FANCY PRAYER
612
00:38:09,999 --> 00:38:13,250
AND DON'T FORGET
GET THE MOONLIGHT
613
00:38:13,250 --> 00:38:15,667
OUT OF YOUR HAIR ♪
♪ LONG AGO YOU MIGHT'VE
614
00:38:15,667 --> 00:38:17,667
LIT UP MY HEART
BUT THE FIRE'S DEAD
615
00:38:17,667 --> 00:38:20,417
AIN'T NEVER EVER ♪
♪ GONNA START ANOTHER TIME
616
00:38:25,083 --> 00:38:28,999
THE WORDS WOULD ONLY RHYME
WE'D BE IN OUTER SPACE
617
00:38:28,999 --> 00:38:31,542
IT'D BE ANOTHER SONG ♪
♪ WE'D SING ANOTHER WAY
618
00:38:31,542 --> 00:38:34,999
YOU WANNA PROVE ME WRONG
COME BACK ANOTHER DAY
619
00:38:37,250 --> 00:38:40,999
ANOTHER DAY ♪
♪ THERE'S ONLY YES
620
00:38:46,999 --> 00:38:50,584
ONLY TONIGHT
WE MUST LET GO
621
00:38:55,584 --> 00:38:59,334
TO KNOW WHAT'S RIGHT ♪
♪ NO OTHER COURSE
622
00:39:01,999 --> 00:39:05,667
NO OTHER WAY
NO DAY BUT TODAY
623
00:39:10,083 --> 00:39:13,999
I CAN'T CONTROL ♪
♪ CONTROL YOUR TEMPER
624
00:39:15,751 --> 00:39:19,167
MY DESTINY
SHE DOESN'T SEE
625
00:39:21,918 --> 00:39:25,542
I TRUST MY SOUL ♪
♪ WHO SAY'S THAT
626
00:39:26,999 --> 00:39:30,667
THERE 'S A SOUL
MY ONLY GOAL IS
627
00:39:35,250 --> 00:39:38,999
JUST TO BE ♪
♪ JUST LET ME BE
628
00:39:41,999 --> 00:39:45,792
THERE'S ONLY NOW
WHO DO YOU THINK
629
00:39:45,792 --> 00:39:48,167
THERE'S ONLY HERE ♪
♪ GIVE IN TO LOVE
630
00:39:48,167 --> 00:39:49,334
BARGING IN ON ME
OR LIVE IN FEAR
631
00:39:49,334 --> 00:39:51,999
AND MY GUITAR ♪
♪ NO OTHER PATH
632
00:39:51,999 --> 00:39:54,042
LITTLE GIRL HEY
NO OTHER WAY
633
00:39:54,042 --> 00:39:55,999
THE DOOR IS THAT WAY ♪
♪ NO DAY BUT TODAY
634
00:39:58,751 --> 00:40:02,417
THE FIRE'S OUT ANYWAY
NO DAY BUT TODAY
635
00:40:04,792 --> 00:40:08,417
TAKE THE POWDER ♪
♪ TAKE THE CANDLE
636
00:40:10,999 --> 00:40:14,792
NO DAY BUT TODAY
TAKE YOUR BROWN EYES
637
00:40:14,792 --> 00:40:16,999
YOUR PRETTY SMILE ♪
♪ YOUR SILHOUETTE
638
00:40:16,999 --> 00:40:20,125
NO DAY BUT TODAY
ANOTHER TIME
639
00:40:20,125 --> 00:40:23,000
ANOTHER PLACE ♪
♪ ANOTHER RHYME
640
00:40:23,000 --> 00:40:24,999
A WARM EMBRACE
NO DAY BUT TODAY
641
00:40:24,999 --> 00:40:27,834
ANOTHER DANCE ♪
♪ ANOTHER WAY
642
00:40:27,834 --> 00:40:28,999
ANOTHER CHANCE
ANOTHER DAY
643
00:40:29,918 --> 00:40:33,834
NO DAY BUT TODAY ♪
>> I'M WRITING ONE GREAT SONG
644
00:40:39,959 --> 00:40:43,876
NO DAY BUT TODAY ♪
>> I'M WRITING ONE GREAT SONG
645
00:40:53,334 --> 00:40:57,000
BEFORE I --
♪ WILL I LOSE MY DIGNITY
646
00:41:03,375 --> 00:41:07,042
BEFORE I --
♪ WILL I LOSE MY DIGNITY
647
00:41:14,042 --> 00:41:17,959
WILL SOMEONE CARE
WILL I WAKE TOMORROW
648
00:41:24,125 --> 00:41:28,000
FROM THIS NIGHTMARE ♪
♪ WILL I LOSE MY DIGNITY
649
00:41:33,999 --> 00:41:37,751
WILL SOMEONE CARE
WILL I WAKE TOMORROW
650
00:41:42,542 --> 00:41:46,417
FROM THIS NIGHTMARE ♪
♪ WILL I LOSE MY DIGNITY
651
00:41:53,501 --> 00:41:57,167
WILL SOMEONE CARE
WILL I WAKE TOMORROW
652
00:42:04,250 --> 00:42:08,125
FROM THIS NIGHTMARE ♪
♪ WILL I LOSE MY DIGNITY
653
00:42:16,918 --> 00:42:20,584
WILL SOMEONE CARE
WILL I WAKE TOMORROW
654
00:42:28,167 --> 00:42:32,042
FROM THIS NIGHTMARE ♪
>> WILL I WAKE FROM THIS
655
00:42:35,125 --> 00:42:38,417
NIGHTMARE?
656
00:43:36,209 --> 00:43:40,417
♪ CHRISTMAS BELLS ARE RINGING
CHRISTMAS BELLS ARE RINGING♪
657
00:43:49,334 --> 00:43:53,334
CHRISTMAS BELLS ARE RINGING OUT
OF TOWN♪ SANTA FE
658
00:43:54,000 --> 00:43:58,042
>> EVENING, OFFICERS!
>> SMILE FOR TED KOPPEL, OFFICER
659
00:43:58,042 --> 00:44:01,999
MARTIN!
♪ AND A MERRY CHRISTMAS TO YOUR
660
00:44:05,792 --> 00:44:09,167
FAMILY♪
>> G'NIGHT.
661
00:44:10,876 --> 00:44:14,584
♪ WHO THE HELL DO YOU THINK YOU
ARE?♪
662
00:44:14,584 --> 00:44:15,999
♪ I DON'T NEED ANY DAMN HELP
FROM SOME BLEEDING♪ HEART
663
00:44:15,999 --> 00:44:17,999
CAMERAMAN MY LIFE'S NOT FOR YOU
TO ♪
664
00:44:17,999 --> 00:44:20,999
♪ MAKE A NAME FOR YOURSELF ON!
665
00:44:20,999 --> 00:44:24,751
♪ EASY SUGAR, EASY HE WAS JUST
TRYING TO --
666
00:44:24,751 --> 00:44:28,042
♪ JUST TRYING TO USE ME TO KILL
HIS GUILT ♪
667
00:44:28,042 --> 00:44:30,667
♪ IT'S NOT THAT KIND OF MOVIE,
HONEY♪ LET'S GO THIS BLOCK HAS
668
00:44:30,667 --> 00:44:33,959
GOTTEN♪
♪ WAY TOO FULL OF ARTISTS HEY
669
00:44:35,792 --> 00:44:39,209
ARTIST -- YOU GOTTA DOLLAR?
670
00:44:39,209 --> 00:44:41,792
I THOUGHT NOT.
♪♪
671
00:44:49,584 --> 00:44:53,667
♪ NEW YORK CITY UH HUH
♪ CENTER OF THE UNIVERSE SING IT
672
00:44:53,667 --> 00:44:56,417
GIRL♪
♪ TIMES AIN'T PRETTY BUT I'M
673
00:44:56,417 --> 00:44:58,959
SURE THEY♪
♪ CAN'T GET ANY WORSE >> I HEAR
674
00:44:58,959 --> 00:45:00,999
YOU.
♪ IT'S A COMFORT TO KNOW WHEN
675
00:45:00,999 --> 00:45:03,959
YOU'RE SINGING♪
♪ THE HIT THE ROAD BLUES THAT
676
00:45:03,959 --> 00:45:05,999
ANYWHERE ELSE♪ YOU COULD
POSSIBLY GO♪
677
00:45:05,999 --> 00:45:07,999
♪ AFTER NEW YORK'D BE A
PLEASURE CRUISE♪
678
00:45:11,501 --> 00:45:15,459
>> NOW YOU'RE TALKING.
♪ WELL, I'M THWARTED BY A
679
00:45:18,918 --> 00:45:22,999
METAPHYSIC PUZZLE♪ AND I'M
SICK OF GRADING PAPERS THAT I
680
00:45:23,375 --> 00:45:27,417
KNOW♪ AND I'M SHOUTING IN MY
SLEEP I NEED A MUZZLE♪
681
00:45:28,083 --> 00:45:32,167
♪ ALL THIS MISERY PAYS NO
SALARY, SO♪ LET'S OPEN UP A
682
00:45:34,834 --> 00:45:38,999
RESTAURANT IN SANTA FE♪ SUNNY
SANTA FE WOULD BE NICE WE'LL
683
00:45:40,083 --> 00:45:44,042
OPEN UP A RESTAURANT♪
♪ IN SANTA FE AND LEAVE THIS
684
00:45:46,083 --> 00:45:49,999
♪ TO THE ROACHES AND MICE OH --
OH --
685
00:45:56,167 --> 00:45:59,999
♪ TO THE ROACHES AND MICE OH --
OH --
686
00:46:06,876 --> 00:46:10,667
>> YOU TEACH?
>> I TEACH -- COMPUTER AGE
687
00:46:10,667 --> 00:46:13,417
PHILOSOPHY.
BUT MY STUDENTS WOULD RATHER
688
00:46:13,417 --> 00:46:16,250
WATCH TV.
>> AMERICA.
689
00:46:16,250 --> 00:46:18,667
>> AMERICA!
♪ YOU'RE A SENSITIVE AESTHETE
690
00:46:18,667 --> 00:46:22,584
BRUSH THE SAUCE ONTO THE MEAT♪
♪ YOU COULD MAKE THE MENU
691
00:46:23,792 --> 00:46:27,792
SPARKLE WITH RHYME♪
♪ YOU COULD DRUM A GENTLE DRUM I
692
00:46:27,792 --> 00:46:31,125
COULD SEAT GUESTS♪
♪ AS THEY COME CHATTING NOT
693
00:46:31,626 --> 00:46:35,125
ABOUT HEIDEGGER♪
♪ BUT WINE!
694
00:46:35,125 --> 00:46:38,959
LET'S OPEN UP A RESTAURANT♪ IN
SANTA FE SANTA FE♪
695
00:46:40,042 --> 00:46:43,999
♪ OUR LABORS WOULD REAP
FINANCIAL GAINS♪
696
00:46:43,999 --> 00:46:47,167
♪ GAINS, GAINS, GAINS WE'LL OPEN
UP A RESTAURANT♪
697
00:46:47,167 --> 00:46:51,167
♪ IN SANTA FE SANTA FE
♪ AND SAVE FROM DEVASTATION OUR
698
00:46:51,167 --> 00:46:53,999
BRAINS♪
♪ SAVE OUR BRAINS WE'LL PACK UP
699
00:46:54,250 --> 00:46:58,042
ALL OUR JUNK♪
♪ AND FLY SO FAR AWAY DEVOTE
700
00:46:58,042 --> 00:47:01,959
OURSELVES TO♪
♪ PROJECTS THAT SELL WE'LL OPEN
701
00:47:02,999 --> 00:47:06,667
UP A RESTAURANT♪
IN SANTA FE♪
702
00:47:07,167 --> 00:47:10,999
♪ FORGET THIS COLD BOHEMIAN
HELL♪
703
00:47:12,751 --> 00:47:16,584
♪ OH OH OH OH
♪ DO YOU KNOW THE WAY TO SANTA
704
00:47:22,792 --> 00:47:26,626
♪ OH OH OH OH
♪ DO YOU KNOW THE WAY TO SANTA
705
00:47:31,751 --> 00:47:36,751
♪ OH OH OH OH
♪ DO YOU KNOW THE WAY TO SANTA
706
00:47:37,959 --> 00:47:41,667
FE?♪
♪ YOU KNOW, TUMBLEWEEDS PRAIRIE
707
00:47:44,083 --> 00:47:47,542
DOGS♪
♪ YEAH
708
00:47:54,125 --> 00:47:57,584
DOGS♪
♪ YEAH
709
00:48:00,167 --> 00:48:03,999
>> SO, I'M GOING TO LEAVE YOU
TWO
710
00:48:03,999 --> 00:48:04,959
ALONE.
711
00:48:04,959 --> 00:48:07,209
SEE YOU AT MAUREEN'S SHOW.
>> TRY AND CONVINCE ROGER TO
712
00:48:07,209 --> 00:48:09,667
COME!
>> HAVE FUN, YOU TWO.
713
00:48:11,626 --> 00:48:15,209
>> SO HOW DO YOU LIKE THE
OUTFIT?
714
00:48:15,209 --> 00:48:17,999
BE HONEST.
715
00:48:17,999 --> 00:48:19,751
>> IT'S A GREAT LOOK FOR YOU.
OF COURSE, I LIKED THE OTHER
716
00:48:19,751 --> 00:48:22,959
LOOK TOO.
>> I THINK THIS IS THE ONE,
717
00:48:22,959 --> 00:48:25,834
COLLINS.
>> I FINALLY FEEL LIKE ME.
718
00:48:27,792 --> 00:48:31,167
>> WELL, THEN, I LOVE IT.
719
00:48:31,167 --> 00:48:33,000
OH, YOU LOVE IT?
YOU CAN FALL IN LOVE WITH -- AN
720
00:48:33,999 --> 00:48:37,999
OUTFIT SO FAST?
>> I DO BELIEVE I CAN, MS. ANGEL
721
00:48:37,999 --> 00:48:41,959
DUMOTT SHUNARD.
SO... ARE WE A THING?
722
00:48:42,584 --> 00:48:46,250
>> DARLING, WE'RE EVERYTHING.
♪♪
723
00:48:46,250 --> 00:48:49,459
♪ LIVE IN MY HOUSE I'LL BE YOUR
SHELTER♪
724
00:48:49,459 --> 00:48:53,417
♪ JUST PAY ME BACK WITH ONE
THOUSAND KISSES♪
725
00:48:53,792 --> 00:48:57,417
♪ BE MY LOVER AND I'LL COVER
YOU♪
726
00:49:03,999 --> 00:49:07,751
♪ OPEN YOUR DOOR I'LL BE YOUR
TENANT♪
727
00:49:07,751 --> 00:49:10,542
♪ DON'T GOT MUCH BAGGAGE TO LAY
AT YOUR FEET♪
728
00:49:10,542 --> 00:49:14,000
♪ BUT SWEET KISSES I'VE GOT TO
SPARE♪
729
00:49:14,417 --> 00:49:18,125
♪ I'LL BE THERE AND I'LL COVER
YOU♪
730
00:49:19,584 --> 00:49:23,834
♪ I THINK THEY MEANT IT WHEN
THEY SAID♪ YOU CAN'T BUY LOVE
731
00:49:23,999 --> 00:49:28,000
NOW I KNOW YOU CAN RENT IT♪ A
NEW LEASE YOU ARE, MY LOVE ON
732
00:49:28,167 --> 00:49:31,792
LIFE♪
♪ BE MY LIFE ♪
733
00:49:38,209 --> 00:49:41,834
LIFE♪
♪ BE MY LIFE ♪
734
00:49:45,250 --> 00:49:49,042
♪ JUST SLIP ME ON I'LL BE YOUR
BLANKET♪
735
00:49:51,250 --> 00:49:55,000
♪ WHEREVER, WHATEVER I'LL BE
YOUR COAT♪
736
00:49:55,999 --> 00:50:00,209
♪ YOU'LL BE MY KING AND I'LL BE
YOUR CASTLE♪ NO, YOU'LL BE MY
737
00:50:00,999 --> 00:50:04,999
QUEEN AND I'LL BE YOUR MOAT♪
I THINK THEY MEANT IT WHEN THEY
738
00:50:04,999 --> 00:50:08,667
SAID♪ YOU CAN'T BUY LOVE NOW
I KNOW YOU CAN RENT IT♪ A NEW
739
00:50:09,999 --> 00:50:14,042
LEASE YOU ARE, MY LOVE ON LIFE♪
♪ BE MY LIFE I'VE LONGED TO
740
00:50:19,999 --> 00:50:24,000
DISCOVER SOMETHING AS TRUE AS
THIS IS ♪ SO WITH A THOUSAND
741
00:50:24,375 --> 00:50:28,167
SWEET KISSES♪
♪ IF YOU'RE COLD AND YOU'RE
742
00:50:30,709 --> 00:50:34,459
LONELY♪
♪ I'LL COVER YOU WITH A THOUSAND
743
00:50:34,792 --> 00:50:38,959
SWEET KISSES♪ YOU'VE GOT ONE
NICKEL ONLY ♪ I'LL COVER YOU
744
00:50:38,959 --> 00:50:41,667
WITH A THOUSAND SWEET KISSES♪
WHEN YOU'RE WORN OUT AND TIRED
745
00:50:42,334 --> 00:50:46,209
♪ I'LL COVER YOU WITH A THOUSAND
SWEET KISSES♪
746
00:50:46,542 --> 00:50:50,792
♪ I'LL COVER YOU WHEN YOUR HEART
HAS EXPIRED♪ OH LOVER, I'LL
747
00:50:53,918 --> 00:50:57,959
COVER YOU YEAH-AH-AH-AH-AH♪
♪ OH LOVER, I'LL COVER YOU
748
00:50:59,876 --> 00:51:03,000
♪
♪ STEVE?
749
00:51:20,626 --> 00:51:24,042
JOANNE
THE MURGET CASE? ♪
750
00:51:24,042 --> 00:51:24,999
♪ A DISMISSAL!
751
00:51:24,999 --> 00:51:26,042
GOOD WORK COUNSELOR ♪
[ PHONE RINGING ]
752
00:51:26,042 --> 00:51:28,667
♪ WE'RE OKAY
♪ HONEYBEAR - WAIT!
753
00:51:28,667 --> 00:51:32,125
♪ I'M ON THE OTHER PHONE
YES, I HAVE THE COWBELL
754
00:51:32,125 --> 00:51:34,209
WE'RE OKAY ♪
♪ SO TELL THEM WE'LL SUE
755
00:51:35,834 --> 00:51:39,792
BUT A SETTLEMENT WILL DO ♪
♪ SEXUAL HARASSMENT AND
756
00:51:39,792 --> 00:51:41,417
CIVIL RIGHTS TOO
STEVE, YOU'RE GREAT ♪
757
00:51:41,417 --> 00:51:43,417
♪ NO, YOU CUT
THE PAPER PLATE ♪
758
00:51:43,417 --> 00:51:45,999
DIDJA CHEAT ON MARK A LOT
WOULD YOU SAY? ♪
759
00:51:45,999 --> 00:51:48,542
♪ WE'RE OKAY
HONEY, HOLD ON ♪
760
00:51:48,751 --> 00:51:52,000
♪ STEVE
HOLD ON ♪
761
00:51:52,000 --> 00:51:55,125
♪ HELLO?
762
00:51:55,125 --> 00:51:55,751
DAD
YES ♪
763
00:51:55,751 --> 00:51:56,584
♪ I BEEPED YOU
MAUREEN IS COMING TO
764
00:51:56,584 --> 00:51:59,042
MOTHER'S HEARING ♪
♪ WE'RE OKAY
765
00:51:59,042 --> 00:52:00,834
♪ HONEYBEAR
WHAT? ♪
766
00:52:00,999 --> 00:52:04,834
♪ NEWT'S LESBIAN SISTER
I'LL TELL THEM ♪
767
00:52:04,834 --> 00:52:08,334
♪ YOU HEARD?
♪ THEY HEARD
768
00:52:08,334 --> 00:52:09,417
WE'RE OKAY ♪
♪ AND TO YOU, DAD
769
00:52:09,417 --> 00:52:12,209
♪ OH, JILL IS THERE?
770
00:52:12,209 --> 00:52:12,999
WAIT ♪
♪ STEVE, GOTTA
771
00:52:12,999 --> 00:52:14,250
♪ JILL WITH THE
SHORT BLACK HAIR?
772
00:52:14,250 --> 00:52:15,959
THE CALVIN KLEIN MODEL? ♪
♪ STEVE GOTTA GO!
773
00:52:15,959 --> 00:52:17,459
♪ THE MODEL, WHO LIVES
IN PENTHOUSE A? ♪
774
00:52:24,250 --> 00:52:27,834
♪ WE'RE
WE'RE OKAY ♪
775
00:52:28,459 --> 00:52:32,167
♪ I'M ON MY WAY
♪ CHRISTMAS BELLS ARE
776
00:52:39,167 --> 00:52:42,959
RINGING ♪
♪ CHRISTMAS BELLS ARE
777
00:52:42,959 --> 00:52:45,209
SINGING ♪
♪ HOW TIME FLIES
778
00:52:49,292 --> 00:52:53,042
WHEN COMPASSION DIES ♪
♪ NO SLEIGHBELLS
779
00:52:54,959 --> 00:52:58,417
NO CANDY CANES
NO YULE LOG ♪
780
00:52:58,999 --> 00:53:02,417
♪ NO TINSEL
NO HOLLY
781
00:53:02,417 --> 00:53:04,751
NO HEARTH ♪
♪ NO
782
00:53:04,751 --> 00:53:06,751
♪ SANTA CLAUS IS COMING
♪ â CAUSE SANTA CLAUS AIN'T
783
00:53:07,501 --> 00:53:10,999
COMING ♪
♪ NO ROOM AT THE
784
00:53:10,999 --> 00:53:13,417
HOLIDAY INN
OH NO ♪
785
00:53:16,042 --> 00:53:19,834
♪ AND IT'S BEGINNING
TO SNOW ♪
786
00:53:20,918 --> 00:53:24,584
♪ HOW ABOUT A FUR IN PERFECT
SHAPE M
787
00:53:24,584 --> 00:53:26,999
♪ OWNED BY AN MBA
FROM UPTOWN ♪
788
00:53:30,792 --> 00:53:34,459
♪ I GOT A TWEED
BROKEN IN BY A GREEDY
789
00:53:34,459 --> 00:53:35,667
BROKER WHO WENT BROKE ♪
♪ AND THEN BROKE DOWN
790
00:53:35,667 --> 00:53:37,125
♪ YOU DON'T HAVE TO
DO THIS ♪
791
00:53:37,125 --> 00:53:39,999
♪ HUSH YOUR MOUTH
IT'S CHRISTMAS ♪
792
00:53:39,999 --> 00:53:43,042
♪ I DO NOT DESERVE YOU
ANGEL ♪
793
00:53:45,375 --> 00:53:48,834
♪ GIVE
GIVE ♪
794
00:53:49,209 --> 00:53:52,792
♪ WAIT
♪ ALL YOU DO
795
00:53:52,792 --> 00:53:54,999
♪ WHAT'S ON THE FLOOR?
♪ IS GIVE
796
00:53:56,667 --> 00:54:00,209
GIVE ♪
♪ LET'S SEE SOME MORE
797
00:54:00,209 --> 00:54:02,209
♪ ME SOME WAY TO SHOW
♪ NO
798
00:54:02,209 --> 00:54:05,000
NO
NO ♪
799
00:54:06,584 --> 00:54:10,042
♪ NO
♪ HOW YOU'VE TOUCHED
800
00:54:10,042 --> 00:54:12,250
ME SO ♪
♪ KISS ME
801
00:54:13,999 --> 00:54:18,042
IT'S BEGINNING TO SNOW ♪
♪ SHE SAID, â WOULD YOU LIGHT
802
00:54:18,042 --> 00:54:20,167
MY CANDLEâ ♪
♪ AND SHE PUT ON A POUT
803
00:54:20,167 --> 00:54:21,792
AND SHE WANTED YOU
TO TAKE HER OUT TONIGHT? ♪
804
00:54:21,792 --> 00:54:23,042
♪ RIGHT
♪ SHE GOT YOU OUT!
805
00:54:23,042 --> 00:54:26,959
♪ SHE WAS MORE THAN OKAY
BUT I PUSHED HER AWAY
806
00:54:26,959 --> 00:54:30,000
IT WAS BAD ♪
♪ I GOT MAD
807
00:54:30,000 --> 00:54:33,667
AND I HAD ♪
♪ TO GET HER OUT OF
808
00:54:33,667 --> 00:54:34,792
MY SIGHT ♪
♪ WAIT
809
00:54:34,792 --> 00:54:35,999
♪ THERE
THAT'S HER ♪
810
00:54:37,250 --> 00:54:40,834
♪ MAUREEN?
♪ MIMI!
811
00:54:43,542 --> 00:54:46,999
♪ WHOA!
♪ I SHOULD GO
812
00:54:46,999 --> 00:54:49,542
♪ HEY, IT'S BEGINNING TO
♪ FOLLOW THE MAN
813
00:54:49,542 --> 00:54:51,959
FOLLOW THE MAN ♪
♪ WITH HIS POCKETS
814
00:54:51,959 --> 00:54:54,125
FULL OF THE JAM ♪
♪ FOLLOW THE MAN
815
00:54:54,125 --> 00:54:55,959
GOT ANY D, MAN? ♪
♪ FOLLOW THE MAN
816
00:54:55,959 --> 00:54:57,250
FOLLOW THE MAN
♪ GOT ANY C, MAN?
817
00:54:57,250 --> 00:54:58,000
FOLLOW THE MAN ♪
♪ GOT ANY X
818
00:54:58,000 --> 00:54:59,000
ANY SMACK
ANY HORSE ♪
819
00:54:59,000 --> 00:55:00,042
♪ ANY JUGIE BOOGIE
BOY
820
00:55:00,042 --> 00:55:00,999
ANY BLOW? ♪
♪ HEY
821
00:55:04,999 --> 00:55:08,584
♪ HEY
♪ I JUST WANT TO SAY
822
00:55:08,584 --> 00:55:11,417
I'M SORRY FOR THE WAY ♪
♪ FORGET IT
823
00:55:11,417 --> 00:55:13,334
♪ I BLEW UP
CAN I MAKE IT UP TO YOU? ♪
824
00:55:14,542 --> 00:55:17,999
♪ HOW?
♪ DINNER PARTY?
825
00:55:17,999 --> 00:55:20,000
♪ THAT'LL DO
♪ HEY, LOVER BOY
826
00:55:20,417 --> 00:55:23,999
CUTIE PIE
YOU STEAL MY CLIENT ♪
827
00:55:23,999 --> 00:55:26,959
♪ YOU DIE
♪ YOU DIDN'T MISS ME
828
00:55:26,959 --> 00:55:27,999
YOU WON'T MISS HER ♪
♪ YOU'LL NEVER LACK
829
00:55:27,999 --> 00:55:29,125
FOR CUSTOMERS ♪
♪ WISH ME LUCK, ALISON
830
00:55:29,125 --> 00:55:32,542
THE PROTEST IS ON ♪
♪ GOT ANY C, MAN?
831
00:55:32,542 --> 00:55:35,167
♪ L.L. BEAN, GEOFFREY BEENE
BURBERRY ZIP-OUT LINING ♪
832
00:55:35,167 --> 00:55:37,167
♪ GOT ANY D, MAN?
♪ HONEST LIVING
833
00:55:37,167 --> 00:55:40,334
♪ MARK, THIS IS MIMI
♪ SHE'LL BE DINING
834
00:55:46,626 --> 00:55:50,375
♪ MARK, THIS IS MIMI
♪ SHE'LL BE DINING
835
00:55:58,083 --> 00:56:01,834
WITH US ♪
♪ GOT ANY B, MAN?
836
00:56:01,834 --> 00:56:02,999
♪ HERE'S A NEW ARRIVAL
♪ THAT IS AN OUNCE
837
00:56:02,999 --> 00:56:04,000
♪ HATS, DATS, BATS
♪ GOT ANY CRACK?
838
00:56:07,667 --> 00:56:11,250
♪ THAT'S MY COAT!
♪ GOT ANY X?
839
00:56:11,250 --> 00:56:13,209
♪ WE GIVE DISCOUNTS
♪ GOT ANY C, MAN?
840
00:56:13,209 --> 00:56:14,999
♪ I THINK WE'VE MET
♪ LET'S GET A BETTER ONE
841
00:56:14,999 --> 00:56:16,209
♪ IT'S A SHAM
♪ GOT ANY D, MAN?
842
00:56:16,209 --> 00:56:17,542
♪ THAT'S WHAT HE SAID
♪ I SAID IT'S A GRAM!
843
00:56:17,542 --> 00:56:18,999
♪ BUT SHE'S A THIEF!
♪ GOT ANY B, MAN?
844
00:56:18,999 --> 00:56:20,042
♪ BUT SHE BROUGHT
US TOGETHER ♪
845
00:56:20,042 --> 00:56:21,999
♪ WHICH INVESTORâ S
COMING? ♪
846
00:56:21,999 --> 00:56:24,834
♪ GOT ANY CRACK?
♪ I'LL TAKE THE LEATHER
847
00:56:24,834 --> 00:56:26,167
♪ GOT ANY X?
♪ YOUR FATHER?
848
00:56:27,542 --> 00:56:30,999
DAMN! ♪
♪ GOT ANY C, MAN?
849
00:56:31,876 --> 00:56:35,042
GOT ANY D, MAN?
850
00:56:35,042 --> 00:56:37,042
GOT ANY B, MAN? ♪
♪ GOT ANY X?
851
00:56:37,042 --> 00:56:40,584
CRACK? ♪
♪ I'M WILLINâ
852
00:56:40,584 --> 00:56:43,959
Iâ M ILLINâ ♪
♪ GOTTA GET MY
853
00:56:43,959 --> 00:56:45,000
SICKNESS OFF ♪
♪ C-D HELP ME
854
00:56:45,000 --> 00:56:47,250
FOLLOW THE MAN
FOLLOW THE MAN ♪
855
00:56:47,250 --> 00:56:48,250
♪ FOLLOW THE MAN
JUGIE BOOGIE
856
00:56:48,250 --> 00:56:49,250
JUGIE BOOGIE ♪
♪ FOLLOW THE MAN
857
00:56:49,250 --> 00:56:50,000
FOLLOW THE MAN
ANY CRACK ♪
858
00:56:50,000 --> 00:56:51,209
♪ ANY X
ANY JUGIE BOOGIE, BOY ♪
859
00:56:51,209 --> 00:56:52,250
♪ ANY BLOW
ANY X
860
00:56:54,209 --> 00:56:57,999
ANY JUGIE BOOGIE, BOY ♪
♪ GOT ANY D, MAN?
861
00:56:57,999 --> 00:57:00,999
GOT ANY C, MAN? ♪
♪ GOT ANY CRACK
862
00:57:00,999 --> 00:57:02,250
ANY X
ANY JUGIE BOOGIE? ♪
863
00:57:02,250 --> 00:57:03,125
♪ I'M DREAMING OF A
RIGHT CHRISTMAS ♪
864
00:57:03,125 --> 00:57:04,250
♪ JUST LIKE THE ONES I
USED TO KNOW ♪
865
00:57:04,250 --> 00:57:05,167
♪ JINGLE BELLS
PRISON CELLS ♪
866
00:57:05,167 --> 00:57:06,167
♪ FA LA LA LA LA LA
FA LA LA LA LA ♪
867
00:57:06,167 --> 00:57:07,334
♪ YOU HAVE THE RIGHT
TO REMAIN
868
00:57:07,334 --> 00:57:10,000
SILENT NIGHT ♪
♪ HOLY NIGHT
869
00:57:10,000 --> 00:57:11,042
♪ FALL ON YOUR KNEES
OH NIGHT DIVINE
870
00:57:11,042 --> 00:57:12,209
YOUâ LL DO SOME TIME ♪
♪ FA LA LA LA LA
871
00:57:14,999 --> 00:57:19,042
>> TENSIONS BETWEEN THE EAST
VILLAGE HOMELESS POPULATION AND
872
00:57:19,042 --> 00:57:21,334
THE NYPD ARE REACHING A FEVER
PITCH.
873
00:57:21,334 --> 00:57:23,334
[ CHANTING ]
>> NO HOUSING, NO PEACE!
874
00:57:23,334 --> 00:57:25,999
NO HOUSING, NO PEACE!
875
00:57:25,999 --> 00:57:28,042
>> AS 1991 DRAWS TO A CLOSE.
876
00:57:28,042 --> 00:57:30,959
TONIGHT, ONE WOMAN ATTEMPTS TO
HEAL THE DIVIDE, OR PERHAPS FAN
877
00:57:31,501 --> 00:57:34,834
THE FLAMES.
878
00:57:34,834 --> 00:57:37,999
>> AND WE GET TO WATCH EITHER
WAY!
879
00:57:37,999 --> 00:57:39,999
>> QUÃ GUAPA.
880
00:57:39,999 --> 00:57:40,417
QUÃ BELLA.
881
00:57:40,417 --> 00:57:40,999
MIRÃ , TAN CUTE!
882
00:57:49,542 --> 00:57:52,999
>> LAST NIGHT I HAD A DREAM.
883
00:57:52,999 --> 00:57:55,459
I FOUND MYSELF IN A DESERT
CALLED CYBERLAND.
884
00:58:01,751 --> 00:58:04,999
IT WAS HOT.
885
00:58:04,999 --> 00:58:07,250
MY CANTEEN HAD SPRUNG A LEAK AND
I WAS THIRSTY.
886
00:58:13,167 --> 00:58:17,000
MY CANTEEN HAD SPRUNG A LEAK AND
I WAS THIRSTY.
887
00:58:20,999 --> 00:58:24,959
OUT OF THE ABYSS WALKED A
COW -â "" ELSIE.
888
00:58:24,959 --> 00:58:26,125
I ASKED IF SHE HAD ANYTHING TO
DRINK.
889
00:58:26,125 --> 00:58:27,209
SHE SAID --
♪ I'M FORBIDDEN
890
00:58:31,542 --> 00:58:35,000
TO PRODUCE MILK
IN CYBERLAND
891
00:58:38,125 --> 00:58:41,999
WE ONLY DRINK DIET COKE ♪
[ ECHOS ]
892
00:58:44,709 --> 00:58:48,250
SHE SAID --
♪ ONLY THING TO DO
893
00:58:48,250 --> 00:58:50,667
IS JUMP OVER THE MOON
THEY'VE CLOSED
894
00:58:50,667 --> 00:58:53,125
EVERYTHING REAL DOWN ♪
♪ LIKE BARNS, TROUGHS
895
00:58:59,334 --> 00:59:03,167
EVERYTHING REAL DOWN ♪
♪ LIKE BARNS, TROUGHS
896
00:59:12,501 --> 00:59:16,167
PERFORMANCE SPACES
AND REPLACED IT ALL
897
00:59:16,167 --> 00:59:17,334
WITH LIES AND RULES ♪
♪ AND VIRTUAL LIFE ♪
898
00:59:17,334 --> 00:59:18,834
[ ECHOS ]
BUT THERE IS WAY OUT.
899
00:59:18,834 --> 00:59:19,792
♪ LEAP OF FAITH
LEAP OF FAITH
900
00:59:19,792 --> 00:59:21,209
LEAP OF FAITH
LEAP OF FAITH ♪
901
00:59:27,999 --> 00:59:31,584
♪ ONLY THING TO DO
LEAP OF FAITH
902
00:59:31,584 --> 00:59:32,584
LEAP OF FAITH
IS JUMP OVER THE MOON ♪
903
00:59:38,959 --> 00:59:42,626
LEAP OF FAITH
IS JUMP OVER THE MOON ♪
904
00:59:51,250 --> 00:59:54,999
♪ LEAP OF FAITH
LEAP OF FAITH♪
905
00:59:54,999 --> 00:59:55,999
I GOTTA GET OUT HERE
IT'S LIKE I'M BEING ♪
906
00:59:55,999 --> 00:59:57,125
♪ TIED TO THE HOOD
OF A YELLOW RENTAL TRUCK
907
00:59:57,125 --> 00:59:58,042
PACKED IN WITH FERTILIZER
AND FUEL OIL ♪
908
00:59:58,042 --> 01:00:00,999
♪ PUSHED OVER A CLIFF
BY A SUICIDAL MICKEY MOUSE
909
01:00:03,751 --> 01:00:07,250
I'VE GOTTA GOTTA
GOTTA GOTTA ♪
910
01:00:07,250 --> 01:00:10,000
♪ GOTTA GOTTA
GOTTA GOTTA FIND A WAY
911
01:00:10,000 --> 01:00:13,584
TO JUMP OVER THE MOON
LEAP OF FAITH ♪
912
01:00:19,959 --> 01:00:23,626
TO JUMP OVER THE MOON
LEAP OF FAITH ♪
913
01:00:25,999 --> 01:00:29,542
♪ LEAP OF FAITH
ONLY THING TO DO
914
01:00:29,542 --> 01:00:30,584
LEAP OF FAITH
LEAP OF FAITH ♪
915
01:00:30,584 --> 01:00:32,125
♪ IS JUMP OVER THE MOON
LEAP OF FAITH
916
01:00:32,125 --> 01:00:34,999
LEAP OF FAITH ♪♪
>> THEN A LITTLE BULLDOG
917
01:00:34,999 --> 01:00:38,209
ENTERED.
918
01:00:38,209 --> 01:00:40,584
HIS NAME WAS BENNY.
919
01:00:40,584 --> 01:00:43,250
>> REALLY, MAUREEN?
920
01:00:43,250 --> 01:00:44,584
>> AND ALTHOUGH HE ONCE HAD
PRINCIPLES,
921
01:00:44,584 --> 01:00:46,584
HE ABANDONED THEM TO LIVE AS A
LAP DOG TO A WEALTHY PRINCESS OF
922
01:00:46,584 --> 01:00:48,542
THE ESTABLISHMENT.
923
01:00:48,542 --> 01:00:50,999
A 1-2-3, â THAT'S BULL", BENNY
SAID.
924
01:00:50,999 --> 01:00:54,042
EVER SINCE THE CAT TOOK UP THE
FIDDLE.
925
01:00:54,042 --> 01:00:55,751
THAT COW'S BEEN.
926
01:00:55,751 --> 01:00:56,959
JUMPY.
927
01:00:56,959 --> 01:00:59,999
SHE'S HAD TROUBLE WITH HER MILK
AND THAT MOON EVER SINCE.
928
01:01:00,584 --> 01:01:04,000
MAYBE IT'S A
FEMALE THING.
929
01:01:04,000 --> 01:01:06,417
CAUSE WHO'D WANT TO LEAVE
CYBERLAND ANYWAY?
930
01:01:06,417 --> 01:01:08,834
WALLS AIN'T SO BAD.
931
01:01:08,834 --> 01:01:11,167
THE DISH AND SPOON FOR INSTANCE.
932
01:01:11,167 --> 01:01:12,834
THEY WERE DOWN ON THEIR LUCK.
933
01:01:12,834 --> 01:01:13,999
KNOCKED ON MY DOGHOUSE DOOR.
934
01:01:13,999 --> 01:01:15,000
I SAID -- NOT IN MY BACKYARD,
UTENSILS.
935
01:01:22,918 --> 01:01:26,125
THE ONLY WAY OUT.
936
01:01:26,125 --> 01:01:26,667
IS UP.
937
01:01:29,292 --> 01:01:33,000
♪ A LEAP OF FAITH
STILL THIRSTY? ♪♪
938
01:01:44,083 --> 01:01:47,334
PARCHED.
939
01:01:47,334 --> 01:01:49,250
HAVE SOME MILK.
940
01:01:50,334 --> 01:01:54,459
I LOWERED MYSELF BENEATH HER
SWOLLEN UDDER AND SUCKED THE
941
01:01:55,125 --> 01:01:58,834
SWEETEST MILK I'D EVER TASTED.
942
01:01:58,834 --> 01:02:01,584
[ SLURPING ]
♪ CLIMB ON BOARD ♪
943
01:02:04,999 --> 01:02:09,000
AS A HARVEST MOON ROSE OVER
CYBERLAND, WE REARED BACK AND
944
01:02:10,834 --> 01:02:14,125
SPRANG INTO A GALLOP.
945
01:02:14,125 --> 01:02:14,999
LEAPING OUT OF ORBIT, I AWOKE
SINGING.
946
01:02:24,083 --> 01:02:27,834
♪ LEAP OF FAITH
LEAP OF FAITH
947
01:02:27,834 --> 01:02:28,999
LEAP OF FAITH
LEAP OF FAITH ♪
948
01:02:28,999 --> 01:02:31,250
♪ ONLY THING TO DO
LEAP OF FAITH
949
01:02:31,250 --> 01:02:34,999
LEAP OF FAITH
ONLY THING TO DO IS JUMP ♪
950
01:02:34,999 --> 01:02:37,792
♪ LEAP OF FAITH
LEAP OF FAITH
951
01:02:37,792 --> 01:02:40,542
ONLY THING TO DO IS JUMP
LEAP OF FAITH ♪
952
01:02:40,542 --> 01:02:42,042
♪ LEAP OF FAITH
OVER THE MOON
953
01:02:42,042 --> 01:02:44,000
LEAP OF FAITH
LEAP OF FAITH ♪
954
01:02:44,000 --> 01:02:45,250
♪ ONLY THING TO DO IS JUMP
LEAP OF FAITH
955
01:02:45,250 --> 01:02:47,000
LEAP OF FAITH
OVER THE MOON ♪
956
01:02:47,000 --> 01:02:48,959
♪ LEAP OF FAITH
LEAP OF FAITH ♪
957
01:02:48,959 --> 01:02:49,999
♪ OVER THE MOON
OVER THE
958
01:02:49,999 --> 01:02:53,042
MOOOOOOOO
MOOOOOOOO ♪
959
01:02:54,375 --> 01:02:57,999
♪ MOOOOOOOO♪
MOO WITH ME.
960
01:02:59,042 --> 01:03:02,334
THANK YOU.
961
01:03:09,083 --> 01:03:12,375
THANK YOU.
962
01:03:17,501 --> 01:03:22,501
THANK YOU.
963
01:03:24,292 --> 01:03:27,999
♪ NO PLEASE NO
NOT TONIGHT PLEASE NO
964
01:03:27,999 --> 01:03:29,042
MISTER
CAN'T YOU GO ♪
965
01:03:29,042 --> 01:03:29,999
♪ NOT TONIGHT
CAN'T HAVE A SCENE
966
01:03:29,999 --> 01:03:30,999
WHAT
GO, PLEASE GO ♪
967
01:03:30,999 --> 01:03:32,542
♪ YOU
HELLO, SIR?
968
01:03:32,542 --> 01:03:34,459
I SAID NO
IMPORTANT CUSTOMER ♪ ♪ WHAT AM I
JUST A BLUR
969
01:03:34,459 --> 01:03:35,999
YOU SIT ALL NIGHT
YOU NEVER BUY ♪
970
01:03:35,999 --> 01:03:37,999
♪ THAT'S A LIE
THAT'S A LIE
971
01:03:37,999 --> 01:03:40,000
♪ I HAD A TEA THE OTHER DAY
YOU COULDN'T PAY
972
01:03:40,000 --> 01:03:42,000
OH YEAH ♪♪
♪ BENJAMIN COFFIN THE THIRD --
973
01:03:44,542 --> 01:03:47,999
HERE
WINE & BEER
974
01:03:48,999 --> 01:03:52,792
THE ENEMY OF AVENUE A
AND MR. GREY ♪
975
01:03:53,334 --> 01:03:57,042
♪ WHAT BRINGS THE MOGUL IN HIS
OWN MIND
976
01:03:57,042 --> 01:03:59,959
TO THE LIFE CAFÃ
I WOULD LIKE TO PROPOSE A TOAST
977
01:04:01,083 --> 01:04:04,999
TO MAUREEN'S NOBLE TRY ♪
♪ IT WENT WELL
978
01:04:06,167 --> 01:04:09,834
GO TO HELL
WHY DID MUFFY --
979
01:04:09,834 --> 01:04:10,999
ALISON ♪
♪ MISS THE SHOW
980
01:04:10,999 --> 01:04:12,042
THERE WAS A DEATH IN THE FAMILY♪
♪ IF YOU MUST KNOW
981
01:04:12,042 --> 01:04:15,250
A BEAT ♪
♪ WHO DIED
982
01:04:15,250 --> 01:04:16,584
OUR AKITA
EVITA ♪
983
01:04:16,584 --> 01:04:19,334
♪ MIMI I'M SURPRISED
A BRIGHT AND CHARMING
984
01:04:20,584 --> 01:04:24,042
GIRL LIKE YOU ♪
♪ HANGS OUT
985
01:04:24,918 --> 01:04:28,959
WITH THESE SLACKERS♪♪
>> WHO DON'T ADHERE TO DEALS.
986
01:04:28,959 --> 01:04:32,000
THEY MAKE FUN.
987
01:04:32,000 --> 01:04:33,375
YET I'M THE ONE.
♪ ATTEMPTING TO DO SOME GOOD
988
01:04:33,584 --> 01:04:37,209
OR DO YOU REALLY WANT
A NEIGHBORHOOD
989
01:04:37,209 --> 01:04:40,334
WHERE PEOPLE PUKE ♪
♪ ON YOUR STOOP
990
01:04:40,334 --> 01:04:42,250
EVERY NIGHT
BOHEMIA, BOHEMIAâ S
991
01:04:42,250 --> 01:04:46,209
A FALLACY IN YOUR HEAD ♪♪
>> THIS IS CALCUTTA.
992
01:04:49,417 --> 01:04:53,042
BOHEMIA IS DEAD.
♪ DEARLY BELOVED
993
01:04:55,792 --> 01:04:59,417
WE GATHER HERE
TO SAY OUR GOODBYES ♪
994
01:05:02,250 --> 01:05:05,834
♪ DIES IRAE
DIES ILLA
995
01:05:05,834 --> 01:05:08,000
KERIE ELEISON
YITGADAL V' YITKADASH ♪
996
01:05:11,584 --> 01:05:15,250
♪ HERE SHE LIES
NO ONE KNEW HER WORTH
997
01:05:15,250 --> 01:05:16,876
THE LATE, GREAT DAUGHTER
OF MOTHER EARTH ♪
998
01:05:16,876 --> 01:05:20,459
♪ ON THIS NIGHT
WHEN WE CELEBRATE
999
01:05:20,459 --> 01:05:23,125
THE BIRTH ♪
>> WAAAA!
1000
01:05:23,667 --> 01:05:27,250
♪ IN THAT LITTLE TOWN
OF BETHLEHEM
1001
01:05:28,083 --> 01:05:31,999
WE RAISE OUR GLASS
YOU BET YOUR -- TO ♪
1002
01:05:39,459 --> 01:05:42,999
♪ LA VIE BOHEME
LA VIE BOHEME
1003
01:05:46,999 --> 01:05:50,667
LA VIE BOHEME
LA VIE BOHEME ♪
1004
01:05:58,334 --> 01:06:02,000
♪ LA VIE BOHEME
TO DAYS OF INSPIRATION
1005
01:06:02,000 --> 01:06:04,584
PLAYING HOOKY
MAKING SOMETHING ♪
1006
01:06:04,584 --> 01:06:05,999
♪ LA VIE BOHEME
OUT OF NOTHING
1007
01:06:05,999 --> 01:06:07,751
THE NEED
TO EXPRESS ♪
1008
01:06:07,751 --> 01:06:09,999
♪ TO COMMUNICATE
LA VIE BOHEME
1009
01:06:09,999 --> 01:06:12,959
TO GOING AGAINST THE GRAIN
GOING INSANE ♪
1010
01:06:12,959 --> 01:06:13,999
♪ LA VIE BOHEME
GOING MAD
1011
01:06:13,999 --> 01:06:17,209
TO LOVING TENSION
LA VIE BOHEME ♪
1012
01:06:17,209 --> 01:06:18,250
♪ NO PENSION
TO MORE THAN ONE DIMENSION
1013
01:06:18,250 --> 01:06:21,042
LA VIE BOHEME
TO STARVING FOR ATTENTION ♪
1014
01:06:21,042 --> 01:06:23,167
♪ HATING CONVENTION
HATING PRETENSION
1015
01:06:23,167 --> 01:06:24,792
LA VIE BOHEME
NOT TO MENTION OF COURSE ♪
1016
01:06:24,792 --> 01:06:27,584
♪ HATING DEAR OLD
MOM AND DAD
1017
01:06:27,584 --> 01:06:28,542
LA VIE BOHEME
TO RIDING YOUR BIKE ♪
1018
01:06:30,667 --> 01:06:34,334
♪ LA VIE BOHEME
MIDDAY PAST THE THREE
1019
01:06:34,334 --> 01:06:35,542
PIECE SUITS
LA VIE BOHEME ♪
1020
01:06:35,542 --> 01:06:36,999
♪ TO FRUITS
TO NO ABSOLUTES
1021
01:06:36,999 --> 01:06:38,999
LA VIE BOHEME
TO ABSOLUTE ♪
1022
01:06:38,999 --> 01:06:40,999
♪ TO CHOICE
TO THE VILLAGE VOICE
1023
01:06:40,999 --> 01:06:42,667
LA VIE BOHEME
TO ANY PASSING FAD ♪
1024
01:06:43,042 --> 01:06:46,999
♪ TO BEING AN US FOR ONCE
INSTEAD OF A THEM
1025
01:06:50,501 --> 01:06:54,000
LA VIE BOHEME
LA VIE BOHEME ♪
1026
01:06:55,876 --> 01:06:59,417
♪ IS THE EQUIPMENT
IN A PYRAMID
1027
01:06:59,417 --> 01:07:01,751
IT IS MAUREEN ♪
♪ THE MIXER
1028
01:07:01,751 --> 01:07:04,042
DOESN'T HAVE A CASE
DON'T GIVE ME THAT FACE ♪
1029
01:07:04,042 --> 01:07:07,667
>> LADIES --
♪ HEY MISTER
1030
01:07:07,667 --> 01:07:09,667
SHE'S MY SISTER ♪
>> MAUREEN, WE NEED TO --
1031
01:07:09,667 --> 01:07:13,209
♪ TO HAND-CRAFTED BEERS
MADE IN LOCAL BREWERIES
1032
01:07:13,209 --> 01:07:16,334
TO YOGA
TO YOGURT ♪
1033
01:07:16,334 --> 01:07:17,999
♪ TO RICE AND BEANS
AND CHEESE
1034
01:07:17,999 --> 01:07:19,584
TO LEATHER
TO LATEX ♪
1035
01:07:19,584 --> 01:07:21,584
♪ TO CURRY VINDALOO
TO HUEVOS RANCHEROS
1036
01:07:21,999 --> 01:07:25,542
AND MAYA ANGELOU
EMOTION ♪
1037
01:07:25,542 --> 01:07:28,125
♪ DEVOTION
TO CAUSING A COMMOTION
1038
01:07:28,125 --> 01:07:30,125
CREATION
VACATION ♪
1039
01:07:30,125 --> 01:07:31,959
♪ MUCHO --
COMPASSION
1040
01:07:31,959 --> 01:07:35,000
TO FASHION
TO PASSION WHEN IT'S NEW ♪
1041
01:07:35,000 --> 01:07:38,125
♪ TO SONTAG
TO SONDHEIM
1042
01:07:38,125 --> 01:07:39,417
TO ANYTHING TABOO
GINSBERG, DYLAN ♪
1043
01:07:40,584 --> 01:07:44,167
♪ CUNNINGHAM AND CAGE
LENNY BRUCE
1044
01:07:44,167 --> 01:07:46,584
LANGSTON HUGHES
TO THE STAGE ♪
1045
01:07:46,584 --> 01:07:48,999
♪ TO UTA
TO BUDDHA
1046
01:07:48,999 --> 01:07:51,209
PABLO NERUDA, TOO
WHY DOROTHY AND TOTO ♪
1047
01:07:53,417 --> 01:07:57,250
♪ WENT OVER THE RAINBOW
TO BLOW OFF AUNTIE EM
1048
01:07:57,959 --> 01:08:01,751
LA VIE BOHEME ♪
♪ AND WIPE THE SPEAKERS OFF
1049
01:08:03,999 --> 01:08:07,584
BEFORE YOU PACK
YES MAUREEN
1050
01:08:07,584 --> 01:08:09,167
WELL HURRY BACK ♪
♪ THEY KISS DEEP.
1051
01:08:10,459 --> 01:08:13,999
SISTERS
WE'RE CLOSE
1052
01:08:13,999 --> 01:08:17,542
BROTHERS ♪
♪ BISEXUALS
1053
01:08:17,542 --> 01:08:20,125
TRISEXUALS
HOMO SAPIENS ♪
1054
01:08:20,125 --> 01:08:22,334
♪ CARCINOGENS
HALLUCINOGENS
1055
01:08:22,334 --> 01:08:24,667
MEN
PEEWEE HERMAN ♪
1056
01:08:24,667 --> 01:08:26,667
♪ GERMAN WINE
TURPENTINE
1057
01:08:26,667 --> 01:08:27,584
GERTRUDE STEIN ♪
♪ ANTONIONI
1058
01:08:27,584 --> 01:08:29,000
BERTOLUCCI
KUROSAWA
1059
01:08:29,000 --> 01:08:32,167
CARMINA BURANA ♪
♪ TO APATHY
1060
01:08:32,167 --> 01:08:34,167
TO ENTROPY
TO EMPATHY
1061
01:08:34,167 --> 01:08:36,584
-- ♪
♪ VACLAV HAVEL
1062
01:08:36,584 --> 01:08:38,167
THE -- PISTOLS
8BC ♪
1063
01:08:38,167 --> 01:08:41,209
♪ TO NO SHAME
NEVER
1064
01:08:41,209 --> 01:08:42,584
PLAYING THE FAME GAME ♪
♪ TO --
1065
01:08:42,999 --> 01:08:46,542
TO SODOMY
IT'S BETWEEN GOD
1066
01:08:46,542 --> 01:08:49,125
AND ME ♪
♪ TO S&M
1067
01:08:49,584 --> 01:08:52,959
WAITER
WAITER
1068
01:08:52,959 --> 01:08:53,667
LA VIE BOHEME ♪
>> THIS JUST IN!
1069
01:08:54,999 --> 01:08:59,042
THE MYTHICAL LAND OF BOHEMIA,
LONG BELIEVED TO BE DEAD, IS
1070
01:08:59,042 --> 01:09:02,334
SHOWING SHOCKING SIGNS OF LIFE!
1071
01:09:02,334 --> 01:09:04,209
>> MIMI MARQUEZ HAS BEGUN
SERVING HER LIFETIME APPOINTMENT
1072
01:09:04,209 --> 01:09:07,584
AS MINISTER OF NATIONAL SECURITY
AND BDSM.
1073
01:09:07,584 --> 01:09:10,999
>> MARK COHEN IS YOUR NEW
SECRETARY OF STATE PROPAGANDA!
1074
01:09:10,999 --> 01:09:13,209
[ CHEERS ]
>> THANK YOU, THANK YOU.
1075
01:09:13,209 --> 01:09:15,042
AND PLEASE KEEP IT GOING FOR THE
REVOLUTIONARY RIOT GRRRL WHO
1076
01:09:15,042 --> 01:09:18,250
MADE TONIGHT POSSIBLE IN THE
FIRST PLACE.
1077
01:09:18,250 --> 01:09:20,999
THE REIGNING QUEEN OF BOHEMIA,
MS. MAUREEN JOHNSON!
1078
01:09:23,999 --> 01:09:27,834
♪ YOUR NEW BOYFRIEND
DOESN'T KNOW ABOUT US
1079
01:09:27,834 --> 01:09:30,999
THERE'S NOTHING TO KNOW ♪
♪ DON'T YOU THINK
1080
01:09:30,999 --> 01:09:33,334
THAT WE SHOULD DISCUSS
IT WAS THREE MONTHS AGO ♪
1081
01:09:33,334 --> 01:09:35,334
>> AND ROGER, THE UNOFFICIAL
BARD OF BOHEMIA, WILL ATTEMPT TO
1082
01:09:35,334 --> 01:09:38,542
WRITE A BITTERSWEET, EVOCATIVE
LOVE SONG.
1083
01:09:38,999 --> 01:09:42,959
THAT DOESN'T REMIND US OF
MUSETTA'S WALTZ.
1084
01:09:42,959 --> 01:09:46,459
>> ANGEL DUMOTT SCHUNARD TAKES
HER RIGHTFUL PLACE AS FIRST
1085
01:09:46,459 --> 01:09:50,250
LADY, QUEEN OF ALL SHE SURVEYS,
AND BEACON OF HOPE IN THESE
1086
01:09:52,167 --> 01:09:55,584
DARKEST OF DAYS.
1087
01:09:55,584 --> 01:09:57,167
>> AND FIRST PHILOSOPHER TOM
COLLINS WILL RECOUNT HIS
1088
01:09:57,167 --> 01:10:00,334
EXPLOITS AS AN ANARCHIST,
INCLUDING THE TALE OF HIS
1089
01:10:00,334 --> 01:10:02,334
SUCCESSFUL REPROGRAMMING OF THE
MIT VIRTUAL REALITY EQUIPMENT TO
1090
01:10:02,334 --> 01:10:05,959
SELF-DESTRUCT, AS IT BROADCASTS
THE WORDS --
1091
01:10:05,959 --> 01:10:08,125
♪ ACTUAL REALITY
ACT UP
1092
01:10:08,125 --> 01:10:09,042
FIGHT AIDS ♪
♪ EXCUSE ME
1093
01:10:10,250 --> 01:10:14,042
DID I DO SOMETHING WRONG ♪
♪ I GET INVITED
1094
01:10:14,042 --> 01:10:16,584
THEN IGNORED
ALL NIGHT LONG ♪
1095
01:10:16,584 --> 01:10:19,250
♪ I'VE BEEN TRYING
I'M NOT LYING
1096
01:10:19,250 --> 01:10:22,000
NO ONE'S PERFECT
I'VE GOT BAGGAGE ♪
1097
01:10:25,125 --> 01:10:28,999
♪ LIFE'S TOO SHORT BABE
TIME IS FLYING
1098
01:10:28,999 --> 01:10:29,999
I'M LOOKING FOR BAGGAGE
THAT GOES WITH MINE ♪
1099
01:10:29,999 --> 01:10:33,250
♪ I SHOULD TELL YOU.
1100
01:10:33,250 --> 01:10:34,042
I'VE GOT BAGGAGE TOO
SHOULD TELL YOU
1101
01:10:34,042 --> 01:10:36,459
BAGGAGE ♪
♪ WINE AND BEER! ♪
1102
01:10:36,459 --> 01:10:38,834
[ BEEPERS ]
♪ AZT BREAK
1103
01:10:47,083 --> 01:10:50,334
YOU
ME
1104
01:10:50,334 --> 01:10:53,042
YOU ♪
♪ I SHOULD TELL YOU
1105
01:10:57,542 --> 01:11:01,042
I SHOULD TELL YOU
I'M DISASTER
1106
01:11:10,999 --> 01:11:14,999
I FORGET HOW TO BEGIN IT ♪
♪ LET'S JUST MAKE
1107
01:11:17,000 --> 01:11:20,999
THIS PART GO FASTER
I HAVE YET TO BE IN IT
1108
01:11:23,000 --> 01:11:26,959
I SHOULD TELL YOU ♪
♪ I SHOULD TELL YOU
1109
01:11:26,959 --> 01:11:29,667
I SHOULD TELL YOU
I SHOULD TELL YOU
1110
01:11:29,667 --> 01:11:32,417
I SHOULD TELL ♪
♪ I BLEW THE CANDLE OUT
1111
01:11:35,751 --> 01:11:39,584
JUST TO GET BACK IN
I'D FORGOTTEN HOW TO SMILE
1112
01:11:42,999 --> 01:11:46,792
UNTIL YOUR CANDLE ♪
♪ BURNED MY SKIN
1113
01:11:48,501 --> 01:11:52,125
I SHOULD TELL YOU
I SHOULD TELL YOU
1114
01:11:52,125 --> 01:11:54,125
I SHOULD TELL YOU ♪
♪ I SHOULD TELL
1115
01:11:55,999 --> 01:11:59,417
WELL, HERE WE GO
NOW WE
1116
01:12:07,999 --> 01:12:11,334
OH NO ♪
♪ I KNOW
1117
01:12:15,250 --> 01:12:18,959
THIS SOMETHING IS
HERE GOES
1118
01:12:18,959 --> 01:12:22,000
HERE GOES ♪
♪ GUESS SO
1119
01:12:23,626 --> 01:12:27,042
IT'S STARTING TO
WHO KNOWS
1120
01:12:28,292 --> 01:12:31,999
WHO KNOWS ♪
♪ WHO KNOWS WHERE
1121
01:12:31,999 --> 01:12:34,334
WHO GOES THERE
WHO KNOWS
1122
01:12:38,209 --> 01:12:41,959
HERE GOES ♪
♪ TRUSTING DESIRE
1123
01:12:43,167 --> 01:12:46,999
STARTING TO LEARN
WALKING THROUGH FIRE
1124
01:12:52,459 --> 01:12:56,167
WITHOUT A BURN ♪
♪ CLINGING A SHOULDER
1125
01:13:00,501 --> 01:13:04,042
A LEAP BEGINS
STINGING AND OLDER
1126
01:13:04,459 --> 01:13:08,042
ASLEEP ON PINS ♪
♪ SO HERE WE GO
1127
01:13:14,709 --> 01:13:17,999
NOW WE
OH NO
1128
01:13:20,999 --> 01:13:24,334
I KNOW ♪
♪ OH NO
1129
01:13:26,250 --> 01:13:29,999
WHO KNOWS WHERE
WHO GOES THERE
1130
01:13:32,709 --> 01:13:36,125
HERE GOES ♪
♪ HERE GOES
1131
01:13:40,751 --> 01:13:44,042
HERE GOES
HERE GOES
1132
01:13:48,584 --> 01:13:52,042
HERE GOES ♪
♪ HERE GOES ♪
1133
01:13:58,834 --> 01:14:02,042
>> ARE WE PACKED?
1134
01:14:02,042 --> 01:14:04,042
>> YES, AND BY NEXT WEEK I WANT
YOU TO BE.
1135
01:14:04,042 --> 01:14:06,459
>> POOKIE?
1136
01:14:06,459 --> 01:14:07,667
>> MY NAME IS NOT POOKIE.
1137
01:14:07,667 --> 01:14:08,834
AND WE WILL DISCUSS US LATER.
1138
01:14:08,834 --> 01:14:09,999
AND MARK --
♪ YOU SHOULD SEE.
1139
01:14:10,125 --> 01:14:13,584
THEY'VE PADLOCKED.
1140
01:14:13,584 --> 01:14:14,834
YOUR BUILDING.
1141
01:14:14,834 --> 01:14:15,959
AND THEY'RE RIOTING ♪
♪ ON AVENUE B ♪
1142
01:14:15,959 --> 01:14:17,167
>> BENNY CALLED THE COPS.
1143
01:14:17,167 --> 01:14:19,042
>> WHAT?!
1144
01:14:19,042 --> 01:14:20,792
♪ THEY DON'T KNOW
WHAT THEY'RE DOING
1145
01:14:20,792 --> 01:14:23,999
THE COPS ARE
SWEEPING THE LOT ♪
1146
01:14:23,999 --> 01:14:27,542
>> BUT NO ONE'S LEAVING.
1147
01:14:27,542 --> 01:14:28,751
THEY'RE SITTING THERE, MOOING!
1148
01:14:28,751 --> 01:14:30,125
♪ YEA
TO DANCE
1149
01:14:30,125 --> 01:14:32,125
NO WAY TO MAKE A LIVING
MASOCHISM ♪
1150
01:14:32,125 --> 01:14:33,834
♪ PAIN
PERFECTION
1151
01:14:33,834 --> 01:14:34,999
MUSCLE SPASM
CHIROPRACTORS ♪
1152
01:14:34,999 --> 01:14:36,209
♪ SHORT CAREERS
EATING DISORDERS
1153
01:14:36,209 --> 01:14:38,042
FILM
ADVENTURE ♪
1154
01:14:38,042 --> 01:14:40,000
♪ TEDIUM
NO FAMILY
1155
01:14:40,000 --> 01:14:41,334
BORING LOCATIONS
DARK ROOMS ♪
1156
01:14:41,334 --> 01:14:44,584
♪ PERFECT FACES
EGOS
1157
01:14:44,584 --> 01:14:45,334
MONEY
HOLLYWOOD AND SLEAZE ♪
1158
01:14:45,334 --> 01:14:46,209
♪ MUSIC
FOOD OF LOVE
1159
01:14:46,209 --> 01:14:47,250
EMOTION
MATHEMATICS ♪
1160
01:14:47,250 --> 01:14:48,000
♪ ISOLATION
RHYTHM
1161
01:14:48,000 --> 01:14:48,834
POWER
FEELING ♪
1162
01:14:48,834 --> 01:14:49,751
♪ HARMONY
AND HEAVY COMPETITION
1163
01:14:49,751 --> 01:14:51,125
ANARCHY
REVOLUTION ♪
1164
01:14:51,125 --> 01:14:53,125
♪ JUSTICE
SCREAMING FOR SOLUTIONS
1165
01:14:53,125 --> 01:14:54,042
FORCING CHANGES, RISK
AND DANGER ♪
1166
01:14:54,042 --> 01:14:55,250
♪ MAKING NOISE
AND MAKING PLEAS
1167
01:14:55,250 --> 01:14:57,250
TO --
-- ♪
1168
01:14:57,250 --> 01:14:59,999
♪ --
CROSS DRESSERS TOO
1169
01:14:59,999 --> 01:15:01,042
TO ME
TO ME ♪
1170
01:15:01,042 --> 01:15:01,999
♪ TO ME
TO YOU, AND YOU AND YOU
1171
01:15:01,999 --> 01:15:03,999
YOU AND YOU
TO PEOPLE LIVING WITH ♪
1172
01:15:03,999 --> 01:15:05,792
♪ LIVING WITH
LIVING WITH
1173
01:15:05,792 --> 01:15:08,834
NOT DYING FROM DISEASE ♪
♪ LET HE AMONG US WITHOUT SIN
1174
01:15:08,834 --> 01:15:12,209
BE THE FIRST TO CONDEMN
LA VIE BOHEME
1175
01:15:15,999 --> 01:15:19,542
LA VIE BOHEME ♪
♪ LA VIE BOHEME
1176
01:15:21,999 --> 01:15:25,959
ANYONE OUT OF THE MAINSTREAM
LA VIE BOHEME
1177
01:15:25,959 --> 01:15:27,834
IS ANYONE IN THE MAINSTREAM ♪
♪ LA VIE BOHEME
1178
01:15:27,834 --> 01:15:31,250
ANYONE ALIVE WITH A -- DRIVE
LA VIE BOHEME
1179
01:15:31,250 --> 01:15:34,999
TEAR DOWN THE WALL ♪
♪ AREN'T WE ALL
1180
01:15:34,999 --> 01:15:36,999
THE OPPOSITE OF WAR
ISN'T PEACE
1181
01:15:36,999 --> 01:15:39,209
IT'S CREATION ♪♪
[ CHEERS ]
1182
01:15:40,999 --> 01:15:44,999
>> IN HERE, THE PARTY CONTINUES
ALL NIGHT LONG.
1183
01:15:46,125 --> 01:15:49,751
OUTSIDE, THE SNOW DANCES.
1184
01:15:49,751 --> 01:15:51,667
A RIOT BREAKS OUT IN THE LOT.
[ CHANTING ]
1185
01:15:51,667 --> 01:15:54,667
♪ OPEN OUR PARK
NO POLICE STATE
1186
01:15:54,667 --> 01:15:55,999
OPEN OUR PARK
NO POLICE STATE ♪
1187
01:15:55,999 --> 01:15:57,209
♪ OPEN OUR PARK
NO POLICE STATE ♪♪
1188
01:15:57,375 --> 01:16:01,584
>> AND OBLIVIOUS TO IT ALL, MIMI
AND ROGER SHARE A SMALL, LOVELY
1189
01:16:01,584 --> 01:16:03,999
KISS.
1190
01:16:07,792 --> 01:16:10,999
♪ VIVA
LA VIE
1191
01:16:10,999 --> 01:16:13,542
BOHEME ♪♪
>>> NEW YEAR'S EVE, 1991.
1192
01:16:40,999 --> 01:16:45,000
FOUR OF MY BEST FRIENDS HAVE
BEEN DIAGNOSED WITH HIV.
1193
01:16:45,000 --> 01:16:48,667
THIS COULD BE THE YEAR WE
THIS COULD BE THE YEAR WE LOSE
1194
01:16:48,999 --> 01:16:52,999
ONE OF THEM.
THIS COULD BE THE YEAR WE LOSE
1195
01:16:52,999 --> 01:16:54,459
THEM ALL.
1196
01:16:54,459 --> 01:16:57,250
♪ FIVE HUNDRED TWENTY
FIVE THOUSAND
1197
01:16:57,250 --> 01:16:59,250
SIX HUNDRED
MINUTES ♪
1198
01:16:59,250 --> 01:17:02,000
♪ FIVE HUNDRED TWENTY
FIVE THOUSAND
1199
01:17:02,000 --> 01:17:04,000
SIX HUNDRED
MINUTES ♪
1200
01:17:04,000 --> 01:17:06,209
♪ MOMENTS SO DEAR
FIVE HUNDRED TWENTY
1201
01:17:06,209 --> 01:17:09,209
FIVE THOUSAND
SIX HUNDRED MINUTES ♪
1202
01:17:11,334 --> 01:17:15,042
♪ HOW DO YOU MEASURE MEASURE A
YEAR ♪
1203
01:17:15,042 --> 01:17:19,042
>> THE HOLIDAYS WERE REALLY HARD
TO GET THROUGH.
1204
01:17:20,999 --> 01:17:24,792
>> I JUST GOT SOME REALLY
DISCOURAGING NEWS.
1205
01:17:27,334 --> 01:17:31,542
>> I DON'T KNOW HOW I'M GONNA --
>> HEY, JUST TAKE IT DAY BY DAY,
1206
01:17:31,834 --> 01:17:34,999
HOUR BY HOUR.
1207
01:17:34,999 --> 01:17:37,959
>> EVEN MINUTE BY MINUTE.
1208
01:17:37,959 --> 01:17:40,042
♪ IN DAYLIGHTS
IN SUNSETS
1209
01:17:40,042 --> 01:17:41,959
IN MIDNIGHTS
IN CUPS OF COFFEE ♪
1210
01:17:41,959 --> 01:17:44,999
♪ IN INCHES
IN MILES
1211
01:17:44,999 --> 01:17:47,250
IN LAUGHTER
IN STRIFE ♪
1212
01:17:47,250 --> 01:17:50,167
♪ FIVE HUNDRED TWENTY
FIVE THOUSAND
1213
01:17:50,167 --> 01:17:52,000
SIX HUNDRED
MINUTES ♪
1214
01:17:52,000 --> 01:17:55,334
♪ HOW DO YOU
MEASURE A YEAR
1215
01:17:55,334 --> 01:17:58,999
IN THE LIFE
HOW ABOUT LOVE ♪
1216
01:17:59,167 --> 01:18:02,959
♪ HOW ABOUT LOVE
HOW ABOUT LOVE
1217
01:18:07,626 --> 01:18:11,209
MEASURE IN LOVE
SEASONS OF LOVE ♪
1218
01:18:17,667 --> 01:18:21,250
MEASURE IN LOVE
SEASONS OF LOVE ♪
1219
01:18:30,417 --> 01:18:34,042
♪ FIVE HUNDRED TWENTY
FIVE THOUSAND
1220
01:18:34,042 --> 01:18:36,999
SIX HUNDRED
MINUTES ♪
1221
01:18:36,999 --> 01:18:39,250
♪ FIVE HUNDRED TWENTY
FIVE THOUSAND
1222
01:18:39,250 --> 01:18:40,999
SIX HUNDRED
JOURNEYS TO PLAN ♪
1223
01:18:44,375 --> 01:18:48,000
♪ FIVE HUNDRED TWENTY
FIVE THOUSAND
1224
01:18:48,000 --> 01:18:49,209
SIX HUNDRED
MINUTES ♪
1225
01:18:49,918 --> 01:18:53,751
HOW DO YOU MEASURE THE
LIFE OF A WOMAN OR A MAN
1226
01:18:53,751 --> 01:18:55,751
IN TRUTHS THAT SHE LEARNED
OR IN TIMES THAT HE CRIED ♪
1227
01:18:56,584 --> 01:19:00,459
♪ IN BRIDGES HE BURNED
OR THE WAY THAT SHE DIED
1228
01:19:02,542 --> 01:19:06,459
IT'S TIME NOW TO SING OUT
THE STORY NEVER ENDS ♪
1229
01:19:06,999 --> 01:19:10,792
♪ LET'S CELEBRATE
REMEMBER A YEAR
1230
01:19:10,792 --> 01:19:14,250
IN THE LIFE OF FRIENDS
REMEMBER THE LOVE ♪
1231
01:19:16,083 --> 01:19:19,999
♪ REMEMBER THE LOVE
REMEMBER THE LOVE
1232
01:19:19,999 --> 01:19:23,459
MEASURE IN LOVE
MEASURE YOUR LIFE IN LOVE ♪
1233
01:19:29,167 --> 01:19:32,999
♪ SEASONS OF LOVE
SEASONS OF LOVE ♪
1234
01:19:39,209 --> 01:19:42,999
♪ SEASONS OF LOVE
SEASONS OF LOVE ♪
1235
01:19:47,999 --> 01:19:52,999
♪ SEASONS OF LOVE
SEASONS OF LOVE ♪
1236
01:20:00,876 --> 01:20:04,999
>> IT'S BEEN EXACTLY ONE WEEK
SINCE ROGER MET MIMI, ANGEL MET
1237
01:20:05,999 --> 01:20:10,167
COLLINS, MAUREEN INADVERTENTLY
STARTED A MASSIVE RIOT OF WHICH
1238
01:20:11,999 --> 01:20:15,999
I HAPPENED TO GET SOME AMAZING
FOOTAGE, BY THE WAY AND JOANNE
1239
01:20:15,999 --> 01:20:19,999
DUMPED MAUREEN.
OH, AND BENNY LOCKED US OUT OF
1240
01:20:19,999 --> 01:20:22,459
OUR BUILDING.
1241
01:20:22,459 --> 01:20:24,834
♪ IT'S STILL WINTER
IT'S STILL COLD
1242
01:20:24,834 --> 01:20:27,042
AND SO TONIGHT
IN HONOR OF THE ♪
1243
01:20:27,042 --> 01:20:28,250
♪ ONE WEEK ANNIVERSARY
OF THIS AUSPICIOUS OCCASION
1244
01:20:28,250 --> 01:20:30,792
WE CELEBRATE THE ONLY
WAY WE KNOW HOW ♪
1245
01:20:30,792 --> 01:20:33,167
>> WE TRY TO BREAK BACK IN.
1246
01:20:33,167 --> 01:20:36,250
HAPPY NEW YEAR.
1247
01:20:36,250 --> 01:20:36,999
>> HOW LONG TIL NEXT YEAR?
1248
01:20:36,999 --> 01:20:37,959
>> THREE AND A HALF MINUTES.
1249
01:20:37,959 --> 01:20:40,209
♪ I'M GIVING UP MY VICES
I'M GOING BACK
1250
01:20:40,209 --> 01:20:42,250
BACK TO SCHOOL
EVICTION OR NOT ♪
1251
01:20:46,250 --> 01:20:50,209
♪ THIS WEEK'S BEEN SO HOT
THAT LONG AS I'VE GOT YOU
1252
01:20:50,209 --> 01:20:53,250
I KNOW I'LL BE COOL
I COULDN'T CRACK ♪
1253
01:20:53,626 --> 01:20:57,417
♪ THE LOVE CODE DEAR
TIL YOU MADE THE LOCK
1254
01:20:57,417 --> 01:21:00,000
ON MY HEART EXPLODE
IT'S GONNA BE ♪
1255
01:21:00,000 --> 01:21:02,000
♪ A HAPPY NEW YEAR
A HAPPY NEW YEAR ♪
1256
01:21:08,751 --> 01:21:11,999
>> COAST IS CLEAR.
1257
01:21:11,999 --> 01:21:13,125
YOU'RE SUPPOSED TO BE WORKING.
1258
01:21:13,125 --> 01:21:15,209
THAT'S FOR MIDNIGHT.
1259
01:21:15,209 --> 01:21:16,000
WHERE ARE THEY?
1260
01:21:16,000 --> 01:21:17,209
THERE ISN'T MUCH TIME.
1261
01:21:17,209 --> 01:21:19,042
>> MAYBE THEY'RE DRESSING.
1262
01:21:19,042 --> 01:21:20,834
>> I MEAN WHAT DOES ONE WEAR
THAT 'S APROPOS FOR A PARTY,
1263
01:21:21,292 --> 01:21:24,792
THAT'S ALSO A CRIME?
1264
01:21:24,792 --> 01:21:25,999
>> CHIPS, ANYONE?
1265
01:21:25,999 --> 01:21:27,584
>> YOU CAN TAKE THE GIRL OUT OF
JERSEY BUT YOU CAN'T TAKE THE
1266
01:21:27,584 --> 01:21:30,209
JERSEY OUT OF THE GIRL.
1267
01:21:30,209 --> 01:21:32,999
>> MY RIOT GOT YOU ON TV, I
DESERVE A ROYALTY.
1268
01:21:32,999 --> 01:21:36,250
>> BE NICE YOU TWO OR NO GOD
AWFUL CHAMPAGNE.
1269
01:21:37,417 --> 01:21:41,000
>> DON'T MIND IF I DO
>> NO LUCK?
1270
01:21:41,000 --> 01:21:42,000
>> BOLTED, PLYWOOD, PADLOCKED
WITH A CHAIN.
1271
01:21:42,000 --> 01:21:43,250
>> A TOTAL DEAD END.
1272
01:21:43,250 --> 01:21:45,459
>> JUST LIKE MY EX-GIRLFRIEND.
1273
01:21:48,999 --> 01:21:52,000
HONEY?
1274
01:21:52,000 --> 01:21:53,250
I KNOW YOU'RE THERE.
1275
01:21:53,250 --> 01:21:54,999
PLEASE PICK UP THE PHONE.
1276
01:21:54,999 --> 01:21:56,999
ARE YOU OKAY?
1277
01:21:56,999 --> 01:22:00,459
IT'S NOT FUNNY, IT'S NOT FAIR,
HOW CAN I ATONE?
1278
01:22:00,876 --> 01:22:04,000
ARE YOU OKAY?
1279
01:22:04,000 --> 01:22:07,209
>> I LOSE CONTROL BUT I CAN
LEARN TO BE GOOD GIVE ME ONE
1280
01:22:07,209 --> 01:22:09,667
MORE CHANCE.
1281
01:22:09,667 --> 01:22:10,834
AND I'LL DO WHAT I SHOULD.
1282
01:22:10,834 --> 01:22:12,417
I'LL KISS YOUR DOC MARTENS.
1283
01:22:12,417 --> 01:22:13,209
LET ME KISS YOUR DOC MARTENS.
1284
01:22:13,209 --> 01:22:15,000
DO EVERYTHING YOU WISH I WOULD.
1285
01:22:15,792 --> 01:22:19,167
>> THAT MIGHT BE --OKAY.
1286
01:22:19,167 --> 01:22:19,999
DOWN GIRL.
1287
01:22:19,999 --> 01:22:21,999
HEEL, STAY.
1288
01:22:21,999 --> 01:22:24,209
>> I DID A BIT OF RESEARCH.
1289
01:22:24,209 --> 01:22:25,459
WITH MY FRIENDS AT LEGAL AID.
1290
01:22:25,459 --> 01:22:28,125
TECHNICALLY, YOU'RE SQUATTERS.
1291
01:22:28,125 --> 01:22:30,751
THERE'S HOPE, BUT JUST IN
CASE --
1292
01:22:30,751 --> 01:22:31,667
>> ROPE?
1293
01:22:31,667 --> 01:22:32,751
>> WE CAN HOIST A LINE --
>> TO A FIRE ESCAPE--
1294
01:22:32,751 --> 01:22:34,999
>> IN THE BACK, WE'LL TIE OFF
AT --
1295
01:22:34,999 --> 01:22:36,125
>> THERE'S A BENCH!
1296
01:22:36,125 --> 01:22:38,999
>> I CAN'T TAKE THEM AS CHUMS.
1297
01:22:38,999 --> 01:22:41,250
>> START HOISTING, WENCH.
>> LAST WEEK I WANTED JUST TO
1298
01:22:45,334 --> 01:22:48,999
DISAPPEAR MY LIFE WAS DUST.
1299
01:22:48,999 --> 01:22:50,542
BUT NOW IT JUST MAY BE A HAPPY
NEW YEAR.
1300
01:22:51,999 --> 01:22:55,250
A HAPPY NEW YEAR.
1301
01:22:57,459 --> 01:23:00,959
>> BOND, JAMES BOND.
1302
01:23:00,959 --> 01:23:03,209
>> AND PUSSY GALORE.
1303
01:23:03,209 --> 01:23:03,999
IN PERSON.
1304
01:23:03,999 --> 01:23:04,834
>> PUSSY, YOU CAME PREPARED!
1305
01:23:04,834 --> 01:23:06,792
>> I WAS A BOY SCOUT ONCE.
1306
01:23:06,792 --> 01:23:08,250
AND A BROWNIE, 'TIL SOME BRAT
GOT SCARED.
1307
01:23:08,250 --> 01:23:10,792
>> AHA!
MONEYPENNY, MY MARTINI!
1308
01:23:10,792 --> 01:23:13,542
>> WILL BAD CHAMPAGNE DO?
1309
01:23:13,542 --> 01:23:15,999
>>THAT'S SHAKEN, NOT STIRRED.
1310
01:23:15,999 --> 01:23:16,751
PUSSY, THE BOLTS.
1311
01:23:16,751 --> 01:23:19,042
>> JUST SAY THE WORD >> TWO
MINUTES LEFT TO EXECUTE OUR
1312
01:23:19,042 --> 01:23:20,667
PLAN.
1313
01:23:20,667 --> 01:23:21,375
>> WHERE'S EVERYONE ELSE?
1314
01:23:21,375 --> 01:23:22,125
>> PLAYING SPIDER-MAN .
1315
01:23:22,125 --> 01:23:25,000
>> BECAUSE WHILE WE WERE LOCKED
OUT, BENNY HAD HAD THE POWER
1316
01:23:25,999 --> 01:23:29,250
TURNED BACK ON.
1317
01:23:29,250 --> 01:23:32,209
MARK WALKS TO THE PHONE, PRESSES
A BUTTON.
1318
01:23:32,209 --> 01:23:35,792
♪ MARK MARK ARE YOU THERE
ARE YOU THERE
1319
01:23:35,792 --> 01:23:36,999
ARE YOU SCREENING
YOUR CALLS ♪
1320
01:23:36,999 --> 01:23:40,000
♪ IT'S MOM WE'RE ALL
IMPRESSED THAT THE RIOT
1321
01:23:40,000 --> 01:23:43,250
FOOTAG EMADE THE
NIGHTLY NEWS ♪
1322
01:23:43,250 --> 01:23:45,125
♪ AND YOUR FATHER
SAYS MAZEL TOV
1323
01:23:45,125 --> 01:23:47,250
HONEY. CALL HIM
LOVE, MOM ♪
1324
01:23:49,751 --> 01:23:53,667
>> ALEXI DARLING
>> ALEXI DARLING FROM BUZZLINE.
1325
01:23:53,667 --> 01:23:56,417
THAT TRASHY TABLOID NEWS SHOW?
1326
01:23:56,417 --> 01:23:58,250
WHAT DO THEY WANT WITH ME?
1327
01:23:58,250 --> 01:23:59,584
>> YOUR FOOTAGE OF THE RIOTS
A-ONE.
1328
01:23:59,584 --> 01:24:02,417
FEATURE SEGMENT NETWORK DEAL
TIME.
1329
01:24:02,417 --> 01:24:05,000
I'M SENDING YOU A CONTRACT.
1330
01:24:05,000 --> 01:24:05,999
KER-CHING, KER-CHING.
1331
01:24:05,999 --> 01:24:07,999
MARKY GIVE US A CALL, 970-4301
OR AT HOME TRY 863-6754.
1332
01:24:10,999 --> 01:24:15,000
OR MY CELLPHONE AT 919-763-0090
OR YOU CAN E-MAIL ME AT --
1333
01:24:17,792 --> 01:24:21,250
>> I THINK WE NEED AN AGENT!
1334
01:24:21,250 --> 01:24:22,209
>> WE?
1335
01:24:22,209 --> 01:24:23,250
>> THAT'S SELLING OUT.
1336
01:24:23,792 --> 01:24:27,792
>> BUT IT'S NICE TO DREAM
>> YEAH, IT'S NETWORK TV.
1337
01:24:27,792 --> 01:24:31,792
AND IT'S ALL THANKS TO ME
>> SOMEHOW I THINK I SMELL THE
1338
01:24:31,792 --> 01:24:33,334
WHIFF OF A SCHEME.
1339
01:24:33,334 --> 01:24:34,542
>> ME TOO.
1340
01:24:34,542 --> 01:24:38,042
>> WE CAN PLAN ANOTHER PROTEST.
1341
01:24:38,042 --> 01:24:39,125
>> WE?
1342
01:24:39,125 --> 01:24:40,459
>> THIS TIME YOU CAN SHOOT FROM
THE START.
1343
01:24:40,459 --> 01:24:42,459
>> YOU'LL DIRECT, STARRING ME!
1344
01:24:42,459 --> 01:24:45,042
>> OPEN SESAME!
1345
01:24:45,042 --> 01:24:47,042
>> HAPPY NEW YEAR!
1346
01:24:47,042 --> 01:24:47,667
HAPPY NEW YEAR!
1347
01:24:50,959 --> 01:24:54,792
>> I SEE THAT YOU'VE BEATEN ME
TO THE PUNCH
1348
01:24:58,250 --> 01:25:01,999
>> HOW'D YOU KNOW WE'D BE HERE?
1349
01:25:01,999 --> 01:25:04,209
>> I HAD A HUNCH.
1350
01:25:04,209 --> 01:25:05,459
>> YOU'RE NOT MAD?
1351
01:25:05,459 --> 01:25:06,751
>> I'M HERE TO END THIS WAR.
1352
01:25:06,751 --> 01:25:07,999
IT'S A SHAME YOU WENT AND
DESTROYED THE DOOR.
1353
01:25:07,999 --> 01:25:10,042
>> WHY ALL THE SUDDEN THE BIG
ABOUT FACE?
1354
01:25:10,042 --> 01:25:12,042
>> THE CREDIT IS YOURS YOU MADE
A GOOD CASE.
1355
01:25:12,042 --> 01:25:13,834
>> WHAT CASE?
1356
01:25:13,834 --> 01:25:14,667
>> MIMI CAME TO SEE ME.
1357
01:25:14,667 --> 01:25:15,417
AND SHE HAD MUCH TO SAY.
1358
01:25:15,417 --> 01:25:16,999
>> THAT'S NOT HOW YOU PUT IT AT
ALL YESTERDAY.
1359
01:25:16,999 --> 01:25:18,209
I COULDN'T STOP THINKING.
1360
01:25:18,209 --> 01:25:19,792
ABOUT THE WHOLE MESS.
1361
01:25:21,083 --> 01:25:24,999
MARK, YOU'LL WANT TO GET THIS ON
FILM?
1362
01:25:24,999 --> 01:25:25,999
>> I GUESS.
1363
01:25:25,999 --> 01:25:27,375
>> I REGRET THE UNLUCKY
CIRCUMSTANCES OF THE PAST SEVEN
1364
01:25:27,375 --> 01:25:27,999
DAYS.
1365
01:25:27,999 --> 01:25:28,417
>> CIRCUMSTANCE?
1366
01:25:28,417 --> 01:25:29,250
YOU PADLOCKED OUR DOOR.
1367
01:25:29,250 --> 01:25:32,459
>> AND IT'S WITH GREAT PLEASURE
ON BEHALF OF CYBERARTS THAT I
1368
01:25:32,459 --> 01:25:35,209
HAND YOU THIS KEY.
1369
01:25:35,209 --> 01:25:37,999
>> I HAD NO JUICE IN MY BATTERY.
1370
01:25:37,999 --> 01:25:39,667
>> RESHOOT.
1371
01:25:39,667 --> 01:25:40,751
>> I SEE, THIS IS A PHOTO
OPPORTUNITY.
1372
01:25:40,751 --> 01:25:42,834
>> THE BENEVOLENT GOD USHERS
THE POOR ARTISTS BACK TO THEIR
1373
01:25:42,834 --> 01:25:44,209
FLAT.
WERE YOU PLANNING TO TAKE DOWN
1374
01:25:44,209 --> 01:25:47,000
THE BARBED WIRE FROM THE LOT?
1375
01:25:47,000 --> 01:25:48,250
>> AND LET THOSE PEOPLE BACK IN?
1376
01:25:48,250 --> 01:25:49,167
ANYTHING BUT THAT!
1377
01:25:49,167 --> 01:25:50,334
>> MIMI, SINCE YOUR WAYS ARE SO
SEDUCTIVE.
1378
01:25:50,334 --> 01:25:53,000
>> YOU CAME ON TO ME!
1379
01:25:53,000 --> 01:25:54,209
>> PERSUADE HIM NOT TO BE SO
COUNTERPRODUCTIVE.
1380
01:25:54,209 --> 01:25:56,125
>> LIAR!
1381
01:25:56,125 --> 01:25:57,417
>> WHY NOT TELL THEM WHAT YOU
WORE TO MY PLACE?
1382
01:25:57,417 --> 01:25:58,999
>> I WAS ON MY WAY TO WORK --
>> BLACK LEATHER AND LACE!
1383
01:25:58,999 --> 01:25:59,459
MY DESK WAS A MESS.
1384
01:25:59,459 --> 01:26:00,209
I THINK I'M STILL SORE.
1385
01:26:00,209 --> 01:26:01,459
>> CAUSE I KICKED HIM.
1386
01:26:01,459 --> 01:26:02,751
AND TOLD HIM I WASN'T HIS WHORE!
1387
01:26:02,751 --> 01:26:03,959
>> DOES YOUR BOYFRIEND KNOW.
1388
01:26:03,959 --> 01:26:04,667
WHO YOUR LAST BOYFRIEND WAS?
1389
01:26:04,667 --> 01:26:06,042
>> I'M NOT HER BOYFRIEND I DON'T
CARE WHAT SHE DOES
1390
01:26:06,999 --> 01:26:10,167
>> PEOPLE!
1391
01:26:10,167 --> 01:26:11,209
IS THIS ANY WAY TO START A NEW
YEAR?
1392
01:26:11,209 --> 01:26:11,792
HAVE COMPASSION.
1393
01:26:11,792 --> 01:26:15,250
BENNY JUST LOST HIS CAT
>> MY DOG, BUT I APPRECIATE
1394
01:26:15,250 --> 01:26:16,417
THAT.
1395
01:26:16,417 --> 01:26:17,751
>> MY CAT HAD A FALL AND I WENT
THROUGH HELL.
1396
01:26:17,751 --> 01:26:20,000
>> IT'S LIKE LOSING A --
HOW DID YOU KNOW THAT SHE FELL?
1397
01:26:20,000 --> 01:26:21,751
>> CHAMPAGNE?
1398
01:26:21,751 --> 01:26:22,999
>> DON'T MIND IF I DO.
1399
01:26:22,999 --> 01:26:23,999
TO DOGS.
1400
01:26:23,999 --> 01:26:25,250
>> NO BENNY -- TO YOU!
1401
01:26:25,250 --> 01:26:27,751
>> LET'S MAKE A RESOLUTION.
1402
01:26:27,751 --> 01:26:29,209
>> I'LL DRINK TO THAT.
1403
01:26:29,209 --> 01:26:31,209
>> LET'S ALWAYS STAY FRIENDS.
1404
01:26:31,209 --> 01:26:34,417
>> THO' WE MAY HAVE OUR
DISPUTES.
1405
01:26:34,417 --> 01:26:35,999
>> THIS FAMILY TREE'S GOT DEEP
ROOTS
1406
01:26:35,999 --> 01:26:39,209
>> FRIENDSHIP IS THICKER THAN
BLOOD.
1407
01:26:39,209 --> 01:26:43,000
>> THAT DEPENDS
>> THAT A SHOT AT ME?
1408
01:26:43,000 --> 01:26:44,250
>> YEAH, IT WAS.
1409
01:26:44,250 --> 01:26:44,999
DEPENDS ON TRUE DEVOTION.
1410
01:26:44,999 --> 01:26:45,999
DEPENDS ON LOVE.
1411
01:26:45,999 --> 01:26:48,125
>> DEPENDS ON NOT DENYING
EMOTION.
1412
01:26:48,125 --> 01:26:50,125
>> PERHAPS.
1413
01:26:50,125 --> 01:26:52,999
>> IT'S GONNA BE A HAPPY NEW
YEAR.
1414
01:26:52,999 --> 01:26:55,250
>> I GUESS.
1415
01:26:55,250 --> 01:26:57,834
>> IT'S GONNA BE A HAPPY NEW
YEAR.
1416
01:26:57,834 --> 01:26:59,834
>> YOU'RE RIGHT.
1417
01:26:59,834 --> 01:27:02,209
>> IT'S GONNA BE A HAPPY NEW
YEAR.
1418
01:27:06,876 --> 01:27:10,000
>> I'M SORRY.
1419
01:27:10,000 --> 01:27:11,250
>> COMING?
1420
01:27:11,250 --> 01:27:13,751
>> IN A MINUTE.
1421
01:27:14,375 --> 01:27:17,751
I'M FINE. GO.
1422
01:27:28,542 --> 01:27:32,250
>> WELL, WELL, WELL.
WHAT HAVE WE HERE?
1423
01:27:33,000 --> 01:27:36,751
IT'S GONNA BE A HAPPY NEW YEAR.
1424
01:27:59,999 --> 01:28:03,459
>> VALENTINE'S DAY, 1992.
1425
01:28:03,834 --> 01:28:07,125
I DO NOT HAVE A DATE.
1426
01:28:07,125 --> 01:28:09,042
OR A JOB.
1427
01:28:09,042 --> 01:28:11,667
ALEXI DARLING KEEPS CALLING
ABOUT THE BUZZLINE GIG.
1428
01:28:11,667 --> 01:28:13,125
I KEEP SAYING NO.
1429
01:28:15,042 --> 01:28:19,042
I STILL HAVE A SOUL.
AS FOR MY EX, SHE IS, AS FAR AS
1430
01:28:19,042 --> 01:28:21,459
I KNOW, BACK WITH HER EX.
>> I SAID ONCE MORE FROM THE
1431
01:28:25,459 --> 01:28:28,999
TOP.
>> I SAID NO.
1432
01:28:28,999 --> 01:28:30,042
>> -- BUT MAYBE CHECK IN ON THAT
AGAIN TOMORROW.
1433
01:28:30,042 --> 01:28:31,999
>> YOU CANNOT JUST STAND THERE
AND MOO AGAIN.
1434
01:28:31,999 --> 01:28:35,959
>> YOU SHOOT DOWN EVERY SINGLE
ONE OF MY IDEAS.
1435
01:28:35,959 --> 01:28:37,375
>> YOU'VE BEEN PLANNING THIS
PROTEST FOR A MONTH AND YOU HAVE
1436
01:28:37,375 --> 01:28:38,459
NOTHING.
>> I HAVE THE GROUNDHOG THING.
1437
01:28:41,792 --> 01:28:45,792
>> YOU, DRESSED AS A CYBER
GROUNDHOG TO PROTEST THE
1438
01:28:45,792 --> 01:28:47,042
CYBERARTS GROUNDBREAKING?
LESS THAN BRILLIANT.
1439
01:28:47,042 --> 01:28:48,792
>> THAT'S IT, MISS IVY LEAGUE.
>> WHAT DOES IVY LEAGUE HAVE TO
1440
01:28:48,792 --> 01:28:52,000
DO WITH ANYTHING?
>> EVER SINCE NEW YEAR'S I HAVE BEEN ON MY BEST BEHAVIOR.
1441
01:28:52,000 --> 01:28:52,999
I LET YOU DIRECT.
1442
01:28:53,999 --> 01:28:58,000
I DIDN'T PIERCE MY NIPPLES
BECAUSE IT GROSSED YOU OUT.
1443
01:28:58,000 --> 01:28:59,751
I DIDN'T STAY AND DANCE AT
PANDORA'S BOX THAT NIGHT,
1444
01:28:59,751 --> 01:29:01,751
â o~CAUSE YOU WANTED TO GO HOME.
>> YOU WERE FLIRTING WITH THAT
1445
01:29:01,751 --> 01:29:04,959
WOMAN IN RUBBER.
>> JOANNE.
1446
01:29:09,125 --> 01:29:12,417
HONESTLY.
1447
01:29:12,417 --> 01:29:13,959
THERE WILL ALWAYS BE WOMEN IN
RUBBER FLIRTING WITH ME.
1448
01:29:13,959 --> 01:29:15,042
GIVE ME A BREAK.
♪ EVERY SINGLE DAY I WALK DOWN
1449
01:29:20,375 --> 01:29:24,584
THE STREET ♪ I HEAR PEOPLE
SAY, "BABY'S SO SWEET" ♪ EVER
1450
01:29:24,584 --> 01:29:27,959
SINCE PUBERTY EVERYBODY STARES
AT ME ♪ BOYS, GIRLS I CAN'T
1451
01:29:27,959 --> 01:29:31,000
HELP IT BABY ♪ SO BE KIND AND
DON'T LOSE YOUR MIND ♪ JUST
1452
01:29:37,999 --> 01:29:42,042
REMEMBER THAT I'M YOU'RE BABY
TAKE ME FOR WHAT I AM ♪ WHO I
1453
01:29:51,834 --> 01:29:55,999
WAS MEANT TO BE AND IF YOU GIVE
A DAMN ♪ TAKE ME BABY OR LEAVE
1454
01:29:58,250 --> 01:30:02,459
ME TAKE ME BABY OR LEAVE ME ♪
♪ A TIGER IN A CAGE CAN NEVER
1455
01:30:10,999 --> 01:30:15,042
SEE THE SUN ♪ THIS DIVA NEEDS
HER STAGE BABY LET'S HAVE FUN! ♪
1456
01:30:15,042 --> 01:30:16,999
♪ YOU ARE THE ONE I CHOOSE
FOLKS'D KILL TO FILL YOUR
1457
01:30:16,999 --> 01:30:19,999
SHOES ♪ YOU LOVE THE LIMELIGHT
TOO, NOW BABY SO BE MINE AND DON'T WASTE MY TIME ♪ CRYIN'
"HONEYBEAR ARE YOU STILL MY
1458
01:30:20,417 --> 01:30:24,667
BABY?" ♪ TAKE ME FOR WHAT I AM
WHO I WAS MEANT TO BE ♪ AND IF
1459
01:30:28,042 --> 01:30:32,209
YOU GIVE A DAMN TAKE ME BABY OR
LEAVE ME ♪ NO WAY CAN I BE
1460
01:30:32,209 --> 01:30:36,000
WHAT I'M NOT BUT HEY - DON'T YOU
WANT YOUR GIRL HOT! ♪ DON'T
1461
01:30:43,125 --> 01:30:47,250
FIGHT DON'T LOSE YOUR HEAD CAUSE
EVERY NIGHT - WHO'S IN YOUR
1462
01:30:47,999 --> 01:30:51,999
BED? ♪ WHO'S IN YOUR BED? ♪
KISS, POOKIE.
1463
01:30:57,999 --> 01:31:01,999
BED? ♪ WHO'S IN YOUR BED? ♪
KISS, POOKIE.
1464
01:31:12,334 --> 01:31:16,250
>> IT WON'T WORK.
♪ I LOOK BEFORE I LEAP I LOVE
1465
01:31:16,250 --> 01:31:17,792
MARGINS AND DISCIPLINE ♪ I
MAKE LISTS IN MY SLEEP BABY
1466
01:31:17,792 --> 01:31:19,000
WHAT'S MY SIN? ♪ NEVER QUIT, I
FOLLOW THROUGH ♪ I HATE MESS -
1467
01:31:25,584 --> 01:31:29,792
BUT I LOVE YOU WHAT TO DO WITH
MY IMPROMPTU BABY ♪ SO BE WISE
1468
01:31:29,792 --> 01:31:31,250
â o~CAUSE THIS GIRL SATISFIES ♪
♪ YOU'VE GOT A PRIZE WHO DON'T
1469
01:31:31,250 --> 01:31:33,042
COMPROMISE YOU'RE ONE LUCKY
BABY ♪ TAKE ME FOR WHAT I AM ♪
1470
01:31:36,542 --> 01:31:40,542
>> ♪ A CONTROL FREAK
>> ♪ WHO I WAS MEANT TO BE
1471
01:31:40,999 --> 01:31:45,209
>> ♪ A SNOB, YET OVERATTENTIVE
>> ♪ AND IF YOU GIVE A DAMN
1472
01:31:48,042 --> 01:31:52,250
>> ♪ A LOVABLE, DROLL GEEK
>> ♪ TAKE ME BABY OR LEAVE ME
1473
01:31:52,250 --> 01:31:56,209
>> ♪ AND ANAL RETENTIVE!
>> ♪ THAT'S IT!
1474
01:31:56,751 --> 01:32:00,959
>> ♪ THE STRAW THAT BREAKS MY
>> ♪ THE STRAW THAT BREAKS MY
1475
01:32:01,584 --> 01:32:05,334
BACK ♪
>> ♪ I QUIT >> ♪ UNLESS YOU
1476
01:32:05,334 --> 01:32:06,959
TAKE IT BACK ♪ >> WOMEN ♪ >>
♪ WHAT IS IT ABOUT THEM? >>
1477
01:32:06,959 --> 01:32:08,459
♪ CAN'T LIVE >> ♪ WITH THEM
>> ♪ OR WITHOUT THEM! ♪ TAKE
1478
01:32:08,459 --> 01:32:10,250
ME FOR WHAT I AM WHO I WAS MEANT
TO BE ♪ AND IF YOU GIVE A DAMN
1479
01:32:16,125 --> 01:32:20,334
ME FOR WHAT I AM WHO I WAS MEANT
TO BE ♪ AND IF YOU GIVE A DAMN
1480
01:32:23,999 --> 01:32:28,042
TAKE ME BABY OR LEAVE ME ♪
♪ TAKE ME BABY OR LEAVE ME GUESS
1481
01:32:28,042 --> 01:32:29,751
I'M LEAVIN' I'M GONE! ♪ >> IT'S
>> IT'S THE COLDEST, NASTIEST
1482
01:32:35,584 --> 01:32:39,792
I'M LEAVIN' I'M GONE! ♪ >> IT'S
>> IT'S THE COLDEST, NASTIEST
1483
01:32:44,918 --> 01:32:49,918
I'M LEAVIN' I'M GONE! ♪ >> IT'S
>> IT'S THE COLDEST, NASTIEST
1484
01:32:52,000 --> 01:32:56,000
MARCH I CAN REMEMBER.
ANGEL HAS SPENT MOST OF THE YEAR
1485
01:33:02,042 --> 01:33:05,999
IN THE HOSPITAL, WITH COLLINS
ALWAYS AT HER SIDE.
1486
01:33:05,999 --> 01:33:07,000
ROGER'S STILL TRYING TO WRITE
THAT SONG.
1487
01:33:13,042 --> 01:33:16,999
BUT NOW HE'S USUALLY WORKING AT
MIMI'S.
1488
01:33:16,999 --> 01:33:18,042
MAUREEN AND JOANNE ARE
OFFICIALLY BROKEN UP.
1489
01:33:18,042 --> 01:33:19,334
IT SEEMS MIMI AND ROGER ARE NOT
FAR BEHIND.
1490
01:33:21,167 --> 01:33:24,459
>> SORRY.
1491
01:33:24,459 --> 01:33:25,167
SORRY I'M LATE.
SORRY.
1492
01:33:25,167 --> 01:33:25,792
>> WHERE WERE YOU?
1493
01:33:25,792 --> 01:33:26,667
[ COUGHS ]
>> ARE YOU ALRIGHT?
1494
01:33:36,167 --> 01:33:39,999
>> I'M FINE, DON'T WORRY ABOUT
ME.
1495
01:33:47,334 --> 01:33:51,000
HOW'S BENNY?
>> I WASN'T WITH BENNY.
1496
01:33:51,000 --> 01:33:52,334
>> OF COURSE NOT.
1497
01:33:52,334 --> 01:33:53,375
I'M GOING BACK TO MY PLACE.
>> WAIT.
1498
01:33:53,375 --> 01:33:54,250
I SHOULD TELL YOU.
I SHOULD --
1499
01:33:54,250 --> 01:33:57,459
NEVER MIND.
>> YEAH, NEVER MIND.HAPPY SPRING.
>> ♪ WITHOUT YOU THE GROUND THAWS ♪ THE RAIN FALLS THE
GRASS GROWS ♪ WITHOUT YOU THE
1500
01:34:02,999 --> 01:34:06,999
THAWS ♪ THE RAIN FALLS THE
GRASS GROWS ♪ WITHOUT YOU THE
1501
01:34:11,501 --> 01:34:15,751
SEEDS ROOT ♪ THE FLOWERS BLOOM
THE CHILDREN PLAY ♪ THE STARS
1502
01:34:21,542 --> 01:34:25,792
SEEDS ROOT ♪ THE FLOWERS BLOOM
THE CHILDREN PLAY ♪ THE STARS
1503
01:34:30,167 --> 01:34:34,334
GLEAM THE POETS DREAM ♪ THE
EAGLES FLY WITHOUT YOU ♪ THE
1504
01:34:40,209 --> 01:34:44,375
GLEAM THE POETS DREAM ♪ THE
EAGLES FLY WITHOUT YOU ♪ THE
1505
01:34:45,417 --> 01:34:49,459
EARTH TURNS THE SUN BURNS ♪
♪ BUT I DIE WITHOUT YOU
1506
01:34:55,501 --> 01:34:59,542
EARTH TURNS THE SUN BURNS ♪
♪ BUT I DIE WITHOUT YOU
1507
01:35:04,792 --> 01:35:08,959
♪ WITHOUT YOU THE BREEZE WARMS
♪ THE GIRL SMILES THE CLOUD
1508
01:35:14,250 --> 01:35:18,417
MOVES ♪ WITHOUT YOU THE TIDES
CHANGE ♪ THE BOYS RUN THE
1509
01:35:25,292 --> 01:35:29,042
OCEANS CRASH ♪ THE CROWDS ROAR
♪LONELY
1510
01:35:35,375 --> 01:35:39,125
OCEANS CRASH ♪ THE CROWDS ROAR
♪LONELY
1511
01:35:44,250 --> 01:35:49,250
OCEANS CRASH ♪ THE CROWDS ROAR
♪LONELY
1512
01:35:55,375 --> 01:35:59,125
OCEANS CRASH ♪ THE CROWDS ROAR
♪LONELY
1513
01:36:04,250 --> 01:36:09,250
OCEANS CRASH ♪ THE CROWDS ROAR
♪LONELY
1514
01:36:15,375 --> 01:36:19,125
OCEANS CRASH ♪ THE CROWDS ROAR
♪LONELY
1515
01:36:28,876 --> 01:36:32,042
♪BLUE
♪WITHIN
1516
01:36:32,042 --> 01:36:33,209
♪ME,
♪WITHOUT
1517
01:36:36,626 --> 01:36:40,000
♪YOU
♪ THE TEARS DRY
1518
01:36:46,667 --> 01:36:50,042
♪YOU
♪ THE TEARS DRY
1519
01:36:55,167 --> 01:37:00,167
♪YOU
♪ THE TEARS DRY
1520
01:37:06,667 --> 01:37:10,042
♪YOU
♪ THE TEARS DRY
1521
01:37:15,167 --> 01:37:20,167
♪YOU
♪ THE TEARS DRY
1522
01:37:22,501 --> 01:37:26,042
♪ WITHOUT YOU
♪ WITHOUT YOU
1523
01:37:32,584 --> 01:37:36,125
♪ WITHOUT YOU
♪ WITHOUT YOU
1524
01:37:41,250 --> 01:37:46,250
♪ WITHOUT YOU
♪ WITHOUT YOU
1525
01:37:52,584 --> 01:37:56,125
♪ WITHOUT YOU
♪ WITHOUT YOU
1526
01:38:03,042 --> 01:38:06,751
>> IT'S TOO HOT TO ANSWER YOU.
1527
01:38:07,584 --> 01:38:11,042
>> IT'S TOO HOT TO ANSWER YOU.
1528
01:38:11,042 --> 01:38:12,751
>> ALEXI DARLING MEMORIAL DAY
WEEKEND IN EAST HAMPTON ON THE
1529
01:38:13,542 --> 01:38:17,042
BEACH ♪
JUST SAW ALEC BALDWIN
1530
01:38:17,042 --> 01:38:20,334
TOLD HIM YOU SAY HI
>> JUST KIDDING WE STILL NEED
1531
01:38:20,334 --> 01:38:23,459
DIRECTORS YOU STILL NEED MONEY
YOU KNOW YOU NEED MONEY PICK UP
1532
01:38:23,459 --> 01:38:25,000
THE PHONE DON'T BE AFRAID OF
KER-CHING KERCHING MARKY SELL US
1533
01:38:28,999 --> 01:38:32,250
YOUR SOLE SOUL.
1534
01:38:32,667 --> 01:38:35,999
JUST KIDDING.
1535
01:38:35,999 --> 01:38:37,000
WE ARE WAITING.
1536
01:38:37,000 --> 01:38:38,584
>> KEEP WAITING ALEXI.
1537
01:38:39,292 --> 01:38:42,999
SUMMER'S JUST GETTING STARTED.
1538
01:38:42,999 --> 01:38:45,459
BUT IT WILL BE OVER BEFORE WE
KNOW IT.
1539
01:38:45,751 --> 01:38:49,042
♪ HOT HOT
♪ HOT HOT
1540
01:38:55,834 --> 01:38:59,125
♪ HOT HOT
♪ HOT HOT
1541
01:39:04,250 --> 01:39:09,250
♪ HOT HOT
♪ HOT HOT
1542
01:39:15,834 --> 01:39:19,125
♪ HOT HOT
♪ HOT HOT
1543
01:39:22,999 --> 01:39:26,250
HOT
SWEAT
1544
01:39:26,250 --> 01:39:28,250
♪ SWEET
WET
1545
01:39:28,250 --> 01:39:29,667
WET
♪ WET
1546
01:39:29,667 --> 01:39:31,209
RED
HEAT
1547
01:39:33,584 --> 01:39:37,167
♪ LET HER HOT
>>BASTARD! SWEAT
1548
01:39:45,501 --> 01:39:49,334
>> YOU WHORE! SWEET
>> YOU CANNIBAL! WET WET
1549
01:39:49,334 --> 01:39:50,667
>> WET MORE!
1550
01:39:51,999 --> 01:39:55,834
>> RED
>> YOU ANIMAL! HEAT ♪ NO LATEX
1551
01:39:55,834 --> 01:39:56,999
PLEASE DON'T STOP
RUBBER PLEASE, PLEASE
1552
01:39:56,999 --> 01:39:58,000
RUBBER DON'T STOP, STOP ♪
♪ FIRE STOP, STOP, STOP
1553
01:39:58,250 --> 01:40:02,167
LATEX RUBBER DON'T PLEASE
RED, RED PLEASE, PLEASE
1554
01:40:10,459 --> 01:40:14,000
PLEASE PLEASE ♪
♪ FLUID NO HOT
1555
01:40:14,000 --> 01:40:16,459
FLUID NO HOT
CONTACT YES HOT
1556
01:40:16,459 --> 01:40:17,459
NO CONTACT SWEAT, SWEET ♪
♪ FIRE WET
1557
01:40:17,459 --> 01:40:18,792
FIRE WET
BURN WET
1558
01:40:18,792 --> 01:40:19,667
BURN, YES! RED, HEAT
♪ NO LATEX
1559
01:40:24,626 --> 01:40:27,999
RUBBER
RUBBER
1560
01:40:27,999 --> 01:40:28,792
FIRE ♪
♪ LATEX RUBBER
1561
01:40:28,792 --> 01:40:29,584
LATEX BUMMER
LOVER BUMMER
1562
01:40:29,584 --> 01:40:30,417
THE SHEET DISAPPEARS
♪ TAKE ME
1563
01:40:30,417 --> 01:40:31,459
TAKE ME♪
TAKE ME♪
1564
01:40:31,459 --> 01:40:32,167
♪ AHH
TAKE ME
1565
01:40:32,167 --> 01:40:32,999
TAKE ME, OH
♪ TODAY FOR YOU
1566
01:40:32,999 --> 01:40:34,999
TOMORROW FOR ME
TODAY ME, TOMORROW YOU♪ TOMORROW
YOU LOVE
1567
01:40:34,999 --> 01:40:38,125
YOU LOVE ♪
YOU LOVE
1568
01:40:38,125 --> 01:40:40,209
I LOVE YOU
♪ I LOVE YOU!
1569
01:40:43,999 --> 01:40:47,250
AHH
TAKE ME
1570
01:40:47,250 --> 01:40:48,000
TAKE ME
TAKE ME ♪
1571
01:40:49,999 --> 01:40:53,459
>> UM.
>> WAIT.
1572
01:40:53,459 --> 01:40:56,000
>> NO.
1573
01:40:56,000 --> 01:40:56,959
>> OW!>> WHERE'D IT GO?
1574
01:40:56,959 --> 01:41:00,250
>> SAFE.
>> DAMN.
1575
01:41:00,250 --> 01:41:02,209
>> I THINK I MISSED.
1576
01:41:02,751 --> 01:41:05,999
DON'T GET PISSED.
1577
01:41:06,667 --> 01:41:09,999
>> IT WAS BAD FOR ME.
1578
01:41:09,999 --> 01:41:11,459
WAS IT BAD FOR YOU?
1579
01:41:11,459 --> 01:41:12,999
>> IT'S OKAY.
1580
01:41:12,999 --> 01:41:15,000
>> IT'S OVER.
>> IT'S OVER.
1581
01:41:15,000 --> 01:41:17,125
>> IT'S OVER.
1582
01:41:17,125 --> 01:41:21,459
>> SO WE THANK YOU, DEAR ANGEL,
FOR LIGHTING OUR WAY WITH STYLE
1583
01:41:22,792 --> 01:41:26,042
AND GRACE AND LOVE.
1584
01:41:30,999 --> 01:41:34,999
>> SHE PULLED ME ASIDE ONE NIGHT
TO TALK LEGAL ADVICE.
1585
01:41:34,999 --> 01:41:38,000
NOT FOR HER; FOR EVERYONE IN THE
EAST VILLAGE.
1586
01:41:39,125 --> 01:41:43,250
>> SQUATTERS, CHILD PROTECTIVE
SERVICES, MEDICAL INSURANCE.
1587
01:41:43,250 --> 01:41:46,042
SHE WANTED TO HELP.
1588
01:41:46,042 --> 01:41:47,751
AND SHE ALWAYS DID.
1589
01:41:47,751 --> 01:41:49,751
>> ANGEL WAS ONE OF MY CLOSEST
FRIENDS. IT'S RIGHT THAT IT'S
1590
01:41:57,125 --> 01:42:01,000
HALLOWEEN, BECAUSE IT WAS HER
FAVORITE HOLIDAY.
1591
01:42:02,459 --> 01:42:06,209
I KNEW WE'D HIT IT OFF THE
MOMENT WE MET.
1592
01:42:08,459 --> 01:42:12,667
SOME SKINHEAD WAS BOTHERING HER,
AND SHE SAID SHE WAS MORE OF A
1593
01:42:14,626 --> 01:42:18,792
MAN THAN HE'D EVER BE AND MORE
OF A WOMAN THAN HE'D EVER GET.
1594
01:42:19,083 --> 01:42:22,999
>> AND THEN THERE WAS THE TIME
HE-- SHE--
1595
01:42:22,999 --> 01:42:26,000
WALKED UP TO THIS GROUP OF
TOURISTS. AND THEY WERE
1596
01:42:26,000 --> 01:42:29,417
PETRIFIED BECAUSE, A - THEY WERE
OBVIOUSLY LOST AND B - HAD
1597
01:42:29,417 --> 01:42:32,999
PROBABLY NEVER SPOKEN TO A
PERSON LIKE HER BEFORE IN THEIR
1598
01:42:32,999 --> 01:42:36,000
LIVES. BUT SHE OFFERED TO TAKE A
PICTURE WITH THEM. AND THEN SHE
1599
01:42:39,375 --> 01:42:43,250
SAID SHE'D HELP 'EM FIND THE
STATUE OF LIBERTY.
1600
01:42:46,751 --> 01:42:50,459
>> SO MUCH MORE ORIGINAL THAN
ANY OF US.
1601
01:42:50,459 --> 01:42:54,250
YOU'D FIND AN OLD TABLECLOTH ON
THE STREET AND MAKE A DRESS AND
1602
01:42:54,250 --> 01:42:58,250
NEXT YEAR, SURE ENOUGH, THEY'D
BE SELLING THEM AT SAKS.
1603
01:43:01,999 --> 01:43:06,125
>> YOU ALWAYS SAID HOW LUCKY YOU
WERE THAT WE WERE ALL FRIENDS
1604
01:43:06,125 --> 01:43:09,959
BUT IT WAS US, BABY, WHO WERE
THE LUCKY ONES.
1605
01:43:15,999 --> 01:43:19,999
BUT IT WAS US, BABY, WHO WERE
THE LUCKY ONES.
1606
01:43:30,292 --> 01:43:34,000
♪ LIVE IN MY HOUSE
I'LL BE YOUR SHELTER
1607
01:43:40,334 --> 01:43:44,042
♪ LIVE IN MY HOUSE
I'LL BE YOUR SHELTER
1608
01:43:46,542 --> 01:43:50,334
JUST PAY ME BACK WITH
♪ ONE THOUSAND KISSES
1609
01:43:56,584 --> 01:44:00,375
JUST PAY ME BACK WITH
♪ ONE THOUSAND KISSES
1610
01:44:02,999 --> 01:44:06,667
BE MY LOVER
AND I'LL COVER YOU
1611
01:44:13,000 --> 01:44:16,751
BE MY LOVER
AND I'LL COVER YOU
1612
01:44:20,792 --> 01:44:24,459
♪ OPEN YOUR DOOR
I'LL BE YOUR TENANT
1613
01:44:27,918 --> 01:44:31,667
DON'T GOT MUCH BAGGAGE
TO LAY AT YOUR FEET
1614
01:44:35,334 --> 01:44:39,000
♪ BUT SWEET KISSES
I'VE GOT TO SPARE
1615
01:44:40,125 --> 01:44:43,999
I'LL BE THERE
♪ AND I'LL COVER YOU
1616
01:44:48,999 --> 01:44:52,751
I THINK THEY MEANT IT
WHEN THEY SAID YOU
1617
01:44:53,209 --> 01:44:57,000
♪ CAN'T BUY LOVE
NOW I KNOW YOU CAN RENT IT
1618
01:44:59,626 --> 01:45:03,250
A NEW LEASE YOU ARE, MY LOVE
ON LIFE
1619
01:45:06,334 --> 01:45:10,000
♪ ALL MY LIFE
I'VE LONGED TO DISCOVER
1620
01:45:20,292 --> 01:45:23,999
SOMETHING AS TRUE
AS THIS IS ♪
1621
01:45:27,375 --> 01:45:31,000
♪ SO WITH A THOUSAND FIVE
HUNDRED
1622
01:45:31,000 --> 01:45:33,167
SWEET KISSES ♪
♪ IF YOU'RE COLD TWENTY-FIVE
1623
01:45:33,167 --> 01:45:36,209
THOUSAND
I'LL COVER YOU ♪
1624
01:45:44,459 --> 01:45:48,209
♪ AND YOU'RE LONELY SIX-HUNDRED
MINUTES
1625
01:45:49,542 --> 01:45:53,751
WITH A THOUSAND FIVE HUNDRED ♪
♪ SWEET KISSES YOU'VE GOT ONE
1626
01:45:53,751 --> 01:45:55,000
TWENTY-FIVE THOUSAND
I'LL COVER YOU NICKEL ONLY
1627
01:45:56,999 --> 01:46:00,959
MOMENTS SO DEAR ♪
♪ WITH A THOUSAND FIVE HUNDRED
1628
01:46:01,209 --> 01:46:05,209
SWEET KISSES WHEN YOU'RE WORN
OUT TWENTY-FIVE THOUSAND
1629
01:46:05,209 --> 01:46:08,999
♪ I'LL COVER YOU AND TIRED
SIX-HUNDRED MINUTES ♪
1630
01:46:16,918 --> 01:46:20,959
WITH A THOUSAND FIVE HUNDRED
♪ SWEET KISSES TWENTY-FIVE
1631
01:46:21,125 --> 01:46:24,834
THOUSAND ♪
WHEN YOUR HEART
1632
01:46:24,834 --> 01:46:26,999
♪ HAS EXPIRED
♪ OH LOVER
1633
01:46:26,999 --> 01:46:27,999
I'LL COVER YOU ♪
♪ YEAH-AH-AH-AH
1634
01:46:27,999 --> 01:46:28,999
OH LOVER ♪
I'LL COVER YOU ♪
1635
01:46:28,999 --> 01:46:29,999
♪ FIVE HUNDRED TWENTY-FIVE
THOUSAND ♪
1636
01:46:29,999 --> 01:46:31,042
SIX HUNDRED MINUTES
♪ FIVE HUNDRED TWENTY-FIVE
1637
01:46:31,042 --> 01:46:32,167
THOUSAND
SEASONS OF LOVE ♪
1638
01:46:38,792 --> 01:46:42,209
THOUSAND
SEASONS OF LOVE ♪
1639
01:46:47,334 --> 01:46:52,334
THOUSAND
SEASONS OF LOVE ♪
1640
01:47:00,999 --> 01:47:04,167
>> HI.
1641
01:47:04,167 --> 01:47:05,209
IS THIS ALEXI DARLING?
HI.
1642
01:47:05,209 --> 01:47:08,417
MARK COHEN.
YES, I'M STILL ALIVE.
1643
01:47:12,792 --> 01:47:15,999
YEAH.
1644
01:47:15,999 --> 01:47:17,042
I'D LIKE TO COME WORK FOR YOU
GUYS.
1645
01:47:17,042 --> 01:47:18,209
TODAY?
1646
01:47:18,209 --> 01:47:19,375
TODAY'S NOT GREAT.
I'M AT MY FRIEND'S --
1647
01:47:20,959 --> 01:47:24,125
TWENTY MINUTES?
1648
01:47:24,125 --> 01:47:27,459
OKAY.
1649
01:47:27,459 --> 01:47:30,209
I'LL BE THERE.
YEAH.
1650
01:47:30,209 --> 01:47:31,459
HAPPY HALLOWEEN TO YOU TOO.
♪ HOW DID WE GET HERE?
1651
01:47:37,959 --> 01:47:41,751
HOW THE HELL -- ♪
♪ HOW DID I GET HERE?
1652
01:47:41,751 --> 01:47:43,209
HOW THE HELL -- ♪ CHRISTMAS.
1653
01:47:50,292 --> 01:47:54,459
♪ CHRISTMAS EVE LAST YEAR, HOW
COULD A NIGHT SO FROZEN BE SO
1654
01:47:55,417 --> 01:47:59,584
SCALDING HOT? ♪ HOW CAN A
MORNING THIS MILD BE SO RAW? ♪
1655
01:48:04,626 --> 01:48:08,751
♪ WHY ARE ENTIRE YEARS STREWN ON
THE CUTTING ROOM FLOOR OF
1656
01:48:08,999 --> 01:48:13,000
MEMORY ♪ WHEN SINGLE FRAMES
FROM ONE MAGIC NIGHT ♪ FOREVER
1657
01:48:13,250 --> 01:48:17,459
FLICKER IN CLOSEUP ON THE 3D
IMAX OF MY MIND ♪ THAT'S POETIC.
1658
01:48:21,876 --> 01:48:25,834
THAT'S PATHETIC.
♪ WHY DID MIMI KNOCK ON ROGER'S
1659
01:48:25,834 --> 01:48:27,792
DOOR ♪
♪ AND COLLINS CHOOSE THAT PHONE
1660
01:48:27,792 --> 01:48:31,125
BOOTH ♪
♪ BACK WHERE ANGEL SET UP HER
1661
01:48:31,125 --> 01:48:34,000
DRUMS ♪
♪ WHY DID MAUREEN'S EQUIPMENT
1662
01:48:34,000 --> 01:48:35,751
BREAK DOWN ♪
♪ WHY AM I THE WITNESS AND WHEN
1663
01:48:35,999 --> 01:48:40,000
I CAPTURE IT ON FILM ♪
♪ WILL IT MEAN THAT IT'S THE END
1664
01:48:47,334 --> 01:48:51,209
AND I'M ALONE ♪
I TOOK THAT JOB AT BUZZLINE.
1665
01:48:54,626 --> 01:48:58,792
>> ♪ IT'S TRUE YOU SOLD YOUR
GUITAR AND BOUGHT A CAR? ♪
1666
01:48:59,584 --> 01:49:03,542
>> ♪ IT'S TRUE I'M LEAVING NOW
FOR SANTA FE ♪
1667
01:49:03,542 --> 01:49:06,751
♪ IT'S TRUE YOU'RE WITH THIS
YUPPIE SCUM? ♪
1668
01:49:06,751 --> 01:49:09,459
>> ♪ YOU SAID YOU'D NEVER SPEAK
TO HIM AGAIN ♪
1669
01:49:09,626 --> 01:49:13,459
>> NOT NOW.
>> ♪ WHO SAID THAT YOU HAVE ANY
1670
01:49:14,459 --> 01:49:18,209
SAY IN WHO SHE SAYS THINGS TO AT
ALL? ♪
1671
01:49:18,209 --> 01:49:20,584
>> YEAH.
>> ♪ WHO SAID THAT YOU SHOULD
1672
01:49:20,584 --> 01:49:23,250
STICK YOUR NOSE IN OTHER
PEOPLE'S -- ♪
1673
01:49:23,250 --> 01:49:24,584
>> WHO SAID I WAS TALKING TO
YOU?
1674
01:49:24,584 --> 01:49:27,250
>> ♪ WE USED TO HAVE THIS FIGHT
EACH NIGHT ♪
1675
01:49:27,250 --> 01:49:29,125
CALM DOWN.
♪ SHE'D NEVER ADMIT I EXISTED
1676
01:49:29,125 --> 01:49:31,250
EVERYONE PLEASE.
>> ♪ HE WAS THE SAME WAY HE WAS
1677
01:49:31,250 --> 01:49:33,999
ALWAYS ♪
♪ "RUN AWAY, HIT THE ROAD,
1678
01:49:33,999 --> 01:49:35,999
♪ DON'T COMMIT" YOU'RE FULL OF
IT ♪
1679
01:49:35,999 --> 01:49:37,209
>> MIMI --
>> ♪ SHE'S IN DENIAL
1680
01:49:37,209 --> 01:49:39,042
>> ♪ HE'S IN DENIAL
♪ DIDN'T GIVE AN INCH
1681
01:49:39,042 --> 01:49:41,999
GUYS.
♪ WHEN I GAVE A MILE
1682
01:49:41,999 --> 01:49:43,209
COME ON.
>> ♪ I GAVE A MILE
1683
01:49:43,209 --> 01:49:45,000
>> ♪ GAVE A MILE TO WHO?
>> ♪ COME ON GUYS CHILL.
1684
01:49:46,167 --> 01:49:50,334
>> ♪ I'D BE HAPPY TO DIE FOR A
TASTE OF WHAT ANGEL HAD ♪
1685
01:49:51,042 --> 01:49:55,042
♪ SOMEONE TO LIVE FOR UNAFRAID
TO SAY I LOVE YOU ♪
1686
01:49:57,709 --> 01:50:01,459
>> ♪ ALL YOUR WORDS ARE NICE
MIMI ♪
1687
01:50:01,459 --> 01:50:04,209
♪ BUT LOVE'S NOT A THREE WAY
STREET ♪
1688
01:50:04,209 --> 01:50:06,999
♪ YOU'LL NEVER SHARE REAL LOVE
UNTIL YOU LOVE YOUR SELF ♪
1689
01:50:06,999 --> 01:50:10,209
♪ I SHOULD KNOW
>> ♪ YOU ALL SAID YOU'D BE COOL
1690
01:50:15,999 --> 01:50:20,042
TODAY SO PLEASE FOR MY SAKE -- ♪
♪ I CAN'T BELIEVE SHE'S GONE I
1691
01:50:20,250 --> 01:50:24,459
CAN'T BELIEVE YOU'RE GOING ♪
♪ I CAN'T BELIEVE THIS FAMILY
1692
01:50:27,250 --> 01:50:31,042
WILL DIE ♪
♪ ANGEL HELPED US BELIEVE IN
1693
01:50:32,083 --> 01:50:35,999
LOVE I CAN'T BELIEVE YOU
DISAGREE ♪
1694
01:50:35,999 --> 01:50:39,209
>> ♪ I CAN'T BELIEVE THIS IS
GOODBYE ♪
1695
01:50:46,042 --> 01:50:49,999
I MISSED YOU SO MUCH.
>> I MISSED YOU.
1696
01:50:52,167 --> 01:50:55,959
>> OW.
>> CALM DOWN, MAUREEN.
1697
01:50:55,959 --> 01:50:58,667
>> CALM DOWN, MAUREEN?
>> GUYS.
1698
01:51:04,959 --> 01:51:08,542
>> THOMAS B. COLLINS?
>> COMING.
1699
01:51:19,000 --> 01:51:23,042
>> ♪ I HEAR THERE ARE GREAT
RESTAURANTS OUT WEST ♪
1700
01:51:23,042 --> 01:51:25,667
>> ♪ SOME OF THE BEST.
1701
01:51:25,667 --> 01:51:27,042
HOW COULD SHE? ♪
>> ♪ HOW COULD YOU LET HER GO?
1702
01:51:28,250 --> 01:51:32,334
>> ♪ YOU JUST DON'T KNOW HOW
COULD WE LOSE ANGEL? ♪
1703
01:51:33,292 --> 01:51:37,542
>> ♪ MAYBE YOU'LL SEE WHY WHEN
YOU STOP ESCAPING YOUR PAIN ♪
1704
01:51:37,542 --> 01:51:41,459
♪ AT LEAST NOW IF YOU TRY
ANGEL'S DEATH WON'T BE IN VAIN ♪
1705
01:51:43,459 --> 01:51:47,459
>> ♪ HER DEATH IS IN VAIN
>> ♪ ARE YOU INSANE?
1706
01:51:50,042 --> 01:51:54,209
THERE'S SO MUCH TO CARE ABOUT ♪
♪ THERE'S ME THERE'S MIMI
1707
01:51:54,209 --> 01:51:58,000
>> ♪ MIMI'S GOT HER BAGGAGE
TOO ♪
1708
01:51:58,000 --> 01:51:59,417
>> ♪ SO DO YOU
>> ♪ WHO ARE YOU TO TELL ME WHAT
1709
01:52:00,250 --> 01:52:04,000
I KNOW, WHAT TO DO ♪
>> ♪ A FRIEND
1710
01:52:04,334 --> 01:52:08,459
>> ♪ BUT WHO, MARK, ARE YOU?
"MARK HAS GOT HIS WORK" ♪
1711
01:52:10,999 --> 01:52:15,042
♪ THEY SAY "MARK LIVES FOR HIS
WORK" AND "MARK'S IN LOVE WITH
1712
01:52:15,417 --> 01:52:19,209
HIS WORK" ♪ IMPORTANT WORK, LIKE
BUZZLINE.
1713
01:52:19,209 --> 01:52:21,999
KEEP HIDING IN YOUR WORK.
>> HIDING?
1714
01:52:21,999 --> 01:52:23,999
FROM WHAT?
>> ♪ FACING YOUR FAILURE FACING
1715
01:52:23,999 --> 01:52:27,999
YOUR LONELINESS ♪
♪ FACING THE FACT YOU LIVE A
1716
01:52:28,501 --> 01:52:32,209
LIE ♪
♪ YES, YOU LIVE A LIE TELL YOU
1717
01:52:32,999 --> 01:52:36,751
WHY ♪
♪ YOU'RE ALWAYS PREACHING NOT TO
1718
01:52:38,000 --> 01:52:41,959
BE NUMB WHEN THAT'S HOW YOU
THRIVE ♪
1719
01:52:41,959 --> 01:52:44,209
♪ YOU SAY YOU KNOW HOW WE ALL
FEEL, BUT YOU REALLY DETACH FROM
1720
01:52:44,209 --> 01:52:47,834
FEELING ALIVE ♪
>> ♪ PERHAPS IT'S BECAUSE I'M
1721
01:52:47,999 --> 01:52:51,792
THE ONE OF US TO SURVIVE ♪
>> POOR BABY.
1722
01:52:58,709 --> 01:53:02,959
>> ♪ MIMI STILL LOVES ROGER IS
ROGER REALLY JEALOUS OR AFRAID
1723
01:53:02,959 --> 01:53:06,459
THAT MIMI'S WEAK ♪
>> ♪ MIMI DID LOOK PALE
1724
01:53:07,501 --> 01:53:11,667
>> ♪ MIMI'S GOTTEN THIN MIMI'S
RUNNING OUT OF TIME ROGER'S
1725
01:53:11,667 --> 01:53:15,000
RUNNING OUT THE DOOR -- ♪
>> ♪ NO MORE.
1726
01:53:15,000 --> 01:53:17,167
OH NO.
I'VE GOTTA GO ♪ I'LL CALL.
1727
01:53:26,125 --> 01:53:29,959
I HATE THE FALL.
♪ YOU HEARD?
1728
01:53:32,375 --> 01:53:36,209
>> ♪ EVERY WORD YOU DON'T WANT
BAGGAGE ♪
1729
01:53:43,083 --> 01:53:47,209
♪ WITHOUT LIFETIME GUARANTEES
YOU DON'T WANT TO WATCH ME
1730
01:53:47,999 --> 01:53:51,751
DIE? ♪
♪ I JUST CAME TO SAY GOODBYE,
1731
01:53:52,125 --> 01:53:55,999
LOVE ♪
♪ GOODBYE, LOVE CAME TO SAY
1732
01:53:57,626 --> 01:54:01,667
GOODBYE, LOVE, GOODBYE ♪
>> ♪ JUST TO CAME TO SAY
1733
01:54:03,000 --> 01:54:06,834
>> ♪ GLORY
>> ♪ GOODBYE LOVE
1734
01:54:07,250 --> 01:54:11,000
>> ♪ ONE BLAZE OF
>> ♪ GOODBYE LOVE
1735
01:54:11,209 --> 01:54:15,000
>> ♪ GLORY
>> ♪ GOODBYE LOVE, GOODBYE
1736
01:54:15,000 --> 01:54:16,250
>> ♪ I HAVE TO FIND
>> ♪ PLEASE DON'T TOUCH ME
1737
01:54:17,584 --> 01:54:21,459
UNDERSTAND ♪
♪ I'M SCARED I NEED TO GO AWAY
1738
01:54:21,459 --> 01:54:25,250
>> I KNOW A PLACE, A CLINIC.
>> A REHAB.
1739
01:54:25,250 --> 01:54:27,459
>> I COULD NEVER --
>> I'LL PAY.
1740
01:54:27,459 --> 01:54:30,209
>> ♪ GOODBYE LOVE GOODBYE LOVE
♪ CAME TO SAY GOODBYE, LOVE,
1741
01:54:31,999 --> 01:54:35,792
GOODBYE ♪
♪ JUST CAME TO SAY GOODBYE
1742
01:54:35,792 --> 01:54:37,042
LOVE ♪
♪ JUST CAME TO SAY GOODBYE
1743
01:54:41,292 --> 01:54:45,000
LOVE ♪
♪ GOODBYE LOVE GOODBYE LOVE
1744
01:54:49,792 --> 01:54:53,667
♪ HELLO DISEASE
>> ♪ OFF THE PREMISES NOW.?
1745
01:54:59,999 --> 01:55:04,209
WE DON'T GIVE HANDOUTS HERE. ♪
>> ♪ WHAT HAPPENED TO "REST IN
1746
01:55:04,209 --> 01:55:06,209
PEACE?" ♪
>> ♪ OFF THE PREMISES, QUEER.
1747
01:55:06,209 --> 01:55:09,000
>> HEY.
1748
01:55:09,000 --> 01:55:10,999
TELL THE PRIEST I'LL BE RIGHT IN
TO TAKE CARE OF IT.
1749
01:55:10,999 --> 01:55:13,000
AND WATCH YOUR MOUTH.
YOU'RE TALKING TO MY FRIEND.
1750
01:55:13,000 --> 01:55:14,751
>> MUST BE NICE TO HAVE MONEY.
>> SURE IS.
1751
01:55:14,751 --> 01:55:18,209
>> I THINK IT ONLY FAIR TO TELL
YOU, YOU JUST PAID FOR THE
1752
01:55:18,209 --> 01:55:20,667
FUNERAL OF THE PERSON WHO KILLED
YOUR DOG.
1753
01:55:20,667 --> 01:55:22,667
>> I KNOW.
1754
01:55:22,667 --> 01:55:24,000
I ALWAYS HATED THAT DOG.
LET'S PAY HIM OFF, THEN WE'LL
1755
01:55:24,000 --> 01:55:26,792
ALL GET DRUNK.
>> CAN'T.
1756
01:55:26,792 --> 01:55:28,000
I HAVE A BUSINESS MEETING.
>> PUNK.
1757
01:55:30,167 --> 01:55:33,751
>> LET'S GO.
>> WELL.
1758
01:55:33,751 --> 01:55:34,667
I GUESS I'M OFF TO SELL MY SOUL.
1759
01:55:34,667 --> 01:55:37,751
"MARK COHEN, FOR BUZZLINE.
1760
01:55:37,751 --> 01:55:39,999
COMING UP, DEVIL WORSHIPING
WELFARE QUEENS ARE COMING TO
1761
01:55:39,999 --> 01:55:41,751
TAKE YOUR JOBS."
OH MY GOD, WHAT AM I DOING?
1762
01:55:44,918 --> 01:55:48,834
♪ DON'T BREATHE TOO DEEP DON'T
THINK ALL DAY ♪
1763
01:55:51,417 --> 01:55:55,167
♪ DIVE INTO WORK DRIVE THE OTHER
WAY ♪
1764
01:56:01,209 --> 01:56:05,000
♪ THAT DRIP OF HURT THAT PINT OF
SHAME ♪
1765
01:56:05,000 --> 01:56:09,000
♪ GOES AWAY JUST PLAY THE GAME
♪ YOU'RE LIVING IN AMERICA AT
1766
01:56:13,999 --> 01:56:18,000
THE END OF THE MILLENNIUM ♪
♪ YOU'RE LIVING IN AMERICA LEAVE
1767
01:56:21,999 --> 01:56:26,042
YOUR CONSCIENCE AT THE TONE ♪
♪ AND WHEN YOU'RE LIVING IN
1768
01:56:28,250 --> 01:56:32,000
AMERICA AT THE END OF THE
MILLENNIUM ♪
1769
01:56:34,167 --> 01:56:38,250
♪ YOU'RE WHAT YOU OWN
>> ♪ THE FILMMAKER CANNOT SEE
1770
01:56:42,999 --> 01:56:46,792
>> ♪ AND THE SONGWRITER CANNOT
HEAR ♪
1771
01:56:46,792 --> 01:56:50,334
>> ♪ YET I SEE MIMI EVERYWHERE
>> ♪ ANGEL'S VOICE IS IN MY
1772
01:56:51,459 --> 01:56:55,042
EAR ♪
>> ♪ JUST TIGHTEN THOSE
1773
01:56:55,209 --> 01:56:59,042
SHOULDERS ♪
>> ♪ JUST CLENCH YOUR JAW TIL
1774
01:56:59,042 --> 01:57:02,042
YOU FROWN ♪
>> ♪ JUST DON'T LET GO
1775
01:57:02,999 --> 01:57:06,999
>> ♪ OR YOU MAY DROWN
♪ YOU'RE LIVING IN AMERICA AT
1776
01:57:09,999 --> 01:57:14,000
THE END OF THE MILLENNIUM ♪
♪ YOU'RE LIVING IN AMERICA WHERE
1777
01:57:17,584 --> 01:57:21,751
IT'S LIKE THE TWILIGHT ZONE ♪
♪ AND WHEN YOU'RE LIVING IN
1778
01:57:24,375 --> 01:57:28,459
AMERICA AT THE END OF THE
MILLENNIUM ♪ YOU'RE WHAT YOU
1779
01:57:34,042 --> 01:57:38,250
OWN SO I OWN NOT A NOTION ♪ I
ESCAPE AND APE CONTENT I DON'T
1780
01:57:42,542 --> 01:57:46,751
OWN EMOTION, I RENT ♪ WHAT WAS
IT ABOUT THAT NIGHT WHAT WAS IT
1781
01:57:49,999 --> 01:57:54,042
ABOUT THAT NIGHT ♪ CONNECTION
IN AN ISOLATING AGE ♪ FOR ONCE
1782
01:57:55,292 --> 01:57:59,459
THE SHADOWS GAVE WAY TO LIGHT
FOR ONCE THE SHADOWS GAVE WAY TO
1783
01:57:59,459 --> 01:58:01,417
LIGHT ♪ FOR ONCE I DIDN'T
DISENGAGE ANGEL, MIMI ♪ I HEAR
1784
01:58:05,542 --> 01:58:09,751
YOU I SEE YOU I HEAR IT I SEE
IT ♪ I SEE IT I HEAR IT I SEE
1785
01:58:15,334 --> 01:58:18,959
IT I HEAR IT ♪ MY FILM!
1786
01:58:19,959 --> 01:58:23,209
MY SONG! ♪ ALEXI?
1787
01:58:23,209 --> 01:58:26,250
ONE SONG ♪ MARK GLORY CALL ME
A HYPOCRITE MIMI ♪ BUT I
1788
01:58:28,584 --> 01:58:32,792
NEED -- YOUR EYES I QUIT. ♪
>> ♪ DYING IN AMERICA AT THE END
1789
01:58:34,167 --> 01:58:38,250
OF THE MILLENNIUM ♪ WE'RE
DYING IN AMERICA TO COME INTO
1790
01:58:40,959 --> 01:58:44,999
OUR OWN ♪ BUT WHEN YOU'RE
DYING IN AMERICA AT THE END OF
1791
01:58:47,209 --> 01:58:51,417
THE MILLENNIUM ♪ YOU'RE NOT
ALONE ♪ I'M NOT ALONE I'M NOT
1792
01:58:59,501 --> 01:59:02,999
ALONE ♪
♪ SPEAK
1793
01:59:29,083 --> 01:59:32,834
♪ ROGER
THIS IS YOUR MOTHER ♪
1794
01:59:32,834 --> 01:59:35,584
♪ ROGER, HONEY
I DON'T GET THESE
1795
01:59:35,584 --> 01:59:38,792
POSTCARDS ♪
♪ MOVING TO SANTA FE, BACK IN
1796
01:59:43,876 --> 01:59:47,959
NEW YORK, STARTING A ROCK BAND ♪
♪ ROGER WHERE ARE YOU
1797
01:59:53,918 --> 01:59:57,417
♪ MIMI, CHICA
DONDE ESTAS? ♪
1798
01:59:57,417 --> 01:59:58,626
♪ TU MAMA ESTA LLAMANDO
DONDE ESTAS MIMI? ♪
1799
01:59:58,626 --> 01:59:59,751
♪ KITTEN
WHEREVER ARE YOU ♪
1800
01:59:59,751 --> 02:00:01,334
♪ MARK, ARE YOU THERE
ARE YOU THERE ♪
1801
02:00:01,334 --> 02:00:04,999
♪ I DON'T KNOW IF HE'S THERE
WE'RE ALL HERE WISHING YOU
1802
02:00:04,999 --> 02:00:07,751
WERE HERE TOO ♪
♪ WHERE ARE YOU
1803
02:00:07,751 --> 02:00:09,209
MARK, ARE YOU THERE
ARE YOU ♪
1804
02:00:09,209 --> 02:00:10,042
♪ WHERE ARE YOU MARK
ARE YOU THERE
1805
02:00:10,042 --> 02:00:11,167
ARE YOU THERE ♪
♪ I DON'T KNOW IF
1806
02:00:11,167 --> 02:00:13,250
♪ PLEASE CALL
♪ YOUR MOTHER
1807
02:00:19,584 --> 02:00:23,000
♪ DECEMBER 24
10:00 PM ♪
1808
02:00:23,000 --> 02:00:25,999
♪ EASTERN STANDARD TIME I CAN'T
BELIEVE A YEAR WENT
1809
02:00:25,999 --> 02:00:27,999
BY SO FAST ♪
♪ NOW WE MEASURE HOW
1810
02:00:27,999 --> 02:00:31,167
THE YEAR HAS PASSED
TURN THE PROJECTOR ON ♪
1811
02:00:34,375 --> 02:00:38,125
♪ FIRST SHOT ROGER
WITH THE FENDER GUITAR
1812
02:00:38,125 --> 02:00:39,459
HE JUST GOT OUT OF HOCK ♪
♪ WHEN HE SOLD THE CAR
1813
02:00:39,459 --> 02:00:41,459
THAT TOOK HIM AWAY
AND BACK ♪
1814
02:00:41,459 --> 02:00:43,000
♪ I FOUND MY SONG
♪ FOUND HIS SONG
1815
02:00:43,000 --> 02:00:45,459
IF HE COULD JUST
FIND MIMI ♪
1816
02:00:45,959 --> 02:00:49,417
>> I TRIED - YOU KNOW I TRIED.
1817
02:00:49,417 --> 02:00:50,999
♪ FADE IN ON MARK
WHO'S STILL IN THE DARK ♪
1818
02:00:51,792 --> 02:00:55,334
♪ BUT HE'S GOT
GREAT FOOTAGE ♪
1819
02:00:55,334 --> 02:00:56,999
♪ WHICH HE'S CUT TOGETHER
♪ TO SCREEN TONIGHT
1820
02:00:59,834 --> 02:01:03,209
>> FOR AN AUDIENCE OF ONE.
1821
02:01:03,209 --> 02:01:05,125
>> A NON-PAYING AUDIENCE OF ONE.
1822
02:01:05,125 --> 02:01:05,999
>> THIS IS GONNA BE GOOD.
1823
02:01:05,999 --> 02:01:07,209
>> YOU DON'T HAVE TO SAY THAT.
1824
02:01:07,209 --> 02:01:08,000
>> I MEAN IT.
1825
02:01:09,751 --> 02:01:13,250
I'M GLAD YOU'RE WORKING ON THIS.
1826
02:01:13,250 --> 02:01:14,999
>> I'M GLAD YOU'RE HOME.
1827
02:01:16,167 --> 02:01:20,042
>> THEN AGAIN, MAYBE WE WON'T
SCREEN IT TONIGHT.
1828
02:01:20,042 --> 02:01:21,459
>> I CAN FIX IT.
1829
02:01:21,459 --> 02:01:22,999
I JUST NEED TO FIGURE OUT HOW TO
FIND THE FLASHLIGHT IN THE DARK.
1830
02:01:22,999 --> 02:01:24,999
WITHOUT A FLASHLIGHT.
1831
02:01:24,999 --> 02:01:28,999
>> MAN, WHAT DO YOU TWO DO WHEN
I'M NOT HERE?
1832
02:01:28,999 --> 02:01:31,751
>> I HAD A LITTLE HUNCH.
1833
02:01:31,751 --> 02:01:33,250
YOU COULD USE A LITTLE FLOW.
1834
02:01:33,250 --> 02:01:35,999
♪ TUTORING AGAIN?
>> NEGATIVE.
1835
02:01:35,999 --> 02:01:38,000
>> BACK AT N.Y.U.?
1836
02:01:38,000 --> 02:01:39,250
>> NO, NO, NO --
I REWIRED THE ATM AT THE FOOD
1837
02:01:39,667 --> 02:01:42,959
EMPORIUM.
1838
02:01:42,959 --> 02:01:45,667
TO PROVIDE AN HONORARIUM TO
ANYONE WITH THE CODE.
1839
02:01:46,000 --> 02:01:49,667
♪ THE CODE
♪ A-N-G-E-L
1840
02:01:53,250 --> 02:01:57,000
>> YET, ROBIN HOODING ISN'T THE
SOLUTION.
1841
02:01:57,000 --> 02:02:00,334
THE POWERS THAT BE MUST BE
UNDERMINED WHERE THEY DWELL.
1842
02:02:01,250 --> 02:02:05,042
IN A SMALL, EXCLUSIVE GOURMET
INSTITUTION --
1843
02:02:05,999 --> 02:02:09,834
♪ WHERE WE OVERCHARGE
THE WEALTHY CLIENTELE ♪
1844
02:02:09,834 --> 02:02:12,999
♪ LET'S OPEN UP A
RESTAURANT IN ♪
1845
02:02:12,999 --> 02:02:14,042
♪ AHH, AHH
♪ SANTA FE
1846
02:02:14,042 --> 02:02:16,000
♪ SANTA FE
♪ WITH A PRIVATE
1847
02:02:16,000 --> 02:02:18,000
CORNER BANQUETTE ♪
♪ AHH, AHH
1848
02:02:18,000 --> 02:02:19,999
♪ IN THE BACK
♪ IN THE BACK
1849
02:02:19,999 --> 02:02:21,834
♪ WE'LL MAKE IT YET
♪ AHH, AHH
1850
02:02:21,834 --> 02:02:23,334
♪ WE'LL SOMEHOW GET TO
SANTA FE ♪
1851
02:02:23,334 --> 02:02:25,250
♪ SANTA FE
♪ BUT YOU'D MISS NEW YORK
1852
02:02:25,250 --> 02:02:26,999
BEFORE YOU COULD UNPACK ♪
♪ OHH
1853
02:02:31,709 --> 02:02:34,959
♪ MARK!
1854
02:02:34,959 --> 02:02:35,999
ROGER!
1855
02:02:35,999 --> 02:02:37,042
ANYONE ♪
♪ HELP!
1856
02:02:37,042 --> 02:02:39,999
♪ MAUREEN?
>> IT'S MIMI - WE CAN'T GET HER
1857
02:02:39,999 --> 02:02:41,834
UP THE STAIRS.
1858
02:02:41,834 --> 02:02:44,417
♪ NO!
♪ SHE WAS HUDDLED IN THE PARK
1859
02:02:48,542 --> 02:02:52,209
IN THE DARK ♪
♪ AND SHE WAS FREEZING
1860
02:02:52,999 --> 02:02:56,999
AND BEGGED TO SEE YOU ♪
>> LET'S GET HER INSIDE.
1861
02:02:56,999 --> 02:02:59,459
>> OH GOD.
1862
02:02:59,459 --> 02:03:00,209
>> ROGER --
♪ GOT A LIGHT
1863
02:03:01,751 --> 02:03:05,250
I KNOW YOU
YOU'RE SHIVERING ♪
1864
02:03:05,626 --> 02:03:09,250
>> SHE'S BEEN LIVING ON THE
STREET.
1865
02:03:09,250 --> 02:03:11,334
>> WE NEED SOME HEAT.
1866
02:03:11,334 --> 02:03:12,167
>> I'M SHIVERING.
1867
02:03:12,167 --> 02:03:14,042
>> WE CAN BUY SOME WOOD, AND
SOMETHING TO EAT.
1868
02:03:15,459 --> 02:03:19,209
♪ I'M AFRAID SHE NEEDS
MORE THAN HEAT ♪
1869
02:03:19,959 --> 02:03:23,125
>> I HEARD THAT.
1870
02:03:23,125 --> 02:03:25,751
♪ COLLINS WILL CALL FOR
A DOCTOR, HONEY ♪
1871
02:03:26,000 --> 02:03:29,999
♪ DON'T WASTE YOUR MONEY
ON MIMI, ME, ME ♪
1872
02:03:29,999 --> 02:03:32,417
>> HELLO?
1873
02:03:32,417 --> 02:03:32,999
911?
1874
02:03:32,999 --> 02:03:33,584
I'M ON HOLD.
1875
02:03:33,584 --> 02:03:35,584
COLD, COLD --
♪ WOULD YOU LIGHT
1876
02:03:35,584 --> 02:03:37,584
MY CANDLE ♪
>> YES.
1877
02:03:39,125 --> 02:03:42,751
>> OH, GOD --
♪ FIND A
1878
02:03:44,501 --> 02:03:48,209
♪ I SHOULD TELL YOU
I SHOULD TELL YOU ♪
1879
02:03:50,501 --> 02:03:54,209
♪ I SHOULD TELL YOU
I SHOULD TELL YOU ♪
1880
02:03:54,209 --> 02:03:57,417
♪ I SHOULD TELL YOU
BENNY WASN'T ANY ♪
1881
02:04:03,834 --> 02:04:07,000
>> SHHH I KNOW.
1882
02:04:07,626 --> 02:04:11,209
♪ I SHOULD TELL YOU
WHY I LEFT ♪
1883
02:04:11,209 --> 02:04:13,999
♪ IT WASN'T â o~CAUSE
I DIDN'T ♪
1884
02:04:13,999 --> 02:04:15,000
♪ I KNOW
I SHOULD TELL YOU ♪
1885
02:04:15,000 --> 02:04:16,000
♪ I SHOULD TELL YOU
♪ I SHOULD TELL YOU
1886
02:04:16,000 --> 02:04:18,250
I LOVE YOU ♪
♪ WHO DO YOU THINK
1887
02:04:24,751 --> 02:04:28,334
I LOVE YOU ♪
♪ WHO DO YOU THINK
1888
02:04:29,999 --> 02:04:33,792
YOU ARE? ♪
♪ LEAVING ME ALONE WITH
1889
02:04:33,792 --> 02:04:36,999
MY GUITAR ♪
♪ HOLD ON
1890
02:04:37,083 --> 02:04:40,999
♪ THERE'S SOMETHING YOU
SHOULD HEAR ♪
1891
02:04:41,999 --> 02:04:45,751
♪ IT ISN'T MUCH BUT IT
TOOK ALL YEAR ♪
1892
02:04:54,584 --> 02:04:58,250
♪ YOUR EYES
AS WE SAID OUR GOODBYES ♪
1893
02:05:04,209 --> 02:05:07,999
♪ CAN'T GET THEM OUT OF
MY MIND
1894
02:05:07,999 --> 02:05:10,999
AND I FIND ♪
♪ I CAN'T HIDE FROM
1895
02:05:13,209 --> 02:05:16,999
YOUR EYES ♪
♪ THE ONES THAT TOOK ME
1896
02:05:19,542 --> 02:05:23,250
BY SURPRISE ♪
♪ THE NIGHT YOU CAME INTO
1897
02:05:23,626 --> 02:05:27,250
MY LIFE ♪
♪ WHERE THERE'S MOONLIGHT
1898
02:05:29,125 --> 02:05:32,999
I SEE YOUR EYES ♪
♪ HOW'D I LET YOU SLIP AWAY
1899
02:05:38,876 --> 02:05:42,459
WHEN I'M LONGING SO TO
HOLD YOU ♪
1900
02:05:43,626 --> 02:05:47,209
♪ NOW I'D DIE FOR
ONE MORE DAY ♪
1901
02:05:47,209 --> 02:05:49,999
♪ 'CAUSE THERE'S SOMETHING
I SHOULD HAVE TOLD YOU ♪
1902
02:05:50,834 --> 02:05:54,792
♪ YES, THERE'S SOMETHING
I SHOULD HAVE TOLD YOU ♪
1903
02:05:57,375 --> 02:06:00,999
♪ WHEN I LOOKED INTO
YOUR EYES ♪
1904
02:06:00,999 --> 02:06:04,250
♪ WHY DOES DISTANCE MAKE
US WISE? ♪
1905
02:06:05,459 --> 02:06:09,000
♪ YOU WERE THE SONG
ALL ALONG ♪
1906
02:06:10,709 --> 02:06:14,209
♪ AND BEFORE THE
SONG DIES ♪
1907
02:06:16,459 --> 02:06:20,167
♪ I SHOULD TELL YOU
I SHOULD TELL YOU ♪
1908
02:06:21,751 --> 02:06:25,751
♪ I HAVE ALWAYS LOVED YOU
YOU CAN SEE IT IN MY EYES ♪
1909
02:06:31,792 --> 02:06:35,792
♪ I HAVE ALWAYS LOVED YOU
YOU CAN SEE IT IN MY EYES ♪
1910
02:06:45,751 --> 02:06:49,167
♪ MIMI!
♪ MOOOOOOOOOO!
1911
02:06:55,792 --> 02:06:59,209
♪ MIMI!
♪ MOOOOOOOOOO!
1912
02:07:04,334 --> 02:07:09,334
♪ MIMI!
♪ MOOOOOOOOOO!
1913
02:07:15,751 --> 02:07:18,999
>> WHAT?
1914
02:07:18,999 --> 02:07:21,125
>> I JUMPED OVER THE MOOOOOOON!
1915
02:07:21,125 --> 02:07:21,999
>> YES!
1916
02:07:22,209 --> 02:07:25,751
>> I WAS IN A TUNNEL.
1917
02:07:25,751 --> 02:07:28,959
HEADING FOR THIS WARM, WHITE
LIGHT --
1918
02:07:28,959 --> 02:07:29,999
>> OH, MY GOD.
1919
02:07:29,999 --> 02:07:31,042
>> AND I SWEAR ANGEL WAS THERE.
1920
02:07:31,042 --> 02:07:34,417
AND SHE LOOKED GOOD!
1921
02:07:34,417 --> 02:07:37,999
AND SHE SAID, "TURN AROUND
GIRLFRIEND, AND LISTEN TO THAT
1922
02:07:37,999 --> 02:07:41,167
BOY'S SONG --"
♪ SHE'S DRENCHED
1923
02:07:41,167 --> 02:07:43,542
♪ HER FEVER'S BREAKING
♪ THERE IS NO FUTURE
1924
02:07:47,125 --> 02:07:50,999
THERE IS NO PAST ♪
♪ THANK GOD THIS MOMENT'S
1925
02:07:54,626 --> 02:07:58,209
NOT THE LAST ♪
♪ THERE'S ONLY US
1926
02:08:02,999 --> 02:08:06,999
THERE'S ONLY THIS ♪
♪ FORGET REGRET OR LIFE
1927
02:08:09,542 --> 02:08:13,250
IS YOURS TO MISS ♪
♪ NO OTHER ROAD NO
1928
02:08:14,000 --> 02:08:17,751
OTHER WAY
NO DAY BUT TODAY ♪
1929
02:08:25,167 --> 02:08:29,000
♪ I CAN'T CONTROL
♪ WILL I LOSE MY DIGNITY
1930
02:08:30,584 --> 02:08:34,209
♪ MY DESTINY
♪ WILL SOMEONE CARE
1931
02:08:37,999 --> 02:08:41,999
♪ I TRUST MY SOUL
♪ WILL I WAKE TOMORROW
1932
02:08:41,999 --> 02:08:44,751
♪ MY ONLY GOAL
♪ FROM THIS
1933
02:08:47,250 --> 02:08:50,999
♪ IS JUST TO BE
♪ NIGHTMARE
1934
02:08:50,999 --> 02:08:54,584
♪ WITHOUT YOU
♪ THERE'S ONLY NOW
1935
02:08:54,584 --> 02:08:56,751
♪ THE HAND GROPES
♪ THERE'S ONLY
1936
02:08:56,751 --> 02:08:58,542
♪ THE EAR HEARS
♪ HERE
1937
02:08:58,542 --> 02:09:00,999
♪ THE PULSE BEATS
♪ GIVE IN TO LOVE
1938
02:09:00,999 --> 02:09:04,459
♪ LIFE GOES ON
♪ OR LIVE IN FEAR
1939
02:09:04,459 --> 02:09:07,999
♪ BUT I'M GONE
♪ NO OTHER PATH
1940
02:09:07,999 --> 02:09:11,125
♪ â CAUSE ♪
♪ NO OTHER WAY
1941
02:09:11,125 --> 02:09:13,999
♪ I DIE WITHOUT YOU
NO DAY BUT TODAY ♪
1942
02:09:13,999 --> 02:09:16,250
♪ I DIE WITHOUT YOU
NO DAY BUT TODAY ♪
1943
02:09:20,042 --> 02:09:23,999
♪ I DIE WITHOUT YOU
NO DAY BUT TODAY ♪
1944
02:09:24,501 --> 02:09:28,209
♪ I DIE WITHOUT YOU
NO DAY BUT TODAY ♪
1945
02:09:28,999 --> 02:09:32,751
♪ I DIE WITHOUT YOU
NO DAY BUT TODAY ♪
1946
02:09:32,751 --> 02:09:36,209
♪ I DIE WITHOUT YOU
NO DAY BUT TODAY ♪
1947
02:09:37,751 --> 02:09:41,459
♪ I DIE WITHOUT YOU
NO DAY BUT TODAY ♪
1948
02:09:45,542 --> 02:09:49,250
♪ I DIE WITHOUT YOU
NO DAY BUT TODAY ♪
1949
02:09:50,167 --> 02:09:54,042
♪ NO DAY BUT TODAY
♪ FIVE HUNDRED TWENTY-FIVE
1950
02:09:55,542 --> 02:09:59,250
THOUSAND ♪
♪ FIVE HUNDRED TWENTY-FIVE
1951
02:10:05,626 --> 02:10:09,334
THOUSAND ♪
♪ FIVE HUNDRED TWENTY-FIVE
1952
02:10:14,459 --> 02:10:19,459
THOUSAND ♪
♪ FIVE HUNDRED TWENTY-FIVE
1953
02:10:25,626 --> 02:10:29,334
THOUSAND ♪
♪ FIVE HUNDRED TWENTY-FIVE
1954
02:10:34,459 --> 02:10:39,459
THOUSAND ♪
♪ FIVE HUNDRED TWENTY-FIVE
1955
02:10:41,751 --> 02:10:45,334
THOUSAND ♪
♪ SIX HUNDRED MINUTES
1956
02:10:46,334 --> 02:10:49,999
FIVE HUNDRED
TWENTY-FIVE THOUSAND ♪
1957
02:10:50,501 --> 02:10:54,000
♪ MOMENTS SO DEAR
ELVE HUNDRED
1958
02:10:54,000 --> 02:10:57,125
TWENTY-FIVE THOUSAND ♪
♪ SIX HUNDRED MINUTES
1959
02:10:57,125 --> 02:11:00,834
HOW DO YOU MEASURE
MEASURE A YEAR? ♪
1960
02:11:07,417 --> 02:11:11,042
♪ HOW ABOUT LOVE
♪ HOW ABOUT LOVE
1961
02:11:14,876 --> 02:11:18,542
♪ HOW ABOUT LOVE
♪ MEASURE IN LOVE
1962
02:11:25,042 --> 02:11:28,751
♪ SEASONS OF LOVE
♪ LOVE
1963
02:11:30,876 --> 02:11:34,209
♪ SEASONS OF
♪ LOVE
1964
02:11:42,999 --> 02:11:46,792
♪ FIVE HUNDRED TWENTY-FIVE
THOUSAND ♪
1965
02:11:46,792 --> 02:11:47,999
♪ SIX HUNDRED MINUTES
FIVE HUNDRED
1966
02:11:47,999 --> 02:11:48,999
TWENTY-FIVE THOUSAND ♪
♪ JOURNEYS TO PLAN
1967
02:11:48,999 --> 02:11:50,000
♪ FIVE HUNDRED TWENTY-FIVE
THOUSAND ♪
1968
02:11:50,000 --> 02:11:51,542
♪ SIX HUNDRED MINUTES
HOW DO YOU MEASURE
1969
02:11:51,542 --> 02:11:55,000
THE LIFE ♪
♪ OF A WOMAN OR A MAN?
1970
02:11:56,125 --> 02:12:00,209
♪ IN TRUTHS THAT SHE LEARNED
OR IN TIMES THAT HE CRIED ♪
1971
02:12:01,626 --> 02:12:05,417
♪ IN BRIDGES HE BURNED
OR THE WAY THAT SHE
1972
02:12:05,417 --> 02:12:08,000
DIED ♪
♪ IT'S TIME NOW
1973
02:12:08,000 --> 02:12:11,334
TO SING OUT ♪
♪ THO' THE STORY NEVER ENDS
1974
02:12:13,959 --> 02:12:17,751
LET'S CELEBRATE ♪
♪ REMEMBER A YEAR IN THE
1975
02:12:17,751 --> 02:12:19,250
LIFE OF FRIENDS ♪
♪ REMEMBER THE LOVE
1976
02:12:19,250 --> 02:12:22,000
REMEMBER THE LOVE
REMEMBER THE LOVE ♪
1977
02:12:25,417 --> 02:12:29,209
♪ MEASURE IN LOVE
♪ MEASURE, MEASURE YOUR
1978
02:12:31,542 --> 02:12:35,167
LIFE IN LOVE ♪
♪ SEASONS OF LOVE
1979
02:12:41,584 --> 02:12:45,209
LIFE IN LOVE ♪
♪ SEASONS OF LOVE
1980
02:12:51,999 --> 02:12:55,417
♪ SEASONS OF LOVE
154501
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